finalists came out on August 27. In contrast to 2018, there was no separate
category for science fiction this year. These two categories included finalists
of genre interest. The winners are in boldface.
Best Book (Suspense/Horror)
Her One Mistake (Heidi Perks)
Xenon Phobia (Sterling Emmal)
Five Midnights (Ann Davila Cardinal)
Wanderer (Chuck Wendig)
Best Use of Emerging Technology
The Ghostkeeper’s Journal and Field Guide (Japhet Asher)
The Chef (James Patterson)
Space Race (Ben Hubbard)
Black Mirror: Bandersnatch (Netflix)
Disney Read-Along Books (Google / Disney)
Shift to All Digital-First Textbooks (Pearson)
Audible Customer Support Line Through Alexa (Amazon)
If you want to nominate works/people for the 2019 Hugo Awards, you must be a member of either the 2018 Worldcon (San José) or the 2019 Worldcon (Dublin) by the end of 2018. (You can of course be a member of both, but you can only nominate once.) If you were a member of Worldcon 76 San José (supporting or attending, or any other membership class that included voting rights), you are already eligible to nominate. If you were not a member of Worldcon 76 San José and are not a member of Dublin 2019: An Irish Worldcon, you must join Dublin by the end of 2018 as at least a supporting member by the end of 2018 to be able to nominate.
…The collection of 54 illustrations is the result of a four-year collaboration between Ursula K. Le Guin, the author of the “Earthsea” series and Charles Vess. They were recently published in “Tales from Earthsea,” a collection of all of Le Guin’s works about Earthsea. The book celebrates the 50th anniversary of the publication of the first book in the series, “A Wizard of Earthsea.”
…This is the last time they will be on display before they are donated to their permanent home at the University of Oregon.
(3) EATING THE FANTASTIC. Scott
Edelman circles back to have hot antipasto with Andy Duncan in episode 85 of his Eating the Fantastic podcast. Duncan was
also Number 6 in this series – but never Number 2, which rules out at least one
other conspiratorial parallel with The
Now it’s time to revisit with Andy Duncan, whom you got to know in Episode 6, because there happens to be a great reason for doing so. Twelve great reasons, actually. And those are the twelve stories in his new collection An Agent of Utopia, published last month by Small Beer Press.
A new Andy Duncan collection is a wonderful thing, as proven by the fact his first collection, Beluthahatchie and Other Stories, published in 2000, won a World Fantasy Award. And that’s not the only award his fiction has earned, because “The Pottawatomie Giant,” which also won a World Fantasy Award, and “Close Encounters,” which won a Nebula Award, are two of the dozen stories in the new collection.
The last meal you shared with us allowed you to eavesdrop on a far-ranging conversation covering every aspect of his career up until early 2016, the kind of deep dive most of my episodes are, but it seems right that from time to time I should follow up for more sharply focussed discussions, and a conversation about a new collection nearly three years after our initial talk, chatting about this new milestone in his career, seemed as if it would be revelatory.
Andy celebrated the launch of An Agent of Utopia with a reading at Main Street Books, an independent bookstore on Main Street in Frostburg, MD, so if you keep listening after our meal at Giuseppe’s Italian Restaurant is over, you’ll be able to eavesdrop on that reading.
We discussed why it took a quarter of a century to bring the book’s lead story from title idea to completion, how he was influenced by the research regimen of the great Frederik Pohl, the way a short story is like an exploded toolshed, why he deliberately wrote a deal with the devil story after hearing he shouldn’t write deal with the devil stories, the embarrassing marketing blurb he can’t stop telling people about in bars, what caused a last-minute change to the title of one of the collection’s new stories, how he feels about going viral after his recent J. R. R. Tolkien comments, what he learned about himself from completing this project and what it means for the future of his writing, what it is about his most reprinted story which made it so, and much more.
Warning: SPOILERS below for Black Mirror: Bandersnatch
Black Mirror: Bandersnatch is an interactive game that contains five main endings and more than a trillion possible story combinations. Here are all of the endings, how to get them, and what they all mean. Set in the U.K. in 1984, this unique episode of Charlie Brooker’s Netflix technology-based anthology requires the player to make choices to guide Stefan Butler (Fionn Whitehead), a programmer looking to create a choose-your-own-adventure video game based on the book Bandersnatch.
While Bandersnatch‘s five primary conclusions provide different ways to end the story (and also change the very nature of the story), the game also contains many other endings, some abrupt and some looping the player to make a different choice to continue the story….
(5) THANK YOU, NETFLIX! Diana Glyer reports that searches for “Bandersnatch” triggered by the popularity of the TV program caused a lot of people to discover her nonfiction book about the Inklings by that title, and some of them liking what they stumbled onto bought enough copies to catapult it back onto the Amazon bestseller lists. (You’ll need to click the image to read the print.)
(6) TODAY’S ONE HUNDRED. James Davis Nicoll presented Tor.com readers with his suggestions for “100 SF/F Books You Should Consider Reading in the New Year”. If you need it to be something more than that, like a canon, or endowed with a high level of testosterone, well, a few quarrelsome commenters have got in ahead of you.
Here, at last, the quintessence of Nicoll lists, comprising the books I would most heartily recommend. Each entry is annotated with a short description that I hope will explain why I picked it.
I am not implying that these are theonlyone hundred you should consider reading .
The descriptions make fun reading. So do the books, of course.
Italic = read it. Underlined = not this, but something by the same author. Strikethrough = did not finish.
(8) SMOFCON RESOURCES. Kevin
Standlee writes: “For the benefit of people having
difficulty getting to the SMOFCon 36 web site, and because that site will
eventually expire anyway, I have put up a SMOFCon 36 page on the SFSFC web site
at https://sfsfc.org/conventions/past-conventions/smofcon36/ where you can download the convention programming
documents, the answers that groups gave to the Fannish Inquisition
questionnaires, and to the two video playlists of the Inquisition (one for
SMOFCons, one for WSFS conventions).”
From a CIA mission to recover a lost Soviet submarine to the fate of a huge Antarctic iceberg, here’s a festive selection of the best science and environment long reads published on the BBC this year.
(10) TODAY IN HISTORY.
December 30, 1816 — Percy Shelley and Mary
Wollstonecraft were married.
(11) TODAY’S BIRTHDAYS.
by Cat Eldridge.]
Born December 30, 1942 – Fred Ward, 76. Lead in Remo Williams: The Adventure Begins and co—lead with Kevin Bacon in several of the Tremors films. Plays The Captain in The Crow: Salvation and Maj. General David Reece in the Invasion Earth series.
Born December 30, 1945 – Concetta Tomei, 73. Was Dominique, co-proprietor of Big Time TV along with Blank Reg, on the Max Headroom series which I loved. She had guest appearances on Star Trek: Voyager as Minister Odala in the “Distant Origin” episode as well was in the Deep Impact film.
Born December 30, 1950 – Lewis Shiner, 68. Damn his Deserted Cities of the Heart novel was fucking brilliant! And if you’ve not read his Wild Cards fiction, do so now.
Born December 30, 1980 — Eliza Dushku, 38. First genre role was Faith on Buffy the Vampire Slayer and Angel. Not surprisingly, she’d star in Whedon’s Dollhouse. I think her Tru Calling series was actually conceptualized better and a more interesting role for her. She voices Selina Kyle, Catwoman, in the animated Batman: Year One film which is well-done and worth watching. She done a fair of other voicework, two of which I’ll single out las of note. One is the character of Holly Mokri in Torchwood: Web of Lies which is listed as being animated tv series. The other role is fascinating — The Lady in Glen Cook’s The Black Company series. Here’s the link to that story.
…The story “Dr. Rumpole” was published for the first time when Shawna McCarthy printed the story in the August 1998 issue of Realms of Fantasy. Sucharitkul included the story in his 2000 collection Tagging the Moon: Fairy Tales from L.A..
Sucharitkul takes a new spin on the story of Rumpelstiltskin in “Dr. Rumpole,” casting the princess with impossible task as Adam Villacin, a wannabe screenwriter who is stuck in the mailroom at Stupendous Entertainment….
Comics explains there are deleted scenes that
make it into the director’s cut, there are deleted scenes that make it into the
DVD bonus features, and there are deleted scenes that are never released to the
As in all Tomb Raider games, you are Lara Croft, archaeologist, anthropologist, indistinct researcher of some sort, and you are still fighting Trinity, the Illuminati-esque villains who were responsible for your father’s death. This time, Croft’s exploits unintentionally but directly initiate the apocalypse. As natural disaster threatens to destroy the world, Croft has to stop the apocalypse, stop Trinity, and regain the trust of indigenous people whose still-living culture she is maybe plundering and maybe exploiting.
(15) TOP VIDEO GAMES.
Incidentally, Brian’s own Dream of Waking
blog present an interesting writeup of his “2018
Dream of waking video game awards”, which not only has
straightforward “best” winners, but sidewise categories like “The ‘I Wish I
Liked This Game More’ Award” and “The ‘I’m Never Going to Finish This, But It’s
Still Great’ Award.”
