Noel Rosenberg, former President of Arisia, Inc. (2000, 2018) and Arisia convention chair (2002), filed suit against Crystal Huff in Middlesex (MA) Superior Court on September 17 alleging defamation and intentional infliction of emotional distress. Huff published a 6,000+ word statement on October 25, 2018 ending her connections with the convention: “Why I’m Not At Arisia Anymore: My Rapist is President. Again”. Rosenberg says in his complaint:
…Her blog posting also alleged that in addition to raping her, Noel had “stalked,” “harassed” and “intimidated” her. Crystal’s accusations of violent and heinous criminal wrongdoing by Noel are utterly devoid of any basis in reality.
Rosenberg requests a jury trial, with damages in an amount to be determined by the jury (plus interest), plus costs and attorney’s fees.
(1) ARISIA’S LATEST REFORMS. Boston’s Arisia conrunning group is taking steps to create “A More Welcoming Arisia”. The post begins:
Black Lives Matter. While we don’t have a time machine to prevent the injustices of the past, we certainly have the power and the duty to correct present injustices and prevent future injustices in the spaces we are responsible for creating. Actions speak louder than words, and we are determined that our actions will reflect our resolve to make Arisia a more diverse, more welcoming space.
Changes have been made to the Arisia Code of Conduct:
We have replaced some language that has been weaponized against BIPoC or used to police their behavior. In particular, we strive to avoid coded words like “intimidating” and “civilized”. We can and will continue to clarify our expectations of Arisia attendees, but we will do it in ways that do not alienate fans of color.
We have added “display of hateful iconography” to the list of behavior the Code of Conduct explicitly forbids, with reference to the iconography listed on the SPLC and ADL websites.
In light of our knowledge of endemic police racism and brutality in interactions with BIPoC, we have removed suggestions that Arisia would involve the police, either reactively in response to prohibited behavior, or proactively by encouraging a police presence. In the past, we have sometimes paid for Boston Police Department details during the convention, but we commit to ending this practice.
We have clarified the protected classes, including race, to which our harassment policy pertains.
They have retired the “Lens” logo.
This artwork too closely resembles a modern police badge, which has become a symbol of oppression.
It is being replaced with Lee Moyer’s winged-A logo designed for Arisia 2017.
They have formed an Anti-Racism Committee “dedicated to educating ourselves about the injustices suffered by BIPoC and how to become actively anti-racist.” They also are “re-committing to supporting the convention’s Diversity Committee, which exists to make the Arisia convention a safer, more welcoming space for fans of color.”
(2) PROGRESS REPORT. Good news from DreamHaven Books in Minneapolis: “We have achieved a proper glass door! Now we even look open. Noon-6, Monday-Saturday.”
And on June 17, publisher Catherine Lundoff spoke at DreamHaven Books about owning and operating a small press. The title of the the talk was “The Return of Running a Small Press: It’s an Adventure” and it also featured a live Q&A on Facebook.
(3) FREE READS FROM SOMTOW. Somtow Sucharitkul is giving away three free ebooks on Amazon THIS WEEKEND ONLY — from now till 23:59 Sunday night.
The Vampire’s Beautiful Daughter • A book for young adults, this was a Junior Literary Guild selection as well as a Science Fiction Book Club selection. It’s about a half Jewish, half Lakota boy with some cultural identity issues who befriends a girl in school whose problem leaves his in the dust: she’s half human and half vampire. And she has to pick a side before she turns sixteen.…
Light on the Sound • the first volume of a series set in a galactic empire of incredible beauty and brutality. Of this series, reviewers said:
“He can create a world with less apparent effort than some writers devote to creating a small room … yet these tales are intricately wrought as those handcarved oriental balls within balls” — The Washington Post
“His multicultural viewpoint may yet give us the best SF novel of all time” — Analog
After a twenty year silence, I’ve added a fifth book to the series, and am working on a sixth, so this book is by way of introduction.
The final free book is Sounding Brass. It is an autobiographical memoir about the time I spent as a student ghost-writing music that was presented as the work of a cabinet minister during the Vietnam War. It’s definitely a worm’s eye view of “the swamp” with major political figures making cameo appearances, but although it’s definitely a funny book it also asks some questions about what “being an artist” really means.
To get these books for free, please make sure you order them from Amazon during the window of Saturday the 20th – Sunday the 21st, Pacific Standard Time.
Please enjoy the books and, if you so desire, visit my website (www.somtow.com) and sign up for the newsletter, and you’ll receive news and the occasional free ebook.
… All in all, I found the conventing online is really rewarding. The feeling is different than the one at the in-person cons but it has also some similarities. The most important aspect is that it allows me to socialize with fellow fans. I do hope that sooner rather than later in-person cons will be possible, but even then I think I would like to find some time for the online events. They have their own certain value not only as a “replacement” but also as events worth spending time on even in the “regular” times.
(5) UFO #8. Alex Shvartsman has released the Unidentified Funny Objects 8 table of contents. He expects the book to be released by early October.
Foreword by Alex Shvartsman
“The 10:40 Appointment at the NYC Department of Superhero Registration” by Chris Hepler
“Soul Trade” by Galen Westlake
“A.I., M.D.” by Kurt Pankau
“The Fellowship of the Mangled Scepter” by James Wesley Rogers
“When the “Martians” Return” by David Gerrold
“Welcome Home” by Simon R. Green
“The Unwelcome Mat” by J. J. Litke
“Get Me to the Firg-<click><cough>-xulb On Time” by Laura Resnick
“Black Note, in His Transition to a Supreme State of Wokeness” by James Beamon
“The Other Ted” by Wendy Mass and Rob Dircks
“C.A.T. Squad” by Gini Koch
“Ambrose Starkisser” by Jordan Chase-Young
“Gommy” Amy Lynwander
“Journey to Perfection” by Larry Hodges
“Fifteen Minutes” by Mike Morgan
“Zaznar the Great’s Fifty-Sixth Proposal to the Council for Urban Investment” by Jared Oliver Adams
“Terribly and Terrifyingly Normal” by Illimani Ferreira
“Couch Quest” by Eric D. Leavitt
“Pet Care for the Modern Mad Scientist” by Michael M. Jones
“The Punctuation Factory” by Beth Goder
“One Born Every Minute” by C. Flynt
“Shy and Retiring” by Esther Friesner
“Suburban Deer” by Jamie Lackey
“Body Double” by Jody Lynn Nye
(6) PAWS FOR ENJOYMENT. I’ve learned you can support George R.R. Martin’s Jean Cocteau Theater in Santa Fe by accessing the “Quarantine Cat Film Festival” (mentioned in yesterday’s Scroll) with a virtual ticket purchased through their site. The link will take you there.
…Jean Cocteau Cinema presents Quarantine Cat Film Festival. Amateur filmmakers from around the world filmed their beloved cats during COVID-19 stay-at-home orders. This compilation reel brings together the cutest, funniest, brave stand most loving of these videos, exclusively filmed during the pandemic.
