Alexei Panshin (1940-2022)

Alexei Panshin. Photo by and (c) Andrew Porter.

Pioneering sf critic and Nebula-winning novelist Alexei Panshin died August 21 at the age of 82. His son Tobiah Panshin made the announcement on Facebook.

Alexei suffered a sudden cardiac arrest on Wednesday. He passed away today, peacefully.

He had many sayings he liked to quote to me, most of which he made up himself. A common one was, “How can we sink, when we can fly?”

If any part of him persists in the infinite reaches of this universe, I suspect that he is flying now.

Condolences or well-wishes to our family may be sent to [email protected]

Panshin was hooked on science fiction at the age of 10, thanks to the Boys’ Life serialization of Robert Heinlein’s Farmer in the Sky. After receiving a typewriter as a high school graduation present in 1958 he began teaching himself how write science fiction stories, and from then on thought of himself as a writer and not just another science fiction reader.

Panshin’s first fiction sale in the late Fifties would actually be a non-sf story to Seventeen magazine, “A Piece of Pie”, written during his time attending the University of Michigan. But in Ann Arbor he also connected with sf author Dean McLaughlin at a college bookstore, and started picking his brains relentlessly for whatever he could tell him about the science fiction writing world. McLaughlin soon introduced him to the leaders of the forthcoming 1959 Worldcon in Detroit. Panshin attended and began to make connections with other pro writers, whose ranks he aspired to join. He even bought an hour of time from the convention’s Guest of Honor Poul Anderson at auction for $25, and talked to him about his ambitions. Later in the fall he met Harlan Ellison at a pro party, whose words were less encouraging. Wrote Panshin: “When Harlan and I were introduced, he fingered my blazer on which I had spent no less than $20, and said: ‘So you want to be a writer. The first check you get, ditch this and buy yourself a continental cut suit.’ He didn’t know me very well. I haven’t owned a suit to this day, continental cut or otherwise.”

Alexei Panshin (L) with Mike McInerney at 1966 Worldcon. Photo by and (c) Andrew Porter.

A confirmed fan of Robert A. Heinlein, he wrote him a fan letter in 1948 and was excited to get a postcard in reply.

Later Panshin was inspired to do a deep analysis of Heinlein’s work that would make science fiction history in several ways.  Having seen Panshin’s sercon articles in the Hugo-winning fanzine Yandro, Earl Kemp invited him to write a book about Heinlein for Advent:Publishers.

Robert Heinlein didn’t answer the letter Panshin sent him when he was researching the book. Instead, Heinlein wrote to publisher Earl Kemp threatening to sue Advent and Panshin if it came out. Advent immediately withdrew the book from its plans. Panshin turned around and wrote a piece for Yandro entitled “Lese Majesty”—”an offense against the King”—setting forth the situation. As a result, throughout 1966 Heinlein in Dimension would appear in pieces in four different fanzines. (The complete Heinlein in Dimension has been posted by the author at the link.)

The fanzine appearances of Heinlein in Dimension made Panshin eligible for the very first Best Fan Writer Hugo, presented at NYCon 3 in New York in 1967. He won. That year Advent’s publishers also changed their minds and signed him to a contract for Heinlein in Dimension which appeared in 1968.

In 1968 Panshin again got enough votes to be a Best Fan Writer finalist but was granted his request to have his name removed from the ballot. “I thought someone else should win the next one, and hoped to set a precedent by saying that one was enough.” Besides which, in 1968 Harlan Ellison had also withdrawn as a Best Fan Writer nominee because he wanted to be identified solely as a pro.

And in 1968 Panshin had two new novels published, Star Well, first of the Anthony Villiers books, and Rite of Passage, which would win the 1969 Nebula for Best Novel.  (Not that it was as easy as it sounds. Rite of Passage was rejected 13 times before Terry Carr accepted it for his new Ace Specials line.)

That year he also was one of the signers of the famous 1968 Galaxy Vietnam War ad – on the antiwar side, of course.

There would eventually be three published books in the Villiers series — Star WellThe Thurb Revolution, and Masque World. A fourth volume entitled The Universal Pantograph, never appeared, reputedly because of conflicts between the writer and his publisher, joining the list of works in a series that fans await for years and speak of longingly, usually to be disappointed. (A rare exception being the Demon Princes series which Jack Vance eventually finished). 

A byproduct of the Villiers series was Larry Niven’s admiration for the term “thumbrunner” which Panshin coined for one of the books. Niven wished he had thought of it first, regarding it as far superior to the word he made up for his own stories about “organleggers”.

Panshin and Cory Seidman married in 1969. In the Seventies and Eighties, the Panshins would work together both on fiction – Earth Magic (1978) – and two major sf critical books, SF in Dimension (1976) and The World Beyond The Hill: Science Fiction and the Quest for Transcendence (1989), which received a Hugo Award for Best Related Work. As Alexei said in his autobiography, “It may tell you something about us that our initial wedding present to ourselves was the acquisition of the four-volume boxed set of Joseph Campbell’s The Masks of God.”

Panshin is survived by his wife, Cory, and sons, Adam and Tobiah.

A great many of the author’s personal essays and critical articles are collected at his website The Abyss of Wonder.

Update 08/22/2022: First two paragraphs substantially revised.

Pixel Scroll 1/11/22 Look At My Fingers: Four Pixels, Four Scrolls. Zero Pixels, Zero Scrolls!

(1) COSINE. COSine is going ahead this weekend (January 14-16) in Colorado Springs, CO. In their latest publicity email, co-chairs Morland Gonsoulin and Arlen Feldman repeated their Covid policy —

Just a reminder – we have had a lot of people concerned about getting together in the era of Omicron and other Greek-lettered invaders. Everyone who comes to the convention must be able to show proof of COVID vaccination (either electronic—myColorado or a photo on your phone, or a paper copy of your COVID vaccination card) or proof of a negative COVID test within forty-eight hours of attending. Click here for information on testing. Also, masks will be required in all convention areas (remember, masks are primarily there to protect other people, not you). We will be giving prizes to people who have the coolest masks (that are also still effective)!

(2) ONCE YOU CAN REMOVE MONEY FROM THE ATMOSPHERE…. “Neal Stephenson Thinks Greed Might Be the Thing That Saves Us” – so he said to a New York Times interviewer.

What about the story we’re telling as a society — beyond art — about climate change? Is there a way we could be talking about it that’s more likely to motivate the kind of mobilization we had, say, during the Second World War? 

The difficulty is that it’s hard to get lots of people to change their minds. The United States did mobilize in a massive way during World War II, but we didn’t start getting serious about it until 1942. There had been a huge war raging since 1939, and the Brits were tearing their hair out waiting for the United States to get more involved, and it wasn’t until Pearl Harbor that there was a tipping point in public opinion that made it possible for America’s political leadership to declare war and to enter into it in a serious way. So the question asks itself: What might be a climate equivalent of Pearl Harbor? We’re already having little regional Pearl Harbors all over the place. We had our heat dome in Seattle over the summer, we had the mega tornado supercell that passed from Arkansas to Kentucky. These little pinprick Pearl Harbor events happen here and there, but it’s difficult to imagine one that would impact an entire country the size of the United States — if it did, it would be a really bad thing. We don’t want to put ourselves in the position of wishing that something terrible would happen. It’s also natural to assume that the CO2 problem is similar to other air-pollution problems we’ve had before. In the ’50s, there was a disaster in London because of too much coal smoke in the air, and they In the ’70s, a lot of the smog problem in L.A. was cleaned up by putting catalytic converters on cars…We’re accustomed to thinking that all we have to do is stop emitting the pollutant, and then nature will clean up the air. But it’s not true in the case of CO2 in the atmosphere. People confuse CO2 emission reduction or elimination with solving the problem. But even if we could stop emitting all CO2, we’d be stuck for hundreds of thousands of years with extremely elevated CO2 levels that nature has no quick way of removing from the air. That’s the key thing that has to be widely understood before we can actually begin envisioning ways to attack the problem….

Do you see a way out of that? 

When people find that they can obtain lots of money and power by believing certain things and following certain ways of thinking, then you can bet that they’ll enthusiastically start doing that. The reason that Enlightenment thinking became popular was that people figured out that it was in their financial best interest to avail themselves of its powers. …

(3) HEAD MASTER. A tribute to Gene Wolfe on the 50th anniversary of the publication of The Fifth Head Of Cerberus in The Spectator World: “’The Fifth Head of Cerberus’ at 50”.

