Pixel Scroll 7/4/19 We Always Lived In The Castle, But We’re Now AirBnB’ing It Out Instead

(1) DUBLIN 2019 WRITING WORKSHOP. To be led by GoH Diane Duane.

(2) IN THE BEGINNING. Here’s part two of Anne-Louise Fortune’s video series Worldcon 101 – Dublin 2019.

(3) MAD NO MORE. ComicBook.com originally reported “MAD Magazine to Cease Publication”:

MAD Magazine will cease publication later this year, according to reports. Blogger Jedidiah Leland reportedly discovered the news after a MAD editor confessed to the magazine’s doom in a Facebook group, and shortly thereafter, cartoonist Ruben Bolling seemed to confirm the report on Twitter….

But as it turned out, MAD – unlike the Wicked Witch of the West — is not really and completely dead: “Details Surface About Plans for MAD Magazine’s Future”:

MAD magazine will not be completely closing down, as previously reported — although most of its new content will cease, and availability for the iconic humor magazine will be reduced. Earlier tonight, the news broke that MAD was set to cease publication after two more issues of new content, with the magazine using archival content to fulfill its obligation to existing subscribers. This is a little true, and a little not, and ComicBook.com has heard from a source with knowledge of the situation who clarified what is going on.

MAD will be leaving the newsstand after issue #9, which will land on newsstands in early August with all-new content. MAD #10 will also contain new content, but will be available only via direct market comic book retailers and subscriptions. Rather than closing up shop, the plan at present is to continue publishing issues that will feature reprinted classic MAD pieces, wrapped with new covers art. Further, MAD will continue to publish its end of year specials, as well as books and special collections, capitalizing on the value of the MAD brand in spite of the loss of new content in the magazine

(4) FRIGHTENING FLICK. NPR’s Justin Chang reports that “‘Midsommar’ Shines: A Solstice Nightmare Unfolds In Broad Daylight”:

In the viscerally unnerving films of Ari Aster, there’s nothing more horrific than the reality of human grief. His haunted-house thriller, Hereditary, followed a family rocked by traumas so devastating that the eventual scenes of devil-worshipping naked boogeymen almost came as a relief. Aster’s new movie, Midsommar, doesn’t pack quite as terrifying a knockout punch, but it casts its own weirdly hypnotic spell. This is a slow-burning and deeply absorbing piece of filmmaking, full of strikingly beautiful images and driven less by shocks than ideas. It’s not interested in frightening you so much as seeping into your nervous system.

And like Hereditary, Midsommar is very much rooted in loss. It begins with a young American woman named Dani, played by the great English actress Florence Pugh, panicking over a family emergency that moves swiftly toward its worst possible outcome. As she tries to pick up the broken pieces of her life, Dani seeks solace from her boyfriend, Christian, and is surprised to learn that he’s about to go on a trip with some of his grad-school buddies. They’re headed to a remote Swedish commune that is holding a nine-day festival to observe the summer solstice. Dani presses him about why he didn’t tell her earlier, and an argument ensues.

They fly to Sweden and, after a few hours’ drive, arrive at a remote, centuries-old village where they are greeted by about 60 men and women wearing white robes embroidered with mysterious symbols. They are known as the Hårga, and they invite their American guests to participate in each day’s festivities, which include lavish feasts, silent meditations, exhausting maypole dances and the consumption of various mind-altering drugs. Aster has a gift for dreaming up fictitious subcultures, and he visualizes these ancient customs and artifacts with an almost anthropological attention to detail. The Hårga seem benevolent enough at first, and there’s something comforting about their strange rituals and their intimate communion with nature.

(5) MORE TOOLS FOR FINDING GOOD SFF. Rocket Stack Rank, says Eric Wong in “New Recommenders and Improved Scoring” “has added 10 more recommenders, improved how story scores are calculated from 13 awards, 12 ‘year’s best’ anthologies, and 11 prolific reviewers, and updated the Best SF/F lists for 2015, 2016, 2017, 2018, and 2019 YTD.”

(6) ASTRONOMY HISTORY, The Atlas Obscura Society can get you in to see “The Second Largest Public Telescope in the World” on July 6 and 7. It’s on Mount Wilson near Los Angeles. See schedule and details at the link. (Note: Observatory is not ADA compliant,.)

Collecting ancient light in a 60-inch mirror, the Hale Telescope reflects images in your eye of beautiful objects, some that lie millions of light years away from Earth.

Join Atlas Obscura for an exclusive evening of observation with Mount Wilson Observatory’s historic 60-inch telescope. Assisted by a telescope operator and a session director, you will investigate objects in the night sky and get up close and personal with our solar system. Depending on the evening’s weather conditions, you could get a glimpse of faraway planets, a staggeringly close-up look at the moon, or star clusters looming over Mount Wilson, where the seed of the idea for this groundbreaking scientific invention was planted.

In 1903, astrophysicist George Ellery Hale went hiking in the San Gabriel Mountains. Resting at the summit of Mount Wilson, he gazed at his surroundings and realized he had found the perfect place to build an observatory. Five years later, at the very same spot, he unveiled the world’s largest operational telescope, a 60-inch reflector that attracted preeminent scientists such as Albert Einstein and Edwin Hubble. In fact, it was with this telescope that Harlow Shapley discovered that the Sun’s position was not the center of the Milky Way Galaxy. It now operates as the second largest telescope made exclusively for the public.

(7) MOTION IN LIBRARY. NPR’s Bethanne Patrick finds “In ‘The Ghost Clause,’ 2 Marriages, A Missing Child, And Yes, A Ghost”.

Howard Norman writes elegant prose — but really, that’s because everything about Howard Norman is elegant. The Vermont-based novelist and scholar of Native American lore sprinkles his fiction with all the things that interest him, from literary to culinary to planetary. Like many of Norman’s previous books, The Ghost Clause pays attention to Japanese poetry, binge-reading Trollope, what makes an intimate supper (mushroom omelets, salad, cherry pie with ice cream), and varieties of Northeast Kingdom moths.

The denizens of Adamant, Vt. — was there ever a better place name? — have a lot going on, even if by “a lot going on” one simply means making sure to leave time to have your cranberry scone toasted at the local café presided over by grumpy Vanessa. The first two people we meet are newly minted PhD Muriel Streuth and her husband Zach, a private investigator at the Green Mountain Agency. They’ve bought an old house with a library room, and their modern security system keeps picking up “Motion in Library.”

Investigations into the unknown motion-detector blips don’t reveal much. Fortunately for readers, our narrator soon reveals all (and this is not a spoiler): He is novelist Simon Inescort, whose widow, painter Lorca Pell, sold the house to Muriel and Zach after Simon’s untimely death by heart attack on the ferry from Maine to Canada. He also informs us of the title’s meaning, which refers to a perhaps-apocryphal Vermont statute whereby if new owners of a building discover it is inhabited by a “malevolent presence,” the sale can be nullified.

(8) CASTING FOR MERMAIDS. Here’s who they caught: “Halle Bailey: Disney announces singer to play Little Mermaid”.

Disney has cast singer Halle Bailey in the starring role of Ariel in a live action remake of The Little Mermaid.

“Halle possesses a rare combination of spirit, heart, youth, innocence and substance, plus a glorious singing voice,” director Rob Marshall said.

Halle, 19, half of R&B sister duo Chloe x Halle, “said it was a “dream come true”.

The film, which will start shooting in 2020, will feature new songs written by Hamilton creator Lin Manuel Miranda.

(9) IN A HOLE IN THE GROUND. In 2015, Westword published an article about a community spawned from the Shaver Mystery: “Maurice Doreal and His Brotherhood of the White Temple Awaited the Apocalypse in Colorado”.

… The American science-fiction community was still in an uproar over the Shaver Mystery, “The Most Sensational True Story Ever Told,” according to Amazing Stories magazine, a publication whose circulation had skyrocketed after it published “I Remember Lemuria!,” a fantastic story purporting to be a memoir of the extraordinary subterranean-world encounters of writer/artist Richard Sharpe Shaver, in 1945.

…One of those letters, published in the October 1946 issue of Amazing Stories, came from Dr. Maurice Doreal, the Denver-based “Supreme Voice” for the Ascended Masters, super-evolved human beings who live below Tibet. Doreal had recently announced that he was moving his Brotherhood of the White Temple from central Denver to rural Colorado to wait out the coming nuclear holocaust. “Like Mr. Shaver, I have had personal contact with the Dero and even visited their underground caverns,” he now wrote. “In the outer world they are represented by an organization known loosely as ‘the Black Brotherhood,’ whose purpose is the destruction of the good principle in man…. The underground cities and caverns are, in the most part, protected by space warps, a science known to the ancients, but only touched on by modern science…. I note that many are wanting to enter these caves. For one who has not developed a protective screen this would be suicide and one who revealed their location would be a murderer….”

(10) TODAY IN HISTORY.

