Asimov’s has put Norman Spinrad’s “On Books” column
It’s now preceded by this statement from editor Sheila Williams:
We took the Norman Spinrad column down from our website because we heard many concerns from readers. I’m putting it back up now with some thoughts from me. Norman Spinrad has been a provocative voice in Asimov’s for thirty years, but his opinions do not represent the magazine anymore than James Patrick Kelly’s opinions in his On the Net column represent us. However, Norman does appear to speak for us when he writes:
“Compare this with what has been awarded Nebulas by the Science Fiction and Fantasy Writers of America, and what Nebula Awards Showcase 2018 reveals all too clearly as the current state of its membership and the state of their art. The literary inheritors of John W. Campbell, Robert Heinlein, Isaac Asimov, what this very magazine is trying to maintain in his name, and novels like Red Moon.
Which side are you on?”
This is in no way the editorial position at Asimov’s. I am much more in agreement with the writer, Karen Osborne, who says: “Modern genre writers write everything— SF *and* fantasy. We play with literary forms. We push boundaries, because where we’re going, we don’t need old, restrictive rules of who can & who can’t. I’m going to quote James Joyce when I say that modern SF is HERE COMES EVERYBODY.”
Asimov’s is a magazine that welcomes literary speculative diversity. We are delighted to publish new authors and the innovative and imaginative work that they are producing. We whole-heartedly support SFWA and the provocative new writers who are celebrated by recent Nebula Awards.
Karen Osborn’s Twitter thread was linked by File 770 yesterday. In the meantime, more writers have reacted to the column or the initial decision to remove it.
Adam-Troy Castro launched a discussion on Facebook that has almost 200 comments. John Scalzi, Roby James, Nick Mamatas, Erika Satifka, Alma Alexander, Michael Burstein, Rev. Bob, Jason Sanford, and Beth Meacham are in the mix.
STOKERCON UK—the Horror Writers Association’s fifth annual celebration of horror and dark fantasy in creative media and the first to be held outside of North America—is delighted to welcome award-winning American film-maker MICK GARRIS as its latest Guest of Honour.
Mick Garris began writing fiction at the age of twelve. By the time he was in high school, he was writing music and film journalism for various local and national publications, and during college, edited and published his own pop culture magazine. Steven Spielberg hired Mick as story editor on the AMAZING STORIES TV series for NBC, where he wrote or co-wrote ten of the forty-four episodes. Since then, he has written or co-scripted a number of feature films and teleplays (*BATTERIES NOT INCLUDED, THE FLY II, HOCUS POCUS, CRITTERS 2 and NIGHTMARES & DREAMSCAPES, amongst many others).
As a director and producer, he has worked in a wide range of media, including feature films (CRITTERS 2, SLEEPWALKERS, RIDING THE BULLET, NIGHTMARE CINEMA); made-for-TV movies (QUICKSILVER HIGHWAY, VIRTUAL OBSESSION, DESPERATION); cable movies and series (PSYCHO IV: THE BEGINNING, TALES FROM THE CRYPT, PRETTY LITTLE LIARS and its spin-off RAVENSWOOD, WITCHES OF EAST END, SHADOWHUNTERS, DEAD OF SUMMER, ONCE UPON A TIME); network mini-series (THE STAND, THE SHINING, BAG OF BONES); series pilots (THE OTHERS, LOST IN OZ) and series (SHE-WOLF OF LONDON). He is also the creator and executive producer of Showtime’s MASTERS OF HORROR anthology series, as well as creator of the NBC series, FEAR ITSELF.
Mick is known for his highly-rated podcast, POST MORTEM WITH MICK GARRIS, where he sits down with some of the most revered film-makers in the horror and fantasy genre for one-on-one discussions, including the likes of Stephen King, John Carpenter, Roger Corman, Walter Hill, Neil Gaiman, and many others….
Finally, let’s talk parties. These were so much better than Loncon 3 and Helsinki, and represent the first party scene outside a US Worldcon that I’ve thought really worked. The model of having programme rooms by day become party rooms by night worked well, and in general it was a fun time. There was a failure mode — the queue to get a drink in the Glasgow in 2024 party was as big as the room, making it difficult to actually enjoy the party after you’d got your drink through no fault of the organisers — but most parties were a good mixture of people, pleasant to spend time in, and had interesting drinks and snacks (although the expense of having to use conference centre catering meant these often ran out quite early). Having the bar just down one floor meant that if you got bored of the parties you could head back, and vice versa. This felt nicer than the fan village in Loncon 3 mostly because that space was one, gigantic space with no nooks or crannies, which to me fails to capture what’s nice about drinking at Eastercon, i.e. the ability to find a little niche and settle with friends, or go from niche to niche changing context. Dublin very much captured that feeling, and the nightlife felt much, much more like a giant Eastercon than it did at Loncon 3. I liked that the bar was named in honour of Martin Hoare, who died shortly before the convention.
So, we unleashed it along with the other Hugo and Retro Hugo categories in January, and tallied the results after nominations closed in May. Participation at nominations stage was frankly disappointing.
Best Art Book had the lowest participation at nominations stage of any 2019 category (248 voters compared to the next lowest two: 290 for Best Fan Artist and297 for Best Fanzine).
It had the lowest number of nominees (78, compared to the next lowest two: 91 for Best Semiprozine and 102 for Best Fanzine).
The top finalist in the category had the lowest number of votes for a top finalist in any category (51, compared to the next lowest two: 70 for the top finalist in Best Fan Writer and 72 for the top finalist in Best Fancast).
The lowest-placed finalist had the second lowest number of votes for the lowest-placed finalist in any category (28, ahead of 25 for the lowest-placed finalist in Best Fan Artist but behind 33 for the lowest-placed finalist in Best Graphic Story).
The sixteenth-ranked nominee had the second lowest number of votes for any category (6, compared to 5 for Best Fan Artist and 8 for Best Fanzine).
The count for Best Fan Artist had the second lowest number of rounds of any category (36, ahead of 31 for Best Fanzine, behind 43 for Best Semiprozine).
The votes cast for the top 16 nominees were 51, 47, 47, 39, 30, 28, 25, 24, 24, 19, 15, 12, 12, 10, 8 and 6.
(5) WFC 2019 ROOMS. This year’s World Fantasy Con committee
reminded everyone time is fleeting – click here
for room reservations.
As a reminder, the World Fantasy Convention 2019 hotel discount block closes on September 30! You can reserve a hotel room at the Marriott Los Angeles Airport Hotel for $149 (plus taxes & fees) by visiting our Venue page below, and clicking on the “Book Your Room Now” rate.
(6) HUGO LOSERS PARTY. Beyond the File 770 comments section,
there have been trenchant responses to George R.R. Martin’s post about the
There are a few things in particular I’d like to respond to in George’s epic non-apology.
I do not know that anything I can say will appease those who did not get into the party… but I can at least explain what happened, and why.
We’re writers. Words and word choice matter, and we’re not going to pretend otherwise. I do not need to be appeased like a tantrummy child, and I don’t appreciate the implication. I wanted an apology for those of us left out in the cold.
I actually do appreciate the explanation of the communication issues, of how things got so messy. The party is a large undertaking. It’s also George’s party, and as I have stated before, he can invite who he bloody well pleases. I also do appreciate this:
We knew the capacity of the floor we were renting well in advance, and worried whether the 450 limit would be a problem for us. The possibility was there, we all saw that. But there was no easy answer, so in the end we decided to go ahead as planned in the hopes that things would work out. The final decision was mine. It was the wrong decision.
Which is then rather deflated by:
A number of the louder Twitterers have stated SOMETIMES IN SCREAMING CAPS that it is simplicity itself to calculate the number of attendees at a party. That makes me suspect that none of them have ever organized one, at least not one as big as the Hugo Losers Party.
Feel free to name me if you have a problem with me. I certainly used screaming caps because I was, I would hope understandably, upset…
Renay, part of the team that creates Lady Business, this year’s Best Fanzine Hugo winner, took issue with the entire post, of course, especially objecting to this phrase:
Also, whereas in the past categories like fanzine and semiprozines only had one editor, and therefore one nominee (Andy Porter for ALGOL, DIck Geis for ALIEN CRITIC, Charlie Brown for LOCUS, Mike Glyer for FILE 770, etc.), now most of them seem to be edited by four, five, or seven people, all of whom expect rockets and nominee invitations.