… Ursula K. Le Guin called Gene Wolfe “our Melville.” His meandering plots, odd characters, and surreal scenes are certainly reminiscent of aspects of Melville, but Wolfe, a conservative and a Catholic, was most like the American author in his realistic view of human nature. According to Wolfe, people are capable of great acts of goodness and evil but have a certain facility for the latter, which are done, more often than not, in the name of the former….

(4) THE OTHER OF INVENTION. Camestros Felapton is inaugurating The Museum of Right-Wing Gadgets & Sundry Devices.

 Failed experiments! Miraculous near-inventions! Some things that actually exploded! Ladles and gentlemen, I present to you the Museum of Right-Wing Gadgets & Sundry Devices!

The first inductee is Theodore Beale’s “OOMouse,” better known as the “War Mouse” – “The M of RWG&SD Exhibit 1: The OOMouse”.

…A computer mouse with multiple buttons branded with the logo of the Open Office organisation. Also known as the ‘WarMouse’ — sold with a different colour scheme….

(5) WHAT THEY SHOULD HAVE LOOKED UP.  In the Washington Post, Kate Cohen argues that although Don’t Look Up is trying to be a critique of climate change skepticism but it doesn’t work because “its villains are so villainous, and its science deniers are so dumb” that the film is implausible. “What Netflix’s ‘Don’t Look Up’ gets wrong about climate change”.

… In scene after scene, the movie offers several explanations for our nonresponse:because we’re obsessed with celebrity culture and distrustful of science, because the news media is actually in the entertainment business, because politicians prioritize reelection over problem-solving, and because billionaire geniuses choose profit over everything.

To those, I would add — and this is crucial, I think — because climate change isn’t a comet speeding toward Earth.

Yes, I know, no analogy is perfect. But if writer and director Adam McKay (“The Big Short,” “Vice”) wants to persuade people to “make the climate crisis the No. 1 priority,” as he has said, then the metaphor he chose is perfectly wrong….

(6) SUPER GOOD HABITS. Except for Captain America I never think of superheroes even changing age, much less getting old, but TIME recommends them as role models: “What Marvel Superheroes Can Teach Us About Aging Well”.

It’s not easy being a superhero: They have enemies. They have monumental tasks to accomplish. They’re constantly battered. Beyond those dangers, however, they also practice several healthy behaviors that could carry them well into old age.

That’s what a team of Australian researchers recently discovered, as published in the light-hearted Christmas 2021 issue of the journal The BMJ. During pandemic lockdowns, the researchers immersed themselves in the world of Marvel superheroes. Their goal was to discover what these champions are or are not doing well when it comes to keeping their minds and bodies healthy as they advance toward their senior years—information that we regular mortals can incorporate into our New Year’s resolutions and apply to our own lives, too….

Here’s one example:

Stay away from loud noises

The superheroes’ “exposure to planets colliding and explosions would be a risk for hearing loss,” Hubbard says. “Particularly for older men, having hearing loss and not addressing it through wearing hearing aids is associated with an increased risk of dementia.” Therefore, wear hearing aids if necessary.

(7) SUPER BAD HABITS. [Item by Mike Kennedy.] The dismissal of two LAPD police officers was upheld by an appellate court when it was found that, “Gotta catch ‘em all” does not refer to Pokémon if you’re on duty. “’Aw, screw it’: LAPD cops hunted Pokémon instead of responding to robbery”.

The ruling explained:

Officer Mitchell alerted Lozano that “Snorlax” “just popped up” at “46th and Leimert.” After noting that “Leimert doesn’t go all the way to 46th,” Lozano responded, “Oh, you [know] what I can do? I’ll [go] down 11th and swing up on Crenshaw. I know that way I can get to it.” Mitchell suggested a different route, then told Lozano, “We got four minutes.”

For approximately the next 20 minutes, the DICVS captured petitioners discussing Pokémon as they drove to different locations where the virtual creatures apparently appeared on their mobile phones. On their way to the Snorlax location, Officer Mitchell alerted Officer Lozano that “a Togetic just popped up,” noting it was “[o]n Crenshaw, just south of 50th.” After Mitchell apparently caught the Snorlax— exclaiming, “Got ’em”—petitioners agreed to “[g]o get the Togetic” and drove off. When their car stopped again, the DICVS recorded Mitchell saying, “Don’t run away. Don’t run away,” while Lozano described how he “buried it and ultra-balled” the Togetic before announcing, “Got him.” Mitchell advised he was “[s]till trying to catch it,” adding, “Holy crap, man. This thing is fighting the crap out of me.” Eventually Mitchell exclaimed, “Holy crap. Finally,” apparently in reference to capturing the Togetic, and he remarked, “The[] guys are going to be so jealous.” Petitioners then agreed to return to the 7-Eleven (where Sergeant Gomez later met them) to end their watch. On the way, Mitchell remarked, “I got you a new Pokémon today, dude.”

(8) HOME OF FIGRIN D’AN AND THE MODAL NODES? Hollywood’s Scum and Villainy Cantina is still with us despite Covid. Only In Your State paid it a visit: “There’s A Star Wars-Themed Pub In Southern California, And It’s Enchanting”.

Tucked along Hollywood Boulevard, Scum and Villainy Cantina is a bar unlike any other in Hollywood or all of Southern California for that matter! An ode to all-things-nerdy, it’s a place where geeks unite and all fandoms are welcome….

(9) PANSHIN MEDICAL UPDATE. Alexei Panshin told Facebook followers today, “Friends, I’m home again from the pneumonia and heart attack episode I suffered in early December, but by no means fully functional.”

Alexei (with Mike McInerney) at Tricon, the 1966 Worldcon. Photo by and (c) Andrew Porter.

(10) MIDDLE-EARTH PENMANSHIP. “J.R.R. Tolkien Writes in Elvish” – I didn’t know there was video of this!

(11) BUKATO OBIT. Polish fan Wiktor Bukato died July 26, 2021 reports Scientifiction #70. Bukato was a translator and publisher specializing in sff, who received the “Karel” award (for the best translator) from World SF in 1987. He also won the Big Heart Award in 1987. Bukato chaired the European Science Fiction Society from 1991-1993 and was a vice-chair for two more years.  And he was a past member of SFWA.

(12) MEMORY LANE.

2012 [Item by Cat Eldridge.] A decade ago, Jo Walton’s Among Others wins the Best Novel Hugo at Chicon 7 where John Scalzi was Toastmaster. It was her first Hugo nomination. Other nominated works that year were China Miéville‘s Embassytown, James S. A. Corey‘s Leviathan Wakes (the first in the Expanse series), Mira Grant‘s Deadline and George R. R. Martin’s A Dance With Dragons. It would also win the BFA Robert Holdstock Award for Best Fantasy Novel and a Nebula along with being nominated for both Mythopoeic Fantasy Award for Adult Literature and the World Fantasy Award. 

