Pixel Scroll 1/29/19 Dill Pixels

(1) TIPTREE ON TV? Jennifer Kent, who directed the exceptional horror film The Babadook, and is currently at Sundance screening her second film, the historical drama The Nightingale, is developing a project based on the life and stories of James Tiptree Jr. / Alice Sheldon: “Sundance 2019 Interview: Babadook Director Jennifer Kent on Her New Film, The Nightingale” at Rogerebert.com.

And Tiptree?

I don’t know where to start. There was this writer of short science fiction stories in ’60s and ’70s who was very feted, and of the level of Philip K. Dick, or Ursula Le Guin. He was really creating the most powerful stories of gender and of being an outsider. But they were so potent, very prescient; because it’s almost the world we’re living in now. So they were written 50 years ago. They’re incredibly relevant still, and then he was sort of well known. His stories were well known, but no one knew who he was for 10 years, and then eventually someone uncovered his identity to be a woman in her 60s, in I think Virginia. This woman’s story is unbelievable. Unbelievable. And she was a genius. So I want to tell her story.

So you’ll make something episodic at a network?

Yeah, but including her short stories within. It’s not a straight biopic; so aliens from her stories inhabit her true world, and then she will be in the world of her stories, and it’s so exciting to me. It’s science fiction, which I love. I came across that because I was being given a lot of science fiction scripts. And I thought, “Where are the female science fiction stories?” So I Googled “female science fiction”, and I came across her! It was so hard to get the rights. And then I got all the rights to these stories, so it’s just meant to be. I could sit for hours and tell you how we got these rights. I’m working with producer Brian Kavanaugh-Jones, who is wonderful. He’s engaged with a company called Imperative, and so that’s the deal at the moment. But Imperative has thrown some money at the development, but we want to keep control of it. So we didn’t want to go to HBO and have it sit on a shelf and not get made, for example. So, we want to come with a pilot and a bible, so I’m working on that at the moment.

(2) STOKERCON UK. In April 2020 the Horror Writers Association’s annual event, StokerCon, will be held in the UK, and A.K. Benedict will be the Mistress of Ceremonies.

Taking place in Scarborough, just down the coast from Whitby – the town that provided so much of the inspiration for Stoker’s iconic Dracula – this is an event not to be missed for writers and readers of horror fiction.

The event is delighted to confirm its Mistress of Ceremonies for the weekend will be author A.K. Benedict, who will be launching the weekend’s proceedings. A.K. Benedict was educated at Cambridge, University of Sussex and Clown School. Described by the Sunday Express as ‘one of the new stars of crime fiction with a supernatural twist’, AK Benedict’s debut novel, The Beauty of Murder, was shortlisted for an eDunnit award and is in development for TV by Company Pictures. Her second novel from Orion, The Evidence of Ghosts, is a love song to London and shows her obsession with all things haunted. Her radio drama includes Doctor Who and Torchwood plays for Big Finish and a modern adaptation of M.R. James’ Lost Hearts for Bafflegab/Audible.

(3) ODYSSEY WORKSHOP SCHOLARSHIPS. Here is an overview of “2019 Odyssey Writing Workshop Scholarship Opportunities”. The Odyssey Writing Workshop is an acclaimed, six-week program for writers of fantasy, science fiction, and horror held each summer in New Hampshire. Writers apply from all over the world; only fifteen are admitted.

