Pixel Scroll 7/10/21 More Scrolls About Pixels And Fnord

(1) GRRM’S NEW PROJECT. George R.R. Martin is one of the executive producers of the forthcoming Dark Winds series based on the books by Tony Hillerman. The Hollywood Reporter lists the others:

…The series is created and executive produced by Graham Roland (Tom Clancy’s Jack Ryan) and stars Zahn McClarnon (Fargo), who is also an executive producer, and Kiowa Gordon (The Red Road). Vince Calandra (Castle Rock) is the showrunner and also an executive producer. Chris Eyre (Smoke Signals) will direct the pilot and executive produce. Other executive producers include George R.R. MartinRobert Redford, Tina Elmo and Vince Gerardis. In a rare move, the production has secured permission to film on tribal lands in New Mexico….

Martin’s own announcement on Not A Blog says:

…I am thrilled to report, Joe Leaphorn and Jim Chee are returning to television.

We just got word from AMC that they are greenlighting DARK WINDS, based on Tony’s novels about the two Navajo tribal policemen.   The first season will be six episodes long, adapted (largely) from LISTENING WOMAN, one of my favorite books in the series.   If we get the viewers. more seasons will follow, and more books will be adapted.

…DARK WINDS will be filmed in and around Santa Fe and Gallup, and on the Navajo reservation, and based out of the Native-owned Camel Rock Studios (the former Camel Rock Casino), right here in the Land of Enchantment.   Filming will begin in August, and continue — we hope — for many years.

Bob Redford and Chris Eyre have put together a great team (with a little help from yours truly), and we hope to make a great show, one that truly captures the magic of this very special place.   Look for DARK WINDS on AMC in 2022.

(2) EYEWITNESS TO SFF HISTORY. Alec Nevala-Lee introduces the video of his interview: “Talking with Barry Malzberg”.

In the course of researching my book Astounding, I got to know the author Barry N. Malzberg, who by any estimation has had one of the most singular careers in all of science fiction. Over the course of three sessions in July 2019, I interviewed Barry about his life and work in a conversation that ended up lasting close to two hours, which I’ve finally put online. We spoke about his influences and early career; his time at the Scott Meredith Literary Agency; the rise and fall of the softcore erotica market; his friendships with Dean Koontz and Bill Pronzini; his brief stint as editor of Amazing Stories magazine; his encounter with the editor John W. Campbell; and the origins, legacy, and “bad karma” of his novel Beyond Apollo. I think there’s some good stuff there, so enjoy! (If you get the chance, you might also want to check out my recent interview with the science fiction podcaster Mikel J. Wisler, in which we discuss a similarly broad range of topics, including my New York Times review of Project Hail Mary by Andy Weir.)

(3) BUHLERT ONLINE READING. Cora Buhlert will be taking part in the monthly Flash Fiction Night organized by Space Cowboy Books in Joshua Tree, California on Tuesday, July 13 at 6:00 p.m. Pacific US Time. It’s a free online event — register here.

Cora wrote at her blog:

I’ll be reading some science fiction flash fiction together with Andy Dibble and Douglas A. Blanc. It’s already the third Flash Fiction Night and you can watch recordings of the first two on the Space Cowboy Books YouTube channel.

(4) THE FUTURE’S NOT FAR AWAY. [Item by Martin Morse Wooster.] Kim Stanley Robinson took part in a forum about climate change moderated by Ezra Klein in the June 27 New York Times Magazine.  Other panelists include Saul Griffith, Rhinna Gunn-Wright, and Shilela Jasanoff.  Klein appeared pretty familiar with The Ministry of the Future. “What if American Democracy Fails the Climate Crisis?”

Klein: Stan, imagining outside the current context is your specialty as a science-fiction novelist, so I’m wondering what you think the weaknesses of our current systems are.

Kim Stanley Robinson: Well, we are stuck in an international system of nation-states, and we don’t have time to invent and institute any kind of alternative world governance, so we have to use what we’ve got. But we also have the Paris agreement, and climate equity was written into it so that developed rich nations were tasked with paying more and doing more and helping the historically disadvantaged and even colonized nations. Executing all that is, of course, a different story.

(5) LE GUIN. Andrew Porter sent this link to an article which he says surprisingly eluded him when The Guardian originally published it in March. It’s a review of the nonfiction book Le Guin completed during her last year: “Dreams Must Explain Themselves by Ursula K Le Guin review – writing and the feminist fellowship”. (The title essay appeared in Porter’s fanzine, and was collected in a 40-page chapbook of essays under the same title in 1975.)

In 1973 Ursula Le Guin was phoned by publisher and science fiction fan Andrew I Porter, trying to persuade her to write about herself in his magazine Algol. “Andy kept saying things like, ‘Tell the readers about yourself,’ and I kept saying things like, ‘How? Why?’” Standing in her hallway, with a child and a cat circling her legs, it seemed impossible to explain over the crackling connection that “the Jungian spectrum of introvert/extrovert can be applied not only to human beings but also to authors”. Le Guin knew that at one end of the spectrum there are authors such as Norman Mailer, who talk about themselves, and at the other, authors who, like her, need privacy….

(6) IT’S AROUND HERE SOMEPLACE. “Look: Long-lost ‘Wizard of Oz’ dress found in box at D.C. school” reports UPI. And it’s not quite as rare as you might at first believe. It’s the sixth version of Dorothy’s dress from the 1939 film known to still exist.

A long-lost dress worn by Judy Garland in The Wizard of Oz has been found decades later in a box at a university in Washington, D.C.

Catholic University announced in a news release that the dress, which was gifted to the school nearly 50 years ago by actress Mercedes McCambridge while she was serving as the drama department’s artist-in-residence, was found by drama department lecturer Matt Ripa in a box placed atop some mail slots near his desk.

Ripa said he had often gone searching for the dress during his free time after hearing about the long-lost item in 2014, but he was apparently beaten to the discovery by Thomas Donahue, a now-retired drama professor, who had placed the box in Ripa’s office before leaving the school last year.

Ripa said the box must have been placed atop the mail slots by someone, causing it to evade his notice until last month.

“As soon as I popped the top off the box, I knew what it was,” Ripa told The Washington Post. “I saw that blue gingham and I just started laughing and laughing. I mean, I’m still laughing. Because I was shocked, holding a piece of Hollywood history right in my hands.”

The school contacted Ryan Lintelman, entertainment curator at the Smithsonian’s Museum of American History, to verify whether the dress was authentic. Lintelman and two colleagues examined the garment and determined that it appears to be the real deal.

(7) SPEAKING OF. “Andy Serkis Is Returning To The Lord Of The Rings”Giant Freakin Robot has the story.

Andy Serkis is going back to Middle Earth – but not in the way you might think. The actor, who has lent his voice to Gollum in The Lord of the Rings trilogy and the first Hobbit film, will be narrating J.R.R Tolkien’s work in a brand new series of audiobooks.

(8) ON THE TUBE. In The Space Review, Emily Carney and Dwayne Day give a very deep, spoiler-filled dive into the second season of For All Mankind“Revisiting the past’s future: ongoing ruminations about ‘For All Mankind’”.

Emily Carney:

Another interesting aspect about “For All Mankind” is that the show includes women as equal characters with equal time in the show’s narrative. That probably owes to the show’s “Star Trek” heritage. But the show doesn’t really start out that way in season one: it begins with the Soviets beating the US to the punch, and shows how the US astronaut cadre responds to this defeat. By this point in the show’s timeline, women aren’t astronauts, so we see the show’s Deke Slayton imploring his men to “get mad,” “kick the dog,” and let loose during the weekend after the Soviet landing.

This is when we get to meet Ed Baldwin and Gordo Stevens, who were just mere kilometers from the lunar surface weeks before. At The Outpost, an astronaut hangout modeled on a long-gone bar not far from Johnson Space Center, the astronauts have an insane, alcohol-soaked party, which culminates in a group singalong to Jimmy Ruffin’s “What Becomes of the Brokenhearted?” In my mind, I think this was shown to compare how men coped with defeat and heartbreak versus how women—in the upcoming narrative—would cope with similar stressful situations. Ed Baldwin even briefly kneecapped his own career by opening up about his frustrations with NASA to a reporter. At any rate, by this point, women were wives and mothers in the “For All Mankind” universe, not astronauts or management.

Dwayne:

Yeah, that’s a good observation. Initially, it’s all machismo. It’s brave men and heroes. But that’s about to change very fast. And that makes the show’s title a bit ironic—it’s not about “man” after the first episode.

After the Soviet Union beats America to the Moon, the Americans respond by landing Apollo 11, which in this alternative timeline, nearly ends in failure. But the Soviets then follow up with another significant first when they land a woman on the Moon. We see one of the female characters—a young Mexican girl named Aleida—smile when she sees that a woman is on the Moon.

(9) MEMORY LANE.

1981 — Forty years ago, John Carpenter’s Escape from New York premiered. (That was how it was shown on-screen.)  Starring Kurt Russell as Snake Plissken, this film was written by John Carpenter and Nick Castle. It was directed by John  Carpenter, and produced by  Larry Franco and Debra Hill. Supporting cast was Lee Van Cleef, Donald Pleasence, Ernest Borgnine, Isaac Hayes, Adrienne Barbeau, and Harry Dean Stanton. The film received generally positive reviews with Russell in particular finding strong favor with the critics; it did very well at the box office earning far more than it cost to produce; and audience reviewers at Rotten Tomatoes give it a seventy-seven percent rating which is far better than the thirty-nine percent rating the the Escape from L.A. sequel gets. It did not get a Hugo nomination at Chicon IV. 

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born July 10, 1903 — John Wyndham. His best known works include The Day of the Triffids and The Midwich Cuckoos, both written in the Fifties. The latter novel was filmed twice as Village of the Damned. The usual suspects have an impressive selection of his novels including these titles though little of his short fiction is available, alas. The Day of the Triffids is currently a buck ninety-nine there. (Died 1969.)
George Clayton Johnson by Tony Gleeson.
  • Born July 10, 1929 — George Clayton Johnson, He’s best known for co-writing with William F. Nolan the Logan’s Run novel, the source for the Logan’s Run film. He was also known for his scripts for the Twilight Zone including “A Game of Pool,” “Kick the Can,” “Nothing in the Dark,” and “A Penny for Your Thoughts,” and the first telecast episode of the original Star Trek, “The Man Trap.” (Died 2015.)
  • Born July 10, 1931 — Julian May. She‘s best known for her Saga of Pliocene Exile (known as the Saga of the Exiles in the UK) and Galactic Milieu series: Jack the BodilessDiamond Mask and Magnificat. She was inducted into the First Fandom Hall of Fame at Sasquan. (Died 2017.)
  • Born July 10, 1941 — David Hartwell. Encyclopedia of Science Fiction describes him as “perhaps the single most influential book editor of the past forty years in the American science fiction publishing world”.  I certainly fondly remember the The Space Opera Renaissance he co-edited with Kathryn Cramer. Not to mention that his Year’s Best Fantasy and Year’s Best SF anthologies are still quite excellent reading, and they’re available at the usual suspects for a very reasonable price. (Died 2016.)
  • Born July 10, 1941 — Susan Seddon Boulet. If you’ve read the American edition of Terri Windling’s The Wood Wife (which won the Mythopoeic Fantasy Award for Adult Literature Award), you’ve seen her amazing work. Or perhaps you’ve got a copy of Pomegranate‘s edition of Ursula Le Guin’s Buffalo Gals, Won’t You Come Out Tonight which also features her art. If you’re keen on knowing more about this amazing artist, see the Green Man review of Susan Seddon Boulet: A Retrospective. (Died 1997.) 
  • Born July 10, 1945 — Ron Glass. Probably best known genre-wise as Shepherd Book in the Firefly series and its sequel Serenity. His first genre role was as Jerry Merris in Jerry Merris, a SF horror film, and he’d later show up voicing Philo D. Grenman in Strange Frame: Love & Sax (“slated as the world’s first animated lesbian-themed sci-fi film”; look it up as it has a very impressive voice cast) and he showed up twice as J. Streiten, MD in Agents of S.H.I.E.L.D. Oh, and he was on Voyager playing a character named Loken in the “Nightingale” episode. (Died 2016.)
  • Born July 10, 1953 — Hans Beimler, 68. He was co-executive producer, director, and writer on TekWar before co-producing a number of Next Gen episodes. He was involved in over a hundred episodes of Deep Space Nine in a numberof production roles too complicated to describe here. And he was one of the executive producers of the short-lived Dresden Files.
  • Born July 10, 1970 — John Simm, 51. The second of the modern Masters on Doctor Who.  He appeared in the final three episodes of the Time of the Tenth Doctor: “Utopia,” “The Sound of Drums,” and “Last of the Time Lords.” He also played Sam Tyler in the most excellent Life on Mars. And he played Macbeth atChichester Festival Theatre.

(11) TANGLED UP IN BLUE. Janice Marcus spotlights the latest (in 1966) work from oft-overlooked writer Rosel George Brown: “[July 10, 1966] Froth, Fun, and Serious Social Commentary (Sibyl Sue Blue)”.

Sibyl Sue Blue was not what I expected.

Set in the futuristic year of 1990, Rosel George Brown’s Sibyl Sue Blue takes place in a world both like and unlike today’s world of 1966. Sibyl is a tenacious and smart detective working for the city’s homicide department. When a series of bizarre ‘suicides’ start plaguing the city’s youth, she’s called in to investigate. As she follows the clues, she’s drawn into increasingly strange events, from trying alien drugs to being invited to join a spacefaring millionaire on an off-world jaunt.

Sounds like fun, right? Yet when Judith Merril told me the other day that she’ll be reviewing it in an upcoming issue of Fantasy and Science Fiction, she mentioned that “…under all the froth and fun and furious action, there is more acute comment on contemporary society than you are likely to find in any half dozen deadly serious social novels.

She’s right!

(12) JUNGLE CRUISE. Yahoo! shows what the redesigned Disneyland attraction will be like: “Disneyland revamps Jungle Cruise ride after racism criticism”.

…The Jungle Cruise will officially reopen on July 16, with some changes, the park announced Friday. The ride, which takes passengers through Asia, Africa and South America, had been closed since the park itself reopened April 30, after being shutdown because the pandemic. 

The company had announced in January that it would remove “negative depictions” of native people and pledged to make further changes to “reflect and value the diversity of the world around us.” 

The ride, which originally opened in 1955, has been criticized, for example, for depicting the locals as headhunters.

“We’re excited to be building on the story of the Jungle Cruise to include new adventures that stay true to the experience we know and love, while adding more humor, more wildlife, and an interconnected story,” Chris Beatty, an Imagineer who worked on the renovations, said in a news release. “As part of creative development, we’ve also introduced characters from around the world and took a thoughtful approach to ensure accurate representation of cultures in our story.”

Beatty explained in behind-the-scenes video of the upgrade that one of the team’s goals was to “bring a sense of inclusivity” to the project. “We want to make sure that everyone that rides the Jungle Cruise can see themselves in the characters and in this experience.”

They also wanted to keep it classic and to highlight the “skippers,” the Disney cast members who make jokes while leading the faux tour of the area.

As part of the new storyline, chimpanzees have taken over a wrecked boat and the tourists have climbed up a tree in search of safety…. 

(13) RISKY BUSINESS. The Hubble Space Telescope suddenly went offline almost a month ago. Now “NASA will attempt a ‘risky’ maneuver to fix its broken Hubble Space Telescope as early as next week”.

…However, a recent NASA announcement suggests a glimmer of hope: The agency tweeted on Thursday that it had successfully tested a procedure that would switch parts of the telescope’s hardware to their back-up components.

This could pave the way for the payload computer to come back online, leading to the restart of Hubble’s scientific observations.

NASA reported the procedure could happen as early as next week, following additional preparations and reviews. The telescope and the scientific instruments on board remain in working condition.

But the switch will be “risky,” according to NASA astrophysics division director Paul Hertz.

“You can’t actually put your hands on and change hardware or take a voltage, so that does make it very challenging,” he told New Scientist.

…On June 30, NASA announced it had figured out that the source of the payload computer problem was in Hubble’s Science Instrument Command and Data Handling unit (SI C&DH for short), where the computer resides.

“A few hardware pieces on the SI C&DH could be the culprit(s),” NASA said.

Backup pieces of hardware are pre-installed on the telescope. So it’s just a matter of switching over to that redundant hardware. But before attempting the tricky switch from Earth, engineers have to practice in a simulator, the agency added.

NASA has rebooted Hubble using this type of operation in the past. In 2008, after a computer crash took the telescope offline for two weeks, engineers successfully switched over to redundant hardware. A year later, astronauts repaired two broken instruments while in-orbit – Hubble’s fifth and final reservicing operation. (NASA does not currently have a way to launch astronauts to the space telescope.)

[Thanks to Martin Morse Wooster, JJ, Michael Toman, Tony Gleeson, John King Tarpinian, Cat Eldridge, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to contributing editor of the day John A Arkansawyer.]

Pixel Scroll 6/13/21 I’ll Take A Sheet of Cities In Flight On the Edge Of Forever Stamps, Please

(1) HERE COMES THE SUN (STAMPS). On June 16 the United States Postal Service will release a series of stamps highlighting images of the Sun captured by NASA’s Solar Dynamics Observatory. Order them online here.

…The 20-stamp set features ten images that celebrate the science behind NASA’s ongoing exploration of our nearest star. The images display common events on the Sun, such as solar flares, sunspots and coronal loops. SDO has kept a constant eye on the Sun for over a decade. Outfitted with equipment to capture images of the Sun in multiple wavelengths of visible, ultraviolet, and extreme ultraviolet light, SDO has gathered hundreds of millions of images during its tenure to help scientists learn about how our star works and how its constantly churning magnetic fields create the solar activity we see.

“Just don’t stare at them directly,” says Daniel Dern.

(2) DAS Q&A. “Interview: Indra Das, author, science fiction and fantasy novels” in the Hindustan Times.

How did the idea of The Devourers, your last novel, take shape?During my undergraduate years, I attended a baul mela in Kolkata, and, while intoxicated, had a vision (not quite literally, but almost) while protecting a kitten in the mela ground from a circling pack of dogs, of being in the same spot hundreds of years earlier, listening to minstrels around a campfire in the dark wilderness, while monsters hunted us. When I returned from winter break to college, I turned that into a short story in a Creative Writing class, which eventually turned into the first chapter of The Devourers a while later, when I was in grad school.

(3) ALL THE KING’S PUBLICISTS. Stephen King wrote the adaptation of his book Lisey’s Story that’s coming to Apple TV+, and is getting a lot of coverage about it. The New York Times interviewed him: “Stephen King on Why ‘Lisey’s Story’ Was One He Had to Adapt Himself”.

Alone, but not: It’s a theme that courses through King’s sweeping body of work, and it returns for several characters across layers of time and space in “Lisey’s Story,” which begins Friday on Apple TV+. Julianne Moore stars as Lisey Landon, the widow of Scott Landon, a famous novelist (played by Clive Owen) whose childhood traumas drove him to forge a connection to a transdimensional world called Boo’ya Moon.

As vividly depicted in the show, Boo’ya Moon is a place of tranquil beauty, like a Pre-Raphaelite wonderland. But it’s also menacing terrain, where cloaked figures sit silently inside a massive amphitheater awaiting resolutions to earthly traumas…

SYFY Wire talked to the producer: “J.J. Abrams on Lisey’s Story and why Stephen King adaptations are booming right now”.

