The finalists for the 33rd Arthur C. Clarke Award for science fiction literature were released on May 7.
Tom Hunter, Award Director, commented:
Our 6 shortlisted titles were selected from a record-breaking 124 eligible submissions, and as the imaginative breadth of SF publishing in the UK has grown so too has the challenge for our judges. With this shortlist they have successfully melded multiple definitions of the genre into a celebratory whole that both upholds the best traditions of science fiction literature and beckons us towards exhilarating new futures.
The finalists are:
Semiosis – Sue Burke (HarperVoyager)
Revenant Gun – Yoon Ha Lee (Solaris)
Frankenstein in Baghdad – Ahmed Saadawi (Oneworld)
The Electric State – Simon Stålenhag (Simon and Schuster)
Rosewater – Tade Thompson (Orbit)
The Loosening Skin – Aliya Whiteley (Unsung Stories)
Andrew M. Butler, Chair
of Judges, thanked the panel:
As always, the jury have given us a snapshot of the best sf: cyberpunk, military space opera, first contact, dystopian America, fantastical Britain and war-torn Iraq. The judges have really done us proud, but I can see it’s going to be a tough final decision.
The members of the judging panel were:
Kris Black, British Science
Andrew Wallace, British Science
Dr Kari Maund, Science Fiction
Chris Pak, Science Fiction
Rhian Drinkwater, SCI-FI-LONDON
The winner will be announced at a public award ceremony,
held in partnership with Foyles Bookshop, Charing Cross Road, on Wednesday,
July 17. Tickets on sale soon.
(2) AVENGING ECONOMIST.
Behind the Financial Times paywall, economics
columnist Tim Harford offers his thoughts on Avengers: Endgame.
Thanos fascinates me not only because he’s the best bad guy since Darth Vader–but because the muscular utilitarian is an economist on steroids.
Thanos’s claim to the economists’ hall of fame lies in his interest in scarce resources, his faith in the power of logical analysis, and a strong commitment to policy action–specifically, to eliminate half of all life in the universe, chosen at random…
…Thanos has convinced himself that he’s seen something nobody else can quite understand. The truth is that he sorely needs peer review. Like many powerful people, he regards himself as above his critics, not to mention every sapient being in the universe. He views humans less as free-willed spirits capable of solving their own problems, and more like overbreeding rabbits, needing a cull for their own good.
Going into Avengers: Endgame, one would be well-advised to manage both one’s expectations, and — given its three-hour-plus, intermissionless runtime — one’s fluid intake.
…The Russos’ decision to stick close to the experiences of the remaining Avengers proves a rewarding one, as they’ve expressly constructed the film as an extended victory lap for the Marvel Cinematic Universe writ large. Got a favorite character from any Marvel movie over the past decade, no matter how obscure? Prepare to get serviced, fan. Because the film’s third and final hour contains extended references to every single Marvel film that has led up to this one – yes! even Thor: The Dark World! I’m as surprised as you are! – and part of the delight Endgame provides to the patient audience member is gauging the size of the cheer that greets the entrance of any given hero, locale or – in at least once instance – item of super-hardware.
Make no mistake: There will be cheers. And boos. And gasps. The final, climactic battle (come on, you knew there’d be one) is legitimately thrilling, because every one of its manifold delights is fueled by (a cynic would say coasting on) the warm familiarity that spending a decade with these characters has engendered….
…Many authors and industry spokespeople have talked more eloquently about the need to address this disparity in publishing than I will ever be able to. But I also suspect more than a few publishers will quietly check their new submissions piles or log into BookScan after reading this, and suggest that in order to affect any real change they need to submit more books by writers of colour.
They may argue, of course, that there needs to be more evidence of sales potential first to get those books past gatekeepers in marketing, finance and other departments. They might (just) have a short-term point, but to me this sounds more like using data to justify a current position – and I think it also misses the bigger publishing opportunity.
Here are four cultural tipping point trends that show what I mean.
From the ‘respectable’ bookshelves: Colson Whitehead’s The Underground Railroad wins the Pulitzer, the National Book Award and the Arthur C. Clarke Award for science fiction literature.
From the Box Office: The Marvel Universe film Black Panther makes over a billion dollars at the box office in record time and gets nominated for seven Oscars including Best Picture (it doesn’t win that one though, of course).
From an adjacent cultural sector: The Musée d’Orsay in Paris opens their major exhibition Black Models: From Gericault to Matisse, challenging our historic perceptions of French masterpieces by reframing and renaming them to foreground attention on their black subjects, gaining both critical acclaim and a big upswing in first time visits from new audiences (new readers to you and me) along the way.
…In 2018, almost every category of the Hugos were won by women, including N.K. Jemisin, who became the first person ever to win the Hugo for Best Novel three years in a row. Before Jemisin, no Black person of either gender had ever won the top award.
Then came this year’s historic collection of nominees, which are notable not just for the elevation of a more diverse field of storytellers, but for the specific type of story that many of them represent.
Rowland coined the term “hopepunk” on a whim in a 2017 Tumblr post, having no idea that it would catch on so strongly within the community. She defined it initially as “the opposite of grimdark,” referring to a popular dystopian subgenre characterized by nihilism, amorality, and a negative view of human nature. Hopepunk, in contrast, is optimistic about humanity and sees kindness as “an act of rebellion” against a power structure that benefits from people giving up on compassion.
In an essay for the Winter 2019 issue of The Stellar Beacon zine, Rowland expanded on hopepunk, emphasizing the resistance element. Unlike another subgenre dubbed “noblebright”—characterized by the belief that righteous heroes can and will prevail over wicked villains—hopepunk does not deny the inherent injustices of the real world. However, it also recognizes the potential for justice within humanity. Compassion and empathy are weapons in the eternal fight between good and evil within the human heart. Hopepunk acknowledges that that fight will never be won, but insists on fighting anyway, because, as Rowland wrote, “the fight itself is the point.”
Dann listened to the podcast and sent along these
During the interview, Burk categorically denied having anything to do with abusive/predatory behavior that had been an issue at past cons. He was incensed at the post-con attempts to tie abusive behavior with himself or Morrison. Burk suggested that the tone/perspective of comments that he received at the con were decidedly different from what was seen on the Internet in the days that followed. The people complaining most loudly online had appeared to have substantially different perspectives while at the con. He also denied that Morrison ever exposed himself during his performance. A prosthetic/prop was used during the performance.
Burk acknowledged that he had made the mistake of thinking that BizarroCon was an appropriate venue for Morrison’s performance. Similar (and perhaps more gross) performances have been a long tradition at KillerCon.
Brian Keene indicated that he had acted as a consultant/mediator after the BizarroCon performance, but he had no direct input on Deadite Press’ decision to fire Burk.
Burk indicated that he disagreed with the decision by Eraserhead Press’ decision to terminate him. But he also said that he is still on good terms with the executives in charge and has a positive opinion of them.
He also discussed his new imprint “Section 31 Productions”. Star Trek fans will recognize the homage in the company’s name.
In theSeason 8 premiere, Winterfell leather goth Sansa Stark questions her brother Jon Snow’s decision to bring his pushy new girlfriend (and aunt!) Daenerys and her two dragons to the north, wondering out loud what precisely the dragons are going to eat. The Mother of Dragons smugly replies, “Whatever they want.” (Which, judging from past episodes, includes a lot of animal herds and the occasional shepherd boy.)
Later in the episode, two of Dany’s Dothraki footmen inform her that her dragons only ate only “18 goats and 11 sheep” for lunch, a sign that they are losing their appetite as a result of the move up north. Considering that Game of Thrones scribes D.B. Weiss and David Benioff love foreshadowing, we couldn’t help but wonder if the dragon’s dietary needs will play some key role in the upcoming Battle of Winterfell. To better understand the dragon hunger situation and how it could impact the impending war with the Night King, Eater got in touch with a bona fide expert on large reptiles and flying animals, and asked her a few questions about how these aerial beasts might act during the epic battle ahead.
(9) CONNOR TRIBUTE. Graham
Connor (1957-2018) co-founded SF² Concatenation at the 1987 Eastercon and remained one of its
co-editors until his death in December 2018. Jonathan Cowie and other friends have
assembled an illustrated profile of his life in SF and space communications in “A
life in SF and space”, an advance post ahead of SF²
He did make it to several Worldcons — Brighton (1979), Brighton (1987), The Hague (1990) – he
subsequently worked a couple of years for ESA nearby, and Glasgow (1995).
Sadly, chronic illness prevented further attendance beyond the mid-2000s.
One of the co-designers of a machine later recognised as the world’s oldest working digital computer has died.
Richard “Dick” Barnes helped to create the Harwell Dekatron, which was first put to use in 1951 by Britain’s fledgling nuclear research establishment.