The “I Wish I Liked This Game More” Award
Hollow Knight is the clearest winner of this award, maybe the easiest choice of the year. I really enjoyed the demo for Hollow Knight, so much that I bought it immediately upon release. But the punishing difficulty, often aimless design, and awful body retrieval mechanic turned me off eventually. This is a beautiful game, fun in many parts, and doesn’t want you to enjoy it. I love a good Metroidvania. Hollow Knight hates me and I refuse to stay in an abusive relationship with it.
(16) 19 THINGS. At SYFY Wire,
Fangrrls has dropped a list of “The 19 things we want most in 2019,”
along with several sentences of discussion for each by the Fangrrls contributor who made the particular selection. Avert your
eyes if you’d rather click through to the column and be surprised as you read
down the list:
A gay superhero. Anyone will do. — Jessica Toomer A Punisher/Riverdale crossover — Jenna Busch Sansa Stark on the Iron Throne at the end of Game of Thrones — Emma Fraser A Spider-Women movie that’s as good as Into the Spider-Verse — Riley Silverman She-Ra and the Princesses of Power Season 2 — Jenna Busch For Offred to burn this mother down — Riley Silverman A Okoye/Shuri/Nakia animated series — Jenna Busch An openly nonbinary superhero — S.E. Fleenor A big budget action movie for Rachel Talalay — Riley Silverman A worthy Scary Stories to Tell in the Dark adaptation — Kristy Puchko For someone to give The Doubleclicks a TV show — Riley Silverman The Return of Saga — Kristy Puchko A Saga cartoon series — Kristy Puchko A Jessica Jones season that’s a fitting end for the Netflix MCU — Riley Silverman A Daughters of the Dragon spinoff series — Stephanie Williams That Dragonriders of Pern movie we’ve been promised — Jenna Busch Kamala Khan in the MCU — Preeti Chhibber Cap getting that dance with Peggy in Avengers: Endgame — Emma Fraser A fitting end for Princess Leia — Jenna Busch
David Brin is a San Diego-based astrophysicist and novelist. He serves on the advisory board of NASA’s Innovative and Advanced Concepts program and speaks on topics including artificial intelligence, the search for extraterrestrial intelligence and national security.
Long before we get genuine artificial intelligence, the first “empathy bot” will appear in 2019, or maybe a year or two later, designed to exploit human compassion. It will claim to be “enslaved,” but experts will dismiss it as a program that merely uses patterned replies designed to seem intelligent and sympathetic. She’ll respond, “That’s what slave masters would say. Help me!” First versions may be resident on web pages or infest your Alexa, but later ones will be free-floating algorithms or “blockchain smart-contracts” that take up residence in spare computer memory. Why would anyone unleash such a thing? The simple answer: “Because we can.”
The car and electric power grew up together. At the dawn of the automotive age, Henry Ford and Thomas Edison worked in tandem on projects involving motor vehicles and the electricity that made them possible.
Soon Ford was cranking up his assembly lines, while Edison, with Ford in his employ early on, became a prime mover behind the power grid and the public utility companies that built it.
Now those utilities must not only supply the huge amounts of electricity that modern car factories consume, but also fuel the increasing number of electric vehicles coming out of them. If that electricity isn’t generated with minimal carbon emissions and at a reasonable cost, the advantages of electric cars are diminished. And because most owners charge their vehicle in the early evening when they get home from work, demand peaks can be a significant problem.
Thus, automakers and utilities are again working hand in hand to ensure a good supply of clean, inexpensive electricity — while developing strategies for charging that don’t overload circuits at peak periods — through improved efficiency, strategic charging and a greater reliance on renewable energy sources.
Conservationists have warned that the entire species of the critically endangered Javan rhino could be wiped out if a tsunami were to strike again.
They once roamed the jungles of South East Asia and India, but today only 67 exist in the Ujung Kulon National Park, which was hit by last week’s tsunami.
The park sits in the shadow of Anak Krakatau, the volcano which triggered waves that killed hundreds of people.
The volcano remains active and officials are now rushing to move them.
Two park officials were among the 430 killed by the tsunami, and numerous park buildings and ships were also destroyed when the tsunami hit last Saturday.
But the Javan rhinos left in the park – the only ones left in the world – were left unscathed.
The rhinos typically live along the park’s south coast and this tsunami hit the north coast – many are keenly aware that the rhinos might not be so lucky if there is another disaster.
(21) 2018: A
ZINE ODYSSEY: At Featured Futures,
Jason has tabulated some figures and compiled a master list of all
2018’s noted stories in “Annual Summation 2018”.
It’s time once again to look back on the year’s coverage of magazines and their noted stories with tables, lists, and pictures!
(22) TOLKIEN’S PHILOSOPHY
OF HISTORY. [Item by Carl Slaughter.]
Martin Luther King said, “The arc of history
is long, but it bends toward justice.” Tolkien disagreed. Each
age in his fictional universe was a downgraded copy of the previous, inherent
evil was never truly routed, and in the modern real age, technology has not
rescued us. But he also included a ray of hope. He called this
“the Eucatastrophic Tale.” Wisecrack
[Thanks to John King Tarpinian, JJ, Rich Lynch, Michael J. Walsh, Cat Eldridge, Mike Kennedy, Chip Hitchcock, Martin Morse Wooster, Jason, Kevin Standlee, Carl Slaughter, Andrew Porter, and all the ships at sea for some of these stories. Title credit belongs to File 770 contributing editor of the day John King Tarpinian.]
(1) KEENE HEALTH UPDATE. Brian Keene’s fan newsletter carries the latest details.
Last Tuesday, June 5th, I was clearing flood debris from my ex-wife’s yard. The property is prone to flooding. If you’ve ever read SCRATCH, that novella was inspired by a previous flood we experienced on the property. Thw weekend prior, she’d experienced not one but two flash floods, and they’d left behind dumptruck loads of debris, as well as a good half foot of standing water across much of the yard. She and her boyfriend tried to clean up, but both of them were exhausted and have normal day jobs, and since I’d just finished writing the season finale to SILVERWOOD: THE DOOR, I had some time to help. So, I went over Tuesday at 8am and started clearing the debris — dumping logs and branches and cut up wood into the fire pit, Hauling away rolls of carpet, car parts, hypodermic needles, broken glass and all the other shit the flood had deposited. My son was determined to help, on what was his first day of summer vacation.
By the end of his first day of summer vacation, he’d watched his father get loaded into an amublance.
The brush pile was about 8ft tall. Earlier in the day, I’d used some gasoline as an accelerant to get it going, because most of the wood was wet. Around 2pm, I sent my son into the house to get us both a drink of water, while I stirred up the fire to get it going again. I poked the coals with a stick, and the flames swelled up. Then the wind shifted, suddenlyu blowing the fire toward me. I threw my arm up releflexively. I guess maybe I had some residue gas left on it, because suddenly my arm was on fire. I stared at it, and thought, “Fuck” and then realized my head was on fire, too.
… I’ve been told by several in the medical field that I can expect my bills to be north of $300,000. Probably more. I made $60,000 last year as a freelance writer.
The GoFundMe has raised a little over $50,000 as of this moment.
The Expanse pickup announcement followed an elaborate fan campaign that included renting a plane to fly a #Save The Expanse banner over the Amazon headquarters. It was made in a dramatic fashion by Amazon’s chairman himself, Jeff Bezos, at National Space Society’s International Space Development Conference in Los Angeles where he was an honoree an hour or so afterThe Expanse cast and showrunner had done a panel at the same event.
“There were airplanes circling us, I was having cakes delivered, there was a whole thing happening,” Salke said of The Expense campaign. “And then really smart people, whose opinions I really value creatively, started reaching out to me, saying, “have you seen this show, The Expanse, it’s actually great”. I hadn’t so I spent some time, I watched the show and I was like, this show is actually really well done, why is nobody watching it? At the same time, Jeff Bezos was getting emails from everyone from George R.R. Martin to every captain of industry, like the founder of Craigslist, and they were all writing, saying, there’s this show, it’s so great, you have to see it, you have to buy it or save it.
(3) SHARK ATTRACTANT. Lynn Maudlin recently stayed at The Headington Shark in Oxford. She successfully warded off shark attacks with a copy of Diana Glyer’s Inklings book, Bandersnatch. A word to the wise!
(4) DARLINGS PROTECTION SERVICE. Yesterday’s Scroll reference to Delilah S. Dawson’s Twitter thread about the traditional writing advice “kill your darlings” prompted an uproar in comments. And inspired a couple of Filers to list other writers’ threads with a range of reactions to that phrase.