… Even among the many other King adaptations that have recently emerged or are set to arrive in the near future, the Apple TV+ series based on King’s 2006 novel feels especially important, because King himself has said so. He counts Lisey’s Story among his personal favorite works, and holds it so dear that he took it upon himself to script all eight episodes of the miniseries for director Pablo Larrain (Jackie)….

Hear King himself speak about it on today’s CBS Sunday Morning.

(4) LIFE IN THE UNIVERSE. Hear author of Light of the Stars Adam Frank in a free webinar co-sponsored by the Arthur C. Clarke Center for Human Imagination – register and maybe win a book: Adam Frank Webinar & Giveaway.

The search for life in the Universe is undergoing a profound renewal. Thanks to the discovery of thousands of planets orbiting other stars, the introduction of new observing technologies, and increased support from both public and private sectors, a new science of searching for “techno-signatures” is emerging.   

In this talk Dr. Frank will unpack this frontier area, discussing what counts as a techno-signature; how to be systematic in thinking about exo-civilizations and their evolution; what techno-signatures can tell us about our own future. He believes that within the next few decades we will likely have actual data relevant to the question life, perhaps even the intelligent kind, in the Universe. 

Dr. Adam Frank is a leading expert on the final stages in the evolution for stars like the Sun, but his current work also focuses on life in the universe. His research group at the University of Rochester has developed advanced supercomputer tools for studying how stars form and how planets evolve. His most recent book is Light of the Stars: Alien Worlds and the Fate of the Earth, which won the 2019 Phi Beta Kappa Award for Science. He has written two other books, The Constant Fire: Beyond the Religion and Science Debate, and About Time: Cosmology and Culture at the Twilight of the Big Bang.  He is the co-founder of the blog 13.8 on BigThink.com and an on-air commentator for NPR’s All Things Considered.

(5) ON THE AIR. A half hour segment of The Martian Chronicles is part of the WAMU’s “The Big Broadcast: June 13, 2021”.

We’re celebrating 5 years tonight of Murray Horwitz as host of The Big Broadcast! Join us for some of our favorites, including Orson Welles, Fred Allen, Lucille Ball and The Whistler — as well as our usual DragnetYours Truly Johnny Dollar and Gunsmoke….

7:30 p.m. Dimension X    “Martian Chronicles” (Original air date August 18, 1950. NBC network.) (Running time 30:19)

(6) SFF AND THE BIG QUESTIONS. “Exploring Tomorrow: Meaningful Science Fiction and Life’s Big Questions” is Mikel J. Wisler’s podcast:

Can science fiction save the world? Author and filmmaker, Mikel J. Wisler, explores the themes and ideas presented in a wide range of sci-fi movies and books from various time periods. Convinced that sci-fi is the most naturally philosophical genre, Wisler invites everyone from die-hard fans to casual observers to dive into meaningful conversations about how sci-fi helps us think about our future, brings up challenging scenarios, and forces us to ask big questions.

Astounding author Alec Nevala-Lee is interviewed in Episode 25.

(7) NED BEATTY (1937-2021). Actor Ned Beatty died June 13 at the age of  83. Best known for his work in Deliverance and Network, his genre roles included Lex Luthor’s (Gene Hackman) bumbling sidekick Otis in Superman (1978) and its 1980 sequel.  He was in  Exorcist II: The Heretic (1977). He voiced Lotso in Toy Story 3 (2010) and The Mayor in Rango (2011). And he has another two dozen lesser genre credits.

(8) MEDIA BIRTHDAY.

  • June 13, 1980 —  On this date in 1980, The Girl, the Gold Watch & Everything premiered in syndication as distributed by Paramount Television. Based on the John D. MacDonald novel of the same name, it was written by George Zateslo and directed by William Wiard. Myrl A. Schreibman Was the producer. It starred Robert Hays, Pam Dawber, Zohra Lampert, Jill Ireland, Ed Nelson and Maurice Evans. 

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 13, 1892 — Basil Rathbone. He’s best remembered for being Sherlock Holmes in fourteen films made between 1939 and 1946 and in a radio series of the same period. For films other than these, I’ll single out The Adventures of Robin Hood (all Robin Hood is fantasy), Son of Frankenstein and Voyage to the Prehistoric Planet. (Died 1967.)
  • Born June 13, 1893 — Dorothy Sayers. ISFDB often surprises me, and having her listed as writing four stories in the genre did it again. All of them were written in the Thirties and here they are: “The Cyprian Cat”, “The Cave of Ali Baba”, “Bitter Almonds” and “The Leopard Lady”. So, who here has read them and can comment on them being genre or not? (Died 1957.)
  • Born June 13, 1903 — Frederick Stephani. Screenwriter and film director who is best remembered for co-writing and directing the 13-chapter Flash Gordon serial in 1936. He directed Johnny Weissmuller‘s Tarzan’s New York Adventure (aka Tarzan Against the World). He was also an uncredited writer on 1932’s Dracula. (Died 1962.)
  • Born June 13, 1943 — Malcolm McDowell, 78. My favourite role for him was Mr. Roarke on the rebooted Fantasy Island. Of course his most infamous role was Alex in A Clockwork Orange. Scary film that. His characterization of H. G. Wells in Time After Time was I thought rather spot on. And I’d like to single out his voicing Arcady Duvall in the “Showdown” episode of Batman: The Animated Series.
  • Born June 13, 1949 — Simon Callow, 72. English actor, musician, writer, and theatre director. So what’s he doing here? Well he got to be Charles Dickens twice on Doctor Who, the first being in “The Unquiet Dead” during the time of the Ninth Doctor and then later during “The Wedding of River Song”, an Eleventh Doctor story. He’d also appear, though not as Dickens, on The Sarah Jane Adventures as the voice of Tree Blathereen in “The Gift” episode. I’ve not watched the series. How is this series? He was also The Duke of Sandringham in the first season of Outlander
  • Born June 13, 1953 — Tim Allen, 68. Jason Nesmith in the much beloved Galaxy Quest. (Which of course won a much deserved Hugo Award for Best Dramatic Presentation at Chicon 2000.) He actually had a big hit several years previously voicing Buzz Lightyear in Toy Story which would be the first in what would become a long-running film franchise.
  • Born June 13, 1963 — Audrey Niffenegger, 58. Her first novel was The Time Traveler’s Wife. She has stated in interviews that she will not see the film as only the characters in the novels are hers. Good for her.  Raven Girl, her third novel about a couple whose child is a raven trapped in a human body, was turned into performed at the Royal Opera House. 
  • Born June 13, 1969 — Cayetana Guillén Cuervo, 52. She’s got the role of Irene Larra in El Ministerio del Tiempo (The Ministry of Time), a Spanish SF series which sounds fascinating but which I’ve not seen. Anyone here seen it? Not fond of captioning, but I’d put up with it to see this. 

(10) COMICS SECTION.

(11) JEMISIN & COMPANY. DC Comics tells what makes its latest Green Lantern exceptional: “Jo Mullein and Far Sector Are Out of This World”.

…Sojourner “Jo” Mullein’s impact is not defined by the fact that she’s the first Black, queer woman to ever hold the mantle of Green Lantern. Or by the fact that N.K. Jemisin, Jamal Campbell and Deron Bennett are one of the first all-Black creative teams to helm a Green Lantern title. Those are huge factors in just what makes the book special, of course, but what truly makes Far Sector and its hero feel so groundbreaking is the imaginative exploration of what it means to be a Green Lantern and the innate understanding of how that very imagination is at the core of what makes the hero great. Where some Green Lantern stories feel stymied by a lack of the thing that gives the Power Ring its magic, Far Sector pulses with imagination on every page….

(12) NEW HANDS AT THE HELM. “‘The Lord Of The Rings’ Goes On: Anime Film ‘The War Of The Rohirrim’ In Works At New Line”Deadline has the story.  

The J.R.R. Tolkien franchise is heading back to the big screen in a fresh New Line and Warner Animation anime title The Lord of the Rings: The War of the Rohirrim.  I’m told that the Oscar-winning feature architects Peter Jackson and Fran Walsh are not involved with the project as we speak, but that will be determined down the road. Oscar-winning Lord of the Rings: Return of the King scribe Philippa Boyens will be a consultant on the new project directed by Kenji Kamiyama. The pic is being fast-tracked with animation work done by Sola Entertainment. Voice casting is currently underway. Pic will be distributed around the globe by Warner Bros. Pictures.

The War of the Rohirrim focuses on a character from the book’s appendix, the mighty King of Rohan, Helm Hammerhand, and a legendary battle which helped shaped Middle-earth heading into LOTR. The anime pic will expand the untold story behind the fortress of Helm’s Deep, delving into the life and bloodsoaked times of Hammerhand. Overall, the movie is a companion piece to New Line’s LOTR trilogy and is set roughly 250 years before that movie during the third age (Note Amazon’s upcoming Lord of the Rings mini-series is set during the second age).

Kamiyama has been behind such anime projects as Blade Runner: Black Lotus and the TV series Ghost in the Shell: Stand Alone Complex. Joseph Chou (Blade Runner: Black Lotus) will produce. Jeffrey Addiss and Will Matthews (The Dark Crystal: Age of Resistance) are writing….

“This will be yet another epic portrayal of J.R.R. Tolkien’s world that has never been told before. We’re honored to partner with much of the incredible talent behind both film trilogies, along with new creative luminaries to tell this story,” said Sam Register, President of Warner Bros. Animation. “And so it begins.”

(13) TOURISTS, ASSEMBLE! See a replay of the Avengers Campus Opening Ceremony from Disney California Adventure park.

[Thanks to JJ, Michael Toman, John King Tarpinian, Daniel Dern, Rich Lynch, Darrah Chavey, Cat Eldridge, Mike Kennedy, Andrew Porter, and Martin Morse Wooster for some of these stories. Title credit belongs to contributing editor of the day Daniel Dern.]

Pixel Scroll 11/29/20 Tonstant Pixel Scrolled Up

(1) FREE READ FROM FUTURE TENSE. “The Suicide of Our Troubles” by Karl Schroeder, is part of Future Tense Fiction, a monthly series of short stories from Future Tense and Arizona State University’s Center for Science and the Imagination about how technology and science will change our lives.

Nadine Bach noticed a package of ham waving at her from inside the grocery store. November was one of those months when the choice was between paying rent and buying food, and she hadn’t planned to stop by during her daily walk—but this ham was proclaiming that it was free.

Having prospective meals wave at her was hardly unexpected—Mixed Reality was finally maturing past the flying-whale stage of visual grab-assery, and was settling into the predictable role of being yet another advertising medium….

Journalist Anna V. Smith has written a response essay: “When Nature Speaks for Itself”.

In more than 100 countries, citizens have clear constitutional rights to a healthy environment. The United States is not one of them. Nevertheless, for the past few decades or more, people have argued through the courts that the U.S. has an obligation to provide a healthy environment, including addressing climate change, as the Juliana v. United States youth lawsuit has insisted. But simultaneously, an emerging movement is focusing on the rights of nature itself: to grant personhood status to lakes, rivers, and plant species so they might have legal standing in court to defend their rights to exist and persist. If laws are an assertion of a nation’s values, what does it say that the U.S. grants personhood to corporations, but not nature?…

(2) ALL THESE WORLDS ARE YOURS EXCEPT UTAH. Salt Lake City’s Fox13 reports “Monolith removed from southern Utah desert by ‘unknown party’”. You see, this is how primates really operate. That’s why 2010 is in the rearview mirror and we’re nowhere near Europa.

The now-famous “monolith” structure that was discovered last week by a Utah Department of Public Safety helicopter crew during a count of bighorn sheep in southeastern Utah has been removed — but not by government officials.

Riccardo Marino posted on Instagram that he and Sierra Van Meter went to the spot, located south of Moab and just east of Canyonlands National Park, late Friday night to get some photos. But when they arrived, it was no longer there.

Marino said they saw a pickup truck with a large object in its bed driving in the opposite direction shortly before they got there.

Marino and Van Meter also saw that someone had written “Bye B****!” and appeared to have urinated at the spot where the piece, believed by most to be abstract art, formerly stood.

(3) NEW ZOOM INTO FAN HISTORY. Joe Siclari of FANAC.org invites you to “Get ready for a trip to fannish London!”

We are planning a series of  Zoom Interactive Fan History Sessions, and for our first sessionRob Hansen is going to give us an historic tour of fannish Holborn, London. Rob is probably the most accomplished fan historian writing these days. As most of you know,  he has written the history of English fandom, Then and has put together a number of books covering various aspects of British fandom. Find many of them at https://taff.org.uk/ebooks.phpReserve the date: Saturday, December 19, 2020 at 11AM EDT.

Despite the pandemic, Rob has done video recordings around London, and with historic photos and live description will give us a tour that covers some household fannish names and places. He has worked with Edie over the past several months to provide an interesting and fairly detailed coverage of London’s fan heritage. This one hour session is based on tours which Rob has given to individual fans and also developed as a group tour after the last London Worldcon. Even if you have been on one of these tours, you will find some fresh sights and insights. Of course, Rob will be live on Zoom with additional material and to answer questions.  Please send your RSVP to fanac@fanac.org, as our Zoom service is limited to 100 participants.

(4) ALMA AWARD. The nominees for the Astrid Lindgren Memorial Award 2021 were released in October, 263 candidates from 69 countries.

Worth 5 million Swedish kronor, the world’s largest cash prize for children’s literature is given to authors, illustrators, oral storytellers and reading promoters for work “of the highest artistic quality” featuring the “humanistic values” of the late Pippi Longstocking author, for whom the award is named. Lindgren died in 2002 at the age of 94.

The 2021 ALMA laureate will be announced on April 13, 2021.

(5) PROWSE OBIT. Actor Dave Prowse, the original Darth Vader, has died aged 85 reports The Guardian. He was a 6’6″ weightlifter who’d made a name for himself in England as The Green Cross man, a traffic safety figure in PSAs before being invited by George Lucas to audition for the roles of Vader and Chewbacca. He chose Vader and when asked why, replied: “Everyone remembers the villain.”

(6) MEDIA ANNIVERSARY.

  • 1990 — Thirty years ago, the sort of horror novel Angel of Darkness by Samuel M. Key was first published by Jove Books. The author had a short career having just three novels credited to him, the others being From a Whisper to a Scream and I’ll Be Watching You. Now that would be the end of the story if it hadn’t turned out that this was the pen name for Charles de Lint who recently won a World Fantasy Award for Lifetime Achievement, a rare honor indeed. Amusingly enough, Samuel M. Key was the name of the small monkey puppet that graced the top of his computer at that time. All three novels are now available from the usual digital suspects under the name of de Lint. 

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born November 29, 1832 – Louisa May Alcott.  Besides Little WomenLittle Men, and more outside our field, she wrote A Modern Mephistopheles and five dozen shorter ghost stories, fairy tales, and other fantasies.  Active abolitionist and feminist.  (Died 1888) [JH]
  • Born November 29, 1898 C.S. Lewis. There are no doubt folks here who are far more literate on him than I am. I read The Screwtape Letters for a college course decades ago and thoroughly enjoyed The Chronicles of Narnia also many years back but that’s it for my personal acquaintance with him.  I know individuals that have loved The Space Trilogy and I’ve known ones who loathed it. So what do you like or dislike about him? (Died 1963.) (CE)
  • Born November 29, 1918 Madeleine L’Engle. Writer whose genre work included the splendid YA sequence starting off with A Wrinkle in Time and its sequels: A Wind in the DoorA Swiftly Tilting PlanetMany Waters, and An Acceptable Time. One of her non-genre works that I recommend strongly is the Katherine Forrester Vigneras series. (Died 2007.) (CE) 
  • Born November 29, 1925 – Leigh Couch.  Science teacher.  First Fandom.  Active fan, as were her husband and their children including Lesleigh Luttrell.  LC had letters in The Alien CriticJanusSF Commentary, and Analog.  Guest of Honor at Archon 1 – as LL was at Archon 3.  (Died 1998) [JH]
  • Born November 29, 1950 Kevin O’Donnell Jr. Writer who produced a number of genre novels and more than seventy short fiction works. He was chair of the Nebula Award Committee for nearly a decade, and business manager for the SFWA Bulletin for several years; he also chaired for 7 years, SFWA’s Grievance Committee, which advocates for authors who experience difficulties in dealing with editors, publishers, agents, and other entities. He received the Service to SFWA Award in 2005, and after his death, the award was renamed in his honor. (Died 2012.) (CE)
  • Born November 29, 1952 – Doug Beekman, age 68.  A hundred covers, ninety interiors.  Also comics, collectible cards, agenting; outside our field, advertising.  Spectrum Gold Award for comics, Silver for advertising.  Here is Time Out of Joint.  Here is The Drawing of the Dark.  Here is Spinneret.  Here is The Stars at War.  Here is an ink drawing for Homecoming Earth (and see DB’s comments here).  [JH]
  • Born November 29, 1956 – Mark Ferrari, age 64.  Having for years taken our breath away with colored-pencil images like these he was struck by a truck while riding his mountain bike, recovering but not enough to perpetuate his Prismacolor perfection.  He wrote The Book of Joby, by which time technology could take him to giving good graphics again.  Now he can make this and this.  Do see his Website.  [JH]
  • Born November 29, 1969 Greg Rucka, 51. Comic book writer and novelist, known for his work on Action ComicsBatwoman and Detective Comics. If you’ve not read it, I recommend reading Gotham Central which he co-created with Ed Brubaker, and over at Marvel, the four issue Ultimate Daredevil and Elektra which he wrote is quite excellent as well. I’ve read none of his novels, so will leave y’all to comment on those. He’s a character in the CSI comic book Dying in the Gutters miniseriesas someone who accidentally killed a comics gossip columnist while attempting to kill Joe Quesada over his perceived role in the cancellation of Gotham Central. (CE) 
  • Born November 29, 1971 Naoko Mori, 49. Torchwood is really the genre appearance she’s remembered for and  I see that she popped up first in Doctor Who playing her Torchwood character of Doctor Sato in the Ninth Doctor story, “Aliens of London”.  She also voiced Nagisa Kisaragi in Gerry Anderson’s Firestorm, and she had the role of Asako Nakayama in the second season of The Terror series which is based off the Dan Simmons novel. (CE) 
  • Born November 29, 1976 Chadwick Boseman. Another death that damn near broke my heart. The Black Panther alias Challa in the Marvel metaverse. The same year that he was first this being, he was Thoth in Gods of Egypt. (If you’ve not heard of this, no one else did either as it bombed quite nicely at the box office.) He was Sergeant McNair on Persons Unknown which is at least genre adjacent I would say.  And he even appeared on Fringe in the “Subject 9” episode asMark Little / Cameron James. (Died 2020.) (CE)
  • Born November 29, 1981 – Jon Klassen, age 39.  First person to win both the Caldecott (U.S.) and the Greenaway (U.K.) for illustration with the same book, which he wrote too.  Both This Is Not My Hat and predecessor I Want My Hat Back were NY Times Best-Sellers, jointly selling over a million copies.  Previously the Governor General’s Award for English-language children’s illustration (Canada; Cats’ Night Out).  Among other things JK illustrated Mac Barnett’s Circle.  [JH]
  • Born November 29, 2001 – Mckenzie Wagner, age 19.  Five books, the first published when she was 7.  Maybe anything can’t happen, but lots of things can.  You start whenever you start.  [JH]

(8) ICE PIRATES. Alec Nevala-Lee discusses Stillicide by Cynan Jones at the New York Times: “A Climate-Crisis Novel Offers True-to-Life Snapshots of Survival”.