  • July 4, 1865 — Lewis Carroll’s Alice’s Adventures in Wonderland was published.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born July 4, 1883 Rube Goldberg. Not genre, but certainly genre adjacent. Born Reuben Garrett Lucius Goldberg, he was a sculptor, author, cartoonist, engineer, and inventor who’s certainly best known for his very popular cartoons showing overly complex machines doing simple tasks in a terribly convoluted manner, hence the phrase “Rube Goldberg machines”. The X-Files episode titled “The Goldberg Variation” involved an apartment rigged as a Goldberg machine. (Died 1970)
  • Born July 4, 1901 Guy Endore. Writer of The Werewolf of Paris which is said by Stableford in the St. James Guide to Horror, Ghost & Gothic Writers as “entitled to be considered the werewolf novel”. He also wrote “The Day of the Dragon” which Stableford likes as well. He was a scriptwriter hence for writing Mark of the Vampire starring Bela Lugosi. He also the treatment for The Raven but never got credited. (Died 1970.)
  • Born July 4, 1910 Gloria Stuart. She was cast as Flora Cranley opposite Claude Rains in The Invisible Man in 1933, and 68 years later she played Madeline Fawkes in The Invisible Man series. She was in The Old Dark House as Margaret Waverton which is considered horror largely because Boris Karloff was in it. And she was in the time travelling The Two Worlds of Jennie Logan as well. (Died 2010.)
  • Born July 4, 1949 Peter Crowther, 70. He is the founder (with Simon Conway) of PS Publishing where he’s editor now. He edited a series of genre anthologies that DAW published. And he’s written a number of horror novels of which I’d say After Happily Ever and By Wizard Oak are good introductions to him. He’s also done a lot of short fiction but I see he’s not really available in digital form all that much for short fiction or novels.   
  • Born July 4, 1967 Christopher McKitterick, 52. Director of the Center for the Study of Science Fiction, a program at the University of Kansas that supports an annual series of awards, lectures, classes, workshops, the Campbell Conference, and AboutSF, a resource for teachers and readers of science fiction. He’s also a juror for and Chair of the John W. Campbell Memorial Award for Best Science Fiction Novel from 2002 onward. And yes, he does write genre fiction with one novel to date, Transcendence, more than a double handful of stories, and being an academic, critical essays such as  “John W. Campbell: The Man Who Invented Modern Fantasy and the Golden Age of Science Fiction” which was published in Steven H. Silver Hugo-nominated Argentus. 
  • Born July 4, 1977 David Petersen, 42. Writer and illustrator of the brilliant Mouse Guard series. If you haven’t read it, do so — it’s that good. It almost got developed as a film but got axed due to corporate politics. IDW published The Wind in The Willows with over sixty of his illustrations several years back. 
  • Born July 4, 1989 Emily Coutts, 30. She plays the role of helmsman Keyla Detmer on Discovery. She’s also her mirror universe counterpart, who is the first officer of that universe’s Shenzhou. (I like the series and am definitely looking forward to it when it jumps a thousand years into the future next season!) She was in one episode of the SF series Dark Matter and in Crimson Peak, a horror film but that’s it for genre appearances.

(12) COMICS SECTION.

  • A court judge and Frankenstein help Bizarro live up to its name today.

(13) SANDMAN TO TV. Deadline reports: “Netflix Orders ‘The Sandman’ Series Based On Neil Gaiman’s DC Comic”.

Netflix has given an 11-episode series order to The Sandman, based on Neil Gaiman’s DC comic, from Warner Bros TV.

Allan Heinberg (Wonder WomanGrey’s Anatomy) is slated to write and serve as showrunner on the series, with Gaiman executive producing alongside David Goyer.

(14) THE ITALIAN SFF SCENE. The subject is Italian Science Fiction when Arielle Saiber is interviewed by Lex Berman for the Diamond Bay Radio podcast.

Lex Berman is the publisher of Diamond Bay Press.

Arielle Saiber is a professor of Italian literature and romance languages, and also a big science fiction fan!

Recorded with Zencaster on 8th May, 2019.

Find out about the history of Science Fiction and fandom in Italy, and why flying saucers would totally land at Lucca!

(15) VOX DAY AT THE MOVIES. “I look forward to the shrieks and wails,” writes aspiring moviemaker Vox Day. The Rebel’s Run Teaser Trailer has dropped, publicizing that a movie based on one of Arkhaven’s Alt-Hero characters, is now in pre-production. A one-minute trailer is followed by Chuck Dixon extolling the comics, and even a shot of Vox smiling happily. So if any of that is the kind of thing you need a warning about, you won’t click.

(16) LIPLESS READING. Extra Credits devotes a video to Harlan Ellison’s story and game in I Have No Mouth and I Must Scream – The End of the Apocalypse.

Harlan Ellison was a little dismissive of this short story that you’ve might only heard of because you saw it on a Steam summer sale, but at the time of its publication (1967) its ideas about the possibility of “evil AI,” as well as the possible degeneracy of humanity, were shocking and unexpected, and it set the stage for the wave of sci-fi we’ll talk about next season.

(17) WHAT’S BUZZING? Nature has a nice artist’s impression and short description of the drone proposed for use on Saturn’s moon, Titan — “NASA drone to soar across Titan”.

Named Dragonfly, the US$850-million mission will launch in 2026 and arrive at Titan in mid-2034. The nuclear-powered drone (pictured, artist’s impression) could traverse hundreds of kilometres during its two-year mission.

(18) IDENTIFYING PROS IN THE WILD. Orbit Books tweeted an amusing guide for telling two of its similarly-named writers apart.

(19) HARD WORK. Last Week Tonight With John Oliver ripped Amazon’s treatment of warehouse employees, now Amazon is trying to recover – Deadline has the story: “Amazon Calls John Oliver’s Report On Warehouse Work Conditions ‘Insulting’ To Employees”.

Amazon is calling John Oliver’s depiction of conditions at the company’s shipping and warehouse facilities “insulting” to Amazon workers.

Dave Clark, Amazon’s SVP Worldwide Operations, responded to a harsh segment that aired Sunday on HBO’s Last Week Tonight With John Oliver. In the 20-minute segment, Amazon — as well as other companies with quick online-delivery systems — was lambasted for the exhausting chores required of the warehouse workers.

“The injury and illness rate in the warehouse industry is higher than coal mining, construction and logging,” Oliver said during the HBO show, in which he called Amazon the “Michael Jackson” of shipping because they’re “the best at what they do, everybody tries to imitate them, and nobody who learns a third thing about them is happy they did.”

(20) CHARACTERS WITH AGENCY. TV Sins wants you to know “Everything Wrong With Agents of S.H.I.E.L.D. ‘Pilot’”

This week we head into the MTU by finding everything wrong with the pilot of Agents of S.H.I.E.L.D.! It’s was a show with a lot of promise, and also a lot of sins.

[Thanks to Cat Eldridge, John King Tarpinian, JJ, Eric Wong, SF Concatenation’s Jonathan Cowie, Carl Slaughter, Mike Kennedy, Andrew Porter, mlex, Chip Hitchcock, and Martin Morse Wooster for some of these stories, Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 3/30/19 ///Pixel.Scroll.Comment Is In The Middle Of Nowhere In Australia

(1) CATS SLEEP ON $FF. Cat Rambo issues a warning about “Writing Contests and Fees”, and rebuts several arguments she’s heard trying to justify them.

Here’s one of her answers:

Charging a fee means better submissions. Great reason for editors and magazines; meaningless to writers and in fact, means people that self-reject will be even more likely to do so. It also ensures economically disadvantaged people don’t get to participate. The price of a latte for one person may be the next person’s daily food budget.

(2) PROBLEMS FOR JUDGE WHO ENGAGED KRAMER’S COMPUTER SERVICES. More revelations about the judge, from the Gwinett Daily Post. Recent news proves that not only did the judge know about Kramer, but that she was in phone contact with him. She currently is being asked to recuse herself following making false statements and recording the DA during a meeting without his permission or knowledge. “Gwinnett DA files motion for Superior Court judge to recuse herself from all criminal cases”.

Just days after a court filing alleged that Gwinnett County Superior Court Judge Kathryn Schrader expressly gave a convicted sex offender access to the county’s computer network, Gwinnett County District Attorney Danny Porter is calling for her to recuse herself from all criminal cases.

…In Friday’s filing, which included an affidavit, Porter said he confronted the judge about her computer being monitored, but “at no time during this meeting did Judge Schrader disclose that she had any direct knowledge of this monitoring, or that she had hired Ward, Karic and Kramer to do so.”

The judge also recorded the meeting “through a video on her phone without (Porter’s) knowledge or consent,” Porter wrote in the affidavit.

On March 15, when the GBI interviewed Schrader, she accused Porter of hacking her computer, Porter’s affidavit said.

“Because Judge Schrader has alleged that I committed a criminal offense against her, I have grounds to reasonably question her impartiality in any criminal case that my office handles before her,” Porter’s affidavit said. “This is further supported by the fact that Judge Schrader has surreptitiously recorded our private conversations without my knowledge or consent, while feigning ignorance of the very individuals she had employed and allowed to access the entire Gwinnett County Computer network.”

(3) AGED, BUT NOT GOLDEN. Is reviewer Christopher Priest so eager to lash out at a writer who died 30 years ago, or was this an irresistible opportunity to downcheck a favorite of some of his living American colleagues? He reviews Farah Mendlesohn’s The Pleasant Profession of Robert A. Heinlein for The Spectator: “Robert A. Heinlein: the ‘giant of SF’ was sexist, racist — and certainly no stylist”.  

…Mendlesohn describes how Heinlein, who when younger had made a well-earned name for himself as an author of serious and innovative speculative fiction, became a rotten writer in the second half of his career. He always told stories well, but his style was execrable. From Starship Troopers (1959) onwards, his books had an endlessly hectoring, lecturing tone, almost always phrased in long and unconvincing conversations full of paternalistic advice, sexual remarks, libertarian dogma and folksy slang. Reading one of his later novels produced the weird effect of meaningless receptivity: you could get through 20 pages at a gallop, but at the end you couldn’t remember anything that had been said, by whom or for what reason. The next 20 pages would be the same (but seemed longer).

