Pixel Scroll 1/31/19 No Screaming While The Scroll Is In Motion!

(1) MARVEL AT MOPOP. Ellie Farrell had a photo taken with a friend during her visit to MoPop’s Marvel exhibit in Seattle. Opened last Spring, the exhibit continues through March 3.

(2) SFF DOES WORK TOO. Charlie Jane Anders, in a Washington Post opinion piece “Kamala Harris is wrong about science fiction”, takes issue with Sen. Kamala Harris’s claim that “we need facts, not science fiction” to deal with climate change, saying that “science fiction creators have been doing some soul-searching that includes looking for ways we can do more to restore people’s faith in the future” in dealing with climate change, “the global crisis of democracy,” and “attacks on LGBTQ people’s right to exist.”

Sen. Kamala D. Harris was half right in her speech launching her 2020 presidential campaign when she said we need to address climate change based on “science fact, not science fiction.” The truth is, we need both. Science fiction has an important role to play in rescuing the future from the huge challenges we’re facing — and the responses to Harris’s statement illustrate this perfectly.

When the California Democrat’s statement about climate change went out on social media, a number of people pointed out the truth: Science fiction has been helping us to prepare for a world of potentially disastrous climate upheaval for years. But an equal number of loud voices took issue with Harris’s warnings about climate change, because in our post-truth era, the scientific consensus about what humans are doing to our planet is still somehow a matter of opinion.

And that’s why science fiction is more important than Harris gives it credit for. No amount of scientific evidence will convince deniers — or the vast number of people who merely live in a state of denial. We live in an era in which facts and fiction are blurring into an indistinguishable mess and power belongs to whoever can tell the best story, true or not. No one can even tell what’s real anymore, and what matters is just how something makes us feel — which is why we need better stories, that, in the words of author Neil Gaiman, “lie in order to tell the truth.”

(3) SATIRE CONSIDERED. Anita Sarkeesian’s Feminist Frequency podcast for January 30 takes a look back at the original Starship Troopers movie:

You’re going to love this week’s phenomenal conversation about Starship Troopers (1997) with special guests Mary Robinette Kowal and Max Temkin! Tune in for a thought-provoking discussion (and very amicable disagreement) about how successfully the film executes its satire of fascist military fantasies. Just what are the possibilities and limits of satire? What can director Paul Verhoeven’s career tell us about this “pointed critique of American imperialism”? And exactly how long will it take Anita to remember the name of the game Spec Ops without Carolyn to help?

(4) YA UPROAR CONTINUES. On Facebook, Nick Mamatas delved into the questions surrounding Amélie Wen Zhao’s decision to pull Blood Heir (reported in yesterday’s Scroll). His post is quoted with permission:

A YA novel called BLOOD HEIR, which sounds entirely awful, has been pulled from publication by its author Amélie Wen Zhao after complaints of plagiarism, poor “Russian rep” as it was put, and anti-blackness from YA twitter aficionadi:

1. Definitely messed up Russian naming conventions—though I am happy to point out that many of the same people complaining about this book are thrilled to go see the next Avengers film, and even agitated in the past for more action figures of the Black Widow in her sexy bodysuit (you know, for young girls!), called wrongly Natasha Romanoff in the films. So there is definitely a power relationship here; this is at least partially a game of “let’s flex on the new girl” while queueing up to consume a billion dollars worth of slop from the Disney hog trough.

2. Haven’t seen any screencaps actually demonstrating plagiarism except for a single sentence (“Don’t go where I can’t follow.”) In cases like this, often people casually use the term to mean “cliché” or even “genre trope.” Frankly if people don’t like clichés and genre tropes, they shouldn’t be reading children’s literature. That said, I may have just messed the presentation of textual evidence. I wouldn’t be surprised if there were a ton of plagiarism.

3. The author claims that her interest was exploring indenture as it is currently practiced in China and Asia; her critics complain that a major scene involves a black-coded girl with ocean-light eyes being auctioned off, and then dying while the main character sings her a lullaby. Sounds entirely awful. I think this is also a bit of what people mean by plagiarism—this character has been identified as smacking of Rue from HUNGER GAMES. The critics definitely seem to have a point.

