Tag Archives: BasedCon

Pixel Scroll 9/16/23 Hush Little Pixel, Mama’s Going To Buy You A Scroll

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(1) DOCTOROW ON FABLES TABLE-FLIP. Cory Doctorow’s Pluralistic post “Bill Willingham puts his graphic novel series ‘Fables’ into the public domain (15 Sept 2023)” assesses many IP rights issues triggered by Willingham’s announcement.

…It’s been 21 years since Bill Willingham launched Fables, his 110-issue, wide-ranging, delightful and brilliantly crafted author-owned comic series that imagines that the folkloric figures of the world’s fairytales are real people, who live in a secret society whose internal struggles and intersections with the mundane world are the source of endless drama.

Fables is a DC Comics title; DC is division of the massive entertainment conglomerate Warners, which is, in turn, part of the Warner/Discovery empire, a rapacious corporate behemoth whose screenwriters have been on strike for 137 days (and counting). DC is part of a comics duopoly; its rival, Marvel, is a division of the Disney/Fox juggernaut, whose writers are also on strike.

The DC that Willingham bargained with at the turn of the century isn’t the DC that he bargains with now. Back then, DC was still subject to a modicum of discipline from competition; its corporate owner’s shareholders had not yet acquired today’s appetite for meteoric returns on investment of the sort that can only be achieved through wage-theft and price-gouging….

…Rather than fight Warner, Willingham has embarked on what JWZ calls an act of “absolute table-flip badassery” – he has announced that Fables will hereafter be in the public domain, available for anyone to adapt commercially, in works that compete with whatever DC might be offering.

Now, this is huge, and it’s also shrewd. It’s the kind of thing that will bring lots of attention on Warner’s fraudulent dealings with its creative workforce, at a moment where the company is losing a public relations battle to the workers picketing in front of its gates. It constitutes a poison pill that is eminently satisfying to contemplate. It’s delicious.

But it’s also muddy. Willingham has since clarified that his public domain dedication means that the public can’t reproduce the existing comics. That’s not surprising; while Willingham doesn’t say so, it’s vanishingly unlikely that he owns the copyrights to the artwork created by other artists (Willingham is also a talented illustrator, but collaborated with a who’s-who of comics greats for Fables). He may or may not have control over trademarks, from the Fables wordmark to any trademark interests in the character designs. He certainly doesn’t have control over the trademarked logos for Warner and DC that adorn the books….

It is also interesting to read that Bill Willingham, praised today by Cory Doctorow for striking a blow against corporate IP abuse, attended BasedCon last weekend.   

(2) FANTASY REQUIRES A GOOD MAP. [Item by Bruce D. Arthurs.] Interesting piece at Mapping As Process about a 1917 map of Fairyland by artist Bernard Sleigh, with references to many stories in folklore and fable. There’s a link to a high-resolution image that can be zoomed in on: “An Anciente Mappe of Fairyland”.

…In December 1917, the British artist and wood engraver Bernard Sleigh (1872–1954) published a six-foot long, panoramic map of Fairyland in three sheets. Its style was that of the Arts and Crafts movement, an aesthetic championed by William Morris (1834–1896) in the second half of the nineteenth century, in reaction to the apparent destruction of individual skills and traditional designs by mass industrialization. Arts and Crafts generated intricately detailed designs and a retrogressive appeal to folk aesthetics. Sleigh, trained by one of Morris’s followers, cultivated a stylized mediaevalism in both the design and the subject matter of his drawings, prints, murals, and stained glass (Cooper 1997)….

(3) VOCAL COMPLAINT. Behind a paywall at Fortune: “Actor Stephen Fry says his voice was stolen from the Harry Potter audiobooks and replicated by AI—and warns this is just the beginning”. Wealth of Geeks has this report about what is in the article: “Actor Stephen Fry Claims AI Replicated His Voice from ‘Harry Potter’ Audiobooks”.

…Actor Stephen Fry claims that producers used AI to replicate his voice from the Harry Potter audiobooks without his permission. AI has become a central point of contention of both the WGA and SAG-AFTRA strikes.

As reported by Fortune, Fry told an audience at a London festival, “I’m a proud member of [SAG-AFTRA], as you know we’ve been on strike for three months now. And one of the burning issues is AI.”

At the festival, Fry played a clip of AI mimicking his voice as the narrator of a historical documentary. “I said not one word of that—it was a machine. Yes, it shocked me,” he said. “They used my reading of the seven volumes of the Harry Potter books, and from that dataset an AI of my voice was created and it made that new narration. What you heard was not the result of a mash-up, this is from a flexible artificial voice, where the words are modulated to fit the meaning of each sentence.”…

(4) DON’T BE A SUCKER. Victoria Strauss gives Writer Beware readers the “Anatomy of a Fake Film Company Scam: The Greendot Films / Better Bound House”.

…Here’s how it works. A film company–with a website and everything–calls or emails out of the blue with a tempting offer: your book has the potential to be made into a movie/TV series! And they want to represent you to studios/pitch you to producers/take you to a major conference where scores of film people will be present! Just one requirement: you need a screenplay/a pitch deck/a storyboard/some other product. Don’t have those things? No problem–they know a reputable and expert company that can create them for you…for a fee.

It’s a classic bait-and-switch setup. The “film company” is a front for the service provider, which in turn is owned by a parent company overseas. And that initial service that was pitched to you as absolutely essential? It’s just the start. By paying, you’ve marked yourself as fair game for escalating sales pressure and fraudulent offers involving large upfront payments. And the sales reps who staff the scams–who earn a commission on every dollar you spend–will take every opening you give them, and won’t stop unless you stop them.

This post takes a look at a real-life example, thanks to an author who has given me permission to share their experience.

Dramatis Personae

The fake film company: The Greendot Films. Its website includes a slideshow of movies Greendot is hoping you’ll assume they were responsible for creating, along with a fake history claiming that they’re a successor to two defunct production companies. The Greendot name itself has been “borrowed” from yet another defunct film company, Green Dot Films….

(5) BARRIERS TO FANDOM. Pocket reposts a 2021 Teen Vogue article which asks, “Who Actually Gets to ‘Escape’ Into Fandom?” and discusses antiracism resources.

… Escapism isn’t actually possible for everyone because of the nature of both fandom and the world around us. The best-worst example of the limits of fandom escapism? Racism.

Racism is global, and it infiltrates everything that we do; it’s close to inescapable offline, and it’s just as common online. Fandom is no exception.

In 2019, Dr. Rukmini Pande did an interview with Henry Jenkins about her book Squee From The Margins: Fandom and Race. “I found that while it is certainly possible for fans of color to ‘pass’ within online fan spaces, their modes of escapism are mostly contingent – I can enjoy a source or fan text until it gets racist,” Pande said in the interview. “Other fans articulated the importance of finding networks of fellow non-white fans so that they could curate their experiences to be safer. In all cases, fandom certainly isn’t a space where these fans can escape from race/racism even if it is not something that is engaged with publicly or vocally.”

It makes sense that people would resort to fandom escapism following natural disasters, or to have something to do other than overthink their local government’s COVID-19 response. But what about the times we’ve seen people talk about fandom being their “safe space” from them dealing with or seeing viral video recordings of Black people being killed, as we saw in the summer of 2020? What about people in the U.S. delving into fandom so they don’t have to think about American politics?

No matter the fandom, fans of color can’t reliably escape into fandom, because people don’t stop being racist just because they like the same things that people of color do. There’s always a racist person in fandom. There are always racist fanworks. There are always racist creators. There’s always racism in the source material that people will defend in your mentions for days….

(6) NM-AZ STATE BOOK AWARD SHORTLIST. The finalists for the 2023 New Mexico-Arizona Book Awards include these science fiction books:

  • 3VE by Jason DeGrey
  • Mountain Knight by Avery Christy
  • Planet Quest by Kate Harrington
  • The Yewberry Way by Jack Gist

(7) NO, THERE IS ANOTHER. “C.I.A. Discloses Identity of Second Spy Involved in ‘Argo’ Operation” reports the New York Times.

In the midst of the 1979 Iran hostage crisis, the C.I.A. began what came to be noted as one of the spy agency’s most successful publicly known operations: the rescue of six American diplomats who had escaped the overrun U.S. Embassy — using a fake movie as the cover story.

“Argo,” the real-life 2012 movie about the C.I.A.’s fake movie, portrayed a single C.I.A. officer, Tony Mendez, played by Ben Affleck, sneaking into Tehran to rescue the American diplomats in a daring operation.

But in reality, the agency sent two officers into Tehran. For the first time on Thursday, the C.I.A. is releasing the identity of that second officer, Ed Johnson, in the season finale of its new podcast, “The Langley Files.”

Mr. Johnson, a linguist, accompanied Mr. Mendez, a master of disguise and forgery, on the flight to Tehran to cajole the diplomats into adopting the cover story, that they were Canadians who were part of a crew scouting locations for a science fiction movie called “Argo.” The two then helped the diplomats with forged documents and escorted them through Iranian airport security to fly them home.

Although Mr. Johnson’s name was classified, the C.I.A. had acknowledged a second officer had been involved. Mr. Mendez, who died in 2019, wrote about being accompanied by a second officer in his first book, but used a pseudonym, Julio. A painting that depicts a scene from the operation and hangs in the C.I.A.’s Langley, Va., headquarters, shows a second officer sitting across from Mr. Mendez in Tehran as they forge stamps in Canadian passports. But the second officer’s identity is obscured, his back turned to the viewer.

The agency began publicly talking about its role in rescuing the diplomats 26 years ago. On the agency’s 50th anniversary, in 1997, the C.I.A. declassified the operation, and allowed Mr. Mendez to tell his story, hoping to balance accounts of some of the agency’s ill-fated operations around the world with one that was a clear success.

But until recently, Mr. Johnson preferred that his identity remain secret….

 (8) CINEMATIC HISTORY MADE HERE. “George Lucas’ former Marin Industrial Light and Magic studio closing, some employees vow to save it” reports ABC7 San Francisco.

In the North Bay, it’s the end of an era of movie-making magic.

The original soundstage and production facility in San Rafael for Industrial Light and Magic, founded by George Lucas, is going away. Lucas moved his campus to the Presidio in San Francisco almost 20 years ago.

The facility’s new owners are retiring, but one employee would like to save the studio’s history and legacy.

It may be a surprise to know hundreds of other films were created inside the nondescript building on Kerner Blvd. in San Rafael.

Now home to 32TEN Studios, this is the former campus of Lucas’ Industrial Light and Magic.

“Right after the success of ‘Star Wars,’ George Lucas wanted to remove himself from the Hollywood system, so he moved the ILM shop from Van Nuys up here,” said House.

House is a longtime model shop supervisor, and says many props and models from movies are still there. That includes the Millennium Falcon, an anchor from “Pirates of the Caribbean,” even a model of Chewbacca’s head.

Lucas relocated his campus to the Presidio in 2005 and he took the original door with him, which is now on display….

(9) BACK IN PORT. Having finished a series detailing her experiences aboard Disney’s Star Wars-themed Starcruiser, Cass Morris analyzes why it works in “The Stars Have Come Alive” at Scribendi.

As promised, this post is my attempt to analyze, for myself and for other interested parties, how the Starcruiser creates such an exceptional experience, and why it works so very well as it does.

I feel quite confident in the base assertion that it does, and has, because I’ve seen it in action on people who aren’t as deeply invested in the IP as I am. I’ve watched videos of influencers who are only surface-level conversant with Star Wars be moved to tears by Yoda’s holocron. I’ve seen parents who thought they were only their for their kids get wrapped up in the experience. I’ve seen people who arrived in civilian clothes buy garments on the ship or in Batuu so they could feel more a part of things.

And I’ve seen people who were already Star Wars fans go absolutely feral. In a good way! But the response that this experience has from people who fully give themselves over to it is astonishing.

So. It works. The Starcruiser is a phenomenal example of what immersive experiences can be. Now: Let’s unpack how and why…

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 15, 1898 — Hans Augusto Rey. German-born American illustrator and author best remembered for the beloved Curious George children’s book series that he and his wife Margret Rey created from 1939 to 1966. (An Eighties series of five-minute short cartoons starring him was produced by Alan Shalleck, along with Rey. Ken Sobol, scriptwriter of Fantastic Voyage, was the scriptwriter here.) His interest in astronomy led to him drawing star maps which are still use in such publications as Donald H. Menzel’s A Field Guide to the Stars and Planets. A simpler version for children called Find the Constellations, is still in print as well. (Died 1977.)
  • Born September 15, 1932 — Karen Anderson. She co-wrote two series with her husband, Poul Anderson, King of Ys and The Last Viking, and created the ever so delightful The Unicorn Trade collection with him. Fancyclopedia has her extensive fannish history thisaway, and Mike has her obituary here. (Died 2018.)
  • Born September 15, 1952 — Lisa Tuttle, 71. Tuttle won the Astounding Award for Best New Writer, received a Nebula Award for Best Short Story for “The Bone Flute”, which she refused, and a BSFA Award for Short Fiction for “In Translation”. My favorite works by her include Catwitch, The Silver Bough and her Ghosts and Other Lovers collection. Her latest novel is The Curious Affair of the Witch at Wayside Cross.
  • Born September 15, 1954 — Howard Weinstein, 69. At age 19, he was the youngest person to ever write a Trek script, selling “The Pirates of Orion” for use in the animated series. Though it would be his only script, he would go on to write quite a few Trek novels — thirteen are listed currently at the usual suspects — and comics. He gets a thanks credit in Star Trek: The Voyage Home. He wrote a script, “The Sky Above, the Mudd Below”, for the fanfic video affair Star Trek: New Voyages, but it never got made. And it won’t given that there’s a comic book series already made with its plot.  Paramount wasn’t at all pleased. To quote Zevon, “Send lawyers, gun and money / the shit has hit the fan.” 
  • Born September 15, 1955 — Amanda Hemingway, 68. British author of fantasy novels who’s best known for the Fern Capel series written under the Jan Siegel name — it’s most excellent. I’d also recommend The Sangreal Trilogy penned under her own name. Alas her superb website has gone offline. She is available from the usual suspects — curiously her Hemingway novels are much more costly than her Seigel novels are. Oh and she invented this wonderful as noted on her Twitter site: “Schroedinger’s Cake: you don’t know it it’s been eaten until you open the tin.”
  • Born September 15, 1960 — Kurt Busiek, 63. Writer whose work includes The Marvels limited series, Thuderbolts, Superman, his own outstanding Astro City series, and a very long run on The Avengers. He also worked at Dark Horse where he did Conan #1–28 and Young Indiana Jones Chronicles #1–8. 
  • Born September 15, 1960 — Mike Mignola, 63. The Hellboy stories, of course, are definitely worth reading, particularly the early ones. His Batman: Gotham by Gaslight is an amazing What If story which isn’t at all the same as the animated film of that name which is superb on its own footing, and the B.P.R.D. stories  are quite excellent too.  I’m very fond of the first Hellboy film, not so much of the second, and detest the reboot now that I’ve seen it, while the animated films are excellent.

(11) COMICS SECTION.

  • Reality Check shows the results of a mixed message in Gotham.
  • Bliss explains the source of this superhero’s bliss.

(12) FEAST YOUR EYES. The Bristol Board has a wild gallery of “Basil Wolverton artwork for ‘Weird-Ass Tales of The Future’”, splash panels from Basil Wolverton’s science-fiction tales.  

(13) LOOKS WEIRD. Gizmodo delivers a “Weird Tales 100 Years of Weird Illustrated Anthology First Look”. There’s a slideshow of art at the link.

Weird Tales—which delivers exactly the kind of freaky, spooky stories you’d expect—marks its 100th anniversary this year, and is celebrating with the release of illustrated anthology Weird Tales: 100 Years of Weird. It’ll include entries from authors like Ray Bradbury and H.P. Lovecraft, as well as contemporary writers….

(14) ALL ABOARD. GameRant calls these the “Best Sci-Fi Board Games Of All Time”.

…This shared love of science fiction has led to a plethora of sci-fi-themed board games that use the themes and aesthetic of sci-fi to create immersive, unique experiences on the tabletop. The following examples provide a broad and varied selection of games, both old and new, that use science fiction as their theme to great effect.

Ranked in first place:

1. Twilight Imperium

This sci-fi space opera from Fantasy Flight Games was originally produced back in 1997. Now in its fourth edition, Twilight Imperium is grand strategy on an epic scale, tasking players with controlling the burgeoning empires of various alien races.

Each race in Twilight Imperium encourages a different playstyle, making for a broad and replayable experience. The game is mainly focused on building and positioning fleets, as well as engaging in diplomacy with fellow players. Twilight Imperium is a huge game, and not necessarily accessible, not only because it takes roughly six hours to play depending on the player count, but because it requires a heavy amount of strategizing. However, Twilight Imperium is a dramatic and immersive experience that fans of sci-fi space operas are sure to love.