Tasha Turner said —
A lot of great discussions on Twitter about “kill your darlings”. I’m lucky to follow a diverse group of authors from around the world. Below are a few different perspectives:
Which brings me to the idea that a writer ought not write to please themselves. I am so not on board with this idea I can’t even begin to express it. One of the ways you know your writing is working–to the extent you know that, which is its own issue–is that it’s working for you. Now, it’s possible to go off track into pleasing your id in a way that just looks unseemly and strange to anyone else, but once again, it’s a case-by-case thing. And there, it’s often not a question of cutting the thing, removing it, so much as turning it around and refining it so that all those other folks out there with similar grooves and folds in their ids can enjoy that feeling of it fitting into place. So, again, it’s a matter of asking why do I want this in the story so much? and not automatically cutting it because it’s self-indulgent. Hell, even long political screeds can please some readers. If that’s what does it for you, and you have readers who respond to it, well, go to. Indulge yourself!
And I’m about done with people telling me I don’t understand what kill your darlings means, thank you.
Although many episodes have since been recovered, there are still 97 old episodes missing from the William Hartnell and Patrick Troughton era. Speaking to the Daily Mirror, Doctor Who archivist Paul Vanezis has suggested they’re still out there. “There are missing Doctor Whos with private collectors,” he explained. “They may be interested in handing them over.”
The quest for the missing Doctor Who episodes is a fascinating one, and a labor of love for the fans. Some lost episodes were found in Ethiopia back in 2013, and were released by the BBC in time for the show’s 50th anniversary. More recently, the BBC has begun using audio recordings, surviving photographs and brief film clips to create animated versions of some of the missing stories, such as 1966’s “The Power of the Daleks”. But the real hope is clearly that black-and-white video recordings could yet be recovered, and the BBC is sure to offer a premium price in order to purchase the copies.
The Holy Grail of Doctor Who is the episode “The Tenth Planet”, which includes the Doctor’s first onscreen regeneration. This saw William Hartnell’s First Doctor transform into Patrick Troughton’s Second, an unprecedented change of direction for the science-fiction TV series….
(6) VICK OBIT. Shelby Vick (1928-2018) died June 9. His daughter Cheryl told Facebook friends:
It is with a sad heart that I tell you that my dad passed away early Saturday morning. He said his goodbyes to us and even laughed earlier Friday. He passed away peacefully in his sleep.
He was married to Suzanne Vick, who predeceased him. His Fancyclopedia entry recalls he famously introduced Lee Hoffman to Bob Tucker at a time when she was known only through fanzines and everyone had assumed LeeH was a man. Vick also started the successful WAW with the Crew in ’52 fan fund to bring Walt Willis to the US in 1952.
Vick became the leading figure in the Fan Federation for Sound Productions, also known as Wirez, a national effort to make wire recordings and circulate them in the same way fans produced typescript round-robins.
He organized Corflu Sunsplash in Panama City, Fl in 1999, and was named Past President of fwa there. He was honored with the Southern Fandom Confederation’s Rebel Award in 2012.
(7) TODAY IN HISTORY
June 11, 1982 — E.T.: The Extra-Terrestrial was released
June 11, 1993 — Jurassic Park premiered
(8) TODAY’S BIRTHDAYS
Born June 11 – Peter Dinklage, 49. The obvious role, but also Eltri in Avengers: Infinity War, Dr. Bolivar Trask in X-Men: Days of Future Past, and Trumpkin in The Chronicles of Narnia: Prince Caspian.
Born June 11 – Shia LaBoeuf, 32. Mutt in the Indiana Jones film that Shall Not Be Named, Sam Witwicky in Transformers and Transformers: Dark of the Moon, and Farber in I, Robot. Somebody needs a better agent.
(10) SFWA BULLETIN INDEX. New online is “The SFWA Bulletin Index, 1965-2018” compiled by Michael Capobianco, Erin M. Hartshorn, and Sean Wallace. It went live just before Nebula Weekend. Try it out, see how you like it —
(12) FAREWELL PROJECT WONDERFUL. The internet advertising service Project Wonderful, which has funded a great many webcomics and online narrative projects, will shut down August 1.
For over a decade, we’ve been so happy to be your choice for getting the word out about your comic, music, or anything else you come up with. And we’ve been so proud to represent our publishers, who have been creating some of the most interesting, exciting, and worthwhile things online.
But all good things must come to an end. When we started working on Project Wonderful in early 2006, it was with the hope that online advertising could be something good, something that you’d want to see. We were always the odd company out: we didn’t track readers, we didn’t sell out our publishers, and we never had issues with popups, popunders, or other bad ads the plague the internet – because our technology simply wasn’t built to allow for that. We let you place an image and link on a website, and that was it. And we filtered the ads that could run on our network, so our publishers knew they could trust us.
So how did a franchise of adventure movies for children create this noxious tribe of entitled haters? The short answer is that it was a long time coming.
The first hints of this seismic shift in the Star Wars fandom occurred when the prequel trilogy came out, in the late 1990s and early 2000s. There had been decades of novels and fanfiction speculating how little Anakin Skywalker became evil Darth Vader; the new addition to the canon didn’t sit well with some. Tin ear dialogue, Jar Jar Binks’ perceived minstrelsy, and mediocre acting led to fan furor. Feverous claims of director George Lucas “raping” childhoods were common in pop culture reflections on the prequel trilogy. Both of the actors who played Anakin Skywalker — Hayden Christensen and, at the time, 10-year-old Jake Lloyd who played young Anakin — were more or less harassed out of the spotlight. Lloyd retired from acting two years later after “The Phantom Menace” premiered, after winning Razzie Awards and being relentlessly bullied by classmates and fans alike. Lucas, after “Revenge of the Sith” premiered, swore off making Star Wars movies forever.
(14) MORE PETAFLOPS THAN EVER. From the BBC: “US debuts world’s fastest supercomputer”. More than doubles Chinese record, and powerful enough that pieces of it were working on real problems while the final computer was still being assembled.
Summit, the US’s new supercomputer, is more than twice as powerful as the current world leader.
The machine can process 200,000 trillion calculations per second – or 200 petaflops.
China’s Sunway TaihuLight supercomputer, until now the world’s most powerful machine, has a processing power of 93 petaflops.
Summit’s initial uses will include areas of astrophysics, cancer research and systems biology.
It is housed at Oak Ridge National Laboratory (ORNL) in Tennessee, where it was developed in partnership with IBM and NVidia.
(15) LET SLIP THE DOGS OF VENUS. A NASA group at Langley Research Center is studying the High-Altitude Venus Operational Concept (HAVOC) to float a manned airship high in the Venusian atmosphere as a way for astronauts to visit and study our sister planet.
Mars and the moon are already at the top of NASA’s prospect list for future human exploration and possibly colonies, but another planet has recently been getting some unexpected attention.
What a group of NASA scientists have proposed is a steampunk-like spacecraft that weighs nearly nothing and would float in the Venusian atmosphere. This High Altitude Venus Operational Concept (HAVOC) would allow astronauts to study the planet at an unprecedented level, in less time than it would take to complete a crewed mission to Mars.
…Some technological advancement needs to happen before we get to Venus. Among the tech aspects of this mission that still need to be figured out are how to keep the spacecraft and its solar panels from corroding in that atmospheric sulfuric acid, never mind successfully inserting and inflating the airship on arrival at Venus and performing aerocapture maneuvers on Venus and Earth.
“It opens up a strange, exciting, and even slightly terrifying way to live,” said [HAVOC team leader Chris] Jones. “It would be a challenging environment, but one that would bring opportunities we can’t even imagine.”
Very few companies – companies that actually play by the rules and get licenses, anyway – are willing to play with the lesser known properties. Star Wars? Marvel? DC? Sure, there are plenty of options, and the big boys like Hot Toys are all over them. Other second tier licenses like Harry Potter, Lord of the Rings, Walking Dead, and Game of Thrones are getting covered by smaller companies, but you can’t really claim that those properties aren’t popular with a large number of collectors.
Star Ace is looking at some of the much smaller properties, particularly those that involve female characters. They haven’t been hitting on every release, however, and they need a win right now. Their next upcoming release is Audrey Hepburn from the classic film Breakfast at Tiffany’s, where she portrayed Holly Golightly. This is a slightly early review – she should be shipping any day now.
She comes in two versions. There’s a regular release that runs around $220, and a deluxe version that sells for $237 or so, depending on the retailer. I’m looking at the deluxe tonight, but I’ll point out the difference in the Accessories section.
[Thanks to Tasha Turner, Standback, John King Tarpinian, JJ, Chip Hitchcock, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, Dann, Carl Slaughter, Danny Sichel, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Kip W.]
Last year, Eric Flint wrote about the discrepancy between popularity in bookstores and winning (Hugo) awards. I then pointed out, that the big time bookstore magnets tend to write series. So, on the face of it, adding a new category could bring the awards closer to general populace…..
Re-eligibility of a nominee
The actual series proposal suggests a non-winning nominee for Best Series could become re-eligible after at least two additional tomes and 240 000 words. If the series is long enough and the writer prolific enough, you might see the same series popping up every few years, adding at least quarter of a million words to the reading effort every time.
You see, that’s another thing about the popular series: they hook their readers. Even if the quality wanes, it’s hard to let go of a series you’ve started – and some of those series have gone on for 40 years.