(7) MEDIA BIRTHDAY.
June 1997 — Will Shetterly’s Dogland was published by Tor Books. The Chopping Block was listed as the cover artist. Shetterly has said it’s the novel that he’s most proud of. The story is based on his own childhood and a business that his parents owned called Dog Land. In 2007 Shetterly published a sequel, The Gospel of the Knife. Reviewers including Faren Miller, Ellen Kushner, Gahan Wilson and Peter Crowther praised both the characters and the setting. (CE)
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born June 20, 1897 — Donald Keyhoe. Early pulp writer whose works included the entire contents of all three published issues of the Dr. Yen Sin zine. The novels were The Mystery of the Dragon’s Shadow, The Mystery of the Golden Skull and The Mystery of the Singing Mummies. He would create two pulp characters, one with ESP who was a daredevil pilot and one who was blind that could see none-the-less in the dark. He’s best remembered today for being one of the early believers in UFOs and being very active in that community. (Died 1988.) (CE)
Born June 20, 1913 — Lilian Jackson Braun. Author of The Cat Who… series which really may or may not be genre. The two cats in it are delightful and one, Koko, certainly has a sixth sense, but the author never suggests this is psychic. The first, The Cat Who Could Read Backwards, was published in 1966. She’d publish twenty-nine more novels plus three collections of The Cat Who… shorter tales over the next forty years. Good popcorn reading. (Died 2011.) (CE)
Born June 20, 1919 – Kees Kelfkens. A dozen covers for Dutch translations. Here is The Narrative of A. Gordon Pym. Here is The Two Towers. Here is Nineteen Eighty-Four. (Died 1986) [JH]
Born June 20, 1920 – Lloyd Eshbach. Fan, pro, church publisher and Evangelical Congregational minister. First sold SF 1930 to Scientific Detective Monthly; thirty more short stories. Founded Fantasy Press and helped other small presses; edited Of Worlds Beyond about pro writing. Pro Guest of Honor at Cinvention the 7th Worldcon (Cincinnati); reminiscences of the 1st, 6th, 7th, 10th, 39th, 41st, for the 47th (Noreascon III Program Book). Last novel 1990, The Scroll of Lucifer. (Died 2003) [JH]
Born June 20, 1941 – Pamela Zoline. Illustrated several stories for New Worlds, see e.g. this for “Camp Concentration”. Her most famous story “The Heat Death of the Universe” has been translated into Croatian, German, Japanese, Polish; five more. You can read “Heat Death” here [PDF]. In 1984, with husband John Lifton and five others, founded the Telluride Institute at Telluride, Colorado; in 2006, she and JL founded the Centre for the Future at Slavonice, Czech Republic. [JH]
Born June 20, 1950 – Bruce Dane. Attended L.A.Con the 30th Worldcon; first President of the Central Arizona Speculative Fiction Society; after Los Angeles and Phoenix, Colorado Springs. A filker; at his death Bill Mills sang “Don’t Bury Me in the Cold Cold Ground” to which you could once and might still get access here [PDF]; the File 770 report is here. (Died 2008) [JH]
Born June 20, 1951 — Tress MacNeille, 69. Voice artist extraordinaire. Favorite roles? Dot Warner on The Animaniacs, herself as the angry anchorwoman in Elvira, Mistress of the Dark, Babs Bunny on Tiny Toons and Hello Nurse on Pinky and The Brain. (CE)
Born June 20, 1947 — Candy Clark, 73. Mary Lou in The Man Who Fell to Earth which of course featured Bowie. She also was in Amityville 3-D, Stephen King’s Cat’s Eye, and The Blob in the role of Francine Hewitt. That’s the remake obviously, not the original. Oh, and she’s Buffy’s mom in Buffy the Vampire Slayer. Wiki being Wiki lists that as non-canon because it’s not the Whedon Buffy. (CE)
Born June 20, 1962 – David Clink. As he says, poet, poker player, punster (e.g. “The Valet of the Shadow of Death”). Fourteen dozen poems, e.g. in the 2019 Rhysling Anthology; four collections, recently The Role of Lightning in Evolution. A poetry editor for Amazing. His Website is here; it has his 2013 biography here. [JH]
Born June 20, 1967 — Nicole Kidman, 53. Batman Forever was her first foray into the genre but she has done a number of genre films down the years: Practical Magic, The Stepford Wives, Bewitched (I liked it), The Invasion (never heard of it), The Golden Compass (not nearly as good as the novel was), the splendid Paddington and her latest was as Queen Atlanna in the rather good Aquaman. (CE)
Born June 20, 1968 — Robert Rodriguez, 52. I’ll single out the vastly different Sin City and Spy Kids franchises as his best work, though the From Dusk till Dawn has considerable charms as well. ISFDB notes that he’s written two novels with Chris Roberson riffing off his The Adventures of Sharkboy and Lavagirl in 3-D film, The Day Dreamer and Return to Planet Droll. (CE)
Born June 20, 1971 – Wu Ming-yi, Ph.D. Professor of Chinese at Nat’l Dong Hwa University, Taiwan. Two novels for us, The Man with the Compound Eyes and The Stolen Bicycle; six others, short stories, essays; known for nature writing, or as some would have it, ecological literature; translated into Czech, English, French, Indonesian, Japanese, Korean, Turkish. Designed and illustrated his non-fiction Book of Lost Butterflies and The Dao of Butterflies. [JH]
(9) COMICS SECTION.
All glory is fleeting: Wondermark,”In which a Visitor proves a Nuisance, Part 2.”
(10) LIVE LONG. Gothamist ran this Erik Pendzich/Shutterstock image of Dr. Fauci street art on the Lower East Side. Andrew Porter adds, “Note The Pigeon of Truth on his shoulder!”
(11) MARTIAN HOP. The art students at Liverpool John Moores University couldn’t have their senior exhibits because of the pandemic. So they used NASA’s 3D Scans to hold a “Degree Show on Mars”.
The planet is currently broken. We are doing our degree show on Mars.
The trajectory of the LJMU Fine Art Degree show has been charted. We proceed at full-throttle and we are on schedule. This final journey into the unknown for our graduating students is not a pared back simulation of what might have been, it is a voyage that seeks to collectively establish new relevance and understanding for their individual endeavours, amid the stasis the world is currently experiencing.
Artists respond to the world as they find it, they reflect it and help to build an understanding of what we are experiencing. The Degree Show on Mars is not simply showcasing the extraordinary originality and resilience of our graduating artists. It is a means by which we can document and understand the crisis through the eyes of artists who are emerging into a world very different to that which they had anticipated.
A small, coruscating delight: I have made a series of face masks featuring wondrous centuries-old astronomical art and natural history illustrations I have restored and digitized from various archival sources over the years….
