2024 BAFTA Games Awards Nominees

BAFTA Mask

The finalists for the BAFTA Games Awards 2024 are out. A total of 40 games across 17 categories were nominated. 

Leading the field are Baldur’s Gate 3 with 10 nominations, and Marvel’s Spider-Man 2 with 9.

The awards ceremony will air April 11 on BAFTA’s YouTubeTwitch and X channels.

Voting is now open for the EE Players’ Choice Award, the only award voted for by the public. The nominees are: Baldur’s Gate 3Cyberpunk 2077FortniteLethal CompanyMarvel’s Spider-Man 2 and The Legend of Zelda: Tears of the Kingdom. Vote now at https://ee.co.uk/gaming/baftagames.

The complete list of finalists follows the jump.

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2024 BAFTA Awards

The winners of the 2024 EE BAFTA Film Awards were unveiled by the British Academy of Film and Television Arts on February 18. Oppenheimer led the field winning seven awards. Poor Things won five.

Host David Tennant appeared in an opening sketch:

Afterwards he came onstage and quipped, “Tonight’s going to go smoother than Ken’s chest,” referencing the plastic doll in Barbie (which by the end of the evening had lost all four awards it was up for.)

Michael J. Fox “brought people to tears” in a surprise appearance to present the Best Film award.

Back To The Future star Michael J Fox, who is living with Parkinson’s disease, made a surprise appearance at the Baftas to present the best film award.

The 62-year-old actor came onstage in a wheelchair but insisted on standing up at the podium to hand out the prize to Christopher Nolan’s Oppenheimer.

Fox received a standing ovation, with many social media users posting that they were in tears seeing him on stage.

He was diagnosed in the 1990s and rarely makes public appearances.

BEST FILM

  • OPPENHEIMER Christopher Nolan, Charles Roven, Emma Thomas

OUTSTANDING BRITISH FILM

  • THE ZONE OF INTEREST Jonathan Glazer, James Wilson, Ewa Puszczyńska

OUTSTANDING DEBUT BY A BRITISH WRITER, DIRECTOR OR PRODUCER

  • EARTH MAMA Savanah Leaf (Writer, Director, Producer), Shirley O’Connor (Producer), Medb Riordan (Producer)

FILM NOT IN THE ENGLISH LANGUAGE

  • THE ZONE OF INTEREST Jonathan Glazer

DOCUMENTARY

  • 20 DAYS IN MARIUPOL Mstyslav Chernov, Raney Aronson Rath

ANIMATED FILM

  • THE BOY AND THE HERON Hayao Miyazaki, Toshio Suzuki

DIRECTOR                                                          

  • OPPENHEIMER Christopher Nolan

ORIGINAL SCREENPLAY

  • ANATOMY OF A FALL Justine Triet, Arthur Harari

ADAPTED SCREENPLAY

  • AMERICAN FICTION Cord Jefferson

LEADING ACTRESS

  • EMMA STONE Poor Things

LEADING ACTOR

  • CILLIAN MURPHY Oppenheimer

SUPPORTING ACTRESS

  • DA’VINE JOY RANDOLPH The Holdovers

SUPPORTING ACTOR

  • ROBERT DOWNEY JR. Oppenheimer

CASTING

  • THE HOLDOVERS Susan Shopmaker

CINEMATOGRAPHY

  • OPPENHEIMER Hoyte van Hoytema

EDITING

  • OPPENHEIMER Jennifer Lame

COSTUME DESIGN

  • POOR THINGS Holly Waddington

MAKE UP & HAIR

  • POOR THINGS Nadia Stacey, Mark Coulier, Josh Weston

ORIGINAL SCORE

  • OPPENHEIMER Ludwig Göransson

PRODUCTION DESIGN

  • POOR THINGS Shona Heath, James Price, Zsuzsa Mihalek

SOUND

  • THE ZONE OF INTEREST Johnnie Burn, Tarn Willers

SPECIAL VISUAL EFFECTS

  • POOR THINGS Simon Hughes

BRITISH SHORT ANIMATION

  • CRAB DAY Ross Stringer, Bartosz Stanislawek, Aleksandra Sykulak

BRITISH SHORT FILM

  • JELLYFISH AND LOBSTER Yasmin Afifi, Elizabeth Rufai

EE RISING STAR AWARD (voted for by the public)

  • MIA MCKENNA-BRUCE

2024 BAFTA Awards Nominees

The British Academy of Film and Television Arts unveiled the BAFTA Awards 2024 nominations on January 18.

Two films of genre interest lead the field, Oppenheimer with 13 nominations and Poor Things with 11. And another, Barbie, picked up five nominations.

Winners will be announced at the 2024 BAFTA Film Awards ceremony, hosted by actor David Tennant on February 18 in London.

The complete list of nominees follows the jump.

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Pixel Scroll 5/14/23 Pixelberry Jam On Filer Buttered Scrolls

(1) BAFTA TV AWARDS. The genre cupboard was practically bare when the winners of the BAFTA TV Awards 2023 were revealed tonight. “Memorable Moment” — the only publicly-voted category – proved the exception, won by “’Platinum Jubilee – Party at the Palace’ – Paddington meets Queen Elizabeth II”. 

…Ben Whishaw was a part of Queen Elizabeth II’s Paddington Bear skit – as the voice of Paddington – which won an 2023 BAFTA TV award for most memorable moment, the only prize voted on by the public. The skit beat out Nick and Charlie’s first kiss in “Heartstopper” and the “Running Up That Hill” moment in “Stranger Things,” among other nominees…

(2) CRUISING. [Item by Cora Buhlert.] I took my Masters of the Universe figures out into the garden and posted another photo story: “Masters-of-the-Universe-Piece Theatre: ‘Adam’s Day Out’”.