(15) BUDGET BREAKER? Science explains why “Mars Sample Return risks consuming NASA science”. “Forthcoming cost estimate for budget-busting mission could lead to strict caps from Congress.”

…The cost of the mission may become altogether too mighty, however. The most recent official figure now puts it at some $6 billion, up from some $4 billion, and a leaked report suggests that, in one scenario, it could exceed $8 billion. Cost overruns for MSR and a few other large missions have already forced NASA to squeeze or delay other science missions, and calls to rethink—or even kill—Mars Sample Return  have grown. When an independent review of the project delivers a fresh cost estimate later this month, advocates are praying it stays well below $10 billion, which has emerged as a sort of red line for the mission. “It’s fair to say that the future of Mars Sample Return lives and dies with the recommendations of that panel,” says Casey Dreier, chief of space policy at the Planetary Society….

(16) WE’LL GO AT NIGHT. PBS Space-Time wonders “What NEW SCIENCE Would We Discover with a Moon Telescope?”

In order to see the faint light from objects in deepest space, astronomers go to the darkest places on the planet. In order to listen to their quite radio signals, they head as far from any radio-noisy humans as possible. But there’s nowhere on the earth, or even orbiting the Earth, that’s far enough to hear to the faint radio hum from the time before stars. In fact, we may need to build a giant radio telescope in the quietest place in the solar system—the far side of the Moon.

(17) VIDEO OF THE DAY. [Item by SF Concatenation’s Jonathan Cowie.] Moid, over at YouTube’s Media Death Cult, has a new 10-minute video filmed appropriately, in sand dunes, on “How DUNE Became The Biggest Science Fiction Book In The Universe”.

[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Kathy Sullivan, Bruce D. Arthurs, Francis Hamit, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 5/19/23 I’m Still Big; It’s The Pixels That Got Small

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(1) EXPECT HUGO BALLOT IN “EARLY JUNE”. The Chengdu Worldcon committee today told Facebook readers when to look for the 2023 Hugo ballot:

The 2023 Chengdu Worldcon Hugo Awards nomination was officially closed on April 30th, and the shortlist will be out early June. Big thank you to all members who spent your valuable time to make the nominations.

(2) TAKE TWO. Cass Morris was very sorry to hear that Disney is closing the Galactic Starcruiser. And not for any abstract reasons – she was planning to go next year. However, the attraction’s inability to stay in business prompted Morris to embark on a vast thought experiment about the kind of Disney Star Wars immersive hotel experience which could work, and her results are quite entertaining. “Galactic Travels” at Scribendi.

…Unfortunately, while this news is terribly sad, it’s also not wholly unexpected. The Starcruiser has had trouble ever since it opened. The high price point, unusual conceit, and level of fannish commitment required for full enjoyment seem to have kept it operating at low capacity.

So, last night as I was nursing my sadness about probably never getting to go, I started thinking… 

If I were going to design a Star Wars hotel for Disney World, one that might stand a better chance of succeeding… what would I do?…

(3) MINDFULNESS ABOUT VIRTUAL GOHS. Oghenechovwe Donald Ekpeki has an idea for using virtual cons in a progressive way – involving international, disabled, and otherwise nontraveling creators — which he has shared with Facebook readers:

…Something I learnt along the way, from my first con I participated in, was that virtual cons are important. Having people of diverse backgrounds & voices be able to attend, contribute to the general pool of knowledge & discussions. I believe diversity, multiple viewpoints and experiences taking into account, people working together, will solve many world problems, including the recent AI scourge of the arts. twitter.com/Penprince_/sta…

Sure, running virtual components isnt always possible. Funding, the tech issues, etc. It’s understandable when cons can’t have them. But when they do have them, it’s imperative, almost compulsory they have both virtual attendees and guests of honour like CanConSF & ICFA did. It gives a platform to allow people with the experience and expertise to contribute on a larger scale to genre development and history, the change to. As ICFA guest of honour, the first ever African born, Black writer to be, I created the genre #Afropantheology, which I believe hope, & plan will contribute and richly influence genre & storytelling generally. The GoH platform was very helpful in that. …

(4) IT’S BIG. Max Gladstone tells how his vacation was interrupted by word about the apotheosis of his writing career in “Big Bigolas Energy” at The Third Place.

…It unfolded for me in fits and starts, and almost out of order, as one would expect of a book about time travel.

While we were in transit, a friend who often texts us about Time War sitings in the wilds of social media sent my partner a screenshot of The Bigolas Tweet, which at that time had 12,000 likes.

I thought, how wonderful! Nice note to start the vacation. And also: what a great screen name. My brain was in vacation mode already, so I didn’t think about the numbers too much. As I’ve been told many times, Twitter Doesn’t Sell Books. 

Later that evening, Amal (that’s my New York Times Bestselling co-author Amal El-Mohtar, to be clear, though at this point we were neither of us New York Times Bestselling co-authors) sent me a screenshot of the same tweet; the numbers were much bigger (Bigolas-er?). I thought: wow! It’s really taking off. But still: Twitter Doesn’t Sell Books.

As they say: lol….

(5) INNOCENT BYSTANDER. Google Bard, another of these AI language models, has somehow managed to pull Nnedi Okorafor into the latest row about BasedCon.

(6) EATING THE FANTASTIC. Scott Edelman invites listeners to munch on mahi mahi with L. Marie Wood in Episode 198 of the Eating the Fantastic podcast.

L. Marie Wood

I knew L. Marie Wood for a decade or more before I learned at the last in-person Balticon before the pandemic that we’re basically neighbors, but never knew it. So after an earlier lunch during which we tried to figure out how we’ve somehow managed to avoid each other all these years, we got together at Brix 27 in downtown Martinsburg, West Virginia so I could learn more about who she is and how she came to be.

L. Marie Wood is a writer of psychological horror, supernatural suspense, and dark fiction of all kinds who’s been a professionally published writer for 20 years, ever since her first novel Crescendo and first short story “The Dance” were published in 2003. Her novels since then include The Promise Keeper, Cacophony, Accursed, and others, plus multiple short story collections, including Anathema and Phantasma. She’s also a screenwriter who’s a three-time winner of Best Horror Screenplay at the NOVA International Film Festival, Best Psychological Horror Short Script at Hollywood Horrorfest, and on and on. Her most recent publications are the novel The Open Book, accompanied by the related short story collection The Tales of Time, which contains the short stories being read by — and feared by — the characters in that first book.

We discussed the way she began her writing career selling poetry in parking lots, our differing experiences with hand selling our own books, the fears which keep horror writers up at night, the many misconceptions she had about the writing life back when he began, the uncomfortable novella she wrote when she was five, what our parents made of our horrific scribblings, the ever-present problem of dealing with rejection, our mutual love of pantsing, what should become of our papers, and much more.

(7) WHEN THEY WERE THE FUTURE. Fanac.org has posted video of a panel from this year’s Eastercon: “Conversation 2023 – The Third Row w/ John Coxon, Niall Harrison, Emily January & Abigail Nussbaum”.

At the 2023 Eastercon (Conversation), Guest of Honor Niall Harrison, and fellow “Third Row” fans John Coxon, Emily January and Abigail Nussbaum sat down for a discussion on the future of fandom (circa 2004). 

Moderated by Meg MacDonald,  the panel hilariously tells the story of Third Row Fandom, named and brought into being accidentally by Greg Pickersgill during a “Future of Fandom” panel at the 2004 Eastercon. 

Themselves dubbed “the future of fandom” by Greg, the fans seated in the third row at that panel have made good on the title, pulling others into their orbit and having an outsized influence on science fiction and science fiction fandom over the last 20 years.

Illustrated with powerpoint slides to map out their impact, this fascinating panel tells the story of a cohort of young fans maturing into movers and shakers in the field, as writers, reviewers, editors, award judges and convention organizers.

Many thanks to Conversation 2023 for providing this recording, and particularly to Alison Scott for her assistance.

(8) WORRA Q&A. The Horror Writers Association blog continues its series: “Asian Heritage in Horror: Interview with Bryan Thao Worra”.

What inspired you to start writing? 

These days I think a poet has a thousand beginnings. Sometimes I trace it back to an old encyclopedia with gorgons and dinosaurs, another, a 3rd-grade role-playing game almost no one remembers. Others it feels like an unrequited crush on a classmate, a fortune teller’s prediction about me shared to my grandmother, a ghost in an attic, or just the absence of seeing stories like my own in the news, in movies and novels, and especially poetry. Each moment was liberating in its own way….

(9) KNOW YOUR CONTRACT. “Editing Clauses in Publishing Contracts: What to Watch For” — Victoria Strauss issues warnings at Writer Beware.

Editing Clauses of Concern

Here’s an example of an editing clause that should be a dealbreaker (this and other clauses quoted below are taken from actual contracts in my possession):

“Publisher shall have the right to edit and revise the Work for any and all uses contemplated under this Agreement.”

What’s missing here? Any obligation on the publisher’s part to seek your approval before making the edits and revisions–or even allow you to see them before publication. A clause like this enables the publisher to edit at will without consulting or even informing you, and, if you do have the opportunity to see the edits, to unilaterally reject your concerns. If you sign a contract with this kind of language, you are at the mercy of the publisher and its editors. You shouldn’t be surprised if the publisher takes advantage of it.

(10) SPFBO 9. Right now Mark Lawrence’s Self-Published Fantasy Blog-Off judges are picking their favorite covers from among the 300 entrants. See them here: “SPFBO 9 – The Cover Contest!”

(11) MEMORY LANE.

1996 – [Compiled by Cat Eldridge.]

Mary Doria Russell’s The Sparrow is one of those novels that treats the Catholic Church with respect and is also a true SF novel at the same time, a very neat trick indeed. 

It was published by Villard twenty seven years ago, and was honored with an Arthur C. Clarke Award, the Otherwise Award, and a BSFA Award. It has a sequel, Children of God, published two years afterwards.

The Sparrow has one of the most perfect Beginnings I’ve ever read which you can see below if by any slim chance you’ve not read it yet. 

It was predictable, in hindsight. Everything about the history of the Society of Jesus bespoke deft and efficient action, exploration and research. During what Europeans were pleased to call the Age of Discovery, Jesuit priests were never more than a year or two behind the men who made initial contact with previously unknown peoples; indeed, Jesuits were often the vanguard of exploration. 

The United Nations required years to come to a decision that the Society of Jesus reached in ten days. In New York, diplomats debated long and hard, with many recesses and tablings of the issue, whether and why human resources should be expended in an attempt to contact the world that would become known as Rakhat when there were so many pressing needs on Earth. In Rome, the questions were not whether or why but how soon the mission could be attempted and whom to send. 

The Society asked leave of no temporal government. It acted on its own principles, with its own assets, on Papal authority. The mission to Rakhat was undertaken not so much secretly as privately—a fine distinction but one that the Society felt no compulsion to explain or justify when the news broke several years later. 

The Jesuit scientists went to learn, not to proselytize. They went so that they might come to know and love God’s other children. They went for the reason Jesuits have always gone to the farthest frontiers of human exploration. They went ad majorem Dei gloriam: for the greater glory of God. 

They meant no harm.

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born May 19, 1937 — Pat Roach. He was cast in the first three Indy Jones films as a decided Bad Person though he never had a name. His first genre appearance was in A Clockwork Orange as a Milkbar bouncer but his first named role was being Hephaestus in Clash of Titans. He was of an unusually stocky nature, so he got cast as a Man Ape in Conan the Destroyer, and as Bretagne the Barbarian in Red Sonja. And of course he had such a role as Zulcki in Kull the Desttoyer. Oh, and he played a very large and mostly naked Executioner in the George MacDonald Fraser scripted The Return of The Musketeers. (Died 2004.)
  • Born May 19, 1944 — Peter Mayhew. Chewbacca from the beginning to The Force Awakens before his retirement from the role. The same year he first did Chewy, he had an uncredited role as the Minotaur in Sinbad and the Eye of the Tiger. He also shows in the Dark Towers series as The Tall Knight.  Can we say he earned a Hugo at IguanaCon II? I know I’m stretching it there. (Died 2019.)
  • Born May 19, 1946 — Andre the Giant. Fezzik in The Princess Bride, one of my all-time favorite films. Also, an uncredited role as Dagoth in Conan the Destroyer. He’s actually did a number of genre roles such as The Greatest American Hero with his American acting debut playing a Bigfoot in a two-part episode aired in 1976 on The Six Million Dollar Man titled “The Secret of Bigfoot”. He died of cardiac arrest, not at all surprising given his size and weight of over five hundred pounds. (Died 1993.)
  • Born May 19, 1948 — Grace Jones, 75. First genre appearance was as Stryx in Rumstryx, an Italian TV series. Her next was Zulu in Conan the Destroyer followed by being May Day in A View to Kill and Katrina in Vamp. She was Masako Yokohama in Cyber Bandits which also starred Adam Ant. Her last several genre roles to date were Christoph/Christine in Wolf Girl, and Death aka The Devil in Gutterdammerung, a film that also featured Henry Rollins, Slash and Iggy Pop! 
  • Born May 19, 1966 — Jodi Picoult, 57. Her Wonder Women work is exemplary (collected in Wonder Women, Volume 3 and Wonder Woman: Love and Murder).  She also has a most excellent two-volume YA series called the Between the Lines Universe which she wrote with Samantha van Leer. ISFDB lists her Second Glance novel as genre but I’d say it’s genre adjacent at best. Her latest work though marketed as a mainstream novel, Between the Lines Musical, is actually genre.
  • Born May 19, 1966 — Polly Walker, 57. She appeared in Syfy’s Caprica, Sanctuary and Warehouse 13, as well as performing voice work in John Carter.
  • Born May 19, 1996 — Sarah Grey, 27. Before DC Universe cast the present Stargirl in Brec Bassinger for that series, Legends of Tomorrow cast their Stargirl as this actress for a run of three episodes.  The episodes (“Out of Time”, “Justice Society of America” and “Camelot 3000”) are superb. I’ve not seen her as Alyssa Drake in The Order but I’ve heard Good Things about that series.

(13) COMICS SECTION.

  • Speed Bump shows even the ultimate Creator needs prompts.
  • The Far Side, on the other hand, shares an idea about Hell.  
  • The Far Side also imagined how this Star Trek personality would spend his time in Hell.

(14) KAIJU IN TRANSLATION. Never before available in English it says here. Now’s your chance to read the original Godzilla stories: “Godzilla and Godzilla Raids Again” coming from the University of Minnesota Press in October 2023.

The first English translations of the original novellas about the iconic kaijū Godzilla

Although the Godzilla films have been analyzed in detail by cultural historians, film scholars, and generations of fans, Shigeru Kayama’s two Godzilla novellas—both classics of Japanese young-adult science fiction—have never been available in English. This book finally provides English-speaking fans and critics the original texts with these first-ever English-language translations of Godzilla and Godzilla Raids Again. As human activity continues to cause mass extinctions and rapid climatic change, Godzilla provides a fable for the Anthropocene, powerfully reminding us that nature will fight back against humanity’s onslaught in unpredictable and devastating ways.

(15) IMAGINARY PAPERS. ASU’s Center for Science and the Imagination has published Imaginary Papers, Issue 14, their latest quarterly newsletter on science fiction worldbuilding, futures thinking, and imagination.

 In this issue, medievalist and SF writer Erin K. Wagner writes about C. S. Lewis’ science fiction novel That Hideous Strength, communication studies scholar and SF writer Jenna N. Hanchey considers the Africanfuturist film Neptune Frost, and we offer a brief reflection on the new essay collection Ex Marginalia, edited by Chinelo Onwualu.

(16) WHERE THE SKELETONS ARE. Ranker takes up “The Story of Theodore Rex, The Bizarre Whoopi Goldberg Dinosaur Film”.

Theodore Rex, the weirdest of weird ’90s movies, is a $33 million direct-to-video buddy cop movie starring Whoopi Goldberg and a wisecracking dinosaur. (Take as much time as you need to wrap your brain around that sentence. We understand.)

Theodore Rex wasn’t an attempt to tie into the dino-fever that swept the nation’s youth in the early ’90s; it was a genuine attempt at making a gritty sci-fi film about a detective and her dinosaur partner. That’s right. Legendary EGOT-winner Whoopi Goldberg and a Talking Man-Sized Dinosaur teamed up for a cop film and they demanded to be taken seriously. (The 90s were a very strange time.)

Even though the film is a complete nightmare, things behind the scenes of Theodore Rex were much worse. As weird as it sounds, we can’t stress this enough: nobody had fun on this Whoopi Goldberg/Dinosaur joint.