(13) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born January 11, 1906 John Myers Myers. Ahhh, Silverlock. I read the NESFA Edition which has the Silverlock Companion in it which is very useful as you know the novel’s very meta indeed. If you don’t have this, it was reprinted separately later. Thirty years after Silverlock was published, The Moon’s Fire-Eating Daughter novella came out. Myers claims it’s a sequel to Silverlock. (Died 1988.)
  • Born January 11, 1923 Jerome Bixby. His “It’s a Good Life” story became  the basis for an episode of the original Twilight Zone episode under the same name and which was included in Twilight Zone: The Movie. He also wrote four episodes for the original Star Trek series: “Mirror, Mirror”, “Day of the Dove”, “Requiem for Methuselah”, and “By Any Other Name”. With Otto Klement, he co-wrote the story upon which Fantastic Voyage series is based, and the Isaac Asimov novel were based. Bixby’s final produced or published work so far was the screenplay for The Man from Earth film. (Died 1998.)
  • Born January 11, 1924 William Johnston. A prolific tie-in novelist who did nine Get Smart novels plus ones for BewitchedThe MunstersChitty Chitty Bang BangDick Tracy and five for The Flying Nun series. He did only three non-tie-in novels. (Died 2010.)
  • Born January 11, 1930 Rod Taylor. First SFF role would be as Israel Hands in Long John Silver. He would follow that up with World Without End (which you probably heard of), the Hugo-nominated The Time MachineColossus and the Amazon Queen (Taylor claimed to have rewritten the script though there’s no proof of this), The Birds (I really don’t like it), Gulliver’s Travels, One Hundred and One Dalmatians and last, and certainly least, The Warlord: Battle for the Galaxy. (Died 2015.)
  • Born January 11, 1937 Felix Silla. He played Cousin Itt (sic) on The Addams Family in a role invented for the show. The voice was not done by him but rather provided by sound engineer Tony Magro in post-production. He was also responsible for the physical performance of Twiki on Buck Rogers in the 25th Century though the voice was supplied by Mel Blanc or Bob Elyea. And he played an unnamed Ewok on Return of the Jedi. (Died 2021.)
  • Born January 11, 1952 Diana Gabaldon, 70. I have friends who read her and enjoy immensely her Outlander series. They also avidly look forward to every new episode of the Outlander television series. Any of y’all fans of either? 
  • Born January 11, 1961 Jasper Fforde, 61. I read and thoroughly enjoyed every one of his Thursday Next novels, with their delightfully twisted word play, as I did his Nursery Crimes series. I thought a few years ago when I wrote a Birthday note that I had not read his Shades of Grey books and I was right — I now know that I read the first few chapters of the first one and wasn’t impressed enough to finish it. I do know I’ve not read the Dragonslayer series though I’ve heard Good Things about them. Who’s read them? 
  • Born January 11, 1963 Jason Connery, 59. Son of Sir Sean Connery. He’s best known for appearing in the third series of Robin of Sherwood, a series I loved dearly including the music which was done by Clannad which I’ve got live boots of. He also played Jondar in the Vengeance on Varosstory on Doctor Who during the Sixth Doctor era (my least favorite Doctor). He was Ian Fleming in Spymaker: The Secret Life of Ian Fleming. And he was a young Merlin in Merlin: The Quest Begins.

(14) COMICS SECTION.

  • In PVP, Brent and Jade experience the difficulties associated with modern parenting. Tolkien figures into today’s problem!
  • The Argyle Sweater shows the unsuspected cause of a weather phenomenon.
  • Bizarro has a “walks into a bar” story you won’t have thought of before.

(15) I SAY HELLO AND YOU SAY GOODBYE. Den of Geek’s Andrew Blair shares his opinion about the Doctor Who series’ climactic transitions: “Doctor Who: Ranking the Doctor’s Regenerations”. He like this one the absolute least:

12. Time and the Rani (1987)

Colin Baker to Sylvester McCoy

Time and the Rani’ is all over the place. I wouldn’t say it’s the worst story ever, because while it’s a lacklustre romp remembered mainly for its camp, it isn’t mean-spirited. Its CBBC tone was imposed by the BBC after the excesses of Season 22, but it manages a genuinely good cliffhanger to its first episode, and Sylvester McCoy’s performance – while also all over the place – does contain a few moments that showed where he would later take the character.

However, as a regeneration story it has to be bottom of the list because it’s a complete failure. Even allowing for the version written where Colin Baker appeared in all four episodes and regenerated at the end, he would have sacrificed himself in a similar way to Beyus: waiting behind (unnecessarily as it happens) to make sure some bombs went off and thwart the Rani’s plans.

(16) THE COMING CONCATENATION. [Item by Jonathan Cowie.] SF² Concatenation has just tweeted its final advance post for its spring season edition. This edition sees two conreports: yes, real life, physical cons are slowly coming back. This one is on the 31st Festival of Fantastic Films.

Though this year saw a return of the Fest after last year’s cancellation due to CoVID-19, despite a vaccination programme, CoVID was still with us. As with other conventions, the Fest had to take CoVID into account, but being smaller could get away with a looser arrangement. The Fest’s organisers invited attendees to wear masks/face protection at their own personal choice, and many decided to opt to do so; in addition, a system of coloured wristbands was employed, allowing everyone to select and prominently display their preference (no contact, a measure of personal interaction, or full-on hugs and handshakes). This seemed to operate highly effectively.”

“Another casualty of the circumstances was that Gil’s proposed guest line-up had to be scrapped at the eleventh hour. Half a dozen intended personal appearances/Q&A sessions were abandoned, and Kate was left with the seemingly insurmountable problem of filling the gap. Luckily, the already-booked Frazer Hines confirmed his continued availability; in something of a master stroke, Kate carefully scanned ‘what’s on in Manchester’ and was able to provide a truly stellar surprise second guest in the form of Britt Ekland, who just happened to be in the area at the right time! Britt had been touring the UK as part of an ensemble cast in Bill Kenwright’s stage revival of The Cat and the Canary, the best-known version of which is Bob Hope’s version of John Willard’s venerable warhorse of a thunderstorm mystery, now almost a century old.”

(17) SCIENCE-LIKE FICTION. Joachim Boaz muses about the many examples of “Charts, Diagrams, Forms, and Tables in Science Fiction (John Brunner, Larry Niven, Christopher Priest, John Sladek, et al.)” in Science Fiction and Other Suspect Ruminations (From 2017, but it’s news to me!) Includes lots of examples scanned from book pages.

…As of late I’ve been fascinated by pseudo-knowledge in science fiction and speculative fiction–the scholarly afterward in The Iron Dream (1972), the real medical citations in The Hospital Ship (1976), the invented medical citations in Doctor Rat (1976), and “diagrammatic” SF covers filled with maps or anthropological diagrams.

Whatever form it takes, pseudo-knowledge—perhaps derived from our world or even “real” knowledge in our world modified and inserted into another imaginary one—adds, at the most basic level, a veneer of veracity…. 

(18) GENRE ONSCREEN POPULARITY. JustWatch ranked the Top 10 genre movies and TV shows from December 2021. Genre data is sourced from themoviedb.org.

Top 10 Sci-Fi Movies and TV Shows in the US in December (01.12.-31.12.21)

Rank*MoviesTV shows
1Spider-Man: HomecomingStation Eleven
2Spider-Man: Far From HomeThe Wheel of Time
3The Amazing Spider-ManHawkeye
4Don’t Look UpDoctor Who
5Spider-ManThe Expanse
6Venom: Let There Be CarnageRick and Morty
7DuneLost in Space
8The Amazing Spider-Man 2Resident Alien
9Spider-Man: No Way HomeArcane
10Free GuyOutlander

(19) PARKING SPACE. “Stunning STAR WARS Diorama Features a Floating Millennium Falcon”Nerdist sets the frame.

…So, what exactly went into making this cool Star Wars display piece? For starters, Glen Makes used a Revell Snaptite Build and Play Star Wars: The Last Jedi Millennium Falcon 1:164 scale model. Next, they got themselves a Stirlingkit 1000g DIY Magnetic Levitation Module Floating Display Kit. Some Tap acrylic circles and clear plastic rods. Collectively, it cost around $200 to create. But the final product looks well worth it. Who wouldn’t want a Millenium Falcon as their display centerpiece?

(20) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Game Trailers: Halo Infinite,” Fandom Games notes that in the seventh Halo game the bad guys are still trying to destroy the universe by completing the halo, even though they failed at this in the six previous games.  Also, you can play this for free in multiplayer mode and enjoy “causing a mid-life crisis in a frat guy” when you kill off his character.

[Thanks to Andrew Porter, Michael Toman, Cat Eldridge, Dann, Kate Yeazel, Chris Barkley, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Martin Morse Wooster, JJ, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Jamoche.]

Pixel Scroll 6/4/18 A Pixel Came Down To File770, It Was Lookin’ For A Scroll To Steal

(1) FOLLOWING IN GODZILLA’S FOOTSTEPS. The Harvard Map Collection presents “Where Disaster Strikes: Modern Space and the Visualization of Destruction”.

Floods, fires, earthquakes, volcanoes, bombings, droughts, and even alien invasions: disaster can take many forms. And, although disasters are always felt dramatically, a disaster’s form and location impacts who records its effects and what forms those records take. “Where Disaster Strikes” investigates the intertwined categories of modern space and disaster through the Harvard Map Collection’s maps of large destructive events from the London Fire to the present.

The map collection includes a Godzilla feature. Stacy Lambe figured out how many times stomped all the cities. Then Danielle Brown mapped them. (I can’t get the link to function here, but go to the Harvard Map Collection link and click “30” on the left sidebar, that worked for me.)

(2) FUTURE TENSE. Safe Surrender” by Meg Elison, author of The Book of the Unnamed Midwife, is this month’s entry in the Future Tense series that examines emerging technologies, public policy, and society. The series is offered through a partnership of Slate, New America, and Arizona State University.

