Paramount and CBS will drop their lawsuit against Alec Peters, maker of the Axanar fan films, J.J. Abrams told an interviewer during an event promoting Star Trek: Beyond.
A Paramount spokesperson confirmed the news in an email to Buzzfeed’s Adam Vary.
The announcement came as a surprise to Peters. PC Magazine reports Axanar issued a cautious statement in response:
While we’re grateful to receive the public support of JJ Abrams and Justin Lin, as the lawsuit remains pending, we want to make sure we go through all the proper steps to make sure all matters are settled with CBS and Paramount. Our goal from the beginning of this legal matter has been to address the concerns of the plaintiffs in a way that still allows us to tell the story of AXANAR and meets the expectations of the over 10,000 fans who financially supported our project….
Set in the Star Trek universe, the first Axanar film was made in 2014 aided by over $100,000 in Kickstarter funding. A prequel called Prelude To Axanar had raised over $600,000 on Kickstarter. In 2015, Paramount and CBS filed a copyright infringement lawsuit seeking $150,000 in damages against Peters.
Here’s a bonus Scroll, healthfully free of references to rocket-shaped awards. Well, except for that one.
(1) THE DOCTOR. Vulture provided an introduction for this clip of David Tennant and Stephen Colbert doing their own version of “Who’s on First”.
David Tennant is currently playing Richard II in a cycle of Shakespeare history plays at the Brooklyn Academy of Music, and on Wednesday night, he stopped by Stephen Colbert’s show to tell him all about it. But before he could, he had to take part in a very silly “Who’s On First” spoof with late night’s most verbally gifted host, one that wrapped in Doctor Who, Doctor Strange, and Benedict Cumberbatch (who, coincidentally, is about to play Richard III on British TV).
(2) PETER DAVID.
Say Hi to my first grandchild, Anthony Jack (AJ). Congrats to Ariel & Anthony. I love everybody! pic.twitter.com/yfSP6jeVqH
(3) GIVE FORWARD. When Ed Dravecky III passed away at WhoFest last weekend, away from home, a crowdfunded appeal was launched on behalf of his partner Robyn Winans seeking financial assistance to help with the transport and funeral arrangements.The target was $2,000 – over $5,000 was raised.
(4) FREE PAOLO BACIGALUPI STORY. Joey Eschrich, Editor and Program Manager for the Center for Science and the Imagination as Arizona State University, and Assistant Director, Future Tense, has something for you —
I just wanted to share this new (free) short story from Paolo Bacigalupi about artificial intelligence, pleasurebots, and the ethical and legal quandaries of human-machine interaction – I’m hoping you might consider sharing it with your community!
The Center for Science and the Imagination at Arizona State University, where I work, commissioned and edited the story along with Slate.com’s Future Tense channel – it’s the first in Future Tense Fiction, a series of short stories about how technology and science will change our lives. The story is accompanied by a response essay from Ryan Calo, a robotics and law expert at the University of Washington.
(5) FULL FURY FIVE. The “Wasteland Weekend” video features people cosplaying entire cars in Mad Max-esque styles.
For Mike Orr, a.k.a. “Sweet Lips,” escapism comes in the form of Wasteland Weekend: an annual four-day post-apocalyptic festival held in the Southern California desert that attracts thousands of people from around the country. It’s basically a giant celebration of end-of-the-world culture, where, per Sweet Lips, “people can do whatever they want.” This includes everything from hand-to-hand combat to burlesque to bonfires that set the night sky ablaze.
But most of all, people come to Wasteland for the cars?—?DIY war machines that look as though they’ve rolled right out of Fury Road.
Like many successful actors, Iwan Rheon, better known as the blithely malicious Ramsay Bolton on “Game of Thrones,” arguably the most hated man on television, admits he’s concerned about being narrowly defined by an indelible character. But ask a logical follow-up question — what else are you working on? — and the scale of his challenge becomes clear.
“I’m playing a young Hitler,” he replied, referring to the British television movie “Adolf the Artist.” Then realization took hold, and his face crumpled in mock despair: “Oh, I’m typecast already!”
(7) KEEP YOUR YAB BANG CHUT. A side-effect of the studio’s suit against the producers of Axanar is this story: “Paramount Pictures sued over copyright of Klingon language”. Notwithstanding the headline, what’s been filed is an amicus curae brief, which, as Chris Meadow explains, “Is a legal brief in which a party not directly involved in a case puts in a few words about issues that could nonetheless affect them depending on how the case is decided.”
A group called the Language Creation Society is suing Paramount Pictures in federal court over its copyright of the Klingon language from the television series Star Trek, arguing that it is a real language and therefore not subject to copyright.
“A group called the Language Creation Society claims in U.S. federal court that Paramount Pictures lacks the ‘yab bang chut’ or ‘mind property law’ necessary to claim copyright over the Klingon language,” Randazza wrote in the brief’s description.
According to the Hollywood Reporter, the issue had previously been brought up in a lawsuit between Paramount Pictures and CBS over a crowdfunded Star Trek fan film that made use of the language.
The legal point is a fascinating one: if a language is created in connection with a copyrighted work of fiction, can there be a copyright on other use of the language, even if it’s not to speak the lines from the copyrighted work?
(8) TODAY IN HISTORY.
April 28, 2007 — Ashes of actor James Doohan, who portrayed engineer “Scotty” on Star Trek, and of Apollo 7 astronaut Gordon Cooper soared into space aboard a rocket.
(10) SINFUL STAR WARS. CinemaSins covers Everything Wrong With Star Wars: Episode VII – The Force Awakens and reminds us: “Remember, no movie is without sin!”
(12) WE NOW KNOW. In 2016, the planet Mars will appear brightest from May 18 to June 3. NASA has the scoop.
Mars Close Approach is May 30, 2016. That is the point in Mars’ orbit when it comes closest to Earth. Mars will be at a distance of 46.8 million miles (75.3 million kilometers). Mars reaches its highest point around midnight — about 35 degrees above the southern horizon, or one third of the distance between the horizon and overhead. Mars will be visible for much of the night.
There is a nice animation at the above site showing how Mars’ appearance embiggens during the approach…
20th Century Fox will not showcase its upcoming movie releases in Hall H at San Diego Comic-Con this year.
The studio feels it cannot prevent the piracy of custom trailers and exclusive footage routinely screened for fans in attendance, an individual familiar with the decision told TheWrap.
A representative for Fox declined to comment. SDCC was not immediately available for comment….
The first full trailer for Batman: The Killing Joke, Warner Bros. Animation’s first R-rated Batman movie, is finally here. Based on the acclaimed and highly controversial graphic novel of the same name, the film will explore Batman’s relationship with the Joker, and drive home the fact that they represent perfect arch-nemeses for one another.
Alan Moore’s The Killing Joke, released as a one-shot back in 1988, is considered by many fans as the greatest, and perhaps most terrifying, Joker story ever written….
[Thanks to John King Tarpinian, Glenn Hauman, JJ, Will R., Mark-kitteh, and Andrew Porter for some of these stories. Title credit goes to File770 contributing editor of the day Heather Rose Jones.]
After years of rumours, Rockne O’Bannon has finally confirmed that a Farscape movie is actually happening. The show was cancelled back in 2003 and a mini-series titled Farscape: The Peacekeeper Wars was aired in 2004 to provide closure to the fans but it appears we shall be getting more Farscape in the near future. Confirmation comes from TV.com’s Ed Shrinker who had a friend that attended the Showrunners panel at Wondercon which O’Bannon was a part of.
(2) BEAGLE COMING TO BALTICON. Peter S. Beagle will be a Special Guest of Honor at Balticon 50, taking place over Memorial Day weekend in Baltimore, MD.
“It’s Peter’s birthday, but the fans are getting the gift,” says Beagle’s attorney, Kathleen Hunt.
… According to Peters, Winston & Strawn subsequently filed a motion to dismiss the lawsuit. CBS and Paramount responded, he said, by amending portions of the complaint. The new complaint alleges that copyrights were violated in matters such as the pointy ears and “distinctive eyebrows” of Vulcan, the gold-shirt uniforms of Federation officers, and the Klingon language, according to documents posted by The Hollywood Reporter on March 13.
New motion to dismiss
In the meantime, the production of “Axanar” is on hold pending the result of the lawsuit. If the lawsuit is resolved in the film’s favor, Peters said, production will still be delayed, as it would take a couple of months to organize everything, including coordinating the actors’ schedules and resuming work on elements such as the costumes.
Winston & Strawn filed a new motion to dismiss on March 28. CBS and Paramount have yet to file a response in court.
“The motion provides examples as to how CBS and Paramount overreach in what they claim are elements protected under copyright, and fail to be specific as to exactly which copyrights have been infringed upon; and, in the case of the potential feature film Axanar, claims of alleged copyright infringement cannot be made against a film that doesn’t yet exist,” read part of an Axanar statement on the motion to dismiss.
(4) A THOUSAND WORDS IS WORTH A PICTURE OF A CAT. At Camestros Felapton’s blog, Timothy the Talking Cat has his claws out: “Ctrl-Alt-Delete – A Reviewing”.
[Timothy] No sarcasm. Don’t forget, this time I control the narrative. I can make you say anything. Say “I’m a poo-poo head”
[Camestros] I’m a poo-poo head.
[Timothy] OK say I’m a fish’s butt.
[Camestros] You are a fish’s butt.
[Timothy] Oops – forgot the speech marks. So back to the book – naturally you hated it?
[Camestros] You know I actually enjoyed quite a bit of it.
Despite what you might assume from this exchange, they spend most of their time reviewing books. But as today’s Top Level Poster I can quote whatever part I like.
Let’s go back to the Wall, a prime example in the case of Game of Thrones. Maybe there is some sort of magic keeping it up. “Or maybe,” Jacobs suggests, “there’s some sort of refrigeration unit.”
It seems farfetched, until you start digging deeper—and Jacobs, an auditor for the U.S. State Department by day, is an expert at doing just that. After re-reading the series a couple of years ago, he jumped right into reading the vast majority of Martin’s extant works, including every story that’s taken place in the author’s most frequently visited setting, a shared universe called the Thousand Worlds….
