Audible, the audiobook publisher/distributor, stands accused of attracting readers to pay its monthly membership premium by encouraging customers to exchange a book they’re done with for another they want to listen to – becoming in effect a rental library. By treating the first sale as a return, Audible deprives the author of what they should have earned on a work that was bought and enjoyed.
Even worse for some authors, depending on the circumstances discussed below, their audiobooks will remain subject to Audible’s distribution scheme for years to come. There’s a colloquial version of the laws of thermodynamics that seems to apply: “You can’t win. You can’t break even. And you can’t get out of the game.”
Susan May, Scott Baron, and Cory Doctorow are three writers who have been focusing the spotlight of publicity on these issues.
Recently Audible has been actively promoting “exchanging” titles. Treating it as a library rather than a book store. The issue is, they literally take every exchange and treat it as a RETURN for authors.
That means authors are now taking HUGE hits on that platform. Every exchange takes a sale out of an author’s pocket. We don’t see one penny if it is exchanged.
Cory Doctorow synopsizes how Amazon’s companies ACX and Audible do business in this series of tweets.
Audible has their own publishing/distribution company where you can produce your book and then that book is distributed to Audible, Amazon and Apple. If you choose to “go exclusive” and distribute only to these three, you are granted the princely profit split of 40%. This is after spending sometimes upward of $6 to $8k on an audiobook. To give you an idea, my last audiobook Destination Dark Zone cost me $US6,200 to produce.
If you’re not exclusive to Audible and decide to distribute your book to other retail stores such as Kobo, Scrib’d and local libraries, then you only receive twenty-five percent of your sales or your share of the pot from memberships.
Oh, that’s right, I didn’t mention that. There’s three ways an author is paid. When an Audible member uses a monthly credit which they receive as part of their membership, a rights holder receives a share of the pot created by the number of memberships paid, minus Audible’s profit. This pot varies each month. So we never know how much this per download share will be until the day we are paid, but it’s something close to $US5, while members pay $14.95 for a membership with one credit per month to use on a book.
When you pay, say, $7.49 on Amazon for an add-on audiobook when you’ve purchased the eBook, we are paid $2.99 on the forty percent split. Should you buy an audiobook as a member from Audible and not use a credit, according to my reports, members pay $9.15 for most of my books, and I receive $3.61.
Some rights holders don’t have an exclusive deal with Audible. Many don’t because they believe in not putting all their eggs in Amazon’s basket. Well, they get less. So, just go right ahead and nearly halve these payments because they only receive twenty-five percent. It’s not much is it compared to what readers and members pay for each book or monthly subscription fee?
… So, this whole system seems a little unfair, right? Authors pay for everything, take all the risk for a smaller cut of the profits, while the richest man in the world’s company keeps the lion’s share and controls everything.
But that’s only the background, so readers can picture the injustice that May explains next:
Even more insidious than the low royalty rates paid us by Audible is something I call #AudibleGate, of which you may not be aware. Audible is promoting returns of any audible book for “any reason, no questions asked,” even if the person has listened to the whole Audible book and enjoyed it. The return is permissible up to 365 days and in some countries it’s been reported that it’s infinity. What??? Hey now, no, Susan May, how would that work? Surely not. That would be objectively unfair to the author. Might even be illegal.
Why, yes, it is unfair and morally wrong and possibly even theft by stealth. You’re so smart to realize that. Do tell Audible because they don’t seem to get it.
Audible are actively promoting this “benefit” to their members as a way of incentivizing them to stay locked in each month because you can only return audiobooks if you’re a member. Hmm, that’s clever marketing. Audible even sends emails encouraging users to return a book, screens pop up after you finish reading suggesting a return, and there is even an obvious “return” button on the app which changes wording depending on whether you’ve finished the book or are part way through. Part-finished it’s “RETURN TITLE”. Finish the book and it changes to “EXCHANGE.”
Who loses when I return a book? readers think.
Audible! Surely, Audible? Surely not authors? And who cares anyway? Audible’s owned by the world’s richest man, so, it’s not big deal to return a book. It’s my right. It’s part of being an Audible member.
Well, you’re favorite authors lose, my wonderful reader. Our accounts are debited for that returned book, sometimes a year later. We, the hard-working content creators and narrators eat this loss, not Amazon. Let me repeat this for impact. Authors pay for this “benefit” and many times we are not earning any money for the sale of an audiobook even if it is thoroughly enjoyed by the reader. Audible though, they don’t miss out, they still get your monthly subscription payment. Authors weren’t asked if we wanted to offer this “benefit” or if we agreed to it or were happy to pay for it. Audible just did it for their own commercial benefit.…
Then, May quantifies how prevalent this abuse is.
How many readers, I hear you ask, are returning books? Surely everybody is honest and wouldn’t do this unless the book is absolutely terrible and you’ve only listened to an hour or so?
Ah, ah, ah, nearing fifty percent returns for many authors. Some less, but not by much. My number is fifty per cent. Think on that now. They’re halving my sales to prop up their business. My books can’t be that bad. If they were that bad, they should kick me off the platform for poor customer experience.
We don’t know how long they’ve been doing this but we feel it could be the past eighteen months or longer, maybe a lot longer, maybe even years but growing slowly as more people spread the word about how to easily return books.
The true state of affairs was not readily apparent to authors because of the timing of the return transactions and the format of Audible’s earnings statements. Then, in October, authors got some shocking news when something caused several weeks’ returns to be reported collectively:
… So, until a recent glitch occurred (which they’re “sorry for the confusion”, or because they finally got found out) where ACX clawed back three weeks of returns in one day on the 20th October, many authors had no idea this was even happening.
Authors simply awakened to see they had lost ten, twenty, thirty, and in some cases hundreds of sales. That was for those who’d been keeping tally of their sales to date for the month (quite a few don’t). Some had suspected something was amiss, like myself, but didn’t know how many were being returned exactly. We only saw the minus figures and zeros on a regular enough basis to know there was an issue.
Susan May is taking what action she can:
…Many authors, myself being one, are not creating any more audiobooks until this is resolved. We don’t get paid much per sale, the lion share is kept by Audible, even though we pay up to anything around $8k to create an audiobook, and then add marketing on top of that. Now they are also stealing up to half of our small percentage return to bump up their own profits.
WHY DON’T WE LEAVE AUDIBLE AND ACX?
Yes, we are all leaving Audible to go wide, if we haven’t already, but they still represent a large chunk of the pie, and even if you place your books through another distributor to deliver to Audible, you’re still losing via the returns on the Audible platform.
There is also the annoying detail of a lock-in contract of seven years which prevents authors from leaving even if they are unhappy and bonded into a feudal farming-style, unfair practice literally cheating them.
…WHAT CAN YOU DO?
If you’ve been returning audiobooks and misusing the system, whether you were completely unaware of the implications to an author or not, please STOP. JUST STOP. In the physical world, this is akin to eating at a restaurant, enjoying the food and then a month later asking for your money back because you fancy eating at the restaurant again and can’t afford to pay, or don’t want to pay, or want to eat at another place because you’ve already tried their food but you want them to pay by refunding your money. We will never know who you are, we authors, but we will be grateful if you stop doing this.
Please spread the word to your friends and family how the system works at Audible…
…However, an electoral college is a university where you study to pick the leader of your republic. Like any university it has a library and over-priced places to eat which the students avoid because they can’t afford to eat on campus but that’s OK because all their lectures are online now and they can eat toast at home. In America, the electoral college is in a big tree all covered in ivy and so probably doesn’t have a lot of room for over-priced places to eat, maybe only a gift shop selling t-shirts with the university name on them.
Copyright law is supposed to promote creativity, not stamp out criticism. Too often, copyright owners forget that – especially when they have a convenient takedown tool like the Digital Millennium Copyright Act (DMCA).
EFF is happy to remind them – as we did this month on behalf of Internet creator Lindsay Ellis. Ellis had posted a video about a copyright dispute between authors in a very particular fandom niche: the Omegaverse realm of wolf-kink erotica. The video tells the story of that dispute in gory and hilarious detail, while breaking down the legal issues and proceedings along the way. Techdirt called it “truly amazing.” We agree. But feel free to watch “Into the Omegaverse: How a Fanfic Trope Landed in Federal Court,” and decide for yourself.
The dispute described in the video began with a series of takedown notices to online platforms with highly dubious allegations of copyright infringement. According to these, one Omegaverse author, Zoey Ellis (no relation) had infringed the copyright of another, Addison Cain, by copying common thematic aspects of characters in the Omegaverse genre, i.e., tropes. As Ellis’ video explains, these themes not only predate Cain’s works, but are uncopyrightable as a matter of law. Further litigation ensued, and Ellis’ video explains what happened and the opinions she formed based on the publicly available records of those proceedings. Some of those opinions are scathingly critical of Ms. Cain. But the First Amendment protects scathing criticism. So does copyright law: criticism and parody are classic examples of fair use that are authorized by law. Still, as we have written many times, DMCA abuse targeting such fair uses remains a pervasive and persistent problem…
(4) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born October 30, 1919 – Walt A. Willis. One of our finest fanwriters. The success of “WAW with the Crew in ’52”, bringing him from Belfast to Chicago for Chicon II the 10th Worldcon, laid the foundation for TAFF (Trans-Atlantic Fan Fund), of which he was the first Administrator. Fanzines Hyphen, Slant. Two Hugos (Outstanding Actifan i.e. active fan, 1958; Best Fanzine, for Slant, Retrospective Hugo, 2004). Fan Guest of Honor at MagiCon the 50th Worldcon (Orlando). See more here. (Died 1999) [JH]
Born October 30, 1923 — William Campbell. In “The Squire of Gothos” on Trek — a proper Halloween episode even if it wasn’t broadcast then — he was Trelane and in “The Trouble With Tribbles”, he played the Klingon Koloth, a role revisited on Deep Space Nine in “Blood Oath”. He appeared in several horror films including Blood Bath, Night of Evil, and Dementia 13. He started a fan convention which ran for several years, Fantasticon, which celebrated the achievements of production staffers in genre films and TV shows and raised funds for the Motion Picture & Television Fund, a charitable organization which provides assistance and care to those in the motion picture industry with limited or no resources, when struck with infirmity and/or in retirement age. (Died 2011.) (CE)
Born October 30, 1935 – Don A. Thompson. Pioneer of comics fandom. With Dick Lupoff, co-edited All in Color for a Dime and The Comic-Book Book. With wife Maggie Thompson, wrote “Beautiful Balloons” column for The Buyer’s Guide for Comic Fandom, and edited the Guide after it changed hands in 1983; with her, an Inkpot, a Kirby, an Eisner, Diamond Lifetime Fan Award (1991). DT & MT were Fan Guests of Honor at Penulticon ’79. (Died 1994) [JH]
Born October 30, 1947 –Tim Kirk, 73. One of our finest fanartists; five Hugos. His Master’s thesis illustrated The Lord of The Rings, still among the best; Ballantine published thirteen images as the 1975 Tolkien calendar. Senior designer for Tokyo DisneySea. Designed Paul Allen’s SF Museum (Seattle). Here is an interior from Science Fiction Review. Here is the May 74 Algol. Here is “The Riddle Game”. Here is a drawing used for Loscon 46. Here is Not All a Dream. [JH]
Born October 30, 1951 — P. Craig Russell, 69. Comic illustrator whose work has won multiple Harvey and Eisner Awards. His work on Killraven, a future version of H. G. Wells’ The War of the Worlds, collaborating with writer Don McGregor, was lauded by readers and critics alike. Next up was mainstream work at DC with I think his work on Batman, particularly with Jim Starlin. He also inked Mike Mignola’s pencils on the Phantom Stranger series. He would segue into working on several Moorcock’s Elric of Melniboné projects. Worth noting is his work on a number of Gaiman projects including a Coraline graphic novel. Wayne Alan Harold Productions published the P. Craig Russell Sketchbook Archives, a 250+-page hardcover art book featuring the best of his personal sketchbooks.