The laws are so old that they were written with fully human children in mind. Before first contact, two humans might make a fully Terran baby and still abandon it, because they didn’t have enough money or because one of their ancient tribal honor codes forbid them from breeding. It still happens, but nobody talks about it. Humans like to forget what they used to be. Now, safe surrender sites are known as places where hemis get dumped. Hemis like me.

It was published along with a response essay “Oppression of the Future in ‘Safe Surrender’ by tech policy lawyer Laura Moy.

As technology advances, will we use it to promote equity, or to serve and preserve systems of oppression? This question is central to Meg Elison’s “Safe Surrender,” which explores a future in which humans are in regular contact with extraterrestrials called Pinners, who exchange diplomats, trade goods, and even interbreed with Earthlings. In “Safe Surrender,” a grown-up human-Pinner hybrid (a “hemi”) struggles to find their identity and make sense of their origin—surrendered at birth by a mother who did not want or perhaps felt she could not care for or protect a hybrid infant.

In Elison’s not–totally foreign, not-so-distant future, the racial prejudices, inequities, and oppression that plague humankind today map easily onto extraterrestrials….

(3) POOHOGRAPHY. Who needs $200,000 when you can have this map? Atlas Obscura knows where you can find it: “For Sale: A Winsome Map Showing the Way to Pooh Corner”.

But all the adventures of a boy and his bear started here, alongside illustrations by the English artist E. H. Shepard. In its opening pages, a map shows the way around the Hundred Acre Wood, sometimes stylized as “100 Aker Wood.” There’s “Where the Woozle Wasnt” and the route to the North Pole. Now, for the first time in nearly 50 years, the original map is on sale at the British auctioneer Sotheby’s, along with four other illustrations. They are expected to fetch as much as $580,000 together when they go on sale at the auction house in July, the BBC reported.

It’s a lot of money for a map—but then, this isn’t any old map.

(4) MEXICANX. John Picacio introduces the next set of MexicanX Initiative guests who’ll be coming to Worldcon 76.

(5) MERRY MONTH OF MAY. Eric Wong sent along Rocket Stack Rank’s May ratings highlights.

  1. New Prolific Reviewer Added

Gary Tognetti @ 1000 Year Plan

  1. Most-Recommended Stories

Here are 15 stories (out of 72) recommended by at least 2 out of 4 prolific reviewers who post at the end of each month (GTognetti, JMcGregor, RSR, SFRevu). That’s 21% of 72 stories, while 56% (40 stories) got no recs from any of the 4 prolific reviewers.

Novellas (click for story & review links)

Artificial Condition by Martha Wells 1h:48m Tor Novella 05/08/18

Bubble and Squeak by David Gerrold & Ctein 1h:50m Asimov’s 05?06|18

Novelettes (click for story & review links)

The Thought That Counts by K.J. Parker 28m BCS 250
Crash Site by Brian Trent 29m F&SF 05?06|18
Inquisitive by Pip Coen2 25m F&SF 05?06|18
Fleeing Oslyge by Sally Gwylan 30m Clarkesworld 140
Angry Kings by Bonnie Jo Stufflebeam 25m BCS 250
Argent and Sable by Matthew Hughes 47m F&SF 05?06|18
Hubpoint Of No Return by Christopher L. Bennett 41m Analog 05?06|18

Short Stories (click for story & review links)

A Green Moon Problem by Jane Lindskold 20m Lightspeed 96
Unstoppable by Gardner Dozois 19m F&SF 05?06|18
Blessings by Naomi Novik 07m Uncanny 22
Cold Blue Sky by JE Bates2 13m Apex 108
Godmeat by Martin Cahill 23m Lightspeed 96
While You Sleep, Computer Mice™ Earn Their Keep by Buzz Dixon 07m Analog 05?06|18

(Sometimes RHorton’s recs are included if Locus Magazine releases his latest column online by the end of the month. The recommendations from the 5 major awards and 4 major SF/F anthologies are typically available within 5 months after the calendar year and are shown in the 2018 YTD.)

  1. Most-Recommended Magazines

Every BCS and Lightspeed story got a recommendation from at least 1 out of 4 prolific reviewers. Every magazine got at least 1 story rec except Strange Horizons.

(All 11 magazines included in RSR Monthly & YTD ratings are covered by at least 3 of the 4 prolific monthly reviewers, except for Tor Novellas.)

  1. Stories by New Writers

Stories by 2019 Campbell Award-eligible writers, grouped by year of eligibility.

Year 1 Eligible: 5 stories, none recommended.

Year 2 Eligible: 6 stories, 3 recommended.

Coen, Pip Inquisitive 25m F&SF 05?06|18
Bates, JE Cold Blue Sky 13m Apex 108
Falowo, Dare Segun Ku’gbo 19m F&SF 05?06|18

The remaining 61 stories were written by authors whose first pro SF/F story was before 2017.

(6) BEING INVENTIVE. Doctor Strangemind’s Kim Huett says “Let’s consider how to add a little local colour to steampunk fiction with some interesting but failed nineteenth century inventions. Necessity might be the mother of invention but that doesn’t mean all her children are born equal.” — “With A Strange Device”.

Putting some steampunk junk in the trunk.

I’ve long been a fan of Jack Vance’s fiction for a number of reasons. One of these is the way he liked to throw quirky details into his stories. There were often no reason for these details as they weren’t designed to advance the plot (well okay, very occasionally yes they did but usually no they didn’t). Mostly Vance just liked to add a little local colour to the fictional landscapes his narrative was passing through. A little local colour, as actually exists in the real world, is something far too rare in science fiction of any era.

(7) SAURON’S DIGS. Olga Polomoshnova pieces together a description of “The tower of adamant” at Middle-Earth Reflections.

Barad-dûr was built in the Second Age when Sauron chose Mordor as his abode. He began the construction of the Dark Tower in c. 1000 SA and finished it in c. 1600 SA — the same year when the One Ring was forged in the fires of Orodruin. The foundations of Barad-dûr were thus strengthened with the power of the One Ring, so the tower was virtually indestructible by any force and could stand as long as the Ring lasted. After the War of the Last Alliance and the seven-year siege of Barad-dûr its foundations remained, though the tower itself was destroyed, and thus the Dark Tower rose again in the Third Age.

The appearance of Barad-dûr is left rather vague by Tolkien. Readers can catch only glimpses of the Dark Tower by means of visions or looks from afar, without many details provided. Those glimpses offer a very uncertain picture, as if just allowing a peek at the mighty tower: we look at it quickly and then withdraw our glance so that the never-sleeping watch of Sauron does not catch us at looking at his citadel longer than it is necessary.

The main impression that can be gathered from those fragmentary glimpses is that of hopelessness and terror: the Dark Tower is huge and impregnable. In this case less is more, and the lack of detailed descriptions does the trick, but one thing is certain: we are dealing with a very serious stronghold here.

(8) THE QUIET MAN. Jon Del Arroz hasn’t been tweeting for the last few days. Part of it is because he was officiating a wedding for a friend, but the main reason is that his Twitter account was frozen. JDA says I have to get the details from the response piece he has written for The Federalist….

(9) VON TIESENHAUSEN OBIT. WAFF-TV has the story: “‘Father of the Lunar Rover’ dies at 104”

Georg von Tiesenhausen, who is dubbed the “Father of the Lunar Rover,” has died at age 104.

Tiesenhausen was the last living rocket scientist who came to the U.S. under Operation Paperclip with Wernher von Braun at jump-start the U.S. space program.

(10) PHIPPS OBIT. Actor William Phipps, who had a huge number of genre TV and movie roles on his resume, died June 1—The Hollywood Reporter has the story.

…He starred as a young poet, one of the five people on Earth to survive a nuclear explosion, in Five (1951), then fought martians in The War of the Worlds (1953) and Invaders From Mars (1953), a giant spider in Cat-Women of the Moon (1953) and the Abominable Snowman in The Snow Creature (1954).

Walt Disney himself heard Phipps’ audition tape and hired him to play Prince Charming opposite Ilene Woods in Cinderella (1950). The actor said he was paid about $100 for two hours’ work on an afternoon in January 1949….

(11) TODAY IN HISTORY

  • June 4, 1982 Poltergeist premiered.
  • June 4, 1982 Star Trek II: The Wrath of Khan debuted in theaters.

(12) TODAY’S BIRTHDAYS

  • Born June 4 — Angelina Jolie, actress in the Tombraider films and Sky Captain and the World of Tomorrow.

(13) COMICS SECTION.