The Long Night itself seems to hint at the explanation for how this world—as Jacobs and other theorists do, let’s call it Planetos—became the way it was. A winter that lasts for a generation seems pretty hard to believe, even in a world with seasons as crazy as those on Planetos. In the first season of Game of Thrones, Tyrion discusses with Maester Aemon and Lord Commander Mormont the longest winter he’d ever lived through, and mentions it lasted three years. But as Jacobs points out, there is such a thing as a generation-long winter in the real world: a nuclear winter.
In the Thousand Worlds universe, humanity is at perpetual war with multiple hive-minded species—a form of life that pops up in A Song of Ice and Fire as well, and which Jacobs explores in detail in one of his theories. During this endless war, the hive-minded races typically destroy human worlds using nuclear weapons, wait a hundred years for the dust to settle, and then invade and enslave the survivors. And in the interim, something familiar happens, as it does on High Kavalaan, a planet in Martin’s first novel, Dying of the Light.
“I think the book that really made me think Westeros could be post-apocalyptic was Dying of the Light,” says Jacobs. “When he started writing about nuking people, with everybody hiding in mines and founding their own houses and holdfasts, it just occurred to me that the Long Night could be a nuclear winter.”
(6) HEINLEIN ON THE LINE. At the MidAmericCon II site, Toastmaster Pat Cadigan has blogged her fannish origin story.
Forty years ago, in the spring of 1976 in Lawrence, Kansas, the phone rang in the late afternoon, about an hour and a half before I had to go and teach a belly-dance class. When I picked up, a deep, warm-as-a-woolly-blanket man’s voice said, ‘Hello, Mrs. Cadigan. This is Robert Heinlein.’
And I freakin’ died.
Seriously; I died. This is my afterlife. Isn’t it great?
First, on behalf of the Hugo administration staff and all the rest of the folks making preparations to run MidAmeriCon II, I want to thank all of the people who participated in our Hugo and Retro Hugo nomination processes. There were over 4,000 of you and that is a new record participation by quite a large margin.
There’s a large number of tasks we have to do to administer the Hugos. Identifying eligible nominators and voters, setting up servers and web pages to handle secure nominations and voting, answering hundreds of questions about the process for the members, making sure everyone’s nominations are counted appropriately even if they don’t use the same name for something they loved that all the other folks who loved it used or nominated it in the wrong category accidently, locating and contacting the potential finalists to get their acceptance and inform them of how the process works and what to expect, coordinating with convention events staff to run the awards ceremonies and pre-receptions, and numerous other tasks. The previous run on sentence would be staggeringly large if we tried to give a full accounting of everything the awards administration entails. It can be fun, it can be exhausting, and it can even sometimes be frustrating. When we do a good job, though, it’s very rewarding.
(8) HUGO LOVE FROM WORDPRESS. Kevin Standlee’s The Hugo Awards website came in for recognition today —
I haven’t blogged for a long time, but right now I’m on a train, and it feels like a good time to catch up. This morning I was interviewed by Charlie Russell for his documentary on Terry Pratchett. (Charlie made the previous BBC Terry Pratchett documentaries, Living With Alzheimer’s, Choosing to Die, and Facing Extinction.) We did it in a Chinese restaurant in Gerrard Street, because Terry and I had first met in a Chinese restaurant, in February 1985. It was easy and pleasant, and then suddenly it wasn’t. I was talking about the last time I’d seen Terry, and what we said, and I found myself crying uncontrollably, unable to talk. And then I pulled it together, and we carried on….
The memorial the other night was beautiful. I wore my mourning frock coat that Kambriel made for me, and I went out that afternoon and bought a white shirt and a black tie. (Actually, I bought four shirts, which, given how often I wear white shirts, should take me easily to the end of my lifetime.)
I read the introduction to A Slip of the Keyboard, which I’d written for Terry while he was alive. I got sad at the end but that was fine. And I held it together just fine when Rob, Terry’s amazing right-hand man, presented me with a big black author’s hat Terry had left me. I couldn’t put it on, though. I wasn’t ready for that. (I tried it on later, in the dressing room. I looked, to my mind, like a rabbinical cowboy assassin. Not that there’s anything wrong with that.)…
(10) MORE LIKE INDIE FOR SMART PEOPLE. Sarah A. Hoyt, in “Going Indie For Dummies: You Lays Down Your Money” at Mad Genius Club, begins her survey of professional services available to indie authors with a warning –
I cannot emphasize enough that you should at all costs avoid paying money up front to have any of the necessary stuff done to your book. Particularly if your indie ebook is a short story or a novella, it’s QUITE possible you’ll never see that money again….
Then she follows with a lot of practical experience. (And no, I am not picking this quote as a setup for predictable comments about Baen copyediting, but because writers in general suffer through this.)
b) Copy editing: even houses confuse this with “editing” and I’ll get a list of typos or repeated words from editors who are supposed to be doing high-grade structural. It’s what most people think of as “editing.”
PLEASE make sure you get a copy editor who actually knows what he/she is doing. Again it is too easy for a copy editor to screw with a book by making the wrong choices, and/or not getting what you’re trying to say. (I recently had a copy edit that suggested changing “calloused hands” to “callous hands” — yes, her hands are cold and unfeeling. What the actual F?) so several steps:
1- look for a copy-editor with references and call/email those references where the copy-editor can’t hear/read and ask for the real skinny and how hard they are to work with.
2- ask them what manual of style they use. If you get back “manual?” or “I just use sensible grammar” and this is a paid copy-editor it’s time to bail, ladies, gentlemen and fuzzy toys. There are many ways of doing things including punctuation (unlike what your grammar teacher told you.) I favor, for my own checking, Strunk and White which has a slightly British flavor. Most publishing houses use Chicago Manual of Style. Baen uses Words to Print (I think that’s the title.) You want to make sure your books are consistent, so make sure your copyeditor uses a style you can live with.
(11) TODAY IN HISTORY
April 20, 1841 — Edgar Allen Poe’s story “The Murders in the Rue Morgue” first appears in Graham’s Lady’s and Gentleman’s Magazine. The tale is generally considered to be the first detective story.
(12) TODAY’S OTHER HISTORY LESSON. Hmm. Good point.
I always thought it was ironic Andrew Jackson was on a bank note, considering his opinion of the national bank.
Your next book will have a woman as the central character. Given that “gender wars” in science fields is still a contentious topic, why did you decide to go with a lady lead? What kinds of challenges does your protagonist face, and does her gender play any role in those challenges?
I don’t take part in any political debates. So I’m certainly not trying to make a point by having a female lead. She’s just a character I came up with that I thought was cool, so she’s the lead.
The book is another scientifically accurate story. The main character is a low-level criminal in a city on the moon. Her challenges are a mix of technical/scientific problems, as well as juggling personal interactions—staying a step ahead of the local police, working with shady and dangerous people to do illegal things.
She doesn’t encounter any distinctly “female” challenges. There’s no love plot. And the story takes place in a future society where there is practically no sexism.
In space, water is in short supply, so Nasa has developed an innovative way to filter waste water on the ISS using chemical and distillation processes. This lets it turn liquid from the air, sweat and even urine into drinkable H2O.
In fact, since 2008, more than 22,500 pounds of water have been recycled from urine alone on the ISS – something that would have cost more than $225m (£160m) to launch and deliver to the station from Earth.
“Most people are horrified when they see what we drink!” says Ms Coleman. “But the filtered water up there just tastes beautiful, it really is delicious.”
Nasa has since licensed the technology to companies on Earth, which have created portable filters for use in places where fresh drinking water is scarce.
Filters produced by US firm Water Security Corporation, for example, have been installed in villages across Mexico and Iraq, allowing residents to purify water from contaminated sources.
Why did you withdraw from the jury of the Bram Stoker Award for Best Anthology?
Because, as I saw it, that was the best thing to do for the good of the HWA. There is nothing prestigious or glamorous about being a juror. It does involve a lot of unpaid, unseen, arduous work reading an enormous number of books by authors or publishers or, in the case of anthologies, editors, keen to have their books included amongst the finalists for the Stoker awards. Of course the juries cannot add more than a few books, but it does mean reading all those submitted, good, bad or indifferent. I know from when I was a juror for First Novels this can be a hell of a chore. Standing down, therefore, was easy – it saved me a lot of hard work, some of it far from enjoyable. I only put my name forward because the HWA sent out a last minute email appealing for volunteers from active members for this position. I thought I was helping the HWA by stepping forward, never realising the reaction stirred up by certain individuals, some of whom already had a personal grudge against the HWA and are not even members….
Are you still part of the UK National Front?
I resigned in 1983 and have not been involved since.
A lot of people have characterized you as a fascist. Would you say that’s a fair description of your politics?
No. It’s an easy label to flash around, usually by those who are fascists themselves, particularly from the left. Fascists don’t believe in free speech and try to suppress it for their opponents. I have never in my life tried to do that. They are also prepared to use physical violence against their political opponents. I was never involved in anything like that. I would add that during the time I was involved in the party any member who associated with a neo-nazi group, either in Britain or overseas, faced expulsion. This, I can confirm, was enforced.
Nominees for the Eisner Awards, the top honors in the comics industry, were announced on April 19. This year’s nomnees in the manga category (technically, “Best U.S. Edition of International Material—Asia”) offer a range of different types of manga, from genre comedy to poignant literary works. As a former Eisner judge myself, I know how hard the choices are, and this year’s slate is exceptionally good. All these series are accessible to non-manga readers as well as longtime fans. Let’s dive in and take a look!
Assassination Classroom, by Yusei Matsui This was the surprise nominee, because it’s not exactly a highbrow series, though it is wickedly funny. The setup is totally over the top: a class of misfit high school students are assigned the job of killing their teacher, Koro-sensei, an octopus-shaped alien who has announced he will destroy the earth at the end of the school year. Armed with weapons that are harmless to humans but deadly to their teacher, they study his weaknesses and plot new attacks, and new assassins join the class as the series goes on. What makes it so fun (and so weird) is that Koro-sensei is actually a really good teacher, and he uses his superpowers to help his students as much as to evade their attacks. He’s quirky, overly fond of gossip, a bit self-indulgent, and he often finishes a face-off with an opponent by doing something silly like giving them a manicure. This is a series that shonen fans will particularly enjoy, as there are a lot of inside jokes about the conventions of the genre, but it’s also a fun action comedy for anyone willing to go all in on suspension of disbelief. There is a darker side to Koro-sensei, and occasionally he lets the jovial mask slip, adding a bit of edge. The judges nominated volumes 2-7 of this series for the award.
