Pixel Scroll 7/21/20 Slexip Was I Ere I Saw Pixels

(1) AN EXPERIMENT. Samuel R. Delany has written a novel called Shoat Rumblin, His Sensations and Ideas. Not sff, but it is Delany.

…At one point, Vladimir Nabakov said that Madame Bovary was really just an extremely well-written fairytale. There’s one sense in which, unlike other of my books, that was what I was hoping to accomplish with Shoat Rumblin. The book was never finished to my satisfaction, although I wrote an ending for it. Through looking over it again, I’m at least contented with what I’ve done—if still uncertain how believable it is. As I’ve said on Twitter, it’s an experiment in gay pornography and realistic storytelling. Parts of it are funny and parts of it, I confess, I think are pretty grim. Overall, I’d call it a comedy rather than a tragedy, if only because it does have a happy ending, however believable or unbelievable you find it. I’m also hoping that this makes it intriguing enough for some of you to take a chance on it.

(2) TOR FOR TWO. “John Scalzi and Mary Robinette Kowal Chat About Sci-Fi, Writing Processes, and More!” at Tor.com. There’s both a video and a transcript at the link.

MRK: One of my favorite things is when I introduce a reader to an author who is, by any metric except to this reader, more famous than I am. And they have never heard of them. And they’re like, “oh, this new author Ursula K. Le Guin, I love her books!” (laughs)

JS: You’re like; I don’t know how to break this one to you, but… But, that actually brings up a really interesting point which is that because science fiction and fantasy is, as a literature, as opposed to every other aspect of media, because it is still sort of niche where you come into the genre matters. Because, if they come in with you, then a lot of your antecedents or people who influenced you will be new to them. And to them, those classics will seem almost derivative or not up to date. I’ve had that happen sometimes where people will read me first, especially people who are under the age of 35. They’ll read me first and then they’ll go backwards into someone like Heinlein and then they’re like—“hmm, I don’t know—his stuff’s OK, but I kind of like yours better.” And I’m like, well—one, thank you, and two, it’s definitely because this is the path that you took into this genre. And, it’s still something that is very possible to do in this genre that I don’t know if in mainstream it will happen as much.

(3) RUSSIAN AROUND. “‘Sputnik’ Trailer: A Cosmonaut Brings an E.T. Invasion Back to Earth in Gory ‘Alien’ Homage”IndieWire sets the frame:

While a space traveler’s greatest fear is typically what’s waiting out there in the great unknown, what they bring back to Earth could be much, much worse. That’s the premise of Russian filmmaker Egor Abramenko’s feature debut “Sputnik,” a sci-fi chiller with the stately echoes of Ridley Scott’s classic “Alien.” Set in the 1980s, “Sputnik” blends creature-feature effects with heady extraterrestrial thrills. An official selection of the canceled 2020 Tribeca Film Festival, the movie debuts from IFC Midnight in select theaters and on VOD August 14. Watch the trailer for the film below….

Here’s the YouTube intro:

Due to her controversial methods, young doctor Tatiana Yurievna (Oksana Akinshina) is on the precipice of losing her medical license. Her career may not be over, though. After she’s recruited by the military, Tatiana is brought to a secure science research facility to assess a very special case, that of Konstantin Sergeyevich (Pyotr Fyodorov), a cosmonaut who survived a mysterious space accident and has returned to Earth with a unique condition: there’s something living inside of him that only shows itself late at night. The military has nefarious plans for it. Tatiana wants to stop it from killing Konstantin. And the creature itself thrives on destruction.

(4) FLAME ON. Entertainment Weekly reports Game of Thrones prequel House of the Dragon begins casting”.

There are no official casting breakdowns yet available, but many are speculating about the potential lead characters based on Martin’s book. Fire & Blood covers 150 years and includes the rise and fall of many leaders in Westeros so it’s not clear which characters and time period will be the focus of the series. But sources tell EW that the famed Dance of Dragons – the Targaryen Civil War that occasionally referenced in GoT that ripped apart Westeros – will be tackled at some point in the series. What would make sense is if the first season (or two) led up to those events. Some fans have suggested the show could also be an American Horror Story-style anthology series, covering a vastly different time period in each season.

(5) RELATIONSHIPS FOR THE LONG HAUL. In “The Big Idea: Michael R. Underwood” at Whatever, the author argues there’s a sorely neglected big idea.

“Happily Ever After.”

A famous phrase that signals the end of many stories, from faerie tales to action movies to romance novels. Growing up, so many of the tv, film, comics, books, and more that I experienced said – implicitly, if not explicitly – that once a couple overcame whatever big trial happened in act three, the relationship itself was smooth sailing.

And depending on how you read those stories, it says something worse. It says that long-term, committed relationships are boring, or that they’re only interesting when they’re falling apart. “Happily Ever After” doesn’t prepare anyone for the lived reality of making a long-term relationship work. Sometimes the best romance works will illustrate those challenges and joys on the way, because romance writers are grand masters of characterization. But getting into my first romantic relationships, I had few fictional models for what it was like to negotiate the higher-level challenges and opportunities posed by a committed partnership. And being a storyteller by trade, that lack of narrative models became especially frustrating.

With Annihilation Aria, I set out to add to the count of works that unpack “Happily Ever After” and show that a committed couple can be exciting protagonists as well…. 

(6) VANDERMEERS’ FANTASY COLLECTION. Ann and Jeff VanderMeer preview The Big Book of Modern Fantasy at LitHub, including the Table of Contents: “On the Biggest Collection of Fantasy Tales Since WWII”. Plenty of names you know here.

…The truth is, a book of modern fantasy is a treasure trove of marvels, a cabinet of curiosities, and, perhaps more importantly, a strong, strong testimony to the importance of imaginative literature, of non-realist literature, and of traditions other than the Anglo Saxon. We, personally, have been enriched by these stories and lifted up by them. We hope readers will find their own favorites and fond memories from reading herein.

(7) CAPCLAVE CHANGES PLANS. Bill Lawhorn, Capclave 2020 Chair, says they’re going virtual. The event will be over the same weekend, but won’t start until Saturday.

Due to the novel coronavirus, the Capclave team has made the decision to be virtual this year. We will be holding Capclave October 17-18. Yes, this is two days, but we will run longer on Sunday than is typical. We will be focused on presentations, panels, and small group activities such as author readings or discussions.

Going virtual does present the opportunity to include people who would likely not be able to participate in a normal year. Keep an eye on our website and social media for news regarding new participants.

We plan to use Zoom for most activities, but we are looking at adding a text chat area via Discord as well. We will be updating our Code of Conduct to reflect the online nature of the convention. If you have any questions, please feel free to contact chair@capclave.org.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born July 21, 1929 John Woodvine, 91. First role in our realm is as Macbeth at Mermaid Theatre back in the early Sixties. Shortly thereafter he’s Badger in Toad of Toad Hall at the Comedy Theatre before being The Marshal in the Fourth Doctor story, “The Armageddon Factor”.   He did show up on The Avengers several times, each time as a different character, and he was Singri Rhamin for the episodes of Danger Man.  He’s in An American Werewolf in London as Dr J. S. Hirsch, but shortly thereafter he’s Master West 468 in The Tripods and Prior Mordrin in the Knights of God children’s SF serial. Finally, he’s Justice Dimkind in A Perfect State which is at least genre adjacent. (CE)
  • Born July 21, 1933 John Gardner. Grendel, the retelling of Beowulf from the monster’s viewpoint, is likely the only work he’s remembered for. Gudgekin The Thistle Girl (and Other Tales) are genre fairy tales as are The King of the Hummingbirds (and Other Tales)A Child’s Bestiary is, well, guess what it says it is. Mickelsson’s Ghosts, his final novel written before his untimely death in a motorcycle accident, is a ghost story. (Died 1982.) (CE)
  • Born July 21, 1944 – David Feintuch.  Campbell Award (as it then was) for Best New Writer.  Nine novels, of which seven portray Space navy officer Nick Seafort, translated into Czech, German, Japanese, Russian, Spanish.  Said he’d completed an eighth, of which no more has emerged.  (Died 2006) [JH]
  • Born July 21, 1950 Asenath Hammond. She was was a fan who was a member of NESFA, New York City and LASFS fandoms. She was married for a time to Rick Sternbach. Mike has a write-up on her here. (Died 2010.) (CE)
  • Born July 21, 1950 – Bill Kunkel.  Cartoons (sometimes as “Potshot”) in AlgolCheckpointThe Frozen FrogTrap DoorChunga seemed to energize him, he gave it much (for the end, see here and herecorflu = mimeograph correction fluid, loc = letter of comment).  Comics: DC, Marvel, Harvey; primary scripter for Richie Rich.  Pro wrestling: photographed for, edited, published Main Event magazine, hosted The Main Event radio show, energized Pro Wrestling Torch, cartoons and columns for Wrestling Perspective. Video games: Electronic GamesTips & Tricks magazines; designed a dozen games; memoir, Confessions of the Game Doctor.  (Died 2011) [JH]
  • Born July 21, 1951 Robin Williams. Suicides depress me. I remember a bootleg tape of a performance of him and George Carlin in their cocaine fueled days. No, not even genre adjacent but damn brilliant. Such manic energy. Genre wise, he was brilliant in most everything he did, be it Mork & MindyHook which I adore, The Fisher KingBicentennial Man or Jumanji. (Died 2014.) (CE)
  • Born July 21,1952 – Kathy Tyers, 68.  Ten novels, half a dozen shorter stories translated into Dutch and German.  A Star Wars novel was a NY Times Best Seller.  Two CDs of folk music (she plays flute, Irish harp).  Worked with Christopher Parkening on his memoir Grace Like a River.  Lives in Montana.  [JH]
  • Born July 21, 1956 – Todd Dashoff, 64.  Chaired Philcon 1988 and the Millennium Philcon – what else should we name a Worldcon at Philadelphia in 2001?  Knows Harry Warner upheld the rule that the local con there is Phillycon and only a Worldcon there is Philcon.  Knows this rule has not been followed since 1947 and meanwhile (after HW’s death) a comics con has been calling itself Phillycon.  Has been PSFS’ (Phil. SF Soc.) President and Treasurer.  Stalwart helper from locals to Worldcons.  Fan Guest of Honor (with wife Joni, another shining star) at Lunacon 46.  [JH]
  • Born July 21, 1960 – John Wardale, 60.  Balloon sculptor, hair braider, costumer, photographer, patiently giving balloon and braid workshops for beginners too.  A pleasure, if that word may be used, to judge “Angels Take Motown” at Detcon the 11th NASFiC (North America SF Con, since 1975 held when the Worldcon is overseas) by Janine & John Wardale, Sharon & Hall Bass, which we awarded Best Motown Entry (Journeyman Class).  Has also taught Science: Energy + Time = Change.  [JH]
  • Born July 21, 1976 – Stephanie Law, 44.  Two dozen covers including books in German and Polish, also cards and other games.  Featured in Spectrum (six times) and Locus.  Best in Art Show, DragonCon 2015.  Art Guest of Honor at BayCon 2015, JordanCon 10, Philcon 2019; was scheduled for the 13th NASFiC this year.  Artbook, Descants and Cadences.  Website here.  [JH]
  • Born July 21, 1976 Jaime Murray, 44. If you watch genre television, you’ve most likely seen her as she’s been Helena G. Wells in the Warehouse 13, Stahma Tarr in Defiance, Fiona/the Black Fairy In Once Upon a Time, Antoinette in The Originals, and Nyssa al Ghul in Gotham. Film wise, she was Livinia in The Devil’s Playground and Gerri Dandridge in Fright Night 2: New Blood. (CE)

(9) COMICS SECTION.