Ranker’s first little-known fact is –

Whoopi Goldberg Was Forced By Law To Be In This Movie

Whoopi Goldberg did, at one time, want to be in Theodore Rex and agreed to play the lead for $5 million and a share of the profits, but she quickly changed her mind and tried to back out (good instincts, Whoopi!). Goldberg had to learn the hard way that it’s just not that easy to simply walk away from expensive movies starring talking dinosaurs (a lesson we all could learn from). Because she had agreed to do the movie, the producers sued her for $20 million when she tried to back out. After an answering machine recording of Goldberg surfaced where she said she was “100% committed” to the project, she was forced to choose between appearing in the film or paying out the nose for a dinosaur detective movie that she agreed to appear in. There’s a famous saying in Hollywood: “The only thing worse than appearing in a terrible dinosaur movie is paying $20 million NOT to appear in a terrible dinosaur movie,” so Whoopi opted to appear in the terrible dinosaur movie.

(17) CASE SOLVED? “Who Stole Dorothy’s Ruby Slippers? A Minnesota Man Is Charged.” reports the New York Times.

A Minnesota man has been indicted on charges that he stole a pair of the famed ruby slippers worn by Judy Garland in “The Wizard of Oz” from the Judy Garland Museum in Grand Rapids, Minn., the actress’s hometown, nearly 18 years ago.

The red-sequined pumps were recovered in a sting operation that ended in Minneapolis in 2018, but the authorities said at the time that their investigation was continuing and they did not name any suspects.

On Tuesday, a federal indictment in U.S. District Court for the District of Minnesota charged Terry Jon Martin of Minnesota with stealing an authentic pair of the slippers, which officials estimated have a market value of $3.5 million, from the museum sometime between Aug. 27 and Aug. 28 of 2005. Mr. Martin was indicted on one count of theft of a major artwork….

Interesting – I recently corresponded with someone from this museum. They’re always looking for things related to cousin Judy, and I’m told some of my other cousins may be making donations. (I have nothing, myself, and never met her.)

(18) AU REVOIR. Deadline has posted a list of what’s being pulled: “Disney To Remove Dozens Of Series, Including ‘Big Shot’, ‘Willow’, ‘Y’ & ‘Dollface’”.

Big Shot [Disney+]
Turner & Hooch [Disney+]
The Mysterious Benedict Society [Disney+]
The Mighty Ducks: Game Changers [Disney+]
Willow [Disney+]
The Making Of Willow [Disney+]
Diary of a Future President [Disney+]
Just Beyond [Disney+]
The World According to Jeff Goldblum [Disney+]
Marvel’s Project Hero [Disney+]
Marvel’s MPower [Disney+]
Marvel’s Voices Rising: The Music of Wakanda Forever [Disney+]
Cheaper by the Dozen remake [Disney+]
The One and Only Ivan [Disney+]
Stargirl [Disney+]
Artemis Fowl [Disney+]
The Princess [Disney+]
Encore! [Disney+]
A Spark Story [Disney+]
Black Beauty [Disney+]
Clouds [Disney+]
America the Beautiful [Disney+]
Better Nate Than Ever [Disney+]
Weird but True! [Disney+]
Timmy Failure [Disney+]
Be Our Chef [Disney+]
Magic Camp [Disney+]
Howard [Disney+]
Earth to Ned [Disney+]
Foodtastic [Disney+]
Stuntman [Disney+]
Disney Fairy Tale Weddings [Disney+]
Wolfgang [Disney+]
It’s a Dog’s Life with Bill Farmer [Disney+]
The Real Right Stuff [Disney+]
The Big Fib [Disney+]
Rogue Trip [Disney+]
More Than Robots [Disney+]
Shop Class [Disney+]
Pick the Litter [Disney+]
Own the Room [Disney+]
Among the Stars [Disney+]
Harmonious Live! [Disney+]
Pentatonix: Around the World for the Holidays [Disney+]
Y: The Last Man [FX/Hulu]
Pistol [FX/Hulu]
Little Demon [FX/Hulu]
Maggie [Hulu]
Dollface [Hulu]
The Hot Zone [Nat Geo/Hulu]
The Premise [Hulu]
Love in the Time of Corona [Hulu]
Everything’s Trash [Hulu]
Best in Snow [Hulu]
Best in Dough [Hulu]
Darby and the Dead [Hulu]
The Quest [Hulu]
Rosaline [Hulu]

(19) DISORIENTING. Steven Heller interviews Hungarian artist István Orosz in “Illusions From a Visual Magician” at Print Magazine. Includes a gallery of images like the one below.

What you see is never what you really see. It is neither real nor surreal, it is art—the result of precision drafting and intricate mathematical logic. Hungarian illustrator, animated film director and poster artist István Orosz basks in the mystique of his ambitious visual contortions, implausible objects and incredible optical illusions. He is a visual punster on the highest plane who is happiest when making confounding images and anamorphoses relying on forced perspective that echo, not coincidentally, his famous mathematics teacher (and inventor of the Rubik’s cube) Ernő Rubif….

[Thanks to John King Tarpinian, Chris Barkley, Michael Toman, Joey Eschrich, Cat Eldridge, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

BasedCon 2023 Becomes the Culture Wars Battlefield of Its Dreams

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Two days ago Id Software co-founder and former Oculus VR CTO John Carmack told his 1 million Twitter followers that he’d be attending Rob Kroese’s BasedCon again this year as a guest. When he was at BasedCon last year it flew under the radar, but gaming news outlet PC Gamer has turned this week’s announcement into a major story: “Doom co-creator John Carmack is headlining a ‘toxic and proud’ sci-fi convention that rails against ‘woke propaganda'”.

… Carmack is known for having something of a libertarian bent—he recently defended the idea of self-made billionaires (opens in new tab), for instance—and has never seemed particularly concerned about his public image. And he gets a lot of slack, because he’s a little weird and he made Doom and Quake. But headlining an event like this is a step too far for a lot of his followers on social media….

The pushback is typified by Alastair McBain’s tweet: “You literally made a game about shooting fascists but I guess now that they’re heading a con it’s totally excusable.”

And that’s the way BasedCon in its third year has finally struck the publicity goldmine Rob Kroese was always looking for. Because you can’t be an important right-winger if nobody is complaining about you. File 770 merely teased about the original announcement of the event in its 2021 post “BasedCon Planning for Dozens of Attendees”. That was enough to inspire Kroese to run this meme on the BasedCon 2022 home page for months.

On the convention website Kroese explains what “based” means to him and why his con has that name.

Why “BasedCon”?

Rob Kroese

In internet parlance, “based” means something like “in touch with reality.” Based behavior is the opposite of social justice activism, which is about meaningless virtue signaling and beating up strawmen. Some based beliefs include:

  • Men cannot give birth
  • Guns don’t kill people; people kill people
  • A fetus is a human being
  • Socialism has failed everywhere it’s been tried
  • Discriminating against white people is racism

BasedCon isn’t about pushing any particular ideology, but honest conversations have to start with a shared understanding of reality. If you think people with a certain skin color can’t be racist or you expect people to use made-up pronouns when talking about you, you may want to do a reality check before coming to BasedCon.

The BasedCon “About” page also devotes several paragraphs to the now-familiar “lost cause” genre narrative, for example —

Sci-fi cons used to be a lot of fun. They were places where people of all colors and creeds could get together to talk and learn about science fiction and fantasy books, games, movies, and TV shows. Then, starting a few years ago, things changed. Cons became increasingly dominated by a small clique of authoritarian jerks who made them into venues for pushing social justice dogma and, in the name of “inclusiveness,” shut down any opinions that didn’t align with progressive orthodoxy. You may remember the Sad Puppies saga, which culminated in WorldCon voters selecting “No Award” in several categories of the Hugo Awards rather than reward people outside their tribe…

Of course, after today’s coverage on myriad game industry websites, Kroese claims sympathizers are making his cash register ring.

In contrast, John Carmack, who initially spoke only about what fun he had last year at BasedCon, has written a long and defensive response to the criticism he’s receiving and now claims he really “felt a little uncomfortable” a year ago.

Meanwhile, other right-wing sff writers are loath to see this publicity bonanza wasted on Kroese alone. Within hours Jon Del Arroz had produced a video about it to help sell his comics: “WOKE Journalist Tries To Cancel DOOM Creator For Attending ‘Non-Woke’ Sci-Fi Convention!”.

Pixel Scroll 3/16/22 I Had It, But I Traded It For These Magic Beans

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(1) PLANETARY SOCIETY GRANTS. The first-ever winners of The Planetary Society’s Science and Technology Empowered by the Public (STEP) Grants were announced today. These are planetary science and/or technology grants that fit within one or more of The Planetary Society’s core enterprises (Explore Worlds, Find Life, Defend Earth). “Announcing the First-Ever STEP Grant Winners”. The two winning projects are a radio SETI (Search for Extraterrestrial Intelligence) citizen science project, and a planetary defense project to use a new technique to study near-Earth asteroids. 

Are We Alone?

We have awarded US$49,980 to a team from the University of California Los Angeles led by Professor Jean-Luc Margot for their proposal “Are We Alone? A Citizen-Science-Enabled Search for Technosignatures.”

The search for life elsewhere in the universe seeks to answer one of the most fundamental questions: are we alone? One part of this search involves looking for signals from elsewhere in the universe sent by intelligent life. Looking for signals is like searching for a needle in a very enormous haystack. Over the decades, though no confirmed signal from ET has been found, the technology and the techniques have gotten more and more capable.

Demystifying Near-Earth Asteroids

We have awarded US$44,842 to a team from the University of Belgrade, Serbia, led by Professor Bojan Novakovi? for their proposal “Demystifying Near-Earth Asteroids (D-NEAs).”

Tens of thousands of near-Earth asteroids (NEAs) have been found, but we only know the physical properties of a small percentage. Asteroids can range from solid rock to collections of boulders to fluff balls. Understanding these characteristics for individual NEAs as well as entire NEA populations is crucial to not only the science of asteroid evolution and variability, but also to considerations of how to deflect a dangerous asteroid in the future.

(2) CARNEGIE AND GREENAWAY MEDAL SHORTLISTS. The shortlists for the Yoto Carnegie and Yoto Kate Greenaway Awards 2022 were announced today. I couldn’t find any genre works in the mix, perhaps you will be more discerning.

The 2022 Yoto Carnegie Medal (alphabetical by author surname):

  • October, October by Katya Balen, illustrated by Angela Harding (Bloomsbury)
  • Guard Your Heart by Sue Divin (Macmillan Children’s Books)
  • When the Sky Falls by Phil Earle (Andersen Press)
  • Everyone Dies Famous in a Small Town by Bonnie-Sue Hitchcock (Faber)
  • The Crossing by Manjeet Mann (Penguin Children’s Books)
  • Tsunami Girl by Julian Sedgwick, illustrated by Chie Kutsuwada (Guppy Books)
  • Cane Warriors by Alex Wheatle (Andersen Press)
  • Punching the Air by Ibi Zoboi and Yusef Salaam (HarperCollins Children’s Books)

The 2022 Yoto Kate Greenaway Medal (alphabetical by illustrator surname):

  • Drawn Across Borders illustrated and written by George Butler (Walker Books)
  • The Midnight Fair illustrated by Mariachiara Di Giorgio, written by Gideon Sterer (Walker Books)
  • Too Much Stuff illustrated and written by Emily Gravett (Two Hoots, Macmillan Children’s Books)
  • Long Way Down illustrated by Danica Novgorodoff, written by Jason Reynolds (Faber)
  • Milo Imagines the World illustrated by Christian Robinson, written by Matt de la Pena (Two Hoots, Macmillan Children’s Books)
  • Shu Lin’s Grandpa illustrated by Yu Rong, written by Matt Goodfellow (Otter-Barry Books)
  • I Talk Like a River illustrated by Sydney Smith, written by Jordan Scott (Walker Books)
  • The Wanderer illustrated and written by Peter Van den Ende (Pushkin Children’s Books)

(3) NASFIC SAFETY. The Orlando in 2023 NASFiC Bid defends one city in Florida’s LGBTQIA+ record. This is just the beginning:

We’ve seen some of you ask about how friendly Orlando is to the LGBTQIA+ community and whether you will be safe coming to Orlando for the 2023 NASFiC. Those are excellent questions to ask, and we have answers for you.

The short answer: Orlando is one of the most LGBTQIA+ friendly cities in the entire country. You will be welcomed, and you will be safe.

Period.

Full stop.

Have you noticed how people who like the “Period. Full stop” idiom always have so much to say after it?

(4) OPPOSITION TO 2023 WORLDCON IN CHENGDU. Sarah Mughal Rana, organizer of the Open Letter condemning China as host of the 2023 Worldcon, had two opinion pieces about the issue published today.  

The first, at Winteriscoming.net, “Dear World(con): Don’t host the Hugos amidst Uyghur concentration camps”, fleshes out these arguments:

  • The development of Chengdu as a sci-fi and tech center is contributing to genocide
  • Chengdu Worldcon has problematic Guests of Honor
  • Turkic authors, publishers, and intellectuals are persecuted in China
  • Condemning Worldcon is not the result of Western bias
  • Holding Chengdu Worldcon goes against artistic values

The second, at The Bookseller, “Science fiction’s moral reckoning: why we must block Worldcon Chengdu”, says in part —

…As an activist who, only one month ago, organised a protest over the Beijing Winter Olympics in light of the Uyghur genocide, I was stunned by the writing community’s support of the Chengdu 2023 Worldcon bid. It is not rare for authors to get involved in politics, as evidenced by well-known authors such as Stephen King, Joe Abercrombie, Holly Black, and more announcing their intentions not to renew their releases with Russian publishers in support of Ukraine. However, in the case of Chengdu, China – no one resisted.

…Supporting and attending Worldcon 2023 makes us hypocrites. Writers create characters that oppose entrenched power structures, malicious regimes, status quos and utopias. In science fiction, we use our fiction to draw parallels about reality, unchecked uses of technologies, persecution and surveillancing. Our characters work to overthrow cruel empires; they are the heroes that protect their culture and societies against invasion, injustices and genocide. How can one of the world’s most prestigious writing awards celebrate science fiction’s best stories while millions of Uyghurs are subject to severe persecution? How can we celebrate China’s sci-fi scene when artists, writers and intellectuals of its ethnic minorities are interned in camps or in exile, unable to attend?

Among Chengdu Worldcon’s guests of honour are Sergei Lukyanenko, a bestselling sci-fi writer who has constantly defended Russia’s Ukraine policy, and Liu Cixin, an internationally bestselling Chinese sci-fi writer who was recently hired for SenseTime as a director of Science Fiction Planet Research Center – a tech company that is using sci-fi research to develop immersive artificial intelligence. SenseTime—along with four other firms—is responsible for creating mass surveillance AI systems used to identify and police Uyghurs, Tibetans and other Turkic populations in China. The US has even banned investments into SenseTime for its prominent role in the genocide. The advanced systems include facial and voice recognition, DNA sampling, and racial profiling; these factors are directly responsible for widening the scope of the genocide. But SenseTime is not the only company. Chengdu has invested billions in sci-fi research to attract writers, creators, animation departments, and tech start-ups; these same companies create advanced AI that are is being used to persecute China’s Muslim minorities.

Chengdu is an emerging global sci-fi capital of China, but supporting the sci-fi scene there contributes to the genocide and mass policing of ethnic minorities….

(5) STORY TIME. Simultaneous Times science fiction podcast Special 4 Year Anniversary Episode is a collaboration with Sci-Fi Lampoon Magazine: Simultaneous Times Ep.49 – Michael James & J.W. Allen.

Stories featured in this episode:

“Minimum Sage” – by Michael James; music by Phog Masheeen; read by Jean-Paul Garnier

“Systems Strike” – by J.W. Allen; music by RedBlueBlackSilver; read by Jean-Paul Garnier

Simultaneous Times is a monthly science fiction podcast produced by Space Cowboy Books in Joshua Tree, CA.

(6) MEDIA BIRTHDAY.

1984 — [Item by Cat Eldridge] Thirty-eight years ago today a very silly film called The Ice Pirates premiered. Yes I am editorializing. That’s why my name is on these essays. It was directed by Stewart Raffill, who co-wrote the screenplay with Krull screenwriter Stanford Sherman. Raffill would also direct The Philadelphia Experiment this year. Sherman wrote quite a few Batman episodes and a few of The Man from U.N.C.L.E. as well.

The producer was John Foreman who had already done Butch Cassidy and the Sundance Kid and who would later do what was known in the States as The Great Train Robbery which I essayed here on File 770  several weeks back. (Great film and a rather good book as well.)

The primary cast was Robert Urich, Mary Crosby and Michael D. Roberts; but the secondary cast of Anjelica Huston, Ron Perlman, Bruce Vilanch, John Carradine was rather notable as well. 

It was supposed to have a rather extravagant budget for a film of its sort at twenty million dollars but MGM had just been slapped quite hard by its bankers as it losing a great deal of money just then and all films then in production were limited by the those bankers to just eight million to spend. So the story goes that Raffill rewrote the script from a hard SF film to a comic SF affair to make less it much dependent on SFX. 

