Tag Archives: Alex Shvartsman

Pixel Scroll 3/15/19 Pixelflay Hraka, Scroll Embleer Rah!

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(1) THE NEW NUMBER TWO. Future Science Fiction Digest’s second issue was released today. The contents are available for immediate purchase, or you can read the stories when they become available as free reads on the site between now and May 15.

From the time of the dinosaurs to the heat death of the universe, from thinking and feeling androids to human consciousness spanning multiple bodies, from cats on the Moon to alien salad dressing that makes plastic digestible and delicious, these tales have something for everyone.

Table of contents

  • “Tideline Treasures, or Growing Up Along the Mile-High Dyke” by Tais Teng and Jaap Boekestein
  • “The Roost of Ash and Fire” by David Walton
  • “The Lord of Rivers” by Wanxiang Fengnian (translated by Nathan Faries)
  • “No Body Enough” by Dantzel Cherry
  • “An Actual Fish” by Natalia Theodoridou
  • “The Peculiar Gravity of Home” by Beth Cato
  • “The Zest for Life” by N. R. M. Roshak
  • “The Token” by Mike Resnick
  • “To Save a Human” by Svyatoslav Loginov (translated by Max Hrabrov)

Future Science Fiction Digest, edited by Alex Shvartsman, is a collaboration between Future Affairs Administration and UFO Publishing.

(2) OOPS REPAIR. “Marvel Fixes ‘Avengers: Endgame’ Poster Snubbing Danai Gurira After Fan Backlash” – Yahoo! covers the kerfuffle:

Nothing — not spoilers, Easter eggs or even mistakes — gets past eagle-eyed Marvel fans.

When the new trailer and poster for the highly anticipated “Avengers: Endgame” arrived on Thursday, superhero devotees pored over every last detail only to discover a glaring omission. 

The top credits feature every actor on the poster, including Josh Brolin who plays big bad Thanos and Bradley Cooper who voices a souped-up raccoon, except actress Danai Gurira.

(3) COPING STRATEGY. At Ink and Bourbon, Patrick LeClerc offers his advice for surviving a bad review: “Everybody Has a Plan Until They Get Punched in the Mouth”.

…It’s going to happen. If you put your work out there, it’s going to get reviewed, and some people aren’t going to like it. We may love the good reviews, and I’ve been very fortunate that most of mine have been positive, but sooner or later, somebody’s gonna land a glove on you.

So how do you take it?

Ideally, you need to do three things. Most people don’t. Many people can get through one or maybe two. But to be great, you need to do all three.

First of all, you need to get back up.

These things happen. And they hurt and they suck, but it’s part of the game. It’s a part that you agreed to, tacitly at least, when you put your work out there. It’s not unfair. It hurts, because when we write, we basically stand naked on a stage, and that’s a very vulnerable place to be. But you decided to be there. So the first test is: Can you get back up? Can you write another book?

(4) SEMIOTIC BAGGAGE. Christopher Maverick’s post “Call For Comments: The (super)Power of Fashion and Symbols” at Vox Populorum follows this excerpt with analysis of the reaction to Alt-Hero comics. (The coincidental resemblance of the blog’s name to that of Vox Day’s appears to involve nothing more than taking inspiration from the same Latin term.)

…One of the most interesting thing about communication through symbols is that the meaning inherent in them isn’t just built by the person using the symbol. It has as much to do with the person viewing the symbol as well. I once got into a political argument with a cop on Facebook about #BlackLivesMatter vs. #BlueLivesMatter where he was trying to argue that cops don’t disproportionately kill black men and that they needed to have the discretion to discharge their weapons whenever they felt their safety was threatened. My counterargument was that it was hard to take his sense of professional discretion even remotely seriously when he had chosen a #BlueLivesMatter Punisher logo as his Facebook avatar, because no matter what he says, it’s always going to come across as “and also, I want to set myself up as judges jury and executioner, because I like to kill people for funsies!” He tried defend the icon by saying that it just meant that he was a fan of the character and implied nothing about his personal values. I retorted that it implied EVERYTHING about his personal values, because that is the image that he has chosen to announce himself and associate his identity with and therefore he bears all the semiotic baggage associated with it by anyone who comes into contact with him and sees it. Also, I’m kind of a dick….

(5) WEARIN’ O’THE GREEN. Speaking of semiotic baggage, the Beverly Cinema in LA made a fascinating decision to pair these two films on a St. Patrick’s Day double bill.

(6) NOT A CLOSE ADAPTATION. BBC’s Nicholas Barber asks “Is Jodorowsky’s Dune the greatest film never made?”

…As bamboozling as they were, El Topo and The Holy Mountain were so profitable that a French producer, Michel Seydoux, contacted Jodorowsky in 1974 and offered to fund whichever film he fancied making next. Jodorowsky chose a science-fiction novel, Dune. When Seydoux agreed, Jodorowsky realised that he’d now have to sit down and read it.

Published in 1965, Herbert’s novel chronicles the battle for control of a desert planet called Arrakis – or Dune. Its teenage hero, Paul Atreides, leads armies and rides giant worms, and so, in the days before digital effects, putting Herbert’s sprawling interstellar saga on screen would have been a colossal feat. But Jodorowsky didn’t just want to adapt a book, he wanted to “change the public’s perceptions… change the young minds of all the world”. He wouldn’t be making a mere film, he recalls in a 2014 documentary, Jodorowsky’s Dune. He’d be making an “artistical, cinematographical god”.

This grandly mystical tone was typical of the project. Seydoux rented a castle for Jodorowsky to write in, and when his screenplay was finished, the auteur set about recruiting collaborators – or, as he put it, fellow ‘spiritual warriors’. The first of these was Jean ‘Moebius’ Giraud, one of France’s most acclaimed comic artists. Working at what Jodorowsky has called a ‘superhuman’ pace, Giraud broke down the entire film into a storyboard of 3000 drawings. He began with a long, unbroken shot inspired by the opening of Orson Welles’ Touch of Evil, the difference being that the camera doesn’t just rove around a town, it crosses the universe. And he ended with pictures of Paul being murdered and then transforming into a sentient planet, before flying off to spread good vibes throughout the galaxy. Needless to say, none of this happens in Herbert’s novel….

(7) WALKING CARPET WEAVER. Michael Heilemann seeks the real origin story of “Chewbacca” at Kitbashed. Did Ralph McQuarrie or John Schoenherr have more to do with the character’s look? You decide!

The creation of Star Wars is a comprehensive mythology onto itself, populated by rarely documented anecdotes, like how The Millenium Falcon was inspired by a hamburger, with the cockpit being an olive off to the side” [1] (took me years, but I finally disproved that one) or “My original inspiration for Chewbacca was my dog Indiana.” [2], compelling enough to be repeated until they’re so prevalent that they must be true, and are accepted even by hardcore fans and Lucasfilm itself. Unfortunately sometimes they’re embellished truths or half-truths, sometimes entirely false and in pretty much all cases oversimplifying a truly interesting, and luckily exceptionally well documented creative process….

But while the official sources are often great, compiling from many different sources to dispel myths about Boba Fett’s ship, Slave 1 or tell in staggering detail the creation of the film from beginning till end as in the case of books like The Making of Star Wars, there are still plenty of dim, and in some cases even seemingly purposefully blacked out areas in the development of Star Wars.

The story of how Chewbacca came to be is one of these. A fascinating look at what happens in the space between idea, page and screen….

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 15, 1935 — Judd Hirsch, 84. Best known in genre circles for playing Julius Levinson on Independence Day and Independence Day: Resurgence. Other than anappearance on Warehouse 13 in the amazing “Secret Santa” episode as Isadore Weisfelt, he’s done virtually no genre acting other than a cameo on The Muppets and The Halloween That Almost Wasn’t where he was Count Dracula.
  • Born March 15, 1939 — Joseph D. Olander, 80. Anthologists aiming for works that we’re to be, I’d guess, within the University market in the Eighties, as American Government Through Science Fiction  co-authored with Martin H. Greenberg and Patricia S. Warrick, or Run to Starlight, Sports Through Science Fiction, with the same co-authors.
  • Born March 15, 1943 — David Cronenberg, 75. In him, there’s something to make anyone horrified from such as Scanners and Videodrome to the later Existenz. Me I’ll take The Fly for pure grossness. 
  • Born March 15, 1946 — Chris Morris, 73. First genre writing was in the exemplary Thieves’ World shared universe, such as “What Women Do Best” with Janet Morris, and “Red Light, Love Light”.  He’s also written in the Merovingen Nights, Heroes in Hell and Sacred Band of Stepsons saga series.
  • Born March 15, 1967 — Isa Dick Hackett, 52. An Amazon producer and writer for and helped produce The Man in the High Castle, Philip K. Dick’s Electric Dreams, and The Adjustment Bureau, all of which are based as you know on works by her father. 
  • Born March 15, 1985 — Kellan Lutz, 34. He’s best known for playing Emmett Cullen in the Twilight Saga franchise. He has since played Poseidon in Immortals, Tarzan in the animated film of the same name and Hercules in The Legend of Hercules. He also was Ridley in the Chinese fantasy Guardians of the Tomb, and appeared in A Nightmare on Elm Street as Dean Russell. 
  • Born March 15, 1986 — Jai Courtney, 33. He portrayed hero Kyle Reese in Terminator Genisys and villain Captain Boomerang in Suicide Squad. Other genre roles portraying Eric in Divergent and in the sequel, Insurgent. He was Macbeth in a 2017 production of the Scottish Play at Melbourne Theatre Company. 

(9) HE’S BACK. Deadline can only report it happened, they can’t explain why: “Disney Reinstates Director James Gunn For ‘Guardians Of The Galaxy 3’”.

…The decision to rehire Gunn –he was fired last July by Disney after alt-right journalists made public a fusillade of decade old social media missives that made light of pedophilia and rape — was one that was mulled and actually made months ago, following conversations with Disney studio leadership and the team at Marvel Studios. Why the change of heart? After the firing, Walt Disney Studios chairman Alan Horn met with Gunn on multiple occasions to discuss the situation. Persuaded by Gunn’s public apology and his handling of the situation after, Horn decided to reverse course and reinstate Gunn.

… There will be an inevitable chorus of those who will gripe about Gunn’s return, but creatively, Guardians will benefit from his return. The entire cast of the film was outspoken in its desire to have Gunn back, saying that those satiric tweets did not match his personal actions.

(10) A DIFFERENT WAY. Charlie Jane Anders salutes “The Left Hand of Darkness at Fifty” in The Paris Review.

When I first read The Left Hand of Darkness, it struck me as a guidebook to a place I desperately wanted to visit but had never known how to reach. This novel showed me a reality where storytelling could help me question the ideas about gender and sexuality that had been handed down to all of us, take-it-or-leave-it style, from childhood. But also, Ursula K. Le Guin’s classic novel felt like an invitation to a different kind of storytelling, one based on understanding the inner workings of societies as well as individual people.

Of course, The Left Hand of Darkness is literally a guidebook to the fictional world of Gethen, also known as Winter. The book takes the form of a travelogue, roaming around the nations of Karhide and Orgoreyn. And by the time you finish reading, you might actually feel like you’ve been to these places, to the point where you kind of know what their food tastes like and how the people act. But for me, and for a lot of other people, The Left Hand of Darkness also left us with a map that leads to another way of telling stories.

(11) SIGNED UP FOR THE DURATION. Gary Tognetti kicks off a collection of “Novel Reviews – March 2019” at The 1000 Year Plan with a look at Elizabeth Bear’s new novel. Other authors reviewed: Zen Cho, John Scalzi, Brad Torgersen, and Brian Trent.

…An early moment in Elizabeth Bear’s expansive new space opera Ancestral Night has narrator Haimey Dz offer a meta-commentary on the ancient, 19th century novels she reads during the long hours spent drifting through space: “They’re great for space travel because they were designed for people with time on their hands. Middlemarch. Gorgeous, but it just goes on and on.” Ancestral Night is a busy and boisterous novel, complex and beautifully composed, but also with a tendency to labor its points.

(12) TEMPORARILY HAPPY. Paul Weimer finds things to admire about this romance space opera novel — “Microreview [book]: Polaris Rising by Jessie Mihalik” at Nerds of a Feather.

The novel does play the genre conventions of romance more than it does the conventions of science fiction. The plot and character beats fall into a relatively conventional pattern, but they are well executed and they mesh well with both the characters and the space opera universe. Readers who come to the novel for the romance plotline between Ada and Loch should be well satisfied with the storyline. Since this is a first novel set in a greater universe, I suspect this would be classified as a HFN (Happy for now) rather than strictly a HEA (Happily ever after) conclusion.

(13) PAPA REPLACEMENT THEORY. BBC reports on science showing an “Ancient migration transformed Spain’s DNA”.

A migration from Central Europe transformed the genetic make-up of people in Spain during the Bronze Age, a study reveals.