“I just love getting out of the palace and enjoying the peace and quiet of the Eternian wilderness in springtime. And the Road Ripper really packs a punch. Too bad it’s only a one-seater, so I can’t take Cringer along. Or Teela…”

“Still, nothing beats racing across the plains of Eternia. No Prince Adam, no royal duties, no He-Man, just me and the unspoiled wilderness and… – Oh, raptor crossing!”

SCREECH!

(3) EUROVISION BOOK CONTEST. [Item by Cora Buhlert.] The finalists for the Eurovision Book Contest (like the Eurovision Song Contest, only with books) have been announced and there is at least one genre finalist, the German entry The Perfume by Patrick Süsskind, which won the 1987 World Fantasy Award: “Elena Ferrante and Marian Keyes among authors competing in Eurovision book contest” in the Guardian.

In March, the literary festival asked the public to submit their favourite fiction from any of the 37 countries that take part in the music competition each year. Suggestions could be of any genre and language but they had to have been published in the years since Eurovision began in 1956.

The final selection of one book from each country was chosen by an expert panel, who were aiming to come up with “an ambitious reading list” of books that will “inspire, examine and entertain”.

This also illustrates IMO the issue with that contest. The Perfume was released in 1985, i.e. it’s almost forty years old. The Irish contestant Rachel’s Holiday by Marian Keyes came out in 1998. That Georgian contestant is a novel written in German by a Georgian expat. Two finalists are graphic novels. The selection is just weird.

(4) A CROWNING ACHIEVEMENT. Connie Willis shared her delight in Charles’ coronation with Facebook readers.  

“What is the finest sight in the world? A Coronation. What do people talk most about? A Coronation. What is delightful to have passed? A Coronation.” — Horace Walpole

Saturday I got up early to watch Charles III’s coronation. It was the second one I’d seen. The first was Elizabeth II’s which I watched seventy years ago on someone else’s TV because we didn’t own one yet. It was an impossibly grainy image on a tiny screen of a Cinderella-looking carriage drawn by four horses. I was only seven years old, but I have a vivid memory of it, probably because I was so fascinated by fairy tales and princesses and queens and golden coaches made out of pumpkins.

This time my husband and I watched it in color on a much larger screen while talking on the phone to our daughter in California the whole time as she kept us updated with texts from her friends and comments on Tumblr. Now, seventy years later, I am no longer all that fascinated by princess and carriages, but I am fascinated by history, and in terms of historical events, a coronation simply can’t be beat….

(5) ROBOTIC ROBBERY. Lincoln Michel knows “The Endgame for A.I. Is Clear: Rip Off Everyone”.

…But let’s talk about the more specific ways companies plan to rip off writers with “A.I.” as the excuse.

A strong hint can be found in the current Writers Guild of America strike. A key sticking point is the use of A.I. writing. The writers aren’t asking for Hollywood to ban the use of A.I., rather they are asking that A.I writing not count as “literary material” or “source material.” This is technical Hollywood language related to the realities of how contracts work and how much money writers get. With the hard realities of capitalism and how corporations look to rip off writers.

The concern isn’t that ChatGPT can replace writers, but that studios will get chatbots to produce a crappy script then hire a writer at a lower rate to fix up the script into something usable. Fixing up a mess of ChatGPT vomit could take more work than writing a script from scratch, but cost the corporation less money.

I think this fear is completely justified and one that writers everywhere should take note of. Will websites and magazines start hiring writers or editors to “fix” chatbot outputs for less pay and no credit? Will book publishers decide they can feed an idea into ChatGPT then hire a novelist as a ghostwriter to rewrite it?

Again, the chatbots don’t have to produce good or even usable writing for this to be a threat. The threat is A.I being an excuse to rip off writers. If you hire a screenwriter to rewrite a chatbot script, you can pay them less. If you hire an author to rewrite a chatbot draft, you can avoid royalties. Etc ….

(6) FOUNDATION. GeekTyrant walks viewers through a “Thrilling New Trailer for Apple Adaptation of Isaac Asimov’s FOUNDATION Season 2”.

…Season 2 is set more than a century after the finale of the first season, “tension mounts throughout the galaxy in Foundation season two. As the Cleons unravel, a vengeful queen plots to destroy Empire from within. Hari, Gaal, and Salvor discover a colony of Mentalics with psionic abilities that threaten to alter psychohistory itself. The Foundation has entered its religious phase, promulgating the Church of Seldon throughout the Outer Reach and inciting the Second Crisis: war with Empire. Foundation chronicles the stories of four crucial individuals transcending space and time as they overcome deadly crises, shifting loyalties, and complicated relationships that will ultimately determine the fate of humanity.”…

(7) TAKING CARE OF BUSINESS AND WORKING OVERTIME. New Amazing Stories editor Lloyd Penney has been interviewed by Angelique Fawns for The Horror Tree, a website for horror writers and markets.

AF: What personal projects are you working on? What do you do in your spare time?

LP: Spare time? What is this ‘spare time’ you speak of? These days, I go into a publications office in Toronto’s east end twice a week to do the proofreader/copyeditor thing for one print magazine and two e-magazines. Then, I am the occasional editor for a British author’s long-time series of books, D.J. Holmes and his Empire Rising series of space adventures. And, for the past 40 years, I have been a regular correspondent and writer in the Letters Column for a long series of fannish publications, fanzines. I try my best to juggle all of this, and I hope not to drop anything. I have been an editor/copyeditor/proofreader for most of my working life, and I have always been an SF reader, so this is the first time I’ve been able to combine the two, and I have tried my best to run with it. I was told it should be fun, and it has been.