…But the audacity of Symons’ project makes more than a bit of sense: because, he rightly argues in The Tell-Tale Heart, so much of what we think we know about Edgar Allan Poe is rooted in grudges, hearsay, rumor, and mystery, and of intuiting too much personal meaning from his successful, written-for-the-money mystery stories and from the poems that were closer to Poe’s heart and spirit.
(14) LAST AT BATS. [Item by Martin Morse Wooster.] In the Yahoo! Entertainment story “Holy Bat-feuds! Revisiting the behind-the-scenes drama surrounding ‘Batman Forever’ 25 years later”, Ethan Alter argues that Joel Schumacher’s Batman Forever “might arguably be worse” than Schumacher’s widely reviled Batman & Robin, and lists the many feuds surrounding the film, including Michael Keaton turning down $15 million to get in the bat-suit because the script for the film “sucked,” Val Kilmer regretting he replaced Keaton in the bat-suit, and villians Tommy Lee Jones and Jim Carrey wanting to stick knives in each other.
…Schumacher and Kilmer were all smiles during the Batman Forever publicity tour, but it turns out that was just really good acting. Interviewed by Entertainment Weekly in 1996 — one year removed from the film’s release — the director described a tense on-set relationship that culminated in an actual pushing match. “He was being irrational and ballistic with the first AD, the cameraman, the costume people,” Schumacher said. “He was badly behaved, he was rude and inappropriate. I was forced to tell him that this would not be tolerated for one more second. Then we had two weeks where he did not speak to me, but it was bliss.” Speaking with Vulture in 2019, Schumacher was even more pointed: “I didn’t say Val [Kilmer] was difficult to work with on Batman Forever. I said he was psychotic.”
(15) VIDEO OF THE DAY. “Neil Gaiman–Is Writing For Children Tougher Than Writing for Adults?” on YouTube is a 2013 video by Bloomsbury Publishing where Gaiman explains that when writing for children, he has to be more precise than writing for adults.
[Thanks to Cat Eldridge, John Hertz, John King Tarpinian, John A Arkansawyer, JJ, Martin Morse Wooster, Michael Toman, Chip Hitchcock, Mike Kennedy, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Jayn.]
Under the terms of the settlement
agreements, the hotels waived a total of approximately $150,000 in cancellation
fees and anticipated attrition charges, provided that Arisia makes a residual
$44,486.23 payment by March 15, 2020.
The goal was met with the help of $20,000 in matching funds from anonymous sources.
Fundraising continues —
Thanks to many donations, we have met the need for $40,000 to take care of Arisia’s recent settlement of our Westin and Aloft cancellation fees. We are continuing to raise money to cover previously incurred legal expenses and settlements and to return Arisia to a financially stable position.
By Daniel Dern: Arisia 2020 was back again
at the Westin Boston Waterfront Hotel from Friday, January 17 through Monday,
January 20 — and, in the day-and-change I was there, it looked like, as always,
lots of people were having lots of fun. (Including me.)
Before I actually
talk about this year’s con — since I wasn’t there for much of it, and was busy
doing or at sessions for at least one-third of the time I was there — here’s
some general Arisia/con info, for any fan/con newcomers in the audience. Feel
free to read or just skip over the next two subsections.
BACK-STORY — SETTLEMENT COST FUNDRAISER A SUCCESS! “Back again at the
Westin,” because, as some may recall, at the near-last-minute, Arisia 2019 switched to the Boston Park Plaza (where it had been
thirteen times previously). (Here’s backstory if you’re interested.
Good news! The fundraiser to cover settlement costs from this has reached its $40,000 goal
as of Arisia 2020’s final afternoon, well in advance of the March 1 deadline to
According to a tweet from the
con, “We have raised $40.3k as of now. We are still taking donations and will
be posting about stretch goals soon.”
ARISIA? (FOR THOSE WHO DON’T KNOW OR HAVE LOST TRACK). The greater Boston
Area is home to three major annual science fiction & fantasy conventions:
Arisia, in January; Boskone, in March; and ReaderCon, in July.
First held in 1990,
Arisia is, in the con’s own words, “New England’s Largest, Most Diverse Sci-Fi
& Fantasy Convention… Arisia is a convention for fans of science fiction
and fantasy, in all forms of media.”
ARISIA/FIRST CON? READ UP AND LEARN. Many Arisians have
been attending since the con’s founding — but equally, there’s many for whom
this is their first Arisia or even first sf con. (“My First Arisia” badge
ribbons were available. (Probably also “My First Con” ones, but I didn’t notice
any.) These can be helpful conversation starters.
If it’s your first
Arisia — particularly if you haven’t attended any science fiction conventions
before — do your homework/research — ideally, before you register and make any
trip reservations. This can help you maximize your fun, perhaps save some
money, and be aware of Code of Conduct do’s and don’ts.
the basic con description. Does it sound like something you’d enjoy? (And/or
find relevant professionally/business-wise?)
the Code of Conduct (CoC) .
This covers how you can and shouldn’t interact with fellow attendees — and they
with you. Among other reasons, registering for the con includes ticking the box
that says you have read and agreed to the CoC.
or at least skim the Arisia Survival Guide and Packing List — this is a longish
document, and not all will be relevant to you, but it can’t hurt to learn/be
reminded rather than learn the hard way.Also, keep in mind that Boston in
mid-January may be sunny and only mildly chilly — or it may be freezing cold,
with rain or snow — and access to the “T” (MBTA, Boston’s public transit) is an
unshielded block-ish walk over a highway. Bring suitably warm/waterproof outer
garments and footwear.
ARISIA: A CON WITH LOTS
OF CHOICES OF STUFF TO DO. This is true of most
cons (possibly all, but I haven’t been to all cons).
Things to do at Arisia
range from program tracks like interviews, panels, and readings, to gaming —
board, card, LARP (live-action roleplaying) and video;, craft and costuming
workshops, filking, concerts and dances, and anime and videos.
This includes lots of fun stuff for kids of all ages.
Sunday evening, there’s the Masquerade, where you can see a wide
range of costume and performance skills. (If you like looking at costumes and
cosplay, even if you can’t make it to the Masquerade, you’ll see lots of
amazing costumes simply strolling around the con — particularly in the hotel
The Arisia Dealers Room always offers a mix of books, art, garb,
gear, games, and accessories, along with teas, spices, chocolates and other
Arisia has an Art Show — with nearly a hundred artists this year.
And while many of the displayed items are expensive or not-for-sale, there are
always lots of originals and prints available in the $15-$30 range, which make
great souvenirs and gifts!
You can also join the volunteer team — volunteer —
it’s also a great way to meet people and make new friends). According to the
con, “Arisia is a volunteer-run convention, from the bottom all the way up to
the top. With a staff of over 200 people working pre-con and an at-con
volunteer corps of over 500.”
You can donate blood, through the Blood Drive run by the
Heinlein Society. This year’s resulted in at least 73 blood units donated to
Mass General Hospital, and 37 to Children’s Hospital.