DNA evidence shows the migrants streamed over the Pyrenees, replacing existing male lineages across the region within a space of 400 years.

It remains unclear whether violence played a role or whether a male-centric social structure was more important.

The result comes from the most extensive study of its kind.

Researchers reconstructed the population history of Iberia (modern Spain, Portugal, Gibraltar and Andorra) over 8,000 years – the biggest slice of time tackled by a single ancient DNA study. The region has been a crossroads for different cultures over time.

(14) SSTO? Prepare to launch: “UK’s air-breathing rocket engine set for key tests”.

The UK project to develop a hypersonic engine that could take a plane from London to Sydney in about four hours is set for a key demonstration.

The Sabre engine is part jet, part rocket, and relies on a novel pre-cooler heat-exchanger technology.

This pre-cooler system will begin a new phase of testing in the next month or so in Colorado, US.

Meanwhile, the core part of the engine has just gone through its preliminary design review.

Signed off by experts at the European Space Agency, the review sets the stage for this central section of Sabre to begin its own demonstration campaign at Wescott Space Cluster in Buckinghamshire next year.

The company behind the project, Reaction Engines Ltd (REL), says it is making good progress.

Not only would Sabre power units enable rapid, point-to-point transport inside the atmosphere, but they would also allow reusable vehicles to make the jump straight to orbit without the need for multiple propellant stages – as is the case now with conventional rockets.

(15) ARE WE THERE YET? They’re on the way: “Astronauts who survived Soyuz breakdown blast off to ISS”.

Two astronauts who survived a failed Soyuz launch last year are now on their way to the International Space Station.

Nasa’s Nick Hague and his Russian colleague Alexey Ovchinin were on the rocket when it malfunctioned in mid-air on 11 October.

The two men are now flying with US astronaut Christina Koch after a successful lift-off from the Russian Baikonur cosmodrome in Kazakhstan.

The Soyuz MS-12 launched at 01:14 on Friday local time (19:14 GMT Thursday).

This is Mr Hague and Mr Ovchinin’s first flight since the aborted launch last October.

That time, the rocket was forced to make an emergency landing two minutes after take-off because a sensor had been damaged while it was being built.

[Thanks to Bill, JJ, Mike Kennedy, StephenfromOttawa, Cat Eldridge, John King Tarpinian, Chip Hitchcock, Martin Morse Wooster, Alex Shvartsman, Carl Slaughter, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Brian Z.]

Pixel Scroll 12/18/18 Just One Pixel Of Scrolls Is Better Than A Lifetime Alone

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(1) NOT THE DOCTOR WHO CHRISTMAS SPECIAL. A nice placeholder, though. Io9 sets the frame: “Doctor Who Saves Christmas (Again) in This Adorable Holiday Short”:

Doctor Who’s Twitter account has shared a cute animated holiday short telling the story of how the Doctor (voiced by Whittaker) helped save Christmas once again this year. Narrated by Bradley Walsh (Graham), the Twas The Night Before Christmas-style tale is all about Santa getting stuck in a jam after his sleigh breaks down. Who can he possibly call to save the day? The Doctor, of course!

(2) HARD SF. James Davis Nicoll dares to tell us about “Five Works of Hard Science Fiction That Bypass the Gatekeepers” at Tor.com.

….Still, I think there’s a gap between hard SF defined so narrowly only Hal Clement could be said to have written it (if we ignore his FTL drives) and hard SF defined so broadly anything qualifies provided the author belongs to the right social circles … that this gap is large enough that examples do exist. Here are five examples of SF works  that are, to borrow Marissa Lingen’s definition:

playing with science.

and doing so with a verisimilitude that’s not just plot-enabling handwaving….

(3) MYTHCON 50. Introducing artist Sue Dawe’s logo for Mythcon 50, with the theme “Looking Back, Moving Forward.” The convention will take place August 2-5 in San Diego – register here. 

(4) TAFF NEWS. Avail yourself of the official Trans-Atlantic Fan Fund news – click to retrieve the PDF file: 

TAFF News ReduxDownload

(5) CODE OF CONDUCT GUIDANCE. Valerie Aurora and Mary Gardiner have made available as a free download their book on Code of Conduct enforcement for those who put on conventions and conferences: “Free code of conduct enforcement book available now”.

You can now download a free book detailing how to enforce a code of conduct, “How to Respond to Code of Conduct Reports,” written by Valerie Aurora and Mary Gardiner and edited by Annalee Flower Horne. This comprehensive guide includes:

  • Basic code of conduct theory
  • How to prepare to enforce a code of conduct
  • Step-by-step instructions on how to respond to a report
  • In-depth discussion of relevant topics
  • Dozens of real-world examples of responding to reports

Valerie Aurora and Mary Gardiner were the lead authors of the Ada Initiative anti­-harassment policy, which is the basis of thousands of codes of conduct in use today. Valerie has more than 7 years of professional experience writing and implementing codes of conduct for software-related companies, venture capital firms, and non-profits.

(6) NOT GOING TO DUBLIN 2019? Then a clue as to what you’ll be missing from the Science GoH is contained in this 1/2 hour BBC interview with Jocelyn Bell Burnell. “Of course, if you are going to Dublin, then don’t listen to this,” warns SF Concatenation’s Jonathan Cowie, “as there are spoilers.”

Jim Al-Khalili talks to astronomer Jocelyn Bell Burnell. Jocelyn Bell Burnell forged her own path through the male-dominated world of science – in the days when it was unusual enough for women to work, let alone make a discovery in astrophysics that was worthy of a Nobel Prize. As a 24-year old PhD student, Jocelyn spotted an anomaly on a graph buried within 100 feet of printed data from a radio telescope. Her curiosity about such a tiny detail led to one of the most important discoveries in 20th century astronomy – the discovery of pulsars – those dense cores of collapsed stars. It’s a discovery which changed the way we see the universe, making the existence of black holes suddenly seem much more likely and providing further proof to Einstein’s theory of gravity.

(7) FILMS THAT BELONG ON YOUR LIST. Looper says these are “The Best Fantasy Movies Everyone Missed In 2018.”

With major blockbusters and huge franchises taking up most of our attention these days, it can be easy to lose track of all the great releases sneaking by under the radar but these 2018 fantasy movies are well worth seeking out…

(8) TV HISTORY. Echo Ishii revisits another sff TV classic, The Stone Tape:

The Stone Tape was a television play broadcast by the BBC in 1972.

The Stone Tape begins with a man named Peter who is head of a research team for an electronics company. Like many of the characters in Beasts, the protagonist is not a pleasant person. Peter Brock, though likely very skilled at his job, is arrogant, self-absorbed, sexist, and condescending. Whereas someof the sexism and the bigoted comments may be a representation of the realities of the the business world (and TV) at the time, you are clearly meant not to like Peter Brock as a person which only amps up the unease surrounding the main plot….

(9) HOW FAR IS IT? Far out. Like, literally Far Freekin’ Out. A newly announced minor planet is the most distant known object in the Solar System (Phys.org: “Outer solar system experts find ‘far out there’ dwarf planet”). The body’s official name is 2018 VG18, but it’s nicknamed “Farout” and it’s current orbital distance is about 120 AUs.

A team of astronomers has discovered the most-distant body ever observed in our Solar System. It is the first known Solar System object that has been detected at a distance that is more than 100 times farther than Earth is from the Sun.

The new object was announced on Monday, December 17, 2018, by the International Astronomical Union’s Minor Planet Center and has been given the provisional designation 2018 VG18. The discovery was made by Carnegie’s Scott S. Sheppard, the University of Hawaii’s David Tholen, and Northern Arizona University’s Chad Trujillo.

2018 VG18, nicknamed “Farout” by the discovery team for its extremely distant location, is at about 120 astronomical units (AU), where 1 AU is defined as the distance between the Earth and the Sun. The second-most-distant observed Solar System object is Eris, at about 96 AU. Pluto is currently at about 34 AU, making 2018 VG18 more than three-and-a-half times more distant than the Solar System’s most-famous dwarf planet.

(10) COMING YOUR WAY. The Raven Tower, Ann Leckie’s new fantasy novel, arrives February 26, 2019. “My library’s already let me reserve it,” says Daniel Dern.

(11) THE WISDOM OF P.L. TRAVERS. The Washington Post’s Jerry Griswold profiles Mary Poppins author P.L. Travers, whom he interviewed for the Paris Review, saying that Travers “was the wisest woman I’ve ever met,” a deep student of Zen, and the author of novels about Mary Poppins that are much darker than the movies. “Disney tried to erase ‘Mary Poppins’ creator P.L. Travers. She’s still more fascinating than fiction.”.

…Travers was the wisest woman I’ve ever met. She was the second Western woman to study Zen in Kyoto, part of the inner circle of the famous mystic G.I. Gurdjieff and did yoga daily (an exotic practice in the 1970s). One afternoon in her Manhattan apartment, we had a conversation that would later appear in Paris Review. She spoke about the meanings of Humpty Dumpty, how her book “Friend Monkey” had been inspired by the Hindu myth of Hanuman, the Zen expression “summoned not created,” the sacredness of names in aboriginal cultures and a spiritual understanding of the parable of the Prodigal Son. And as for linking “this store of wisdom and our modern life,” she lead me step by step through parallels between the kidnapping of Patty Hearst and the myth of Persephone. It was one of the richest afternoons of my life.

As she often did, Travers emphasized that she “never wrote for children” but remained “immensely grateful that children have included my books in their treasure trove.” She thought her books appealed to the young because she had never forgotten her own childhood: “I can, as it were, turn aside and consult it.”

(11) NASA POSTERS. Bored Panda is a bit skeptical — “Turns Out NASA Creates Posters For Every Space Mission And They’re Hilariously Awkward” – but Michael J. Walsh says, “Contrary to the headline, I think many of them are really good.”

…However, when astronauts got bored of the standard group photos they decided to spice things up a bit. And what’s a better way to do that other than throwing in some pop culture references? Fair warning the results are quite cringy, making it hard to believe that these images are actually real.

First on the list:

(12) DINJOS OBIT. Nigerian sff writer Emeka Walter Dinjos has died. Future Science Fiction Digest editor Alex Shvartsman paid tribute in “RIP Emeka Walter Dinjos”:

It is with a heavy heart that I must share the news that Emeka Walter Dinjos, a Nigerian writer of science fiction and fantasy whose novelette “SisiMumu” is featured in our first issue, passed away at the age of thirty-four on Wednesday, December 12.

Walter was admitted to the hospital a little over aweek ago, on the eve of his birthday. In his last Facebook post he shared a photo of himself in a hospital bed, writing “I once swore I would never find myself in a place like this.” He was quick to point out, “It’s just fatigue.Will probably be out in a few days.” But unfortunately he succumbed to complications related to unmanaged diabetes. Walter is survived by his siblings and extended family, to whom I extend deepest condolences on behalf of everyone at Future SF and his many friends in the SF/F community….

(13) TODAY IN HISTORY.

  • December 18, 1839 — John William Draper took the first photo of theMoon. (Say “Cheese!”)
  • December 18, 1957 — The Monolith Monsters hit theatres.
  • December 18, 1968 — Ian Fleming’s Chitty Chitty Bang Bang flew into theaters.

(14) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born December 18, 1913 – Alfred Bester. He is best remembered for perhaps for The Demolished Man, which won the very first Hugo Award. I remember experiencing it as an audiobook— a very spooky affair!  The Stars My Destination is equally impressive with Foyle both likeable and unlikable at the same time. Psychoshop which Zelazny finished is in my library but has escaped reading so far. I’ve run across references to Golem100 but I’ve never seen a copy anywhere. Has anyone read It? (Died 1987.)
  • Born December 18, 1939 – Michael Moorcock, 79. Summing up the career of Moorcock isn’t possible so I won’t. His Elric of Melniboné series is just plain awesome and I’m quite fond of the Dorian Hawkmoon series of novels as well. Particular books that I’d like to note as enjoyable for me include The Metatemporal Detective collection, Mother London and The English Assassin: A Romance of Entropy. 
  • Born December 18, 1946 – Steven Spielberg, 72. Are we counting Jaws as genre? I believe we are per an earlier discussion here. If so, that’s his first such followed immediately by Close Encounters of the Third Kind. Between 1981 and 1984, he put out Raiders of the Lost Ark, E.T. the Extra-Terrestrial, Twilight Zone: The Movie and Indiana Jones and the Temple of Doom. Ok so the quality of the last film wasn’t great… He’d repeated that feat between ‘89 and ‘93 when he put out Indiana Jones and the Last Crusade and Hook which I both love followed by Jurassic Park which I don’t. The Lost World: Jurassic Park followed along a string of so-so films,  A.I. Artificial Intelligence, Minority Report, War of the Worlds and one decided stinker, Indiana Jones and the Kingdom of the Crystal Skull. The BFG is simply wonderful. Haven’t seen Ready Player One so I’ll leave that up to y’all to opine on. 
  • Born December 18, 1953 – Jeff Kober,65. Actor who’s been in myriad genre series and films including V, The Twilight Zone, Alien Nation, the Poltergeist series,The X-Files series, Tank Girl as one of the kangaroos naturally, Supernatural, Star Trek: Voyager, Star Trek: Enterprise, Kindred: The Embraced and The Walking Dead. 
  • Born December 18, 1968 – Casper Van Dien, 49. Yes, Johnny Rico in that Starship Troopers movie. Not learning his lesson, he’d go on to film Starship Troopers 3: Marauder and the animated Starship Troopers: Traitor of Mars. Do not go read the descriptions of these films! He’d also star as Tarzan in Tarzan and the Lost City, show up as Brom Van Brunt In Sleepy Hollow, be Captain Abraham Van Helsing in Dracula 3000, James K. Polkin, and — oh really Casper — the Abraham Lincoln: Vampire Hunter Sequels short, Rumpelstiltskin in Avengers Grimm and Saber Raine In Star Raiders: The Adventures of Saber Raine. That’s a lot of really bad film. 