…Cynan Jones’s climate-crisis novel “Stillicide,” which was originally written as a BBC Radio series, arrives just as the bar has been raised for world-building. We want speculative fiction to unfold against a complex background, without getting bogged down in incidental facts that an average person would take for granted. Yet noticing the uncanny details of our lives is all we seem to do lately, and few authors can compete with the strangeness of the real world.

Over the course of several excellent short novels, Jones, who lives in Wales, has figured out a formula that seems to rise to the challenge. His favorite strategy is to build a story around a single clearly defined thread — in his devastating debut, “The Long Dry,” it’s a lost cow — that provides a structure for a series of intensely observed vignettes. This frees him to move between time frames and perspectives, and he often focuses on people on the margins.

In “Stillicide,” the through-line is an iceberg headed for London. The novel opens many years after Britain has entered an extended drought, and enough time has passed for one phase of responses to yield to the next. After becoming a target for terrorists, a pipeline to the city has been replaced by a train that carries millions of gallons of water from a distant reservoir, equipped with automatic guns to mow down any moving object near the tracks. Another plan involves towing a giant iceberg to the dry Thames, which will displace entire neighborhoods….

(9) DUE NORTH. Sean D.’s “Microreview [Book]: Sweet Harmony by Claire North” at Nerds of a Feather covers a new novel by a celebrated author.

…Sweet Harmony follows Harmony, a young woman living in a world in which nanotechnology (nanos) can not only improve your health, but your libido, mentality, and physicality. Harmony’s surrounded by people obsessed with superficiality, and the more she is deemed unworthy by them, the more insecure she becomes. She becomes beholden to nanos, with almost all of her expenditures dedicated to keeping her esteemed beauty. But that obsession comes with a price.

This novella tackles domestic abuse, unattainable beauty standards, familial conflict, selfishness warring with selflessness, and vocational biases. Not one of those themes is undercooked or scattered. The secret is that Claire North uses the nanotechnology as an underpinning to all these themes. The story spotlights Harmony’s experience and growing dependency on the nanos and touches all the themes along the way, never losing focus because as it moves from idea to idea, it’s always grounded in a center.

(10) VIDEO OF THE DAY. In “Posten–Santa” on Vimeo, Santa’s feeling pretty grumpy because the icebergs at the North Pole are melting and the Norwegian Postal Service is improving its deliveries!

[Thanks to John King Tarpinian, Mike Kennedy, Michael Toman, JJ, Martin Morse Wooster, Cat Eldridge, John Hertz, Joe Siclari, David Doering, Michael J. Walsh and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 1/7/20 Who Flattened Tommy Tribble?

(1) RETRO RESOURCES. Cora Buhlert has started a recommendation spreadsheet for the 1945 Retro Hugos. The shortlink is bit.ly/RetroHugo1945

Cora hopes Filers will fill it in, “Especially since there are whole areas I know very little about. For example, the fan categories are completely empty so far.”

She has also started a companion blog called Retro Science Fiction Reviews, where she is reviewing Retro Hugo eligible works and linking to other people’s reviews. First on the board – “Retro Review: ‘Terror Out of Space’ by Leigh Brackett”.

(2) SPFBO SAMPLER AVAILABLE. Fantasy Book Critic announces “The SPFBO Sampler Available Now!” (SPFBO is the Self-Published Fantasy Blog-Off, an annual competition hosted by Mark Lawrence.)

Today we’re thrilled to announce the official launch of The SPFBO Sampler! Looking to dive into the world of indie fantasy novels, but don’t know where to start? Here’s the perfect place to get a taste of the works of over 70 self-published authors from all around the world. Go get your copy today, and let all these incredible authors transport you into their worlds and beyond.

This huge undertaking has been organized by indie author Jon Auerbach, its gorgeous cover created by indie author and cover artist and designer Luke Tarzian, and includes a foreword by the accomplished and best-selling SFF author Mark Lawrence. This is one you surely cannot miss.

Get the Sampler here.

(3) TONOPAH GOING UP. Membership rates for the 2021 Westercon in Tonopah, NV will rise on March 1.

The cost of an attending membership in Westercon 74 will increase to $50 effective March 1, 2020. In addition, the $10 conversion-to-attending rate for those people who voted in the 2021 Westercon Site Selection in Utah expires at the end of February 2020. Membership rates for Young Adult and Child members remain unchanged.

(4) EREWHON LIT SALON. Louis Evans and Sarah Pinsker will be the readers at the Erewhon Literary Salon on January 9. The event takes place in the office of Erewhon Books in the Flatiron/NoMad district of Manhattan. For full information and policies, and to RSVP, click here. Event address and information will be emailed to those who have RSVPed a few days before the event.

LOUIS EVANS is a writer recently returned to his native NYC from a half-decade spent in the SF Bay. His work has been published in Analog SF&F, Escape Pod, The Toast, Third Flatiron Anthologies, and Write Ahead/The Future Looms. He’s a two-time winner of Zach Weinersmith’s Bad Ad-hoc Hypothesis Festival and the Shipwreck SF bad erotic fanfiction competition. He is a founding co-producer of Cliterary Salon, a feminist and queer literary show in the SF Bay. 

SARAH PINSKER is the author of over fifty works of short fiction, including the novelette “Our Lady of the Open Road,” winner of the Nebula Award in 2016. Her novelette “In Joy, Knowing the Abyss Behind,” was the Sturgeon Award winner in 2014. Her fiction has been published in magazines including Asimov’s, Strange Horizons, Fantasy & Science Fiction, Lightspeed, and Uncanny and in numerous anthologies and year’s bests. Her stories have been translated into Chinese, Spanish, French, and Italian, among other languages, and have been nominated for the Nebula, Hugo, Locus, Eugie, and World Fantasy Awards.Sarah’s first collection, Sooner or Later Everything Falls Into the Sea: Stories was published by Small Beer Press in March 2019, and her first novel, A Song For A New Day, was published by Penguin/Random House/Berkley in September 2019.

(5) FUR FRIENDLY. Rolling Stone speculates whether “Will Furries Ever Go Mainstream?” (Hey, they’ve made it into Rolling Stone, that must count for something.)

…The mainstream media has historically painted furries as sex-crazed, socially maladjusted freaks who enjoy rubbing up against each other in giant bunny costumes. This is essentially false. Like most subcultures, the furry fandom is a largely internet-driven phenomenon, providing a label for a preexisting feeling that has always lived, dormant and unnamed, inside a select number of people. While there is a contingent of furries who do derive sexual pleasure from the subculture, the fanbase is much more broad than that.

Maybe you really liked drawing wolves during eighth-grade homeroom. Maybe you’ve always felt an inexplicable affinity with Tony the Tiger. Maybe you’ve long thought it would be rad to buy a $10,000 curvy hippo costume and enter a breakdancing competition. If you fall into any of these categories, then furries are your kind of people, and FurFest the place to unleash the human-sized sergal (a fictional rabbit/shark/wolf amalgam) within. As the voiceover to an intro presentation for FurFest sonorously boomed over a dubstep beat, “You know you are more than a human…now you are the beast that slept inside your mind.”

MFF is widely touted as the biggest furry con in the world, and its attendance has increased exponentially in recent years: While the con only saw about 1,000 attendees in 2005, it reported more than 10,900 guests in 2018, and Matt Berger, media relations lead for MFF, estimates that 12,000 were in attendance this year. That’s in part due to the increasing number of younger children and their families who are gravitating to furry culture — during my time at Midwest FurFest, I saw children as young as seven attending dance competitions and meet-and-greets accompanied by their parents, having stumbled on the fandom via YouTube or TikTok.

In so keeping with its increasingly family-friendly image, the fandom has become intent on promoting itself as a beacon of acceptance and inclusivity, and MFF is no exception….

(6) KEEPING SCORE. In “Asimov’s Empire, Asimov’s Wall”, Alec Nevala-Lee spotlights Isaac Asimov’s epic track record of harassment.

…In the end, however, another number might turn out to be equally meaningful. Over the course of many decades, Asimov groped or engaged in other forms of unwanted touching with countless women, often at conventions, but also privately and in the workplace. Within the science fiction community, this is common knowledge, and whenever I bring it up in a room of older fans, the response is usually a series of nods. The number of such incidents is unknown, but it can be plausibly estimated in the hundreds, and thus may match or exceed the long list of books that Asimov wrote.

(7) BALLARD REDUX. NPR’s Jason Heller reports that “There’s Heart Amidst The Ruins Of ‘The Heap'”.

“An unpreserved Vesuvius, an overnight ruin” — that’s how Sean Adams describes Los Verticalés, the fictional setting of his engrossing debut novel The Heap. Adams is not speaking figuratively. Los Verticalés, nicknamed The Vert, was once a leviathan 500-story building, erected in the American desert, that housed an entire metropolis’ worth of apartments, residents, and businesses. But years ago it suddenly collapsed, leaving a gargantuan pile of rubble and bodies called The Heap. That “overnight ruin” is now surrounded by a loose community of mobile homes called CamperTown, and the denizens of CamperTown dig through the debris, searching for the dead and whatever modest treasure might be salvaged.

One of these Dig Hands, as they’re known, has a higher motivation: Orville Anders is the brother of Bernard Anders, a radio personality who is the last known survivor of The Vert’s collapse. Bernard, however, is still trapped beneath the rubble, miraculously alive and broadcasting his daily radio talk show from somewhere in the bowels of The Vert’s vast corpse. Bernard, living in darkness, subsists on rats and a trickle of water coming down a wall; Orville digs desperately every day in search of his buried-alive, increasingly unstable brother, keeping in touch by calling in to his radio show every day, hoping not only to find Bernard but to strengthen a fraternal bond that’s grown frayed and distant over the years. It’s a numbing, heartbreaking task, and it’s made all the more difficult when Sundial Media — the owner of WVRT, the radio station that Bernard is still technically employed by — saddles Bernard with a moral dilemma: Would he be willing to brand and commercialize his exchanges with his brother as a kind of podcast-meets-reality-show?

Adams’ imaginative scope is staggering. The intricately wrought details of The Vert serve as the substructure of The Heap, contained in interstitial chapters that sketch a blueprint of the fallen building as a monument to modern technology as well as a chilling social experiment. The Vert’s inner core of apartments comprised the lower classes, since they were isolated from the outside of the building and therefore didn’t have windows; in their place, UV screens broadcast moving images of the real world as a kind of analogy of Plato’s cave wall. Reality began to warp inside The Vert as friction grew between The Windowed and The Windowless, to the point where the building’s physical collapse is symbolic of its civic collapse.

(8) ANOTHER DEMON PRINCE. Matthew Hughes announced he will be writing a sequel to Jack Vance’ Demon Princes series.

I’ve come to an agreement with Jack Vance’s son, John, that I will be writing a sequel to Jack Vance’s iconic Demon Princes series. A contract is being drawn up.

I’m not an outliner, but I’ve sketched out an idea for the story: a young person, not sure yet if it’s male or female, returns to the world called Providence and the community of Mount Pleasant. This was the site of a slave-taking raid by the five megacriminals known collectively as the Demon Princes, whom Kirth Gersen devoted his life to tracking down and killing.

The returnee has escaped from slavery and come to reclaim the family property – as well as something precious buried there.

But the ghost town has been repopulated by sinister people – I’m thinking maybe a cult or some kind of radical political organization. So my underdog has to undergo trials and tribulations.

I’m very much looking forward to this.

(9) TODAY IN HISTORY.

  • January 7, 1961 — ITV premiered The Avengers. Original cast was Ian Hendry and Patrick Macnee. Hendry left after the first series; Steed with becoming the primary male  character, partnered with a succession of female partners. The series would last for six seasons and one hundred and one episodes. We of course have our favorite female partner but that’s not for us to say here. After it ended in 1969, John Steed would be paired with two new partners on The New Avengers, a series that ran for two seasons in the mid-Seventies. 

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born January 7, 1912 Charles Addams. Illustrator best known for the Addams Family which he first drew in 1932 and kept drawing until his death. Needless to say there has been a number of films using these characters of which The Addams Family is my favorite. (Died 1988.)
  • Born January 7, 1924 Eugene Lee Coon. Showrunner on Trek for much of the first and second seasons. Responsible in some part for thirteen scripts for the show. Outside of this show, he had little in the genre save writing one episode each of The Wild Wild West and The Immortal, and later scripting The Questor Tapes. (Died 1973.)
  • Born January 7, 1926 Graham Stone. Australian fan, bibliographer, collector, and small press publisher. Founder of the Australian Science Fiction Society and member, as well, of the Futurian Society of Sydney. He wrote with his co-author Royce Williams, Zero Equals Nothing. Winner of an A. Bertram Chandler Award. (Died 2013.)
  • Born January 7, 1928 William Peter Blatty. Novelist and screenwriter best known for The Exorcist though he was also the same for Exorcist III. The former is by no means the only genre work that he would write as his literary career would go on for forty years after this novel and would include Demons Five, Exorcists Nothing: A Fable which he renamed Demons Five, Exorcists Nothing: A Hollywood Christmas Carol and The Exorcist for the 21st Century, his final work. (Died 2017.)
  • Born January 7, 1950 Erin Gray, 70. She’s best known as Colonel Wilma Deering Buck Rogers in the 25th Century series. Would it surprise you that she shows up in as Commander Grey in Star Trek Continues, one of those video Trek fanfics 
  • Born January 7, 1955 Karen Haber, 65. Wife of Robert Silverberg. I fondly remember reading her Meditations on Middle Earth anthology. And the three Universe anthologies she did with her husband are most excellent. I don’t remember reading any of her novels but that’s hardly a certainty that I didn’t as even when my memory was a lot better than it is now I hardly remembered all the genre fiction I read. 
  • Born January 7, 1957 Nicholson Baker, 63. Ok ISFDB lists him as having two SFF novels, The Fermata and House of Holes. The Wiki page him lists those as being two out of the three erotic novels that he’s written. Not having read them, are they indeed erotic SFF? I see that ESF say they’re indeed SFF and yes are erotic. H’h. 
  • Born January 7, 1961 Mark Allen Shepherd, 59. Morn, the bar patron on Deep Space Nine. Amazingly he was in Quark’s bar a total of ninety-three episodes plus one episode each on Next Gen and Voyager. Technically he’s uncredited in almost all of those appearances. That’s pretty much his entire acting career. He’s also an abstract painter whose work was used frequently on DS9 sets.
  • Born January 7, 1966 Heidi Elizabeth Yolen Stemple, 54. Daughter of Jane Yolen, sibling of Adam Stemple. She and Yolen co-wrote the Mirror, Mirror: Forty Folktales for Mothers and Daughters to Share anthology. ISFDBsays they did two chapbooks as well, A Kite for Moon and Monster Academy
  • Born January 7, 1971 Jeremy Renner, 49. You know him as Hawkeye in those MCU films but he’s also in a number of other SFF film including Hansel and Gretel: Witch Hunters, Mission: Impossible – Ghost ProtocolMission: Impossible – Rogue Nation and Arrival.
  • Born January 7, 1980 Tom Harper, 40. Director of such British series as Demons, Misfits and Philip K. Dick’s Electric Dreams. He’s also done some SFF film work such as The Woman in Black: Angel of Death and The Borrowers.
  • Born January 7, 1983 Ruth Negga, 37. She was Raina in Agents of S.H.I.E.L.D. but she left that show as she got a leading role being Tulip O’Hare in the Preacher series. She was also Nikki in Misfits, Queen Taria In Warcraft and a WHO Doctor In World War Z. 

(11) COMICS SECTION.

  • Bizarro suggests one of Stan Lee’s mottos was a bit naïve.
  • Grant Snider’s Incidental Comics is about Beginning,

(12) YOUTH WANTS TO KNOW. SYFY Wire’s Ryan Britt pinpoints “The moment when Picard became more important than Kirk in Star Trek history”.

Who is the most popular Star Trek captain of all time? This age-old — and extremely fraught — Trekkie debate has arguably been settled. The impending release of Star Trek: Picard seems to prove that, overwhelmingly, fans love Captain Jean-Luc Picard more than any other Trek captain ever. Yes, hardcore Trekkies will tell you they celebrate all captains equally (even Scott Bakula), but the zeitgeist seems to tell a different story.

We love Picard a lot, and surely, we love him more than Captain James T. Kirk. This wasn’t always the case, but we’ve been living in a Picard-first world for a long time now. Here’s when it happened….

(13) WONDER WOMAN. The Warner Bros. UK Twitter account has dropped four pics from the upcoming June 5 release Wonder Woman 1984: “Travel back to 1984 with these new stills from #WW84.” They include scenes set both on The Mall and in a mall.

(14) CELEBRITY BECKONS. Food & Wine sends word — “The Oscar Mayer Wienermobile Is Looking for Drivers”. “Want to spend a year traveling around in a giant hot dog? Never mind. We know the answer.”

Apply here — “Hotdoggers Wanted”.

Who? – You! We need outgoing, creative, friendly, enthusiastic, graduating college seniors who have an appetite for adventure and are willing to see the country through the windshield of the Oscar Mayer Wienermobile. Applicants should have a BA or BS, preferably in public relations, journalism, communications, advertising, or marketing, though applicants are not limited to these degrees. 

(15) MYSTERY CATS 3K. In the Washington Post, Maura Judkis listens to readers who say they saw CATS after consuming pot, mushrooms, acid, poppers, and other illicit substances (not simultaneously). “People are seeing ‘Cats’ while high out of their minds. These are their stories.”

Anneliese Nielsen, who owns a cannabis brand in Los Angeles, used a strain of weed calibrated for relaxation, but found herself unable to relax in a  dark theatre illuminated by the ghastly cat face of Corden.  ‘I’m 35 and announced, ‘I’m scared!’ to my fellow moviegoers at least seven times,’ says Nielsen, who called the film ‘a special kind of evil.’

The Alamo Drafthouse chain has special ‘rowdy’ showings of CATS where patrons are encouraged to consume adult beverages and loudly comment on the film.

(16) ONE SMALL STEP? BBC reports “Facebook to ban ‘deepfakes'”.

Facebook has announced it will remove videos modified by artificial intelligence, known as deepfakes, from its platform.

Deepfakes are computer-generated clips that are designed to look real.

The social media company said in a blog that these videos distort reality and present a “significant challenge” for the technology industry.

While deepfakes are still relatively uncommon on the internet, they are becoming more prevalent.

AI software creates deepfakes of people – often politicians or celebrities – by merging, replacing, or superimposing content on to a video in a way that makes it look real.

Facebook said it would remove videos if it realised they had been edited in ways that weren’t obvious to an average person, or if they misled a viewer into thinking that a person in a video said words they did not actually say.

“There are people who engage in media manipulation in order to mislead,” wrote Monika Bickert, vice president of global policy management at Facebook in the blog.

Facebook staff and independent fact-checkers will be used to judge a video’s authenticity.

(17) VIDEO OF THE DAY. “Looney Tunes–Behind The Lines: A Conversation With Tex Avery” on YouTube is an interview with the great animator Tex Avery that is undated, but probably from the late 1970s.