And you can simply hang out, to schmooze. Some fans go to little
or no programming, instead chatting with old friends (or meeting new ones).
Like many — but not all — cons, Arisia includes focused areas and tracks for
19-and-unders, including a teen-run Teen Lounge space for ages
13-19, plus childcare tracks for various age groups.
If any of these
apply to or include you, or pre-adults you are responsible for, be sure to read
Arisia’s Family Friendly Guide.
(FINALLY!) Since I was only planning to be at Arisia on Saturday — and had
sessions to do at 1 p.m. and 4 p.m., with one panel I wanted to go to in
between — I went in Friday afternoon to pick up my badge and my Press ribbon,
including reading and signing the Photographers Contract.
(There’s a separate contract for commercial photographers,
but that doesn’t apply to what I’m doing.) The Participant Packets (schedule,
“Program Participant” ribbon, “name tent,” helpful info, etc.) weren’t ready
yet, but confirming the location of Program Ops for pickup is the important
piece of this process.
It turns out my Friday badge run was a good idea; on Saturday,
between getting a late-ish start from home, and sundry T hiccups, I got to the
con an hour later than I’d planned… although still with enough time to zoom
through the Dealers Room and the Art Show. And have brief chats with friends.
And I began taking pictures, using a mix of my phone and DSLR
A Few Free Books: There was (only) a short pile on the table just outside the Dealers
Room (on Friday, before the room opened), but I found one to adopt: The
Warrior’s Apprentice, Lois McMaster Bujold’s third book in her Vorkosigan
Saga. While I’ve read some MILSF over the years (here’s a rec for Marko Kloos’
latest, Aftershocks), and was very aware of Bujold and the Miles V books
(hard to miss if you’re looking at the NESFA table at Boskone, for example), I
had for no clear or good reason avoided them. Convenience and price — it was
Having finished the book before the weekend was out (it’s short,
and I had three T trips of reading time, but there was a con to be busy at),
I’ve library-reserved books one, two, and four, for a start. (I’ll interleave
them with Adam Halls’ very non-sf Quiller Cold War spy novels.) Question for fellow Filers: do
books that are on our To-Be-Read list, but, whether as library transients or as
e-books (or both), count in Mount To-Be-Read? Either way, is there a
categorical way to refer to these? Discuss.
My “Program Participant” ribbon was for doing two sessions in
FastTrack: my magic show (with a mixed bag of age-appropriate tricks, props and
jokes), and reading some of my Dern Grim Bedtime Tales (Few Of Which End Well),
which are flash-length. We all had fun, and I got to use some new magic
paraphernalia, including a different type of Chameleon bag, and “jumbo”
versions of the Rising Card deck and Zig-Zag Card. I always have fun.
As you can probably guess from the photos that Mike posted, two
of my favorite to-do’s at Arisia are strolling the Dealers Room — I bought a
dinosaur tie — I’ve already got one, but this has slightly larger-sized dinos —
and admiring hall costumes — and taking pictures of both. It’s also a chance to
bring along my larger cameras and accessories (flash, and bounce card)… and to
practice and improve my skills.
I only had time to get to one program event; unsurprisingly, I
went to “Photographing Respectively,” a panel of five photo pro’s discussing
the various concerns, challenges, and advice for photographing people
out-of-studio — at events and in public. Instructive!
If it hadn’t been on Sunday, I would have gone to the “Fighting
with Swords!” workshop given by Cambridge Historical European Martial Arts
Studies Group. (I did the broadswords one a few years back, either at an Arisia
And that was my Arisia 2020 — shorter than I’d preferred, but I
did everything I needed to (filing this report to OGH is my final deliverable),
so now, I’m looking forward to Boskone, where I’m doing a reading, a panel, a
DragonsLair magic show, and a LEARN MAGIC intro talk (which I first did at
SmofCon, when they created it as a program item, as I learned on arrival). And
no doubt taking more pictures.
Arisia Inc. today signed agreements
with the Westin Boston Waterfront and Aloft Boston Seaport District hotels to
settle the charges from the cancellation of their hotel contracts for Arisia
2019, held this past January 18-21.
The announcement distributed by Arisia
President (Nicholas “phi” Shectman says:
“Under the terms of these agreements, the hotels have waived a total of approximately $150,000 in cancellation fees and anticipated attrition charges, provided that Arisia makes a residual $44,486.23 payment by March 15, 2020. Arisia and the Westin Boston Waterfront also signed contracts for the 2022 and 2023 events. The terms of these contracts are broadly similar to the terms in place for the 2020 and 2021 contracts (and don’t contain attrition clauses) and we are confident that it will be possible to run great events under these contracts.
“This settlement does not get us out of the woods. We have already paid tens of thousands of dollars in legal fees and we don’t have the cash on hand to cover the $44,000 payment. We have launched a fundraising campaign at https://corp.arisia.org/Donations to cover this amount. A small group of anonymous donors will be matching donations to this campaign. We are hopeful that with your help we will be able to hold great conventions and continue our charitable purpose. Thank you particularly to everyone who has offered their support already.
“We still have other issues to address, at least as serious as this one. We have much more work to do on our incident response process, our volunteer experience, and generally on fostering the affirmative culture we would like to see at Arisia. We thank you for your support here as well.
“Arisia is looking forward to returning to the Westin and Aloft this coming January and for years to come, and we hope you will join us.”
Arisia 2020, their 31st convention, will be held January 17-20, 2020 at the Westin Boston Waterfront Hotel, with the Aloft Boston Seaport District providing overflow guest rooms.
(1) ONE STOP SHOPPING. [Item by Jonathan Cowie.] SF2 Concatenation’sAutumn
2019 edition is up. Voluminous
seasonal news and reviews page of both SF and science which includes the major
UK SF/fantasy imprint book releases between now and New Year. (Many of
these will be available as imports in N. America and elsewhere.)
(2) LEM V. DICK. [Editor’s note: I apologize for what amounts to misspelling, but characters that WordPress would display as question marks have been changed to a letter of the alphabet without marks.]
[Item by Jan Vanek Jr.] Yesterday the English-language website of the Polish magazine Przekrój published (and started promoting on Facebook, hence my knowledge) the translation of a 2,700-word excerpt (not a self-contained “chapter” as they claim) from Wojciech Orlinski’s 2017 biography of Stanislaw Lem detailing what led to “the famous Lem-Dick imbroglio” with PKD’s “famous Lem report to the FBI”: “access to previously unpublished letters […] resulted in what is likely the first accurate description of the incident, as well as the ultimate explanation as to how the concept of ‘foreign royalties under communism’ is almost as much of a mess as ‘fine dining under communism’ (but not quite as fine a mess)”:
…It all began with Lem’s depiction of Dick – in the third of his great essay collections, Science Fiction and Futurology as little more than a talentless hack. Lem had a poor opinion of almost all American authors, and never thought much of the literary genre of which he himself was an exponent (think of his equally critical view of Pirx the Pilot, for example, or Return from the Stars)….