(15) GOOD PLACE/BAD PLACE. At Vice, D. Patrick Rodgers believes, “The Best Thing on TV This Year Was: ‘The Good Place’.”

The unseen presence of one character has haunted The Good Place from the beginning, lingering like one of Bad Janet’s legendary farts since the very first moments of the very first episode: Doug Forcett.

As we all know — at three seasons and 35 episodes in — the afterlife hinges on a cumulative point system, with good deeds adding to an individual’s point total and bad or selfish deeds subtracting. People with high enough point totals enter The Good Place, while those who don’t make the cut do the whole burn-for-eternity thing down in The Bad Place. Despite all the twists, developments, reveals, and red herrings of the uniquely sharp and wacky sitcom, one constant has remained: that only one mortal has figured out the system, and he did it while on a mushroom trip back in 1972.

“Don’t Let the Good Life Pass You By” opens with the song of the same name by the Mamas and the Papas’ “Mama” Cass Elliott, itself a 70s artifact that portends something darker than its sunny melody suggests —that life is short, and if we’re not careful, we’ll screw it up. We watch as some as-yet-unnamed character tends to a series of mundane tasks, his face hidden from view. But there’s something familiar about that grizzled-blond shock of hair we see only from behind. It belongs to someone we know. Turns out that’s doubly true, as the head we’re looking at is that of legendary comedic actor Michael McKean in character as the aforementioned Forcett, now several decades older and committed to obtaining the requisite number of Good Place points.

(16) MEMORIAL FOR A BOT. [Item by Mike Kennedy.] Mashable brings us word that, “A delivery robot caught on fire at UC Berkeley, students then set up a vigil.” The KiwiBot was one of a fleet of over 100.

A KiwiBot, an automated food delivery robot which is present on UC Berkeley’s campus, caught fire on Friday afternoon.

In a post, the company explained the incident was due to a faulty battery which had been mistakenly installed instead of a functioning one. 

The errant battery started smoldering while the robot was idling, leading to smoke, then fire outside the Martin Luther King Jr. Student Union.

“A member of the community acted swiftly toextinguish the flames using a nearby fire extinguisher. Within moments ofthe incident occurring, it had already been contained,” the post read.

“The Berkeley Fire Department arrived shortly thereafter to secure the scene, and doused the robot with foam ensuring there was no risk of re-ignition.”

Unsurprisingly, the fire was caught on both video and stills. Pics of the subsequent candlelight memorial also appeared online. Deliveries had been taking place by the bots since 2017 but were suspended following the fire. Since then, software has been updated to more closely monitor the battery state and the fleet is back in service.

(17) MOCKERY. This is the kind of promo I’d expect from JDA or Richard Paolinelli, except you’d have to take their books, too: “Popeyes is launching ‘Emotional Support Chicken’ for stressed travelers craving fried chicken”.

On Tuesday, the chicken chain announced that it is selling three-piece chicken-tenders meals packaged in “Emotional Support Chicken” carriers at Philadelphia International Airport. The special chicken will be available as supplies last starting Tuesday at the Popeyes location in Terminal C.

Emotional-support animals have been making headlines recently, as passengers have pushed for the ability to bring increasingly bizarre companions on flights.

The number of emotional-support animals traveling aboard commercial flights has jumped 74% from 481,000 in 2016 to 751,000 in 2017, according to trade group Airlines for America. In January, a woman tried to bring an emotional-support peacock on a United Airlines flight. And, in February, another woman said Spirit Airlines told her to flush her emotional-support hamster down the toilet.

(18) NICE TRY. Somehow the trash in the Pacific is moving faster than the catcher: “Creator Of Floating Garbage-Collector Struggling To Capture Plastic In Pacific”.

Slat’s system, a 10-foot skirt attached beneath an unmoored, 2000-foot-long plastic tube, takes advantage of the wind and waves to move through the Pacific Ocean. The system aims to collect plastic from the water’s surface, which would then be picked up every few months by a support vessel and transported back to land for recycling. The garbage trap uses solar-powered lights, cameras, sensors and satellite antennas to communicate its position to Slat’s team and passerby vessels.

(19) MAYBE TOMORROW. “SpaceX And Blue Origin Scrub Rocket Launches, Dashing Hopes Of A 4-Launch Day” – NPR has the story.

Weather and other delays marred what had been anticipated as a banner day for space launches Tuesday, as both SpaceX and Blue Origin were forced to postpone launches that had been scheduled to take place within minutes of each other. Both companies say they will look at moving their launches to Wednesday morning.

(20) BANNED ARTWORK. The New York Times reports some work by international artists has been banned from a forthcoming exhibit at the Guangdong Museum of Art: “Their Art Raised Questions About Technology. Chinese Censors Had Their Own Answer.”

Artificial intelligence bots. 3-D printed human organs. Genomic sequencing.

These might seem to be natural topics of interest in a country determined to be the world’s leader in science and technology. But in China, where censors are known to take a heavy hand, several artworks that look closely at these breakthroughs have been deemed taboo by local cultural officials.

The works, which raise questions about the social and ethical implications of artificial intelligence and biotechnology, were abruptly pulled last weekend from the coming Guangzhou Triennial on the orders of cultural authorities in the southern Chinese province of Guangdong.

The artists, from Europe, Australia and the United States, were not given an official reason why their works were rejected for the show, which opens on Dec. 21 at the Guangdong Museum of Art. The pieces did not touch on the Tiananmen democracy crackdown of 1989, independence for Taiwan or Tibet or the private wealth of Chinese Communist Party leaders —topics that are widely known to be off-limits for public discussion in China.

As a result, some of the show’s curators and the affected artists havebeen left guessing as to why the works were banned. Their conclusion? The works were perhaps too timely, too relevant and therefore too discomforting for Chinese officials.

…The other banned works include “The Modular Body,” an online science fiction story about using human cells and artificial organs to create a living organism. Created by a Dutch artist, Floris Kaayk, the work is intended to raise questions about the potential for 3-D printing of human organs, about extending life with the help of technology and about the desire to design life from scratch.

(21) OUT OF THE BOT BUSINESS. Engadget reports “Sphero is done making licensed Disney bots like BB-8 and R2-D2”:

Say goodbye to Sphero’s cute BB-8 robot. In fact, say goodbye to all the company’s licensed products, including R2-D2, BB-9E and Cars’ Lighting McQueen. According to The Verge, Sphero plans to sell its remaining inventory of licensed toys, but it will no longer manufacture more once it runs out. Indeed, the products’ listings on Sphero’s website says “This is a legacy product and no longer in production.” The company isn’t just discontinuing the models, though: It’s ending its licensing partnerships completely, because it’s no longer worth dedicating resources for their production.

Sphero chief Paul Berberian explained that while the toys sold well when their tie-in movies were released, fewer and fewer people purchased them as the years went by. “When you launch a toy, your first year’s your biggest. Your second year’s way smaller, and your third year gets really tiny,” he said….

(22) ALL YOU HAD TO DO IS ASK. Rocco the parrot apparently knows how to get what he wants (BGR Media: “An intelligent parrot used Alexa to play music and order food from Amazon”).

An African grey parrot has made headlines recently for inadvertently making orders via his owner’s Amazon Echo. Originally reported via The Times of London [paywall], the parrot — whose name is Rocco — would mindlessly activate Alexa and have the virtual assistant tell jokes and play music. Rocco even tried to order a few items from Amazon, but the owner wisely had set up controls to prevent unauthorized purchases.

What makes the somewhat lighthearted story even more amusing is that Rocco previously had a stint living at the UK’s National Animal Welfare Trust (NAWT) but was kicked out — yes, kicked out — because he was swearing too much. As the old adage says, truth is stranger than fiction. Rocco was subsequently placed under the care of a NAWT employee named Marion Wischnewski whereupon he quickly started activating Alexa.

[Thanks to John King Tarpinian, JJ, Carl Slaughter, Elusis, Brian Z., Chip Hitchcock, Cat Eldridge, Andrew Porter, Martin Morse Wooster, Daniel Dern, and Mike Kennedy for some of these stories. Title credit goes to File 770 contributing editor of the day Paul Weimer.]

Pixel Scroll 12/8/18 Science Fiction Is What I Yell “ZAP!” For When I Throw At People

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(1) WHITTAKER SHALL RETURN.The Hollywood Reporter quashes rumors to the contrary: “Jodie Whittaker Confirms Return for ‘Doctor Who’ Season 12”. Shame on rumor-spreading clickbait sites that got fans all stirred up about this, like, uh — let’s go right to the story, shall we?

The first female Doctor Who, Jodie Whittaker, will be returning for another season. 

While it was largely presumed that Whittaker wouldn’t be handing over her sonic screwdriver anytime soon, the typically tight-tipped BBC hadn’t yet confirmed who would be playing Doctor Who for season 12 of the cult sci-fi series, and there was always the chance that she could go the way of Christopher Eccleston, who managed just one stint as the Time Lord. 

“I really can’t wait to step back in and get to work again,” Whittaker told The Hollywood Reporter.”It’s such an incredible role. It’s been an extraordinary journey so far and I’m not quite ready to hand it over yet.”

(2) NEW SFF ZINE DEBUTES NEXT WEEKEND. Future Science Fiction Digest, a new quarterly publication with a strong focus on translation and international fiction, will be available December 15, with the stories to be posted on the web over the next several months

It is a collaboration between Future Affairs Administration (a media and technology brand in China) and UFO Publishing (a small press from Brooklyn, NY) and is edited by Alex Shvartsman.

Our first issue features fiction from the United States, China, Nigeria, Italy, and the Ukraine, as well as several articles, totaling 65,000 words. It will be published on December 15, with stories posted on the web over the course of several months. The next issue will be published on March 15.

(3) TODAY’S BRADBURY REFERENCE. Dennis Howard got permission to share this image with File 770 readers:

My ex emailed me this photo she took at Walmart and asked if I remembered Alfred Hitchcock’s “The Jar”. Of course, I remembered that creepy episode based on a Ray Bradbury story. I wonder if the manufacturer of this thing remembers.

(4) KGB. The hosts of the Fantastic Fiction at KGB reading series, Ellen Datlow and Matthew Kressel, present Maria Dahvana Headley & Nicole Kornher-Stace on December 19.

Maria Dahvana Headley

Maria Dahvana Headley is a New York Times-bestselling author of seven books, most recently The Mere Wife,a contemporary retelling of Beowulf for the McD imprint at Farrar, Straus& Giroux, which will be followed in 2019 by a new translation of Beowulf, for the same publisher. She’s also the author of the young adult novels Magonia and Aerie. With Neil Gaiman, she edited Unnatural Creatures, and with Kat Howard, she wrote The End of the Sentence. Her short fiction has been nominated for the Nebula, World Fantasy and Shirley Jackson Awards, and included in many Year’s Bests, including Best American Fantasy & Science Fiction, in which, this year, she has two stories. @MariaDahvana on Twitter, or www.mariadahvanaheadley.com

Nicole Kornher-Stace

Nicole Kornher-Stace is the author of Desideria, The Winter Triptych, the Norton Award finalist Archivist Wasp, and its sequel, Latchkey. Her short fiction has appeared in Clarkesworld, Apex, and Fantasy, as well as many anthologies. She lives in New Paltz, NY with her family. She can be found online at www.nicolekornherstace.com, on Facebook, or onTwitter @wirewalking.

Things begin Wednesday, December 19, 2018, 7 p.m. at the KGB Bar, 85 East 4th Street (just off 2nd Ave, upstairs), New York, NY.

(5) PRATCHETT REFERENCE. Quoting an article by Simon Ings in the December 1 Financial Times about artists who have residencies at the CERN particle physics laboratory —

In The Science of Discworld 4: Judgment Day, mathematician Ian Stewart and reproductive biologist Jack Cohen have fun at the expense of the particle physics community.  Imagine, they say, a group of blind sages at a hotel, poking at a foyer piano.  After some hours, they arrive at an elegant theory about what a piano is–one that involves sound, frequency, harmony, and the material properties of piano strings.

