Pixel Scroll 7/11/17 Be Kind To Your Scroll-Footed Friends, For A Duck May Be Somebody’s Pixel!

(1) NEW WFA TROPHIES ON THE WAY. Kim Williams, chair of the 2016 World Fantasy Con, told readers of WFC’s Facebook page that last year’s WFA winners, given certificates at the 2016 award ceremony in Columbus, OH will soon be receiving copies of the new statuette created by Vincent Villafranca.

Vincent Villafranca’s design was chosen to replace the Lovecraft bust trophy by the World Fantasy Awards Administration and the Board of the World Fantasy Convention following a year-long public competition.

(2) OMNI REBOOTS AMID RIGHTS LITIGATION. Penthouse Global Media, on July 10, announced the acquisition of OMNI magazine and that its upcoming issue is slated for print publication in late October.

“As Penthouse Global Media enters its second year under new ownership, our driving principle is to put all of the pieces of the brand back together again.  As a result of decades of neglect, much of this company’s brilliant legacy was lost…until now,” stated Penthouse CEO Kelly Holland. “I am proud to announce that one of those casualties, OMNI—the magazine of science and science fiction, heralded as one of Guccione’s most iconic brands—is once again a part of the Penthouse family where it belongs.  Thanks in large part to Pamela Weintraub, one of OMNI‘s original editors, who had the foresight to bring the brand back to life by re-registering the trademarks and launching a digital site, she, along with many of the original OMNI staff, will deliver the award-winning magazine to newsstands once again.”

Only days ago, to protect its intellectual property, Penthouse Global Media sued Jerrick Media, and various other defendants including Jerrick Media Holdings Inc., Jeremy Frommer, and actor Jared Leto, for copyright infringement, trademark infringement, unfair competition and false advertising, among other claims.

The lawsuit states:

Despite the fact that an application for registration of the OMNI Marks in connection with magazines had already been filed with the USPTO by Penthouse’s predecessor in interest, signaling to the world that the OMNI Marks were not available for use by Defendants, in 2013, Defendants Frommer and Schwartz again willfully and blatantly disregarded the intellectual property rights of others and began planning to publish an online science and science fiction magazine using the OMNI Marks and to republish and sell archival material from the original OMNI magazine. 29.

On or about June 27, 2013, Defendant Jerrick Ventures, LLC filed an application for registration of the purported trademark OMNI REBOOT (Serial No. 85,972,230), which registration was refused by the United States Patent and Trademark Office because of a likelihood of confusion with a registered OMNI Mark. On or about May 31, 2016, Jerrick Ventures, LLC filed a cancellation  proceeding before the Trademark Trial and Appeal Board (“TTAB”) seeking to cancel the OMNI Mark (Cancellation No. 92063829). Because Penthouse General Media seeks a declaration in the present action that its registered OMNI Marks are valid and should not be cancelled, it will seek to have the cancellation proceeding  before the TTAB stayed pending the judgment in this action. 30.

Despite knowing of the existence of the registered OMNI Marks, and despite being denied registration of Omni Reboot, Defendants nonetheless  proceeded to willfully and blatantly infringe on the OMNI Marks by operating an online magazine at https://omni.media, which it refers to as OMNI Reboot, that not only uses the OMNI Marks in connection with the publication of an online magazine featuring science and science fiction topics, but also contains archival material from the original OMNI magazine, including magazine articles and reproductions of OMNI magazine covers, all without the permission or consent of Penthouse.

Jeremy Frommer’s claims to the rights are allegedly based on an auction purchase:

Frommer bought at an auction erotic photography, films and historical documents, among other things associated with Guccione and Penthouse. He then began reselling those and other related items online, according to the complaint, and allowing the public to view Caligula for a fee. That triggered the first round of this fight in bankruptcy court in 2013, but the parties mutually dismissed their claims without prejudice.

Penthouse’s Holland minimizes that claim:

“We at Penthouse don’t believe a person can acquire the rights to a brand simply by stumbling upon some of its products,” Holland said. “If you buy a DC comic book at a garage sale it doesn’t give you the rights to make a ‘Wonder Woman’ movie, nor does one have a right to our legacy because they found an old Omni magazine.”

(3) PUBLICLY CHOSEN GARGOYLE. The Washington Post’s Marylou Tousignant found some items of fannish interest at the Washington National Cathedral.

Washington National Cathedral, the sixth-largest cathedral in the world, has 215 stained-glass windows. The most popular holds a piece of moon rock brought back by the Apollo 11 astronauts in 1969.

Another must-see is Darth Vader, carved into the cathedral’s north side. The “Star Wars” villain was one of four winning designs by middle-schoolers in a 1985 contest. Vader is one of 1,242 weird creatures staring down from the cathedral’s neck­stretching exterior.

(4) EYECATCHING. Marvel Comics will release lenticular covers for Marvel Legacy.