… At the end of the war he began a series of juvenile novels, aimed unerringly at young readers but told in the same didactic voice. These novels, not published in the UK until years later when Heinlein was famous, had a profound effect on their American readers. There is still today a generation of middle- aged and elderly American science fiction writers for whom Heinlein is in a position of seminal influence, similar to Hemingway in other literary circles. Heinlein’s influence on modern American science fiction is not universal, but still detectable….

(4) SWATTER GETS 20 YEARS. On December 28, 2017 Andrew “Andy” Finch was killed when police officers in Wichita, Kansas responded to a 911 call about a hostage/murder situation. Tyler Barriss, who made the call, has now been convicted and sentenced: “20 years for man behind hoax call that led to fatal shooting”.

A California man was sentenced Friday to 20 years in prison for making bogus emergency calls to authorities across the U.S., including one that led police to fatally shoot a Kansas man following a dispute between two online players over a $1.50 bet in the Call of Duty: WWII video game.

U.S. District Judge Eric Melgren sentenced Tyler R. Barriss, 26, under a deal in which he pleaded guilty in November to a total of 51 federal charges related to fake calls and threats. The plea agreement called for a sentence of at least 20 years — well over the 10 years recommended under sentencing guidelines. Prosecutors believe it is the longest prison sentence ever imposed for the practice of “swatting,” a form of retaliation in which someone reports a false emergency to get authorities, particularly a SWAT team, to descend on an address.

(5) LIKE A JAWA MARRIOTT. Take one look at the picture and you can have no doubts: “The upside down hotel said to have inspired Star Wars faces demolition”.

Much of the shooting for the original Star Wars movies took place in Tunisia, and legend has it that one local landmark made a powerful impression on its creator, George Lucas.

The influence of Hotel du Lac in Tunis, shaped like an upside-down pyramid with serrated edges, would later be seen in the fictional Sandcrawler vehicle used by the Jawas of the Tatooine desert planet in the film.

(6) WOMEN AT THE FOREFRONT. The Bustle lists “12 Female-Driven Sci-Fi & Fantasy Novels That You Definitely Don’t Want To Miss”. One of them is —

‘The Priory of the Orange Tree’ by Samantha Shannon

A millennium ago, a powerful, evil dragon, known only as the Nameless One, was locked away in the Abyss. The people of three nations want to keep the dragon sealed away, but fear that his return is imminent. In Samantha Shannon’s sweeping new fantasy novel, three women, one from each nation, must join forces if they want to keep their world safe.

(7) ADVANCED DEGREES. As Women’s History Month winds up, Yahoo! Entertainment explores the “Six Degrees of Peggy Carter: Why the S.H.I.E.L.D. Founder Is the Lynchpin of the Entire MCU”.

While there may not be direct links from Peggy to every single Avenger, her status as a founding member of S.H.I.E.L.D. links her intrinsically to the heroic group and their efforts to save the world from evil time and time again. So here is a very unofficial, fan-centric look at the impact Peggy Carter has had on the MCU, and the ways in which she helped bring Earth’s mightiest heroes together as a team. “All we can do is our best,” after all….

2. Iron Man

A “self-made man” in the same way that Kylie Jenner is a self-made billionaire, Tony Stark (Robert Downey Jr.) likely spent his childhood years on the receiving end of some very disapproving glances from his father’s friend and close confidante. Howard’s working relationship with Peggy — sans fondue, of course — is established in The First Avenger, but their friendship is explored even further in Agent Carter’sstellar two-season run on ABC. The pair teamed up to save the world more than a few times, forging a bond so strong, it’s impossible to believe that Peggy wasn’t a part of young Tony’s life — and that she didn’t have an impact on the hero he grew up to be.

And besides that, if Howard had died in Agent Carter’s season one finale, as he came very close to doing, Tony would have gotten scrubbed from the timeline, Marty McFly-style. Thanks, Aunt Peggy.

(8) CLASSIC TREK CONTRIBUTOR At Den of Geek, “Star Trek’s D.C. Fontana Talks the Origin of Spock’s Family”.

… For fans of Star Trek: Discovery, specifically, Fontana’s script for the animated episode “Yesteryear,” has been the visual and thematic backbone of nearly all of Discovery Vulcan-centric flashbacks in the second season, which has informed this version of Spock’s character. And, for those who love Spock parent’s— Amanda Grayson and Sarek—Fontana is the person who straight-up invented them.

…In The Original Series, Amanda and Sarek only appeared in “Journey to Babel,” written by Fontana. But, because that episode also featured a huge diplomatic summit on the Enterprise, this also means she created several of the big classic Trek aliens, too, including the Andorians and the Tellarites, who have both made huge appearances in Discovery first two seasons.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 30, 1904 Herbert van Thal. Editor of the Pan Book of Horror Stories series ran twenty four  volumes from 1959 to 1983. Back From the Dead: The Legacy of the Pan Book of Horror Stories is a look at the series and it contains Lest You Should Suffer Nightmares, the first biography of him written by Pan Book of Horror Stories expert Johnny Mains. (Died 1983.)
  • Born March 30, 1928 Chad Oliver. Writer of both Westerns and SF, a not uncommon occupation at that time. He considered himself an anthropological science fiction writer whose training as an academic informed his fiction, an early Le Guin if you will. Not a terribly prolific writer with just nine novels and two collections to his name over a forty year span. Mists of Dawn, his first novel, is a YA novel which I’d recommend as it reads similarly to Heinlein. (Died 1993.)
  • Born March 30, 1930 John Astin, 89. He is best known for playing as Gomez Addams in Addams Family, reprising it on the Halloween with the New Addams Family film and the Addams Family animated series. A memorable later role would be as Professor Wickwire in The Adventures of Brisco County, Jr., and I’d like single out his delightfully weird appearance on The Wild Wild West as Count Nikolai Sazanov in “The Night of the Tartar” episode. 
  • Born March 30, 1948 Jeanne Robinson. She co-wrote the Stardance Saga with her husband Spider Robinson. To my knowledge, her only other piece of writing was ‘Serendipity: Do, Some Thoughts About Collaborative Writing ‘ which was published in the MagiCon Program. (Died 2010.)
  • Born March 30, 1950 Robbie Coltrane, 69. I first saw him playing Dr. Eddie “Fitz” Fitzgerald on Cracker way back in the Ninties. Not genre, but an amazing role none-the-less. He was Valentin Dmitrovich Zhukovsky in GoldenEye and The World Is Not Enough, with a much less prominent role as a man at the airfield in Flash Gordon being his first genre role. Being Rubeus Hagrid in the Potter franchise was his longest running genre gig. He’s also voiced both Mr. Hyde in the Van Helsing film and Gregory, a mouse, in The Tale of Despereaux film.
  • Born March 30, 1958 Maurice LaMarche, 61. Voice actor primarily known for such roles as Pinky and The Brain (both of which Stross makes use of) with Pinky modelled off Orson Welles, the entire cast as near as I can tell of Futurama, the villain Sylar on Heroes, the voice of Orson Welles in Ed Wood, a less serious Pepé Le Pew in Space Jam, and, though maybe not genre, he’s voiced Kellogg’s Froot Loops spokesbird Toucan Sam and  the animated Willy Wonka character in Nestlé’s Willy Wonka Candy Company commercials. 
  • Born March 30, 1990 Cassie Scerbo, 20. She’s only here because in researching Birthdays for this date, one site listed her as being a member of the cast of Star Trek: Progeny, yet another of those video Trek fanfics. Though IMDB has a cast listed for it, that’s about all I could find on it. If I was betting a cask of Romulan ale, I’d wager this was one of the productions that Paramount got shut down three years back. 

(10) IN THE ZONE Some TV history leading up to the Jordan Peele reboot, in the New York Times: “‘The Twilight Zone’: Here’s Why We Still Care”.

Today we live in a world where the words “Twilight Zone” are used as an adjective whenever anyone wants to describe stories (or real-life events) that are fearless, insightful, ironic and just a little bit spooky. And that theme song was killer too.

(11) FLIGHTS OF FANTASY. NPR’s Etelka Lehoczky analyzes a new graphic novel: “In ‘She Could Fly,’ A Teen Wrestles With A Host Of Psychological Mysteries”.

“Would you rather be able to fly or turn invisible?” It’s the archetypal party question. It was already popular way back in 2001, when This American Life addressed it, and the years haven’t lessened its appeal. As recently as 2015, Forbes posed the question to 7,065 “business and professional leaders … across the globe” and Vulture brought it up with the stars of Ant-Man.

Fly, or turn invisible? The question’s popularity is probably due to its uncanny psychological subtext. The two powers don’t seem to conflict at first, but a closer look reveals that they represent opposing tendencies. To fly is to be triumphant, dominant, powerful. To be invisible is to recede, to hide.

Christopher Cantwell nods to this duality in She Could Fly, a graphic novel whose protagonist wishes she could fly and feels like she’s invisible…
Luna seems to be suffering from a particularly intense form of obsessive-compulsive disorder, but she hasn’t been diagnosed or received any treatment. Taking it for granted that there’s no help for her, she shuts out such well-meaning people as the aforementioned guidance counselor. Luna has only one source of hope, and it’s a doozy: A mysterious woman spotted flying, superhero-style, around the skies of Chicago.

(12) MODERN MILSF. Andrew Liptak intends this as a compliment, I wonder if Hurley takes it as one? In The Verge: “The Light Brigade is a worthy successor to Starship Troopers”.

