Pixel Scroll 8/16/19 Scrolls From Topographic Pixels

(1) CSF SPECIAL COLLECTIONS. David L. Ulin goes “Inside the archives — and mind — of sci-fi legend Philip K. Dick” for the LA Times. CSF’s sff collection originated with the work of Professor Willis McNelly.

…“The Man in the High Castle,” perhaps his most accomplished novel, is one of many works at Cal State Fullerton. The collection includes a “production manuscript” (a typescript with notes on fonts and chapter headings), as well as two sets of uncorrected galley proofs in long, loose sheets. “He was thirty-eight years old,” Dick writes of a character early on, “and he could remember the prewar days, the other times. Franklin D. Roosevelt and the World’s Fair; the former better world.”

To read those lines is like coming upon a precognition, a message to the present from the past. One of the clichés of science fiction is that it’s predictive, and yet, isn’t that the point of an archive such as this?

“We’re always collecting in the present for the future,” says Patricia Prestinary, Cal State Fullerton’s special collections librarian and archivist. “We look for connections. Philip K. Dick was a California writer, and late in his life, an Orange County writer. We’re preserving history in the making here.”

… In an essay written during the early 1990s, McNelly remembers receiving the manuscript of “Fahrenheit 451” from Ray Bradbury, as well as the Frank Herbert papers, which remain among the library’s most significant holdings.

(2) DUBLIN 2019 BUSINESS MEETING. “Dublin 2019 — WSFS Business Meeting Day 1” has a synopsis of the day’s machinations.

(3) AS IT HAPPENS. The Hugo Awards site has a post showing where to find August 18’s live text-based coverage of the 2019 Hugo Awards.

(4) THE NAME OF THE GAME. Did you wonder? “Why Are They Called the Hugo Awards?” At the B&N Sci-Fi & Fantasy Blog Andrew Liptak explains it all to you:

The Hugo is the oldest and, by some measures, most prestigious award in the genre, and more often than not, the book that walks away with Best Novel honors will go on to withstand the test of time. (This year’s slate is certainly a promising one in that regard.)

(5) AO3. NPR’s All Things Considered ran a 4+-minute story: “‘Archive Of Our Own’ Fanfiction Website Is Up For A Hugo Award”.

The fanfiction website Archive of Our Own — where people post stories about their favorite movies, books and TV shows — is up for a Hugo Award, one of the highest awards in sci-fi and fantasy.

(6) IRISH FANDOM BACK IN THE DAY. David Langford has posted Hyphen 37 edited by Walt Willis as a free download at his Trans-Atlantic Fan Fund website (but feel free to contribute to TAFF while you’re there!)

The 1987 revival issue of the long-dormant classic fanzine Hyphen. With new and reprinted material by John Berry, Chuck Harris, Eric Mayer, Patrick and Teresa Nielsen Hayden, Bob Shaw (twice), Bill Temple, Arthur Thomson, James White (with the famous “The Exorcists of IF”) and Walt Willis himself, plus further fannish luminaries including Robert Bloch, Chris Priest and Bob Tucker in a catch-up letter column whose contents date back to the 1960s.

Hyphen 37 is also available as a web page at eFanzines.com and page scans at Fanac.org.

(7) MY LITTLE FANDOM. 11,000 people come to bid farewell to the BronyCon series: “The Friends We Made Along The Way: After 9 Years, BronyCon Calls It Quits” at NPR.

On a sweltering Saturday in Baltimore, 11,000 bronies have claimed downtown. These are the fans of the TV show My Little Pony: Friendship is Magic, their name a mashup of “bro” and “pony” because many of the show’s earliest — and unanticipated — adherents were young men.

For nine years they’ve evangelized the show, and for nine years they’ve been targets of scorn. But they’ve come here for BronyCon — the biggest My Little Pony convention in the world — heedless of what that world may think of them.

That’s what brought me here, too. I’ve dodged the brony label for years, but I can’t deny my love for the show. It’s helped me out in dark times, and I wasn’t about to pass up my last chance to join fans at BronyCon. Friendship may be magic, but the magic is fading; the show has entered its ninth and final season, and after several years of dwindling attendance, the convention’s organizers decided it was time for a last hurrah.

The promise of a final party drew record crowds much as it attracted me. “Honestly, I’m shocked that we got to this point. We were not expecting to have such a banner year,” says current convention chair Shir Goldberg. “We were expecting the fandom to be excited and maybe we would double our attendance from last year, clocking at the seven- or eight-thousand range, but we did not expect 11,000 people to show up.”

(8) REASONS TO READ. James Davis Nicoll supplies “A Brief Introduction to Sarah Tolmie’s Speculative Fiction” at Tor.com.

I was a bit surprised when in a comment someone mentioned not having heard of Sarah Tolmie. In the spirit of XKCD’s Ten Thousand, let me explain at least a little about who Sarah Tolmie is, and why you should be reading her fiction.

An Associate Professor of English at the University of Waterloo, Tolmie won a 2019 Rhysling Award for “Ursula Le Guin in the Underworld”; the poem was also nominated for an Aurora. Her The Art of Dying was shortlisted for the 2019 Griffin Poetry Award. Unfortunately, poetry isn’t my thing, so let’s move on to prose…

(9) FONDA OBIT. Peter Fonda (1940-2019), US actor/producer/director, died August 16, aged 79. Genre appearances include Spirits of the Dead (1968), Future World (1976), Spasms (1983), Escape from L.A. (1996), Supernova (2005), Ghost Rider (2007), The Gathering (both episodes, 2007), Journey to the Centre of the Earth (2008).

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 16, 1884 Hugo Gernsback. Publisher of the first SF magazine, Amazing Stories in 1926. Also helped create fandom through the Science Fiction League. Writer of the Ralph 124C 41+ novel which most critics think is utterly dreadful but Westfahl considers “essential text for all studies of science fiction.” (Died 1967.)
  • Born August 16, 1901 Earle K. Bergey. Illustrator whose work graced Strange StoriesThrilling Wonder Stories, Startling Stories, Captain Future, and  Fantastic Story Magazine. It is said that his art inspired the look of illustrations of scantily-clad women served as an inspiration for Princess Leia’s slave-girl outfit in Return of the Jedi. And it is Madonna was inspired by his brass bras for stage outfit of the same look. (Died 1952.)

Startling Stories, Fall 1945 

  • Born August 16, 1930 Robert Culp. He’d make the Birthday Honors solely for being the lead in Outer Limits’ “Demon with a Glass Hand” which Ellison wrote specifically with him in mind. He would do two more appearances on the show, “Corpus Earthling” and “The Architects of Fear”. Around this time, he makes one-offs on Get Smart! and The Man from U.N.C.L.E. before being Special FBI Agent Bill Maxwell in The Greatest American Hero. Did you know there was a Conan the Adventurer series in the Nineties? Well he was King Vog in one episode. (Died 2010.)
  • Born August 16, 1933 Julie Newmar, 86. Catwoman in Batman. Her recent voice work includes the animated Batman: Return of the Caped Crusaders and Batman vs. Two-Face, both done in the style of the Sixties show. They feature the last voice work by Adam West. Shatner btw plays Harvey Dent aka Two Face.  She was on the original Trek in the “Friday’s Child” episode as Eleen. She also has one-offs on Get Smart!, Twilight Zone, Fantasy IslandBionic WomanBuck Rogers in the 25th Century, Bewitched and Monster Squad
  • Born August 16, 1934 Diana Wynne Jones. If there’s essential reading for her, it’d be The Tough Guide to Fantasyland with a playful look at the genre. Then I’d toss in Deep Secret for its setting, and Fire and Hemlock for her artful merging of the Scottish ballads Tam Lin and Thomas the Rhymer. (Died 2011.)
  • Born August 16, 1934 Andrew J. Offutt. I know him through his stories in the Thieves’ World anthologies though I also enjoyed the Swords Against Darkness anthologies that he edited. I don’t think I’ve read any of his novels. (Died 2013.)
  • Born August 16, 1946 Lesley Ann Warren, 73. Miss Scarlett, a stock femme fatal, in Clue. She’s Dana Lambert in the fifth season of Mission Impossible. And she’s got one-offs on Twilight Zone, The Muppet Show, DaredevilFaerie Tale Theatre and Community.
  • Born August 16, 1952 Edie Stern, 67. Fancyclopedia 3 says about her that she is  “a well-known SF club, con, filker, collector and fanzine fan.” Well it actually goes on at impressive length about her. So I’m going to just link to their bio for her: Edie Stern.
  • Born August 16, 1954 James Cameron, 65. Let’s see… TerminatorAliensTerminator 2True LiesStrange Days… And The Abyss as well. Did you know he was interested in doing a Spider-man film? It never happened but the Dark Angel series with Jessica Alba did. And then there’s his Avatar  franchise… 
  • Born August 16, 1958 Angela Bassett, 61. Queen Ramonda in Black Panther and Avengers: Endgame. On the DC side of things, she played Amanda Waller in the dreadful Green Lantern film. 
  • Born August 16, 1971 Alan Tudyk, 48. Hoban “Wash” Washburne  in the Firefly universe whose death I’m still pissed about. Wat in A Knight’s Tale. (Chortle. Is it genre? Who cares, it’s a great film.)  He’s K-2SO in Rogue One and yes, he does both the voice and motion capture. Impressive. He also had a recurring role on Dollhose as Alpha, and he’s currently voicing a number of characters in the Young Justice series streaming on DC Universe.

(11) LIBRARY EBOOKS. At Publishers Weekly, Joseph Janes ponders, “Do Publishers Suddenly Hate Libraries?”

… In the wake of Toni Morrison’s passing, her story about why she was fired from a library job as a teenager has been making the rounds. To summarize: instead of reshelving all the returned books, she read them. “That experience opened my eyes and shaped my future,” Morrison said. “That’s what libraries do.”

Yes. That’s what libraries do. So why is it now seen as a good strategy for publishers to choke off digital access to reading in libraries? Especially at a moment when so many diverse, fresh new voices are emerging in popular literature, and when so many other digital (often free) mediums are competing for the attention of readers and would-be authors, à la the teenage Toni Morrison?

Part of the problem, of course, is that the library e-book market is still fairly new. It’s been just over eight years since HarperCollins announced its 26-loan limit on library e-books, a halting attempt at thinking through the library e-book market that initially raised hackles among many librarians before cooler heads largely prevailed. And it took until the end of 2014 for the other major publishers, using a variety of models, to jump into the library e-book market. But whatever market equilibrium libraries and publishers had reached a few years ago now looks more like a fragile armistice than peace. And whatever it was, it appears to be ending, leaving us all to wonder, What happens now? How do we move forward?

(12) LET JUSTICE BE DONE. Ohio Needs A Train registers some last-minute opinions about who The Rightful Winners of “The 2019 Hugo Awards” should be. And the Campbell Award, too –

John W. Campbell Award for Best New Writer

Everyone here has done pretty good work and, it seems, is destined to do even more. Jeannette Ng is perhaps the least to my taste 2 of these folks, but she’s still not undeserving. Katherine Arden certainly earns full marks for showing up fully-formed and remarkably prolific. While I haven’t read all of the Winternight books, I liked The Bear and the Nightingale just fine. She also writes young people books, which I have not read but am told are excellent. R.F. Kuang is previously covered in this space 3, and I maintain the opinion that The Poppy War is a tremendous display of talent that I absolutely did not like, although I do look forward to what she writes in the future, given that she’s as good as she is already. Rivers Solomon wrote An Unkindness of Ghosts which is a terrific generation ship novel, and I’m super-excited about what happens next from her. It must be noted, however, that I thought Vina Jie-Min Prasad was the rightful choice last year, and her work this year has only gotten better, so I still think it should be Vina Jie-Min Prasad.

THE RIGHTFUL WINNER: Vina Jie-Min Prasad

(13) RETRO FIRE. Cora Buhlert delivers a trenchant appraisal of the winners in “Some Comments about the 1944 Retro Hugo Awards Winners” – though this paragraph seems a bit paradoxical:

…“R is for Rocket” by Ray Bradbury takes home a highly deserved Retro Hugo, because it is a great story that still holds up in spite of dated tech, though I’m a bit sad that “Yours Truly, Jack the Ripper” by Robert Bloch, which is not just a great story, but also the start of the modern fascination of serial killers in general and Jack the Ripper in particular, only finished in fourth place behind two lesser works by big names. I also wonder why “Death Sentence” by Isaac Asimov finished in second place, because – and I’m saying this as an Asimov fan – it is a weak story, which hasn’t even been reprinted in ages. Did anybody except for me actually read the Retro Hugo finalists or do they just vote by name recognition?

(14) FIRST DRAFT. “Leonardo da Vinci’s abandoned and hidden artwork reveals its secrets” (with overlays showing the original design).

New research into one of Leonardo da Vinci’s most famous works has revealed fresh information about an abandoned composition hidden under the painting.

Experts have found initial designs for the angel and infant Christ beneath the surface of the Virgin of the Rocks.

The designs are significantly different to how they look in the final painting, which hangs in the National Gallery.

The hidden designs were revealed using macro X-ray fluorescence maps and infrared and hyperspectral imaging.

(15) SUBTEXT. Can you imagine? (Of course you can.) Let BBC tell you about “The subversive messages hidden in The Wizard of Oz”.

It’s easy to mistake the 1939 classic as traditional family entertainment – but 80 years on from its release, the musical is more radical and surreal than ever.

In December 1937, Walt Disney Productions released its first feature-length cartoon, Snow White and the Seven Dwarfs. It went on to be cinema’s biggest hit of 1938, a success that not only encouraged Disney to make other fairy-tale cartoons for decades to come, but also encouraged another studio, Metro-Goldwyn-Mayer, to try its own fantasy musical about an orphaned girl and a wicked witch: The Wizard of Oz.

But for all of its similarities to the Disney film, MGM’s version was more of an anti-fairy tale than a fairy tale. Just look at the trio of frightened and feeble misfits that accompanies its heroine along the yellow brick road. None of them is what you’d call a handsome prince. In the clanking of the Tin Man’s rusty limbs, you can hear echoes of Don Quixote’s home-made armour. In the trio’s moaning and blubbing as they prepare to sneak into the witch’s castle, you can see a foreshadowing of Westley, Inigo and Fezzik invading Humperdinck’s castle in The Princess Bride. The pig-tailed Dorothy Gale (Judy Garland) is so wholesome, the Harburg and Arlen songs are so delightful, and the Technicolor adventures are so exciting that it’s still easy to mistake The Wizard of Oz for traditional family entertainment, 80 years on from its release in August 1939. But it upends the conventions of good-v-evil storytelling in ways that would have had Walt Disney fuming….

In the sepia opening scenes, we are warned that the magic we’re about to see might not be wholly magical. Having run away from her home in Kansas to stop her pet dog Toto being put down, Dorothy meets a travelling clairvoyant named Professor Marvel (Frank Morgan) – a character who isn’t in L Frank Baum’s source novel, but was created by screenwriters Noel Langley, Florence Ryerson and Edgar Allan Woolf. As kindly as he is, the professor is a con artist who pretends to be psychic by peeking at a photo Dorothy is carrying. Another film might have contrasted this earthbound huckster with the genuine marvels performed by the wonderful Wizard of Oz, but in this one the wizard is played by the same actor as Professor Marvel, and he turns out to be much the same character: a fast-talking fairground showman who hides behind a curtain, waggling levers, and using mechanical trickery to keep his subjects loyal and afraid.

(16) RISING TIDE. Naragansett Beer is the creepiest!

“That is not dead which can eternal lie, and with strange aeons even death may die.” -HP Lovecraft

After years of sleeping beneath the surface, Lovecraft Honey Ale has risen from the depths of R’lyeh to bring chaos and madness to Rhode Island – just in time for NecronomiCon Providence.

 [Thanks to Lis Riba, Steve Green, Daniel Dern, JJ, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, John King Tarpinian Chip Hitchcock, Michael Toman, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Jeff Smith.]

Pixel Scroll 7/27/19 Baby Is 3, Jeffty Is 5, Now We Are Number 6, Who Is Number One?

(1) MACMILLAN APPLIES LIBRARY EMBARGO ACROSS THE BOARD. Publishers Weekly outlines the expanded policy — “After Tor Experiment, Macmillan Expands Embargo on Library E-books”.

More than a year after imposing a controversial four month “test” embargo on new release e-books in libraries from it’s Tor imprint, Macmillan announced today that it will now impose a two month embargo on library e-books across all of the company’s imprints. The terms take effect November 1.

Under the publisher’s new digital terms of sale for libraries, “library systems” will be now be allowed to purchase a single—that is, one—perpetual access e-book during the first eight weeks of publication for each new Macmillan release, at half price ($30). Additional copies will then be available at full price (generally $60 for new releases) after the eight-week window has passed. All other terms remain the same: e-book licenses will continue to be metered for two years or 52 lends, whichever comes first, on a one copy/one user model. A Macmillan spokesperson confirmed to PW that the single perpetual access copy will be available only for new release titles in the first eight weeks after publication—the option to buy a single perpetual access copy expires after that eight week window, and the offer is not available for backlist titles.

And the American Library Association goes on the warpath: “ALA denounces new Macmillan library lending model, urges library customers to voice objections”.

The American Library Association (ALA) denounces the new library ebook lending model announced today by Macmillan Publishers. Under the new model, a library may purchase one copy upon release of a new title in ebook format, after which the publisher will impose an eight-week embargo on additional copies of that title sold to libraries.

“Macmillan Publishers’ new model for library ebook lending will make it difficult for libraries to fulfill our central mission: ensuring access to information for all,” said ALA President Wanda Brown. “Limiting access to new titles for libraries means limiting access for patrons most dependent on libraries.

“When a library serving many thousands has only a single copy of a new title in ebook format, it’s the library – not the publisher – that feels the heat. It’s the local library that’s perceived as being unresponsive to community needs.

“Macmillan’s new policy is unacceptable,” said Brown. “ALA urges Macmillan to cancel the embargo.”

The new Macmillan ebook lending model is an expansion of an existing policy that went into effect in July 2018, when the company, without warning, issued a four-month embargo applying solely to titles from the company’s Tor imprint. At the time ALA stated that the delay would hurt readers, authors and libraries.

Since last fall, Hachette Book Group (HBG) and Penguin Random House (PRH) have eliminated “perpetual access” for libraries and replaced it with a two-year access model. Simon & Schuster changed from a one-year to two-year access model. While re-evaluating their business models, none of these firms implemented an embargo—deciding that equitable access to information through libraries is also in their business interest. HarperCollins continues with its 26-loan model. Macmillan now stands alone in its embargo policy among the largest (Big 5) publishers….

(2) FOOD OF THE GODZILLA. SYFY Wire browses the latest from Sideshow Collectibles and other toymakers in “Important Toy News: This ramen-eating Godzilla is priceless, Charlie Brown feels shame”.

But all of this money-spending is making us hungry. And what do you do when you’re hungry? That’s right: you eat. You eat ramen, and just like Godzilla, you look so unbelievably adorable when you do it that it makes your face explode and you cry tears of unyielding madness.

(3) BEST RELATED WORK. A writer who goes by “Building Worlds” has written an appeal to voters: “AO3, the Hugos, and Fandom” on Medium.

I’ve seen an argument online that a distinction voters are struggling with regarding AO3 is that they believe it is not noteworthy primarily for aspects other than the fictional text (all the fan fiction).

I’d argue that the most noteworthy thing about AO3, /r/Fantasy, and other online fan forums, is that they are venues for users to come together and discuss the speculative fiction they love, run by volunteers. To me, the Hugo Awards and WorldCon itself are about bringing fans together around the work we all love. Ultimately, that’s about the purest reason to vote for a Hugo as any I can think of.

(4) SFF ART GOES UNDER THE HAMMER. Bids are being taken by Heritage Auctions for the August 13 – 14 Glynn and Suzanne Crain Science Fiction Collection Signature Auction. Robert Emil Schulz’ cover for PKD’s The World Jones Made 1956 paperback is the poster for the event.

(5) COLLECTIVE NOUN. New Voices in Orbit #19 asks writers: “What do you call a group of dragons?” Kendall says, “And yes, I’m thinking of Meredith when I send you this. But also everyone.”

(6) SNAPS COURTESY OF THE HUT. Esquire has posted “133 Photos of Comic-Con 2019’s Biggest Celebrities”.

Jay and Silent Bob, Elizabeth Henstridge, Chloe Bennet and more stopped by the Getty Images Portrait Studio delivered by Pizza Hut.

Shohreh Aghdashloo, Frankie Adams, Dominique Tipper, (Bottom L-R) Steven Strait, Wes Chatham, and Cas Anvar of ‘The Expanse’ pose for a portrait during the Pizza Hut Lounge at 2019 Comic-Con International: San Diego on July 19, 2019 in San Diego, California.

 (7) WHEN E.T. COMES TO STAY. Science & Futurism with Isaac Arthur episode 196 discusses “Invasive Aliens.”

Alien Invasions have been a staple of science fiction for years, with motherships and UFOs assaulting Earth, but how realistic is such a thing? We’ll take a look at what might motivate an attack, how it might happen, what alternatives might make more sense, and what might prevent extraterrestrials from trying.

(8) TODAY IN HISTORY.