  • George R.R. Martin sponsors the Miskatonic Scholarship, awarded each year to a promising writer of Lovecraftian cosmic horror, a type of fiction Martin loves and wants to encourage. The scholarship covers full tuition, textbook, and housing. Martin says, “It’s my hope that this new scholarship will offer an opportunity to a worthy applicant who might not otherwise have been able to afford the Odyssey experience.” Applicants must demonstrate financial need in a separate application. Full details at the link.
  • Bestselling author and Odyssey graduate Sara King is sponsoring the Parasite Publications Character Awards to provide financial assistance to three character-based writers wishing to attend this summer’s Odyssey. The Parasite Publications Character Awards, three scholarships in the amounts of $2,060 (full tuition), $500, and $300, will be awarded to the three members of the incoming class who are deemed extraordinarily strong character writers, creating powerful, emotional characters that grab the reader and don’t let go. No separate application is required.
  • The new Chris Kelworth Memorial Scholarship will be offered to a Canadian writer admitted to Odyssey. This scholarship, funded by alumni and friends of Chris, will cover $900 of tuition.
  • One work/study position is also available. The work/study student spends about six hours per week performing duties for Odyssey, such as photocopying, sending stories to guests, distributing mail to students, and preparing for guest visits. Odyssey reimburses $800 of the work/study student’s tuition.

(4) FREE READ. Arizona State University has published Everything Change: An Anthology of Climate Fiction, Volume II, an anthology featuring 10 short stories from ASU’s 2018 global climate fiction contest, plus a foreword by Kim Stanley Robinson, who also served as the lead judge for the contest.

The stories explore climate chaos, its aftermath, and possible ways forward through a variety of genres and styles, from science fiction and fantasy to literary fiction and prose poetry. It’s free to download in a variety of digital formats (HTML, EPUB, MOBI, and via Apple iBooks).

Table of Contents:

  • Kim Stanley Robinson, Foreword
  • Angie Dell and Joey Eschrich, Editors’ Introduction
  • Monarch Blue, by Barbara Litkowski
  • The Last Grand Tour of Albertine’s Watch, by Sandra K. Barnidge
  • Half-Eaten Cities, by Vajra Chandrasekera
  • Darkness Full of Light, by Tony Dietz
  • Luna, by David Samuel Hudson
  • Tuolumne River Days, by Rebecca Lawton
  • The Most Beautiful Voyage in the World, by Jean McNeil
  • Orphan Bird, by Leah Newsom
  • The Office of Climate Facts, by Mitch Sullivan
  • Losing What We Can’t Live Without, by Jean-Louis Trudel
  • About the Contributors
  • Honorable Mention: 2018 Contest Semifinalists

(5) HUGO VOTER ELIGIBILITY. Dublin 2019 is fixing this –

(6) MY KINGDOM FOR CANON. [Item by Mike Kennedy.] Retcons are king. Or kinda want to be. The Daily Dot stares into the abyss at the changing look of Klingons over the various Star Trek series and movies—and especially the significant changes between the first two seasons of Star Trek: Discovery  (“Here’s Why the Klingons Look Different in ‘Star Trek: Discovery’ Season 2”).

In the grand tradition of sci-fi retcons, there’s a canon explanation for the Klingons’ new look. While the humanoid Original Series Klingons were retroactively explained as victims of a genetic diseaseDiscovery’s bald Klingons [in season 1] were apparently making a fashion statement.

According to actress Mary Chieffo (L’Rell), designer Glenn Hetrick decided that the Klingons weren’t “bald” in season one—they just shaved their heads. Speaking at New York Comic Con last year, Chieffo said Hetrick was inspired by the Next Generation episode “Rightful Heir.”

“There is a reference to when [legendary Klingon hero] Kahless is brought back as a clone. The way he proves himself is he tells the story of how he cut off a lock of his hair and dipped it into a volcano and made the first bat’leth, with which he killed Molor, the terrible tyrant who was running Qo’noS at the time. We took that one little beautiful seed… and kind of expanded on that, and we see that in a time of war the Klingons would shave their heads, and in a time of peace, we start to grow it back out. I really love the symbolism of that.”

Meanwhile, ScreenRant.com has a different take on the whole, um, different Klingon thing (“Star Trek Theory: Discovery Is Why The Original Series Klingons Look Different”).

Star Trek: Discovery could finally explain one of the franchise’s biggest discrepancies: why do the Klingons in The Original Series look human? The answer might be the former Starfleet Lieutenant Ash Tyler, who is the surgically altered Klingon named Voq.