  • Bizarro reports it was a hard day at the Frankenstein factory.
  • Garfield shows what would be – for these aliens – a fate worse than death.
  • Incidental Comics’ Grant Snider calls this “Contemplation.”

(10) CHEATERS EVER PROSPER. “An author bought his own book to get higher on bestseller lists. Is that fair?” The Guardian says it doesn’t break the rules of the Sunday Times.

For any author, being able to describe yourself as a bona fide bestseller is key to conferring your career with a certain gravitas – and will often bring you even more sales. In the UK, while most book charts are tallied by Nielsen BookScan, the Sunday Times bestseller list – like the New York Times chart in the US – has become the gold standard. But making the bestseller list isn’t necessarily as straightforward as tallying sales. Not all is fair in romance and war (and other genres) when it comes to getting to the top of the charts.

Take the case of Mark Dawson, a British writer who just over a week ago hit No 8 on the Sunday Times hardback list with his thriller The Cleaner, released by the independent publisher Welbeck at the end of June. This is a great achievement for any author or small publishing house, but Dawson had done something remarkable: he bought 400 copies of his own book, at a cost of £3,600, to push his sales high enough to make the top 10….

(11) LOOKING FOR CHANGE. “More Resignations, but No Sign Yet of a Change in Gaming Culture” – the New York Times surveys the field.

First, a popular esports tournament was canceled. Next, top gaming studio executives stepped down. Then, a prominent talent management agency for video game streamers laid off its employees and closed.

The stream of reports of sexual harassment and assault in the gaming industry that began in June has continued unabated, as more women — and some men — have come forward with accusations of mistreatment.

Despite the actions that companies have taken in response to individual incidents, gaming experts say they are hesitant to call the moment an inflection point for an industry with a long and difficult history of sexist behavior and abuse. This is not the first time women have spoken up. In 2014, in what is known as Gamergate, women faced death threats for criticizing the gaming industry and its culture. Last year, women again came forward with stories of abuse in what was seen as gaming’s #MeToo moment.

So few expect the resignations this time to quickly change a culture that for decades has often been hostile to women.

“You can fire people all day long,” said Kenzie Gordon, a Ph.D. candidate at the University of Alberta who studies how games can be used to prevent sexual and domestic violence. But “if only the individual people are held accountable, that doesn’t have any impact on the culture of the organization as a whole, necessarily.”…

(12) THE MARTIAN YAWNICLES. “One Challenge for Future Mars Explorers? Boredom.” So says Kate Greene at LitHub.

… It’s conditions such as these—monotony, idleness, tedium, sensory deprivation, loneliness—that concern NASA psychologists who want to send a crew to Mars. Using existing technologies, a trip to the red planet will take 200 to 300 days of travel. Most of the time will be spent inside a cramped capsule. There will be a communication delay with Earth of up to 24 minutes due to a span of hundreds of millions of miles. Real-time chatting or video calls with friends and family and mission support will be an impossibility—the limitation is the speed of light—that no new technology would be able to overcome.

Mars crews would likely need to operate with a high level of autonomy because of this communication delay. Many people believe autonomy, which implies freedom of choice, can stave off boredom. Indeed, work imbued with personal meaning can be a potential solution, but it can’t fix everything.

In addition to the isolation and sensory deprivation, there will still be repetition of meals and routines and clothing and conversations between crewmembers. The workloads will still likely be full of tedium, with narrow margins for error. In short, a mission to Mars has the perfect ingredient list for boredom and disaster borne of boredom.

(13) WHAT WILL YOU MAKE FROM THIS? “A New Artificial Material Effectively Cannot Be Cut” — which they’ve dubbed Proteus, rather than ‘nocuttium’ or whatever; Slashdot has the story.

Researchers from the University of Stirling, UK, have embedded ceramic spheres in aluminum foam to create a material that couldn’t be cut with angle grinders, power drills or water jet cutters. “They dubbed it Proteus after the shape-shifting Greek god, for the way the material metamorphosed in different ways to defend against attacks,” reports New Scientists

(14) THE SWARM. Could “swarm 3-D printing” become an endless opportunity for unanticipated results?

…What they appear to have developed is a kind of mobile robotic 3D printing concept. As you can see in the video, dual independent 3D printers are temporarily fixed to specific locations on a grid. From these locations the devices will print within a controlled zone (which AMBOTS calls a “Chunk”).

After completing a layer of a chunk, a mobile robot picks up each 3D printer and moves them to another spot on the grid where they can then access another chunk. By moving the 3D printers repeatedly through a series of access points they are able to build the entire structure — without interfering with each other.

(15) IMPERFECT CREATION. Now wait a minute. It was his own show! Yet ScreenRant says there were “10 Things Rod Serling Disliked About The Original Twilight Zone”. Well, here’s one we all disliked for sure.

9. Those Damn Commercials

One beast Serling struggled with during the run of The Twilight Zone continues to be an irritant today. That has to do with lightweight commercials that tended to deflate the intensity of a suspenseful Twilight episode.

“However moving and however probing and incisive the drama,” mused Serling at a UCLA speaking engagement in 1971, “it cannot retain any thread of legitimacy when after 12 or 13 minutes, out comes 12 dancing rabbits singing about toilet paper.”

(16) VIDEO OF THE DAY. In “Honest Trailers: Cowboy Bebop” on YouTube, Screen Junkies takes on the classic anime series, where everyone chain smokes and the gloomy atmosphere is heightened by introspective sax solos.

[Thanks to Michael Toman, Daniel Dern, Lise Andreasen, John Hertz, Cat Eldridge, Chip Hitchcock, JJ, John King Tarpinian, Mike Kennedy, Martin Morse Wooster, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Bill.]

Pixel Scroll 3/16/20 The Pixels Are Best, I Wouldn’t Scroll Tuppence For All Of The Rest

Everyone would be happy for a diversion from coronavirus stories, I’m sure — I’ll try and strike a better balance tomorrow.

(1) INTERRUPTING THE FLOW. John Scalzi shared some “Important News About The Last Emperox Tour” – it’s not happening.

So, let’s get right to it, folks: The book tour for The Last Emperox has to be cancelled.

Why? Well, I’m pretty sure you know why:

1. There’s a global pandemic going on as we speak.

2. Gathering in groups is not a great idea.

3. In a lot of the places where my tour stops are, gathering in large groups is currently not allowed….

(2) NO FILKONTARIO. Sally Headford, chair of FilKONtario 30, sent this message to members cancelling the con, which was to have taken place in Markham, Ontario (Canada), from April 26-29: “An Important Message From the FilKONtario ConCom”.

We know that it will come as no surprise to any of you to hear that we have decided that we have to cancel this year’s FKO.

While we may have been able to wait a while longer and see how things develop, we felt that it was our responsibility to make a decision and inform everyone sooner, rather than later, in the hopes that people are able to change their plans

We love our community, and deeply regret cancelling. However, we don’t feel that getting together at the height of a global pandemic, to sing in a closed environment, is in the best interests of that community. I’ll say no more on that point, as I am sure you are all as aware of the factors involved as we are……..

(3) MARCON. Likewise, Marcon 55, scheduled for May 8-10 in Columbus, OH “is cancelled due to government regulations about health concerns.”  Chair Kim Williams announced:

It’s official: This morning I received the email from the hotel honoring the Force Majeure clause in our contract.

To our members: your continued support is incredible. Without your attendance, this event could not have happened for the past 54 years….

(4) UNDERSTANDING CORONAVIRUS. SF2 Concatenation has advance postedJonathan Cowie’s “SARS-CoV-2, COVD-19 and the SF community. A briefing”, part of its April 20 issue. It is an overview of the science behind the virus and related disease.

…The current SARS-CoV-2 outbreak is now affecting the national and international science fiction community.  Already some SF fans living in northern Italy have experienced a few weeks of self-isolation with all but necessary travel banned by law under penalty of a three month jail sentence.  Descriptions of life from these have included as if being in an SF film.  Meanwhile, as the virus spreads, and cases of the resulting disease (COVID-19) mount, questions are being asked as to the viability of some forthcoming SF events: some at the time of writing (March 2020) have already been cancelled.  It therefore may be useful to have a basic, preliminary briefing on the science and likely fan impacts that goes a little beyond the arguably cautious, limited statements some authorities have made.  This is an on-going situation, so irrespective of the below, it is always best to seek guidance from regional health authorities and international bodies as well as, of course, your own clinician….

His qualifications for writing the post are —

Jonathan Cowie is an environmental scientist who has had a career in science communication, including science publishing and policy, working primarily for UK learned biological societies.  Then in the early 2000s he turned to focus on climate change concerns: principally the Earth system, biological and human ecological impacts.  Among other things, including writing climate change university textbooks, and his 2009 online essay, ‘Can we beat the climate crunch‘ has been somewhat prescient as demonstrated from subsequent work by others.  Since the mid-2010s he has shifted his attention to the Earth system and the co-evolution of life and planet.  Of passing relevance to this briefing, in his mid-1970s, pre-college gap period he spent 18 months working at NIRD as a junior technician.  The former National Institute for Research into Dairying was not hidden in a remote area in Nevada, concealed in the sub-basements of a legitimate Department of Agriculture research station, but was a genuine MAFF Research Institute attached to the University of Reading.  His work there included that in its SPF and Germ Free Units. One of the outputs of this was providing Specific Pathogen Free eggs for children in isolation undergoing bone marrow transplantation.  He has therefore kind of done the Andromeda Strain thing.

(5) HOME MOVIES. Via Slashdot, “Universal Makes Movies Now Playing in Theaters Available Online”.

Universal said that by Friday recently released films like “The Invisible Man,” “The Hunt” and “Emma” will be available for digital rental for $19.99 in the U.S., or the equivalent value in overseas markets. Paying the rental fee will allow customers 48 hours to watch the movie. In an even bolder move, Universal also said “Trolls World Tour” will open simultaneously in theaters and at home on April 10. Universal released “The Hunt” in theaters over the weekend while “The Invisible Man” and “Emma” both came out late last month. Costing just $7 million to make, “The Invisible Man” has already had a successful run in theaters, grossing $122.4 million globally in three weekends.

(6) POSTER CHILDREN. PropStore displays lots of great art in “Featured Lots | Cinema Poster Live Auction March 2020”.

This year’s Cinema Poster Live Auction has over 300 posters, including an amazing selection of posters and original artwork from the collections of well-known comic-art artist Jock, Academy Award®-winning special effects cinematographer, Richard Edlund, former Lucasfilm Executive and Assistant Director Howard Kazanjian, and so much more!

So, sit back, relax, and get up-close and personal with some of our featured lots from the auction…

Here’s one example:

US One-Sheet Poster, INVASION OF THE SAUCER-MEN (1957)

“See Earth attacked by flying saucers! See teenagers vs. the saucer men!”. Examples of classic 1950’s B-movie science fiction don’t come better than this superb 1957 country of origin US One-Sheet for Samuel Z. Arkoff’s 1957 production “Invasion of the Saucer Men”. Truly outstanding Albert Kallis artwork that features the alien “cabbage head” invaders from space. Originally folded, this is now presented linen-backed with light restoration and it looks ‘out of this world’. Any paper ephemera from this movie is scarce and far more difficult to obtain than other examples from the more famous 1950s horror/sci-fi titles as it played in far fewer theaters than Forbidden Planet, The Day the Earth Stood Still, or other more mainstream science fiction titles.