  • July 27, 1940 — Bugs Bunny made his cartoon debut.
  • July 27, 1994 Test Tube Teens From The Year 2000 went direct to video.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born July 27, 1874 Frank Shannon. He’s best remembered now as the scientist Dr. Alexis Zarkov in the three Flash Gordon serials starring Buster Crabbe between 1936 and 1940.  The serials themselves were Flash GordonFlash Gordon’s Trip to Mars and Flash Gordon Conquers the Universe. (Died 1959.)
  • Born July 27, 1938 Gary Gygax. Game designer and author best known for co-creating  Dungeons & Dragons with Dave Arneson. In addition to the almost beyond counting gaming modules he wrote, he wrote the Greyhawk Adventure series and the Dangerous Journeys novels. (Died 2008.)
  • Born July 27, 1939 Sydney J. van Scyoc, 80. Her first published story was “Shatter the Wall” in Galaxy in 1962. She continued to write short stories throughout the Sixties and Seventies, and published Saltflower, her first novel in the early Seventies. Over the next twenty years, she published a dozen novels and likewise number of short stories. For all practice purposes, she’s not available in digital format. 
  • Born July 27, 1948 Juliet Marillier, 71. She’s a New Zealand-born and Western Australian resident fantasy writer focusing entirely on historical fantasy. She has a number of series including Blackthorn & Grim which at two volumes is a good introduction to her, and Sevenwaters which at seven volumes is a serious reading commitment. She’s a regular contributor to the fiction writing blog, Writer Unboxed.
  • Born July 27, 1949 Robert Rankin, 70. Writer of what I’d call serious comic genre fiction. Best book by him? I’d single out The Hollow Chocolate Bunnies of the Apocalypse as the best work he ever did bar none. Hell, even the name is absolutely great. 
  • Born July 27, 1950 Simon Jones, 69. He’s well known for his portrayals of Arthur Dent, protagonist of Douglas Adams’ The Hitchhiker’s Guide to the Galaxy. He first portrayed the character on radio for the BBC and again on television for BBC Two. Jones also featured in The Hitchhiker’s Guide to the Galaxy film in a cameo role. He’s in Monty Python’s The Meaning of Life, Brazil and 12 Monkeys as well. 
  • Born July 27, 1968 Farah Mendlesohn, 51. She’s an historian and prolific writer on genre literature, and an active fan. Best works by her? I really like her newest work on Heinlein which I’m reading now, The Pleasant Profession of Robert A. Heinlein. Her work on Diana Wynne Jones, Diana Wynne Jones: Children’s Literature and the Fantastic Tradition, is a fascinating read. And I highly recommend her Rhetorics of Fantasy as we don’t get many good theoretical looks at fantasy. 
  • Born July 27, 1973 Cassandra Clare, 46. I read at least the first three or four volumes of her Mortal Instruments series which I see means I’ve almost completed it. Damn good series. Anyone read her Magnus Bane series? 

(10) COMICS SECTION.

  • Frank and Ernest encounter a vending machine that’s too intelligent.
  • When was the last time a B.C. strip made me laugh out loud? July 27….

(11) HE’S THE REASON FOR THE “GOOGLE 15”. Fast Company claims “This snack curator for Google is one of the most powerful people in food”.

…As urban legend has it, Google cofounder Sergey Brin once instructed office architects that “no one should be more than 200 feet away from food.” And so they rarely are. On any given day, the 1,300 “microkitchens” located within Google’s 70 or so offices around the world, from Pittsburgh to Istanbul, brim with dried seaweed, turkey jerky, kombucha, and other eclectic treats that rotate according to season, popularity with employees, local tastes, and food trends.

Google takes its snacking very seriously. That’s why it has a dedicated team overseeing it and a chef named Matt Colgan at the helm at many of its western campuses, where he (along with menu architects, wellness managers, and nutrition specialists at Google Food) has quietly emerged as one of the most powerful gatekeepers in the packaged-food world.

“When you’re feeding this many people,” says Colgan, culinary director for Google’s food operations in San Francisco, Los Angeles, Austin, Texas, and Boulder, Colorado, “you encounter every diet imaginable, every request.” You also get bombarded by sales reps at food companies, who are hungering after snackers—and these snackers in particular. They see Google employees, the drivers of Silicon Valley tech innovation, as having the clout, and appetite, to set snack trends.

(12) RIGHT TO THE SOURCE. Michael Cassutt was interviewed by the Washington Post’s Eryn Brown for the obituary of long-time Mission Control director Christoper C. Kraft, Jr., who died on July 22 at age 95.

When Gemini 4 astronaut Ed White lingered during the first U.S. spacewalk in 1965, enjoying the scenery, Mr. Kraft commandeered the communications system and ordered him, “Get back in!” the ship.

“This is the saddest day of my life,” White said, before heading back into the cockpit.

The incident was indicative of the culture that Mr. Kraft set.

“It was, ‘I, the flight director, am in charge. Not you the astronaut, and not the head of NASA. You come to me,’?” said author Michael Cassutt, who writes about the space program. “Much of the NASA culture as we envision it really derives from Chris Kraft.”

(13) BEHIND THE PAYWALL. An article in the July 20 Financial Times by David Cheal tells how musicians are inspired by space and space travel.

“In 2015 the British band Public Service Broadcasting released an album that celebrated the golden era of space travel.  The Race for Space knitted together propulsive, often funky music  with spoken-word clips (Kennedy:  ‘We go to the moon because it is hard’) to recapture the sheer excitement of Sputnik, the Moon landing–and also tragedies such as the deaths of three Apollo 1 astronauts in 1967.  The music was refreshing because it eschewed the notion that spsce has to be electronic, using a range of often acoustic instruments.  In 2018  the Northern Irish composer and artist Hannah Peel released Mary Casio; Journey to Casiopeia, which follows the dream of a fictional stargazer to travel from her home in Barnsley to the constellation of Cassiopeia.  Peel’s music combines synthesizers with brass.

But one band have gone further and faster than any other in their exploration of the possibilities of space and music:  Muse.  The British trio’s interstellar adventures show how far space-themed pop music has travelled since the early days of Joe Meek:  bass and synths that thrum and pulse like gravitational waves, guitars that shriek and howl like the geysers of Enceladus, wailing, otherworldly voices that sing of “Space Dementia,’ ‘Starlight’ and, most epically of all, a ‘Supermassive Black Hole.'”

(14) WHERE ARE YOU IN TIME? Doc Brown drove a DeLorean to his future – now your past! Today they’d like to sell you a watch whose look is inspired by the car — “DeLorean, the Eternal Design”.

(15) KEEPING TRACK OF YOU. Wired points out how “Netflix’s The Great Hack Brings Our Data Nightmare to Life”.

The new documentary about Cambridge Analytica uses thoughtful narration and compelling visuals to create a dystopian horror movie for our times.

If you’d rather not think about how your life is locked in a dystopian web of your own data, don’t watch the new Netflix documentary The Great Hack.

But if you want to see, really see, the way data tracking, harvesting, and targeting takes the strands of information we generate and ties them around us until we are being suffocated by governments and companies, don’t miss the film, which premieres today on the streaming platform and in theaters. […]

(16) THINKING INSIDE THE BOX. Where do you land in this grid of Writing Style Alignments?

(17) ACTING CREDENTIALS. Kittens recreate horror movies. (From 2015.)

You won’t believe how adorable these kitties are as they star in ‘The Purring’ (1980), ‘The Texas Chainpaw Meowsacre’ (1974), ‘Psycat’ (1960), and ‘Cattie’ (1976).

(18) THE POINT. Finland was a magnet for competitors in the inaugural Heavy Metal Knitting Championship.

The AP story: “Purl jam: Finland hosts heavy metal knitting championship”

Armed with needles and a yarn of wool, teams of avid knitters danced Thursday to the deafening sounds of drums beating and guitars slashing at the first-ever Heavy Metal Knitting World Championship in eastern Finland.

With stage names such as Woolfumes, Bunny Bandit and 9? Needles, the participants shared a simple goal: to showcase their knitting skills while dancing to heavy metal music in the most outlandish way possible.

“Heavy Metal Knitting World Champion 2019” was won by “Giga Body Metal” from Japan.

Finland is the promised land of heavy metal music. There are 50 heavy metal bands per 100 000 Finnish citizens, which is astonishingly many and actually more than anywhere else in the whole world. The number of needlework enthusiasts is equally high, as according to even the most modest estimates there are hundreds of thousands of people in Finland who are immersed various kinds of needlework crafts, knitting included. What combines them both is the great joy of creativity. When playing guitar as well as knitting stitches it is all about the pleasure of creating something cool with your hands. And – it’s all about the attitude!

(19) DOUBLE DOWN. Gemini Man Official Trailer 2 has dropped:

Who will save you from yourself? From visionary director Ang Lee, watch the official trailer for Gemini Man, starring Will Smith. In theatres October 11. Gemini Man (#GeminiMan) is an innovative action-thriller starring Will Smith (#WillSmith) as Henry Brogan, an elite assassin, who is suddenly targeted and pursued by a mysterious young operative that seemingly can predict his every move.

[Thanks to John King Tarpinian, Hampus Eckerman, Kendall, Mike Kennedy, Martin Morse Wooster, JJ, Cat Eldridge Chip Hitchcock, Carl Slaughter, SF Concatenation’s Jonathan Cowie, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 6/26/19 Pixel Scroll Powers Activate!

(1) HILL HOUSE. Whatever DC Comics’ other problems may be, they’re pretty sure they can sell this: “DC Launching New Horror Line From Writer Joe Hill”.

Hill House Comics will consist of five miniseries and debut this October. Just days after announcing the closure of the DC Vertigo imprint, DC is signaling that it hasn’t moved away from creator-owned comic book material. The publisher has announced a new pop-up imprint, Hill House Comics, curated by horror writer Joe Hill.

The line of five original miniseries — each one targeted to readers 17 and older — will feature two titles written by the Fireman and Heart-Shaped Box author himself, with all five titles including a secondary strip, “Sea Dogs,” also written by Hill. Other titles will be written by The Girl With All The Gifts author Mike Carey, playwright and The Good Fight screenwriter Laura Marks, and critically acclaimed short story writer and essayist Carmen Maria Machado. Artists for the line include Sandman veteran Kelley Jones, as well as The Unwritten’s Peter Gross.

(2) CAFFEINE SEEKERS. Ursula Vernon has the most interesting conversations. Thread starts here.

(3) WESTERCON/NASFIC. The Spikecon program is live — https://spikecon.org/schedule/

(4) NET FANAC. In 2017, The Guardian tracked down these behind-the-scenes fan creators: “Watchers on the Wall: meet the rulers of the world’s biggest TV fan sites”. Whovian.net’s Dan Butler said:

I was 12 when Doctor Who was relaunched in 2005, and at school it was seen as nerdy. Because I had no one to talk to about it, I created a website to show my love. I wrote reviews of the episodes and used a website builder, then later I built a site from scratch.

What I loved about the show was the idea that you could be walking down the street and meet the Doctor, and your life could change forever. I liked the balance between domestic drama and science fiction – the first series was like watching a soap one scene, and Star Trek in the next. For me, Christopher Eccleston, who was my first Doctor, is the closest to how I think the part should be; if you walked past him, he wouldn’t stand out. Since then, the Doctors have been more flamboyant – more alien.

(5) WHERE PULP HISTORY WAS MADE. This was once the headquarters of Street & Smith’s pulp magazine empire, which after 1933 included Astounding: “The 1905 Street & Smith Building – 79-89 Seventh Avenue” at Daytonian in Manhattan

In 1928 the firm took made an innovative marketing move by hiring the Ruthrauff & Ryan Advertising Agency to produce a radio program to promote Detective Story Magazine.  Called “The Detective Story Hour,” it was introduced and narrated by a sinister voice known as “The Shadow.”  His tag line became familiar to radio listeners across the country:  “The Shadow knows…and you too shall know if you listen as Street & Smith’s Detective Story Magazine relates for you the story of…” whatever story was featured that week.

As it turned out, The Shadow’s character was so successful that it detracted from the Detective Story sales.  Street & Smith decided the best way to handle the problem was to introduce a new magazine featuring The Shadow.

(6) STAND ON ZANZIBAR. Extra Credit makes John Brunner sound absolutely prescient.

How do we cope with a crowded world we as humans were never evolutionarily designed for? Stand on Zanzibar was written in 1968 but it uncannily, accurately predicts many of our present day’s social tensions and stressors. However, it also has a certain optimism that makes it stand out among other dystopic fiction we’ve discussed.

(7) ARISIA CORRECTS GOH LIST.  Saladin Ahmed proved to be unavailable after Arisia 2020 prematurely announced him as a Guest of Honor. There was a tweet —

He had also been added to the Arisia 2020 website (still visible in the Google webcache at this time). When his name was taken down without an announcement, there was curiosity about the reason.

I asked Arisia President Nicholas “phi” Shectman, and he replied:

Saladin was invited and let us know that he was interested but had to check availability. We misunderstood and made an announcement (and put his name on our web site) prematurely. It turns out he’s unable to make it this year. We’ve apologized to him privately and are preparing a public retraction.

(8) OTHER ARISIA NEWS. Arisia Inc.’s discussion of how to improve its Incident Report process, and the determinations made about some of the IR’s (with no names cited) are minuted in the May issue and June issue of Mentor.

The June issue also gave an update about the litigation over Arisia’s cancellation of plans to use two strike-affected hotels (for the 2019 event):

Hearings for the Westin and Aloft disputes are still scheduled for July 11 and June 25 respectively. We have hired Deb Geisler as an expert witness to testify about how hard it is to change hotels at the last minute, in support of our assertion that the deadline we gave the Westin for the strike to be resolved was the actual latest we could wait before canceling with them. I still think there is an 80% chance that we will prevail and if we do we will still be in the Westin. I also still expect to know the answer in late July or early August.

…Deb is a professor at BU, teaches non-profit event management, has chaired Intercon, we mainly selected her because she has academic credentials

Deb Geisler also chaired Noreascon 4 (2004).

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 26, 1904 Peter Lorre.  I think his first foray into genre was in the Voyage to the Bottom of the Sea film as Comm. Lucius Emery though he was in Americanized version of Casino Royale which an early Fifties episode of the Climax! series as Le Chiffre. (James was called Jimmy. Shudder!) Other genre roles were in Tales of Terror as Montresor in “The Black Cat” story, The Raven as Dr. Adolphus Bedlo and The Comedy of Terrors as Felix Grille. (Died 1964.)
  • Born June 26, 1910 Elsie Wollheim. The wife of Donald A. Wollheim. She was one of the original Futurians of New York, and assisted them in their publishing efforts, and even published Highpoints, her own one-off fanzine. When he started DAW Books in 1972, she was the co-founder, and inherited the company when he died. Their daughter Elizabeth (Betsy) now runs the company along with co-publisher and Sheila E. Gilbert. (Died 1996.)
  • Born June 26, 1950 Tom DeFalco, 69. Comic book writer and editor, mainly known for his Marvel Comics and in particular for his work with the Spider-Man line. He designed the Spider-Girl character which was his last work at Marvel as he thought he was being typecast as just a Spider-Man line writer. He’s since been working at DC and Archie Comics.
  • Born June 26, 1969 Lev Grossman, 50. Author of most notable as the author of The Magicians Trilogy which is The Magicians, The Magician King and The Magician’s Land. Perennial best sellers at the local indie bookshops. Understand it was made into a series which is yet another series that I’ve not seen. Opinions on the latter, y’all? 
  • Born June 26, 1969 Austin Grossman, 50. Twin brother of Lev. And no, he’s not here just because he’s Lev’s twin brother. He’s the author of Soon I Will Be Invincible which is decidedly SF as well as You: A Novel (also called YOU) which was heavily influenced for better or worse by TRON and Crooked, a novel involving the supernatural and Nixon. He’s also a video games designed, some of which such as Clive Barker’s Undying and Tomb Raider: Legend are definitely genre. 
  • Born June 26, 1980 Jason Schwartzman, 49. He first shows up in The Hitchhiker’s Guide to the Galaxy as Gag Halfrunt,  Zaphod Beeblebrox’s personal brain care specialist. (Uncredited initially.) He  was Ritchie in Bewitched, and voiced Simon Lee in  Scott Pilgrim vs. the Animation. He co-wrote Isle of Dogs alongwith Wes Anderson, Roman Coppola, and Kunichi Nomura. I think his best work was voicing Ash Fox in Fantastic Mr. Fox. 
  • Born June 26, 1984 Aubrey Plaza, 34. April Ludgate on Parks and Recreation which at least one Filer has insisted is genre. She voiced Eska in recurring role on The Legend of Korra which is a sequel to Avatar: The Last Airbender. She was in Scott Pilgrim vs. the World as Julie Powers. Currently she’s Lenny Busker on Legion. 

(10) MCINTYRE MEMORY BOOK. Remembering Vonda, the memorial book of anecdotes and sentiments about the late Vonda McIntyre, is not only available for sale as trade paperback ($12.12), but can be downloaded as a free PDF.

TRADE PAPERBACK 
FREE PDF

Jane Hawkins had an idea: to collect all the lovely stories written around Vonda’s death, and to put them in one place for us all to enjoy. This book is that place.Stephanie A. Smith and Jeanne Gomoll joined forces to edit the book. Vonda’s community—her friends, colleagues, readers, and admirers—shared their fondest memories, stories, praise and love for the dear friend they had recently lost.

All proceeds from books sold through LuluDotCom will benefit Clarion West.

(11) DEAL TERMINATOR. Unfortunately, most of the article is behind Adweek’s paywall, but the photo is funny: “Arnold Schwarzenegger Kicks ‘Gas’ as a Used Car Salesman in This Parody for Electric Vehicles”.

It’s no surprise that a cheesy used-car salesman like Howard Kleiner, sporting a man-pony, a Hawaiian shirt and a porn ‘stache, would be into throwback gas guzzlers. For him, it’s V8 or nothing, and if you pick the wrong vehicle on his lot, he may hand you a snide bumper sticker that says, “Carpool lanes are for sissies.”

(12) HISTORY THAT IS EVEN MORE ALTERNATE THAN USUAL. Jered Pechacek is determined to explain to us “WHY you can’t LEGALLY MARRY CLAMS in the STATE OF MAINE.” Thread starts here. Even easier to follow at Threadreader.

Oh yes, let freedom ring.

(13) CONVERTIBLE FALCON. Not much gets by Comicbook.com“Funko’s Massive Star Wars Millennium Falcon with Han Solo Pop is Live”.

Today, out of nowhere, Funko launched a Deluxe Star Wars Millennium Falcon with Han Solo Pop figure today that must be among the largest that they have ever produced. It measures a whopping 5.5″ tall, is 10.5″ wide and 13.25″ long with a price tag to match – $64.99.

(14) THE MOUSE THAT ROARS. NPR tells you how it’s going to look from now on: “‘Endgame’ Nears All-Time Record, And The Age Of The Disney Mega-Blockbuster Is Upon Us”.

There’s been some question about whether Avengers: Endgame will knock global box-office champ Avatar out of first place in Hollywood’s record books.

…Now, you’d think the threat that Disney might swipe the crown away from Fox would prompt wails of anguish, but it’s hard for the folks at Fox to be too upset.

Because these days, Disney owns Fox.

Which means Disney doesn’t just own the Marvel Universe — and Star Wars, which it bought a few years ago — it now also owns Avatar. And that fact is about to change the way the rest of Hollywood is forced to do business.

…In its first week, Avengers: Endgame sold 88% of the movie tickets that were purchased in North America, leaving just 12 percent to be split by more than a hundred other movies that might as well not have been open. Go back to other mega-blockbusters, and you see the same thing. they take up all the oxygen. Avengers: Infinity War, The Last Jedi, The Force Awakens, Black Panther each took in about 80 percent of their opening weekends, crushing everything else at the multiplex. Small wonder that other studios have learned to steer clear of these all-consuming box office behemoths.

…Every studio opens something big in late December, which has resulted for years in a happy flotilla of blockbusters that play to different audience segments, lifting all boats.

But Disney recently made an announcement that’s going to change that. Now that the company controls all of the franchises in the 2-billion-dollar club (Marvel, Star Wars and Avatar), it doesn’t have to play chicken with other studios about opening dates — it can just claim them.

And it’s done that … for the next eight years.

(15) IN THE REAR VIEW MIRROR. “Spirited Away: Japanese anime trounces Toy Story 4 at China box office” — BBC has the numbers.

Japanese animation Spirited Away has dominated the Chinese box office over its opening weekend, making more than twice as much as Disney’s Toy Story 4.

The Studio Ghibli film grossed $27.7m (£21.8m), according to Maoyan, China’s largest movie ticketing app.

Spirited Away was officially released in 2001, but only now, 18 years later, has it been released in China.

However, many Chinese viewers grew up with the film, having watched DVDs or pirated downloads.

…China has a strict quota on the number of foreign films it shows.

One analyst told the BBC last year that political tensions between China and Japan in the past could be why some Japanese movies had not been aired in China until very recently.

(16) HOW TO FIND IT AGAIN. WIRED’s Gretchen McCullough praises Hugo-nominated Archive of Our Own in “Fans Are Better Than Tech at Organizing Information Online”.

…The Archive of Our Own has none of these problems. It uses a third tagging system, one that blends the best elements of both styles.