We (waiting outside) had no idea the buses weren’t supplied by GRRM. It added to the consternation.
It was raining intermittently, the buses had left, and there as no shelter and no seating. Most of us were willing to stand, although it was cold and most of us were not prepared for standing outside — femme party clothes don’t prioritize weatherproofness. We asked for seats for people who needed not to be standing.
…I’m writing this account in hopes of adding to the aggregate narrative about the night, and with the expectation that having more facts and viewpoints available affects the way someone might think of the events and choices that lead to them. GRRM’s generosity is legendary, but it’s true that we shouldn’t expect it to be bottomless. I thank him for both his hospitality and for the accounting he has shared with us giving insight into his planning process.
Lastly, someone slipped a joke onto the internet!
(7) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born September 1, 1875 — Edgar Rice Burroughs. Bradbury declared him “the most influential writer in the entire history of the world.” Now I’d not necessarily disagree or agree wth that statement but I would note that he has largely fallen out of public notice once again. (Died 1950.)
Born September 1, 1936 — Gene Colan. He co-created with Stan Lee the Falcon, the first African-American superhero in mainstream comics. He created Carol Danvers, who would become Ms. Marvel and Captain Marvel, and was featured in Captain Marvel. With Marv Wolfman, he created Blade. (Died 2011.)
Born September 1, 1941 — Elen Willard, 78. She’s best known for her portrayal of the character Ione Sykes in “The Grave” episode of The Twilight Zone. You can rent it on iTunes or Amazon. She also shows up in The Man from U.N.C.L.E.‘s “The Jingle Bells Affair”.
Born September 1, 1942 — C. J. Cherryh, 77. I certainly think the Hugo Award winning Downbelow Station and Cyteen are amazing works but I think my favorite works by her are the Merchanter novels such as Rimrunners.
Born September 1, 1943 — Erwin Strauss, 76. A noted member of the MITSFS, and filk musician who born in Washington, D.C. He frequently is known by the nickname Filthy Pierre. He’s is the creator of the Voodoo message board system once used at cons such as Worldcon, WisCon and Arisia.
Born September 1, 1951 — Donald G. Keller, 68. He co-edited The Horns of Elfland with Ellen Kushner and Delia Sherman which I highly recommend. He is a contributor to The Encyclopedia of Fantasy and he’s member of the editorial board of Slayage, the online Encyclopedia of Buffy Studies.
Born September 1, 1952 — Brad Linaweaver. Mike’s remembrance post is here. (Died 2019.)
Born September 1, 1952 — Timothy Zahn, 68. Apparently he’s known more these days for the Thrawn series of Star Wars novels.
Born September 1, 1964 —Martha Wells, 55. She’s has won a Nebula Award, a Locus Award, and two Hugo Awards. Impressive. And she was toastmaster of the World Fantasy Convention in 2017 where she delivered a speech called “Unbury the Future”. Need I note the Muderbot Dairies are amazing reading?
Born September 1, 1967 — Steve Pemberton, 52. He’s on the Birthday List for being Strackman Lux in the Eleventh Doctor stories of “Silence in the Library” and “Forest of the Dead” but he has other genre credits including being Drumknott in Terry Pratchett’s Going Postal, Professor Mule in Gormenghast and Harmony in Good Omens.
(8) BIRTHDAY PARTY IN PROGRESS. [Item by Standback.] Cassandra Khaw’s “Birthday Microfiction” has been
exploding all over Twitter and it’s fantastic. You can see lots and lots and
LOTS of people throwing their hat into the ring here.
It can be speculated that the Halloween tree got its start from the 1972 fantasy novel by Ray Bradbury. In the novel, eight boys are out trick-or-treating on Halloween night when they realize their friend Pipkin has been taken away. The trick-or-treaters find their way through time, wandering through Ancient Egypt, Ancient Greek, and Ancient Roman cultures, Celtic Druidism, the Notre Dame in Medieval Paris, and finally the Day of the Dead in Mexico. As the friends travel through time, they learn the origins of Halloween and in the end, the Halloween Tree, filled with jack-o-lanterns, serves as a spooky metaphor for all the different cultures and how they celebrate Halloween.
–Charles Payseur getting fewer votes than No Award is indefensible. Charles is a dynamo who, along with colleagues like Maria Haskins, has made short fiction reviewing viable and vital and in doing so has aided the entire field. The industry needs him, it doesn’t need to insult him. I hope next year that’s rectified.
–Didi Chanoch‘s thread here covers the ground concerning Gardner Dozois’ posthumous Hugo brilliantly. All I’ll add is this: the voters didn’t recognize the 13 years E Catherine Tobler and Shimmerput into making the industry better. That’s a massive shame.
Over the past few weeks, Facebook and Elon Musk’s Neuralink have announced that they’re building tech to read your mind — literally.
Mark Zuckerberg’s company is funding research on brain-computer interfaces (BCIs) that can pick up thoughts directly from your neurons and translate them into words. The researchers say they’ve already built an algorithm that can decode words from brain activity in real time.
And Musk’s company has created flexible “threads” that can be implanted into a brain and could one day allow you to control your smartphone or computer with just your thoughts. Musk wants to start testing in humans by the end of next year.
Other companies such as Kernel, Emotiv, and Neurosky are also working on brain tech. They say they’re building it for ethical purposes, like helping people with paralysis control their devices.
This might sound like science fiction, but it’s already begun to change people’s lives. Over the past dozen years, a number of paralyzed patients have received brain implants that allow them to move a computer cursor or control robotic arms. Implants that can read thoughts are still years away from commercial availability, but research in the field is moving faster than most people realize.
Your brain, the final privacy frontier, may not be private much longer.
As guards were going so far as to check inside NFL fans’ wallets as part of routine security measures before a recent preseason game at Levi’s Stadium, a different form of surveillance was taking place on the inside of the San Francisco 49ers’ one-year-old, $1.3 billion home here in Silicon Valley.
We’re not talking about facial recognition devices, police body cams, or other security measures likely zeroing in on fans. Instead, employees from San Jose-based Zebra Technologies had recently finished scanning the NFL uniforms of the 49ers and of their opponents—the Dallas Cowboys. All of a sudden, an on-the-field de facto surveillance society was instantly created when Zebra techies activated nickel-sized Radio Frequency Identification Device (RFID) chips that were fastened inside players’ shoulder pads. Every movement of every player now could be monitored within an accuracy level of all but a few inches…
(14) THREE YEARS BEFORE 1984. Andrew Strombeck looks back
Year of the Werewolf” at LA Review of Books and asks what it tells us about our current moment.
Why all the lycanthropy? The werewolf was an apt figure for 1981, a moment when prominent commentators worried that many Americans had become too self-focused. Tom Wolfe had first advanced the argument in 1976, dubbing the 1970s the “me” decade, wherein Americans, under the lingering influence of the counterculture, were spending way too much time cultivating their bodies and minds. Christopher Lasch’s 1979 The Culture of Narcissism was so popular that Lasch was invited to the White House, where his ideas would influence Jimmy Carter’s 1979 “crisis of confidence” speech. Linking the OPEC embargo, Watergate, and a declining economy, Carter told Americans “too many of us now tend to worship self-indulgence and consumption,” turning away from the broad project of American productivity that characterized the postwar years. By “self-indulgence,” Carter was referring to the human potential movement, a combination of therapeutic techniques, meditation, swinging, and yoga. Lasch blamed these cultures for the baffling emotional, economic, and social violence that seemed everywhere: in rising divorce rates, widespread unemployment, and the destruction of the inner city.
The Game of Thrones creators said they would be “very far from the internet” when the final episode of the show aired, and it seems they were true to their word.
It’s been more than three months and David Benioff and DB Weiss have just given their first interview addressing Game of Thrones’ controversial eighth season.
While Japan’s Star Channel didn’t ask about the nearly 2 million people that have signed a petition calling for the final season to be re-made, they did bring up that coffee cup – the one left in a scene in front of Daenerys Targaryen.
David Benioff called it their “Persian rug”.