4. As is common, moralism abounds. I’ve certainly seen more than one note fretting aloud that CHILDREN and the YOUTH will read this book and thus be exposed to its anti-blackness. Of course, all the right-wingers rallying against the “SJW mobs” and promising the author that *they* would read the book, ya know, to triggerown the shitlibs or whatever, are lying and performing their own version of “virtue signaling” as they call it. None of those kobolds would ever read a thing that doesn’t feature a photo of the author on a red-white-and-blue background.

I think the issue of Blood Heir was that it was trafficking in racist cliches and daring to do so with only a mere publishing company and not a giant media complex behind it. I’ll always feel a thrill when an author is punished for laziness and top-of-mind decision-making, but let’s be clear: moralism itself is a cliché as well, even when it’s left-moralism. YA twitter is absolutely a Pretty Person Club and Zhao was this year’s scapegoat. But Zhao’s crime of auctorial laziness is just one more datum point showing how sadly inadequate the acquisition and editorial process in big publishing is.

And Arthur Cover has written a public letter to Zhao which says in part –

I just wrote this letter to a young author named Amelie Zhao, who withdrew her YA fantasy novel from publication because of negative comments on line…. Obviously I feel very strongly about this….

A novel cannot be all things to all people. At least one comment on your novel that I read was from a person who felt it insufficiently validated his/her ideas about slavery and villains using a cane. Often when a character uses a cane it is symbolic of something and is not a commentary on people who use a cane in real life. Readers who can’t tell the difference aren’t your concern.

Decades ago I was in a conversation with Samuel R. Delany and when he learned that a writing class was divided equally on the merits of one of his stories, he was quite pleased. He knew he’d accomplished something because of the class’s reaction.

Do not stop. Please reconsider your decision regarding your novel. These critics (and I’ve been a nasty one) are throwing spitballs at a battleship….

(5) AUDIO PALS. In the Washington Post, Karen Heller has a piece about authors and their audiobook readers, “‘I can write the words. He supplies the melody’: The harmonious bond between authors and audiobook narrators”. Two of the authors Heller interviews are genre writers:  five-time Bram Stoker Award nominee Jonathan Maberry, who says he now hears the voice of his audiobook reader, Ray Porter, in his head when he’s writing, and Canadian urban fantasy writer Kevin Hearne, who liked narrator Luke Daniels so much they’ve worked together on independent projects.

Jonathan Maberry, a fiercely prolific author of often frightening novels, hears voices rattling in his head. Specifically, one voice, that of actor Ray Porter, who narrates his audiobooks. A five-time Bram Stoker Award winner, Maberry would “imagine how Ray would inflect certain things, and I started to write toward his performance.” Be it horror, thrillers, science fiction, young adult and middle grade fiction, almost three dozen novels since 2006 — this is not a typo, and excludes anthologies, short stories and comics — Porter, without contributing a word, has helped Maberry accomplish the goal of most writers: selling more books. Says Maberry, “We’re very much a team.”

(6) NEW FAN FUND IDEA. Marcin Klak has written a proposal for creating a European Fan Fund to allow people from different countries to attend Eurocon. His draft of the rules and the winner’s responsibilities begins —

Purpose: The purpose of the Fan Fund is to create and strengthen bonds between European fans and fandoms. Currently in almost every country there is a fandom that quite often has small or no connection to the broader European fandom. Most fans do concentrate on the “here and now” and are not looking for friends in other countries.

The idea: A delegate would be elected by fans across Europe to travel to Eurocon. The delegate must offer to have a talk about fandom in their country. The delegate should also offer their participation as a guest in the Eurocon Awards ceremony, Opening ceremony and Closing ceremony. Any other help from the delegate should be encouraged. It will be for the Eurocon organizers to accept that help to the extent that suits them.

