Pixel Scroll 8/12/19 Far From The Files We Know, Where The Pixels Flow

Editor’s Note: My mother’s pacemaker update went very smoothly. Her tech is good for years to come. Thanks for all the good wishes – which I relayed to her and she was pleased. And voilà, there’s a Scroll today after all.

(1) VERBAL KNIT. The official site says there will be text-based coverage of the Hugos and Retro Hugos: “Live Coverage of Hugo Award Ceremonies”. Details to come.

As usual we will be providing live, text-based coverage of this year’s Hugo Award Ceremony, which takes place at 8:00pm on Sunday evening, Dublin time.

This year we also plan to bring you live, text-based coverage of the Retro-Hugo Award Ceremony, which will take place as part of the Worldcon Opening Ceremonies at 8:00pm on Thursday evening, Dublin time.

(2) ST:TOS DID IT RIGHT. Next Big Future declares “Old Star Trek Was Right As US Navy Returns to Manual Switches”. So says the headline they’ve unrolled above a story ganked from the USNI News (“Navy Reverting DDGs Back to Physical Throttles, After Fleet Rejects Touchscreen Controls”).

The Navy will begin reverting destroyers back to a physical throttle and traditional helm control system in the next 18 to 24 months, after the fleet overwhelmingly said they prefer mechanical controls to touchscreen systems in the aftermath of the fatal USS John S. McCain (DDG-56) collision.

The investigation into the collision showed that a touchscreen system that was complex and that sailors had been poorly trained to use contributed to a loss of control of the ship just before it crossed paths with a merchant ship in the Singapore Strait. After the Navy released a Comprehensive Review related to the McCain and the USS Fitzgerald (DDG-62) collisions, Naval Sea Systems Command conducted fleet surveys regarding some of the engineering recommendations, Program Executive Officer for Ships Rear Adm. Bill Galinis said.

In the same vein, Elissa tells why she prefers sci-fi shows with physical ship controls. Thread starts here.

(3) FLAME ON. Alan Weisman takes two books with dire warnings about climate change as his texts for “Burning Down The House” in New York Review of Books.

David Wallace-Wells’s The Uninhabitable Earth expands on his 2017 article of the same name in New York, where he’s deputy editor. It quickly became that magazine’s most viewed article ever. Some accused Wallace-Wells of sensationalism for focusing on the most extreme possibilities of what may come if we keep spewing carbon compounds skyward (as suggested by his title and his ominous opening line, the answer “is, I promise, worse than you think”). Whatever the article’s lurid appeal, I felt at the time of its publication that its detractors were mainly evading the message by maligning the messenger.

Two years later, those critics have largely been subdued by infernos that have laid waste to huge swaths of California; successive, monstrous hurricanes—Harvey, Irma, and Maria—that devastated Texas, Florida, and Puerto Rico in 2017; serial cyclone bombs exploding in America’s heartland; so-called thousand-year floods that recur every two years; polar ice shelves fracturing; and refugees pouring from desiccated East and North Africa and the Middle East, where temperatures have approached 130 degrees Fahrenheit, and from Central America, where alternating periods of drought and floods have now largely replaced normal rainfall.

The Uninhabitable Earth, which has become a best seller, taps into the underlying emotion of the day: fear. This book is meant to scare the hell out of us, because the alarm sounded by NASA’s Jim Hansen in his electrifying 1988 congressional testimony on how we’ve trashed the atmosphere still hasn’t sufficiently registered.

(4) FOLLOWING IN HIS FOOTPRINTS. Doug Ellis told Facebook readers that his company, Adventure Pulp LLC, has acquired the rights to the works of A. Merritt.

I’m already chatting with some folks regarding a few possible projects, and I hope to have some exciting Merritt publishing news soon!

Along with the rights, I acquired the remaining papers and art owned by the Merritt estate. Argosy reprinted Merritt’s classic “Seven Footprints to Satan” in five installments in 1939, starting with the June 24, 1939 issue. Merritt insisted that they use Virgil Finlay (with whom Merritt was working at American Weekly) to provide the illustrations for the story. This was Finlay’s entry into the Munsey pulps, and besides further work for Argosy, he would shortly be turning out great work for the Munsey pulps Famous Fantastic Mysteries and Fantastic Novels. All five Finlay originals for this story were among the art I acquired.