(16) DRAGON AWARDS TRIVIA. The ceremony ran opposite Doctor Who companion Catherine Tate’s appearance and 58 other items starting at 5:30 p.m. per the list in the online schedule.
[Thanks to Standback, Jeffrey Smith, JJ, John King Tarpinian, Cat
Eldridge, Chip Hitchcock, Mike Kennedy, Martin Morse Wooster, Contrarius, Michael
Toman, and Andrew Porter for some of these stories. Title credit goes to File
770 contributing editor of the day Andrew.]
(2) WORLDCON ATTENDANCE. The daily newzine reported that
when the Registration desk closed Saturday night, the convention had registered
a total of 5,554 attendees across all days.
(3) HUGO LOSERS PARTY PROBLEM. Alex Acks and a busload of
people invited to the Hugo Losers Party were told they couldn’t get in when
they arrived because the place was already filled to capacity. Thread starts here.
When Gamergate began, I was the head of development for my game studio, Giant Spacekat. I watched for months as a mob of trolls harassed women in game development with death threats and rape threats, and violated their privacy until they quit or gave up their careers.
What follows are a selection of quotes detailing threats and harassment claims from the FBI Gamergate report (2017)….
The men in our field were oblivious, saying it was “not an industry issue.” People in power did nothing.
Since industry leaders would not, I knew I had to act.
Humans ruined everything. They bred too much and choked the life out of the land, air and sea.
And so they must be vaporized by half, or attacked by towering monsters, or vanquished by irate dwellers from the oceans’ polluted depths. Barring that, they face hardscrabble, desperate lives on a once verdant Earth now consumed by ice or drought.
That is how many recent superhero and sci-fi movies — among them the latest Avengers and Godzilla pictures as well as “Aquaman,” “Snowpiercer,” “Blade Runner 2049,” “Interstellar” and “Mad Max: Fury Road” — have invoked the climate crisis. They imagine postapocalyptic futures or dystopias where ecological collapse is inevitable, environmentalists are criminals, and eco-mindedness is the driving force of villains.
But these takes are defeatist, critics say, and a growing chorus of voices is urging the entertainment industry to tell more stories that show humans adapting and reforming to ward off the worst climate threats.
“More than ever, they’re missing the mark, often in the same way,” said Michael Svoboda, a writing professor at George Washington University and author at the multimedia site Yale Climate Connections. “Almost none of these films depict a successful transformation of society.”
Documentary films about authors are few and far between. That’s chiefly because the act of putting pen to paper or fingers to keyboard isn’t anyone’s idea of high drama.
Not so with New York-based documentarian and self-professed fangirl Hansi Oppenheimer‘s All Hail the Popcorn King, a tribute to and examination of Joe Lansdale, the Lone Star State’s “writer of the purple rage.” Lansdale’s genre-defying, outrageously prolific curriculum vitae – some 50 novels, 500-plus short stories, comic books, screenplays, and not least his own brand of “martial science,” aka Shen Chuan – makes for an absorbing portrait of an artist whose imagination knows no bounds. Whether it’s on the screen (Bubba Ho-Tep; Sundance TV’s adaptation of Lansdale’s long-running Hap and Leonard series of novels) or on the page, the life story of this 10-time Bram Stoker Award-winning “Champion Mojo Storyteller” from the piney woods of Nacogdoches is every bit as extraordinary as any one of his artistic endeavors.
(7) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born August 18, 1929 — Joan Taylor. Her first genre role was Earth vs. the Flying Saucers as Carol Marvin, and she followed that with 20 Million Miles to Earth as Marisa Leonardo. Her last genre role was as Carol Gordon in Men into Space, a late Fifties series about a USAF attempt to explore and develop outer space. She retired from acting in the early Sixties. (Died 2012.)
Born August 18, 1931 — Grant Williams. He is best remembered for his portrayal of Scott Carey in The Incredible Shrinking Man though he will have the role of the psychopathic killer in Robert Bloch’s The Couch. Of course, he shows in Outer Limits, he plays Major Douglas McKinnon in “The Brain of Colonel Barham”. And he’s Major Kurt Mason in The Doomsday Machine. (Died 1985.)
Born August 18, 1934 — Michael de Larrabeiti. He is best known for writing The Borrible Trilogy which is noted by several sources online as being an influence by writers in the New Weird movement. Ok folks, I’ve not read so please explain how The Borrible Trilogy influences that literary movement. (Died 2008.)
Born August 18, 1925 — Brian Aldiss. He’s well known as an anthologist and SF writer with Space, Time and Nathaniel, a collection of short stories being his first genre publication. I’ll single out Space Opera and other such anthologies as my favorite works by him. His “Super-Toys Last All Summer Long” is the basis for A.I. Artificial Intelligence. Much honored, he’s was named a Grand Master by SFWA and inducted by the Science Fiction Hall of Fame. He also has received two Hugo Awards, one Nebula Award, and one John W. Campbell Memorial Award. (Died 2017.)
Born August 18, 1954 — Russell Blackford, 65. Writer resident in Australia for awhile but now in Wales. Author of Terminator 2: The New John Connor Chronicles, and editor of the Australian Science Fiction Review in the Eighties. With Van Ikin and Sean McMullen, he wrote Strange Constellations: A History of Australian Science Fiction, and Science Fiction and the Moral Imagination: Visions, Minds, Ethics which is just out.
Born August 18, 1958 — Madeleine Stowe, 61. She’s in the Twelve Monkeys film as Kathryn Railly, and she’s in the Twelve Monkeys series as Lillian in the “”Memory of Tomorrow” episode. Her only other genre work was a one-off in The Amazing Spider-Man which ran for thirteen episodes nearly forty years ago. She was Maria Calderon in “Escort to Danger” in that series, and she also played Mia Olham in Impostor which scripted off Philip K. Dick’s “Impostor” story.
Born August 18, 1966 — Alison Goodman, 53. Australian writer whose Singing the Dogstar Blues won an Aurealis Award for best young-adult novel. The Two Pearls of Wisdom which in the States as Eon: Dragoneye Reborn won a Aurealis Award for the Best Fantasy Novel, and was a 2008 James Tiptree, Jr. Award Honor Book as well.
Born August 18, 1967 — Brian Michael Bendis, 52. He’s both writer and artist, a still uncommon occurrence. Did you know he’s garnered five Eisner Awards for both his creator-owned work and Marvel Comics? Very impressive! He’s the primary force behind the creation of the Ultimate Marvel Universe, launching Ultimate Spider-Man which is an amazing series which I been reading on the Marvel Unlimited app.
(8) CONZEALAND PR#1. If I didn’t mention it before,
Report 1 has been posted. It’s a free download for anyone.
…The key to landing on Netflix’s radar, he knew, would be to hack its recommendation engine: get enough people interested in the show early. Then, hopefully, Netflix’s mysterious algorithm would do its thing.
Netflix had given Tangen an Aug. 18, 2017, date for the premiere of Norsemen in its English-language territories (the show shot back-to-back versions in Norwegian and English). Three weeks before launch, he set up a campaign on Facebook, paying for targeted posts and Facebook promotions. The posts were fairly simple — most included one of six short (20- to 25-second) clips of the show and a link, either to the show’s webpage or to media coverage.
They used so-called A/B testing — showing two versions of a campaign to different audiences and selecting the most successful — to fine-tune. The U.S. campaign didn’t cost much — $18,500, which Tangen and his production partners put up themselves — and it was extremely precise.
You used to read slush for Beneath Ceaseless Skies. What were some of the things you learned from reading all of those stories?
The main thing I learned was that there’s a whole lot of “fine” and even “good” writing out there, far more than there is “bad” (in the slush, at least). The competently written stories abounded, and at first it was very hard to turn those down. There was nothing wrong with them, after all. But eventually, I learned to recognize the gulf between competent writing and a great story. There wasn’t one thing that set every great story apart; it wasn’t that clear-cut. It might be a killer voice, a grab-you-by-the-throat opening, an ending that left you feeling downright emotionally wobbly. Every one of those stories had something that provoked a reaction, and studying the difference between the death scene that was merely competent and the one that felt like a knife to the gut helped me start to think about what the true core of my stories was.
