Pixel Scroll 5/26/20 Parsley, Sage, Rosemary And Time Enough For Love Potions Numbers 7, 8 And 9

(1) ON YOUR MARX. If this Scroll is posted in time, you can make it to Mark Evanier’s livestream Newsfromme.tv Conversations with Steve Stoliar, starting tonight at 7 p.m. Pacific:

In addition to being a comedy writer and voice actor, Steve Stoliar had the unique experience of being Groucho Marx’s personal assistant/secretary during the last years of that great comedian’s life. Mark Evanier talks with him about Groucho, the controversial Erin Fleming and all things Marxian except Karl.

(2) ROWLING’S NEXT. Mackenzie Nichols, in the Variety story, “J.K. Rowling Announces New Children’s Book ‘The Ickabog’” says that Rowling has announced the publication of The Ickabog, which is not part of the Harry Potter universe but is meant for 7-9 olds.  She intends to post a chapter every day at theickabog.com until July 10 and promises that profits from the book will aid COVID-19 relief.

Unlike her spinoff stories “Fantastic Beasts and Where To Find Them” or “Quidditch Through the Ages,” “The Ickabog” has no relation to the “Harry Potter” series. And while plot details about “The Ickabog” were scarce, the author said its thematic elements are timeless.

“‘The Ickabog’ is a story about truth and the abuse of power,” Rowling said. “To forestall one obvious question: the idea came to me well over a decade ago, so it isn’t intended to be read as a response to anything that’s happening in the world right now. The themes are timeless and could apply to any era or any country.”

At The Ickabog website she says —  

I had the idea for The Ickabog a long time ago and read it to my two younger children chapter by chapter each night while I was working on it. However, when the time came to publish it, I decided to put out a book for adults instead, which is how The Ickabog ended up in the attic. I became busy with other things, and even though I loved the story, over the years I came to think of it as something that was just for my own children.

Then this lockdown happened. It’s been very hard on children, in particular, so I brought The Ickabog down from the attic, read it for the first time in years, rewrote bits of it and then read it to my children again. They told me to put back in some bits they’d liked when they were little, and here we are!

Everyone will be invited to draw for the story, too: The Ickabog Illustration Competition.

The most exciting part, for me, at least, is that I’d like you to illustrate The Ickabog for me. Every day, I’ll be making suggestions for what you might like to draw. You can enter the official competition being run by my publishers, for the chance to have your artwork included in a printed version of the book due out later this year. I’ll be giving suggestions as to what to draw as we go along, but you should let your imagination run wild.

(3) PRIZEWINNER. Naomi Kritzer got a fine write-up in the hometown Pioneer Press: “St. Paul author stunned by success of genre-jumping “CatNet””.

Naomi Kritzer was 4 when she discovered science fiction through the first “Star Wars” film.

“I was grabbed by John Williams’ music, the lightsabers, the magic of The Force. It all appealed to me and sold me on science fiction,” Kritzer recalls.

Now, 43 years later, The Force is with this St. Paul author. Her genre-jumping young adult novel “Catfishing on CatNet, ” about teenagers who befriend a sentient artificial intelligence who lives in the internet, is scooping up major honors. It’s based on her award-winning, 2015 short story “Cat Pictures Please.”

Last month Kritzer collected two prestigious awards in three days. She won a Minnesota Book Award on April 28, and on April 30 she won a Mystery Writers of America Edgar Award. In early May her book was a Silver Winner in the Nautilus Book Awards, which focus on books striving to make a better world….

(4) IRRESISTIBLE ALICE BOOK. [Item by Daniel Dern.] While I’m not a compleatist Carroll/Alice collector, seeing this in the Bud’s Art Books mailer I got today caught my eye.

(Yes, I know there’s a Carroll society. I’m about to join. And I’ll write an item RSN/PDQ, including a nod to an SFnal connection. But this is semi-news.)

I noticed in the new Bud’s Art Books (although I still think of them as Bud Plant) mini-catalog that came in today’s (snail) mail that there’s a new (not yet out) book — here’s info.