  • Chip Hitchcock says Rhymes With Orange believes they could never remake Wizard of Oz quite the same way today.

(14) JIM HENSON. “The Jim Henson Exhibition: Imagination Unlimited” is on display at LA’s Skirball Cultural Center from June 1-September 2.

Immerse yourself in the imaginative world of Jim Henson (1936–1990) and discover his groundbreaking approach to puppetry and transformative impact on contemporary culture.

Featuring more than 100 objects and twenty-five historic puppets—including Kermit the Frog, Rowlf, Ernie and Bert, Grover, and other popular favorites—The Jim Henson Exhibition: Imagination Unlimited illuminates Henson’s unique contributions to the moving image. Along with a talented team of designers, performers, and writers, Henson created an unparalleled body of work that continues to delight and inspire people of all ages to create a kinder and gentler world.

Explore Henson’s enduringly popular productions—from The Muppet Show, the Muppet movies, and Sesame Street to Fraggle Rock, The Dark Crystal, and Labyrinth—through character sketches, storyboards, scripts, photographs, costumes, film and television clips, and behind-the-scenes footage. Then design your own puppet and try your hand at puppeteering in this highly interactive exhibition.

Highlights include:

  • Kermit the Frog puppet from 1978
  • Handwritten scripts from Henson’s first television series, Sam and Friends (1955–1961)
  • A clip from Henson’s Academy Award–nominated experimental short film Time Piece (1965)
  • Puppets from Sesame Street (1969– ), including Grover, Ernie and Bert, and Count von Count
  • Section on The Muppet Show (1976–1981), including puppets of Dr. Bunsen Honeydew, Beaker, and Scooter, as well as material from the Muppets’ transition to the big screen, such as set models and storyboards
  • Jen and Kira puppets from The Dark Crystal (1982)
  • Red Fraggle from Fraggle Rock (1983–1987), which celebrates its thirty-fifth anniversary this year
  • Jareth’s and Sarah’s ballroom costumes from Labyrinth (1986)

(15) BEGONE, I HAVE NO POWER HERE. NPR reports “‘Sherlock’ Star Benedict Cumberbatch Saves Cyclist From Muggers” — no mystic powers needed.

Actor Benedict Cumberbatch, who plays detective Sherlock Holmes in the television series Sherlock, foiled an attempted robbery by fighting off a gang of muggers in London. The attack occurred near his fictional character’s home on Baker Street.

(16) CONCAROLINAS. Yesterday’s Scroll reported the terms under which David Weber agreed to be a ConCarolinas special guest next year, his characterization of those who had issues with Ringo’s selection as a special guest, and the statement delivered by the ConCarolinas chair at closing ceremonies of this year’s con (wording negotiated with Weber).

There has been mixed reaction to the ConCarolinas statement.

So, apparently, ConCarolinas committee gave a closing statement where they doubled-down on being open to having special guests who are bigots, racists, sexists, etc claiming the onus is on the people these hate-mongers target to be willing to sit in a room with them as a sign of tolerance and mutual respect.

Listen, it’s not on me to be willing to tolerate someone who thinks I shouldn’t even be in the room or any group who supports bigotry, racism, misogyny, or hate speech.

Now, for those of you who gave ConCarolinas a pass this year and went anyway they’ve made where they stand abundantly clear. You either support that or you don’t – there’s no middle ground. Don’t think you can continue to support it and be my “friend”. Pick a side. You’re either with the people who support giving a platform to hate or you’re an ally of the marginalized people those bigots/racists/misogynists would like to see excluded from SFF and fandom. Don’t expect me to be ok with it.

My thanks to those allies who made a principled stand and withdrew from ConCarolinas, both guests and attendees. I appreciate your willingness to take a stand for what’s right and not try to parse your participation down to some justification for continuing to support people who CLEARLY want to be in a position to give a platform to people who would like nothing better than to target women and people of color.

  • Bryan Thomas Schmidt

  • Rabid Sparkle Badger

  • Stabby Carpenter

  • Nick Mamatas

  • Stephanie Souders

  • Keffy

So, the director of Con Carolinas has made a choice of who is welcome, and who is not. This is now a convention openly antagonistic to the health, comfort, and safety of anyone who is not straight, cis, male, white, and conservative.

Two important wins vs. the antisocial injustice crusaders in SFF.

  1. ConCarolinas, with prompting from DavidWeber, has declared themselves politically neutral.
  2. DragonCon fired the head of its fantasy lit track, who was apparently trying to impose a political litmus test.
  • Shaun Duke

  • Ari Marmell

  • Declan Finn

ConCarolinas is beginning to see the first groundswell of criticism for the position Jada took at final ceremonies yesterday. I expect it to get pretty ugly, because she and the concom are now officially recidivists. I would request that anyone who supports the con’s efforts — and fandom in general’s effort — to . . . diminish the scope for the ex post facto dis-invitation of guests to speak up in support of the con’s position, but lets not take this any farther into Mutually Assured Destruction territory than we have to. I know the temptation will be to lob H bombs back in response to the fission warheads coming in in condemnation of the con’s position. I understand that, because I’ve got a temper, too. But if we want to minimize the bigots and the fanatics on both sides of the divide, then we can’t be fanatics ourselves. Determined, unyielding, and unwilling to put up with or yield to cyber bullying — all of those things, damned straight. But if we’re going to be the grown-ups in the room, then let’s BE grown-ups. I’ve said it before and I’ll say it again, I don’t approve of banning anyone for anything short of criminal acts or DEMONSTRATED personal harassment of an innocent bystander who didn’t lob the first grenade in any exchange between them. Don’t care whether they are on the right, and they’ve been screaming about John’s withdrawal from ConCarolinas and Larry’s banning from Origins, or if they are on the left, and they are now screaming about ConCarolinas’ response to the arguments voiced by people on the right. Everyone has a right to his or her own opinion and to attend or not to attend any convention because of guest lists or for any other reason(s) that seem(s) good to them. They also have a right to voice and explain those opinions. I’d just really prefer for us to do it as civilly as possible. It is at least remotely possible we could shame the hate merchants (of whatever political persuasion), but I’m not looking for any miracles here. What I would like to accomplish, however, is to APPEAR as the reasonable parties by BEING the reasonable parties so that those who have not already drawn their own lines in the sand can form their own opinions and reach their own conclusions about who is truly in favor of diversity and inclusiveness and who isn’t.

(17) IN THE FRAME. Gary Tognetti reviews “The Freeze-Frame Revolution by Peter Watts” at The 1000 Year Plan.

Watts falls within the lineage of classic hard SF writers who can make far-future science magic seem tangible, but his true gift lies in how personable he makes it feel. Heavy themes like alienation, the value of existence, and the nature of consciousness are woven into the brisk narrative with humor and pathos. Watts may be too smart to let a big idea pass by without picking it to pieces, but above all, “The Freeze-Frame Revolution” is fun to read.

(18) WHEN THE WORLD WAS YOUNG. Frederik Pohl’s IF magazine floats The Traveler’s boat at Galactic Journey: “[June 4, 1963] Booked passage (July 1963 IF)”

Down to the Worlds of Men, by Alexei Panshin

14-year old Mia Havero is part of a society of human space-dwellers, resident of one of the eight galaxy-trotting Ships that represent the remains of Earth’s high technology. She and 29 other young teens are dropped on a primitive colony as part of a rite of passage. There is always an element of danger to this month-long ordeal, but this episode has a new wrinkle: the planet’s people are fully aware (and resentful) of the Ships, and they plan to fight back. Can Mia survive her coming of age and stop an insurrection?

Panshin hits it right out of the park with his first story, capturing the voice of a young almost-woman and laying out a rich world and an exciting adventure. Finally, I’ve got something I can recommend to the Young Traveler. Four stars, verging on five.

(19) THEME SONG. Wil Wheaton declares “This Is Brilliant”.

When we worked on Next Generation, Brent Spiner and I would sit at our consoles on the bridge, and make up lyrics to our show’s theme song. I vaguely recall coming up with some pretty funny and clever stuff, but nothing that held together as perfectly as this, from the weirdos over at meh.com:

 

[Thanks to John King Tarpinian, JJ, Joey Eschrich, Cat Eldridge, Chip Hitchcock, Martin Morse Wooster, mlex, Mike Kennedy, Carl Slaughter, Top Elf, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Lanodantheon.]