Then one of their number, still not satisfied, suggests that they carry the piano upstairs and drop it from the roof. This they do–and spend the rest of the day dreaming up and knocking over countless ugly hypotheses  involving hypothetical ‘trangons’ and ‘thudons’ and, oh I don’t know, ‘crash bosons.’

(6) BUTLER. Samuel Delany encourages sff readers to get familiar with this Octavia Butler story and a parallel case of injustice.

Three years before she died, Octavia E. Butler wrote her last two science fiction stories: One of them, “Amnesty,” was published in 2003. Though it received no awards, it is arguably the most important SF story written in this the last quarter of a century. It is the penultimate story in the revised and expanded edition of this book (2005). You should have read it but if, for some reason, you haven’t; then you should learn who the models for the alien “Communities” were and the story’s general political inspiration. It is one of the last two story in the second edition of this book.
Wikipedia is a good start. <https://en.wikipedia.org/wiki/Wen_Ho_Lee> After you familiarize yourself with this frightening case of injustice, probably you should read the story again.

(7) IMAGINING TECH. Brian Merchant covers the sci-fi/industrial complex for Medium: “Nike and Boeing Are Paying Sci-Fi Writers to Predict Their Futures”.

One of the most influential product prototypes of the 21st century wasn’t dreamed up in Cupertino or Mountain View. Its development began around a half-century ago, in the pages of a monthly pulp fiction mag.

In 1956, Philip K. Dick published a short story that follows the tribulations of a police chief in a future marked by predictive computers, humans wired to machines, and screen-based video communications. Dick’s work inspired a generation of scientists and engineers to think deeply about that kind of future. To adapt that same story into a $100 million Hollywood film 50 years later, Steven Spielberg sent his production designer, Alex McDowell, to MIT. There, a pioneering researcher?—?and lifelong Dickfan?—?named John Underkoffler was experimenting with ways to let people manipulate data with gloved hands. In 2002, a version of his prototype was featured in the film, where it quickly became one of the most important fictional user interfaces since the heyday of Star Trek. Bas Ording, one of the chief UI designers of the original iPhone, told me his work was inspired directly by the gesture-based system showcased in Minority Report.

For the past century, this messy, looping process?—?in which science fiction writers imagine the fabric of various futures, then the generation reared on those visions sets about bringing them into being?—?has yielded some of our most enduring technologies and products. The late sci-fi author Thomas Disch called it “creative visualization” and noted there was no more persuasive example of its power “than the way the rocket-ship daydreams of the early twentieth century evolved into NASA’s hardware.” Submarines, cellphones, and e-readers all evolved along these lines.

Minority Report produced a hundred patents and helped rapidly mainstream the concept of gesture-based computing?—?not just the iPhone but all touchscreen tablets, the Kinect, the Wii?—?and became cultural shorthand for anyone looking to point their ventures toward the future.

(8) SEIDEL OBIT. Myla Seidel, who more fans would have known as Anne Cox, died December 7 reports her son Kevin. Ed and Anne Cox were among the first fans I met in person in the Seventies. They later divorced. Ed died in 1997, and the last time I saw Anne was at a memorial gathering for him.

Ed Cox and Anne Cox (Myla Seidel).

(9) TODAY IN HISTORY

  • December 8, 1954 — Atomic Kid, starring Mickey Rooney, was released on this day.

(10) TODAY’S BIRTHDAYS

[Compiled by Cat Eldridge.]

  • Born December 8, 1861 — Georges Méliès. Director of A Trip To The Moon which I know was one of Kage Baker’s most-liked films. It surely must be one of the earliest genre films and also one of the most visually iconic with the rocket ship stuck in the face of the moon. He did some other other genre shorts such as Baron Munchausen’s Dream and The Legend of Rip Van Winkle. (Died 1938.)
  • Born December 8, 1894 – E.C.Segar. Creator of Popeye who of course is genre.Who could not watch Altman’s film and not know that? Segar created the character who first appeared in 1929 in Segar’s comic strip Thimble Theatre. Fantagraphics has published a six-volume book set reprinting all Thimble Theatre daily and Sunday strips from 1928–38. (Died 1938.)
  • Born December 8, 1950 – Rick Baker,68. Baker won the Academy Award for Best Makeup a record seven times from a record eleven nominations, beginning when he won the first award given for An American Werewolf in London. So what else is he know for? Oh I’m not listing everything but his first was The Thing with Two Heads and I’ll single out The Exorcist, Star Wars, The Howling which I love, Starman for the Starman transformation, Beast design on the Beauty and the Beast series and Hellboy. 
  • Born December 8, 1951—Brian Attebery, 67. If I was putting together a library of reference works right now, Attebery would be high on the list of authors at the center of my shopping list. I think The Fantasy Tradition in American Literature: From Irving to Le Guin is still essential reading and his Parabolas of Science Fiction recently published with Veronica Hollinger is very close to a Grand Unification Theory of the Genre. 
  • Born December 8, 1965 – David Harewood, 53. First genre appearance is the BBC adaptation of Philip Pullman’s The Ruby in the Smoke and The Shadow in the North (Billie Piper plays the lead). He played Tuck in the BBC’s Robin Hood series and showed up as Joshua Naismith in Doctor Who’s ‘The End of Time ‘ episode. Currently he plays two separate characters on Supergirl, J’onnJ’onzz/Martian Manhunter / Hank Henshaw and Cyborg Superman. 
  • Born December 8, 1976 – Dominic Monaghan, 42. He  played Meriadoc “Merry” Brandybuck in Peter Jackson’s version of the Lord of the Rings.He’s also the narrator of Ringers: Lord of the Fans, a look at the early days of the Tolkien fandom when it was part of the hippie culture. He has a role as Maverick in X-Men Origins: Wolverine, and will be appearing in the forthcoming Star Wars: Episode IX.

(11) COMICS SECTION.

  • Shoe questions the constant recycling of familiar movie franchises. Sort of.
  • Incidental Comics has a book lover’s holiday wish list.

(12) KEY INGREDIENTS. [Item by Mike Kennedy.] Have you ever felt the need to spend $250 on a set of replacement keycaps for your computer keyboard? If so, Novel Keys has you covered with this set captioned in Aurebesh characters. SYFY Wire has the full story (“Star Wars keyboard senses a great disturbance in your command of Aurebesh”). The keycaps are expected to ship“late April 2019” for preorders through 5 January. Two models are available,with only Aurebesh or with English legends added.

Alright, C-3PO, it’s time to break out those awesome translating skills you’re always humblebragging about — and while you’re at it, break out your wallet, too. Star Wars has just licensed its first-ever official computer keyboard replacement set, coded in Aurebesh, the written version of the official language spoken throughout the Galactic Empire.

This new key replacement set is color-themed to appeal more to the Death Star crowd than to supporters of the gauzy-hued Rebellion. That means don’t even bother looking for X-Wing symbols and Yoda silhouettes here; rather, the Galactic Empire DSA Set sports the cool iconography of the galactic alphabet, plus some killer stand-in Dark Side symbols (like TIE Fighters, AT-ATs, and Darth Vader helmets) for commonly used commands. A red lightsaber in place of an enter/return key? Swish, swish.

(13) THOSE WERE THE DAYS. An article in the December 1 Financial Times by David McWilliams about the possibility that Brexit would lead to the unification of Northern Ireland with Ireland includes this ST:TNGreference:

In 2990 an episode in the third series of Star Trek:  The Next Generation was deemed so incendiary that it was censored in Britain and Ireland.  In that Episode, “The High Ground,’the Starship Enterprise’s android officer data, musing on terrorism, noted from the vantage point of the year 2364 that Ireland had been unified in 2024. The episode was pulled for fear it might encourage more political violence; 1990 was the year the IRA bombed the London Stock Exchange, assassinated Conservative political Ian Gow and when 81 people on both sides of the conflict were murdered in Northern Ireland.

(14) EVEN OLDER DAYS. At theinferor4, Paul Di Filippo shared an antique poem he rediscovered: “Lament for 1999 from the Year 1911”.

…Think of the thrill to him who first took flight,

When all the vast familiar continent

Of air was unexplored….

(15) PLASTIC RAPS. A character who debuted in 1941 might be getting his own movie. The Hollywood Reporter thinks “‘Plastic Man’ Could Be DC’s Answer to ‘Deadpool'”.

And not just because both characters are dressed in red, have criminal backgrounds and smart mouths that don’t know when to shut up. That Warner Bros. is developing a Plastic Man movie perhaps shouldn’t come as quite the surprise that it does; after all, not only did the DC superhero headline his own ABC animated series for a couple of years, but he’s also the perfect choice to give Warners something that it never even knew it needed: A comedic foil to the rest of the DC cinematic universe.

This wouldn’t be a new role for Plas, as the character’s often called for short. Unusually for a superhero — and especially one whose origin involves having been a criminal who was left for dead by his gang after being exposed to some mysterious chemicals— Plastic Man has traditionally been a comedy character throughout his 75-plus year career. Indeed, his 1970s animated series underscored this appeal by being called The Plastic Man Comedy/Adventure Show. (The series ran from 1979 through 1981; he’s also appeared in other DC animated shows, including Batman:The Brave and the Bold and Justice League Action.)

(16) HIGH SCHOOL MUSICAL HAGGIS. NPR interviews the star of “‘Anna And The Apocalypse’: The Scottish Zombie Christmas High School Musical”.

Anna and the Apocalypse is a [checks notes] Scottish zombie Christmas high school musical.

It drew raves in Great Britain, and has now been released in the United States. It’s based on a short film by the writer-director Ryan McHenry, who died of bone cancer at age 27, and did not get to complete this feature-length production.

Anna and the Apocalypse is directed by John McPhail. Ella Hunt (who is English) stars as the young Scottish teen who’s about to graduate from school, but first has to contend with the zombie takeover of her village and perhaps the world — with a little help from her friends.

“I love that this film glorifies teenage friendship and not teenage romance,” Hunt says in an interview. “To me, it’s a much truer thing to glorify.”

(17) BONDING. In the Weekly Standard, Tony Mecia visits the James Bond museum in Murren, Switzerland, which was built to be Blofeld’s lair in On Her Majesty’s Secret Service and which gives visitors the chance to pick up a red phone to hear instructions from M and “graft a photo of your face onto (George) Lazenby’s face as he aims a pistol.” —“High-Altitude Hideout”

In real life, the filming location called Piz Gloria was not destroyed. For decades, it was merely an observation point and restaurant. In 2013, its owners decided it needed more. They added a small museum, known as“Bond World 007,” and have been adding Bond-related features ever since.

Among serious Bond fans, the site “is the Holy Grail of Bond film locations,” says Martijn Mulder, a Dutch journalist who leads occasional Bond tours and coauthored On the Tracks of 007: A Field Guide to the Exotic James Bond Filming Locations Around the World. That’s because filmmakers bankrolled construction of Piz Gloria, which looks just as it did in the late 1960s.

Bond enthusiasts list other prime destinations, too, such as a site near Phuket, Thailand, that has come to be called “James Bond Island” after appearing in 1974’s The Man with the Golden Gun. Last year, Mulder led 40 people on a two-week tour of Japan to visit locations used in 1967’s You Only Live Twice. He was forced to scrap a two-hour hike to a volcano crater that was an earlier Blofeld hideout because the volcano showed signs of erupting.

(18) MAN’S BEST FIEND. Doctor Strangemind’s Kim Huett begins “Bad Mad Vlad” with this unusual comparison —

Vampires are a lot like dogs, you know.

No. Don’t scoff. They really are if you think about it in just the wrong way (that’s always been the Doctor Strangemind way of course).

Here, let me explain.

So what is the single most noticeable feature of the animal known as dog? That’s right, the seemingly endless plasticity of the species.The fact is humanity has been able to twist and turn and breed dogs into a startling wide array of forms from poodles to corgis to dobermans. If the average Martian visited our planet what are the chances that this visitor from space would guess right off that all dogs are of the same species? Not likely is it? Instead the average Martian would probably decide that dogs make no sense to them. Which is probably why they don’t visit Earth all that often,they find this planet too weird and confusing to be a satisfactory holiday destination.

So what has this to do with vampires I’ve no doubt you’re wondering. Well, the answer to that is to point out how humanity has been able to twist and turn and write vampires into a startling wide array of types and situations, far more than any other supernatural creature….

(19) FIGHT TO THE FINNISH. NPR hopes “World’s First Insect Vaccine Could Help Bees Fight Off Deadly Disease”.

Bees may soon get an ally in their fight against bacterial disease — one of the most serious threats the pollinators face — in the form of an edible vaccine. That’s the promise held out by researchers in Finland, who say they’ve made the first-ever vaccine for insects, aimed at helping struggling honeybee populations.