“Lewis Carroll’s Alice was first published in 1865 and has never been out of print, translated into 170 languages. But why does it have such enduring and universal appeal, for both adults and children? This book explores the global impact of Alice in art, design, and performance from the 19th century to today. Starting with the Victorian literary and social context in which this story was created, it shows the ways it’s been reimagined and reinterpreted by each new generation, from the original illustrations by John Tenniel to artwork by Peter Blake and Salvador Dali, and from the 1951 Disney movie to Tim Burton’s 2010 interpretation.”

Bud’s listing says $50 (plus shipping), “Due July” but when I placed my order (after hesitating a modest 20 seconds), it said “This product is not available in the requested quantity. 1 of the items will be backordered.”

I included a note in my order asking whether that reflected it being not out yet, or whether they already had more orders than they anticipated copies to fulfill existing orders.

Amazon also has it listed $45.82, Sept 15. Here’s the info text from Amazon:

“Explore the phenomenon of Alice in Wonderland, which has captivated readers from Walt Disney to Annie Leibovitz for over 150 years.

Lewis Carroll’s Alice in Wonderland is a cultural phenomenon. First published in 1865, it has never been out of print and has been translated into 170 languages. But why does it have such enduring and universal appeal for both adults and children?

This book explores the global impact of Alice in Wonderland across art, design and performance from the nineteenth century to today. It shows how Alice has been re-imagined and reinterpreted by each new generation: from the original illustrations by John Tenniel to artwork by Peter Blake and Salvador Dali, and from the 1951 Disney movie to Tim Burton’s latest interpretation.

This beautiful, playful publication also includes specially commissioned interactive illustrations by award-winning artist Kristjana S. Williams, as well as quotes from an array of cultural creators from Stephen Fry to Tim Walker, Ralph Steadman to Little Simz about the profound influence of Alice on their work.”

Whether this book is basically redundant to my modest collection of Aliceiana, I’ll find out.

(5) ALASKAN CONFIDENTIAL. In “Noir Fiction: When The Real Is Too Raw” on CrimeReads, Laird Barron, who writes horror and crime fiction, discusses the colorful people who visited his parents when he lived in Alaska and how he used these people as materials for his crime novels.

…A colorful ex-con named Tommy operated within those precincts. Tommy did time at the Goose Creek Penitentiary; warrants dogged him. He allegedly peddled coke for some bigger fish in Anchorage. Tommy drove a wired-together Datsun, or a motorcycle for the three months a man could do so without freezing his family jewels off. His favorite pastime included getting drunk at the lodge and harassing townies who alighted for weekend flings. He hated “the man.” To demonstrate his disdain, he’d snip pocket change in half with pliers….

(6) GET THE LIST. Andrew Liptak’s latest Reading List features an “Interview with Marko Kloos”.

Did you find taking that break from Frontlines beneficial? What did you take from that break that you were able to apply to the series?

It was immensely beneficial, even if I did get some flak from a few readers for daring to start another series when they were waiting for more Frontlines. But I really needed a bit of mental distance from that universe to come up with more stories worth telling. As long as it takes a few days to read what takes a few months to write, readers will want more books as quickly as possible.

(7) ART CRITICS STAND BY. Mark Lawrence (per his tradition) has followed the Self-Published Fantasy Blog-Off book competition by announckng the “SPFBO 6 Cover Contest”. The finalists have been picked by the bloggers. Not all the entries are in yet. When they are, the public will be invited to vote on the winner. Says Lawrence:

The public vote is of course a bit of fun and subject to all the issues of brigading and cheating that online polls often are – though our anti-cheat software is more effective than the raw poll results might lead you to believe.

(8) GOLDEN AGE SF ARTIST. Doug Ellis offers a catalog of art from the estate of artist Hubert Rogers, items now available for sale.

When John W. Campbell, the legendary editor of Astounding Science Fiction, looked for an artist to give expression to the groundbreaking fiction he was running during what is now known as science fiction’s Golden Age, he selected veteran pulp illustrator Hubert Rogers. For nearly 15 years (with a break during the war years, when he returned to his native Canada and contributed art for the war effort), Rogers was Astounding’s primary cover artist and a prolific interior artist, contributing distinctive art imbued with a touch of class, distinguishing Astounding from its fellow pulp competitors.