[Thanks to rcade, Mike Kennedy, Martin Morse Wooster, JJ, Cat Eldridge,
Chip Hitchcock, John King Tarpinian, and Andrew Porter for some of these
stories. Title credit goes to File 770 contributing editor of the day Paul
(1) MCINTYRE. Followers
of CaringBridge learned
today that Vonda N. McIntyre has finished work on her book. Jane Hawkins announced:
Vonda has finished Curve of the World! Be ready for a great read in a while! (No clue about publication date or anything like that.)
(2) PEAK OF THEIR CAREERS. Congratulations to Jason Heller (interviewed about his shortlisted book by File 770 in February), Alex Acks, and others whose work of genre interest made the finals of the 2019 Colorado Book Awards. Winners will be announced May 18. (Via Locus Online.)
Murder on the Titania and Other Steam-Powered Adventures, Alex Acks (Queen of Swords)
While Gods Sleep, L.D. Colter (Tam Lin)
Denver Moon: The Minds of Mars, Warren Hammond & Joshua Viola (Hex)
Strange Stars: David Bowie, Pop Music, and the Decade Sci-Fi Exploded, Jason Heller (Melville House)
The Lighthouse Between the Worlds, Melanie Crowder (Atheneum BFYR)
Del Toro Moon, Darby Karchut (Owl Hollow)
Nadya Skylung and the Cloudship Rescue, Jeff Seymour (Putnam)
(3) MARGINALIZED VOICES IN
YA. Neither the headline on Katy Waldman’s New Yorker article, “In
Y.A., Where Is the Line Between Criticism and Cancel Culture?”, nor
the subhead, “When it comes to young-adult novels, what, precisely, is the
difference between the marketplace of ideas and a Twitter mob?”, genuinely
reflects her approach to the topic she discusses, however, they’re enough to
help you decide whether you’d like to dive into the information she’s
…[A] disparaging Goodreads review, which took issue with Jackson’s treatment of the war and his portrayal of Muslims, had a snowball effect, particularly on Twitter. Eventually, Jackson tweeted a letter of apology to “the Book Community,” stating, “I failed to fully understand the people and the conflict that I set around my characters. I have done a disservice to the history and to the people who suffered.”
The Jackson fracas came just weeks after another début Y.A. author, Amélie Wen Zhao, pulled her novel before it was published, also due to excoriating criticisms of it on Twitter and Goodreads….
X-ray observations of the Galactic Centre have uncovered chimney-like structures filled with hot plasma. The discovery might reveal how energy is transported from this central region to far-off locations….
The centre of our Galaxy hosts a supermassive black hole that currently emits electromagnetic radiation extremely weakly, but could have been much more active in the past. Observations of ?-rays have revealed two huge structures known as Fermi bubbles located above and below the Galactic plane1 . These bubbles are filled with highly energetic particles moving at close to the speed of light, which were released from the Galactic Centre a few million years ago.
Actually, my latest tie-in gig came right through IAMTW! Thanks, guys! One of our members is not only a tie-in writer himself, but is an editor for Mongoose Publishing, a British game publisher. They’re doing a reboot of the great old SF RPG, Traveller, and the editor, Matthew Sprange, asked the group for anyone familiar with the game who was interested in writing a short story tie-in. I played Traveller a lot back in my college days, and jumped at the chance. I’ve since written four stories for Mongoose and I’m delighted with the experience!
What’s your fan experience been like?
Mixed, but primarily positive. We all get those one-star reviews, right? A few stand out, however, and they are curiously all of the same theme: men who don’t like romance in their fiction. Mostly, I just eye-roll these and let them go. You don’t like romantic elements in your fiction, don’t read mine, but don’t tell me I’m doing it wrong. For the most part, the fan response has been great, and the feedback from my publishers has been wonderful. You know you’re doing your job right when people come up to you at conventions begging for your next novel, and publishers actually solicit you for work without prompting. That, above all else, speaks for itself.
(8) HANRAHAN OBIT. The
International Costumers Guild reports
Jamie Hanrahan died March 20. He was an early member of S.T.A.R. San Diego,
and his other fanac included a term as co-editor of PyroTechnics, “The Now and Then Newsletter of General Technics.”
His son Chuck wrote, “There was
some kind of cardiac event and despite all heroic attempts, they were unable to
restore a cardiac rhythm.”
(9) TODAY’S BIRTHDAYS.
by Cat Eldridge.]
Born March 21, 1902 — Gustav Fröhlich. Not widely known before landing the role of Freder Fredersen in Fritz Lang’s Metropolis. Though my German be rusty, I see no indication that anything else he did was genre in nature. (Died 1987.)
Born March 21, 1936 — Margaret Mahy. New Zealand author of over a hundred children’s and YA books, some with a strong supernatural bent. She won the Carnegie Medal twice for two of her fantasy novels, The Haunting and for The Changeover, something only seven authors have done in total. (Died 2012,)
Born March 21, 1946 — Timothy Dalton, 73. He is best known for portraying James Bond in The Living Daylights and License to Kill but is currently in The Doom Patrol as Niles Caulder, The Chief. As I’ve said before, go watch it now! He also was Damian Drake in Looney Tunes: Back in Action, Sir Malcolm on the Penny Dreadful series and Lord President of the Time Lords (Rassilon) during the Time of Tenth and Eleventh Doctors. He went to theatre to play Lord Asriel in the stage version of His Dark Materials.
Born March 21, 1956 – Teresa Nielsen Hayden, 63. She is a consulting editor for Tor and is best known for Making Light, ablog she shares with her husband Patrick. You can blame them for the Puppy target John Scalzi. And she is also one of the regular instructors for the writing workshop Viable Paradise.
Born March 21, 1958 — Gary Oldman, 61. First genre film role was as Rosencrantz in Rosencrantz & Guildenstern Are Dead. Next up is the lead role in Bram Stoker’s Dracula. And, of course, he was Jean-Baptiste Emanuel Zorg In Fifth Element followed by being Lost in Space‘s Dr. Zachary Smith which in turn led to Harry Potter’s Sirius Black and that begat James Gordon in the Batman films. Although some reviewers give him accolades for us as role as Dr. Dennett Norton in the insipid Robocop remake, I will not. Having not seen Dawn of the Planet of the Apes, I can’t say how he is as Dreyfus in it.
Born March 21, 1962 — Matthew Broderick, 57. Very long, so let’s get started… He started off in WarGames but appeared over the years in Ladyhawke, Project X, The Lion King franchise (surely talking lions are genre, aren’t they?), Infinity (anything about Richard Feynman is genre), Godzilla, Inspector Gadget, the remake of The Stepford Wives, The Tale of Despereaux and Adventure Time.
Born March 21, 1966 — Michael Carroll, 53. He also writes Judge Dreddfor 2000 AD and the Judge Dredd Megazine. He has other genre work such as the New Heroes series (known in the States as the Quantum Prophecy series) and the Pelicos Trilogy which is part noir mystery and part end of all things human as well.
Born March 21, 1985 — Sonequa Martin-Green, 34. She currently plays Michael Burnham on Discovery. She had a brief recurring role as Tamara in Once Upon a Time and a much longer recurring role on The Walking Dead as Sasha Williams but I’ve never seen her there as zombies hold no interest to me. Well Solomon Grundy does… and she was in the Shockwave, Darkside film.
Born March 21, 1986 — Scott Eastwood, 33. Deputy Carl Hartman in Texas Chainsaw 3D (truly horrid idea that) Lieutenant GQ Edwards in Suicide Squad and Nathan Lambert in Pacific Rim: Uprising.
We already have wonderful names for some of Jupiter’s moons, like Io, Europa, Ganymede, Callisto (the four Galilean moons), Amalthea, Metis, Adrastea, Themisto, Carpo (also the little-known sixth Marx brother), Himalia, Leda… well, you get the picture. There are dozens more.
Now that these newly discovered moons have been confirmed it’s time to name them. In general, the discoverer can suggest names to the International Astronomical Union (or IAU), the keeper of rules and lists of names. They’ll mull things over and decide if the names are up to snuff.
Faced with this, Sheppard and his team have decided to do something fun: Hold a contest where you, Earthling, can suggest names for these tiny worlds*!
All you have to do is submit your suggestions to the team by simply tweeting them to the handle @JupiterLunacy (ha!) on Twitter, either as a text tweet or as a short video, and adding the hashtag #NameJupitersMoons. Cool!