Born October 30, 1951 — Harry Hamlin, 69. His first role of genre interest was Perseus on Clash of The Titans. He plays himself in Maxie, and briefly shows up in Harper’s Island. He was Astronaut John Pope in the genre adjacent Space miniseries. On the stage, he’s been Faust in Dr. Faustus. (CE)
Born October 30, 1958 — Max McCoy, 62. Here for a quartet of novels (Indiana Jones and the Secret of the Sphinx, Indiana Jones and the Hollow Earth, Indiana Jones and the Dinosaur Eggs and Indiana Jones and the Philosopher’s Stone) which flesh out the back story and immerse him in a pulp reality. He’s also writing Wylde’s West, a paranormal mystery series. (CE)
Born October 30, 1962 – Lisa Major, 58. Co-editor with husband Joseph of the fanzine Alexiad. Fan of horse races, including trotting, pacing. From October 2020 (Alexiad 113): “September is International Month. Normally we of the libraries get assigned a country in order that we may display books … and have programs…. This year … not open to the public … I decide that I will have my own…. a bakery owned by a woman from Uganda … has a marvelous display…. I walk out with … a decorated little bowl … gives me something of the … serenity I got … when my library was assigned Japan.” [JH]
Born October 30, 1972 – Tammy Coxen, 48. Chaired Detcon the 11th NASFiC (North America SF Con, since 1975 held when the Worldcon is overseas). Hugo Administrator for CoNZealand the 78th Worldcon. Wrote this guide “So You Want to Bid for a Worldcon”. Cocktail enthusiast and Chief Tasting Officer of Tammy’s Tastings. [JH]
Born October 30, 1972 — Jessica Hynes, 48. Playing Joan Redfern, she shows up on two of the most excellent Tenth Doctor stories, “Human Nature” and “ The Family of Blood”. She’d play another character, Verity Newman in a meeting of the Tenth and Eleventh Doctors, “The End of Time, Part Two”. Her other genre role was as Felia Siderova on Randall & Hopkirk (Deceased) in the “Mental Apparition Disorder” and “Drop Dead” episodes. (CE)
Born October 30, 1974 – Libia Brenda, 46. Part of the Mexicanx Initiative Experience at the 76th Worldcon and thus a Hugo finalist for Best Related Work. “Sea Wings” (in English) in the Jul 19 Argonaut. Two anthologies, A Larger Reality being speculative fiction “from the bicultural margins”, and A Timeline in Which We Don’t Go Extinct being A Larger Reality 2.0, each in English and Spanish. [JH]
…It’s not enough to be a mammal who lays eggs, sports a duck-like bill and webbed feet, hunts using electroreception, and wields venomous spurs. The platypus also glows green under ultraviolet light. Because of course it does. Details of this unexpected discovery were published earlier this month in the science journal Mammalia.
The platypus now joins a very exclusive club, as it’s one of only three known biofluorescent mammals, the other two being opossums and flying squirrels. That said, the platypus does stand alone as the only known monotreme, or egg-laying mammal, capable of pulling off this trick (the only other extant monotremes are four species of echidna). Of course, biofluorescence is seen in many other organisms, such as fungi, fish, phytoplankton, reptiles, amphibians, and at least one species of tardigrade.
But wait – if they’re delivering in sunlight they still won’t need one, will they….
(6) BUY IT AGAIN. [Item by Daniel Dern.] So the Amazon Shopping app on my phone just recommended (Samuel R Delany’s) BABEL-17, including via Kindle Unlimited.
Given some of my browsing I guess that’s not completely out of the blue, although it feels like I’d been doing some (research) lookups for Heinlein but not Delany.
If Amazon were a person, I’d respond with a picture of my $0.50 Ace paperback with the “Nebula winner” sticker on the cover design. I’m not sure if I have any older copies. If I have an autographed one, it’s in a different stack, not worth fishing for just for an item. So there, Mr Bezos — you may know what I look up online, but you don’t (yet) know what is one my shelves. (If I ever scan for inventorying, no doubt that will change.)
(8) VIDEO OF THE DAY. Dr. Sanjay Gupta Rates Halloween Masks – a segment on The Late Show With Stephen Colbert.
Halloween is coming up and with the coronavirus, it’s more important than ever for everyone to stay safe. That’s why CNN’s Chief Medical Correspondent, Dr. Sanjay Gupta, is here to make sure your Halloween masks are as safe as your regular mask!
[Thanks to John King Tarpinian, Andrew Porter, Ben Bird Person, Danny Sichel, Michael Toman, JJ, John Hertz, Mike Kennedy, Cat Eldridge, Daniel Dern, and Martin Morse Wooster for some of these stories. Title credit belongs to File 770 contributing editor of the day Jon Meltzer.]
First and foremost, the CBLDF is grateful that Kris Simon has come forward. We also want to recognize Taki Soma for what she endured and for bringing this to light. Both have our full support. We are releasing Shy Allot from the NDA she signed in 2010 when she left the organization so that her story can also be heard.
CBLDF’s Board is undergoing a complete review of management practices and where we have fallen short. We are examining our mission to ensure it meets modern industry needs, and will do so with input from our full-time staff, expert third parties, and the comics and manga community.
The CBLDF announced today that Paul Levitz is retiring from our Board of Directors. In addition, the Board has accepted the resignations of Katherine Keller and Jeff Abraham.
We respect the decisions that Paul, Katherine and Jeff have made to leave the Board. We realize it will be a long path to earning back the trust of our members, supporters and the industry. We recognize that it’s been our inability to react, or act at all, that’s been the cause of pain in our community.
Even last week, when we took the necessary action in accepting Charles’s resignation, our communications were stilted and clumsy. To everyone who has come forward, we haven’t done justice to your bravery and we are truly sorry. We vow to be better….
The 2020 SFWA Nebula Conference morphed mid-COVID from an in-person conference into an impressive online event, held May 29-31, 2020. There were 808 members from 33 countries, a record, up from 2019’s record-breaking 475 registered members.
(3) LISTEN IN ON FANHISTORY. Fanac.org has posted the second segment of its audio recording of the “Fans Into Pros” panel at IguanCon II, the 36th Worldcon, held in Phoenix, Arizona in 1978. (The link to Part I is here.) The participants are Guest of Honor Harlan Ellison, Robert Silverberg, Terry Carr, Richard Lupoff and Ted White.
This audio recording (enhanced with many images) is Part 2 of that panel. More serious than part 1, this segment talks about becoming a writer, and provides straightforward, candid insights about selling in the field. There’s less byplay but lots of good discussion. Note two things – the recording does not go to the end of the panel but stops abruptly (source material ends), and there is a section where members of the audience are speaking and you can’t hear them on the recording.
Please be patient – the responses from the panel are worth hearing. This recording courtesy of IguanaCon chairman Tim Kyger.
(4) BRITAIN IS FINE. Rob Hansen has added a section about the 1979 Worldcon bid to his website THEN, with publications, photos, etc. Rob says, “I’ll eventually get around to tackling the con itself, but in the meantime here’s the tale of how it came to be.”
The story of how the idea of holding a UK Worldcon in the 1970s emerged, and how things came together and the bid then evolved, is worthy of its own entry. The bid also had its own series of progress reports independent of the eventual convention, all of which are included here.
(5) NOBODY MUST GET STONED. The recent launch of Avengers: Infinity War on Disney+ was promoted by a short video on Marvel’s Instagram account highlighting the Marvel Cinematic Universe’s six Infinity Stones.
Pretty much everyone has some kind of vocal tic, some sort of repeated phrase or word they use without necessarily even realizing it in their day-to-day conversations. Pointing it out in each other is generally considered an asshat thing to do, but that doesn’t change how damn annoying it can be for all of us. On that note, here’s some sort of supercut of all 214 times someone says “some sort of” or “some kind of” on some sort of show called Star Trek: The Next Generation.
(7) MEDIA BIRTHDAYS.
July 1, 1955 — Robby the Robot was born. Or so claims the studio, Metro-Goldwyn-Mayer, that would release Forbidden Planet where he had his first screen appearance on March 4, 1956. He would go to be part of a number of series including Lost in Space, The Addams Family, The Twilight Zone and Holmes & Yo-Yo to name but a few of his appearances. His latest appearance was on The Big Bang Theory with other movie props in “The Misinterpretation Agitation” episode. (CE)
July 1, 1984 — William Gibson’s Neuromancer was published. It would win a Hugo for Best Novel at Aussiecon II. It was the first novel to win the Nebula Award, the Philip K. Dick Award, and the Hugo Award for a paperback original. The novel opens with the new famous line of “The sky above the port was the color of television, tuned to a dead channel.” Deadpool director Tim Miller was chosen three years ago to direct a live-action film adaptation, and Neuromancer the Opera was written but a quarter of a century later has not been staged.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born July 1, 1891 — Otis Adelbert Kline. Early pulp writer and and literary agent whose great claim to fame was a possibly apocryphal feud with fellow author Edgar Rice Burroughs, in which he supposedly raised the latter’s anger by producing close imitations of Burroughs’s Mars novels. Wollheim and Moskowitz believed in the feud theory, Richard Lupoff wrote an articl debunking the idea. (Died 1945.) (CE)
Born July 1, 1923 – Jean Hougron. Indochina (as it then was) 1947-1951; a score of novels. Two for us, The Sign of the Dog, translated into German, Italian, Portuguese; and Naguen, winning the Grand Prix de la Science-Fiction. Grand Prix du roman de l’Academie française for Death and Fraud, no. 4 in his series The Indochina Night. (Died 2001) [JH]
Born July 1, 1934 — Jean Marsh, 86. She was married to Jon Pertwee but it was before either were involved in Dr. Who. She first appeared alongside The First Doctor in “The Crusade” as Lady Joanna, the sister of Richard I (The Lionheart). She returned later that year as companion Sara Kingdom in “The Daleks’ Master Plan”. And she’d return yet again during the time of the Seventh Doctor in “Battlefield” as Morgana Le Fay. She’s also in Unearthly Stranger Dark Places, Return to Oz, Willow as Queen Bavmorda and The Changeling. (CE)
Born July 1, 1935 — David Prowse, 85. The physical embodiment of Darth Vader in the original Star Wars trilogy. Ok, it’s been a very long time since I saw Casino Royale but what was Frankenstein’s Creation doing there, the character he played in his first ever role? That he played that role in The Horror of Frankenstein and Frankenstein and the Monster from Hell, Hammer Films a few later surprises me not. He shows up in Gilliam’s Jabberwocky according to IMDB as Red Herring and Black Knights (and no I’ve no idea what that means). Finally, he’s the executioner in The People That Time Forgot, a film that’s very loosely based off of several Burroughs novels. (CE)
Born July 1, 1942 – rich brown. No capital letters in his name. By the mid-1960s known and knowledgeable enough to publish, with Arnie Katz and Mike McInerney, the fanzine Focal Point, revived with AK in the early 1970s. Also with AK the 3rd (1971) ed’n of The Enchanted Duplicator (1994 ed’n here) i.e. not the protagonist of “Double, Double, Toil and Trouble” but producing one’s fanzine, once and for some still the heart of fan activity; also with AK The Incompleat Terry Carr (a somewhat more compleat ed’n 1988 by Jerry Kaufman); contributed a study of fanspeak to Joe Sanders’ Science Fiction Fandom, eventually brought into Fancyclopedia 3. Self-depreciatingly said “I’m everyone’s rich brother” and “I’m in The Lord of the Rings. The Ents have my skin. They have rich brown skin.” (Died 2006) [JH]
Born July 1, 1952 – Mary Kay Kare , 68. Edited Red Dust, clubzine of the Norman, Oklahoma, SF Society; then Seattle, San Jose. Co-chaired Potlatch 19 (literary SF con). Innocently going overseas to Corflu 27 she found herself Guest of Honor – at Corflu this is determined by drawing names from a hat. Hugo Awards Administrator at Denvention 3 the 66th Worldcon; photo here. Widow of the extraordinary Jordin Kare. [JH]
Born July 1, 1959 – Leah Zeldes Smith, 61. Can be found under both maiden and married names; husband, Dick Smith. Served on boards of Ann Arbor SF Ass’n, Nat’l Fantasy Fan Fed’n. Co-founded Michigan Soc. of (Hapless) Amateur Publishers – opinions differ on whether the H is for Hapless or silent as in bheer; anyhow, MISHAP. Half a dozen stories in Mike Resnick anthologies. Fanzine Stet (with Dick) 3-time Hugo finalist. Fan Guest of Honor at Corflu 4. Down Under Fan Fund delegate (with Dick), attended Swancon 18. Chaired Operacon. More here. [JH]
Born July 1, 1964 — Charles Coleman Finlay, 56. His first story, “Footnotes”, was published in 2001 in The Magazine of Fantasy & Science Fiction where many of his other stories were published, and which he has edited for past six years. The Traitor to the Crown series is his best-known work. (CE)
Born July 1, 1965 – Kevin Maroney, 55. Long-time managing editor, now publisher, of the New York Review of SF, 14-time Hugo finalist. Guest of Honor at Detcon the 11th NASFiC (North America SF Con, held since 1975 when the Worldcon is overseas). He says “Science fiction valorizes people who Know Things.” Dilettante in the old sense. [JH]
Born July 1, 1976 – Ketty Steward, 44. Author, critic, proofreader. Two dozen stories; collection, Interrupted Connections (in French, i.e. Connexions interrompoues; KS lives in Martinique). “HeLa Is Here” in English here. Two special issues of Galaxies (in French) devoted to Africa. Genre-mixing autobiographical novel, Black & White (Noir et blanc). Degrees in applied mathematics, social sciences, labor science. Student of Afrocyberfeminism. [JH]
Born July 1, 1981 — Genevieve Valentine, 39. Author of the superb Persona novel, and also she scripted a Catwoman series, working with artists Garry Brown and David Messina. Her first novel, Mechanique: A tale of the Circus Tresaulti, won the Crawford Award for a first fantasy novel. She also scripted a run of Xena: Warrior Princess. (CE)
If you’ve ever wondered what space smells like, a new perfume may answer that for you. A kickstarter was recently launched for a new fragrance called Eau de Space to bring the smell of outer space back down to Earth.