On AO3, users can put in whatever tags they want. (Autocomplete is there to help, but they don’t have to use it.) Then behind the scenes, human volunteers look up any new tags that no one else has used before and match them with any applicable existing tags, a process known as tag wrangling. Wrangling means that you don’t need to know whether the most popular tag for your new fanfic featuring Sherlock Holmes and John Watson is Johnlock or Sherwatson or John/Sherlock or Sherlock/John or Holmes/Watson or anything else. And you definitely don’t need to tag your fic with all of them just in case. Instead, you pick whichever one you like, the tag wranglers do their work behind the scenes, and readers looking for any of these synonyms will still be able to find you….

(17) SCOOPS AHOY. Delish says get ready to stand in line in Indiana, er, Burbank: “Baskin-Robbins Is Recreating The Scoops Ahoy Ice Cream Shop From ‘Stranger Things'”.

Deep into any Netflix binge of Stranger Things, it’s easy to get sucked into the misadventures of Eleven and co. and wonder what a day in the life of a character would be like. Baskin Robbins is making this marathon-fueled fever dream one step closer to a reality. The ice cream retailer announced on Wednesday that they’ll be recreating the Stranger Things Scoops Ahoy Ice Cream Shop.

Lick your ice cream cone like its 1985 at a Burbank, CA, installation in its Baskin-Robbins location. Designed to reflect the ice cream parlor located inside the food court of Starcourt Mall—which is frequented by Hawkins, IN locals—you can visit from Tuesday, July 2 to Sunday, July 14.

Not only does a press release boast replicas of nautical décor and staff uniforms (like you could forget Steve Harrington and Robin’s shifts scooping sundaes there), but also show-inspired treats. Previously announced Stranger Things flavors, which have been teased relentlessly on the company’s Instagram, will be ready for consumption and include:

Flavor of the Month, USS Butterscotch: Inspired by the Scoops Ahoy shop at the Starcourt Mall in Hawkins, IN, the July Flavor of the Month is a decadent butterscotch-flavored ice cream with butterscotch pieces and a toffee-flavored ribbon. Also available in pre-packed quarts.

(18) SPIDER-MAN THEME REVISITED. Mark Evanier pointed out this music video on News From Me.

We love a cappella singing on this site and Will Hamblet told me about this one. It’s the theme from the 1967 Spider-Man cartoon show as rendered by a vocal quartet called Midtown. The snazzy video was, they say, shot entirely on an iPhone using the iMessage comic filter.

[Thanks to John King Tarpinian, Kathy Sullivan, Cat Eldridge, Chip Hitchcock, SF Concatenation’s Jonathan Cowie, JJ, Michael Toman, Martin Morse Wooster, Mike Kennedy, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Jack Lint.]

Pixel Scroll 4/24/19 The Scroll Of The File King From Pixel Gynt

(1) AO3’S HUGO PACKET ENTRY. Archive of Our Own has publicly released its Hugo Voter Packet Submission. The two-page writeup is here [PDF file]. The following intro comes from Firenze to Therum:

AO3 was nominated for a Hugo Award this year for Best Related Work! This is an amazing achievement and we’re overjoyed that Hugo voters have recognised the incredible collaborative work that is the Archive.

Here’s some information about AO3, including its origins, some key features, and the team that makes it all possible. You can also check out the shiny PDF we submitted for the 2019 Hugo packet!

(2) AVENGING ECONOMIST. Behind the Financial Times paywall, economics columnist Tim Harford offers his thoughts on Avengers: Endgame.

Thanos fascinates me not only because he’s the best bad guy since Darth Vader–but because the muscular utilitarian is an economist on steroids.

Thanos’s claim to the economists’ hall of fame lies in his interest in scarce resources, his faith in the power of logical analysis, and a strong commitment to policy action–specifically, to eliminate half of all life in the universe, chosen at random…

…Thanos has convinced himself that he’s seen something nobody else can quite understand.  The truth is that he sorely needs peer review.  Like many powerful people, he regards himself as above his critics, not to mention every sapient being in the universe.  He views humans less as free-willed spirits capable of solving their own problems, and more like overbreeding rabbits, needing a cull for their own good.

(3) ENDGAME REVIEW. NPR’s Glen Weldon tells us “Mourning Has Broken Them: ‘Avengers: Endgame'”.

Going into Avengers: Endgame, one would be well-advised to manage both one’s expectations, and — given its three-hour-plus, intermissionless runtime — one’s fluid intake.

…The Russos’ decision to stick close to the experiences of the remaining Avengers proves a rewarding one, as they’ve expressly constructed the film as an extended victory lap for the Marvel Cinematic Universe writ large. Got a favorite character from any Marvel movie over the past decade, no matter how obscure? Prepare to get serviced, fan. Because the film’s third and final hour contains extended references to every single Marvel film that has led up to this one – yes! even Thor: The Dark World! I’m as surprised as you are! – and part of the delight Endgame provides to the patient audience member is gauging the size of the cheer that greets the entrance of any given hero, locale or – in at least once instance – item of super-hardware.

Make no mistake: There will be cheers. And boos. And gasps. The final, climactic battle (come on, you knew there’d be one) is legitimately thrilling, because every one of its manifold delights is fueled by (a cynic would say coasting on) the warm familiarity that spending a decade with these characters has engendered….

(4) GLEN WELDON HAS COMPANY. BBC does a roundup of the immediate reaction — “Avengers: Endgame ‘satisfying’ and ‘glorious’, say critics”.

Critics have been left dazzled by the latest Avengers film, describing it as “glorious”, “irresistible”, “intensely satisfying” and “masterful”….

(5) DON’T MISS THIS OPPORTUNITY. Clarke Award director Tom Hunter, seeing how few award submissions are by writers of color, says “Diversity in science fiction needs action now”.

…Many authors and industry spokespeople have talked more eloquently about the need to address this disparity in publishing than I will ever be able to. But I also suspect more than a few publishers will quietly check their new submissions piles or log into BookScan after reading this, and suggest that in order to affect any real change they need to submit more books by writers of colour.

They may argue, of course, that there needs to be more evidence of sales potential first to get those books past gatekeepers in marketing, finance and other departments. They might (just) have a short-term point, but to me this sounds more like using data to justify a current position – and I think it also misses the bigger publishing opportunity.

Here are four cultural tipping point trends that show what I mean.

  • From the SF&F bookshelves: N.K. Jemisin wins a record-setting third consecutive Hugo Award for Best Science Fiction Novel with the final part of her Broken Earth trilogy (parts one and two having taken the prize in their own respective years).
  • From the ‘respectable’ bookshelves: Colson Whitehead’s The Underground Railroad wins the Pulitzer, the National Book Award and the Arthur C. Clarke Award for science fiction literature.
  • From the Box Office: The Marvel Universe film Black Panther makes over a billion dollars at the box office in record time and gets nominated for seven Oscars including Best Picture (it doesn’t win that one though, of course).
  • From an adjacent cultural sector: The Musée d’Orsay in Paris opens their major exhibition Black Models: From Gericault to Matisse, challenging our historic perceptions of French masterpieces by reframing and renaming them to foreground attention on their black subjects, gaining both critical acclaim and a big upswing in first time visits from new audiences (new readers to you and me) along the way.

(6) HOPEPUNK AND HUGOS. Yes! takes a look “Inside Science Fiction’s Compassionate Revolution”.

…In 2018, almost every category of the Hugos were won by women, including N.K. Jemisin, who became the first person ever to win the Hugo for Best Novel three years in a row. Before Jemisin, no Black person of either gender had ever won the top award.

Then came this year’s historic collection of nominees, which are notable not just for the elevation of a more diverse field of storytellers, but for the specific type of story that many of them represent.

Rowland coined the term “hopepunk” on a whim in a 2017 Tumblr post, having no idea that it would catch on so strongly within the community. She defined it initially as “the opposite of grimdark,” referring to a popular dystopian subgenre characterized by nihilism, amorality, and a negative view of human nature. Hopepunk, in contrast, is optimistic about humanity and sees kindness as “an act of rebellion” against a power structure that benefits from people giving up on compassion.

In an essay for the Winter 2019 issue of The Stellar Beacon zine, Rowland expanded on hopepunk, emphasizing the resistance element. Unlike another subgenre dubbed “noblebright”—characterized by the belief that righteous heroes can and will prevail over wicked villains—hopepunk does not deny the inherent injustices of the real world. However, it also recognizes the potential for justice within humanity. Compassion and empathy are weapons in the eternal fight between good and evil within the human heart. Hopepunk acknowledges that that fight will never be won, but insists on fighting anyway, because, as Rowland wrote, “the fight itself is the point.”

(7) BIZARROCON PERSPECTIVE. Brian Keene interviewed Jeff Burk on a recent episode of The Horror Show With Brian Keene (“Jeff Burk Unchained – The Horror Show with Brian Keene – Ep 215”.)  Part of the discussion centered on the events at BizzaroCon where Chandler Morrison performed a section of one of his works; complete with a dead (toy) baby covered in blood (ketchup) — events covered in File 770 posts “A Reckoning for BizarroCon” and “Changes in Store for Bizarrocon”.

Dann listened to the podcast and sent along these notes —

During the interview, Burk categorically denied having anything to do with abusive/predatory behavior that had been an issue at past cons.  He was incensed at the post-con attempts to tie abusive behavior with himself or Morrison.    Burk suggested that the tone/perspective of comments that he received at the con were decidedly different from what was seen on the Internet in the days that followed.  The people complaining most loudly online had appeared to have substantially different perspectives while at the con.  He also denied that Morrison ever exposed himself during his performance.  A prosthetic/prop was used during the performance.

Burk acknowledged that he had made the mistake of thinking that BizarroCon was an appropriate venue for Morrison’s performance.  Similar (and perhaps more gross) performances have been a long tradition at KillerCon.

Brian Keene indicated that he had acted as a consultant/mediator after the BizarroCon performance, but he had no direct input on Deadite Press’ decision to fire Burk.

Burk indicated that he disagreed with the decision by Eraserhead Press’ decision to terminate him.  But he also said that he is still on good terms with the executives in charge and has a positive opinion of them.

He also discussed his new imprint “Section 31 Productions”.  Star Trek fans will recognize the homage in the company’s name.

(8) DRAGON CHOW. Eater’s article “How Much Do the ‘Game of Thrones’ Dragons Actually Need to Eat? An Investigation” kind of reminds me of the Lilliputians trying to feed Gulliver.

In the Season 8 premiere, Winterfell leather goth Sansa Stark questions her brother Jon Snow’s decision to bring his pushy new girlfriend (and aunt!) Daenerys and her two dragons to the north, wondering out loud what precisely the dragons are going to eat. The Mother of Dragons smugly replies, “Whatever they want.” (Which, judging from past episodes, includes a lot of animal herds and the occasional shepherd boy.)

Later in the episode, two of Dany’s Dothraki footmen inform her that her dragons only ate only “18 goats and 11 sheep” for lunch, a sign that they are losing their appetite as a result of the move up north. Considering that Game of Thrones scribes D.B. Weiss and David Benioff love foreshadowing, we couldn’t help but wonder if the dragon’s dietary needs will play some key role in the upcoming Battle of Winterfell. To better understand the dragon hunger situation and how it could impact the impending war with the Night King, Eater got in touch with a bona fide expert on large reptiles and flying animals, and asked her a few questions about how these aerial beasts might act during the epic battle ahead.

(9) CONNOR TRIBUTE. Graham Connor (1957-2018) co-founded SF² Concatenation at the 1987 Eastercon and remained one of its co-editors until his death in December 2018. Jonathan Cowie and other friends have assembled an illustrated profile of his life in SF and space communications in “A life in SF and space”, an advance post ahead of SF² Concatenation’s summer edition.

Graham was born in the Cumbrian, coastal town of Workington, in the shadow of Windscale (now Sellafield).  1957 was the year of the Windscale nuclear disaster.  And so the scene was set for Graham to potentially have been bitten by a radioactive spider and become a superhero. But, alas, that did not happen….

He did make it to several Worldcons — Brighton (1979), Brighton (1987), The Hague (1990) – he subsequently worked a couple of years for ESA nearby, and Glasgow (1995).  Sadly, chronic illness prevented further attendance beyond the mid-2000s.

(10) BARNES OBIT. From BBC: “Dick Barnes, pioneer behind oldest working computer, dies”. The 98-year-old died April 8.

One of the co-designers of a machine later recognised as the world’s oldest working digital computer has died.

Richard “Dick” Barnes helped to create the Harwell Dekatron, which was first put to use in 1951 by Britain’s fledgling nuclear research establishment.

He was also involved in the 2.5-tonne machine’s restoration, which saw it switched back on in 2012.

…He and two colleagues, Ted Cooke-Yarborough and Gurney Thomas, began their work on the Harwell Dekatron in 1949.

It was initially used by the Atomic Energy Research Establishment in Oxfordshire, where its tasks involved solving equations used to design the structure supporting the world’s first commercial nuclear reactor at Calder Hall.

…In November 2012 the machine was successfully switched back on after a three-year restoration project.

The revived machine functioned as planned, which is to say, very slowly.

It could take up to 10 seconds to multiply two numbers – but Mr Barnes and his co-designers had wanted a machine that could run continuously, not necessarily quickly, in order to be useful.

Indeed, it was known to calculate continuously for periods of up to 80 hours.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born April 24, 1930 Richard Donner, 89. Oh, now he’s credited in directing Superman as making the modern superhero film. H’h. Well I’m going to celebrate him instead for ScroogedThe Goonies (really not genre but fun) and Ladyhawke. Not to mention the horror he did — Tales from the Crypt presents Demon Knight and Bordello of Blood. Oh and the first X-Men film which was superb.
  • Born April 24, 1936 Jill Ireland. For her short life, she was in an amazing number of genre shows. She was on Star Trek romancing Spock as Leila Kalomi In “This Side of Paradise”. She had five appearances on The Man from U.N.C.L.E. as well as being on Night Gallery,  My Favorite Martian, Voyage to the Bottom of the SeaThe Voodoo Factor and the SF film The Girl, the Gold Watch & Everything based on the 1962 novel of the same name by John D. MacDonald. (Died 1990.)
  • Born April 24, 1946 Donald D’Ammassa, 73. Considered to be one of the best and fairest long-form reviewers ever. His Encyclopedia of Science Fiction (2005) covers some five hundred writers and as can two newer volumes, Encyclopedia of Fantasy and Horror Fiction (2006) and Encyclopedia of Adventure Fiction (2009) are equally exhaustive. I can’t comment on his fiction as I’ve only ever encountered as a reviewer.
  • Born April 24, 1947 Michael Butterworth, 72. Author with Michael Moorcock of, naturally, two Time of the Hawklords novels, Time of the Hawklords and Queens of Deliria. He also wrote a number of Space 1999 Year 2 novels, too numerous to list here. He also edited Corridor magazine from 1971 to 1974. He also wrote a number of short fiction pieces including one whose title amuses me for reasons I’m not sure, “Circularisation of Condensed Conventional Straight-Line Word-Image Structures“. 
  • Born April 24, 1953 Gregory Luce, 66. Editor and publisher of both the Science Fiction Gems and the Horror Gems anthology series, plus such other anthologies as Citadel of the Star Lords / Voyage to Eternity and Old Spacemen Never Die! / Return to Earth. For a delightful look at him and these works, go here. Warning: cute canine involved! 

(12) WILSON FUNDRAISING UPDATE. The “Help Gahan Wilson find his way” GoFundMe is now up to 1300 contributors and just over $60,000 raised. Gahan Wilson is suffering from severe dementia, and the goal is to pay for his memory care.

Gahan and my mother had been residing in an assisted living facility in Arizona. With my mother’s passing, he must move to a memory care unit.

…Gahan will be in our care at the casita, and we will also find him a memory care unit in Santa Fe since he also needs daily medical care.

Memory care is wildly expensive. More so than assisted living. If we could cover the cost ourselves, we would. We can’t, and Gahan and my mother did not save for anything like this. We are asking his fans to help us, help Gahan.

That’s what this is all about. Making the rest of Gahan’s days as wonderful as they can be.

(13) OVERLOOKED. In its review of a new sff collection, The Hugo Award Book Club faults “A People’s Future Without Labour”.

…Any author or editor attempting to claim the mantle of [Howard] Zinn’s work has an unenviable task ahead of them. But when SF luminaries John Joseph Adams and Victor LaValle — both of whom have produced top-quality works — announced a short story collection whose title is an homage to Zinn, we were very excited. 

Given the provocative and timely premise of A People’s Future Of The United States, we approached the collection of stories with enthusiasm. Unfortunately, the collection as a whole failed to live up to the grand ideas described by the editors.

…Questions of race, class and gender are important to explore and have all-too-often been ignored in science fiction. 

We would argue that because science fiction is an inherently political genre, it is of paramount importance to create inclusive futures we can believe in. Some of the stories in this volume do indeed ably tackle topics of race, class and gender. But the topic of labour is almost entirely neglected. 

It is disappointing that an anthology that so explicitly aims to address cultural blindspots has reproduced one itself. 

In comparison, the index to Zinn’s classic history book includes a full page of references to organized labour movements. At a rough estimate, 30 per cent of the book deals with the struggles of traditional union movement organizing, and workers rights are integral to much of the rest of the text…. 

(14) ROBOTS LIKE ME. James Wallace Harris reviews Ian McEwan’s Machines Like Me in “Why Should Robots Look Like Us?” at Auxiliary Memory.

McEwan’s story often digresses into infodumps and intellectual musings which are common pitfalls of writing science fiction. And the trouble is he goes over the same well-worn territory. The theme of androids is often used to explore: What does it mean to be human? McEwan uses his literary skills to go into psychological details that most science fiction writers don’t, but the results are the same.

I’ve been reading these stories for decades, and they’ve been explored in the movies and television for many years too, from Blade Runner to Ex Machina. Why can’t we go deeper into the theme? Partly I think it’s because we assume AI robots will look identical to us. That’s just nuts. Are we so egocentric that we can’t imagine our replacements looking different? Are we so vain as a species as to believe we’re the ideal form in nature?

…Instead of writing stories about our problems of dealing with facsimiles of ourselves, we should be thinking about a world where glittery metallic creatures build a civilization on top of ours, and we’re the chimpanzees of their world.

(15) POWER VOCABULARY. BBC’s science news “‘Exhilarating’ implant turns thoughts to speech” includes recorded sample.

Scientists have developed a brain implant that can read people’s minds and turn their thoughts to speech.

The team at the University of California, San Francisco says the technology is “exhilarating”.

They add that their findings, published in the journal Nature, could help people when disease robs them of their ability to talk.

Experts said the findings were compelling and offered hope of restoring speech.

The mind-reading technology works in two stages.

First an electrode is implanted in the brain to pick up the electrical signals that manoeuvre the lips, tongue, voice box and jaw.

Then powerful computing is used to simulate how the movements in the mouth and throat would form different sounds.

(16) KRUGMAN’S WORLDCON TALK. At Anticipation, the 2009 Worldcon in Montreal, Nobel Prize-winning economist Paul Krugman spoke and then took questions. Scott Edelman has posted an audio recording on YouTube.

(17) PROP MAKER. Kenneth Spivey is “The Swordsmith to the Stars”. Great Big Story has a video (just over 3 minutes) about this artist and prop maker who is “working on Hollywood films like the ones he’s always loved—and likely inspiring the next generation.” Chevy trucks are featured prominently since they are the corporate sponsor.

(18) GEMINI MAN. The Hollywood Reporter asks “Can ‘Gemini Man’ Revive the Golden Age of ’90s Sci-Fi?” That is, can it be “an event unto itself?” Will Smith stars opposite a CGI-ed 23-year-old version of himself in Ang Lee’s Gemini Man—a property with a long history of previous stars being attached. The movie opens October 11.

This morning Paramount had us seeing double with the first trailer for the Ang Lee-directed sci-fi/action film Gemini Man, starring not one, but two Will Smiths. The long-gestating film, which began development as a Tony Scott feature in 1997, centers on assassin on the verge of retirement Henry Brogen (Smith), who is forced to combat a younger clone of himself (Smith) in the not-too-distant future. Since the film’s inception in the late ’90s, a number of big names have been attached to star, including Harrison Ford, Nicolas Cage, Clint Eastwood and Sean Connery. When Ang Lee took over the project in 2017, he cast Smith in the lead role, giving the actor the unique opportunity to play both his current 50-year-old self and his 23-year-old self, who, thanks to the film’s revolutionary technology, looks like he just stepped right off the set of The Fresh Prince of Bel-Air. If the trailer for the film, which also stars Mary Elizabeth Winstead, Clive Owen and Benedict Wong, is any indication, Gemini Man may be just what the science fiction genre needs.

[…] Big-budget original science fiction needs a win, and hopefully Gemini Man can recapture the spirit of the ’90s where a big-name director, producer and actor were an event unto themselves, regardless of preexisting material. Gemini Man looks appealing not simply because of its concept and slick action sequences, but because it looks to simultaneously tap into our nostalgia with a sunglasses-wearing Smith, and also our desire for an original, high-concept property that doesn’t require any prior knowledge. It’s a double threat.

[Thanks to John King Tarpinian, JJ, Cat Eldridge, Chip Hitchcock, Mike Kennedy, Martin Morse Wooster, Dann, Carl Slaughter, StephenfromOttawa, Jonathan Cowie, Scott Edelman, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Jack Lint.]