You’re never too young for science – getting children interested in the world around them, and asking them to try and figure out how things work is a fundamentally good idea. Curious children will naturally gravitate towards STEAM subjects. Let’s encourage that and make sure that a child who wants to explore that particular part of our world has everything she needs to get there, and keep learning about and making awesome things when she leaves. This is and will continue to be a challenge. Despite the clear and undeniable benefits of a comprehensive education, including science education, not only to individuals but to our entire society, we have allowed the funding of our schools to become part of the culture wars. This is as disgraceful as it is predictable. When so many of our poorly-named “leaders” deny scientific consensus on everything from climate change to vaccines, a scientifically literate and well-informed populace can be tremendously inconvenient to them and theiir corporate owners. Well … good. Let’s be inconvenient to them. Let’s educate and empower a generation who will be real leaders, and carry our nation into the future.
We all know that it’s possible to fund STEAM education. The money is there, it’s just being spent on other things. Making enough noise and applying enough sustained pressure to change this will not be easy. It will actually be quite hard. But when has America ever shied away from doing things that are hard? Everything worth doing is hard, and President Kennedy said as much when he challenged our nation to go to the moon. Right now, decades later, every single one of us has benefitted in some way from that commitment. Right now, a generation of future scientists can look to MARS and beyond, because nearly fifty years ago, we did whatever it took to go to the moon.
Why aren’t we doing that today? Because it’s hard?
In which we announce the editors for the 2016 edition of the award-winning collection Speculative Fiction
As you probably know by now, we are the new publishers of the ongoing editions of Speculative Fiction: The Best Online Reviews, Essays and Commentary – a collection that celebrates the best in online Science Fiction and Fantasy nonfiction. We are currently hard at work on the publication of SpecFic ’15 – edited by Foz Meadows and Mark Oshiro – and we feel it is time to move on to the next very important step for next year: announcing the two new editors for 2016.
Since its inception in 2012, the Speculative Fiction collection has been envisioned as an annual publication, curated by a new pair of editors each year. Each incumbent pair is also given the weighty task of selecting the next year’s editors.
Today, we are extremely proud to finally announce the editors of Speculative Fiction 2016: Liz Bourke and Mahvesh Murad!
Apparently items for the 2015 collection needed to be submitted to the editors? Well, I didn’t send in anything from File 770, so that’s that.
We enjoyed the recent Star Wars film. But, like many, we couldn’t help thinking that BB-8 would look far more fetching dressed up as the globus cruciger from the Crown Jewels, or else painted in the colours of the Union Flag, tarted up like a teapot, or made to look like one of the Beatles.
Our wishes are fulfilled at a new exhibition and charity fundraiser. The cutesy droid has enjoyed a makeover from dozens of artists and celebrities, with the best efforts on show at White Rainbow Gallery (47 Mortimer Street) until 21 April.
Contributing celebrities include Daisy Ridley, John Boyega, Mark Hamill, Anthony Daniels, Warwick Davis, Simon Pegg (responsible for the Beatles droid, above), Paddy McGuinnes, Jonathan Ross, Nicola Adams and the band Years and Years. Each has daubed the droid with a design celebrating an element of British culture, from Robin Hood to the Sex Pistols.
(21) LOOK UP IN THE SKY. Alastair Reynolds is in awe by the end of a session of starwatching (“Pattern Recognition”) —
The light I caught had travelled 25,000 years to reach my telescope. If there’s ever a day when that sort of thing doesn’t send a shiver down my spine, please feel free to shoot me.
[Thanks to John King Tarpinian, JJ, Chip Hitchcock, Cat Eldridge, Will R., Steven H Silver, and Martin Morse Wooster for some of these stories. Title credit goes to File 770 contributing editor of the day Brian Z.]
For the second time, the lawyers working for Axanar have filed a motion to dismiss and they are again seeking clarification from Paramount Pictures and CBS Corporation regarding which copyrights the production has violated.
Axanar posted an official statement regarding the new motion, which was filed yesterday. “Yesterday, acting on behalf of both Axanar Productions and Producer Alec Peters, Winston & Strawn filed a Motion to Dismiss the first amended copyright complaint of CBS Studios and Paramount Pictures Corporation. The motion explains that in multiple respects, the deficiencies in CBS and Paramount‘s original complaint are still not sufficiently addressed in their amended filing, and that in some ways the amendments have created new defects.
“The motion provides examples as to how CBS and Paramount overreach in what they claim are elements protected under copyright, and fail to be specific as to exactly which copyrights have been infringed upon; and, in the case of the potential feature film Axanar claims of alleged copyright infringement cannot be made against a film that doesn’t yet exist….
The Axanar legal team has requested a May 9 hearing date on the motion to dismiss.
(2) DIGGING DEEPER INTO GALAKTIKA. Anna Grace Carpenter documents “more bad behavior” by Galaktika Magazine, the Hungarian periodical charged with not paying a lot of people for their work.
This opened up a broader problem. By this point I was certain that the English-language stories were primarily being published without the consent or compensation of the original authors. (I have been able to confirm that work published as early as 2008 was done so without author knowledge or consent. Pintér spoke with an author whose work was published in 2006 without their consent. The full extent of the ongoing piracy is still uncertain.)
Tracking down the translators who were working for Galaktika during 2015 was a little more difficult than contacting the authors involved; all I had were the names in the bibliography and Google.
The first few I tried didn’t turn up anything immediately useful, but with a little more digging I was able to reach two of the translators who worked with Galaktika in 2015. The first (who had translated nine stories over the course of the year) said simply that they were not responsible for the rights involved in the stories. They would receive a request from the publisher (likely Attila Németh – the fiction editor at Galaktika) to translate a specific story, and would return the work once they were done….
They told me the effort involved to get paid for their work simply became too much and they stopped working for Galaktika. (They also became aware, after the fact, that Polenth Blake’s short story – “Never the Same” (Strange Horizons Sep 8 2014) – had been taken without her permission because they contacted her about the translation.)
Another Hungarian author I spoke with said they had sold work to Galaktika in 2006 for which they had received pro-rates, but had since stopped working with the magazine due to (among other things) other authors they knew personally not being paid for their work. They said their feeling was that Hungarian authors and translators had a better chance of being paid because they could always go to the Galaktika offices to demand what was owed.
But the translator I spoke with said they had heard of other translators and Hungarian authors who had never been paid – a fact which was such common knowledge that when they told their friends about the work their first question was “And do they pay you?” They recounted calling István Burger “who was really cocky, like it was by his grace that I was allowed to work for them, because apparently it’s him who sends everyone their money. So after Back to the Future I had enough.”
It would seem that Galaktika’s bad behavior is not limited to the theft and piracy of English-language stories, but a deliberate and continuous pattern of behavior where they attempt to profit off the work of others while making as little compensation as possible to the authors and translators providing the material for the magazine.
The U-rated 1978 film Watership Down would be classified PG were it released today, the new head of the British Board of Film Classification has said.
BBFC director David Austin told BBC Radio 5 live its violence was “arguably too strong” for it to be rated U now.
He added the film also contains language that would be “unacceptable” in a film rated U under 2016 criteria.
His comments followed complaints over the film’s content after it was aired on Channel 5 on Sunday.
“Well done to whoever at Channel 5 decided that Watership Down was a nice Easter Sunday afternoon film to show,” wrote one tweeter.
… The film – which features the voices of Sir John Hurt and the late Richard Briers – received a U rating on its initial release for its “very mild language, mild violence and threat”.
According to Austin, though, “standards were different then”. “The film has been a U for 38 years, but if it came in tomorrow it would not be,” he continued.
Google has removed an April Fool’s Gmail button, which sent a comical animation to recipients, after reports of people getting into trouble at work.
The button appeared beside Gmail’s normal send button and allowed users to shut down an email thread by sending a gif of a Minion dropping a microphone.
However, a flurry of complaints about the button appeared on Google’s forums.
The firm has since withdrawn the feature and apologised.
Will R. swears, “For the record, I didn’t realize they were crazy enough to make this an actual button.” Well, if they did.
(5) MORE UNTIMELY FOOLISHNESS. Variety reported on April Fool’s Eve (or as you civilians say, March 31) that actor Tom Hiddleston delivered Chicago’s Fox32 weather report as Loki — “Tom Hiddleston Gives Weather Report, Blames Storm on Thor”.
Tom Hiddleston can add another credit to his resume: weatherman.
The “Night Manager” and “Avengers” actor dropped by a Chicago news station as Loki (though tragically not in costume) to update viewers on the terrible weather hitting the area this weekend. He blamed it all on his thunderous brother Thor, saying that his “brother from another mother’s been misbehaving.”
“The God of Thunder has brought his skill set to bare on the local weather,” Hiddleston added.
In other words, the storm-front means that “Chris Hemsworth has taken his hammer and smashed it on the surface of the sky and it’s going to rain a helluva lot,” the actor said….
Hiddleston and Hemsworth will reprise the feuding brothers onscreen again in “Thor: Ragnarok,” which is set for Nov. 3, 2017.
Anime Boston has posted a long statement detailing the causes of excessive lines at their con last weekend. Some of the causes are ordinary problems, like misallocated staff and the blocked shortcut. Others included a registration system provided by a third party which was found to have a serious bug right before the con started*, and a decision between the local police and the facility to use metal detectors, with the con being a bit out of the loop. It goes to show that being bigger doesn’t necessarily mean having more control of things.
(7) JAMES H. BURNS CLIPPING FILE. The Franklin Square Bulletin, which has no internet presence, but is a decades-old weekly on the South Shore of Long Island, published an item about a favorite son:
“Franklin Square Columnist Nominated For Rondo Award”
Franklin Square resident James H. Burns, a long time writer and actor, has been nominated as “Best Columnist for 2015” at the Classic Horror Film Board, the popular website administered for over twenty years by David Colton, the just-retired Page One editor of USA TODAY. Jim’s citation is for his columns at FILE 770, itself a multi-award winning website devoted to the worlds of the fantastic. It’s fun to note many of Jim’s articles actually deal with lost elements of growing up in Franklin Square, and other unique facets of life in our community!