He was also involved in the 2.5-tonne machine’s restoration, which saw it switched back on in 2012.
…He and two colleagues, Ted Cooke-Yarborough and Gurney Thomas, began their work on the Harwell Dekatron in 1949.
It was initially used by the Atomic Energy Research Establishment in Oxfordshire, where its tasks involved solving equations used to design the structure supporting the world’s first commercial nuclear reactor at Calder Hall.
…In November 2012 the machine was successfully switched back on after a three-year restoration project.
The revived machine functioned as planned, which is to say, very slowly.
It could take up to 10 seconds to multiply two numbers – but Mr Barnes and his co-designers had wanted a machine that could run continuously, not necessarily quickly, in order to be useful.
Indeed, it was known to calculate continuously for periods of up to 80 hours.
(11) TODAY’S BIRTHDAYS.
by Cat Eldridge.]
Born April 24, 1930 — Richard Donner, 89. Oh, now he’s credited in directing Superman as making the modern superhero film. H’h. Well I’m going to celebrate him instead for Scrooged, The Goonies (really not genre but fun) and Ladyhawke. Not to mention the horror he did — Tales from the Crypt presents Demon Knight and Bordello of Blood. Oh and the first X-Men film which was superb.
Born April 24, 1936 — Jill Ireland. For her short life, she was in an amazing number of genre shows. She was on Star Trek romancing Spock as Leila Kalomi In “This Side of Paradise”. She had five appearances on The Man from U.N.C.L.E. as well as being on Night Gallery, My Favorite Martian, Voyage to the Bottom of the Sea, The Voodoo Factor and the SF film The Girl, the Gold Watch & Everything based on the 1962 novel of the same name by John D. MacDonald. (Died 1990.)
Born April 24, 1946 — Donald D’Ammassa, 73. Considered to be one of the best and fairest long-form reviewers ever. His Encyclopedia of Science Fiction (2005) covers some five hundred writers and as can two newer volumes, Encyclopedia of Fantasy and Horror Fiction (2006) and Encyclopedia of Adventure Fiction (2009) are equally exhaustive. I can’t comment on his fiction as I’ve only ever encountered as a reviewer.
Born April 24, 1947 — Michael Butterworth, 72. Author with Michael Moorcock of, naturally, two Time of the Hawklords novels, Time of the Hawklords and Queens of Deliria. He also wrote a number of Space 1999 Year 2 novels, too numerous to list here. He also edited Corridor magazine from 1971 to 1974. He also wrote a number of short fiction pieces including one whose title amuses me for reasons I’m not sure, “Circularisation of Condensed Conventional Straight-Line Word-Image Structures“.
Born April 24, 1953 — Gregory Luce, 66. Editor and publisher of both the Science Fiction Gems and the Horror Gems anthology series, plus such other anthologies as Citadel of the Star Lords / Voyage to Eternity and Old Spacemen Never Die! / Return to Earth. For a delightful look at him and these works, go here. Warning: cute canine involved!
(12) WILSON FUNDRAISING
UPDATE. The “Help
Gahan Wilson find his way”GoFundMe
is now up to 1300 contributors and just over
$60,000 raised. Gahan Wilson is suffering from severe dementia, and the
goal is to pay for his memory care.
Gahan and my mother had been residing in an assisted living facility in Arizona. With my mother’s passing, he must move to a memory care unit.
…Gahan will be in our care at the casita, and we will also find him a memory care unit in Santa Fe since he also needs daily medical care.
Memory care is wildly expensive. More so than assisted living. If we could cover the cost ourselves, we would. We can’t, and Gahan and my mother did not save for anything like this. We are asking his fans to help us, help Gahan.
That’s what this is all about. Making the rest of Gahan’s days as wonderful as they can be.
…Any author or editor attempting to claim the mantle of [Howard] Zinn’s work has an unenviable task ahead of them. But when SF luminaries John Joseph Adams and Victor LaValle — both of whom have produced top-quality works — announced a short story collection whose title is an homage to Zinn, we were very excited.
Given the provocative and timely premise of A People’s Future Of The United States, we approached the collection of stories with enthusiasm. Unfortunately, the collection as a whole failed to live up to the grand ideas described by the editors.
…Questions of race, class and gender are important to explore and have all-too-often been ignored in science fiction.
We would argue that because science fiction is an inherently political genre, it is of paramount importance to create inclusive futures we can believe in. Some of the stories in this volume do indeed ably tackle topics of race, class and gender. But the topic of labour is almost entirely neglected.
It is disappointing that an anthology that so explicitly aims to address cultural blindspots has reproduced one itself.
In comparison, the index to Zinn’s classic history book includes a full page of references to organized labour movements. At a rough estimate, 30 per cent of the book deals with the struggles of traditional union movement organizing, and workers rights are integral to much of the rest of the text….
McEwan’s story often digresses into infodumps and intellectual musings which are common pitfalls of writing science fiction. And the trouble is he goes over the same well-worn territory. The theme of androids is often used to explore: What does it mean to be human? McEwan uses his literary skills to go into psychological details that most science fiction writers don’t, but the results are the same.
I’ve been reading these stories for decades, and they’ve been explored in the movies and television for many years too, from Blade Runner to Ex Machina. Why can’t we go deeper into the theme? Partly I think it’s because we assume AI robots will look identical to us. That’s just nuts. Are we so egocentric that we can’t imagine our replacements looking different? Are we so vain as a species as to believe we’re the ideal form in nature?
…Instead of writing stories about our problems of dealing with facsimiles of ourselves, we should be thinking about a world where glittery metallic creatures build a civilization on top of ours, and we’re the chimpanzees of their world.
Scientists have developed a brain implant that can read people’s minds and turn their thoughts to speech.
The team at the University of California, San Francisco says the technology is “exhilarating”.
They add that their findings, published in the journal Nature, could help people when disease robs them of their ability to talk.
Experts said the findings were compelling and offered hope of restoring speech.
The mind-reading technology works in two stages.
First an electrode is implanted in the brain to pick up the electrical signals that manoeuvre the lips, tongue, voice box and jaw.
Then powerful computing is used to simulate how the movements in the mouth and throat would form different sounds.
WORLDCON TALK. At Anticipation, the 2009 Worldcon in Montreal, Nobel Prize-winning economist Paul Krugman spoke and then took questions.
Scott Edelman has posted an audio recording on YouTube.
(17) PROP MAKER. Kenneth Spivey is “The Swordsmith to the Stars”. Great Big Story has a video (just over 3
minutes) about this artist and prop maker who is “working on
Hollywood films like the ones he’s always loved—and likely inspiring the
next generation.” Chevy trucks are featured prominently since they are the
(18) GEMINI MAN. The Hollywood Reporter
asks “Can ‘Gemini Man’ Revive the Golden Age of ’90s Sci-Fi?” That is, can it be “an event unto itself?” Will
Smith stars opposite a CGI-ed 23-year-old version of himself in Ang Lee’s Gemini
Man—a property with a long history of previous stars being attached. The
movie opens October 11.
This morning Paramount had us seeing double with the first trailer for the Ang Lee-directed sci-fi/action film Gemini Man, starring not one, but two Will Smiths. The long-gestating film, which began development as a Tony Scott feature in 1997, centers on assassin on the verge of retirement Henry Brogen (Smith), who is forced to combat a younger clone of himself (Smith) in the not-too-distant future. Since the film’s inception in the late ’90s, a number of big names have been attached to star, including Harrison Ford, Nicolas Cage, Clint Eastwood and Sean Connery. When Ang Lee took over the project in 2017, he cast Smith in the lead role, giving the actor the unique opportunity to play both his current 50-year-old self and his 23-year-old self, who, thanks to the film’s revolutionary technology, looks like he just stepped right off the set of The Fresh Prince of Bel-Air. If the trailer for the film, which also stars Mary Elizabeth Winstead, Clive Owen and Benedict Wong, is any indication, Gemini Man may be just what the science fiction genre needs.
[…] Big-budget original science fiction needs a win, and hopefully Gemini Man can recapture the spirit of the ’90s where a big-name director, producer and actor were an event unto themselves, regardless of preexisting material. Gemini Man looks appealing not simply because of its concept and slick action sequences, but because it looks to simultaneously tap into our nostalgia with a sunglasses-wearing Smith, and also our desire for an original, high-concept property that doesn’t require any prior knowledge. It’s a double threat.
John King Tarpinian, JJ, Cat Eldridge, Chip Hitchcock, Mike Kennedy, Martin
Morse Wooster, Dann, Carl Slaughter, StephenfromOttawa, Jonathan Cowie, Scott
Edelman, and Andrew Porter for some of these stories. Title credit goes to File
770 contributing editor of the day Jack Lint.]
The full list of
eligible titles submitted for the Arthur C. Clarke Award 2019 has been posted.