(8) PRO TIP. “Tim Dowling: my wife is gardening. I’m in my shed writing. It’s a risky situation”. The author is quoted in the Guardian saying —

“A long time ago I read a quotation in a book of advice, which held that the hardest thing about being a writer is convincing your spouse that looking out of the window is part of your job. I have never been able to track down the exact wording or the author of that quotation; when I look online the only source I can find for it is me, because I cite it so regularly. This is perhaps fitting, since my wife thinks I made it up.”

(9) ONE SUMMER TO A CUSTOMER. Jonathan Clarke investigates “Rod Serling’s Enduring Appeal” for City Journal.

…You might have guessed by now that in “Walking Distance,” Serling was telling his own story. He was 35 when the episode appeared, and he had come a long way from a charmed boyhood in Binghamton, New York. Like Martin Sloan, he had good reason to be tired, and good reason, despite his considerable success, to want to go home again. As his success grew, that desire would grow stronger, too.

It’s easy to forget now that television was once regarded as a creative nullity, good only for selling product. In the medium’s early decades, the programming was mostly quiz shows, Westerns, and police procedurals. Corporate sponsors had considerable creative control, and in tone and style, the industry was not unlike Madison Avenue, slick and a bit shameless. At the same time, because the medium was so new, conventions hadn’t yet hardened, and barriers to entry were lower, especially for writers. Serling, with his early work for two important live series, Kraft Television Theatre and Playhouse 90, became one of a handful of creators pushing television forward. Even so, he accepted that it was a second-rate form, inherently inferior to theater and film. Interviewed by Mike Wallace in 1959, shortly before The Twilight Zone debuted, Serling argued that he was writing “serious, adult” scripts, but he didn’t claim the privileges of an artist. “I’m a dramatist for television,” he said, by way of apology. “This is the medium I know.”

By then, Serling was the most recognizable writer in the country. The face he showed to the public was an appealing one, and very much an American face—principled but modest, industrious, courageous. Beneath that there was a different man: vain, self-indulgent, needy. And underneath that there was a sensitive artist, and a traumatized war veteran, and a young man who lost his father too early. The inmost Serling was perhaps ever that eager boy in Binghamton, standing on his tiptoes to be seen. (As an adult, he stood just 5’5”.) As a writer, he sought to integrate these different selves, to find the sense of coherence that evaded him in life. He would never quite feel that he had done so….

(10) GERALD ROSE (1935-2023). Illustrator and teacher Gerald Rose died May 5 at the age of 87 reports the Guardian. He was the youngest winner of the Kate Greenaway medal for children’s book illustration, in 1960.

…As well as the books with [his wife] Elizabeth, Gerald illustrated the work of many other authors, including Ted Hughes’s Nessie the Mannerless Monster (1964), James Joyce’s The Cat and the Devil (1965), Paul Jennings’ The Hopping Basket (1965) and The Great Jelly of London (1967), Lewis Carroll’s Jabberwocky and Other Poems (1968) and a number of Norman Hunter’s Professor Branestawm titles (1981-83). His own later picturebooks included the award-winning Ahhh! Said Stork (1986) and The Tiger Skin Rug (2011)….

(11) LAST FAREWELL. “RIP John Mansfield”, Kevin Standlee’s tribute to our friend, includes a link to the video of the service.

As most of you who follow me may know, John Mansfield, chair of the 1994 Winnipeg Worldcon and an important figure in Canadian fandom, passed away a few days ago after a long period of decline. His funeral service in Winnipeg was today, and was live streamed and recorded so that people (including me) who could not come to Winnipeg could attend virtually….

(12) MEMORY LANE.

1990[Compiled by Cat Eldridge.]

Charles de Lint’s Drink Down the Moon which is where this Beginning comes from is one of my favorite novels by him. Published by Ace Books in 1990, it is the second novel of his Jack of Kinrowan series, one of his Ottawa set novels. 

I like them because they are tighter, less sprawling than the later Newford novels are. They have a simplicity that sometimes gets lost in those novels.

And here’s our beginning, complete with fey music…

He slipped through the darkness in the 4/ 4 tempo of a slow reel, startled an owl in its perch, and crept through the trees to join the quiet murmur of the Rideau River as it quickened by Carleton University. At length, he came to the ears of a young woman who was sitting on the flat stones on the south bank of the river. 

The fiddle playing that tune had a mute on its bridge, substantially reducing the volume of the music, but it was still loud enough for the woman to lift her head and smile when she heard it. She knew that tune, if not the fiddler, and yet she had a sense of the fiddler as well. There was something–an echo of familiarity–that let her guess who it was, because she knew from whom he’d learned to play. 

Every good fiddler has a distinctive sound. No matter how many play the same tune, each can’t help but play it differently. Some might use an up stroke where another would a down. One might bow a series of quick single notes where another would play them all with one long draw of the bow. Some might play a double stop where others would a single string. If the listener’s ear was good enough, she could tell the difference. But you had to know the tunes, and the players, for the differences were minute.

“There’s still a bit of you plays on, Old Tom,” she whispered to the night as she stood up to follow the music to its source. 

She was a small woman with brown hair cropped short to her scalp and a heart-shaped face. Her build was more wiry than slender; her features striking rather than handsome. She wore faded jeans, frayed at the back of the hems, sneakers, and a dark blue sweatshirt that was a size or so too big for her. Slipping through the trees, she moved so quietly that she found the fiddler and stood watching him for some time before he was aware of her presence. 

She knew him by sight as soon as she saw him, confirming her earlier guess. It was Old Tom’s grandson, Johnny Faw. He was a head taller than her own four foot eleven, the fiddle tucked under his clean-shaven chin, his head bent down over it as he drew the music from its strings. His hair was a darker brown than her own, an unruly thatch that hung over his shirt collar in back and covered his ears to just above his lobes. He wore a light blue shirt, brown corduroys, and black Chinese rubber-soled slippers. The multi-coloured scarf around his neck and the gold loops glinting in each earlobe gave him the air of a Gypsy. His beat-up black fiddle case lay beside him with a brown quilted-cotton jacket lying next to it. 