Artist: Albert Kallis

Estimate: £3,000 – 5,000

(7) THE STORY OF THE FUTURE. In “The Big Idea: Ann VanderMeer” at Whatever, she explains “The goal: To use storytelling to intrigue and inspire the public about our possible futures, brought about by the work XPRIZE is doing today.”

…We face many challenges in the modern world, what with climate change, health issues, global conflicts, access to education, and poverty. At XPRIZE, people are working together to find solutions for the future. And the stories being expressed with the XPRIZE anthologies give rise to the imagination. Indeed, storytelling is often used for applied creativity in problem solving.

The relationship between science fiction stories and actual science has always been there. Many scientists who became involved in the Space Program at NASA were early readers of science fiction and were inspired to make a career of science. It’s not just that certain technologies and ideas that originated from science fiction stories become real in our modern day, but also that some SF readers go on to pursue careers in the sciences and make an impact in the world.

I was first approached last year to edit the Current Futures anthology to promote World Oceans Day. I had the opportunity to bring in new voices and work with other writers that I knew and admired. It was a dream project and I was thrilled to see writers like Rochita Loenen-Ruiz, Deborah Biancotti and Karen Lord get excited about stories and work with them again. I was also thrilled to work with other writers for the first time, including Malka Older, Madeline Ashby and Gu Shi….

(8) TOOTHSOME FICTION. Vanity Fair interviews the author of Sharks in the Time of Saviors: “How Kawai Strong Washburn Opened Up the Legends of Hawaii for Mainlanders”.

Were you very conscious of balancing those spiritual or fantastical elements with realistic fiction?

I love “genre” fiction like speculative and fantasy fiction. Those are fun books to read, but a lot of times a deeper exploration of the human condition is lacking. So while I really enjoy the freedom of genre fiction—you can push the boundaries of a story in interesting ways—I wanted to make it feel like something that was still believable. I was very concerned about integrating these myths and legends in a way that felt experienced by the characters. I didn’t want to reinforce stereotypes about how Hawaii is some sort of exotic land. I tried to make the “magical” elements feel more realistic so that readers wonder if things are really happening or characters are just imagining them.

(9) TODAY IN HISTORY.

  • March 16, 1961 The Absent-minded Professor premiered. Yes, it’s genre at least as Disney defined it. It was based on the short story “A Situation of Gravity” by Samuel W. Taylor which was originally published in the May 22, 1943 issue of Liberty magazine, a magazine of religious freedom. It was directed by Robert Stevenson, and starred Fred MacMurray as Professor Ned Brainard. It holds a good 63% audience rating at Rotten Tomatoes.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 16, 1883 Sonia Greene. Pulp writer and amateur press publisher who underwrote several fanzines in the early twentieth century. Wiki says she was a president of the United Amateur Press Association but I can’t confirm that elsewhere. And she was married to Lovecraft for two years. (Died 1972.)
  • Born March 16, 1900 Cyril Hume. He was an amazingly prolific screenplay writer with twenty-nine credits from 1924 to 1966 including The Wife of the Centaur (a lost film which has but has but a few scraps left), Tarzan Escapes, Tarzan the Ape Man, The Invisible Boy and Forbidden Planet. (Died 1966.)
  • Born March 16, 1920 Leo McKern. He shows up in a recurring role as Number Two on The Prisoner in  “The Chimes of Big Ben”, “Once Upon a Time” and “Fall Out”. Other genre appearances include Police Inspector McGill in X the Unknown, Bill Macguire in The Day the Earth Caught Fire, Professor Moriarty in The Adventure of Sherlock Holmes’ Smarter Brother, The Voice of Gwent in “The Infernal Machine” episode of Space: 1999. (Died 2002.)
  • Born March 16, 1929 Ehren M. Ehly. This was the alias of Egyptian-American author Moreen Le Fleming Ehly. Her first novel, Obelisk, followed shortly by Totem. Her primary influence was H. Rider Haggard of which she said in interviews that was impressed by Haggard’s novel She at an early age. If you like horror written in a decided pulp style, I think you’ll appreciate her. (Died 2012)
  • Born March 16, 1929 A. K. Ramanujan. I’m going to recommend his Folktales from India, Oral Tales from Twenty Indian Languages as essential reading if you’re interested in the rich tradition of the Indian subcontinent. Two of his stories show up in genre anthologies, “The Magician and His Disciple“ in Jack Zipes’ The Sorcerer’s Apprentice: An Anthology of Magical Tales and “Sukhu and Dukhu“ in Heidi Stemple and Jane Yolen’s Mirror, Mirror. (Died 1993.)
  • Born March 16, 1961 Todd McFarlane, 59. Best-known for his work on The Amazing Spider-Man and Spawn.
  • Born March 16, 1971 Alan Tudyk, 49. Hoban “Wash” Washburne in the Firefly universe whose death I’m still pissed about. Wat in A Knight’s Tale. (Chortle. Is it genre? Who cares, it’s a great film.)  He’s K-2SO in Rogue One and yes, he does both the voice and motion capture. Impressive. He also had a recurring role on Dollhose as Alpha, he voiced a number of characters in the Young Justice series streaming on DC Universe, and he was a very irritating Mr. Nobody on the Doom Patrol series.

(11) COMICS SECTION.

(12) WELL, THERE YOU HAVE IT. The highly scientific BBC Radio 4 “Out of the Ordinary” series has determined “Aliens are the size of polar bears (probably)”.

There are millions of planets out there that could contain intelligent life. We can’t look at them all, so which should we focus on? Using nothing but statistics, astronomer Fergus Simpson predicts the aliens will be living on small, dim planets, they’ll have small populations, big bodies, and will be technologically backward.

This goes against many astronomers’ working assumption that the earth is typical of inhabited planets – and that our sun is an ordinary star in an ordinary galaxy. Fergus argues that this is an example of the “fallacy of mediocrity” which we fall for time and time again, whether it’s in our assumptions about gym membership, taxi drivers, or train overcrowding.

(13) WAITING FOR… BBC reports — “Coronavirus: Daniel Radcliffe play off as entertainment activity winds down”.

Daniel Radcliffe’s new play Endgame has become the first major London production to be cancelled in the wake of the coronavirus pandemic.

The Samuel Beckett play started at the Old Vic theatre in January and had been due to run until 28 March.

The venue said it was scrapping the final two weeks “with great sadness”.

It comes as a long list of other plays, TV shows, gigs and movies have postponed performances and film shoots as the virus continues to spread.

Citing travel and other restrictions, the Old Vic said it was “becoming increasingly impractical to sustain business as usual at our theatre”.

The show also starred Alan Cumming, Jane Horrocks and Karl Johnson.

The theatre said: “We are very sympathetic to people’s personal circumstances, as we are to the audiences who are still excited to visit the theatre and see our productions. We are also extremely aware of our employees’ financial dependence on work being presented and tickets being purchased.”

The theatre warned that giving full refunds for all lost performances would be “financially devastating for us”, so asked ticket-holders to consider the ticket price as a donation.

In return, those who do not ask for their money back will receive a filmed recording of the play from earlier in the run and a private video message of appreciation from the cast.

Meanwhile, the Young Vic theatre has cancelled all remaining performances of Nora: A Doll’s House.

(14) NEW TECH TO THE RESCUE. “Coronavirus: 3D printers save hospital with valves”.

A 3D-printer company in Italy has designed and printed 100 life-saving respirator valves in 24 hours for a hospital that had run out of them.

The valve connects patients in intensive care to breathing machines.

The hospital, in Brescia, had 250 coronavirus patients in intensive care and the valves are designed to be used for a maximum of eight hours at a time.

The 3D-printed version cost less than €1 (90p) each to produce and the prototype took three hours to design.

(15) SEATS WITHOUT BUTTS. The New York Times says these are the times that try a theater owner’s soul — “Movie Crowds Stay Away. Theaters Hope It’s Not for Good.”

For most of last week, movie theater executives clung grimly on.

At issue, among other things, was CinemaCon, an annual Las Vegas event intended to bolster the most fragile part of the film business: leaving the house, buying a ticket and sitting in the dark with strangers to watch stories unfold on big screens. The National Association of Theater Owners was under pressure to call off the convention because of the coronavirus pandemic, but worries abounded about potential consumer fallout.

What message would canceling the confab send to potential ticket buyers, including those increasingly likely to skip cinemas — even in the best of times — and watch films on streaming services like Netflix, Amazon Prime Video and Disney Plus? American cinemas, after all, were staying open in the face of the pandemic.

Reality eventually made the association pull the plug on CinemaCon, another example of how seemingly every part of American life has been disrupted because of the coronavirus. For movie theaters, however, the pandemic could be a point of no return.

The National Association of Theater Owners has insisted that streaming services are not a threat. “Through every challenge, through every new technology innovation over the last twenty years, theatrical admissions have been stable and box office has consistently grown,” John Fithian, the association’s chief executive, said in a January news release titled “theater owners celebrate a robust 2019 box office.” Ticket sales in North America totaled $11.4 billion, down 4 percent from a record-setting 2018.

Many analysts, however, see a very different picture. Looking at the last 20 years of attendance figures, the number of tickets sold in North America peaked in 2002, when cinemas sold about 1.6 billion. In 2019, attendance totaled roughly 1.2 billion, a 25 percent drop — even as the population of the United States increased roughly 15 percent. Cinemas have kept ticket revenue high by raising prices, but studio executives say there is limited room for continued escalation. Offerings in theaters may also grow more constrained. Even before the pandemic, major studios were starting to route smaller dramas and comedies toward streaming services instead of theaters.

And now comes the coronavirus, which has prompted people to bivouac in their homes, theaters to put in place social-distancing restrictions and studios to postpone most theatrical releases through the end of April. Rich Greenfield, a founder of the LightShed Partners media research firm, predicted that the disruption would speed the ascendance of streaming….

(16) GATES REFOCUSES. “Bill Gates steps down from Microsoft board to focus on philanthropy” – BBC has the story.

Microsoft co-founder Bill Gates is stepping down from the company’s board to spend more time on philanthropic activities.

He says he wants to focus on global health and development, education and tackling climate change.

One of the world’s richest men, Mr Gates, 65, has also left the board of Warren Buffett’s massive holding company, Berkshire Hathaway.

Mr Gates stepped down from his day-to-day role running Microsoft in 2008.

Announcing his latest move, Mr Gates said the company would “always be an important part of my life’s work” and he would continue to be engaged with its leadership.

But he said: “I am looking forward to this next phase as an opportunity to maintain the friendships and partnerships that have meant the most to me, continue to contribute to two companies of which I am incredibly proud, and effectively prioritise my commitment to addressing some of the world’s toughest challenges.”

[Thanks to Michael Toman, Cat Eldridge, Chip Hitchcock, JJ, Mike Kennedy, Martin Morse Wooster, John King Tarpinian, SF Concatenation’s Jonathan Cowie, Daniel Dern, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Jack Lint.]