The fragrance was developed by Steve Pearce, according to Eau de Space product manager Matt Richmond. Pearce is a chemist and the founder of Omega Ingredients, a company focused on the “creation of the highest quality, provenance driven, natural flavours and ingredients for the food and beverage industry,” its website says.
(10) IN BOOKS TO COME. Andrew Liptak told readers where to find his monthly Reading List:
As some of you know from June, Polygon has decided to discontinue the list on their site for the foreseeable future — one small casualty from COVID. Accordingly, I’ve shifted the list over to my newsletter, Reading List.
This newsletter is designed as a step-back from the day-to-day news of the SF/F world, with a couple of different types of letters. Free ones have a regular set of content: I’m aiming for a book review and/or short piece of commentary, along with a list of notable long-read articles and pieces of note, as well as a roundup of book recommendations. I’m also using it as a place to conduct longer-form interviews and this book list. This has a growing audience, with a solid reading and open rate: 50-58%, depending on the post.
The paid version (Reading List+) is something I just launched, and it features longer or in-depth commentary or reported feature — the first was about J.K. Rowling and Richard K. Morgan’s comments online. The next is set to go out this week, about the legacy of Michael Crichton’s name. This has a smaller audience, but with a much higher open and reading rate (~80%). Future plans here include podcasting (to be called Transfer Orbit), with one long-form interview set to debut later this month, as well as a handful of other posts, ranging from essays about writing, an in-depth feature on a military war game, and more.
(11) YOUR CHAIRS ARE READY. Episode 30 of the Two Chairs Talking podcast is out: “The many trouser-legs of time”. Perry Middlemiss and David Grigg are joined by Dr. Lucy Sussex to talk about alternate history novels. In particular, they discuss those alternate timelines in which the Axis powers won the Second World War. (Did someone forget to punch the Nazis?)
Amazon has pulled its first major game release, putting it back into a testing phase after poor feedback from players.
Free-to-play shooter Crucible is now being put back into “closed beta” – a pre-release stage with a limited number of players.
Current players will be part of the beta, but new players will be unable to download the game without an invite.
Amazon said it had listened to player feedback and would “continue to make the game better”.
In May, when the game was about to be released, Amazon Games vice-president Mike Frazzini told the BBC the company wanted “to make games that resonate with a very large audience of players”.
(17) VIDEO OF THE DAY. What?!
Dippin’ Dots—they’re an amusement park, zoo, aquarium and overall summertime staple. The mini balls of ice cream that melt in your mouth are also a childhood favorite. But where did the “ice cream of the future” come from? The answer has a little something to do with cow feed.
[Thanks to Andrew Liptak, John King Tarpinian, Chip Hitchcock, Andrew Porter, JJ, Cat Eldridge, John Hertz, Mike Kennedy, Martin Morse Wooster, and Michael Toman for some of these stories. Title credit goes to File 770 contributing editor of the day Soon Lee.]
… Though her presidency ended last year, the legacy of her work was on full display during a vibrant awards ceremony and conference, a gathering forced online due to the COVID-19 pandemic.
“She’s the reason that SFWA was able to do this pivot because she put the organization on such firm financial footing,” said Mary Robinette Kowal, SWFA president, during the awards, adding: “She was such an amazing president for five years. Let me say that again. She was president of SFWA for five years. Five.”
Asked to give a speech that Saturday night, the webcast from her delightfully book-cluttered office turned into a toss-the-script moment.
“I had a pretty speech all prepared, but the news this morning convinced me to throw that all away,” she said of the developing clashes around the country between protesters and law enforcement after George Floyd was killed by arresting police in Minneapolis last week.
She noted that the SFWA was started by a small group of writers who wanted to look out for their fellow writers. The need for that mission has only been reinforced in a time of pandemic and pandemonium.
(2) THE NOT RIGHT SPEAKS OUT. Alt-right blog Bounding Into Comics did a roundup of the opinions of writers Jon Del Arroz, Jennifer Marie Brissett, Kit Sun Cheah, Yakov Merkin, and Louie Lozano. who condemned plans SFWA announced yesterday in “A Statement from SFWA on Black Lives Matter and Protests”.
…Earlier this week, the Toybook published the copy of an email sent to affiliates by the marketing network Rakuten LinkShare. “In light of recent events, Lego has requested the below products to be removed from sites and any marketing ASAP,” the letter begins. The list of more than 30 products includes such playsets as Sky Police Air Base, Police Highway Arrest, Police Handcuffs & Badge and Police Pursuit, as well as a Lego version of the White House, which has been the site of several clashes between police and protesters.
In a statement provided to Yahoo Entertainment, Lego stresses that these playsets are not being pulled from sale in stores or online, but confirms that they are part of an ongoing marketing pause. No end date was specified as to when the brand would resume marketing. (Read the full statement below.)…
…There is no place for racism in our society. We stand with the black community against racism and inequality. Our mission is to inspire and develop the builders of tomorrow, and that includes inspiring them to be tolerant, inclusive and kind. There is more to do and as one small step, we are donating US$4 million to organizations in the U.S. dedicated to organizations that support black children and others that educate all children about tolerance and racial equality. …
…DC’s comics will be available through Lunar Distribution and UCS Comics Distributors, the companies that were set up during Diamond’s downtime, as well as Penguin Random House, which has been DC’s book distributor for many years.
…Asked for confirmation, a DC spokesperson sent this statement:
“After 25 years, DC and Diamond Comic Distributors are ending their long-standing relationship. Moving forward, comic book retailers can obtain their DC books from Penguin Random House, or their books and periodicals through Lunar or UCS comic book distributors. DC continues to be committed to providing the Direct Market with best in class service and the fans with the world’s greatest comic books.”
The mailer included this answer to “Why is DC Doing This?”
DC has been analyzing its Direct Market distribution for some time, long before COVID, specifically in light of sustained stagnant market growth. The timing of the decision to move on from Diamond was ultimately dictated by the fact that DC‘s contract with Diamond has expired, but incidentally, the disruption by COVID to the market has required DC to forge ahead with its larger growth strategies that will benefit both the Direct Market and DC.
… Diamond has just released a response from owner Steve Geppi….
Today, DC sent out a retailer communication indicating they are ending their long-standing relationship with Diamond. In April, we were informed that DC was going to begin distributing products through additional partners. At that time, they asked us to submit a proposal for a revised agreement with the understanding that Diamond would continue to be one of their distributors. Which we promptly did. They then requested an extension to June 30 which we also accommodated. Last week, DC requested an additional extension through July. We responded with questions and DC indicated they would reply today, June 5. Instead of receiving a response, today we received a termination notice. While we had anticipated this as a possible outcome, we, like so many others in the industry, are disappointed by their decision to end our partnership so abruptly at this time.
Marvel’s Jessica Jones: Playing With Firelaunched on Serial Box on May 28th, with new episodes available every Thursday. Jessica Jones’ dry sense of humor, her brand of “self care”, and a simple missing person case, what could possibly go wrong? (well, everything of course, and that’s what makes this so addictively entertaining!).
The 16 episode season was written by Lauren Beukes, Vita Ayala, Sam Beckbessinger, Zoe Quinn, and Elsa Sjunneson, and narrated by Fryda Wolff. …
NOAF: How did the team decide who was going to write which episodes? Any funny stories about how particular scenes were plotted out or designed?
LB: We settled it with an old-fashioned rage-in-the-cage, home-made weapons, anything goes, no backsies. No, that’s not right. We used our words and talked it out. What was interesting was how particular episodes really resonated with different writers. It was very organic and democratic. Elsa was excited to write the Matt Murdock chapters because it’s the first time the blind Daredevil has been written by an actual blind writer. Vita called dibs on the big fight scene, and Zoe wanted to delve into the psychological trauma and head games. I wanted to kick it off, set the tone and then we brought in another wonderful South African writer, Sam Beckbessinger, post-writers room, to write some of the later chapters.
(7) TODAY IN HISTORY.
June 5, 1956 — X Minus One’s “Project Mastodon” first aired. Based off multiple Hugo Award wining author Clifford D. Simak’s novella from the March 1955 issue of Galaxy Science Fiction, Three adventurers return to prehistoric times, found a country called Mastodonia, and try to establish diplomatic relations with the United States with somewhat mixed results. The script is by Ernest Kinoy. The cast members were Floyd Mack, Dick Hamilton, Charles Penman, Raymond Edward Johnson, Frank Maxwell, Bob Hastings, John Larkin and Joe Julian. You can listen to it here.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born June 5, 1844 — L. T. Meade. Author of series aimed generally at girls but who wrote several genre series as well, to wit Stories of the Sanctuary Club, The Brotherhood of the Seven Kings and The Sorceress of the Strand. All of these were co-written by Robert Eustace. Meade and Eustace also created the occult detective and palmist Diana Marburg in “The Oracle of Maddox Street” found initially in Pearson’s Magazine in 1902. (Died 1924.) (CE)
Born June 5, 1899 – Boris Artzybasheff. Prolific graphic artist in and out of our field; 200 covers for Time (one was Craig Rice – pen name of Georgiana Craig – first mystery-fiction writer shown there, 28 Jan 46). Here is his cover for The Circus of Dr. Lao – he did its interiors too; here is The Incomplete Enchanter. Here is a commercial illustration, “Steel”; here is Buckminster Fuller. Don’t miss him in Vincent Di Fate’s Infinite Worlds. Book of his artwork, As I See (rev. 2008). (Died 1965) [JH]
Born June 5, 1908 – John Fearn. British author of SF, crime fiction, Westerns; fairground assistant, cinema projectionist; wrote under two dozen names. Two hundred books in our field, two hundred eighty shorter stories. Guest of honor at Supermancon (the second Eastercon – British national SF con – to be held at Manchester). (Died 1960) [JH]
Born June 5, 1928 — Robert Lansing. He was secret agent Gary Seven in the “Assignment: Earth” episode of Trek. The episode was a backdoor pilot for a Roddenberry series that would have starred him and Teri Garr, but the series never happened. He of course appeared on other genre series such as The Twilight Zone, Journey to the Unknown, Thriller and Alfred Hitchcock Presents. (Died 1994.) (CE)
Born June 5, 1931 – Barbara Paul, 89. She says, “I did not grow up reading science fiction…. I was one of those smug mundanes who thought ‘sci-fi’ was all death-rays and aluminum-foil spacesuits and Robby the Robot. (Well, maybe sci-fi is, but not SF.) It wasn’t until my son, eleven at the time, handed me a book f short stories by Robert Sheckley that I began to realize what I’d been missing.” For us, six novels (I’m counting Liars and Tyrants and People who Turn Blue, which depends upon a psychic character), a dozen and a half shorter stories; more of other kinds e.g. detectives. [JH]
Born June 5, 1946 — John Bach, 74. Einstein on Farscape (though he was uncredited for most of the series), the Gondorian Ranger Madril in the second and third movies of The Lord of the Rings film trilogy, also a British bodyguard on The Chronicles of Narnia: Prince Caspian. And he was the body double for shooting Saruman in place of Christopher Lee, who was unable to fly to New Zealand for principal photography on The Hobbit film series. (CE)
Born June 5, 1949 – Ken Follett, 71. Five novels, as many shorter stories, in our field, under this and other names; translated into Dutch, Finnish, German, Hungarian, Italian, Spanish; dozens more, some international best-sellers; The Pillars of the Earth, about building a 12th Century cathedral, sold 27 million copies as of 2019; film and television adaptations. Non-fiction On Wings of Eagles about rescuing men from Iranian prison. Four honorary doctorates. Bass balalaika with folk group Clog Iron. [JH]
Born June 5, 1953 — Kathleen Kennedy, 67. Film producer responsible for E.T. the Extra-Terrestrial, her first film, and later produced the Jurassic Park franchise. She’s been involved in over sixty films, I’d say at least half genre, starting with Raiders of the Lost Ark as an associate to Steven Spielberg. Amblin Films with her husband and Spielberg has produced many of the genre’s best loved films. (CE)
Born June 5, 1960 – Margo Lanagan 60. A dozen novels, six dozen shorter stories, in our field; among the two dozen contributors to “Celebrating 50 Years of Locus” in Locu s687. Two Ditmars, three World Fantasy awards. Recent collection, Singing My Sister Down. [JH]
Born June 5, 1964 – P.J. Haarsma 56. Author, photographer. Co-founder of Kids Need to Read. Four Rings of Orbis books, two Spectrum comics (with Alan Tudyk, Sarah Stone) in that world, and an electronic role-playing game. Crowd-funded $3.2 million to start Con Man (television). Redbear Films commercial production. [JH]
Born June 5, 1971 — Susan Lynch, 49. Northern Irish actress whose career in film started off by being a selkie in The Secret of Roan Inish with her next role being an unnamed Paris Vampire in Interview with a Vampire. Film wise, her last role to date is Aunt Alice in Ready Player One. She’s got one series credit to date playing Angstrom In the Thirteenth Doctor story, “The Ghost Monument”. (CE)
Born June 5, 1976 — Lauren Beukes, 44. South African writer and scriptwriter. Moxyland, her first novel, is a cyberpunk novel set in a future Cape Town. Zoo City, a hardboiled thriller with fantasy elements is set in a re-imagined Johannesburg. It won both the Arthur C. Clarke Award and a Kitschies Red Tentacle for best novel. And The Shining Girls would win her a August Derleth Award for Best Horror Novel. (CE)
Do you need a dose of optimism and joy in such uncertain and turbulent times? We’ve got just the thing with a wonderful Jimmy Kimmel Live segment in which Mark Hamill (Luke Skywalker himself!) surprises a California healthcare worker who also happens to be a massive Star Wars fan. That’s Chloé Ducos, a registered nurse who works in a coronavirus testing tent in San Diego.