(5) BIRD BRAINS. NPR’s Ilana Masad says “Humans Are Gone In ‘Hollow Kingdom,’ So It’s Up To The Crows”.

Plague, virus, and zombie apocalypse narratives tend to share a few common threads: Often, humanity brings such terrors upon itself; usually, survivors or those with immunity come together in ragtag groups and attempt to find a cure and/or fight their way through to where the other healthy people are; and, almost always, humanity survives — perhaps in drastically reduced numbers, sans modern technology — and must learn to rebuild itself anew. The central metaphor in these narratives tends to be that humanity is really quite an awful, violent species that wars with itself constantly, and that our boundless curiosity and hubris — whether that involves scientific research gone awry or meddling with forces beyond our ken — ultimately lead to our own near-complete destruction.

This metaphor is definitely present in Kira Jane Buxton’s debut novel, Hollow Kingdom, but luckily for anyone drawn to its gorgeous cover (it’s an eye-catcher, a bright, near-neon green with a black and purple crow staring intensely from behind the white font), Buxton takes a joyfully original approach to apocalyptic fiction. See, instead of us humans being the focal point in the story of our own extinction, it’s the plethora of life that we leave behind that takes center stage.

The novel is largely narrated by a domesticated crow named S.T. — short for something unprintable — who has spent his life with a beer-drinking, junk-food-eating, sports-loving, breast-obsessed man named Big Jim, who raised S.T. from a hatchling. A dopey, lazy dog named Dennis rounds out their little Seattle-based family. When Big Jim’s eye unexpectedly falls out of his head, S.T. knows something is very wrong, but it takes him a good long while before he gives up on his beloved MoFo — S.T.’s term for humans, learned at Big Jim’s bosom — and leaves home, accompanied by Dennis.

(6) EATING THE FANTASTIC. While Scott Edelman’s flying to Dublin he invites you to listen to the new episode of Eating the Fantastic, and “Bite into a burger with P. Djeli Clark”.

P. Djèlí Clark won both the Nebula Award and the Locus Award for Best Short Story earlier this year for “The Secret Lives of the Nine Negro Teeth of George Washington” — and is currently up for a Hugo Award not just for that, but for his novella “The Black God’s Drums” as well. His fiction has appeared online at Tor.com, Lightspeed, Fireside Fiction, Beneath Ceaseless Skies, and elsewhere, and in print anthologies such as Hidden Youth and Clockwork Cairo. He is founding member of FIYAH Literary Magazine.

We got together for dinner Friday of [Readercon] at Quincy’s Fat Cat Restaurant, which specializes in comfort food like nachos, wings, mac and cheese, and ribs, though they also serve higher end items like duck and ribeye steaks. But our tastes were not quite so upscale that night, so we stuck to chicken quesadillas and burgers.

We discussed his upcoming first novel (the sale of which was announced only days before we spoke), the background which gave birth to his award-winning story “The Secret Lives of the Nine Negro Teeth of George Washington,” the reason The Black God’s Drums switched point-of-view character during his writing of it, what he learned about New Orleans due to an unfortunate encounter with the local police department, ….and much, much more.

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 12, 1894 Dick Calkins. He’s best remembered for being the first artist to draw the Buck Rogers comic strip. He also wrote scripts for the Buck Rogers radio program. Buck Rogers in the 25th Century, The Complete Newspaper Dailies in three volumes on Hermes Press collects these strips. (Died 1962.)
  • Born August 12, 1903 J O Bailey. ESF says that “his Pilgrims through Space and Time: Trends and Patterns in Scientific and Utopian Fiction (1947) was the first academic study of sf, which it analyses primarily on a thematic basis, and without ever using the term ‘science fiction’, referring instead to ‘scientific fiction’ and the Scientific Romance.” (Died 1979.)
  • Born August 12, 1910 Jane Wyatt. Spock’s mother of course. She also was In Frank Capra’s Lost Horizon. (Died 2006.)
  • Born August 12, 1921 Matt Jefferies. He’s best known for his work on the original Trek where he designed much of the sets and props  including the Starship Enterprise, the Klingon logo, and the bridge and sick bay. The Jefferies tubes are named after him. (Died 2003.)
  • Born August 12, 1931 William Goldman. Writer of The Princess Bride which he adapted for the film. Wrote The Stepford Wives script and King’s Hearts in Atlantis and Misery as well. (Died 2018.)
  • Born August 12, 1947 John Nathan-Turner. He produced the series from 1980 until it was cancelled in 1989. He finished having become the longest-serving Doctor Who producer and cast Peter Davison, Colin Baker and Sylvester McCoy as the Fifth, Sixth and Seventh Doctors. (Died 2002.)
  • Born August 12, 1954 Sam J. Jones,  65. Flash Gordon in the 1980 version of that story. Very, very campy. A few years later, he played the lead role in a TV adaptation of Will Eisner’s The Spirit.
  • Born August 12, 1992 Cara Delevingne, 27. She shows up in the Suicide Squad as June Moone aka The Enchantress, and in Valerian and the City of a Thousand Planets as Laureline. I adore The Fifth Element, should I see this film? 