She waited until the tune was done–”The King of the Fairies” having made way for a Scots reel called “Miss Shepherd’s”–and then stepped out into the little clearing where he sat playing. He looked up, startled at her soft hello and sudden appearance. As she sat down facing him, he took the fiddle from under his chin and held it and the bow on his lap.

(13) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born May 14, 1929 Kay Elliot. The actress who shows up in “I, Mudd” as the android form of Harry Mudd’s wife Stella Mudd. SPOILER ALERT (I promised our OGH I’d put these in. It’s possible someone here hasn’t seen “I, Mudd”.) Need I say she ends getting the upper hand in the end? She also had appearances in The Man from U.N.C.L.E. as Miss Prendergast in “The It’s All Greek to Me Affair” episode and multiple roles on Bewitched. That’s it, but she died young. (Died 1982.)
  • Born May 14, 1935 Peter J. Reed. A Vonnegut specialist with a long history starting with Kurt Vonnegut, Jr.: The Vonnegut Chronicles: Interviews and Essays that he wrote with Marc Leeds, and Kurt Vonnegut: Images and Representations with Leeds again. He also wrote a handful of essays such as “Hurting ’til It Laughs: The Painful-Comic Science Fiction Stories of Kurt Vonnegut” and “Kurt Vonnegut’s Bitter Fool: Kilgore Trout”. (Died 2018.)
  • Born May 14, 1944 George Lucas, 79. For better and worse I suppose, he created the Star Wars and Indiana Jones franchises. (Raiders of the Lost Ark and Indiana Jones and the Last Crusade are fine. I adore the original Trilogy.) And let’s not forget THX 1138. My fav works that he was involved in? LabyrinthRaiders of the Lost Ark, The Empire Strikes Back and Willow. Oh, and and The Young Indiana Jones series. 
  • Born May 14, 1945 Francesca Annis, 78. Lady Jessica in David Lynch’s Dune, Lady Macbeth in Roman Polanski’s Macbeth. I know only two roles, but what a pair of roles they were! She also appeared in Krull as The Widow of The Web but I’ll be damned if I can remember her in that role. 
  • Born May 14, 1947 Edward James, 76. Winner at Interaction of Best Related Non-Fiction Book for The Cambridge Companion to Science Fiction which he did with Farah Mendlesohn. A companion volume, The Cambridge Companion to Fantasy Literature, was also edited with Mendlesohn. He was the editor of Foundation: The International Review of Science Fiction from 1986 to 2001.
  • Born May 14, 1952 Robert Zemeckis, 71. He’s responsible for some of my favorite films including the Back to the Future trilogy, The Muppet Christmas CarolThe WitchesWho Framed Roger Rabbit and the savagely funny in a twisted sort of way Death Becomes Her. So what’s your favorite films that’s he had a hand in? 
  • Born May 14, 1952 Kathleen Ann Goonan. Her Nanotech Quartet is most excellent, particularly the first novel, Queen City Jazz. Her only Award was given for In War Times which garnered a John W. Campbell Memorial Award. She’s wrote an interesting essay on the relationship between sf and music,  “Science Fiction and All That Jazz”. (Died 2021.)
  • Born May 14, 1955 Rob Tapert, 68. I’d say he’s best known for co-creating Xena: Warrior Princess. He also produced and/or wrote several other television series including Hercules: The Legendary JourneysM.A.N.T.I.S. and American Gothic. Tapert also co-created the prequel series Young Hercules which I loved more than the adult series. He’s married to actress Lucy Lawless. 

(14) COMICS SECTION.

  • Tom Gauld says this job is not that easy!

(15) KEEP A SHARP EAR OUT. You’ve still got 18 days to bid on some prime Star Trek: The Original Series collectibles available in “The Comisar Collection Platinum Signature® Auction” at Heritage Auctions.

(16) HUANG’S OUTLAWS. At Nerds of a Feather, Paul Weimer starts with history — “Review: The Water Outlaws by S. L. Huang”.

… In Classic Chinese literature, there are a number of canonical novels, core books that are the backbone of a strand of Chinese history, culture and society….

…The Water Margin is set in the Song Dynasty, the last native Chinese Dynasty before the invasion of the Mongols. The Water Margin is a story that in its 50000 foot level will be familiar to Western readers. A group of diversely outlaws in an inaccessible area, fighting against corrupt officials who are oppressing the people? Yes, in the most broad of senses, The Water Margin is the Chinese parallel to the story of Robin Hood. It’s bigger scale, (108 outlaws in all, much larger than Robin’s band), larger stakes–fighting against full imperial armies, and, sadly, ends in a tragedy, the heroism of the outlaws ending not quite in a happily ever after.

And it is The Water Margin that is the story that S. L. Huang retells in The Water Outlaws.

S. L. Huang puts us in a slightly different China right from the get go by giving it a more feminist approach, starting with genderflipping the main character, Lin Chong. In Huang’s slightly alternate China, women have a significantly better role and place in society, but not so much that sexism and oppression of women are still not huge obstacles. But as a guard captain, Lin Chong is certainly in a position she would have not had in our own history. In this way, The Water Outlaws invites for me, comparisons to Shelley Parker-Chan’s She Who Became the Sun, which has a genderflipped protagonist, but she is a character who hides her gender. And her story is at the end of the Yuan dynasty, a century or more after the events of The Water Margin. But the queer, feminist lens of Chinese history and the perspective that it brings is strong in both works.

(17) LUNAR ORDERS. Also at Nerds of a Feather, Alex Wallace’s hook “Murder, Monks, and the Moon! What’s not to like?” gets readers started: “Review: Poor Man’s Sky by Wil McCarthy”.