[Thanks to JJ, Martin Morse Wooster, Cat Eldridge, Andrew Porter, N., Mike Kennedy, John King Tarpinian, Olav Rokne, and Chip Hitchcock for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Storm Over Campbell Award

The John W. Campbell Award for Best New Writer has been presented at the Worldcon since 1973, two years after Campbell’s death. The 47th winner was Jeannette Ng. Will there be a 48th? Many are responding to her acceptance remarks with a call to change the name of the award.

Although voting is administered by the Worldcon, the award belongs to Dell Magazines, publisher of Analog. It was named for him because Campbell edited Astounding/Analog for 34 years and in his early years at the helm he introduced Heinlein, Asimov, and many other important sf writers, reigning over what was called by the time of his death the Golden Age of SF. That cemented his legend as a discoverer of talent (regardless that in later years he passed on submissions from any number of talented newcomers incuding Samuel R. Delany and Larry Niven).

A revised version of Jeanette Ng’s acceptance remarks is posted at Medium, “John W. Campbell, for whom this award was named, was a fascist”, with the profanity removed and other corrections made.

A video of the actual speech is here —

Jeannette Ng’s tweets about the reaction include —

Annalee Newitz commented:

Rivers Solomon, another Campbell nominee, posted screenshots of the acceptance speech they would have given. Thread starts here.

N.K. Jemisin explains why the term “fascist” in Ng’s speech is apposite. Thread starts here.

Alec Nevala-Lee, author of Astounding: John W. Campbell, Isaac Asimov, Robert A. Heinlein, L. Ron Hubbard, and the Golden Age of Science Fiction, says:

Past Campbell Award winner (2000) Cory Doctorow supported Ng in an article at Boing Boing: “Read: Jeannette Ng’s Campbell Award acceptance speech, in which she correctly identifies Campbell as a fascist and expresses solidarity with Hong Kong protesters”.

Jeannette Ng’s speech was exactly the speech our field needs to hear. And the fact that she devoted the bulk of it to solidarity with the Hong Kong protesters is especially significant, because of the growing importance of Chinese audiences and fandom in sf, which exposes writers to potential career retaliation from an important translation market. There is a group of (excellent, devoted) Chinese fans who have been making noises about a Chinese Worldcon for years, and speeches like Ng’s have to make you wonder: if that ever comes to pass, will she be able to get a visa to attend?

Back when the misogynist/white supremacist wing of SF started to publicly organize to purge the field of the wrong kind of fan and the wrong kind of writer, they were talking about people like Ng. I think that this is ample evidence that she is in exactly the right place, at the right time, saying the right thing.

… When Ng took the mic and told the truth about his legacy, she wasn’t downplaying his importance: she was acknowledging it. Campbell’s odious ideas matter because he was important, a giant in the field who left an enduring mark on it. No one disagrees about that. What we want to talk about today is what that mark is, and what it means.

Another Campbell winner, John Scalzi, tried to see all sides in “Jeannette Ng, John W. Campbell, and What Should Be Said By Whom and When” at Whatever.

… You can claim the John W. Campbell Award without revering John W. Campbell, or paying him lip service, and you can criticize him, based on what you see of his track record and your interpretation of it. The award is about the writing, not about John W. Campbell, and that is a solid fact. If a recipient of the Campbell Award can’t do these things, or we want to argue that they shouldn’t, then probably we should have a conversation about whether we should change the name of the award. It wouldn’t be the first time an award in the genre has been materially changed in the fallout of someone calling out the problems with the award’s imagery. The World Fantasy Award was changed in part because Nnedi Okorafor and Sofia Samatar were public (Samatar in her acceptance speech!) about the issue of having a grotesque of blatant racist HP Lovecraft as the trophy for the award. There was a lot of grousing and complaining and whining about political correctness then, too. And yet, the award survives, and the new trophy, for what it’s worth, is gorgeous. So, yes, if this means we have to consider whether it’s time to divorce Campbell from the award, let’s have that discussion.

Now, here’s a real thing: Part of the reaction to Ng’s speech is people being genuinely hurt. There are still people in our community who knew Campbell personally, and many many others one step removed, who idolize and respect the writers Campbell took under his wing. And there are people — and once again I raise my hand — who are in the field because the way Campbell shaped it as a place where they could thrive. Many if not most of these folks know about his flaws, but even so it’s hard to see someone with no allegiance to him, either personally or professionally, point them out both forcefully and unapologetically. They see Campbell and his legacy abstractly, and also as an obstacle to be overcome. That’s deeply uncomfortable.

It’s also a reality. Nearly five decades separate us today from Campbell. It’s impossible for new writers today to have the same relationship to him as their predecessors in the field did, even if the influence he had on the field works to their advantage….

Bounding Into Comics’ Spencer Baculi unexpectedly followed Doctorow’s and Scalzi’s lead, even though the site often covers the work of Jon Del Arroz and Vox Day’s Alt-Comics: “2019 John W. Campbell Award Winner Jeanette Ng Labels Influential Sci-Fi Author as a “Fascist” During Acceptance Speech”.

…Ng’s assessment of Campbell is undoubtedly informed by Campbell’s personal politics and beliefs and those who have written about him. Campbell argued that African-Americans were “barbarians” deserving of police brutality during the 1965 Watts Riots, as “the “brutal” actions of police consist of punishing criminal behavior.” His unpublished story All featured such racist elements that author Robert Heinlein, who built upon Campbell’s original story for his own work titled Sixth Column, had to “reslant” the story before publishing it. In the aftermath of the Kent State massacre, when speaking of the demonstrators murdered by the Ohio National Guard, Campbell stated that “I’m not interested in victims. I’m interested in heroes.” While difficult to presume where Campbell’s beliefs would place him in modern politics, it is apparent that Campbell would disagree with many of the beliefs held by modern America.

Ng’s speech unsurprisingly caused backlash and outrage among some members of the literary community, with some claiming that Ng should have withheld from insulting the man whose award she was receiving.

Chris M. Barkley praised Ng’s comments in his File 770 post “So Glad You (Didn’t) Ask — Special Irish Worldcon Edition, Day Four”.

…I was one of the people madly cheering this speech. I posted a meme on Facebook as she was still speaking: “Jeannette Ng is AWESOME!!!!!” Moments later, swept up in the moment, I posted another meme, “I’m just gonna say it: The Name of the John W. Campbell Award SHOULD BE F***KING CHANGED!”

To clamor atop a soapbox for a moment; NO, I am not advocating that the life and work of John W. Campbell, Jr. be scrubbed from history. But neither should we turn a blind, uncritical eye to his transgressions. When the winners of such a prestigious award start getting angry because the person behind it is viewed to be so vile and reprehensible, that ought to be acknowledged as well….

Mark Blake honored a request to comment about Campbell on Facebook.

For a brief period a few years ago, my byline was prominently associated with the John W. Campbell Award for Best New Writer. This was not because I’d ever won such an award, or even appeared on the ballot (I was never a nominee), but rather because I assembled anthologies for the purpose of showcasing new writers during their two-year window of eligibility, as an exercise in public awareness of writing that, despite potential merit, might not have received sufficient reviews to garner an audience among the Worldcon membership at large.

In that context, someone asked me to defend Campbell because of the acceptance speech given by this year’s recipient.

This was an uncomfortable request. The more I’ve learned about Campbell over the years, the more certain I’ve become that I wouldn’t have even wanted to share an elevator with him, much less try to sell him a story… and I say that despite having learned any number of his storytelling and editing techniques by way of hand-me-down tutelage….

Amazing Stories’ Steve Davidson was mainly concerned that Ng’s remarks were bad for the brand – i.e., Ng mistakenly identified Campbell as an editor of his magazine instead of Astounding/Analog. “Emergency Editorial”.

…A couple of days ago we watched and updated our post covering the 2019 Hugo Awards;  we were a bit surprised at Jeannette Ng’s acceptance where she made some connections between fascism in the SF field, fascism in the US and the events taking place in Hong Kong right now.  Hong Kong is Ms. Ng’s home base and we are absolutely and completely in sympathy with her and the protesters who are braving arrest, and possibly worse, as they try to maintain their freedoms.

We entirely missed the misattributions of Ms. Ng’s speech;  what she wanted to do was identify John W. Campbell Jr., the editor of Astounding Stories, as a fascist.  She ended up naming Jospeph Campbell as the editor of Amazing Stories….

I am sure she is tired, chuffed, overwhelmed and, perhaps even a bit embarrassed over having misnamed Campbell and the magazine he was associated with in front of an audience and a community that knows this history without even thinking about it.

But the internet being what it is, disrespect for facts being what they are these days, I can not allow the idea that John W. Campbell – racist, anti-semite, fascist, misogynist, whatever – was associated with Amazing Stories to go unchallenged….

Ng has issued a correction:

Swedish Fan Ahrvid Engholm today sent two fannish listservs copies of a complaint he has filed with the Dublin 2019 committee that Ng’s speech violated the convention’s Code of Conduct.

…One may wonder what a Code of Conduct is worth, if it isn’t respected by those who have all eyes upon them on the big stage, during the highlight of a convention, such as the awards ceremonies witnessed by thousands.

I therefore want to report, as a breach of the Code of Conduct during Dublin 2019, the intimidation and personal attacks in Jeannette Ng’s Campbell Award speech, of which the very lows are wordings like:

“John W. Campbell…was a fascist” and he was “setting a tone” she claims “haunts” us as “Sterile. Male. White.” glorifying “imperialists” etc.

Full text here https://twitter.com/jeannette_ng/status/1163182894908616706
Several parts of the CoC (as published in the Pocket Convention Guide, and also here https://dublin2019.com/about/code-of-conduct/) may apply, but let me point to:

“Everyone involved with Dublin 2019 is expected to show respect towards…the various communities associated with the convention. …Dublin 2019 is dedicated to provide a harassment-free convention experience for all Attendees regardless of…gender…race…We do not tolerate harassment of convention attendees in any form” /which includes:/
* Comments intended to belittle, offend or cause discomfort”

Most if not all would find being called a “fascist” offending, surely causing discomfort.

And it’s especially deplorable when the person belittled this way has passed away and thus can’t defend himself. It is reported that John W Campbell’s grandson John Campbell Harrmond was present at the convention that branded his grandfather a “fascist”. John W Campbell was the leading sf magazine editor of his era (of Astounding SF, not Amazing Stories as this far from well-founded speech said) and have many admirers who also have cause to feel offended. If you like Campbell, the claim he is a “fascist” surely splashes on you too – you’d be “fascist sympathiser”.

Ms Ng continues to harass whole categories of convention Attendees, those who are “male” and “white”. They are “sterile” and the negative “tone” claimed being “set” in the sf genre. It must be noted that the CoC is explicitly against slurs regarding race and gender. (And in these circumstances “white” indicates race and “male” gender.) The CoC further says it won’t be tolerated “in any form”, which surely must also include the form of a speech from a big stage.

It is too late now do do anything about this regrettable episode, but those making reports are asked to state what they would like to happen next. What I simply want is to get it confirmed that the event reported indeed IS a breach of the CoC, because that could be important for the future.

–Ahrvid Engholm
sf con-goer since 1976 (of Worldcons since 1979)

Scott Edelman supported Ng in several comments, describing his deep unhappiness with some of Campbell’s opinions at the time the were originally published 50 years ago. He also quoted this anecdote from the autobiography of William Tenn / Phil Klass:

Pixel Scroll 4/22/19 Ceci N’est Pas Un Pixel Scroll

(1) HELP IS ON THE WAY. Jimmy Kimmel Live plugs the “Game of Thrones Hotline for Confused Fans.”

There is a lot going on in “Game of Thrones,” and it can be difficult to keep track of what’s what and who’s who. But fortunately help is on the way. Cast members Sophie Turner, Lena Headey, John Bradley, Joe Dempsie, Maisie Williams, Kristian Nairn, Iwan Rheon & Liam Cunningham host a new hotline to assist their confused fans.

(2) RONDO SETS RECORD. Never mind the Dragon Awards – voting just closed in the “17th Annual Rondo Hatton Classic Horror Awards” and would you like to guess how many participants they had? The administrator says —

The final votes are still be tallied, but close to 4,500 people voted this year, a new record.

The results will be posted soon, once the vote is finalized and visual material is prepared for the release.

(3) RELATIVELY LITERATURE. Gautham Shenoy contemplates “Ian McEwan and the (re)invention of science fiction: Why contempt for SF only exposes ignorance” at Factor Daily.

…So in this light, in the context of authors who actively avoid a novel of theirs being described as ‘science fiction’, and given the latest instance of Ian McEwan distancing himself from said label, I’d like to humbly offer a way in which one can tell if it’s an SF novel or not. “Whether a novel is science fiction—or not—depends on who the author is and who reviews it”.

As an advertising professional who has spent almost 20 years in the marketing business and who knows a thing or three about positioning and target audiences, this is perhaps the best description that I think we can arrive at. But where does this leave the reader?

It is up to the individual reader to decide whether he/she/they would rather go by convenient labels than follow interests or read what he/she/they would like to. As a reader – and not just of SF – I am in agreement with the author of Cloud Atlas and The Bone Clocks, the writer David Mitchell who says that genre snobbery is a bizarre act of self-mutilation because, “It’s convenient to have a science fiction and fantasy section, it’s convenient to have a mainstream literary fiction section, but these should only be guides, they shouldn’t be demarcated territories where one type of reader belongs and another type of reader does not belong…What a shame. All those great books that you’re cutting yourself off from.”

(4) WEIMER DOUBLE-HEADER. Paul Weimer told Facebook readers:

If you thought “Self, I want to hear @PrinceJvstin on a podcast”, today is YOUR day.

You can hear Paul on @SFFAudio talking about @nevalalee’s Astounding – “The SFFaudio Podcast #522 – READALONG: Astounding by Alec Nevala-Lee”

-AND-

On @SkiffyandFanty, he talks with their Hugo Finalist crew about Komarr — “Reading Rangers #10: Komarr by Lois McMaster Bujold”.

Hello, Rangers! We’re back with everyone’s favorite Space Nancy Drew in Komarr! This time Stina, Paul, and Trish sit around the campfire to talk about women’s agency, budding relationships, whether or not Miles is “dad” material, how good intentions can go horribly, horribly wrong, the politics of isolationism, and more!

(5) KNOWING CAMPBELL. Stanley Schmidt’s guest editorial for Analog “John and Me” takes off from the “The Astounding John W. Campbell, Jr.” panel at last year’s Worldcon moderated by Alec Nevala-Lee. Schmidt’s views of Campbell’s work are very different than those of fellow panelist Robert Silverberg, and he says in closing —

…As for what kind of editing John was doing in his last years, my experience indicates that he was still doing the kinds of things he was famous for, and still doing them very well. It’s unfortunate that some of his personal idiosyncrasies drove away some of his best writers, but that’s a separate question from the quality of his work. Maybe I was fortunate that I didn’t know him personally before I started writing for him, or I might have found it harder, too—though I hope I wouldn’t have let my disagreements with him, even on big issues, make me reject him entirely as a person. I did disagree with his editorials more often in those years than I had earlier, but as far as I knew he was just doing the professional argument-baiting he had always done. Even if I had known that he really held beliefs that I found highly objectionable, I doubt that I would have found that adequate reason to sever all contact with him and his work. A lot of people hold misguided beliefs, but my experience, I think, is a good example of how it’s possible to work productively with somebody, and respect some of his qualities, even while sharply disagreeing with some of his views. Maybe that’s a lesson that a whole lot of people need to relearn about now.

(6) SLF READINGS. The Speculative Literature Foundation’s Deep Dish Reading Series in Chicago resumes on May 9.

(7) DOC WEIR AWARD. The Doc Weir Award is voted on by attendees at the Eastercon and is presented to a fan who has worked hard behind the scenes at conventions or in fandom and deserves recognition. As Fandom.com explains —

The award consists of a silver cup (which must be returned the following year) and a certificate (if someone remembers to create one!)

The cup is engraved with the names of the previous winners, and in fine fannish tradition, it is up to each year’s winner to have their own name engraved at their own cost!

Jamie Scott is the 2019 winner.

Bill Burns of eFanzines has more info on the Doc Weir Award, and a list of all winners from 1963 to 2018 here.

(8) 71ST EASTERCON. Next year’s UK Eastercon, called Concentric, will be in Birmingham at the Hilton Metropole (NEC).

(9) ON THE AIR. Eneasz Brodski offers a “Crash Course in Creating a Podcast” at Death Is Bad.

1. Bona fides

I’m Eneasz Brodski. I produce the Methods of Rationality podcast. It began as me, in my bedroom, with a lot of enthusiasm and a handheld mic after a few hours of research. As of this writing it’s been 6.5 years since I started. I’ve spent over 10,000 hours working on this podcast, I’ve produced over ninety hours of audio fiction spread across 185 episodes, totaling almost 4.5 million downloads. I’ve been a finalist for the Parsec Awards three times. I’ve never done professional audio work, but I have some idea of how to get an amateur podcast going.

(10) WOLFE’S MEANING. In a New Republic article, Jeet Heer declares “Gene Wolfe Was the Proust of Science Fiction”.

…News of Wolfe’s passing spread on the internet on Monday morning, as the first images of the fire at Notre-Dame also started circulating. Many Wolfe fans were struck by the coincidence. “Gene Wolfe is dead and Notre-Dame is engulfed in flames,” the writer Michael Swanwick tweeted. “This is the Devil’s own day.” Swanwick’s grief is understandable. Yet Wolfe himself might offer more consoling counsel. Death and life, his work often showed, are not so much opposites but partners, with the passing of the old being the precondition for the birth of the new. Cathedrals can burn but they can also be rebuilt, and in fact all cathedrals are in a constant state of maintenance and repair….

(11) MARTIN BÖTTCHER OBIT. German film composer Martin Böttcher (1927–2019) died April 19. Cora Buhlert pays tribute — “In Memoriam Martin Böttcher”.

…But Böttcher’s most famous film score would be the one he composed for Horst Wendlandt’s other series, the Winnetou movies of the 1960s, based on Karl May’s adventure novels. Ironically, Martin Böttcher himself had never read a single Winnetou novel, which must make him one of the very few Germans of his generation who did not read Karl May. When someone asked him why he didn’t read the novels, Böttcher answered, “I’ve seen every single Winnetou movie dozens of times. I know how the story goes. I don’t need to read it.”

I’ve written about the Winnetou movies and what they meant for several generations of Germans before, so let’s just listen to Martin Böttcher’s iconic Old Shatterhand theme….