The world Hurley presents in The Light Brigade is a feudalistic nightmare, and makes a sharp commentary on the growing influence and dangers of a world ruled by corporations. Corporations control all aspects of the lives of the citizens, from the information they have access to, to how they’re educated and where they live, their lives given up to supporting whatever unknowable corporate goals their overlords have planned. It’s a perverse twist on Heinlein’s arguments about serving to earn citizenship, which implied that one has to earn their freedom through service. In Hurley’s world, freedom is an illusion. It doesn’t matter what you do, you end up serving your host corporation.

(13) THEY’LL SCARE THE CHOCOLATE OUT OF YOU. If you thought this happened only in Monty Python, not so, says Open Culture: “Killer Rabbits in Medieval Manuscripts: Why So Many Drawings in the Margins Depict Bunnies Going Bad”.

In all the kingdom of nature, does any creature threaten us less than the gentle rabbit? Though the question may sound entirely rhetorical today, our medieval ancestors took it more seriously — especially if they could read illuminated manuscripts, and even more so if they drew in the margins of those manuscripts themselves. “Often, in medieval manuscripts’ marginalia we find odd images with all sorts of monsters, half man-beasts, monkeys, and more,” writes Sexy Codicology’s Marjolein de Vos. “Even in religious books the margins sometimes have drawings that simply are making fun of monks, nuns and bishops.” And then there are the killer bunnies.

Hunting scenes, de Vos adds, also commonly appear in medieval marginalia, and “this usually means that the bunny is the hunted; however, as we discovered, often the illuminators decided to change the roles around.”…

Numerous illustrations at the link.

(14) SURVIVAL AT STAKE. “Tasmanian devils ‘adapting to coexist with cancer'” – BBC has the story.

There’s fresh hope for the survival of endangered Tasmanian devils after large numbers were killed off by facial tumours.

The world’s largest carnivorous marsupials have been battling Devil Facial Tumour Disease (DFTD) for over 20 years.

But researchers have found the animals’ immune system to be modifying to combat the assault.

And according to an international team of scientists from Australia, UK, US and France, the future for the devils is now looking brighter.

“In the past, we were managing devil populations to avoid extinction. Now, we are progressively moving to an adaptive management strategy, enhancing those selective adaptations for the evolution of devil/DFTD coexistence,” explains Dr Rodrigo Hamede, from the University of Tasmania.

First discovered in north-eastern Tasmania in 1996, the disease has since spread across 95% of the species’ range, with local population losses of over 90%.

(15) CAMELIDS VISIT COMIC CON. Two events in the same facility find they are unexpectedly compatible.

(16) PLATE SPECIAL. AMC’s series based on the novel by Joe Hill premieres June 2. Here’s the NOS4A2 “A Fight For Their Souls” official trailer.

[Thanks to Nancy A. Collins, JJ, Mlex, Steven H Silver, Mike Kennedy, Martin Morse Wooster, Cat Eldridge, Chip Hitchcock, John King Tarpinian, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Soon Lee.]

Pixel Scroll 1/30/19 The Rolling Infinity Stones

(1) MORE ALA HONORS. We linked the 2019 youth awards from the American Library Association the other day. Here are two more sets of awards and recommended reading lists from the ALA:

LITA: The LITA Excellence in Children’s and Young Adult Science Fiction Notable Lists. The link is to the 2019 iteration, which is the successor to the Golden Duck awards formerly given out at Worldcon. (LITA, the Library and Information Technology Association, is a division of ALA). The list has three categories:

  • Golden Duck List (Picture Books)
  • Eleanor Cameron List (Middle Grade Books)
  • Hal Clement List (Young Adult Books)

The 2019 list has lots of authors you’ve heard of including Greg Van Eekhout, Fonda Lee, Brandon Sanderson, and Will McIntosh.

And here’s the link to the 2018 list.

READING LIST: The Reading List is an annual list of recommended genre books put out by the Reference & User Services Association, another division of ALA. “Readers’ Advisory Experts Announce 2019 Reading List: Year’s Best in Genre Fiction for Adult Readers”. Here are the winners in the sff/h genre categories:

Fantasy

  • Foundryside: A Novel by Robert Jackson Bennett. Crown, an imprint of the Crown Publishing Group, an imprint of Penguin Random House LLC.

Horror

  • The Silent Companions: A Novel by Laura Purcell. Penguin Books, an imprint of Penguin Random House LLC.

Science Fiction

  • The Calculating Stars by Mary Robinette Kowal. A Tor Book, published by Tom Doherty Associates.

(2) PICARD. Ethan Alter, in the Yahoo! Entertainment “Patrick Stewart teases return of Jean-Luc Picard, says new ‘Star Trek’ series ‘is a 10-hour movie'”, has an interview with Sir Patrick where he says he is playing Picard, that he thinks of his new Trek series “as a ten-hour movie” and that he will look younger (and not have a beard) than the Picard portrayed in the last episode of Star Trek:  The Next generation.”

Stewart elaborated on why he’s ready to boldly go back to Star Trek in our interview. “I agreed to a meeting with the people who were going to produce this new version of Star Trek only because I wanted to seriously and respectfully explain to them why I was turning the project down. I heard just enough to realize this was something very unusual, and I was intrigued. What I was afraid of was … this was going to be jokey, and I didn’t want to do that.’ I asked a lot of questions and the answers were all very satisfying.”

Naturally, Stewart declined to share any of those answers with us. But he did reveal a few tantalizing details. For starters, this new series will tell one long tale instead of Next Generation‘s episodic structure. “They are writing a 10-hour movie,” the actor says…

(3) 4 CAPTAINS, 4 CREWS. An IDW Star Trek miniseries will bring together characters from a quartet of Trek shows in the same comic pages (SYFY Wire: “Exclusive preview: Starfleet’s finest captains unite in IDW’s new Star Trek: The Q Conflict”). The story includes art for the cover of Issue 1 and five interior pages.

In a grand event that can only occur in the creative dimensions of the comic book realm, the brave Star Trek crews and gallant captains of The Next GenerationThe Original SeriesVoyager, and Deep Space 9 will converge in a new IDW mini-series to pool their resources and hold the galaxy together against insurmountable odds.

Written by the scribes of Star Trek: TNG: Mirror Broken, Scott Tipton & David Tipton, this bold six-part adventure premiering today is matched with soaring art by David Messina (The Bounce, Wonder Woman) and corrals this historic collection of charismatic Starfleet commanders for the first time.

(4) MIGNOGNA. Anime News Network’s post “‘Far From Perfect’: Fans Recount Unwanted Affection from Voice Actor Vic Mignogna” extensively documents examples of these charges, as well as additional criticisms of Mignogna’s alleged anti-Semitic statements.

…Where is the line for appropriate guest and attendee behavior and what should be done when it’s crossed?

These questions came to the forefront of social media these last weeks as rumors about convention guests and staff interactions with minors stopped being whispered and instead were shouted. A Twitter thread posted on January 16 accused dub voice actor Vic Mignogna of homophobia, rude behavior, and most concerning, making unwanted physical advances on female con-goers. The thread quickly spread with over 4,000 retweets at the time of this writing and over 400 comments, many relaying their own negative experiences, including unwanted and unsolicited physical affection from the Fullmetal Alchemist voice actor. As with any claims involving a person with a moderate fan following, Mignogna’s supporters were quick to attempt to discredit individuals’ claims or at the very least dispute the voice actor’s intentions behind kissing or hugging attendees unannounced.

…Mignogna also assured his fans that the statements being made wouldn’t be seriously considered by others in the business. His claim of course, wasn’t entirely baseless. Rumors about Mignogna’s alleged behavior toward con-goers and supposed outbursts at fellow voice actors and con staff have been shared within insider circles for over a decade. While researching this article, I kept learning of more conventions that supposedly “blacklisted” Mignogna from ever returning. Yet, any attempts to reach out to long-time staff for each event were met with silence. If the rumors were true, no one with any kind of power in the industry was willing to talk about it.

(5) CLARKESWORLD BOOKS. Neil Clarke is launching a translation-focused publishing imprint with Kickstarter funding, and its first book will be “A Hundred Ghosts Parade Tonight and Other Stories by Xia Jia”

 In 2014, we launched a Kickstarter campaign with the hope of expanding our content to include translated Chinese science fiction in every issue. The response was overwhelmingly positive, and not only did we successfully raise the funds to do so, but (over the next year) we also increased our subscriber base to continue the project indefinitely. With help from Storycom, we now have over forty translated stories under our belt. Recently, we began to wonder if there was more we could do to expand on this important work and create additional opportunities for authors seeking to have their work translated and published in English. 

…The focus of this campaign is to help us secure the funding to produce our debut book: A Hundred Ghosts Parade Tonight and Other Stories, the first English language collection by Xia Jia, an extremely talented author that I’ve had the pleasure of publishing seven times in Clarkesworld and various anthologies, including one of my earlier Kickstarter projects, Upgraded. I couldn’t be more pleased to have her collection serve as the introduction to our new imprint. 

(6) YA CONTROVERSY. Was Amélie Wen Zhao harassed into pulling her YA fantasy Blood Heir before publication, or did she make a wise decision?

Criticism of how race was treated, levied by readers of the book’s ARC, set off another YA tweetstorm. Caro Herrera’s review on Goodreads said:

…Speaking of this, let’s get to a really problematic scene in the story. I’m talking about the whole Katniss/Rue scene at the slave auction. Oh, sorry, I meant to say Ana/May. Yeah, that entire scene was lifted from Hunger Games, let’s be real. Small black child dies in the arms of the white MC, while the MC sings a song that she taught the child? Come on. We’ve seen this before, both in a book and on the big screen. I cringed the entire time I read this. And did I mention the SLAVE AUCTION? Where a BLACK CHILD is killed?