The columns range from “World War II and a Lexicon in Time” to man’s first landing on another world (“The Moon at Midnight”); a look at Irish folklore (“And a Moonbeam to Charm You”) to prehistoric worlds (in “My Father and the Brontosaurs” (including dinosaurs at Falaise, and the World’s Fair) and “Sons of a Mesozoic Age” (with memories of the Franklin Square Theatre!); and reflections on his friendships with some of the James Bond filmmakers (“The 007 In My Mind”) and other theatrical personnel (“Back to Another Future”).
The best column may be a special look at our Christmas and Chanukah traditions, “The Geography of Eden.”
Burns says, “The whole idea behind some of the articles was to capture certain moments in time, experiences common to many of us who grew up in the area, but which might otherwise be forgotten.”
Burns writes about the small “farm” that used to behind Valley Caterers in “Clanky!”, and takes a look at a Franklin Square Independence Day evening, and the dawn of the Space Age, in “On This, The Fourth.” (Some of his mainstream work for CBS-NY.COM and NEWSDAY is also reflected in the nomination, as the features were excerpted at the website.)
You can read some of the articles by Googling, “James H. Burns,” File 770, or “James H. Burns,” CBS.
(8) ADRIENNE CORRI OBIT. BBC reports the death of actress Adrienne Corri on March 13, who played the rape victim in A Clockwork Orange, appeared in Hammer films, and featured in a Doctor Who (according to IMDB).
(9) TODAY IN HISTORY
April 2, 1968 — 2001: A Space Odyssey has its world premiere in Washington D.C.
The second annual gathering (this time both virtual and actual!) to celebrate the classic 1968 film and all its sequels, remakes and re-imaginings. We’re hosting a fan meetup event at the Idle Hour Cafe in North Hollywood, CA beginning at 5pm on Saturday, April 2nd [NOTE THE NEW DATE FOR EVENT] For those who can’t attend in person, we encourage fans in other cities to join us via Skype and Facebook, of course. More details will follow soon, so RSVP now to and note if you’re attending in person to give us a human-count. Mark this date in your calendar now and prepare to GO APE with the Damn Dirty Geeks!
(11) TODAY’S BIRTHDAY BOYS
April 2, 1805 — Hans Christian Anderson.
April 2, 1908 — Buddy Ebsen. He missed appearing in the Wizard of Oz because the Tin Man’s makeup poisoned him. His Twilight Zone episode was written by Charles Beaumont.
Twenty years ago, even ten (and zero in some places), science fiction was all about the twist ending. Aliens would seed a dead planet with life only for it to turn out…that planet was EARTH! Or folks might spend a story in a struggle to stay alive, only to find out THEY WERE ALREADY DEAD! And so on. Stories would usually end with a shock sentence, often with copious slammers (!!!)
But the genre matured. Characters, writing, and fully explored concepts appeared. These days, the “gimmick” often takes the back seat, facilitating rather than dominating the story.
The Twilight Zone, the science fiction/fantasy/horror anthology created by Rod Serling, is generally a cut above anything else on TV. This includes its pale competitors like One Step Beyond and Way Out. Unfortunately, several times in the first season, and more frequently in this, the second season, the show has aped the gimmick stories of print sf. The result is a run of predictable, sub-par episodes. There is light at the end of this tunnel, however – the most recent episodes have returned the focus to interesting characters and genuine drama.
This is just to say
I have eaten the Hugos
That you were saving
From destruction
Forgive me
They were just sitting there
Such sweetness
Such noms
[Thanks to Chip Hitchcock, Martin Morse Wooster, David K.M. Klaus, Andrew Porter, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day ULTRAGOTHA.]
(3) HISTORY OF A MYSTERY. Memorabilia of the 1955 Cleveland and 1956 NYC World Science Fiction Conventions is up for auction on eBay. There are publications, etc., but the most interesting part to fanhistorians would be the Cleveland committee’s file copies of correspondence, like the letter sent in advance of the con to its “mystery guest of honor” Sam Moskowitz (lower right). The seller is looking for a starting bid of $499.99, and the auction has six days to run.
On this coming Sunday, the 20th March, at 10pm, my episode of Elementary, ‘You’ve Got Me, Who’s Got You?’ will be broadcast on CBS. Those in the Central and East Coast time zones should note that the NCAA March Madness second round (I assume that’s something to do with sport) will be taking place that day, so there’s a chance the episode might be delayed. At any rate, I’ll be up at 3am my time to live tweet along with the show. So that’ll be fun. And possibly quite weird. If you haven’t already found me on Twitter, I’m @paul_cornell.
As the official synopsis says: ‘when a man who secretly fought crime dressed as a popular comic book superhero is murdered, Holmes and Watson must discover his real identity before they can find his killer. Also, Morland makes a surprise donation to Watson’s favorite charity, in order to compel her to do him a business-related favor.’
Which is spot on, really!
(5) THE OTHER SIDE OF THE LOOKING-GLASS. Fantasy-Faction’s Nicola Alter tries to ease fantasy fans into the idea of reading sf – “Trying Out Science Fiction: A Guide For Fantasy Purists”. I’ve always had to listen to sf fans who talk about their dislike of fantasy (and, oh, the howls of rage when a Harry Potter book won the Hugo), but it never occurred to me there might be fantasy fans who had to be convinced to read sf. Now I know.
I picked up a trashy sci-fi novel in my teens and immediately encountered a confusing story full of alien languages and weird words, with unappealing characters and an empty, lacklustre world. I couldn’t make any sense of it and it made me vaguely depressed, so I put it down. I decided science fiction wasn’t for me.
Over a decade later, I finally gave it another go. I had often heard science fiction works mentioned by fellow fantasy fans and seen the genres placed side-by-side at conventions, in bookstores, and online. I thought: I really ought to explore this “other side of the coin” and see what all the fuss is about.
So, I started reading sci-fi. And found books I loved – even books I adored. I added several science fiction works to my all-time favourites list. In the process, I learned a few things that might be helpful to any fantasy lovers wanting to embark on a similar exploration of this sister genre:
Don’t Start With The Classics
There are many online forums where people ask, “I’ve never read any science fiction but I want to try it out, what should I read first?” and get a stream of comments recommending classic works like Dune and Stranger in a Strange Land and Foundation. These are indeed important works that have been enjoyed by many, but they’re probably not the best ones to start with. It’s like telling someone who’s never read fantasy to begin with Lord of the Rings or Elric of Melniboné. Yes, these are important stories and forerunners of the genre but they’re not exactly accessible or easy reads for a newcomer. (The exception here would be Ender’s Game, as it’s very accessible and easy to read despite its “classic” status).
You’re better off tackling the classics later, after you’ve cut your teeth on a modern, accessible read and worked up a taste for more….
Star Wars Episode VIII has committed the cardinal sin of filming outside, which means people with cameras have had a chance to snap pictures of the set. Most of the pics that have turned up have been kinda dull, but a whole slew appeared recently that have me beyond excited.
Now comes Version Control, the trippy second novel by Dexter Palmer and the first pick for our new series — science fiction novel of the week. It’s easily one of the smartest, most unusual time-travel stories you’ll ever read — and one you don’t need a PhD. to understand, because it’s focused entirely on some very fascinating and flawed characters.
If time travel ever happened in the real world, it would probably look something like this: a bunch of obsessive scientists blandly insisting that what they’ve built is a serious-sounding “causality-violation device” (CVD), rather than a super-cliched “time machine.” And like many of our greatest technological advances, it would come with a whole bundle of unintended consequences
(8) KEN ADAM OBIT. Production designer Ken Adam, whose work included the war room in Dr. Strangelove and some of the sets in Dr. No, died March 10 reports the New York Times.
With “You Only Live Twice,” the fifth Bond film, Mr. Adam had more than half the total budget at his disposal. He spent $1 million of it building a volcano that contained a secret military base operated by the international terrorist organization Spectre.
“He was a brilliant visualizer of worlds we will never be able to visit ourselves,” Christopher Frayling, the author of two books on Mr. Adam, told the BBC in an article posted on Friday . “The war room under the Pentagon in ‘Dr. Strangelove,’ the interior of Fort Knox in ‘Goldfinger’ — all sorts of interiors which, as members of the public, we are never going to get to see, but he created an image of them that was more real than real itself.”
10. THE MYTH: HE WAS ONE OF ONLY 10 OR 12 WHO COULD UNDERSTAND THE THEORY OF RELATIVITY.
Tired of being questioned about this idea, Einstein told the Chicago Daily Tribune in May 1921, “It is absurd. Anyone who has had sufficient training in science can readily understand the theory. There is nothing amazing or mysterious about it. It is very simple to minds trained along that line, and there are many such in the United States.” Today, a number of experts have taken on the challenge of decoding the complex theory and succeeded.
The preliminary recommendations for the Best Novel category.
Seveneves: A Novel, Neal Stephenson
Golden Son, Pierce Brown
Somewhither: A Tale of the Unwithering Realm, John C. Wright
The Cinder Spires: The Aeronaut’s Windlass, Jim Butcher
Agent of the Imperium, Marc Miller
(12) FOR THE RECORD. In a comment on the above post, John C. Wright summarized his experience at Sasquan last year.
Instead of criticizing me for bring unenthused and indifferent to World Con, which was the case and would have been a legitimate criticism, the Morlock here invents the idea out of nothing that I expected a warm welcome from the hags and termagants who have been sedulously ruining science fiction for twenty years, and that I was foolish for having such foolish expectations. Actually, I was treated quite warmly by the people I met there, the fans and other professionals. It was only David Gerrold and Patrick Hayden who were rude.
After the Star Trek rights-holders sued producers, led by Alec Peters, who put out a short film and solicited donations with the aim of making a studio-quality feature set in the year 2245 — before Captain James T. Kirk took command, when the war with the Klingon Empire almost tore the Federation apart — the defendants brought a dismissal motion that faulted Paramount and CBS with not providing enough specificity about which of the “thousands” of copyrights relating to Star Trek episodes and films are being infringed — and how.
Ask and ye shall receive.