(11) GIVING WRITER’S BLOCK A NEW MEANING. Also tweeted by Scalzi — he’s discovered a use for the toxic waste social media miscreants aim at GRRM:
(12) YMMV. David
Doering has a point: “Saw the
announcement of a Funko Stan Lee doll on Amazon to be released in April. What
made me curious is the delivery options: I do not think the word ‘Expedited’
means what you think it does…”
(15) TOUGH NEIGHBORHOODS. At
Crimereads, Adam Abramowitz discusses
how gentrification threatens crime and noir fiction set in big cities, because
the dodgy neighborhoods where those stories are set are rapidly vanishing: “Noir in the Era of Gentrification”.
On the New York end, the bus route would take us through the Bronx, the borough announcing itself unfailingly with the calling card of a vehicle sitting squarely on its rims, hard by the side of the highway, engulfed in flames—welcome to the Bronx! Similarly, the arrival at the Port Authority Bus Terminal at 41st Street and 8th Avenue brought its own thrills. After all, it was a place described in a 1970 New York Times where “two types of people could be found inside, some are waiting for buses. Others are waiting for death.” Though they left out the pimps waiting for those starry-eyed ingénues from Middle America, those corn-fed easy marks, sad scripts in waiting.
…One of my favourite new buildings in my hometown Bremen is the Stadthalle, a multi-purpose arena for exhibitions, sports events and concerts. Designed by Roland Rainer and completed only this year, the Stadthalle is notable by the six concrete struts which jut out of the front of the building and hold both the stands as well as the roof in a design reminiscent of tents and sailing ships.
For the Kongresshalle conference centre in Berlin, built for the Interbau exhibition of 1957, American architect Hugh Stubbins designed a spectacular hyperbolic paraboloid saddle roof, inspired by the Dorton Arena in Raleigh, North Carolina. The people of Berlin quickly nicknamed the organic structure the “pregnant oyster”.
(17) VIDEO OF THE DAY. In “How to
Write Descriptively” on YouTube, Nalo Hopkinson, in a TedEd talk from
2015, uses the work of Kelly Link, Cornelia Funke, and Tobias Buckell to
provide samples of how to write imaginatively.
Cora Buhlert, JJ, Frank Catalano, John King Tarpinian, Chip Hitchcock, Cat
Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Martin Morse
Wooster, Carl Slaughter, and Andrew Porter for some of these stories. Title
credit goes to File 770 contributing editor of the day Rob Thornton.]
(1) A STORY OF REVOLUTION. Luke the Son of Anakin (Star Wars + Hamilton Parody) is from 2016 but managed to elude me until today. Turn on closed captioning to see the text of the lyrics.
(2) MODEL TARDIS. “Maladroit Modeller” has built a “working” Tardis — that is, it is truly bigger on the inside than on the outside, and he’s provided video proof.
Bill sent the link with a request, “Viewers may be strongly tempted to go searching to figure out how this works. They may be successful. But I’d hope they would keep that information to themselves, rather than post it in the comments and spoiling the mystery.”
(3) THINGS THAT DON’T MAKE SENSE. Naomi Kritzer critiques the worldbuilding involved in setting stories from the world of Harry Potter in America. The thread starts here.
If you're writing the Harry Potter world in the US, you have to be able to answer an absolutely critical question before you even start:
What happened to the muggleborn wizarding children who were born to enslaved women?
The near-simultaneous removal of the only two speculative fiction magazines that exclusively publish Black writers and writers of color does not seem like a coincidental thing. There is ample cause for people in speculative fiction to be on the alert for activity like this. Speculative fiction is a small field—which is why you notice when two magazines suddenly vanish from site like Goodreads—and it’s had serious problems lately with the racist machinations of groups like the Puppies and even individuals who, for example, are just really upset about N.K. Jemisin winning so many Hugos even though they’ve never bothered to read her books.
I originally set out to read a short story a day this year but massively failed in that attempt. That said, I still read more than 130 short stories, novelettes and novellas published between January and the end of June.
That doesn’t mean I haven’t missed some great stories — I’m certain I did. In particular, I read relatively few novellas this go around. I’ll try to make up for that in the coming months and will add any stories I missed to my next listing of the year’s best short fiction, which will be released in December.
A soldier wears a skullcap that stimulates his brain to make him learn skills faster, or reads his thoughts as a way to control a drone. Another is plugged into a Tron-like “active cyber defense system,” in which she mentally teams up with computer systems “to successfully multitask during complex military missions.”
The Pentagon is already researching these seemingly sci-fi concepts. The basics of brain-machine interfaces are being developed—just watch the videos of patients moving prosthetic limbs with their minds. The Defense Department is examining newly scientific tools, like genetic engineering, brain chemistry, and shrinking robotics, for even more dramatic enhancements.
But the real trick may not be granting superpowers, but rather making sure those effects are temporary.
Who would’ve thought that the most sophisticated cat toy imaginable would also be the one that happens to trigger a cat’s most ruthless and disturbing behavior?
That’s what you get from Mousr, a super-smart cat toy from Petronics that has a time-of-flight sensor, a real-time operating system in a custom-built microcontroller, and A.I. programming all working on concert to convince your cat that it’s a mouse and not a tiny robot. Mousr can map its surroundings — and it even initiates a struggle protocol when it feels trapped by its predator. My cats absolutely love the struggle part.…
“A lot of automatic or autonomous toys eventually just make cats bored by doing the same exact thing over and over again,” Cohen said. “But Mousr — and real mice — will react to a cat.” Unlike many comparable devices that simply simulate a motion on repeat, Mousr uses onboard artificial intelligence to navigate the physical space around it.
(8) TODAY IN HISTORY
September 25, 1924 — In in Russia, Aelita: Queen Of Mars had its theatrical premiere.
(9) TODAY’S BIRTHDAYS
[Compiled by Cat Eldridge.]
Born September 25, 1919 – Betty Ballantine. Editor who with husband created Bantam Books in 1945 and were responsible for Ballantine Books in 1952. They became freelance publishers in the 1970s. She wrote a novel that was genre, The Secret Oceans. The Ballantines won a special World Fantasy Award for professional work in 1975 and another one shared with Joy Chant and other creators of The High Kings (Bantam, 1983), a reference book on the Matter of Britain that incorporates stories of the Arthurian myths.
Born September 25, 1930 – Shel Silverstein. Cheerfully admitting he’s not genre but I want to include him anyways. Film, theater, song, illustration, writing — he was a bloody genius. For books, I’ll single out The Giving Tree, Where The Sidewalk Ends and A Light in The Attic. Oh for albums, let’s do Hairy Jazz, Freakin’ at the Freakers Ball and The Best of Shel Silverstein: His Words His Songs His Friends.
(11) MAKING IT UP AS YOU GO ALONG. In “The Big Idea: Ryan North” at Whatever, North explains why his fictional world needs a book titled How To Invent Everything:
I made up a future in which time travel existed and was practiced routinely. It was a world in which time machines are rented like cars: generally painlessly, though sometimes with the risk that your too-good-to-be-true deal of a vehicle breaks down. It was a way to ease myself (and readers) into the concept, and it helped me set up some ground rules: you, as a reader, are a temporal tourist. You are trapped in the past in a broken rental-market time machine. There is a repair guide, but it very quickly reveals a unfortunate truth: that time machines are for sure the most complicated pieces of machinery humans have ever produced, and that there aren’t any user-serviceable parts inside. Time machines are so complicated, in fact, that it’s actually easier to tell you how to rebuild all of civilization than it is to explain how a 45.3EHz chrotonic flux inverter works. So that’s what this time machine repair guide does.
Extraordinarily rare Bible lunar-landed upon the moon aboard Apollo 14, one of only a handful of such Bibles to have graced the surface of the moon, flight-certified by both Apollo 14 astronaut Edgar Mitchell and the Director of the Apollo Prayer League Reverend John Stout.
Complete King James microform Bible, Serial Number 14-026, originates from the Apollo Prayer League, formed with the dual goals of praying for the astronauts, and also of sending a Bible to the moon in the memory of Edward White, the astronaut who died in the Apollo 1 fire before he could fulfill his dream of bringing a Bible to the moon.