So how did it fare with critics? The New York Times said upon its release that “THE ICE PIRATES,” which opens today at the Warner and other theaters, is a busy, bewildering, exceedingly jokey science-fiction film that looks like a ”Star Wars” spinoff made in an underdeveloped galaxy.” (Raffill for the record denies that it was based off of Star Wars at all.) 

And the Sunday Call-Chronicle said of it that “’The Ice Pirates,’ a cross between ‘Raiders Of The Lost Ark,’ ‘Star Wars’ and ‘Monty Python And The Holy Grail,’ is amusingly silly through the first box of popcorn. After that, you’re on your own.” Ouch. 

Box office wise, it likely didn’t make money as it grossed only fourteen million against a budget that eventually hit nine million. So I doubt the bankers were very happy. 

It performs decently but not great at Rotten Tomatoes currently with a score of fifty percent among audience reviewers. 

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 16, 1883 — Sonia Greene. Pulp writer and amateur press publisher who underwrote several fanzines in the early twentieth century. Wiki says she was a president of the United Amateur Press Association but I can’t confirm that elsewhere. And she was married to Lovecraft for two years. Her best-known story is “The Horror at Martin’s Beach” which was revised and edited by Lovecraft and renamed as “The Invisible Monster” when it got published in Weird Tales inNovember 1923. (Died 1972.)
  • Born March 16, 1900 — Cyril Hume. He was an amazingly prolific screenplay writer with twenty-nine from 1924 to 1966 including The Wife of the Centaur (a lost film which has but has but a few scraps left), Tarzan Escapes, Tarzan the Ape Man, The Invisible Boy and Forbidden Planet. (Died 1966.)
  • Born March 16, 1920 — Leo McKern. He shows up in a recurring role as Number Two on The Prisoner in  “The Chimes of Big Ben”, “Once Upon a Time” and “Fall Out”. Other genre appearances include Police Inspector McGill in X the Unknown, Bill Macguire in The Day the Earth Caught Fire, Professor Moriarty in The Adventure of Sherlock Holmes’ Smarter Brother, The Voice of Gwent in “The Infernal Machine” episode of Space: 1999. (Died 2002.)
  • Born March 16, 1929 — Ehren M. Ehly. This was the alias of Egyptian-American author Moreen Le Fleming Ehly. Her first novel, Obelisk, followed shortly by Totem. Her primary influence was H. Rider Haggard of which she said in interviews that was impressed by Haggard’s novel She at an early age. If you like horror written in a decided pulp style, I think you’ll appreciate her. (Died 2012.)
  • Born March 16, 1931 — Irene Champlin. Though she was short-lived, she’s remembered most as Dale Arden in the Fifties syndicated Flash Gordon series in which she was both intelligent and resourceful. Her entire acting  career was but three years in length, ending with in appearance on I Spy. (Died 1990.)
  • Born March 16, 1951 — P. C. Hodgell, 71. Her best known work is the God Stalker Chronicles series with By Demons Possessed being the current novel. She has dabbled in writing in the Holmesian metaverse with “A Ballad of the White Plague” that was first published in The Confidential Casebook of Sherlock Holmes as edited by Marvin Kaye. All of the God Stalker Chronicles series are available from the usual suspects. 
  • Born March 16, 1952 — Alice Hoffman, 70. Best known for Practical Magic which was made into a rather good film. I’d also recommend The Story Sisters, a Gateway story, The Ice Queen, an intense riff off of that myth, and Aquamarine, a fascinating retelling of the mermaid legend. The Rules of Magic was nominated for Mythopoeic Fantasy Award for Adult Literature Award.
  • Born March 16, 1971 — Alan Tudyk, 51. Hoban “Wash” Washburne  in the Firefly universe whose death I’m still pissed about. Wat in A Knight’s Tale. (Chortle. Is it genre? Who cares, it’s a great film.)  He’s K-2SO in Rogue One and yes he does both the voice and motion capture. Impressive. He also had a recurring role on Dollhose as Alpha, he voiced a number of characters in the Young Justice series streaming on HBO Max, and he was a very irritating Mr. Nobody on the Doom Patrol series also on HBO Max.

(8) COMICS SECTION.

  • Candorville jokes about the multiverse.
  • Bizarro injects a moment of horror into the lives of the Stay-Puft Marshmallow Man family.

(9) THE SPRING BEFORE THE SUMMER OF LOVE. [Item by Cora Buhlert.] I’m at Galactic Journey today, reviewing Tarnsman of Gor by John Norman, while my colleague Victoria Silverwolf reviews Why Call Them Back From Heaven? by Clifford D. Simak. Victoria obviously got the better deal: “[March 16, 1967] A Matter of Life and Death (Why Call Them Back From Heaven? by Clifford D. Simak; Tarnsman of Gor, by John Norman)”.

(10) BASEDCON. Robert Kroese is organizing BasedCon 2022, following up last year’s event for alt-right sff authors. That said, I found it hard to resist the honesty of this line in his latest message:

…The biggest challenge once again is going to be money. I’m a moderately successful sci-fi author, which is another way of saying that I am poor…. 

(11) MERCIFUL MAUDE. “Disneyland’s Newest Menu Item Is Its Most Divisive Yet” claims The Takeout.

Though the Disney parks are known for all sorts of innovations, the food continues to be a big draw for many tourists. Some Disney fans go so far as to plan whole trips around sampling as many dishes as possible, and even Florida’s stork population seems to love the food on offer. Disneyland in California, however, has created a dish that might be a little divisive among park guests. I’m having some conflicted feelings about it right now just thinking about it. It’s dessert pasta, and everyone has an opinion.

This peanut butter and jelly pasta is now available at the Nuts About Cheese stand in Disneyland as part of the Disney California Adventure Food & Wine Festival. I want to understand the motivations of whoever created this. Food writer and Takeout contributor Julie Tremaine sampled this new concoction for SFGate and came away with some mixed feelings.

The peanut butter & jelly mac involves macaroni noodles coated in a peanut butter sauce and finished off with a dollop of strawberry jelly, a sprinkle of brown sugar streusel, and a layer of strawberry crackle, which is pretty much just a serving of Pop Rocks….

(12) AFTER HE LANDED. Showtime released a teaser featuring the first five minutes from the new TV series The Man Who Fell to Earth, based on the novel by Walter Tevis and the iconic film starring David Bowie. Deadline reports that the series “will follow a new alien character (Chiwetel Ejiofor) who arrives on Earth at a turning point in human evolution, and must confront his own past to determine our future.” It debuts April 24 on Showtime.

(13) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Trailers:  Free Guy,” the Screen Junkies say the game in Free Guy  is part Grand Theft Auto, part fortnite, and part Nothing at All, because the script was bought in 2016.  And did you know Taika Waititi and Ryan Reynolds worked together in Green Lantern?  Well, they did!

[Thanks to Michael Toman, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, Sarah Mughal Rana, Chris Barkley, Rich Lynch, JJ, John King Tarpinian, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 12/8/21 I’m Shocked To Find Scrolling Going On In Here

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(1) IF YOU CAN MAKE IT THERE. In the New York Times, Amal El-Mohtar names “The Best Science Fiction and Fantasy Books of 2021”. Here’s one of her picks:

In the gray fog of an uncertain year, these books stand out in bright colors and floods of intense feeling. They’re organized only by the order in which I read them….

No Gods, No Monsters

By Cadwell Turnbull (Blackstone, 387 pp., $26.99)

Intimate and intricate, full of charismatic monsters and the dueling secret societies to which they belong. A pack of werewolves transform on camera, prompting hidden powers to rally for or against revealing the supernatural world of gods and monsters to the public. Mysteriously narrated and utterly riveting.

 (2) EXCEED YOUR GRASP. At Futurism, Matthew Angelo tells readers “Why Science Fiction Matters in Literature”.

… Science fiction typically deals with the impact of imagined future science and technology on society. Sci-Fi is an important genre in literature. It teaches us about contemporary ideas, inspires new technological inventions, and entertains us by telling stories that could not have happened otherwise….

Science Fiction is one of the biggest, most influential genres in literature. It taps into human dreams and nightmares about what might be, what could happen to us, and how we might deal with it. It makes up many of our fictional worlds, futures, and inhabitants. Science Fiction stories can be wildly different in content. Still, they all have a similar feeling of being exciting possibilities just out of reach. Science fiction is often thought to be just about aliens and robots. Still, it can also have a lot to do with social commentary….

(3) SPINNING BLADES. Foz Meadows tweeted two threads commenting on the social media heat directed at Neon Yang after Yang, who criticized Isabel Fall’s “Helicopter Story” when it appeared in January 2020, recently promoted the appearance of their own queer mech story in a forthcoming anthology. Thread starts here.

A second short thread starts here.

Suzanne F. Boswell advances a case that Neon Yang’s tweets in 2020 did not cause the outcome for which critics now want to hold them accountable. Thread starts here.

R. B. Lemberg warns about the damage from these exchanges. Thread starts here.

https://twitter.com/RB_Lemberg/status/1468637188904607748

(4) HIS FAVORITE MARTIAN. Congratulations to Jonathan Eller, whose Bradbury Beyond Apollo has been named one of the Choice Outstanding Academic Titles for 2021. The list is quite selective: it contains approximately ten percent of some 6,000 works reviewed in Choice each year.

(5) AS VIEWED FROM ABOVE. Rob Hansen has created “a small extra” for those who read Bixelstrasse, his compilation of early LASFS history (see “Revisit ‘Fighting Forties’ LASFS in Rob Hansen’s Bixelstrasse”) – it’s an annotated Map of 1940s LA Fandom.

(6) A BARKING GOOD CLIMAX. Camestros Felapton announces “Debarkle Volume 3 Now Available”. It is the end, my friend, and the price is right – free! A list of vendors is at the link.

The third and final volume of Debarkle is now available from a wide range of online book stores and by “wide range” I mean “not Amazon”. As with the rest of this series, it’s been published via Draft2Digital and you can access it in these online book shops. Note: this is the “second draft” version with fewer typos than the blog version. A third draft version will be available as a collected edition of all three volumes before the end of the year.

(7) DOWN TO THE WIRE. Starburst Magazine’s Ed Fortune covers 2023 Site Selection here: “China Races Canada For Prestigious SciFi Con”.

… Worldcons are a long-running international Science Fiction convention that tends to be hosted in North America or Europe, and the next venue is determined two years ahead of time.

Recent years have seen the convention come to other parts of the world, such as Japan and New Zealand. Chinese fans have been actively seeking to bring the world-renowned event to Chengdu, China since 2014….

(8) 2023 WORLDCON BID Q&A. Video of last weekend’s bidder Q&A session at Smofcon Europe has now been posted.

Representatives of the 2023 Worldcon bids for Chengdu and Winnipeg present and answer questions. Terry Fong, Tony Xia, Tina Wang, Tammy Coxen (m)

(9) BACK ON HIS FEET. Nicholas Whyte reports on his recovery from Covid after spending the end of November and part of December sick in bed: “630 days of plague, and COVID 20 days on” in his Livejournal.

(10) THE CULTURE. Christopher Fowler, known to fans for his sff, discusses what makes English novels “English” at CrimeReads: “The Curse of Englishness: Why Every British Thriller Is Also a Black Comedy”.

…I first became aware of the curse when I heard the teacups. To be precise, their endless tinkling.

Whenever I listened to an English radio play as a child the sound effects included a spoon endlessly circling bone china. English characters were always going out and coming in, but mostly they stayed inside and drank tea, even in the grisliest true-life murder dramatizations. Our plots unfolded in small rooms. It’s an English thing; neat little houses, inclement weather. Agatha Christie was particularly obsessed with egress. ‘It was a fine old library with the only other door leading out to the pristine tennis courts.’ And as we tended not to point guns at each other, our fictional killers generally dismissed firearms in favour of doctored pots of chutney, electrified bathtubs and poisoned trifles. They escaped without leaving footprints and relocked doors with the aid of string….

(11) TODAY’S DAY.

I am reliably informed by John King Tarpinian that this is how I should have spent my day.

(12) MEDIA BIRTHDAY.

1966— [Item by Cat Eldridge.] Fifty five years ago, Star Trek’s “The Conscience of a King” first aired on NBC. The title comes from the concluding lines of Act II of Hamlet: “The play’s the thing / Wherein I’ll catch the conscience of the king.” Barry Trivers wrote the script. Memory Alpha notes that he also wrote the never made “A Portrait in Black and White” episode based on a story premise by Roddenberry in his original series proposal for Star Trek. 

The primary guest cast here was Arnold Moss as Anton Karidian / Kodos and Barbara Anderson as Lenore Karidian. Other than a later Time Tunnel appearence, his only genre role. She played Mimi Davis in a recurring role on Mission: Impossible. 

Reception for it is generally very good though Keith DeCandido at Tor.com kvetches about how he’s identified as the war criminal. (Keith, it’s not your your modern CSI.) Later Trek writer Ronald D. Moore considers it one of the best Trek episodes ever done. 

(13) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born December 8, 1861 — Georges Méliès. Best known as a film director for A Trip to the Moon (Le Voyage dans la Lune) which he said was influenced by sources including Verne’s From the Earth to the Moon and Around the Moon. (Died 1938.)
  • Born December 8, 1894 — E. C. Segar. Best known as the creator of Popeye, who first appeared in 1929 in Segar’s comic strip Thimble Theatre. Popeye’s first line in the strip, upon being asked if he was a sailor, was “Ja think I’m a cowboy?” J. Wellington Wimpy was another character in this strip that I’m fond of. (Died 1938.)
  • Born December 8, 1894 — James Thurber. He’s written a number of fantasies, The 13 Clocks, The White Deer and The Wonderful O, definitely none of which children should be reading. You’ve no doubt seen The Secret Life of Walter Mitty with Danny Kaye which bears little resemblance to the original short story. It would be made into a second film, just eight years ago, again not resembling the source material. (Died 1961.)
  • Born December 8, 1950 — Rick Baker, 71. Baker won the Academy Award for Best Makeup a record seven times from a record eleven nominations, beginning when he won the first award given for An American Werewolf in London.  So what else is he know for? Oh, I’m not listing everything but his first was The Thing with Two Heads and I’ll single out The Exorcist, Star Wars, The Howling which I quite love, Starman for the Starman transformation, the Beast design on the Beauty and the Beast series and the first Hellboy film version.
  • Born December 8, 1951 — Brian Attebery, 70. If I was putting together a library of reference works right now, Attebery would be high on the list of authors at the center of my shopping list. I think The Fantasy Tradition in American Literature: From Irving to Le Guin is still essential reading and Parabolas of Science Fiction with Veronica Hollinger is very close to a Grand Unification Theory of the Genre. He won a World Fantasy Award for his editing of Journal of the Fantastic in the Arts, and a Mythopoetic Scholarship Award for Stories about Stories: Fantasy & the Remaking of Myth.
  • Born December 8, 1954 — Rebecca Neason. She wrote a Next Generation novel, Guises of The Mind,  plus several Highlander novels, and two fantasy novels; her widower says one novel went unpublished. She was a regular panelist at conventions in the Pacific Northwest. Jim Fiscus has a remembrance here.  (Died 2010.)
  • Born December 8, 1954 — John Silbersack, 67. With Victoria Schochet, he edited the first four volumes of the Berkley Showcase: New Writings in Science Fiction and Fantasy anthology series. Seasonally appropriate, he edited with Chris Schelling, The Magic of Christmas: Holiday Stories of Fantasy and Science Fiction. He’s written a Buck Rogers novel, Rogers’ Rangers, off a treatment by Niven and Pournelle. 
  • Born December 8, 1967 — Laura J. Mixon, 64. She won the Hugo Award for Best Fan Writer at Sasquan for her writing about the abhorrent online activities of Benjanun Sriduangkaew. She has written a number of excellent novels including Glass Houses and Up Against It which got an Otherwise nomination. She is married to SF writer Steven Gould, with whom she co-wrote the novel Greenwar.

(14) GEORGE PÉREZ MEDICAL UPDATE. George Pérez, known for his work on DC’s The New Teen Titans, Crisis on Infinite Earths and Wonder Woman, Marvel titles like Infinity Gauntlet and The Avengers, and with Kurt Busiek on the landmark Marvel/DC crossover JLA/Avengers (aka Avengers/JLA), announced on Facebook that he has been diagnosed with terminal cancer.  

To all my fans, friends and extended family,

It’s rather hard to believe that it’s been almost three years since I formally announced my retirement from producing comics due to my failing vision and other infirmities brought on primarily by my diabetes. At the time I was flattered and humbled by the number of tributes and testimonials given me by my fans and peers. The kind words spoken on those occasions were so heartwarming that I used to quip that “the only thing missing from those events was me lying in a box.”

It was amusing at the time, I thought.