Pixel Scroll 4/19/19 There’s A Broken Heart For Every Pixel On The Internet

(1) THE OTHER SHOE DROPS. There are now two bids for the 2021 Westercon, with Phoenix, AZ having officially filed.

Bid Location: Phoenix, AZ

Venue: Hyatt Regency Phoenix

Dates: 2nd to 5th July, 2021, with a preview night on the 1st

Bid officers are: • Chair: Hal C. F. Astell • Treasurer: Stephanie Bannon

Phoenix makes it a race by challenging the bid for Tonopah, NV. Site selection voting is being conducted by Spikecon, which among other things is this year’s Westercon.

(2) EATING THE FANTASTIC. Scott Edelman invites listeners to enjoy an enchilada with Steve Stiles in Episode 93 of his Eating the Fantastic podcast.

Steve Stiles

This latest episode of Eating the Fantastic — recorded at Mezcal Mexican restaurant in Owings Mills — quickly turns nostalgic, because guest Steve Stiles and I were the proverbial ships that passed in the night at mid-‘70s Marvel Comics. My first job there was as the associate editor for the company’s line of British reprint books, which was a department he only started working at the following year, once I’d already moved over to the Bullpen to work on the American originals.

Stiles may be best-known for the post-apocalyptic dinosaur-filled future of Xenozoic Tales, which he drew for eight years, but he’s also appeared in titles such as Death Rattle, Bizarre Sex, and Anarchy Comics for underground publishers like Kitchen Sink and Last Gasp. He’s also done kid-friendly work, though, like The Mighty Morphin Power Rangers and Royal Roy.

And so much more — like the fanzine art which has made him a 17-time nominee for the Hugo Award, with nominations spread over a 50-year period from 1967 to 2018, an award which he won in 2016.

We discussed what it was like to work at Marvel Comics in the mid-’70s, the ironic reason he no longer owns his Silver Age Marvels, the time he thought he’d gotten the gig to draw Dr. Strange (but really hadn’t), what it was like being taught by the great Burne Hogarth at the School of Visual Arts, his first professional art sale (and why it ended up hanging on Hugh Hefner’s wall), how his famed comic strip The Adventures Of Professor Thintwhistle And His Incredible Aether Flier was born, why he didn’t like being art-directed by Marie Severin, which current comics he keeps up with, what Robert Silverberg said to him when he won his first Hugo Award after 14 tries and 49 years, the phrase he most wants carved onto his gravestone, and much more.

(3) LEAVES AN EMPTY SPACE. The Hollywood Reporter says “Fans Are Already Mourning The Avengers”.

‘Endgame’ will be goodbye to several characters, and as UCLA psychology professor Yalda Uhls notes: “Absolutely that can feel like real grief.”

“God, it seems like a thousand years ago,” Tony Stark (Robert Downey Jr.) says in the second trailer for Avengers: Endgame. “I fought my way out of that cave, became Iron Man…”

While it hasn’t quite been a thousand years, the final installment of the Marvel Cinematic Universe’s Infinity Saga represents an unprecedented moment in movie history, partly because some of the characters who have been a consistent presence in movie theaters since 2008 might retire, or even die.

And over time, those characters have started to feel like real friends to audiences.

(4) SIGNAL BOOST. The Free Times of Columbia, SC led its piece about “What’s at Stake With the Stakes of Avengers: Endgame” with a juicy quote from Paul Weimer:

In fantasy stories, like any stories, the stakes matter.

In 2012, writing for the now-defunct fan site SF Signal, Paul Weimer suggested a classification for such tales based on the relative size of what’s at stake, ranging from sagas in which only a city or smaller community is in peril to those where the whole universe hangs in the balance. Wherever a story lands on that scale, one thing remains crucial: The stakes have to feel real.

“Stakes are what the actions or inactions of the protagonist cause to happen, or fail to happen, depending on their success or failure,” Weimer wrote in “Stakes in Fantasy Novels: A Schemata of Classification.” “You can have multiple sets of stakes going on at one time, but you can look at a work of fantasy in terms the largest stakes, and use that to give an overall sense of the scale of the conflict in that book.”

(5) OUT OF NOLLYWOOD. Okayafrica’s Daniel Okechukwu discusses “6 Films Showing How Sci-Fi Stories Can Be Relevant in Nollywood”  — “An introduction to a subgenre in Nigeria’s film industry that’s only getting started.”

Nollywood screenwriter and director Dimeji Ajibola recently released a 1-minute teaser of his upcoming dystopian movie, Ratnik. Impressed by the visual effects and dystopian locations, local publications waxed lyrical about the film. YNaija! called it “the dystopian action-thriller we deserve in 2019.” Ratnik deserves its early praise; it is an ambitious project and its visual effects are impressive.

For some, a sci-fi Nigerian movie is unheard of, but Ratnik is not the first time a Nollywood sci-fi film will generate this much buzz. Kajola—the last one that did—was an utter disappointment. The debut film of now Nollywood box office king, Niyi Akinmolayan, it was released in 2009 to much fanfare. Akinmolayan was tired of Nollywood filmmakers: “those yeye people that don’t know how to make cool stuff.” Young and naïve, he thought he would change Nollywood forever by making “the greatest Nigerian movie ever. It will be action/sci-fi with lots of effects and we are going to win an Oscar.”

(6) NOT DEAD YET. The Digital Antiquarian studies the history of Activision in “An Unlikely Savior”.

Activision Blizzard is the largest game publisher in the Western world today, generating a staggering $7.5 billion in revenue every year. Along with the only slightly smaller behemoth Electronic Arts and a few Japanese competitors, Activision for all intents and purposes is the face of gaming as a mainstream, mass-media phenomenon. Even as the gaming intelligentsia looks askance at Activision for their unshakeable fixation on sequels and tried-and-true formulas, the general public just can’t seem to get enough Call of Duty, Guitar Hero, World of Warcraft, and Candy Crush Saga. Likewise, Bobby Kotick, who has sat in the CEO’s chair at Activision for over a quarter of a century now, is as hated by gamers of a certain progressive sensibility as he is loved by the investment community.

But Activision’s story could have — perhaps by all rights should have — gone very differently. When Kotick became CEO, the company was a shambling wreck that hadn’t been consistently profitable in almost a decade. Mismanagement combined with bad luck had driven it to the ragged edge of oblivion. What to a large degree saved Activision and made the world safe for World of Warcraft was, of all things, a defunct maker of text adventures which longtime readers of this ongoing history have gotten to know quite well. The fact that Infocom, the red-headed stepchild a previous Activision CEO had never wanted, is directly responsible for Activision’s continuing existence today is one of the strangest aspects of both companies’ stories….

(7) UNSOUND ADVICE. io9/Gizmodo names “8 Silent Films Every Sci-Fi and Horror Fan Should See”. I don’t know, my reaction to this advice is about the same as Queen Elizabeth I’s opinion of taking a bath. The list is comprised of:

1) The Cabinet of Dr. Caligari (1920)
2) Metropolis (1927)
3) Nosferatu (1922)
4) The Lost World (1925)
5) Häxan: Witchcraft Through the Ages (1922)
6) Aelita: Queen of Mars (1924)
7) A Trip to the Moon (1902)
8) The Phantom of the Opera (1925)

(8) FULL LID. Alasdair Stuart sends a link to The Full Lid with this introduction:

This week’s Full Lid features a look at the deeply fantastic zombie coming of age comedy musical Anna and the Apocalypse. Also this week, there’s a review of the first issue of the excellent new fantasy detective comic FairLady and a look at the first month of The SCP Archives, a new podcast bringing stories from the legendary wiki fiction experiment to life. The spotlight is James Davis Nicoll, there’s a photo of my word buckets and a short film from excellent Irish writer director Chris Brosnahan.

(9) NEW YORK SLICE. A heartwarming story about George R.R. Martin. The thread begins here.

(10) COBB OBIT. History-making pilot Jerry Cobb died March 18. Ars Technica paid tribute: “Jerrie Cobb, one of the most gifted female pilots in history, has died”.

Geraldyn “Jerrie” M. Cobb, a noted aviation pioneer and fierce advocate for women flying into space, died March 18 at her home in Florida, her family has revealed. She was 88.

Cobb is perhaps most well-known for her participation in what became known as the “Mercury 13,” a group of 13 women who passed preliminary screening processes in 1960 and 1961 to determine their suitability as astronauts under the guidance of Dr. Randolph Lovelace. Cobb scored in the top 2 percent of all who had taken the battery of tests for candidates previously, including both women and men.

However, the privately funded effort was not officially sanctioned by NASA. A Netflix documentary about the experience, released in 2018, offered a clear verdict for why women were excluded from NASA in the space agency’s early days—”good old-fashioned prejudice,” as one of the participants said.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born April 19, 1925 Hugh O’Brian. His only meaningful genre involvement was being Harry Chamberlain in Rocketship X-M in which he was also the voice on the loudspeaker.  He’d play the evil Hussein in Son of Ali Baba, and he was Richard Camalier in Doin’ Time on Planet Earth as well. He’d have one-offs appearances on shows such the Alfred Hitchcock Hour, and he had five different roles on Fantasy Island. (Died 2016.)
  • Born April 19, 1933 W.R. Cole. Author of A Checklist of Science Fiction Anthologies, self-published In 1964. Ok, I’m including him today because I’m puzzled. SFE said of this that ‘Though it has now been superseded and updated by William Contento’s indexes of Anthologies, it is remembered as one the essential pioneering efforts in Bibliography undertaken by sf Fandom.’  Was this really the first time someone compiled an index of anthologies? I seem to remember earlier efforts though I can’t remember precisely who. (Died 2002.)
  • Born April 19, 1935 Herman Zimmerman, 83. He was the art director and production designer who worked between 1987 and 2005 for the Trek franchise. Excepting Voyager, he in that era worked on all other live-action productions including the first season of Next Gen, the entire runs of Deep Space Nine and Enterprise, as well as six Trek films. As Memory Alpha notes, “Together with Rick Sternbach he designed the space station Deep Space 9, with John Eaves the USS Enterprise-B and the USS Enterprise-E. His most recognizable work though, have been his (co-)designs for nearly all of the standing sets, those of the bridge, Main Engineering (co-designed with Andrew Probert) and Ten Forward for the USS Enterprise-D in particular.” Not surprisingly, he co-wrote the Star Trek: Deep Space Nine Technical Manual with Rick Sternbach and Doug Drexler.
  • Born April 19, 1936 Tom Purdom, 83. There’s very little on him on the web, so I’ll let Michael Swanwick speak to him: ‘How highly do I regard Tom’s fiction?  So highly that I wrote the introduction to the collection — and I hate writing introductions.  They’re a lot of work.  But these stories deserve enormous praise, so I was glad to do it.’  He’s written five novels and has either one or two collections of his stories. 
  • Born April 19, 1946 Tim Curry, 73. Dr. Frank-N-Furter in The Rocky Horror Picture Show of course is not his first genre appearance as he’d appeared a year earlier at the Scottish Opera in A Midsummer Night’s Dream as Puck. (And yes, I adore RHPS.) And yes, I know that he appeared in the live show which was at the Chelsea Classic Cinema and other venues before the film was done. Other genre appearances include playing Darkness in Legend, an outstanding Cardinal Richelieu in The Three Musketeers, Farley Claymore in The Shadow (great role), another superb performance playing Long John Silver in Muppet Treasure Island and in Rosencrantz and Guildenstern Are Dead as The Player.
  • Born April 19, 1952 Mark Rogers. He’s probably best known for writing and illustrating the Adventures of Samurai Cat series. His debut fantasy novel Zorachus was followed by The Nightmare of God sequel. His novella “The Runestone” was adapted as a film of the same name. And his art is collected in Nothing But a Smile: The Pinup Art of Mark Rogers and The Art of Fantasy. (Died 2014.)
  • Born April 19, 1967 Steven H Silver, 52. Fan and publisher, author, and editor. He has been nominated for the Hugo Award for Best Fan Writer twelve times and Best Fanzine four times without winning. Ok, is that a record? He’s a longtime contributing editor to SF Site and has written that site’s news page since its beginning. Over twenty years ago, he founded the Sidewise Award for Alternate History and has served as a judge ever since. And he publishes his own fanzine, Argentus.
  • Born April 19, 1968 Ashley Judd, 51. Best known genre wise for playing Natalie Prior in the Divergent film franchise. She was also Carly Harris-Thompson in the Tooth Fairy film, and was Ensign Robin Lefler in a few episodes of Next Gen. She played Beverly Paige on several episodes of Twin Peaks as well. 

(12) COMICS SECTION.

(13) AO3. Somebody’s not whispering quietly enough. Supporters of Jason Sanford’s Patreon can find out who.

This could be a clue — Sanford retweeted Interstellar Teahouse’s thread, which starts here.

(14) AO1. Ryan George imagines what it was like to be “The First Guy Ever To Write Fiction.”

(15) ANCIENT CODE. Ars Technica reports “You can now download the source code for all Infocom text adventure classics”.

The source code of every Infocom text adventure game has been uploaded to code-sharing repository GitHub, allowing savvy programmers to examine and build upon some of the most beloved works of digital storytelling to date.

There are numerous repositories under the name historicalsource, each for a different game. Titles include, but are not limited to, The Hitchhiker’s Guide to the GalaxyPlanetfallShogun, and several Zork games—plus some more unusual inclusions like an incomplete version of Hitchhiker’s sequel The Restaurant at the End of the Universe, Infocom samplers, and an unreleased adaptation of James Cameron’s The Abyss.

[…] The games were written in the LISP-esque “Zork Implementation Language,” or ZIL, which you could be forgiven for not being intimately familiar with already. Fortunately, Scott also tweeted a link to a helpful manual for the language on archive.org.

(16) YTTERBIUM. A fashion update from John Scalzi:

Sure, if you have the same color eyes as the Easter Bunny….

(17) A DIFFERENT POINT OF VIEW ABOUT GOT. Eneasz Brodski voices “Mad Respect for Cersei” at Death Is Bad.

There is the possibility that the undead will win and destroy all life on Westeros, yes. But that is preferable to returning to life as chattel. If humanity has such a problem with extinction, maybe it shouldn’t have made life a living hell for so many.

(18) SPOILER PREVENTION. Slate’s Sam Adams rejects the extinction outcome, as logical as it may be in “The One Death Game of Thrones Can’t Face”.

There’s just one problem. The show that became famous for its willingness to kill off seemingly essential figures has grown less and less likely to do so. Even before Jon Snow came back from the dead, viewers had begun to develop a sense of which characters were essential to the series’ endgame, and thus impossible to kill off. You didn’t need Ramsay Bolton or even Littlefinger to tie up the story’s loose ends, but it’s impossible to imagine Dany or Jon getting axed for shock value. There was no chance the High Sparrow would dethrone Cersei for good or that Arya would fail the Faceless Men’s tests. The show’s core characters had acquired what fans call “plot armor,” which meant that any time the odds seemed truly hopeless, when they were backed against a wall and there seemed to be no way out, we knew the question wasn’t if they’d escape but only how.

(19) BEES SURVIVE. FromSnopes, repeating an AP story: “Drunk on Smoke: Notre Dame’s Bees Survive Fire”.

Hunkered down in their hives and drunk on smoke, Notre Dame’s smallest official residents — some 180,000 bees — somehow managed to survive the inferno that consumed the cathedral’s ancient wooden roof.

Confounding officials who thought they had perished, the bees clung to life, protecting their queen.

“It’s a big day. I am so relieved. I saw satellite photos that showed the three hives didn’t burn,” Notre Dame beekeeper Nicolas Geant told The Associated Press on Friday.

“Instead of killing them, the CO2 (from smoke) makes them drunk, puts them to sleep,” he explained.

Geant has overseen the bees since 2013, when three hives were installed on the roof of the stone sacristy that joins the south end of the monument. The move was part of a Paris-wide initiative to boost declining bee numbers. Hives were also introduced above Paris’ gilded Opera.

(20) FELINE EFFECTS. Epic Cats presents a superpowered credential.

[Thanks to Mike Kennedy, Cat Eldridge, JJ, John King Tarpinian, Martin Morse Wooster, John A Arkansawyer, Chip Hitchcock, Daniel Dern, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Kip Williams.]

Pixel Scroll 4/18/19 Before The Pixels Return To Capiscrollo

(1) A BIT MORE ON AO3. Polygon’s article “For AO3, the fanfiction haven, a Hugo nomination is a long time coming” includes quotes from Nicholas Whyte, Kevin Standlee, and Naomi Novik that may be of interest.

“The shortlisting of AO3 does not mean that every work published on the site is a Hugo Award finalist,” clarified Kevin Standlee, a member of the Hugo Awards Marketing Committee, to Polygon. “By analogy, if a magazine is nominated for Best Semiprozine, it does not mean that every work and every author published during that year’s run of the magazine is a Hugo Award finalist.”

Whyte also emphasized that Archive of Our Own as a project met all the requirements of the Best Related Work category as far as the Hugo administrators were concerned.

“Archive of our Own as a project is on the Hugo final ballot,” Whyte wrote in an email. “A substantial number of voters supported it, and it is not really the role of the Hugo administrators to second-guess or interpret their intentions. Our job is to determine whether it qualifies under the rules. We considered the precedents in this and other categories very carefully, and found no good reason to disqualify it.”

Archive of Our Own is a platform for fanfiction, yes, but it is also an intricate system of archiving and hosting said fanfiction, as well as a space built up by fandom members for their very own. No “one part” of AO3 qualifies the site for the prize. The entirety — past, present, and promise to the future — makes it uniquely primed for the honor.

“So if the question is, which of that work is the nomination recognizing?” penned Naomi Novik on her Tumblr. “It’s recognizing all of it. You can’t separate one part of it from the other. The garden wouldn’t exist without all of it. And I am grateful for it all.”

(2) BEWARE SPOILER. Well, maybe not… Yahoo! Entertainment says the filmmakers deny everything: “Paul Rudd, ‘Avengers: Endgame’ directors respond to ‘Thanus,’ the most insane Marvel theory ever”.

As far as the most bonkers fan theories go in the Marvel Cinematic Universe, one clear-cut winner has emerged recently in predicting the climax (back end?) of the highly anticipated Avengers: Endgame.

That would be the premise coined “Thanus,” which posits that the Avengers will finally triumph over intergalactic, snapping super-baddie Thanos (Josh Brolin) when Ant-Man (Paul Rudd) uses his size-altering abilities to shrink down, enter the villain’s butthole and then expand, killing his target in what would essentially be the most volatile hemorrhoid ever.

(3) SNACK TIME. Ursula Vernon is served a Tibetan delicacy. Thread starts here.

Followed by more culinary adventures. Thread starts here.

(4) KGB. Here are Ellen Datlow’s photos from the April 17 KGB readings by Dale Bailey and Arkady Martine.

Arkady Martine. Photo by Ellen Datlow.

(5) ABOUT VAMPIRES. Methinks Electric Literature doth protest too much: “A Perfectly Normal Interview with Carmen Maria Machado Where Everything Is Fine” .

Theodore McCombs: What about Carmilla first attracted you to this project? What do you hope 2019’s readers will find in this 1872 vampire tale?

Carmen Maria Machado: The connection between narratives of vampires and narratives of women—especially queer women—are almost laughably obvious. Even without Carmilla, they would be linked. The hunger for blood, the presence of monthly blood, the influence and effects of the moon, the moon as a feminine celestial body, the moon as a source of madness, the mad woman, the mad lesbian—it goes on and on. It is somewhat surprising to me that we have ever imagined male vampires at all. But of course, that’s because we think of Dracula as the ur-text, the progenitor of the vampire in literature. Carmilla simply isn’t as well-known; I was as surprised as anyone to learn about it. But despite the fact that it’s a somewhat obscure text, its influence can be keenly felt. So I wanted modern readers to understand both Carmilla and Carmilla’s importance.

(6) GOT LEGACY? Tad Williams explains how Game of Thrones has affected epic fantasy in an article for Vulture: “What Is Game of Thrones’ Legacy in Epic Fantasy?”

The novelist Don DeLillo wrote shortly after the attacks that 9/11 would change “the way we think and act, moment to moment, week to week, for unknown weeks and months to come, and steely years.” It’s hard to deny that he was right. Several pop-culture phenomena sprang up in the years after 9/11, HBO’s Game of Thrones being one of the most important, but by no means operating in a vacuum. The runaway popularity of The Walking Dead and The Hunger Games in the 2000s also signaled a different sort of sensibility from Tolkien’s postwar years. The enemies were closer, and sometimes they were even friends — or had been. Nothing was entirely trustworthy, not family, not community, and certainly not the government. The anti-establishment cynicism of the ’60s and ’70s had been replaced by a cynicism about virtually everything, and certainly about all institutions. Priests and teachers were now seen as potential molesters. Presidents were no longer just wrong as far as their opponents were concerned — they were actual criminal enemies. George W. Bush was labeled a murderer and Barack Obama was called a fascist. Political and cultural media were weaponized.

(7) TYPECASTING. Is it really that controversial? The Boston Globe thinks so: “Loved and loathed, iconic Helvetica font enters a new era”.