Pixel Scroll 11/10/19 Let’s Build Robots With Genuine Pixel Personalities, They Said

(1) FORWARD MOMENTUM. Odyssey Writing Workshop’s Jeanne Cavelos works on “Uncovering the Mysteries of Flow in the Opening of Stephen King’s 11/22/63 in a new post:

…As the director of the Odyssey Writing Workshops Charitable Trust, I’m constantly critiquing fiction in our online classes or in-person workshops, and I’ve come to realize how important flow is to a story. A story may have an exciting plot, compelling characters, a fascinating world, and a clear style, but without flow, we’ll be struggling to reach the end.

What is flow? The Oxford English Dictionary tells us that, when applied to composition or speech, to flow is “To glide along smoothly, like a river.” So a story with flow is one that carries the reader ahead smoothly and effortlessly. That describes the sensation we may feel when reading a story with flow, but what techniques can we use to write stories with flow?

This article was inspired by two interesting blog posts by V. Moody analyzing the opening of Stephen King’s novel 11/22/63, and the openings of Stephen King novels in general.

(2) ON THE COVER. Steven H Silver’s latest feature for Black Gate pays tribute to a superb sff artist: “The Golden Age of Science Fiction: Joan Hanke-Woods”. And Richard Chwedyk contributes a section about her life nearly all of which was new to me. 

…She loved SF. She loved fandom. But there were a lot of folks in fandom who could make her regret her passion. This isn’t to say there weren’t good people around, trying to help her whenever they could. Kelly-Freas once told her, “It’s a CRIME you’re not working as a pro!” But for most of her professional years she worked as a legal secretary or administrative assistant in various law offices.

(3) SOUL. Disney Pixar just dropped a teaser trailer for Soul, to be released next June.

“Soul” introduces Joe Gardner, a middle-school band teacher whose true passion is playing jazz. “I think Joe is having that crisis that all artists have,” says Powers. “He’s increasingly feeling like his lifelong dream of being a jazz musician is not going to pan out and he’s asking himself ‘Why am I here? What am I meant to be doing?’ Joe personifies those questions.” In the film, just when Joe thinks his dream might be in reach, a single unexpected step sends him to a fantastical place where he’s is forced to think again about what it truly means to have soul. That’s where he meets and ultimately teams up with 22, a soul who doesn’t think life on Earth is all it’s cracked up to be. Jamie Foxx lends his voice to Joe, while Tina Fey voices 22. “The comedy comes naturally,” says Murray. “But the subtle emotion that reveals the truth to the characters is really something special.”

(4) WORTHY OF THEIR HIRE. Ann VanderMeer exhorts people to “Pay the writer” (and other creatives). Thread starts here.

(5) CONQUER THAT BLANK PAGE. Servicescape has published “660 Science Fiction Writing Prompts That Will Get You Writing at Warp Speed” in a wide variety of subgenres, from Nanopunk and Time Travel to Utopia and Slipstream. Their  new writing guide “aims to help Sci-Fi writers find creative inspiration, get past writer’s block, and discover new story ideas and starters.”

(6) SCIENCE MEETS POETRY. Brain Picking’s Maria Popova introduces  “In Transit: Neil Gaiman Reads His Touching Tribute to the Lonely Genius Arthur Eddington, Who Confirmed Einstein’s Relativity”.

“You have got a boy mixed of most kindly elements, as perhaps Shakespeare might say. His rapidly and clearly working mind has not in the least spoiled his character,” a school principal wrote at the end of the nineteenth century to the mother of a lanky quiet teenager who would grow up to be the great English astronomer Sir Arthur Stanley Eddington (December 28, 1882–November 22, 1944) and who would catapult Albert Einstein into celebrity by confirming his relativity theory in his historic eclipse expedition of May 29, 1919….

(7) TODAY IN HISTORY.

  • November 10, 1919 — National Book Week was first observed in the United States.
  • November 10, 1966 Star Trek’s “The Corbomite Manuever” first aired. It was written by Jerry Sohl who also wrote who wrote for The Twilight Zone, Alfred Hitchcock Presents and The Outer Limits.  It starred Clint Howard as Balok, Walker Edmiston as the voice of Balok and Ted Cassidy (Lurch) as the voice of the Balok puppet. 

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born November 10, 1889 Claude Rains. Though you’ll likely remember him for another film, he did a lot of genre acting  with his first feature role was being  that of Dr. Jack Griffin, better known as The Invisible Man.  He also was in The Wolf Man, Phantom of the Opera, ScroogeThe Adventures of Robin Hood,The Lost World, and Battle of the Worlds. (Died 1967.)
  • Born November 10, 1924 Russell Johnson. Best known in what is surely genre for being Professor Roy Hinkley in Gilligan’s Island. His genre career started off with four Fifties films, It Came from Outer Space, This Island Earth, Attack of the Crab Monsters and The Space Children. He would later appear in both the Twilight Zone and Outer Limits. On ALF, he would appear as Professor Roy Hinkley in “Somewhere Over the Rerun”. (Died 2014.)
  • Born November 10, 1932 Roy Scheider. First genre role was as Dr. Heywood R. Floyd in 2010, the sequel to 2001: A Space Odyssey. His other major genre performance was as Captain Nathan Bridger in the SeaQuest DSV series. He also has roles in The Curse of the Living Corpse (his first acting role, a very low budget horror film), one of The Punisher films, Dracula III: Legacy and Naked Lunch which may or may not be genre.  The Jaws films are obviously genre as well. (Died 2008.)
  • Born November 10, 1943 Milt Stevens. Today is indeed his Birthday. On the day that he announced Milt’s unexpected passing, OGH did a wonderful post and y’all did splendid commentary about him, so I’ll just send you over there. (Died 2017.)
  • Born November 10, 1946 Jack Ketchum. Winner of four Bram Stoker Awards, he was made a World Horror Convention Grand Master Award for outstanding contribution to the horror genre. Oh, and he wrote the screenplays for a number of his novels, all of which he quite naturally performed in. (Died 2018.)
  • Born November 10, 1948 Steven Utley. Best known for his short stories of which he had two series, the first being his Silurian tales (collected in two volumes,  The 400-Million-Year Itch and Invisible Kingdoms),  and his time travel stories have been collected in Where or When. The Silurian tales Are available on iBooks and Kindle, Where or When isn’t either place. (Died 2013.)
  • Born November 10, 1955 Roland Emmerich, 64. Usually I don’t touch upon SJW affairs here but he’s very strong campaigner for the LGBT community, and is openly gay so bravo for him! Now back to his genre credits.  The Noah’s Ark Principle was in ‘84 by him written and directed by Roland Emmerich as his thesis after seeing Star Wars at the Hochschule für Fernsehen und Film München. Moon 44 followed which likely most of you haven’t seen but now we get to his Hollywood films, to wit Universal Soldier, The High Crusade (yes the Poul Anderson novel), Stargate, Independence Day.. no, I’m going to stop there. Suffice it to say he’s created a lot of genre film. And oh he directed Stonewall, the 2015 look at historic event. 
  • Born November 10, 1955 Clare Higgins, 64. Her genre film appearances include Hellraiser, Hellbound: Hellraiser II and The Golden Compass. She was Miss Cackle on the Worst Witch series, and had a memorable role on Doctor Who as Ohila, the High Priestess of the Sisterhood of Karn, that started off with the War Doctor and the Eighth Doctor going through the Twelfth Doctor. 
  • Born November 10, 1960 Neil Gaiman, 59. Summarizing him is nigh unto impossible so I won’t beyond saying that his works include Neverwhere, Anansi Boys, the Sandman series, Stardust, American Gods, Coraline, and The Graveyard Book. As for film, I think the finest script he did is his “Day of The Dead” one for Babylon 5, not  his Doctor Who scripts. The animated Coraline is I think the most faithful work of one of his novels, the Neverwhere series needs to be remade with decent CGI and the less said about Stardust the better. My first encounter with him was reading the BBC trade paper edition of Neverwhere followed by pretty much everything else he did until the last decade or so when I admit I stopped reading him, but I still remember those early novels with great fondness. I even read the Good Omens film script that he and Pratchett wrote.
  • Born November 10, 1963 Hugh Bonneville, 56. He’s here because he was Captain Avery in two Eleventh Doctor stories, “The Curse of the Black Spot” and “A Good Man Goes to War”. Which is not to say that he hasn’t done other genre work as he has as he’s got appearances on Da Vinci’s DemonsBonekickers, Bugs and The Memoirs of Sherlock Holmes. 
  • Born November 10, 1971 Holly Black, 48. Best known for her Spiderwick Chronicles, which were created with fellow writer & illustrator Tony DiTerlizzi, and for the Modern Faerie Tales YA trilogy. Her first novel was Tithe: A Modern Faerie Tale. (It’s very good.) There have been two sequels set in the same universe. The first, Valiant, won the first Andre Norton Award for Young Adult Science Fiction and Fantasy.  Doll Bones which is really, really creepy was awarded a Newbery Honor and a Mythopoeic Fantasy Award. Suffice it to say if you like horror, you’ll love her. 

(9) TIPPING — FOR SCIENCE! “Boston Dynamics boss learned by unbalancing toddler” — note also cooperative robot behavior 1:00 into video.

The boss of robotics company Boston Dynamics has confessed he once nudged his one-year-old daughter over to work out how people balance.

A YouTube video of Marc Raibert’s humanoid robot Atlas remaining upright while being poked with hockey sticks has 34 million views.

He no longer knocked his robots over just to show people they could get themselves back up again, he said.

But when he had done so, it was because he had felt like a “proud parent”.

“In fact, I have video of pushing on my daughter when she was one year old, knocking her over, getting some grief,” he told BBC News, at Web Summit in Lisbon.

“She was teetering and tottering and learning to balance and I just wanted to see what would happen. But we’re still good pals.”

(10) THAT STAR WARS ICE CREAM. Martin Morse Wooster writes, “I had the Star Wars Breyers ice cream.  Silly me.  It combines generic vanilla, generic chocolate and some sort of crumble in the chocolate.  It’s not very good.”

(11) YOU ARE FALSE DATA. BBC reports “Apple’s ‘sexist’ credit card investigated by US regulator”.

A US financial regulator has opened an investigation into claims Apple’s credit card offered different credit limits for men and women.

It follows complaints – including from Apple’s co-founder Steve Wozniak – that algorithms used to set limits might be inherently biased against women.

New York’s Department of Financial Services (DFS) has contacted Goldman Sachs, which runs the Apple Card.

Any discrimination, intentional or not, “violates New York law”, the DFS said.

The Bloomberg news agency reported on Saturday that tech entrepreneur David Heinemeier Hansson had complained that the Apple Card gave him 20 times the credit limit that his wife got.

In a tweet, Mr Hansson said the disparity was despite his wife having a better credit score.

Later, Mr Wozniak, who founded Apple with Steve Jobs, tweeted that the same thing happened to him and his wife despite their having no separate bank accounts or separate assets.

(12) A SNITCH IN TIME…FOR CHRISTMAS. Own Harry Potter’s Golden Snitch Drone for $39.95.

Ideal for Seekers in training, this is the golden snitch drone based on the classic Quidditch ball from the Harry Potter series. Just like its film counterpart, it can hover in place and flies away if you try to catch it via built-in proximity sensors that detect motion from a hand or foot. The heliball can also be controlled using an included remote that lets you set the speed and altitude. Copter charges via included USB cable; remote uses one button cell battery (included). Ages 8 and up.

(13) UP YOU LIGHTEN. There’s also a Yoda Table Lamp to chase away the dark side….