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born April 22, 1916 Virginia Heinlein. Editor of Grumbles from the Grave. Also allowed Tramp Royale to be published after her husband’s death. And for some reason allowed longer versions of previously published works Stranger in a Strange Land, The Puppet Masters, and Red Planet to be published. Anyone read these? Used bookstores here frequently had copies of Stranger in a Strange Land so buyers didn’t hold on to it… (Died 2003.)
  • Born April 22, 1934 Sheldon Jaffery. Bibliographer who was a fan of Weird Tales, Arkham House books, pulps, and pretty much anything in that area. Among his publications are Collector’s Index to Weird Tales (co-written with Fred Cook), Future and Fantastic Worlds: A Bibliographical Retrospective of DAW Books (1972-1987) and Horrors and Unpleasantries: A Bibliographical History and Collector’s Price Guide to Arkham House. He also edited three anthologies which Bowling Green Press printed, to wit Sensuous Science Fiction from the Weird and Spicy PulpsSelected Tales of Grim and Grue from the Horror Pulps and The Weirds: A Facsimile Selection of Fiction From the Era of the Shudder Pulps. (Died 2003.)
  • Born April 22, 1937 Jack Nicholson, 82. I think my favorite role for him in a genre film was as Daryl Van Horne in The Witches of Eastwick. Other genre roles include Jack Torrance in The Shining, Wilbur Force in The Little Shop of Horrors, Rexford Bedlo in The Raven, Andre Duvalier in The Terror, (previous three films are Roger Corman productions), Will Randall in Wolf, President James Dale / Art Land in Mars Attacks! and Jack Napier aka The Joker in Tim  Burton’s The Batman. I watched the last one, was not impressed.
  • Born April 22, 1946 John Waters, 73. Yes, he did horror films, lots of them. Shall we list them? There’s Multiple ManiacsSuburban GothicExcision, Blood Feast 2: All U Can Eat and Seed of Chucky. The latter described as a “supernatural black comedy horror film” on Wiki. He also narrates Of Dolls and Murder, a documentary film about a collection of dollhouse crime scenes created in the Forties and society’s collective fascination with death.
  • Born April 22, 1950 Robert Elswit, 69. Cinematographer. An early short film he worked on was a 1982 TV adaptation of the Ray Bradbury short story “All Summer in a Day.” He began his career as a visual effects camera operator working on films like Star Trek: The Motion Picture, The Empire Strikes Back, and E.T. the Extra-Terrestrial. He worked on Mission: Impossible – Ghost Protocol and Mission: Impossible – Rogue Nation
  • Born April 22, 1959 Brian Taves, 60. Author of The Jules Verne Encyclopedia and Hollywood Presents Jules Verne: The Father of Science Fiction on Screen.  He also wrote Talbot Mundy, Philosopher of Adventure: A Critical Biography. Mundy is the author of the Jimgrim / Ramsden stories, a fantasy series. 
  • Born April 22, 1966 Jeffrey Dean Morgan,53. He’s best known for his roles as Dr. Edward Marcase in The Burning Zone, John Winchester on Supernatural, the Comedian in Watchmen, Negan on The Walking Dead  and Harvey Russell in Rampage. He also played Jeb Turnbull in Jonah Hex. And was Thomas Wayne in Batman v. Superman though he was uncredited for it. 
  • Born April 22, 1984 Michelle Ryan, 35. She appeared as the evil sorceress Nimueh in Merlin, and as Lady Christina de Souza in the Doctor Who episode “Planet of the Dead” in the era of the Tenth Doctor. She was also in the comedy film Cockneys vs Zombies as Katy,and played Elanor in Andron. And yes, they rebooted the Bionic Woman series in which she played the lead character Jaime Sommers. It lasted nine episodes. Points to who remembers the original actress without looking her up. 

(13) TV ON THE CHEAP Because Filers may still have time still available for consuming video content – yeah, right — ZDNet points you at the “10 best free video streaming services for cord cutters”.

It’s possible to watch a lot of excellent movies and TV shows for free — if you know how.

When cord-cutting became a thing, it was all about saving money. Today, cord-cutting costs are catching up with cable. Indeed, with Disney Plus coming, with its must-watch package of Marvel Universe, Star Wars, and Disney films, plus internet TV streaming services like AT&T DirecTV Now drastically raising its prices, I can easily see a cord cutter’s total viewing bill crossing the $100-a-month barrier. 

Fortunately, there are some answers.

There’s at least one inexpensive TV-bundling service: Philo TV. At $16 a month for three simultaneous streams of 45 popular channels, it’s a steal. But, if you can live with commercials, there are at least 10 good free streaming services to try.

(14) AFRICAN VOICES. CNN reports “Netflix to launch all girl superhero animation series from Africa”.

As part of its growing acquisition of content from Africa, Netflix has announced its first original African animated series – Mama K’s Team 4.

The series is produced by award-winning South Africa based studio, Triggerfish Animation, and London based kids and family entertainment specialist, CAKE.

Mama K’s Team 4 tells a story of four teenage girls living in a futuristic version of Lusaka, Zambia’s capital city. The girls are recruited by an ex-secret agent to save the world.

Designed by Cameroonian artist Malcolm Wope, the animation drew inspiration for the visuals from retro 90s hip hop girl groups, Netflix said in a statement announcing the deal….

(15) BY THE BOOK. Steve J. Wright has completed his Hugo Novel finalist reviews.

(16) COMMEMORATIVES. These BrexitStamps are over a year old – but news to me!

(17) NAVIGATING BY THE PUPPY CONSTELLATION. Lou Antonelli has launched a semiprozine for original sff, Sirius Science Fiction, which offers $25 for each original story upon publication.

WHO WE ARE

Sirius Science Fiction is an on-line web site dedicated to publishing original speculative fiction – science fiction, fantasy, alternate history and horror. We like stories with a sense of wonder and excitement.

In a time when mainstream speculative fiction has been overrun by political correctness and identity politics, we offer a venue free of pretension and ideological litmus tests.

Sirius Science Fiction publishes one original short story a week, plus occasional reprints. Original stories are posted every Friday.

(18) SPOILER WARNING. Well, beware if you’re a fluent Rot-13 speaker. Here’s the surprise ending to “Beyond the Bounds of Genius: Chapter 8” of Timothy the Talking Cat’s autobiography:

Fbba jr fnj gur Juvgr Pyvssf bs Qbire be ng yrnfg gung’f jung jr nffhzrq gurl jrer ohg rirelobql ryfr jnf fubhgvat “VPR ORET!” Orsber lbh pbhyq fubhg “zna gur yvsr obngf” gur fuvc jnf fvaxvat naq Pryvar Qvba jnf fvatvat naq rirelguvat jnf orpbzvat irel pbashfvat.

(19) YAKETY-YAK. Here’s some art by an Ursula Vernon admirer:

(20) OLD GAME. NPR tells how “For Mongolia’s Ice Shooters, Warmer Winters Mean A Shorter Sports Season”.

On a bright Sunday afternoon in early March, the Tamir River in the steppes of Mongola becomes a bowling alley. Two dozen Mongolian herdsmen have gathered to play musun shagai, known as “ice shooting.” Right now, the ice on the river is perfect. Clear and smooth. The players are cheerful and focused.

Their goal? To send a small copper puck called a zakh down a 93-yard stretch of ice and knock over several cow ankle bones, painted red, none bigger than a golf ball, at the other end. Extra points for hitting the biggest target, made of cow skin.

Together, the targets form a line of tiny red dots that are difficult to see, let alone hit. When that happens, players know because the spectators raise a boisterous cheer.

…This competition, originally scheduled for mid-March, was bumped up by two weeks. “The river was already melting,” Gurvantamir said.

(21) IRON ART. Lots of photos accompany NPR’s feature “The Beauty And The Power Of African Blacksmiths”.

In the fictional world of Marvel’s Black Panther, the Afro-futurist utopia of Wakanda has a secret, almost magical resource: a metal called vibranium. Its mythic ability to store energy elevated vibranium to a central role in the fictional nation’s culture and the metal became part of Wakandan technology, fashion and ceremony.

Of course vibranium isn’t real. But one metal has held a similarly mythic role for over 2,000 years in many cultures across the African continent: iron.

African blacksmiths have been crafting agricultural tools, musical instruments, weapons and symbols of power and prestige out of the raw material for ages. “Striking Iron: The Art of African Blacksmiths,” a new exhibit at the National Museum of African Art in Washington, D.C. showcases Africa’s rich history of ironworking through 225 tools, weapons and adornments from over 100 ethnic groups across Africa.

(22) SMOKE GETS IN YOUR EYES. “SpaceX capsule suffers ‘anomaly’ during tests in Florida”.

SpaceX has confirmed that its Crew Dragon capsule suffered an “anomaly” during routine engine tests in Florida.

A US Air Force spokesperson told local press the incident, at Cape Canaveral Air Force Station, had been contained and no-one had been injured.

An unmanned Crew Dragon successfully flew for the first time last month.

This latest incident, however, could delay plans to launch a manned mission to the International Space Station later this year.

Not since the end of the Space Shuttle programme in 2011 has the US been able to send its own astronauts into orbit. It has had to rely instead on Russia and its Soyuz spacecraft.

(23) A ‘STAN LEE’ MOMENT. Daniel Dern asks:

Wanna get caught up on the Avengers: Endgame related comics… or just overload your eyeballs and brain in general?

Try a month of the Marvel Unlimited streaming comic service for $4.99 (normall $9.99/month, jumps to that if you don’t cancel). ~ 25,000 digitized Marvel comics (ranging from from-the-beginning-of-time through at-least-six-months-old).

Best on, sigh, a tablet that can view a comic full size, like the non-cheap iPad Pro 12.9. (which is why I bought one a year or so ago).

(24) AFTER SHAKESPEARE. This is far beyond what prompted Independence Day’s Wil Smith to demand, “What’s that smell?” “Nathan Lane Cleans Up Broadway’s Biggest Pile of Dead Bodies in ‘Gary: a Sequel to Titus Andronicus’”.

Even before the lushly designed curtain rises on Taylor Mac’s Gary: A Sequel to Titus Andronicus, which opens Sunday night on Broadway (at the Booth Theatre, to Aug. 4), the fluids start shooting forth.

A woman appears and begins to spurt blood from her slashed neck. The blood flies out sporadically, and this looks a little precarious if you are in the front two rows. The woman, inevitably raspy of voice given her injury, muses on the nature of sequels and revenge.

Then the curtain rises on one of the great stage designs of this Broadway season. The sight of hundreds of human bodies immediately confronts the audience….

In this banqueting hall turned charnel house, there is the prosaically named Gary (Nathan Lane), a former clown now turned laborer, here to do some tidying up of bodies before the inauguration of a new leader the next day. “Bit more of them than I was expecting,” he says of the bodies. His voice is Cockney. Lane—orbiting in his brilliant way from shy to showman, naughty schoolboy to moral fulcrum—at first seems like a mischief-maker, bored on the job and up for fun.

The fourth wall stays permeable throughout; the actors stare out at us, puzzled at our applause….

(25) DERAILERS. ScreenRant shares “10 Superhero Deleted Scenes That Could Have Changed Everything.”

Deleted scenes in movies are fun to watch but they are even more fun to watch when they are from superhero films. Instead of arguing over which Universe you enjoy more, DC or Marvel, sit back and watch these deleted scenes and let us know what you think in the comments below. Let’s take a look at Screen Rant’s video, ten Superhero Deleted Scenes That Could Have Changed Everything. And we have the plot holes from some of your favorite movies including the X-Men series, Marvel’s Iron Man, the Hugh Jackman film Logan, Batman V Superman: Dawn of Justice plus many more.

[Thanks to JJ, Cat Eldridge, Chip Hitchcock, Martin Morse Wooster, John King Tarpinian, World Weary, Daniel Dern, Mike Kennedy, Daniel Dern, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Rob Thornton.]

Pixel Scroll 1/15/19 Mars Ain’t The Kind Of Place To Scroll Your Pixels

(1) SPIDER-MAN. The Spider-Man: Far From Home Teaser Trailer is out. Movie hits theaters July 5.

(2) ELGIN’S CONLANG. Rebecca Romney tells LitHub readers about Suzette Haden Elgin — “This Science Fiction Novelist Created a Feminist Language from Scratch”.

Láadan, the conlang in Native Tongue, is distinctive for its feminist philosophy: according to Elgin, it focuses on words that efficiently describe “concepts important to women” and “emotional information.” Importantly, Láadan isn’t meant exclusively for women: rather, it is a language constructed with feminist principles in its marrow. For example, the Láadan word “radíidin” is immediately recognizable as a form of emotional labor, the often invisible work that falls primarily to women…

(3) HEAR FROM AUTHOR OF ASTOUNDING. Illinois Public Media’s program The 21st headlined a historian of sf’s Golden Age: “Chicago Writer Alec Nevala-Lee; Holiday Movies 2018; Producers as Experts”

Science fiction is everywhere in 2018. Not just in the form of our favorite movies, books, or TV shows — but even in the actual technology we use in our daily lives.

But the story of sci-fi goes back decades — long before films like Star Wars or 2001: A Space Odyssey. The 1930s and 40s are known as the Golden Age of science fiction. This era, and the people in it, are the subject of Chicago writer Alec Nevala Lee’s latest book.

It’s called “Astounding: John W. Campbell, Isaac Asimov, Robert A. Heinlein, L. Ron Hubbard, and the Golden Age of Science Fiction.”

And what tied all of these men together is the sci-fi magazine called Astounding, which in many ways helped create the genre.

Alec Nevala-Lee joined us from our studios at Northwestern University’s Medill School of Journalism.

Hear the program at Soundcloud.

(4) BROADWAYCON REDUX. The New York Times ran a heavily photo illustrated report about last weekend’s event devoted to stage musicals: “At BroadwayCon, Fans Get a Curtain Call”.

There were singalongs, fan meetups and workshops, booths jamming two “marketplace” floors, as well as an avalanche of panels dedicated to such topics as portraying Evan Hansen, 25 years of Disney on Broadway, auditioning, the lives of stage managers, “Harry Potter and the Cursed Child” and “Mean Girls.”

(5) KENYON’S POISONING ALLEGATIONS. The Tennessean covers Sherrilyn Kenyon’s lawsuit against her husband and accomplices: “Author Sherrilyn Kenyon files lawsuit accusing husband of poisoning her”

…It wasn’t until after her husband filed for divorce that Sherrilyn Kenyon had her blood, nails and hair tested for toxins. The tests found her body contained high levels of lithium, tin, barium, platinum and thorium, the lawsuit said.

After her husband moved out, Sherrilyn Kenyon’s health began to improve.

The lawsuit said Lawrence Kenyon and Plump, who had taken on a more involved role helping coordinate Sherrilyn Kenyon’s book-related events and appearances, worked together to sabotage her career by disparaging fans and industry professionals. Their actions, she claimed, led to the loss of hundreds of thousands of dollars and several canceled contracts with her publisher. 

… Kenyon is suing for several causes of action, including assault by poisoning, concerted action aiding and abetting, intentional interference with business relationships and invasion of privacy. 

(6) CLICHÉPUNK. According to Lee Konstantinou, “Something Is Broken in Our Science Fiction”. As he argues at Slate —

When it first emerged more than 30 years ago, cyberpunk was hailed as the most exciting science fiction of the ’80s. The subgenre, developed by a handful of younger writers, told stories of the near future, focusing on the collision of youth subcultures, new computer technologies, and global corporate dominance. It was only ever a small part of the total SF field, but cyberpunk received an outsize amount of attention. Since then, its characteristic tropes have become clichés. By 1992, they could be hilariously parodied by Neal Stephenson in Snow Crash (a novel often mistaken as an example of the subgenre it meant to mock). In 1999, the Wachowskis brought cyberpunk to a mass audience with The Matrix.

Meanwhile, myriad new SF subgenres and microgenres have been discovered or invented, each trying to recapture the excitement cyberpunk once generated. The list is long to the point of parody. There’s steampunk, biopunk, nanopunk, stonepunk, clockpunk, rococopunk, raypunk, nowpunk, atompunk, mannerpunk, salvagepunk, Trumppunk, solarpunk, and sharkpunk (no joke!), among others. Most recently, my Twitter feed has been choked with discussions (and mockery) of hopepunk, after Vox published an article in December announcing its arrival. The term, coined by Alexandra Rowland, was meant to describe fiction that resists dystopian pessimism in favor of “DEMANDING a better, kinder world, and truly believing that we can get there if we care about each other as hard as we possibly can, with every drop of power in our little hearts.”

(7) REORIENTATION. In December, Sarah Gailey livetweeted watching Top Gun for the first time. The thread starts here.

And that has resulted in Gailey’s post for Tor.com, “Highway to the Danger Zone: The Heterosexual Tragedy of Top Gun – deemed by Soon Lee as possibly the best review of Top Gun ever…

Top Gun is a heartfelt, moving film about one man’s risky dalliance with heterosexuality. Lieutenant Tom “Maverick” Cruise is introduced to the audience as a glistening, patriotic risk-taker. He just wants to be the best Plane Guy he can be. His ambitious Airplane Moves get him all the way to the TOPGUN program, a school for only the coolest plane guys. Everything is going great for Maverick… until the night before classes begin. He arrives at Miramar, where the TOPGUN program is located, as ominous music plays in the background—Maverick, the score informs us, is on the highway to the danger zone.

That very evening, Maverick’s sassy straight friend, Lieutenant j.g. Goose “Goose” Goose, brings him to a straight bar for an evening of exploration. Goose exhorts the tentative Maverick to “have carnal knowledge—of a lady this time—on the premises.”

(8) CANNIZZO OBIT. Dr. John K Cannizzo, husband of author Catherine Asaro, died December 30, 2018 at the age of 61. The family obituary is here.

From Catherine Asaro: I was blessed to have John as my husband for thirty-two years. He truly was a gentle giant with an immense heart and inner strength, the love of my life, the finest human I’ve ever known. I thank all of you who have posted your thoughts here; it helps to ease the great loss of his passing….

From the colleagues of Dr. Cannizzo: …John was a member of the Physics Department at the University of Maryland, Baltimore and the Astroparticle Physics Laboratory in the Astrophysics Science Division at NASA Goddard Space Flight Center, having been at Goddard for 25 years. He was a longtime member of the Laser Interferometer Gravitational-Wave Observatory (LIGO) science team and of the Swift gamma-ray burst telescope….

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born January 15, 1913Lloyd Bridges. Though I’m reasonably sure Secret Agent X-9, a 1945 serial, isn’t genre, but  I’m listing it anyways because I’m impressed it because it was based on a comic strip by Dashiell Hammett, Leslie Charteris and others. His first SF role as Lost Horizon though uncredited so I don’t trust Wiki on that. He’s the  Pilot Col. Floyd Graham in Rocketship X-M,  Dr. Doug Standish In Around the World Under the Sea, Aramis in The Fifth Musketeer, Clifford Sterling in Honey, I Blew Up the Kid and Grandfather in Peter and the Wolf. His television appearances are too many to list here. (Died 1998.)
  • Born January 15, 1924 Dennis Lynds. He only wrote two sf novels, probably pulp ones at that, Lukan War and The Planets of Death, but I’m intrigued that he also penned eight titles of The Shadow from 1964 to 1967 under the Shadow’s author by-line of Maxwell Grant. He also, and I count this as genre, under the name of Robert Hart Davis penned a number of Man from U.N.C.L.E. Novella that all ran in The Man from U.N.C.L.E. Magazine. (Died 2005.)
  • Born January 15, 1935 Robert Silverberg, 84. I know the first thing I read by him was The Stochastic Man some forty five years ago. After that I’ve read all of the Majipoor series which is quite enjoyable, and I know I’ve read a lot of his short fiction down the years.  So what should I have read by him that I haven’t? 
  • Born January 15, 1944 Christopher Stasheff. A unique blending I’d say of fantasy and SF with a large if excessive dollop of humor. His best known novels are his Warlock in Spite of Himself series. I wrote one that by its title intrigues me — The Feline Wizard! (Died 2018.)
  • Born January 15, 1965 James Nesbitt, 54. Best genre role was as Tom Jackman and Hyde in Jekyll which was written by Steven Moffat. He’s also appeared in Fairy TalesThe Young Indiana Jones ChroniclesStan Lee’s Lucky Man and Outcast. Yes, I know he played Bofur in the Hobbit films. I still consider Jekyll his better by far genre role.