This is not a
longlist but a tally of all the books under consideration by the judges — a record-breaking 124 books from 46 UK
publishing imprints and independent authors. Six
of these books will become finalists.
The Clarke Award winner will be revealed July 17 at a presentation ceremony event held at
Foyles, Charing Cross Road. Award Director Tom Hunter says tickets will
be on sale shortly.
(1) SEUSS STRIKES OUT. The Seuss estate just lost its lawsuit against another parody, a play called “Who’s Holiday!” which sounds a lot darker than The Places You’ll Boldly Go. Kevin Underhill of Lowering the Bar has the story: “Second Circuit: Lewd “Grinch” Parody Doesn’t Infringe”.
The Second Circuit held on Friday that what Reuters called a “lewd and profane” stage version of “How the Grinch Stole Christmas!” did not infringe on the original, affirming the district court’s decision in favor of playwright Matthew Lombardo and against Dr. Seuss Enterprises.
I was not previously aware of this work, but Reuters’ summary makes it clear that it departs in some significant ways from the Dr. Seuss classic:
The dispute began when Lombardo in 2016 was preparing to stage “Who’s Holiday!” a one-woman play featuring an adult version of Cindy Lou Who, the endearing girl who in Seuss’ story stops the Grinch from ending Christmas.
In contrast, the Cindy Lou Who in “Who’s Holiday!” has become a 45-year-old woman who spends her days in a trailer home while battling alcohol and substance abuse, following a stint in prison for murdering her husband, the Grinch.
(2) @%!$$!!SF Concatenation’s Jonathan Cowie, cybercaffing from the borough library, found he was unable to access his second- (third? one hundred fiftieth?) favorite blog, File 770. He told me via email —
Your site has just been blocked by all London libraries and schools for access apparently due to profanity.
(Other screen filters elsewhere may similarly act????)
Thought you’d want to know.
I used to be blocked by the Great Firewall of China, but not anymore. How is it they can read me in China and not in a London library?
P.S. As you may know there is a workaround but you need to know you’re blocked to implement, hence my tipping you the nod. — Hope this makes sense.
Absolutely. Rest assured, I never slip a rozzer the dropsy in snide.
Stan Lee has dismissed his $1 billion lawsuit against POW! Entertainment for fraud and conversion, less than two months after the suit was filed in his name.
“The whole thing has been confusing to everyone, including myself and the fans, but I am now happy to be surrounded by those who want the best for me,” Lee said in a statement. “I am thrilled to put the lawsuit behind me, get back to business with my friends and colleagues at POW! and launch the next wave of amazing characters and stories!”
POW! CEO Shane Duffy added, “We are ecstatic that this ill-founded lawsuit has been dismissed and we look forward to working with Stan again to develop and produce the great projects that were put on hold when the lawsuit was filed. We recently got together with Stan to discuss our path forward and we and [parent company] Camsing are pleased with his overwhelmingly enthusiastic reaction.”
Lee filed the complaint in May in Los Angeles County Superior Court, claiming the company and two of its officers conspired to steal his identity, name and likeness in a “nefarious scheme” involving a “sham” sale to a Chinese company….
…The move comes as turmoil continues in Lee’s personal life. The lawsuit was filed in May, when the 95-year-old Lee was allegedly under the sway of memorabilia collector Keya Morgan. Morgan is now barred from contacting Lee or coming within 100 yards of him, under a restraining order granted on Friday.
A joint statement was issued Monday by Lee and by POW! Entertainment, now owned by Hong Kong’s Camsing International, announcing that the suit had been dismissed….
(4) IMPULSE. The first 3 episodes of YouTube series Impulse are free. You have to be a premium user to watch the whole series. (Note warning about depiction of sexual violence.)
(5) WHAT YOU THINK IT MEANS. Zack Morrissette tweeted this mashup:
SOMETIMES IT takes a prominent visiting writer or artist — from de Tocqueville to, say, Bono — to serve up a storyteller’s view of the United States that is one shot of awed wonder and two shots of bracing honesty. Along that continuum of colorful outsider perspectives sits Ralph Steadman, that savage ink-slinging satirist from Kent who depicts the land of the free as a minefield of bullies and blowhards and presidents, not necessarily in that order and not without some redundancy.
Steadman is the British/Welsh illustrator best known to the American masses as the journalistic “gonzo” accomplice of Hunter S. Thompson….
Your character Maeve in HBO’s “Westworld” is an android or “host” in a theme park. What do you think it means to have characters of color in genre work? A lot of what’s in the mainstream doesn’t have people of color. What irritates me is that science fiction is the place where you could have us. Science fiction is a projection of a time that hasn’t even happened, so if you don’t populate that place with people of different skin tones, shame on you. What it actually is is the reflection of what those makers do in their daily lives, how little they hang out with people of different skin tones. These are the key people and it’s like, “Oops-a-daisy, I don’t have a lot of black friends,” and that’s a reality.
Some of the stars in the new “Star Wars” films who are black and brown have found themselves being harassed on social media. Kelly Marie Tran, who was in last year’s “Star Wars” movie, just quit social media altogether because of harassment. Where there’s greatest progress, there’s greatest resistance. It’s a sign of getting somewhere if people get pissed about it….
(8) JAR (NOT JAR JAR). Chuck Wendig immediately complies with a fan’s request.
you got it Chris, from now on STAR WARS will be a politics-free zone, it’ll just be called STAR VOIDS and it’ll be two hours of an empty mayonnaise jar on a counter, just sitting there, being ex-mayonnaise https://t.co/kSDthB3O1H
Now that Snoke is dead and the mystery of Rey’s parentage has been definitively addressed in a way that was clever and interesting (even if it didn’t live up to the internet’s boring fan theories), there’s only one lingering question that has plagued Star Wars fans: Where the hell has Lando Calrissian been since Return Of The Jedi? Well, it looks like we’re finally going to find out in J.J. Abrams’ Star Wars: Episode IX, as The Hollywood Reporter’s sources have confirmed that Billy Dee Williams will be reprising his role as the galaxy’s smoothest gambler/smuggler/gas planet mayor in the next movie.
(10) NATIONAL MOURNING. Today’s Bristol Herald-Courier’s “News Quiz” features this question:
U.S. Rep. John Sarbanes’ office confirmed that the White House initially declined to act on a request to lower the U.S. flag to half-staff after which event?
The Fourth of July
The deadly mass shooting at the Capital-Gazette office in Annapolis, Md.
The death of science fiction writer Harlan Ellison
The separation of families at the U.S.-Mexico border
…All in all, a very sad event, laced with laughter.
(12) TODAY IN HISTORY
July 10, 1962 — Telstar satellite launched.
Trans-Atlantic television and other communications became a reality as the Telstar communications satellite was launched. A product of AT&T Bell Laboratories, the satellite was the first orbiting international communications satellite that sent information to tracking stations on both sides of the Atlantic Ocean. Initial enthusiasm for making phone calls via the satellite waned after users realized there was a half-second delay as a result of the 25,000-mile transmission path.
July 10, 1981 – Escape From New York premiered
July 10, 1981 – Time Bandits debuted in the UK.
(13) TODAY’S BIRTHDAYS
Born July 10, 1926 – Fred Gwynne (Herman Munster). (1926-1993)
Born July 10, 1929 – George Clayton Johnson (1929-2015)
Born July 10 – Chiwetel Ejiofor, 42. Roles in Serenity, Doctor Strange, the animated Sherlock Gnomes and The Martian. Yes Sherlock Gnomes voicing Watson.
Born July 10 — Peter Serafinowicz, 47. Lead role in The Tick and in the alien abduction series People of Earth, the voice of The Fisher King in Doctor Who, and a role in The Guardians Of The Galaxy.
“Peter Pan” author J.M. Barrie played on a cricket team with Arthur Conan Doyle, author of the “Sherlock Holmes” series; “Winnie-the-Pooh” author A.A. Milne; novelist H.G Wells; and P.G. Wodehouse, author of the Jeeves and Wooster series; among other writers. They called themselves the Allahakbarries, a play on the Arabic “Allahu akbar,” which the men misinterpreted to mean “Heaven help us” but actually means “God is great.” The team was reportedly terrible.
During Trekfest XXXIV in Riverside, Iowa, a new statue was unveiled that pays tribute to Captain James T. Kirk. The statue is a life-sized bronze model of the Star Trek icon, and its the product of artist Jurek Jakowicz of Sioux Falls, S.D., and a slew of Trek fans in the Iowa community and beyond.
The idea for the statue, though, was sparked by a former Riverside councilman Steve Miller, who had a bigger vision for his town: to make it the properly sanctioned future birthplace of Captain Kirk. His efforts began in 1985 when he got in touch with Star Trek creator Gene Roddenberry, to ask if he would sign off on Riverside as Kirk’s official hometown. Roddenberry called the idea “enterprising” and gave Miller the OK.