It’s the typeface that greets you on your tax forms. It announces MBTA station stops. Its sans-serif letters glow in the night outside Target and CVS.

In the world of typography, Helvetica is as common as vanilla ice cream. The 62-year-old font is celebrated and loathed for its ubiquity. Now, it’s getting a face lift for the digital age.

The reboot — by Monotype, a Woburn [MA]-based firm that owns Helvetica and thousands of other fonts — has set off a new round of debate over a typeface that has not only divided font fanatics but also transcended the field of design.

Indeed, not many fonts are controversial enough to show up on Twitter’s trending topics. So when Mitch Goldstein saw the word “Helvetica” among the social network’s hottest discussions, he joked that it must be there for the same macabre reason that sees celebrity names suddenly pop up.

(8) WOLFE APPRECIATION. Paul DiFilippo has written one of the best Wolfe tributes for the Barnes & Noble Review: “Master of Mazes: Remembering Gene Wolfe (1931-2019)”.

With the passing of Science Fiction Writers of America Grandmaster Gene Wolfe (1931-2019), literature has lost a unique writer who embraced fruitful paradox. He was at once traditionalist and rebel, metaphysician and realist, trickster and pontiff, experimentalist and conservative, the consummate professional and the most endearingly heart-on-his-sleeve fan. He married the pulp tropes of science fiction and fantasy and horror to the stringent esthetics and techniques and multivalent worldview of echt modernism to produce works which both camps felt did honor to their respective lineages. Readers of “The Death of Doctor Island” or The Fifth Head of Cerebrus could discover all the thematic density and narrative complexity they might seek in a work by Pynchon or Nabokov in tales fully alive as visionary works in SF. In 2014, writer Michael Swanwick, himself a master craftsman, dubbed Wolfe “the single greatest writer in the English language alive today.”…

(9) KATO OBIT. “Monkey Punch, creator of megahit Japan comic Lupin III, dies” — the AP service has the story.

Cartoonist Monkey Punch, best known as the creator of the Japanese megahit comic series Lupin III, has died at age of 81.

His office, MP Pictures, said Wednesday that Monkey Punch, whose real name is Kazuhiko Kato, died of pneumonia on April 11.

The story of master thief Lupin’s adventures with his gang — gunman Daisuke Jigen, sword master Goemon Ishikawa and sexy beauty Fujiko Mine, as well as a detective, Zenigata — started in 1967.

The cartoon also was adapted for TV animation and movies, some directed by renowned animators including Hayao Miyazaki and Isao Takahata.

(10) TRIVIAL TRIVIA.

In 2014, Always Look on the Bright Side of Life, from the 1979 Monty Python film Life of Brian, was the most popular song played at British funerals.

Source: The Telegraph

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born April 18, 1884 Frank R. Paul. Illustrator who graced the covers of Amazing Stories from May 1926 to June 1939, Science Wonder Stories and Air Wonder Stories from June 1929 to October 1940 and a number of others well past his death date.  He also illustrated the cover of Gernsback’s Ralph 124C 41+: A Romance of the Year 2660 (Stratford Company, 1925), published first as a 1911–1912 serial in Modern Electrics. He was inducted into Science Fiction and Fantasy Hall of Fame in 2009. Stephen D. Korshak and Frank R. Paul’s From the Pen of Paul: The Fantastic Images of Frank R. Paul published in 2010 is the only work I found that looks at him. (Died 1963.)
  • Born April 18, 1938 Superman. Age: damn if I know. Created by writer Jerry Siegel and artist Joe Shuster, the character first appeared in Action Comics #1 on April 18, 1938. Yes, it was cover-dated as June, 1938. This is generally thought of as the beginning of the Golden Age of Comics. (Died 1992. But he got better.)
  • Born April 18, 1945 Karen Wynn Fonstad. She was a cartographer and academic who designed several atlases of literary worlds. Among her work are The Atlas of Middle-earth which is simply wonderful, and The Atlas of Pern which I’ve not seen. (Died 2005.)
  • Born April 18, 1946 Janet Kagan. She wrote but three novels in her lifetime, Uhura’s Song, set in Trek universe, Hellspark and Mirabile which is a stitch-up of her Mirabile short stories. The Collected Kagan collects all of her short fiction not set in the Mirabile setting. Her story “The Nutcracker Coup” was nominated for both the Hugo Award for Best Novelette and the Nebula Award for Best Novelette, winning the Hugo. (Died 2008.)
  • Born April 18, 1953 Rick Moranis, 66. Though now retired from acting, he was  active genre-wise once upon a time in such properties as GhostbustersLittle Shop of Horrors (the remake obviously), Honey, I Shrunk the Kids (which isn’t bad compared to the stinkers that followed in this franchise), The Flintstones and of course Spaceballs. For you next Christmas viewing delight, may I recommend Rudolph the Red-Nosed Reindeer and the Island of Misfit Toys in which he voices The Toy Maker? 
  • Born April 18 Cheryl Morgan, born, as she put it to me today when I dared to ask her age, so long ago no one can remember. She is a Hugo award-winning critic and publisher now living in Britain. She is the owner of Wizard’s Tower Press and was running the Wizard’s Tower Books ebook store before she closed it due to changes in EU regulation.  She was previously the editor of the Hugo award-winning Emerald City fanzine which I confess I read avidly.  And she shares joint wins with the rest of the Clarkesworld team for Best Semiprozine in 2010 and 2011. Superb magazine that. Oh, and her personal blog which is great reading won a Hugo In 2009. Read it for the reviews, read it for the occasional snarky commentary. She is on the advisory board of Fafnir – Nordic Journal of Science Fiction and Fantasy Research.
  • Born April 18, 1965 Stephen Player, 54. Some birthday honor folks are elusive. He came up via one of the sites JJ gave me but there is little about him on the web. What I did find is awesome as he’s deep in the Pratchett’s Discworld and the fandom that sprung up around it. He illustrated the first two Discworld Maps, and quite a number of the books including the 25th Anniversary Edition of The Light Fantastic and The Illustrated Wee Free Men. Oh, but that’s just a mere wee taste of all he’s done as he did the production design for the Sky One production of Hogfather and The Colour of Magic. He did box art and card illustrations for Guards! Guards! A Discworld Boardgame. Finally, he contributed to some Discworld Calendars, games books, money for the Discworld convention. I want that money. 
  • Born April 18, 1969 Keith DeCandido, 50. Another writer whose makes his living writing largely works based on series. He’s done works set within the universes of Sleepy Hollow, Star Trek, Buffy, Spider-Man, X-Men, Doctor Who, Supernatural, Andromeda, Farscape,  Spider-Man, X-Men, and Stargate SG-1.  He has a fantasy series, Dragon Precinct, ongoing.
  • Born April 19, 1971 David Tennant, 48. Eleventh Doctor and my favourite of the modern Doctors along with Thirteen whom I’m also very fond of. There are some episodes such as the “The Unicorn and The Wasp” that I’ve watched repeatedly.  He’s also done other spectacular genre work such as the downright creepy Kilgrave in Jessica Jones, and and Barty Crouch, Jr. in Harry Potter and the Goblet of Fire. He’s also in the Beeb’s remake of the The Quatermass Experiment as Dr. Gordon Briscoe.

(12) PET DETECTIVE. A GOAT writer says “This Is What Happened When I Tried To Find Out Where Julian Assange’s Cat Went”:

We now know that Julian Assange’s cat, who lived with him in the Ecuadorian embassy for a time, is safe and being looked after, but we didn’t know this when I asked about it late last month. And I didn’t know that asking about it would result in the ‘Defend Assange Campaign’ getting in touch….

(13) CREDENTIAL MOVIE MUSICAL. The Hollywood Reporter gives a download: “’Cats’: Everything to Know About the Film Adaptation”.

The highly anticipated film adaptation of Andrew Lloyd Webber’s musical Cats is making its way to theaters. The story is based on T.S. Eliot’s book of poems titled Old Possum’s Book of Practical Cats.

The live production-turned-movie follows a tribe of felines, known as the Jellicle Cats, as they attend the annual Jellicle Ball. During the ball, the tribe’s leader Old Deuteronomy chooses one cat to be reborn and return to a new life.

The Universal film features a star-studded cast that includes Jennifer Hudson, Idris Elba, Taylor Swift, Ian McKellen, Judi Dench, Rebel Wilson, James Corden, Jason Derulo and Steven McRae.

(14) OUT OF TUNA. Timothy the Talking Cat…talks, of course. And writes, as explained in the latest chapter of his autobiography: “Beyond the Bounds of Genius: Chapter 4”.

Chapter 4: That Tricky First Novel

After considering a number of career choices I decided that ‘novelist’ was the best match to my temperament and experience. With both my schooling and military service behind me, I had a wealth of life experience to draw from and the natural wit of England’s upper classes running through my veins.

(15) THE WORKS. Delish says another exotic variety of Oreos is on its way to market: “Oreo’s Firework-Inspired Cookies Are Back And They Actually Pop In Your Mouth”.

Here’s the deal: The Fourth of July-inspired sweets are the classic chocolate and creme combo we all know and love but with a twist. They’re filled with red and blue popping candies, so they will quite literally explode in your mouth—in a totally safe Pop Rocks kind of way, you know?

(16) DAY FOR NIGHT. Futurism foresees the future of light pollution:“Pepsi Plans to Project a Giant Ad in the Night Sky Using Cubesats”.

A Russian company called StartRocket says it’s going to launch a cluster of cubesats into space that will act as an “orbital billboard,” projecting enormous advertisements into the night sky like artificial constellations. And its first client, it says, will be PepsiCo — which will use the system to promote a “campaign against stereotypes and unjustified prejudices against gamers” on behalf of an energy drink called Adrenaline Rush.

Yeah, the project sounds like an elaborate prank. But Russian PepsiCo spokesperson Olga Mangova confirmed to Futurism that the collaboration is real.

“We believe in StartRocket potential,” she wrote in an email. “Orbital billboards are the revolution on the market of communications. That’s why on behalf of Adrenaline Rush — PepsiCo Russia energy non-alcoholic drink, which is brand innovator, and supports everything new, and non-standard — we agreed on this partnership.”

(17) RONDO. Steve Vertlieb would be thrilled if you’d consider voting for his article:

It’s “Rondo Award” time again, and my work on “Dracula In The Seventies: Prints of Darkness” has been nominated by the “Rondo Award” committee for “Best Article of the Year.” Anyone can vote once for their favorites in this category, and voting continues through April 20th, 2019. I’ll go “bats” if you care to vote for my work. Winning a competitive “Rondo” would mean a great deal to me, and sublimely reward these sometimes fragile seventy three years. Simply send your selection (along with your name and e-mail address) to David Colton at taraco@aol.com, and please accept my sincere thanks for your most gracious kindness.

(18) GENE THERAPY IS ANSWER TO RARE DISEASE. NPR gives background: “Gene Therapy Advances To Better Treat ‘Bubble Boy’ Disease”.

Sometimes rare diseases can let scientists pioneer bold new ideas. That has been the case with a condition that strikes fewer than 100 babies a year in the United States. These infants are born without a functioning immune system.

The disease is called severe combined immunodeficiency, or SCID. “It was made famous in the mid ’70s when the ‘Bubble Boy’ was described in a documentary, and I think it captured the imagination of a lot of people,” says Matthew Porteus, a pediatrician at Stanford University.

David Vetter was the boy who spent most of his short life inside a plastic bubble to protect him from infection. He died at age 12 in 1984.

All babies born in the United States are now screened for this condition, and the best treatment today — a bone marrow transplant — succeeds more than 90 percent of the time. The disease remains a source of great interest to researchers.

“This is one of those diseases in which there’s probably more doctors and scientists studying the disease than patients who have the disease,” Porteus says.

In the 1990s, European scientists actually cured SCID in some patients, using a technique called gene therapy. This process involves removing defective blood cells from a patient, inserting a new gene with the help of a virus and then putting the cells back into the body. Those cells then build up the patient’s immune system.

At first, this treatment in the 1990s and early 2000s looked really promising.

“Of the 20 patients, they all had immune recovery,” says Donald Kohn, an immunologist at UCLA’s Broad Center of Regenerative Medicine and Stem Cell Research. “But, over time, five of them went on to develop a leukemia.”

(19) CHOOSING SCIENCE. They chose an important animal rather than a pretty one: “Snot Otter Emerges Victorious In Vote For Pennsylvania’s Official Amphibian”.

Pennsylvania’s soon-to-be official amphibian has more than its fair share of nicknames: snot otter, mud devil, Allegheny alligator, devil dog, lasagna lizard.

In short, it’s not exactly a looker.

But the Eastern hellbender salamander was the overwhelming choice of lawmakers for amphibian representation in the state. On Tuesday, the state’s House of Representatives voted 191-6 on a bill that would name the aquatic creature its state amphibian. The Senate passed the bill in February.

The hellbender is a nocturnal salamander that can grow more than 2 feet long. The mud-colored creature, covered in a layer of mucus, breathes primarily through loose flaps of thick, wrinkled skin that look a little bit like lasagna noodles.

The hellbender is also a canary for environmental degradation.

(20) CAT IN THE LAT(ERAL FILING CABINET). “‘Giant lion’ fossil found in Kenya museum drawer”.

A new species of giant mammal has been identified after researchers investigated bones that had been kept for decades in a Kenyan museum drawer.

The species, dubbed “Simbakubwa kutokaafrika” meaning “big African lion” in Swahili, roamed east Africa about 20 millions years ago.

But the huge creature was part of a now extinct group of mammals called hyaenodonts.

The discovery could help explain what happened to the group.

…”Based on its massive teeth, Simbakubwa was a specialised hyper-carnivore that was significantly larger than the modern lion and possibly larger than a polar bear,” researcher Matthew Borths is quoted by AFP news agency as saying.

(21) READY, AIM, MEOW. Here’s a piece of technology some of you will want – the Catzooka – Cat Launcher!

(22) THEY PUT THINGS IN THEIR EARS TO CONTROL OUR MINDS. Buzzfeed claims that “People Wearing AirPods Are Making Things Awkward For Everyone Else”.

Unlike traditional headphones, AirPods are the kind of things you can keep in your ears at all times, and many people do. Their sleek design and lack of wires make it easy to forget they’re resting in your head. And their status symbol shine doesn’t exactly scream “take me out.” This may be great for Apple and its bottom line, but it’s making life weird for people interacting with those wearing them. Are they listening to me? Are they listening to music? A podcast? Just hanging? It’s tough to know.

(23) VIDEO OF THE DAY. In “Cabin Pressure” on Vimeo, Matthew Lee explains how to behave badly on airplanes!

[Thanks to Martin Morse Wooster, Ellen Datlow, Mike Kennedy, JJ, Mark Hepworth, Chip Hitchcock, John King Tarpinian, Daniel Dern, Cat Eldridge, Carl Slaughter, Rob Thornton, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Kip Williams.]

Pixel Scroll 4/9/19 In The Comments The Filers Come And Go Scrolling Pixelangelo

(1) MISSING SUPERHEROES FORMATION. The Wrap tells how “‘Avengers: Endgame’ Press Conference Leaves Seats Empty for Thanos’ Victims”.

In a cheeky nod to the end of “Infinity War,” Sunday’s press conference for the upcoming “Avengers: Endgame” left several seats empty for the actors who played characters snapped into oblivion by Thanos.

“Post-Snap, there’s a few empty seats, so I’d like to welcome back the people that you see here onstage,” said “Iron Man” director and star Jon Favreau, who hosted the event.

Those who did make it included Marvel Studios head Kevin Feige, “Endgame” directors Anthony and Joe Russo, and stars Robert Downey Jr., Chris Evans, Mark Ruffalo, Danai Gurira, Chris Hemsworth, Don Cheadle, Scarlett Johansson, Paul Rudd, Karen Gillan, Jeremy Renner, and “Captain Marvel” newcomer Brie Larson.

(2) CAPTAINS UMBRAGEOUS. Yahoo! Lifestyle brings us a sneak peek released yesterday on Good Morning America: “Marvel Released a New Clip from ‘Avengers: Endgame’ and Someone Isn’t Happy About Captain Marvel Joining the Team”.

(3) CELLAR DOOR (NOT INTO SUMMER). Empire posted an exclusive clip from the Tolkien biopic.

Tolkien explores the formative years of the orphaned author as he finds friendship, love and artistic inspiration among a group of fellow outcasts at school. This takes him into the outbreak of World War I, which threatens to tear the “fellowship” apart. All of these experiences would inspire Tolkien to write his famous Middle-Earth novels.

(4) INSPIRING CHART. The Book Smugglers host “Fran Wilde: A Map of Inspirations and Influences for RIVERLAND”. Wilde’s post begins —  

The last time I did an inspirations and influences post here, I drew you a literary family tree for Updraft. It got a little out of hand. (Carmina Burana and a taxidermied weasel qualify as out of hand.)

This time, for Riverland, which is my first middle grade novel, I drew you a map. …

(5) APOLOGIA FOR AO3. Slate’s Casey Fiesler tries to explain “Why Archive of Our Own’s Surprise Hugo Nomination Is Such a Big Deal”.

…But fan works, and the community that surrounds them, often don’t get the respect they deserve. So AO3’s nomination for the prestigious award—both for the platform itself and for the platform as a proxy for the very concept of fan fiction—is a big deal. Many, both inside and outside the sci-fi and fantasy community, deride fan fiction as mostly clumsy amateur works of sexual fantasy—critiques that, as those who have looked at them closely have pointed out, have a glaringly gendered component. Erotic fan fiction is part of the landscape—and, frankly, can be a wonderful part of it—but it’s about more than that. It’s about spending more time in the worlds you love and exploring characters beyond the page. It’s about speculating over how things could be different, just as good science fiction and fantasy does. And it’s also about critiquing source texts, pushing back against harmful narratives, and adding and correcting certain types of representation (including the ways women and LGBTQ people are portrayed in these genres).

(6) SHOOTING THE MOON. Christian Davenport in the Washington Post questions whether the administration’s goal of landing on the Moon in 2024 can be met, since the plan is based on a lunar orbital station that has not been built, much less contracted.  Davenport notes that Vice-President Pence “has dedicated more time to space than any other White House official since the Kennedy administration.” — “Trump’s moonshot: The next giant leap or another empty promise?”.

…NASA officials also face a major test of their agency’s effectiveness: Is this another empty promise by an administration nostalgic for the triumph of Apollo and looking to make a splash while in office, or can NASA somehow pull off what would be an audacious step just in time for the presidential election?

Already, there are signs that the White House’s plan is running into fierce head winds.

At a hearing Tuesday, Rep. Eddie Bernice Johnson (D-Tex.), the chair of the House Committee on Science, Space and Technology, blasted Pence’s speech for lacking any details of how NASA would achieve what she called a “crash program” or what it would cost.

“We need specifics, not rhetoric,” she said. “Because rhetoric that is not backed up by a concrete plan and believable cost estimates is just hot air. And hot air may be helpful in ballooning, but it won’t get us to the moon or Mars.”

(7) EARLY LESSONS. Tobias Buckell tells about the famed magazine’s significance to him, and empathizes with those affected by its parent company’s recent bankruptcy filing, in “100 Years of Writer’s Digest (#WritersDigest100): Some Thoughts”.

…I did a keynote for Writer Digest conference in Cincinnati not too long ago. I really tried to kick my keynoting abilities up to a new level, and I think I was able to deliver. But while there, I met quite a few staff from Writers Digest. I really hope this ends well for them, as they were all excited about helping writers and celebrating books.

(8) SAY (SWISS) CHEESE! Science says we may know tomorrow: “Here’s what scientists think a black hole looks like” .

More than half a dozen scientific press conferences are set for 10 April, raising hopes that astronomers have for the first time imaged a black hole, objects with gravitational fields so strong that even light cannot escape. Although their existence is now almost universally accepted, mostly from the effect of their gravity on nearby objects, no one has actually seen one.

Black holes themselves are entirely dark and featureless. The giant ones at the centers of galaxies are also surprisingly small, despite containing millions or billions of times the mass of our sun. To make observing them yet more difficult, those giants are shrouded in clouds of dust and gas. But streams of superhot gas swirl around the holes, emanating radio waves about a millimeter in wavelength that can penetrate those clouds.

Two years ago, an international collaboration known as the Event Horizon Telescope (EHT) corralled time on eight different radio telescopes around the world to try to image the supermassive black hole at the center of our galaxy, known as Sagittarius A*, and another at the center of nearby galaxy M87. They used a technique known as interferometry to combine the output of the globally scattered instruments to produce images as if from a single dish as wide as Earth. A dish that large is needed to see the details of something that would fit easily within the orbit of Mercury and is 26,000 light-years away.

(9) MORE MCINTYRE MEMORIES. A lovely tribute to Vonda McIntyre by Arwen Curry, director of Worlds of Ursula K. Le Guin:

On camera in Worlds of Ursula K. Le Guin, Vonda keenly describes the moment when women began to make a space for themselves in science fiction and fantasy, and the controversy it stirred up. I recorded her during a vacation with Ursula and Charles Le Guin in the southeast Oregon desert on a blistering day — a day so hot that the camera overheated and we had to pause filming and cool off. I still feel a little guilty about the heat of that afternoon, and grateful that she endured it.

(10) TODAY IN HISTORY.