The biggest stories and most epic team-ups come to MARVEL LEGACY this fall, and now you can hold the past and the future in your hands! Today, Marvel is proud to announce that all of the Marvel Legacy homage variants will be available as lenticular covers – a true celebration of Marvel’s history and expansive universe!

As seen on Newsarama, all of Marvel Legacy’s homage variants were previously unveiled, showcasing the new Marvel Legacy line-up and classic covers of the past. Don’t miss your chance to own a part of Marvel history – enhance your collection with all of Marvel Legacy’s lenticular covers, coming to comic shops this fall.

(5) DID YOU WONDER? What will the next Wonder Woman movie be about? ” Rumor of the day: Diana will face off against the USSR in Wonder Woman 2″.

With Russia in the news so much these days, The Wrap has said in an unsourced report that Wonder Woman 2 will take place during the 1980s and feature Diana of Themyscira going head-to-head with agents of the Soviet Union.

That means that like its predecessor, Wonder Woman 2 will be a period piece — only not as far in the past as the World War I setting of Diana’s first standalone adventure.

Although Patty Jenkins is not officially confirmed to return as director, she is said to be developing the script for Wonder Woman 2 with DC Entertainment co-president Geoff Johns. And while the story will allegedly feature the USSR in an antagonistic capacity, there’s no word on whether other villains from Wonder Woman’s published history will appear as well.

(6) THE PAYOFF. Marvel says Secret Empire #9 will reveal Steve Rogers’ secret. On sale August 23.

When Steve Rogers was revealed to be an agent of Hydra due to the manipulations of Red Skull, the Marvel Universe was rocked to its core. Now, it’s the moment fans have been waiting for – and you’re not going to want to miss this reveal!

What is the secret of Steve Rogers? And how will it affect the Marvel Universe as we know it?

(7) WHY IT’S HARDER TO FIND GOOD REVIEWS. Speculiction’s Jesse Hudson, in “And the drop is due to”,  charts the site’s declining number of book reviews against his rising familiarity with PlayStation 3 games. He is in awe of the current gaming technology.

It’s no secret that modern video games are exponentially more realistic and immersive than their pixel and dot forebears.  For the unaware, the degree of realism and immersion in today’s video games is essentially one degree removed from cinematics—a gap that will be covered in the next few years, for sure.  What this means is that game creators are able to put players, as much as is possible, into the shoes of the characters running around the imagined worlds on screen.  Being a detective, mighty warrior (or warrioress), or space marine is this close.  Game developers have done all the work to give you agency in what are essentially silver screen experiences.  Instead of watching a movie, you become part of the movie, directing the character, depending on the game, through the story.  I still fully appreciate novels for retaining the distance between sensual and imagined reality—for forcing the reader to use their imagination.  But I also appreciate what modern gaming is doing to virtually eliminate this distance; if the game’s world and gameplay are well-developed and unique, then so too can be the experience.

(8) THOUGHTS THUNK WHILE THINKING. Nancy Kress tells about her Big Idea for Tomorrow’s Kin at Whatever.

Your mind does not work the way you think it does.

You probably assume that you consider data and come to rational conclusions. But all too often, people don’t take into account such pesky tendencies as confirmation bias (“This fact confirms what I already believe so it gets more weight”) Or polarization (“This situation is all good/bad”). Or emotionalism (“I feel this so it must be true”), a need for control (“I’m looking at what I can change and nothing else”), presentism (“The future will be like the present only maybe a little more so”), or scapegoating (“If this isn’t as I wish it to be, someone must be to blame!”)

When I set out to extend my novella “Yesterday’s Kin” into the novel Tomorrow’s Kin, which takes the story ten years farther along, I wanted to write about these distortions in your thinking. Oh, not you in particular (how do I know what you’re thinking as you read this—maybe it’s “She doesn’t mean me. I’m different.”) What interested me—especially in the current political climate—is the public mind as it relates to science and the perception of science….

(9) CROWLEY’S TIME HAS COME. Tor.com’s Matthew Keeley has published a brief profile of John Crowley, “Predicting the Future and Remembering the Past with John Crowley”, an author he notes is best known for his book Little, Big, but regrets is still not very well-known outside writing circles. The article aims to change this situation:

At Readercon a few years ago, I attended a panel on favorite science fiction and fantasy books. One author, one of the best working today, talked about the near-impossibility of writing a book so perfect as John Crowley’s Little, Big. There were wistful sighs from writers in the audience and nodded agreements from other panelists. Everyone in the room at that most bookish convention recognized that competing with Crowley was impossible.

Yet in many fan circles Crowley remains unknown. This literary master of the hermetic, hidden, and esoteric has for too long been as hidden as the obscure histories, gnostic theorists, and addled visionaries that populate his work. Despite the many awards; despite the praise of luminaries both inside the genre community, like Ursula K. Le Guin and Thomas Disch, and outside it, like Harold Bloom; despite his inclusion in both Bloom’s Western Canon and Gollancz’s Fantasy Masterworks, most fantasy readers don’t read him. Perhaps this is the year that changes.