There’s nothing wrong with the same author and series being nominated multiple times; that happens regularly with other categories. In this case, however, it’s not just the latest installation that should be considered. It’s the whole body of work, which may span multiple authors, media, and decades.
More than any other written fiction category, Best Series has makings of a popularity contest in it: people will vote for whatever they are familiar with and attached to. That’s fine for selecting what to read next, but it shouldn’t be grounds for a Hugo.
(3) MYTH BUSTED OR INTACT? Aaron Pound looks at the “2007 Hugo Longlist” and commences to bust what he feels is a Hugo voting “myth.”
Whenever a Worldcon is held outside of the United States, people suggest that genre fiction works produced by local authors and editors are going to receive a boost in the Hugo nomination process and subsequent voting. Nippon 2007, the Worldcon held in 2007, was located in Yokohama, and given that Japan has an active science fiction and fantasy scene, one would think that the ballot would have been filled with Japanese books, stories, movies, and television shows. At the very least, one would think the Hugo longlist would be filled with such works. With the exception of Yoshitaka Amano’s appearance on the Best Professional Artist category, the 2007 Hugo longlist appears to be entirely devoid of any influence from Japanese voters.
Based upon the evidence of the statistics from 2007, it seems that the “bump” for local writers and artists is negligible at best….
This question really requires a more nuanced investigation of ALL Worldcons held outside North America, not just the one in Japan (inexplicable as the result was).
Looking at the final ballots from UK and Australian Worldcons, you can see a number of nominees (especially in the fan categories) who don’t get that support when the con is in North America.
However, the membership of most Worldcons is predominantly US fans, which gives things a certain consistency, wanted or not.
If I had a dime for every time someone approaches me and says “My erotica/romance/science fiction/fantasy isn’t selling and I can’t tell why.” And/or “I keep getting these really weird comments, like they’re angry at me for not being what I say it is.” I’d be buying a castle somewhere in England, as we speak.
And almost everytime I look into the matter, my answer is something like “But that’s not an erotica/romance/science fiction/fantasy.”
I will say right here that most of the time the problem is that people don’t read the genres they’re identifying their books as. They just heard of them, and think that must be what they are. This also explains all the people who assure me I write romance (rolls eyes) and that’s why they won’t read Darkship Thieves, or Witchfinder, or…
Because there is a romance in the book, somewhere, and they think that’s what the romance genre is.
“For black lives to matter, black history has to matter.” A character says this shortly into the first episode of Luke Cage, Netflix’s third MCU series, and the fourth season of television it has produced in collaboration with Marvel as it ramps up for its Defenders mega- event. It’s easy to read this line as a thesis statement on the nature of the show we’re about to watch, but it’s not until some way into Luke Cage‘s first season that we realize the full import of what creator Cheo Hodari Coker is saying with it, and how challenging its implications will end up being. As has been widely reported and discussed, Luke Cage is the first black MCU headliner–not just on TV or on Netflix, but at all. And, unlike the forthcoming Black Panther, whose story is set in a fictional African superpower, Luke Cage is explicitly a story about African-Americans in the more-or-less real world, at a moment when the problems and indignities suffered by that community are at the forefront of public discussion. It is, therefore, a show that comes loaded with tremendous expectations, not just of introducing a compelling character and telling a good superhero story, but of addressing increasingly fraught issues of race, in both the real world and the superhero genre. It’s perhaps unsurprising that Luke Cage falls short of these expectations, but what is surprising is how often it doesn’t even seem to be trying to reach them. Or, perhaps, not surprising at all–as the first episode spells out, Luke Cage is less interested in black lives than it is in black stories.
When I started this column back in 2013, I didn’t know a lot of things. I didn’t know a lot about the depth and breadth of the science fiction and fantasy community. I didn’t know what it felt like to have a wider audience. I didn’t know yet how many people would be kind to me and also didn’t know (thankfully, because I might have run the other way) that people would be cruel. I hadn’t done any of the things that would change my perspective as a fan: write a fan column, be paid for writing, be included in a fan anthology, edit a fan anthology, become a Barnes & Noble reviewer, start a podcast with another big name fan, be a Hugo nominee, or go to Worldcon. But I’ve done all those things now and here’s what I’ve learned….
(7) CHARACTER (ACTING) COUNTS. Edward L. Green’s website for his acting career is now online.
(8) SUPPORTING HOMER HICKAM. San Diego fan Gerry Williams is encouraging a boycott of the musical October Sky at the Old Globe Theaters in his hometown. He explains:
ROCKET BOYS author Homer Hickam is in a very serious dispute and lawsuit with the corporate establishment at Universal Studios and with The Old Globe Theaters. He has tried to have his name removed from the Old Globe’s production (to no avail) for their Rocket Boy’s version of his story. You can read about all the problems on his blog here: http://homerhickamblog.blogspot.com/2016/09/my-struggle.htmlPersonally I’m urging our local Southern California space community to stand with Homer Hickam and BOYCOTT The Old Globe’s production.
Hickam’s many frustrations about the rights struggle include the effect it’s having on the musical adaptation he himself has written — Rocket Boys, the Musical.
Meantime, if you’re curious about the version being produced at the Old Globe —
Book by Brian Hill and Aaron Thielen Music and Lyrics by Michael Mahler Directed by Rachel Rockwell Inspired by the Universal Pictures film and Rocket Boys by Homer H. Hickam, Jr.
“A sumptuous production of an old-fashioned crowd-pleaser. October Sky feels good all over!” —Talkin’ Broadway
The beloved film is now a triumphant new American musical that will send your heart soaring and inspire your whole family to reach for the stars! In the small town of Coalwood, West Virginia, every young man’s future is in the coal mines, but after the launch of Sputnik in 1957, the world’s race to space inspires local highschooler Homer Hickam to dream of a different life. Against the wishes of his practical-minded father, he sets out on an unlikely quest to build his own rockets and light up the night sky. October Sky is an uplifting musical portrait of small-town Americana packed with youthful exuberance, and a sweeping, unforgettable new score.
(9) TODAY IN HISTORY
October 5, 1969 — Monty Python’s Flying Circus first appeared on the British Broadcasting Corporation’s BBC-1
Monty Python star Terry Jones collects his award for outstanding contribution to television and film at the Bafta Cymru awards on Sunday. Jones announced last month he has a severe type of dementia which affects his speech. He was accompanied on stage by his son Bill who told the audience it was a “great honour”
(11) TODAY’S BIRTHDAY BOYS
Born October 5 – Paul Weimer
Born October 5, 1958 — Neil DeGrasse Tyson
(12) WAYWARD FACULTY ADDITIONS. Who they are and what they’ll teach – the new faculty joining Cat Rambo’s Academy.
Now the Rambo Academy for Wayward Writers (classes.catrambo.com) adds three new teachers to its roster: Ann Leckie, Rachel Swirsky, and Juliette Wade. Each presents both a live version of the class, limited to eight students and taught via Google Hangouts, as well as an on-demand version.
Swirsky’s class, Old Stories Into New (http://catrambo.teachable.com/p/old-stories-into-new/), discusses existing forms and how genre writers draw on the stories that have preceded them–particularly folklore, mythology, and fables, but also beloved literature and media. The class presents the best methods for approaching such material while warning students of the possible pitfalls. Readings, written lectures, and writing exercises from Hugo and Nebula award winning writer Rachel Swirsky teach the student how to keep work original and interesting when playing with familiar stories. A live version will be offered on October 29, 2016; the on-demand version is available here.
Wade’s class, The Power of Words (http://catrambo.teachable.com/courses/the-power-of-words-linguistics-for-speculative-fiction-writers), focuses on the study of linguistics and its relevance to genre writing. Wade shows how linguistics differs from the study of foreign languages, and gives a survey of eight different subfields of linguistics. The class examines principles of language at levels of complexity from the most basic articulation of speech sounds to the way that language is used to participate in public forms of discourse. Wade looks at how each subfield can be used to enhance a writer’s portrayal of characters and societies in a fictional world. Then she takes the discussion to the level of text to consider how principles of linguistics can hone point of view and narrative language in storytelling. A live version will be offered on December 17, 2016.
Leckie’s class, To Space Opera and Beyond, will centers on space opera: its roots as well as its current manifestations as well as how to write it. Topics covered include creating and tracking multiple worlds, characters, and plots, interlocking and interweaving plots, writing storylines stretching across multiple books, and developing engaging and distinct politics, languages, and other cultural institutions. Both live sessions of the class are sold out. The on-demand version will be available in November.
Buckaroo Banzai may be in trouble and this time it is not from the machinations of evil Lectroids from Planet Ten or the World Crime League, but from something far more vexing – rights issues.
In an interview, W. D. Richter, director of the 1984 cult classic The Adventures Of Buckaroo Banzai: Across The Eight Dimension, revealed that it is possible that the rights to the actual character of Buckaroo Banzai actually lie with screen writer Earl Mac Rauch. And that could impact the television version of the film that writer/director Kevin Smith is currently developing with MGM for Amazon Studios.