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born January 31, 1923 Norman Mailer. I never knew he wrote in the genre but he did. Ancient Evenings certainly has the elements of fantasy and The Castle in the Forest is interesting retelling of Adolf Hitler and his last days. (Died 2007.)
  • Born January 31, 1937 Philip Glass, 82. 1000 Airplanes on the Roof: A Science Fiction Music-DramaEinstein on the BeachThe Making of the Representative for Planet 8 (with a libretto by Doris Lessing based on her novel of the same name), The marriages between zones three, four, and five (1997, libretto by Doris Lessing, after her second novel from Canopus in Argos), The Witches of Venice and The Juniper Tree would be a fragmentary listing of his works that have a genre bias.   
  • Born January 31, 1960 Grant Morrison, 59. If you can find it, his early stuff on such U.K. publishers as Galaxy Media and Harrier Comics is worth searching out. Not your hero in tights materials at all. For his work in that venue, I’d recommend his run on The Resurrection of Ra’s al Ghul, all of his Doom Patrol work (and the DC Universe series this fall is based on his work), Seven Soldiers and his weird The Multiversity
  • Born January 31, 1977 Kerry Washington, 42. Alicia Masters in Fantastic Four and Fantastic Four: Rise of the Silver Surfer. Also played Medical Officer Marissa Brau in  30,000 Leagues Under the Sea. She voices Natalie Certain in Care 3. She also voices Princess Shuri in a short run Black Panther series. 

(8) MR. & MRS. Bill writes, “The 1/29 scroll item about Tiptree got me to looking things up, and I found the attached” – a bit of social news from the Chicago Tribune for January 24, 1946. Definitely still news to me.

(9) WRONG ON JEOPARDY! Andrew Porter spotted another bad guess on tonight’s episode of Jeopardy!

Category: Scribbling Siblings

Answer: Aviation writer Robert Serling helped little bro Rod with “The Odyssey of Flight 33” episode of this series.

Wrong answer: What is “Star Trek”?

(10) GALAPAGOS AIR FORCE. BBC tells how “Drones help Galapagos tackle rat infestation”.

Drones are helping conservationists rid one Galapagos island of an infestation of rats threatening indigenous birds.

The drones have dropped poison on more than half of North Seymour Island in a bid to kill off the invasive species.

The island’s rare birds nest on the ground and their numbers are being depleted by the rodent invasion.

The drones work much faster and more cheaply than helicopters which have been used in similar rat eradication projects elsewhere.

(11) TRACING CLIMATE HISTORY. Researchers think “America colonisation ‘cooled Earth’s climate’”.

Colonisation of the Americas at the end of the 15th Century killed so many people, it disturbed Earth’s climate.

That’s the conclusion of scientists from University College London, UK.

The team says the disruption that followed European settlement led to a huge swathe of abandoned agricultural land being reclaimed by fast-growing trees and other vegetation.

This pulled down enough carbon dioxide (CO?) from the atmosphere to eventually chill the planet.

It’s a cooling period often referred to in the history books as the “Little Ice Age” – a time when winters in Europe would see the Thames in London regularly freeze over.

“The Great Dying of the Indigenous Peoples of
the Americas led to the abandonment of enough cleared land that the resulting terrestrial carbon uptake had a detectable impact on both atmospheric CO? and global surface air temperatures,” Alexander Koch and colleagues write in their paper published in Quaternary Science Reviews.

(12) THE ELEPHANT (SEAL) IN THE ROOM. Look what happens when those pesky humans aren’t around — “Seals take over California beach closed in US shutdown”.

A large herd of elephant seals has taken over a beach in California that was forced to close during the government shutdown.

The seals took advantage of the 35-day shutdown to make themselves at home on Drakes Beach, and in its car park.

So far they have been spotted lying on their stomachs, taking naps and occasionally snuggling their pups.

The beach will remain closed until the seals decide to move on – although it’s not clear when that will be.

(13) HELP WANTED. There’s a job vacancy in Gotham: “Ben Affleck signals Batman departure”.

Holy recasting, Batman! The search is on for a new Dark Knight following Ben Affleck’s apparent confirmation that he is hanging up his Bat cape.

The actor effectively said as much by retweeting a story saying Matt Reeves’ The Batman would be made without him.

“Excited for #TheBatman in Summer 2021 and to see @MattReevesLA vision come to life,” Affleck wrote.

The 46-year-old first appeared as the comic book superhero in 2016’s Batman v Superman: Dawn of Justice.

(14) DEATH RIDES A BOBBLEHEAD. Matt Monaghan, in “The Dia de Los Dodgers Skull Bobblehead is Amazing”  on Cut4 has one of the all-time greatest fantasy bobbleheads EVER.

Bobblehead nights happen all the time at baseball games. Already this year, there’s been one for a nun, one for Pitbull and one for a bald eagle that flew into a pitcher’s face. But during Wednesday’s Rockies-Dodgers game, we may have found the coolest bobblehead ever: The Dia de Los Dodgers sugar skull bobblehead.