(10) MARTINELLI OBIT. Italian-born actress Elsa Martinelli died of cancer in Rome on July 8. She was 82. Her genre work included The 10th Victim (1965), based on the Robert Sheckley novel.

(11) TODAY IN HISTORY

  • July 11, 1997 — On this day in 1997, Carl Sagan’s Contact entered theatres.
  • July 11, 2014 Dawn of the Planet of the Apes premiered theatrically.

(12) TODAY’S BIRTHDAY BOYS

  • Born July 11, 1899 – E.B. White
  • Born July 11, 1913 — Paul Myron Anthony Linebarger — better known by his pseudonym, Cordwainer Smith

(13) JEOPARDY! CONTESTANT. On the July 11 episode of Jeopardy!, Kelly Lasiter, from the St. Louis area, admitted she’s an SF fan who attends conventions in the area, and went to the 2016 Worldcon in Kansas City.

She won the game, with $22,800, and will play again on Wednesday.

(14) WHERE THE GEEKNERDS ARE. Examined Worlds’ Ethan Mills praises a convention’s community building in “CONvergence 2017 Report”.

The deeper thing that CONvergence taught me back in the early-mid 2000’s was the value of cons as a space for community, something I’ve discussed before with regard to other cons.  While being a geek/nerd is not as uncool as it used to be, it’s still great to have a place where you can let your geek flag fly proudly.  No matter how intense your nerdery is, someone at con is nerdier.  You may be wearing Vulcan ears, but someone else may have a full Starfleet uniform and android-colored contacts to dress up as Data from Star Trek: The Next Generation (an actual costume I saw at CONvergence).

The openness of a place where people can love what they love without derision or judgment is a beautiful thing.  This aspect of fandom seems to be unappreciated by small but annoying parts of fandom like the Rabid Puppies and Gamergaters, but it’s safe to say that for the vast majority of fans, this is precisely what fandom is all about….

(15) WHERE TO SELL. Now available: the “SFWA Market Report for July” compiled by David Steffen.

(16) A DAY AT THE PLANT. At Amazing Stories, Adam Roberts is interviewed about his contribution to an anthology,

Gary Dalkin for Amazing Stories: ‘Black Phil’, your story in Improbable Botany, packs a huge amount into 20 pages. It combines the scientific, the political and the personal in a way which is ultimately very moving, and does so while gradually revealing to the reader a startlingly imagined near future earth. There is a lot of specific detail in the story and I’m wondering what your approach to writing a piece like this is, how much do you have planned out before you begin writing, and how much comes to you through the writing process? I’m asking this in part because I’m wondering how quickly you write, given you are a prolific author of highly imaginative, intricately constructed novels and have a day job as a professor of literature as well.

Adam Roberts: My approach to writing has changed, I suppose. When I was starting out as a writer I would generally plan things out fairly carefully; now I have more technical fluency, and can trust my hands to produce more of what’s needed if I let them loose on the keyboard. Not entirely though. It’s a balance, as with so much of life. If a writer maps every beat of every chapter in a detailed plan before she ever writes a word, the danger is that the actual writing turns into a chore, merely filling in the blocks in the grid, and if the writer gets bored writing then that tends to communicate itself to the reader. On the other hand, simply diving in with no sense of where you’re going or how the story is going to unfold, in my experience, will result in something too baggy and freeform, understructured and messy. So the praxis for me is threading a path between those extremes: having a sense of the overall shape of the thing, and which spots I definitely want to hit as I go, but working out some of the specifics as I write the first draft, to keep at least elements of it fresh. With short stories the process is a little different to novels: plot is constrained by the shorter space, so there’s a greater need for other things to hold the whole together – a governing metaphor, for instance, that can be unpacked and explored, provided it’s eloquent enough. In ‘Black Phil’ I was working with blackness as a colour and blackness as a mood, which meant that the story needed to make a certain kind of emotional sense, and the other elements were rather subordinated to that.

(17) IF YOU WANT TO GIVE HER A MISS. Canberra sff author Gillian Polack puts a different spin on the typical convention schedule announcement in “How to avoid me at Worldcon 75”.

This is the post you’ve been waiting for. Now you can plan your Helsinki visit knowing you can avoid me. You’ll also know that I can’t redeem myself with chocolate, for I have tiny scraps of Australia to give everyone instead. Ask me nicely and you could take home some opal or Australian turquoise or fool’s gold. (When I say ‘scraps of Australia’ I mean it quite literally.) Asking me politely would, of course, mean not avoiding me.

I can only be at a small bit of the auction, but I’m bringing Tim tams, a blow-up kangaroo and other exciting things to add to the bidding frenzy. This emans I’ll be there … sort of…for some of the time and my luggage will represent me the rest of the time….