I found it a quite informative and interesting read, although “Lem’s unfortunate expulsion from the SFWA” that ensued is mentioned only briefly and I think misleadingly (I have checked the Polish book and there is nothing more about it, but it has been described in American sources, many of them online).
(3) ABOUT AO3’S HUGO AWARD. The Organization for Transformative Works has clarified
to Archive of Our Own participants — “Hugo
Award – What it Means”.
We’re as excited as you are about the AO3’s Hugo win, and we are shouting it to the rafters! We are grateful to the World Science Fiction Society for recognizing the AO3 with the award, as well as to the many OTW volunteers who build and maintain the site, and all of the amazing fans who post and enjoy works on it.
The World Science Fiction Society has asked us to help them get the word out about what the award represented—specifically, they want to make sure people know that the Hugo was awarded to the AO3, and not to any particular work(s) hosted on it. Therefore, while we can all be proud of the AO3’s Hugo win and we can all be proud of what we contributed to making it possible, the award does not make any individual fanwork or creator “Hugo winners”—the WSFS awarded that distinction to the AO3 as a whole. In particular, the WSFS asked us to convey this reminder so that no one mistakenly describes themselves as having personally won a Hugo Award.
Thanks for sharing our enthusiasm, and consider yourselves reminded! We appreciate every one of your contributions.
So far there are 80 comments, any number by Kevin Standlee making Absolutely Clear Everybody Must Understand Things Exactly The Way He Does. One reply says, “You aren’t doing a particularly good job of reading the room here.”
(4) ARISIA PERSISTED. Arisia
2020 has issued its first online
Progress Report. Key
points: (1) It’s happening! (2) It’s (back) at the Westin Boston Waterfront. (3)
The headliners are Cadwell Turnbull, Author Guest of Honor, Kristina Carroll, Artist
Guest of Honor, and Arthur Chu, Fan Guest of Honor.
Halloween’s almost here… well, OK, it’s more than a month away, but that means it’s time for Halloween haunts — aka Halloween mazes, aka scary Halloween things at theme parks and the like, to start.
Halloween Horror Nights has been taking over Universal Studios Hollywood for 21 years, and we got the chance to take a behind-the-scenes tour of two of the brand new mazes, Ghostbusters and Us. We were guided through by Creative Director John Murdy, the man in charge of creating the stories and the scares inside all of the mazes.
He works with an art director to design every moment, writing treatments for each attraction than can run up to 100 pages.
“It’s a narrative from the guest’s POV — everything I see, hear, smell, etcetera, as if I’m going through the maze,” Murdy said. “But it also has a very elaborate technical breakdown by scene, by discipline, down to the timecode of the audio cues.”
…On Wednesday, the day before WorldCon officially started, I helped with move in and set-up at Point Square. This involved carrying boxes, assembling shelves for the staff lounge and crafting area, taping down table cloths and helping to set up the Raksura Colony Tree model. This was my first time volunteering at a WorldCon and it was a great experience. Not only do you get to help to make a great project like WorldCon happen, no, you also get to meet a lot of lovely people while volunteering. Especially if you’re new to WorldCon and don’t know anybody yet, I recommend volunteering as a way to meet people and make friends. What is more, I also got a handful of groats (which I used to buy a very pretty necklace in the dealers room) and a cool t-shirt.
(7) MEMORIAL. Jim C.
Hines tweeted the link to his post about the Memorial held for his wife,
Amy, on September 8, a touching and highly personal tribute.
(8) TODAY IN HISTORY.
September 14, 2008 — The Hunger Games novel hit bookstores. (For some reason, the bookstores did not hit back.)
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born September 14, 1915 — Douglas Kennedy. No major SFF roles that I see but he’s been in a number of films of a genre nature: The Way of All Flesh, The Ghost Breakers, The Mars Invaders, The Land Unknown, The Lone Ranger and the Lost City of Gold, The Alligator People and The Amazing Transparent Man. Series wise, he had one-offs on Alcoa Presents, Science Fiction Theatre, Alfred Hitchcock Presents and The Outer Limits. (Died 1973.)
Born September 14, 1919 — Claire P. Beck. Editor of the Science Fiction Critic, a fanzine which published in four issues Hammer and Tongs, the first work of criticism devoted to American SF. It was written by his brother Clyde F. Beck. Science Fiction Critic was published from 1935 to 1938. (Died 1999.)
Born September 14, 1927 — Martin Caidin. His best-known novel is Cyborg which was the basis for The Six Million Dollar Man franchise. He wrote two novels in the Indiana Jones franchise and one in the Buck Rogers one as well. He wrote myriad other sf novels as well. (Died 1997.)
Born September 14, 1932 — Joyce Taylor, 87. She first shows as Princess Antillia in Atlantis, the Lost Continent. Later genre appearances were The Man from U.N.C.L.E., the first English language Beauty and the Beast film, the horror film Twice-Told Tales and the Men into Space SF series.
Born September 14, 1936 — Walter Koenig, 83. Best-known for his roles as Pavel Chekov in the original Trek franchise and Alfred Bester on Babylon 5. Moontrap, a SF film with him and Bruce Campbell, would garner a 28% rating at Rotten Tomatoes, and InAlienable which he executive produced, wrote and acts in has no rating there.
Born September 14, 1941 — Bruce Hyde. Patterns emerge in doing these Birthdays. One of these patterns is that original Trek had a lot of secondary performers who had really short acting careers. He certainly did. He portrayed Lt. Kevin Riley in two episodes, “The Naked Time” and “The Conscience of the King” and the rest of his acting career consisted of eight appearances, four of them as Dr. Jeff Brenner. He acted for less than two years in ‘65 and ‘66, before returning to acting thirty-four years later to be in The Confession of Lee Harvey Oswald which is his final role. (Died 2015.)
Born September 14, 1947 — Sam Neill, 72. Best known for role of Dr. Alan Grant in Jurassic Park which he reprised in Jurassic Park III. He was also in Omen III: The Final Conflict, Possession, Memoirs of an Invisible Man, Snow White: A Tale of Terror, Bicentennial Man, Legend of the Guardians: The Owls of Ga’Hoole, The Adventurer: The Curse of the Midas Box, Thor: Ragnarok and Peter Rabbit.
Born September 14, 1961 — Justin Richards, 58. Clute at ESF says “Richards is fast and competent.” Well I can certain say he’s fast as he’s turned out thirty-five Doctor Who novels which Clute thinks are for the YA market between 1994 and 2016. And he has other series going as well! Another nineteen novels written, and then there’s the Doctor Who non-fiction which runs to over a half dozen works.
Construction of the George Lucas Museum of Narrative Art is in full swing.
On Friday, Lucas — along with his wife and Los Angeles Mayor Eric Garcetti — watched as construction crews helped bring his vision to life.
And he thanked them for the tireless effort.
“You’re doing the impossible — thank you so much,” Lucas said.