Let’s talk about diversity for a minute. I know the book is written by a WOC. As a WOC myself, I was excited to read this, and I love to support POC authors, especially women. But that doesn’t mean all POC get a pass when their books are problematic. And this book was problematic. As another reviewer has mentioned, all diverse characters were used as props or were evil, so…? How is this truly introducing diversity and accurate and/or positive representation into the story, as the author claimed in her foreword to want to do?

The tweetstorm phenomenon was counterattacked by Jesse Singal in a thread that starts here.

And The American Conservative’s Rod Dreher (“Amelie Zhao Learns To Love Big Brother”) thought it was a golden opportunity to lambast Social Justice Warriors once again:

Donald Trump didn’t destroy Amelie Wen Zhao’s dreams. People wearing #MAGA hats didn’t shame her into withdrawing her debut novel. Progressives on social media did. These people are the enemy. They colonized her mind, and caused her — a Chinese immigrant! — to hate herself. I hope that they haven’t broken her spirit. Orwell, in these final lines from 1984, understands what they’ve done to her…

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born January 30, 1924 Lloyd Alexander. His most well-crafted work is The Chronicles of Prydain. Though drawn off Welsh mythology, they deviate from it in significant ways stripping it of much of its negativity.  To my belief, it is his only genre writing as I don’t hold the Westmark trilogy to actually be fantasy, just an an alternative telling of European history. Splitting cats hairs? Maybe. He was also one of the founders of Cricket, an illustrated literary journal for children. The late illustrator Trina Schart Hyman whose art I lust after, errrr, adore was another founder. (Died 2007.)
  • Born January 30, 1926 Peter Brachacki. Set designer for the very first episode of Doctor Who. Everything I’ve been able to read on him and that work says that he was not at all interested in working on the series and did so reluctantly under orders. Doctor Who producer Verity Lambert would  later recount that she was impressed with Brachacki’s work on the TARDIS interior even though she personally did not like him at all. His design elements persist throughout the fifty years the series has been produced. His only other genre work that I’ve been able to find was Blake’s 7  and a short series called the The Witch’s Daughter done in the late Seventies. The BBC wasn’t always great at documenting who worked on what series.  (Died 1980.)
  • Born January 30, 1930 Gene Hackman, 89.  Let’s see… Lex Luthor in SupermanSuperman II and Superman IV: The Quest for PeaceYoung Frankenstein‘s Harold, The Blind Man and voiced General Mandible in the animated Antz film. 
  • Born January 30, 1937 Vanessa Redgrave, 82. I think her role of Guinevere in Camelot is her first genre role. Yes that’s a fantasy. From there I see she’s Lola Deveraux in The Seven-Per-Cent Solution, Max in Mission: Impossible, Robin Lerner in Deep Impact, Countess Wilhelmina whose The Narrator of Jack and the Beanstalk: The Real Story in which Jim Henson reworked the story to give it “a more ethical, humanist view”.  Really. Truly. She next shows in the adaptation of Cornelia Funke’s The Thief Lord as Sister Antonia. I’ve only got two series appearance for her, one on Faerie Tale Theatre as The Evil Queen in, surprise not, the “Snow White and the Seven Dwarfs” episode; the other on the Young Indiana Jones Chronicles as Mrs. Prentiss in the “London, May 1916” episode.
  • Born January 30, 1941 Gregory Benford, 78. His longest running series is Galactic Center Saga, a series I find a little akin to Saberhagen’s Beserker series. I’ve not read enough of it to form a firm opinion. Other novels I’ve read by him include Timescape (superb) and A Darker Geometry: A Man-Kzin Novel (Yes I do read Baen Books). 
  • Born January 30, 1955 Judith Tarr, 64. I’m fond of her Richard the Lionheart novels which hew closely to the historical record while introducing just enough magic to make them fantasy. The novels also make good use of her keen knowledge of horsemanship as well. Her Queen of the Amazons pairs the historical Alexander the Great, with a meeting with the beautiful Hippolyta, who is queen of the Amazons. Highly recommended.
  • Born January 30, 1963Daphne Ashbrook, 56. She played Grace Holloway in the Doctor Who film– a portrayal that upset some Whovians because she was the first companion to romantically kiss the Doctor, the Eighth Doctor in this case. She played the title character in “Melora”, an episode of Deep Space Nine.
  • Born January 30, 1974 Christian Bale, 45. First enters our corner of the mediaverse in a Swedish film called Mio in the Land of Faraway where he plays a character named  Yum Yum. Note though that he doesn’t speak in this role as his Swedish voice in done by Max Winerdah. So his playing Demetrius in A Midsummer Night’s Dream is his speaking role. Next up is American Psycho in which he was Patrick Bateman, that was followed by a role in Reign of Fire asQuinn Abercromby (shitty film, great cgi dragons). He was John Preston in Equilibrium, and hevoiced Howl in Howl’s Moving Castle, a film well worth seeing.  Need I say who he plays in Batman Begins? I thought not. He’d repeat that in The Dark Knight and The Dark Knight Rises. Amidst being Batman, he was also John Connor in Terminator Salvation. His last genre role to date was voicing Bagheera in Mowgli: Legend of the Jungle asked off Kipling’s All the Mowgli Stories. He’s got a television genre credit, to wit Jim Hawkins in Treasure Island off the Robert Louis Stevenson of that name.

(8) LORD OF THE RINGOS? Peter Jackson is not going to just Let It Be says the Richmond Times-Dispatch:

The Beatles’ farewell documentary “Let It Be” is getting an encore, and a reinvention.

“Lord of the Rings” director Peter Jackson announced Wednesday that he is making a new film out of some 55 hours of footage — shot in January 1969 — that have never been seen by the public. The original movie, directed by Michael Lindsay-Hogg, came out in 1970, soon after the Beatles broke up and has long been viewed as a chronicle of the band members growing apart. In a Rolling Stone interview given months after the film’s release, John Lennon recalled the making of “Let It Be” as a miserable experience.

But Jackson says the additional footage tells a very different story. “It’s simply an amazing historical treasure-trove,” he said. “Sure, there’s moments of drama — but none of the discord this project has long been associated with.”

(9) BATTLE BREW. Passport to Iron City transports visitors directly into the retro-futuristic world of Alita: Battle Angel, the upcoming 20th Century Fox film by Robert Rodriguez, James Cameron and Jon Landau, in advance of its February 14 opening. Guests can explore the movie’s Iron City, which has been recreated down to the last detail by the film’s production designers.

Live like a local in Iron City: join your team for exclusive drinks at the Kansas, the famous hunter-warrior watering hole, and explore the vibrant streets of Iron City, where you’ll interact with the City’s gritty residents and visit familiar landmarks, from the infamous cyborg scrapyards to the high-energy Motorball Stadium. Earn credits by completing puzzles and challenges, experiment with innovative technology, and uncover hidden clues to determine your fate.

This 12,000 square foot futuristic interactive playground will transport you to another world, unlike anything you’ve ever experienced!

Thematic beers have been created to accompany the event.

Three Weavers crafted a big, double dry-hopped wheat IPA called Berserker for the New York City event. For Austin, Three Weavers collaborated with Oskar Blues Brewery to create an eclectic pomegranate lime gosé named Badlands. And for their home city of Los Angeles, brewmaster Alexandra Nowell developed a fashionable lemon basil brut ale dubbed Panzer Kunst. Additional beers are available, including Three Weavers’ Expatriate IPA and Seafarer kölsch-style ale in Los Angeles and New York; and Three Weavers’ Seafarer kölsch-style ale and Oskar Blues’ Can-O-Bliss IPA in Austin.

(10) TWILIGHT ZONING OUT. Did John nap through the part where the alien creature tried to break off the edge of this wing?

(11) THE OUT LAWS OF ROBOTICS. NPR has the story: “A Robot Named ‘Tappy’: Huawei Conspired To Steal T-Mobile’s Trade Secrets, Says DOJ”.

The Justice Department unsealed two separate indictments of Chinese telecom device maker Huawei on Monday. But only one of them reads like the script of a slapstick caper movie.

That would be the one that describes the U.S. government’s case alleging that Huawei stole trade secrets from T-Mobile, the wireless service company.

In the indictment, the government says that between June 2012 and September 2014, Huawei repeatedly made efforts to steal information about the design of a T-Mobile robot. The robot’s name, adorably, is “Tappy.”

We would like to include a photo here of Tappy, but photographing the robot is expressly prohibited by T-Mobile, and Tappy is kept under very tight security in a lab at T-Mobile headquarters in Bellevue, Wash.

Tappy’s job is to test devices before they go to market. With a rubber-tipped robotic arm, it touches the device screen, imitating a human using the phone — while at the same time tracking problems, measuring how long tasks take to complete, and monitoring how much battery is drained by each task.

(12) THE NEW NUMBER TWO. Penguin Middle School will soon be publishing the second book in the Klawde: Evil Alien Warlord Cat series:

Klawde is not your average cat. He’s an emperor from another planet, exiled to Earth. He’s cruel. He’s cunning. He’s brilliant… and he’s about to become Raj Banerjee’s best friend. Whether he likes it or not.

(13) ARCOLOGIES FOR REAL? Business Insider says that, “These billion-dollar cities are straight out of science fiction, and they will soon become a reality.” These arcologies seem to be straight out of Oath of Fealty, though maybe without MILLIE.

Cities may be a long way from hovercrafts and Hyperloops, but they’re slowly catching up to the visions of science fiction. 

Technologies that once seemed impossible, like driverless cars and drone taxis, are now popping up mega-developments around the world. 