(18) GOOD REVIEWS. The other day I said someone’s Hugo nominee reviews were lacking who hadn’t completely read most of the stories. Now, at the opposite end of the spectrum, I’ve encountered the hyperfeasance of Garik16 who claims, “I managed to read every nominee this year before the nominations were announced except for A Closed and Common Orbit (Yes I know I’m hipster bragging here lol).”

More importantly, his post, “Reviewing the Hugo Nominees: Best Novel”, is rich in analysis and substantive comments.

  1. Ninefox Gambit by Yoon Ha Lee

Review on twitter here:

Disclaimer: I’ve just finished this books sequel (Raven Strategem, review forthcoming next week), and will try to separate the two books since its fresh in my mind. Ninefox Gambit is a book that is Challenging to read.  Whereas other books might try to infodump explanations of how extremely complicated made up SF or Fantasy worlds work, Ninefox Gambit just drops you right in the world, made up terminology and all, and trusts you to figure it out on your own.  It’s probably a bit too far in this direction honestly – a short story in the same universe for example explains a little bit more and there’s no reason this book couldn’t have done the same – but if you can get past it, the result is just phenomenal.

This is a universe where calendars followed are of maximum importance, where mathematical calculations allow for armies to create devastating attacks on a battlefield, and where immortality may be very possible.  This book deals largely with the efforts of a mathematical genius but otherwise standard infantry soldier getting stuck with an undead general in her head – an undead general who is both brilliant and known for massacreing his own forces.  The interplay between them, as well as how the world works around them, results in a truly fantastic book.

This is one of those books that will have you going back after your first reread to find out things you might have missed, and to see how things read after the reveal later in the book. The book isn’t light in tone – the dominant government relies on ritual torture to keep its technology working for example – but it is absolutely gripping if you can get past the terminology at the start and contains some pretty strong themes of the values of freedom, justice and sacrifice.

I suspect it’ll come in 2nd in voting, but this has my vote.

And for bonus reading, here’s what Garik16 thinks about the Hugo nominated novellas, novelettes, and short stories.

[Thanks to John King Tarpinian, JJ, Cat Eldridge, Andrew Porter, Rob Thornton, Rich Lynch, and Martin Morse Wooster for some of these stories. Title credit goes to File 770 contributing editor of the day Xtifr.]

Pixel Scroll 5/31/17 I Watched TBR Piles Grow In The Dark Near Tannhäuser’s Gate

(1) THE UGLY SPACEMAN. Adam Roberts tells New Scientist readers, “If I were a Martian, I’d start running now”.

Exploration has never been neutral, and it’s hard to believe that future exploration of the cosmos will be different. So: doesn’t SF have a duty to flavour its fantasies of boldly going with a smidgen of ideological honesty? “Exploration Fiction” is, after all, better placed than any other kind of literature to explore exploration itself.

(2) IN VINO VERITAS. The Dandelion Wine Fine Arts Festival takes place in Waukegan on June 3. The Chicago Tribune has the story —

Ray Bradbury wrote about the happiness machine in his iconic novel “Dandelion Wine,” published in 1957 and reminiscent of his early boyhood days exploring the ravines of Waukegan.

Sixty years later, the annual Dandelion Wine Fine Arts Festival in Bowen Park offers participants the chance to create pictures of their own “happiness machines” for the community art project….

“The festival is an important way to honor and pay tribute to Ray Bradbury and it’s a great time for everybody to finally get over winter — spring’s here — and it kicks off summer,” Rohrer said.

Bradbury served as the festival’s honorary chairman until his death in 2012. The festival tradition ensures his legacy will live forever in Waukegan. Typically more than 1,000 adults and children come to the festival each year, Rohrer said.

John King Tarpinian says of dandelion wine, “I am told it tastes like grass.”

(3) LITERARY TOURIST. Laura J. Miller’s “Dark Futures” adapts the age-old literature vs. science fiction dichotomy as a vehicle to administer a kick to Donald Trump from a different angle. However, that still forces her to discuss actual writers and books, a discussion she ends with this malediction:

Science fiction has always promised its readers fictional wonders they can’t get in other genres, stories in which the stakes are high and the ideas are heady. What’s surprising is not that literary novelists are increasingly taking up science fiction’s tools, but that more of them didn’t try it sooner. Now, as the present crumbles away into a future that evolves more quickly than most of us can track, it seems impossible to write about contemporary life without writing science fiction. But the secret to doing it well doesn’t lie in suspenseful chase scenes, weighty messages or mind-blowing existential puzzles. That stuff can be fun, but it can also feel pretty thin without something that’s supposed to be a specialty of literary novelists: the fullest appreciation of humanity in its infinite variety and intricacy. Do justice to that, and the wonders will take care of themselves.

The article enraged a whole handful of sf writers, quoted by Jason Sanford in his rebuttal post, “Laura Miller, or what happens when a literary critic loathes genre fiction but knows that’s where the best stories are?”