(10) WHAT SFWA’S PRESIDENT DOES. SFWA President Cat Rambo leaves office on June 30, 2019. Before she goes, she’d like to answer the question: “What Does the SFWA President Actually Do?” Here’s an excerpt:

…The President is one of the major faces of the organization, and should be willing to attend events such as the Nebulas and conventions as well as representing SFWA at the other events they’re present at. (When signing up for conventions, I usually pitch a SFWA meeting and/or “What Can SFWA Do For You?” panel, for example.) As such, they do need to bear in mind that anything they say on social media or in interviews may be taken as having “of SFWA” appended to it, whether or not they want it to. The President carries this more than board members, and needs to remember that the membership may interpret something they say jokingly on Twitter as indicating the overall board’s opinion. Having a disclaimer that your opinions are personal and do not represent the organization on places like social media profiles is vital.

A good President will be familiar with the bylaws and OPPM and work to bulletproof the organization against anyone wishing to do it harm. They must work side-by-side with the board, the Executive Director, the Deputy Executive Director, the financial team, and a slew of volunteers and contractors to make sure that SFWA remains true to its mission while growing and adapting to the evolving and ever-changing publishing landscape.

In order to do that, the President needs to keep an eye on what’s going on–which can be difficult at times, given the volunteer nature of the position and the stressors of life. They need to be available to people who need them or arrange someone to cover them when on vacation. But it’s also usually easy to keep up with things and often just a matter of checking in on the discussion boards and e-mail once or twice a day. I do want to note (from experience) that many e-mails are time sensitive and not paying attention can result in holding things up in a frustrating way for other people….

Rambo also sent a link to a “Twitter thread that does a good job of finding SFWA ex-presidents” — https://twitter.com/Catrambo/status/1085209616038821888 

(11) ON THE RECORD. Rob Latham explores the rock and sff connection in “Magic Carpet Rides: Rock Music and the Fantastic”, a review of Jason Heller’s new work for the LA Review of Books.

DURING THE POSTWAR PERIOD, the genres of the fantastic — especially science fiction — have been deeply intertwined with the genres of popular music, especially rock ’n’ roll. Both appeal to youthful audiences, and both make the familiar strange, seeking escape in enchantment and metamorphosis. As Steppenwolf sang in 1968: “Fantasy will set you free […] to the stars away from here.” Two recent books — one a nonfiction survey of 1970s pop music, the other a horror novel about heavy metal — explore this heady intermingling of rock and the fantastic.

As Jason Heller details in his new book Strange Stars: David Bowie, Pop Music, and the Decade Sci-Fi Exploded, the magic carpet rides of the youth counterculture encompassed both the amorphous yearnings of acid rock and the hard-edged visions of science fiction. In Heller’s account, virtually all the major rock icons — from Jimi Hendrix to David Crosby, from Pete Townshend to Ian Curtis — were avid SF fans; not only was their music strongly influenced by Heinlein, Clarke, Ballard, and other authors, but it also amounted to a significant body of popular SF in its own right. As Heller shows, many rock stars were aspiring SF writers, while established authors in the field sometimes wrote lyrics for popular bands, and a few became rockers themselves. British fantasist Michael Moorcock, for example, fronted an outfit called The Deep Fix while also penning songs for — and performing with — the space-rock group Hawkwind (once memorably described, by Motörhead’s Lemmy Kilmister, as “Star Trek with long hair and drugs”).

(12) THOSE DAYS AT CLIFTON’S CAFETERIA. At the link is a 3-minute preview of “The Dream Pioneers: Visionaries of Science Fiction”, a 2000 documentary. The clip includes LASFSians Forry Ackerman, Ray Bradbury, and Walt Daugherty.

This program looks at the careers and manifold influence of The Los Angeles Science-Fiction League’s most famous members: Forrest J. Ackerman, the mainspring of the group, who coined the term “Sci-Fi”; Ray Bradbury, renowned author of The Martian Chronicles and Fahrenheit 451; and Ray Harryhausen, master of stop-motion animation. Extended interviews with all three men and the numerous filmmakers, special effects artists, and NASA researchers they have inspired illuminate how so many of their dreams have become reality.

(13) BUBBLE AND SQUEAK. David Gerrold announced on Facebook he has made his collaboration with Ctein available as a free read on Dropbox.

The deadline for Nebula nominations is only one month away. For some shameful reason, “Bubble and Squeak” by Ctein and myself is not on the SFWA recommended reading list.

To make up for that serious lack of attention, once again, I am making the story available for all readers, but especially members of SFWA who might think the story is worth reading and possibly even worthy of award consideration.

(14) A LITTLE LUNAR AGRICULTURE. “China’s Moon mission sees first seeds sprout” – BBC has the story.

Seeds taken up to the Moon by China’s Chang’e-4 mission have sprouted, says China National Space Administration.

It marks the first time any biological matter has grown on the Moon, and is being seen as a significant step towards long-term space exploration.

…Plants have been grown on the International Space Station before but never on the Moon.

(15) SPOTS GET IN YOUR EYES. “Driverless car laser ruined camera”.

A man who took a photograph of a driverless car on display at the CES tech fair says his camera was damaged as a result.

Jit Ray Chowdhury noticed purple spots on all his photographs after taking a photo of a lidar laser scanning system displayed by San Francisco firm AEye.

He says the $1,198 (£930) Sony camera was one month old and the firm has offered to buy him a replacement.

AEye said its system is not harmful to human eyes.

(16) BIGGER BOSONS. BBC reports “Cern plans even larger hadron collider for physics search”.

Cern has published its ideas for a £20bn successor to the Large Hadron Collider, given the working name of Future Circular Collider (FCC).

The Geneva based particle physics research centre is proposing an accelerator that is almost four times longer and ten times more powerful.

The aim is to have the FCC hunting for new sub-atomic particles by 2050.

Critics say that the money could be better spent on other research areas such as combating climate change.

But Cern’s Director-General, Prof Fabiola Gianotti described the proposal as “a remarkable accomplishment”.

“It shows the tremendous potential of the FCC to improve our knowledge of fundamental physics and to advance many technologies with a broad impact on society,” she said.

(17) VIDEO OF THE DAY. Keiichi Matsuda’s Merger on Vimeo:

With automation disrupting centuries-old industries, the professional must reshape and expand their service to add value. Failure is a mindset. It is those who empower themselves with technology who will thrive.

Merger is a new film about the future of work, from cult director/designer Keiichi Matsuda (HYPER-REALITY). Set against the backdrop of AI-run corporations, a tele-operator finds herself caught between virtual and physical reality, human and machine. As she fights for her economic survival, she finds herself immersed in the cult of productivity, in search of the ultimate interface. This short film documents her last 4 minutes on earth.

[Thanks to Susan de Guardiola, Colleen McMahon, Michael J. Walsh, Jim Meadows, Andrew Porter, Chip Hitchcock, Paul DiFilippo, Cat Rambo, John King Tarpinian, BravoLimaPoppa3, Rich Horton, JJ, Cat Eldridge, Steve Davidson, Carl Slaughter, Danny Sichel, Mike Kennedy, and Martin Morse Wooster for some of these stories. Title credit goes to File 770 contributing editor of the day StephenfromOttawa.]

Pixel Scroll 1/10/19 We Built this City on Pixel Scroll

(1) A VALID GRIEVANCE. A message from Marko Kloos — “This post brought to you by the Superhero Writers Union.”

I love writing for Wild Cards. It’s an amazingly detailed world that has been expanded by thirty-plus writers over thirty years, and it’s a ton of fun to be a part of that. I mean, I get to make up my own super-powered characters and then let them loose in a playground that has been constantly expanded and improved for three decades. And the Wild Cards consortium is just stacked with super-nice and super-talented people.

That said, there’s one thing that annoys me about being a Wild Cards writer, and that’s entitled Game of Thrones fans.

Every time GRRM posts something on social media about Wild Cards, it takes about five seconds before someone responds with a dismissive one-liner that totally shits on whatever it is he’s trying to promote or announce. And it’s always a variation of the same boring, unoriginal garbage. Finish Winds of Winter. Nobody cares about Wild Cards. WHERE’S THE BOOK, GEORGE? NOT BUYING ANYTHING FROM YOU UNTIL YOU FINISH WINDS OF WINTER. Etcetera, etcetera. Yawn.

GRRM is the editor of Wild Cards (along with Melinda Snodgrass). He edits the books, he doesn’t write them…

(2) CON OR BUST SEEKS NEW DIRECTORS. Kate Nepveu, who started Con or Bust ten years ago, is stepping down from its board, and thus they are seeking up to four new director: “Help shape Con or Bust’s future: join the Board of Directors!”

What does being on the Board involve?

That’s up to the new Board members to decide. In the past, I handled all the day-to-day business, and the rest of the Board reviewed and approved requests for assistance quarterly, and provided advice, suggestions, and approvals regarding policy changes as-needed. The day-to-day business consisted of: the auction, yearly; administering requests for monetary assistance, quarterly; balancing the books, monthly; and general question-answering and email-fielding, weekly-ish.

However, that state of affairs was the result of (1) Con or Bust’s origin as a single-person project and (2) my control-freak tendencies. Since I’m stepping down, the new Board will determine what works best for its members.

Board members are elected for a term of three years.

(3) EXPLAINING THE POPULARITY OF HORROR. An article in the January 4 Financial TImes by Tom Faber contends horror films have become more popular because women are given more roles to play than “victims, sex objects, and she-devils.”

In 2018, however, women in horror were scientist-explorers, dancers, witches, avengers, webcam girls, and mothers both fiercely protective and provocatively ambivalent toward their children.  Meanwhile male characters in the Halloween reboot, (Lucas) Guadagnino’s Suspira and Hereditary were passive and useless.  In one of Suspira’s memorable scenes, witches hypnotise two policemen, laugh at them, and laugh at their genitals.  Could there be a more pointed example of the genre’s gender shift?

As female roles change, the horror audience only grows.  Last year’s Halloween broke the (admittedly specialised) box office record for a film with a female lead over the age of 55.  FrightFest reports more women attending every year.  And more women are getting behind the camera. The Babadook, Raw, and Revenge all offer a thoughtful female perspective  on the genre tropes, exploring motherhood, awakening sexuality and the aftermath of sexual violence without skimping on the gore. This could be a lasting change in the world of horror, even if the genre does end up creeping back into the shadows.

(4) LASSETER BACK IN INDUSTRY. Variety published the explanatory memo: “Skydance CEO Addresses John Lasseter Hire in Memo to Staff: ‘We Have Not Entered Into This Lightly’”

On Wednesday, Skydance announced that it hired Pixar veteran John Lasseter to head its animation division. The decision is bound to come under scrutiny, given the fact that Lasseter was ousted from Pixar in the midst of a sexual harassment scandal. In a memo to staff, CEO David Ellison attempted to explain the decision, and noted that Skydance employed a third-party counsel to investigate the allegations. Read the full memo below.

(5) STAR WARS BLOWS UP PRICES AT DISNEYLAND. At Fatherly, Ryan Britt says “Blame ‘Star Wars’ For Huge Price Increase of Disneyland Parks Tickets”. Disney has increased ticket prices by 25 percent to a minimum of $100/day to pay for Star Wars Galaxy’s Edge where you can ride the Millennium Falcon and have a drink at the Mos Eisley cantina. The post includes a Disney video called “Fly Through Star Wars Galaxy’s Edge.”

Sadly, there aren’t a lot of hacks to get around this, and the reason for the increase almost certainly has to do with the new Star Wars attraction. Touted as an immersive experience, Galaxy’s Edge will allow visitors to ride the Millennium Falcon and drink real alcohol at a simulacrum of the famous Mos Eisley cantina first glimpsed in the 1977 Star Wars movie, A New Hope. For those of us who remember StarTours from the ’80s and ’90s, this is supposed to be way better than that, though clearly, way more expensive.

(6) GOLDEN AGE SFF ART. Alec Nevala-Lee tells “How Astounding Saw the Future” with an accompanying gallery at the New York Times.

Science fiction has become so central to our culture that it can be easy to take it for granted, but its modern form arose at a specific historical moment. During the genre’s golden age, which is conventionally dated from 1939 to 1950, its ideas were refined by a relative handful of authors, editors and artists — and its most immediate impact came through its illustrations. Out of the pulps emerged an entire visual language that relied on striking painted covers to attract newsstand buyers, and while it took years for the stories inside to live up to readers’ dreams, the pictures were often unforgettable from the beginning.

This evolution is clearly visible in the magazine best known as Astounding Science Fiction, the most influential title in the history of the field, and in its sister publication, Unknown, which played much the same role for fantasy. Most of the art was produced by commercial freelancers in New York who collaborated closely with editors. The interior drawings tended to strictly follow the text, but cover artists could let their imaginations run wild. Thanks in large part to their work, science fiction in the midcentury achieved its enduring sense of wonder, and its images from this period may turn out to be the genre’s most lasting contribution to our collective vision of the future.

(7) TODAY IN HISTORY.

  • January 10, 1927 — Fritz Lang’s Metropolis had its world premiere in his native Germany.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born January 10, 1904Ray Bolger. The Scarecrow In The Wizard of Oz, the villainous Barnaby in Babes in Toyland, two appearances on Fantasy Island, and Vector In “Greetings from Earth” on the seventies version of Battlestar Galactica. (Died 1987.)
  • Born January 10, 1937 Elizabeth Anne Hull, 82. She has served as the President of the Science Fiction Research Association and editor of its newsletter. She has been a member of the panel for the John W. Campbell Memorial Award for best SF novel since 1986. With her husband Frederik Pohl, Hull edited the Tales from the Planet Earth anthology. She is also the editor of the Gateways: Original New Stories Inspired by Frederik Pohl anthology. She has co-authored three short stories with him, “Author Plus”, “The Middle Kingdom” and “Second Best Friend”.
  • Born January 10, 1942 Walter Hill, 77. Film director, screenwriter producer of such genre fare as the Alien franchise, Streets of Fire (it’s genre, it’s it?), several espies odes of the Tales from the Crypt series, Tales from the CryptDemon KnightPerversions of Science, an episode of Deadwood and Prometheus. 
  • Born January 10, 1944 William Sanderson, 75. I remember him best as J. F. Sebastian, the possibly insane genetic designer working for Tyrell in Blade Runner but he’s had a career obviously after that film including appearing as Skeets in The Rocketeer, voicing Dr. Karl Rossum on Batman: The Animated Series, playing the character Deuce on Babylon 5 (a series I’ve watched through at least three times), E. B. Farnum on Deadwood (ok, it’s not genre, but it’s Will and Emma’s favorite show so let’s let it slide) and Sheriff Bud Dearborne on True Blood
  • Born January 10, 1944Jeffrey Catherine Jones. She was an artist providing more than a hundred and fifty covers for many different types of genre books through mid seventies including the Ace paperback editions of the Fafhrd and Gray Mouser series. Among her work was also Flash Gordon for Charlton Comics in the Sixties and the  Conan Saga for Marvel Comics in the late Eighties. (Died 2011.)
  • Born January 10, 1947 George Alec Effinger. I’ve read his Marîd Audran series at least twice as it’s an amazing series in both the characters and the setting. I never read the short stories set in this setting until Golden Gryphon Press sent me Budayeen Nights for Green Man to review.  I don’t think I’ve ever encountered any of his other works — was he on presses that would’ve been in general bookstores that carried SF (Died 2002.)

(9) BUDRYS. Yesterday, Rich Horton posted “Birthday Review: Early Short Stories (and one obscure novel) by Algis Budrys”. He says, “I always think Algis Budrys needs to be better remembered, so on what would have been his 88th birthday, I put together a set of reviews of some of his 1950s stories.”

Algis Budrys was just a couple of months older than my father, and he’d have turned 88 today. He was one of my favorite SF writers. His best work, in my opinion, came mostly in the 1960s — the remarkable novel Rogue Moon, the underappreciated novel The Amsirs and the Iron Thorn, and such stories as “For Love”, “Wall of Crystal Eye of Night”, “Be Merry”, and a non-SF story, “The Master of the Hounds”. He also did excellent later work: “The Silent Eyes of Time”, “A Scraping at the Bones”, and the novels Michaelmas and Hard Landing. Late in his life he edited the interesting small press magaine tomorrow (which became one of the first magazines to transition online), before an unfortunate final act working for Writers of the Future.

(10) DC COLLECTIBLES. “Important Toy News: DC’s Hot Properties Village is the best fictional real estate”SYFY News has the story.

…Up for pre-order starting this week, Enesco’s Hot Properties Village follows in line with the well-known Department 56 “Village” brand. Instead of Swiss chalets and winter-themed Americana, Enesco is turning its attention to the major landmarks of the DC Universe. The company has already been putting out Christmas ornaments featuring some DC characters, but this new direction for the license opens up all kinds of possibilities, beginning with Wayne Manor, the Daily Planet, and the Batcave.

All three ceramic replicas include light-up elements, a key feature for display purposes. The scales are a little off between the various buildings, but that helps to keep all the various entries shelf-sized. Still, the Superman flying around the Daily Planet is comically oversized compared to the building, and the same could be said for the Bruce and Alfred that accompany Wayne Manor. At least the Batmobile looks like it could actually fit through the Batcave entrance. Sadly, the ’66 Batman and Robin to go with that cave entrance are sold separately….

(11) NONBREAKING NEWS. John Scalzi takes stock of his detractors in “And Now, the Dickhead Report”.

… Beyond that, it does seem that most of the dickheads who used to rail about me have either moved on or sunk themselves into obscurity or both. The fellow most enthusiastic about being a jackass in my direction over the years has recently fixated on someone else, which is nice for me and apparently harmless enough for the fellow he’s fixed himself upon. The object of his affections doesn’t seem to be suffering any real negative effect from the jackass’ constant need to attach himself, lamprey-like, to someone else’s career in the hope of gobbling up leftover crumbs. He’ll occasionally still snark in my direction, and mutter something to his sockpuppets about my blog visits, which, fine. But I don’t think his heart’s much into it anymore. He’s found a new crush, and I wish him joy.

Outside that dude, there’s a small group of indie writers (and their fans) who have used me as a fetish object in their never-ending war against the SJW-ing of science fiction, but that’s mostly just, like, six dudes reminding each other they’re in the “I Hate Scalzi” club over and over. Again, it’s not done me any harm, so let them have their whine circle if it makes them happy. But they seem to do it less now, as far as I can see. Among the former Sad Puppies, a couple of them will still hitch the strawman version of me to their chariot and drag it around the walls of their compound, to desultory cheers. But honestly, that was soooo long ago now. In the here and now, most of them are busy trying to build (or rebuild, as the case may be) their careers, and that’s probably a better use of their time. Good luck to them….

(12) DEEP BEEP. “Mysterious radio signals from deep space detected” according to the BBC.

Astronomers have revealed details of mysterious signals emanating from a distant galaxy, picked up by a telescope in Canada.

The precise nature and origin of the blasts of radio waves is unknown.

Among the 13 fast radio bursts, known as FRBs, was a very unusual repeating signal, coming from the same source about 1.5 billion light years away.

Such an event has only been reported once before, by a different telescope.

“Knowing that there is another suggests that there could be more out there,” said Ingrid Stairs, an astrophysicist from the University of British Columbia (UBC).

“And with more repeaters and more sources available for study, we may be able to understand these cosmic puzzles – where they’re from and what causes them.”