“I’m a pretend hero, you’re the real hero. Thank you for your service,” Hamill told Ducos, who burst into genuine tears of shock and happiness when the actor appeared on the virtual call and removed his Jedi-like hood. Her heartwarming reaction alone makes the video below worth watching.
Kimmel’s YouTube intro adds:
…We are also giving her $10,000 from our friends at PayPal, who will also be sending PayPal vouchers to all of her coworkers as well.
The 25-year-old teacher was helping archaeologists excavate an 800-year-old log cabin, high above the Arctic Circle on the northern coast of Alaska.
They had pitched tents right on the beach. Over the course of a month, Peterson watched a gigantic pod of beluga whales swim along the beach, came face-to-face with a hungry polar bear invading their campsite and helped dig out the skull of a rare type of polar bear.
But the most memorable thing happened right at the end of that summer trip.
“I noticed a red spot on the front of my leg,” Peterson says. “It was about the size of a dime. It felt hot and hurt to touch.”
The spot grew quickly. “After a few days, it was the size of a softball,” he says.
Peterson realized he had a rapidly spreading skin infection. And he thought he knew where he might have picked it up: a creature preserved in the permafrost….
Police officers and staff are being “terrorised” by a family of crows that is nesting at its headquarters.
Essex Police Deputy Chief Constable Pippa Mills warned visitors to the site to “beware” and “keep calm and keep walking” in a tweet about the issue.
She shared a photo of a warning sign which has been put up at Essex Police HQ.
It advises people to “take an alternative route” or “wear a hat or use an umbrella”.
The sign urges people to “not act aggressive as they will feel threatened”.
(15) IT REALLY BUGS THEM.The Harvard Gazette finds the worst problem with a lack of sleep might not center where you’d think: “Sleep, death, and… the gut?”
The first signs of insufficient sleep are universally familiar. There’s tiredness and fatigue, difficulty concentrating, perhaps irritability or even tired giggles. Far fewer people have experienced the effects of prolonged sleep deprivation, including disorientation, paranoia, and hallucinations.
Total, prolonged sleep deprivation, however, can be fatal. While it has been reported in humans only anecdotally, a widely cited study in rats conducted by Chicago-based researchers in 1989 showed that a total lack of sleep inevitably leads to death. Yet, despite decades of study, a central question has remained unsolved: Why do animals die when they don’t sleep?
Now, Harvard Medical School (HMS) neuroscientists have identified an unexpected, causal link between sleep deprivation and premature death.
In a study on sleep-deprived fruit flies, published in Cell on June 4, researchers found that death is always preceded by the accumulation of molecules known as reactive oxidative species (ROS) in the gut.
When fruit flies were given antioxidant compounds that neutralize and clear ROS from the gut, sleep-deprived flies remained active and had normal lifespans. Additional experiments in mice confirmed that ROS accumulate in the gut when sleep is insufficient.
The findings suggest the possibility that animals can indeed survive without sleep under certain circumstances. The results open new avenues of study to understand the full consequences of insufficient sleep and may someday inform the design of approaches to counteract its detrimental effects in humans, the authors said.
(16) VIDEO OF THE DAY. “Looking for Mr Bond, 007 at the BBC–James Bond Documentary” on YouTube is a 2015 BBC documentary,, directed by Matthew Thomas, that includes 50 years of behind-the-scenes footage from the BBC of Bond movies, including interviews with Ian Fleming, John le Carre, and Roald Dahl, who wrote the screenplay for From Russia With Love.
[Thanks to John Hertz, John King Tarpinian, JJ, Mike Kennedy, Michael Toman, Martin Morse Wooster, Chip Hitchcock, Cat Eldridge, and Andrew Porter for some of these stories. Title credit goes o File 770 contributing editor of the day Tom Becker.]
The visionary sci-fi author envisaged an alternate future that foresaw many aspects of life today, from big pharma to Trumpism. Now she has a cult following, writes Hephzibah Anderson.
It’s campaign season in the US, and a charismatic dark horse is running with the slogan ‘make America great again’. According to his opponent, he’s a demagogue; a rabble-rouser; a hypocrite. When his supporters form mobs and burn people to death, he condemns their violence “in such mild language that his people are free to hear what they want to hear”. He accuses, without grounds, whole groups of people of being rapists and drug dealers. How much of this rhetoric he actually believes and how much he spouts “just because he knows the value of dividing in order to conquer and to rule” is at once debatable, and increasingly beside the point, as he strives to return the country to a “simpler” bygone era that never actually existed.
You might think he sounds familiar – but the character in question is Texas Senator Andrew Steele Jarret, the fictional presidential candidate who storms to victory in a dystopian science-fiction novel titled Parable of the Talents. Written by Octavia E Butler, it was published in 1998, two decades before the inauguration of the 45th President of the United States.
…Fourteen years after her early death, Butler’s reputation is soaring. Her predictions about the direction that US politics would take, and the slogan that would help speed it there, are certainly uncanny. But that wasn’t all she foresaw. She challenged traditional gender identity, telling a story about a pregnant man in Bloodchild and envisaging shape-shifting, sex-changing characters in Wild Seed. Her interest in hybridity and the adaptation of the human race, which she explored in her Xenogenesis trilogy, anticipated non-fiction works by the likes of Yuval Noah Harari. Concerns about topics including climate change and the pharmaceutical industry resonate even more powerfully now than when she wove them into her work.
And of course, by virtue of her gender and ethnicity, she was striving to smash genre assumptions about writers – and readers – so ingrained that in 1987, her publisher still insisted on putting two white women on the jacket of her novel Dawn, whose main character is black. She also helped reshape fantasy and sci-fi, bringing to them naturalism as well as characters like herself. And when she won the prestigious MacArthur ‘genius’ grant in 1995, it was a first for any science-fiction writer.
… Science fiction has been described as a literature of ideas, a literary arena in which the idea is hero. This may well be true. Too often, however, it is a flawed literature of ideas, marked by shoddy treatments received with uncritical enthusiasm. The Cold Equations has been cited an instance of the “literature of ideas” at its best.
In the original article I argued that the story is no such thing but rather that it is an example of systemic blindness to morally obtuse assumptions. This argument is considered in detail below. Given that, one asks: Why is the story so ardently defended – and attacked? Why has the story made such an impression?…
Amazon quietly banned Adolf Hitler’s manifesto “Mein Kampf” late last week, part of its accelerating efforts to remove Nazi and other hate-filled material from its bookstore, before quickly reversing itself.
The retailer, which controls the majority of the book market in the United States, is caught between two demands that cannot be reconciled. Amazon is under pressure to keep hate literature off its vast platform at a moment when extremist impulses seem on the rise. But the company does not want to be seen as the arbiter of what people are allowed to read, which is traditionally the hallmark of repressive regimes.
Over the last 18 months, it has dropped books by Nazis, the Nation of Islam and the American neo-Nazis David Duke and George Lincoln Rockwell. But it has also allowed many equally offensive books to continue to be sold.
The short version therefore of how right wing blogs are reacting plays out in a personal level in Declan’s story. Initial scepticism and eagerness to carry on as if it is all a fuss over nothing which then collides with an escalating reality and blaming the government.
Not that you really ought to deny yourselves – Finn fits quite an
epic in between requests for money and Dragon Award nominations.
…We went to the Al Italia counter and the moderately long line. It was processed quickly. We came to the counter.
I showed her the passports.
“No,” she said.
No? What do you mean no? Are you going to cancel our flight again? Am I going to have to leap across your sad, pathetic Corona rope line and throttle you into giving us a boarding pass out of this Hell hole? How much more ransom do we have to pay to get us out of here!
She took an abnormally long breath, thought about what she had to say next, and continued, “Other check in, around the corner.”
Whew. No manslaughter charges for me today….
While trying to get to their flight they stepped through the wrong door at the airport, ended up on the tarmac, and were corralled by security. Talk about the cold equations — for that violation Italian authorities slapped them with a 4000 euro fine, which is 4497.00 in US dollars. A friend has started a GoFundMe to try and help them recoup some of the money.
(5) WORKING AT HOME, LIKE USUAL. George R.R. Martin began his post “Strange Days” telling about how his theater and other ventures in Santa Fe are closed by the coronavirus outbreak, then gave his personal status:
For those of you who may be concerned for me personally… yes, I am aware that I am very much in the most vulnerable population, given my age and physical condition. But I feel fine at the moment, and we are taking all sensible precautions. I am off by myself in a remote isolated location, attended by one of my staff, and I’m not going in to town or seeing anyone. Truth be told, I am spending more time in Westeros than in the real world, writing every day. Things are pretty grim in the Seven Kingdoms… but maybe not as grim as they may become here.
For now, we’re just excited to hear that George is back at work on The Winds of Winter (of course, it’s possible he’s referencing the script for the upcoming HBO prequel House of the Dragon, but that seems unlikely given the phrasing here).
Winds of Winter was originally scheduled for release in November 2018, but the book got delayed so Martin could focus on Fire & Blood, a “historical” account of House Targaryen that serves as the basis for House of the Dragon. Back in May 2019, he joked in a blog post that if he hadn’t finished the book by 2020 Worldcon New Zealand, he should be locked up on New Zealand’s White Island until he finished it.
In other words, Martin really wants to be done with Winds of Winter by the end of July when the annual conference takes place.
(6) HYPERFEASANCE. The Balticon committee was surprised
when the Renaissance Baltimore
Harborplace Hotel started sending out room cancellation notices before
they could make an announcement. On
March 12, the Governor of Maryland established a ban, of indeterminate
duration, on all gatherings of more than 250 people in response to the
coronavirus outbreak. The con had been scheduled for May 22-24. The committee told Facebook
After we shut down online registration over the weekend pending a conversation with the hotel, continuing developments with COVID-19 and discussions with the convention committee had convinced the Baltimore Science Fiction Society Board of Directors we likely needed to cancel the convention. However, we had not yet identified a process for doing that with minimal confusion, nor had we had a conversation with the hotel discussing the process. Today we learned that the hotel had started canceling registrations. We were as surprised as everyone else to hear about the canceled reservations and see that our reservations were getting canceled.
…We could have waited, made the decision closer the convention, but honestly, having spent some weeks following the evolving situation, listening to epidemiologists and public officials in both Finland and Sweden, our conclusion is that the chances of the situation having stabilised in May seem very slim indeed. It’s not just a question of whether we would be legally permitted to hold the con in May, but whether we could do it in a responsible manner.
We need to spare everyone involved the unnecessary work and costs. Adlon, our hotel, will take a financial hit. We need to let them know and plan. We want to avoid our members paying for non-refundable travel at a time when the committee don’t believe it will be possible to arrange a convention.
Fortunately, we have few costs we can’t recoup. …
The con was to have been held May 21-24 in Mariehamn.