“Millions of people will be inspired by this building. We were just in our board meeting for the museum and George said you are the artists so you’re the artists of this art museum,” says Mellody Hobson, Co-CEO of Ariel Investments and the museum’s co-founder.
Henry Lien teaches law and creative writing at UCLA Extension. A private art dealer, he is the author of the Peasprout Chen middle grade fantasy series, which received New York Times acclaim and starred reviews from Publishers Weekly, Kirkus, and Booklist.
High school can be a turbulent time for any budding teenager, but when you’re allowed to dress up as your favorite movie or television character, facing picture day isn’t the daunting challenge it once was. Per a report from The Huffington Post, North Farmington High School in the suburbs of Detroit allowed its senior pupils to assume the persona of their favorite pop culture icon for the sake of ID photographs. What followed was a parade of Woodys (Toy Story), Shuris (Black Panther) Fionas (Shrek), creepy twins (The Shining), and so many more!
…Now, because her fans kept asking, she is getting more personal than ever. The Eisner Award-winning author who launched her publishing empire with 2010?s “Smile,” about her years-long dental adventures as a kid, is prepared to bare new parts of her interior world with “Guts,” available Tuesday, which centers on how fear affected her body.
“This is the reality of my life,” Telgemeier told her fans. She quickly got to the heart and GI tract of the matter: “I was subject to panic attacks and [was] worrying that something was really wrong with me.”…
(15) SIGNAL BOOST. Naomi Kritzer offers an incentive for
supporting a cause that needs a cash infusion.
And there may be a financial cost. Over the Sept. 6-8 weekend, New Line and director Andy Muschietti’s It: Chapter Two opened to $91 million domestically, a 26 percent decline from the first It, which debuted to $123.4 million on the same weekend in 2017. The sequel ran a hefty 169 minutes, 34 minutes longer than its predecessor.
“Andy had a lot of story to tell in concluding his adaptation of Stephen King’s book, which is more than 1,100 pages,” says Jeff Goldstein, chief of distribution for Warner Bros., New Line’s parent. “We strategically added more shows and locations to counterbalance losing a show on each screen.”
Adds a rival studio executive regarding It: Chapter Two, “look, $91 million is a great number. But anytime the second film in a hoped-for franchise goes down — and not up — that’s not what you wish for. And I do think the fact that it was so long didn’t help.”
(17) COLBERT. Stephen Colbert’s “Meanwhile…” news roundup
includes a furry joke related to the movie Cats, and a bit on “The 5D Porn Cinema No One Asked For.”
These items start at 2.02 — here on
(18) VIDEO OF THE DAY. Cinema verite of author Liz Hand on
Vimeo. A 5-minute video of Hand
at work and play
[Thanks to John King Tarpinian, Cat Eldridge, Daniel Dern, Chip
Hitchcock, JJ, Mike Kennedy, Martin Morse Wooster, and Andrew Porter for some
of these stories. Title credit goes to File 770 contributing editor of the day Matthew
Nicholas “phi” Shectman, President of Arisia, Inc., reports the other shoe has dropped — the group will owe another large amount from the Westin arbitration decision on top of the penalties already due to the Aloft/Marriott (“Arisia Suffers Reverse in Contract Dispute with Aloft”). The liabilities resulted from the Boston convention’s cancellation of plans to use two strike-affected hotels for their 2019 event.
Shectman’s statement tells the precise liability owed to the Aloft, and the amount of the judgment in the Westin case.
This morning, the Executive Board received notice of the fees and interest due to the Aloft in addition to the $44,417.50 award. These total $16,731.71.
This afternoon, the Executive Board was informed that the ADR with the Westin was decided against us. Judgment was set at $50,000 plus fees and interest, exact amount still unknown but probably similar to the Aloft.
This, combined with the loss in the Aloft case, presents Arisia with obligations that far exceed our reserves and expected immediate income. Whether this is a loss in excess of what Arisia can manage depends a great deal on what terms of payment can be agreed. Paying $125,000 is impossible now, but might be possible over some number of years, even with interest.
The Eboard is continuing to consult with legal counsel and attempting to negotiate with Marriott in order to clarify exactly what our options are and what the costs of these options would be. We will keep the membership informed as the situation develops further.
We recognize and appreciate our community’s willingness to support us with additional dollars. Fundraising is likely to be a part of any scenario. We should have more information there within a few weeks. Fundraising details will depend on pending legal questions, so we would prefer not to speculate on what shape that will take until then.
This matter will certainly be discussed at the upcoming corporate meeting on August 22nd. At this time, the Eboard has no motion or recommendation that it plans to bring. Until we learn otherwise, nothing is off the table.
We would also like to thank the Arisia community for its continued support through the uncertain days ahead. Your enthusiasm is why we do this, and we couldn’t do it without you.
(1) ARISIA BACK IN THE WESTIN. The convention website indicates
Arisia 2020 will return to the Westin
Boston Waterfront, from January 17-20, 2020.
(2) READERCON. Kate Nepveu compiled a great set of panel
notes about the Readercon panel “Translation and Embedded
with Anatoly Belilovsky, John Chu,
Neil Clarke, Pablo Defendini, Tamara Vardomskaya (mod).
Neil: is publishing translations without being able to read original, has to count on team of people. So a lot of these granular issues settled before comes to, but not always. It’s interesting when there’s an American in the translated story . . . who is not always that American. They try to get the spirit of story across, so often work extra with the translators on that situation. Has edited bilingual anthology of Chinese SF, two volumes published in China, not been able to get published in U.S.
Tamara: gives example from Ada Palmer, in whose books gender is outlawed: everyone uses “they” (except narrator) to signal that progressive viewpoint has won. Polish translator said, in Polish that’s the conservative position, the progressive is to give high visibility to female existence (e.g., “waitress and waiter”, not “server”). Ada went with political connotation rather than word-for-word….
This month, Simon & Schuster will reissue a short story collection entitled The Toynbee Convector, by science fiction master Ray Bradbury, best known for classics like Fahrenheit 451 and The Martian Chronicles. First published in 1988, The Toynbee Convector features 23 stories, among them “Bless Me, Father, for I Have Sinned,” about a priest who hears a chilling confession on a snowy Christmas Eve.
That story—as well as countless other science fiction classics published over the centuries—raises an intriguing question: Why do priests and other religious figures play such an important role in the fantastic worlds and futuristic dystopias conjured by a wide range of sci-fi writers?
(5) SPACE INVADERS. The Alien Party Crashers
official trailer has dropped.
In the style of Shaun Of The Dead, The Lost Boys and Attack the Block, this is a funny, dark and action packed sci-fi horror comedy that pits a group of drunken friends on New Years Eve in a Welsh valley against an invasion task force of creepy time-traveling aliens. A kick-ass M.O.D agent, an insecure radio DJ and a kung fu master who owns the local B&B learn their new years resolution this year is simple: STAY ALIVE.”