Thirty-four years later Miller helped unveil the lifesize bronze statue of Kirk at this year’s Trekfest. At the unveiling Miller shared about his journey making Riverside the future birthplace of Kirk and getting a statue made, “The statue, like I said, has been a goal for years. I had two goals, get a statue of William Shatner’s Captain Kirk and to keep Paramount Studios from suing me, and so far we’ve succeeded in both of those!”
…This is a nuanced, intricate narrative that plays with the most powerful fairy tale tropes, written in a grace that Naomi Novik alone can achieve. There are patterns throughout the story, three daughters, three wives, three lives intertwined by fate and determination to rise above the “destiny” carved out for each of them by men in their lives. I love that our perception of these characters–and the men around them–also changes over the course of the story. There are monsters, to be sure–Wanda’s father for one, and the fire demon within Tsar Mirnatius, for another–but what I love so much about this story is how everyone is more than what they initially seem. Even the cruelest winter king is given depth and humility, if not humanity, as the novel unfolds….
…For us as readers, we can only see what they see, and I was flabbergasted at how the author was able to twists their stories, the stories of the men around them, and myself around her little finger. The journey was excellent – in the way that the real story slowly unveiled itself in minutia, in gestures, in the things hidden in silence….
Published in 1971, Cooking Price-Wise contains wisdom like, “In the thirteenth century cheese was used as a substitute for cement in England, when the cheese got stale, that is. I don’t advocate keeping your cheese that long just to find out if it works.” Chapters on bacon, potatoes, and fish contain recipes that seemed exotic at the time. “People always seem afraid of food from other countries,” Price writes. He attempts to shake them out of their comfort zone with Fish Fillets Nord Zee, Moroccan Tajine [sic], and Biffes de Lomo Rellenos.
As I was scanning Cooking Price-Wise for a recipe to make, I saw two magic words—words that have been in many of my favorite dishes, but have never been put together before. I’m talking about bacon and mousse. Here is Vincent price’s recipe for bacon mousse….
(19) CRIMES AGAINST THE OZONE. The mystery release of ozone-layer-depleting chemicals reported on in File 770 earlier (see the 2nd half of item 11 here) has apparently been tracked down. The NGO Environmental Investigations Agency (EIA) is reporting that the banned chemical CFC-11 is being used as a “blowing agent” in the production of cheap insulation in China’s home construction industry. Quoting the BBC article “Ozone hole mystery: China insulating chemical said to be source of rise”
Researchers from the EIA, a green campaign group, contacted foam manufacturing factories in 10 different provinces across China. From their detailed discussions with executives in 18 companies, the investigators concluded that the chemical is used in the majority of the polyurethane insulation the firms produce.
One seller of CFC-11 estimated that 70% of China’s domestic sales used the illegal gas. The reason is quite simple – CFC-11 is better quality and much cheaper than the alternatives.
“We were absolutely gobsmacked to find that companies very openly confirmed using CFC-11 while acknowledging it was illegal,” Avipsa Mahapatra from EIA told BBC News.
“The fact that they were so blasé about it, the fact that they told us very openly how pervasive it is in the market, these were shocking findings for us.”
Dreams Before the Start of Time – Anne Charnock, 47North
Anne Charnock is having a good year, frankly, having already picked up a BSFA Award at Easter (and a good career, having been shortlisted for a Kitchie and a Phillip K Dick award previously). She’s a thought-provoking and insightful writer and Dreams is a very different sort of book to the others on the list. It’s a gentle look at three generations of several interlinked families over the next hundred years or so, and its focus is very much speculation about the family structure and child-bearing, how these things may change (entirely believably) in the near future, and what knock-on effects those changes could have….
First, let’s tick off those facets of his work that left such an impression on people.
First, his faces.
Or, technically, his fondness for their absence, in whole or in part.
Consider: Here was a guy who put his hero — and not just any hero, but freaking Spider-Man, whose whole deal is just how achingly, embarrassingly relatable, and friendly, and (not to put too fine a point on it) downright neighborhood–y he is, in a full-face mask.
Let’s agree: That was a gutsy move. Sure, Batman had been around for decades, and his cowl covered something like 5/6ths of his big ol’ melon’s surface area, but Bruce’s chin and mouth were exposed, so at least you could see him grimace, or gasp, or smile (it was 1962, Batman still smiled back then). Comics are a visual medium — readers need to see the characters’ facial expressions to stay emotionally engaged.
But Ditko loved drawing inscrutable faces — masked, half-masked, or sunk in shadows….
Liu Cixin’s epic trilogy was expected to take Chinese science fiction into a new era, but the genre is still far from its lofty ambitions.
…The editors and Liu opted to serialize “The Three-Body Problem” in Science Fiction World, which at the time had a 200,000 nationwide circulation. They were worried that Chinese readers wouldn’t be especially interested in sci-fi compared to other literature genres, but hoped that “The Three-Body Problem” could open up a new chapter for Chinese sci-fi.
And it did — for a time.
In 2015, the first installment of “The Three-Body Problem” trilogy won the prestigious Hugo Award for best novel, triggering media coverage and large-scale public attention — including, famously, an endorsement by former U.S. President Barack Obama. It increased the profile of Chinese sci-fi both domestically and internationally, and raised the possibility that sci-fi could finally extend beyond the pages of novels. In 2014, after the English-language translation was published, Chinese movie production house Yoozoo Pictures announced that it would adapt the series into a six-part motion picture.
But the much-hyped movie never happened. Filming took place in the first half of 2015, and the first movie was scheduled to premiere in July 2016. Over the past three years, the schedule has been continuously pushed back, in part due to sky-high expectations for visual effects and an unexpected company restructure.
There’s been no news recent news about “The Three-Body Problem” movie, but after a report in March that Amazon’s on-demand service planned to create a television show of the series, Yoozoo reiterated that it was the franchise’s legal copyright holder for all types of adaption. At a group interview with Sixth Tone and other media outlets during the anniversary meeting, Liu — who is serving as the project’s chief consultant — directed all questions about the movies to Yoozoo. For now, “The Three-Body Problem” remains hamstrung by its lack of visual depictions; it can hardly monetize certain aspects of the stories like international franchise “Star Wars” has been able to do with lightsabers if there are no movie or game representations.
[Thanks to John King Tarpinian, Vicki Rosenzweig, StephenfromOttawa, Jonathan Cowie, Carl Slaughter, Andrew Porter, Chip Hitchcock, Martin Morse Wooster, JJ, Mike Kennedy, Alan Baumler, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew.]
The finalists for the 2018 Arthur C. Clarke Award were announced May 2 in London. The 6 shortlisted titles were selected from a list of 108 individual eligible submissions:
Sea of Rust – C. Robert Cargill (Gollancz)
Dreams Before the Start of Time – Anne Charnock (47North)
American War – Omar El Akkad (Picador)
Spaceman of Bohemia – Jaroslav Kalfar (Sceptre)
Gather the Daughters – Jennie Melamed (Tinder Press)
Borne – Jeff VanderMeer (Fourth Estate)
Chair of Judges, Dr Andrew M. Butler, said:
If you are new to reading the genre, each of these tremendous novels can demonstrate what sf is capable of. It’s unusual that none of the writers have been on the Arthur C. Clarke Award shortlist before, although a number of them have been contenders in previous years. We also have authors who have written in other fields or genres and it’s especially exciting to be able to draw attention to debut novelists. At the moment, any of the six could emerge as the winner.
Award Director Tom Hunter added:
In this year’s shortlist we see themes of climate change, human hubris and gender politics writ large, alongside alien encounters, apocalyptic robot armies and genetically engineered flying bears (often in the same book).
With over 100 novels in contention again this year, and strong submissions from across the full range of UK publishing, our judging panel accepted an epic challenge in selecting these six works from the many excellent and often hotly tipped titles they received.
The result is a shortlist forged from passionate debate and compelling contrasts but with little by way of compromise and shaped always by the purposeful intent and vision of our judges. I strongly suspect in future years that this will be a shortlist long remembered as a vintage year for the Arthur C. Clarke Award and for science fiction literature.
The judging panel for the Arthur C. Clarke Award 2018 is composed of:
Dave Hutchinson, British Science Fiction Association
Gaie Sebold, British Science Fiction Association
Paul March-Russell, Science Fiction Foundation
Dr Kari Maund, Science Fiction Foundation
Charles Christian, SCI-FI-LONDON film festival
Dr Andrew M. Butler represents the Arthur C. Clarke Award in a non-voting role as the Chair of the Judges.