There’s something about the great black void above us that attracts a wide variety of peculiar people. In our world, we have the likes of Elon Musk (who promises settlements on Mars when not driving Twitter to implosion) and other billionaires with god complexes and more money than sense. This is a theme that runs through Poor Man’s Sky Wil McCarthy’s most recent novel, a sequel to 2021’s Rich Man’s Sky….

(18) TINY DANCERS. The New York Times takes readers “Inside the Big World of Small Objects” — “For over 40 years, Tom Bishop’s dollhouse miniatures show has been the gold standard for serious collectors and hobbyists alike.”

Moments before 10 a.m., a security guard thanked the crowd for being cooperative.

When the clock struck the hour, it became clear why: The doors of the Marriott Chicago O’Hare conference center opened, and hundreds of attendees, a majority of whom were over the age of 60, bee-lined as fast as they could to the booths.

Many had studied the color-coded map ahead of time listing each booth’s location and came prepared with a shopping plan — a scene that could easily be mistaken for a Black Friday sale. Instead, it was the Chicago International Miniatures Show.

Despite the gathering touting itself as “the World’s No. 1 Dollhouse Miniatures Show,” there aren’t many actual dollhouses. Attendees instead sift through thousands of tiny objects that fill these tiny homes: miniature sponges, chocolate fondue fountains, rocking chairs, barbecue sets, Tupperware containers or fly swatters.

“The largest miniature dollhouse convention” may sound like a silly distinction to some, but it is no joking matter for the sellers. For many, the Tom Bishop show is where they hope to make the bulk of their annual sales.

The Tom Bishop show, as many attendees call it, is considered by its founder, Mr. Bishop, to be the largest dollhouse miniatures event in the world. Numbers appear to support that claim. This year, over 250 vendors traveled from 21 countries and 35 states.

More than 3,000 people attended, filling three large conference rooms, with hallway spillover. The weeklong event, from April 24 to April 30, included ticketed workshops with themes like “Lobsterfest” (focused on making miniature lobster boil accouterments); trade shows; and three days of ticketed shopping for the public….

(19) FULL GROWN DANCERS. Boris Karloff narrated “The Peppermint Twist” on Shindig 1965.

[Thanks to Chris Barkley, Michael Toman, SF Concatenation’s Jonathan Cowie, Cora Buhlert, Steven French, John Hertz, Cat Eldridge, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

2023 BAFTA Games Awards

BAFTA Mask

The 2023 BAFTA Games Awards winners are announced March 30 in a ceremony aired on Twitch.

God of War Ragnarök led the field with five BAFTAs: Animation; Audio Achievement; Music; Performer in a Leading Role for Christopher Judge and Performer in a Supporting Role for Laya DeLeon Hayes.

The BAFTA Fellowship was presented to Shuhei Yoshida. The Fellowship is the highest accolade given by BAFTA in recognition of an individual’s outstanding and exceptional contribution to film, games or television across their career.

The EE Game of the Year, the only award voted for by the public, went to God of War Ragnarök.

God of War Ragnarök.

The 2023 BAFTA Awards winners are:

ANIMATION

  • GOD OF WAR RAGNARÖK Bruno Velazquez, Erica Pinto, Mehdi Yssef – Santa Monica Studio/Sony Interactive Entertainment

ARTISTIC ACHIEVEMENT

  • TUNIC Development Team – TUNIC Team/FINJI

AUDIO ACHIEVEMENT

  • GOD OF WAR RAGNARÖK Jodie Kupsco, Michael Kent, Sean LaValle – Santa Monica Studio/Sony Interactive Entertainment

BEST GAME

  • VAMPIRE SURVIVORS Development Team – poncle/poncle

BRITISH GAME

  • ROLLERDROME Development Team – Roll7/Private Division

DEBUT GAME

  • TUNIC Development Team – TUNIC Team/FINJI

EVOLVING GAME

  • FINAL FANTASY XIV ONLINE Development Team – Creative Business Unit III/Square Enix

FAMILY

  • KIRBY AND THE FORGOTTEN LAND Development Team – HAL Laboratory/Nintendo

GAME BEYOND ENTERTAINMENT

  • ENDLING – EXTINCTION IS FOREVER Development Team – Herobeat Studios/HandyGames

GAME DESIGN

  • VAMPIRE SURVIVORS Development Team – poncle/poncle

MULTIPLAYER

  • ELDEN RING Development Team – FromSoftware/BANDAI Namco Europe

MUSIC

  • GOD OF WAR RAGNARÖK Bear McCreary, Keith Leary, Peter Scaturro – Santa Monica Studio/Sony Interactive Entertainment

NARRATIVE

  • IMMORTALITY Sam Barlow, Amelia Gray, Allan Scott – Half Mermaid Productions/Half Mermaid Productions

ORIGINAL PROPERTY

  • ELDEN RING Development Team – FromSoftware/BANDAI Namco Europe

PERFORMER IN A LEADING ROLE

  • CHRISTOPHER JUDGE as Kratos in God of War Ragnarök

PERFORMER IN A SUPPORTING ROLE

  • LAYA DELEON HAYES as Angrboða in God of War Ragnarök

TECHNICAL ACHIEVEMENT

  • HORIZON FORBIDDEN WEST Development Team – Guerrilla/Sony Interactive Entertainment

EE GAME OF THE YEAR (voted for by the public) 

  • GOD OF WAR RAGNARÖK Santa Monica Studio/Sony Interactive Entertainment

2023 BAFTA Awards Nominees

The British Academy of Film and Television Arts unveiled the 2023 BAFTA Awards nominations on January 19.