[…] It’s possible Star Trek: Discovery season 1’s transformation of Voq into Ash Tyler is the forerunner to why the Klingons Captain Kirk faced in The Original Series didn’t have the ridged brows and wild hair of later Klingons. Voq was the former Torchbearer of T’Kuvma who underwent surgery to become human in a horrifically painful process that damaged his mind. His lover L’Rell oversaw the procedure to turn Voq into Ash Tyler, a Starfleet Lieutenant who was captured during the Battle at the Binary Stars. Voq ended up believing he really was Ash and fell in love with Michael Burnham but his inner Klingon kept fighting his way to the forefront.

[…] By the time Captain Kirk faced the Klingons for the first time in the Star Trek: The Original Series’ episode “Errand of Mercy”, the warrior race looked and behaved human, albeit with darker, exotic skin. Kor, the Klingon Commander, even told Kirk “our races aren’t so different”. He meant that both humans and Klingons are war-like species, but his words could also now have a deeper context: the Klingons have 24 Great Houses and it’s possible this group of Klingons underwent the same (perfected) procedure that turned Voq into Ash Tyler.

(7) CELEBRATORY YEAR. “150 years of the periodic table: Test your knowledge”. I scored 5 for 5 – how unusual!

You’ll find it on the wall of nearly every school chemistry laboratory in the land.

And generations of children have sung the words, “hydrogen and helium, lithium, beryllium…” in an attempt to memorise some of the 118 elements.

This year, the periodic table of chemical elements celebrates its 150th birthday.

…The United Nations has designated 2019 as the International Year of the Periodic Table to celebrate “one of the most significant achievements in science”.

In March, it will be 150 years since the Russian scientist, Dmitri Mendeleev, took all of the known elements and arranged them into a table.

Most of his ideas have stood the test of time, despite being conceived long before we knew much about the stuff that makes up matter.

On Tuesday, the year will be officially launched in Paris. So, what’s so special about this iconic symbol of science?

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born January 29, 1923 Paddy Chayefsky. In our circles known as the writer of the Altered States novel that he also wrote the screenplay for. He is the only person to have won three solo Academy Awards for Best Screenplay. The other winners of three Awards shared theirs. He did not win for Altered States though he did win for Network which I adore. (Died 1981.)
  • Born January 29, 1940 Katharine Ross, 79. Yes, you know her as Elaine Robinson in The Graduate but that’s hardly genre, do shall we see what she done in our area of interest? Her first such work was as Joanna Eberhart in The Stepford Wives –scary film that. She shows up next as Helena in The Swarm and plays Margaret Walsh in The Legacy, both horror films. The Final Countdown sees her in the character of Laurel Scott.  And Dr. Lilian Thurman is her character in the cult favorite Donnie Darko. I’m fairly sure that the only genre series she’s done is on The Wild Wild West as Sheila Parnell in “The Night of the Double-Edged Knife” episode. I did debate if the I should could I count Alfred Hitchcock Presents aa genre or not as she did an episode there as well.
  • Born January 29, 1977 Justin Hartley, 42. Performer in the series as Green Arrow and Oliver Queen characters, season six on. Also director of the “Dominion” episode and the writer of the “Sacrifice” episode on that series. He’s also Arthur “A.C.” Curry in the unsold Aquaman television pilot. The latter is up on YouTube here. He’s also lead cast in a web series called Gemini Division.
  • Born January 29, 1978 Catrin Stewart, 31. Jenny Flint in five episodes of Doctor Who. She was friends with Madame Vastra and Strax (informally known as the Paternoster Gang) who appeared first during the Eleventh Doctor and last during the Twelfth Doctor. Big Finish has continued them in their audiobooks. She also played Stella in two episodes of the Misfits series, and was Julia in a performance of Nineteen Eighty-Four done at London Playhouse several years back. 

(9) COMICS SECTION.