This is the lamp that illuminates a room with Jedi Master wisdom. Its cold-cast bronze base captures a meticulously detailed sculpture of Yoda—emblematic of his pose displayed in The Empire Strikes Back as he imparted his knowledge of the Force to an impatient and ambitious Luke Skywalker. A textured cloth lampshade enhanced with golden lining displays the classic quote “Do, or do not there is no try” bisected by the Jedi Order logo. Ideal for padawans and Jedi Knights alike, the lamp saves one from the dark side with an included energy efficient bulb.

[Thanks to Cat Eldridge, Martin Morse Wooster, Chip Hitchcock, JJ, John King Tarpinian, Michael Toman, Mike Kennedy, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Brian Z.]

2019 Clarion Workshop Marked by Special Events and Activities

The Clarion Science Fiction and Fantasy Writers’ Workshop begins June 23. The intensive six-week summer program at UC San Diego focuses on fundamentals particular to the writing of science fiction and fantasy short stories.

Clarion Faculty Reading Series: While the workshop itself is behind closed doors, the Clarion Faculty Reading Series hosted by San Diego’s Mysterious Galaxy Bookstore, is open to the public.

Click on the above for more information about each of the faculty via the Mysterious Galaxy event pages.

Clarion Write-a-Thon: Every year, the Clarion Science Fiction and Fantasy Writers’ Workshop holds a six-week Write-a-thon to coincide with the workshop. Like a walk-a-thon, participants write to raise money for scholarships to support future students.

This year, the Write-a-thon will begin June 23, the same day that the workshop begins. Participants commit to achieving their writing goals for the summer, whether that’s a daily word count, number of chapters, stories or submissions, or just butt-in-chair writing time.

You can either sign up to do the Write-a-thon yourself, donate to individual participants, or just make a general donation to the workshop. Everything helps achieve Clarion’s goal of $15,000 to support the workshop and future students. The majority of the Thon funds goes to scholarships for incoming students. Check it out and sign-up or back a writer today!

[Based on a press release.]

2019 Neukom Institute Literary Arts Awards

Dartmouth’s Neukom Institute announced the winners of the 2019 Neukom Institute Literary Arts Awards for speculative fiction and playwriting on June 4.

2019 Neukom Institute Literary Arts Award for Speculative Fiction (Debut Category)

  • Peng Shepherd, The Book of M (William Morrow, 2018)

2019 Neukom Institute Literary Arts Award for Speculative Fiction (Open Category)

  • Audrey Schulman, Theory of Bastards (Europa Editions, 2018)

2019 Neukom Institute Literary Arts Award for Playwriting

  • Francisco Mendoza, Machine Learning

The book awards were judged by Ann and Jeff VanderMeer. The play award was judged by a panel of experts from Northern Stage, VoxFest, Dartmouth’s Department of Film and Media Studies, Dartmouth’s Department of Theater and The Civilians theater company.

Each award winner will receive a $5,000 honorarium that will be presented during a Dartmouth-hosted panel to discuss the genre and their work.

Ann VanderMeer said about Peng Shepherd’s debut novel The Book of M:

It’s an outstanding first novel. Very ambitious, highly imaginative, and hits all the right emotional beats. Parts of it took my breath away.

And she said of the open book category winner, Audrey Schulman’s Theory of Bastards:

Beautifully written, provocative and yet highly satisfying, this novel took lots of risks. And it paid off in this remarkable story. Unlike many dystopian novels, this one gives you hope for humanity and the future without being sentimental.

The 2019 Neukom award winner for playwriting is Francisco Mendoza, whose play, “Machine Learning,” draws on insights from the immigrant experience and the human relationship with technology to detail how a computer scientist’s intelligent nursing app both repairs and complicates his troubled relationship with his father.

Mendoza will receive assistance with the play’s development in the form of a reading with VoxFest at Dartmouth College in July, and a staged reading at Northern Stage in White River Junction, Vermont, during the 2019/2020 season.

The Neukom Institute for Computational Science is dedicated to supporting and inspiring computational work. The Literary Arts Awards is part of the Neukom Institute’s initiative to explore the ways in which computational ideas impact society. The Neukom Institute Literary Arts Awards were established in 2017. The awards aspire to raise general awareness of the speculative fiction genre, as well as the interconnectivity between the sciences and the arts.

2019 Neukom Institute Literary Arts Awards Finalists

Ten books that “dare to imagine how society collides with the future” have been shortlisted for the 2019 Neukom Institute Literary Arts Awards.

From the challenges of life on a floating Arctic city, to epidemics of forgetfulness and zombification, to an Earth occupied by amphibious aliens, the Neukom shortlist forces readers to grapple with uncomfortable twists to familiar storylines of climate change, social justice and technological innovation.

The second annual speculative fiction awards program will be judged by Ann and Jeff VanderMeer. The winners will be announced in late May.

Open Category

Debut Category

Co-judge Jeff VanderMeer commented:

It’s been gratifying to play a part in reading and selecting such unique and strong fiction from so many different points of view. We’ve particularly enjoyed encountering writers we had not read before—and it’s especially gratifying to find so many new voices, who we believe readers will be encountering for decades to come. The Dartmouth prize is a much-needed addition to the current slate of science fiction awards.

And co-judge Ann VanderMeer said:

We’re looking forward to selecting the winners. This is such a strong list and a difficult choice for us but a very good problem to have! It’s wonderful to see so many writers taking chances and showing us other ways to view the world we live in today and what our tomorrows could be.

Each award winner will receive a $5,000 honorarium that will be presented during a Dartmouth-hosted panel to discuss the genre and their work.

The Neukom Institute for Computational Science is dedicated to supporting and inspiring computational work. The Literary Arts Awards is part of the Neukom Institute’s initiative to explore the ways in which computational ideas impact society. The Neukom Institute Literary Arts Awards were established in 2017. The awards aspire to raise general awareness of the speculative fiction genre, as well as the interconnectivity between the sciences and the arts.

[Based on a press release.]

Pixel Scroll 4/7/19 Filing On the Outside, Crying On the Inside

(1) GAME CHOW. Food & Wine doesn’t want you to miss a single offer: “All of the ‘Game of Thrones’ Food and Beverage Tributes for the Final Season”

Wherever your house allegiance may lie, there’s an Oreo for that—no, seriously. On April 2, the cookie brand announced a special line of Game of Thrones Oreos, which are stamped with the sigils of House Stark, House Targaryen, and House Lannister, symbolizing the main families that are left in the battle for the Iron Throne (and against the White Walkers). There’s even a cookie with the Night King on it, if you’re rooting for the dark side; plus, Oreo also recreated the show’s iconic opening sequence with (you guessed it) Oreos, which you can check out below.

(2) REALITY BOOZE. And Eater has another product roundup: “From Johnnie Walker to Oreos, Brands Are Going Ham on ‘Game of Thrones’ Merch”.

Then there’s sneakers, a $2,700 leather jacket, underwear, and even GoT wine and Johnnie Walker whiskey, which at least have a very tenuous connection, given that alcohol actually exists in Westeros (as compared to Oreos). Of course, none of these products will appear on screen, unless a final twist reveals that the entire Game of Thrones universe was actually the fever dream of a Mountain Dew advertising executive.

Hey, Fevre Dream is another clever GRRM reference, if intentional.

(3) DON’T PANIC. That’s what SFWA says, even though there’s no tickets left. Right now, anyway.

The 2019 Nebula Conference is SOLD OUT, but don’t panic! We’re looking into expanding capacity & expect to release more tickets. If you haven’t bought your membership yet, email events@sfwa.org to be notified when additional tickets are released.

(4) NOT WHISPERING. This morning I stopped at an intersection behind a “Smith Family Exterminating” truck and had the obvious thought. It came back to me now as I was reading Galactic Journey’s review of an old IF theme issue: “[Apr. 6, 1964] The art of word-smithing (May 1964 IF)”.

Science fiction magazines are no strangers to gimmicks.  Fantasy and Science Fiction has “All-star issues” with no authors but big names (though they often turn in second-rate stuff).  Analog is trying out a run in “slick” 8.5? by 11? size. 

And this month, IF has gotten extra cute.  Every story in the issue is written by a guy named “Smith.”  It’s certainly a novel concept, but does it work?

(5) WRITER’S BLOCH. His advice to Ray Bradbury is #5: “Robert Bloch: The World Explained in 20 Quotes” at CrimeReads.

“I urge you with all sincerity to get to work, write a book, write two—three—four books, just as a matter of course. Don’t worry about ‘wasting’ an idea or ‘spoiling’ a plot by going too fast. If you are capable of turning out a masterpiece, you’ll get other and even better ideas in the future. Right now your job is to write, and to write books so that by so doing you’ll gain the experience to write still better books later on.” (Bloch in an August 27, 1947 letter to Ray Bradbury)

(6) FLYOVER SLEUTHING. The winner of this year’s Paretsky Award for mysteries set in the Midwest was announced March 23: 

Scott Turow, the author of such best-selling novels as Presumed Innocent (1987), Reversible Errors (2002) and Testimony (2017), has received the annual Paretsky Award for his work. That commendation was presented to him during the third annual Murder and Mayhem in Chicago convention, held this last Saturday. The Paretsky Award, named after Sara Paretsky, the creator of Windy City private detective V.I. Warshawski, “honors mysteries set in the Midwest.”

(7) RAPHAEL OBIT. Rabbi Lawrence Raphael died March 17 at the age of 74 reports Mystery Fanfare. In addition to being a rabbi, he edited anthologies of Jewish mysteries and crime fiction, and was also an expert in Jewish science fiction.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born April 7, 1915 Stanley Adams. He’s best known for playing Cyrano Jones in “The Trouble with Tribbles” Trek episode. He reprised in the Star Trek: The Animated Series episode “More Tribbles, More Troubles” and archival footage of him was later featured in the Deep Space Nine “Trials and Tribble-ations” episode.  He also appeared in two episodes of the Batman series (“Catwoman Goes to College” and “Batman Displays his Knowledge”) as Captain Courageous. (Died 1977.)
  • Born April 7, 1915 Henry Kuttner. While he was working for the d’Orsay agency, he found Leigh Brackett’s early manuscripts in the slush pile; it was under his guidance that she sold her first story to Campbell at Astounding Stories.  His own work was done in close collaboration with  C. L. Moore, his wife, and much of they published was under pseudonyms.  During the Forties, he also contributed numerous scripts to the Green Lantern series. (Died 1958.)
  • Born April 7, 1928 James White. His best-known novels were the Sector General hospital series published over a nearly a forty year period. No, I’m not going to remember which ones I read but I do fondly remember reading several of them and encountering the short stories in various magazines. Definitely popcorn literature at its best! (Died 1999.)
  • Born April 7, 1934 Ian Richardson. His first genre performance was in  A Midsummer Night’s Dream as Oberon. That’s the film with Diana Rigg, Helen Mirren, Ian Holm and David Warner as well. He’s the Narrator of Gawain and the Green Knight, Sherlock Holmes in The Hound of the Baskervilles and The Sign of Four, Mr. Warrenn in Brazil (a film I’ve never understood), Polonius In Rosencrantz & Guildenstern Are Dead, Mr. Book in Dark City, Wasp in Through the Looking-Glass, and What Alice Found There and Sir Charles Warren in From Hell based off the Alan Moore excellent graphic novel about the Ripper murders. (Died 2007.)
  • Born April 7, 1935 Marty Cantor, 84. He’s the editor with then his wife Robbie of Holier Than Thou.  It was nominated for the 1984, 1985 and 1986 Hugo Awards for Best Fanzine, losing in the first two years to File 770 and in the last to Lan’s Lantern. He also published Who Knows What Ether Lurks in the Minds of Fen?, a rather nice play off The Shadow radio intro.
  • Born April 7, 1939 Francis Ford Coppola, 80. Director / Writer / Producer. THX 1138 was produced by him and directed by George Lucas in his feature film directorial debut in 1971. Saw it late at night after some serious drug ingestion with a redhead into Morrison — strange experience that was. Other genre works of note include Bram Stoker’s Dracula, an episode of Faerie Tale Theatre entitled“Rip Van Winkle”, Twixt (a horror film that almost no one has heard of), Mary Shelley’s FrankensteinJeepers Creepers and Jeepers Creepers 2
  • Born April 7, 1946 Stan Winston. He’s best known for his work in Aliens, the Terminator franchise, the first three Jurassic Park films, the first two Predator films, Batman Returns and Iron Man. He was unusual in having expertise in makeup, puppets and practical effects, and was just starting to get in digital effects as well. (Died 2008.)
  • Born April 7, 1945 Susan Petrey. There are days I don’t like the Universe very much and it’s things like her death which cause that. Dead at 35, she’s the author of the Varkela, a series of stories where vampires heal instead of kill. Her collected work is be found in Gifts of Blood. She was very active in Portland, Oregon fandom where her friends established the Susan C. Petrey Clarion Scholarship Fund in her memory which raises funds to send aspiring writers to the Clarion. (Died 1980.)
  • Born April 7, 1951 Janis Ian, 68. Stars: Original Stories Based on the Songs of Janis Ian is an anthology of stories edited by her and Mike Resnick. It looks damn good and I’ve got the  ISFDB link here for the contents.