Many works of genre interest are up for awards:

  • Ten nominations for Everything Everywhere All At Once;
  • Four nominations for The Batman; 
  • Three nominations for Guillermo del Toro’s Pinocchio; 
  • Two nominations for Avatar: The Way of Water; 
  • One nomination for each of the following: Black Panther: Wakanda Forever; Marcel the Shell with Shoes On; Puss in Boots: The Last Wish; Turning Red.

The awards ceremony will take place February 19 in London.

The complete list of nominees follows the jump.

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Pixel Scroll 5/8/22 So Let’s File A Scroll Of Cheer Again, Happy Tweets Are Here Again

(1) BAFTA TV. Today’s BAFTA TV Awards 2022 winners predictably had almost no genre presence because there were very few sff nominees. (Even the new Doctor Who, Ncuti Gatwa, lost – as a nominee in the Male Performance in a Comedy Programme for his role in the non-genre series Sex Education.) The one oasis in this desert, however, is that the International category winner was The Underground Railroad. (The complete list of award recipients is here.)

(2) 1977. Connie Willis recounted her experience seeing Star Wars for the first time in a post for Facebook readers.

…And the story was pure science-fiction, with its brave, naive young hero and feisty heroine, who were straight out of Robert A. Heinlein, to the tough but heart-of-gold mercenary Han Solo who was straight out of The Three Musketeers. And the garbage compactor and the Millennium Falcon and the Death Star and that great tie-fighter battle, which was straight out of every war movie I’d ever seen. And Chewbacca and Obi Wan Kenobi and the tie-fighters and the Sand People and the great lines which promptly became part of my family’s language and still are to this day: “Use the Force, Luke,” and “Don’t get cocky, kid,” and “I’d sooner kiss a wookie,” and “Aren’t you a little short to be a stormtrooper.”…

(3) 1982. The end of the first Star Wars trilogy is not nearly as romantic in retrospective: “How the California forest that starred as Endor in ‘Star Wars’ was obliterated” at SFGate.

…Months after the “Star Wars” shoot was over, the logging company did what it did best and clear-cut the entire area. Endor is no more. 

“Except, you can visit the grove where the speeder chase scene was shot,” clarified Nate Adams, deputy director of the Humboldt-Del Norte Film Commission.

Protected in perpetuity within a state park in Humboldt County are the remaining shreds of Endor. The Film Commission highlighted the area in its “Map of the Movies” for a self-guided tour through the two northern counties. 

“It’s off Highway 36 in Grizzly Creek State Park along the Cheatham Grove path,” Adams said. “When you go there, you’ll recognize some of the fallen trees close to the trailhead. I was there last year to help with the Jeff Goldblum show and immediately recognized trees 40 years later.”

As detailed in its harvesting plan, the logging company had already scheduled to clear-cut the area where Endor once stood and it was set for destruction well before filmmakers expressed an interest to shoot there. Mario D. Vaden, an arborist and longtime photographer of Redwood National Park, thinks this was a missed opportunity.

“Had somebody been able to foresee the popularity and success of ‘Star Wars,’ it would have been crazy not to save the grove where Endor was made and use it as a tourist venue,” he said. “In the same way the Trees of Mystery have their attraction, it would have been world-famous.”

Endor may have been nearly obliterated, but Perry said that its legacy lives on where you least expect it. 

“The logging company was in the commercial market and a lot of the Miller Redwood products became decking material in the Bay Area,” he said. “So people could be walking on decks that are made from ‘Star Wars’ sites.”…

(4) TWO HWA INTERVIEW SERIES. The Horror Writers Association is doing two streams of thematic interviews this month, Jewish Heritage in Horror and Asian Heritage in Horror. Here are excerpts of two recent posts.

What was it about the horror genre that drew you to it?

Again, I blame my parents. I’m dating myself, but I recall my Dad taking me to see ALIEN and I was just blown away on so many levels. I loved its artistry. I loved its world. I loved its darkness. Been hooked ever since. I recall seeing Stephen King’s NIGHT SHIFT at the bookstore … the one with the hand wrapped in gauze with the eyes poking through … and bought it and stayed up late reading it. I then scoured everything I could find of his. My dad also brought me issues of TWILIGHT ZONE and CEMETERY DANCE that we’d read and talk about. Meanwhile, my mom handed me a hardcover of a then new writer named Anne Rice. INTERVIEW WITH THE VAMPIRE opened up so many worlds. I wouldn’t be doing this without my folks. Happy as can be about it, too

What has writing horror taught you about the world and yourself?

Horror is everywhere, in the fabric of the everyday. Some people don’t want to face what makes them afraid or uneasy, but I’d rather look at it face on. The unknown is always worse than the known.

It’s taken me a long time to realise why I like horror and it’s only through writing it that I understand why. When I write about the painful things in my life, I find horror and the fantastic an easier way of processing them. The reality of suffering is truly terrible. It’s real-life dramas about terrible events or experiences that I struggle to watch or read about. I find them easier to consider when cloaked in the fantastic and horrific than when looked at directly. It abstracts them.

(5) NAMES TO CONJURE WITH. Mashable’s list of “11 incredible women sci-fi authors you need to read” begins with N.K. Jemisin, Kameron Hurley, and Joanna Russ.

…The writers that follow vary widely in subject matter and approach. Some hew closely to reality, while others let their minds take them on theoretical journeys to the ends of time and space. Some deliver gritty action and adventure, while others use a defter, more exploratory touch. They’re all absolute masters, though, and your reading list deserves to have them on it. Without further ado, here are 11 women sci-fi authors you need to read…

(6) DEFENDING SFF. Big Think’s Jonny Thomson unpacks one of J.R.R. Tolkien’s essays: “Tolkien on the importance of fantasy and science fiction”.