  • Frank and Ernest encounter a superhero with a not very pleasant power.
  • Not everybody gets off the ground at Hogwarts according to Berkeley Mews.
  • A super warning about the cold and flu season at Off the Mark.

(10) ELGIN AWARD NOMINATIONS OPEN. The Science Fiction and Fantasy Poetry Association is taking nominations for the Elgin Award through May 15. Charles Christian will be the 2019 Elgin Awards Chair.

Only SFPA members may nominate; there is no limit to how many they can nominate, but they may not nominate their own work. Send title, author, and publisher of speculative poetry books and chapbooks published in 2017 and 2018 to elgin@sfpoetry.com by mail to the SFPA secretary: Renee Ya, P.O. Box 2074, San Mateo, CA 94401 USA. Books and chapbooks that placed 1st, 2nd, or 3rd, in last year’s Elgin Awards are not eligible.

(11) FOREVER YOUNG. A young Captain Picard steps up alongside a bunch of  Italian Renaissance turtles and other, um, beloved characters (SYFY Wire: “Exclusive: Young Captain Picard commands the U.S.S. Stargazer in Star Trek: IDW 20/20 one-shot”).

IDW Publishing’s big 20th anniversary celebration rolls on this month as the mini-major refreshes five of their major licensed titles with a time-traveling series of oversized one-shot releases. 

The January party sparkles with some of pop culture’s most treasured properties as GhostbustersJem and the Holograms, My Little Pony, Star Trek, and Teenage Mutant Ninja Turtles uncover characters’ secrets and mysteries shot 20 years into the future or tugged back to the past.

(12) RUN, CAT, RUN! Camestros Felapton has the news — “Shock billionaire spoiler candidate enters presidential race”.

Timothy the Talking Cat, billionaire CEO of publishing multinational “Cattimothy House” entered the 2020 Presidential fray, with a shock announcement on Tuesday. At a book launch in Borstworth Library, the outspoken cat and business guru laid out his vision for a new kind of US President.

(13) NEW BENNETT NOVELLA DISCUSSED. Several star reviewers from Nerds of a Feather participate in “Review Roundtable: Vigilance by Robert Jackson Bennett”.

CONTENT WARNING: This review discusses gun violence throughout, and includes references to child death. Also, we’re discussing the whole novella, so BEWARE SPOILERS.

Vigilance, the new novella from Robert Jackson Bennett, is out today and it’s a searing look at gun violence in the US. In this near future dystopia, John McDean is tasked with running “Vigilance”, the nation’s favourite reality programme, which releases real shooters are released on unsuspecting locations with military-grade armaments, and the resulting carnage is broadcast as a “lesson” in how to protect oneself. McDean and his crew at ONT station think they have the variables of Vigilance down to a fine art, but in the novella’s ensuing escalation find themselves taken down by one of McDean’s own blindspots, to dramatic effect.

We’ve got a lot of Bennett fans on our team here at Nerds of a Feather and when this novella came to our attention, lots of us were interested in reading it to review. That’s why, instead of taking it on alone, today I, Adri, am joined by Paul Weimer, Brian, and Joe Sherry to unpack Bennett’s highly topical novella and our reactions to it.

(14) MARKET UPDATE. Coming over the air now —

(15) PREY WITHOUT CEASING. We linked to the trailer yesterday, now The Hollywood Reporter explains it all to you: “How ‘Birds of Prey’ Footage Builds on ‘Suicide Squad’ Look”.

Margot Robbie’s next take on Harley Quinn is steeped in ’80s music video sensibilities. Gotham City’s newest protectors have arrived. Tuesday morning, following an Instagram post by Margot Robbie teasing her return as Harley Quinn, Warner Bros. released the first official behind-the scenes look at Cathy Yan’s Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn). The first look teases viewers with quick glimpses of the main characters, who, alongside Robbie’s Harley Quinn, are comprised of Huntress (Mary Elizabeth Winstead), Black Canary (Jurnee Smollett-Bell), Renee Montoya (Rosie Perez), Cassandra Cain (Ella Jay Basco), Victor Zsasz (Chris Messina), and Black Mask (Ewan McGregor). Birds of Prey follows the events of Suicide Squad and finds Gotham City in a very different place following an apparent disappearance of Batman, and Quinn’s separation from the Joker. Harley finds herself on a continued path of redemption when she seeks to help a young girl, Cassandra Cain, escape the wrath of Black Mask by recruiting a force of Gotham heroines.