The winner will be announced at a public award ceremony held in partnership with Foyles Bookshop, Charing Cross Road, on July 18, and receive a cheque for £2018.00 and the award, a commemorative engraved bookend
this is petty, and a trivial objection, but another missed opportunity was the battle between T’Challa and Killmonger during the ceremony. It relates to a complaint I had about Civil War (which I loved). This is from a life-long martial artist’s perspective, so I’m only partially serious. The problem is this: BP fought like everyone else in Civil War, and his technique looked very Asian. Korean in the kicks. Not what the Prince of Wakanda would use, because African arts are as lethal. But in BP, both T’Challa and Killmonger fought pretty much the same. I find it difficult to believe that Killmonger, never having been in Wakanda, would fight with techniques that look as if he had been trained by the same people who trained T’Challa. They could have had a fascinating clash of styles. But that is really nit-picking.
GREG DOUKAS: I am thoroughly perplexed by the reaction exhibited in some of my friends and colleagues, whose ideas I otherwise ordinarily agree with. The proposition they raise, and which I’ve been troubled by, is this: Over the duration of the film, our hero T’Challa [the Black Panther] makes a transformation from a nativist into a character representing a liberal politics of amelioration and liberalism more generally, while his nemesis Killmonger emerges as a distinctly Fanonian character in his own politics by presenting a radical critique of colonialism and racism.
LEWIS GORDON: This is far from the case. First, Killmonger is not Fanonian. He is a tyrant. Fanon believed in radical democracy. Wakanda is clearly a republic and possibly a constitutional monarchy in which each member of the society contributes as counsel and skilled citizen. It’s clearly a city-state or what in ancient Greek is called a polis, in which politeia (the thriving of citizens through activities cultivated by such a social space) is expected to occur. Killmonger is more like the case studies of colonial disorders in the later part of Fanon’s The Damned of the Earth. He is a tyrant because his relationship to everyone was asymmetrical, driven by resentment and hate, and his regard for life was nil. Think of how he killed his loyal girlfriend Linda and how he ultimately aimed to destroy or destabilize Wakanda—a functioning African state—with the now faddish Afropessimistic declaration of “burning it all down.” His ego was such that he wanted to bar, through destruction of the special vibranium affected plant, the possibility of future Black Panthers emerging. Bear in mind also that T’Challa was not against fighting/violence. His point is that it should be used only when necessary, and he was doing so always on behalf of justice and a people in whose respect rested his legitimacy. Killmonger didn’t care about respect from the people. He also didn’t have respect for them. His “legitimacy” was like, say, Donald Trump’s: achieved purely from the strict adherence to the imperfect rules, though unlike Trump he actually defeated his opponent in fair combat. The people revolted against him not because he won the ritualistic battle but because his tyrannical rule defied the virtues the battle was to manifest. They fought against him in fidelity to the spirit of the rules.
(5) IMPRESSIVE. Rich Lynch actually came up with video of the Octavia Butler clue from Friday’s episode of game show Jeopardy! Click here: Jeopardy! Butler clue
Guys! Some RAD Doctor Who fans are raising $$ for orgs working to end gun violence. $13,000 raised so far and the push ends TOMORROW. Let's help 'em get to $15K! Donate $10 or more to get access to bunches of EXCLUSIVE commentary and giveaways! Deets –> https://t.co/7KxPLVPnaMpic.twitter.com/8HBU3L7w4D
Originally Roverandom was conceived in 1925 when the Tolkiens — Ronald and Edith with their sons John, Michael and Christopher — went on a family holiday to Filey, Yorkshire. They rented a cottage with the view of the sea and the beach to spend a big part of September there. At that time the Tolkiens’ second boy Michael, who was about five years old, had a small, black-and-white toy dog. The boy was extremely fond of it to the extent that he never parted with it. It was an unfortunate loss of that beloved toy during a walk on the beach one day and unavailing search for it that led Tolkien to make up a story about the dog’s adventures to explain its disappearance to the saddened boy.
In 1936, when The Hobbit was accepted for publication by Allen & Unwin, Tolkien was asked for more children’s stories, so he sent in Roverandom together with Mr Bliss and Farmer Giles of Ham. However, Roverandom was not published then: in 1937 The Hobbit came out, proved a tremendous success and the publishers demanded more Hobbit stories from the author. It was only in 1998 that Rover’s tale finally saw the light of day.
Just like some other stories written by Tolkien, Roverandom began as something told to the amusement (or, in this case, consolation was the initial motive) of his own family. But as the story began to grow, it inevitably drew in more aspects of Tolkien’s background and interests. From a simple children’s story it established connections with Tolkien’s own Legendarium, Norse mythology, Arthurian legends, folklore, history and real events which took place at the time when the story was being created and written down.
It’s one of the longest-running gags in show business: cast Sean Bean in your TV series and there is an extremely high chance his character will perish by the end of season one. If in a movie, he’ll probably die heroically, indeed motivationally, spurring the surviving heroes on to greater successes; in TV series, his specter looms over the remainder of the show, meaning everything that happens from then on occurs in the shadow of his sacrifice (since he is usually innocent of any wrongdoing but is executed/killed anyway). So when I finally watched The Frankenstein Chronicles, I knew to expect a gruesome end for Bean’s “John Marlott” at the end of season one. I don’t even feel the need to issue a spoiler alert so far, because Sean Bean’s near-inevitable death early in projects is a truth universally acknowledged.
(9) TENTH ANNIVERSARY. Kasma editor Alex Korovessis offers 10 Years of SF as a free download:
10 Years of SF! is an anthology featuring some of the best stories I have had the privilege to publish over the past 10 years, since Kasma’s inception in 2009. It is available freely by clicking the appropriate button below.
(10) THE MORE THINGS CHANGE. A fan lamented:
In the few months I have been an active member of fandom, I have found knit into its fabric a conglomeration of ego, hate, progressiveness, overbearing acts, belligerence, perversities, totalitarianism, crack-pot ideas and every good and bad thing that goes to make up the outside world.
Today on Facebook? No, these are the words of Clarence “Sully” Roberds, an Illinois fan writing in November of 1939. Think about that the next time you read a complaint that fandom isn’t what it used to be.
(11) COMICS SECTION.
John King Tarpinian passes along Drabble’s stfnal St. Paddy’s joke.
Nearly every science fiction story you know and love today owes it all to one movie that came out in 1956, a film that set the standard for how sci-fi stories work for the modern audience. Franchises like Star Wars and Star Trek might have defined sci-fi for generations, but Fred McLeod Wilcox’s Forbidden Planet basically created sci-fi as we know it.
There’s even an opening scrawl with yellow text more than 20 years before the first Star Wars movie.
Ikea is the largest furniture retailer in the world. But did you know that it’s also likely the largest meatball retailer in the world? Across its 340 stores worldwide, Ikea feeds people 2 million meatballs each day. Which is why Ikea’s high-concept Space10 lab is experimenting with a meatball of the future–one that uses zero actual meat. They call it the Neatball.
…The Space10 team is careful to clarify that none of these items are coming to market, but it’s interesting to see Ikea’s thought process on the future of food all the same. After all, Ikea has already given us a veggie version of its famous meatballs that people seem to like. And Space10 released meatball concepts not long ago that have since gone from art project to fully cooked concept here–because that’s what Space10 does: It prototypes the future for Ikea.
(15) AMAZON VS. CONSERVATIVES. Vox Day finds that Amazon’s alleged massacre of conservative authors’ book reviews is highly exaggerated [Internet Archive].
Of course, the mere fact that there is a closed alliance of authors with personal relationships who pay very close attention to reviews may explain at least a reasonable percentage of these deletions, given the terms of service. I checked out my reviews and it looks like ten or fewer reviews were deleted across all my various book listings. Not only that, but several of the reviews were one-star fake reviews, so two of my average ratings actually increased. This made me suspect that the deleted reviews were likely in open violation of Amazon’s terms of service, which Amanda Green’s investigation appears to have generally confirmed.
He also says in a comment:
Don’t get Clintonian. It’s not tricky at all. Are they family? Are they close friends? Did they work on your book?
If so, then don’t review their books.
That being said, I think Amazon would be well advised to limit reviews to Verified Purchases in addition to whatever conflict-of-interest limitations they see fitting.
Let’s face it, the world doesn’t need any more reviews on the lines of “I am so-and-so’s mother and I can’t believe he wrote a whole book! It’s really good!”
(16) COMICS RANT. The comics artist Colleen Doran went on an epic Twitter rant about “diversity hires.”
It implies things about race, it implies things about sex, it implies things about sexuality. And because I can’t read your mind, I don’t really know what “diversity hire” means to you. But I know what it means to me. So tread that ground with care.
Start the thread here —
OK, I'm just going to say this outright: as someone who has been in the business since the time there weren't very many girls in it, when people start making comments about icky "diversity hires", it makes my hair go the wrong way. And I have a lot of hair.