Sub-creation

The snobbery of those who look down on fantasy has a long pedigree — so much so that, in 1947, J.R.R. Tolkien felt the need to defend the genre in his work, “On Fairy-Stories.” For Tolkien, fantasy and fairy stories are not simply stories about fairies. They are stories that take place in a land of fairies. They exist in their own created land, where any number of wondrous things can happen, but they are always treated with the utmost seriousness by the reader. To enter Faërie is not to enter a world of simple make-believe; instead, we perform an act of “sub-creation,” in which we form a world within our wider “reality.”

This imaginary world we create always will go beyond the words given to describe it. The fantasy realm “cannot be caught in a net of words; for it is indescribable.” Words alone will never be able to conjure up a fully realized land of magic. For this, we need the ability to sub-create. When we sub-create a world, we “make a Secondary World which the mind can enter.” This world has its own internal logic, laws, and systems. We see, feel, and live in this world in a way far beyond the words on a page can alone provide. We color in background details and add sights, smells, and wonders that go beyond the narrow bounds of the words in the book. It is why movie adaptations can feel so hollow, at times.

(7) DAN DECKERT (1952-2022). LASFS member Dan Deckert, who moved with his family from LA to the Midwest decades ago, died May 8. His wife Danise announced that he passed away after several days in the ICU with major health problems. During Dan’s time as an active LASFSian, he served terms as President and on the Board of Directors, and chaired the club’s annual Loscon in 1982. His financial donations to the club were acknowledged by making him a “Patron Saint”, celebrated the twelfth meeting of each year. He produced a couple hundred issues of his fanzine Entropy for the club’s weekly APA-L. He also was a director of the conrunning organization SCIFI which hosted many cons, including the 1996 Worldcon of which he was a division head. Since Dan’s retirement a few years ago he began to volunteer in fandom again, working on a program track for Worldcon 76 in 2018.

(8) MEMORY LANE.

1969 [By Cat Eldridge.]  Sir Harry Paget Flashman VC, KCB, KCIE., 1822 – 1915

I grant he’s not even genre adjacent, but I’ll give you a tale in a minute that makes it relevant to us. Harry Flashman appears in a series of 12 George MacDonald Fraser’s books collectively known as The Flashman Papers. If Flashman had a birthday, the author says it would have been earlier this week, May 5. The first novel, Flashman, was published in 1969 and many readers here in the States thought it was a work of non-fiction.

The books centre on the exploits of Harry Flashman. He is a cowardly British soldier, rake and just generally disreputable character who is placed in a series of real historical incidents between 1839 and 1894. It must be noted that despite his cowardice and his attempts to flee danger whenever possible, he becomes a decorated war hero and rises to the rank of brigadier-general. 

Royal Flash, a 1975 British film, is based upon the second Flashman novel of the same name. It stars a thirty-two-year-old Malcolm McDowell as Flashman. It was not well received as The Observer noted it left them “breathless not so much with enchantment as with boredom”. Although audience reviewers at Rotten Tomatoes currently give it a rating of sixty-four percent which isn’t bad at all. 

Kage Baker didn’t actually write a Flashman novel, though we talked several times about her doing so, but the bones of one appeared in one of her novels as her sister Kathleen told me that it ended up elsewhere: “Most of her notes she used in her last novel, Not Less Than Gods, which she wrote while she was sick, and that was published as she was dying. As far as I can tell, Kage and I were the only people in the world who liked it. A lot of it was panned because the reviewers didn’t get most of the satire, or hated Edward Alton Bell-Fairfax, or both. Anyway, even if you personally disliked the book, I think you can see the bones of a Flashman novel there.” 

The Green Man reviewer liked it though he had it with a lump in his throat as Kage had just died as he wrote his review.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born May 8, 1928 John Bennett. A very long involvement in genre fiction starting with The Curse of the Werewolf in the early Sixties and ending forty years later with a role on the Minority Report series. Being a Brit, naturally he appeared on Doctor Who in the prime role of Li H’sen Chang as part of a Fourth Doctor story, “The Talons of Weng-Chiang”. He had roles in Blake’s 7, Watership DownTales of The UnexpectedThe Plague DogsDark MythSherlock Holmes and the Leading Lady (as Dr. Sigmund Freud!), Merlin of The Crystal Cave and The Infinite Worlds of H.G. Wells. (Died 2005.)
  • Born May 8, 1938 Jean Giraud. Better known to y’all as Moebius. He contributed storyboards and concept designs to myriad science fiction and fantasy films including AlienThe Fifth Element, The Abyss and the original Tron film. He also collaborated with avant-garde filmmaker Alejandro Jodorowsky for an unproduced adaptation of Dune. Oh, I would’ve loved to have seen that!  And no, I’m not forgetting his work on both Heavy Metal and Marvel Comics but I’ll let you detail those endeavors. (Died 2012.)
  • Born May 8, 1940 Peter Benchley. He’s known for writing Jaws which we decided last year was genre and he co-wrote the film script with Carl Gottlieb. His novel Beast is definitely genre and was adapted into a film as was White Shark which has absolutely nothing to do with sharks in any form what so ever. Another novel, The Island, was also turned into a film and it’s at least genre adjacent. (Died 2006.)
  • Born May 8, 1947 Susan Casper. Editor and author, married to Gardner Dozois until her death. She published over thirty short stories and essays, including collaborations with Dozois and Jack M. Dann, starting off with “Spring-Fingered Jack”. Her fiction is first collected in Slow Dancing through Time which includes one collaboration with Dozois and one with Jack M Dann. Rainbow: The Complete Short Fiction of Susan Casper which was edited just after her death by her husband is as its title states a complete collection of her short fiction. She was co-editor with him of the Ripper! and Jack the Ripper anthologies She was a much-loved figure at cons. (Died 2017.)
  • Born May 8, 1947 Ron Miller, 75. Illustrator who is quite knowledgeable about the work of astronomical artist Chesley Bonestell. The Art of Chesley Bonestell that he did received a Hugo at ConJosé (2002). The Grand Tour he did with William K. Hartmann Has nominated it at Chicon IV (1982) for Best Related Non-Fiction Book.
  • Born May 8, 1954 Stephen Furst. Stephen is dead; the saddest part of doing these Birthdays is discovering how many folks have died that I reasonably expected were still living. Babylon 5 has had far too many deaths among its cast. He died of complications from diabetes at a far too young age. You know him most likely as Centauri diplomatic attaché Vir Cotto on Babylon 5, a decent being way over his head in a job he was ill-prepared for. He also directed three low-budget movies for the Sci Fi Channel: Dragon StormPath of Destruction, and Basilisk: The Serpent King; he additionally co-starred in the last two films. And he produced Atomic Shark which aired during Sharknado Week on Syfy. (Died 2017.)
  • Born May 8, 1955 Della Van Hise, 67. Author was a prolific Trek fanwriter who later published an official Trek novel, Killing Time which in its first printing implied a sexual relationship between Spock and Kirk. Later printings didn’t include this passage as the copyright holder, Paramount, objected rather strongly according to several sources. It’s available at all the usual digital suspects.
  • Born May 8, 1967 John Hicklenton. British illustrator also known as John Deadstock. He worked on 2000 AD characters like Judge Dredd (especially the Heavy Metal Dredd series) and Nemesis the Warlock during the Eighties and Nineties. He also dipped into the Warhammer universe with “Cycles of Chaos” (with writer Andy Jones) in Warhammer Monthly No. 9. (Died 2010.)