Unlike many science fiction artists, Rogers received much of his original art back from the publisher. This has been held by the Rogers family for the past 80 years, with only occasional pieces being offered in the market. Rogers’ daughter, Liz, has now decided to make available to collectors nearly all of the remaining art in their collection, which is listed in this catalog. This is truly a unique opportunity to acquire vintage science fiction art from the estate of the artist.

But Rogers didn’t only create classic science fiction art. His pulp art also included covers for the hero pulps, and two of his covers for Street & Smith’s The Wizard (a companion title to Astounding) can be found here for sale as well.

  • The illustrated catalog can be found here.
  • And you can download high res images of all the art in a zip file here.
This example of Rogers’ art is a scan from the magazine cover — the original for sale is much more brightly colored.

(9) TODAY IN HISTORY.

  • May 26, 1995 Johnny Mnemonic premiered. Based on the William Gibson short story of the same name, it was directed by Robert Longo in his directorial debut. It starred Keanu Reeves, Takeshi Kitan, Henry Rollins, Ice-T, Dina Meyer and Dolph Lundgren. Despite the story itself being well received and even being nominated for a Nebula Award, the response among critics to the film was overwhelmingly negative. It currently holds a 31% rating on Rotten Tomatoes among audience reviewers. It is available to watch here.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born May 26, 1840 – Frederick Walker.  Painter, pen & ink illustrator, wood engraver, watercolors.  Renowned in his day.  Social Realist; see herehere.  Incorporated fantasy, see here (Spirit Painting), here.  (Died 1875) [JH]
  • Born May 26, 1865 Robert Chambers. His most-remembered work was The King in Yellow short stories. Though he would turn away from these supernatural tellings, Lovecraft’s included some of them in his Supernatural Horror in Literature critical study. Critics thought his work wasn’t as great as could have been. That said, Stross, Wagner, Carter and even Blish are said to have been influenced by him. (Died 1933.) (CE)
  • Born May 26, 1867 – André Devambez.  Painter, illustrator, engraver, printmaker.  Contributed to Le Figaro IllustréLe RireL’Illustration.  Look at The Only Bird that Flies Above the Cloudshere, factual but fantastic; imagine seeing it in 1910.  Here is an illustration for Noëlle Roger’s cataclysmic The New Deluge (1922).  Here is an oil Leprechauns in an Undergrowth.  (Died 1944) [JH]
  • Born May 26, 1903 Harry Steeger. He co-founded Popular Publications in 1930, one of the major publishers of pulp magazines, with former classmate Harold S. Goldsmith. They published The Spider which he created, and with Horror Stories and Terror Tales, he started the “Shudder Pulp” genre. So lacking in taste were these pulps, even a jaded public eventually rejected them. (Died 1990.) (CE)
  • Born May 26, 1913 Peter Cushing. Best-known for his roles in the Hammer Productions horror films of the Fifties to the Seventies, as well as his performance as Grand Moff Tarkin in Star Wars. He also played Holmes many times, and though not considered canon, he was the Doctor in Daleks’ Invasion Earth 2150 A.D. and Dr. Who and the Daleks. He even made appearances in both The Avengers and The New Avengers as well as Space: 1999. There’s a CGI recreation of Grand Moff Tarkin used for his likeness in Rogue One. (Died 1994.) (CE)
  • Born May 26, 1913 – Joan Jefferson Farjeon.  Scenic designer, illustrated published versions of plays she’d done, also fairy tales.  See here (a frog footman), here (a tiger lily), here.  From a 1951 stage production, here is a moment in Beauty and the Beast.  (Died 2006) [JH]
  • Born May 26, 1921 Mordecai Roshwald. He’s best-known for Level 7. (Read the expanded 2004 edition as it has his SF framing narrative.) He is also the author of A Small Armageddon, and a nonfiction work, Dreams and Nightmares: Science and Technology in Myth and Fiction. (Died 2015.) (CE)
  • Born May 26, 1923 Roy Dotrice. I’ll always think of him first and foremost as Jacob “Father” Wells on Beauty and the Beast. He was Commissioner Simmonds in two episodes of Space: 1999. He also appeared in a recurring  role on Hercules: The Legendary Journeys as Zeus. He’s on A Game of Thrones in the second season playing “Wisdom Hallyne the Pyromancer” in “The Ghost of Harrenhal” and “Blackwater” episodes. He narrates at least some of the GoT audiobooks. (Died 2017.) (CE)
  • Born May 26, 1925 – Howard DeVore.  Began collecting, 1936.  Michigan Science Fantasy Society, 1948 (Hal Shapiro said it was the Michigan Instigators of Science Fantasy for Intellectual Thinkers Society, i.e. MISFITS).  Leading dealer in SF books, paraphernalia; known as Big-Hearted Howard, a compliment-complaint-compliment; called himself “a huckster, 1st class”.  Active in Nat’l Fantasy Fan Fed’n; Neffy Award.  Also Fantasy Amateur Press Ass’n (FAPA), Spectator Am. Pr. Soc. (SAPS).  Said a Worldcon would be in Detroit over his dead body; was dragged across the stage; became Publicity head for Detention the 17th Worldcon.  With Donald Franson The Hugo, Nebula, and World Fantasy Awards (through 3rd ed’n 1998).  Named Fan Guest of Honor for 64th Worldcon, but died before the con.  His beanie had a full-size airplane propeller.  (Died 2005) [JH]
  • Born May 26, 1933 – Yôji Kondô.  Ph.D. in astrophysics. Aikido (7th degree black belt) and judo (6th degree). Senior positions at NASA, Medal for Exceptional Scientific Achievement; two hundred scientific papers; for more on that work, see here.  SF as Eric Kotani; six novels, most with J.M. Roberts; two shorter stories; edited Requiem tribute to Heinlein; non-fiction Interstellar Travel & Multi-Generation Space Ships with F. Bruhweiler, J. Moore, C. Sheffield; essays, mostly co-authored, in SF Age and Analog.  Heinlein Award.  Writers of the Future judge.  Obituary by OGH here.  (Died 2017) [JH]
  • Born May 26, 1938 – Lyudmila Petrushevskaya. Author (including plays and screenwriting), singer, painter, animator.  Russian Booker Prize, Pushkin Prize, World Fantasy Award.  Twenty short stories in our field, most recently in The Paris Review.  [JH]
  • Born May 26, 1946 – Mike Horvat.  Printer by trade.  Co-founder of Slanapa (the Slanderous Amateur Press Ass’n).  Donated his fanzine collection to U. Iowa, see here.  Active in apas outside our field, a decades-longer tradition; founded the American Private Press Ass’n, was its Librarian until 2005. Also amateur radio, postage stamps.  [JH]
  • Born May 26, 1954 – Lisbeth Zwerger.  Children’s book illustrator.  Hans Christian Andersen and Silver Brush awards; Grand Prize from German Academy for Children’s & Youth Literature.  Thirty books, most of them fantasy; see here (Swan Lake), here (the Mad Tea Party), here.  [JH]