(8) COMICS SECTION.

Two SJW Credential comics today.

(9) POINT AND CLICK. A Polaroid camera revival, thanks to Stranger Things — “The OneStep 2 Starter Set – Stranger Things Edition”.

Polaroid Originals is also releasing collectable special edition film, perfect for super fans to capture their stranger moments. As a further ode to the Stranger Things universe, each pack of 8 will include 16 graphic design prints, which will transport you back to the summer of 1985 in Hawkins, discovering Scoops Ahoy at the town’s new Starcourt Mall and back to the flashing lights of Joyce Byer’s living room.

Stranger Things is renowned for re-imagining the early 80s, and is infused with popular culture from the period, from walkie-talkies and Fabergé Organic big hair to Dungeons and Dragons. Retro Polaroid cameras pop up throughout the series, capturing moments from the Hawkins middle school’s Snow Ball to the gang’s iconic Ghostbuster Halloween costumes. After all what would the 80s be without a Polaroid snap?

(10) DIGITAL CHARACTERS, GENUINE PATHOS. “Digital Fur, Digital Folks: Reality Is Starting to Feel Overrated” according to the New York Times.

If the historians of the future try to pinpoint the exact moment when the term “digital fur” became ubiquitous in our culture, they might eventually identify the evening of July 18, when the “Cats” trailer premiered online just as the first public screenings of Disney’s “The Lion King” remake were unspooling across the country.

Here were two state-of-the-art endeavors, using computer-generated fur — by all accounts an enormously difficult and time-consuming special effects undertaking — toward extremely different ends.

(11) EARHART’S PLANE? Dr. Robert Ballard is on his way to the site – he hopes. The New York Times has the story: “Finding Amelia Earhart’s Plane Seemed Impossible. Then Came a Startling Clue.”

…Dr. Ballard has always wanted to find the remains of the plane Amelia Earhart was flying when she disappeared in 1937. But he feared the hunt would be yet another in a long line of futile searches.

“You have it in a holding pattern in your head,” said Dr. Ballard, founder of the Ocean Exploration Trust. “You’re still saying, ‘No, no, it’s too big a search area.’”

Then, a few years ago, another group of explorers found clues so compelling that Dr. Ballard changed his mind. Now, not only is he certain he knows where the plane is, he has set course for a remote atoll in the Pacific island nation of Kiribati to recover it.

If his expedition succeeds, he’ll not only solve one of the enduring mysteries of the 20th century. The 77-year-old explorer will also be transferring his legacy of discovery to a new generation of oceanic detectives.

Until recently, Dr. Ballard accepted the Navy’s version of Earhart’s fate: On July 2, 1937, near the end of their round-the-world flight, the aviator and her navigator, Fred Noonan, vanished over the Pacific. After a lengthy and costly search, the Navy concluded on July 18, 1937, that the two died shortly after crashing into the ocean.

But in 2012, an old friend presented Dr. Ballard with a startling alternative….

(12) HERE WE GO AGAIN. NPR explains how “With Congressional Blessing, Space Force Is Closer To Launch”.

It started as a joke.

Early last year, President Trump riffed on an idea he called “Space Force” before a crowd of Marines in San Diego.

It drew laughs, but the moment was a breakthrough for a plan that had languished for nearly 20 years.

“I said maybe we need a new force, we’ll call it the Space Force,” Trump said at Marine Corps Air Station Miramar in March 2018. “And I was not really serious. Then I said, ‘What a great idea, maybe we’ll have to do that.'”