By designing cities from scratch, nations like India, Saudi Arabia, and the US can accommodate new innovations in infrastructure and deliver services more efficiently to residents. 

(14) S.H.I.E.L.D. TEASER. How will the Agents of S.H.I.E.L.D. move on without Coulson? Here’s your first look at Season 6. The premiere episode, ‘Missing Pieces‘, is directed by Clark Gregg and written by Whedon and Tancharoen, and will air in July 2019 on ABC.

[Thanks to Linda Deneroff, Martin Morse Wooster, Carl Slaughter, Galen Charlton, Andrew Porter, John King Tarpinian, JJ. Cat Eldridge, Chip Hitchcock, and Mike Kennedy for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 2/25/16 The Scrolls My Pixellation

(1) BACK HOME AGAIN IN INDIANA. In 1936 the Marshall College Archaeological Review accepted Professor Jones’ journal article, but asked for a few teensy changes – in “Why Professor Indiana Jones Was Hated By His Colleagues” at Cracked.

The Title

Though your findings are certainly incredible and we understand your enthusiasm, we must say that the title “God Melted Some Nazi Faces In Front Of Me” simply doesn’t fit our journal’s aesthetic. I am only more distressed by the title when I read the first sentence of your abstract, which states “At least I think that’s what happened. Really, I just closed my eyes for a while, and when I opened them, all the Nazis had melted.” As men of science, it is our academic duty to at least entertain the notion that there was a corrosive substance inside the Ark of the Covenant that killed them. Or perhaps there was some sort of violent squabble that erupted while you and Miss Ravenwood had your eyes shut. Or anything, really. Any explanation beyond “God did it” should, at the very least, be mentioned. This segues nicely into my next concern.

(2) REVOLUTIONARY CASTING IDEA. Here’s your next singing and dancing chimney sweep — “’Hamilton’ Creator/Star Lin-Manuel Miranda Signs On For ‘Mary Poppins’ Sequel” reports ScienceFiction.com.

Walt Disney’s new ‘Mary Poppins’ film, directed by Rob Marshall with Emily Blunt portraying everyone’s favorite magical nanny has found its male lead.  Broadway wunderkind Lin-Manuel Miranda, the mastermind behind Broadway’s hottest show, ‘Hamilton’ (It’s sold out through 2018!) will play Jack, a lamplighter, a part similar to Bert the chimney sweep, played by Dick Van Dyke in the classic 1964 film.

The new movie is set 20 years after the original, in Depression-era London and will pull from one P.L. Travers’ seven other ‘Mary Poppins’ novels.  (The 1964 film was based on the first, with hopes of turning them into a series, but Travers despised the film and nixed those plans.)

(3) IN TAVERNS TO COME. Rob Ehlert and Cathy Mate, the subjects of “Know Your Neighbors: Rob Ehlert of Dark Rogue Tavern” at Around Berwyn, are long time Chicago fans. Cathy’s husband, “Clash” DJed many Windycon dances prior to his death in 2013.

People will know it’s a tavern because in Chicago there will be snow around the entrance half the year…. (File 770 inside joke.)

DRT-Logo-300x200When an opportunity arises to receive a $10,000 endorsement from Bar Rescue’s Jon Taffer, you take it. That’s what Berwyn resident Rob Ehlert did when he entered his bar concept, Dark Rogue Tavern, into a nationwide entrepreneurial contest sponsored by the famous TV personality.

Dark Rogue Tavern will be Berwyn’s newest bar and grill scheduled to open in July 2016. The concept is the brainchild of Amy Mate and Rob Ehlert, who felt inspired to create “a ‘Cheers’ for nerds.” According to Ehlert, Dark Rogue Tavern will be a place for geeks, gamers, comic book collectors, sci-fi fans, and fantasy role-players to come together and enjoy a space dedicated to them. They can come with friends, or make new ones, and watch their favorite shows and movies, play their favorite games and enjoy craft beers, cocktails, and elevated bar food.

After pitching this idea to Taffer’s entrepreneurial contest, Mate and Ehlert made it into the top 10 but ultimately did not win the contest. But never fear! Dark Rogue Tavern will eventually be here, even without the $10K grant. “We will make this bar open regardless of the support from Jon Taffer,” said Ehlert.

(4) THE BRANDENBURG GREAT. Neil Clarke is the guest fiction editor of a science and sf theme issue of The Berlin Quarterly, a European print review of long form journalism, literature, and the Arts. Clarke says —

Their budget permitted me to select four reprints, so in this issue you’ll find:

  • “Slipping” by Lauren Beukes
  • “Tying Knots” by Ken Liu
  • “A Brief Investigation of the Process of Decay” by Genevieve Valentine
  • “The Best We Can” by Carrie Vaughn

(5) MEOW MIX. George R.R. Martin alerted readers of Not A Blog that Meow Wolf will be open to the public for the first time on March 18 and 19. He also linked to an LA Times story about the project, “Art collective builds a dream house in Santa Fe with millions of dollars – and junk”

Calling themselves “Meow Wolf,” they have earned a reputation for using whatever materials they can scavenge to build fantastical exhibits that are part haunted house and part jungle gym — giant artwork that people can step inside.

These immersive shows — a psychedelic cave, a junk-filled dome — have grown progressively more elaborate. Now, after years of surviving on shoestring budgets, Meow Wolf has persuaded investors to pour millions of dollars into something even bigger.

The Santa Fe group has procured an abandoned bowling alley in a struggling part of town to house a massive, permanent exhibit. King and his friends call it a dream come true, but it comes at a price.

Martin has invested $3.5 million in the project, says the LA Times.

(6) BERLITZKRIEG. I have it on the highest authority that Vox Popoli isn’t a result of an inability to spell vox populi, it’s a combination of the Latin phrase with the Italian la voce dei popoli.

And Vox Day isn’t “the voice of God” either. It’s a trilingual pun, Latin-Greek-English.

Vox Day
Vox Dei
Vox Theos
Theo’s Voice

There will be a quiz.

(7) TWISTING IN THE WINDS OF WINTER. IGN has posted a video interview with George R.R. Martin and Colony co-creator Ryan Condal in which Martin delivered an intriguing bit of news.

George R.R. Martin has officially decided to write in the big twist he planned for his new book, The Winds of Winter. The twist on the twist? The Game of Thrones TV show won’t be able to pull it off, because it’s already killed off a key character involved in the storyline. Watch Martin give us the scoop in the video above.

This is just one awesome moment from our full 27-minute sit down with Martin and Colony co-creator Ryan Condal, where we talk the suggestions that changed their series completely, the sci-fi/fantasy properties that made them fans, dream casting and how to end a story.

(8) CONTINUING COVERAGE OF MARK OSHIRO AND CONQUEST. Selina Rosen and Mark Oshiro exchanged comments on Facebook, and Oshiro said he appreciated Rosen’s apology.

[Selina Rosen:] It was never my intention to make you uncomfortable. I am not aware of touching you but know that if I did it was not meant as an insult or to make you uncomfortable. FYI till Monday of this week I did NOT even know that you were the one who turned me in. I apologize for any perception you had that I was in any way sexualizing or trying to demean you. I will be more aware in the future that fandom has changed and I must change with it or stay home.

[Mark Does Stuff:] Thank you very much for this, Selina. For what it’s worth, I believe you in that you may not have even known you were touching me. I appreciate your apology. I wish ConQuesT had just TOLD you about this so that you didn’t have to find out this way. Regardless, I genuinely thank you for posting this.

[Selina Rosen:] Not knowing who had told made it imposable for me to address the issue with you directly. Only know I am not that person and never have been.

Rosen further commented on a different Facebook post.

[Selina Rosen.] Seriously I’m so sorry that I did this mostly because it’s the joke that will not die. I played to the audience. The joke is so old I have to go to the banks of antiquity to ask permission to use it. I will not do it again. I am sorry that he was so upset in any way. No one should be uncomfortable.

(9) RABID PUPPIES MARCH ON. Vox Day’s slate for another Hugo category — Rabid Puppies 2016: Best Short Story.

The preliminary recommendations for the Best Short Story category:

  • “Tuesdays With Molakesh the Destroyer”, Megan Grey, Fireside Magazine
  • “Asymmetrical Warfare”, S. R. Algernon, Nature Nr. 519
  • “Seven Kill Tiger”, Charles Shao, There Will Be War Vol. X
  • “The Commuter”, Thomas Mays, Amazon Kindle Single
  • “If You Were an Award, My Love”, Juan Tabo and S. Harris, Vox Popoli

(10) SAD PUPPIES 4 REPORT. Kate Paulk checks off “the big two” Hugo categories in a short Mad Genius Club post.

I’m wrapping these two together because they’re the big hitters of the Hugos even though the Campbell isn’t a Hugo. They’re also, well… kind of obvious. The Campbell website even has a list of eligible authors….

As for what to nominate, well, that’s up to you folks. I can guarantee that what shows up on my ballot will not be what bubbles to the top of the List, because I’m doing the List as a service to anyone who’s interested and trying to boost interest and involvement in the entire Hugos process. Also because I’m just weird.

Now the administrative stuff:

I will start closing comments on the Sad Puppies recommendation threads starting around 5pm US Eastern Time on Monday 29th February. This is so I don’t have new recommendations coming in while I’m trying to collate what’s there.