(11) COMICS SECTION.

(12) FROM THE CIRCULAR FILE. Paul Levitz recalls the days when comics scripts were tossed in the trash after the project was over in “Artifacts”.

…Notwithstanding this, I saved a bunch of scripts from the trash for my own eduction. I’d pick out one each from the writers whose work I respected, or maybe a particularly interesting tale to study. I was limited to the scripts that passed through Joe Orlando’s editorial office–as his assistant I could take what I wanted of those, but it would have been de trop to raid Julie Schwartz’s garbage down the hall (assuming he hadn’t poured his yankee bean soup remains from lunch all over it, anyway). I learned what I could from them, then filed them away somewhere at home….

(13) THE BEER THAT MADE MFULA FAMOUS. “Under Pandemic Prohibition, South Africans Resort to Pineapples”Atlas Obscura has the story.

ON MARCH 15, THE DAY before South Africans were plunged into a lockdown which prohibited sales of alcohol, cigarettes, and takeout food, lines outside liquor stores spilled into the streets. One bottle store owner told me he did a month’s trade in a day.

Three weeks later, when President Cyril Ramaphosa made it clear the booze ban wouldn’t be lifted anytime soon, South Africans started to get desperate. Bottle store break-ins and drone-assisted drink deliveries made the news across the country. Then came the tenfold leap in pineapple sales: from 10,000 a day to nearly 100,000.

Thirsty South Africans have turned to making their own beer out of pineapples. In normal times, you can get sloshed on pineapple beer at the Big Pineapple, a 56-foot fiberglass construction in subtropical Bathurst. But these are not normal times. Luckily, pineapple beer—which is technically more of a wine or cider, as there’s no boiling involved—is easy to make, and can even be quite pleasant to drink.