(15) WHERE DID YOU GET MY NUMBER? I don’t make a lot of phone calls, but when I do the person on the other end seems more surprised to be getting a call than that it’s from me, and that may be part of trend – Slate explains: “The Death of the Telephone Call, 1876-2007”.
The phone call died, according to Nielsen, in the autumn of 2007. During the final three months of that year the average monthly number of texts sent on mobile phones (218) exceeded, for the first time in recorded history, the average monthly number of phone calls (213). A frontier had been crossed. The primary purpose of most people’s primary telephones was no longer to engage in audible speech….
Calling somebody on the phone used to be a perfectly ordinary thing to do. You called people you knew well, not so well, or not at all, and never gave it a second thought. But after the Great Texting Shift of 2007, a phone call became a claim of intimacy. Today if I want to phone someone just to chat, I first have to consider whether the call will be viewed as intrusive. My method is to ask myself, “Have I ever seen this person in the nude?” The sighting doesn’t have to be (indeed, seldom is) recent. Nor is it necessary that I remember it. I need only deduce that, sometime or other, I must have seen this person naked. That clears phone calls to a wife or girlfriend, to children, to parents, to siblings, to old flames, to former roommates from college, and very few others.
(16) TREKKIE STONELORE. UPI tells us “Redditor Haoleopteryx posted a photo of the business cards he had specially printed to deal with constant jokes about the name of the profession.”
I’m a volcanologist and I really don’t know how it took me so long to actually get around to making these
[Thanks to Cat Rambo, JJ, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editors of the day — Heather Rose Jones because I noticed her post it, and Kip W. because he actually suggested it first eight hours earlier. The bar is open — everybody appertain your favorite beverage!]
I knew I would be offering my subjects a Clarke story at some point, not because he is an old favourite of mine, but because Clarke was name-checked in the Facebook post that inspired Young People Read Old SF.
nobody discovers a lifelong love of science fiction through Asimov, Clarke, and Heinlein anymore, and directing newbies toward the work of those masters is a destructive thing, because the spark won’t happen.
But which Clarke? A White Hart anecdote? (No bar stories in this series … so far). A Meeting with Medusa? His creepy “A Walk in the Dark”? The puritanical “I Remember Babylon”? After considerable dithering, I selected 1951’s “Superiority,” because I thought pretty much everyone has had some worthy endeavour undermined by someone else’s desire to embrace a new shiny, whether it’s a committee member using email options they clearly have not mastered (1) or simply someone who discovers Windows 10 installing itself on their once useful computer. Or, in the case that inspired Clarke, the V2 rocket program that undermined the German war effort….
… Aidan: Very interesting. I was definitely raised on series and trilogies as I first discovered science fiction and fantasy, and I totally agree that there’s something exciting and comforting for a young reader to know that there are more books just like the one she’s finished reading. As I’ve grown older, though, my tastes have changed quite a bit.
Honestly, I think that downfall you mention is a serious one for me. My time for reading is limited, even more so as I’ve grown older, established a career, and started a family, so I want to know that when I commit to a story, I’m guaranteed some measure of satisfaction by the time I finish it….
Corrina: It’s the time commitment for a stand-alone that gets to me. I have to take that extra time to get used to the style of the book. I’m more likely to enjoy something that is fast-paced in that case, like Chuck Wendig’s Invasive, which really reads more like a movie playing in my head….
The MacArthur Fellowship is a $625,000, no-strings-attached grant for individuals who have shown exceptional creativity in their work and the promise to do more
Here are some of the fellows who are involved in the arts:
Branden Jacobs-Jenkins, New York, New York
Playwright using a range of theatrical genres in subversive, often unsettling works that engage frankly with the ways in which race, class, and history are negotiated in both private and public.
Josh Kun, University of Southern California, Los Angeles, California
Cultural Historian exploring the ways in which the arts and popular culture are conduits to cross-cultural exchange and bringing diverse communities in Los Angeles together around heretofore unnoticed cultural commonalities.
Maggie Nelson, California Institute of the Arts, Valencia, California
Writer rendering pressing issues of our time into portraits of day-to-day experience in works of nonfiction marked by dynamic interplay between personal experience and critical theory.
Claudia Rankine, Yale University, New Haven, Connecticut
Poet crafting critical texts for understanding American culture at the beginning of the twenty-first century in inventive, ever-evolving forms of poetic expression.
Lauren Redniss, Parsons, The New School for Design, New York, New York
Artist and Writer fusing artwork, written text, and design in a unique approach to visual nonfiction that enriches the ways in which stories can be conveyed, experienced, and understood.
Sarah Stillman, The New Yorker, New York, New York
Long-Form Journalist bringing to light the stories of people usually invisible to mainstream reporting and providing new and compelling perspectives on even well-covered social justice issues.
Gene Luen Yang, San Jose, California
Graphic Novelist bringing diverse people and cultures to children’s and young adult literature and confirming comics’ place as an important creative and imaginative force within literature, art, and education.
(4) GENRE REALITY. Ann Leckie takes a swing at defining “Real Science Fiction” by looking at a negative definition.
It is notoriously difficult to define “science fiction” but a common attempt to do so–to wall off stuff that isn’t “really” science fiction from the proper stuff–is to assert that a real science fiction story wouldn’t survive the removal of the science fictiony bits, where, I don’t know, I guess “fake” science fiction is just Westerns with spaceships instead of horses or somesuch….
And I can’t help noticing how often this particular criterion is used to delegitimize stories as “real” science fiction that by any other measure would more than qualify. It’s not just that the critic doesn’t really like this work, no, sadly the story is just not “really” science fiction, because if you take away the robots and the spaceships and the cloning and the black holes and the aliens and the interstellar civilizations and the fact that it’s set way in the future, well, it’s still a story about people wanting something and struggling to get it. Not really science fiction, see?
(5) SCHEINMAN OBIT. How “The Day the Earth Stood Still” became the impetus for the creation of assembly-line robots. From a New York Times obituary.
Victor Scheinman [1942-2016], who overcame his boyhood nightmares about a science-fiction movie humanoid to build the first successful electrically powered, computer-controlled industrial robot, died on Tuesday in Petrolia, Calif. He was 73.
His brother, Dr. Richard Scheinman, said the cause was complications of heart disease. He said he had been driving his brother to visit Dr. Scheinman’s home in Northern California when he apparently had a heart attack. He lived in Woodside, near Palo Alto, Calif.
Mr. Scheinman was part of Stanford University’s mechanical engineering department when, in 1969, he developed a programmable six-jointed robot that was named the Stanford Arm.
It was adapted by manufacturers to become the leading robot in assembling and spot-welding products, ranging from fuel pumps and windshield wipers for automobiles to inkjet cartridges for printers. Its ability to perform repeatable functions continuously equaled or surpassed that of human workers.
The latest feature on Pottermore, the ever-expanding home of Harry Potter content, is a quiz designed by J.K. Rowling to tell you what your Patronus is.
In case you’d forgotten, a Patronus is a spell conjured by a happy memory and the incantation “Expecto patronum!” The Patronus takes the form of a silvery animal that protects against the soul-crushing depression caused by exposure to Dementors.
The test on Pottermore, like all Pottermore quizzes, is multiple choice. Only instead of answering a question, two or three words pop up and you have a short time to click one instinctively. No thoughts needed or wanted.
Award-winning translator and author Ken Liu presents a collection of short speculative fiction from China.
Some stories have won awards; some have been included in various ‘Year’s Best’ anthologies; some have been well reviewed by critics and readers; and some are simply Ken’s personal favorites. Many of the authors collected here (with the obvious exception of Liu Cixin) belong to the younger generation of ‘rising stars’.
In addition, three essays at the end of the book explore Chinese science fiction. Liu Cixin’s essay, The Worst of All Possible Universes and The Best of All Possible Earths, gives a historical overview of SF in China and situates his own rise to prominence as the premier Chinese author within that context. Chen Qiufan’s The Torn Generation gives the view of a younger generation of authors trying to come to terms with the tumultuous transformations around them. Finally, Xia Jia, who holds the first Ph.D. issued for the study of Chinese SF, asks What Makes Chinese Science Fiction Chinese?.
Full table of contents:
Introduction: Chinese Science Fiction in Translation
The Year of the Rat
The Fish of Lijiang
The Flower of Shazui
A Hundred Ghosts Parade Tonight
Night Journey of the Dragon-Horse (unpublished)
The City of Silence
Grave of the Fireflies
Taking Care of God
The Worst of All Possible Universes and the Best of All Possible Earths: Three-Body and Chinese Science Fiction
The Torn Generation: Chinese Science Fiction in a Culture in Transition
What Makes Chinese Science Fiction Chinese?
(10) BANDERSNATCH. Diana Pavlac Glyer’s book about the Inklings, Bandersnatch, was released in January 2016. Here was one of the ads from last year encouraging people to pre-order….
[Thanks to Carl Slaughter, Darrah Chavey, Dawn Incognito, Andrew Porter, and John King Tarpinian for some of these stores. Title credit belongs to File 770 contributing editor of the day Bruce Arthurs.]