So. Much. Fail. In. One. Essay. And before you believe I’m biased because I’m one of those lowly SF authors who need step aside for my literary betters, check out the reaction of other authors to Miller’s words:

Part of the problem with the essay, beyond Miller’s actual condescending words, is that she overlooks the ability of SF authors to write at the level of the authors she’s praising. She grudgingly gives William Gibson and Karen Joy Fowler minor props but ignores the stylistic and literary ability of SF masters like Samuel R. Delany, Ursula K. Le Guin, Gene Wolfe, N. K. Jemisin, Connie Willis and so many others.

(4) TRAINING WHEELS. The Telegraph explains “Why Harry Potter fans will like the new Bank of Scotland £10 note”.

An image of the Glenfinnan Viaduct – part of the West Highland Railway Line that was made famous by the Harry Potter movies – will remain on the reverse of the design, but with the addition of a steam locomotive hauling a heritage tourist train.

(5) BINDING PLANS. Provided they don’t let the Doctor himself navigate, “A TARDIS-inspired shared library is coming to Woodbridge” this weekend.

Fans of Doctor Who will have a new destination to check out in Detroit. On Saturday, June 3 at noon, a TARDIS-inspired shared library will be installed at the corner of Vermont and Warren.

Dan Zemke has been a fan of Doctor Who and wanted to build a TARDIS (a Police Box time machine that stands for Time and Relative Dimension in Space). It can transport a person anywhere in time and space, kind of like a great book. Inspired by his brother Jon, who rehabs houses in Woodbridge and had a large mural painted on one prominent home last year, Dan decided to create a practical use for it and build it into a library. With the help of his dad, the time machine/library is now ready to be installed.

It’s big — 10 feet tall and likely weighs a ton — and they’re seeking book donations since it can hold so many. Zemke says he’d like to include a large book where people can write and share their own stories.

The public is invited to the installation at noon on June 3. And if you have some books to contribute, feel free to bring them.

(6) FOURTH STAGE LENSMAN. Joe Vasicek experiences “What it’s like to write after a life interruption”. His post takes readers from Stage Zero through Four.

Stage 0: Procrastination

I guess I should write — but first, I should check my email. Also, there’s a couple of publishing tasks I need to do. I’m also kind of hungry, come to think of it.

Wow, those publishing tasks took a lot longer than I thought they would. I could start writing now, but I’d only have half an hour, and what can I possibly get done in that time? Maybe I should just relax for a bit and play this addictive online game…

Stage 1: BIC HOC

All right, no more excuses. It’s butt in chair, hands on keyboard time!

What’s wrong with my chair? Did someone put a magnet in it? It seems like my butt gets repulsed every time I try to sit down in it. I can knock off a couple of paragraphs, but then I have to get up and pace for a while. Or do some chores. Or–

No! I’ve got to focus. But man, it feels like I’m pulling teeth. The words just aren’t coming. It’s been more than an hour, and how much have I written? Holy crap, that’s pathetic.

Well, it’s the end of the day, and I only managed a few hundred words, but that’s better than nothing I guess.

(7) BACK FROM THE SHADOWS. Carl Slaughter observes:

NBC cancelled the Constantine live action series after only one season. CW’s Arrow series brought the Constantine character in for 2 episodes. Now CW is giving the Alan Moore-created comic book character another crack at a television series through animation. Constantine actor Matt Ryan will return to voice the animated version. Here’s a history of Constantine.

 

(8) BERKELEY OBIT. Makeup artist Ron Dursley Berkeley (1931-2017) died May 9.

His 50-year career included working on George Pal’s The Time Machine (1960), The Seven Faces of Dr. Lao, and Star Trek. He won one Primetime Emmy, and was nominated four times altogether.

His non-genre work spanned The Manchurian Candidate, Anne of a Thousand Days, and Who’s Afraid of Virginia Woolf?

(9) COMIC SECTION. John King Tarpinian recommends the librarian humor in today’s Farcus.

(10) ADA PALMER. In May 2017, Ada Palmer came out with Seven Surrenders, the second in her Terra Ignota series. The Will to Battle comes out in December 2017.

 

SEVEN SURRENDERS

In a future of near-instantaneous global travel, of abundant provision for the needs of all, a future in which no one living can remember an actual war — a long era of stability threatens to come to an abrupt end.

For known only to a few, the leaders of the great Hives, nations without fixed locations, have long conspired to keep the world stable, at the cost of just a little blood. A few secret murders, mathematically planned. So that no faction can ever dominate, and the balance holds. And yet the balance is beginning to give way.

Mycroft Canner, convict, sentenced to wander the globe in service to all, knows more about this conspiracy the than he can ever admit. Carlyle Foster, counselor, sensayer, has secrets as well, and they burden Carlyle beyond description. And both Mycroft and Carlyle are privy to the greatest secret of all: Bridger, the child who can bring inanimate objects to life.