(14) HELLO? ANYONE OUT THERE? [Item by Mike Kennedy.] Popular Mechanics takes a popsci look at a new analysis of the development intelligent life. “This Math Formula Has Determined the Odds of Aliens Existing” In a recent paper (Proceedings of the National Academy of Sciences, 18 May 2020), astronomer David Kipping uses Bayesian analysis to ponder the probabilities of intelligent life developing here or elsewhere. The paper’s statement of significance reads:

Does life’s early emergence mean that it would reappear quickly if we were to rerun Earth’s clock? If the timescale for intelligence evolution is very slow, then a quick start to life is actually necessary for our existence—and thus does not necessarily mean it is a generally quick process. Employing objective Bayesianism and a uniform-rate process assumption, we use just the chronology of life’s appearance in the fossil record, that of ourselves, and Earth’s habitability window to infer the true underlying rates accounting for this subtle selection effect. Our results find betting odds of >3:1 that abiogenesis is indeed a rapid process versus a slow and rare scenario, but 3:2 odds that intelligence may be rare.

Popular Mechanics sums up the paper with a single quote:

“Overall, our work supports an optimistic outlook for future searches for biosignatures,” the paper explains.

(15) ARM YOURSELVES. Daniel Dern quips, “This is the droid we’ve been looking for!” “Robotic Arm Wields UV Light Wand To Disinfect Public Spaces” in IEEE Spectrum.

Properly disinfecting public spaces can help stop the spread of coronavirus, but cleaning crews are often not properly trained how to do so. Also, if the workers don’t wear personal protective equipment, they are at risk for infection.

IEEE Fellow Satyandra K. Gupta is leading a research team at the University of Southern California’s Viterbi Center for Advanced Manufacturing in Los Angeles that is building a robotic arm that uses a UV light sanitizer to clean contaminated areas.

(16) OUTSIDE THE BOX. ScreenRant reports that Big Finish has lined up two Doctors for this audio drama: “Doctor Who: David Tennant & Tom Baker Unite Against Daleks In New Story”.

David Tennant and Tom Baker are uniting to battle the Daleks in an upcoming Doctor Who audio-drama. The longest-running sci-fi TV series in the world, Doctor Who has become a cult classic. Regeneration is the secret to the show’s success. Doctor Who can reinvent itself periodically, recasting its star and allowing a new showrunner to take it in entirely new directions.

Every now and again, though, two or more incarnations of the Doctor come together in a fan-pleasing adventure in which they battle against iconic foes…. 

The plot is –

The Cathedral of Contemplation is an enigma, existing outside time. It turns through history, opening its doors across the universe to offer solace to those in need.

Occasionally, the Doctor drops in – when he’s avoiding his destiny, it’s an ideal place to get some perspective. Only, he’s already there several lives earlier, so when dimension barriers break down, his past and present collide.

And when the Daleks invade and commandeer the Cathedral, two Doctors must unite to stop them – or face extermination twice over!

(17) OTHER PEOPLE STARED, AS IF WE WERE BOTH QUITE INSANE. This is wild! The “augmented reality” bus stop window.

[Thanks to Mlex, Michael Toman, N., Andrew Porter, JJ, Mike Kennedy, Martin Morse Wooster, John Hertz, Nina Shepardson, Chip Hitchcock, Cat Eldridge, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day, the man who does for Scroll titles what Escher did for architecture, Daniel Dern.]

Pixel Scroll 2/10/16 They Hive

(1) QUINN FEATURES IN MAINSTREAM NEWS. Jameson Quinn is quoted several times in “Your ballot has matrix algebra lurking in the background” at the Concord Monitor.

Mathematically speaking, “one man, one vote” sounds about as exciting as “1 = 1.” Yet it turns out that something so simple can produce a Nobel Prize in economics, not to mention a slew of graduate school statistics homework.

“Our class spent three weeks just on Arrow’s Theorem, looking at it from different angles,” said Jameson Quinn, a Ph.D. candidate in statistics from Harvard who showed up in Concord last week to testify before the House Elections Committee in favor of a bill allowing something called approval voting.