Now, not so much. On November 29th I received confirmation that, after undergoing surgery for a blockage in my liver, I have Stage 3 Pancreatic Cancer. It is surgically inoperable and my estimated life expectancy is between 6 months to a year. I have been given the option of chemotherapy and/or radiation therapy, but after weighing all the variables and assessing just how much of my remaining days would be eaten up by doctor visits, treatments, hospital stays and dealing with the often stressful and frustrating bureaucracy of the medical system, I’ve opted to just let nature take its course and I will enjoy whatever time I have left as fully as possible with my beautiful wife of over 40 years, my family, friends and my fans.

Since I received my diagnosis and prognosis, those in my inner circle have given me so much love, support and help, both practical and emotional. They’ve given me peace.

There will be some business matters to take care of before I go. I am already arranging with my art agent to refund the money paid for sketches that I can no longer finish. And, since, despite only having one working eye, I can still sign my name, I hope to coordinate one last mass book signing to help make my passing a bit easier. I also hope that I will be able to make one last public appearance wherein I can be photographed with as many of my fans as possible, with the proviso that I get to hug each and every one of them. I just want to be able to say goodbye with smiles as well as tears…

(15) SEPTEMBER SONG ENCORE. BasedCon will ride again in September 2022, says chair Rob Kroese. The inaugural event he created to appeal to the “sci-fi writer or fan who is sick of woke politics” (see “BasedCon Planning for Dozens of Attendees”) actually drew 70.

(16) THE ROARING TWENTIES. The New York Times applauds this fashion statement: “Just in Time for Christmas: Knitwear Fit for a T. Rex”.

Behold the fearsome Tyrannosaurus rex — all swaddled in a cozy Christmas sweater.

The replica T. rex at the Natural History Museum in London is an enormous, ferocious-looking beast that was built to scale, standing about 60 percent the size of the 40-foot-long prehistoric creature.

The animatronic attraction, which features roaring sound effects, often startles visitors, but on Monday, the predatory edge was somewhat softened when visitors found the T. rex bedecked in a giant blue, red and green holiday sweater, replete with cheerful Christmas trees and snowflakes….

(17) A BIRD IN FLIGHT. The European launch of the book The Space Cuckoo and Other Stories by Arvind Mishra will take place online, on December 13 at 6.00 p.m. Romanian Local Time, on Discord, at the international meeting of Syndicate 9 Science Fiction club from Timisoara, Romania. The guest of the meeting is the author, and the moderator, Darius Hupov.

To participate at the online meeting, please click the invitation link for the Syndicate 9 Discord server:
https://discord.gg/rs2YUAwP. The meeting will take place at the “Intalnirea S9” voice channel.

(18) I’M NOT SAYING IT’S ALIENS… [Item by Dann.] China’s Yutu-2 lunar rover has found something interesting on the moon.  The rover is going to spend the next couple of months trundling over to get a closer look. “China’s Yutu 2 rover spots cube-shaped ‘mystery hut’ on far side of the moon” at Space.com.

China’s Yutu 2 rover has spotted a mystery object on the horizon while working its way across Von Kármán crater on the far side of the moon.

Yutu 2 spotted a cube-shaped object on the horizon to the north and roughly 260 feet (80 meters) away in November during the mission’s 36th lunar day, according to a Yutu 2 diary published by Our Space, a Chinese language science outreach channel affiliated with the China National Space Administration (CNSA).

Our Space referred to the object as a “mystery hut” but this [is] a placeholder name rather than an accurate description….

…but it’s aliens. Or the Transformers lunar base.

(19) GRESHAM’S LAW. Guillermo del Toro, director of Nightmare Alley, appeared on Jimmy Kimmel Live.

Guillermo talks about his new movie…,, his attention to detail, his drawing notebook, his mother being a little bit of a “witch,” learning about tarot cards, getting married, shooting around the pandemic, Rooney Mara being secretly pregnant during it, buying and selling things on eBay, and he quizzes Jimmy about 1930s slang.

(20) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] “In Honest Trailers:  Let There Be Carnage,” the Screen Junkies say ,” If you’re making a film about a squirelly guy who talks to himself, you get Gollum (Andy Serkis) to direct it.”  Under Serkis’s direction, the film features “bad CGI goo,” “bad wigs,” “British actors doing really bad American accents,” and a mysterious reference to Beverly Hills Cop 2!

[Thanks to Cat Eldridge, Mike Kennedy, Martin Morse Wooster, JJ, Chris Barkley, Darius Hupov, Dann, John King Tarpinian, Andrew Porter, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Camestros Felapton.]

Pixel Scroll 9/25/21 What We Do With A Pixel Scroll Gives Everyone A Start

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(1) Q&A WITH POLISH SFF WRITER. Bence Pintér’s interview with Polish sci-fi author Jacek Dukaj is available in English at Spekulatív Zóna: “Q&A with Jacek Dukaj”.

The most recently translated work from you is The Old Axolotl. This book is unique in a lot of ways. What inspired you to write it, and why did you released it only in e-book form initially?

Lately I find I need some additional push to complete a story – to write for publication, not just for my own satisfaction. In this case it was the literary project and PR campaign of Allegro (sort of Polish eBay). You could say they had commissioned „The Old Axolotl”. They didn’t set any limits for a theme or style (I wouldn’t have agreed to such a deal). But it was an opportunity to explore new features of electronic books (as they appeared to us back then).

I’m always up for pioneer projects. If something looks very risky or impossibly hard, my first reaction is to try and do it.

The book was adapted by Netflix, but the series Into the Night only used the premise of the story. How do you feel about this adaptation?

I wonder if “adaptation” is the right word. It would be more fair to say that Into the Night was based on the same idea as the one which gave birth to The Old Axolotl. The story, the characters – they are all different. Jason George, the showrunner of Into the Night, is the sole author of the screenplay.

I’m happy people seem to like it. It’s rather small budget production, yet it became much more popular globally than other non-English series of similar budget. Into the Night punches above its weight, so to speak.

(2) BEBOP BEGINNING. Variety sets up the video: “’Cowboy Bebop’: Opening Credits Debut for Netflix Adaptation”.

…The opening credits are so iconic that, rather than release a trailer to promote its upcoming live-action adaptation of “Cowboy Bebop,” Netflix elected to debut the full opening credits for the show during its Tudum global fan event on Saturday….

(3) STEELY FAN. Tablet Magazine’s Paul Grimstad holds “A Conversation With Donald Fagen”, which has a section on the musician’s love of sf, of which this excerpt is about half —

A tune like “Pretzel Logic” has a pretty elliptical story going on, and speaking of science fiction!

Well, yeah, that was kind of a time-travel thing.

It’s funny when the person who greets the narrator in the future, says, “Where did you get those shoes?” like the fashion between the two times is completely out of whack.

That actually fills in the link between black humor and science fiction, because the science fiction novels I liked the most were funny in that way. I think my favorites included that kind of humor. Like Frederick Pohl and his partner Cyril Kornbluth, who wrote these really satirical novels.

The Space Merchants was recently reissued in the Library of America Series …

Oh really? I remember reading that one when I was a kid.

Another guy from that era who I think of as funny is Alfred Bester.

Another one of my favorites. He was an ad man, so it’s got this very New York, Madison Avenue feel, the Mad Men type of thing, but making fun of it.

(4) NASA’S FIRST WOMAN. [Item by Mike Kennedy.] NASA has released issue 1 of First Woman—a downloadable, interactive (augmented reality), graphic novel telling the (to date) fictional story of the first woman (and first person of color) to walk on the Moon. It’s also available as an audio story. A Spanish-language version of (at least) the first issue of the comic is also planned. The comic is available for iOS & Android platforms. “NASA Releases Interactive Graphic Novel ‘First Woman’”.

NASA released its first digital, interactive graphic novel on Saturday in celebration of National Comic Book Day. “First Woman: NASA’s Promise for Humanity” imagines the story of Callie Rodriguez, the first woman to explore the Moon.

While Callie’s story is fictional, the first woman and the first person of color will walk on the Moon, achieving these historic milestones as part of NASA’s Artemis missions. Through this graphic novel, NASA aims to inspire the next generation of explorers – the Artemis Generation.

Download, read, and interact with “First Woman” or listen to the audio version exclusively on NASA’s SoundCloud.

…The 40-page comic book highlights NASA technologies for traveling to, landing on, and exploring the Moon. The digital format comes to life, letting readers engage and interact through augmented reality elements using the First Woman website or their mobile devices.

To learn more about the graphic novel and interactive experiences, visit: Calliefirst

(5) FULL COURT PRESS. The New York Times has more coverage of the legal issues between Steve Ditko’s heirs and Disney, which has sued to keep them from regaining their share of the rights to some well-known Marvel characters: “Disney Sues to Keep Complete Rights to Marvel Characters”.

The reclamation attempts stem from a provision of copyright law that, under certain conditions, allows authors or their heirs to regain ownership of a product after a given number of years. Such efforts turn on whether authors worked as hired hands or produced the material on their own and then sold it to publishers. The Copyright Revision Act of 1976, which opened the door to termination attempts, bans termination for people who delivered work at the “instance and expense” of an employer.

“Since these were works made for hire and thus owned by Marvel, we filed these lawsuits to confirm that the termination notices are invalid and of no legal effect,” Mr. Petrocelli said by phone. (Mr. Petrocelli is also representing Disney in its legal fight with Scarlett Johansson, who sued the company in July over pay connected to ticket sales for “Black Widow.”)

For instance, Disney’s complaint against Mr. Lieber contends that “Marvel assigned Lieber stories to write, had the right to exercise control over Lieber’s contributions and paid Lieber a per-page rate for his contributions.” Those conditions render his contributions “work made for hire, to which the Copyright Act’s provisions do not apply,” according to the complaint.

Mr. Toberoff sharply disagrees. “At the time all these characters were created, their material was definitely not ‘work made for hire’ under the law,” he said in an email in response to Disney’s filings. “These guys were all freelancers or independent contractors, working piecemeal for car fare out of their basements.” Hence, not “traditional, full-time employees,” he said.

“At the core of these cases is an anachronistic and highly criticized interpretation of ‘work-made-for-hire,’” Mr. Toberoff said in a separate email, adding that the interpretation “needs to be rectified.”

(6) FINAL TALLY. Robert Kroese declared the first BasedCon “a tremendous success. We had nearly 70 attendees and a phenomenal group of authors and presenters. People came from as far away as Oregon, California, Texas, and New Hampshire.” He wants to run another in 2022.

(7) JUST LIKE THE 770 COMMENTS SECTION! [Item by John A Arkansawyer.] This is a very funny online-only thing Seth Meyers does at the end of every week, reading letters from the viewers at home (the jackals) about the various errors from the week before. This week, he addresses his former nemesis, the jackal/knitter Patti Lyons. It’s cued up to that:

Seth Meyers takes a moment to address some of the errors from this week of Late Night, like accidentally saying “on accident” instead of “by accident” and pronouncing “turnpike” as “turnbike.”

This closing speech is not genre in content (other than the knitting), but is so genre in form that it just isn’t funny. Except it is. Very.

(8) TRIVIAL TRIVIA.

(9) MEDIA BIRTHDAY.

  • 1987 – Thirty-four years ago, The Princess Bride premiered. It was directed by Rob Reiner who co-produced it along with Andrew Scheinman. It was adapted by William Goldman from his novel of the same name. It had amazing cast of Cary Elwes, Mandy Patinkin, Chris Sarandon, Christopher Guest, Wallace Shawn, André the Giant, Robin Wright, Peter Falk, Fred Savage and Billy Crystal. It would win a Hugo at Nolacon II. Reception for it was great with every major critic loving it and many praising its sweetness. It currently holds a ninety-four rating among audience reviewers at Rotten Tomatoes. Mind you it was a modest box office success just earning back what it cost to produce. 

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 25, 1919 — Betty Ballantine. With her husband Ian, she created Bantam Books in 1945 and established Ballantine Books seven years later. They won one special World Fantasy Award for professional work in 1975 and another one shared with Joy Chant et al for The High Kings which is indeed an amazing work. ISFDB list one novel for her, The Secret Oceans, which I’ve not read. Who here done so? (Died 2019.)
  • Born September 25, 1930 — Shel Silverstein. Not sure how he is SFF but ISFDB lists him as such for his Every Thing On It collection and a handful of a apt named poems, and I’m more than thrilled to list him under Birthday Honors. I’m fond of his poetry collection Where the Sidewalk Ends and will also note here A Light in the Attic if only because it’s been on “oh my we must ban it now attempts” all too often. So what do you think is genre? (Died 1999.)
  • Born September 25, 1946 — Felicity Kendal, 75. She plays Lady Clemency Eddison in the the Tenth Doctor story, “The Unicorn and The Wasp”, one of my favorite Who tales. She recently played Baroness Ortsey in the new Pennyworth series. And though it’s definitely really not genre, I’m noting her role in Shakespeare-Wallah, story of a family troupe of English actors in India, just because it’s a fascinating story.
  • Born September 25, 1951 — Mark Hamill, 70. OK, I’ll confess that my favourite role of his is that he voices The Joker in the DC Universe. He started doing this way back on Batman: The Animated Series and has even been doing on other such series as well. Pure comic evilness! Oh, and did you know he voices Chucky in the new Child’s Play film? Now that’s creepy. 
  • Born September 25, 1952 — Christopher Reeve. Superman in the Superman film franchise. He appeared in the Smallville series as Dr. Swann in the episodes “Rosetta” and “Legacy”. His Muppet Show appearance has him denying to Miss Piggy that he’s Superman though he displayed those superpowers throughout that entire episode. (Died 2004.)
  • Born September 25, 1961 — Heather Locklear, 60. Her first genre role was Victoria ‘Vicky’ Tomlinson McGee in Stephen King’s Firestarter followed by being Abby Arcane in The Return of Swamp Thing. She was also Dusty Tails in Looney Tunes: Back in Action. She’s had one-offs in Tales of the Unexpected, Fantasy Island, Muppets Tonight and she voiced Lisa Clarkson in the “Prophecy of Doom” episode on Batman: The Animated Series.
  • Born September 25, 1964 — Maria Doyle Kennedy, 57. She was Siobhán Sadler in Orphan Black, and currently is Jocasta Cameron in Outlander. She’s been cast as Illa in now being filmed The Wheel of Time series.
  • Born September 25, 1968 — Will Smith, 53, Despite the stinker that were Wild Wild West and later Suicide Squad, he’s done some brilliant work — the first Men in Black film is superb as is Independence Day and Aladdin.

(11) THE SIGN OF THE Z. Screen Rant says you can trace the influence on Batman’s creators to a 1920s Zorro movie, and it didn’t stop there. The connection plays an major role in a current DC Comics’ crossover event, “Joker War.” — “Batman: How Zorro Created The Dark Knight”.

…It wasn’t until the legendary Frank Miller decided to give a nod to Kane and Finger in The Dark Knight Returns #1 that The Mark of Zorro is established. Miller cites the 1940 Tyrone Power adaptation, which was actually released after Batman’s creation, but the precedent was set. In Todd Phillips’ Joker film, 1981’s Zorro, the Gay Blade is the movie referenced. Whichever adaptation a creator chooses, Zorro and Batman’s histories are inextricably intertwined, which explains why Bruce’s archenemy decides to use the film against him….

(12) CASSANDRA PETERSON (ELVIRA) INTERVIEWED ABOUT COMING OUT AS GAY. Cassandra Peterson gave her first interview since she came out about her 19 year relationship to The Tamron Hall Show.

The woman behind the iconic character Elvira, Mistress of the Dark, Cassandra Peterson exclusively sits down for the first interview since revealing a 19-year relationship with a woman. The undisputed Queen of Halloween reveals her full story in a new book titled, “Yours Cruelly, Elvira: Memoirs of the Mistress of the Dark,” and joins our show to talk about it. From her roots in Kansas to coming out, Elvira gets real about her journey to become the world’s sexiest, sassiest Halloween icon.

(13) GO FAST, TURN UP! [Item by Jeff Warner.] Being an auto racing fan as well as a SF Geek, this caught my attention. “NASA astronaut captures Indianapolis from space station” in the Indy Star.

Indianapolis is, once again, piquing the interest of astronauts in space.

NASA Astronaut Shane Kimbrough has been regularly sharing “out of this world” views from the International Space Station on Twitter, including stunning views of the French Riviera, Hawaii’s Mauna Loa volcano and the Las Vegas Strip. 

Indianapolis joined the ranks with clear views of White River, the Indianapolis Motor Speedway and the Indianapolis International Airport. If you zoom into the center, you can see Lucas Oil Stadium, too.

(14) JEOPARDY! A contestant on last night’s episode of Jeopardy! went astray. Andrew Porter  took notes.

Category: Novels

Answer: “I was no longer a master, but an animal among the animals, under the Martian heel.”

Wrong question: “What is Slaughterhouse 5?”

Correct question: “What is ‘War of the Worlds?'”