(9) COMICS SECTION.

(10) FINALISTS CONSIDERED. Gary Tognetti reacts to the ballot in “2019 Hugo Nominations Post – Impressions, Surprises, Disappointments” at The 1000 Year Plan.

…The opinions expressed below are not intended to divide the nominees up into things that “deserve” to be there and things that don’t. Every work/person on the ballot deserves to be there because their fans were passionate enough to make it happen. Fans are an opinionated bunch: we think some things are better than other things and we like to argue about it. That’s what I’m doing here.

(11) BRW. We’ve been talking a lot about AO3 – Paste takes a look at another Best Related Work that’s also a product of the times: “YouTuber Lindsay Ellis Has Been Nominated for a Hugo Award for Her Acclaimed ‘Hobbit Duology'”.

The YouTube video essay has become perhaps the defining form of entertainment media of the digital age, and yet it’s still not a medium that garners a lot of respect. Except for the likes of a handful of film YouTubers such as the dearly departed Every Frame a Painting, it’s a field where all of the middling quality entries have an anchor-like effect upon all the superior efforts. In much the same way that feature films on streaming services have slowly clawed their way into award recognition, though, the same is true of the YouTube video essay. And YouTuber Lindsay Ellis just made a major statement to that effect, garnering a Hugo Award nomination for her critically acclaimed “Hobbit Duology,” in the category of Best Related Work.

It’s not the first time a YouTuber has been nominated for a Hugo Award—it’s happened at least once before, when Rachel Bloom was nominated in 2010—but it’s still a major honor and an important precedent, all the same. And it’s a fitting recognition of Ellis’ instantly gripping series of three videos on Peter Jackson’s The Hobbit, which offer a postmortem on how one of the most beloved film trilogies of all time (The Lord of the Rings) ended up being followed by a disappointing, overstuffed miscalculation.

(Note: Rachel Bloom was a 2011 nominee.)

(12) AWARD NEWS. The judges for the Neukom Institute Literary Arts Awards are Ann VanderMeer and Jeff VanderMeer reports Locus Online. The $5,000 awards will be presented in May at Dartmouth College in New Hampshire.

(13) THE METAPHORICAL RED PLANET. Kelly Lagor digs into a classic Bradbury collection at Tor.com: “On the Origins of Modern Biology and the Fantastic: Part 10—Ray Bradbury and Mechanisms of Regulation”.

The Martian Chronicles, published in 1950, represented something unique and different in science fiction. At the optimistic opening of the space age, if offered a perspective on the lie that the promise of a new frontier offers, as though by traveling to Mars we assumed we would leave behind our weakness and bigotry. It’s Bradbury up and down, sacrificing scientific rigor in favor of poetic metaphor; one part awe, one part sadness, three parts nostalgia. It brought a literary perspective to science fiction, tackling themes of loneliness, regret, and the inevitable loss of innocence. Bradbury sought the deeper meanings in the established mechanics of science fiction and his stories encompassed an added layer of complexity that would have a profound impact on an up-and-coming generation of writers.

(14) BOOK REVIEW BONANZA. Sweet Freedom’s “Friday’s Forgotten Books” feature links to the week’s collection of genre reviews.

This week’s books and more, unfairly (or sometimes fairly) neglected, or simply those the reviewers below think you might find of some interest (or, infrequently, you should be warned away from); certainly, most weeks we have a few not at all forgotten titles…a big week for Christie books…pushing the limit of “forgotten” but as with some of the other hugely popular, hugely prolific writers, each title aside from the most popular tends to be lost in the shuffle…how many John Creasey novels can most non-Creasey fans name?

The hotlinks to the items listed below are here:

  • Patricia Abbott: Go With Me by Castle Freeman
  • Les Blatt: The Judas Window by “Carter Dickson” (John Dickson Carr)
  • Joachim Boaz: The Road to Corlay by “Richard Cowper” (John Middleton Murry, Jr.)
  • John Boston: Amazing: Fact and Science Fiction Stories, August 1963, edited by Cele Goldsmith Lalli
  • Ben Boulden: “The Double Whammy” by Robert Bloch, Fantastic, February 1970, edited by Ted White
  • Brian Busby: Jimmie Dale Alias The Gray Seal by Michael Howard
  • Brandon Crilly: On Spec co-edited by Diane Walton
  • Martin Edwards: Dominoes by John Wainwright
  • Peter Enfantino: Atlas (proto-Marvel) Horror Comics: March 1952
  • Will Errickson: Off Season by “Jack Ketchum” (Dallas Mayr)
  • José Ignacio Escribano: The Labours of Hercules by Agatha Christie
  • Curtis Evans: A Spot of Folly by Ruth Rendell
  • Olman Feelyus: The Prone Gunman by Jean-Patrick Manchette (translation by James Brook)
  • Paul Fraser: New Worlds SF, February 1965, edited by Michael Moorcock
  • Barry Gardner: A Cool Breeze on the Underground by Don Winslow
  • Charles Gramlisch: The Best of the West edited by Joe R. Lansdale
  • John Grant: Gangway! by Donald Westlake and Brian Garfield; The Pursuit of Alice Thrift by Elinor Lipman
  • Aubrey Hamilton: Suddenly While Gardening by Elizabeth Lemarchand 
  • Rich Horton: Captives of the Flame by Samuel Delany; The Psionic Menace by “Keith Woodcott” (John Brunner); Ian McDonald stories; Ilium by Dan Simmons; Again, Dangerous Visions edited by Harlan Ellison
  • Jerry House: Negro Romance, #2 Fawcett August 1950/#4 Charlton May 1955, written and edited by Roy Ald and illustrated by Alvin Hollingsworth
  • Kate Jackson: Dead Man’s Folly by Agatha Christie; Mothers in Crime Fiction
  • Tracy K: What Never Happens by Anne Holt; Remembered Death by Agatha Christie
  • Colman Keane: Atlanta Deathwatch by Ralph Dennis
  • George Kelley: The Great SF Stories 8 (1946) edited by Isaac Asimov and Martin H. Greenberg
  • Joe Kenney: Rock & Roll Retreat Blues by Douglas Kent Hall
  • B. V. Lawson: Picture Miss Seeton by “Heron Carvic” (Geoffrey Richard William Harris)
  • Evan Lewis: Comic Book Nation by Bradford W. Wright
  • Steve Lewis: Lord Mullion’s Secret by Michael Innes; Cat Among the Pigeons by Agatha Christie; 30 for a Harry by Richard Hoyt; “First Life” by Roger Dee, Super-Science Fiction, July 1950, edited by Ejler Jakobsson; “The Flies of Memory” by Ian Watson (novella version); Isaac Asimov’s Science Fiction Magazine, September 1988, edited by Gardner Dozois
  • Todd Mason: Fantastic, September 1974, edited by Ted White; The Paris Review, Autumn 1974, edited by George Plimpton; The Ontario Review, Autumn 1974, edited by Raymond J. Smith; The Magazine of Fantasy and Science Fiction, September 1974, edited by Edward Ferman
  • Francis M. Nevins: the works of John Roeburt
  • John F. Norris: The Crowing Hen by Reginald Davis; The Hand of the Chimpanzee by Robert Hare
  • Scott Parker: Faraday: The Iron Horse by James Reasoner
  • Matt Paust: That Old Scoundrel Death by Bill Crider
  • James Reasoner: Hearts of the West edited by Jean Marie Stine
  • Richard Robinson: Bodies from the Library edited by Tony Medawar
  • Gerard Saylor: The End of Vandalism by Tom Drury
  • Jack Seabrook and Peter Enfantino: DC War Comics, September 1974
  • Doreen Sheridan: The King of the Rainy Country by “Nicholas Freeling” (Nicolas Davidson)
  • Steven H. Silver: the works of Anne McCaffrey
  • Victoria Silverwolf: Fantastic: Stories of Imagination, November 1963, edited by Cele Goldsmith Lalli
  • Kevin Tipple: A Reader’s Book of Days: True Tales from the Lives and Works of Women for Every Day of the Year assembled by Tom Nissley
  • “TomCat”: “Mystery at the Dog Pound” by Robert W. Cochran, Street & Smith’s Detective Story Magazine, May 1942, edited by Daisy Bacon

[Thanks to Cat Eldridge, Chip Hitchcock, JJ, Kim Huett, Martin Morse Wooster, Cora Buhlert, John King Tarpinian, Mike Kennedy, Todd Mason, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Anna Nimmhaus.]

Pixel Scroll 2/25/17 The Pixelated Things Apply As Time Scrolls By

(1) MONEY MANAGEMENT. Kristine Kathryn Rusch counsels authors in “Business Musings: Writer Finances Versus The Paycheck World”.

Here’s a piece of advice you don’t hear very often:

Pay off your house.

Seriously, my writer friends. If you get a lump sum of money, pay off your house.

Or your car.

Definitely pay off your credit cards, and take them out of your wallet. Use them only when you travel to a conference or plan to make a big purchase.

If the indie writers who made a lot of money in 2012-2014 had followed that advice, they’d still be writing and publishing. Sure, their incomes would still be down, along with their sales, but their careers would continue.

How do I know they didn’t do that? Because they’re gone. Mark Coker commented on it in his year-end blog. Writers in the comment section on this blog have mentioned that they’re leaving the business. The Kindle Boards discuss all the writers no one hears from any more.

And if you go to writer website after writer website, many of them for successful indies, you’ll see sites that haven’t been updated for a year or two, or you won’t find any site at all.

What happened?