Arrow’s Theorem, key to the aforementioned Nobel prize, is to social choice theory what E=MC2 is to physics. It is usually described as saying that all voting systems are imperfect, a synopsis which misses lots of nuance and isn’t all that helpful to laymen, because most of us don’t even known that other systems exist.

(2) EDELMAN’S NEW PODCAST. Scott Edelman has started an SF-related podcast, Eating the Fantastic.

Are you ready to have lunch with me and writer/musician Sarah Pinsker? Because the first episode of Eating the Fantastic is now live!

 

Scott Edelman and Sarah Pinsker

Scott Edelman and Sarah Pinsker

Food, friends, and clanking dishes in the background reproduce the atmosphere where so many great fan conversations take place. Edelman writes:

I’ve found that while the con which takes place within the walls of a hotel or convention center is always fun, the con away from the con—which takes place when I wander off-site with friends for a meal—can often be more fun. In fact, my love of tracking down good food while traveling the world attending conventions has apparently become so well known that Jamie Todd Rubin once dubbed me “science fiction’s Anthony Bourdain.”

…During each semi-regular episode (I’ve yet to determine a frequency), I’ll share a meal with someone whose opinions I think you’ll want to hear, and we’ll talk about science fiction, fantasy, horror, writing, comics, movies, fandom … whatever happens to come to mind. (There’ll also be food talk, of course.)

One thing to note—this will not be a pristine studio-recorded podcast, but one which will always occur in a restaurant setting, meaning that mixed in with our conversation will be the sounds of eating and drinking and reviewing of menus and slurping and background chatter … in other words … life.

(3) PKD AWARD. The five Philip K. Dick Award judges for distinguished science fiction published in paperback original format in the United States in the 2016 award year are Michael Armstrong, Brenda Clough, Meg Elison, Lee Konstantinou, and Ben Winters.

(4) CASSANDRA CLARE SUED. “Copyright Clash Over Demon-Fighting Stories” at Courthouse News Service has the scoop.

Sherrilyn Kenyon says she started the “Dark-Hunter” series in 1998. The story “follows an immortal cadre of warriors who fight to protect mankind from creatures and demons who prey on humans,” according to court records.

On Friday, Kenyon sued Cassandra Clare aka Judith Rumelt aka Judith Lewis, claiming her “Shadowhunter” series initially used Kenyon’s trademark “darkhunter.”

After Kenyon demanded that Clare remove the word “darkhunter” from her work, Clare used the term “shadowhunter” for her protagonists instead, according to the lawsuit. The word “hunter” was also removed from the book title.

Clare’s book, “The Mortal Instruments: City of Bones,” was published in 2007. Since then, Clare has expanded her use of the term “shadowhunter” despite assurances that she would not, according to Kenyon.

Clare’s 2007 book was made into a movie and released in 2013, the lawsuit states. In 2014, it was reportedly announced that “Mortal Instruments: City of Bones” would be adapted into a television series called “Shadowhunters: The Mortal Instruments.”

Kenyon says ABC Family picked up Clare’s TV pilot in March 2015. The first episode of the “Shadowhunters” TV show premiered on Jan. 12 of this year, according to IMDB.

The “Dark-Hunter” author also claims Clare has used symbols and merchandise that are confusingly similar to Kenyon’s.

“Comparing the Dark-Hunter series to Clare’s work or works, the literary components are fictional and, in many respects, the elements are virtually identical,” Kenyon’s Feb. 5 lawsuit states. “These substantially similar elements, coupled with defendant’s access to the Dark-Hunter series, which were widely disseminated, leave little doubt that numerous substantive original elements of the Dark-Hunter series have been copied by defendant.”

(5) AB INITIO. Sarah A. Hoyt begins a column for Mad Genius Club about the preceding news story, “There Is Nothing New Under The Sun”, with these words —

So, this morning (yes, I crashed early yesterday) I was sent this article NEWS: Sherrilyn Kenyon sues Cassandra Clare over infringement claims by Amanda S. Green.  It’s amazing.  And by that I mean, I was amazed anyone is giving this so called “plagearism” any credence.