(15) SHE DRAWS HIM LIKE A GUN. [Item by Martin Morse Wooster.] There is a disturbance in the Force.  The Senators from the Old Republic are alarmed.  But can they trust…The Parliamentarian? The Washington Post’s Alexandra Petri declares, “The Senate Mandalorian — I mean, Parliamentarian — is our only hope”.

The twin suns set over the Senate chambers, and the leadership sighed. The legislative nights were long and cold on this desert planet where no compromise had flourished for a long time, just banthas and the partisan Rancor.

“We have important legislation containing lots of policy priorities we have got to get through,” Grief Schuuma, leader of the Narrow Majority, said. “But there is just no way we can do it using regular order.”

“Well, we could,” a voice murmured from the corner, cloaked in shadow, “if we were willing to sacrifice the filibuster.”…

(16) ZINE SCENE. Mlex sent a link to the Autumn Equinox issue of his zine Zapf Punkt. Read the synopsis and you’ll know why!

In this issue, we investigate the radical art collective Zero Dimension, the electric guitar boom in Japan, and the dropout culture that threatened to overrun traditional society with folk music, glue-sniffers, surrealism, violence, pornography, pills, gender-confusion, interplanetary war, and the worst of all possible dooms: disorder.

By the late 1960s, this agitated social crisis briefly intersected with a manufactured music scene called Group Sounds. We listened to many hours of cheesy pop music to find the cherry bombs and make our own favorite freakbeat selection. Here’s our group sounds playlist, the official soundtrack of ZP 11.

This issue also features an edited transcript of our interview with Daniel Joseph, which originally appeared on Diamond Bay Radio in May. Daniel provides the biographical background for Izumi Suzuki’s Terminal Boredom, and we discuss her writing style, the modes and themes that appeared in her work, and how revolutionary it was at the time.

Join us for the meta-textual knock-out that Suzuki delivered to Japanese science fiction literature, before her decline into depression and suicide in 1986.

A pictorial glimpse of popular science fiction culture from around 1970 in Japan wraps up the issue.

(17) THINGS TO COME. The Orville: New Horizons arrives March 10, 2022.

[Thanks to Andrew Porter, Martin Morse Wooster, JJ, Bence Pintér, Jeff Warner, Darrah Chavey, Mlex, John A Arkansawyer, Michael Toman, John King Tarpinian, Cat Eldridge, and Mike Kennedy for some of these stories. Title credit belongs to contributing editor of the day Joe H.]

Pixel Scroll 9/17/21 I Want To Scroll What The Pixel On The Table Number 5 Is Scrolling

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(1) STATUES OF LIMITATIONS. After much consideration, Constance Grady says overthinking the book was a mistake: “The meditative empathy of Susanna Clarke’s Piranesi” at Vox.

…The first time I read Piranesi, I scribbled notes about each statue. The minotaurs by the entrance to the House evoke the myth of the labyrinth, which is what the wicked Laurence Arne-Sayles calls the House. An elephant carrying a castle puns on the famous Elephant and Castle inn in London. A woman carrying a beehive — well, certainly that could be a reference to any number of classical myths, which tend to feature bees as a chthonic symbol for life, death, and the soul.

But early on, Clarke makes a point of aiming her readers away from such mechanical, goal-oriented reading.

Piranesi knows of only one other living human, a man he calls the Other who visits the House every so often. The Other believes that the House contains the key to some secret Knowledge that mankind used to possess but has now lost. Once he gets it back, the Other believes, he’ll have the power of flight, immortality, and control over weaker souls.

Piranesi dutifully searches the House for the Knowledge the Other is seeking, but without all that much interest. Eventually, he is struck by an epiphany: The Knowledge, he realizes, is not the point of the House….

(2) LET’S HEAR FROM A PICKER OF LOW-HANGING FRUIT. The Atlantic’s Ian Bogost demands to know “Why Are Ebooks So Terrible?”

…If you hate ebooks like I do, that loathing might attach to their dim screens, their wonky typography, their weird pagination, their unnerving ephemerality, or the prison house of a proprietary ecosystem. If you love ebooks, it might be because they are portable, and legible enough, and capable of delivering streams of words, fiction and nonfiction, into your eyes and brain with relative ease. Perhaps you like being able to carry a never-ending stack of books with you wherever you go, without having to actually lug them around. Whether you love or hate ebooks is probably a function of what books mean to you, and why…

(3) FOUNDATION BUILDERS. ComingSoon introduces a short video with quotes from the showrunner David Goyer:“Foundation Featurette: Apple Brings the Sci-Fi Masterpiece to the Screen” –

…The Foundation featurette highlights the massive influence it had on other popular sci-fi stories including Dune and Star Wars. They also talked about the process of finally adapting the novel to the screen after several decades since it was first published. They also went on to tease the series’ epic scale in terms of storytelling, ambitious story, characters, and world-building….

(4) HEADLEY’S BEOWULF TRANSLATION WINS AWARD. The Academy of American Poets announced that Maria Dahvana Headley’s Beowulf: A New Translation has won the Harold Morton Landon Translation Award, a $1,000 prize recognizing a published translation of poetry from any language into English that shows literary excellence. Indran Amirthanayagam judged.

(5) EATING THE FANTASTIC. Scott Edelman posted a bonus episode of Eating the Fantastic podcast to let you listen to four comic book cognoscenti celebrate Steve Ditko.

Javier Hernandez, Zack Kruse, Carl Potts, and Arlen Schumer 

Last Saturday, something magical happened at the Bottle Works Ethnic Arts Center in Johnstown Pennsylvania — a one-day mini-convention was held to honor a hometown hero, the legendary Steve Ditko. And because the event was organized with the cooperation of his family, I was not only able to spend time with other comic fans and creators, but was privileged with the presence of Ditko’s nephews and brother as well.

Since you couldn’t be there with me, I decided to get some of the mini-con’s special guests to share their stories here about Steve Ditko’s life and legacy. Because this is a podcast which uses food to loosen the tongues of its guests, and since there was no time during the short one-day event to head out for lunch or dinner, I brought along a Spider-Man PEZ dispenser so I could offer my guests candy. Plus I ran over to Coney Island Johnstown — in business for more than a century — and picked up some gobs — think of them as a regional variation of whoopee pies — which I handed out to some of my guests before we began chatting.

As I wandered the exhibitors area, I was able to grab time with four guests — Javier Hernandez, Zack Kruse, Carl Potts, and Arlen Schumer — all of whom had taken part earlier that day on a panel about Steve Ditko.

(6) BOOK REVIEW OF VERY OLD RIDDLES. Paywalled at the New York Times, “What Has One Eye and 1,200 Heads? An Old English Riddle, That’s What!”, reviewing) The Old English And Anglo-Latin Riddle Tradition (Harvard University, $35), a comprehensive new collection beautifully edited by the Oxford professor Andy Orchard, demonstrates, everything you need to know about crosswords you can learn from Anglo-Saxon riddles: Riddles are the ür-crossword puzzles.

Daniel Dern sent the link with these notes:

While probably most anybody these days, fan or otherwise, is familiar with the Bilbo/Gollum “Riddle” chapter in THE HOBBIT, ditto more generally with Batman’s riddlemanic foe “The Riddler,” how many fans instantly flash on (or more to the point, what’s the rough age threshhold below which fans don’t) the (sf) book citation for “What city has two names twice?”), or simply “Do you like riddles? Raetseln?” [Dutch, spelling here from memory, but that I could look up in my copy of the book if need be ]

Answer (rot13’d)

“Rneguzna, Pbzr Ubzr” — Ibyhzr 3 bs Wnzrf Oyvfu’f PVGVRF VA SYVTUG grgenybtl

That said, the essay/review itself is somewhat dry — it doesn’t even offer a sample riddle until at least halfway through. Probably worth at least library-borrowing, though.

(7) FIYAHCON 2021. The online con is in full swing and the committee is making available videos of some of its panels here.

(8) BASEDCON. Rob Kroese’s BasedCon starts today.

Well, the cons I’m familiar with, if they hadn’t stayed in the black the first year there’d have been no second year. Surprising to hear there’s another kind.

(9) EARLY TREKZINES. The Internet Archive includes a “Media Fanzine Collection”. Skipping past the intro, I was intrigued to see some of the well-known early Trek fanzines displayed, such as Spockanalia. The cover on the example here boasts “Third Printing.” Holy cow – a fanzine with a demand that took multiple editions to satisfy! I blush to admit I still haven’t unloaded all the copies of the early mimeo issues of File 770.

The practice of making media print zines began in the late 1960s via science fiction fandom where fanzines had been a popular fan activity since the 1930s. However, the content of science fiction zines is very different, consisting mostly of non-fiction and discussion about a variety of fannish topics, whereas media fanzines include, or consist solely of, fanfiction, art, poetry, as well as discussion, usually about television shows, films, and books. 

(10) EMMY BRACKETS. JustWatch.com, the streaming guide, sent along this set of Emmy nominee brackets, based on the audience approval scores their users have given them. Unfortunately, the only genre show that doesn’t get its ass kicked is The Underground Railroad. Even a phenomenonally popular show like The Mandalorian can’t get out of the first round. It is to weep. [Click for larger image.]

(11) MEDIA BIRTHDAY.

  • 1964– Fifty-seven years ago this evening on ABC, a certain witch charmed her way into American homes as Bewitched first aired. It was created by Sol Saks who had done nothing notable before this and departed the show after the pilot was shot. It starred Elizabeth Montgomery as the good witch Samantha Stephens and two different men as her husband, Dick York for the first five before he became very ill, and Dick Sargent for the final three seasons. It did phenomenally well in the ratings early on but sagged later and eventually was cancelled. Hanna-Barbera produced the opening animation credits which you can see here.

It got remade as a film with Nicole Kidman which was not at all beloved by the audience reviewers at Rotten Tomatoes who currently give it a twenty five percent rating and it faired quite poorly at the box office, not breaking even. Oh, and there was a Seventies spin-off involving her daughter called Tabitha that had two pilots (the first tested quite badly) and lasted just eleven episodes.

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 17, 1885 — George Cleveland. Actor who filmed scenes as Professor Hensley in a pair of Thirties Flash Gordon serials, Flash Gordon and Flash Gordon’s Trip to Mars (the latter saw his scenes get deleted). He later shows up as in the Drums of Fu Manchu serial as Dr. James Parker. (Died 1957.)
  • Born September 17, 1908 — John Creasey. English crime and SF writer who wrote well over than six hundred novels using twenty-eight different names. His SF writings were mostly in the Dr. Palfrey series, a British secret service agent named Dr. Stanislaus Alexander Palfrey, who forms Z5, which definitely has elements of SF. (Died 1973.)
  • Born September 17, 1917 — Art Widner. Editor of three well-known fanzines (Fanfare, Bonfire and YHOS). He’d eventually publish some one hundred sixty zines. He was one of the founding members of The Stranger Club, the pioneers of Boston fandom. He chaired Boskone I and Boskone II, the first two Boston SF conventions. He would be nominated for four Retro Hugos, and become a First Fandom Hall of Fame member. (Died 2015.)
  • Born September 17, 1920 — Dinah Sheridan. She was Chancellor Flavia in “The Five Doctors”, a Doctor Who story that brought together the First, Second, Third, Fourth and Fifth Doctors. Richard Hurndall portrayed the First Doctor, as the character’s original actor, William Hartnell, had died. If we accept Gilbert & Sullivan as genre adjacent, she was Grace Marston in The Story of Gilbert and Sullivan. (Died 2012.)
  • Born September 17, 1928 — Roddy McDowall. He is best known for portraying Cornelius and Caesar in the original Planet of the Apes film franchise, as well as Galen in the television series. He’s Sam Conrad in The Twilight Zone episode “People Are Alike All Over” and he superbly voices Jervis Tetch / The Mad Hatter in Batman: The Animated Series. And for your viewing interest, a clip from the Carol Burnett Show with Roddy McDowall wearing Planet of the Apes makeup here. (Died 1998.)
  • Born September 17, 1939 — Sandra Lee Gimpel, 82. In Trek’s “The Cage”, she played a Talosian. That led her to being cast as the M-113 creature in “The Man Trap”, another first season episode. She actually had a much larger work history as stunt double, though uncredited, showing up in sixty-eight episodes of Lost in Space and fifty-seven of The Bionic Woman plus myriad genre work elsewhere including They Come from Outer Space where she was the stunt coordinator.  
  • Born September 17, 1951 — Cassandra Peterson, 70. Yes, she’s Elvira, Mistress of The Dark, a character she’s played on TV and in movies before becoming the host of  Elvira’s Movie Macabre, a weekly horror movie presentation show in LA forty years ago. She’s a showgirl in Diamonds Are Forever which was her debut film, and is Sorais in Allan Quatermain and the Lost City of Gold. 
  • Born September 17, 1996 — Ella Purnell, 25. An English actress best remembered  as Emma in the Miss Peregrine’s Home for Peculiar Children film. She’s also in Kick-Ass 2 as Dolce, she’s Natalie the UFO film that stars Gillian Anderson, and she was the body double for the young Jane Porter in The Legend of Tarzan. In a genre adjacent role, she was Hester Argyll in Agatha Christie’s Ordeal by Innocence.

(13) COMICS SECTION.

(14) WARP DRIVER. Laughing Squid draws attention to “A Campy Mercedes-Benz Ad That Inserts Their New 2021 Electric Vehicle Into a 1979 Science Fiction Film”. And remember – you can never have too many tentacles.

“Mercedes-Benz “Future 2021” is a wonderfully campy ad by Nina Holmgren that inserts their new Mercedes-Benz electric G-Wagen vehicle for 2021 into a very over-the-top science fiction film of the late 1970s. This future, which could ever only be dreamed of back in 1979, has finally come true today.

(15) MAYBE HE WAS ASKING THE WRONG QUESTION? In The Hollywood Reporter “LeVar Burton Says He’s Over ‘Jeopardy!’ Debacle”. Now, he told the host of The Daily Show, he’s thinking of developing his own game.

…Through the host replacement mess, Burton admitted to [Trevor] Noah he discovered he was not that interested in the gig after all.

“The crazy thing is that when you set your sights on something, you know, they say be careful of what you wish for, because what I found out is that it wasn’t the thing that I wanted after all,” said Burton. “What I wanted was to compete. I mean, I wanted the job, but then when I didn’t get it, it was like, ‘Well, OK, what’s next?’ And so, the opportunities that have come my way as a result of not getting that gig, I couldn’t have dreamt it up. If you had given me a pen and paper and said, ‘Well, so what do you want this to really look like?’ If it doesn’t include Jeopardy! I wouldn’t have been this generous to myself.”

Not going into too much detail, Burton said he had something in the works he was sure his fans were going to enjoy, saying, “I never thought about hosting any other game show outside of Jeopardy! But now, they went in a different direction with their show, which is their right, and now I’m thinking, ‘Well, it does kind of make sense, let me see what I can do.’ So we’re trying to figure out what the right game show for LeVar Burton would be.”…

(16) CORRECTED EDITION. The NESFA Press is letting everyone know they put out a new edition of their ebook Ingathering by Zenna Henderson that fixes the problems mentioned in a Tony Lewis quote run in a recent Scroll.

We have updated the contents of the NESFA Press eBook of Ingathering by Zenna Henderson. This second edition was necessary due to several OCR issues. NESFA Press is committed to the highest quality in the content of our books and will aggressively address any typos or other problems with the text of our eBooks.

To purchase the new version of Ingathering, go to the NESFA Press online store: http://nesfapress.org/, and search for “Ingathering”. People who have purchase the previous version of Ingathering, can download the new version using the link they received. Please direct any problems or questions to the email address below.

(17) UNDER THE NAME OF SANDERS. Inside the Magic tells how “YOU Can Stay at Winnie the Pooh’s House in the Hundred Acre Wood”. Photo gallery at the link.

If you love Winnie the Pooh characters — and, really, who doesn’t adore A.A. Milne’s “Silly Ol’ Bear” and all of his friends? — you’re going to want to bounce like Tigger when you see Airbnb’s latest offering, designed especially for the 95th Anniversary of the Hundred Acre Wood pals….

(18) WHY AM I BACK? SYFY Wire introduces a “Robot Chicken clip with Seth MacFarlane as Palpatine”.

…Now into its 11th season, Adult Swim’s longest running series is currently airing new episodes daily at midnight ET/PT. Among all the madness, there’s a sketch that confronts that really confounding plot point in Star Wars: The Rise of Skywalker that finds Emperor Palpatine (Ian McDiarmid) suddenly returning from The Return of the Jedi dead… just because. Ahead of its upcoming debut, SYFY WIRE has an exclusive look at the sketch, which features Seth MacFarlane (Family Guy, The Orville) voicing the mechanically challenged Palps….

(19) HARRY POTTER’S FLAGSHIP. Is it a store? A theme park? It’s whatever you need it to be to separate you from your cash! The Drum takes us on a tour: “Inside Warner Bros’ spellbinding retail experience Harry Potter New York”.