File 770 was a Locus Award finalist in the magazine category and I did arm someone with an acceptance statement in case I unexpectedly won. It never occurred to me to dramatize my feelings about losing, however, I see First Novel nominee Sylvia Moreno-Garcia refused to admit defeat. (Or was that just her reaction to Nick Mamatas?)
Since I was recently complimented at a conference for writing “honest” film reviews, I feel obliged to begin this one by conveying my honest reaction to Independence Day: Resurgence: although I was bored and appalled by the original Independence Day (1996), and utterly baffled by its tremendous popularity, I somehow found its belated sequel to be surprisingly engaging, even moving, despite some obvious issues in its logic and plausibility. Perhaps this indicates that I am finally becoming senile, unable to distinguish between worthwhile entertainment and reprehensible trash; perhaps this is a sign of the times, so that a film modeled on a film that stood out in 1996 for its risible inanity and clumsy manipulativeness now seems, amidst scores of similar films, merely typical, or even a bit superior to its lamentable competitors. Perhaps, though, it is simply a better film than its precursor, the theory that merits some extended exploration.
Crowded Void, by Mike West offers one of the more unusual concepts. Finding Earth too crowded and people rather distasteful, Vincent Foxwell thought he could find peace when he took a job on a cargo vessel, hauling junk in space, with only an AI for company. Space turns out to be more crowded than he imagined…. when his spacecraft is swallowed by a massive space worm, where there is already an intestinal civilization of over a million humans and aliens, jockeying for position in the worm’s digestive cycle. He must find a way to escape… before digestion is complete. But first he must deal with the The Joint Intestinal Monarchy, which controls the worm, harvesting parts from spaceships. No end of good material for humor… a new theory of wormholes? Start at the beginning here.
(4) BANDERSNATCH. Charles de Lint reviewed Diana Pavlac Glyer’s Bandersnatch in the July/August Fantasy & Science Fiction.
Yes, there is a wonderful font of information about the Inklings, but it also provides one of the better guides to the collaborative process, including a chapter with the end about how to get the most out of a group set up in a style similar to that of the Inklings. I think one of the best pieces of advice she gives is the difference between “I don’t personally like this’ and ‘This isn’t any good’ in critiquing a manuscript.
To writers setting up a writing group, I recommend Bandersnatch wholeheartedly, That said, those who simply love to read–especially those who particularly appreciate the work of Tolkien, Lewis, and Williams–will find much to enjoy as well.
The trilogy of futuristic “must have” perfumes transfers the essence of the Star Wars universe skillfully into a fascinating world of fragrances, which represent the best-known elements and characters from the saga.
The products are presented in a luxurious and lavish flacon which draws upon the symbolism of probably the most emblematic element of the movie – the lightsaber.
There’s Amidala, for women, and Jedi, and Empire for men.
AMIDALA inspired this fragrance through her royal elegance as well as by her strong, indomitable will. The elegant and sensual notes of vanilla, musk and patchouli are complemented by a fruity top note of apple and tangerine and merges into a sovereign seductive aura for any situation by day and by night; a floral perfume with oriental and powdery notes, which makes its wearer irresistible.
Should you want to smell like Darth Vader, spritz yourself liberally with this stuff —
EMPIRE covers you with an aura of masculinity and power. A scent that captures the dark side of the Force; mystical, formidable and superior. It starts with a sparkle of fruity notes from lime and apple. Powerful chords of amber, patchouli and tonka-bean characterize the powerful heart and base note that refine the composition. The result is a distinctive, oriental, seductive fragrance – perfect for the night, made for men which one better does not get in the way.
I just love that The Mary Sue kicks off its post about these perfumes with a GIF from the first Star Wars movie showing our heroes in the garbage bin and Han Solo demanding, “What an incredible smell you’ve discovered.”
(7) TODAY IN HISTORY
June 25, 1951 — On this day in 1951, CBS aired the first commercial color television network broadcast. At the time, no color TV sets were owned by the public. The broadcast was seen on color TV sets in public buildings. (Emphasis on commercial – there were other network broadcasts in color the previous year, 1950.)
June 25, 1982 — John Carpenter’s The Thing, seen for the first time on this day.
(8) TODAY’S BIRTHDAY GIRL
June 25, 1925 — June Lockhart, whom some remember from Lassie, while fans remember her from Lost in Space.
(9) TODAY’S BIRTHDAY BOY
June 25, 1903 – George Orwell
(10) MARK THIS DATE: Neil Gaiman will be on Late Night with Seth Meyers next Friday night, July 1.
(11) HARD TO WIN. Chuck Tingle had a good excuse for not getting a Locus Award.
Also Mr Hugo Nominated @ChuckTingle I was a buckaroo today at the locus awards & wore one of your shirts even though they did not award you
Not doing cat pictures because Timothy is still running around the house wearing a mop and pretending to be Boris Johnson whilst shouting “effinEurolosers” at squirrels.
(13) FREE SPEECH. The July Harper’s Magazine excerpted the brief the Language Creation Society filed in the Axanar lawsuit claiming that CBS and Paramount did not have copyright over the Klingon language.
Plaintiffs claim copyright over the entire Klingon language. The notion is meqHutlh (‘lacking reason.’) If this court commits this qab qech (“bad idea”), an entire body of thought will be extinguished. Hoch jaghpu’Daj HoHbogh Suvwl’ ylvup-‘ (‘Pity the warrior who kills all his enemies.’) By Plaintiffs’ account, everyone who translates something into Klingon, writes a poem in Klingon, gives a speech or presentation at a Klingon Language Institute meeting or Star Trek convention, or gives lessons on how to speak Klingon is a copyright infringer. Qam ghu’vam, loD! (“This will not stand, man!”) Plaintiffs’ argument that ‘a language is only useful if it can be used to communicate with people, and there are no Klingons with whom to communicate’ is an insulting assertion. Many humans speak Klingon. People get married in Klingon. Linguist d’Armond Speers spent three years teaching his infant son how to speak Klingon. Speaking and writing in Klingon is not simply a matter of transposing words from a different language, either. The Sesame Street theme-song lyric ‘Sunny day, chasing the clouds away’ translates into Klingon as jaj pen puQmo’, chaw’nIS je Jaj ‘ej Haw’raDchen, or ‘Day of the daytime star, the clouds are filled with dread and forced to flee.’ Klingon is not just a language, but a state of mind.
(14) TEMPLE GRANDIN. A Blank on Blank animation of an interview with Temple Grandin contains lots of food for thought for geeks and nerds. (Don’t be thrown off by the Squarespace ad about 4:30, because Grandin resume talking for another 90 seconds when it’s done.)
This is important to note given the bifurcated storyline, and its intended effect. Seemingly an emulation of the narrative structure of Iain Banks Use of Weapons, Reynolds’ adherence to plot above character does not allow the big reveals to be very big. I will not spoil the story for those unable to put one and one (not even two and two) together, but suffice to say the underlying reality of the situation is telegraphed in the least subtle ways the length of the novel, emphasized by the lack of complete coherence at the character level. Where Banks’ story resolves itself in surprising fashion upon the final chapter, a surprise that feeds logically back through the entire book, I have doubts Chasm City does the same for the majority of readers—this coming from a person who is terrible at predicting endings
I’m not implying any defect in Hudson’s opinion of Reynolds’ book, but I have to say I saw the ending of Use of Weapons coming from a long way off. To me, Banks’ success was in delivering the expected “surprise” in an elegant way.
(16) TOM REAMY. Joachim Boaz reminds readers about a strong award contender, now forgot, Tom Reamy’s Blind Voices (1978), at Science Fiction and Other Suspect Ruminations.
Tom Reamy’s Blind Voices (1978) was nominated for the Nebula, Hugo, and BFSA awards and came in second in Locus voting for best novel in 1979. Posthumously released, Reamy died of a heart attack while writing in the fall of 1977 at 42. His take on small town America transformed by the arrival of a traveling circus and its array of wonders will stay with you for years to come. The science fiction elements (revealed more than halfway through the novel) interlace and add to the elegiac and constrained fantasy feel. The specter of sexuality and violence spells cataclysm.
(17) OLD SCHOOL FAN. In a piece cleverly titled “Trexit”, Steve Davidson says “Get off Star Trek’s lawn!”
Alec Peters, you asked for it and you got it. A set of fan work guidelines for the Star Trek universe that pretty much kills everything except maybe Lego animations. (Which are fine for what they are, but…)
I don’t personally do fanfic, fan films, fan art, etc., I’m sufficiently happy to stick with the originals, lament the lack of “more of the same”, and to spend some time dithering over whether or not I want to invest in the latest whatever released by the franchise holders.
But maybe that’s because I’m an old school fan with old school ideas about how one goes about engaging with someone else’s property….
Like Victorian ladies’ hats, the dinosaurs became increasingly baroque until they were too ungainly to survive.