(6) HEAR WRITERS’ THOUGHT PROCESSES. Authors
Marshall Ryan Maresca, Alexandra Rowland, and Rowenna Miller have started a
podcast called World Building for Masochists, Downloadable at the website, transcripts also available. They have two
episodes out so far. The first, “Playing God in Your Spare Time” includes this
ROWENNA: …I think that I start thinking about the character first, and what are they encountering, what do they have for breakfast, what do they see when they go out of their door in the morning, and there might be things that the character doesn’t know about their world. I think, you know, like you, Marshall, I started the story in a city, and my character actually doesn’t know very much about what’s going on outside of that city; she’s never been outside of it. So there’s kind of a freedom there for her to be ignorant, and it was kind of weird for me at first to be like, okay, there are things that I might know, but I need to keep that shoved aside, because there’s no reason for her to know what this other city would look like, or what the patterns of trade are between, you know, these two coastal towns. She’s never been there, she has no idea.
MARSHALL: But she might have, say, heard the name, and has her own preconceived notions of what it’s supposed to be.
ALEXANDRA: And I think that having a character with some degree of ignorance can also be a really useful tool for you as an author, because then you can — and I’m going to keep bringing this up because it’s my favorite trick of all time to use — you can sort of build a negative space and invite your character to make assumptions about the world, and also invite the reader to make assumptions about the world…
We’re keeping an eye out for the arrival of
“World Building for Sadists,” too.
Netflix has said that Stranger Thingsamassed a bigger audience over its first four days than any other original show in its history. New data from Nielsen shows that a lot of people did, in fact, spend the July 4 holiday weekend watching the series.
Per the ratings service’s SVOD content ratings, the eight episodes of Stranger Things 3 had an average minute audience — the closest approximation for streaming shows to Nielsen’s average viewership on linear TV — of 12.8 million viewers over its first four days of release. That’s a 21 percent increase over the same time frame after the release of season two in October 2017 (10.6 million)
The other characters in the novel, human and otherwise, are the strength, power and richness of the novel. Beyond Marian herself, Robin comes off as a prat at first, someone to intensely dislike and hate because of his abandonment of Marian. The reasons how and why he did so, and his ultimate connection with the unraveling of the plot, humanize him to a degree, but the writer’s and reader’s intended sympathy comes off the page intended for Marian. Even by the end of the novel, I still thought he was a prat for his actions, even if I ultimately understood the how and why of them by the end of the novel.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born July 13, 1904 — Norvell W. Page. Chief writer of The Spider pulp series as Grant Stockbridge. He started out by writing a backup story in the first issue of The Spider pulp: “Murder Undercover” and by the third issue was writing the main Spider stories which he did for some seventy stories. He also wrote The Black Bat and The Phantom Detective pulps. (Died 1961.)
Born July 13, 1937 — Jack Purvis. He appeared in three of director Terry Gilliam’s early fantasy films, with roles in Time Bandits, The Adventures of Baron Munchausen and Brazil. He’s in three of the Star Wars films, the only actor he says to play three different roles, and he’s also in Wombling Free (based on The Wombles, a UK Children’s series), The Dark Crystal and Willow. (Died 1997)
Born July 13, 1940 – Sir Patrick Stewart, 79. If you count The Avengers as genre (and I certainly do), his first SF role was as a man walking in from the sea in “The Town of No Return” episode. Setting aside Trek, other memorable genre roles include Leodegrance in Excalibur, Gurney Halleck in Dune, Prof. Macklin in The Doctor and the Devils, Charles Xavier in the X-Men franchise and he’s played Macbeth myriad times in the theatre world.
Born July 13, 1942 — Mike Ploog, 77. He’s a storyboard and comic book artist, as well as a visual designer for films. his work on Marvel Comics’ Seventies Man-Thing and The Monster of Frankenstein series are his best-known undertakings, and as is the initial artist on the features Ghost Rider, Kull the Destroyer and Werewolf by Night. He moved onward to storyboarding or other design work on films including John Carpenter’s The Thing, Little Shop of Horrors, The Dark Crystal, Labyrinth and The Storyteller series.
Born July 13, 1942 — Harrison Ford, 77. His best films? Raiders of The Ark, Star Wars and Blade Runner. Surely that’s not debatable. His worst film? Indiana Jones and the Kingdom of the Crystal Skull. Equally not debatable.
Born July 13, 1955 — David J. Schow, 64. Mostly splatterpunk horror writer of novels, short stories, and screenplays. (He’s oft times credited with coining the splatterpunk term.) His screenplays include The Crow and Leatherface: The Texas Chainsaw Massacre III. He’s also done scripts for Masters of Horror, Perversions of Science and The Outer Limits. As an editor, he’s did the very impressive three-volume collection of Robert Bloch fiction, The Lost Bloch.
Born July 13, 1953 – Chip Hitchcock, 66. A conrunner who co-chaired the 1999 World Fantasy Convention with his wife, Davey Snyder, he also has worked Worldcons as a Division Head, and chaired Bosklone, Lexicon 7 and Boskone 24. He was made a Fellow of NESFA in 1979. Other fannish credits include book editing, Worldcon floor plans, and producer of fannish theatricals.
Born July 13, 1966 — David X. Cohen, 53. Head writer and executive producer of Futurama. Cohen is a producer of Disenchantment, Matt Groening’s fantasy series on Netflix. He also wrote a number of the “Treehouse of Horror” episodes on the Simpson’s which have a strong genre slant such as “Treehouse of Horror VII” (“Citizen Kang”).
(12) IN THIS DICTIONARY, HIS PICTURE REALLY IS RIGHT NEXT TO
THE WORD. For reasons you can now guess, Sir
Patrick Stewart figures in the entry for the Wikitionary word of the day for
July 13, 2019: “calvous”.
(13) UNDER THE LID. Alastair Stuart’s “The Full Lid 12th July 2019” stops “in at Centerville for Jim Jarmusch’s deeply strange The
Dead Don’t Die, which may be the oddest horror movie you’ll see this year.
It’s certainly, along with Midsommar, one of the most interesting. Also
on deck this week is Greg van Eekhout’s startlingly good middle-grade SF novel Cog
and the always excellent ZoomDoom Stories continue to impress with season one
of The Six Disappearances of Ella McCray.”
The Dead Don’t Die
The best way to spot a Jim Jarmusch movie is to throw a dart, blindfold, at a wall of ideas. He’s done existential westerns (Dead Man), anthologies about taxi drivers (Night on Earth), a documentary about The Stooges (Gimme Danger) and the best hip-hop/samurai/film noir movie ever made (Ghost Dog: Way of the Samurai). Now, he’s turned his attention to horror comedy and the result is so inherently Jarmuschian it basically breaks the meter and embeds the needle in the wall of the lab. Where, I can only assume, Bill Murray stares at it for a moment, goes…’Huh’ and then continues about his day.