Rare first edition, second printing set of J.R.R. Tolkien’s ”Lord of the Rings” trilogy. London: George Allen & Unwin Ltd., 1954 & 1955. All three books are well-preserved, in their original dust jackets and with maps present. ”The Fellowship of the Ring” is a first edition, second printing (London: George Allen & Unwin, 1954) with map attached to rear flyleaf. Publisher’s red cloth with gilt spine titles.
Still, even Bradbury could not fully disguise or dismiss his own political and cultural view of the world. When asked what the truth was that emerged from Fahrenheit 451, he admitted he wrote it in response to “Hitler and Stalin and China, where they burned God knows how many books, killed God knows how many teachers.” Add to this, he feared, the disaster of Joseph McCarthy in the early 1950s, and free thought and free expression would collapse in America. Siding with Alexis de Tocqueville, Bradbury feared that true oppression in the United States would be a soft despotism, with the culture being run by progressive busy bodies, moralizing and oppressing with a myriad of rules and acceptable attitudes. Fahrenheit 451, thus, anticipated political correctness almost three full decades before it became a deadly and nascent issue in the late 1980s.
Starting this semester, the Colorado School of Mines is offering the world’s first degree programs in Space Resources — essentially mining in outer space.
It’s not just academic institutions like the School of Mines taking note; a small but growing number of startups expect this to be very big business sooner than a lot of us might think.
If people ever want to land on Mars, or explore beyond it, it’s too expensive to rocket everything these missions will ever need from Earth. You need interplanetary gas stations on the moon or on asteroids, extracting raw materials to fuel future deep space missions.
Even spelling the word, evolution, can be tricky when you’re seven, but Sophia tells me confidently that evolution “basically means engineering”.
And Jack says that sharks are lighter underneath so that “when the sun is on the sea, you can’t really see the sharks”.
He’s talking about the fact that sharks have evolved a form of camouflage that helps them sneak up on their prey.
At the opening of the new Milner Centre for Evolution at the University of Bath, school children are learning about evolution through the help of cuddly sharks of all shapes and sizes, fruit flies and even a tame owl.
(17) MIND UNDER MATTER. Rose Eveleth, in an episode of her podcast Fast Forward called “Fungus Among Us”, interviews sf authors David Walton and Tade Thompson in an episode discussing possible futures where people’s brains are taken over by fungi. Also in this episode: zombie ants!
How much of what you do is actually your choice? What if you were secretly being controlled by a parasite that had infected your brain? What if that infection was spreading?
What may surprise many who aren’t terribly familiar with anime is the wealth of LGBTQ+ focused series out there. Sure, many series have gratuitous fanservice and crossdressing is a recurring trope across the board, but there are earnest stories out there with a strong, if not singular, focus on LGBTQ+ characters.
To get started you need to know your terminology. Shounen-ai is boys love, while shoujo-ai is girls love. Yaoi is explicit boys love, so you’re going to get some sexy times on screen. Likewise, yuri is explicit girls love.
Now that you’ve got that down pat, here is our list of LGBTQ+ anime to watch!
(19) VIDEO OF THE DAY. In Chapter 17: The Grid Man’s Universal Translator on Vimeo, Stan Schwartz offers a story of identical twins with unusual powers and a universal translator with supernatural results. [Note: Vimeo has this video set so it can’t be embedded here.]
[Thanks to Bill, John King Tarpinian, JJ, Chip Hitchcock, Cat Eldridge, Mike Kennedy, Martin Morese Wooster, Carl Slaughter, Daniel Dern, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]
The Metropolitan Museum of Art’s Roof Garden is now officially open for the season (along with its bar!), and this year’s site-specific commission is a powerful pair of imposing sculptures by Pakistani artist Huma Bhabha. Titled We Come In Peace (a phrase lifted from the 1951 sci-fi film The Day the Earth Stood Still), the work conjures up an ominous but open-ended narrative, inviting visitors to explore their own thematic interpretations: subjugation and supplication, respect, fear, and/or adoration; social upheaval and displacement; gender, power, and “memories of place.”
Bhabha forged the two pieces in her Poughkeepsie studio from ephemera and construction materials (cork, Styrofoam, plastic) which she then cast in bronze….
It’s enough to make a person swear off conventions. Certainly enough to make being on a concom a dangerous and scary job. I admit I admire those members of fandom who volunteer their time for such a thankless task even more after learning about these various problems.
(3) TOUGHER JOB. Naomi Kritzer and Alex Acks share their thoughts about panel moderation in two separate threads. Jump in by clicking on these tweets:
For a while, my big local con did not routinely assign moderators, so I literally prepared to moderate every single panel I was assigned to. (I'd cede if someone else also showed up prepared.)
I really liked the thought process Nick talked about in his Reading List piece, and how the books he’s chosen are intended to serve as a cross section of SF as it currently stands. That helped crystallize my thinking on the subject, as did dispatching my duties as a Kitschies judge this week.
That was a really fun job, and one that contained substantially more hope than a lot of people tend to see in genre fiction. Both short lists were crammed full of books that had unique voices, did unique things and drove the field, and the conversation around it, forward. It also helped me give a very clear shape to the sort of things I’m looking for in the initial Shadow Clarke read. And that shape is a compass.
I’ve got a working familiarity with a lot of these books following the Kitschies and, if I wanted to, I could focus entirely on that. But what really excites me about this list is the opportunity it presents to push outside my boundaries. In addition, given how much I often rail against SF culture’s tendency to enthusiastically face backwards on the rocket, it would be completely remiss of me to just hug some books I already know a little bit tighter.
So, that’s my critical North in this situation. My critical South is to not overlook books that deserve to be talked about. Sometimes those will come from big names. Chances are, more likely, they’ll come from newcomers.
ConCarolinas initially didn’t respond to the nasty trolling and threats of boycotts, but after deliberating over the weekend, they sent Ringo an email disinviting him from the convention because, as the convention chair said on Twitter, “the con could not guarantee Ringo wouldn’t be walking into a hostile environment. John wanted to have fun. A reasonable request. The con could not guarantee that he wouldn’t be subject to people being ugly to him.”
Ringo recalls the interchange with the convention to be a bit more serious, stating he was asked not to attend because, “we were going to have to hire full time security guards and maybe off-duty police during peak hours.”
If the crowd is prone to be as violent as he suggests, and it has gotten increasingly worse over these last few years, why won’t the conventions do something to protect their conservative guests?
(6) LLEGAL ADVICE. This defendant in JDA’s lawsuit lives overseas.
When it’s closing time at Literati Bookstore in Ann Arbor, Michigan, co-owner Michael Gustafson runs through a checklist that, for the most part, is pretty routine. First, make sure all the customers have gone, lock the doors and take out the garbage and the recycling. Shelve any stray books, adjust the tables, turn off the music.
Then, after closing out the registers, Gustafson descends one last time to the store’s lower level, the part of the bookstore stuffed with volumes on cooking and gardening, travel and history. And he sits down at an old typewriter to read the notes the day’s customers have left behind.
On busy days, there are dozens and dozens of them….
But with the rise of artificial intelligence, sophisticated trash-sorting robots are now turning up at recycling plants across the nation. Guided by cameras and computer systems trained to recognize specific objects, the robots’ arms glide over moving conveyor belts until they reach their target. Suction cups or oversized tongs attached to the arms snag cans, glass, plastic containers, and other recyclable items out of the rubbish and flick them into nearby bins.
(9) CANON FIRE. Ethan Alter, in the Yahoo! Entertainment story “How ‘Solo’ rolls dice on a key piece of ‘Star Wars’ history”, says that in Solo the game of sabacc that Han Solo used to win the Millennium Falcon has been clarified. A.C. Crispin in her novel Rebel Dawn declared sabacc to be a dice game, but her novel has been ruled non-canonical and the official tie-in version of sabacc is a combination of dice and cards.
That would be the moment that flyboy Han Solo (played by Alden Ehrenreich) wins his beloved “bucket of bolts,” the Millennium Falcon, away from its previous owner, Lando Calrissian (Donald Glover). Their face-off occurs during a climactic round of sabacc, the card game enjoyed by galactic citizens residing on every planet from Apatros to Yavin. And based on this Solo teaser, Han is quite clearly the underdog, while Lando is the top dog; in a hilarious moment, Solo reveals his cards to his sidekick, Chewbacca, and the Wookiee lets out a classic moan that doesn’t require any translation. (But allow us to translate anyway: “You’re screwed.”)