(15) STAN LEE GIVEN POSTHUMOUS KEY TO THE CITY. Hey, it’s LA. L. Ron Hubbard put out books here for years after he died. Who’s to say Stan won’t get some use from it? That was just part of what happened at the celebrity-studded tribute to Stan Lee on Wednesday night: “Stan Lee’s Friends and Fans Pay Tearful, Funny Tribute to Their ‘Generalissimo’” in The Hollywood Reporter.

…Hosting the show was Lee’s long-time friend and fan, filmmaker Kevin Smith, who was sure to note that Lee was “one of the best humans to ever walk the Earth” before inviting everyone to enter the theater. The theater itself was transformed into a monument to the man, with some of his most beloved comics on display, from the first appearance of Spider-Man and Black Panther to some of the most iconic adventures of the Fantastic Four. Costumes from the Sony-led Spider-Man films were displayed inside glass cases, but it was the energy in the room that truly punctuated the evening.

Smith put it best at the beginning of the tribute: “This is not a funeral, though he’s gone. This is a celebration! That’s how religions start. We all agree that we saw him tonight and that he’s no longer gone. Stan’s spirit is here with us.” With all the outpourings of love in the room, it’d be hard to argue otherwise. Copious footage of Lee played throughout the evening, including a touching clip of him singing “Cocktails for Two”, with all the energy of someone in their twenties, as his embarrassed assistants set up his microphone.

Smith kicked off the evening with the story of how he met Stan for his movie Mallrats and the grand efforts it took to convince the then less-recognizable legend to appear in his film after Lee read the script and remarked “I would never say this.” Smith admitted that Lee himself was never quite accepting or aware of his successes, despite his put on braggadocio. “This was a guy who spent his life dreaming of writing the great American novel, and he didn’t realize that he had been successful and fulfilled his dreams one-thousand times over,” Smith said. Smith himself admitted that “it was hard to understand that we were friends” before eventually coming to realize just how much Lee loved him.

…Perhaps the biggest moment of the night came with the appearance of Los Angeles Mayor Eric Garcetti, who detailed Lee’s love affair with L.A. before running through a detailed catalogue of his own nerdiness, including a proclamation that no one could offer him enough money to let go of his complete collection of original copies of the Wolverine comic series. Garcetti made it clear, “Stan Lee was a mensch who always fought for the underdog”, before presenting Stan’s former company Stan Lee’s POW! Entertainment with Garcetti’s third ever “Key to the City”, carved from a fallen tree and engraved with Stan’s image and catchphrase “Excelsior!”

(16) IN THE SPIRIT OF IAIN M. BANKS. A funny thread about pet names for weaponry – begins here.

(17) DEALING WITH A FOOD EVANGELIST. “Dear Mother Goose”, an advice column for children’s book characters, by Slate’s Emma Span. Here’s the problem, click to read Mother’s answer:

Dear Mother Goose,

I am being aggressively pursued by someone (I’ll call him S.I.A.) who is bizarrely obsessed with getting me to eat “green eggs and ham.” He has offered no explanation of where the ham and eggs came from, why they are green, or why he cares if I eat them. I have calmly and clearly turned him down, but he is following me everywhere, carrying a plate of food, which by now is cold, dirty, and wet as well as green. Nevertheless, S.I.A. thinks I might like the food. He has brought a mouse, a fox, and a goat to me, as if that would change my mind. We were even involved in a boating accident because of his behavior….

[Thanks to Andrew Porter, JJ, Cat Eldridge, Mike Kennedy, Carl Slaughter, Martin Morse Wooster, John King Tarpinian, Olav Rokne, John A Arkansawyer, and Chip Hitchcock for some of these stories. Title credit goes to File 770 contributing editor of the day Brian Z.]

Harlan Ellison Tribute Roundup

Acclaimed speculative fiction writer Harlan Ellison died today at the age of 84. Here is a selection of tributes and reactions posted in social media immediately following the announcement.

Stephen King

Samuel Delany on Facebook

Here’s the guy who started the notable part of my career. At the Tricon, he ran up to me and demand a story: I wrote it at the upcoming Milford–Aye and Gomorrah, which won the following year’s Nebula Award.