Pixel Scroll 2/9/18 Pixel, Pixel, Scrolling Bright, On The Servers Through The Night

(1) THE COURSE OF TRUE LOVE. Evil Mad Scientist has released downloadable “Evil Mad Scientist Valentines: 2018”.

This year’s set features parallel lines, friction, and activation energy:

What could be more romantic than telling someone that the second derivative of your potential energy is at its minimum when you’re around them?

Evil Mad Scientist has been doing this for awhile:

You can download the full set here, which includes all 36 designs from all six years (a 1.6 MB PDF document).

(2) WHERE APES HAVE GONE BEFORE. There will be a “50 Years of Planet of the Apes Exhibit and Film Retrospective” at the University of Southern California in LA through May 13.

The USC School of Cinematic Arts has partnered with 20th Century Fox Film to host an exclusive exhibit and retrospective celebrating the 50th anniversary of the Planet of the Apes franchise titled 50 Years of Planet of the Apes.

A vast collection of props, costumes, photos, posters and artwork from across all iterations of the longstanding franchise will be on display in the Hugh Hefner Exhibition Hall at USC this spring. The exhibit will be available to visit as a work-in-progress from January 26th – February 8th and all final displays will be open from February 9th through May 13th, 2018. A series of panels and screenings will complement the exhibit, including all feature films from the Planet of the Apes universe.

The exhibit is in conjunction with the 50th anniversary of the 1968 release of the first Planet of the Apes film, the original installment of the still expanding franchise that now includes four sequels, a TV series, an animated series, comic books, merchandise, and 20th Century Fox Film’s highly successful prequel film series Rise of the Planet of the Apes, Dawn of the Planet of the Apes, and War for the Planet of the Apes.

There is a schedule of associated film screenings at the link.

(3) ROOSTING. Watch the two Falcon Heavy boosters come booming back to Earth in this video at digg: “Seriously Cool Amateur Footage Of The Simultaneous Falcon Heavy Booster Landing”.

(4) ROASTING. Falcon Heavy’s third booster didn’t make it home intact: “SpaceX confirms it lost the center core of the Falcon Heavy”.

What’s more, it landed the two flanking boosters in perfect synchronized formation. But the fate of the core booster was unclear; now it appears that the center booster, which was supposed to land on a drone ship, was lost.

Elon Musk said on a conference call with reporters that the launch “seems to have gone as well as one could have hoped with the exception of center core. The center core obviously didn’t land on the drone ship” and he said that “we’re looking at the issue.” Musk says that the core ran out of propellant, which kept the core from being able to slow down as much as it needed for landing. Because of that, the core apparently hit the water at 300MPH, and it was about 100 meters from the ship. “It was enough to take out two thrusters and shower the deck with shrapnel,” Musk said. That should be worth seeing on video: “We have the video,” Musk confirmed, “it sounds like some pretty fun footage… if the cameras didn’t get blown up as well.”

(5) SFWA AUCTION. Steven H Silver tells about a SFWA fundraiser:

Did you miss our charity auctions in December? Good news! SFWA will be auctioning off five new items every month on Ebay. Available items in February include an autographed uncorrected proof copy of Fevre Dream by George RR Martin, uncorrected proof  13th Annual Year’s Best Fantasy and Horror (signed by Ellen Datlow), and a rare signed copy of This Island Earth by Raymond F. Jones.

The bidding began on February 5th and will run through February 12: Ebay.com/usr/sfwa65

All auction proceeds will be earmarked for the SFWA Givers Fund which is used to disperse grants to deserving applicants, along with bolstering the existing Emergency Medical (EMF) and Legal Funds.

For more information about our funds and what they support, please visit sfwa.org/donate. If you have items you would like to donate for future SFWA Charity Auction fundraisers, please contact Steven H Silver at [email protected] for more information.

Use this search to find items.

(6) BOSKONE PROGRAM. Look forward to the panels and participants discussing “Black Science Fiction at Boskone”, February 16-18 in Boston.

This year Boskone features a program with a strong selection of panels and discussions dedicated to black science fiction authors, publishers, and fans. Our program includes everything from black publishers and Afrofuturism to works by authors such as Octavia Butler, science panels that include the future of medicine, writing discussions that tackle young adult fiction, and much, much more!

Here’s a quick list of some of our program items with an emphasis on black science fiction and the authors who will be joining us from across the country. For the full set of program items, view the Boskone 55 program….

(7) VOLCANO IN TOWSON. Scott Edelman’s Eating the Fantastic podcast visits with Norman Prentiss to sample the volcano shrimp at a Chinese restaurant in Towson, MD.

And who is this episode’s guest? Why, it’s Norman Prentiss, who won the 2010 Bram Stoker Award for Superior Achievement in Long Fiction for Invisible Fences, and the 2009 Stoker for Superior Achievement in Short Fiction for “In the Porches of My Ears.” His powerful, personal fiction has been reprinted in both Best Horror of the Year and The Year’s Best Dark Fantasy and Horror, and his poetry has appeared in Writer Online, Southern Poetry Review, and A Sea of Alone: Poems for Alfred Hitchcock.

 

Norman Prentiss

We discussed the day he wowed the other kids on his school playground by reading them Edgar Allan Poe’s “The Tell-Tale Heart,” the movies a Catholic Church newsletter’s warnings made him want to see even more, the supernatural superhero comic that led to a lawsuit against Harlan Ellison, the upside and (surprising) downside of having won a $35,000 college writing prize, how the freebies he got at a Horrorfind convention goosed him to start writing fiction again, why he wrote the last part of his novel Odd Adventures with Your Other Father first, how he’s been able to collaborate with other authors without killing them, what can be taught about writing and what can only be learned, why he ended up writing horror instead of science fiction, and much, much more.

(8) WONDER ANNUAL POWERS, ACTIVATE! Rich Horton announced the contents of
The Year’s Best Science Fiction and Fantasy, 2018 Edition so Jason went to work at Featured Futures and finished his “Collated Contents of the Big Year’s Bests (2017 Stories, with Links!)”

Last year, I collated and linked to the webzine stories picked by Clarke, Dozois, Horton, and Strahan for their annuals. This year, I’ve collated all the selections. (I’ve also noted whether I’ve read them and, if so, whether they got an honorable mention, a recommendation, or were recommendations which made my Web’s Best Science Fiction or Web’s Best Fantasy.)

(9) TODAY’S BIRTHDAYS

  • Born February 9, 1960 – Laura Frankos

(10) FRANKOS. Steven H Silver celebrated Frankos at Black Gate with “Birthday Reviews: Laura Frankos’s ‘A Late Symmer Night’s Battle’”.

… When a follow-up attack of reremice occur, the fairies must question what they are fighting for and what makes a race worthwhile. While Frankos could have told the story with tremendous amounts of gravitas, the venue for its publication was looking for more lighthearted fare and she managed to deliver, sprinkling her tale with wonderful puns….

(11) TODAY’S BIRTHDAY UNIVERSE. The BBC has the snapshot: “Marvel Cinematic Universe celebrates its 10th birthday with an epic cast photo”.

Over the past decade Marvel has brought us 18 films, starting with Iron Man in 2008 and including Thor, The Avengers and Captain America.

The class photo of 76 actors appeared on Twitter on Thursday.

It includes major players in the films like Robert Downey Jr, Vin Diesel, Scarlett Johansson and Letitia Wright.

The picture was shortly followed by a behind the scenes video.

It begins with Thor’s Chris Hemsworth saying: “It was sort of like being at the Academy Awards or something, every person had been in one or all of my favourite films.”

 

(12) COMICS SECTION.

  • Mike Kennedy asks, “Is Gumby genre? Perhaps so…” — The Flying McCoys.
  • And Mike learned from  Basic Instructions, “If you wish to be an evil Emperor, do not waste time taunting your nemesis. Especially in falsetto.”
  • Cath found another cat/book/humor connection in today’s Breaking Cat News.
  • Cath also knows I need proofreading advice —

(13) YOUTH WANTS TO KNOW. Is the work of comic book colorists inherently apolitical?

(14) MORE ON ACKERMAN. Adam-Troy Castro heard about Forrest J Ackerman’s behavior in 1997:

Yes, I knew about Forry Ackerman twenty years ago.

I was part of the committee that gave him the Bram Stoker Lifetime Achievement Award. I need you to know that I was outvoted. We were giving two awards that year and the Ackerman partisans were given what they wanted in order for those who were against the citation to be given what they wanted. Even so, the hell that went on behind the scenes was intense and lasted for months after the official announcement was made. But yes, one of the things that came up during the hellish brouhaha that followed was that he had, quote, “a house full of child pornography.”