(10) LOVE AND FRIENDSHIP. The Reinvented Heart, an anthology on the evolution of partnerships by female and nonbinary authors, is co-edited by Cat Rambo and Jennifer Brozek. The ebook version was released March 10, and a hardcover edition is coming May 31.

What happens when emotions like love and friendship span vast distances — in space, in time, and in the heart?

Science fiction often focuses on future technology and science without considering the ways social structures will change as tech changes — or not. What will relationships look like in a complicated future of clones, uploaded intelligences, artificial brains, or body augmentation? What stories emerge when we acknowledge possibilities of new genders and ways of thinking about them?

The Reinvented Heart presents stories that complicate sex and gender by showing how shifting technology may affect social attitudes and practices, stories that include relationships with communities and social groups, stories that reinvent traditional romance tropes and recast them for the 21st century, and above all, stories that experiment, astonish, and entertain.

Each of its three divisions – Hearts, Hands, Minds – begins with a poem by Jane Yolen. There are stories from Seanan McGuire, AnaMaria Curtis, Lisa Morton, Madeline Pine, Sam Fleming, Felicity Drake, Premee Mohamed, Beth Cato, Naomi Kritzer, Sophie Giroir, Maria Dong, Lyda Morehouse, Devin Miller, Aimee Ogden, Anita Ensal, Fran Wilde, Mercedes M. Yardley, Lauren Ring, Xander Odell, Rosemary Claire Smith, and Justina Robson.

(11) A PAIR TO DRAW TO. Powell Books will present Jeff VanderMeer, author of Hummingbird Salamander, in conversation by Hank Green, author of An Absolutely Remarkable Thing and A Beautifully Foolish Endeavor, on May 11. Begins at 12:00 p.m. Pacific. Register here.

(12) BEWARE! [Item by Mike Kennedy.] These baby (and other) dolls are more the stuff of nightmares than of sweet childhood dreams.

A stretch of beach in Texas gets more than its share of detritus washed in from the Gulf of Mexico due to the arrangement of currents. That’s bad enough, but it seems that quite a few of those pieces of trash turn out to be dolls. Dolls that have undergone extremely creepy transformations while at sea. 

Just ask Jace Tunnell, director of the Mission-Aransas Reserve at the University of Texas Marine Institute.  “Creepy dolls covered in barnacles or missing their limbs keep washing up on Texas beaches” at USA Today. Photos at the link. No photos here!

[Thanks to Cat Eldridge, Mike Kennedy, Martin Morse Wooster, JJ, John King Tarpinian, Chris Barkley, Andrew Porter, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Hampus Eckerman.]

2022 BAFTA Games Awards

BAFTA Mask

The British Academy of Film and Television Arts today announced the winners of the 2022 BAFTA Games Awards “celebrating the very best in games of 2021 and highlighting an outstanding level of creative excellence from a broad range of UK and international development teams.”

Returnal won Audio Achievement, Best Game and Music, and Performer in a Leading Role for Jane Perry, winning her first BAFTA.

Two games won two BAFTAs each: It Takes Two won Multiplayer and Original Property, and Ratchet & Clank: Rift Apart won Animation and Technical Achievement.

The full list of BAFTA Games Awards 2022 follows:

Best Game

  • Returnal

British Game

  • Forza Horizon 5

Animation

  • Ratchet & Clank: Rift Apart

Artistic Achievement

  • The Artful Escape

Audio Achievement

  • Returnal

Debut Game

  • Toem Development Team – Something We Made

Evolving Game

  • No Man’s Sky

Family Game

  • Chicory: A Colorful Tale

Game Beyond Entertainment

  • Before Your Eyes

Game Design

  • Inscryption

Multiplayer Game

  • It Takes Two

Music

  • Returnal

Narrative

  • Unpacking

Original Property

  • It Takes Two

Performer In A Leading Role

  • JANE PERRY as Selene Vassos in Returnal

Performer In A Supporting Role

  • KIMBERLY BROOKS as Hollis Forsythe in Psychonauts 2 

Technical Achievement

  • Ratchet & Clank: Rift Apart

EE Game of the Year

  • Unpacking