(13) THE NEXT BIG BUSINESS. The Verge tells how “Fixing broken satellites in space could save companies big money”.

When your satellite breaks in space, as DigitalGlobe’s did on Monday, there isn’t an easy way to repair it. Technology that’s currently on the horizon may change that, however, allowing satellite providers to staunch their financial losses and get more out of their investments.

For DigitalGlobe, the loss was brutal: an Earth-imaging satellite called WorldView-4, which had clients that include Google Maps. A critical instrument needed to stabilize the spacecraft has stopped working properly. Now, the satellite can’t take decent pictures of Earth for DigitalGlobe’s customers, and there seems to be no way to fix the damage. 

WorldView-4 generated $85 million in revenue for Maxar, DigitalGlobe’s parent company, in fiscal year 2018, and the spacecraft is insured for $183 million. (Maxar says it intends to seek all of that money.) But if a servicing company offered a way to repair the satellite in orbit, for tens of millions of dollars, Maxar wouldn’t be facing as big of a financial hole. WorldView-4 just needs a new working gyroscope to get things up and running again.

(14) WINTERPROOF. Wired assures readers that “Snow can’t stop the Edward Scissorhands of Flying Cars”.

Plattsburgh, New York, is a tough place to be outside in early January. The small city sits on the western shore of Lake Champlain, 20 miles south of the Canadian border. I’ve just arrived with Kyle Clark and a few of his colleagues, after a quick flight in a 40-year-old Cessna from Burlington, Vermont, on the other side of the lake. It’s snowing, and as we shuffle across the mostly abandoned former Air Force base toward a secluded hangar, I ask Clark if the weather might ice today’s flight plans.

He looks at me and laughs, opening the hangar door. “Not a chance.”

…Clark will have none of such worries. He bounds into the cavernous building that once housed B-52 bombers and introduces me to the Ava XC. The gleaming white contraption, with stilt-like landing gear and eight propellers jutting out in every direction, looks like what Tony Stark would build if he had an Edward Scissorhands phase.

(15) STAND UP FOR READING. In Illinois there’s a school using giant book murals to encourage reading.

For many students, this week saw the end of the Christmas break and a return to school.

However, one school in Illinois, US, has taken a novel and eye-catching approach to motivating its students in the new year.

Students of Mundelein High returned to find six floor-to-ceiling book covers lining the corridor of the school’s English department.

The vinyl prints, which wrap around sections of wall like the jackets of giant books, flank the doorways of three of the school’s English classrooms.

The school explained in a post on Facebook that a “routine hallway has been transformed into a giant motivational tableau to encourage reading”.

Lockers done over as Harry Potter book covers.

(16) ALLEGED VAMPIRES. Fox’s The Passage kicks off Season 1 on Monday — Preview: There’s No Such Thing As Vampires.

[Thanks to Andrew Porter, Carl Slaughter, ULTRAGOTHA, Karl-Johan Norén, Olav Rokne, Martin Morse Wooster, Mike Kennedy, Chip Hitchcock, Cat Eldridge, JJ, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Jack Lint.]

Pixel Scroll 11/18/18 Concentrate And Scroll Again

(1) PETER BEAGLE’S UNICORN. The Atlantic celebrates 50 years in print for The Last Unicorn, “One of the Best Fantasy Novels Ever Is Nothing Like The Lord of the Rings.

Beagle frequently subverts fantasy tropes. Prince Lir tries to win the unicorn’s heart by deeds of derring-do, but she is unimpressed. In fact, Lir does not end up with the unicorn. And in the novel, mortality is preferable to immortality; Haggard, who quests after immortality, is defeated. Schmendrick’s greatest wish is to end the curse of immortality placed on him by his mentor. The unicorn, in a brief brush with mortality, gains the ability to regret, and she is better off for it. In The Last Unicorn, it’s the earthly things, the things that make one human, that are the things worth having.

(2) KOBE’S HOLLYWOOD. In “The Revisionist”, the Washington Post’s Kent Babb reports that Kobe Bryant is hiring a staff to develop his fantasy world, known as “Granity.”  A podcast about the fantasy world, “The Punies,” currently exists and YA novels and an animated series are in development.

In Bryant’s office, “affixed to panels are renderings of maps and terms from ‘Granity,’ Bryant’s imaginary world that’s not unlike the Marvel Universe or George R.R. Martin’s Westeros.  There are sketches and meticulously designed artifacts that seem to make sense only in Bryant’s mind:gods of emotions, stories that blend fantasy and sports, that eternal battle not between good and evil but between love and fear.”

Also, “inside the safe in the closet (in his house) are his three most prized possessions:  a first-edition Harry Potter signed by J.K. Rowling, a series of autographed books by George R.R. Martin, the ‘Dear Basketball’ score signed by John Williams.”

“If you look at all the potential stories — how the home is constructed, the family that lives there — there are infinite possibilities,” he says, and the notion struck him so profoundly, so personally, that in that moment he began imagining a fictional world in which his ideas could take shape. He would call that world “Granity,” and existing there would be characters who — like some of Bryant’s favorites: Darth Vader, Severus Snape, Jaime Lannister — are horrifying at times, charming at others.

As this flight begins its descent, he suggests no compelling character is entirely good or bad; that a storyteller’s duty is to draw out the full story and take every belief, emotion and motivation into account.

“You have things within you that are festering,” he says. “We all do.”

(3) MORE OLD PEOPLE. James Davis Nicoll turns the geezer panel loose on “The Limitless Perspective of Master Peek, or, the Luminescence of Debauchery by Catherynne M. Valente”. Can they dig it?

And so we reach the end of the first half of this project with The Limitless Perspective of Master Peek, or, the Luminescence of Debauchery by Catherynne M. Valente. First published in issue #200 of Beneath Ceaseless Skies, Master Peek was a finalist for the 2017 Eugie Foster Memorial Award. This, in fact, is why I selected it. But will my readers agree with the taste of the Foster jury?

The Limitless Perspective of Master Peek, or, the Luminescence of Debauchery can be read here.

(4) THE FUTURE KING IN YELLOW. In “Some Achieve Greatness” at Doctor Strangemind, Kim Huett revisits the youth of a well-known sff author. Can you guess who it is before he tells you?

Let me quote from a speech made at the 1983 Disclave by one of the authors attending that con (for the record the text of this speech was reprinted in Bill Bower’s fanzine, Outworlds #34). Our mystery author begins thus:

I have been to Disclave before. Once. That was why I was so pleased when Alan Huff asked me to come east. Because it so happens that I attended the 1971 Disclave, and it so happens that it was my very first SF convention.

Interesting… Go on mystery author:

Maybe a few of you were here in ’71 too. If so, maybe you remember me. I looked a little different back then. My hair was shoulder length, just like everyone else’s, but I was still clean-shaven, I didn’t stop shaving until 1974. Even then, I was a snappy dresser. In fact, I was a hell of a lot snappier. As I recall, I wore my Psychedelic Hippie Pimp outfit to the con: ankle boots with zippers, burgundy bell-bottoms, a bright solid green tapered body shirt, a black satin scarf, and — the piece de resistance — my famous double-breasted pin-striped mustard-yellow sports jacket. Perhaps now you veterans recall me. I was the one wandering around the con suite doing permanent retinal damage

(5) EXOPLANET HUNTER. Engadget keeps watch as “NASA bids Kepler ‘goodnight’ with last set of commands”:

(6) FLOGGING IT TO THE FINISH LINE. There’s a theory that “George R.R. Martin Is Now ‘In Hiding’ To Finish ‘Winds Of Winter’”.

The Winds of Winter has turned into a real pickle — an ambitious monster that he says is “not so much a novel as a dozen novels, each with a different protagonist, each having a different cast of supporting players, antagonists, allies and lovers around them, and all of these weaving together against the march of time in an extremely complex fashion. So it’s very, very challenging.”

But he’s really hunkering down now, and that fact should chill his legions of impatient fans. After all, he’s said that he finished A Dance with Dragons by disappearing “in a bunker,” so this may simply be business as usual.

(7) JUST LIKE THE HUGOS. [Item by Mike Kennedy.] In something of a first, ranked choice voting (which should be familiar to Hugo voters) has made a difference in a US House election. (CNN: “Democrats flip another House seat after ranked-choice runoff in Maine”). Current Representative Bruce Poliquin received a small plurality over challenger Jared Golden in Maine’s 2nd District—46.2% to 45.6%, with the remaining 8.2% split between two other candidates.

However, since no candidate had achieved a majority, Maine’s new ranked choice voting system kicked in. After progressively eliminating the fourth and third place candidates and redistributing their votes to each voter’s second choices, Golden pulled ahead and ended up winning by about one percentage point (50.5% to 49.5%).

Poliquin had sought a temporary restraining order to prevent counting the ranked-choice votes, calling into question the constitutionality of this sort of voting system. The process was put in place in Maine when voters approved a referendum in 2016, and this appears to be its first big test. Poliquin has pledged to continue his legal challenge of the constitutionality of ranked choice voting.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and JJ.]

  • Born November 18, 1923 – Alan Shepard, Pilot and Astronaut who became the first American to travel into space in 1961, in the Project Mercury flight spacecraft Freedom 7. He commanded the Apollo 14 mission, and at age 47, was the oldest person to have walked on the Moon (where he teed up and hit two golf balls). He received the Navy Distinguished Service Medal and the Congressional Space Medal of Honor. Together with the other surviving Mercury astronauts, and Betty Grissom, Gus Grissom’s widow, in 1984 he founded the Mercury Seven Foundation (now the Astronaut Scholarship Foundation), which raises money to provide college scholarships to science and engineering students. He and fellow astronaut Deke Slayton collaborated with two journalists on the book Moon Shot: The Inside Story of America’s Race to the Moon, which was made into a TV miniseries. (Died 1998.)
  • Born November 18, 1936 – Suzette Haden Elgin, Linguist, Writer and Poet who, for creating the engineered language Láadan for her Native Tongue science fiction series, is considered an important early contributor to constructed languages in the field of science fiction. Her other notable series are the Ozark Trilogy and the Coyote Jones series; themes in her works include feminism and peaceful coexistence with nature. In 1978 she founded the Science Fiction Poetry Association (SFPA) to promote and recognize speculative poetry; the organization continues to this day, and gives out the annual Rhysling and Dwarf Stars Awards for long, short, and micro poems, as well as the Elgin Awards named for her, which recognize poetry collections. (Died 2015.)
  • Born November 18, 1939 – Margaret Atwood, 79, Writer, Teacher, Poet, and Critic from Canada whose most famous genre works are undoubtedly the dystopian Clarke Award-winning The Handmaid’s Tale, which has been made into a Saturn-nominated TV series, and the post-apocalyptic MaddAddam trilogy. Her works straddle numerous literary boundaries, include various themes such as feminism and environmentalism, and have received a multitude of awards, including the Booker Prize.
  • Born November 18, 1950 – Michael Swanwick, 68, Writer and Critic whose career started with such a bang in 1980 that he was a finalist for Campbell for Best New Writer. He has written a number of novels and hundreds of short fiction works, winning numerous Hugo, Nebula, World Fantasy, Sturgeon, and Prix Imaginaire Awards. He has also produced several nonfiction critical works, including the Hugo nominees Being Gardner Dozois and Hope-in-the-Mist: The Extraordinary Career and Mysterious Life of Hope Mirrlees. He has been Guest of Honor at numerous conventions, including the 2016 Worldcon.
  • Born November 18, 1950 – Eric Pierpoint, 68, Actor who has the distinction of appearing in guest roles on Star Trek: The Next Generation, Deep Space Nine, Voyager, and Enterprise (CBS, get on that!). Other genre appearances include a recurring role on Alien Nation, and guest parts on Babylon 5, Sliders, Time Trax, Seven Days, Medium, and Surface, and the films Invaders from Mars, Forever Young, Liar Liar, and Transformers: Revenge of the Fallen.
  • Born November 18, 1952 – Doug Fratz, Scientist, Writer, Editor, Critic, and Fan, who was a prolific reviewer, and editor of the fanzine Crifanac and the semiprozine Thrust (later renamed Quantum), which was a 5-time Hugo finalist. Mike Glyer’s tribute to him is here. (Died 2016.)
  • Born November 18, 1953 – Alan Moore, 65, Writer and Graphic Novelist who is famous for his comic book work, including the renowned series Watchmen (for which he won a Hugo in 1988), the Prometheus Award-winning V for Vendetta, the Stoker Award winners The League of Extraordinary Gentlemen and Neonomicon, the World Fantasy Award-winning A Hypothetical Lizard, and the International Horror Guild Award-winning From Hell. He has received innumerable Eisner Awards, was named to the Eisner Award Hall of Fame, and was given a Stoker Award for Lifetime Achievement.
  • Born November 18, 1961 – Steven Moffat, 57, Writer, Director, and Producer of Doctor Who and Sherlock Holmes. His first Doctor Who script was for The Curse of Fatal Death, a Comic Relief charity production that you can find on Youtube and which I suggest you go watch right now. He also co-wrote The Adventures of Tintin: The Secret of the Unicorn, a most excellent animated film. His Doctor Who episodes have deservedly won three Hugo Awards and another 12 nominations, and the Sherlock series won a British Fantasy Award.
  • Born November 18, 1967 – Lyda Morehouse, 51, Writer, Critic and Fan who has written the Archangel Protocol cyberpunk series (the fourth book of which received a Philip K. Dick Special Citation) under her own name, and several fantasy mystery series under the pen name Tate Hallaway. In 2002, Archangel Protocol was the first science fiction/fantasy novel ever to win a major mystery award – a Shamus Award, given by the Private Eye Writers of America. She is a member of The Wyrdsmiths, a Minneapolis writer’s group, and was Guest of Honor at Minicon 53.
  • Born November 18, 1970 – Peta Wilson, 48, Actor from Australia who played Wilhelmina “Mina” Harker in The League of Extraordinary Gentlemen film, and had roles in Superman Returns and an episode of the Highlander series. Though The League of Extraordinary Gentlemen was not well-received, she received a Saturn Award for Best Supporting Actress for her role.
  • Born November 18, 1981 – Maggie Stiefvater, 37, Writer of YA fiction, she currently has two series, The Wolves of Mercy Falls and The Raven Cycle. With her sister, Kate Hummel, she writes and records a piece of music for each novel she publishes, which are released in the form of animated book trailers. Her works have earned numerous Mythopoeic nominations, a Stoker nomination, and a Prix Imaginaire.

(9) WORDS MATTER. Never thought of it that way.

(10) UNDERSTANDING CAMPBELL. It’s the LA Times’ turn to review Astounding: John W. Campbell, Isaac Asimov, Robert A. Heinlein, L. Ron Hubbard, and the Golden Age of Science Fiction by Alec Nevala-Lee. Scott Bradfield does the honors in “John W. Campbell, a chief architect of science fiction’s Golden Age, was as brilliant as he was problematic”.

These stories were written, or published and conceived into existence, by the undoubtedly great and incomprehensibly peculiar John W. Campbell Jr., who single-handedly designed many of the ways we saw the future then and continue to see it now. Born in Newark, N.J., in 1910, he was raised by combative parents who embodied the extremes of their son’s divided personality: his father, an engineer with Bell Telephone, stressed rationality, planning and control over emotions, while his mother was a wild, tantrum-prone woman who couldn’t be controlled so much as fought “to a draw.” After their divorce, Campbell grew up, like many writers, unhappy, lonely and distressed; he often felt like a disappointment to his father, and his mother’s unpredictable cruelties instilled in him a deep sense of panic about a world that couldn’t be adequately rationalized or controlled.

…Despite an aimless early life, Campbell eventually stumbled onto the job he was born to do — long before anybody realized it was a job worth doing. Until Campbell came along, the pulps were edited by company men who felt little if any personal affection for the stories they published. But in 1937, when Campbell accepted the editor’s chair at Astounding Stories (which he quickly renamed Astounding Science Fiction), he became the first SF fan to shape the genre he loved; and almost immediately he discovered that exploring futuristic ideas for his stories was not nearly so pleasurable as passing those ideas onto others. “When I was a writer,” he told his youthful discovery, Isaac Asimov, “I could only write one story at a time. Now I can write fifty stories at a time.”

(11) ORIGIN EPISODES AVAILABLE. YouTube’s Origin follows a group of passengers lost in space— each of them desperate to escape their past. In the first episode —

The passengers wake up on board the Origin, abandoned in space. They search for other survivors, but find something else entirely.

In the second episode —

A tense showdown prompts a difficult decision. Shun and Lana realise that the threat could be nearer than any of them thought.

(12) IT’S BEGINNING TO LOOK A LOT LIKE CHRISTMAS. Some sff goodies available now on eBay –

(13) BIG-TICKET ITEM. Or you may need to save your spare change for this iconic outfit: “Skimpy Star Trek costume worn by Captain James T. Kirk for the first inter-racial kiss on TV is set to sell for £46k”.

A Star Trek costume worn by captain James T. Kirk for the first inter-racial kiss on TV goes under the hammer with an estimate of £46,000 in California next month.

The Grecian robe, right, was worn when actor William Shatner embraced Lieutenant Uhura, played by Nichelle Nichols, in the 1968 episode Plato’s Stepchildren.

(14) FROZEN GAME ON THE HORIZON. “Disney deepens its footprint in mobile gaming, teams up with game publisher Jam City”CNBC has the story.

Walt Disney entered a multi-year games development partnership with leading mobile gaming company Jam City, continuing the Mouse House’s foray into gaming and heightening expectations over the booming sector.

Under the terms of a deal announced last week, Jam City will be taking over the Glendale, California-based mobile game studio in charge of Disney’s “Emoji Blitz” – a hugely popular mobile game Disney released in July 2016.

The deal also means that Jam City now holds the rights to develop new games based on elements from Disney’s Pixar and Walt Disney Animation Studio brands. The first planned collaboration between the two companies is expected to be a game based on Disney’s “Frozen” sequel.

(15) BORN UNDER LEO. Low Earth Orbit could be about to get a lot more crowded. SpaceX has an ambitious plan to put a very large constellation of LEO satellites to handle internet traffic. They’d already gotten approval to emplace thousands of them, and have recently gotten FCC approval for the remainder (The Verge: “FCC approves SpaceX’s plan to launch more than 7,000 internet-beaming satellites”). Several hurdles remain, of course.

The Federal Communications Commission has approved SpaceX’s request to launch a constellation of 7,518 satellites into orbit, a major regulatory hurdle the company needed to clear in its plans to provide internet coverage from space. The approval is in addition to one that SpaceX received from the FCC in March for a constellation of 4,425 satellites. That means the company now has permission to launch its full satellite internet constellation called Starlink, which adds up to nearly 12,000 spacecraft.

[…] SpaceX’s approvals are conditional, though. In order to bring each mega-constellation into full use, the company needs to launch half of the satellites within the next six years. That means the clock is ticking to get nearly 6,000 satellites into orbit by 2024. SpaceX says it will launch its first batch of Starlink satellites in 2019.

So far, SpaceX has only launched two test satellites for the constellation — TinTin A and B. […]

Above all, it’s clear that the satellites in these large constellations will need to be taken out of orbit — reliably and on time — in order to keep the space environment a safe place for spacecraft to operate. In a recent study, NASA estimated that 99 percent of these satellites will need to be taken out of orbit within five years of launch. Otherwise the risk of in-space collisions will increase dramatically.