Disambiguating real-world practices from the traditions that the Star Wars franchise established is not so much a passing curiosity as one of the central reasons the group of Jedi has assembled here for the weekend. Belief in the Force here on Earth is ultimately simple enough, a matter of faith that requires no greater suspension of disbelief than praying to any other life-force or deity. However, the practical extension of that belief, as demonstrated in the Star Wars canon—namely, that one can use the Force to exert mental influence on the external world—poses a larger problem: The cosmos, absent green screens, doesn’t so easily succumb to the will.
And so, for those following the Gospel of Lucas, life can often seem a battle of approximations. Lightsabers here on Earth aren’t in fact shafts of light, but an alloy of plastic and LEDs. Jedi on Earth have downgraded telekinesis for noetic sciences and a belief that collective thought can influence external change. And, as their possession of DVD box sets, plastic lightsabers, and Star Wars kitsch indicates, they, unlike their fictional counterparts, haven’t quite subscribed to an ascetic’s denial of worldly attachments
(18) MAGIC SCHOOLS. L. Jagi Lamplighter says Superversive SF’s Fantastic Schools and Where to Find Them blog is “just a fun thing a couple of us are doing–covering magic schools and schooling in general. We are open to posts from anyone who writes about Magic Schools. It’s just a labor of love kind of thing. Nothing big. (Or anyone who has an opinion on either magic schools or schools in general.)”
I remember the day, some years ago now, when I realized that while Narnia and Lord of the Rings had made the grade, Earthsea had been basically forgotten. Many modern fantasy fans had never heard of the books. They didn’t even know that LeGuin had invented one of their favorite concepts: the magic school.
But Ursula Leguin’s magic school in Wizard of Earth Sea was the first time a fantasy writer thought “Gee, we see so many wizards in stories. Who trains them? Where do they go to school?”
If I were thinking about, from a viewer’s perspective, which Muppet changed the most over time, I would say Miss Piggy.
Oz: Yeah, probably so. But Piggy is a different situation. I’ve said this before: Her beginnings were in the women’s liberation movement, just by accident. And I don’t consciously change things, but the characters don’t interact with the world — I interact with my world. And I don’t interact in such a way where I say, “Oh, I’ve got to put that in my character.” I think because of the zeitgeist, it just kind of happens without me knowing it. But Piggy’s a little different. Piggy is such a mess inside, that I think as the years go on, she gets more and more emotional baggage. And that’s mainly why she changes. She keeps being rejected by the frog. She keeps trying and cannot do the things that she wants to, like tell jokes or dance. So I think she has this emotional baggage that hurts her more and more and more, and as a result she covers more and more and more. That’s what I think.
[Thanks to JJ, Mark Hepworth, Andrew Porter, John King Tarpinian, rcade, Cat Eldridge, David Doering, Carl Slaughter, and Mike Kennedy for some of these stories. Title credit goes to File 770 contributing editor of the day Ken Richards.]
(1) QUEEN OF PULP. Twitter’s Pulp Librarian today did a retrospective of illustrator Margaret Brundage, “the Queen of Pulp,” with lots of her Weird Tales covers from the 1930s. Jump on the thread here —
The Sally Klages Memorial Instructorship will be awarded in 2018 in memory of Sally Klages, with love from her sister Ellen Klages….
Ellen Klages’ tribute begins —
Sally was a writer. I never heard her say that she wanted to be one; she simply proclaimed, proudly, that she was. She wrote every day in tiny, cramped cursive: working on her autobiography, lectures to her Invisible Friends, instructions about how life ought to be led.
Like many of us, she owned dozens of notebooks and countless pens, and was never without them. She once packed a gallon-sized Ziploc bag of pens and markers into her carry-on bag for a two-hour flight, “in case one runs out.” Writing was her joy, her recreation, her solace.
Sally was born with Down Syndrome. As far as she was concerned, that wasn’t a handicap — it was what made her special. And she was. She was Valedictorian of her class at Northeast Training Center, and an employee at Columbus State University for 17 years. She was one of the founding members of the Down Syndrome Association of Central Ohio (DSACO), she was on the board of the National Down Syndrome Conference, and was a featured speaker there in 1989. An active participant in the Special Olympics, she won more than three dozen medals in swimming, diving, track and field, bowling, and cross-country skiing….
Today, the 76th World Science Fiction Convention has announced me as the Master of Ceremonies for this year’s Hugo Awards in San Jose, CA, while also announcing that the Hugo Awards’ Nominations Period is now open! Having won two Hugos for Best Professional Artist, I know how much the Hugos mean to the sf/f field, and it’s a huge honor to serve this stage in front of my colleagues and heroes. Worldcon 76 asked me to be the 2018 Hugo MC last August so it’s been fun keeping that under wraps the last five months, even after being announced as this year’s Artist Guest of Honor.
There’s some history that comes along with this role.
I’m the first visual artist to ever be a Hugo Awards MC. I think this could perhaps be a harbinger of Hugo Ceremonies to come. Many of our best visual creators — such as Brom, Todd Lockwood, Ruth Sanderson, Gregory Manchess, and more — are becoming author / artist / storytellers, conjuring the words and pictures of their own bestselling books and media. Our next generation of illustrators are aspiring to tell their own stories, just as much as becoming hired guns. I suspect there will be more artists following through the Hugo MC door behind me, and they’ll likely come from this expanding universe of hybrid, contemporary artists.
I’m only the third Worldcon Guest of Honor to also serve as Hugo Awards MC at the same Worldcon. I believe Connie Willis and David Gerrold are the only others to do this in the con’s 76-year history. We must all be insane. ?.
I’m especially proud to be the first Mexicanx to ever serve as a Hugo Awards MC. I love being first, but the most important thing is that I’m not the last. With the daily assaults upon our DREAMers, villainizing of our culture by racists, and terroristic threats against our citizens, we’re living in an important moment for Mexicanx north and south of the border. I’m looking forward to sharing my spotlight with all of them.
At some point during reading those 113 books it occurred to me what a difficult thing writers are trying to do and just how many different things each author is trying to get right. It’s not just character and plot and pace and tension, world-building, good dialogue, effective exposition, setting story questions and keeping story promises, it’s also trying to get that motivating vision in your head down onto the page. Even a pretty ordinary book takes a lot of effort. If you assume each of those books took 6 months to write?—?and many would have taken more?—?that is 57 years of effort, not far from the entire productive life of a single person.
(5) THE WRITER’S EMOTIONAL ROLLER COASTER. A tweet from Annie Bellet.
Me at beginning of this book: how did I word even for like 17 books they were a fluke
Me toward end of this book: I am amazing this book will be amazing I love writing why don't I write 20 more things asap
Me during release week: this book will flop everyone has forgotten me
(6) READERCON PRUNES PROGRAM INVITE LIST. Several older, white male writers who have participated on Readercon’s program in previous years have posted to Facebook over the past month that they have been notified they won’t be on this year’s program, or simply haven’t received the expected invitation. There’s no reason they have to be happy about it, and understandable if it triggers a bit of insecurity and resentment. However, the whiff of controversy around this development is not completely unlike Jon Del Arroz’ certainty that politics were the real reason he was rotated off BayCon programming.
The other convention I’ve usually gone to in the past, but will no longer attend, is Readercon. I’ve been an invited guest since Readercon 2 (had to skip the first one because of a schedule conflict), and have attended most of the 36 previous conventions … and then last year, without any sort of notice or explanation, I wasn’t invited. I was recovering from last year’s pancreas operation, so I probably wouldn’t have been able to show up anyway, but I wondered why nonetheless.
This year, I have an explanation … just not a good one. It appears, in an effort to be fair to young new writers, Readercon has been sending out form email letters to older authors such as myself (everyone known to have received the letter is male and above age 50), telling them that they’ve been dropped from the program participant list and therefore will not be invited guests.
Oh, we’re still welcome to attend, if we pay the registration fee. In fact, because of our exalted former status, we’re entitled to a 25% discount … if we go to a private registration site and enter the password (get this) PASTPRO.
So not only have we been told that we’re not welcome to come as professionals, we’re also being told that we’re no longer professionals, period.
I haven’t received the letter … but neither have I been invited. As I said, I wasn’t invited last year either, nor was I ever offered a reason why. To their program chair, I sent a polite letter calmly explaining why the letter is demeaning, insulting, and for the convention disastrously short-sighted; the response I got was a “so sorry you feel that way” blow-off. This pretty much confirms that I’ve been cast into the outer darkness for being … well, let’s not go there. And even if I’m not on the “past pro” list, I won’t come to a convention that would treat my friends and colleagues this way.
I mention this because I usually see at Readercon quite a few people who follow this page. Sometimes they bring copies of my books so I can sign them, and they need to know in advance not to use valuable suitcase-space. Sorry, guys … this year, it’s Boskone and the Hong Kong SF Forum only. At least those conventions still have respect for senior authors.