(11) BOOK PROMO. At the SFWA Blog, Cat Rambo lists “10 Ways SFWA Can Help Promote Your New Book”.  Here are the first three:

  1. The Featured Book section of the website appears on the righthand side of the website’s front page and is open to new books at the time of their release. While filling that out, you might also fill out the Featured Author section.
  2. The New Release Newsletter is a recent addition that lists forthcoming publications by SFWA members. It is not limited to books, but can encompass shorter fiction and alternate forms. Backlist books being newly released can be listed in the newsletter.
  3. The SFWA Discussion Forums have multiple ways to promote your book. Mention details in your personal thread, list interviews and reviews in the Self Promotion section, where you can also find a link to Don Saker’s The Dealer’s Room, where SFWAmembers can list free book promotions.

(12) CONSTRUCTION TOYS. These items come from Andrew Porter.

Meccano was the British equivalent of the US Erector Set. The history of Meccano Magazine is available here at the Meccano Indexes and Information Home Page.

James May (not the Puppy James May) hosts the BBC show James May’s Toy Stories, where he built a Meccano bridge which supported a man, in Liverpool — part of a series which included running electric model trains for five miles in open country, building a two-story house out of LEGO, and creating a life-size plastic Airfix Spitfire model.

You can download issues of Meccano Magazine as PDFs here

(13) SPINNING SHIELD. ScienceFiction.com has the story: “ABC Releases Synopsis For ‘Agents of S.H.I.E.L.D.’ Spinoff ‘Most Wanted’”.

Back in January, ABC gave the green light to Marvel Television’s ‘Most Wanted’ after a period of will they/won’t they. Since then, the ‘Agents of S.H.I.E.L.D.’ spinoff starring Adrianne Palicki and Nick Blood has been ramping up. First, Delroy Lindo joined the cast as the swashbuckling adventurer Dominic Fortune. Now, we have our first description of the series that gives us a glimpse at Bobbi Morse and Lance Hunter’s new mission.

The first official synopsis for the latest show set in the Marvel Cinematic Universe was recently shared and as anticipated, we learn about Mockingbird and Hunter’s less than ideal situation where they find themselves with bounties on their heads. But there’s also some new information about Fortune’s role in the whole thing and how the three will come together…

(14) OLD FEDEX COMMERCIAL. Saw this getting replayed today…

[Thanks to Steven H Silver, Andrew Porter, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Nigel.]

Pixel Scroll 12/4 “Nightrise, Nightfall,” from Astronomer On The Roof

(1) SAFETY LAST. I didn’t know it was this dangerous to work for J.J. Abrams. Or to be J.J. Abrams.

In his interview on the Howard Stern show, Abrams tells stories about (1) how a hydraulic door on the “Force Awakens” set slammed down on Harrison Ford’s ankle, (2) how Abrams broke his back trying to lift the door, and on an earlier occasion, (3) Leonard Nimoy broke his nose while working on the Star Trek reboot.

“He fell, he hit his nose… he had a gash on his nose,” J.J. revealed. “I thought, ‘holy crap, this is a disaster.’ I felt horrible. I wanted to kill myself at this point.

(2) GENERAL LEIA. Louis Virtel of Hitflix decrees: “Carrie Fisher just scorched ‘Good Morning America’ and you’re not worthy” .

The most intense and thrilling part of this universe is the real-life Carrie Fisher, whose self-possessed wooziness makes her one of pop culture’s most sublime entities. She was just on “Good Morning America” chatting about losing weight to play the part of General Leia. She brought her dog. She was electric. She was rad, weird as hell, and right. She awakened America.

I love everything about this interview, namely Carrie’s one-liner about resuming her role in the “Star Wars” universe. “I got in character and I’ve never gotten out again – and really, I’ve tried everything.”

(3) FORBIDDEN BOOM. That highly scientific party-pooper Adam Korenman (When the Stars Fade) pulls back the curtain on “Dramatizing Space Battles in Film and Fiction” at SF Signal.

[First of three points.]

Star Wars, like pretty much every space drama of the past 40 years, is more in the realm of fantasy than science-fiction. Though our understanding of arriving and surviving outside the atmosphere has grown tremendously, our representations of such acts in film and literature remains steadfastly in the realm of fiction. In my series The Gray Wars Saga, I am equally guilty of playing space battles more for the drama than the science. Why is it that every auteur from Heinlein to Abrams showcases a false image of the dark void above? Let’s take a look at the realities of space combat and see if we can find out.

1) Explosions are Pretty, Space-splosions are not.

In any space opera worth its salt, a massive ship is bound to explode. As an audience, we anticipate it the same way we expect anyone in a dark hat to be a bad guy. To paraphrase Anton Chekhov, if you show a spaceship in Act 1, you’d better be blowing it up by Act 3. But explosions, and fire in general require three elements to exist: Heat, Fuel, and Oxygen. You’ll notice I bolded the last word, as it is fairly important. Space is famously lacking in O2—to the point where people think you explode if you’re ever exposed to the vacuum (also not true, but Cracked already covered that, so let’s move on). Space explosions look more like the time you dropped your LEGOs on the kitchen floor than when you dumped a pack of Mentos into a 3 liter of Diet Coke. The rapid expansion of heat (literally the definition of an explosion) will rend your big ol’ ship into pieces, and those shards will head in every direction until acted upon by another force (thanks, Newton). No fireball, no awesome ring-shaped shockwave. Just scrap….

Real space may not be able to carry sound (no oxygen, so nothing to carry the vibrations) but a movie theater with a THX monster system can. If we’re going to allow musical cues in our cinematic experiences to pull our emotional strings, we can surely forgive a few foley artists getting creative with the sound design. It allows the truth of the drama to reach the audience on more levels. And if playing to one of our senses for the sake of drama makes the cut, then allow us science-fiction writers the joy of delivering fiery ends to our marvelous creations.

(4) BOSKONE GUESTS. At the Boskone Blog, “Mini-Interview: Robert J Sawyer and Cerece Rennie Murphy.

How would you describe your work to people who might be unfamiliar with you? [Robert J Sawyer:] I’m a hard-SF writer, heavily influenced by the best of Frederik Pohl (I consider his Gateway to be the finest novel our field has ever produced). I’m also liberal, even by Canadian standards, and a rationalist, a secularist, and a humanist (Humanism Canada gave me their first ever “Humanism in the Arts” award) — and my work embraces all those things. I mostly do near-future or present day stories, usually set on Earth, with a strong philosophical bent. My prose is pellucid (much more Arthur C. Clarke than Gene Wolfe) and my tone usually upbeat….

What is your favorite Star Wars memory, scene, or line? What is it that that memory, scene or line that continues to stick with you today? [Cerece Rennie Murphy:] (It could be a moment from within any of the films, a moment associated with the films, or something inspired by the films. – My favorite scenes from Star Wars are all the scenes between Luke Skywalker and Yoda from Empire Strikes Back. I remember watching theses scenes in the theatre when I was 7 years old. They literally changed my perception of God, my place in the world and my potential. I realized then, as I still believe now, that we’re all Jedi, we just don’t know it. Watching Luke’s fear and doubt keep him from fully accessing his own potential was powerful for me, even then. I don’t think you can sum up the human condition any better than that. “Luminous beings are we….not this crude matter,” I really believe that the healing of our entire world could begin with this statement.

(5) HELP ANN TOTUSEK. “I’ve started a GoFundMe to help with my family’s housing situation,” Ann Totusek told me. Her complete narrative about her situation is here.

As a short overview, Ann recommended Steven H Silver’s comment at Whatever.

Through a change in circumstances, Minneapolis fan Ann Totusek has found herself in a situation where she either needs to buy her house or find herself homeless. Ann is currently the caregiver for her mother, suffering dementia, and her teenage son, who suffers SPD. Ann, who helps run conventions throughout the upper Midwest in Iowa, Minneapolis, and Chicago, is running a GoFundMe to raise money for the down payment on their home.

Ann has run Green Room and Program Ops for me at several Windycons as well as the hospitality suite at the Nebula Award Weekend in Chicago in 2015 (and plans to again in 2016). Her hospitality has always been wonderful and now we have the opportunity to repay some of that hospitality by ensuring that Ann and her family can live and thrive.

In the first 11 hours, the appeal brought in $8,463 of its $150,000 goal, including a $2,000 boost from Ctein and another $5,000 anonymous donation.

(6) MARKETING TIP. Fynbospress makes a compelling argument for placing more of the “front matter” in the back of your self-published ebook, in “What’s the matter with front matter?” at Mad Genius Club.

Why? Well, a sample is 10% of your entire file, not 10 percent of your story. When you get a reader interested enough that they downloaded a sample, or are clicking “look inside” on a web page, you really don’t want them to scroll past all of that stuff only to find three paragraphs of story! You want a couple pages to hook them in, draw them deep, and make them immediately click “buy the book” so they can keep reading.

Some very savvy authors actually set up the amount of front matter and their story so the 10% cutoff falls directly after a cliffhanger. This is sneaky and wonderful, because you can immediately deliver the payoff with the rest of the book.

(7) Today In History

  • December 4, 1985:  Barry Levinson’s Young Sherlock Holmes makes its theatrical debut.
  • December 4, 2008: Forrest J Ackerman passes away.

(8) DOES SIZE MATTER?

Two Jet Propulsion Laboratory engineers stand with three vehicles, providing a size comparison of three generations of Mars rovers. Front and center is the flight spare for the first Mars rover, Sojourner, which landed on Mars in 1997 as part of the Mars Pathfinder Project. On the left is a Mars Exploration Rover test vehicle, a working sibling to Spirit and Opportunity, which landed on Mars in 2004. On the right is a test rover for the Mars Science Laboratory, which landed Curiosity on Mars in 2012.