The months of invective that went on, back and forth, behind the scenes, amounted to the worst period of my writing career….

(15) WET WORK. Beneath the waters of the Gulf: “Long-Buried Ice Age Forest Offers Climate Change Clues”.

Scientists say it’s a remarkable discovery.

“The underwater forest is like the Garden of Eden underwater,” says Christine DeLong, a paleo-climatologist at Louisiana State University. She says tests date the forest to be between 50,000 and 70,000 years old.

“It’s a huge deal,” DeLong says. “Because here we have this like perfectly preserved time capsule of an ice age forest.”

(16) LIGHTEN UP. Thanks to French scientists and a NASA probe, “Secrets of solar flares are unlocked”.

Flares can occur on their own, or be accompanied by powerful eruptions of plasma (charged gas) from the Sun.

If charged particles from these eruptions reach Earth, they can create havoc with infrastructure, such as satellite systems and power grids.

Now, researchers in France say the interaction of distinct magnetic structures controls these outbursts from our star.

Generally speaking, solar eruptions are caused by a sudden, violent rearrangement of the Sun’s magnetic field.

At a deeper level, the process is controlled by two types of structures that form in the magnetic field of the Sun: ropes and cages.

The rope is confined within the magnetic cage. If the cage is strong, it can contain the rope’s contortions, but when the cage is weak, an eruption can take place.

(17) WATER SIGN. Sydney has a unique solution to trucks trying to get into tunnels they’re too tall for: a water wall as a screen for a giant projected STOP sign. (Video at the link.) “That will stop them in their tracks! Virtual barrier made from curtain of water halts lorries from driving through too small tunnels”.

They had tried flashing signs, neon signs and staggered signs.

But when lorry drivers continued to keep on driving their over-sized trucks though low tunnels, Australian authorities took the extreme measure of warning drivers with water signs.

Drivers are greeted with a curtain of water falling from the entrance of tunnels with a huge ‘stop’ sign projected on to them….

Laservision said that the Sydney Harbour Tunnel has experienced more than 10,000 incidents of vehicles hitting the structure since it opened.

The damage caused by too large vehicles crashing into the overhead of the tunnel affected up to 12,000 motorists at peak time, the company said.

There’s also this TV clip of the sign in action –

And the manufacturer’s writeup: “Activated 8 times in 8 weeks, with 100% success!”

(18) BUGEYED. “What Scientists Learned From Putting 3-D Glasses on Praying Mantises”: The Atlantic has the story.

One might assume that any animal with two forward-facing eyes would automatically have stereopsis, but that’s not true. It’s a sophisticated skill that requires a lot of processing power and a complex network of neurons—one that not every animal can afford to build. Indeed, after stereopsis was first confirmed in humans in 1838, it took 132 years for scientists to show that other species had the same ability. Macaque monkeys were the first confirmed member of the stereopsis club, but they were soon joined by cats, horses, sheep, owls, falcons, toads—and praying mantises. In the 1980s, Samuel Rossel placed prisms in front of these insects to show that they do triangulate the images from both eyes to catch their prey.

When Jenny Read, from Newcastle University, first read about this, she was amazed. How could an insect pull off such a complicated trick with a brain that contains just 1 million neurons? (For comparison, our brains have 100,000 times that number.) To find out, she and Nityananda set up their mantis 3-D cinemas….

They presented the insects with screens full of black and white dots, with a slightly different pattern projected to each eye. Against these backgrounds, a small circle of dots—a target—would slowly spiral inward from the outside. “It’s meant to be like a little beetle moving against a background,” says Read.

By tweaking the dots, the team could change how far away this target would appear to the watching mantises. And they found that the insects would start to attack the target when it seemed to get within striking distance. Clearly, the insects have stereopsis.

But their stereopsis is not our stereopsis. We use brightness as a cue to align and compare the images that are perceived by our two eyes. Scientists can confirm this by presenting one eye with an image that’s a negative of the other—that has black dots where the other has white ones, and vice versa. “For us, that’s incredibly disruptive. We really can’t match up the images anymore, so our stereopsis falls apart,” says Read. “But the mantises are completely unfazed.” Brightness clearly doesn’t matter to them.

(19) THUMBRUNNERS. I’m not sure “parts is parts” when they’re human — “Special Report: U.S. body brokers supply world with torsos, limbs and heads”.

Demand for body parts from America — torsos, knees and heads — is high in countries where religious traditions or laws prohibit the dissection of the dead. Unlike many developed nations, the United States largely does not regulate the sale of donated body parts, allowing entrepreneurs such as MedCure to expand exports rapidly during the last decade.

No other nation has an industry that can provide as convenient and reliable a supply of body parts.

(Larry Niven once said he preferred Alexei Panshin’s “thumbrunners,” but having been beaten to the term, he’d come up with his alternative, “organleggers.”)

(20) SPACE MOUNTAIN. You get a glimpse inside the illusion created by a popular Disneyland attraction in this Orange County Register piece: “Space Mountain fan gets the roller coaster’s 87-year-old designer to ride it one last time at Disneyland”

How fast do you think you’re traveling when you’re in the rockets on Space Mountain?

Think of the speed of a car on the freeway. Is Space Mountain faster than that? Slower? Is it 100 miles per hour, like Bill Watkins has heard people telling each other?

Watkins contemplated the speed question for years in the early- to mid-1970s. He built his first Space Mountain at Walt Disney World in Florida. But it was bigger – a 300-ft. circle on two tracks. When the Disneyland Space Mountain opened in 1977, Watkins had completed what he always saw as a giant math problem.

Space Mountain is a gravity coaster. Unlike the Matterhorn, which relies on thrusters to help move its vehicles forward, Space Mountain simply starts up and goes down. Technically, it’s 75 seconds of free fall.

At its maximum speed (which can vary slightly depending on the combined weight of the riders) the car you’re riding in Space Mountain is traveling about 40 feet per second.

That’s 27.27 miles per hour.

That seems really slow.

But Watkins somehow made it just right. More than 250 million people have ridden Space Mountain since it opened. And while it’s unclear if it’s the best – Disneyland’s public relations department would only say that Space Mountain is, according to guests, “a top 10 attraction” – how many are better?

It is certainly arguable that Bill Watkins created the most popular roller coaster of all time.

“I seldom meet anyone who hasn’t ridden it,” he said.

(21) BEST PRO ARTIST RESOURCE. Rocket Stack Rank’s  “2018 Professional Artists” page is designed —

To help people make nominations for the 2018 Hugo Award for Best Professional Artist, we have set up a “lightbox” system to let fans quickly flip through the works of over 113 artists listed below and to set aside the ones they particularly liked.

Greg Hullender says —

This is aimed at helping people pick artists to nominate, based on covers for magazines and for books containing original novels or anthologies. We don’t have pictures for reprints.

Where possible, we have links to the artists’ portfolios, so readers can get a broader idea of any particular artist’s work. To simplify that a bit, for eligible artists who had just a few works published in 2017 we’ve padded their list of pictures with their art from earlier years. (They’re marked by date for the benefit of those who only want to see works published in 2017.)

(22) ROBOTECH RETURNS. Titan Comics will publish a new graphic novel based on the classic Robotech saga.

A mysterious ship crashes on a remote island… 10 years later, the ship’s ‘Robotechnology’ has helped humanity advance its own tech. But danger looms from the skies and an epic adventure is set to begin…

The world-famous, fan-favorite animated epic returns to comics with a classic transforming-jetfighters-versus-giant-aliens adventure! Written by Brian Wood (Star Wars, Briggs Land, X-Men), with art from Marco Turini (Assassin’s Creed) and colorist Marco Lesko! Return to the fan-favorite Macross Saga that began the classic Robotech franchise, as hotshot Veritech pilot Roy Fokker and skilled rookie Rick Hunter are pulled into an intergalactic war when the Earth is invaded by the insidious Zentraedi! Whether you’ve seen the classic cartoon to the point you can quote every episode, or whether you’ve never experienced Robotech before, this graphic novel collection is for you!

 

[Thanks to JJ, Martin Morse Wooster, Cat Eldridge, John King Tarpinian, Scott Edelman, Mike Kennedy, Chip Hitchcock, Cath, Andrew Porter, Will R., David K.M. Klaus, and Carl Slaughter for some of these stories. Title credit belongs to File 770 contributing editor of the day evilrooster.]