(11) MARVEL INVADES GOTHAM. You can find Marvel at BookCon 2017 starting tomorrow:

This weekend, Marvel returns to New York’s Javits Center for BookCon 2017, spotlighting how Marvel continues to branch out and bridge the divide between pop culture and book buyers, librarians, and book fans of all ages.

This Thursday, June 1st, join novelists Jason Reynolds (Miles Morales: Spider-Man), R. L. Stine (Man-Thing), and Margaret Stohl (Mighty Captain Marvel) as they are joined by some of the biggest names from the House of Ideas — as well as some surprise Mighty Marvel Guests! These blockbuster creators will discuss bringing their prose skills to Marvel’s graphic fiction, bringing Marvel characters into the prose world, and the exciting universal appeal of Marvel’s new wave of graphic novels.

Can’t make it to the convention? Follow along on Marvel.com and @Marvel on Twitter.

 

(12) SINCEREST FORM OF FLATTERY. The passing of actor Roger Moore prompted Dwayne Day to consider the actor’s legacy as the face of the James Bond franchise in an article for The Space Review.

Roger Moore passed away on May 23 at the age of 89. Moore, who was born in London in 1927, was best known for playing James Bond in seven movies between 1973 and 1985, more Bond movies than any other actor. Moore’s Bond appearances included the 1979 film Moonraker, the highest-grossing Bond movie until Daniel Craig rebooted the franchise in the 2000s. Moonraker is one of several Bond movies with a space theme, but the only one where James Bond travels into space.

Moonraker often tops critics’ lists of the worst Bond movie made, although it sometimes ties for that dubious honor. Like most Bond films, it recycled a lot of over-used plot devices: the megalomaniacal billionaire bent on world destruction, lame double-entendres, blatant sexism, dumb quips Bond makes upon dispatching a bad guy, the amazing coincidence that Bond happens to possess exactly the right gizmo he needs at the moment of maximum peril, and the absurdity of a “spy”with brand name recognition whom everybody recognizes the second he walks through the door. But these were the franchise’s fault, not Moore’s…

Moonraker was made because producer Cubby Broccoli saw the box office returns from Star Wars and decided that his next Bond movie should be set in space. Broccoli was shameless, but his decision paid off handsomely, with a worldwide gross of $210 million in then-year dollars. Although Moonraker frequently rates among the worst Bond movies, it made more money than any other Bond film for the next 16 years. Moore reprised the role three more times.

(13) WHEN VENUS WAS A SOGGY MESS. A Bradbury story with sound effects — radio reinvented! “THE LONG RAIN, by Ray Bradbury, sound-designed & narrated by Alexander Rogers”.

THE LONG RAIN is my personal favorite short story from Ray Bradbury’s classic body of tales, The Illustrated Man. Written in 1950, it paints a deadly and seductive image of an interminably rainy planet of Venus. Admittedly, science now shows us Venus is more of a lead oven than a drenched rainscape, but let’s not take Venus literally in this sense. I’ve always felt that planets in sci-fi are more of a mental/spiritual arena in which to place relatable, earthly characters.

Bradbury’s writing here is so poetic and so visual, I just knew a vocal narration wasn’t enough. An audiobook like this deserves a rain soundtrack, complete with soggy footsteps and storms and rivers and shimmering things. May you enjoy the sound design as well as the characters!

(14) THE DOG DAYS. Once I read John Scalzi’s opening tweet I knew it was going to be a slow news day….

(15) REALLY FINICKY. Mashable has a funny video: “Cute kitty devastates the crew of the Nostromo in this recut trailer of ‘Aliens'”.

The spacecraft Nostromo has an unwanted guest wreaking havoc on the crew. No, it’s not a bloodthirsty Alien… but an adorable kitten? Watch what happens in this re-imagined trailer.

 

[Thanks to John Hertz, JJ, Martin Morse Wooster, John King Tarpinian, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Jack Lint.]

Writers React: Thumbs Up for New WFA Design, Thumbs Down for Lovecraft Nominee Pins

Everyone’s raving about Vincent Villafranca’s winning design for the World Fantasy Award. However, World Fantasy’s statement in the same press release that nominee pins will still feature the supposedly retired Lovecraft image is being widely criticized.

There was one dissent, from a Castalia House blogger —

Here is a sampling of the reaction to the news about the Lovecraft nominee pin:

[Thanks to JJ for the story.]

Pixel Scroll 7/31 Happy Hour at Paulk’s Tavern

Lions roar, kittens tweet, and other animals make noise in today’s Scroll.

(1) Recommended – Gregory Benford reviews Kim Stanley Robinson’s Aurora in “Envision Starflight Failing”.

Aurora depicts a starship on a long voyage to Tau Ceti four centuries from now. It is shaped like a car axle, with two large wheels turning for centrifugal gravity. The biomes along their rims support many Earthly lifezones which need constant tending to be stable. They’re voyaging to Tau Ceti, so the ship’s name is a reference to Isaac Asimov’s The Naked Sun, which takes place on a world orbiting Tau Ceti named Aurora. Arrival at the Earthlike moon of a super-Earth primary brings celebration, exploration, and we see just how complex an interstellar expedition four centuries from now can be, in both technology and society.