On Friday, Paramount and CBS filed an amended complaint that responded in a few ways.
To the argument that because the crowdfunded film hasn’t actually been made yet, the lawsuit is “premature, unripe and would constitute an impermissible prior restraint on speech,” the plaintiffs point to defendant’s Facebook post that mentioned a “locked script.” They also note a press interview that Peters gave on Feb. 1 where he said, “We violate CBS copyright less than any other fan film,” as an admission he indeed is violating copyright.
(13) WESTERCON 70 PR. Dee Astell, Chair of Westercon 70 (a.k.a. ConAlope 2017/LepreCo43) announced the con’s Progress Report #0 and #1 are available for download.
NBC has ordered a new Xena pilot from writer Javier Grillo-Marxuach, architect behind the CW’s cult hit The 100, and he plans to be a little more forthcoming about the undeniable chemistry between Xena and Gabrielle with this updated iteration. During a Q&A session on Tumblr, Grillo-Marxuach confirmed that the two women would be lovers, no bones about it:
i am a very different person with a very different world view than my employer on the 100 – and my work on the 100 was to use my skills to bring that vision to life. xena will be a very different show made for very different reasons. there is no reason to bring back xena if it is not there for the purpose of fully exploring a relationship that could only be shown subtextually in first-run syndication in the 1990s. it will also express my view of the world – which is only further informed by what is happening right now – and is not too difficult to know what that is if you do some digging.
His passing reference to differing worldviews alludes to a minor kerfuffle among devotees of The 100 following the death of fan-favorite character Lexa, who was in a relationship with the also-female Clarke prior to her untimely demise. Fans cried foul and the choice to extinguish one of the small lights of hope for LGBTQ viewers on television, and Grillo-Marxuach has evidently heard their pleas loud and clear. This new series—the fate of which is still something of question mark, considering that NBC is still far from ordering it to series—will right past wrongs and placate the fans in one fell swoop. And best of all, it’ll provide young viewers with a hero with whom they can identify.
One key goal of the Trace Gas Orbiter is to analyse methane, a gas which on Earth is created in large part by living microbes, and traces of which were observed by previous Mars missions.
“TGO will be like a big nose in space,” said Jorge Vago, ExoMars project scientist.
Methane, the ESA said, is normally destroyed by ultraviolet radiation within a few hundred years, which implied that in Mars’ case “it must still be produced today”.
TGO will analyse Mars’ methane in more detail than any previous mission, said ESA, in order to try to determine its likely origin.
(16) MARS ATTACKS GAME. Here’s a video demonstration of how to play Mars Attacks: The Dice Game by Steve Jackson Games. (If this really turns you on, there are four more videos about the game at the SJG site.)
[Thanks to John King Tarpinian, Mark-kitteh, Will R., Tom Galloway, Andrew Porter, and Michael J. Walsh for some of these stories. Title credit goes to File 770 contributing editor of the day Iphinome.]
So I was leery of spending my publisher’s money to get a Kirkus review done. The review was glowing, but without the coveted star that tends to get notice from other reviewers and purchasing agents. I was interested in how they had treated other genre books, so I did a quick survey.
It appears that in the past, Kirkus assigned reviewers who were less than sympathetic to the book’s genre and intended audience. This review [of GHOST by John Ringo] made me laugh: …
But other than that, how was the play, Mrs. Lincoln? This is Ringo. His books aren’t likely to be accidentally purchased by people like the reviewer, so the review is useless for deciding which violent testosterone-infused male fantasy adventure book to buy for people who enjoy that sort of thing.
One of the best writers of science fiction and fantasy, Lois McMasters Bujold, never got a starred review from Kirkus. Here’s the summary of their review of middle Miles Vorkosigan in Mirror Dance: “A well-conceived series, solidly plotted and organized, though heavy going in places and, finally, lacking that spark of genuine originality that would blazon it as truly special.” Kind of missing the point, no?
(2) DOCTOR WHO PUN OPPORTUNITY. We ought to be able to do something with a character who is married to River, and whose series will be hstreamed on Amazon Prime beginning in March.
Welp, it wasn’t the longest of national nightmares, but now it appears it is over. Last week, I wrote about how and where you could watch Doctor Who following its abrupt pulling from streaming services on February 1 of this year. But it wasn’t to last, it seems; Amazon announced today via their Twitter that Series 1-8 of the show will be back on their Prime streaming service beginning in March.
1- Nothing is ever easy, nor simple. Say you are walking across the street to get a gallon of milk. A rare make of car will almost run you down. The store that sells the milk will be out of milk. You’ll have to walk across the most dangerous area of town to get to the next store.
This means someone is making you terminally interesting….
My journey to being a writer almost never happened. With my new book, United States of Japan, coming out, I wanted to reflect on how I got here and what it’s been like working with the fantastic Angry Robot Books.
Perfect Edge
Back in 2009, almost seven years before I joined the robot army, I’d gotten so many short story rejections, I wondered if I was even meant to be a writer. While I’d had a series of short stories published when I was younger, there’d been a gap of about five years where I’d only gotten one piece accepted. I was devastated when I received that issue and found all sorts of typos and formatting errors in my story. What I thought would be a brief moment of victory had been ruined…..
As the decision to publish was made by the whole of Angry Robot and Watkins Media staff, I knew it wasn’t going to be easy. It took USJ about four months to get to “acquisitions” which is the meeting where they make their choice to “acquire” or not. I got an email from Phil the week of the acquisition meeting telling me when it was going to happen. I could not sleep the night before and kept on hitting refresh on my emails, awaiting final word. The notification came from Phil on March 5, 2015 with a simple subject line: “You’re in.” Even though it was late, I got up and started dancing in what might be better described as an awkward fumbling of my hips.
EXCLUSIVE:Selma director Ava DuVernay has just been set by Disney to direct A Wrinkle In Time, an adaptation of the 1963 Newbery Medal-winning Madeleine L’Engle fantasy classic novel that has a script by Oscar-winning Frozen writer and co-director Jennifer Lee. Deadline revealed February 8 that DuVernay had been offered this film and was also in the mix at DreamWorks for Intelligent Life, a sci-fi thriller scripted by Colin Trevorrow and his Jurassic World collaborator Derek Connolly. DuVernay now has the offer on that film and is in negotiations on a pic that has 12 Years A Slave Oscar winner Lupita Nyong’o attached to a fable about a UN worker in a department designed to represent mankind if there was ever contact with aliens, who falls for a mystery woman who turns out to be one. That film is produced by Frank Marshall, Trevorrow and Big Beach principals Peter Saraf and Marc Turtletaub.
(6) TRUST & SAFETY. Here’s Twitter’s announcement of the Trust & Safety Council in case you want more info, tweeted February 9. It lists all the members of the Council. (Somebody may have put that in a comment here already.)
As we develop products, policies, and programs, our Trust & Safety Council will help us tap into the expertise and input of organizations at the intersection of these issues more efficiently and quickly. In developing the Council, we are taking a global and inclusive approach so that we can hear a diversity of voices from organizations including:
Safety advocates, academics, and researchers focused on minors, media literacy, digital citizenship, and efforts around greater compassion and empathy on the Internet;
Grassroots advocacy organizations that rely on Twitter to build movements and momentum;
Community groups with an acute need to prevent abuse, harassment, and bullying, as well as mental health and suicide prevention.
We have more than 40 organizations and experts from 13 regions joining as inaugural members of the Council. We are thrilled to work with these organizations to ensure that we are enabling everyone, everywhere to express themselves with confidence on Twitter.
Enter the lawyers. Obviously, they can claim to own Star Trek because they acquired the series from Lucille Ball’s Desilu Productions in the late 1960s. Now they’ve been merged with CBS and that’s how we’re getting both a new TV series and a continuing film franchise. But the Axanar team has a card up its sleeve.
The Paramount lawsuit claims that this infringes upon “thousands of copyrights” and the Axanar team has asked the simple question: “Which ones?” Because Star Trek now exists over several different universes, time periods, and casts, it’s not so simple. The universe is so spread out, it is almost impossible to define what Star Trek actually is. To that end, the burden is on Paramount to explain what Star Trek is — in a legal sense.
(8) CLIFF AMOS OBIT. Louisville fan Cliff Amos passed away February 22 after a long battle with heart disease. Bob Roehm wrote a fine appreciation on Facebook:
Louisville fan Cliff Amos passed away February 22. Cliff was the founder of Louisville fandom, creating both the Falls of the Ohio Science Fiction Association (FoSFA) and RiverCon. I first met Cliff around 1970 while he was teaching a free university course in SF at the University of Louisville. We had both separately attended the St. Louis worldcon the year before, but had not met. Seeing an announcement of the Free U. meeting, I began attending the weekly gatherings. A year… or two later, the local fan club was organized and in 1975 Cliff chaired the first RiverCon (combined with DeepSouthCon that year). Cliff continued to head RiverCons for several years and was a regular at Midwestcon and Kubla Khan. He was given the Southern Fandon Confederation Rebel Award in 1979, and also chaired the second NASFiC, NorthAmeriCon, that year. His interests were certainly wide-ranging and eclectic (for example, he once appeared on Tom Snyder’s late night talk show as warlock Solomon Weir), and he will be missed by his many friends both within and without the science fiction community. There will no funeral service or visitation but a memorial wake is being arranged for the near future (probably this coming Sunday); details forthcoming.
(9) GAMBLE OBIT. Australian childrens’ book artist Kim Gamble passed away February 19 at the age of 63.
The much-loved, award-winning artist is known for illustrating the best-selling Tashi books, written by mother and daughter authors Barbara and Anna Fienberg.
Gamble created the lively, elfin boy with the towering curl of hair and gypsy earrings, who looked nothing like the authors initially imagined, more than 20 years ago….
Anna Fienberg called Gamble’s imagination “a magic gift which he shared with the world”….
“Working with Kim was like learning a new way to see. It was perhaps the magical appearance of Tashi that inspired us to go deeper into the mythical land of dragons, witches, giants, ogres … the world lying beneath.”
…Gamble’s favourite book as a child was Moominsummer Madness, by Finnish writer Tove Jansson, and artists he admired included Marc Chagall and Odilon Redon.