Why The Evidence Should Be Examined

Well, that was a disappointment.

John C. Wright’s “Heinlein, Hugos and Hogwash”  begins —

Robert Heinlein could not win a Hugo Award today.

If you are a fan of science fiction, you know how shocking that statement is.

With a hook like that I naturally expected him to deliver some kind of cogent argument. Instead, his Heinlein reference was a bait-and-switch.  Readers expecting to learn something about the contemporary reception of Robert Heinlein find themselves subjected to a belligerent rant about the critics of Larry Correia, Orson Scott Card, Elizabeth Moon, Theodore Beale and the SFWA Bulletin. Heinlein is just some talismanic figure whose name, once invoked, never appears again after the opening paragraphs of the article.

How does fandom actually regard Heinlein? When Steve Davidson tried to tackle all this in a rambling answer on Amazing Stories blog he only got the back of Wright’s hand for his effort

I am taken to task for daring to say Heinlein would not win the Hugo these days.

I regard the observation as unexceptional; a sufficient number of Leftists denounce Heinlein as a fascist and sexist, and who (by their own admission) do not vote on the merits of the author’s work but on his ideological purity, to defeat a nomination.

All the blogosphere’s disapproving comments about the people Wright defends in his article show nothing about contemporary Hugo voters’ willingness to honor Robert Heinlein. How do we know it shows nothing? Because Heinlein has been voted three Hugo awards in this century!

In 2001, when Worldcon members awarded Retro Hugos to works published in 1950, the winners included Heinlein’s Farmer in the Sky for Best Novel and “The Man Who Sold The Moon” for Best Novella. Then, for good measure, Destination Moon won the Best Dramatic Presentation Hugo, made from a screenplay co-written by Heinlein based on his novel Rocketship Galileo.

Heinlein’s track record of winning Hugos does not mean there has ever been at any time a monolithic and approving view of Robert Heinlein. Let no one be deluded by this other ridiculous claim in Wright’s article — “But in his [Heinlein’s] day, few science fiction readers were offended by his or anyone’s ideas.” The period when Heinlein won his original four Hugos (1956-1967) was by no means some kind of golden age where nobody ever questioned his political views or criticized his work. Don’t kid yourself! He’s always been controversial within fandom. If you want to know what those days were really like, start by reading Alexei Panshin’s article about Heinlein’s attempt to stop publication of his literary biography Heinlein in Dimension.

Sound and Fury Signifying Trivia

Today’s trivia question: Every winner of the Best Fan Writer Hugo has made at least one professional sale, but two winners have never sold a science fiction story. Can you name them?

The winners since the creation of the category in 1967 are: Terry Carr, Richard E. Geis, Mike Glyer, Dave Langford, Cheryl Morgan, Alexei Panshin, John Scalzi, Bob Shaw, Wilson Tucker, Harry Warner Jr., Ted White and Susan Wood.

Most of the names are easy to rule out because their record in the sf field is so well known.

Wilson Tucker won the 1970 Best Fan Writer Hugo, then had Year of the Quiet Sun nominated as Best Novel in 1971.

Scalzi’s novel Old Man’s War and its sequels have received Hugo nominations.

Dave Langford’s “Different Kinds of Darkness” won Best Short Story in 2001.

Bob Shaw’s classic short story “Light of Other Days” received a Hugo nomination in 1967. He didn’t get around to winning the Best Fan Writer Hugo until 1979 (and again in 1980.)

Ted White’s first novel was written in collaboration with another Best Fan Writer winner, Terry Carr. Invasion from 2500 (1964) was published under the pseudonym Norman Edwards. Ted went on to write lots of other novels under his own name.

Terry Carr, in the middle of a run of seven other nominations for his fan writing and fanzines (Fanac, Lighthouse) had a short story nominated for the Hugo in 1969, “The Dance of the Changer and the Three.” The year Terry finally won the Best Fan Writer Hugo, 1973, he was also nominated for Best Professional Editor (in the category’s debut), and it was as an editor he won his last two Hugos (1985, 1987).

Alexei Panshin won the first Best Fan Writer Hugo in 1967. He declined his nomination in 1968, hoping to set an example for future winners. He also had great success as a pro. His novel Rite of Passage received a Hugo nomination in 1969 and won the Nebula.

Harry Warner Jr. had 11 short stories published in the mid-1950s (and grumbled when that was discovered by his neighbors in Hagerstown — see the link below in comments).

Richard E. Geis has sold any number of erotic sf novels.

I trail this parade at a respectful distance, with one pro sale that appeared in Mike Resnick’s Alternate Worldcons.

That leaves two winning fanwriters to account for: Cheryl Morgan and Susan Wood. Cheryl has made nonfiction sales, but the Locus index lists no fiction. Susan Wood published scholarly work about the sf field, but no stories. So Morgan and Wood are the answer. (Subject to correction, as always…)

Update 10/12/2009: Of course Harry Warner sold short stories — text corrected. Thanks to Patrick Nielsen Hayden for the assist. Update 10/13/2009: And to Dave Langford for catching mistakes about Shaw’s story I have been helplessly repeating since, oh, 1967, although they ought to be avoidable  — I can always remember the exact year “Neutron Star” won its Hugo. 10/18/2009: Alexei Panshin’s comment gives the real reason he turned down his Best Fan Writer nomination in 1968.

My First Fanzine

I was a young teenager on the way to summer day camp, sometime in the late Sixties, riding in the back seat of the camp leader’s Ford station wagon. Among the junk on the floor of the car was a copy of Galaxy magazine, a name I recognized from H. L. Gold’s various Galaxy Reader short story collections, though Analog was the only pulp magazine I followed in those days. I picked this one up and paged through it until an ad caught my eye. Something named Science Fiction Review announced that it published articles by and interviews with a whole list of SF writers – including my personal favorite, Poul Anderson. What a revelation! It never occurred to me that these people talked to anybody but John W. Campbell, much less held their conversations in a nonfiction magazine that I could read.

I didn’t have the money to subscribe to SFR, or else I might have discovered fandom right away. Instead, the concept of such a magazine remained like a banked fire in my memory.

Around the same time, the Young Adult librarian at the local branch of the LA Public Library announced she was starting a science fiction discussion group. An eclectic handful of us came to the meetings, ranging from Richard Wadholm, the only one of us truly in tune with the Sixties, in his appreciation of rock music and Alexei Panshin, to Kent Halliwell, a conservative who read every issue of The Plain Truth and seemed disturbingly unsurprised the afternoon the librarian mentioned that the library’s most-stolen book was Mein Kampf.

After we’d been meeting for a couple of months, the librarian said the LAPL was willing to put some modest resources behind things the group wanted to do. I told them about my idea for a magazine, and the idea caught fire. As I mentioned, though I’d seen an ad for SFR we’d never seen a fanzine, or heard that word, so we tried to produce an imitation Analog. I wrote Campbellesque, pro-space editorials. Bryan Coles and Kent Halliwell produced political satires about the Galactic Congress. Richard Wadholm wrote short fiction and reviews. Mark Tinkle wrote poetry.

My parents contributed to a critical part of the plan when they agreed to make a Sears ink drum mimeograph a kind of family Christmas present.

The LAPL xeroxed the cover art, and I cranked out the rest of the pages on mimeograph.

That SFR ad had also fostered my ambition to get contributions from real pro writers. It implied they had all kinds of ideas and opinions they wanted to put in front of the public – which was true enough – so I naively offered them space for this purpose in our publication. I checked the LA phone books and located addresses for Harlan Ellison and Ray Bradbury. They actually answered, with brief, encouraging notes turning down my offer. They weren’t intended as contributions, obviously, yet it seemed a pity to waste them. So I began printing these in the “Rejection Slip” department, where the tables were turned and writers rejected a magazine.

Harlan promptly responded with another – surprisingly patient – note which essentially said, don’t do that again. So I didn’t.

And that is how our group started as a self-invented pocket of science fiction fandom.

It was not very long before our library-based fanac brought us in contact with mainstream fandom. We heard about LASFS from some Granada Hills High School students. Then, I finally did subscribe to Science Fiction Review and not only got to see that fanzine, but contacted one of its readers, Florence Jenkins, a local woman who had offered to give away her fanzines to someone who would come and pick them up. I came away with a carload of Granfalloons, Beabohemas, Yandros and other genzines of the day. I began to learn a lot about fannish culture. Before long, I was ready for new challenges – like LASFS poker.