Patton Oswalt

Arthur Cover on Facebook

As most of the planet knows, Harlan Ellison passed away in his sleep last night. I am seriously bummed. Little did I know when I bought the first volume of the paperback edition on Dangerous Visions when I was a sophomore at Tech did those two words would have such a profound impact on my life. Harlan was responsible for my first sale, to the mythical Last Dangerous Visions, at a Clarion Workshop.

He became a big brother figure to me, and I stayed at Ellison Wonderland on and off during the many times when I was *ahem* between places in LA. I knew his dog Abu, who used to sneak out of the house to get some Hungarian Goulash from a couple down the street. I knew his maid Yosondua, a wonderful person. And I missed meeting his mother by a couple of weeks. There’s so much to remember about him that I can barely stand it.

I met a whole bunch of interesting people thanks to him. Forget the famous ones like Erica Jong; thanks to him, I met Pam Zoline, author of “The Heat Death of the Universe.” We saw Borges together. Thanks to him, I discovered Mahler and Bruckner. I turned him on to Kalinnikov. We both read comics and he liked to impersonate the Hulk with the voice of Ronald Coleman. (Try it.) He tried to set me up with young women; usually I ignored them, thus driving him stinking bonkers. And that was just the 70s.

Then there’s that Dangerous Visions thing – a whole bunch of autograph parties just for starters. (And let’s not forget the time he streaked A Change of Hobbit.) He was immensely supportive throughout the entire frustrating, rewarding enterprise. True, he had his faults; usually I ignored them too. But the exception of my family and friends from Tazewell, I wouldn’t know any of you today were it not for his generosity and friendship. He was a helluva guy, and I have been proud to be his friend forever.

Barbara Hambly on Facebook

Just got word that my friend Harlan Ellison passed away last night. An amazing man to know. I knew he was very ill – he’d never really recovered from a stroke a couple of years ago. So I feel no surprise. Just very, very sad.

Michael Cassutt on Facebook

A talented writer for sure, a self-made writer for absolutely sure…. I so remember “Repent, Harlequin” and “On the Downhill Side” and THE CITY ON THE EDGE OF FOREVER… and his columns that became THE GLASS TEAT, which sent me here to LA…. and more, the friendship that developed in the past decade or so, where I would pop up to Ellison Wonderland and have coffee with HE in his kitchen…. telling tales of George O. Smith and who else. I am actually bawling right now…..Harlan was my big brother and while his passing now, given his stroke three years back, is not a surprise…. it’ s still a shock.

Jaym Gates on Facebook

Harlan Ellison has died. My sympathies to those who will miss him. His voice was powerful, sometimes for good.

As a woman, I am not sad that there will be one less person who thinks it is funny to grope a woman on stage, and who was often used as a smoke screen for bad behavior by creative men.

Wil Wheaton on Twitter

Rest in Peace, Harlan. You always treated me like I was a person whose voice mattered, and I will cherish that memory for the rest of my life.

David Gerrold on Facebook

Harlan didn’t drink. I rarely drink.

Today I will drink.

Today I will toast a man who was a role model, a mentor, a critic, a friend — and ultimately my big brother.

He knew how much I loved him. I told him more than once.

The one thing he said about me that I cherish the most was shortly after I adopted Sean. He said, introducing me to someone else, “David Gerrold is the most courageous man I know.” Actually, it was Sean who needed the courage, but I understood what he was saying. He was acknowledging that I had finally grown up.

Harlan had a great public persona — but it was the private soul I loved the most. And goddammit, I’m going to miss that man.

Charles de Lint on Facebook

I’m very sad to have to write this but Harlan Ellison has passed away. He was a voice of reason, if somewhat contrary, and one of the best short story writers this field, or really any field, has known. He wore his “angry young man” persona lost after he was a young man but behind that bluster was a kind and generous man who would do anything for a friend. He will be greatly missed.

Cory Doctorow on Boing Boing

Ellison’s voice was infectious and has a tendency to creep into his fans’ writing. When I was 19, I attended a writing workshop at a local convention taught by Ann Crispin, who told me that I would be pretty good writer once I stopped trying to write like Harlan Ellison (I went on to sell that very Ellisonian story to Pulphouse).

Harlan was one of my Clarion instructors in 1992. He taught us remotely, by speakerphone, from his hospital bed in LA where he was recovering from angioplasty. I had attended that year because I couldn’t miss the opportunity to learn from Harlan Ellison, whom I held in highest regard (“hero worship” is not too strong a phrase to use here).