Anyone else get the email (under the subject line “Thank you for your service to Readercon”) starting out “There’s no easy way to say this, so I’ll be straightforward: you won’t be receiving an invitation to participate in programming for Readercon 29.”?
Another thought occurs: are they only doing this to folks who are also dealers, thinking we’ll be there anyway? I’ll have to run the numbers to see if it’s worth attending.
BRADBURY DID NOT WRITE FAHRENHEIT 451 IN NINE DAYS.
A popular apocryphal story is that Bradbury hammered out Fahrenheit 451 in just over a week. That story is wrong: It was the 25,000-word “The Fireman” that he wrote in that time period. The author would later refer to the short story as “the first version” of the eventual novel. But over the years, he would often speak about “The Fireman” and Fahrenheit 451 interchangeably, which has caused some confusion.
HE WROTE HIS FIRST VERSION ON A RENTED TYPEWRITER IN A LIBRARY BASEMENT.
Bradbury and wife Marguerite McClure had two children in 1950 and 1951, and he was in need of a quiet place to write but had no money for renting an office. In a 2005 interview, Bradbury said:
“I was wandering around the UCLA library and discovered there was a typing room where you could rent a typewriter for 10 cents a half-hour. So I went and got a bag of dimes. The novel began that day, and nine days later it was finished. But my God, what a place to write that book! I ran up and down stairs and grabbed books off the shelf to find any kind of quote and ran back down and put it in the novel. The book wrote itself in nine days, because the library told me to do it.”
HE SPENT $9.80 ON TYPEWRITER RENTAL.
Bradbury’s nine days in the library cost him, by his own estimate, just under $10. That means he spent about 49 hours writing “The Fireman.”
Prosthetics have advanced drastically in recent years. The technology’s potential has even inspired many, like Elon Musk, to ask whether we may be living as “cyborgs” in the not-too-far future. For Johnny Matheny of Port Richey, Florida, that future is now. Matheny, who lost his arm to cancer in 2005, has recently become the first person to live with an advanced mind-controlled robotic arm. He received the arm in December and will be spending the next year testing it out.
The arm was developed by Johns Hopkins Applied Physics Lab as part of their program Revolutionizing Prosthetics. The aim of the program, which is funded by the Defense Advanced Research Projects Agency (DARPA), is to create prosthetics that are controlled by neural activity in the brain to restore motor function to where it feels entirely natural. The program is specifically working on prosthetics for upper-arm amputee patients. While this particular arm has been demoed before, Matheny will be the first person to actually live with the prosthesis. The program does hope to have more patients take the tech for a longterm test run, though.
… Where Kellior was the sedate, downbeat host who wanted you to be part of the Lake Woebegon community, Thile is more than a bit manic, bouncing around in delight apparently as he gets to interact with musicians and other folk who he obviously admires a lot. APHC put me to sleep, LFH is definitely designed to keep me actively listening.
Shovel & Rope, a really good Americana couple, is dok good a bluesy travel song as I listen this moment. (By now I’d usually have decided to turn Kellior off.) Some minutes later, Gabby Moreno is playing a very lively (I think) a Tex-Mex song. Need I say Thile is really excited like her being on Live from Here?
… I’m an hour in and still not even close to tuning out though the comedy riff just now was meh but I’m not a fan of most such comedy anyways. That segued into a very nice and quite tasty bit of jazzy music by Snarky Puppy which is enhanced by the production team cleverly positioning mics in the audience which is more than a bit raucous all show long which they really demonstrate when Chris musically deconstructs ‘I’ll Be There’ in words and music….
(13) FAR SIDE OF THE KERFUFFLE. Most of the post is more abuse, so won’t be excerpted here, but Vox Day hastened to say Foz Meadows won’t be getting an apology from him: “I’ll take ‘things that will never happen’”. He adds —
Third, Dave Freer didn’t sic me on anyone about anything. I don’t recall having any communication with him in years. I just checked my email and I haven’t received even a single email from him since I set up my current machine in April 2016. Nor have I spoken to him.
(I’m not creating an Internet Archive page for this one so people can somehow feel okay about insisting on reading the insults.)
Those sick enough will get sent around the corner to a room with a crazy-looking, Rube-Goldberg-like contraption known as the Gesundheit machine.
For half an hour, the student sits in the machine. As the student breathes, the machine collects whatever virus they’ve got from the droplets in their breath.
The researchers will then use the student’s contacts to try to figure out how infections spread from person to person: “roommates, study buddies, girlfriends and boyfriends,” Milton says. “We’re going to swab them every day for a week to see if they get infected.”
If the student’s contacts get infected, researchers will try to pin down whether they got the bug from the original subject or someone else.
“We’re going to deep sequence the genetic code of the agent to see if it was really exactly the same thing,” Milton explains. He’s aware that confirming that your roommate gave you a horrible flu could ruin some perfectly nice relationships, but it’s for science.
(16) STAR WARS MEETS PETER RABBIT. Daisy Ridley is still a rebel. And a rabbit.
[Thanks to Cat Eldridge, Bill, JJ, John King Tarpinian, John Picacio, Carl Slaughter, Chip Hitchcock, Andrew Porter, Mark Hepworth, Chris Garcia, Will R., Vox Day, StephenfromOttawa, Christopher Rowe, and Martin Morse Wooster for some of these stories. Title credit goes to File 770 contributing editor of the day Jamoche.]
(1) HE INTERRUPT THIS PROGRAM. Marissa Lingen praises the ConFusion committee’s handling of her report about a highly contentious audience member who tried to commandeer more than one panel at the con — “It’s not your turn, sir.” Here are a few excerpts from her step-by-step summary of what happened and thorough analysis of the issues involved.
…So let’s talk about my second panel, Disaster Response in SFF. I was moderating. A gentleman in the audience had enough of the free-flowing discussion provided by the panelists, apparently. He did not wait for Q&A or even raise his hand. He just jumped right in, interrupting the panel to lecture us with a long, hostile, rambling comment on his own theories of where this panel should go and how wrong we all were for not going there….
…Okay. So. I talked to some friends, some of whom were involved with the concom/staff, and given what I was saying and what they were hearing about his behavior, they encouraged me to file an incident report. ConFusion’s ops team did everything right here. Everything. They made sure that I was seated comfortably, offered water, offered my choice of report formats (written or out loud), that I had a person with whom I was comfortable with me for the whole time, that I could discuss my statement rather than just turning it in and not knowing whether it was getting any attention. They asked after my safety and comfort and what would make me feel safe and comfortable going forward at the con.
Here’s what felt like a sea change to me. Here’s what makes me write about this: they did not minimize OR maximize response. They were proactively interested in an incident of someone being rude and disruptive. At that point I was hoping that just having the incident report on file would be enough, that not having further confrontation would allow this person to go on with his con and simmer down, focus on time with friends, other panels, etc….
… 2. This was not sexual harassment. But it was gendered.
The person he approached to complain about me on Sunday was, like me, wearing some of the trappings of traditional femininity. The people who laughed in his face Friday afternoon with no complaints, no consequences to themselves? All male. All male and all masculine. And yes, I was the moderator on my panel–but he didn’t say a word about Patrick cheerfully saying, “Bye!” to him as he departed, or about Patrick backing up my moderating. There was no complaint about Patrick. It was all me.
I’ll cope with it. That’s fine. But see it for what it is.
Dealing with sexual harassment in convention spaces is hugely important. It has been hugely important for me personally. But don’t for a moment make the mistake of thinking that it is the only gendered interaction that matters. And don’t think for a moment that the dynamic would be the same if he’d decided to turn up glaring with Patrick or treat a male concom member the way he did the person on Sunday. It’s no accident he didn’t try–and so conventions need to be equally deliberate in their handling of this sort of thing. ConFusion was, and I thank them for it.
Ty Franck — one-half of the blockbuster literary team James S. A. Corey — has kindly joined my effort to improve #Mexicanx representation in sf/f. He’s now sponsoring one attending membership to Worldcon 76 in San Jose, while ace photographer Ctein is sponsoring two more attending memberships.
At the suggestion of Barry Goldblatt, who founded the eponymous Barry Goldblatt Literary Agency in September 2000, we met at Bella Gioia, a Sicilian restaurant in Park Slope. A wonderful choice! But that’s to be expected when you get together with Barry, for he and I have eaten the fantastic many times before at such restaurants as Alinea in Chicago and Olo in Helsinki—though this is the first time you’re being invited to eavesdrop.