 

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(9) THEATER HISTORY. Alex Ross’ profile “The Magnificent Memory of Norman Lloyd” at The New Yorker shows the 101-year-old actor still has the power to bring history to life.

Through the Group Theatre, Lloyd came in contact with the Stanislavsky method, and he applied it to his character in “Caesar.” In Act III of Shakespeare’s play, Cinna the Poet ventures out to attend Caesar’s funeral; a mob mistakes him for another Cinna, a member of the conspiracy, and drags him off. Welles had realized that the scene could stand in for contemporary Germany, where even non-Jews were persecuted for having Jewish-sounding names. Initially, Welles thought of the character as a Byronic figure, wearing a beret. But Lloyd wanted to pattern Cinna on someone he knew: the Greenwich Village poet Maxwell Bodenheim, who used to sit on the stoops around Washington Square, offering to write poems for twenty-five cents. Lloyd pictured Cinna as a bum in a suit, foolscap spilling out of his pockets. Welles said, “O.K., do it your way.”

(10) LOGGIA OBIT. The actor who played the President’s military advisor in Independence Day, and the toy company mogul who danced on the piano with Tom Hanks in Big, Robert Loggia, died December 4at the age of 85. He had been battling Alzheimer’s Disease for the past five years.

He was best known for his roles in the movie Scarface and in the TV series Mancuso FBI

During a long career he worked a lot, in the beginning often playing ethnic characters, usually Hispanic or Middle Eastern, and at the end frequently cast as a mobster.

His genre appearances in television included episodes of One Step Beyond (“The Hand,” 1959), Voyage to the Bottom of the Sea (“Graveyard of Fear,” 1966), The Wild Wild West (“Suspicion,” 1967), Wonder Woman (“Wonder Woman vs Gargantua,” 1976), The Bionic Woman (“Jaime and the King,” 1977), The Six Million Dollar Man (1976), Tales of the Unexpected (1984), and The Outer Limits (2000).

(10) REDISCOVERED TALKIE. High Treason (1929), not only one of the earliest sound movies but an sf movie to boot, will be shown December 6 at the Anchorage International Film Festival. The sound version of the film was long thought lost until it was rediscovered in 2005 in a group of old films in Washington State. Kevin Tripp, a moving image archivist in Alaska, arranged transfer of the nitrate films to Library of Congress for salvage – having first completed a hazardous materials training program.

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The film was taken from a play by Noel Pemberton-Billing. He was an aviator, politician and inventor who founded the Supermarine aviation company, which would produce the Spitfire fighter plane in World War II.A declared pacifist, the playwright nonetheless advocated aerial bombing of civilian targets in wartime, two topics that weight heavily in the script.

Read an in-depth study of High Treason illustrated with many stills at And You Call Yourself A Scientist!

File 770 reader Steve Johnson says, “I will be in the Bear Tooth Theatre for the show on Sunday–my wife snapped up two reserved seats.”

(11) DESTROYED AGAIN. Funded as a stretch goal of Lightspeed’s “Queers Destroy Science Fiction!” Kickstarter campaign, a companion publication “Queers Destroy Fantasy!” is now available from Amazon.

…This month we’re presenting a special one-off issue of our otherwise discontinued sister-magazine, FANTASY, called Queers Destroy Fantasy!: an all-fantasy extravaganza entirely written—and edited!—by queer creators. Here’s what we’ve got lined up for you in this special issue: Original fantasy—edited by Christopher Barzak—by Catherynne M. Valente, Kai Ashante Wilson, Carlea Holl-Jensen, and Richard Bowes. Reprints—selected by Liz Gorinsky—by Caitlin R. Kiernan, Austin Bunn, Shweta Narayan, and Nicola Griffith. Nonfiction articles—edited by Matthew Cheney—by merritt kopas, Matthew Cheney, Keguro Macharia, Ekaterina Sedia, Mary Anne Mohanraj, and Ellen Kushner. Plus an original cover illustration by Priscilla Kim and original interior illustrations by Goñi Montes, Odera Igbokwe, Sam Schechter, Elizabeth Leggett, and Vlada Monakhova.

(12) LOAFING AROUND. Will R. sent along the link to “Make This Awesome Dune-Inspired Sandworm Bread” with a skeptical comment: “I have to agree with the person I saw this via, who said ‘delicious-looking is not the description I would have used.’” Will had a valid point, and that is why I didn’t gank the picture to go with the excerpt.

Fans of the novel and movie Dune will appreciate this spice-filled sandworm bread recipe from geek baker extraordinaire Chris-Rachael Oseland….

The sandworm bread consists of a basic sweet bread with a spice filling and a sugar glaze. Yum. Blanched almonds are added to create the sandworm’s intimidating, toothsome maw. I can smell its melange breath from here!

(13) S.H.I.E.L.D. S.P.O.I.L.E.D. Those who know say that spoilers abound in this trailer for Marvel’s Agents of SHIELD 3×10 “Maveth” (Winter Finale).

S.H.I.E.L.D. and Hydra go head-to-head in a battle that will change Coulson’s world forever.

 

[Thanks to Steve Johnson, John King Tarpinian, and Will R. for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Gee, Whiz: Hasn’t DARPA Heard of S.H.I.E.L.D.’s Helicarrier?

DARPA wants the capability to launch and recover multiple small unmanned air systems from existing large manned aircraft such as the C-130 cargo plane. The agency has issued a request for information (RFI) asking for technical, security and business insights to help them do this.

Military air operations typically rely on large, manned, robust aircraft, but such missions put these expensive assets-and their pilots-at risk. While small unmanned aircraft systems (UAS) can reduce or eliminate such risks, they lack the speed, range and endurance of larger aircraft. These complementary traits suggest potential benefits in a blended approach-one in which larger aircraft would carry, launch and recover multiple small UAS….

“We want to find ways to make smaller aircraft more effective, and one promising idea is enabling existing large aircraft, with minimal modification, to become ‘aircraft carriers in the sky’,” said Dan Patt, DARPA program manager.

James H. Burns immediately asked — “Don’t they know about the Helicarrier?” But I said, “Even DARPA hasn’t failed to notice they’re constantly catching fire and crashing….”

Burns agreed: “Yes, those Heli-Carriers — what a Fal-con mess… Perhaps they should have been more Lo-ki.”

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Agents of the Night

By James H. Burns: In 1983, I was stunned when I called Rich Buckler, who had just taken over as editor of Archie Comcs’ new super hero line, and he told me that there was no need for a reintroduction.

Rich was the noted comics artist and creator who had had a lengthy run on Marvel’s Fantastic 4, as well as contributing to several other super hero and science fiction  titles. (His origins, in fact, went back to Detroit fandom, in the late 1960s.)

In 1979, Rich said, I had made a big difference in his life, at a rather crucial time, when we had a long conversation at Ojohn’s Restaurant on Cornelia Street in Greenwich Village. Buckler and I were both part of a loosely knit group of writers, artists and genre enthusiasts who gathered at Dave Miley's once-upon-a-time comics and bookstore on Carmine Street (just off Bleeker, around the corner from 6th Avenue.)

Dave himself should be famous as the manager of what had to be one of the very first comics oriented shops in America, in 1968, on St. Mark's Place in the East Village. Just a short while later, Miley would begin a long association with Bill Morse when the latter opened the Village Comics Art Shop (whose most famous location was on 6th Avenue (the Avenue of the Americas) near West 4th Street, just a few doors down from the Waverly movie theatre.

(Morse could be counted as one of the original comic book dealers, is a long time bibliophile,  and is well known in Edgar Rice Burroughs fandom. Both Morse and Miley have also been involved in publishing ventures.)

Dave's store on Carmine was his first solo effort, and wound up being, for a while, a kind of ad hoc salon for lovers of fantasy and science fiction. (Legendary fantasy artist Roy Krenkel, for example, was an occasional habitue of the store, pontificating pleasantly on a variety of topics, including his wish for a planet he named Plumpus 9, inhabited solely by the hefty women he favored...)

There were more than a few late night conversations that ended with a bunch of folks crashing in Miley's apartment in the back.

Rich Buckler in 2008. Photo by Luigi Novi.

Rich Buckler in 2008. Photo by Luigi Novi.

When I ran into Rich Buckler again a few years ago at a New York comic con, I was even more astonished when -- after his lovely and unexpected proclamation of decades earlier -- he had no idea who I was!

("I must not have been wearing my glasses!" Rich said later.)

But far more importantly, I hope some people remember Buckler's name tonight, when his Deathlok character appears on Marvel's and ABC -TV's Agents of S.H.I.E.L.D.

The cyborg was created by Buckler, and co-developed by writer Doug Moench, for editor Roy Thomas, debuting in Astonishing Tales #25, in 1974.

It seems the television incarnation of Deathlok may be based on later versions of Deathlok evolved by others, but Buckler’s inspiration is also significant, for there are genre historians who belive it was an influence on both the Terminator and Robocop.

Rich, ultimately, has contributed to virtually every major super hero mythos for both top American comic book companies, and is now exploring fine and other arts (particularly with what he calls his "New Surrealism"), as can be seen at his website, www.richbuckler.com/

In the early 1970s, Deathlok was a concept in his sketchbooks that had been long-a-borning.

As Buckler discusses in his 2010 multi-part memoir, courtesy of Daniel Best’s “20th Century Danny Boy” website:

"The concept would have elements of Mind control, military black ops, terrorism, science gone mad, and a dark apocalyptic future scenario with a main character who was a computer-programmed assassin gone Rogue... It seemed to be a time for the creation of a new archetype -- one that would reflect the technological age we all were headed into (or, rather, the future that our world leaders seem to be making sure we are heading into...)”

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