Ellison was not a good teacher (that year, at least). In fact, I think it’s safe to say that his instructional methods, which involved a combination of performative bullying and favorite-playing, were viewed as a disaster by all of my classmates, at least in hindsight.

Confronting the very real foibles of the object of my hero-worship was the beginning of a very important, long-running lesson whose curriculum I’m still working through: the ability to separate artists from art and the ability to understand the sins of people who’ve done wonderful things.

John Scalzi in the Los Angeles Times

…My second Harlan Ellison story was from 2011, the last time he was a finalist for the Nebula Award, given out by SFWA. Traditionally, SFWA contacts the Nebula finalists by phone to see if they’ll accept being on the ballot, and knowing of Harlan’s sometimes irascible phone manners, I was the one to call.

Harlan was not irascible. He wept into the phone. He had been ill, he said, and he wondered if what he was writing now still resonated and still mattered to people. To have his professional peers nominate him for one of the field’s most significant awards, he said, meant everything to him.

In that moment he wasn’t a giant of the field, a figure equally loved and loathed, a man about whom everyone had a story, or an opinion, about. He was simply a writer, happy to be in the company of, and remembered by, other writers.

Jeff VanderMeer on Facebook

He was a monumental personality who was influential in his day and to some extent today. He dove into the style and issues of his times with vigor, which sometimes makes his work feel dated but also resulted in classics that feel timeless. As an anthologist, he pushed boundaries in ways that, like his fiction, risked looking silly or actively terrible to modern audiences, but because of that also published a ton of innovative material and furthered the careers of writers who were quite experimental.

In erratic and sporadic fashion Ellison tended to be immensely helpful to some beginning writers and actively not helpful to others for no particular reason. Sometimes, I think, because he was too caught up in his mythology. Sometimes because he had a chip on his shoulder and was mercurial. I have mixed feelings about him for that reason, not to mention others, but there’s no denying he was a protean creative talent. I did learn to take risks in my writing from him, while also learning who I did not want to be as a teacher.

Richard Pini on Facebook

There are no words. He used them all anyway, and far better than most.

Robert Crais on Facebook

We lost Harlan Ellison today. The dedication to THE FIRST RULE reads as follows: “For my friend, Harlan Ellison, whose work, more than any other, brought me to this place.”. He cannot be replaced. He was a giant. He mattered.

David Brin on Facebook

Harlan was wickedly witty, profanely-provocative, yet generous to a fault. His penchant for skewering all authority would have got him strangled in any other human civilization, yet in this one he lived – honored – to 84… decades longer than he swore he would, much to our benefit with startling, rambunctious stories that will echo for ages.

John Hertz

I can’t remember who first remarked that “H.E.” stood equally for Harlan Ellison and High Explosive.

It also stands for His Excellency. Our H.E. being a whole-souled egalitarian would never have stood for that. But if one can break from the bonds of aristocratic associations – which in principle he was always for – it’s true.

I’m glad, not I hope without humility, that what pushed down the Montaigne piece was your notice of Brother Ellison’s death. Although Montaigne and the nature of zeal were two topics I never discussed with him, he might – and he did this sometimes – have approved.

David Doering

I feel a strong sense of loss with his passing. While he and I shared few opinions in common, I always appreciated his ability to stir up discussion.

To be clear, I did not have much personal interaction with Harlan over the years. The first tho was at a Worldcon in the 80s when he asked a large audience who had read a particular book he appreciated. Turned out that only he and I had done so. We chatted for a minute sharing comments, and, as a first encounter, I found him pleasant despite his reputation.

The other time was when Ray Bradbury suggested I call “his friend Harlan” about serving as a guest to LTUE. I can just imagine what must have gone through Harlan’s mind when he got a call from Utah, and from very Mormon BYU at that, asking about being a guest. (Had it happened, it would certainly have stirred things up here!) He was polite, straightforward, and nothing like his public “persona”. I came away appreciating him much more.

The last time was at a LASFS meeting at the old “Hooverville” building. He looked tired, but came to be with fen and seemed to have a good time. I’ll keep that image in my mind as I remember him.