…All of these elements create a retail experience that speak to consumers’ growing demands for experience-infused shopping, says Warner Bros’s vice president and general manager of retail experiences Karl Durrant. “There is no doubt that consumer behavior has changed. Digital retail was becoming popular even before the pandemic hit. It’s more important than ever to give consumers a reason to visit a store and to make it an event.”

And to bring the immersive feeling to another level, Warner Bros, in partnership with Dreamscape Immersive, developed two unique VR experiences that bring visitors into the action. In ‘Chaos at Hogwarts’, users join Dobby in an adventure around Hogwarts to immobilize and collect pixies that the house elf accidentally released. The second VR experience, ‘Wizards Take Flight’, invites users to zoom around the skies above London via broomstick, warding off evil Death Eaters alongside Hagrid….

(20) ROBOCOP, TAKE TWO. “Singapore has patrol robots now! This should be fine” says Mashable. I like to think they will be programmed to keep making mad R2-D2 chirps at smokers til they snuff those ciggies.

Some robots were made to be your best friend. Some to unload 1600 boxes an hour. Some to do backflips, paint masterpieces. Some to inspect crime scenes. Others will tell you to quit smoking in prohibited areas and stop riding your motorbike on the footpath.

Singapore has started testing patrol robots that survey pedestrian areas in the city-state, where surveillance is a top and often controversial priority….

Named Xavier, the mall-cop robots will be autonomously rolling through the Toa Payoh Central district for three weeks from Sept. 5, scanning for “undesirable social behaviours” according to a press release (via Engadget) from the government’s Home Team Science and Technology Agency (HTX)….

(21) SIXTEEN SCROLLS. “Tennessee Cora” Buhlert was inspired by the title of yesterday’s Scroll to drop an instant classic in the comments.

Sixteen Scrolls
(with apologies to Merle Travis and Tennessee Ernie Ford)

Some people say a man is made outta mud.
A Filer’s made outta books, cons and blood,
Books and blood and films and cons.
We may look weak, but our minds are strong

You read 16 scrolls, what do you get?
Another day older and more books unread.
St. Leibovitz, don’t call me ’cause I can’t go,
I owe my soul to the Mount Tsundoku.

I was born one morning when the sun didn’t shine
I picked up a novel and said, “This looks fine.”
I read 16 pixels of number nine scroll
and the straw puppy said, “Well, a-bless my soul”

You read 16 scrolls, what do you get?
Another day older and more books unread.
St. Leibovitz, don’t call me ’cause I can’t go,
I owe my soul to the Series Hugo.

I was born one mornin’, it was drizzlin’ rain.
Reading and writing are my middle name.
I was raised in the library by an old mama lion
and no rabid puppy will make me walk the line

You read 16 scrolls, what do you get?
Another day older and more books unread.
St. Leibovitz, don’t call me ’cause I can’t go,
I owe my soul to the Novel Hugo.

If you see us comin’, better step aside.
A lotta dogs didn’t, a lotta dogs cried.
One fist science fiction, the other fantasy.
If the right one don’t get you
Then the left one will.

You read 16 scrolls, what do you get?
Another day older and more books unread.
St. Leibovitz, don’t call me ’cause I can’t go,
I owe my soul to the Mount Tsundoku.

(22) WEBINAR WITH BROTHER GUY. Brother Guy Consolmagno will be doing a Zoom event on October 1. “Your God Is Too Small: Vatican Observatory Director to offer a cosmic point of view in upcoming webinar”. Register to receive the link and a reminder. [Via Susan Schwartz.]

Brother Guy Consolmagno SJ is speaking on the contrast between the world and the cosmos that is becoming blurred as we begin to learn of the vastness of the cosmos in an upcoming Zoom event.

The free webinar, “Your God is Too Small,” will be hosted by the Center for Advanced Study in Religion and Science (CASIRAS) and Lutheran School of Theology at Chicago (LSTC) on Friday, October 1, at 5 p.m. CDT. Those interested in attending can register here. Also the event will be livestreamed on LSTC’s Facebook page.

“We need to understand that all those other planets are real places, part of the same universe created by God and redeemed by the Incarnation,” writes Consolmagno. “And God is Creator not only of other places but other times, before and beyond the time when we exist here on Earth.”

His presentation will dive into the meaning of being redeemed by the risen Christ in light of the immensity of time and space.

Br. Guy received the 2014 Carl Sagan Medal for outstanding communication by an active planetary scientist to the general public from the American Astronomical Society Division for Planetary Sciences. He is the author or co-author of four books exploring faith and science issues, including, Would You Baptize an Extraterrestrial? (with Paul Mueller), God’s Mechanics, Brother Astronomer, and The Way to the Dwelling of Light.

“It is rare to find someone so accomplished in science, theology, and philosophy, who can also communicate complex topics clearly to a general audience. Br. Guy is one of the best story-tellers I’ve ever known,” said Grace Wolf-Chase, senior scientist and senior education and communication specialist at the Planetary Science Institute.

(23) HONESTLY. In “Honest Game Trailers: Psychonauts 2” on YouTube, Fandom Games says this game features weird worlds, and characters whose heads weigh as much as their bodies.  But don’t expect any action, because ‘playing Psychonauts for the combat is like eating at Taco bell for the diarrhea.”

[Thanks to Mike Kennedy, Andrew Porter, Martin Morse Wooster, JJ, N., Daniel Dern, Rick Kovalcik, Michael Toman, John King Tarpinian, and Cat Eldridge for some of these stories. Title credit belongs to contributing editor of the day Peer.]

Pixel Scroll 7/30/21 I Never Could Get The Hang Of Scrolldays

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(1) EATING THE FANTASTIC CELEBRATES EPISODE 150. Scott Edelman encourages listeners to binge on the Balkans with Eisner Award-winning comics writer Tom King in episode 150 of his Eating the Fantastic podcast.

Tom King

Tom started out in comics by interning for both DC and Marvel, where he was an assistant to X-Men writer Chris Claremont. After his comics-inspired debut novel A Once Crowded Sky was published in 2013, and after a stint in the CIA, he went on to write Batman and Mister Miracle for DC, The Vision for Marvel, and many other projects, which won him an Eisner Award in 2018 for Best Writer. Plus — and I only realized this while taking note of comic artist Joe Giella’s recent 93rd birthday — we’ve both written Supergirl stories — 43 years apart! But that’s not the only commonality to our comics careers, as you’ll soon hear.

We discussed the two questions no one in comics can answer, his attempt at age 11 to get a job at Archie Comics, how he goes back to the beginning when writing a classic character such as Supergirl, whether Alan Moore would have had the impetus to create Watchmen in today’s environment, our dealings with comic book censorship, the weird way Monica Lewinsky caused him not to get hired by MAD magazine, the differences we discovered early on between Marvel and DC, what he learned as an intern to the legendary Chris Claremont, the Black Knight pitch he got paid for which was never published, the way comic book people are like circus folk, why the current state of Krypto proves I could never go back to writing comics, and much more.

(2) WORDPLAY IN ANNIE. [Item by Daniel Dern.] Historically, the bad guys in the Annie comics have had names ranging from more-or-less backwards, to descriptive ones. (Sorry, can’t think of or find examples off the top of my head nor thru brief web search, no time to walk over to L/O/A books in bedroom bookshelf…) (The names in Dick Tracy are no slouch, neither.) Currently Annie features a villain called “Bandy Dessinay”… and if that sounds familiar:

Bandes dessinées (singular bande dessinée; literally ‘drawn strips’), abbreviated BDs and also referred to as Franco-Belgian comics (BD franco-belge), are comics that are usually originally in the French language and created for readership in France and Belgium.

As for why I recognized the rephoneticized term, it’s mostly from the year or three that I was subscribing to ComiXology Unlimited (their streaming digital comic book offering), where Bandes Dessinées was often one of the group/type categories along with (something like, IIRC) issues, series, collections.

Interestingly (at least, I think so), “Annie has appeared in the Dick Tracy comic strip after Little Orphan Annie was discontinued.” according to the Pigtails in Paint article on “Harold Gray’s Little Orphan Annie”.

Pogo fans will, of course, remember Albert Alligator and Beauregard Frontenac Bugleboy III (“The Faithful Dog”) (or perhaps Ponce de Leon Montgomery County Alabama Georgia Beauregard Possum, per a different web site) periodically gearing up as “Little Arfin’ Lulu,” with (his) eyes “all blunked out” and Sandy.

(3) PAPERBACK SHOW RETURNS. March 20, 2022 will be the date for the Los Angeles Vintage Paperback Collectors Show. The 42nd edition of the show (which had to skip 2021) will take place as usual at the Glendale Civic Auditorium, in Glendale, California.

(4) SHARPSON REVIEWED. [Item by Olav Rokne.] “The Future Refusing To Be Born” at The Hugo Book Club Blog. I keep thinking about the book, and how the author ties rejection of modernity (nostalgia) to authoritarianism. Definitely think that Sharpson will end up on my personal ballot for the Astounding Award based on this book. 

In Neil Sharpson’s debut novel When The Sparrow Falls, that place is The Caspian Republic: a country founded by expatriate American and Russian bioconservative activists, whose boundaries are roughly those of present-day Azerbaijan.

While the rest of the world has embraced an almost-singularitarian future of AI-guided mass prosperity, near immortality, and widespread expansive human rights, this Caspian Republic has hewed to a quasi-religious “Humanity First” doctrine and polices the use of technology.

…Sharpson’s prose is sparse, clear, and engaging. He ably paints a picture of a deeply flawed society, and one that is the all-too-believable result of nostalgia-driven politics and identity-driven ideology. Because the Caspian Republic’s technology is pretty much limited to what was common in North America in the 1980s, readers will be reminded of late-era Cold War spy stories….

(5) 100 YEARS OF LEM. The Viennese are participating in the Stanislaw Lem centenary reports Radio Poland: “Austrian capital honours Polish sci-fi great Lem”. See video of the dance on Facebook.

Lem’s centenary is being celebrated in Poland as the Year of Lem, and now Vienna, the writer’s home in the 1980s, has joined in, staging a series of musical events collectively dubbed the Lem Festival.

Poland’s Adam Mickiewicz Institute (IAM) is the driving force behind the project, in co-operation with the ImPuls Tanz festival and the Klangforum Wien ensemble.

During the events, which run through the end of July, dancers and musicians are expected to invite audiences “to reflect on the possibility of communication with ‘the Alien,'” according to the Polish institute.

This is because, a century after Lem was born, and following the NASA rover’s landing on Mars, this question has again become our civilisation’s most pressing problem, the organisers have said….

(6) THEY MADE IT. The Uncanny Kickstarter hit its initial funding goal – now they start work on the stretch goals.

(7) APEX AND ABOVE. Likewise, the Apex Magazine 2022 Kickstarter reached its basic goal and is rolling up its milestone rewards. First on the list, a story by Bonnie Jo Stufflebeam – who does a Q&A with publisher Jason Sizemore in the linked update.

JASON SIZEMORE: Do you and Levar Burton hang out? Talk a little about the process of working with Mr. Burton and hearing your words narrated by Mr. Reading Rainbow?

BONNIE JO STUFFLEBEAM: What an experience! I got an unexpected email from Julia Smith, the producer of LeVar Burton Reads, inviting me to be LeVar’s featured writer at his live Dallas event for my story “In the City of Martyrs.” I had no idea that this was an email that one could get, so I was immediately ecstatic to both appear live and to have my story appear on the podcast. The night of the show, I got to meet Julia and LeVar, both amazing and talented professionals, then got to hear LeVar read my story to musical accompaniment. After the reading, we did a Q&A with LeVar and then with the audience.

What I remember most from the event was LeVar’s generosity; he offered to meet-and-greet the very large group of people who came to support me. Also, the audience questions for the Q&A were perceptive as hell. The audience was clearly full of serious readers, and I’m not sure there’s a better feeling than to be surrounded by people who share that passion. Then, of course, there was the magic of hearing my short story read by a man whose voice I grew up listening to. Normally, I can’t divorce the reading of my own stories from the fact that I wrote them, but hearing LeVar read my work with a balalaika setting the story’s mood throughout, I got goosebumps.

(8) DISNEY GETS ROUGH. As reported here earlier, Scarlett Johansson filed a high-stakes breach of contract lawsuit against Disney over the release of Black Widow, alleging Disney broke its contract with her by releasing her solo feature on streaming platform Disney+ on the same day as theaters. Disney’s reply drags their star through the mud: “Disney blasts Scarlett Johansson’s ‘Black Widow’ suit: ‘No merit whatsoever’”.

…However, Disney pushed back hard against Johansson’s arguments. In a statement issued to Yahoo Finance, the media giant said, “There is no merit whatsoever to this filing. The lawsuit is especially sad and distressing in its callous disregard for the horrific and prolonged global effects of the COVID-19 pandemic.”…

Johansson’s representatives at CAA hit back: “Hollywood agent Bryan Lourd steps into Disney v Scarjo fight” in the Los Angeles Times.

“They have shamelessly and falsely accused Ms. Johansson of being insensitive to the global COVID pandemic, in an attempt to make her appear to be someone they and I know she isn’t,” Lourd, co-chairman of Creative Artists Agency said in a statement. Lourd represents some of Hollywood’s biggest stars besides Johansson, such as Brad Pitt and George Clooney. Disney did not respond to requests for comment on Lourd’s statement….

“Scarlett has been Disney’s partner on nine movies, which have earned Disney and its shareholders billions,” Lourd said. “The company included her salary in their press statement in an attempt to weaponize her success as an artist and businesswoman, as if that were something she should be ashamed of.”

(9) BLUE ORIGIN TRIES TO REVIVE NASA’S INTEREST. Blue Origin says it’s willing to cover $2 billion of the cost for a second lunar lander contract, should NASA award one. In a July 26th letter to NASA Administrator Bill Nelson, Blue Origin founder Jeff Bezos said his company is willing to waive up to $2 billion in payments over the current and next two government fiscal years in exchange for a fixed-priced contract. In April, NASA selected SpaceX as the recipient of its Human Landing System (HLS) contract, a decision that competitors Blue Origin and Dynetics protested shortly after. The full letter is at the link, here are some excerpts:

Blue Origin is committed to building a future where millions of people live and work in space to benefit the Earth….

This is why Blue Origin answered NASA’s urgent call to develop a Human Landing System. We built the National Team – with four major partners and more than 200 small and medium suppliers in 47 states – to focus on designing, building, and operating a flight system the nation could count on. NASA invested over half a billion dollars in the National Team in 2020-21, and we performed well. The team developed and risk-reduced a safe, mass-efficient design that could achieve a human landing in 2024. 

Our approach is designed to be sustainable for repeated lunar missions and, above all, to keep our astronauts safe. We created a 21st-century lunar landing system inspired by the well-characterized Apollo architecture — an architecture with many benefits. One of its important benefits is that it prioritizes safety. As NASA recognized, the National Team’s design offers a “comprehensive approach to aborts and contingencies [that] places a priority on crew safety throughout all mission phases.” 

Unlike Apollo, our approach is designed to be sustainable and to grow into permanent, affordable lunar operations. Our lander uses liquid hydrogen for fuel. Not only is hydrogen the highest-performing rocket fuel, but it can also be mined on the Moon. That feature will prove essential for sustained future operations on the Moon and beyond.

From the beginning, we designed our system to be capable of flying on multiple launch vehicles, including Falcon Heavy, SLS, Vulcan, and New Glenn. The value of being able to fly on many different launch vehicles cannot be over-stated…

Yet, in spite of these benefits and at the last minute, the Source Selection Official veered from the Agency’s oft-stated procurement strategy. Instead of investing in two competing lunar landers as originally intended, the Agency chose to confer a multi-year, multi-billion-dollar head start to SpaceX. That decision broke the mold of NASA’s successful commercial space programs by putting an end to meaningful competition for years to come…. 

(10) TED LEWIN (1935-2021). Illustrator and writer of children’s books Ted Lewin died July 28. Jane Yolen paid tribute on Facebook.

Heartbroken–this says it all. Ted and [his wife] Betsy were dear friends for many years and Ted illustrated David’s only children’s book (HIGH RIDGE GOBBLER) and a bunch of mine, Several of his originals for the books decorate my dining room. I see them everyday. Ted was a lovely, lovely man, a wonderful storyteller, who brought much beauty to the world.

Ted Lewin illustrated over 200 books, winning a 1994 Caldecott Honor for Peppe The Lamplighter. A number of these were done in collaboration with his wife, Betsy.

As a young man who wanted to go to art school at the Pratt Institute, he earned money to finance his education by taking a summer job as a professional wrestler – the beginning of a fifteen year part-time career that eventually inspired his autobiographical book I Was a Teenage Professional Wrestler.

Lewin’s professional honors also include a Silver Medal in the Society of Illustrators Annual Show (2007), and he and Betsy were inducted into the Society of Illustrators Hall of Fame in 2015. [Click below for larger image.]