Can I admit to something silly? I am a little bit scared of mind-readers. Don’t get me wrong, I don’t actually believe in telepaths. Then again, who knows what sort of freaky experiments certain entities get up to.
I just think the idea of someone reading my mind, or even manipulating it, is one of the most horrifying concepts out there.
And it looks like Doctor Who agrees with me.
(16) CHESS PLAYER CHEATED IN TOILET. I saw ESPN’s headline
and I said to myself, that’ll get some clicks. They sourced their post from
GM Igors Rausis is under investigation for cheating after he was caught with his phone during a game at the Strasbourg Open. The 58-year-old Latvian-Czech grandmaster had raised suspicions after he increased his rating in recent years to almost 2700.
During an open tournament July 10-14 in Strasbourg, France, a phone was found in a toilet that had just been used by Rausis. He later signed a declaration that the phone was his.
Whether he was using his phone to get assistance from a chess engine is not clear at the moment.
In a comment to Chess.com, Rausis said:
“I simply lost my mind yesterday. I confirmed the fact of using my phone during the game by written [statement]. What could I say more? Yes, I was tired after the morning game and all the Facebook activity of accusers also have a known impact. At least what I committed yesterday is a good lesson, not for me—I played my last game of chess already.“
…Six years ago, in May 2013, [Rausis’] rating was still 2518, and it had fluctuated around the 2500 mark for at least 10 years. It has since increased by almost 200 points.
Over the last six years, Rausis increased his rating steadily as he mostly limited himself to playing lower-rated opponents against whom he continued scoring perfectly or almost perfectly. For instance, in the July 2019 rating calculations, he scored 24.5/25 against almost only players rated more than 400 points below his own rating.
…To increase one’s rating like Rausis did requires almost perfect play over a long period of time, which is not easy even against very low opposition.
The case of Rausis is similar to that of a Georgian grandmaster who got banned from a tournament in 2015 after his phone was found in a toilet. In that case, it was discovered that he had been analyzing his position with a chess engine. He was banned for three years and lost his GM title.
In the summer of 1962, Walter Schirra — who would soon become America’s third man to orbit the Earth — walked into a Houston photo supply shop looking for a camera he could take into space.
He came out with a Hasselblad 500C, a high-end Swedish import that had been recommended to him by photographers from Life and National Geographic.
“He was sort of an amateur photographer,” Jennifer Levasseur, a curator in charge of the Smithsonian National Air & Space Museum’s astronaut cameras, says of Schirra. “Somewhere along the line, the decision was made that he could select what camera was flown on his flight.”
…When NASA got a look at Schirra’s Hasselblad, they liked what they saw. The space agency purchased at least one more. Engineers tore into the off-the-shelf consumer model to make it space-worthy. They stripped it down to save weight and painted it dull black to reduce reflections. They also had to “astronaut-proof it,” says Cole Rise, a photographer and filmmaker who builds custom reproductions of the Hasselblad space cameras.
…Hasselblad’s Chris Cooze says until then, the space agency was so focused on the technical side of spaceflight that photography was something of an afterthought.
He says it was in 1965, when NASA released stunning photos of Ed White’s spacewalk on Gemini 4, that Hasselblad “put two and two together” and realized the pictures were taken with one of their cameras.
“Then they got in touch with NASA to see if there was anything that we could cooperate on,” Cooze says.
Curious how much the ground shifted after the two large earthquakes last week in Southern California? NASA has just the map for that question — and it happens to look like beautiful, psychedelic art.
On July 4, a 6.4 magnitude quake hit the town of Ridgecrest, north of Los Angeles. The next evening, the area was jolted again by a 7.1 magnitude earthquake. Luckily, there were no serious injuries or major infrastructure damage.
The map was created by the Advanced Rapid Imaging and Analysis team at NASA’s Jet Propulsion Laboratory. It shows rippling rainbows forming a circular pattern around the faults of the two quakes.
Each rainbow stripes[sic] means that the ground has been displaced there by some 4.8 inches. It’s the same logic as a topographic map, where lines that are closer together indicate steeper slopes. In this case, the closer together the rainbow stripes are, the more the ground was displaced by the temblor.
(19) THE LONG AND SHORT OF IT. Steve J. Wright has done both sets of Hugo editor categories now:
The editing categories are always hard for us non-initiates to judge; we do not know the Dark Arts of editorship, the secret and sacred magic by which a piece of text is transmogrified into a professional story…. However, at least we can see the general tenor of a skiffy magazine, and read, well, editorials and the like, and we can work out from that how the short-form editors think. Sort of.
And, of course, it is distorted in 1943 by the unassailable fact that there’s only one right answer: Astounding, edited by John W. Campbell Jr. Like it or not, Campbell was shaping science fiction in his own image at this time. He is the unavoidable choice; the eight-hundred-pound gorilla of the SF world.
Wright begins his Long Form Editor reviews (the Retro
category was cancelled) with the same observation, but faithful to the
category, at greater length:
Anyway, here we are again, with the category no one is particularly qualified to decide on. We don’t know, for example, if Beth Meacham found a scrawled note one day that read “dere iz dis wumman who wantz 2 b a spaceman” and worked it up into The Calculating Stars from that, or if Mary Robinette Kowal submitted the manuscript exactly in its current form, and Meacham’s only contribution was to fling it at a passing minion with a cry of “Publish this!” The truth, of course, must lie somewhere in between those extremes… and it is probably (unless you’re actually interested in the minutiae of the editing profession) pretty darn boring, for those of us not directly concerned. I think it was John Sladek who said that there were secrets of the universe which Man was not meant to know, and some of them are not even worth knowing.
One of the most significant Russian space science missions in the post-Soviet era has launched from Baikonur.
The Spektr-RG telescope is a joint venture with Germany that will map X-rays across the entire sky in unprecedented detail.
Researchers say this information will help them trace the large-scale structure of the Universe.
The hope is Spektr-RG can provide fresh insights on the accelerating behaviour of cosmic expansion.
It should also identify a staggering number of new X-ray sources, such as the colossal black holes that reside at the centre of galaxies.
As gas falls into these monsters, the matter is heated and shredded and “screams” in X-rays. The radiation is essentially a telltale for the Universe’s most violent phenomena.
Spektr-RG is expecting to detect perhaps three million super-massive black holes during its service life.
(21) APOLLO DOCUMENTARY. Assembled by Voice
As the world celebrates the 50th anniversary of the historic mission to land humans on the surface of the moon, VOA’s Kane Farabaugh presents this reflection of the monumental achievement through the eyes of the NASA astronauts themselves. In exclusive interviews Farabaugh gathered, the men of the Apollo program reflect on the path to the moon, and what lies beyond.
[Thanks to SF Concatenation’s Jonathan Cowie, Chip Hitchcock, Cat
Eldridge, Mike Kennedy, Martin Morse Wooster, John King Tarpinian, JJ, Kendall,
Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes
to File 770 contributing editor of the day Kendall.]