The scientists are targeting one of bees’ most deadly enemies:American foulbrood, or AFB, an infectious disease that devastates hives and can spread at a calamitous rate. Often introduced by nurse bees, the disease works by bacteria feeding on larvae — and then generating more spores, to spread further.

(20) BREAKING MARTIAN WIND. BBC shares a sound clip: “Nasa’s InSight probe listens to Martian winds”.

The British seismometer package carried on Nasa’s InSight lander detected the vibrations from Martian air as it rushed over the probe’s solar panels.

“The solar panels on the lander’s sides are perfect acoustic receivers,” said Prof Tom Pike, who leads the seismometer experiment from Imperial College London.

“It’s like InSight is cupping its ears.”

Prof Pike compares the effect to a flag in the wind.As a flag breaks up the wind, it creates oscillations in frequency that the human ear perceives as flapping.

(21) DRAGONS HAVE GAS. Space flatulence is a real problem closer to home. Wired lays out the story: “A SpaceX Delivery Capsule May Be Contaminating the ISS”. Evidence is accumulating that the Dragon capsule is outgassing and the contaminants are, well, accumulating on the outside of the International Space Station.

In February 2017, a SpaceX Falcon 9 rocket lifted through low clouds, pushing a Dragon capsule toward orbit. Among the spare parts and food, an important piece of scientific cargo, called SAGE III  rumbled upward. Once installed on the International Space Station, SAGE would peer back and measure ozone molecules and aerosols in Earth’s atmosphere. Its older siblings (SAGEs I and II) had revealed both the growth of the gaping ozone hole and,after humans decided to stop spraying Freon everywhere, its subsequent recovery.

This third kid, then, had a lot to live up to. Like its environmentally conscious predecessors, SAGE III is super sensitive. Because it needs unpolluted conditions to operate optimally, it includes contamination sensors that keep an eye on whether and how its environment might be messing up its measurements. Those sensors soon came in handy: When the next three Dragons docked at the Space Station, over the following months, SAGE experienced unexplained spikes in contamination. Something on these Dragons was outgassing—releasing molecules beyond the expected, and perhaps the acceptable, levels. And those molecules were sticking to SAGE.

(22) VIDEO OF THE DAY. In “The Artificial Intelligence That Deleted a Century” on YouTube, Tom Scott shows what happened when a program released in 2028 to hunt down copyright violators on YouTube achieves artificial general intelligence.

[Thanks to Kevin Cox, Chip Hitchcock, John King Tarpinian, Mike Kennedy, JJ, Martin Morse Wooster, Cat Eldridge, Carl Slaughter, Dennis Howard, Alan Baumler, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Kip Williams.]

Pixel Scroll 5/14/18 They Took Some Pixels, And Plenty Of Scrolls, Wrapped Up In A Five Pound Note

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(1) SUDDENLY THERE CAME A TAPPING. Seattle Times headline: “Ripples in space-time or 3-pound bird? Ravens at Hanford foul test of Einstein’s theory”. Ravens are interfering with measurements at LIGO (Laser Interferometer Gravitational-Wave Observatory) which helped find the first confirmed gravitational waves.

For the LIGO observatory on Washington’s Hanford site, noise is a real buzz killer.

Any earthly sound — a truck rumbling past, the humming of a refrigerator in a nearby building, or the distant flutter of a plane’s propellers — can drown out the faint whispers from the cosmos that the Nobel Prize-winning project was designed to detect.

So when strange blips in the data started cropping up on summer afternoons, researchers were anxious to find the source and eliminate it.

“Any other noise makes it harder to hear the thing you’re listening for,” said University of Oregon physicist Robert Schofield, whose job is to ferret out racket from the environment and reduce its impact on some of the most sensitive instruments ever built.

…The glitches at Hanford corresponded to sounds recorded by a microphone installed by Schofield and his colleagues as part of their endless quest to detect and stamp out noise.

…It didn’t take long for Schofield to identify the prime suspect once he listened to the recordings. “It sounded like pecks to me,” he said. “I immediately thought it must be ravens.”

(2) DOCTOR NEW. What she told Radio Times: “Jodie Whittaker on filming Doctor Who: ‘I smile every single morning going to work’”.

“It’s like nothing I’ve ever done before, it’s absolutely incredible,” she said. “I must smile every single morning knowing I’m going to work to do it, I’m very lucky – it’s brilliant.”

We’re still in the dark as to what form the new series will take following Chris Chibnall taking over from Steven Moffat as showrunner, but the star assures us that it’s likely to be even bigger and bolder than what has come before it. Whittaker and Walsh will also be joined by new stars Tosin Cole and Mandip Gill. The ten-episode series is expected to air this autumn on the BBC.

“It feels incredibly epic,” Whittaker said. “The ambition is wonderful, and something we’re fighting every day to have the energy to back it up with.”

(3) FUTURE IS ON THE WAY. Alex Shvartsman will launch a new sf magazine tomorrow: “Announcing Future Science Fiction Digest”. It will be free to read online.

This bit of news has been six months in the making, but I can finally announce that I will be editing a science fiction magazine, to be published in collaboration by UFO Publishing and the Future Affairs Administration. The magazine will focus on various science fiction sub-genres (hard SF, space opera, cli-fi) but will not include fantasy or horror. There will be a strong focus on international fiction. I’ll be looking to fill about half of each issue with translations and stories written by authors from non-anglophone countries.

Although the magazine will feature original (to anglophone readers, anyway) fiction, I’ve put together a sample “issue zero,” to be released in time for the Nebulas and the Asia Pacific SF Con organized by the FAA. This issue features all-reprint stories with different takes/visions of the future, which also happen to be representative of the sort of material I hope to acquire and publish in the future.

The magazine’s website goes live Tuesday, May 15 at www.future-sf.com.

(4) MEET HENRY LIEN. Juliette Wade hosted a video hangout with Henry Lien about his new fantasy novel: “Henry Lien and Peasprout Chen, Future Legend of Skate and Sword“. You can read a summary on her blog, and/or watch the conversation on YouTube. (I was excited to hear more about his writing, having already become a fan through his composition “Radio SFWA.”)

…Henry explained that he loves rules. School is an environment girdled all around with rules to keep people from misbehaving, so it’s a setting he loves to work in. Students at the wu liu school are not allowed to do any moves outside of class, or they will forfeit their next examination. This is a key element of the plot of Peasprout Chen.

In particular, he says he wanted a fantasy world with no magic. George R. R. Martin consulted with him on aspects of it. Everything is grounded in real world experience, including the constant threat of injury that has grave consequences for the students. Even a bad wrist can knock you out. Henry himself got injured at one point during his training because he had become frustrated when another student did a kick the first time. Henry tried the same jump and tore his hamstring; he said it looked like someone had cut him.

Danger creates good stories. Ambition is a characteristic required by the sport.

Henry quoted a line from Susanna Clarke’s Jonathan Strange and Mr. Norell: “Don’t talk to me about magic. It’s like everything else: full of setbacks and disappointments.” If this is the way your work seems, then whenever you achieve something, it feels like a huge accomplishment! Peasprout Chen’s life is full of cultural landmines and danger, but when she does something cool, we cheer….

(5) BEYOND BECHDEL. IndieWire covered this story in December: “Lena Waithe, Kimberly Peirce, and More Women Introduce 12 New Bechdel Tests to Measure Gender Imbalance”.

FiveThirtyEight recently asked 12 women to come up with new gender imbalance tests, including actress and Emmy-winning writer Lena Waithe, filmmaker Kimberly Peirce, cinematographer Jen White, and actress Naomi Ko. The new tests demand more gender equality from film and television, both in front the camera and behind the scenes.

In order to pass the Waithe Test, for instance, a movie or show must feature a black woman who’s in a position of power and is in a healthy relationship with her partner. Only five of the top 50 films of 2016 pass the Waithe Test: “Bad Moms,” “Central Intelligence,” “Hidden Figures,” “Boo! A Madea Halloween,” and “Independence Day: Resurgence.”

Here’s more direct from FiveThirtyEight: “The Next Bechdel Test” – “We pitted 50 movies against 12 new ways of measuring Hollywood’s gender imbalance.”

Another example: The Feldman Test

Rachel Feldman: director; former chair of the Directors Guild of America’s Women’s Steering Committee

A movie passes with a score of five or higher:

  • 2 points for a female writer or director
  • 1 point for a female composer or director of photography
  • 1 point for three female producers or three female department heads
  • 1 point for a crew that’s 50 percent women
  • 2 points if there’s a female protagonist who determines story outcomes
  • 2 points if no female characters were victimized, stereotyped or sexualized
  • And 1 point if a sex scene shows foreplay before consummation, or if the female characters initiate or reciprocate sexual advances

(6) NICHELLE NICHOLS. A TMZ story about Nichelle Nichols reports “Judge Grants Conservatorship After Dementia Claims”

‘Star Trek’ actress Nichelle Nichols will have a new team handling her financial affairs in response to her son’s claims she’s battling dementia … TMZ has learned.

According to court docs, an L.A. County judge signed off on Kyle Johnson’s request to have 4 fiduciaries be his mom’s conservators until mid-August, when there will be a court hearing. The hope is Nichelle will be able to attend that hearing.

As we first reported … Kyle says his mother, who famously played Lt. Uhura, suffers from severe short-term memory loss, and needs court-ordered protection to block people from taking advantage of her.

In the docs, obtained by TMZ, the judge said Nichelle consents to the appointment of her conservators. The judge also noted Nichelle is currently out of state.

(7) KIDDER OBIT. CNN reports “Margot Kidder, ‘Superman’ actress, dead at 69”:

Kidder starred opposite Christopher Reeve’s Clark Kent and his alter ego Superman in the original [1978] film as well as the three sequels: “Superman II” in 1980, “Superman III” in 1983 and “Superman IV: The Quest for Peace” in 1987.

She also starred in “The Amityville Horror” in 1979 and worked steadily in television and on stage.

After three marriages and thousands of dollars in medical bills, Kidder found herself homeless in 1996 as she struggled with bipolar disorder.

Her story grabbed the hearts of fans and Hollywood with many reaching out to help Kidder, who eventually got back on her feet and went on to become a mental health advocate.

(8) TODAY’S BIRTHDAY MOGULS

  • Born May 14, 1944 – George Lucas
  • Born May 14, 1951 – Robert Zemeckis

(9) REMEDIAL CLASSWORK. Alexandra Erin is refreshing the recollection of some Twitter users who proved unfamiliar with the Sad Puppies events as they really occurred in this timeline. Jump on the thread here:

(10) SPACE SPRITZ. Analysts are catching up with the data collected by space probe Galileo: “Icy Moon Of Jupiter Spews Water Plumes Into Space”.

Scientists have new evidence that there are plumes of water erupting from the surface of Jupiter’s icy moon Europa — plumes that could, maybe, possibly contain signs of life.

The evidence comes from data collected by the now-defunct Galileo spacecraft. Although the data has been available since it was collected in 1997, it’s only now that an analysis confirms the existence of water plumes.

For more than two decades, scientists have been convinced Europa has a liquid water ocean sloshing around beneath its icy outer crust. In the past six years, two teams of researchers using the Hubble Space Telescope reported the possible existence of plumes. But as powerful as Hubble is, seeing something as small as a plume on a moon more than 380-million miles away is difficult.

(11) DROP BY ANYTIME. NPR has the story: “Tardis Optional: Time Travelers Invited To Stephen Hawking Service” — repeat of an old Hawking test/gag?

Stephen Hawking’s ashes will be interred at Westminster Abbey this June. He’ll take his place among giants — between Sir Isaac Newton and Charles Darwin. Applications to attend a Service of Thanksgiving are open to the public, and anyone — including people born in 2038, can apply. A thousand spaces are available.

…The time warp in the memorial service application was first spotted by London blogger IanVisits. He writes on his blog that Hawking had once thrown a party for time travelers, sending out invitations after the fete, to see if anyone would show up. Spoiler: no one did, yet.

CATCHING UP WITH SOME EXCELLENT BLACK PANTHER THEMED LINKS COURTESY OF ROBIN A. REID:

(12) AWESOME TECHNOLOGY. In May 2016, Popular Science did an “Entertainment” feature on the technology of Black Panther. Xavier Harding interviewed artist Brian Stelfreeze in “‘Black Panther’ Has The Coolest Tech In The Marvel Universe”.

Popular Science: There’s a lot of great tech in the world of Wakanda. Where does your inspiration for it come from?

Brian Stelfreeze: I think when you’re being creative, you still attach it to reality somehow. I grew up in a small town in coastal South Carolina. Where I’m from, the people are known as Gullah people. They’re some of the first freed slaves that lived on their own, without being attached to the rest of the U.S.

They kind of developed their own culture, so they do things a little bit different. Growing up in that area and going to the rest of the world, I noticed things were just slightly different. Seeing my first pile driver in real life I thought, “Oh, that’s like what my uncle built out of tree stumps to dig wells.” So I thought, “what if that happened over thousands of years? How could technology evolve?”