Supergirl is not known for its subtlety. Aliens in the show are a thinly veiled metaphor for immigrants, LGBTQ people, and “others.” The current story arc is coming to a head with the Agent Liberty storyline, in which a TV personality rises through the ranks of government thanks to his anti-alien rhetoric — which sounds familiar, even his real-world equivalent doesn’t have Lex Luthor providing him with fancy gear.
That said, the show is remarkably subtle about a milestone it reached last year: Supergirl features TV’s first openly transgender superhero, Dreamer. Rather than make Nia/Dreamer’s trans-ness a huge deal, after she came out as transgender, the other characters matter-of-factly accepted her, and it never became an issue….
(9) WORDEN OBIT. Astronaut Al
Worden died March 17 at the age of 88 reports Florida Today.
“We remember this pioneer whose work expanded our horizons,” NASA Administrator Jim Bridenstine said in a statement.
Worden was one of only 24 people to have flown to the moon. He was also the first astronaut to conduct a deep-space extravehicular activity, or EVA, during Apollo 15’s return to Earth in 1971.
During the mission, he orbited the moon dozens of times while astronauts David Scott and James Irwin explored the surface.
(10) TODAY IN HISTORY.
March 18, 1981 — The Greatest American Hero premiered on ABC. Created by producer Stephen J. Cannell, the series features William Katt, Robert Culp and Connie Sellecca. It had to fight off lawsuits from the owners of the Superman copyright who thought the concept and look of the suit was too close to their product. After that, a real Mr. Hinckley tried on March 30th of that year to assassinate President Reagan, so scripts involving protagonist Ralph Hinkley had to be rewritten to be named Ralph Hanley (or sometimes just “Mr.H”). You can see the pilot here. And yes, it’s up legally courtesy of the copyright holders.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born March 18, 1888 — Alexander Leydenfrost. As an illustrator, he briefly worked for Planet Stories before being signed by Life magazine where the money was better. But his quite brief tenure at Planet Stories is credited with the creation of the enduring cliché Bug Eyed Monster as that’s what his illustrations showed. (Died 1961.)
Born March 18, 1926 — Peter Graves. Star of Mission Impossible and the short lived Australian-based Mission Impossible which if you not seen it, you should as it’s damn good. I’m reasonably certain his first genre role was on Red Planet Mars playing Chris Cronyn. Later roles included Gavin Lewis on The Invaders, Major Noah Cooper on Buck Rogers in the 25th Century, Doug Paul Martin in Killers from Space and Paul Nelson on It Conquered the World. It’s worth noting that a number of his films are featured on Mystery Science Theater 3000 series. (Died 2010.)
Born March 18, 1932 — John Updike. It might surprise you to learn that there are two Eastwick novels, The Witches of Eastwick and The Widows of Eastwick, the latter set some three decades after the first novel ended. He wrote a number of other genre friendly novels including The Centaur, Brazil and Toward the End of Time. (Died 2009.)
Born March 18, 1950 — J. G. Hertzler, 70. He’s best known for his role on Deep Space Nine as the Klingon General (and later Chancellor) Martok. He co-authored with Jeff Lang, Left Hand of Destiny, Book 1, and Left Hand of Destiny, Book 2, which chronicle the life of his character. His very TV first role was a genre one, to wit on Quantum Leap as Weathers Farrington in the “Sea Bride – June 3, 1954” episode. Setting aside DS9, he’s been in Zorro, Highlander, The Adventures of Brisco County, Jr., Lois & Clark: The New Adventures of Superman, Lois & Clark: The New Adventures of Superman, Charmed, Roswell and Enterprise series; for film genre work, I see The Redeemer: Son of Satan, Treasure Island: The Adventure Begins and Prelude to Axanar (yet another piece of fanfic). In addition, he’s done a lot of video game voice acting, the obvious Trek work but such franchises as BioShock 2, The Golden Compass and Injustice: Gods Among Us.
Born March 18, 1959 — Luc Besson, 61. Oh, The Fifth Element, one of my favorite genre films. There’s nothing about it that I don’t like. I’ve not seen Valerian and the City of a Thousand Planets and reviews leave me disinclined to do so. The Transporter is not genre but I recommend it as a great film none the less.
Born March 18, 1960 — Richard Biggs. He appeared as Dr. Stephen Franklin on Babylon 5, reprising the role in the final aired episode of Crusade, “Each Night I Dream of Home”. Other genre roles included playing Roger Garrett on Tremors, Hawkes In The Alien Within, An Unnamed Reporter on Beauty and the Beast, Dr. Thomson on an episode of The Twilight Zone and a Process Server in an episode of The Magical World of Disney. (Died 2004.)
Born March 18, 1961 — James Davis Nicoll, 59. A freelance game and genre reviewer. A first reader for SFBC as well. Currently he’s a blogger on Dreamwidth and Facebook, and an occasional columnist on Tor.com. In 2014, he started his website, jamesdavisnicoll.com, which is dedicated to his book reviews of works old and new; and which later added the highly entertaining Young People Read Old SFF, where that group read prior to Eighties SF and fantasy, and Nicoll and his collaborators comment on the their reactions.
Born March 18, 1973 — Max Barry, 37. He’s written a number of novels of which I’ve read his superb dystopian Jennifer Government and Machine Man when it was online serial. His newest is Providence which sounds fascinating though his book tour in the US got canceled he notes on his blog.
… Given the impregnable humourlessness of most sci-fi – from the rigorously logical ‘hard sf’ of the novelist Isaac Asimov’s Foundation trilogy (1951–53) to the dreamy vision of Andrei Tarkovsky’s film Solaris (1972) – the genre’s tropes should be an open goal for the comic imagination. Why, then, do so many sci-fi themed comedies fail to raise a smile? Partly, it’s that parody, as a form, is hard to sustain – witness Seth Macfarlane’s television series The Orville (2017–20), a directionless send-up of Star Trek (1966–69), or Mel Brooks’s movie Spaceballs (1987), a staggering unfunny Star Wars (1977) take-off. Comparatively better were the first two seasons of British sitcom Red Dwarf (1988–2017). Drawing on the aesthetic of John Carpenter’s slackers-in-space movie, Dark Star (1974), the show centred initially on a classic odd-couple relationship between the last human in existence, a warm-hearted scouse wastrel, and his foil, an uptight, socially ambitious hologram. However, when Red Dwarf’s popularity and budget increased, it fell into two traps familiar to makers of ‘straight’ on-screen sci-fi: an overreliance on special effects and (fatally) a fan-servicing emphasis on the lore of its own fictional universe, which destroyed any tension that once existed between the show’s ‘situation’ and its ‘comedy’.
“The area that I’m spending a lot of time on has been growing out of a bunch of research that occurred a while ago on brain-computer interfaces,” Newell said. “I think that that’s kind of long lead stuff, so that’s kind of the background thread that I get pulled back into when other things aren’t demanding my attention.”
Human brains can already communicate with computers directly, though in very limited ways compared to the sci-fi systems of The Matrix or William Gibson’s Neuromancer, where physical reality can be totally replaced with a simulated, virtual one. But Newell doesn’t think that kind of sci-fi tech is as far off as it might seem.
“We’re way closer to The Matrix than people realize,” Newell said. “It’s not going to be The Matrix—The Matrix is a movie and it misses all the interesting technical subtleties and just how weird the post-brain-computer interface world is going to be. But it’s going to have a huge impact on the kinds of experiences we can create for people.”
A newly discovered fossil bird could be the earliest known ancestor of every chicken on the planet.
Living just before the asteroid strike that wiped out giant dinosaurs, the unique fossil, from about 67 million years ago, gives a glimpse into the dawn of modern birds.
Birds are descended from dinosaurs, but precisely when they evolved into birds like the ones alive today has been difficult to answer.
This is due to a lack of fossil data.
The newly discovered – and well-preserved – fossil skull should help fill in some of the gaps.
“This is a unique specimen: we’ve been calling it the ‘wonderchicken’,” said Dr Daniel Field of the University of Cambridge.
“It’s the only nearly complete skull of a modern bird that we have, so far, from the age of dinosaurs and it’s able to tell us quite a lot about the early evolutionary history of birds.”
(19) TUB THUMPING. Don’t
miss the Special “Social Distancing” Edition of The Late
If you’re watching this from home right now, you’re doing the right thing. If you’re watching it from your bathtub bunker like our host, please remember to save some hot water for the rest of us. Either way, we’re glad you’re with us. So stay hunkered down and please enjoy this episode of The Lather Show with Scrubbin’ Colbath!
[Thanks to Michael Toman, John King Tarpinian, JJ, Chip Hitchcock,
Iphinome, Cat Eldridge, Andrew Porter, Mike Kennedy, Martin Morse Wooster, Contrarius,
and Michael J. Walsh for some of these stories. Title credit goes to File 770
contributing editor of the day Jayn.]
(1) BULLISH ON JOCK. PropStore is holding an auction of alternate movie posters by Jock.
In “Poster Boy”,
“Mondo artist Jock talks us through five of his most impressive posters, all of
which are part of the Prop Store Movie Poster Auction on March 26.”
Guardians of the Galaxy
This was an idea-led design choice. That technique of cutting out the bodies was more common in old ’50s and ’60s American magazine illustration. The goal with doing that was to elevate what would just be a drawing of the characters standing there into something that’s more design-led and more interesting.
How does your poster-design process start? I think posters often work best if there’s an idea behind them, rather than just being an illustration of the characters in a cool position. For my most recent Star Wars posters, for example, I chose a scene from the films that we all know and love, but tried to present it from an angle that we haven’t seen before. The only thing about trying to come up with an idea is you can’t force it. You’ve just gotta kind of noodle and doodle until you maybe have an idea for something.
(2) A LITTLE NUDGE. The discussion here is an
example of one of the social dynamics at work on the Hugo Awards. It begins
with this tweet —
(3) LIU ADAPTATION TO SMALL SCREEN. AMC has given a two-season
pickup to Pantheon, a sff drama from Craig Silverstein. The series is based on short stories by Ken Liu.
Written by Silverstein (Turn: Washington’s Spies, Nikita), Pantheon is set in a world where uploaded consciousness is a reality. The first season centers on Maddie, a bullied teen who receives mysterious help from someone online. The stranger is soon revealed to be her recently deceased father, David, whose consciousness has been uploaded to the Cloud following an experimental destructive brain scan. David is the first of a new kind of being: an “Uploaded Intelligence” or UI, but he will not be the last, as a global conspiracy unfolds that threatens to trigger a new kind of world war.
…YouTube has canceled the sci-fi series Impulse after two seasons, making it the latest casualty in the video platform’s changing strategy for original programming. …
Impulse, developed by Jeffrey Lieber (Lost, NCIS: New Orleans) and with a pilot episode directed by executive producer Doug Liman, premiered in June 2018. It centers on 16-year-old Henrietta “Henry” Coles (Maddie Hasson), who has the ability to teleport but can’t control where she ends up. It’s based on a novel of the same title by Steven Gould.
In a sign of the challenges, Disney+ has developed then scrapped three original series in the past year: scripted comedy Muppets Live Another Day from Adam Horowitz, Eddy Kitsis and Josh Gad; Disney villains drama Book of Enchantment from Michael Seitzman; and, per sources, a never-announced Tron adaptation from John Ridley. Two other projects — TV series based on High Fidelity and Love, Simon — were moved to Hulu over their adult thematic content that executives weren’t comfortable showing on the family-friendly Disney+.
Doctor Whois unique among current popular genre series in that it’s technically been around for nearly 60 years, officially kicking off on November 23, 1963….
And that can cause issues, because 1963 was a very different time, for television and the world in general. So was 1977, when Tom Baker was starring as the Fourth Doctor. That’s when the show aired the serial “The Talons of Weng-Chiang,” starring John Bennett acting in yellowface as villain Li H’sen Chang, a stage magician aided by Mr. Sin, a cyborg from the 51st century known as the Peking Homunculus.
Yeah, it’s bad. And did we mention that, in the serial, Chinese people are referred to as “inscrutable ch**ks”? It’s very bad.
“It is really hard to watch because yellowface is so unacceptable now,” said Emma Ko, a screenwriter and spokeswoman for British East Asians in Theatre and on Screen. “When you are somebody who was called a “ch**k” in your childhood, as I have been, it is so hard to hear that word and not feel immediately a trigger reaction of how wrong it is.”…
(7) DOING WHAT COMES
SUPERNATURALLY. [Item by Martin Morse Wooster.] In “Michael
Koryta and Alma Katsu on Horror, Craft, and Reinvention” at CrimeReads,
horror novelists Koryta and Katsu interview each other on their new novels,
Katsu’s The Deep and Koryta’s The Chill (written as by Scott
Carson), as they ask each other about their backgrounds and how they ended up writing
Katsu has lived in the Washington D.C. area and has been a guest at Capclave.