The sabacc sequence won’t just be Solo‘s answer to Casino Royale‘s classic poker game, though. It’s also going to firmly establish how the Millennium Falcon changed hands, a story that has gone through several permutations over the decades. It all started in The Empire Strikes Back, when Han (played by Harrison Ford) showed up in Cloud City and Lando (Billy Dee Williams) ribbed him over the Falcon’s poor shape. “What have you done to my ship?” he asked, to which Han protested: “Your ship? Hey, remember, you lost her to me fair and square.”
(10) BIG BLABBERS. Looper will see to it that the “Untold Truth of the Hulk” is untold no longer!!
The Incredible Hulk is one of Marvel’s oldest and most recognizable icons. Created by comics legends Stan Lee and Jack Kirby and first appearing in 1962’s Incredible Hulk #1, the Green Goliath spawned hundreds of comics, two live-action movies, a popular live-action TV show, and multiple animated series, films, and video games. And most importantly — big foam hands that make smashy sounds when you hit things with them. With so much Hulk over so much media, it’s almost impossible for even the most hardcore fans to keep up with all of the stories. Here’s the untold truth of the Incredible Hulk…
[Thanks to John King Tarpinian, Chip Hitchcock, JJ, Cat Eldridge, Mark Hepworth, Mike Kennedy, Martin Morse Wooster, Carl Slaughter, and Andrew Porter for some of these stories, Title credit goes to File 770 contributing editor of the day Kip W.]
The prize, sponsored by Blackwell’s, is given to “the year’s most progressive, intelligent and entertaining science fiction.” The winners receive a total of £2,000 in prize money, as well as one of the prize’s iconic Tentacle trophies.
The Red Tentacle (Novel)
Judged by Jon Courtenay Grimwood, Leila Abu El Hawa, Joshua Idehen, Ewa Scibor-Rylska, and Alasdair Stuart.
The Rift by Nina Allan (Titan)
The Golden Tentacle (Debut)
Judged by Jon Courtenay Grimwood, Leila Abu El Hawa, Joshua Idehen, Ewa Scibor-Rylska, and Alasdair Stuart
Hunger Makes the Wolf by Alex “Acks” Wells (Angry Robot)
The Inky Tentacle (Cover Art)
Judged by Dapo Adeola, Sharan Dhaliwal, Jet Purdie, and Stuart Taylor.
The History of Bees by Maja Lunde; design by Jack Smyth and the S&S Art Department (Scribner)
(1) STRACZYNSKI MEMOIR COMING. Harper Voyager US has acquired the imprint’s first memoir, written by J. Michael Straczynski. The book will be published in 2019.
Straczynski is one of the most successful writers of comics, TV, graphic novels, and movies in modern pop culture, and has emerged as one of the most respected voices in science fiction today, selling millions of comics, winning dozens of awards and working with such luminaries as Clint Eastwood, Angelina Jolie and Kenneth Branagh. He is famed for his work on the recent Netflix hit Sense8, his work on Babylon 5, Changeling, World War Z, Thor, and a seven-year stint on The Amazing Spider-Man. But despite forty years of twelve-hour writing days, there’s one story Straczynski could never tell: his own. This memoir chronicles the author’s struggle growing up surrounded by poverty, violence, alcoholism and domestic abuse. The result is an inspiring account of how he wrote his way out of some of the most harrowing conditions.
Standard utopias and standard dystopias are each perfect after their own particular fashion. We live somewhere queasier—a world in which technology is developing in ways that make it increasingly hard to distinguish human beings from artificial things. The world that the Internet and social media have created is less a system than an ecology, a proliferation of unexpected niches, and entities created and adapted to exploit them in deceptive ways. Vast commercial architectures are being colonized by quasi-autonomous parasites. Scammers have built algorithms to write fake books from scratch to sell on Amazon, compiling and modifying text from other books and online sources such as Wikipedia, to fool buyers or to take advantage of loopholes in Amazon’s compensation structure. Much of the world’s financial system is made out of bots—automated systems designed to continually probe markets for fleeting arbitrage opportunities. Less sophisticated programs plague online commerce systems such as eBay and Amazon, occasionally with extraordinary consequences, as when two warring bots bid the price of a biology book up to $23,698,655.93 (plus $3.99 shipping).
In other words, we live in Philip K. Dick’s future, not George Orwell’s or Aldous Huxley’s. Dick was no better a prophet of technology than any science fiction writer, and was arguably worse than most. His imagined worlds jam together odd bits of fifties’ and sixties’ California with rocket ships, drugs, and social speculation. Dick usually wrote in a hurry and for money, and sometimes under the influence of drugs or a recent and urgent personal religious revelation.
Still, what he captured with genius was the ontological unease of a world in which the human and the abhuman, the real and the fake, blur together.
It could be argued that what The CW needs least is another superhero show, much less another murky superhero show.
The pleasant surprise, then, is that Black Lightning, based on yet another DC Comics property, is smart and relevant and full of an attitude that’s all its own. It takes its characters and their world seriously, but thus far doesn’t take itself too seriously. And, best of all, it’s ostensibly entirely separate from Legends of Tomorrow, The Flash, Arrow and Supergirl, so the risk of time-consuming crossovers or key plot points delivered on a different show is currently nil.
(4) NINE IS TEN. This month io9 is celebrating its 10th anniversary, too. io9 and the File 770 blog started the same month and it’s easy to see which got the most mileage out of that decade. Congratulations io9! Here’s a video made by the founding alumni —
For our 10 year anniversary, we sit down with the co-founders of io9, Annalee Newitz and Charlie Jane Anders, to see how the site all got started. pic.twitter.com/TVk86DGAlP
(5) STARVING IN THE CITY OF THE FUTURE. Slate has published Charlie Jane Anders’ story of future hunger: “The Minnesota Diet”. The future isn’t that far away.
This short story was commissioned and edited jointly by Future Tense and ASU’s Center for Science and the Imagination. Each month in 2018, Future Tense Fiction—a series of short stories from Future Tense and CSI about how technology and science will change our lives—will publish a story on a new theme. The theme for January–March 2018: Home.
North American Transit Route No. 7 carves a path between tree silhouettes like wraiths, through blanched fields that yawn with the furrows of long-ago crops. Weaving in and out of the ancient routes of Interstates 29 and 35, this new highway has no need for rest stops or attempts to beautify the roadside, because none of the vehicles have a driver or any passengers. The trucks race from north to south, at speeds that would cause any human driver to fly off the road at the first curve. The sun goes down and they keep racing, with only a few thin beams to watch for obstacles. They don’t need to see the road to stay on the road. The trucks seem to hum to one another, tiny variations in their engine sounds making a kind of atonal music. Seen from above, they might look like the herds of mustangs that used to run across this same land, long ago….
We welcome submission from writers who identify themselves as disabled. Identity is what matters for this issue. What kinds of disabilities? All of them. Invisible and visible. Physical disabilities, learning disabilities, intellectual disabilities, mental health disabilities, and neurodiversity.
Yes, even if your disability is a recently acquired one.
Yes, even if your disability is static, or if it isn’t.
Yes, even if you’ve had your disability since birth.
Yes, even if you use adaptive devices only SOME of the time.
Reading Elsa’s essay “Disabled Enough” from our Kickstarter may help if you have any doubts.
So, if you identify as disabled across any of these definitions or others, we want to hear from you!
My first blog post appeared online in 2008 when I explained how I attained my top ranking on a popular worldwide online game. Since then, I haven’t stopped writing. If you’re wondering whether this level of output will hinder your relationships with friends and lovers, let me set you straight. Life is about decisions. Either you write 100,000 words a day or you meet people and develop ties of affection. You can’t do both.
(9) GENTLER PACE. Concatenation has posted its “Newscast for the Spring 2018” – an aggregation of sff and pop cuture news issued at a not-quite-quarterly rate.
(10) TODAY IN HISTORY
January 17, 1982 – The Ray Bradbury-penned The Electric Grandmother premiered on television.