When asked about the success of the Tashi series, Gamble said, “It’s very popular because he’s the smallest kid in the class and in every story he’s up against the odds … and he uses his head, he doesn’t fight to get out of the problem. I think kids really just enjoy how cleverness beats brawn.”
(10) TODAY’S BIRTHDAY BOYS
Born February 24, 1786 — Wilhelm Grimm, historian and, with his brother Jacob, compiler of Grimm’s Fairy Tales.
3) MidAmeriCon II was the first to make a public statement, which you can find on their Twitter account. I wasn’t expecting a response from them, so I appreciated a very direct message about their commitment to safety for this year’s WorldCon. I *am* going to be at WorldCon, even if some of the people who were responsible at ConQuesT are on staff/the board. WorldCon has become a tradition for me because it was my first introduction to this community, so I will be there and be on programming. Say hello if you like!
4) Chris Gerrib was the first to apologize to me, and I appreciated and accepted the apology. I respect that he did so without being asked to.
5) Yesterday, Kristina Hiner sent me an apology. I am keeping it private because I see no reason to publish it. It is a *very* good apology, and I accepted it, too. I am very thankful for her response, and more so than anyone else, she was the only person I really *wanted* an apology from. I have also informed her that at this point, I actually don’t need each of the complaints followed up on at this point. It seems redundant to me. Everyone knows about the post now, and I don’t need an apology from anyone else. I just wanted someone to inform these people that their behavior was unwelcoming, rude, or hostile. I’ve now done that, so I think the board and ConQuesT can devote time and energy to future conventions instead of last year’s.
I get invited to a lot of cons that have a diversity problem. I also get a lot of requests from cons that claim to want to create anti harassment policies. Aside from my feelings on an expectation that I donate hours of work to strangers for events I have no interest in attending, there’s the sad reality that many small cons are so entrenched on reinventing the wheel they’ve missed the window to do better. Younger fans, fans of color, disabled fans…they don’t have to keep going to cons that aren’t welcoming to be able to connect with other fans. They can go to the big commercial cons, to the smaller cons that do get it & to social media for their community needs. So no, they won’t keep giving cons with bad reps chance after chance. They won’t be patient with serial offenders or the places that enable them. Why should they donate that time & energy to some place that doesn’t want them, that thinks they deserve to be hazed, deserve to be mistreated in order to prove something to bigots?
Bluntly? Most small cons will age out of existence because of bad behavior, because of a focus on the past that prioritizes the social mores of the dead over the actual experiences of the living.
It was on, off and now back on again. Universal and Legendary Pictures are moving ahead with Pacific Rim 2, probably for a 2018 release date….
This has unfortunately meant that Guillermo Del Toro will be unable to return to direct, having already moved on to other projects. However, Del Toro will still co-write (with Jon Spaihts) and produce the movie. The new director is Steven S. DeKnight, the Buffy the Vampire Slayer veteran who went on to create Spartacus and is currently working on Netflix’s Daredevil. The film will be DeKnight’s directorial debut.
(13) THIS COULD RUIN ANDY WEIR’S SEQUEL. This video argues we can reach relativistic speeds using new technologies.
Imagine getting to Mars in just 3 days… or putting points beyond our solar system within our reach. New propulsion technologies could one day take us to these cosmic destinations making space travel truly interstellar! NASA 360 joins Professor Philip Lubin, University of California Santa Barbara, as he discusses his NASA Innovative Advanced Concept (NIAC) for energy propulsion for interstellar exploration.
Even though all the things the engineers do to mess with the robot are done to showcase its ability to correct itself, recover from falls, and persevere in performing tasks, the human tendency to anthropomorphize non-sentient objects is so strong as to override our common-sense knowledge that Atlas is an object incapable of feeling. Engineers commonly kick robots to demonstrate their ability to recover, and it always feels a tiny bit cruel. It’s a strange quirk of the brain—though the tendency is stronger in some people than in others.
Let’s talk first about what I like to call the “pre-history” of the Sad Puppies. For the past fifteen years (at least), the character of fandom has shifted in a way that many Puppies find very troubling — and by the way, for the vast majority of our number, this has nothing to do with race, gender, or sexuality. A significant number of us are women who accept the precepts of first wave feminism at the very least. A number of us are “people of color.” And a number of us are gay or, at minimum, amenable to leaving gay people alone to live their lives as they see fit. No — what has disturbed the Puppies is the increasingly strident tone that many fans have adopted in support of their favored cultural and political causes. In our perception, the vague “codes of conduct,” the “shit lists,” the pilings on, the endless internet flame-wars, and the non-falsifiable accusations of racism/sexism/homophobia/etc. have all created an environment that is extraordinarily hostile to points of view that don’t hew to a particular left-wing party line. The result? We’ve felt unwelcome and stomped on for what, to our mind, should be recognized as sincere and well-meant differences of opinion.
Over the same time frame, the Puppies have also become concerned about the artistic direction of our field. The “Human Wave” movement, the “Superversive” movement, and the more generalized complaints about “message fic” and “grey goo” that started gaining steam before last year’s Sad Puppies campaign are all flailing attempts by the Puppies to describe the flatness we’ve perceived in many recent award winners — particularly in the shorter fiction categories, where the stylistic sophistication and emotional catharsis beloved by creative writing professors and MFA programs the world over appear to be crowding out more accessible stories with identifiable plots and recognizably science-fictional ideas.
Yes, these are editors I’ve worked with. Each one of them has contributed both to the quality of my work as well as my ever-ongoing education as a writer. They are also lovely humans, which goes a very long way with me.
Let’s be honest: magic is great and everything, but if Hogwarts didn’t have WiFi, we probably wouldn’t be so interested.
A Tumblr account called The Setup Wizard took this premise and ran with it. The blog is the fictionalised account of an American muggle named Jonathan Dart working as Hogwarts’ first IT guy. The somewhat grumpy character is constantly solving problems and handling the struggles of being a Muggle in a magic world.
How is it that the first person in this school I’ve successfully been able to explain network bandwidth to is the 500 year old partially decapitated ghost?
Today I taught a centaur how to use a hands free Bluetooth headset. Apparently he really felt the need to make phone calls while wielding a bow and arrow.
[Thanks to Will R., Michael J. Walsh, Reed Andrus, Andrew Porter, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Steve Davidson.]
Representing Axanar Productions and Peters will be attorneys Erin Ranahan and Andrew Jick from the firm’s Los Angeles office. Winston & Strawn have agreed to represent Axanar Productions and Alec Peters on a pro-bono basis.
The suit, filed by CBS and Paramount on December 29, 2015, seeks to stop Axanar Productions from producing a fan film set in the Star Trek universe. The suit also asks for damages from the production company, its chief executive Alec Peters and a host of unnamed defendants who were involved in the production of the short film PRELUDE TO AXANAR.
“We’re pleased to have our case taken up by Winston & Strawn,” said Peters. “The knowledge, credibility and reputation they bring to this matter will certainly help us work things out with CBS and Paramount in a professional manner and, we hope, to a mutual benefit so we can go on and make a Star Trek film fans have told us they want to see.”
Peters says Axanar Productions suspended fund-raising activities for the feature production, but is still taking “retroactive” pledges to Prelude to Axanar. Principal photography also has been delayed “until the fate of the lawsuit can be discussed in more detail with counsel.”
Axanar already raised more than $1 million on Kickstarter and Indiegogo.
I loved the exhibition so much that I wanted to take home some souvenirs. Particularly one of the range of awesome tshirts that were for sale, given that I love wearing geeky tshirts. I wear them round the house with jeans. I wear them with skirts and funky tights when I’m out and about. Perhaps I should buy one featuring the first woman in space, Valentina Tereshkova. Or one inspired by those glorious Russian propaganda posters, with their instantly recognisable design aesthetic. But it turns out that the Science Museum only offered one tshirt in a woman’s fit – a rather dull design based on a spacewalk motif. When I asked the assistant on duty if there were any woman’s fit tshirts available he seemed surprised I’d even asked.
“One of the biggest surprises that filmmakers wanted to keep under wraps was that the Force awakens in Rey and she carries a lightsaber,” said Paul Southern, head of licensing for Lucasfilm. “We always planned a second wave of product after the movie’s release that would include secrets revealed in the movie.”
Hasbro’s new Rey toys will be based more on her action scenes later in the film, including a climactic one in which she wields a lightsaber.
There have been products including toys, T-shirts and costumes featuring Rey available for months, but to date virtually all have featured her only as she appears in the movie’s earliest scenes.
Nonetheless, some fans were upset about three toys in which the Rey character was notably absent, including the Monopoly game and a set of action figures, sold exclusively at Target, that excluded her entirely.
The movie’s director, J.J. Abrams, has supported those fans.
“It seems preposterous and wrong that the main character of the movie is not well represented in what is clearly a huge piece of the ‘Star Wars’ world in terms of merchandising,” he said that the Television Critics Association’s press tour Saturday, according to Entertainment Weekly.
Rowling placed the finishing touches on the seventh Harry Potter book at the Balmoral Hotel in Edinburgh, the city where she lives. After finally completing her manuscript, she indulged in a little friendly vandalism to commemorate the occasion, a photo of which she tweeted Monday.
Finished Hallows 9 yrs ago today. Celebrated by graffiti-ing a bust in my hotel room. Never do this. It's wrong. pic.twitter.com/HsqQKydY68
A: Non-profit does not mean “volunteer”. Just like the CEO of The Red Cross gets $400K a year in salary, non-profits can pay salaries. Payroll is an expense.
Q: Why did Alec Peters get paid $ 38,000 as noted in the annual report?
A: Because Alec (as well as Diana) worked full time at Axanar, certainly 60 hours a week not including conventions on the weekends. That means Alec and Diana probably got paid minimum wage. And Diana deferred all her salary. Now go compare that to any Hollywood studio exec putting out medicore content, and tell us Alec and Diana were paid too much! That doesn’t even cover their expenses. We don’t expect full time employees to work for free.
Q: Is Ares Studios a for-profit studio?
A: Ares Studio is the term we use to describe the warehouse we have built our sound stage to make Axanar. There is no profit being made, and in fact Alec personally guaranteed the 3 year lease, so the last two years are a $ 250,000 liability he is responsible for. Axanar Productions has been paying for the building while we build sets and prepare the make the movie. Would we like to make movies after Axanar? Sure would, but that is all speculative. We don’t have any revenue from the studio and so such talk is nonsense.