Alma Katsu: After establishing yourself in mystery and crime, I have to ask, what drew you to horror for The Chill? What was the appeal? Does everyone secretly—or openly—love horror?
Michael Koryta: Love of the storytelling world where the past is encroaching on the present. A ghost story invites the past right in and treats it as if it never left. In my experience, that’s really how we live our lives—every move made in the present is shaped by memory, right? On individual and societal levels. The idea of kicking open a door that allows the past to wander in and be active is always appealing to me. For some reason, I’m particularly drawn to this when the natural world is involved in the story. The idea of turning on a faucet in Queens and receiving water that comes from a reservoir in the Catskills where once a town existed is both intriguing to me and fundamentally eerie. Drink up!
I don’t think everyone loves horror, which is a shame, because they should. A little paranoia is good for the soul. It seems so unimaginative to not be afraid of the dark.
What about you? Why are you writing for the warped minds like mine?
Katsu: I lived in a strangely Gothic world as a child. I grew up in a very spooky house in a spooky town in Massachusetts. The house was an old Victorian, long neglected, which meant it had all these period details that, being a Service brat, I’d never seen before. Pocket doors that disappeared into the walls, twisty stairs leading up to an attic filled with old trunks left by previous occupants. Overrun by mice, so the walls talked to you every night. Growing up in a house like that definitely cements the notion that the past is a frightening place.
(8) BLACK WIDOW FINAL TRAILER. Black Widow arrives in theaters May 1.
“At some point we all have to choose between what the world wants you to be and who you are.”
March 10, 1978 — Return from Witch Mountain premiered. The sequel to Escape to Witch Mountain, it was written by Malcolm Marmorstein and is based on were characters that created by Alexander Key who also wrote the novelization of the film. Ike Eisenmann, Kim Richards, and Denver Pyle reprise their roles from the first with Bette Davis and. Christopher Lee being the baddies here. Neither critics (40% rating) or audience (50% rating) at Rotten Tomatoes were particularly fond of it. You can see it here.
March 10, 1995 — VR.5 premiered on Fox. It featured a cast of David McCallum, Anthony Head, Lori Singer and Louise Fletcher. It was created by Jeannine Renshaw. Executive producer Thania St. John stated that in press releases, “VR.5 will try to capture that same, creepy feeling of the X-Files” which was the lead-in to this series. It lasted a total of thirteen episodes with only ten shown in its first run. There is no audience rating at Rotten Tomatoes but the aggregate critic rating is very high 75%. You can see the pilot here.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born March 10, 1891 — Sam Jaffe. His first role was in Lost Horizon as the High Lama and much later in The Day the Earth Stood Still playing Professor Jacob Barnhardt. Later on we find him in The Dunwich Horror as Old Whateley, voicing Bookman in Bedknobs and Broomsticks, playing The Old-Man in The Tell-Tale Heart, and in his last film, appearing in Battle Beyond the Stars as Dr. Hephaestus. John Sayles wrote the script oddly enough. (Died 1984.)
Born March 10, 1905 — Richard Haydon. He’s here as he was in The Lost World, the 1960 film version, as Prof. Summerlee. He showed up in the same year in The Twilight Zone in “A Thing About Machines” as Bartlet Finchley. And he’d be Solicitor Herr Falkstein in Young Frankenstein. (Died 1985.)
Born March 10, 1918 — Theodore Cogswell. He wrote almost forty science fiction stories, most of them humorous, and was the co-author of a Trek novel, Spock, Messiah!, with Joe Spano Jr. He’s perhaps best remembered as the editor of the Proceedings of the Institute for Twenty-First Century Studies in which writers and editors discussed their and each other’s works. A full collection of which was published during 1993 except, as EoSF notes “for one issue dealing with a particularly ugly controversy involving Walter M. Miller”. (Died 1987.)
Born March 10, 1938 — Marvin Kaye, 82. Currently the editor of Weird Tales, he has also edited magazines such as H. P. Lovecraft’s Magazine of Horror and Sherlock Holmes Mystery Magazine. The Fair Folk anthology which is most excellent and which he edited won a World Fantasy Award.
Born March 10, 1958 — Sharon Stone, 62. Damn, she’s the same age I am. She’s been in three genre films, her first being Total Recall where she played the ill-fated Lori Quaid. Her next was Sphere where she was cast as Dr. Elizabeth “Beth” Halperin, and last was in, errr, Catwoman where she was Laurel Hedare, an assassin.
Born March 10, 1969 — Paget Brewster, 51. She was Jenny Spy on The Adventures of Rocky and Bullwinkle, and most of her genre roles have been voice roles: Lana Lang on Batman: The Dark Knight Returns, Lois Lane on Justice League: Gods and Monsters and Poison Ivy on Batman and Harley Quinn.
Born March 10, 1977 — Bree Turner, 43. She’s best known for her role as Rosalee on Grimm. She also starred in the pilot episode (“Incident On and Off a Mountain Road”) of Masters of Horror. She was in Jekyll + Hyde as Martha Utterson. Confession time: I got through maybe three seasons of Grimm before giving up as it became increasingly silly.
Born March 10, 1979 — Fonda Lee, 41. Her Jade City novel was a finalist for a Nebula Award for Best Novel and won a World Fantasy Award. Its sequel. Jade War, was published last year. And her Cross Fire novel was named Best YA Novel at the 2019 Aurora Awards for best Canadian speculative fiction.
(12) COMICS SECTION.
Macanudo is making perfect sense interpreting a Philip Dick title!
[…] Meanwhile, lawmakers were given new instructions on how to protect themselves at the Capitol, with the House’s attending physician asking them to stop shaking hands or touching people during greetings — he recommended the split-fingers Star Trek greeting instead.
Slowly but surely, we’re starting to find out more about the Lord of the Rings TV show. Amazon’s series – the rights for which are rumoured to have cost the streaming service $250 million – may not yet have a release date, but there’s plenty of information out there: cast members, filming location, and news of a second season renewal have all been revealed.
Whether you’re a Tolkien diehard or someone who’s just eager to head back to Middle-Earth after watching the movies, we’ll break down what to expect from the Lord of the Rings TV show below. To Mordor!
Billy Bane is a prophet who got it all wrong, and the galaxy has been burning ever since. All he wants is to waste away in the darkest corner of space with his best pal Dust, a supercharged Fuq bot. But when a new prophet comes calling, Billy is summoned to save the galaxy he’s at least partially responsible for destroying.
Too bad he couldn’t care less.
Michael Moreci (Roche Limit, Wonder Woman, Black Star Renegades) and Hayden Sherman (The Few, Cold War, John Carter: The End) have thrown Philip K. Dick in a blender with Preacher. Take a sip and get wasted.
(16) AHMED’S LATEST. Coming from Marvel in June:
MARVELS SNAPSHOTS: CIVIL WAR #1
Written by SALADIN AHMED; Art by RYAN KELLY; Cover by ALEX ROSS
In the heart of the Civil War event, a human story unfolds. A S.H.I.E.L.D. agent, doing his best to do the job with honor—but is that even possible? A young, low-level Super Hero, trying to help his neighbors—but that’s not even legal any more. The two come together in a story that’ll test their commitment, ideals, hopes, and dreams.
Featuring Captain America, Giant-Man, Maria Hill, and more, Kurt Busiek recruits Hugo-Award-winning writer Saladin Ahmed and all-star Ryan Kelly to uniquely retell this iconic Marvel story.
(17) DON’T LOSE THAT NUMBER. [Item by Rob Thornton.] Evidently,
speculative fiction is gaining traction within many music communities. William
Gibson was asked by Wire Magazine,
which is one of the leading underground music magazines (behind a paywall), to
take part in the Invisible Jukebox and identify a series of recordings by ear
Invisible Jukebox: William Gibson: Can the visionary science fiction author hack The Wire’s mystery record selection? Tested by Emily Bick…
[(from The Royal Scam [ABC 1976]).
“Kid Charlemagne. I have it on my iPhone.
You’re a real Steely Dan fan, right?
Yeah, I was a Steely Dan fan from the day the 45 “Rikki Don’t Lose That Number” came out and continue to be this day. Lyrically, it was unlike anything I’ve ever heard, and it continues to be. Back in the later 80s I would be in the supermarket shopping. Sometimes I’d be the only male shopper, and “Hey Nineteen” would come on the Muzak. And so I’m listening to this, and looking around me are all these lovely young mothers, and I’m thinking holy shit, does nobody scan the stuff for what the lyrics mean, because this is the most deliberately sexually perverse and shocking material. Sometimes I hear younger people say, “Oh, Steely Dan. Everything’s been sanded off. It’s all smooth, it doesn’t sound like human beings are making it.” And then when you listen to the lyrics….
They got their name from a double-headed dildo, so you really can’t expect much else.
….That days were shorter tens of millions of years ago is hardly a revelation. The new study is important in that it improves the accuracy of pre-existing estimates, while providing a new way of studying the past.
“Previous estimates were based on counting daily laminae [growth layers] similar to the ones we did chemical analyses on,” de Winter told Gizmodo. “This [previous] counting yielded roughly the same number of days per year, but with different countings yielding differences up to 10 days due to human error and the difficulty in recognizing daily layers by eye.”
Key to the research was a single fossil shell belonging to Torreites sanchezi, a rudist clam. Now extinct, rudists were shaped like boxes, tubes, and rings, and they filled an ecological niche currently occupied by coral reefs. T. sanchezi grew very quickly as far as hinged, or bivalve, mollusks are concerned, exhibiting thin layers of daily growth rings.
Here’s a new view of Anak Krakatau, the collapsed Indonesian volcano that generated the 22 December tsunami that devastated local coastlines.
The picture was assembled from radar images acquired on Wednesday by the ICEYE-X2 satellite.
This is a small innovative spacecraft from Finland that will soon be part of a large orbiting network of sensors.
The volcano continues to evolve, following the cone’s catastrophic failure.
Its original height of 340m was reduced to just 110m in the disaster, but further eruptions have since begun to re-model the remnant structure.
“This image indicates the edifice is in a building phase, with the crater no longer connected to the sea as it was in images from a week or so ago,” observed Prof Andy Hooper from Leeds University, UK.
… In The Postman Always Rings Twice, for example, the fictional Twin Oaks Tavern is at the center of much of the action. The story in Cain’s debut novel revolves around the tavern’s owner, Nick Papadakis (“the Greek”), his younger wife, Cora, and Frank Chambers, a drifter they hire to help out at the place; Cora and Frank get involved and conspire to kill the Greek. The Twin Oaks is a roadhouse in the mountains above L.A., with a gas station and motel joining a restaurant to make Papadakis’s little empire. Places like that were common in the 1930s and ’40s but aren’t today, so the few that are left are treasures. Newcomb’s Ranch is one of them.
Newcomb’s opened in what is now the Angeles National Forest in 1939, only a few years after Cain wrote Postman. It’s a cheery, ranch-style wooden building set among pines, on winding Angeles Crest Highway about an hour north of Glendale, where the Papadakises would travel to do their shopping.
Newcomb’s Ranch is a popular weekend destination for motorcyclists who stop for lunch after roaring up Angeles Crest Highway, and I enjoyed the drive up as much as they do. It’s a gorgeous journey into the San Gabriel Mountains; if you go in winter, you might be fortunate enough to encounter trees flocked with snow and low-hanging clouds settling around the peaks.
[Thanks to Rich Horton, JJ, Mike Kennedy, Cat Eldridge, rcade, Chip
Hitchcock, John King Tarpinian, Andrew Porter, Martin Morse Wooster, Daniel
Dern, and Michael Toman for some of these stories. Title credit goes to File
770 contributing editor of the day Contrarius.]
(1) STÅLENHAG ARRIVES ON SMALL SCREEN. Amazon Prime
dropped a trailer for Tales from the Loop.
Inspired by the wondrous paintings of Simon Stålenhag, Tales from the Loop explores the mind-bending adventures of the people who live above the Loop, a machine built to unlock and explore the mysteries of the universe – making things previously relegated to science fiction, possible.
(2) HUGO DEADLINE APPROACHING. CoNZealand sent members a
reminder that the end of the Hugo
nomination period is March 13, 2020 at 11:59 p.m. Pacific Daylight Time (2:59
am Eastern Daylight Time, 06:59 Irish time, and 8:59 pm March 14, 2020 New
If you think the government has more information about UFOs than it’s letting on, you’re not alone. In fact, you’re in the majority. A 2019 Gallup poll revealed 68 percent of people feel that way. Thirty-three percent of all respondents said that they believe UFOs were built by aliens from outer space.