(2) COLLECTIBLES. The March WIRED has a photo essay called “Scene Stealers:  Inside The Deeply Nerdy–And Insanely Expensive–World of Hollywood Prop Collectors.” (Online here.)  This tells us that you don’t just want a phaser from the original Star Trek –you want a “hero phaser,” created by designer Wah Chang for close-ups, because only two were made.  But if you want the Aries 1 Translunar Shuttle from 2001: A Space Odyssey, you’ve been outbid by the Academy of Motion Picture Arts and Sciences, who spent $344,000 on it for a museum the academy plans to open in 2018.

The 2006 Worldcon makes an appearance, because the hero blaster used by Rick Deckard in Blade Runner showed up there after most collectors thought this prop had been lost because no one had seen it for over two decades.

(3) READING THE TEA LEAVES. If you want to know “How China Became a Sci-Fi Powerhouse”, Foreign Policy Magazine’s Emily Feng will tell you – it’s the internet.

Chen Qiufan, a sci-fi writer who has won the Milky Way Award and Xingyun Award, China’s equivalent of the Hugo, remembers life before the web changed everything. “All we could do was write in paperback books and magazines. We sent out our stories on paper by mail,” Chen told Foreign Policy. Sending them out and waiting for a response and feedback took a long time — sometimes forever.” But the early 2000s saw an explosion of dedicated online sci-fi forums that allowed writers and fans to mingle virtually, swapping stories, publishing serialized works, and exchanging intense feedback. Social media sites like Baidu Tieba, the arts and literature-focused site Douban, and college messaging boards hosted the most active online communities.

Suddenly, anyone could be a writer; and writers could get instant, massive feedback on draft work. This development was particularly important for the heretofore much-ignored genre of sci-fi; a large portion of today’s most well known and decorated Chinese science fiction writers did not start inside the formal publishing and literary world.

… “In print publishing it was always difficult” for science fiction, said Michel Hock, director of the Liu Institute for Asia and Asian Studies at the University of Notre Dame and the author of a book on Chinese internet literature. “The state still owns most of the publishing houses, and state ideology is very ambivalent about literature that caters to mass taste.”

Hock noted that “the Communist Party represents the masses, but does not like the masses’ taste very much.”

(4) REGENERATIONS. At CBR.com, Charles Pau Hoffman asks, “Is Marvel Finally Embracing Legacy Characters with Generations?”

For decades, legacy heroes have been associated strongly with DC Comics rather than Marvel, and for understandable reasons. Apart from DC’s Trinity of Superman, Batman and Wonder Woman, most of its big name superheroes were reimagined into younger, more modern incarnations during the Silver Age. While DC’s creators eventually settled on the idea of the multiverse as the in-universe explanation for two radically-different Flashes or Green Lanterns, these stories helped to build an expectation among readers that as characters aged, they might be replaced.

The DC Universe is full of legacy heroes; there are now enough Green Lanterns to necessitate a whole Corps, nearly as many Flashes, and more Robins (and former Robins) than grains of sand on the beach. While the focus ebbs and flows between the iconic versions and their legacies, the idea of legacy heroes is so engrained in DC Comics that not even the New 52 could kill it.

While legacy heroes have traditionally been more associated with DC, in the past few years Marvel has leaned hard into the concept. Practically every major Marvel hero now has a legacy of one sort or another: Sam Wilson took up the mantle of Captain America, Jane Foster proved she was worthy of wielding Mjolnir, Miles Morales is swinging around New York with Peter Parker’s blessing, Kamala Khan has taken Ms. Marvel’s battle for justice to Jersey City, and even Nick Fury, Jr., is upping his spy game as an agent of S.H.I.E.L.D. And that’s not even getting to Kate Bishop, Sam Alexander, Amadeus Cho, Laura Kinney, Riri Williams, Viv, the Original 5 X-Men, and an unending list of Young Avengers, New X-Men and Spider-Women…

Last week, Marvel released an incredible new piece of art by Alex Ross, accompanied by four simple words: “GENERATIONS – coming Summer 2017.” It is not clear yet whether “Generations” will be a new prestige miniseries, event, or line-wide rebranding a la Marvel NOW, but the name and image highly suggest whatever “Generations” is, it will focus on the idea of legacy heroes in the Marvel Universe.

(5) COMICS ART. Elle Collins curates a gallery of Silver Age sci-fi comic book covers at Comics Alliance.

While the Golden Age established comics as a medium, the Silver Age was when comic book art really came into its own. And it’s worth noting that comics’ Silver Age corresponded with a wider cultural fascination with science fiction. The actual Space Race was in full swing, and everybody was thinking about rocket ships, alien monsters, and the wonders of science.

In comics, it was science fiction that gave comics artists the freedom to go big. Giant monsters, futuristic technology, and huge-scale threats to the entire Earth became commonplace. And of course everyone had their own ideas about what aliens might look like, from the typical little green men with antennae to yellow giants with segmented eyes and butterfly wings for ears.

In assembling this Silver Age sci-fi gallery, I looked for covers that had more science fiction elements to them than just giant monsters, because while there’s overlap, I think giant monsters deserve their own gallery. I also avoided superheroes, because while so many of their stories are science fiction by nature, we understand superheroes as a different genre. Plus this whole gallery could easily be filled up with Fantastic Four and Green Lantern covers, but that would be a different thing. Sci-fi heroes like Adam Strange and Captain Comet were allowed, on the other hand.

(6) NANCY WILLARD OBIT. Black Gate reports the passing of author Nancy Willard, June 26, 1936 – February 19, 2017.

Nancy Willard was the author of more than 70 books, including more than 40 books for children, such as the Anatole trilogy, Firebrat (1988), East of the Sun and West of the Moon: A Play (1989), and Pish, Posh Said Hieronymus Bosch (1991), illustrated by the Dillons. She won the Newbery Award in 1982 for her book of poetry, William Blake’s Inn, illustrated by Alice & Martin Provensen. It was the first book of poetry to win the Newbery.

Willard’s Things Invisible to See won the William L. Crawford – IAFA Fantasy Award for first fantasy book (1986).

The family obituary is here.

(7) TODAY’S BIRTHDAY HOBBIT

  • Born February 25, 1971 – Sean Astin

(8) PATRON OF THE ARTS. Ray Bradbury was on the Chamber Symphony Society of California’s board of directors, as this 1973 clipping reminds us.

(9) HELLO, CENTRAL? In “The Coming Amnesia”, Geoff Manaugh explores a prediction made by Alistair Reynolds that if the universe keeps expanding, galaxies wouldn’t be able to communicate with each other and any interstellar civilizations would be unable to contact any other ones.

As the universe expands over hundreds of billions of years, Reynolds explained, there will be a point, in the very far future, at which all galaxies will be so far apart that they will no longer be visible from one another.

Upon reaching that moment, it will no longer be possible to understand the universe’s history—or perhaps even that it had one—as all evidence of a broader cosmos outside of one’s own galaxy will have forever disappeared. Cosmology itself will be impossible.

In such a radically expanded future universe, Reynolds continued, some of the most basic insights offered by today’s astronomy will be unavailable. After all, he points out, “you can’t measure the redshift of galaxies if you can’t see galaxies. And if you can’t see galaxies, how do you even know that the universe is expanding? How would you ever determine that the universe had had an origin?”

There would be no reason to theorize that other galaxies had ever existed in the first place. The universe, in effect, will have disappeared over its own horizon, into a state of irreversible amnesia.

…It is worth asking here, however briefly and with multiple grains of salt, if something similar has perhaps already occurred in the universe we think we know today—if something has not already disappeared beyond the horizon of cosmic amnesia—making even our most well-structured, observation-based theories obsolete. For example, could even the widely accepted conclusion that there was a Big Bang be just an ironic side-effect of having lost some other form of cosmic evidence that long ago slipped eternally away from view?

Remember that these future astronomers will not know anything is missing. They will merrily forge ahead with their own complicated, internally convincing new theories and tests. It is not out of the question, then, to ask if we might be in a similarly ignorant situation.

(10) THE CAMPAIGN TRAIL. Dave Langford reports that in addition to their 2017 TAFF ballot platforms, all three candidates have since posted campaign material online. Click on each name for more: Sarah Gulde, Alissa McKersie, John Purcell.

(11) INTELLIGENT TALK. Kim Stanley Robinson and a non-genre author will be interviewed by Adam Roberts at Waterstones in London on April 3.

Waterstones Piccadilly is delighted to announce a very special event featuring three exceptional authors.  Kim Stanley Robinson and Francis Spufford will be discussing their work with critic and author Adam Roberts.

Kim Stanley Robinson is widely regarded as one of the foremost living writers of science-fiction. Author of the bestselling Mars trilogy as well as numerous works of fiction and non-fiction, he has won many awards over the years, including multiple Hugo and Nebula prizes.

Francis Spufford teaches writing at Goldsmiths University and has written 5 highly-acclaimed works of non-fiction. His first fiction title, Golden Hill, was a Waterstones Book of the Month and won the 2016 Costa Prize for First Novel.

Adam Roberts has written an extensive collection of works in both the fiction and critical genres. Author of some wonderfully original science-fiction and parody titles, Adam teaches English literature and writing at Royal Holloway University.

(13) NOT BEEN BERRY BERRY GOOD. The 2017 Golden Raspberry Awards, a.k.a. The Razzies, highlighting the “cinematic sludge” of the past year, were announced today.

WORST PICTURE

Hillary’s America: The Secret History of the Democratic Party

WORST ACTOR

Dinesh D’Souza in Hillary’s America: The Secret History of the Democratic Party

WORST ACTRESS

The “Actress” Who Plays Hillary Clinton in Hillary’s America: The Secret History of the Democratic Party

WORST SUPPORTING ACTRESS

Kristen Wiig / Zoolander No. 2

WORST SUPPORTING ACTOR

Jesse Eisenberg / Batman v Superman: Dawn of Justice

WORST SCREEN COMBO

Ben Affleck & His BFF (Baddest Foe Forever) Henry Cavill / Batman v Superman: Dawn of Justice

WORST DIRECTOR

Dinesh D’Souza & Bruce Schooley / Hillary’s America: The Secret History of the Democratic Party

WORST REMAKE, RIP-OFF or SEQUEL

Batman v Superman: Dawn of Justice

WORST SCREENPLAY

Batman v Superman: Dawn of Justice, Written by Chris Terrio and David S. Goyer

RAZZIE® REDEEMER AWARD

2014 Worst Supporting Actor nominee Mel Gibson, for his Oscar-nominated direction of Hacksaw Ridge

 

(14) HOW HARD IS YOUR SF? Futurism groks the fullness: “How Scientifically Accurate Is Your Favorite Sci-Fi Film?”

“Minority Report”

If you can look past the draconian dystopia of the world presented in the movie, you’ll find a lot of interesting scientific details “Minority Report” strived to get correct. Steven Spielberg consulted with computer engineers to come up with the now-iconic vision of the next gen computer systems. While our current touchscreen devices aren’t exactly what was depicted in the film, we are getting closer to gesture-based interfaces.

(15) INKSTAINED WRETCH. Jon Skovron, author of Hope and Red and Bane and Shadow, gives us an insight into how he writes, from first draft to the final book.

(16) THUG NOTES OF GENRE INTEREST. Selected by John King Tarpinian.

  • 1984

  • BRAVE NEW WORLD

  • FAHRENHEIT 451

  • A HANDMAID’S TALE

(17) SUMMER CAMP. Tor.com says “Shared Worlds is Now Open for Registration!” Shared Worlds is supported by co-director Jeff VanderMeer and Editor-in-Residence Ann VanderMeer.