Popular Science: So how does that compare to T’Challa and the people of Wakanda?

Brian Stelfreeze: I think of Wakandan technology as organic technology. Most of their tech mimics nature because it comes from nature. Wakanda was a tremendously warring nation, with a very feudal time early on. But after a while proper borders were established, which ushered in a time of peace. Peace time shifted concerns from war to agriculture, from agriculture to early days of knife and spear-building to developing exotic materials. Rather than coming from industry, Wakandan tech came from agricultural needs—using organic tech to build machines.

But a lot of this stuff is in the background. Like the flying vehicles you see in Wakanda designed like a flying animal. And even when readers may not directly see it, I want them to feel it.

(13) SIX GOOD REASONS Cherokee Washington explains “Why The Black Panther is So Important To The Black Community”  for Odyssey in June 2016.

In 2002, Marvel studios graced the world with the first superhero blockbuster film; “Spiderman.” Following suit with “Spiderman 2,” “Spiderman 3,” and two spin-offs of the series, Marvel went on to create one of the largest Hollywood franchises in the world, telling the stories of a hand full of the comic book company’s most popular heroes. Today, amongst the many Iron Man and Avenger films, one hero in particular has recently been added to the mix; the Black Panther. It may not sound that exciting or important to the general public, but the introduction of the Black Panther is a momentous event for the Black (and comic-lover) community. Not only is he a bad ass superhero, but he’s one of 10 or so major Marvel characters who identifies as Black, something that would’ve been unheard of back in the day. Making his first appearance in the 52nd issue of the Fantastic Four comic books, Black Panther has shifted back and forth in the limelight, falling behind other heroes such as Captain America and the X-Men. Fortunately, Marvel has decided to push Black Panther more into the centerfold with the rest of his comrades by giving him a cameo in the newest “Avengers: Civil War” film and announcing the “Black Panther” film’s release in 2018. With that said, I thought it appropriate to list a few reasons as to why the Black Panther character is so important not only to me, but to my community. He’s a symbol of more than justice; he’s a symbol of pride, hope, and so much more. Here it goes…

(14) BREAKDOWN! You’ve seen the trailers, but have you seen the trailer breakdown by Jacob Hall: “Black Panther Trailer Breakdown: Welcome to Wakanda”. Posted in June 2017 on Slashfilm.

The Black Panther trailer feels like a breath of fresh air in an environment crowded with superhero movies – no comic book adaptation has ever looked like this. Heck, no movie has ever looked like this. Even with a few familiar Marvel Studios trappings on display, Ryan Coogler’s movie looks to blend superheroes and afrofuturism and all kinds of intrigue into something…well, new.

And if you’re new to this corner of the Marvel universe (or just want to take a closer look), we went through the trailer frame-by-frame for an extended breakdown. Join us, won’t you?

Frame by lovely frame!

And, if you want to look at the trailer again after the breakdown, here you go:

(15) CRYING EYES. Alan Jenkins gets geeky and weepy and happy about Wonder Woman and Black Panther in this piece published in Ebony in July 2017: “Black Panther, Wonder Woman and the Power of Representation”.

My theory is that audiences are being moved by the overwhelming power of symbolism.  We are not used to seeing people of color and women on the big screen who are powerful, triumphant, and heroes of their own story.  The most emotionally powerful moments in each film are those that use the power of symbols to break away from social stereotypes.

As in the Black Panther comic book, the film’s characters are everything that a century of cinematic Black and African characters have not been.  They are regal.  They are brilliant.  They are gorgeous.  They are the future as well as the past.

(16)  REVOLUTIONARY!  “Black Superheroes Matter: Why a ‘Black Panther’ Movie Is Revolutionary”, by Tre Johnson, in Rolling Stone, October 2017, puts the upcoming film in the historical context of American film and comics representations of heroes.

The novelist Chimamanda Ngozi Adichie talks about “the danger of a single story” – about Africa, about black brilliance, our humanity and the black experience for too long. There would never be a time when this movie’s creation wouldn’t mean something to black people in particular, and the inevitable backlash that this movie will receive for its celebration, existence and confidence in blackness will be a reminder that there are no new conversations, merely new opportunities to remind us of who we collectively are. Yet that won’t matter because the people this movie will speak most deeply to – a rainbow-coalition cross-section of black comic book readers, African-American movie audiences, Boseman/ Jordan/ Bassett/ Nyong’o fans, black-culture connoisseurs and pop-culture nerds – will see something of themselves in this movie. They will also likely be both familiar and resistant to the disdain it will receive for merely existing. Like anything black in America, Black Panther will be politicized for being black, which is to say for being and for announcing itself as a having a right to be here and to be heard.

(17) AFROFUTURISM. Mic, a digital news media site, discussed the revolutionary Afrofuturistic elements of Black Panther in December 2017 in  “‘Black Panther’ isn’t just another Marvel movie–it’s a vision of a future led by blackness”.

Wakanda is more than just a fun spectacle; it represents something much more magnificent and powerful — a version of Africa unaffected by the external world, one that was allowed to pursue its own march toward spectacular progress.

When the most recent trailer for the movie was released in October, people weren’t just excited, they were jubilant. Now, it’s an event pretty much every time there’s a new Marvel movie but — no disrespect to Spider-Man: Homecoming, Thor: Ragnarok, etc. — those blockbusters don’t normally have an entire culture of people impatiently awaiting their release. So what makes Black Panther especially noteworthy?

The secret sauce of Marvel’s Black Panther is Afrofuturism — an arts form that combines science fiction with black culture to create a future informed by blackness. On its face, Black Panther masquerades as Marvel’s latest superhero flick. Dig deeper and you’ll find the movie’s true identity: an Africa-set, Afrofuturist film — made for black people, by black people — powered by a Disney budget.

(18)  WRIGHT AND NYONG’O INTERVIEW. TeenVogue‘s Lynette Nylander interviewed Letitia Wright and Lupita Nyong’o on film diversity and superheroes in December 2017: “Letitia Wright and Lupita Nyong’o on “Black Panther” Film and Diversity in Hollywood”.

When he debuted in 1966 as the first black superhero in mainstream American comics, Black Panther broke boundaries. Naturally, next year’s silver-screen rendition of his story, featuring a nearly all-black cast, isn’t going to be just a box-office blockbuster — it’s going to be history in the making. The film is set in the fictional African country of Wakanda, where Black Panther (also known as T’Challa) serves as a leader at a time when the nation’s safety is under threat. And at the core of the story: Oscar winner Lupita Nyong’o and ingénue Letitia Wright as Nakia and Shuri, who play two of the strongest women in Wakanda. Their characters do away with the usual damsel-in-distress narrative associated with many classic superhero movies and create a new normal. Here, they discuss what making Black Panther meant to them and what the movie will hopefully mean for others.

(19) THE WOMEN OF WAKANDA. Cameron Glover looks at the women heroes in “Here’s What Black Panther Is Doing Differently For Its Female Heroes” posted in January 2018 at Refinery29.

The expansion of what a woman’s role in film looks like speaks directly to how the female action heroes of Black Panther are able to balance their fight scenes with embodying these expansive personal themes. Giving women, especially Black women, such public roles in the film not only speaks volumes to how women are regarded within Wakanda, but also shows the shifting attitudes of women’s roles in action films. The way that female action stars are celebrated and centered within the film is just another reason to snag a ticket to see Black Panther once it’s released next month.

[Thanks to Carl Slaughter, Cat Eldridge, JJ, Martin Morse Wooster, Robin A. Reid, John King Tarpinian, Jonathan Cowie, Mike Kennedy, Chip Hitchcock, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Vicki Rosenzweig.]

Cats Sleep on SFF: The Cackle of Cthulhu

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Mocha sleeping on Laura Resnick’s contributor copies of The Cackle of Cthulhu (ed. Alex Shvartsman).

Mocha is a foster cat, available for adoption from http://catadoptionteam.net/. She is currently considering applications from prospective servants who are suitably submissive to her will.

Photos of other felines resting on genre works are welcome. Send to mikeglyer (at) cs (dot) com

Pixel Scroll 8/7 The Men Who Murdered Aristotle

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The future is almost here, in today’s Scroll.

(1) SFWA will be selling fame at Sasquan.

(2) It’s not the accuracy that counts, it’s mainly Jim C. Hines having the idea to cast his thoughts in the form of 10 Hugo Predictions that’s genius.

  1. At least three puppy nominees won Hugo awards.

Congratulations to the winners, including those who were on the puppy slates. While most of the puppy nominees failed to take home a rocket, I imagine there will be at least three. I’m predicting one will go to my own editor, Sheila Gilbert, who’s made the ballot on her own in previous years, and is (in my biased opinion) utterly deserving of the award. I’m not as sure who the second will be, but I’m guessing Kary English in the short story category. One of the movies on the puppy ballots will also win. Finally, I think there’s a good shot of either Resnick or Brozek taking home a short-form editor Hugo.

  1. At least one category went to No Award.

No Award didn’t sweep the ballot like some people hoped/feared. It did take the Novella category, though. I think it will probably take Best Related Work as well.

(3) Jason Sanford seems to be expecting a much stronger showing by No Award than Hines, judging by this eulogy for the Puppies.

The problem for the puppies is they miscalculated about the outrage arising from their actions. As record numbers of people turned out to vote in the Hugos, the pups realized they’d overreached. It’s one thing to organize block voting on a preliminary ballot which few people actually take part in. But not being humiliated by a vote of “No Award” when thousands of people are taking part — that’s a much harder accomplishment.

(4) Alex Shvartsman tells how Unidentified Funny Objects got started on the SFWA Blog.

When I thought of the concept of a non-themed humor anthology, I was certain someone must have produced one before. But my research showed that no such thing existed. There were plenty of humor anthologies available: Chicks in Chainmail and Deals with the Devil to name a few, but those were all themed projects. No one seemed to be creating anthologies that would offer a wide variety of humorous voices and styles. It was the sort of book I would want to read, and I was confident many others would like it too. Thus, Unidentified Funny Objects and its parent micro-press, UFO Publishing, were born.

(5) Brad R. Torgersen has a horseshoe theory. No, I’m not cleaning up my language. His theory is completely horseshoe.

At one end of the horseshoe you have the “pulpy” stuff: visceral, action-packed, perhaps even hard-boiled? Emphasis on “doing” versus thinking.

At the other end you have the “literary” stuff: cerebral, theme-intensive, and sometimes abstract. Emphasis on “thinking” versus doing.

There are audiences waiting for you — the author — at both ends of the horseshoe. But there is nothing to say that you can’t combine both. Too much action and not enough contemplation, and your story becomes the tale of the idiot: full of sound and fury, signifying nothing. Too much contemplation and not enough action, and your story becomes the prototypical MFA piece: your main character does very little, thinks about a great deal, and again your story signifies nothing.

In order to hit the “sweet spot” you need to aim for the zone at the top of the horseshoe.

(6) A lawyer defending his client in a lawsuit is demanding trial by combat:

Richard Luthmann, a Staten Island attorney, is demanding that one of the plaintiffs (or their “champion”) in the suit against him face him in a literal battle to the death unless the case is dismissed. He claims that the practice has not been outlawed in the U.S. or New York state and is suggesting it to point out the absurdity of the plaintiffs’ allegations.

He’s gotten the idea from Game of Thrones – although Mack Reynolds wrote a series of stories in the 1960s for Analog about a mercenary who participated in settling corporate disputes by combat.

Here’s the lawyer’s argument why trial by combat can be permitted:

A Staten Island lawyer with a penchant for bowties and closely-cut beards is apparently channeling his inner “Games of Thrones” by asking a judge to sanction a trial by combat to resolve a civil suit in which he’s accused of helping a client commit fraud.

“The allegations made by plaintiffs, aided and abetted by their counsel, border upon the criminal,” Richard A. Luthmann wrote in a brief recently filed in state Supreme Court, St. George. “As such, the undersigned (Luthmann) respectfully requests that the court permit the undersigned to dispatch plaintiffs and their counsel to the Divine Providence of the Maker for Him to exact His divine judgment once the undersigned has released the souls of the plaintiffs and their counsel from their corporeal bodies, personally and or by way of a champion.”

…Over the course of 10 pages, Luthmann discusses the history of trial by combat from Middle-Age England to the founding of the Thirteen Colonies. (Fun fact: One British bishop in 1276 paid a champion an annual retainer fee, with additional stipends and expenses for each fight. Luthmann doesn’t say how much.)

More to the point, an attempt to abolish the practice in the Thirteen Colonies was blocked by Parliament in 1774, nor was it subsequently banned by the Constitution in the United States or by the state of New York, Luthmann contends.

(7) This day in history, courtesy of Phil Nichols and the Center for Ray Bradbury Studies’ Facebook page.

Fifty-eight years ago today, Oliver Hardy died, bringing an end to the decades-long comedy partnership of Laurel and Hardy.