The Venn diagram center of those two groups clings to one of the most enduring conspiracy theories: The Government (it’s always with a capital G for believers) is squirreling away information about alien spacecraft. This idea appears, and has for years, on internet forums, social media, TV shows, memes, movies, and, of course, fiction, like Max Barry’s “It Came From Cruden Farm.”
There isn’t a word wasted in Nino Cipri’s Finna. For a book about travelling through nightmarish labyrinths that cut and twist between worlds, it’s remarkably straightforward.
Ava works at LitenVärld, an IKEA-like giant box store where “the showrooms sat together uneasily, like habitats at a hyper-condensed zoo.” Her day begins with relatively minor inconveniences — being forced to come in on her day off, worrying about having to work with Jules, her ex as of a week ago — but these escalate significantly when a young woman reports that her elderly grandmother’s gone missing. It turns out that something about the haphazardly organized chaos of LitenVärld makes it an especially likely place for wormholes to open up between dimensions — to the point where there are corporate instructions (on VHS) on what to do when that happens. But corporations being what they are, the in-house division for wormhole-patrol was cut a decade ago as a cost-saving measure, so it falls to the two most junior members of staff — barely able to speak to each other, the wound of their breakup still raw — to venture into the other worlds themselves and retrieve the lost grandmother.
I tore through this book in knuckle-biting delight. The contrast between the wacky extra-dimensional (and often terrifying) hijinks and LitenVärld’s soul-depleting mundanity is fresh and lovely, and you’re never quite able to forget the fact that person-eating chairs and blood-drinking Hive Mothers are more enjoyable to spend time with than the grinding misery of minimum-wage work in our late capitalist modernity. But the shenanigans are not the point; they function best as a sly, winking backdrop to the deeply moving character work.
Of the Universal classic monsters — Dracula, Frankenstein, The Wolf Man, The Mummy, et al. — The Invisible Man is by far the most destructive, the most psychotic, and, not coincidentally, the most recognizably human of them all. (As played by Claude Rains, he’s also the wittiest.) When a man doesn’t have to look at himself in the mirror, he divorces himself from the moral accountability that curbs his worst instincts. Arrogance and contempt are his defining character traits, and invisibility has the effect of weaponizing them, because his scientific genius has both isolated him from other people and heightened his superiority complex.
With his ingenious updating of The Invisible Man, writer-director Leigh Whannell changes perspective from the mad scientist to the terrified victim he’s stalking, which effectively turns the film into Gaslight with a horror twist. And with an actress of Elisabeth Moss’ caliber in the lead role, the film has a psychological realism that’s unusual for the genre, with Moss playing a woman who’s withstanding a form of domestic abuse that may have a supernatural component, but feels sickeningly familiar in many respects. Invisibility has the effect of elevating a person’s worst instincts, so it follows that the manipulation and torment she experiences is just a more extreme version of common behaviors.
…As Cecelia gets pushed to the brink of madness — as much by not be believed as being stalked — Whannell gives the suspense set pieces plenty of room to breathe and take on a paranoid flavor. Moss and the camera are co-conspirators in horror: She imagines Adrian watching her silently from some empty corner of a room and the camera seems to affirm her worst fears, suggesting a presence through odd angles and pans across the space. Where another actor might look foolish swatting and wrestling thin air, Moss sells it as part of the overall choreography between an immensely powerful, destructive husband and a wife struggling to leverage control over a desperate situation.
Physicist Freeman Dyson suggests that we start looking for life on the moons of Jupiter and out past Neptune, in the Kuiper belt and the Oort cloud. He talks about what such life would be like — and how we might find it.
And Axios Future Issue #2 carried this information about
Dyson never won a Nobel Prize for his work. He never even bothered to earn a PhD.
He achieved popular renown as a gifted scientific writer, publishing his final book in 2018 at the age of 95.
A dedicated contrarian, later in his career he came under fire for doubting the danger of human-made climate change.
The bottom line: Few scientists can be said to have played as important a role in the making of our present than Dyson — and even fewer could so brilliantly envision the future.
(8) TODAY IN HISTORY.
February 29, 1952 — Tales Of Tomorrow first aired “The Children’s Room”. A secret Children’s Room at a college attracts the attention of intellectual advanced youths. A professor uncovers that his son and other children are mutants being groomed to assist an alien race in a distant part of the galaxy. It was written by Mel Goldberg by a story by Raymond F. Jones who you’ll know as the author of This Island Earth novel. It starred Claire Luce, Una O’Connor and John Boruff. You can see it here.
February 29, 2000— Episode three, “Crunchy Munchy” of The Strangerers would air. This SF comedy about two plant beings who assume human form on Earth to accomplish their mission. The series was by Rob Grant, the creator of Red Dwarf. It would last nine episodes and unsurprisingly ends on a cliffhanger as it was canceled. Jack Docherty and Mark Williams played Cadet Flynn and Cadet Niven. You can see this episode here.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born February 29, 1920 — Arthur Franz. He played Dr. Stuart Kelston in the early Fifties Invaders from Mars. He was also Jim Barker in Flight to Mars, and, on a much lighter note, Tommy Nelson in Bud Abbott and Lou Costello Meet the Invisible Man. He’ll have six appearances on Science Fiction Theater in six roles, play a hideous monster in Monster on the Campus, and have one-offs on The Invaders, Voyage to the Bottom of The Sea, Land of The Giants, Mission: Impossible and The Six-Million Dollar Man. (Died 2006.)
Born February 29, 1928 — Joss Ackland, 92. A very long history of genre involvement starting with Ghost Ship, an early Fifties horror film. He’d soon after play Peter Quince in A Midsummer Night’s Dream, and makes a stop on The Avengers. (I’m skipping over a lot of horror he did.) he’s Sapten in Royal Flash but I’ll bet you won’t consider that genre though Kage loved that scoundrel. He shows up in Brett’s Sherlock Holmes, and he he’s in a Jekyll and Hyde film in that time period as well. I think I’ll stop with him voicing Black Rabbit in the Watership Down film…
Born February 29, 1948 — Patricia A. McKillip, 72. If I was to recommend a short list of essential readings of her, I’d start with The Riddle-Master trilogy which is absolutely amazing, toss in the Cygnet series, and add in the linked novels of Winter Rose and Solstice. (The latter has the most cool stitching circle you’ll ever encounter.) For her tasty short stories, there’s Harrowing the Dragon, Wonders of the Invisible World and Dreams of Distant Shores.
Born February 29, 1948 — Yanti Somer, 72. Finnish-born actress who appeared in a spate of French and Italian genre films in the late Seventies: Star Odyssey, Battle of the Stars, War of the Robots and Cosmos: War of the Planets. She retired from acting in the early Eighties.
Born February 29, 1952 — Tim Powers, 68. He’s won the World Fantasy Award twice for Last Call and Declare, the latter of which I think is awesome. I’m also fond of The Anubis Gates and On Stranger Tides.
Born February 29, 1952 — Albert Welling, 68. He played Adolph Hitler in the Eleventh Doctor story, “ Let’s Kill Hitler”. It’s one of the stranger stories they told for that Doctor. He had one-offs on Tales of The Unexpected and Outlander.
Born February 29, 1984 — Rakhee Thakrar, 36. She also plays the Eighth Doctor’s companion, Bliss, in Big Finish’s Doctor Who: The Time War audio dramas. Have I ever noted that what I admire about the Whoverse is how expansive the the definition of accepted storytelling is? Big Finish has done hundreds of hours of new stories, all adding to the original mythos.
Scientists have detected evidence of a colossal explosion in space – five times bigger than anything observed before.
The huge release of energy is thought to have emanated from a supermassive black hole some 390 million light years from Earth.
The eruption is said to have left a giant dent in the Ophiuchus galaxy cluster.
Researchers reported their findings in The Astrophysical Journal.
“I’ve tried to put this explosion into human terms and it’s really, really difficult,” co-author Melanie Johnston-Hollitt told BBC News.
“The best I can do is tell you that if this explosion continued to occur over the 240 million years of the outburst – which it probably didn’t, but anyway – it’d be like setting off 20 billion, billion megaton TNT explosions every thousandth of a second for the entire 240 million years. So that’s incomprehensibly big. Huge.”
The WEHO TIMES reported the statute’s return today, capturing its image in a brief moment during installation before it was covered. An official unveiling is planned for the end of March, but no date has been set.
The spinning statue depicts Bullwinkle holding his friend Rocky. It stands on the corner where Sunset Boulevard splits into Holloway Drive. The statue was removed in 2013 for restoration work.
Today, a giant crane placed the 14-foot, 700-pound statue on its pedestal. The statue dates to 1961, but the original creator is not known. The statue was restored by Ric Scozzari with funding by Twentieth Century Fox and Dreamworks, and donated by the Jay Ward family for the City of West Hollywood’s Urban Art Collection. It was last seen at the Paley Center’s Jay Ward Legacy Exhibit in 2014.
There is a rising din in the oceans – and whales are having to struggle to compete with it.
“They’re spending more time or energy trying to communicate… by essentially screaming at each other – what we would have to do at a nightclub,” explains says Mark Jessopp at University College Cork.
Dr Jessopp was recently involved in a research project to study the effects of marine seismic surveys on animals such as whales and dolphins.
He and his colleagues found a “huge decrease” in sightings of such species when the work was going on, even when accounting for other factors such as weather.
Seismic surveys are carried out by a range of organisations, including oil and gas companies, as a means of mapping what lies beneath the seafloor.
Shockwaves fired from an air gun – like a very powerful speaker – are blasted down towards the seabed. The waves bounce off features below and are detected again at the surface. The signal that returns reveals whether there is, for instance, oil locked in the rock beneath.
The process creates a tremendous racket. “It’s like an explosion,” says Lindy Weilgart at Dalhousie University in Nova Scotia. She says that there is now plenty of evidence to show that many marine animals are negatively affected by the clamour.
…And yet a technology exists that could be far less harmful. It is called marine vibroseis and is a low-energy alternative to air guns. Instead of explosive blasts, vibroseis uses smaller vibrations to transmit waves down to the seabed. It actually emits a similar amount of energy overall but spreads it over a longer period, meaning the survey has a less “shocking” impact.
The “appropriateness” of Google’s sister company’s plan for a “digital city” in Toronto has been questioned.
A panel set up to scrutinise Sidewalk Labs’s plan has asked it to explain what the benefits would be for citizens in collecting large amounts of data.
The company wants to build a sensor-laden, eco-friendly neighbourhood with all the latest technology innovations.
But it has faced opposition locally. A final decision on whether it can proceed is due next month.
Sidewalk Labs’s plans for a “city… built from the internet up” include sensors to monitor traffic, noise, weather, energy use and even rubbish collection.
But now, the Waterfront Toronto’s digital strategy advisory panel has questioned the “appropriateness and necessity” of some of its innovations and asked whether “sufficient benefits had been identified to justify the proposed collection or use of data”.
Amazon has banned more than one million products which claim to protect against the coronavirus – or even cure it.
The online retailer told Reuters it had also removed “tens of thousands” of overpriced health products from unscrupulous sellers.
The World Health Organisation (WHO) expressed concern about some misleading Amazon listings earlier this month, including fake treatments.
The virus, which causes Covid-19, has killed about 2,800 people worldwide.
The WHO said fake coronavirus claims online were causing mass confusion, and urged tech giants to combat the spread of misinformation.
A search for “coronavirus” on Amazon brought up results for face masks, disinfectant wipes and newly-published books on viral infections, revealing how some sellers are cashing in on the health crisis.
It also offered results for vitamin C boosters – a fake cure for the virus that has been widely disseminated online.
(17) VIDEO OF THE DAY. “Charles M. Schulz Interview on Peanuts (1997)” on YouTube is an interview Charles Schulz did on The Charlie Rose Show.
[Thanks to Christian Brunschen, JJ, Cat Eldridge, John King Tarpinian, Brian Z., Chip Hitchcock, Martin Morse Wooster, Mike Kennedy, Michael Tolan, John A Arkansawyer, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew. Will this be the first time the title is longer than the Scroll?]
(1) ANOTHER TESTIMONY ABOUT HARASSMENT AT CZP. Kelsi Morris,
who rose from intern to managing editor of ChiZine
Publications – all unpaid – shared a painful account of the chronic sexual
harassment she endured from its owners and authors on
Facebook. (Much more at the link.)
…I think we can all agree there is a clear pattern of financial mismanagement and ill treatment of authors. What has only just started to be touched on is the deeply rooted culture of bullying, emotional abuse, sexual harassment, and the silencing of victims. And this is why I think it’s important I finally say something.