(16) OUT OF TIME. Vicky Who Reads makes it sound irresistible: “Here and Now and Then by Mike Chen (DRC): An Amazing Adult Sci-Fi Novel with Strong Family Themes”. Her review begins….

Kin Stewart used to be a time-traveling secret agent from 2142.

Now, stranded in suburban San Francisco since the 1990s after a botched mission, Kin has kept his past hidden from everyone around him, despite the increasing blackouts and memory loss affecting his time-traveler’s brain. Until one afternoon, his “rescue” team arrives—eighteen years too late.

(17) FROG STUFFING. Jon Del Arroz’ Happy Frogs lists are callbacks to what JDA thinks were the good old days of the Sad and Rabid Puppies. How much pull does he actually have? We’ll know if any of these names from “The Happy Frogs Hugo Award list” [Internet Archive link] show up on the 2019 ballot. (Well, it wouldn’t be a complete shock if David Weber got a nod for Best Series on his own – but that still leaves the rest of them.)

(18) WHERE FEW HAVE GONE. After five decades it’s hard to believe, but newly uncovered (or rediscovered) wide-format footage and uncatalogued audio was available as the basis for a new Apollo 11 documentary. Rolling Stone has the story of the doc plus a trailer (“‘Apollo 11’ Trailer: See Never-Before-Seen Footage From NASA’s Moon Mission”).

New footage from the lead-up to NASA’s first manned trip to the moon (and the landing itself) features in the upcoming documentary Apollo 11, which premiered at the Sundance Film Festival.

“Crafted from a newly discovered trove of 65mm footage, and more than 11,000 hours of uncatalogued audio recordings, Apollo 11 takes us straight to the heart of NASA’s most celebrated mission—the one that first put men on the moon, and forever made Neil Armstrong and Buzz Aldrin into household names,” distribution company Neon said of the film.

“Immersed in the perspectives of the astronauts, the team in Mission Control, and the millions of spectators on the ground, we vividly experience those momentous days and hours in 1969 when humankind took a giant leap into the future.”

(19) LAST THOUGHTS ABOUT BROADWAYCON. [Item by Martin Morse Wooster.] On “Three on The Aisle:  Broadway Cosplay” at Americantheatre.org, Elisabeth Vincentelli gives a BroadwayCon report, which begins at sixteen minutes into the podcast and ends at 34 minutes.  She did see some cosplayers, such as a woman from West Virginia who sat on a bus wearing her costume as the Angel from Angels in America, and she occasionally did see fans wanting to get too close to the stars (which in the theatre world is known as “stagedooring.”)  But she also appreciated the substantive panels, such as one on Oklahoma where cast members sang songs they didn’t sing on stage, and noted that BroadwayCon is important enough that stars like Kristen Chenoweth show up there unannounced. Wall Street Journal drama critic Terry Teachout said he wanted to go next year and that “A critic incapable of being a fan is a critic that needs therapy.”

[Thanks to John King Tarpinian, Chip Hitchcock, Cat Eldridge, Martin Morse Wooster, JJ, Mike Kennedy, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Kip Williams.]

Frankenstein Bicentennial Dare

Arizona State University and several cooperating organizations have launched the Frankenstein Bicentennial Dare, a pair of contests which challenge authors to write new fiction and nonfiction stories about creators and their creations, science and society, and monstrosity.