Ray Bradbury adored Laurel and Hardy. When he went to Ireland in the 1950s to write the screenplay for Moby Dick with John Huston, he discovered that they were making a personal appearance in Dublin, so he went to see them on stage.

Later, he wrote three short stories inspired by the duo. “The Laurel and Hardy Love Affair” is probably the best of these, and can be found in Ray’s book The Toynbee Convector. “Another Fine Mess” is in his book Quicker Than The Eye. “The Laurel and Hardy Alpha Centauri Farewell Tour” is in One More For The Road.

 

Laurel and Hardy

Laurel and Hardy

(8) Major League Baseball is getting more eyeballs on its website by speculating “What would the Marvel Cinematic University’s baseball time look like?”

Ant-Man would play shortstop.

Hear us out. With a slick glove and an army of ants ensuring that any grounder would hop into his grasp for an easy out, Ant-Man would also offer surprising pop for the position. Plus, he would enrage pitchers with his ability to get on base thanks to his Pym Particles allowing his strike zone to shrink 12.7x its normal size, rendering him impossible to strike out.

From Ant-Man to Iron Man, these are Earth’s Mightiest Ballplayers.

(9) The Book Wars’ “Top Ten Tuesday” recommendations amount to around 50 titles, lots of YA and fantasy – and also, the reason I’m mentioning the post, one lists includes The Company They Keep: C.S. Lewis and J.R.R. Tolkien as Writers in Community by Diana Pavlac Glyer.

(10) Mr. Sci FI, Marc Scott Zicree, visits the space shuttle Endeavour at the California Science Center.

(11) It’s 2015, and Marty McFly’s hoverboard is here:

[Thanks to Morris Keesan, John King Tarpinian and Martin Morse Wooster for some of these stories. Title credit goes to File 770 contributing editor of the day Richard Brandt .]

 

Unidentified Funny Objects Becomes SFWA’s First Anthology Qualifying Market

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image descriptionSFWA has designated Unidentified Funny Objects, edited and published by Alex Shvartsman, as a Qualifying Professional Market, the first anthology series ever to appear on the list.

A SFWA Qualifying Professional Market has been determined by the SFWA Membership Committee to meet the SFWA bylaws and other membership criteria.

Unidentified Funny Objects is an annual anthology of humorous SF currently in its fourth year. Past contributors to the anthologies have included George R.R. Martin, Neil Gaiman, and Esther Friesner.

Alex Shvartsman said, “I’m extraordinarily proud for the Unidentified Funny Objects series to join the ranks of the fine publishers and magazines on the qualifying market list. I view our admission both as a valuable service to those authors we’ve published who are in the early stages of their careers, as well as a personal milestone, akin to the moment I was able to join SFWA as a member myself.”

“I’m pleased to see SFWA starting to work out the nuts and bolts of how independently published authors qualify,” said SFWA President Cat Rambo. “As the publishing industry changes, SFWA needs to shift with it, recognizing the various paths to professional success and helping members with whichever they’ve chosen.”

The Demolished Puppy 4/27

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Another nominee withdrew even as the Hugo ballot was going online, rousing an immediate swirl of comment by Marina J. Lostetter, Alex Shvartsman and Deirdre Saoirse Moen.

Before that news cycle opened there were already new posts from Larry Correia, John C. Wright, Liz Barr, Dave Freer, Sarah Hoyt, Sam Roberts, Lyda Morehouse, R. Scott Bakker, George R.R. Martin, Jason Sanford and many more. (Title credit goes to File 770’s consulting editor of the day Bruce Baugh.)

Edmund R. Schubert on AletheaKontis.com

“In Which Edmund Schubert Withdraws From the Hugos” – April 27

And let me be clear about this: While I strongly disagree with the way Sad Puppies went about it… when the Puppies say they feel shut out because of their politics, it’s hard for me to not empathize because I’ve seen IGMS’s authors chastised for selling their story to us, simply because of people’s perceptions about the publisher’s personal views. I’ve also seen people refuse to read any of the stories published in IGMS for the same reason.

With regard to that, I want to repeat something I’ve said previously: while Orson Scott Card and I disagree on several social and political subjects, we respect each other and don’t let it get in the way of IGMS’s true goal: supporting writers and artists of all backgrounds and preferences. The truth is that Card is neither devil nor saint; he’s just a man who wants to support writers and artists—and he doesn’t let anything stand in the way of that.

As editor of IGMS, I can, and have, and will continue to be—with the full support of publisher Orson Scott Card—open to publishing stories by and about gay authors and gay characters, stories by and about female authors and female characters, stories by authors and about characters of any and every racial, political, or religious affiliation—as long as I feel like those authors 1) have a story to tell, not a point to score, and 2) tell that story well. And you know what? Orson is happy to have me do so. Because the raison d’etre of IGMS is to support writers and artists. Period.

 

Edmund R. Schubert at Orson Scott Card Intergalactice Medicine Show

“Not A Hugo Sampler Issue – Letter From The Editor, 2015”

To Readers of Science Fiction and Fantasy Everywhere,

I suspect that most of you already know this, but for those few who may have stumbled upon this collection of short stories and novelettes by other paths, let me start off with a summation (along with the caveat that this will be highly simplistic for the sake of brevity): in early 2015 a campaign was launched by a group of science fiction and fantasy fans who felt their views and tastes were being marginalized. They wanted to force the rest of fandom to recognize them, and their plan for doing so was to put a slate of nominees they considered worthy-but-overlooked on the final ballot for the prestigious Hugo Award. Their actions were successful in the extreme, and the reaction by much of fandom was equally extreme. Things got ugly. Quickly. Very. (Editor’s tip #463: Forcing people to see your point of view is rarely successful . . .)

I was one of the people nominated for a Hugo Award during in this campaign, although I didn’t know anything about it until after it had already happened. And while I feel these fans had certain valid concerns, hijacking the Hugo Awards wasn’t the right way to go about making them. I therefore withdrew my name from consideration.

 

Marina J. Lostetter on A Little Lost

“The #HugoAwards are Supposed to be Fun, Damn It!” – April 27

I was ready to never say anything about the Hugos here.  But I love IGMS and the specific story of mine Edmund requested, and am greatly saddened by what has happened around the Hugos this year.  I think it’s important to note how this year’s slates have fostered nothing but ill feelings, and that many fine authors, editors, and venues are caught in the middle: either because they’ve become a “ping-pong ball” as Edmund describes below, or because they were bumped from the list due to questionable bloc voting.

 

Alex Shvartsman on Alex Schvartsman’s Speculative Fiction

“Edmund Schubert Withdraws From The Hugo Award Consideration” – April 27

I, for one, am sad about Edmund’s decision. He was on my nominating ballot (and I had no association nor even knowledge of what was on the Puppy slates). I know of at least several other fans who nominated him as well. I hope to see him back on a future ballot sooner, rather than later.

 

Deirdre Saoirse Moen on Sounds Like Weird

“Editor Edmund R. Schubert Withdraws From the Hugo Awards” – April 27

I think it’s important to note these things:

  • It’s likely Edmund knew about the slates prior to nominations closing.
  • Edmund accepted the nomination (people are given the ability to decline prior to the official nominee list being posted).
  • Edmund likely knew others withdrew after acceptance. Edmund chose not to at that point.
  • Edmund likely knew the ballot had been locked after two people were declared ineligible and two withdrew.
  • Like Black Gate, Edmund’s withdrawal took place after all these events.

While that allows for some sympathy/empathy, it’s not as large as someone declining the nomination in the first place or, as Dave Creek did, asking off the slate prior to nominations closing.

 

Liz Barr on No Award

“Liz reads the 2015 Hugo-nominated short stories  – April 27

I thought that Project: Read As Much As Possible And Vote By Merit would be easier if I didn’t sit around waiting for the voter pack.  Accordingly, I’ve reserved a bunch of the nominated novels at my elibrary of preference.  As for short stories, all but one are available online, and I’ve started reading and organising my preferences.

 

Larry Correia on Monster Hunter Nation

“Updates for the Week” – April 27

Sad Puppies Round Up

Same old, same old. Bunch of new anti-Puppies articles and blogs this week. I could either A. Write books and be paid large sums of money. or B. Repeat myself over and over to every dipshit on Twitter… Hmmm… Tough one.

From what I’ve seen the people who disagree with us now mostly fall into a couple of camps. 1. People repeating the already discredited anti-diversity slate narrative and other lies. BORING.  2. People who agree the Hugos were screwed up, but who didn’t see any political bias. Insular, cliquish, wannabe-literati, yes, but not political. Great. You guys run with that. 3. People who benefit from the status quo dismissing a bunch of fans because of guilt by association. Weak.

 

John C. Wright

“And now the French” – April 27

The overseas bloggers are getting into the act:

https://francoisvanhille.wordpress.com/2015/04/26/cultures-de-limaginaire-litterature-puppygate-la-polemique-dechire-ecrivains-et-fans-de-science-fiction-aux-etats-unis/

And, no, no one contacted me to discover what the other side of the story was, or even whether there was one.

 

Dave Freer on Mad Genius Club

“To Destroy/survive SaurVox/ Voxdemort/ the Evil Genius in his Volcano Lair” – April 27

So: here you go. To defeat Vox Day… you need to become him – or at least a rival in power able to do so. Which means you need to understand that power, what attracts followers to him, and how instead to attract them to yourselves. To survive him, you at least need to understand him and those who oppose you.

Of course the problem with becoming that possible rival, that Saruman or Galadriel, is that firstly he is bright, secondly he seems to understand you. Thirdly, he is a long term planner and strategist, he writes well and is able to appeal to a large audience. He plans but seems able to flex from those plans. Of course he is obsessive and has ideas that don’t run in concordance with the ones you profess to follow. But those last features, which are all you ever focus on, are not conflict relevant, really. GRRM had a try at the wise councilor/Saruman bit, but he was not a great success. Scalzi… I wasn’t sure if he was trying Wormtongue to Larry, but as a Saruman he came over as petty and not too bright with his little twitter giggles of girlish schadenfreude glee at last year’s Hugos, just to name one of his outbursts… Anyway, let’s face it, he’s not your long-term thinker, otherwise he would have avoided attacking Baen last year. He’s a schemer and good at spin and vastly over-blowing his importance, but really, as a leader to mass a dark horde of men and Southern Orcs under, well, they’ll ruin his lawn. As for David Gerrold – I’m not sure if the purple dress is a Galadriel thing, really. (I think that’s supposed to offend us. Talk about really, really not understanding the people he hates. We don’t care, David. You could get the janitor to be the Hugo MC, in a burka, and we still wouldn’t care.) I’d avoid purple.  In a purple dress people could end up thinking he was doing Barney imitations, not Galadriel. I like to try and understand my opponents and get a handle on their motives. I must admit I was puzzled by his rage and sheer throw-the-toys-of-the-cot petulance about all this, let alone the fact that he was bringing the unfortunate Con and its volunteers into disrepute by openly attacking and villifying some of the nominees and thus trying to affect the Hugo outcome.  Most of us had nothing against (or for) the fellow. And an MC… he’s just there to hand out the prizes. It’s not about him.  All he had to do was smile and wave, no-one expects the MC to much more, and certainly they must keep a distance and appearance of lofty decorum from the actual process. Then, while packing wallaby mince I had a Eureka moment. Fortunately, I was better dressed than Archimedes for this process, so I merely ran through the house dripping bits of raw meat (isn’t that better?) and yelling ‘eureka’ at the cats. It’s true, at times they do. Anyway, I decided that this was a little inverse gay wedding cake and the Christian baker. It’s a ritual he values and considers important into which the particularly chosen of his sect were initiated with great pomp and celebration, being defiled by vile unbelievers – and he was going to have to conduct the ceremony.  Well now. I wonder what advice he would have given that baker?

 

Sarah A. Hoyt on According To Hoyt

“Requires Abasement” – April 26

This has been happening all month, for those keeping score at home.  The indoctrinated drones of the establishment have been spinning by here in high dudgeon and sure they have a killing argument and telling us both that we want “pulpy stuff like Heinlein” and that Heinlein was often “preachy.  And messagy.”

 

Sam Roberts on Reaxxion

“Are Social Justice Warriors Trying To Rig The Hugo Awards?” – April 27

While there have been allegations of authors buying voting rights for their friends and family in the past, Kowal appears to be the first person to do so openly. While not strictly forbidden by the WorldCon rules, as Tor editor Patrick Nielsen Hayden (probably the foremost opponent of the Puppies) has said, “As anyone over the age of ten knows, it’s generally possible to do things that are dubious, or scummy, or even downright evil, without violating any laws or rules.” While he was speaking against the Puppies at the time, his comment certainly seems applicable here.