(16) THINK OF THE CHILDREN. Saturday Night Live proves you can hear laughter in space.

An unexpected chain of events occurs while Captain Ed McGovern (Steve Carell) live streams from the International Space Station to children’s classrooms across America.

 

[Thanks to JJ, Paul Weimer, Chip Hitchcock, Mike Kennedy, Martin Morse Wooster, Carl Slaughter, Andrew Porter, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Brian Z.]

Pixel Scroll 11/12/18 Could He Show Up In A Noodle-Poodle, Bottle-Beetle, Paddle-Battle, Pixle-Scroodle?

(1) FIRE MISSES DEL TORO’S “BLEAK HOUSE”. Unlike houses belonging to some other celebrities in the area, filmmaker Guillermo del Toro’s Bleak House has survived the Woolsey fire Remezcla reports:

Bleak House is not actually where del Toro lives (he lives nearby), but it is home to his collection of more than 700 pieces of art, props, and memorabilia. He has everything from concept sketches from Disney’s Fantasia to figures from his Blade 2 to a life-sized statue of Edgar Allan Poe. These serve as his inspiration from both his own films and the movies he hopes to make in the future. In 2016, del Toro let fans inside his Bleak House with a curated exhibit that traveled to museums around North America showing off some of his items. Looking at pictures from the collection you can almost imagine the inside of the fantastical and dark director’s mind.

Luckily, del Toro’s collection has been spared by the Woosley fire. He tweeted about returning to his home to find it still standing with only some minor smoke damage.

(2) FUTURE HISTORY. Professor James Davis Nicoll today lectures the class on “World States and Mega Empires in SF” at Tor.com.

How stable would a World State be, in practice? Sure, one could argue (and people have) that without external enemies there’s no particular reason for a world-spanning government to fall apart. That was the argument in A World Out of Time: the state controlled all the apparatus necessary to sustain Earth’s vast population, making rebellion suicidal.

The problem is that one can point to historic polities that managed to dissolve into independent regions without much help from the outside…

(3) BARBIE WHO? The Guardian disapproves: “Doctor Who Barbie: time-travelling back to the sexist 1970s”.

Name: Doctor Who Barbie.

Age: About a week old.

Appearance: Like Barbie, if she went to a Halloween party as the Doctor.

This is a doll we’re talking about, is it? Yes. The “Doctor Who Barbie doll is sculpted to the likeness of the 13th Doctor and comes dressed in her iconic look.”

What do you mean, iconic? These are not my words, but the words of the US manufacturer, Mattel. “Additional true-to-character details include Doctor Who Barbie doll’s signature suspenders and lace-up boots.”

I don’t remember any suspenders. Are they from a later, more risque episode? They mean braces – Americans!

(4) UNLEASH IMAGINATION AWARDS. The Arthur C. Clarke “Unleash Imagination” Awards were  presented November 8 in Washington, D.C. [Via Locus Online.]

  • Lifetime Achievement Award – Irwin Jacobs, Chairman of the Salk Institute, co-founder and former Chairman of Qualcomm, co-developer of CDMA, Philanthropist
  • Innovator Award – Jill Tarter, astronomer, Emeritus Chair for SETI Research at the SETI Institute, and seeker of the answer to “Are we alone?”
  • Imagination in Service to Society – Liu Cixin acclaimed author of The Three Body Problem and other science fiction works, winner of the Hugo and five Chinese Galaxy Awards

(5) ASTOUNDING AUTHOR IN PERSON. Alec Nevala-Lee will be appearing at two library events this week to discuss his new book Astounding: John W. Campbell, Isaac Asimov, Robert A. Heinlein, L. Ron Hubbard, and the Golden Age of Science Fiction:

  • Chicago

The Golden Age of Science Fiction with Alec Nevala-Lee and Gary K. Wolfe

Sulzer Regional Library (4455 N Lincoln Ave, Chicago)

Thursday, November 15

7-8pm

Join Alec Nevala-Lee, author of Astounding, and Gary K. Wolfe, critic and co-host of the science fiction podcast Coode Street, for an engaging discussion on the history and evolution of science fiction. (Note: The event is sponsored by One Book, One Chicago, which has chosen the science fiction classic Do Androids Dream of Electric Sheep? by Philip K. Dick as this year’s selection.)

  • Oak Park

Astounding: Oak Park Author Alec Nevala-Lee

Oak Park Public Library (834 Lake St., Oak Park)

Sunday, November 18

2-4pm

Meet Oak Park author Alec Nevala-Lee and hear about his newly released book, Astounding. The Book Table will have books for sale and signing.

(6) DISNEY PIXAR. Disney has put up the first teaser trailer for Toy Story 4, where we learn about Forky the Spork! The movie comes to U.S. theaters on June 21, 2019.

Woody has always been confident about his place in the world and that his priority is taking care of his kid, whether that’s Andy or Bonnie. But when Bonnie adds a reluctant new toy called “Forky” to her room, a road trip adventure alongside old and new friends will show Woody how big the world can be for a toy.

 

(7) IT’S BEASTLY. The BBC’s Nicholas Barber says Fantastic Beasts: The Crimes of Grindelwald is an “ultimately numbing sprawl that seems to drag on forever.” The BBC critic gives it 2/5 stars:

Considering that JK Rowling’s books have made several zillion pounds and her films have made several zillion more, it would take a lot of gall to read one of her screenplays and say, actually, could you cut 50 pages? But her latest ‘Wizarding World’ instalment, Fantastic Beasts: The Crimes of Grindelwald, would have been improved if someone had said just that.

(8) WHEN BEZOS MET STEPHENSON. The cover story of the November WIRED is about Jeff Bezos’s efforts to fund private space exploration through his company Blue Origin: “Jeff Bezos Wants Us All to Leave Earth—for Good”. Writer Steven Levy says that Neal Stephenson was recruited for Bezos’s space exploration efforts very early —

Bezos went to Princeton, where he attended seminars led by O’Neill and became president of the campus chapter of Students for the Exploration and Development of Space. At one meeting, Bezos was regaling attendees with visions of hollowing out asteroids and transforming them into space arks when a woman leapt to her feet. “How dare you rape the universe!” she said, and stormed out. “There was a pause, and Jeff didn’t make a public comment,” says Kevin Polk, another member of the club. “But after things broke up, Jeff said, ‘Did she really defend the inalienable rights of barren rocks?’?”

After Princeton, Bezos put his energies toward finance, working at a hedge fund. He left it to move to Seattle and start Amazon. Not long after, he was seated at a dinner party with science fiction writer Neal Stephenson. Their conversation quickly left the bounds of Earth. “There’s sort of a matching game that goes on where you climb a ladder, figuring out the level of someone’s fanaticism about space by how many details they know,” Stephenson says. “He was incredibly high on that ladder.” The two began spending weekend afternoons shooting off model rockets.

In 1999, Stephenson and Bezos went to see the movie October Sky, about a boy obsessed with rocketry, and stopped for coffee afterward. Bezos said he’d been thinking for a long time about starting a space company. “Why not start it today?” Stephenson asked. The next year, Bezos incorporated a company called Blue Operations LLC. Stephenson secured space in a former envelope factory in a funky industrial area in south Seattle.

(9) LEE OBIT. Legendary comics creator Stan Lee died November 12 at the age of 95.

Great photo of Stan Lee writing in
his backyard in Hewlett Harbor, on the jury-rigged arrangement he worked out,
tables placed on top of one another. This is precisely how Lee wrote some of the most widely read words of fantasy in
the 1960s.

When Stan Lee was inducted into the Science Fiction and Fantasy Hall of Fame in 2017 the citation read:

Stan Lee

One of the most influential comic book writers of all time, Stan Lee is responsible for the creation of numerous Marvel Comics characters including Spider-Man, Black Panther, and the X-Men. Born Stanley Martin Lieber, Lee began working as an assistant at Timely Comics when he was just seventeen and became the editor soon after, writing every style of comic from romance and westerns to horror. In 1961, while considering switching careers, Lee decided to take his wife’s advice and write a comics story to please himself. The story, about four people given superpowers after being exposed to cosmic rays, was called The Fantastic Four, and it began an era of unparalleled success for the newly renamed Marvel Comics. Lee’s creations captured fans’ imaginations through a combination of relatable characters and the idea of a shared universe inhabited by all of Marvel’s characters.

Lee’s characters and storylines have appeared across all types of media including animated series, video games, television shows, and the long-standing Marvel Cinematic Universe. A self-proclaimed frustrated actor, Lee has made a cameo in every Marvel film to date.

Hollywood celebrities including the leadership at Marvel and Disney paid tribute to his accomplishments in the Los Angeles Times obituary.

Marvel Comics and the Walt Disney Company honored Lee in a statement posted online Monday.

“Stan Lee was as extraordinary as the characters he created,” said Bob Iger, chairman and CEO of the Walt Disney Company. “A super hero in his own right to Marvel fans around the world, Stan had the power to inspire, to entertain, and to connect. The scale of his imagination was only exceeded by the size of his heart.”

“No one has had more of an impact on my career and everything we do at Marvel Studios than Stan Lee,” tweeted Kevin Feige, the president of Marvel Studios. “Stan leaves an extraordinary legacy that will outlive us all.”

File 770 readers saw Lee’s name in the news all the time for anything from his signature cologne to sharing the 2013 J. Lloyd Eaton Lifetime Achievement Awards with Ursula K. Le Guin and Ray Harryhausen (Lee’s acceptance was on video).

And everyone knows how he followed Alfred Hitchcock’s example by making a cameo appearance in every Marvel film. I have it on the authority of Christian B. McGuire that “For those of you who imagine there will be no more cameos for Stan, listen up! In Stan Lee’s contract it specifies that he will appear in ALL Marvel films in perpetuity. And that this contract MUST be accepted by anyone buying the Marvel universe. There’s enough video; image and sound, for the purveyors of Marvel Magic to synthesize him and put him in everything they make.” If someone feels like fact-checking that claim, help yourself.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and JJ.]

  • Born November 12, 1917  Dahlov Ipcar, Writer, Artist, and Illustrator. Though primarily an artist — and you really should go visit her website — she wrote three amazing young adult novels between 1969 and 1978, which are The Warlock of Night, The Que’en of Spells, and A Dark Horn Blowing. She lived but thirty miles north of here and I was privileged to meet her a few times. Lovely lady! A gallery of her fantastical works can be seen here. (Died 2017.)
  • Born November 12, 1929 Michael Ende, Writer from Germany who is best known for the novel The Neverending Story; it was turned into three adaptations, of which The Neverending Story was the first film — and certainly the best known version. The NeverEnding Story II: The Next Chapter was the next version, and it is a sort of sequel to the first; I never saw the third, The NeverEnding Story III, but it apparently only uses the characters and has nothing to do with the tale itself. Momo, or The Strange Story of the Time-Thieves and the Child Who Brought the Stolen Time Back to the People as it translates in English, is a charming if strange novel worth your time. The rest of his children’s literature has been translated from  German into English mostly by small specialist presses down the years, but unlike The Neverending Story and Momo, I’ve not read any of these. (Died 1995.)
  • Born November 12, 1943Wallace Shawn. First genre appearance was in All That Jazz. Best known genre role is Vizzini in The Princess Bride but what would you put in second place? No doubt Grand Nagus Zek in Deep Space Nine but he has other performances to note including as Warren Hughes in Eureka, Van Helsing in Vamps and the voice of Gilbert Hugh in The Incredibles.
  • Born November 12, 1945 Michael Bishop, 73, Writer, Editor, Poet, and Critic whose Urban Nucleus series and Georgia Stories are especially popular. He has won two Nebulas along with Mythopoeic, Shirley Jackson, and Rhysling Awards, and his works have garnered a multitude of Hugo, Nebula, World Fantasy, and British Science Fiction Award nominations. He was honored with Southern Fandom’s Phoenix Award, and has been Guest of Honor at numerous conventions, including a World Fantasy Convention.
  • Born November 12, 1950 Michael Capobianco, 68, Writer and Linguist, author of several SFF novels and some shorter works who has made major contributions for the benefit of genre writers as a Past President, Vice-President, and Treasurer of SFWA. Currently, he is a member of several SFWA writers’ advocacy committees, and writes informational pieces for Writer Beware, a writing scam investigation and warning site created by his wife A.C. Crispin and Victoria Strauss. He and Crispin were joint recipients of the Service to SFWA Award in 2003.
  • Born November 12, 1973 Radha Mitchell, 45, Actor, Director, and Producer, who broke into genre film with a role as a kickass spaceship pilot in Pitch Black, then played the obsessed J.M. Barrie’s long-suffering wife in Finding Neverland. Other genre appearances include Silent Hill, Rogue, Surrogates, The Crazies, and The Darkness.
  • Born November 12, 1980 Ryan Gosling, 38, Oscar-nominated Actor, Director, and Producer who debuted at the age of 15 in Frankenstein and Me; other genre appearances include Stay, the Hugo-nominated and Oscar- and Saturn-winning Blade Runner 2049 (for which he also received a Saturn nomination), and his role as Neil Armstrong in First Man (we’ll ignore the ill-conceived Lost River, which he wrote, produced, and directed). He has also had guest roles on episodes of Are You Afraid of the Dark?, PSI Factor: Chronicles of the Paranormal, Goosebumps, Flash Forward, Young Hercules, and Hercules: The Legendary Journeys. For more on Baby Gooseman, see here.
  • Born November 12, 1982 Anne Hathaway, 36, Oscar-winning Actor of Stage and Screen and Producer who received Saturn nominations for her roles in The Dark Knight Rises and the Hugo finalist Interstellar, and appeared in Ella Enchanted, Get Smart, Alice in Wonderland and Alice Through the Looking Glass, Passengers, Colossal, and the Ruritanian film series The Princess Diaries. Voice roles include parts in Hoodwinked!, The Cat Returns, the Rio films, and three episodes of The Simpsons.

(11) SPIDER-GWEN. The Comics Beat’s Joe Grunenwald asks the questions in this — “INTERVIEW: Seanan McGuire on writing SPIDER-GWEN: GHOST-SPIDER under the watchful eye of Marvel’s ‘snipers’”.

Grunenwald: Gwen is sort of having a Moment right now, too, between, obviously, the new series and then in other media there’s Marvel Rising and she’s going to be in the Into the Spider-Verse movie, so she’s got a higher profile now arguably that she’s ever had before. Has there been any pressure as a result of that, coming onto the character and having to keep that momentum going?

McGuire: My editors are amazing. I love them. And they hired me because they were reasonably sure I could keep that momentum going. Most of the pressure is internal. When you’re a novelist and represented by a literary agent, one of the first things they’ll do is sit you down and say, ‘Where do you see your career going?’ And this is because if you say ‘I want to be the next J.K. Rowling,’ they want to be ready to kind of talk you down. That’s the ‘No, no, honey, let’s be reasonable’ conversation.

When my agent sat me down for that conversation ten years ago, I said, “I want to write the X-Men.” And she went, ‘Excuse me?’ And I said, “I need you to make me famous enough that they will let me write the X-Men.’ So writing for Marvel is my life’s dream. This is what I’ve been working toward all this time, so there’s a huge amount of pressure but it’s all internal. I’m very aware that I’m making canon.

(12) TRANSFORMERS FANDOM. BBC covers “Transformers: Misfit robots and the women who love them”.

Over three decades Transformers has grown from a line of children’s toys to a media franchise encompassing film, TV and gaming. Perhaps its most radical spin-off though is a comic that has used wit and humanity to reach a new, diverse fan base.

Transformers started out as a boy’s toy. The robot characters, which could be quickly reconfigured into guns and cars – tapped into the young male zeitgeist of 1984.

Those children have grown into today’s adult collectors. But thanks to a cult comic, the franchise’s male-dominated audience has crossed the gender divide.

At Europe’s largest Transformers convention this year, TFNation, women accounted for almost half of attendees aged 21 to 31. It caps a three-year trend in which female attendance grew by a third. Taking the credit is the comic Lost Light.

(13) CENTENNIAL. This was one of the many commemorations of the 100th anniversary of the end of World War I tweeted yesterday –

(14) BREATHING LIFE INTO OLD FOOTAGE. New technology enables full color restoration. This week the Smithsonian Channel will broadcast a new season of America in Color with even better images than ever before:

Witness defining moments of early 20th century America like never before: in dramatic color. Roam the untamed Wild West, visit burgeoning cities, and enter the dream factory of Hollywood. Follow larger-than-life figures who drove America’s industrial transformation, turned crime into an organized business, and built political dynasties. Using cutting-edge digital technology, we bring our young country’s most seminal landmarks, people, and moments to vibrant life.

Mark Kermode also discusses Peter Jackson and team’s painstaking restoration and colorization of First World War footage: “They Shall Not Grow Old review – an utterly breathtaking journey into the trenches” in The Guardian.

The challenges involved in achieving this miracle are manifold. Most obviously, the digital restoration and colourisation of the original films has been painstakingly carried out with meticulous attention to detail, rendering everything from skin tones to scenery in impressively natural hues. (For theatrical presentation, a moderate 3D enhancement has also been applied.)

More complex is the correction of the film’s pace. The century-old footage with which Jackson was working was shot at anything from 10 to 18 frames per second, with the rate often changing within a single reel. We’ve all seen old movies projected at the modern speed of 24fps, creating that skittering, agitated effect that fixes such footage in the dim and distant past. Here, Jackson and his team have used computers to build interstitial frames that recapture the rhythms of real life, tuning into the music of the soldiers’ movements, breathing intimate life into their smallest gestures. The process may sound nerdily technical but the effect is powerfully emotional. It’s as if the technology had somehow pierced the surface of the film, causing (virtual?) memories to come pouring out.

 

(15) REVERE THE SJWC. “Archaeologists Discover Dozens Of Cat Mummies, 100 Cat Statues In Ancient Tomb” — The real surprise: mummified scarabs. No reports whether the scarabs were for the cats to play with…

Egypt’s Ministry of Antiquities announced Saturday that a team of Egyptian archaeologists excavating a 4,500-year-old tomb near Cairo has found dozens of mummified cats. Also in the tomb were 100 gilded wooden cat statues, as well as a bronze statue of Bastet, the goddess of cats.

The discoveries were made at a newly discovered tomb in Saqqara, the site of a necropolis used by the ancient city of Memphis. The tomb dates from the Fifth Dynasty of the Old Kingdom, and archaeologists have found another one nearby with its door still sealed — raising the possibility that its contents are untouched.

(16) THE INCREDIBLE SHRINKING KILOGRAM. Twitter thread discusses why the kilogram is the one measure that still relies on a material instance rather than a definition-by-physics, and how this is being fixed.

(17) HARRYHAUSEN THE ARTIST. David Rosler praises the animator to the skies in “RAY HARRYHAUSEN: The Twentieth Century Leonardo da Vinci” at Films in Review.

Da Vinci’s time of Renaissance humanism recognized virtually no mutually exclusive differences between sciences and the arts, and artists often thought in terms of science and scientists delved into the arts, heedless of any abstract concept now assumed to separate them. Both Ray and da Vinci were Renaissance men of the highest caliber of their respective times, both became positively revered by their contemporaries and, most importantly, both changed much of how the world saw their forms of art by leading the way with uniquely original creations, significantly changing the larger world around them.

Ray Harryhausen self-portrait

[Thanks to Cat Eldridge, Chip Hitchcock, Mike Kennedy, JJ, John King Tarpinian, Martin Morse Wooster, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Kip W.]