  • April 9, 1960 – The Mercury Seven astronauts were introduced to the public.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born April 9, 1911 George O. Smith. He was an active contributor to Astounding Science Fiction during the Forties. His collaboration with the magazine’s editor, John W. Campbell, Jr. ended when Campbell’s first wife, Doña, left him in 1949 and married Smith. Ouch.  He was a prolific writer with eight novels and some seventy short stories to his name.  He was a member of the all-male dining and drinking club the Trap Door Spiders, which was the inspiration for Asimov’s the Black Widowers. (Died 1981.)
  • Born April 9, 1926 Hugh Hefner. According to SFE, he  had been an avid reader of Weird Tales when he was younger.  Perhaps as a result, Playboy came to feature stories from the likes of Poul Anderson, Isaac Asimov,  Algis Budrys, Ray Bradbury,  Richard Matheson, James Blish,  Robert A Heinlein, Frederik Pohl and Rod Serling.  Arthur C. Clarke’s “A Meeting with Medusa” which would first run here won a Nebula. (Died 2017.)
  • Born April 9, 1926 Avery Schreiber. Principal genre claim is being in Galaxina which parodied Trek, Star Wars and Alien. Other genre appearances included being a rider on a coach in Dracula: Dead and Loving It, the Russian Ambassador in More Wild Wild West and the voice ofBeanie the Brain-Dead Bison on the Animaniacs. (Died 2002.)
  • Born April 9, 1954 Dennis Quaid, 65. I’m reasonably sure that his first genre role was in Dreamscape as Alex Gardner followed immediately by the superb role of Willis Davidge in Enemy Mine, followed by completing a trifecta with Innerspace and the character of Lt. Tuck Pendleton. And then there’s the sweet film of Dragonheart and him as Bowen. Anyone hear of The Day After Tomorrow in which he was Jack Hall? I hadn’t a clue about it.
  • Born April 9, 1972 Neve McIntosh, 47. During time of the Eleventh Doctor, She plays Alaya and Restac, two  Silurian reptilian sisters who have been disturbed under the earth, one captured by humans and the other demanding vengeance. Her second appearance on Doctor Who is Madame Vastra, in “A Good Man Goes to War”.  Also a Silurian, she’s a Victorian crime fighter. She’s back in the 2012 Christmas special, and in the episodes “The Crimson Horror” and “The Name of the Doctor”. She reprises her role as Madame Vastra, who along with her wife, Jenny Flint, and Strax, a former Sontaran warrior, form an private investigator team. 
  • Born April 9, 1982 Brandon Stacy, 37. He worked on both of the new Trek films as a stand-in for Quinto with obviously the acting jones as he become involved in two of the Trek video fanfics, Star Trek: Hidden Frontier and Star Trek: Phase II, the latter in which he portrays Spock of course. 
  • Born April 9, 1990 Kristen Stewart, 29. She first shows up in our area of interest in The Flintstones in Viva Rock Vegas as a Ring Toss Girl (ok, it wasn’t that bad a film). Zathura: A Space Adventure based off the Chris Van Allsburg book has her playing Lisa Budwing. Jumper based off the Stephen Gould novel of the same name had her in a minor role as Sophie. If you’ve not seen it, I recommend Snow White and the Huntsman which has her in the title role of Snow White. It’s a really great popcorn film. Finally she’s got a gig  in The Twilight Saga franchise as Bella Cullen. 
  • Born April 9, 1998 Elle Fanning, 21. Yes, she’s from that acting family. And she’s certainly been busy, with roles in over forty films! Her first genre film is The Curious Case of Benjamin Button followed by Astro Boy, Super 8MaleficentThe BoxtrollsThe Neon Demon, the upcoming Maleficent: Mistress of Evil and a recurring role on The Lost Room, a Cursed Objects miniseries that aired on Syfy. 

(12) COMICS SECTION.

  • Grimmy tries a familiar origin story on for size – and it doesn’t fit!

(13) BIGGEST BANG. The makers of the Top Sci-Fi Weapons infographic say —

Sci-fi movies aren’t complete if they don’t show highly advanced and destructive weapons. From lightsabers to photon torpedoes, they’ve been iconic on their own.

As these weapons caught our interest, we’ve put together the ultimate arsenal of reality-warping weapons in order to compare which is the most powerful sci-fi weapon in the universe.

This is not just random ranking. Would you believe we worked with physicists and engineers on this infographic.

(14) WAKANDA SOUND. Hear “Wakanda Funk Lounge” by SassyBlack at Bandcamp.

“Wakanda Funk Lounge” by SassyBlack, is a svelte slab of hologram funk delivered directly from the Black Panther nation of Wakanda. This four-song EP contains the chart-topping hits from that nation’s funk lounges, and rising star, SassyBlack.

SassyBlack is a queer “blaxploitation, sci-fi warrior queen” and is also a multi-talented, space-aged songwriter, beatmaker, composer and singer. Her music has been described as “electronic psychedelic soul,” with roots in experimental hip-hop, R&B, and jazz. Her voice has been compared to that of Ella Fitzgerald, Erykah Badu, and Georgia Anne Muldrow and her beats owe a debt to Herbie Hancock and Quincy Jones. Like Queen Latifah, she sings, raps, is an actor (who recently appeared on Broad City) and produces all her own music. Before going solo, she recorded and performed as half of the Afrofuturist hip-hop duo THEESatisfaction. Her music has received attention from Okayplayer, Afropunk, The Fader, Pitchfork, Bitch magazine and more.

Her brand new “Wakanda Funk Lounge” EP has been recently released as a 500-copy special-edition 7” single on Seattle hip-hop record label Crane City Music. The cover was designed by visual artist Wutang McDougal and each copy is pressed on colored vinyl and is individually numbered. The music is also available online on all major streaming services and can be purchased digitally through Bandcamp. It’s funky music that reminds us that Wakanda’s main export is “VIBE-ranium.” 

In describing the project, SassyBlack says that “Wakanda Funk Lounge is about black freedom. When I think of “Black Panther,” it is talking about black freedom, so much that we have our own secret space. What would be freer than a Wakanda funk lounge?”

This is not her first sci-fi or superhero-themed project. SassyBlack performed at 2018’s Emerald City Comic Con, and her 2016 full-length album, “No More Weak Dates” contains numerous references to Star Trek. In an interview with Hearst publication Shondaland, she explains her sci-fi fascination: “Star Trek and Star Wars have always had bars and concerts. There’s no culture without music… And so Black Panther’s M’Baku invites me to come and perform in one of Wakanda’s funk lounges. This EP is the music I perform there. And where it gets crazy is that I’m like, ‘Listen, I have to leave Wakanda now because I’m going to go join Starfleet.’ [laughs] It could technically work.”

(15) SEE SPACEX MISSION. NBC News: “SpaceX’s Falcon Heavy rocket set for first commercial launch. Here’s how to watch it live online.”

Thirteen months after its maiden flight, SpaceX’s huge Falcon Heavy rocket is being readied for its first commercial launch on Wednesday.

The 230-foot-tall rocket is scheduled to lift off at 6:35 p.m. ET from the Kennedy Space Center in Cape Canaveral, Florida. This will be only the second flight for the world’s most powerful rocket now in operation.

(16) SPFBO ENTRY. Jessica Juby reviews Self-Published Fantasy Blog-Off #4 finalist Symphony of the Wind by Steven McKinnon” at Fantasy-Faction.

…You’d be wrong if you thought this was going to be a light-hearted jaunt on airships. We’re quickly introduced to our rag-tag crew aboard the Liberty Wind, with plucky protagonist Serena and the chip on her shoulder, discovering their unique personalities. It’s not long into the story before things start going wrong, the pace immediately picks up and gives us a taste of what’s yet to fully unfold.

It’s commendable that the author strikes while the iron is hot and gets down and dirty within the first chapter…

(17) IN MEMORY NOT GREEN. Out of This World SFF Reviews’ Nick T. Borrelli delves into After the Green Withered  by Kristin Ward.

AFTER THE GREEN WITHERED is definitely a book with a relevant political and social message.  Author Kristin Ward does not pull any punches in this regard and the reader absolutely gets a taste of what the world could possibly be like if we continue down our current path with regard to how we are addressing environmental issues.  I’m a fan of dystopian SF like this one, and I thought that by and large the author did a solid job of creating an atmosphere that delved into the hopelessness that living under these conditions would obviously engender. 

(18) SERIES REVIVED. Joe Sherry heralds an author’s return to an iconic setting in “Mircoreview [book]: Alliance Rising, by C.J. Cherryh and Jane Fancher” at Nerds of a Feather.

Alliance Rising marks the return of C.J. Cherryh to her Alliance-Union Universe. It’s been ten years since the publication of Regenesis, and since then she’s published nine more Foreigner novels, but it’s been a long wait for Alliance-Union fans. Alliance Rising is the earliest novel set in the timeline. Set on the cusp of the Company Wars, there are plenty of references for long time Cherryh readers: Pell Station, Cyteen, the azi and the Emorys, the ship Finity’s End and its captain JR Neihart. Put together, the novel is grounded in a particular time and the edges of a setting that many readers are well familiar with even though no prior knowledge is required.

(19) KARMA CHAMELEON. To beat computer hackers, do cybercrime professionals need to change their Patronus? — “Should cyber-security be more chameleon, less rhino?”

Billions are being lost to cyber-crime each year, and the problem seems to be getting worse. So could we ever create unhackable computers beyond the reach of criminals and spies? Israeli researchers are coming up with some interesting solutions.

The key to stopping the hackers, explains Neatsun Ziv, vice president of cyber-security products at Tel Aviv-based Check Point Security Technologies, is to make hacking unprofitable.

“We’re currently tracking 150 hacking groups a week, and they’re making $100,000 a week each,” he tells the BBC.

“If we raise the bar, they lose money. They don’t want to lose money.”

This means making it difficult enough for hackers to break in that they choose easier targets.

And this has been the main principle governing the cyber-security industry ever since it was invented – surrounding businesses with enough armour plating to make it too time-consuming for hackers to drill through. The rhinoceros approach, you might call it.

But some think the industry needs to be less rhinoceros and more chameleon, camouflaging itself against attack.

(20) END OF AN ERA? BBC asks “Is ‘Game of Thrones’ the last great blockbuster TV show?” And I obligingly click…

As the fantasy saga returns for its final series, Chris Mandle asks whether the small screen will ever produce such a worldwide obsession again.

…In the US, season seven had an astonishing average viewership of 32.8 million people per episode – to put that in context, the finale of Mad Men, another critically acclaimed, much talked about prestige drama, pulled in 4.6 million US viewers in 2015 – while in recent years, interest in the show has surged in Asian markets, among others.

But while Thrones changed television, it’s also true that television itself changed during the show’s run. As the wars between the factions of Westeros’s Seven Kingdoms have raged, traditional television has been usurped by streaming services, non-linear viewing and ‘binge’ culture, where consumers, rather than wait patiently for an episode airing each week, are more used to having an entire season dropped in their lap to watch at their leisure.

What seems likely is that Game of Thrones’ swansong might also mark the end of TV’s monoculture era – the age of shows that everyone watches and talks about together. Certainly, nothing else that appears on traditional broadcasters seems primed to roll out on its scale….

(21) UNEXPECTED TRAIT. And he’s not the only one at the studio who has it — “Aphantasia: Ex-Pixar chief Ed Catmull says ‘my mind’s eye is blind'”.

The former president of Pixar and Walt Disney Animation Studios says he has a “blind mind’s eye”.

Most people can close their eyes and conjure up images inside their head such as counting sheep or imagining the face of a loved one.

But Ed Catmull, 74, has the condition aphantasia, in which people cannot visualise mental images at all.

And in a surprising survey of his former employees, so do some of the world’s best animators.

Ed revolutionised 3D graphics, and the method he developed for animating curved surfaces became the industry standard.

He first realised his brain was different when trying to perform Tibetan meditation with a colleague.

(22) TIME FOR SILVERBERG. Rob Latham discusses “Temporal Turmoil: The Time Travel Stories of Robert Silverberg” at LA Review of Books.

… But throughout his career, Silverberg returned obsessively to one of the genre’s key motifs — time travel — upon which he spun elaborate and strikingly original variations. During his New Wave heyday, when he was one of the preeminent American SF writers, he produced six novels dealing centrally with themes of temporal transit or displacement — The Time Hoppers (1967), Hawksbill Station (1968), The Masks of Time (1968), Up the Line (1969), Son of Man (1971), and The Stochastic Man (1975) — his treatment of the topic ranging from straightforward adventure stories to heady philosophical disquisitions. The new collection Time and Time Again: Sixteen Trips in Time (Three Rooms Press, 2018), which gathers 16 stories published between 1956 and 2007, provides a robust — and very welcome — conspectus of Silverberg’s short fiction on the subject….

(23) NO SPARKLES. BBC wants to explain “What unicorns mean to Scottish identity”.

From Edinburgh to St Andrews and Glasgow to Dundee, the one-horned mythological horse is real in Scotland.

In a corner of Edinburgh, outside the Palace of Holyroodhouse with its witches’ hat towers and crenellated turrets, 74-year-old tour guide Kenny Hanley can often be found pointing to a little piece of magic atop an ornamental gateway at the residence’s southern approach.

The focus of his attention is an almost-forgotten stone emblem of the city and country in which he lives, and yet few realise it’s one that teems with meaning, telling an almost unbelievable story about Scotland’s national identity.

Take a step back, and the fuller picture emerges. There’s a second cast-stone figure opposite – a rampant lion, crowned, and holding a ceremonial flag as it stands guard. But Hanley’s gaze remains drawn to the slender, mythical creature wrapped in chains to our right.

The stone is just stone and the lion is just a lion, but this horse-like figure – adorned with a singularly fancy horn on its forehead – is extraordinary. It is a unicorn. And, believe the hype or not, it is Scotland’s national animal.

…“It’s long been a symbol of purity and power, but also of virginity and subtlety,” said Hanley, who works as a Blue Badge guide for the Scottish Tourist Guides Association. “And those values still stand up when thinking about Scotland today. These are characteristics embedded in the Scottish psyche.”

…According to the National Museum of Scotland, medieval legend further suggests only a king could hold a unicorn captive because of the supposed danger it posed, something that may have given rise to its widespread adoption. What is known is James II wholeheartedly embraced the legend, and the unicorn became the symbol of purity and power that Scottish kings and nobility identified with in the 15th Century. Over time, this led to the unicorn becoming officially recognised as Scotland’s national animal.

[Thanks to John King Tarpinian, Martin Morse Wooster, JJ, Chip Hitchcock, Cat Eldridge, Mike Kennedy, SF Concatenation’s Jonathan Cowie, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Jack Lint, who wears his scrolls rolled.]

Pixel Scroll 4/7/19 Filing On the Outside, Crying On the Inside

(1) GAME CHOW. Food & Wine doesn’t want you to miss a single offer: “All of the ‘Game of Thrones’ Food and Beverage Tributes for the Final Season”

Wherever your house allegiance may lie, there’s an Oreo for that—no, seriously. On April 2, the cookie brand announced a special line of Game of Thrones Oreos, which are stamped with the sigils of House Stark, House Targaryen, and House Lannister, symbolizing the main families that are left in the battle for the Iron Throne (and against the White Walkers). There’s even a cookie with the Night King on it, if you’re rooting for the dark side; plus, Oreo also recreated the show’s iconic opening sequence with (you guessed it) Oreos, which you can check out below.

(2) REALITY BOOZE. And Eater has another product roundup: “From Johnnie Walker to Oreos, Brands Are Going Ham on ‘Game of Thrones’ Merch”.

Then there’s sneakers, a $2,700 leather jacket, underwear, and even GoT wine and Johnnie Walker whiskey, which at least have a very tenuous connection, given that alcohol actually exists in Westeros (as compared to Oreos). Of course, none of these products will appear on screen, unless a final twist reveals that the entire Game of Thrones universe was actually the fever dream of a Mountain Dew advertising executive.

Hey, Fevre Dream is another clever GRRM reference, if intentional.

(3) DON’T PANIC. That’s what SFWA says, even though there’s no tickets left. Right now, anyway.

The 2019 Nebula Conference is SOLD OUT, but don’t panic! We’re looking into expanding capacity & expect to release more tickets. If you haven’t bought your membership yet, email events@sfwa.org to be notified when additional tickets are released.

(4) NOT WHISPERING. This morning I stopped at an intersection behind a “Smith Family Exterminating” truck and had the obvious thought. It came back to me now as I was reading Galactic Journey’s review of an old IF theme issue: “[Apr. 6, 1964] The art of word-smithing (May 1964 IF)”.

Science fiction magazines are no strangers to gimmicks.  Fantasy and Science Fiction has “All-star issues” with no authors but big names (though they often turn in second-rate stuff).  Analog is trying out a run in “slick” 8.5? by 11? size. 

And this month, IF has gotten extra cute.  Every story in the issue is written by a guy named “Smith.”  It’s certainly a novel concept, but does it work?

(5) WRITER’S BLOCH. His advice to Ray Bradbury is #5: “Robert Bloch: The World Explained in 20 Quotes” at CrimeReads.

“I urge you with all sincerity to get to work, write a book, write two—three—four books, just as a matter of course. Don’t worry about ‘wasting’ an idea or ‘spoiling’ a plot by going too fast. If you are capable of turning out a masterpiece, you’ll get other and even better ideas in the future. Right now your job is to write, and to write books so that by so doing you’ll gain the experience to write still better books later on.” (Bloch in an August 27, 1947 letter to Ray Bradbury)

(6) FLYOVER SLEUTHING. The winner of this year’s Paretsky Award for mysteries set in the Midwest was announced March 23: 

Scott Turow, the author of such best-selling novels as Presumed Innocent (1987), Reversible Errors (2002) and Testimony (2017), has received the annual Paretsky Award for his work. That commendation was presented to him during the third annual Murder and Mayhem in Chicago convention, held this last Saturday. The Paretsky Award, named after Sara Paretsky, the creator of Windy City private detective V.I. Warshawski, “honors mysteries set in the Midwest.”

(7) RAPHAEL OBIT. Rabbi Lawrence Raphael died March 17 at the age of 74 reports Mystery Fanfare. In addition to being a rabbi, he edited anthologies of Jewish mysteries and crime fiction, and was also an expert in Jewish science fiction.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born April 7, 1915 Stanley Adams. He’s best known for playing Cyrano Jones in “The Trouble with Tribbles” Trek episode. He reprised in the Star Trek: The Animated Series episode “More Tribbles, More Troubles” and archival footage of him was later featured in the Deep Space Nine “Trials and Tribble-ations” episode.  He also appeared in two episodes of the Batman series (“Catwoman Goes to College” and “Batman Displays his Knowledge”) as Captain Courageous. (Died 1977.)
  • Born April 7, 1915 Henry Kuttner. While he was working for the d’Orsay agency, he found Leigh Brackett’s early manuscripts in the slush pile; it was under his guidance that she sold her first story to Campbell at Astounding Stories.  His own work was done in close collaboration with  C. L. Moore, his wife, and much of they published was under pseudonyms.  During the Forties, he also contributed numerous scripts to the Green Lantern series. (Died 1958.)
  • Born April 7, 1928 James White. His best-known novels were the Sector General hospital series published over a nearly a forty year period. No, I’m not going to remember which ones I read but I do fondly remember reading several of them and encountering the short stories in various magazines. Definitely popcorn literature at its best! (Died 1999.)
  • Born April 7, 1934 Ian Richardson. His first genre performance was in  A Midsummer Night’s Dream as Oberon. That’s the film with Diana Rigg, Helen Mirren, Ian Holm and David Warner as well. He’s the Narrator of Gawain and the Green Knight, Sherlock Holmes in The Hound of the Baskervilles and The Sign of Four, Mr. Warrenn in Brazil (a film I’ve never understood), Polonius In Rosencrantz & Guildenstern Are Dead, Mr. Book in Dark City, Wasp in Through the Looking-Glass, and What Alice Found There and Sir Charles Warren in From Hell based off the Alan Moore excellent graphic novel about the Ripper murders. (Died 2007.)
  • Born April 7, 1935 Marty Cantor, 84. He’s the editor with then his wife Robbie of Holier Than Thou.  It was nominated for the 1984, 1985 and 1986 Hugo Awards for Best Fanzine, losing in the first two years to File 770 and in the last to Lan’s Lantern. He also published Who Knows What Ether Lurks in the Minds of Fen?, a rather nice play off The Shadow radio intro.
  • Born April 7, 1939 Francis Ford Coppola, 80. Director / Writer / Producer. THX 1138 was produced by him and directed by George Lucas in his feature film directorial debut in 1971. Saw it late at night after some serious drug ingestion with a redhead into Morrison — strange experience that was. Other genre works of note include Bram Stoker’s Dracula, an episode of Faerie Tale Theatre entitled“Rip Van Winkle”, Twixt (a horror film that almost no one has heard of), Mary Shelley’s FrankensteinJeepers Creepers and Jeepers Creepers 2
  • Born April 7, 1946 Stan Winston. He’s best known for his work in Aliens, the Terminator franchise, the first three Jurassic Park films, the first two Predator films, Batman Returns and Iron Man. He was unusual in having expertise in makeup, puppets and practical effects, and was just starting to get in digital effects as well. (Died 2008.)
  • Born April 7, 1945 Susan Petrey. There are days I don’t like the Universe very much and it’s things like her death which cause that. Dead at 35, she’s the author of the Varkela, a series of stories where vampires heal instead of kill. Her collected work is be found in Gifts of Blood. She was very active in Portland, Oregon fandom where her friends established the Susan C. Petrey Clarion Scholarship Fund in her memory which raises funds to send aspiring writers to the Clarion. (Died 1980.)
  • Born April 7, 1951 Janis Ian, 68. Stars: Original Stories Based on the Songs of Janis Ian is an anthology of stories edited by her and Mike Resnick. It looks damn good and I’ve got the  ISFDB link here for the contents.