As I write this, Kowal has raised enough money via anonymous donations, many of which she says come from authors who are running against the Puppies’ slate themselves (and thus stand to gain if the Puppies are defeated), to purchase one hundred votes. While this may seem a small amount, last year’s Hugos only saw around 3000 votes cast total. If the race is close this year, these one hundred (3.3% of the total) could easily sway the voting.

 

Badtux on Badtux the Snarky Penguin

“My thoughts on the #SadPuppies” – April 26

So it appears the “Sad Puppies” may win the battle, and lose the war. It may be that science fiction only has one prestige award in the future — the Nebula Award. SFWA membership requirements make it impossible for the “Sad Puppies” or anybody else to rig Nebula awards. In the end, what makes libraries (who account for most publisher profits) buy Hugo Award winners is the notion that winning a Hugo Award means it’s popular and high quality. Once it’s demonstrated that winning a Hugo Award means only that the publisher spent more money to rig the election this year than other publishers did, the Hugo becomes meaningless to libraries — and to anybody else, for that matter.

 

 

R. Scott Bakker on Three Pound Brain

“Hugos Weaving” – April 27

Let’s suppose, just for instance, that so-called literary works no longer reach dissenting audiences, and so only serve to reinforce the values of readers…

That precious few of us are being challenged anymore—at least not by writing.

The communicative habitat of the human being is changing more radically than at any time in history, period. The old modes of literary dissemination are dead or dying, and with them all the simplistic assumptions of our literary past. If writing that matters is writing that challenges, the writing that matters most has to be writing that avoids the ‘preference funnel,’ writing that falls into the hands of those who can be outraged. The only writing that matters, in other words, is writing that manages to span significant ingroup boundaries.

If this is the case, then Beale has merely shown us that science fiction and fantasy actually matter, that as a writer, your voice can still reach people who can (and likely will) be offended… as well as swayed, unsettled, or any of the things Humanities clowns claim writing should do.

Think about it. Why bother writing stories with progressive values for progressives only, that is, unless moral entertainment is largely what you’re interested in? You gotta admit, this is pretty much the sum of what passes for ‘literary’ nowadays.

Everyone’s crooked is someone else’s straight—that’s the dilemma. Since all moral interpretations are fundamentally underdetermined, there is no rational or evidential means to compel moral consensus. Pretty much anything can be argued when it comes to questions or value. There will always be Beales and Sriduangkaews, individuals adept at rationalizing our bigotries—always. And guess what? the internet has made them as accessible as fucking Wal-Mart. This is what makes engaging them so important. Of course Beale needs to be exposed—but not for the benefit of people who already despise his values. Such ‘exposure’ amounts to nothing more than clapping one another on the back. He needs to be exposed in the eyes of his own constituents, actual or potential. The fact that the paths leading to bigotry run downhill makes the project of building stairs all the more crucial.

‘Legitimacy,’ Sandifer says. Legitimacy for whom? For the likeminded—who else? But that, my well-educated friend, is the sound-proofed legitimacy of the Booker, or the National Book Awards—which is to say, the legitimacy of the irrelevant, the socially inert. The last thing this accelerating world needs is more ingroup ejaculate. The fact that Beale managed to pull this little coup is proof positive that science fiction and fantasy matter, that we dwell in a rare corner of culture where the battle of ideas is for… fucking… real.

And you feel ashamed.

 

Lyda Morehouse on A Day in the Life of an Idiot

“Hugo on the Brain and the Nature of Fandom”  – April 27

Look, we’re all divas. Correia is just saying out loud what lot of us feel: boo hoo, it’s NOT all about me! (Pro tip: most of us don’t say it out loud, because we realize how whiny and self-centered it makes us look.)

BUT… yes, okay? I actually sympathize a little with this. To say there aren’t cool kid cliques is disingenuous too. There just are.

Also, this feeling of being shut out of WorldCON culture something that has happened to people on the left, too. Not that long ago (but apparently outside of the collective memory), there was a huge controversy around the London WorldCON about a cliquish inner circle of white guys (and GRRM is even pictured!)

Here’s the thing I want to say about this: con culture is a thing. It’s a thing everyone needs to learn how to negotiate.

I’ve even talked about this idea before on this blog because I came across someone on Twitter complaining about feeling left out/unwelcomed at a con. The thing I said to that person (who was decidedly on the left), is that we’re all responsible for our own con experience. It’s not the con’s job to make you feel welcome. You have to learn the culture of cons and figure out how to fit in. Some conventions even have panels on the opening days ABOUT how to make inroads and make friends and be involved in a way that will let you leave the con feeling like you were part of it in a positive way.

 

Marion on Deeds & Words

“The Hugos, 2015, Chapter Two: The Slate Mailer Saga” – April 27

For many fans in the US, $40 is an expenditure that requires some thought. Spending $40 out of the household budget just to have a say about Best Book of the Year may be frivolous. It may reduce funds available for sports, a field trip or some other enrichment for your children. It’s not a slam-dunk.

And for many other fans, still in the US, it is out of reach. It isn’t a question of diverting the monthly Family Movie Day budget for one month. It is not even a discussion. Many of these people read, review and write SF; they blog, and some of them teach at the college level. They are shut out of the “democratic” Hugo selection process by economics.

Now let’s consider fans in Indonesia, Namibia, Lithuania. Can most of them afford $40 US?

If everyone who wanted to vote had voted, the Rabid Puppy slate might not have found such traction, even if they had a  newly-recruited voting bloc. If the cost of a supporting membership were $6, I wonder what would have happened. Just generally, beyond this year and next,I wonder what would happen. Would we start seeing SF best-sellers from Kenya and Estonia on the short list? Would we start getting more works in translation? In other words, would more nominators and voters introduce us to more good books (which, after all, is ultimately the purpose)?

 

Jason Sanford

“Are the Puppies all bark and no bite?” – April 27

If this is a correct analysis, it suggests there’s a massive group of people interested in the SF/F genre and the Hugos who didn’t know about the Puppy campaigns beforehand.

I also find the traffic comparison between Nielsenhayden.com and Voxday.blogspot.com rather interesting. Over the last month both sites featured multiple posts with prominent links to my essays, yet one of them clearly sent more traffic my way. While people can draw their own conclusions from this, it makes me wonder if the reach of the Rabid Puppies ringleader has been overstated by everyone in the genre.

Yes, VD has a passionate group of followers who helped the Rabid Puppy slate become the true winners of this Hugo mess. But perhaps the actual number of his followers is rather small, at least when compared to other groups within the SF/F genre.

That doesn’t mean he and his followers can’t continue to game the Hugos — the award’s nomination process, as recent events have proved, are very easily dominated by small, organized voting blocks.

But if my take on these numbers is correct, then it appears the Puppies are mostly all bark and no bite.

 

George R.R. Martin on Not A Blog

“Puppy Whines” – April 27

It all boggles the mind. And of course it leads to surreal arguments that ‘their side’ is justified in calling our side “Social Justice Whores” and the like because our side has called their side “Wrongfans” and “Haters” — when, of course, we haven’t. You are calling YOURSELVES that… with sarcasm, sure, but still, you are the guys coining all these new and exciting insults, for both my side and your own.

Let me ask, once again, for civility. When the argument is about political issues, I will call your side “conservatives” and “right wingers,” and I’d ask you to call us “liberals” or “progressives” or even “left wingers,” not SJ-Whatevers. When we are focused more on worldcon or the Hugos, I will continue to call you “Sad Puppies,” and I will take care to differentiate you from the Rabid Puppies… except in cases where you’re acting in alliance and agree, where I will just say “Puppies.” And you can call my side “fandom” or “worldcon fandom” or “trufans.” The two sides use “fan” to mean very different things, as I have pointed out repeatedly, which causes some of the confusion. Here’s a new thought: if you insist on calling yourselves “fans,” then call us “fen,” the ancient, hoary, fannish plural of fan. Fans and fen, there we go, two terms for two sides, no insults. Is that so bloody hard?

 

Joe Sherry on Adventures in Reading

“Thoughts on the Hugo Awrds: Part Four” – April 27

What I’d like to play with is Flint’s suggestions for “Complete Multi-Volume Novels” and “Series”.  What I see Flint saying is that the skill required to write a complete series and stick the landing is different enough from writing an ongoing series that they shouldn’t be compared in the same way (Sanderson’s Mistborn trilogy compared to Jim Butcher’s ongoing Dresden Files).  I don’t completely agree.

That’s not completely true. I agree with what Flint is saying about the skill and technique, I disagree with how he is viewing the categories. I would divide the categories like this:

Novel

Ongoing Series

Completed Series

So Joe, you ask, what the heck are these categories and how are they different than what Eric Flint suggested?  Great question, I reply, let me tell you!

Novel: This category only slightly changes from how it works today. It is for a single volume work of no less than 40,000 words. The change is that I would strike section 3.2.6 from the WSFS Constitution “a work appearing in a number of parts shall be eligible for the year of the final part”. 2013’s publication of A Memory of Light is how The Wheel of Time was nominated at the 2014 Hugos for Best Novel.  I’d strike this.  Novel is for a single volume, period.  That’s it. A Memory of Light is eligible for Novel, The Wheel of Time is not.

Ongoing Series: This is where I start to mess with Flint’s suggestion.  Ongoing Series is for ANY series that has not yet been completed. To be eligible for Ongoing Series, a series must have at least two volumes published. However, it does not matter for the terms of this category if the author is planning to write a trilogy with a definite ending (Mistborn) or is writing a potentially open ended series (Dresden Files, Discworld). To be further eligible for a nomination, a new volume must be published during the eligibility year.  Love A Song of Ice and Fire but George Martin hasn’t published The Winds of Winter yet?  The series is not eligible for Ongoing Series at the 2016 Hugos unless he gets that book out during calendar year 2015.

Further, because we need to close one potential loophole here, an Ongoing Series is eligible for nomination ONCE.  What I intend this to mean is that if Mr. Martin publishes The Winds of Winter in 2015, it is eligible for Ongoing Series.  If A Song of Ice and Fire makes the final ballot for Ongoing Series, it is no longer eligible to be nominated in a subsequent year. However, if A Song of Ice and Fire fails to make the final ballot, it will still be eligible for Ongoing Series provided a new volume is published.  A series is considering “Ongoing” until the author or the publisher states that a volume is the “final” or “concluding” volume in that series.

Completed Series: A series is eligible as Completed Series when the announced final volume in the series is published.  A series will not both be eligible for Ongoing and Completed Series in the same year.  Publication of A Memory of Light rendered The Wheel of Time ineligible for Ongoing Series, but eligible for Completed Series.  Something like The Dresden Files would not be eligible for completed series until Jim Butcher announces “this is the final Harry Dresden novel”.  If Butcher published a Harry Dresden novel but then two years later said, “oh year, Skin Game was really the last book in the series, sorry guys” The Dresden Files will not be eligible for Completed Series because the series is only eligible in the year the final volume is published.  I don’t see this as too big of an issue because most writers want folks to know that they are delivering the promised conclusion to a series.

 

Declan Finn on A Pius Man

“Sad Puppies Bite Back” – April 27

Anyway, back in January, I tripped over a funny piece by Vox Day — presumably before Vox declared “Burn this bitch down!” about the Hugos — which basically boiled down to “The monthly staff meeting of the Evil League of Evil” (in the Lair of the Puppies).

For some reason, ever since I did heard about the death threats on the Puppies, and I wondered when Larry Correia or Brad would be SWATted, all I could think of was, well, what would happen?

…But just imagine….

Sarah Hoyt, Evil Yet Beautiful Space Princess

[SWAT leader at the door of the secret base hidden in hollowed out volcano] Battering ram in 5, 4, 3, 2 — HIT IT!

[Battering ram takes door.  SWAT rushes in. Sarah Hoyt, Evil Yet Beautiful Space Princess, is in the living room, playing with unidentifiable — yet obviously sinister — Weapons From Outer Space, using her Schwartz ring.  In the background, innocent and cringing minions are flogged with electric whips, and sent screaming to the Agony Vat ]

[SH looks up] HOW DARE YOU ENTER MY DOMAIN!!!!

[SWAT leader] Put down the ring!

[SH turns into CGI Imposing Figure]  Do you know who you are messing with?  NOT A DARK LORD BUT A QUEEN! NOT DARK BY BEAUTIFUL AND TERRIBLE AS THE MORN! TREACHEROUS AS THE SEAS! STRONGER THAN THE FOUNDATIONS OF THE EARTH! ALL SHALL LOVE ME AND DESPAIR!

[SWAT all stops, open-mouthed.  They huddle. After a minute, they turn back to her] Love you and despair. Okay. We’re cool with that. You have a deal.

[SH pouts, turns off CGI effects]  Oh, darn! I didn’t even get to use “She Who Must Be Obeyed.” I love that line.  Sigh. Okay.  Hon!  We have more minions! Put them with the others, please!

[Mr. Hoyt, Evil Yet Handsome Space Prince] Yes dear.  Okay guys, come with me. We’ll train you in the use of the laser guns and get you fit for Stormtrooper armor.