Deadline.com“Harlan Ellison Dead: Legendary ‘Star Trek’, ‘A Boy And His Dog’ Sci-Fi Writer was 84”

Along with the Star Trek episode, Ellison’s 1964 Outer Limits installment “Demon with a Glass Hand” is widely considered among the best of its series. The bizarre, uncanny episode starred Robert Culp as a man who wakes with no memory but an apparently all-knowing glass hand. For years, rumors persisted that “Demon” inspired Terminator, though Ellison was quoted to have said, “Terminator was not stolen from ‘Demon with a Glass Hand,’ it was a ripoff of my OTHER Outer Limits script, ‘Soldier.’” According to a 1991 Los Angeles Times article, Ellison once again sued and settled.

ComicBook.comSci-Fi Writer Harlan Ellison Dies At 84

…Ellison also crafted a script for the Batman ’66 television series that would’ve introduced Two-Face into the show’s canon, but it was never shot. The story recently was turned into a comic titled Batman ’66: The Lost Episode, which officially brings the character into the series.

Variety Harlan Ellison Dead: Sci-Fi Writer Was 84

…When he dealt with Hollywood, he fearlessly said exactly what he thought again and again — often causing fallout as a result. In the wake of the 1977 release of “Star Wars,” a Warner Bros. executive asked Ellison to adapt Isaac Asimov’s short story collection “I, Robot” for the bigscreen.

Ellison penned a script and met with studio chief Robert Shapiro to discuss it; when the author concluded that the executive was commenting on his work without having read it, Ellison claimed to have said to Shapiro that he had “the intellectual capacity of an artichoke.” Needless to say, Ellison was dropped from the project. Ellison’s work was ultimately published with permission of the studio, but the 2004 Will Smith film “I, Robot” was not based on the material Ellison wrote.

Perhaps Ellison’s most famous story not adapted for the screen was 1965’s “Repent, Harlequin! Said the Ticktockman,” which celebrates civil disobedience against a repressive establishment. “Repent” is one of the most reprinted stories ever.

Shawn Crosby

[Editor’s note: The evil done to Harlan Ellison’s television scripts by cigar-chomping producers has long been part of his legend. In some of the worst cases he refused to have his name appear in the credits, and they aired with his pseudonym Cordwainer Bird shouldering the blame.]

Harlan’s death is accompanied by the passing of Cordwainer Bird, his writing partner of many years, described as “a short, choleric, self-possessed writer of mystery stories and science-fiction for television”, who “has no compunction about punching directors and producers two foot taller than himself right in the mouth.” Bird’s parents were Jason Bird and Rhonda Rassendyll, and he is nephew to The Shadow and a descendent of Leopold Bloom. As a member of the Wold Newton Family himself, Bird’s illustrious heritage has made him something of a fighter for justice in his own right.

Godspeed, gentlemen…

Mark Barsotti

A great voice silenced.

Until you pick up one of his books…

 

Autumn Angels Reissued

Autumn Angels cover Ron Cobb COMPArthur Byron Cover’s 1976 Nebula nominee Autumn Angels has been republished by Digital Parchment Services.

Read the first chapter free on Cover’s website.

Harlan Ellison drops a few clues about what readers can expect from the book —

It takes the materials of everyday entertainments—pulp heroes, movies, comics, detective stories—and transforms them … into a gestalt that is fresh … the lawyer is modeled after Doc Savage’s sidekick, ‘Ham,’ Brig. Gen. Theodore Marley Brooks; the fat man is Sidney Greenstreet; the gunsel is Elisha Cook, Jr. in The Maltese Falcon; the Big Red Cheese is Captain Marvel; the Insidious Oriental Doctor is Fu Manchu; the Queen of England who calls herself a virgin is Elizabeth I; the ace reporter is Lois Lane; the zany imp from the Fifth Dimension is Mr. Mxyzptlk, and both the imp and Lois are, of course, from the Superman comics; the godlike man with no name is Clint Eastwood in the Sergio Leone-directed spaghetti westerns; the galactic hero with two right arms is Harry Harrison’s Bill, the Galactic Hero; the fuzzy (but boring) little green balls of Sharkosh are Star Trek scenarist David Gerrold’s tribbles; and you can figure out for yourself the true identities or esoteric references for The Ebony Kings, the poet, the shrink, the bems, the other fat man and his witty leg man, and on and on.

The inimitable Ron Cobb created the cover art.