(9) COMICS SECTION.

(10) FINALISTS CONSIDERED. Gary Tognetti reacts to the ballot in “2019 Hugo Nominations Post – Impressions, Surprises, Disappointments” at The 1000 Year Plan.

…The opinions expressed below are not intended to divide the nominees up into things that “deserve” to be there and things that don’t. Every work/person on the ballot deserves to be there because their fans were passionate enough to make it happen. Fans are an opinionated bunch: we think some things are better than other things and we like to argue about it. That’s what I’m doing here.

(11) BRW. We’ve been talking a lot about AO3 – Paste takes a look at another Best Related Work that’s also a product of the times: “YouTuber Lindsay Ellis Has Been Nominated for a Hugo Award for Her Acclaimed ‘Hobbit Duology'”.

The YouTube video essay has become perhaps the defining form of entertainment media of the digital age, and yet it’s still not a medium that garners a lot of respect. Except for the likes of a handful of film YouTubers such as the dearly departed Every Frame a Painting, it’s a field where all of the middling quality entries have an anchor-like effect upon all the superior efforts. In much the same way that feature films on streaming services have slowly clawed their way into award recognition, though, the same is true of the YouTube video essay. And YouTuber Lindsay Ellis just made a major statement to that effect, garnering a Hugo Award nomination for her critically acclaimed “Hobbit Duology,” in the category of Best Related Work.

It’s not the first time a YouTuber has been nominated for a Hugo Award—it’s happened at least once before, when Rachel Bloom was nominated in 2010—but it’s still a major honor and an important precedent, all the same. And it’s a fitting recognition of Ellis’ instantly gripping series of three videos on Peter Jackson’s The Hobbit, which offer a postmortem on how one of the most beloved film trilogies of all time (The Lord of the Rings) ended up being followed by a disappointing, overstuffed miscalculation.

(Note: Rachel Bloom was a 2011 nominee.)

(12) AWARD NEWS. The judges for the Neukom Institute Literary Arts Awards are Ann VanderMeer and Jeff VanderMeer reports Locus Online. The $5,000 awards will be presented in May at Dartmouth College in New Hampshire.

(13) THE METAPHORICAL RED PLANET. Kelly Lagor digs into a classic Bradbury collection at Tor.com: “On the Origins of Modern Biology and the Fantastic: Part 10—Ray Bradbury and Mechanisms of Regulation”.

The Martian Chronicles, published in 1950, represented something unique and different in science fiction. At the optimistic opening of the space age, if offered a perspective on the lie that the promise of a new frontier offers, as though by traveling to Mars we assumed we would leave behind our weakness and bigotry. It’s Bradbury up and down, sacrificing scientific rigor in favor of poetic metaphor; one part awe, one part sadness, three parts nostalgia. It brought a literary perspective to science fiction, tackling themes of loneliness, regret, and the inevitable loss of innocence. Bradbury sought the deeper meanings in the established mechanics of science fiction and his stories encompassed an added layer of complexity that would have a profound impact on an up-and-coming generation of writers.

(14) BOOK REVIEW BONANZA. Sweet Freedom’s “Friday’s Forgotten Books” feature links to the week’s collection of genre reviews.

This week’s books and more, unfairly (or sometimes fairly) neglected, or simply those the reviewers below think you might find of some interest (or, infrequently, you should be warned away from); certainly, most weeks we have a few not at all forgotten titles…a big week for Christie books…pushing the limit of “forgotten” but as with some of the other hugely popular, hugely prolific writers, each title aside from the most popular tends to be lost in the shuffle…how many John Creasey novels can most non-Creasey fans name?

The hotlinks to the items listed below are here:

  • Patricia Abbott: Go With Me by Castle Freeman
  • Les Blatt: The Judas Window by “Carter Dickson” (John Dickson Carr)
  • Joachim Boaz: The Road to Corlay by “Richard Cowper” (John Middleton Murry, Jr.)
  • John Boston: Amazing: Fact and Science Fiction Stories, August 1963, edited by Cele Goldsmith Lalli
  • Ben Boulden: “The Double Whammy” by Robert Bloch, Fantastic, February 1970, edited by Ted White
  • Brian Busby: Jimmie Dale Alias The Gray Seal by Michael Howard
  • Brandon Crilly: On Spec co-edited by Diane Walton
  • Martin Edwards: Dominoes by John Wainwright
  • Peter Enfantino: Atlas (proto-Marvel) Horror Comics: March 1952
  • Will Errickson: Off Season by “Jack Ketchum” (Dallas Mayr)
  • José Ignacio Escribano: The Labours of Hercules by Agatha Christie
  • Curtis Evans: A Spot of Folly by Ruth Rendell
  • Olman Feelyus: The Prone Gunman by Jean-Patrick Manchette (translation by James Brook)
  • Paul Fraser: New Worlds SF, February 1965, edited by Michael Moorcock
  • Barry Gardner: A Cool Breeze on the Underground by Don Winslow
  • Charles Gramlisch: The Best of the West edited by Joe R. Lansdale
  • John Grant: Gangway! by Donald Westlake and Brian Garfield; The Pursuit of Alice Thrift by Elinor Lipman
  • Aubrey Hamilton: Suddenly While Gardening by Elizabeth Lemarchand 
  • Rich Horton: Captives of the Flame by Samuel Delany; The Psionic Menace by “Keith Woodcott” (John Brunner); Ian McDonald stories; Ilium by Dan Simmons; Again, Dangerous Visions edited by Harlan Ellison
  • Jerry House: Negro Romance, #2 Fawcett August 1950/#4 Charlton May 1955, written and edited by Roy Ald and illustrated by Alvin Hollingsworth
  • Kate Jackson: Dead Man’s Folly by Agatha Christie; Mothers in Crime Fiction
  • Tracy K: What Never Happens by Anne Holt; Remembered Death by Agatha Christie
  • Colman Keane: Atlanta Deathwatch by Ralph Dennis
  • George Kelley: The Great SF Stories 8 (1946) edited by Isaac Asimov and Martin H. Greenberg
  • Joe Kenney: Rock & Roll Retreat Blues by Douglas Kent Hall
  • B. V. Lawson: Picture Miss Seeton by “Heron Carvic” (Geoffrey Richard William Harris)
  • Evan Lewis: Comic Book Nation by Bradford W. Wright
  • Steve Lewis: Lord Mullion’s Secret by Michael Innes; Cat Among the Pigeons by Agatha Christie; 30 for a Harry by Richard Hoyt; “First Life” by Roger Dee, Super-Science Fiction, July 1950, edited by Ejler Jakobsson; “The Flies of Memory” by Ian Watson (novella version); Isaac Asimov’s Science Fiction Magazine, September 1988, edited by Gardner Dozois
  • Todd Mason: Fantastic, September 1974, edited by Ted White; The Paris Review, Autumn 1974, edited by George Plimpton; The Ontario Review, Autumn 1974, edited by Raymond J. Smith; The Magazine of Fantasy and Science Fiction, September 1974, edited by Edward Ferman
  • Francis M. Nevins: the works of John Roeburt
  • John F. Norris: The Crowing Hen by Reginald Davis; The Hand of the Chimpanzee by Robert Hare
  • Scott Parker: Faraday: The Iron Horse by James Reasoner
  • Matt Paust: That Old Scoundrel Death by Bill Crider
  • James Reasoner: Hearts of the West edited by Jean Marie Stine
  • Richard Robinson: Bodies from the Library edited by Tony Medawar
  • Gerard Saylor: The End of Vandalism by Tom Drury
  • Jack Seabrook and Peter Enfantino: DC War Comics, September 1974
  • Doreen Sheridan: The King of the Rainy Country by “Nicholas Freeling” (Nicolas Davidson)
  • Steven H. Silver: the works of Anne McCaffrey
  • Victoria Silverwolf: Fantastic: Stories of Imagination, November 1963, edited by Cele Goldsmith Lalli
  • Kevin Tipple: A Reader’s Book of Days: True Tales from the Lives and Works of Women for Every Day of the Year assembled by Tom Nissley
  • “TomCat”: “Mystery at the Dog Pound” by Robert W. Cochran, Street & Smith’s Detective Story Magazine, May 1942, edited by Daisy Bacon

[Thanks to Cat Eldridge, Chip Hitchcock, JJ, Kim Huett, Martin Morse Wooster, Cora Buhlert, John King Tarpinian, Mike Kennedy, Todd Mason, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Anna Nimmhaus.]

Pixel Scroll 4/6/19 A Scroll Without A Pixel Is Like A Walrus Without An Antenna

(1) HUGO CONTENDING ART BOOKS. The Daily Beast gives a rundown — “These Are 2019’s Hugo Awards Art Book Finalists”.

… We compiled the six art book finalists below to give you an idea of what’s competing for the venerable award in August, along with some information about them from Amazon….

The Books of Earthsea: The Complete Illustrated Edition, $36 on Amazon: Illustrated by Charles Vess, Written by Ursula K. Le Guin. “Celebrating the 50th anniversary of the timeless and beloved A Wizard of Earthsea, this complete omnibus edition of the entire Earthsea chronicles includes over fifty illustrations illuminating Le Guin’s vision of her classic saga.”

(2) LARSON & JACKSON TOGETHER AGAIN. NPR’s Linda Holmes says “Brie Larson’s Directorial Debut Glitters With The Charming ‘Unicorn Store'”.

“Bringing a unicorn here is not an easy or inexpensive endeavor. You have to be the right sort of girl.”

The right sort of girl.

The backbone of Brie Larson’s offbeat directorial debut, the comedy Unicorn Store, is the idea of what it means to be the right sort of girl. Larson plays Kit, a woman pushing 30 who lives with her parents and favors an aesthetic heavy on rainbows, glitter and — yes — unicorns. And after she receives a couple of mysterious magical letters, she finds herself in the company of a man who calls himself The Salesman (Samuel L. Jackson). He’s the one who says these words, who tells her that she’s in line for a unicorn of her own. But she has to earn it. She has to be stable. She has to make a home for it. She has to be an adult, ironically, to be the right companion for a unicorn.

(3) NICE TRY? BBC reports “Google’s ethics board shut down”.

An independent group set up to oversee Google’s artificial intelligence efforts, has been shut down less than a fortnight after it was launched.

The Advanced Technology External Advisory Council (ATEAC) was due to look at the ethics around AI, machine learning and facial recognition.

One member resigned and there were calls for another to be removed.

The debacle raises questions about whether firms should set up such bodies.

Google told the BBC: “It’s become clear that in the current environment, ATEAC can’t function as we wanted.

“So we’re ending the council and going back to the drawing board. We’ll continue to be responsible in our work on the important issues that AI raises, and will find different ways of getting outside opinions on these topics.”

There had been an outcry over the appointment of Kay Coles James, who is president of conservative thinktank The Heritage Foundation. Thousands of Google employees signed a petition calling for her removal, over what they described as “anti-trans, anti-LGBTQ and anti-immigrant” comments.

(4) HEY RUBE. Steve Davidson complains that he can’t evaluate what technical changes make Archive of Our Own eligible in the 2019 Hugo category for which it was nominated, then, disregarding the argument he just made, asks why AO3 wasn’t nominated in another category that isn’t designed to recognize technical changes: “The Hugo Awards Best Related Work Category and the AO3 Nomination” at Amazing Stories.

In terms of AO3, since I can’t see the “change”, how am I to judge the substantiability?  Maybe, in my mind, it isn’t transformative enough to warrant a vote.  But I can’t make that judgement because I have no reference. I do not have the opportunity to weigh in on the Hugo Administrator’s choices.

Third:  we’ve already determined that websites can qualify under the Best Fanzine category and we can read right in the definition of Best Related Work that works qualify for that category “provided that they do not qualify for another category”.

Why doesn’t a website featuring fanfic qualify for the Best Fanzine category?  Call me a rube, but I can hardly think of a better category for a collection of fanfic than Best Fanzine.  In fact, I seem to recall that a bunch of highly regarded professional authors published their fanfic in…fanzines.  (The printed kind that some of you may not be familiar with.)

(5) BOOKS SHE LOVES. Shelf Awareness brings you “Reading with… Sarah Pinsker”:

Book you’re an evangelist for:

Shaun Tan’s The Arrival. It’s a wordless depiction of an immigration experience. The protagonist doesn’t share a language with anyone in his new country; their language is gibberish to him and gibberish to the reader. Any item we might recognize is rendered in such a way as to make it foreign to the reader as well, so we experience the confusion that the man feels: strange fruit, strange animals, strange monuments. Tan’s illustrations tell the immigrant’s story a thousand times better than words could have.

Book you’ve bought for the cover:

Saga Press is reissuing three Molly Gloss novels over the next few months (Outside the Gates,Dazzle of DayandWild Life) followed by her first collection, Unforeseen. I already had two of the books, but I’ve preordered all four of these both for her prose and the gorgeously stark matching covers by Jeffrey Alan Love.

(6) TODAY IN HISTORY.

  • April 6, 1967Star Trek’s “City on the Edge of Forever”, written by Harlan Ellison, first aired.
  • April 6, 19682001: A Space Odyssey was released.

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born April 6, 1905 Thomas P. Kelley. Writer of Thirties pulp novels that were serialised first in Weird Tales (The Last PharaohA Million Years in the Future and I Found Cleopatra), Uncanny Tales (The Talking Heads) and Eerie Tales (The Weird Queen). (Died 1982.)
  • Born April 6, 1918 Kaaren Verne. She appeared in Sherlock Holmes and the Secret Weapon as Charlotte Eberli. The film btw was very much fanfic bearing little resemblance to the original premise of Holmes. She also appeared in The Twilight ZoneKraft Suspense Theatre and Fireside Theatre (freelance writers such as Rod Serling were a script source for the latter). (Died 1967.)
  • Born April 6, 1935 Douglas Hill. Prolific writer of short novels for both adults and younger of a sword and sorcery bent even when within an SF setting. Best known series include The Last Legionary, Demon Stalker and Huntsman. He served for a short period as assistant editor of the New Worlds magazine under Michael Moorcock. (Died 2007.)
  • Born April 6, 1937 Billy Dee Williams, 82. He is best known for his role as Lando Calrissian in the Star Wars franchise, first appearing in The Empire Strikes Back. Other genre appearances include being Harvey Dent in Batman and voicing Two Face In The Lego Batman Movie
  • Born April 6, 1947 John Ratzenberger, 72. In-house voice actor for Pixar whose roles have included Hamm in the Toy Story franchise, The Abominable Snowman in the Monsters, Inc. franchise, The Underminer in The Incredibles franchise, and Mack in the Cars franchise. He made minor live appearances in Superman and Superman II
  • Born April 6, 1948 Larry Todd, 71. Writer and cartoonist, best known for the decidedly adult  Dr. Atomic strips that originally appeared in the underground newspaper The Sunday Paper and his other work in underground comics, often with a SF bent. In our circles, Galaxy Science FictionAmazing Science Fiction and Imagination magazines being three of his venues. He also did some writing for If magazine. He also did, and it’s really weird art, the cover art and interior illustrations for Harlan Ellison’s Chocolate Alphabet
  • Born April 6, 1981 Eliza  Coupe, 38. Tiger, one three main roles in Future Man, a web series where a video game apparently is actually real and deadly. She also had a recurring role on Quantico as Hannah Wyland, a series I swear is edging into genre. She was also in Monster Mash (also known as Monster Mash: The Movie and Frankenstein Sings), based on the Bobby “Boris” Pickett song “Monster Mash” and other sources.

(8) SPOTTED OWL. Mike Lawson has won the Spotted Owl Award for his mystery House Witness. The Spotted Owl Award is handed out by a group called Friends of Mystery, based in Portland, Oregon. Eligible are mysteries written by authors from the Pacific Northwest. The finalists were —

  • Baron Birtcher – Fistful Of Rain
  • Robert Dugoni – A Steep Price
  • Warren Easley – Moving Targets
  • G.M. Ford – Soul Survivor
  • Elizabeth George – The Punishment She Deserves
  • Stephen Holgate – Madagascar
  • Mike Lawson – House Witness – winner
  • Martin Limon – The Line
  • John Straley – Baby’s First Felony
  • Jon Talton – The Bomb Shelter

(9) CARTER BROWN. The winner of the inaugural Carter Brown Mystery Writing Award has also been announced:

  • Alibi for a Dead Man by Wilson Toney

The award is named in honor of the prolific Australian author Alan Geoffrey Yates (aka Carter Brown).

(10) MARKETPLACE. Here’s a service someone should start:

(11) WATCH OUT FOR THOSE BOUNDERS. Jim C. Hines referees “Bounding Into Comics vs. Fonda Lee” and finds it’s definitely not a fight by the Marquis of Queensbury rules.

I got to meet and hang out with author Fonda Lee at the Launch Pad Astronomy Workshop a few years back. Recently, Lee was at Barnes and Noble and observed:

“This is what modern fantasy writers are up against. In my local B&N, most authors are lucky to find a copy of their book, super lucky if it’s face out. There are 3.5 shelves for Tolkien. 1.5 for Jordan. Here’s who we compete against for shelf space: not each other, but dead guys.” (Source)

Her Tweets got a lot of attention, leading to an article by John Trent at Bounding Into Comics that derides Lee and accuses her, among other things, of criticizing Tolkien. Not that Lee ever did this. Her second Tweet in that thread said, “Before you @ me about the importance of classics, I love LOTR too, okay?” One might almost suspect Trent’s comment, “Lee isn’t the first person to criticize Tolkien,” of being an attempt to stir up shit.

An effective attempt, it seems. Lee has been barraged by Tolkien Defenders over on Twitter….

(12) THE BREW THAT IS TRUE. “How Artificial Intelligence Is Used To Make Beer”.—Forbes has the story.

There are many ways artificial intelligence (AI) and machine learning can make our world more productive and effective. There are even breweries that are using AI to enhance beer production. Is this brilliant or unbelievable? While it’s admittedly too soon to tell, using data to inform brewmasters’ decisions and the possibility of personalized brews makes AI-brewed beer definitely intriguing.

(13) SJWC RETRACTION. Yesterday’s NPR-headline Pixel was quickly corrected: “All Right. Some Cats Do Fetch”.

A tongue-in-cheek NPR.org headline comparing the fetching abilities of cats and dogs revealed a truth known by countless cat owners: Some cats do fetch.

“Cats Don’t Fetch, But Know Their Names As Well As Dogs, Researchers Say,” the original headline proclaimed. This didn’t sit well with some readers.

“In what world do cats not fetch?” Kate Haffey commented on Facebook.

“Artemis knows her name and fetches,” Brandi Whitson said on Twitter. “She’s obsessed.” …

(14) HAPPINESS IS… And while we’re pushing your buttons, read this article in the Portland (ME) Press-Herald “Dog owners are much happier than cat owners, survey finds”.

The well-respected survey that’s been a barometer of American politics, culture and behavior for more than four decades finally got around to the question that has bedeviled many a household.

Dog or cat?

In 2018, the General Social Survey for the first time included a battery of questions on pet ownership. The findings not only quantified the nation’s pet population – nearly 6 in 10 households have at least one -they made it possible to see how pet ownership overlaps with all sorts of factors of interest to social scientists.

Like happiness.

For starters, there is little difference between pet owners and non-owners when it comes to happiness, the survey shows. The two groups are statistically indistinguishable on the likelihood of identifying as “very happy” (a little over 30 percent) or “not too happy” (in the mid-teens).

But when you break the data down by pet type – cats, dogs or both – a stunning divide emerges: Dog owners are about twice as likely as cat owners to say they’re very happy, with people owning both falling somewhere in between.

(15) HISTORIC GADGET. “Heath Robinson: WW2 codebreaking machine reconstructed” – BBC has the story. For any Filers not in on the joke: the US equivalent to Heath Robinson is Rube Goldberg — but this machine worked.

A World War Two codebreaking machine has been reconstructed after a seven-year project so it can run in public for the first time.

The Heath Robinson has been restored at The National Museum of Computing in Milton Keynes by a team of six.

The machine was an early attempt to automate code-cracking and, due to its complexity, was named after the illustrator W Heath Robinson.

Phil Hayes, of the museum, said the work was “quite an achievement”.

He said it completed using a hand-drawn circuit diagram along with replica circuits based on 1940s technology.

(16) OLD HABITS DIE HARD. CNN wondered why “Why 2.7 million Americans still get Netflix DVDs in the mail”. They came up with six reasons. In the process, they made Cat Eldridge’s day: “Years ago I had an argument with a techie who insisted that new technologies always drive out old technologies. I said that’s simply not true. And here’s proof of that.” Cat and Bruce Sterling agree.