But now, under a new name and with Congress’ support, Space Force is closer to becoming a new military reality. It would be the first new military service in more than 70 years.

In January 2001, a special commission chaired by former Defense Secretary Donald Rumsfeld said space needed to become a top national security priority. But the 9/11 terrorist attacks derailed those plans.

Since that time, military leaders, lawmakers and experts have warned that new resources were needed in space to get ahead of a potential, hostile nation setting out to destroy a U.S. satellite. Such a move could threaten our everyday lives, from our cell phones to the electric grid to the military’s ability to launch nuclear weapons.

As a result, proponents argue that the U.S. has fallen behind and needs to upgrade an existing Air Force office focused on space to become an official service.

(13) “BIRDS DO IT…” BBC reports “Berlin gay penguins adopt abandoned egg”.

Two male penguins at Berlin Zoo have been caring for an abandoned egg since July in their long quest to become parents.

The same-sex couple, Skipper and Ping, are keen to have a chick of their own, and have even been known to “try to hatch fish and stones”, spokesman Maximilian Jäger told the Berliner Zeitung newspaper.

He said the two king penguins adopted the egg, which had been abandoned by the sole female of the species at the zoo, and are “behaving like model parents, taking turns to keep the egg warm” by nestling it on their feet under a flap of belly skin.

The are now doing their best to protect their precious charge from jealous rivals, after a little encouragement from their human guardians.

(14) CONIC SECTION. Got to love the new art for next year’s Gallifrey One convention. Baskin-Robbins meets the TARDIS!

(15) GEICO’S EXCELLENT ADVENTURE. A time portal-themed commercial for GEICO insurance.

For her science fair project, Sophie creates a wormhole which release figures from the past like Abraham Lincoln.

[Thanks to Cat Eldridge, Chip Hitchcock, Errolwi, John King Tarpinian, Michael Toman, Martin Morse Wooster, Mike Kennedy, JJ, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Rob Thornton.]

Antici-pay-shun

tomorrowland boxWhat is the movie Tomorrowland going to be about? Rather than tell us, filmmakers Brad Bird and Damon Lindelof are turning their project into an irresistible mystery. Lindelof has already proven with Lost he can hook people and keep them on the line for years.

The publicity mystery began with the release of photos of an old banker’s box labeled “1952” on the duo’s personal Twitter accounts. Widespread speculation about the contents of the box followed.

At last weekend’s D23 Expo the pair brought the mystery box onstage with them and spent their time rummaging through its contents.

There was a blueprint for the “It’s a Small World” attraction at the 1964 World’s Fair. Also, a 1928 issue of Amazing Stories containing a story titled “Armageddon 2419 A.D.” and a piece of cardboard with strategic cutouts that, when placed over the text of the tale, generated cryptic phrases like “I’ve seen across the gap.”

And, reports Hero Complex, there was a doctored photo

Bird noted that “the very word ‘Tomorrowland’ is evocative,” and he and Lindelof showed the audience a photograph of Walt Disney with Amelia Earhart labeled “April 1945,” which, of course, is years after the famed pilot’s disappearance. The photo is, of course, a fake, Disney’s face was pasted onto the body of Cary Grant.

Lindelof said, “It’s our jobs as storytellers to say, What if this photograph was real?”

Others might say it’s their job as storytellers to tell us the story. Ah, but for that we have to wait until December 2014 — and buy a ticket.

Earhart Goggles Top Item at Auction

The goggles Amelia Earhart wore during her historic 1932 solo transatlantic flight commanded $141,600 at Profiles in History’s October 8-9 auction. The goggles were the most avidly-sought flight-related item up for sale.  Among others, astronaut Gus Grissom’s worn Mercury flight suit brought $47,200 and the baseball cap Neil Armstrong wore after splashdown and recovery from the Apollo 11 mission went for $14,160.

Many collectibles of interest to fans also were on the block. The early Apple Macintosh 128 computer given to Gene Roddenberry by Apple Computer sold for $8,260. Walker Edmiston’s archive of Time for Beany show puppets and memorabilia went for $70,800. A John Steed derby hat from The Avengers yielded $57,500. A Harrison Ford signature hero “Indiana Jones” bullwhip from Indiana Jones and the Last Crusade fetched $56,050. 

All amounts include the hammer price plus the 18% buyer’s premium.

The full press release appears after the jump.

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