(6) MAJOR TOM. Bowie lyrics on the marquee of the closed Rialto Theatre in South Pasadena.
Much of Bowie’s work throughout his career is a dialogue with New Wave SF, refracting it through his own sensibility and bringing the concepts to a mass audience via the medium of rock and roll. As I’ve been listening to the Bowie catalog for the past day, I’m reminded of a few specific connections and patterns of inspiration.
The Jerry Cornelius Novels (Michael Moorcock). Moorcock, the quintessential New Wave author, is better known for his sword and sorcery character Elric, but in 1968, he unleashed the sexually ambiguous secret agent Jerry Cornelius on an unsuspecting public in a novel called The Final Programme. An acid-drenched mashup of James Bond and Doctor Who, the dapper Cornelius hopscotches around space and time foiling plots against reality, assuming new identities and dazzling people with his avant gard aesthetics as he goes. Three further novels followed, each stranger than the next. Jerry Cornelius is less a specific inspiration for Bowie’s work than a template for his entire persona.
Most geeks like me know Gates McFadden as Dr. Beverly Crusher from Star Trek: The Next Generation. But before her Trek role, McFadden was Director of Choreography and Puppet Movement on a bunch of Jim Henson films, including The Dark Crystal, Labyrinth, and even The Muppets Take Manhattan. As a choreographer, she’s typically credited as Cheryl McFadden — Cheryl is her first name, Gates is her middle name.
(9) DRAWN THAT WAY. The Slipper says farewell to David Bowie the comics reader and reproduces many images that characterized him or were influenced by his appearance.
In 1695, aged 67, he wrote Tales and Stories of the Past with Morals, a series of moral tales designed to prompt the reader to reflect on the dilemmas presented to the protagonist, which were well-known from folklore even then.
The volume contained the story now known as Mother Goose, alongside perrenially recognised titles such as Puss in Boots, Blue Beard and Cinderella, and less famous stories Ricky of the Tuft and Little Thumb
Issa bad news from Naboo… Ahmed Best, the actor who played Jar Jar Binks will never return to the ‘Star Wars’ movies, even if he was asked, adding ‘I’ve done my damage’.
Binks, perhaps the most reviled character in all of ‘Star Wars’ history, was the Gungan soldier know initially for his cack-handed clumsiness, and then, appropriately, his latter career as a politician in George Lucas’s prequel movies.
But in a rare interview, Best said that he has no intention of ever reprising the character.
Last month, November, saw the release of the very excellent science fiction anthology, MISSION: TOMORROW, edited by Bryan Thomas Schmidt. The anthology is chock-full of great stories, and my own “Tombaugh Station,” I’m honored to say, leads it all off.
I believe strongly that “Tombaugh Station” is one of the best science fiction stories I’ve ever written, strongly enough that I’d love to see it make the 2016 Hugo Awards ballot next August right here in my own hometown.
However, that November release, late in the year and only a month before the ballot was released (a week ago) is the very definition of what’s known in this business as an “end of the year handicap,” that is, few voters will have had the chance to see the story before voting begins. Now, I don’t particularly want to quietly fall victim to that handicap.
So I’ve just asked and received permission from Baen Books to give my story away. That’s right — I’m actively campaigning for a place on the 2016 Hugo ballot. I used to frown on such shenanigans, but that stigma obviously has melted away.
(15) SHERRY’S LONGLIST. Joe Sherry has posted “My 2016 Hugo Awards Longlist Recommendations” at Adventures In Reading, which is both interesting in its own right, and as an index of where recused creators and works might belong.
With all of the shenanigans regarding groups putting together slates to directly influence what gets on the final ballot, what I’m going to do instead is post a growing long list of stuff I thought was awesome in 2015. This list will likely grow and change as I continue to discover stuff published in 2015 that I likewise think is awesome. I’m listing everything alphabetically either by title or author, so don’t view anything listed at the top of a category as being my ranked order. It’s not.
From Slush Pile to Magazine to Anthology: The Making of Best of Apex Magazine: Volume 1
I came on board as the managing editor of Apex Magazine in October, 2014. I’d been involved with Apex for a while before that, but it wasn’t until then that I was let into the shadowed world of the slush pile and started sifting through to find stories to bring into the light. Because of this, and the fact that Best of Apex Magazine: Volume 1 covers the first six years of Apex Magazine, I missed that magical moment of discovery for many of the stories that ended up in the anthology. But not all of them.
Today I’d like to give you a peek behind the publishing curtain and share the journey that some of the stories in Best of Apex Magazine took from the slush pile to the anthology.
(18) BB-8. Here are two videos starring science fiction cinema’s latest Small Cute Robot.
Unlike some, BB-8 is too shy to come out of its shell…
[Thanks to John King Tarpinian, Will R., and James H. Burns for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]
So far a cease and desist order has only been issued and a lawsuit filed against Axanar, but speaking as a former attorney I see no way for CBS and Paramount to turn a blind eye to the other fan efforts. As it is they have an “unclean hands” issue because they allowed the fan productions to go forward for so many years without reacting. Now that they are taking notice they will have to take notice across the board — no exceptions. That’s my best prediction based on training and education.
Because I am a professional screenwriter and also as a trained attorney I feel I have to step away from any involvement with any Star Trek fan funded project. Out of love for Star Trek, and the chance to write for two wonderful actors from the original series I was excited to write a new Trek script. And at the time I agreed to do this CBS was giving everyone tacit approval, a sort of wink and a nod. That is no longer the case.
Am I disappointed? Of course. Having met Walter I would love to have written for him, but it’s not to be. Look, I don’t blame the network or the studio. Bottom line the intellectual property that is Star Trek belongs to them. They have an obligation and a right to protect their asset.
Despite a pretty swift case of blockbuster backlash, whereby pundits quickly attributed the film’s box office success entirely to the 3D effects, I still think it’s a pretty fantastic adventure film. The characters are simple but primal, and the storytelling is lean and efficient even while running nearly three hours. Avatar was arguably the right film at the right time, with a potent anti-imperialism message that came about just as America was waking up from its post-9/11 stupor and the rest of the world was more-than-ready to cheer a film where murderous private armies were violently defeated and driven away by impassioned indigenous people.
But it was basically a historical cinematic footnote not a year later, with no real pop culture footprint beyond its record-setting box office and groundbreaking 3D.
(3) ADVISED BY C3PU? Hasbro responded to complaints about not including a Rey figure in Monopoly.
Life and Death in the Moffat Era — These days it doesn’t seem like anybody who’s dead stays dead… it’s merely a setback! From Clara to Rory to Missy to Osgood to Davros and even the Time Lords — and you have to through the increasingly complicated history of River Song in there somewhere — has Steven Moffat’s decision to bring back multiple characters made death in Doctor Who anti-climactic? Or is it just another example of the wibbly-wobbly-timey-wimey fun that keeps the show fresh?
When I started this post, I did so figuring I’d be flaying Lamb over how she viewed used bookstores. Why? Because some of the comments I’ve seen around the internet claimed she denounced used bookstores as bad for authors. She doesn’t, not really. She points out something a lot of readers don’t understand. When you buy a book from a used bookstore, the author gets nothing from that sale. Also, she rightly points out that the books you will find in such stores are, by the vast majority, traditionally published books. So, used bookstores aren’t much help for indie authors.
However, for authors whose books are found there, used bookstores do serve a purpose. In fact, it is much akin to the same purpose libraries serve. A person is more likely to pay a percentage of the price of a new book for an author they have never read before than they are to pay full price. So, even though that author doesn’t get a royalty from that particular sale, if the buyer likes the book, there is the possibility of a royalty sale down the road. Even if the reader doesn’t buy a new book later, they will discuss the book with others who might. To me, it is promotion and a good thing. Word of mouth is the best sort of promotion an author can have.
(6) TODAY IN HISTORY
January 5, 1889 — The word hamburger first appeared in print in the Walla Walla Union, Walla Walla, Washington.
(7) TODAY’S BIRTHDAY BOYS
Born January 5, 1914 — George Reeves, of Adventures of Superman fame. (He was also one of Scarlett O’Hara’s suitors in Gone With The Wind.)
Born January 5, 1929 — Russ Manning, artist of the comic strip Tarzan, whose credits include Magus Robot Fighter.
Born January 5, 1941 – Hayao Miyazaki, Japanese film director, producer, screenwriter, animator, author, and manga artist.
Cobblepot is in need of a parental figure on Gotham, after his mother was killed toward the end of the first half of the season, by Theo “Dumas” Galavan. What role daddy dearest will play in that story is unclear, but from this image it looks like Penguin may have gotten his more vengeful side from his paternal parent.
While we don’t know exactly when Penguin’s Papa will show up, Gotham returns February 29, 2016, so we can expect him soon after.
(12) QUIDDITCH PONG. Combining the elements of Harry Potter’s favorite sport with beer pong, the Unofficial Quidditch Pong tabletop game assigns the player representing each house three unique spells. For example —
Slytherin:
Avada Kedavra– Once per game, choose a cup and remove it from the table. (can be used on Resurrection Stone)
Crucio– All of your opponents must make trick shots for one round
Imperio– Dictate which cup your opponents must make for one round
(13) WETFOOT. Past LASFS President, actor Ed Green, plays one of the hundreds of faux lawyers and bankers fording the Rio Grande to illustrate a talking point in this Ted Cruz campaign ad. (If there’s a problem with the embedded video below, it can also be played at the Ted Cruz website Fix Our Border Yeah, like you would do that…)
Ed appears at in all his glory at :14, :25 and :35.
[Thanks to Dave Doering, John King Tarpinian, and David K.M. Klaus for some of these stories. Title credit goes to File 770 contributing editor of the day Brian Z.]