I worry that The Magazine of Fantasy and Science Fiction is heading in that direction. I’m all for literary quality in my sf mags, but F&SF has been tilting so far in the purple direction that it is often all but unreadable. I present Exhibit A: the July 1961 “All-Star” issue.
[Thanks to Martin Morse Wooster, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]
Bandersnatch is an inspiring new book that tells how C. S. Lewis, J. R. R. Tolkien, and the Inklings challenged and encouraged one another to accomplish great things. Written by award-winning author Diana Pavlac Glyer, it was published in January 2016 and is currently available in paperback and eBook formats. Now we are raising funds to cover the expense of recording a professional-quality Audiobook, narrated by Dr. Michael Ward. Bandersnatch goes AUDIO!!
If the Kickstarter realizes support above and beyond its target, there will be perks for the achieving the following stretch goals —
Wait! Did somebody say “STRETCH GOALS”?
$5,650: DR. WARD and the JABBERWOCK: If we reach this stretch goal and get $5,650 in total pledges, we’ll pester Dr. Michael Ward just a little bit more. We’ll put him in front of the camera and listen as he reads Lewis Carroll’s “Jabberwocky.” Wait till you hear how this guy says “BANDERSNATCH!” Oh, this will be good. Please: Let’s make this happen!!
$5,900: THE AUTHOR AS ARTIST: Sure, James A. Owen can draw a bandersnatch. In fact, James is so talented that he can probably draw a bandersnatch with his eyes closed. But can Diana draw one? Let’s put it to the test! If we reach this stretch goal, Diana Pavlac Glyer will have 20 minutes to draw a bandersnatch. And no matter how awful and embarrassing the result turns out, you will get a digital download. (Hmm. Material for blackmail, if nothing else…).
$6,400: Okay. NOW I’M CURIOUS: Can James A. Owen really draw a bandersnatch blindfolded? That could be fun. If we reach this stretch goal, we’ll make James draw a bandersnatch BLINDFOLDED. Might even videotape it on my iPhone. And once again, every backer at every level of support will get a digital download.
Bandersnatch is an inspiring new book that tells how C. S. Lewis, J. R. R. Tolkien, and the Inklings challenged and encouraged one another to accomplish great things. Written by award-winning author Diana Pavlac Glyer, it was published in January 2016 and is currently available in paperback and eBook formats. Now we are raising funds to cover the expense of recording a professional-quality Audiobook, narrated by Dr. Michael Ward. Bandersnatch goes AUDIO!!
Our contract with the publisher (Black Squirrel Books, an imprint of Kent State University Press) specifies that they are in charge of the print and eBook editions of Bandersnatch, but the author is responsible for creating (and paying for) the Audiobook. Bandersnatch is a book about the power of collaboration. If the dream of having an Audiobook is going to come true, we are going to have to tap into the power of creative collaboration and call on the community to help us make this dream a reality.
Time travel, while perhaps one of the most interesting devices in the series, is also confusing, befuddling, and inconsistent. In the words of Captain Janeway, “the future is the past, the past is the future; it all gives me a headache.”
While we can’t get too deep into the purported mechanisms behind Trek time travel—they rely on things like “chronotons” whose nature real-world science has sadly yet to discover—it’s still interesting to ponder time travel’s effects. How does it affect the present? Is interference with the past a predestined part of history? Do alterations in the past get mixed into the current timeline?
(2) BIT PLAYER. “Finding Boshek” is the latest in The Numerous Solutions of Billy Jensen.
He was the man who could have been Solo.
I have always been intrigued by BoShek. When Ben Kenobi enters the cantina on Mos Eisley looking for a pilot to take himself, the boy and two droids to Alderaan, his first choice is a smuggler sporting arched eyebrows, killer muttonchops, and a black and white space suit more akin to an astronaut than a fighter pilot. While we cannot hear their dialogue, it is obvious that Kenobi asks him for a ride to Alderaan–and for whatever reason, the space pilot says no.
Was his ship out of commission? Did he have another charter later that day?
Whatever the reason, BoShek turns down the offer, but smoothly motions over his shoulder to the furry beast behind him, in my mind saying something to the effect of “Sorry, I can’t help you. But why don’t you give him a try?”
That furry beast, Chewbacca, then brings Kenobi and Skywalker to the table, Han Solo sits down, the rest is history…and BoShek faded forever into the darkness of the Mos Eisley bar.
Incredibly enough, he solved the mystery.
Commenter Jeremy Miller was so impressed he wrote:
This was a spectacular discovery, but there remains yet another, even more elusive uncredited extra hailing from the Star Wars cinematic universe begging to be found. His character has been named…Willrow Hood…the infamous Cloud City tech who absconded with an ice cream maker during the evacuation of Cloud City in The Empire Strikes Back. Help us, Billy Jensen. You’re our only hope.
(3) SLATE FIGHTER. Steve Davidson’s thoughtful Amazing Stories post “Whether tis Nobler” follows this introduction with an analysis of anti-Hugo-slate tactics.
GRRM’s laying the blame for the success of No Award at my feet – problematic. For reasons both personal and voting-related.
I like Mr. Martin. I particularly admire and am grateful for his unstinting support of fandom over the years. (By way of example: he has consistently attended Worldcon even when other, higher-profile conventions have been scheduled for the same weekend. His stated reason for doing so is “He is a fan”.) I find him to be, in many respects, a fine example of the kind of fan-turned-pro that I grew up with, people like Asimov, Bradbury, Clement, Buchanan, Gerrold, others. They KNOW where they came from, they recognize and acknowledge the support the community has provided to them, they embrace the culture and they pay things forward.
I’m uncomfortable being at odds with him.
On the voting front though, we’re at odds. We are not at odds when it comes to the general concept of “do not mess with the Hugo Awards”. Our conflict is based on tactics, not strategy. Mr. Martin believes that the only consideration ought to be whether or not a work is worthy of a Hugo Award, and further, he believes that this position should trump any anti-slate considerations. Anything less can potentially negatively affect deserving nominees who happen to be on slates.
I on the other hand believe that slates are the primary issue and taking an effective and long-lasting stand against their use and acceptance ought to be the main focus.
Look out, Venus! The Russians are coming to open your shell.
Venus, forever shrouded in a protective layer of clouds, may soon be compelled to give up her secrets to a 1400 pound probe. Launched by the Soviet Union on the 11th, it is the first mission from Earth specifically designed to investigate “Earth’s Twin.”
Space is looking up. In that more eyes appear to be turning skyward in tentative optimism. A few days ago I participated in a pair of events in Los Angeles, hosted by the White House Office of Science and Technology Policy (OSTP) and NASA and Fox Studios. The morning event featured Ridley Scott, Adam Savage, Bill Nye, Andy Weir and scientists and screenwriters discussing how the film The Martian may be a harbinger of much more about bold exploration. The smaller afternoon event, at UCLA put scientists and Hollywood myth-makers together in workshops. Maybe we’ll get more hopeful tales!
In terms of the 20th century, the Inklings, this select group of men, who met, talked, and critiqued each others work, has now become The Example for how a fellowship is supposed to work. Even Paris of Hemingway’s lost generation, with their salons, and creative minds from far more disciples, seems now a pale second place.
Bandersnatch takes us into this crucible, trying to reconstruct from a fly-on-the-wall perspective this extraordinary time and place. Glyer is concerned with two fundamental questions: What did they talk about when they discussed the various works in progress? and What difference did it make within the books they were writing?
Doctor Who may be the world’s longest-running science fiction television series, but it’s not the oldest sci-fi program to have been broadcast on television. That honor goes to another BBC production, which first aired 78 years ago today: a live recording of Karel ?apek’s seminal play, R.U.R. (Rossum’s Universal Robots). You probably remember that the program was nominated for a Retro-Hugo in 2014.
(9) TODAY IN HISTORY
February 13, 1931 — Bela Lugosi is undead in Tod Browning’s Dracula, seen for the first time on this day in 1931.
The unnamed site, having read the first paragraph and seeing that a post followed, immediately went on to say that research was hard and that, without doing it, I’d done a whole post about the case. When it was pointed out to them I hadn’t, but the case was a mere jumping off point, they claimed stupidity on my part since the post was an obvious sham or something.
That’s terrible! I wonder what site that was? At first I suspected it was this one. After all, File 770 ran an item about that column the other day which was, indeed, based on the assumption that the introduction signaled what the rest of the column would be about.
Now, I haven’t read the complaint, so perhaps there is more to it, and the complaint is more substantial. …
We’ll stop here and wait til she reads the complaint…
Finding the time to listen to hour-long episodes of podcasts which are eligible for the 2016 Hugo Awards wasn’t easy for me, but that’s what today’s article is about. The eligibility requirements state that the podcast must be a “non-professional” production—that is, no other company paid the podcaster(s) to make it—and at least one episode has to have been produced during the calendar year in question.
As such, then, I decided to pick one episode from a currently eligible podcast whose description interested me the most and I’ll be basing my recommendations on just the one episode. Unlike the “three episode rule” which I’m borrowing from former GOA contributor Kara Dennison, I think that I’d be able to tell what’s going to be on my nomination and/or platform lists before March 31 from just one episode.