In 2012, Robinson declared in a Scientific American interview that “It’s a joke and a waste of time to think about starships or inhabiting the galaxy. It’s a systemic lie that science fiction tells the world that the galaxy is within our reach.” Aurora spells this out through unlikely plot devices. Robinson loads the dice quite obviously against interstellar exploration. A brooding pessimism dominates the novel.

There are scientific issues that look quite unlikely, but not central to the novel’s theme. A “magnetic scissors” method of launching a starship seems plagued with problems, for example. But the intent is clear through its staging and plot.

I’ll discuss the quality of the argument Aurora attempts, with spoilers.

 

 

(2) Spacefaring Kitten is one of many people posting their Hugo ballot today, but one of the few who has an interesting analysis of my favorite category.

Best Fanzine

  1. Journey Planet
  2. Tangent SF Online
  3. Elitist Book Reviews
  4. No Award
  5. The Revenge of Hump Day

Journey Planet is easily the most interesting of these publications. Black Gate would have been able to put up a fight here, but they chose to withdraw because of Puppy-related embarrassment.

Tangent SF Online and The Revenge of Hump Day were probably on the Puppy ballots as a sort of payback for, respectively, the public outcry following Tangent’s umm… let us say fatherly review of the Women Destroy Science Fiction issue of Lightspeed and the disinvitation of Tim Bolgeo (the guy behind The Revenge of Hump Day) as a Fan Guest of Honor in Archon after accusations of racism. However, I chose to place Tangent second and well above No Award, because I think all venues in which short SFF fiction is discussed are important.

As far as I can see, Tangent’s short fiction reviews are quite good, even if the editor’s attitudes smell a bit aged. Take a look at their 2014 Recommended Reading List, for example. Tangent lists noteworthy stories in four categories (0, 1, 2 and 3 stars), and I couldn’t resist counting that together all the 14 Puppy finalists get four mentions and one star. In contrast, the five short story nominations I made myself (none of which made the final ballot, obviously) collect three mentions and eight stars. The Tangent seems like a useful resource for finding the sort of fiction I’d enjoy, and I plan to take a look at some of the three-star stories I haven’t read yet.

There was nothing terribly amiss with Elitist Book Reviews either, even though they seem to generally like books that I don’t and I found their practice of discussing recommended age and levels of offensive language, violence and sex amusingly over-protective. You don’t really have to be 16 to be able to read a curse word, do you? However, they’re number three.

 

(3) By now I think everybody has seen Adam Roberts’ cheery thoughts about the Hugos in the Guardian:

What the Puppies have done is within the rules of the awards, and key figures in the movement have already declared their intention to repeat the process next year. But this is larger than one set of awards. It is about the direction of science-fiction as a whole, and it poses larger cultural questions.

The truth is that this year’s Hugo awards are wrecked. Can you imagine anyone saying that of the Pulitzer, Man Booker, or Nobel? Yet here we are, and if the Puppies succeed in gaming the awards again in 2016 we may as well give up on the Hugos forever.

This is what is so frustrating about the Puppies’ campaign. Not that it has resulted in a bunch of frankly inferior works being shortlisted – although it has. And not that it values old-fashioned SF over more experimental, literary and progressive writing – that’s a matter of taste. What is so annoying is that it so ostentatiously turns its back on the global context out of which the best writing is happening today.

 

Can it be true that Roberts values rhetoric about diversity over rules changes that preserve it as a possibility?

(4) The Guardian article sure revived Larry Correia! Yesterday’s limp “fisking” of The New Yorker’s Delany interview has been succeeded his vibrant smackdown “Fisking the Guardian’s Latest Sad Puppy Article of the Week”. Correia’s remarks in boldface, Guardian text in regular text.

Considering that the Hugo awards hadn’t even ever nominated a single work of media tie in fiction until Sad Puppies came along, I don’t know where the hell you’re getting this idea that the insular little inbred cliques were combing the whole world for worthy new talent before. Hell, I believe the first ever INDY PUBLISHED novel nomination came from Sad Puppies, and you expect that little cliquish circle jerk of friends who’ve been taking turns giving each other awards, to suddenly teach themselves Spanish in order to check out the best sci-fi from Uruguay? 

This whole train of thought is just a stupid diversion. The Guardian is just being its normal snooty self. Look at us, we read MOAR GLOBALLY (no, actually, they probably don’t. From inaccuracies in previous articles about various classics we’re already pretty sure Damien skates by reading Wikipedia synopsis of books and then pretending to be well read). 

Science fiction, if it is about anything, is about hospitality to otherness,

Just not conservatives or libertarians, because screw those guys.

 to the alien and the unusual, about freeing one’s mind and boldly going where no one has been before. It is, centrally, about diversity. Locking out women writers, writers of colour, gay and trans writers does a violence to the heart of the genre.