The Doctor and his Companion, by Claude Monet (oil on canvas, 1875), a painting dating from a most fertile phase of the renowned French Impressionist’s career, was recently discovered in the attic of a house in Argenteuil in which Monet lived in the 1870s. Little is known of the subjects depicted as the artist left no notes as to their identity or relationship to him. No particulars on the gentleman or lady are to be found, either, in the local historical records of the time and the odd structure beside which the gentleman is standing remains a puzzle. Civic records offer no indication that such a structure ever existed, as if this curious blue box simply appeared out of thin air, and then disappeared just as mysteriously. The title of the work gives us our only clue as to the two subjects, suggesting that the gentleman was, perhaps, a medical doctor travelling with a female relative, Fiancée, or mistress. MonSFFA’s own Keith Braithwaite worked on the restoration of the painting.
The space opera sequel is moving up the all-time domestic box office charts at a record clip and now is poised to overtake those pointy eared blue aliens as the top grossing film in history. Avatar earned $760.5 million during its stateside run and Star Wars: The Force Awakens has generated $740.4 million domestically after picking up $88.3 million over New Year’s weekend. It should take the crown from Avatar early next week.
Q: Then why are they being sued? Paramount allows lots of these things, don’t they?
A: Oh, yeah. “Star Trek Renegades”, “Star Trek: Of Gods and Men”, “Star Trek Continues”…basically, it seems like as long as nobody’s making any money, Paramount turns a blind eye to these fan films.
Q: But this one they wouldn’t? Why?
A: Well, there is the fact that, in an update on Axanar’s Indigogo campaign, they said, “EVERYTHING costs more when you are a professional production and not a fan film. All of this and more is explained, along with our budget of how we spent the money in the Axanar Annual Report.”
And in that latest annual budget report, they said, “First and foremost, it is important to remember that what started out as a glorified fan film is now a fully professional production. That means we do things like a studio would. And of course, that means things cost more. We don’t cut corners. We don’t ask people to work full time for no pay. And the results speak for themselves.”
And:
“Please note that we are a professional production and thus RUN like a professional production. That means our full time employees get paid. Not much honestly, but everyone has bills to pay and if you work full time for Axanar, you get paid.
Also, no other fan film has production insurance like we do. We pay $ 12,000 a year for that. Again, a professional production.”
Also, in their Indiegogo FAQ, they had this little gem:
“Q: What is Axanar Productions?
Axanar is not just an independent Star Trek film; it is the beginning of a whole new way that fans can get the content they want, by funding it themselves. Why dump hundreds or thousands of dollars a year on 400 cable channels, when what you really want is a few good sci-fi shows? Hollywood is changing. Netflix, Hulu, Amazon, and other providers are redefining content delivery, and Axanar Productions/Ares Studios hopes to be part of that movement.”
Which kind of contradicts the “fan film” statement.
Will Smith found it unpleasant to learn that the fat lady had sung on Steven Hiller, the character he played in 1996’s Independence Day. “It was terrible when I found out my character died,” Smith told Yahoo.
Hiller’s death was revealed on a viral site for Independence Day: Resurgence. “While test piloting the ESD’s first alien hybrid fighter, an unknown malfunction causes the untimely death of Col. Hiller,” the site’s timeline reads. “Hiller’s valor in the War of ’96 made him a beloved global icon whose selfless assault against the alien mothership lead directly to the enemy’s defeat. He is survived by his wife Jasmine and his son Dylan.” You can see an image of Hiller’s fiery death by clicking here.
(6) HE FIGURES. Camestros Felapton forays into toy design with his new “Hugo” brand “Stage Your Own Kerfuffle” figures….
(7) JEFFRO MOVES UP. Vox Day is delegating management of the Castalia House blog to “The new sheriff in town”, Jeffro Johnson:
As Castalia House has grown, it has become increasingly difficult to balance my responsibilities as Lead Editor and as the manager of this blog. Because Castalia House shoots for excellence across the board, I have decided that it is time to step back and hand over my responsibilities for this blog to someone else.
And who is better suited to take it over than one of the very best bloggers in science fiction and gaming? I am absolutely delighted to announce that the Castalia House blogger, author of the epic Chapter N series, and 2015 Hugo nominee for Best Fan Writer, Jeffro Johnson, has agreed to accept the position of Blog Editor at Castalia House.
Even I occasionally forget how fragile these psychologically decrepit specimens are. Anyhow, it’s a good reminder to ALWAYS USE RHETORIC on them. They’re vulnerable to it; they can’t take it. That’s why they resort to it even when it doesn’t make sense in the context of a discussion, because they are trying to make you feel the emotional pain that they feel whenever they are criticized.
Ah, this may explain a recent comment on one of my reviews of last year’s Hugo nominees–and means maybe I can expect more.
The particular comments were on her review of Castalia House’s Riding The Red Horse.
(9) TODAY IN HISTORY
January 3, 1841 — Herman Melville ships out on the whaler Acushnet to the South Seas.
(10) TODAY’S BIRTHDAY BOY
Born January 3, 1892 – J.R.R. Tolkien, honored by Emily Asher-Perrin at Tor.com:
But of course, the world remembers Tolkien for changing the fantasy genre forever. By penning The Hobbit and The Lord of the Rings, Tolkien set a framework for fantasy literature that countless authors have attempted to recapture over the years. The creation of Middle-earth, from its languages to its poetry to its rich cultural history and varied peoples, was an astounding feat of imagination that no one had managed before with such detail and ardent care.
And it’s a philosophy that has led to him turning down parts in some guaranteed smashes and lots of cha-ching. He recently revealed that he actually met with George Lucas, but ultimately passed on playing Anakin Skywalker in the ‘Star Wars’ prequels.
“I did have a meeting with George Lucas about that, yes. I just didn’t feel ready to take that dive. At that point.”
Around this time, DiCaprio instead chose to make ‘Gangs of New York’ and ‘Catch Me If You Can’, the latter of which earned him a Golden Globe nomination.
Still he must be kicking himself. The role instead went to Hayden Christiansen and look at how his career took… oh, ahem. Nevermind.
(13) REMEMBERING BAEN. While researching another post, I rediscovered David Drake’s 2006 tribute to the late Jim Baen, who had just recently passed. Shortly before Baen’s death the two were on the phone and Baen asked, “You seem to like me. Why?” The answer is rather touching.
And then I thought further and said that when I was sure my career was tanking–
“You thought that? When was that?”
In the mid ’90s, I explained, when Military SF was going down the tubes with the downsizing of the military. But when I was at my lowest point, which was very low, I thought, “I can write two books a year. And Jim will pay me $20K apiece for them–”
“I’d have paid a lot more than that!”
And I explained that this wasn’t about reality: this was me in the irrational depths of real depression. And even when I was most depressed and most irrational, I knew in my heart that Jim Baen would pay me enough to keep me alive, because he was that sort of person. He’d done that for Keith Laumer whom he disliked, because Laumer had been an author Jim looked for when he was starting to read SF.
I could not get so crazy and depressed that I didn’t trust Jim Baen to stand by me if I needed him. I don’t know a better statement than that to sum up what was important about Jim, as a man and as a friend.
(14) PEACE IN OUR TIME. In “The Stormbunnies and Crybullies”, John C. Wright devotes over 2,000 words to making his closing offer irresistible in that special way only he knows how.
But I am a forgiving man, jovial and magnanimous. I make the following peace offer: Go your way. Cease to interfere with me and my livelihood, do your work, cease to libel me and meddle with my affairs, withhold your tongue from venom and your works from wickedness, and we shall all get along famously.
Otherwise, it is against my self interest to seek peace with you. Peace is a two sided affair: both parties must agree. So far only Mr. Martin has even expressed a desire for it.
THE SATYRS OF MOUNT OUTLET: Like its cousin Olympus, Mount Outlet stretches far beyond human sight into luxurious billowy clouds. The work its satyrs produce is sharp and daring. Vast networks of bloggers, freelancers, and even reporters churn out viral but self-aware listicles, personal essays that make me cry more than they should, and short stories so good I’m inclined to simply put my pen away. On Twitter, their satyrs (editors) trade barbs and witticisms with the speed of a Gatling gun. A poor peasant like me may approach the foot of the mountain, but my tattered, unworthy scrolls and I will soon turn around and head home.
Tweet a picture of our book. Put it on Facebook. People in your network ARE noticing. Peer review and approval is paramount in the digital age. And don’t support your favorite author on Goodreads as a first choice (AMAZON reviews are better). The only people hanging out on Goodreads for the most part are other writers and book trolls.
Support us on your regular Facebook page or Instagram or Twitter. Because when you post a great new book you LOVED your regular friends see that. When they get stranded in an Urgent Care or an airport? What will they remember? THAT BOOK. They won’t be on Goodreads. Trust me.
(17) DISSONANCE. After reading Kristen Lamb’s discouraging words, I encountered M. L. Brennan calling for everyone to get up and dance because “Generation V earned out and what that means”. That’s not the next post I’d have expected to see, straight from leaving Lamb’s black-crepe-draped explanation of the publishing industry.
One thing to bear in mind, because it’s easy to lose sight of it when you look at that last paragraph — if I hadn’t received an advance, I wouldn’t have made more money on this book. I would still have earned $7615.78 on the series — except earning that first $7500 would have taken me two years, rather than being entirely in my pocket on the day that Generation V hit the bookstores. And that $7500 paid my mortgage, my electric bill, and other bills, which made it substantially easier for me to write. Without that advance, it would’ve taken me longer to write Iron Night, Tainted Blood, and even Dark Ascension, because I would’ve been having to hustle other work elsewhere and spend less time writing.
LAST JULY, Pakistani science fiction writer Usman Malik published a clarion call for his home country. In it, he made the claim that “[e]ncouraging science fiction, fantasy, and horror readership has the potential to alleviate or fix many of Pakistan’s problems.” While it would be difficult to disagree with the idea that science fiction is a positive force in the world, many of Malik’s reasons for championing the genre are problematic. To begin with, Malik — along with just about everyone else — still, for some reason, calls “science fiction” science fiction. His essay actually contains a handful of reasons why we should stop calling it “science fiction,” and it also inadvertently addresses how and why we need to liberate ourselves from genre itself — and how “science fiction” can help us do just that.
(19) PLANNING BEGINS: Paul Johnson’s early word is that the event to honor his father, the late George Clayton Johnson, might be in February at the Egyptian Theater in Hollywood.
[Thanks to John King Tarpinian, Will R., Paul Weimer, Brian Z., and JJ for some of these stories. Title credit goes to File 770 contributing editor of the day Will R.]