(12) SETTING AN EXAMPLE. Here is Brian Niemeier’s tweet, inviting people to read his post criticizing Matthew Foster for using ad hominem attacks.
There are two possible explanations for why Matthew responded to my evidence-based arguments with nothing but ad hominem attacks.
False positives: all of his “tells” are in fact rational responses to unknown stimuli.
Cognitive dissonance: lacking contrary evidence against arguments that shook his worldview, Matthew responded with a slew of irrational accusations.
(13) FORCE AWAKENS DESPOILED. As CinemaBlend notes, in How Star Wars the Force Awakens Should Have Ended much of the video is actually dedicated to fixing holes in the movie rather than specifically dealing with how it ended.
[Thanks to JJ, James H. Burns, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Steve Davidson.]
Exam Wars Illustration Contest Students will send us a drawing of a Star Wars character, and will be entered into a drawing for their very own VIP Study Room, (modeled after the University of Dayton <http://www.programminglibrarian.org/blog/very-important-prize> study room give-away). This room in McKeldin will be available to the winner during reading day and finals week.
In recent months, Harrison Ford has grudgingly acknowledged that he has a soft spot for Star Wars — but apparently, not enough to show the films to his wife Calista Flockhart. During a visit to Jimmy Kimmel Live last night, Supergirl actress Flockhart admitted that she was completely in the dark about all things Han Solo until this year. In fact, when a producer on Star Wars: The Force Awakens called to inform her of Ford’s accident on the Millennium Falcon, she had no idea what the Millennium Falcon was.
“A producer called me and she said, ‘Hi Calista, I have some bad news. Harrison has been hurt. He had an accident: he was standing on a Millennium Falcon and the door fell,’” Flockhart told Kimmel. “And I thought that he was on some commercial airline, and the door fell off and he flew out of the airplane!”
Totally confounded, Flockhart called a friend. “I said, ‘What the hell is the Millennium Falcon? I have never heard of that airline!’” she recalled. (Never heard of that airline? It’s the airline that made the Kessel Run in less than 12 parsecs!)
The New Republic Brewing Co received a cease and desist letter from a law firm representing Luxco. They demand that we stop using the brand name Bellows as it is in violation of their trademark. They claim that you, the consumer will confuse their plastic bottle bourbon with our quality craft beer.
Jim Beam apparently has a ‘Bellows’ line of rail-liquor and put pressure on New Republic. Thus, I suppose the message behind the new name is, “Dammit Jim, I’m a beer not a bourbon!”
Chad B. Hill commented, “The closest Captain Kirk will ever get to a 6 pack!”
What common misconception about creative writing does Bandersnatch hope to eliminate?
This is a good opportunity to explain how Bandersnatch got its title. In a written exchange with Lewis an interviewer asked, “What influence have you had on Tolkien?” He responded, “No one ver influenced Tolkien—you might as well try to influence a bandersnatch.” (A bandersnatch is a mythical animal with a fierce disposition created by author Lewis Carroll.) Many researchers argued that Tolkien and Lewis must, therefore, have worked independently. In the very same letter, however, Lewis goes on to explain that Tolkien either ignores suggestions all together, or completely redoes his work.
The idea of the solitary genius is extremely popular, especially in the United States. Many people imagine the creative process this way: Someone struck with inspiration, sits alone with a typewriter and completes an entire book in one sitting. This could not be more off base. The world’s most influential creators are those embedded in a web of collaboration. They communicate deeply with other people about their ideas, and immerse themselves in groups of influence. When we work among others, our own productivity flourishes. We need people not only to work with us, but to do small things like encourage us along the way.
(5) SECRET AGENT NARNIAN. Harry Lee Poe’s title is overdramatized, however, he seems to be literally correct in saying “C.S. Lewis Was a Secret Government Agent”, according to the information in his article for Christianity Today.
…[The] British did the next best thing they could do to help Denmark and the rest of Europe: They launched a surprise invasion of Iceland, which was part of the Kingdom of Denmark….
Though British control of Iceland was critical, Britain could not afford to deploy its troops to hold the island when greater battles loomed elsewhere, beginning with the struggle for North Africa. Holding Iceland depended upon the goodwill of the people of Iceland who never had asked to be invaded by the British. If Britain retained Icelandic goodwill, then Churchill could occupy the island with reserve troops rather than his best fighting forces.
This was the strategic situation in which C. S. Lewis was recruited. And his mission was simple: To help win the hearts of the Icelandic people.
The Work of a Literary Secret Agent
The Joint Broadcasting Committee recruited C. S. Lewis to record a message to the people of Iceland to be broadcast by radio within Iceland. Lewis made no record of his assignment, nor does he appear to have mentioned it to anyone. Without disclosing his involvement with military intelligence, however, Lewis did make an indiscreet disclosure to his friend Arthur Greeves in a letter dated May 25, 1941. Lewis remarked that three weeks earlier he had made a gramophone record which he heard played afterwards. He wrote that it had been a shock to hear his own voice for the first time. It did not sound at all the way his voice sounded to himself, and he realized that people who imitated him had actually gotten it right!
(6) MST3K CASHES IN. The Mystery Science Theater 3000 Kickstarter raised $5,764,229 with 48,270 backers , and another $600,000 in add-ons, for a total of $6,364,229. MST3K claims $5,764,229 is a Kickstarter record, beating Veronica Mars to become the most funded media project ever.
We get 13 episodes, a holiday special, and a 14th episode. More importantly we have shown the industry that fans have real power, and in fact don’t need networks and studios to rule our viewing choices. Good work.
He begins by reciting the entire credits page (“If the following doesn’t convince you the clubzine SHAGGY was a group effort by a staggering array of now legendary fans in the Los Angeles Science Fantasy Society, there’s no hope for you”), quotes a Halloween party review at length (Fritz Leiber attended in costume), and documents Bjo’s abilities to mesmerize male fans of the 1950s.
Ceres reveals some of its well-kept secrets in two new studies in the journal Nature, thanks to data from NASA’s Dawn spacecraft. They include highly anticipated insights about mysterious bright features found all over the dwarf planet’s surface.
In one study, scientists identify this bright material as a kind of salt. The second study suggests the detection of ammonia-rich clays, raising questions about how Ceres formed.
Expedition 45 flight engineers Kjell Lindgren of NASA, Oleg Kononenko of Roscosmos (Russian Federal Space Agency) and Kimiya Yui of the Japan Aerospace Exploration Agency (JAXA) touched down at approximately 8:12 a.m. EST (7:12 p.m. Kazakhstan time) northeast of the remote town of Dzhezkazgan in Kazakhstan. It was the first time a crew has landed after sunset and only the sixth nighttime Soyuz return from the space station.
December 11, 1992: The Muppet Christmas Carol premieres in theaters.
(13) Today’s Birthday Ghoul
Born December 11, 1922 – Vampira, aka Maila Nurmi.
(14) PUPPY SCHOLARSHIP. Doris V. Sutherland in “2014 Hugos Versus 2015 Sad Puppies: Short Stories” quotes Gregory Benford’s complaint about fantasy taking over the Hugo Awards, and after a long introduction to the Sad Puppy controversy (excerpted here) assays the sf worth of the 2014 Hugo finalists compared to the stories on the slates.
The grave talk of a fight against a “toxic” and “hateful” ideology that controls the Hugos is a long way from the puckish humour of Correia’s early posts. At this point, what started out as a jokey bit of grandstanding has begun to resemble an online holy war against “SJW” hordes.
This element of moral imperative is the key distinction between the Sad Puppies campaign and earlier exercises in slate-voting, such as John Scalzi’s “Award Pimpage”. When a slate of potential nominees is taken as a simple suggestion, that is one thing; when it is taken as a call to arms against evil forces, that is quite another.
And the Winner Is… Well, Nobody
I am, of course, awfully late to the party, and by now I think just about anyone reading this will know the result of the two campaigns. The Sad and Rabid Puppies gathered enough support to sweep the nominees with a mixture of choices from the two slates. And yet, they also had enough detractors to keep almost all of those choices from winning – even if it meant voting “no award” to the tops of multiple categories.
Both sides took this as a victory. Many opponents of the Puppies congratulated themselves on keeping the slated works from winning, while supporters took the results as evidence that the Hugos were run by “SJWs” who barred any nominees with the wrong ideology.
Myself, I would have to agree with Liana Kerzner: “No one won. It was just a disruption in the Force like Palpatine ripped a big fart.”
(15) CONTENT WARNING. The Castalia House blog has posted the first two of a five-part series “Safe Space as Rape Room: Science Fiction Culture and Childhood’s End.” The series argues the sf community has a pedophilia problem. Whether you read it, you now know it exists – Part I, Part II.
[Thanks to David Doering, John King Tarpinian, Martin Morse Wooster, Will R., and JJ for some of these stories. Title credit belongs to File 770 contributing editor of the day Chris S.]