Shared Worlds, a world-building summer camp for kids, is now open for registration. The program is open to rising 8th-12th graders, and will take place from July 16th-29th at Wofford College in Spartanburg, South Carolina. Registration will be open until April 1st so be sure to register soon!

The students work in small groups with an experienced “world-building coordinator” to design and build a world, spending a week building their worlds from the ground up: geography, population, religion and philosophy, legal systems—everything you’d need for a functional world. The second week is spent writing stories that can only occur in the worlds they’ve created. The program culminates in individual sessions between the students and the guest authors so the students get personalized feedback on their work. Finally, the students’ stories are published in the annual program anthology.

[Thanks to JJ, Dave Langford, John King Tarpinian, and Martin Morse Wooster for some of these stories. Title credit goes to File 770 contributing editor of the day Jack Lint.]

Pixel Scroll 12/23/16 Kissin’ By the Pixel Scroll

(1) TAILOR-MADE AWARDS. Who can resist a title like that? From The Book Smugglers “The 2016 Unconventional, Not At All Traditional, And Completely Unscientific Book Awards by Sarah Kuhn”.

Choosing a “best of” list is one of those tasks that always seems to send me down a rabbit hole of over-analysis, self-doubt, and internal hand-wringing, somehow ending in watching the same “pug confused by butterfly” video over and over again until I can’t remember what I was doing in the first place.

So! Instead of doing a “best of” list, I’m handing out very specific awards to the books that delighted me in very specific ways in 2016. All of these books brought me so much joy and will surely have a spot on my re-read shelf for years to come.

Best Use of Emoji Flirting Hold Me by Courtney Milan

Courtney Milan is one of my favorite authors, a virtuoso at combining endearing characters, ingenious plots, and scorching hot chemistry on every single page. In Hold Me, the much-anticipated sequel to the brilliant Trade Me, Maria Lopez and Jay na Thalang hate each other at first sight—but don’t realize they’re falling in love via the internet magic of online chat. It’s a tricky feat to give characters palpable, believable chemistry when they’re not even in the same room, but Milan’s depiction of Maria and Jay’s whipsmart, banter-y texts and emails made me die a kazillion swoony deaths. And of course their special use of emojis is [emoji of cat with heart-eyes].

(2) EATING THE FANTASTIC. Nalo Hopkinson is Scott Edelman’s guest on the milestone 25th episode of his Eating the Fantastic podcast.

Nalo Hopkinson

Nalo Hopkinson

For the 25th episode of Eating the Fantastic—which is also the final episode of 2016—my guest and I brunched at Aggio during a break from the Baltimore Book Festival. Aggio is a restaurant from Chef Bryan Voltaggio which the Baltimore City Paper recently dubbed as offering the Best Modern Italian in town.

I’d eaten at Aggio before, but that was when it was still a pop-up within a different Voltaggio restaurant, Range, in Friendship Heights—where, by the way, I recorded an earlier episode of Eating the Fantastic with Carolyn Ives Gilman, which I hope you’ll be moved to download for dessert once you’re done with the entree of this episode.

My guest for this meal was the always entertaining Nalo Hopkinson, winner of the 1999 John W. Campbell Award for Best New Writer. And she’s more than lived up to the promise of that award, winning the World Fantasy Award for her short story collection Skin Folk, as well as winning the Sunburst Award, the Prix Aurora Award, and many others. Plus her novel, Sister Mine, won my own personal award for being one of my favorite novels of 2013.

(3) CHARTING SF. Mark-kitteh sent a link with an introduction, “A long and interesting survey of the field by the VanderMeers (also the introduction to their recent Big Book of Science Fiction). I liked their determination to look more internationally.”

Since the days of Mary Shelley, Jules Verne, and H. G. Wells, science fiction has not just helped define and shape the course of literature but reached well beyond fictional realms to influence our perspectives on culture, science, and technology. Ideas like electric cars, space travel, and forms of advanced communication comparable to today’s cell phone all first found their way into the public’s awareness through science fiction. In stories like Alicia Yáñez Cossío’s “The IWM 100” from the 1970s you can even find a clear prediction of Information Age giants like Google?—?and when Neil Armstrong set foot on the moon, the event was a very real culmination of a yearning already expressed through science fiction for many decades.

Science fiction has allowed us to dream of a better world by creating visions of future societies without prejudice or war. Dystopias, too, like Ray Bradbury’s Fahrenheit 451, have had their place in science fiction, allowing writers to comment on injustice and dangers to democracy. Where would Eastern Bloc writers have been without the creative outlet of science fiction, which by seeming not to speak about the present day often made it past the censors? For many under Soviet domination during those decades, science fiction was a form of subversion and a symbol of freedom. Today, science fiction continues to ask “What if?” about such important topics as global warming, energy dependence, the toxic effects of capitalism, and the uses of our modern technology, while also bringing back to readers strange and wonderful visions.

(4) HINES BENEFIT AUCTION. The finale of Jim C. Hines’ Transgender Michigan Fundraiser auctions is the TGM raffle to win a book from DAW Books.

In 24 hours, I’ll be drawing the rest of the winners for the DAW Books raffle, which will officially wrap up the fundraiser.

To enter, just  donate $5 to Transgender Michigan and email me a copy of the receipt at jchines -at- gmail.com, with the subject line “DAW Raffle Entry.”

Winners will receive one of the following:

Tad Williams Bundle: each bundle includes one copy of Otherland: City of Golden Shadow (hardcover first edition, first printing)  plus 1 Advance Review Copy of The Heart of What Was Lost.

DAW December Release Bundle: each bundle includes one copy of all DAW December titles: Dreamweaver, Tempest, Alien Nation, and Jerusalem Fire, plus a bonus ARC (dependent on stock).

You can donate more than $5. For example, donating $20 would get you four entries. However, you can only win a maximum of one of each bundle.

Looking at the number of bundles remaining, and the number of entries, every $5 you donate will get you an approximately 1 in 6 chance to win. (And hey, even if you don’t win, you’ve gotten yourself a tax deduction and supported a good cause! Not a bad way to wrap up the year, eh?)

I’ll do one more post in a few days to announce the final results. My thanks to everyone who donated, signal-boosted, bid, and otherwise supported the fundraiser. It makes a difference.

(5) PETER DAVID IMPROVING. Kathleen has good news — “Peter David Update Finally Progress”.

I saw Peter yesterday and he was able to stand and take a few steps. This is monumental to getting him home. He is still in pain but nothing compared to that he was even the day before. We know this because he hasn’t taken any painkillers since Wednesday so again a good sign.

So the nebulous might be date is rapidly turning into Saturday, which will mean that he will be home for Chrismas/Hanukkah.

(6) TODAY IN HISTORY

  • December 23, 1823: “A Visit From St. Nicholas,” attributed to Clement Clarke Moore, first published.
  • December 23, 1958The 7th Voyage of Sinbad opens in American theaters. There’s your average non-Christmas movie. John King Tarpinian says, “Ask people if they know who Ray Harryhausen is and you’ll most likely get a blank stare.  Ask them if they remember seeing a movie with sword fighting skeletons and all of a sudden their eyes glow bright.”
  • December 23, 1986: U.S. pilots, Dick Rutan and Jeanna Yeager, landed the experimental aircraft Voyager in California after a record nine days, 3 minutes and 44 seconds round-the-world flight without stopping or refueling.

(7) COUNTING ON WOMEN. Aziz Poonawalla writes about “Rogue One, the Force, and gender”.

A (female) friend of mine loved Rogue One, but noted an imbalance in the Force:

Wept tears of joy. And not to nitpick the film’s clear feminist intentions, but couldn’t at least a handful of the nameless cannon-fodder strike force be women?

The ramblings that follow began as a long-winded reply, but grew so unwieldy and disorganized that I decided it fit better here. Spoilers may follow.

I thought the gender distributions were significant and consistent with the themes of Balance in the Force, and the tension between Dar and Light, in the movie canon to date. The Empire was entirely male – scientists, warriors, leaders. The Rebellion has women in elite warrior roles (pilots) alongside men, but political leadership is always female, and heroes are equally female (Leia, Rey, and Jyn vs Luke, Finn, and Solo, though the latter was usually just plot catalyst). The Rebellion’s leadership from Mon Mothma to Leia has been female, but the Republic during the Clone Wars was male-led, even before Palpatine (though the Senate had prominent female members). The villains have always been male, with the exception of the Seventh Sister from Rebels (but Rebels is a true ensemble cast and will skew the analysis).

(8) ANYBODY THIRSTY? Space.com poetically sees “Water, Water Everywhere on Dwarf Planet Ceres”.

There’s water, water everywhere on the dwarf planet Ceres, according to new research. New observations have provided direct evidence that water ice is ubiquitous on the surface and shallow subsurface of this massive asteroid.

Ceres is the largest object in the asteroid belt that lies between Mars and Jupiter, and has long been suspected of containing significant amounts of water — estimates projected up to 30 percent of its total mass. Evidence has pointed to water ice being mixed with the rock on Ceres’ surface, and in a few rare cases, more concentrated patches of exposed ice have been found. Ceres has even belched up plumes of water vapor.

(9) A HOMER RUN. There are many strange stories in Odysseus’s long journey home after the sack of Troy, but where do they come from? The BBC speculates about “The strange inspirations behind Greek myths”.

One of the early wrong turns comes when strong northerly winds carry Odysseus off course to the land of the lotus-eaters. The sailors enjoy the local delicacy so much that they forget about returning home and Odysseus has to drag them back to the ships. There are multiple theories for what the lotus could be, such as strong wine or opium.

Another contender is a plant called Diospyros lotus – the scientific name means “fruit of the gods”. The fruits in question are round and yellow with succulent flesh that is said to taste like a cross between a date and a plum. That explains its common name: “date plum”. But could tasty fruit be enough to convince Odysseus’s men to stay put forever?

(10) GREETINGS FROM AN IMAGINARY SEASON. At Fantasy-Faction, Laura M. Hughes reviews Hogfather by Terry Pratchett.

‘On the second day of Hogswatch I . . . sent my true love back, A nasty little letter, hah, yes indeed, and a partridge in a pear tree—’

Of the quarter or so of the Discworld I’ve explored, Hogfather is my favourite. Vadim Jean’s TV adaptation is superb: I watch it religiously every Christmas, struck each time by just how much of it – dialogue, stage directions, settings, narration, everything – is lifted directly from the source material. This should tell you much about the quality of the book itself, for rare indeed is an original story ‘adapted’ for the screen with so few alterations.

For me, reading Terry Pratchett’s work is not only a joy but an indulgence, too. Sir Terry is one of my major influences. Those books of his I’ve read, I’ve re-read again and again, taking the time to savour the deliciousness of the prose, the wryness of tone, the trademark humour that is at once delightful and poignant.

(11) SANTA YODA!

(12) CHEWBACCA SINGS SILENT NIGHT. After listening to this, you will know why a silent night is treasured by so many…

Merry Wookie Christmas from HISHE and James Covenant! The brilliant idea for “Chewbacca Sings Silent Night” was actually created in 1999 by Scott Andersen (story here: http://room34.com/chewbacca/) and since then his audio has been shared many times, often without crediting him.

 

[Thanks to Chip Hitchcock, JJ, Mark-kitteh, Scott Edelman, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Redheadedfemme.]