Remember when Netflix used to be a DVD-by-mail company? Well, for 2.7 million subscribers in the US, it still is.

The familiar red envelopes have been arriving in customers’ mailboxes since 1998 and helped earn the company a healthy $212 million profit last year.

Why are so many people still using this old-school service in the age of streaming? There are a number of reasons.

(17) FIRE IN THE HOLE. NPR watches as “Japan (Very Carefully) Drops Plastic Explosives Onto An Asteroid”.

Early Friday morning, Japan’s Hayabusa2 spacecraft detonated an explosive device over a small asteroid. The goal was to create a fresh crater that will later be studied by the spacecraft.

Researchers watched from mission control in Sagamihara, Japan, and clapped politely as Hayabusa2 released an experiment known as the Small Carry-on Impactor. The device consisted of a copper disk packed with HMX high-explosive. Once the mothership had safely moved out of the line of fire, the impactor apparently detonated, firing the disk into the side of the asteroid. A camera released by Hayabusa2 appeared to catch the moment of impact, which sent a stream of ejecta into space.

…”These particular asteroids are the precursors to what Earth was made from,” Connolly says. Ryugu is rich in carbon, and minerals on its surface contain water and so-called prebiotic compounds that could have started life on this planet.

“Ryugu is a time capsule,” says Connolly.

This is not Hayabusa2’s first attack. In February, the spacecraft physically touched down on Ryugu and fired a small pellet into its surface. The dust kicked up by that opening shot was collected and eventually will provide researchers with detailed information about the asteroid’s makeup.

But to really understand Ryugu, researchers also want to know what’s down there, and that’s why they created Friday’s crater. In a few weeks, after the dust has settled, the little spacecraft will survey the blast site to see what lies beneath. It may even land a second time to collect subsurface samples.

(18) CLASSIC APOLLO 11 PUBLICITY RESOURCE. In honor of the flight’s 50th anniversary, David Meerman Scott has scanned in his collection of Apollo 11 press kits:

Press kits prepared by the public relations staff at the major contractors for the Apollo 11 mission provided valuable additional information not found in NASA issued news releases. Reporters and editors from media outlets including television and newspapers had access to such documents from dozens of manufacturers while working on stories about the first lunar landing.

(19) STAR TREK FAN FILM. Gizmodo/io9 is drawing your attention to a fan film (“Temporal Anomaly is a Star Trek Fan Film Half a Decade in the Making”). The film appears as two parts, each from 24–27 minutes each.

First conceived and pitched to Kickstarter backers in 2013, Temporal Anomaly is an ambitious fan project set in the Star Trek universe, a nearly hour-long fan film created by Power543 Fan Films

(20) DISCOVERY. The Popcast analyzes The Borg Paradox.

If you thought the last Paradox was good, you’re going to love this one. The Borg are here and Resistance is Futile!

(21) VIDEO OF THE DAY. Stephen Cunnane, in “Gary the Gargoyle: Short and Breakdown” on Vimeo, offers a short fiilm about a gargoyle and an analysis of how the creatures in the film were designed.

[Thanks to JJ, Chip Hitchcock, Cat Eldridge, Cora Buhlert, Conrarius, John King Tarpinian, Bill, rcade, Martin Morse Wooster, Dann, Mike Kennedy, Carl Slaughter, and Andrew Porter. Title credit goes to File 770 contributing editor of the day Kip Williams.]

Pixel Scroll 4/5/19 We Can Scroll It For You Wholesale

(1) GAME OF LUNCH. Ethnic cuisine of Westeros? Gothamist tells you how to order it in “Shake Shack Offering ‘Secret’ Game Of Thrones Items For Valyrian Speakers ONLY”.

Below, you’ll find a little guide explaining what you need to say in order to actually purchase these items. It’s more “bend the tongue” than “bend the knee,” but you get the drift

(2) BLOCKING TECHNIQUE. Foz Meadows takes stock of social media as various platforms enter their teenage years: “Cancel Culture: The Internet Eating Itself”.

…I’m tired of cancel culture, just as I was dully tired of everything that preceded it and will doubtless grow tired of everything that comes after it in turn, until our fundamental sense of what the internet is and how it should be managed finally changes. Like it or not, the internet both is and is of the world, and that is too much for any one person to sensibly try and curate at an individual level. Where nothing is moderated for us, everything must be moderated by us; and wherever people form communities, those communities will grow cultures, which will develop rules and customs that spill over into neighbouring communities, both digitally and offline, with mixed and ever-changing results. Cancel culture is particularly tricky in this regard, as the ease with which we block someone online can seldom be replicated offline, which makes it all the more intoxicating a power to wield when possible: we can’t do anything about the awful coworker who rants at us in the breakroom, but by God, we can block every person who reminds us of them on Twitter.

(3) A WARRIOR HANGS UP HIS SHIELD. Fulk Beauxarmes’ protests against the growing influence of white supremacists in the Society for Creative Anachronism, and use of their symbols in its heraldry, inspired me to nominate him for Best Fanwriter. In a new post he decries the continued inaction of the Society’s leadership and also announces that he’s “Leaving the SCA”.

On February 15th a post that Ronan Blackmoor had recently made was brought to my attention. He’d apparently posted to his Facebook page a triumphant announcement that he and Balder had been “completely cleared” of all accusations of wrongdoing and that there would be “consequences” for all the “leftists”, “SJWs” and “SCAntifa” who had brought “fake charges” against him.

…That was the last straw for me….

(4) AIRBNB ISSUE. Do you need to check your reservations?

(5) SURVIVAL REQUIREMENT. James Wallace Harris does a good job of describing the problem and of identifying a solution. If only he sounded more enthusiastic about it! “Subscribe to SF Magazines – Become a Patron of an Art” at Worlds Without End.

…I’ve come to realize that I have to pay if I want certain things in this world to exist, even if I don’t use them.

I subscribe to four SF magazines that I seldom read. I read when I can, or when I see a story recommended, or when a friend tells me about a story. I subscribe because I want them to exist. I subscribe because I want a place for new SF writers to get published. I subscribe because one day if I can ever get back into writing fiction I’ll have a place to submit my stories.

We have to realize that free content on the internet isn’t free. We’ve got to come up with revenue systems that work. I think the internet needs to remain free, so we can always have instant access to content, but we need to find ways to pay publishers who present free content on the web.

(6) THE KISS OF SOMETHING. Chuck Tingle mingles praise and profitmaking in his response to Archive of Our Own’s Hugo nomination.

(7) GHOST OF A MACHINE. In “A Crime Novel for Future Urban Planners” on CrimeReads, Benjamin Samuel interviews Seth Fried, author of The Municipalists, a near future novel in which detective Henry Thompson solves a cyberattack with the aid of OWEN, “an experimental, highly intelligent hologram…who’s developed his own protocol for day drinking.”

Despite being a holographic projection of a supercomputer, OWEN can sometimes feel more human than Henry—or at least OWEN seems to enjoy life a little more. But ultimately, there are limitations to what he can do. What were some of challenges of having an AI character?

OWEN was a lot of fun to write. Since he’s a shape-shifting light projection, he’s essentially a superhero who can’t physically interact with anyone. So anything he wants to accomplish has to come through trickery or convincing Henry to give some life-threatening strategem the old college try. 

(8) FRENCH ADDRESSING. Some authors had fun responding to this idea – Seanan McGuire and John Chu among them – but one took offense (see the thread).

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born April 5, 1900 Spencer Tracy. Yes, he did some genre, to wit he was in Dr. Jekyll and Mr. Hyde where he played Dr. Henry Jekyll and Mr Edward Hyde! The film even featured Ingrid Bergman and Lana Turner. (Died 1967.)
  • Born April 5, 1908 Bette Davis. She’s in Burnt Offerings, am Eighties horror film that did well with the audience and not so well with the critics; I also see she’s in Madame Sin which I think is SF given the premise. (Died 1989.)
  • Born April 5, 1909 Albert Broccoli. He’s mostly known as the producer of many of the James Bond films, and his heirs continue to produce new Bond films. With Harry Saltzman, he produced the first eight Bond films including From Russia with Love which is still my favorite Bond film though You Only Live Twice with a screenplay by Roald Dahl comes close. (Died 1996.)
  • Born April 5, 1917 Robert Bloch. His Wiki page says he’s best known as the writer of Psycho, but I’ll guarantee that only film geeks and many of y’all know that. I know him best as the writer of the Trek “Wolf in the Fold” episode. His Night of the Ripper novel is highly recommend. And I know that “That Hellbound Train” which won the Hugo Award for Best Short Story is the piece of fiction by him I’ve read the most. (Died 1994.)
  • Born April 5, 1926 Roger Corman, 93. Ahhhh, popcorn films! (See popcorn literature for what I mean.) Monster from the Ocean Floor in the early Fifties was his film and Sharktopus vs. Whalewolf on Syfy just a few years back was another such film. He’s a man who even produced such a film called, errr, Munchies. A Worldcon guest of honor in 1996.
  • Born April 5, 1920 A.C. Crispin. She wrote several Trek and Star Wars novelizations and created her series called Starbridge which was heavily influenced by Trek. She also co-wrote several Witch World novels, Gryphon’s Eyrie and Songsmith, with Andre Norton.  Pirates of the Caribbean: The Price of Freedom was her last novel prior to her death from bladder cancer while in hospice care. (Died 2013.)
  • Born April 5, 1965 Deborah Harkness, 54. She’s the author of the All Souls Trilogy, which consists of A Discovery of Witches and its sequels Shadow of Night and The Book of Life. I listened to the Jennifer Ikeda-narrated audiobooks which was an amazing experience. Highly recommended as Harkness tells a remarkable story here. I’m not even fond ’tall of vampires in any form and hers actually are both appealing and make sense.
  • Born April 5, 1982Hayley Atwell, 37. Agent Carter with her as Peggy Carter I’ll freely admit has been the only series or film in the MCU repertoire that I’ve flat enjoyed so far. Even the misogyny of the males though irritating in that setting made sense. Oh, and I’m interested to see her in Christopher Robin as Evelyn Robin.

(10) EATING THE FANTASTIC. Scott Edelman calls on everyone to “bond over bing bread” with Malka Older in Episode 92 of his Eating the Fantastic podcast.

Malka Older

This turns out to be a perfectly timed episode of Eating the Fantastic, though I didn’t plan it that way, and had no idea while recording such would be the case. The reason for my feeling of serendipity is because my guest is Malka Older, author of the novels InfomocracyNull States, and State Tectonics — which comprise the Centenal Cycle — and which just a few days ago was announced as having made the final Hugo Awards ballot in the category of Best Series….

She joined me for lunch at Momofuku CCDC, a restaurant which will be familiar to regular listeners of this podcast, because Rosemary Claire Smith joined me there a little more than two years ago in Episode 32. I try not to be a repeat customer at any of the spots I visit — at least not while recording for the podcast — but a lot has changed since that visit. David Chang installed a new executive chef, Tae Strain, and gave him orders to “destroy” the menu (according to an article in the Washingtonian), which meant ditching the ramen and pork buns for which Momofuku is so famous. But hey, where else am I going to get a chance to try kimchee potato salad?

We discussed why democracy is a radical concept which scares people (and what marriage has to say about the dramatic potential of democracy), the pachinko parlor which helped give birth to her science fictional universe, how what was intended to be a standalone novel turned into a trilogy, her secrets (and role models) when it comes to writing action scenes, which of her characters moves more merchandise, how (and why) editor Carl Engle-Laird helped her add 20,000 words to her first novel, what she learned about herself from the collaborative Serialbox project, the one thing about her background I was embarrassed to admit I’d never realized, and much more.

(11) OVERFLOWING JOY. Alasdair Stuart’s latest issue of Full Lid includes piece on Mac Rogers’ movie The Horror at Gallery Kay, a look at Us, a detailed look at Project Blue Book (Stuart says “Turns out you can take the boy out of ufology but the man keeps watching tv shows about it”) and some Hugos joy.

Project Blue Book was a real thing, the USAF’s probably whitewashed investigation into the UFO phenomena. Doctor J. Allen Hynek was a real person and remains one of the vanishingly small amount of actual scientists to look into UFOlogy as a field and not a snake oil vending machine. His son Joel is a prolific special effects technician who designed the camouflage effect for the Predator by the way. The cases the episodes are based on are real too, the first two episodes dealing with the Gorman (renamed Fuller) Dogfight and the The Flatwoods Monster. In the first, a pilot engaged a UFO in something approximating combat. In the second, a family were first terrified by what they were sure was a downed UFO and second by the enraged townsfolk who refused to believe them.

(12) FUTURE PLAY. “Books that would make great video games” were considered by Quirk Books. First on their list –

Ninefox Gambit by Yoon Ha Lee

This sci-fi novel features space battles, espionage, and cute talking robots. Obviously, we see this book being turned into a space opera-esque RPG ala Mass Effect, with a touch of shoot ‘em style space battles. Think Galaga but with interdimensional space politics and dueling. 10/10 would play for days.

(13) MORE APRIL FOOLISHNESS. Space.com finds this joke had multiple layers — “Behind the Scent: Lockheed Martin Bottles Astronaut’s Smell of Space”.

Lockheed Martin’s April Fools’ Day joke passed the smell test.

The aerospace company on Monday (April 1) kicked off its prank by announcing a launch, but rather than it being of a rocket or a spacecraft, it was Vector, “the first ever fragrance to capture the aroma of space.” And no sooner did the liftoff occur, than thousands of people came to Lockheed Martin’s website to request a sample.

One might expect that to be the gag, but the company went a step further, not only creating a spot-on ad for the bottled essence of space, but also producing the scent for real, as in actual vials of the unisex (if not also universal) eau de (zero-g) toilette

(14) MONETIZING. “Rare Harry Potter first edition with typos sells for $90,074” – UPI has the news.

Auction house Bonhams said the first-edition copy of Harry Potter and Philosopher’s Stone — known in the United States as Harry Potter and the Sorcerer’s Stone — attracted a high bid of $90,074.

The specific edition is famed in the Potter fandom for containing a handful of typos, including misspelling the word “Philosopher” and the repetition of “1 wand” on the list of items the boy wizard needs to obtain for school.

Think of all the rare typos I make here – I wonder how much Bonhams could get for my blog?

(15) FAILURE TO LAUNCH. SHAZAM! Never Takes Off” for Leonard Maltin.

Shazam! wants to be slick and smartassy except when it suddenly chooses to be warm and sincere—like a TV commercial for some medication or life insurance. You can’t have it both ways but this film repeatedly tries to do so. I’ve always loved the character who originated as Captain Marvel in 1940s comic books (and lost that name to Marvel in a famous lawsuit). He was essentially a rip-off of Superman but he had his own style and flavor. This movie, however, is a muddle.

(16) SLAG HEAPER. Vox Day sneers at this year’s Hugo-nominated novels in “From pulp to Puppies” [Internet Archive link] at Vox Popoli.

Total nonentities. All six of these novels together won’t sell as many copies as a single Galaxy’s Edge novel. Novik would have been considered a C-level talent at best in the 1980s. And people could be forgiven for thinking that the Rabid Puppies were still dictating the nominees with titles such as “The Secret Lives of the Nine Negro Teeth of George Washington” on the short list.

(17) FURTHER VIEWS. Ian Mond remarked on Facebook:

Congrats to all the Hugo nominees. I won’t whinge that the best novel category doesn’t, for the most part, reflect my tastes. Nor will I set up a movement of like minded people to ensure it does so in the future….

Jonathan Strahan responded in a comment:

For about 20 seconds I considered trying to put together an Alternate Hugos Best Novel list, and then I realised (1) there are a lot of those and (2) you can’t have an Alternate Hugo list really. These are the books that fans who nominated *liked* the most. That’s fine and pretty cool.

(18) WHERE IS IT? Adri Joy begins this review with many questions: “Microreview [Book]: Terra Nullius by Claire G. Coleman” at Nerds of a Feather.

I thought I knew what to expect, going in to Terra Nullius. I’d seen the book recommended on speculative sites, I’d read enough about it to know that its take on colonisation and extermination of indigineous people was almost but not quite based on the experience of Australia’s indigenous communities following the British invasion in 1788. And yet, by a hundred pages in, I was starting to doubt what everyone and everything (including the book’s own blurb) was telling me. Was I missing clues to a larger mystery? Were there adjectives that I was misreading or apparently historical references that I was misinterpreting? Where, to be blunt, was all the science fiction?

Of course, if you’re paying attention, that’s an intentional feature of Claire G. Coleman’s brilliant debut novel, which offers a perspective on the invasion of Australia which is very much a speculative novel, and yet still inexctricably and uncomfortably intertwined with the real historical treatment of Aboriginal Australians over centuries of white rule. Coleman herself is Noongar, a community from the south coast of what is now Western Australia, and Terra Nullius is the product of a black&write! indigenous writers fellowship. Despite being a first novel, this is a book that’s utterly confident both in its content and its narrative structure, and for very good reason….

(19) CHICXULUB SNAPSHOT. Douglas Preston tells about the discovery of fossils laid down on “The Day the Dinosaurs Died”.

He began shovelling off the layers of soil above where he’d found the fish. This “overburden” is typically material that was deposited long after the specimen lived; there’s little in it to interest a paleontologist, and it is usually discarded. But as soon as DePalma started digging he noticed grayish-white specks in the layers which looked like grains of sand but which, under a hand lens, proved to be tiny spheres and elongated ­droplets. “I think, Holy shit, these look like microtektites!” DePalma recalled. Micro­tektites are the blobs of glass that form when molten rock is blasted into the air by an asteroid impact and falls back to Earth in a solidifying drizzle. The site appeared to contain micro­tektites by the million.

As DePalma carefully excavated the upper layers, he began uncovering an extraordinary array of fossils, exceedingly delicate but marvellously well preserved. “There’s amazing plant material in there, all interlaced and interlocked,” he recalled. “There are logjams of wood, fish pressed against cypress-­tree root bundles, tree trunks smeared with amber.” Most fossils end up being squashed flat by the pressure of the overlying stone, but here everything was three-dimensional, including the fish, having been encased in sediment all at once, which acted as a support. “You see skin, you see dorsal fins literally sticking straight up in the sediments, species new to science,” he said. As he dug, the momentousness of what he had come across slowly dawned on him. If the site was what he hoped, he had made the most important paleontological discovery of the new century.

(20) HIGH LIFE REVIEW. NPR’s Andrew Lapin concluded: “In The Art-House Sci-Fi Film ‘High Life,’ No Aliens — Just Alienation”.

The spaceship hurtling away from Earth is staffed with men and women sprung from death row to aid in a mysterious science experiment. The once-condemned crew believe they’ve been given a chance to redeem themselves and do one final good deed for humanity. Only later, as their signals to Earth begin to go unanswered and their true mission comes into focus, do they realize they have in fact been condemned twice.

High Life is strange and wondrous, less a traditional sci-fi film than it is a seductive journey into the long, black night of death. For many Americans it will also be a wormhole into the work of French director Claire Denis, who’s been active in cinephile circles for three decades but has never before helmed a movie entirely in English. Of course, having the hipness cred of A24 and Robert Pattinson providing the rocket fuel doesn’t hurt.

A prologue that wouldn’t be out of place in a Tarkovsky film shows Pattinson’s human guinea pig Monte in the aftermath of something horrible, wandering alone on the deck of this rocket to nowhere, with only a mysterious baby keeping him company. It’s a great hook — what the hell happened here? — shot at Denis’ familiar meandering pace, proving that even lightspeed won’t rush her story. It’s also a mission statement. As he hurtles toward oblivion, Monte’s acts of paternal care exist in a kind of vacuum. Maybe life and love are possible within a universe of infinite cruelty, and it’s up to the individual to determine their worth.

(21) ON TRACK. When they write the book it should be titled The Hitchhiker’s Guide to Moby Dick“Fossil of ancient four-legged whale found in Peru”.

The fossil of a 43-million-year-old whale with four legs, webbed feet and hooves has been discovered in Peru.

Palaeontologists believe the marine mammal’s four-metre-long (13 ft) body was adapted to swim and walk on land.

With four limbs capable of carrying its weight and a powerful tail, the semi-aquatic whale has been compared to an otter or a beaver.

Researchers believe the discovery could shed light on the evolution of the whale and how it spread.

“This is the most complete specimen ever found for a four-legged whale outside of India and Pakistan,” Dr Olivier Lambert, a scientist at the Royal Belgian Institute of Natural Sciences and co-author of the study, said.

(22) SJWCS ARE JUST IGNORING YOU. NPR reports: “Cats Don’t Fetch, But Know Their Names As Well As Dogs, Researchers Say”.

Call a dog by his name, and his tail wags, he starts panting happily, and he showers you with love and affection.

Call a cat by his name, and… well, cats are a bit harder to read. Does the cat even know what his name is?

So researchers in Japan set out to answer the question: Can a cat understand the difference between its name and any other random word that sounds like it?

Research on cats is slim compared to research on dogs. That may be because cats can’t be bothered to participate in the experiments. But in a study published Thursday in the journal Scientific Reports, the Japanese researchers devised a way to get results whether or not the cats cared to cooperate.

[Thanks to Chip Hitchcock, Martin Morse Wooster, Greg Hullender, Michael Toman, ULTRAGOTHA, Carl Slaughter, Cat Eldridge, JJ, John King Tarpinian, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]