In June 1816, Mary Shelley and a group of fellow writers challenged each other to tell a scary story. In the wee hours of June 16, Mary was woken by a nightmare that became the foundation for Frankenstein, a novel that continues to shape perspectives on contemporary scientific breakthroughs. Today, the Frankenstein Bicentennial Dare competition will replicate that original challenge, inspiring amateur and professional writers to reflect on questions of science, ethics, creativity, and responsibility.

As the ASU website says: “Frankenstein writing contest seeks to reanimate the conversation of science and responsibility”.

Frankenstein emerged in a moment of great social and technological change,” said Ed Finn, co-director of ASU’s Frankenstein Bicentennial Project. “Today, via incredible scientific advances, we have the power to create and guide many kinds of life, from genetically engineered organisms to snarky chatbots. We need new, updated myths about creators, creations, and the responsibilities we share for the things we bring into the world.”

SHORT FICTION CONTEST. Entries will be “short and scary tales about unexpected consequences and unintended monstrosities.”

Almost anything that we create can become monstrous: a misinterpreted piece of architecture; a song whose meaning has been misappropriated; a big, but misunderstood idea; or, of course, an actual creature. And in Frankenstein, Shelley teaches us that monstrous does not always mean evil – in fact, creators can prove to be more destructive and inhuman than the things they bring into being

Tell us your story in 1,000 – 1,800 words on Medium.com and use the hashtag #Frankenstein200. Read other #Frankenstein200 stories, and use the recommend button at the bottom of each post for the stories you like. Winners in the short fiction contest will receive personal feedback from Hugo and Sturgeon Award-winning science fiction and fantasy author Elizabeth Bear, as well as a curated selection of classic and contemporary science fiction books and  Frankenstein goodies, courtesy of the NaNoWriMo team.

One submission per author. Submissions must be in English and between 1,000 to 1,800 words. You must follow all Medium Terms of Service, including the Rules.

All entries submitted and tagged as #Frankenstein200 and in compliance with the rules will be considered.

The deadline is July 31, 2016.

Three winners will be selected at random on August 1, 2016.

Each winner receives the following prize package including:

Additionally, one of the three winners, chosen at random, will receive written coaching/feedback from Elizabeth Bear on his or her entry.

Select stories will be featured on Frankenscape, a public geo-storytelling project hosted by ASU’s Frankenstein Bicentennial Project. Stories may also be featured in National Novel Writing Month communications and social media platforms.

Presented by NaNoWriMo and the Chabot Space and Science Center.

ESSAY CONTEST. The nonfiction competition summons authors to “document true stories about the evolving relationships between humanity and technology.”

Essays must be vivid and dramatic; they should combine a strong and compelling narrative with an informative or reflective element and reach beyond a strictly personal experience for some universal or deeper meaning. We’re open to a broad range of interpretations of the “Frankenstein” theme, with the understanding that all works submitted must tell true stories and be factually accurate. Above all, we’re looking for well-written prose, rich with detail and a distinctive voice.

Creative Nonfiction editors and a judge (to be announced) will award $10,000 and publication for Best Essay and two $2,500 prizes and publication for runners-up. All essays submitted will be considered. Winners will be announced in mid-2017, and winning essays will be included in the winter 2018 issue of Creative Nonfiction magazine.

Deadline for submissions: March 20, 2017. For complete guidelines: www.creativenonfiction.org/submissions

FRANKENSTEIN BICENTENNIAL PROJECT. Launched by Drs. David Guston and Ed Finn in 2013, the Frankenstein Bicentennial Project is a global celebration of the bicentennial of the writing and publication of Mary Shelley’s Frankenstein, from 2016-2018.

The project uses Frankenstein as a lens to examine the complex relationships between science, technology, ethics, and society. Arizona State University will act as a global hub for a vast array of activities at a wide range of venues, including film festivals, scientific demonstrations, writing and artistic competitions, museum exhibits, scholarly workshops, new books, special issues of magazines and journals, and other cross-platform media experiences.

This video about the Dare was shot in Geneva just miles from where Shelley originally came up with the story.