Now, I haven’t read the complaint, so perhaps there is more to it, and the complaint is more substantial. …

We’ll stop here and wait til she reads the complaint…

(6) GRRM’S EDITOR RATIONALE. George R.R. Martin had some feedback for File 770 commenters about the Best Editor (Long Form) category, but he also queried some of the editors he recommended about “What They Edited” in 2015.

My observations about the Best Editor (Long Form) Hugo, which you can read in full several posts down, have drawn some comments here and on FILE 770 from fans who object to my suggestion that this category has become a de facto lifetime achievement award, at least since David G. Hartwell set an example by withdrawing from future consideration after his third win.

The objections seem to take the form of stating emphatically that Best Editor (Long Form) is NOT a lifetime achievement award, it’s not, it’s not, it’s just NOT.

And quite right they are. According to the rules, that is. According to the rules, the award is only supposed to be for the previous year’s editing.

Which is great in theory, and completely wrong in fact. Maybe those who are objecting vote on that basis, but if so, they are a very tiny minority….

(7) TODAY IN HISTORY

  • February 10, 1957 – Roger Corman’s Not Of This Earth premiered.

Not of this Earth poster

(8) TODAY’S BIRTHDAY BOY

  • Born February 10, 1906 – Lon Chaney, Jr.

(9) A PEEK AT PIXAR. “Pixar and Khan Academy Release Free Online Course for Aspiring Animators”, from Makezine [via Chaos Manor.]

Up there with being an astronaut, comic book artist, or the President, there’s one job that your average kid would probably love to snag: Working at Pixar. Animation and Pixar enthusiasts of all ages, take note! Pixar in A Box (or PIAB) is a collaboration between Khan Academy and Pixar Animation Studios that focuses on real-Pixar-world applications of concepts you might usually encounter in the classroom. The latest batch of Pixar in a Box, released today, gives Makers a rare peek under the hood so that you can get a whiff of the warm engine that keeps those Pixar pistons pumping. There’s no need to register for the course, nor a requirement to watch the lessons in order — just head to their site and start exploring!

(10) BRING HIM HOME. Here’s a review of an app game — “The Martian: Communicate with Astronaut Mark Watney in real time while helping him return to Earth”.

In The Martian, you’ll experience the plight of astronaut Mark Watney, only in this strategy game you’re his only hope for survival. You play one of a NASA communications specialist that is communicating with Mark in real time via text-based messages. You’re his only contact on Earth, and all that stands between him and a return to our world, or certain death.

themartian

(11) MAD TEA. Links to all kinds of interesting Alice In Wonderland-themed merchandise in this post at The Snug.

Bonkers pillow

(12) BEST OF A YEAR LONG AGO. Black Gate’s John ONeill revisits “Thomas M. Disch on the Best Science Fiction of 1979”.

He has particular praise for Connie Willis’s first published story, “Daisy in the Sun,” originally published in issue #15 of Galileo (see right):

My own favorite among the also-rans is Connie Willis’s first published story, “Daisy in the Sun” (in the Wollheim/Saha annual). With lyric ellipses Willis describes a world in the grip of epidemic schizophrenia precipitated by news that the sun is going nova. The heroine is a sexually disturbed adolescent girl in a condition of fugal amnesia. All the way through I thought, “This won’t work,” but it did. What a great way to begin a career.

Of course, you could dismiss all this as sour grapes, as Disch’s own Hugo-nominee, the novel On Wings of Song, came in last in the voting that year.

(13) A CURIOUS ARTIFACT.

(14) RULES OF THE ROAD. After reading a few thousand selected words in the Amazon Web Service’s Service Terms, the account holder arrives here —

57.10 Acceptable Use; Safety-Critical Systems. Your use of the Lumberyard Materials must comply with the AWS Acceptable Use Policy. The Lumberyard Materials are not intended for use with life-critical or safety-critical systems, such as use in operation of medical equipment, automated transportation systems, autonomous vehicles, aircraft or air traffic control, nuclear facilities, manned spacecraft, or military use in connection with live combat. However, this restriction will not apply in the event of the occurrence (certified by the United States Centers for Disease Control or successor body) of a widespread viral infection transmitted via bites or contact with bodily fluids that causes human corpses to reanimate and seek to consume living human flesh, blood, brain or nerve tissue and is likely to result in the fall of organized civilization.

[Thanks to John King Tarpinian, Will R., and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day J-Grizz.]