We discussed why he ended up as an agent rather than an astronaut, the happy accident that led to him being taught by the legendary science fiction writer James Gunn, the time Lloyd Alexander caused him to burst into squee-filled tears, J. K. Rowling’s first U.S. book signing and how she changed children’s publishing forever, what everyone thinks they know about agents that’s totally wrong, the sorts of things he’s told authors to help take their work to the next level, why it sometimes makes sense for him to submit a less than perfect book, whether the YA market is doing a better job with diversity than adult fiction, what he’s been looking for that he hasn’t been getting, and much more.
1-28 Sunday Noon – Introduction to Dungeons & Dragons
Learn the basics of Role Playing with paper; how to create a character, roll dice, join an adventure, and more.
2-1 Thursday 7 pm – Games Talk with Kyle Engen
Our Steward of Research Kyle will be talking about graphic design in games, using selected items from the collection.
(5) STORIES OF FUTURE PAST.Rocket Stack Rank adds another way to find the good stuff – from 2016. Greg Hullender explains:
Not everyone uses Rocket Stack Rank to find things to nominate; some people just use it to find stories to read. Toward that end, we put together a look back at the best stories of 2016, combining results from all the different reviewers, anthologies, and awards that we follow to produce a comprehensive ranked list.
The thing about Ursula K. Le Guin was that she didn’t actually look like a rabble-rousing, bomb-throwing, dangerous woman. She had a gentle smile, as if she was either enjoying herself or enjoying what the people around her were doing. She was kind but firm. She was petite and gray haired, and she appeared, at least on first inspection, harmless.
The illusion of harmlessness ended the moment you began to read her words, or, if you were so lucky, the moment you listened to her speak.
She was opinionated, but the opinions were informed and educated. She did not suffer fools or knaves gladly, or, actually, at all. She knew what she liked and what she wanted, and she didn’t let that change. She was sharp until the end. She once reviewed a book of mine and was not altogether kind about all of it, and I discovered as I read her review that I would rather have been chided by Ursula K. Le Guin than effusively praised by any other living author.
There is no reason a book of ideas can’t also be deeply moving, gorgeously written, and inhabited by people who take rooms in your heart and never move out.
(7) LE GUIN FAMILY NOTES A SUGGESTED CHARITY. Ursula Le Guin’s family has stated that the charity closest to her heart is the Malheur National Wildlife Refuge.
Ursula's agent was asked if the Le Guin family wanted donations sent. Ursula's son responded that the non-profit closest to Ursula's heart is the Malheur National Wildlife Refuge. If people are moved to donate in Ursula's memory this would be the place: https://t.co/YRlwsZicqk
If you’re an Ursula K. Le Guin fan, you’ve likely spent a lot of time in Earthsea, home to endless archipelagos and magical beings. You might have ventured to Gethen, with its glaciers and androgynes.
But you may not yet have made it to Rigel 9, a world that offers small red aliens, two-toned shadows from its double sun, and—depending on who you believe—a beautiful golden city. The planet is the setting of the little-known space opera, also called Rigel 9, released in 1985. The opera features music by avant-garde classical composer David Bedford, and a libretto written by Le Guin.
(9) JOHN CREASEY OBIT. Filker John Creasey died January 25. His wife, Mary, made the announcement on Facebook:
My husband, John Creasey, passed away this morning around 0915 or so. I hadn’t gotten there by then (he WOULD pick the day when I DIDN’T make my morning visit!). He was still on a ventilator until a doctor officially pronounces him. He had been going downhill for quite a while (multiple systemic infection organ failures), and hadn’t really recovered from the last septic shock crash. He had been non-verbal and non-communicative for at least the last two weeks. I will post later about funeral plans and such. I’m not going to collapse yet; he’s been effectively mostly out of our lives for over a year, and barely aware for much of the last six months, and that only occasionally, so this isn’t really much of a shock. I’m just glad he’s finally not hurting any more.
Joe Bethancourt (hat), Richard Creasey (young man in tie-dye) and John Creasey (larger adult man) perform Bethancourt’s filk song “Fishin’ for Chickens” at ConChord in 2005.
(10) TODAY IN HISTORY
January 26, 1964: Hammer’s Kiss of the Vampire opens in its native United Kingdom
January 26, 1995: Peter Weller stars in Philip K. Dick adaptation Screamers.
(11) TWO DAYS AGO’S BIRTHDAY BOY (SORRY WE MISSED IT!)
Born January 24, 1944 – David Gerrold
(12) THE SECONDS BLEED AWAY. The Bulletin of Atomic Scientists says it’s 2018 and time is running out:
2018: The failure of world leaders to address the largest threats to humanity’s future is lamentable—but that failure can be reversed. It is two minutes to midnight, but the Doomsday Clock has ticked away from midnight in the past, and during the next year, the world can again move it further from apocalypse. The warning the Science and Security Board now sends is clear, the danger obvious and imminent. The opportunity to reduce the danger is equally clear. The world has seen the threat posed by the misuse of information technology and witnessed the vulnerability of democracies to disinformation. But there is a flip side to the abuse of social media. Leaders react when citizens insist they do so, and citizens around the world can use the power of the internet to improve the long-term prospects of their children and grandchildren. They can insist on facts, and discount nonsense. They can demand action to reduce the existential threat of nuclear war and unchecked climate change. They can seize the opportunity to make a safer and saner world.
(13) FREE COMIC ONLINE. Marvel is giving you the chance to dive into THANOS from rising stars Donny Cates and Geoff Shaw, the series that IGN is calling “one of Marvel’s most exciting titles” – for free. THANOS #13, the first Marvel Legacy issue and the kick-off to Thanos Wins, is available now as a free digital comic for a limited time.
Head to www.marvel.com/redeem, enter the code THANOSWINS by Tuesday 1/30, and start reading now! Don’t miss the series that Comic Watch has raved is “the Mad Titan in all his power hungry glory.”
I have notified our authors and editors that I am pulling their books from distribution. Their books will begin to drop from Kindle Select over the next 90 days with some as early as January 31. You can no longer purchase their books as an ebook but may borrow until the end of the 90 day period.
EGM went on hiatus last year for many reasons including that I took a new position with my employer. The commitments of this position make it impossible for me to continue in the publishing business. I hope you all support other indie publishers out there. It takes a lot of money, time, and dedication to create great books.
It has been a fast-paced and enjoyable couple of years. I look forward to the future and enjoying the great works the authors and editors I’ve worked with create.
The Sharke has changed me in multiple ways, most obviously as a critic and as a reader. Looking back on the self that first conceived the project, I now believe I had become as entrenched within a certain comfort zone as any hardcore space opera fan, accustomed to looking in the same places for what I deemed noteworthy, places that accorded comfortably with my expectations, which in their turn had mostly to do with style. How much more interesting to strip away one’s assumptions and see what happens. To come at things from a different angle. To stop feeling the need to fight a particular corner in terms of what is good and what is best. Personally, I’m still not a fan of The Underground Railroad. To my mind, it is possibly the most ‘commercial’ novel on the Clarke Award shortlist and its bland surface texture renders it ultimately forgettable to me as a reading experience. I find some of the sentence structure, not to mention the use of science fiction in Tricia Sullivan’s Occupy Me to be far more interesting. I have found the abstruse weirdness and raw vitality of Ninefox Gambit hanging around in my mind far longer than, for example, the sensitively rendered but ultimately predictable dystopian role-playing of Clare Morrall’s When the Floods Came. Viewed from this new perspective, the landscape of science fiction looks much more exciting to me than it did even before the Sharke was launched.
The year is 1954, and African American war veteran Atticus Turner is traveling north to Chicago. His dad Montrose has disappeared somewhere in New England, and with his Uncle George and his friend Letitia, Atticus sets out to find him…..
This is an entertaining read, as the characters are all resourceful and end up accomplishing what they need to do through the application of determination and common sense. Regardless of the Jim Crow setting, the characters feel contemporary, as if Ruff has set characters with modern sensibilities into the Lovecraft milieu.
I’ve read some other reviews that promote this book by saying racism is the real horror in the story. I didn’t really see that. If you’re unfamiliar with the facts of Jim Crow segregation and the kind of discrimination African Americans faced in the 1950s, then I suppose this could be a surprise. Presumably Ruff set his story in this period at least partly to display the racial issues, but actually he skims over it as fairly matter-of-fact. Everybody deals and nobody gets lynched.
What really stood out for me instead was the message that these black characters read and treasure the SFF classics of the day by Lovecraft, Burroughs, Bradbury, Asimov, etc., without any disconnect because of their race. Is that so? Currently these writers are all considered to be both racist and sexist because they reflect the attitudes of their era….
[Thanks to JJ, John King Tarpinian, Cat Eldridge, Chip Hitchcock, Cat Rambo, Martin Morse Wooster, Andrew Porter, Jay Byrd, Michael Toman, ULTRAGOTHA, Karl-Johan Norén and Carl Slaughter for some of these stories. Title credit belongs to File 770 contributing editor of the day Hampus Eckerman.]