That concluding paragraph is just regurgitated tripe.  We’re not the ones trying to lock out anyone. Female, “writers of colour” (oh how I hate that stupid racist term), gay, trans, left handed ginger pygmy wolf-riding garden squirrels, WE DON’T CARE. Write books. Entertain people. Fans get to judge books by the content of their pages rather than the author’s bio. Then give the really good ones awards.

This isn’t exactly rocket science, not that you jackasses didn’t literally try to make actual fucking rocket science all about sexism too.

If the Puppies win, nobody wins.

No. The Puppies would win. That’s sort of what the word win means, dumbass.

 

 

(5) Sasquan guest astronaut Kjell Lindgren is at the International Space Station.

 

(6) Mark your calendars. Vox Day has announced the release date for his next project:

This is interesting. Apparently the SJWs are more than a little worried about my upcoming book, SJWS ALWAYS LIE: Taking Down the Thought Police….

Just wait until August 27th, the one-year anniversary of #GamerGate, which I plan to celebrate by publishing the book.

You read it here first. Or possibly second. But more likely first. Maybe you can leave town that day – does Kjell Lindgren have a spare cot?

(7) The Final Interview of C. S. Lewis, conducted by Sherwood Eliot Wirt, appeared in Decision magazine in September 1963.

From Part I —

Wirt: How can we foster the encounter of people with Jesus Christ?

Lewis: “You can’t lay down any pattern for God. There are many different ways of bringing people into his Kingdom, even some ways that I specially dislike! I have therefore learned to be cautious in my judgment.

“But we can block it in many ways. As Christians we are tempted to make unnecessary concessions to those outside the faith. We give in too much. Now, I don’t mean that we should run the risk of making a nuisance of ourselves by witnessing at improper times, but there comes a time when we must show that we disagree. We must show our Christian colors, if we are to be true to Jesus Christ. We cannot remain silent or concede everything away.

“There is a character in one of my children’s stories named Aslan, who says, ‘I never tell anyone any story except his own.’ I cannot speak for the way God deals with others; I only know how he deals with me personally. Of course, we are to pray for spiritual awakening, and in various ways we can do something toward it. But we must remember that neither Paul nor Apollos gives the increase. As Charles Williams once said, ‘The altar must often be built in one place so that the fire may come down in another place.’”

In Part II, Lewis answers questions about Heaven, Earth and Outer Space.

Wirt: Do you think there will be widespread travel in space?

Lewis: “I look forward with horror to contact with the other inhabited planets, if there are such. We would only transport to them all of our sin and our acquisitiveness, and establish a new colonialism. I can’t bear to think of it. But if we on earth were to get right with God, of course, all would be changed. Once we find ourselves spiritually awakened, we can go to outer space and take the good things with us. That is quite a different matter.”

[Thanks to JJ, Gregory Benford, and John King Tarpinian for some of these links. Title credit belongs to File 770 contributing editor of the day JJ.]

Nice Is Nice

A Worldcon coming to London has prompted some of the field’s most literate voices to speak out about their Hugo preferences.

Martin Lewis, reviews editor of Vector, the critical magazine of the British Science Fiction Association, has begun to discuss his nominees online at Everything Is Nice.

His discussion of the Best Fan Writer category is articulate and well-informed, also risk-taking and edgy. I enjoyed his analysis even though the only opinion we share is that Abigail Nussbaum would make a great addition to the Hugo ballot.

Hands down the best blogger in the field. I am in awe of Nussbaum’s ability to maintain the holy trinity of blogging: writing regularly about a broad range of subjects in depth. Even her brief reading round up posts are more in-depth than a lot of online reviews but she rights at length about books, films and television (and even a bit of Shakespeare). She missed the shortlist by one nomination last year, let’s not make the same mistake in 2014.

He’s also to be commended for writing such a post without advancing his own name as a nominee. So few are able to resist the temptation.

Indeed, if you’re as tired as I am of people plugging themselves for the Hugo, check out what Adam Roberts has to say. He told readers at Sibilant Fricative that he never wants to see another self-pimping blog post

Award season is also the start of the ‘for your consideration’ blogposts, in which writers large and small draw potential voters’ attention to all the things they have published during the relevant period and try, with varying degrees of success, to find endearing or witty ways of making VOTE FOR QUIMBY sound less self-serving than it actually is. I used to find all that blather annoying and vulgar. Nowadays I find it more directly loathly, because it seems to me directly and negatively distorting of the award shortlists that follow.

I saw this paragraph quoted in an e-mail and clicked on the link supposing Roberts’ whole post would be equally earnest. I was willing to pay that price to see a leading writer decry the annual outpouring of awards-inspired narcissism. In fact, the balance of Roberts’ remarks are chatty and humorous and his survey of the pockets of the internet most infected with self-promotion is quite shrewd.