I Dreamed I Saw Grace Slick Last Night

By John Hertz: (reprinted from Vanamonde 1154)  In fact I’ve met Grace Slick, alive as you or me.  She was born in the Year of the Rabbit, she’s been painting, and her birth surname was Wing.

I’ve met Joan Baez, who sang “Joe Hill” at Woodstock and whose Antioch degree is different from mine.  But I don’t want to get too far from the Lewis Carroll masterpiece Alice’s Adventures in Wonderland, establishing him as a master, published to the wonder of us all, the enrichment of the Imagi-Nation, and the benefit of humankind 150 years ago this month.

Through the Looking-Glass (1871) came later, although I’ve seen one of Ms. Slick’s paintings with both, likewise “White Rabbit” and Walt Disney’s “Alice in Wonderland”, and although my mother says I learned to read at about age 3 (you also may’ve been reading then) by making her read Looking-Glass aloud until I was reading it with her.  And, she sometimes says, correcting her.  Humph (not to be confused with Humpty-Dumpty).  I don’t remember that part.  But it’s a poor sort of memory that only works backwards.

This month’s Alice has never been out of print.  It’s in almost two hundred languages, e.g. Basque, Chinese, Esperanto, Finnish (4 translations), Hebrew, Hungarian (3 translations), Japanese, Latin, Polish (8 translations), Russian (7 translations, one by Vladimir Nabokov), Serbian, and Swedish (11 translations) which holds the Celerity Honor (wups! there goes half my readership – hey, you! wake up! get a dictionary! don’t be a vegetable!) having started in 1870; there’s a Shaw Alphabet text too.

It’s full of reference jokes, most following the best practice, fun if recognized but undaunting if not; e.g. Ambition, Distraction, Uglification, and Derision in Chapter 9, or digging for apples in Chapter 4 (“apple” in French is pomme, and pommes de terre are potatoes).  Some things well-known in its day may call for help now – e.g. bathing machines in Chapter 2, which aren’t like Chapter 4 of Between Planets.

Hosts have illustrated one or both of the Alice books.  I remain partial to Sir John Tenniel.

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What besides wit and satire (sarcasm is in anger, satire is with love)?  The story line is punctilious, from tears to a thimble, from a caterpillar to a cat, from a duchess to a dormouse to a dance to a decision; the verisimilitude is careful, from the best butter to the head-downwards lizard; the characters – don’t say they’re cardboard – look at the rabbit with his servants and his King, look at Alice as she grows – never mind her body size, or compare Chapters 2 and 12.  There’s beauty and vanity.  The pack-of-cards moment is worthy of Bleak House or The City and the Stars.  Both those protagonists, it must be said, were rebuilders.  But that is not the canvas on which our author chose to paint Alice.

Might Wonderland in the strict sense – if those words apply – be no fantasy, since it’s only a dream?  Might it be science fiction?  Here again is Sturgeon’s Apothegm (hey, you!) Science fiction is knowledge fiction.  Or perhaps the science is mathematics – especially if that includes logic – or is it the other way round?

Alias Charles Lutwidge Dodgson (in Latin, Carolus Ludovicus; reversed, Lewis Carroll) – born at Daresbury – which is in Cheshire – the author was indeed a mathematician.  He denied the story of Queen Victoria’s so enjoying Wonderland she suggested his next book be dedicated to her, thereupon receiving An Elementary Treatise on Determinants (1867).  Although his Alice was far more famous than his algebra, he always answered comminglers “Mr. Dodgson neither claims nor acknowledges any connection with books not published under his name.”

Alice earns and has a place with us.  Not so long ago a Boston committee bidding for the 47th Worldcon realized it if they won would be Noreascon III and a Mad Three Party, produced a suitable (I keep warning you about these puns) Masquerade entry at the 42nd Worldcon, and over 4½ years published 26 issues of The Mad 3 Party fanzine

alice25a– more than half being edited by Leslie Turek, who chaired Noreascon II and any minute now will be Fan Guest of Honor at Sasquan – to which we gave a Hugo.

Is this a book for children?  The author himself said it was.  Unlike the Hatter, although I may be mercurial, I don’t deny it.  But we don’t relegate to children the sense of wonder.  On the contrary, we pursue it.  There’s glory for you.