An American writers’ workshop that has counted Joyce Carol Oates, Jeffrey Deaver and Clive Cussler among its faculty has been called out by Roxane Gay for “fatphobia”, after a writer’s appearance was criticised during a vote to give her a public-facing role.
Gay, who has herself been on the faculty for the Midwest Writers Workshop (MWW), turned to Twitter on Tuesday to lay out how the workshop’s organisers treated the writer Sarah Hollowell. According to Gay, Hollowell has worked for MWW for five years, and was voted to be on its organisational committee. But when her appointment was being discussed, “someone said ‘do we really want someone like her representing us?’ That person elaborated ‘someone so fat. It’s disgusting’,” claimed Gay.
Gay, the author of essay collection Bad Feminist and the memoir Hunger, said that only two people in the room defended Hollowell, and that the author was not then brought on to the committee. “This is unacceptable. And cruel. And cowardly, Midwest Writers Workshop. And you thought you could get away with it. You very nearly did,” wrote Gay, calling on the workshop to issue a “public and genuine” apology to Hollowell, and forbidding it to use her name as a past faculty member in its promotional materials again. “I’m too fat and disgusting to be associated with you,” she wrote.
Hollowell herself said that “there are a lot of good people” at the MWW, but that “I have been hurt in a very real way and I don’t think it should be hidden”.
The apology and offers to attempt to “make it right” have not panned out. Instead, here’s what’s happening —
Well, folks. I’ve been fired from the Midwest Writers Board of Directors for a “betrayal of trust” for telling @sarahhollowell that she’d been referred to as “fat” “huge” and “disgusting” and denied her earned and unanimously voted slot on said Board of Directors.
like you keep doing you, believe Summer's a liar because it's easier for you than thinking mmmmAAAYBE MWW has some issues that needs fixing and then maybe you have to believe YOU have issues that need fixing
but don't think you're clever or super smart or special
Tokyo’s Asahi Shimbun newspaper reports that the combination of sounds is designed to scare deer away from the tracks in a bid to reduce the number of animal deaths on the railway.
Officials from the Railway Technical Research Institute (RTRI) say that a three-second blast of the sound of a deer snorting attracts the animals’ attention, and 20 seconds of dog barking is enough to make them take flight.
(15) EVEN IF YOU DO EVERYTHING RIGHT. An interesting thread by Alex Acks who argues that maybe it’s not a conspiracy….
But basically, with the previous caveat in mind, if you're not getting published, the answer is most likely that either your craft needs more work or you haven't been in the right place at the right time.
Resist conspiracy thinking. It is not going to help you write better.
For those who study authors of the past, you will soon discover that the publication lists and bibliography of an author are not always terribly helpful. After all, writing, editing, and publishing a book are stages that can each take years. Knowing something is published in 1822 or 1946 tells us little about the writing process. C.S. Lewis and J.R.R. Tolkien each had books that took nearly two decades to write….
Over the last five years, then, I have developed a habit of speaking about when C.S. Lewis or one of the Inklings wrote a book, rather than when they published it. I haven’t been perfectly consistent with this on the blog, but have generally put the writing period in brackets rather than the publication date.
To do this, I discovered that I was slowly building myself a cheat sheet to help me remember when Lewis was writing a book so that I can connect it with what was going on at the time. The cheat sheet includes completed books and incomplete fragments of what would have been a book. I’ve decided to share this cheat sheet with those of you who are interested. This might save you time or inspire you to make connections between Lewis’ work and his life patterns. And, perversely, I’m hoping to draw more people into the project of reading Lewis chronologically, and have provided resources here, here, and here.
(20) HYPERBOREAN AGE. Black Gate’s Doug Ellis says it’s “Time to Revise Your Lin Carter Biography”, though “bibliography” may be the intended word. Either way — Ellis tells about a 1967 fanzine, The Brythunian Prints, published by some Toledo fans.
The most interesting content is two pages of poetry by Lin Carter, under the general heading “War Songs and Battle Cries,” apparently reprinted with Carter’s permission from The Wizard of Lemuria and Thongor of Lemuria. The remaining content is taken up with editorials, limericks by John Boardman (four of which were reprinted from Amra) and a book review of The Fantastic Swordsmen edited by de Camp. The back cover is Tolkien related, as it pictures “Baggins and Trinket” (the Ring).
Christopher Lloyd, part of the ensemble of the TV series Taxi which ran from 1978 till 1983, seems irreplaceable as Doctor Emmett Brown in the minds and hearts of fans around the world. But before he landed the role, some other big names were considered for the part, including John Lithgow, Dudley Moore, and Jeff Goldblum. Imagine those memes!
[Thanks to Mark Hepworth, John King Tarpinian, JJ, Cat Eldridge, Will R., Martin Morse Wooster, Andrew Porter, and Carl Slaughter for some of these stories. Title credit goes to File 770 contributing editor of the day Will R.]
The Science Fiction & Fantasy Creators Guild may someday be a group, however, it seems author Richard Paolinelli is the only man behind the curtain right now. The SF&FCG founder says the publicity came prematurely —
Well, since we haven't officially launched the site and only went active on twitter because a blogger jumped the gun… technically there's just one – the Founder of this organization: @ScribesShade We're not taking applications for membership yet.
Since the revelation, Paolinelli has wasted no time trying to leverage attention for his efforts. SF&FCG tweeted N.K. Jemisin, who engaged briefly, then muted the conversation.
@nkjemisin Hoping your autoblocker doesn't zap us. We are a new organization hoping to steer the sci-fi/fantasy community of creators away from the bickering and fighting over non- sci-fi/fantasy issues and back to just creating wonderful new stories.
Nick Mamatas also jumped on this yesterday. People joining his Twitter conversation tried to research who was behind the Guild, incorrectly guessing various Puppies. A WHOIS search showed the website was registered by author Karen L. Myers. However, it was neither the named Puppies nor Myers, as Richard Paolinelli (@ScribeShade) tweeted –
We weren't going to officially launch until Feb. 4th but, as we said, a blogger jumped the gun so we're not starting off the way we hoped and the site was not ready to go. Hey, that's life. Karen is merely helping out as she is way smarter at this than @ScribesShade is. ?
Today the SF&FCG looked for new targets to goad and made the mistake of trolling Alex Acks —
Maybe you need a new agent? Yours seems to have a very dark outlook on what your readers want to read. We prefer to think readers are looking for quality works that allow them to escape from the real world for awhile. Be well.
Then Sarah Gailey emptied the magazine – her 6-tweet explosion starts here:
So I guess some fragile little pissbabies have started a guild so they can weep on each other's cravats about how they're too delicate to cope with change in an industry that's deeply unimpressed by their inadequacies?
And Charlie Jane Anders responded ironically to SF&FCG’s self-described apolitical stance.
We feel it is time to return to SFF stories, films, shows and games that allow the reader/viewer/player to escape the real world – as it used to be. That is all we are about. We ask you to join us and you are certainly free not to and go on your way in peace, as will we.
Up til now, Paolinelli has been trying to follow Jon Del Arroz’ stairway to heaven, seeking interactions that could afterwards be portrayed to his base as attacks. He’s enjoyed only moderate success.
His book was part of Jon Del Arroz’ Odyssey Con book bundle [Scroll item 12], an attempt to exploit Monica Valentinelli’s publicity for quitting as the convention GoH. Valentinelli had discovered shortly before last year’s con that the committee not only still included a harasser she’d encountered before (their Guest Liaison), but she was going to be scheduled together with him on a panel, and when she raised these issues the first response from someone on the committee was a defense of the man involved. In contrast to the people who commiserated with the ex-GoH and mourned Odyssey Con’s confused loyalties, JDA attacked Valentintelli for being “unprofessional,” and went to work turning it into a book marketing opportunity. He arranged for flyers to be handed to Odyssey Con attendees offering them works by himself, Nick Cole, Declan Finn, L. Jagi Lamplighter, John C. Wright, and others including Paolinelli.
However, he has probably never been more successful in gaining the social media attention he’s pursued than he has in the past 24 hours, Despite beginning with a sentiment no more provocative than this –
Thank you. We are hoping to make the SFFCG a friendly place for all SFF artists – regardless of race, creed, religion or politics – across many platforms to gather, collaborate and create outstanding new universes in their chosen medium.