I started with ChiZine in 2012, when I was 22 years old and less than a week out of publishing school…
…I did move up quickly. I started as an intern (unpaid, of course), then became the head of marketing & publicity (also unpaid), then at 23 years old, became the managing editor for the biggest indie speculative fiction publisher in Canada (still unpaid). And more than that, I had somewhere I *belonged*.
…I was considered cool enough to hang, which meant I got to go to the exclusive parties, all the cons and events (at my own expense, of course), was invited to the casual pool nights, and fancy family dinners. I loved being included, and I was still young enough to be starstruck around so many amazing authors I admired.
Being cool, and eventually becoming friends with the “inner circle”, also meant that everyone talked freely around me. I heard the cruel ways they talked about their friends who weren’t around. I heard them plan out ways of breaking up couples. I attended family dinners where folks brought short stories written by their peers to read dramatically aloud and laugh. I heard the boundless misogyny, the mockery of women who spoke out about harassment at cons & the snowflakes who found comfort in content warnings, and the resentment they held towards their authors who had the audacity to expect to be paid. I sat, and listened, and internalized the implicit threat of what could happen to me.
And so I continued to just sit, and listen, with an uncomfortable smile pasted on my face, when I was hit on by male authors more than 15 years my senior. I smiled when hanging out with the inner circle and they made jokes about my body. I grimaced when one of the authors caressed my ass in full view of all my colleagues in the crowded con suite, but didn’t move away. I dressed accordingly at events when Sandra told me the only thing that mattered was “tits and teeth”. I nervously laughed along with everyone else when I was the only woman in a room full of men, and one of them started making rape jokes about me. …
…There are so many people who were complicit in, or at the very least enabled, what has accurately been described as the cult-like culture of bullying, abuse, harassment, and silencing. This will continue to be a problem long after ChiZine is gone, if it’s not something we start talking about now….
(2) FIREBELL IN THE NIGHT. Silvia Moreno-Garcia has quit
the professional organization SF Canada over its lack of support for the
ChiZine authors who have voiced grievances. The thread here.
In order to deal with congestion issues at its warehouses,Amazon has been cutting book orders to publishers over the last several weeks. It isn’t clear how widespread the reduction in orders is, but several independent publishers contacted by PW reported cuts in their weekly orders since late October. One publisher reported that an order placed last week was about 75% lower than an order placed last year at this time. “It’s a nightmare,” the head of one independent publisher said.
…The head of yet another company said if Amazon orders don’t rise to what has been typical ordering patterns in past years within two weeks, “we [could] lose the entire holiday season.” He added that if problems with Amazon persist and orders continue to be low, it is possible that some online book sales could move to BN.com and other retailers such as Walmart, which has invested heavily in its online operations. If Amazon starts running out of stock, he added, “maybe they’ll lose some market share to their competitors.”
(5) WRITING ABOUT A DIFFERENT RACE. In “Who Gave You The Right To Tell That
Story?” on Vulture, novelists discuss how
they wrote about characters who were a different race than they are.
Among the writers who contribute short essays are N.K. Jemisin, Victor LaValle,
and Ben H. Winters.
N. K. Jemisin, The Broken Earth Trilogy
I’ve learned to not fear obviousness when I’m describing race or topics related to oppression. With an American audience, you have to be as in your face about it as possible because our society encourages delicate euphemism. I’d rather be accused of being obvious than allow people to get away with thinking all of my characters are white people. The truth is, when you walk into a room and you see a bunch of strangers, the first thing you notice is their appearance, their race and gender. When I first describe a character, I sometimes hang a lampshade on race. My narrator will immediately think: ‘She might be Latino, oh maybe not, she might be Indian.’ I render that mental process.
You’re not going to be perfect. In The Broken Kingdoms, my protagonist was a blind woman, and she had a superpower associated with her blindness. As I now know, disability as a superpower is a trope. I didn’t read enough literature featuring blind people to really understand it’s a thing that gets done over and over again. Ehiru, a character from The Killing Moon, is asexual, and I don’t think I explored that well. If I were writing it now, I would have made him more clearly ace. I figured this out by reading Tumblr. I am on Tumblr quietly — I have a pseudonym, and nobody knows who I am. Because lots of young people hang out there and talk about identity and the way our society works, it’s basically a media-criticism lab. It’s an interesting place to talk about identity, and I did not understand until I saw these conversations that asexuality was an identity. I thought about it as a broken sexuality. My story reflected my lack of understanding of how that worked.
The Neukom Awards, now in its third year, offers prizes in three categories of speculative fiction. Each category will receive an honorarium of $5,000 at a Dartmouth-sponsored event related to speculative fiction.
The speculative fiction awards are offered for playwriting, established author and first-time author.
The deadline for all submissions is December 31, 2019. The awards will be announced in the spring of 2020.
Joker has become the most profitable comic book movie of all time, having made more than $950 million (£738m) at the worldwide box office.
It tells the story of how Arthur Fleck (played by Joaquin Phoenix) becomes the Joker, Batman’s nemesis and one of the most infamous comic book villains ever.
Joker has now made more than 15 times what it cost to make, reports Forbes.
Director Todd Phillips made the movie on a budget of $62.5m (£49m), a fraction of the budget of many comic book adaptations.
Avengers: Endgame, the highest grossing movie of all time, has earned close to $2.8 billion (£2.2bn) but had a budget of $356 million (£276m).
Endgame has made more at the box office overall, but Joker has made more in relation to what was spent to make it.
(8) TODAY IN HISTORY.
November 11, 1951 — Flight to Mars premiered. It was produced by Walter Mirisch for Monogram Pictures, and directed by Lesley Selander. It starred Marguerite Chapman, Cameron Mitchell and Arthur Franz. Most of the interiors are from the Rocketship X-M shooting. It currently has a 21% rating at Rotten Tomatoes.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born November 11, 1917 — Mack Reynolds. He’d make Birthday Honors just for his first novel, The Case of the Little Green Men, published in 1951, which as you likely know is a murder mystery set at a Con. He gets Serious Geek Credits for writing the first original authorized classic Trek novel Mission to Horatius. And I’ve seriously enjoyed his short fiction. Wildside Press has seriously big volumes of his fiction up at Apple Books and Kindle for very cheap prices. (Died 1983.)
Born November 11, 1922 — Kurt Vonnegut Jr.The Sirens of Titan was his first SF novel followed by Cat’s Cradle which after turning down his original thesis in 1947, the University of Chicago awarded him his master’s degree in anthropology in 1971 for this novel. Next was Slaughterhouse-Five, or The Children’s Crusade: A Duty-Dance with Death which is one weird book and an even stranger film. It was nominated for best novel Nebula and Hugo Awards but lost both to Ursula K. Le Guin’s The Left Hand of Darkness. I’m fairly sure Breakfast of Champions, or Goodbye Blue Mondayis his last genre novel there’s a lot of short fiction where something of a genre nature might have occurred. (Died 2007.)
Born November 11, 1925 — ?Jonathan Winters. He’s in a number of genre series and films including Twilight Zone, Wild Wild West, Mork & Mindy where he was Mearth, the animated Smurfs series and The Animaniacs. And that’s a very selective list. (Died 2013.)
Born November 11, 1926 — Donald Franson. Longtime fan who lived most of his life in LA. Was active in the N3F and LASFS including serving as the secretary for years and was a member of Neffer Amateur Press Alliance. Author of A Key to the Terminology of Science-Fiction Fandom. Also wrote A History of the Hugo, Nebula, and International Fantasy Awards, Listing Nominees & Winners, 1951-1970 and An Author Index to Astounding/Analog: Part II—Vol. 36, #1, September, 1945 to Vol. 73 #3, May, 1964, the first with Howard DeVore. (Died 2003.)
Born November 11, 1960 — Stanley Tucci, 59. He was Puck in that film version of A Midsummer Night’s Dream. However, his first role was asDr. John Wiseman in Monkey Shines. (Shudder.) he shows as in forgettable The Core, and was amazing as Stanley Kubrick in The Life and Death of Peter Seller. And I’m fond of his voicing Boldo in The Tale of Despereaux.
Born November 11, 1962 — Demi Moore, 57. Ghost, of course, getting her Birthday Honors. And yes, I did see it. Sniff. But she got her genre creds with her second film Parasite which is good as she didn’t do much after that of a genre nature.
(10) COMICS SECTION.
Grimmy shows why it can be disillusioning – but funny – to meet your heroes.
(11) DISNEY DROPS
SONG FROM REMAKE. Ethan
Alter, in the Yahoo! Entertainment story “The
Controversial Scene That’s Not In The Live-Action of The Lady and the Tramp“ says that in The Lady and the Tramp
remake, streaming on Disney+ on November 12, Disney decided to keep the scene
where the Lady and the Tramp bond over a plate of spaghetti but decided to cut
“The Siamese Cat Song” because it reflects a “50s-era
Orientalism” considered out of place today.
Interestingly, Disney+ subscribers will have the chance to watch both the the 2019 version of Lady and the Tramp and the 1955 version on the studio’s new streaming service, allowing families to compare and contrast the two films, and discuss moments like “The Siamese Cat Song.”
Judith Merril was a founding member of the Futurians, an editor, founder of what is now the Merril library and of course a science fiction writer.
“Wish Upon a Star” is a generation ship story. By their nature, the need for a stable society able to keep a small community functioning for decades in total isolation, generation ships are forced to make some striking adaptations. In most cases, those adaptations included mutiny, cultural amnesia, barbarism and eventual extinction.
Merril’s characters made very different choices. Let’s see what the Young People made of them.
(13) AN EARLIER STRANGER
IN A STRANGE LAND. Jeff
Lafcadio Hearn” at the LA Review of Books surveys the Japanese
Tales of Lafcadio Hearn,
edited by Andrei Codrescu, the author’s Japanese
and Monique Truong’s “mesmerizing”
novel The Sweetest Fruits.
In 1890, Hearn moved to Japan, where he was to spend the last 14 years of his life, initially teaching English in remote Matsue, in Shimane Prefecture, and subsequently at Waseda University and the University of Tokyo. He also had stints in journalism and became an influential and popular interpreter for a Western audience of what was regarded at the time as an inscrutable culture and society. He is now best remembered for his traditional Japanese stories about supernatural monsters, spirits, and demons. Hearn died from heart failure at age 54, yet he was a prolific writer, despite poor health in his final years. His insights into turn-of-the-century Japan attest to his powers of observation and interpretation. Glimpses of an Unfamiliar Japan (1894) is a classic, conveying his rapturous appreciation for all things Japanese, especially traditions, customs, and ways of living unsullied by foreign accretions.
Just a few months after the triumph of Apollo 11, Nasa sent another mission to the lunar surface. But it came chillingly close to disaster.
In November 1969, just four months after men first set foot on the Moon, Nasa was ready to do it again. Basking in the success of Apollo 11, the agency decided that Apollo 12’s mission to the Ocean of Storms would be even more ambitious.
Unlike Neil Armstrong, who had been forced to overshoot his planned landing site because it was strewn with boulders, Apollo 12 Commander Pete Conrad was aiming for a precision touchdown, within moonwalking distance of an unmanned Surveyor probe. Conrad and landing module pilot, Al Bean, would then spend longer on the surface – with two excursions planned – while beaming back the first colour television from the Moon.
On 14 November, Conrad, Bean and Command Module Pilot Dick Gordon settled into their couches at the top of the 111-metre-high Saturn 5 rocket at Cape Canaveral, Florida. Meanwhile, in mission control Houston, flight director Gerry Griffin took his seat behind his console – his first time leading a mission.
At the launchpad, the ground was wet from storms that recently passed through the area and the sky is overcast. But with the rocket and crew ready to go, and US President Richard Nixon watching (for the first time) from the VIP stands, all systems were green for launch.
At 11.22, the giant white rocket slowly lifted off the pad and accelerated into the clouds.
“This baby’s really going,” shouts Conrad to his crewmates as the launcher cleared the tower and Houston takes over control. “It’s a lovely lift-off.”
Then, 36 seconds into the flight, Conrad sees a flash. All the fuel cells supplying power to the capsule fell offline and the entire alarm panel lit up….
An endangered yellow-eyed penguin has won New Zealand’s coveted Bird of the Year competition after two weeks of intense campaigning.
The hoiho saw off more than five rivals to become the first penguin to win the annual honour in its 14-year history.
(18) RUH ROH! SCOOB! is a Scooby-Doo
remake which Warner Bros. will release in the summer of 2020.
[Thanks to Chip Hitchcock, JJ, John King Tarpinian, Mike Kennedy,
Martin Morse Wooster, Cat Eldridge, Michael Toman, and Andrew Porter for some
of these stories. Title credit goes to File 770 contributing editor of the day Andrew.]