(11) MEMORY LANE.

  • 1987  – In July of 1987, Emma Bull’s War for The Oaks was published by Ace Books. It would win a Locus Best First Novel Award and be nominated for a Mythopoeic Fantasy Award. This urban fantasy would get its own trailer courtesy of Will Shetterly who financed it instead of running for Governor. You’ll no doubt recognize many of the performers here as some of them are from Minnesota fandom.  Decades later, it was scheduled to have a hardcover edition from Tor Books but it got canceled after the books were printed. (They were printed. I have a signed one here.) And the music in War for The Oaks would later be done by Cats Laughing, a band that includes Emma Bull and other members of fandom with lyrics by John Ford, Steven Brust and others. 

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born July 30, 1927 — Victor Wong. I remember him best as the Chinese sorcerer Egg Shen in John Carpenter’s exemplary Big Trouble in Little China. He was also The Old Man in The Golden Child, Walter Chang in Tremors, Dr. Wong in the “China Moon” episode of the Beauty and the Beast series and Lee Tzin-Soong in the “Fox Spirit” episode of Poltergeist: The Legacy. (Died 2001.)
  • Born July 30, 1947 — John E. Stith, 74. Winner of two HOMer Awards, given by the Science Fiction and Fantasy Literature Forum on CompuServe, for Redshift Rendezvous and Naught for Hire. The former would be nominated for a Nebula as well. The HOMer Awards ended in about 2000. 
  • Born July 30, 1947 — Arnold Schwarzenegger, 74. Terminator franchise, of course, as well as Running Man, Conan the Barbarian and  Conan the Destroyer, Tales from the Crypt and True Lies. Apparently in sort of announced Conan and Terminator reboots. Though I think that’s more rumor than reality. 
  • Born July 30, 1948 — Carel Struycken, 73. I remember him best as the gong ringing Mr. Holm on Next Gen, companion to Deanna Troi’s mother. He was also Lurch in The Addams Family, Addams Family Values and the Addams Family Reunion. He’s listed as being Fidel in The Witches of Eastwick but I’ll be damned if I remembered his role in that film though I’ve seen it twice. And he’s in Ewoks: The Battle for Endor which I’ve never seen. 
  • Born July 30, 1966 — Jess Nevins, 55. Author of the superlative Encyclopedia of Fantastic Victorian and the equally great Heroes & Monsters: The Unofficial Companion to the League of Extraordinary Gentlemen which is far better than the film ever could be. He’s also written the Fable Encyclopedia which is a most excellent look at Willingham series. I didn’t know he also wrote fiction ‘til now but he has two genre novels, The Road to Prester John and The Datong Incident. 
  • Born July 30, 1966 — Jason Watkins, 55. His first genre role was William Herrick in Being Human. He’s also had a recurring role on Dirk Gentely as DI Gilks. And he voiced Captain Orchis on Watership Down.  Naturally, he’s been in Doctor Who, specifically as Webly in the Eleventh Doctor story, “Nightmare in Silver”.  He showed up in The Golden Compass as Bolvangar Official.
  • Born July 30, 1970 — Christopher Nolan, 51. Writer, producer and often director as well of the latest Batman film franchise, The Prestige, Interstellar, Inception and Batman v Superman: Dawn of Justice to name some of his work. His latest, Tenet, has been nominated for a Hugo this year. 
  • Born July 30, 1975 — Cherie Priest, 46. Her Southern gothic Eden Moore series is kickass good and Clockwork Universe series isa refreshing take on steampunk which has been turned into full cast audiobooks by GraphicAudio. I’ve not read the Cheshire Red Reports novels so have no idea how good they are. Anyone read these?  She won an Endeavour Award for her Dreadnought novel.

(13) COMICS SECTION.

  • Frank and Ernest shows the judge throwing the book at an unexpected traffic offender.

(14) GET YOUR ANSWERS READY. Your hosts for Science Fiction 101 podcast are Phil Nichols of the Bradburymedia website, who is also known for the Bradbury 100 podcast and the Bradbury 101 YouTube channel; and Colin Kuskie of the Take Me To Your Reader podcast. Episode 7, “We Goes There”, features a sci-fi quiz.

(15) BASEDCON. *Rolls eyes* Thread starts here.

(16) HEAP OF GLORY. “Londoners Were Promised a Hill With a View. They Got a Pile of Scaffolding.” Linking to this New York Times item so you can appreciate the amusing comment which I’ve quoted below.

Advance publicity for the Marble Arch Mound — London’s newest visitor attraction — suggested that an Arcadian landscape would be created in the middle of the city, with spectacular views over Hyde Park.

A huge artificial hill, over 80 feet high, would rise at one end of Oxford Street, London’s busiest shopping district. Costing around 2 million pounds, or about $2.7 million, design renderings suggested that it would be covered in lush trees and that visitors would be able to climb to the top — and “feel a light breeze” against their skin.

The hill was part of a £150 million plan by Westminster Council to lure visitors back into the center of the city after the pandemic. In May, Time Out, London’s main listings magazine, described it as “visually arresting/bonkers.”

The reality has turned out to be somewhat different. Since opening on Monday, the mound has been widely mocked online as more of a folly than a dream — a pile of blocky scaffolding covered in patches of vegetation that look in danger of slipping off, and that it isn’t even high enough to look over the trees into Hyde Park….

 A commenter on the article said:

To be fair to Westminster City Council that spot has become increasingly difficult to manage, with the combination effect of a long record of unplanned and haphazard development accumulating to create serious problems. 

Obviously, the confluence of ley lines and faerie roads there lead to that being the natural place for the portal to Avalon, which in turn attracted the gate into Narnia. But, installing the secret entrance to Q branch’s main workshop so close to both the back door to the Ministry of Magic and unquiet spirits of Tyburn Tree was asking for trouble, and probably meant spatio-temporal subsidence would inevitably produce The Rift. 

Although finding a more plausible way to conceal the essential interdimensional-engineering work needed might have been better, it can be argued that attracting widespread ridicule with this hill has provided the sort of smokescreen that was wanted more cost-effectively. 

We probably shouldn’t rush to judgement, and wait for the official paperwork to be declassified and released under the 5,000-year rule.

(17) ROBODOG. [Item by Mike Kennedy.] Is the game “Quick, spot the cop” or “Quick Spot, the cop”? Another publication has chimed in on whether robotic “dogs” are suitable for use by police. “Robotic Police Dogs: Useful Hounds or Dehumanizing Machines?” at U.S. News & World Report.

If you’re homeless and looking for temporary shelter in Hawaii’s capital, expect a visit from a robotic police dog that will scan your eye to make sure you don’t have a fever.

That’s just one of the ways public safety agencies are starting to use Spot, the best-known of a new commercial category of robots that trot around with animal-like agility.

The handful of police officials experimenting with the four-legged machines say they’re just another tool, like existing drones and simple wheeled robots, to keep emergency responders out of harm’s way as they scout for dangers. But privacy watchdogs — the human kind — warn that police are secretly rushing to buy the robots without setting safeguards against aggressive, invasive or dehumanizing uses.

In Honolulu, the police department spent about $150,000 in federal pandemic relief money to buy their Spot from robotics firm Boston Dynamics for use at a government-run tent city near the airport.

“Because these people are houseless it’s considered OK to do that,” said Jongwook Kim, legal director at the American Civil Liberties Union of Hawaii. “At some point it will come out again for some different use after the pandemic is over.”…

(18) AI ASSESSES CATS. Meanwhile, a breakthrough in cat happiness technology has made the headlines: “Feline okay? The app that tells you if your cat’s happy” reports Reuters.

Cat owners who love to take pictures of their furry friends now have a new excuse to pull out their smartphones and take a snapshot: it may actually help the cat.

A Calgary, Alberta, animal health technology company, Sylvester.ai, has developed an app called Tably that uses the phone’s camera to tell whether a feline is feeling pain.

The app looks at ear and head position, eye-narrowing, muzzle tension, and how whiskers change, to detect distress. A 2019 study published in peer-reviewed journal Scientific Reports found that the so-called ‘feline grimace scale,’ or FGS, is a valid and reliable tool for acute pain assessment in cats….

(19) GIVING THE GOVERNMENT THE DIGIT. If an AI can be trusted with your cat, surely their work should not go unrewarded! “Australian Court Rules That AI Can Be an Inventor” – Gizmodo has the story.

In what can only be considered a triumph for all robot-kind, this week, a federal court has ruled that an artificially intelligent machine can, in fact, be an inventor—a decision that came after a year’s worth of legal battles across the globe.

The ruling came on the heels of a years-long quest by University of Surrey law professor Ryan Abbot, who started putting out patent applications in 17 different countries across the globe earlier this year. Abbot—whose work focuses on the intersection between AI and the law—first launched two international patent filings as part of The Artificial Inventor Project at the end of 2019. Both patents (one for an adjustable food container, and one for an emergency beacon) listed a creative neural system dubbed “DABUS” as the inventor.

The artificially intelligent inventor listed here, DABUS, was created by Dr. Stephen Thaler, who describes it as a “creativity engine” that’s capable of generating novel ideas (and inventions) based on communications between the trillions of computational neurons that it’s been outfitted with. Despite being an impressive piece of machinery, last year, the US Patent and Trademark Office (USPTO) ruled that an AI cannot be listed as the inventor in a patent application—specifically stating that under the country’s current patent laws, only “natural persons,” are allowed to be recognized. Not long after, Thaler sued the USPTO, and Abbott represented him in the suit….

(20) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Game Trailers: Zombies Ate My Neighbors and Ghoul Patrol,” Fandom Games says this game will take you back to the ’90s (remember Scholastic book fairs?  All-denim outfits?) and will “tickle your nostalgia nose” but still frustrate you even though you’re not a teenager any more, but have kids and a mortgage.

(21) TINGLING BULLETINS AS THEY BREAK. Chuck Tingle told Facebook followers today that the music rights holders withdrew their complaints three days ago, but Twitter still hasn’t done doodly about restoring his account.

first off POWER OF LOVE IS STRONG with help of some true buckaroos behind scenes (who i will thank when this is all over and direct you to their websites and other ways) AND ALSO with help of all buckaroos on social media: SONY MUSIC and IFPI have decided to withdraw their copyright complaints and say ‘okay just take them down lets trot on you can have your account back’ which is HUGE DEAL. SO THANK YOU SO MUCH THIS PROVES LOVE IS REAL. also even though this situation is frustrating for chuck i must say sincere thank you to sony and ifpi this was a choice they made to do right thing by chuck in the name of the buckaroo lifestyle. so thank you everyone (with more thanks to come)

this happened THREE DAYS ago and twitter was notified. since then twitter has not responded to any methods of contact from chuck or sam rand or manager of chuck. chuck remains suspended with no way of contacting them that does not get automated response even though fact of the matter is:

THERE IS NO REASON FOR CHUCK TINGLE TWITTER TO BE SUSPENDED AT THIS POINT i do not have copyright infringement marks anymore or any other infractions. i have sent message to say ‘can you tell WHY my account is still suspended even after you said it would be better if i fixed these issues?’ and no response.

[Thanks to Mike Kennedy, Andrew Porter, Martin Morse Wooster, Paul Weimer, Olav Rokne, Michael J. Walsh, JJ, Michael Toman, John King Tarpinian, and Cat Eldridge for some of these stories. Title credit belongs to contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 7/18/21 Please Pixel Carefully As Our Menu Scrolls Have Recently Changed

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(1) WHAT ELSE BELONGS ON THAT SHELF? At Kalimac’s corner, blogger DB answers “if Tolkien is …” —

A recent conversation presented me with a chance to answer the question, “If Tolkien is my favorite fantasy author, who are my other favorites?”

To answer this, I’m going to have to turn back to a long-ago time, before recent fantasy giants like Martin and Pratchett, before even Donaldson and Brooks, not quite before the Ballantine Unicorn’s Head series but before I was aware of it, and report on my perplexity at the recommendations I was getting from friends and helpful librarians for “things like Tolkien” to read after him. They were sword-and-sorcery authors like Robert E. Howard, and the likes of comic-book superheroes. I tried these things, but I was not even remotely attracted to them. I could see the superficial resemblance – battles involving mighty heroes, often in a semi-barbarian pseudo-medieval landscape – but that’s not what Tolkien was about, or what he was like. They were badly written, crudely plotted, and their heroes were all like Boromir. The likes of Frodo and Sam didn’t even exist there. They only had the crude surface resemblance, and not what I went to Tolkien for: his soul, his depth of creativity, his sense of morality. I quickly learned that surface resemblance has nothing to do with what makes Tolkien distinctive or worthwhile. That inoculated me against falling for all the Tolclones to come just because they were Tolclones, as so many did (and the Jackson movies are Tolclones in that respect).

What gave Tolkien quality I learned when I read the original Earthsea books by Ursula K. Le Guin. These books were not very like Tolkien in surface appearance, but they had the depth of creative impulse, and a sure sense of moral imperative. Le Guin’s moral principles were different from Tolkien’s, but they were consistent, and morally defensible, and above all they were palpable. That’s what taught me that a coherent moral vision was what made for a real resemblance to Tolkien….

(2) CAPTAIN JACK. “John Barrowman gives his side of the story after tales of his naked antics on TV sets re-emerged” in a Daily Mail interview. He seeks to justify or mitigate several reports of his past on-set behavior, the details of which come after this excerpt.  

…Then a couple of months ago the sky fell in. Following accusations of sexual harassment against Noel Clarke, who played Mickey Smith – the boyfriend of Billie Piper’s character Rose – in Doctor Who from 2005 until 2010, historic footage emerged on YouTube of a sci-fi convention, Chicago Tardis, in 2014, released by The Guardian newspaper which had investigated Clarke’s behaviour on the Doctor Who set. 

In an interview in front of a live audience, Clarke is seen regaling fellow cast members Annette Badland and Camille Coduri with tales of John’s behaviour on the set of Doctor Who, exposing himself ‘every five seconds’. Clarke then jokes with the audience not to do this at their workplace or they might go to prison.

The allegations levelled against Clarke are extremely serious. At least 20 women have come forward to accuse him of sexual harassment and bullying, ‘inappropriate touching and groping’ and secretly filming naked auditions before sharing the videos without consent. 

He denies all the allegations, but BAFTA has since suspended the Outstanding Contribution award it bestowed on him just weeks earlier, and the BBC has shelved any future projects he was working on with them.

Now John’s behaviour on the sets of both Doctor Who and Torchwood has come under scrutiny once again. The furore has led to a video of Captain Jack Harkness being expunged from the current immersive Doctor Who theatre show Time Fracture, a planned Torchwood audio production featuring John and former Doctor Who lead David Tennant being scrapped and doubt about whether he will be invited back to the Dancing On Ice panel. 

…  ‘The moment has come to set the record straight,’ he says from the Palm Springs, California, home he shares with his husband Scott Gill. ‘This is the first time – and the last – I will address this subject. And then I plan to draw a thick black line under it.’…

(3) FOR SOME OF YOU, BEWARE SPOILERS. In an appearance on The Tonight Show, Mark Hamill talks about voicing Skeletor in the He-Man continuation Masters of the Universe: Revelation and how he pulled off the coolest surprise ever in The Mandalorian.

(4) RESCUE MISSION. In “The Haunted Mind of Shirley Jackson”, New Yorker reviewer Zoë Heller argues the importance of a new Shirley Jackson biography.

Here’s how not to be taken seriously as a woman writer: Use demons and ghosts and other gothic paraphernalia in your fiction. Describe yourself publicly as “a practicing amateur witch” and boast about the hexes you have placed on prominent publishers. Contribute comic essays to women’s magazines about your hectic life as a housewife and mother.

Shirley Jackson did all of these things, and, during her lifetime, was largely dismissed as a talented purveyor of high-toned horror stories—“Virginia Werewoolf,” as one critic put it. For most of the fifty-one years since her death, that reputation has stuck. Today, “The Lottery,” her story of ritual human sacrifice in a New England village (first published in this magazine, in 1948), has become a staple of eighth-grade reading lists, and her novel “The Haunting of Hill House” (1959) is often mentioned as one of the best ghost stories of all time. But most of her substantial body of work—including her masterpiece, the beautifully weird novel “We Have Always Lived in the Castle” (1962)—is not widely read…. 

… In a new, meticulously researched biography, “A Rather Haunted Life,” Ruth Franklin sets out to rescue Jackson from the sexists and the genre snobs who have consigned her to a dungeon of kooky, spooky middlebrow-ness….

(5) SCARY MOVIES. SYFY Wire says these are “The 25 scariest sci-fi movies ever made, ranked”.

… As Aliens celebrates 35 years of thrilling audiences, SYFY WIRE revisited some memorable sci-fi scare-fests and ranked the best of the most terrifying movies both science fiction and horror have to offer…. 

15   Scanners (1981)

Director David Cronenberg’s Scanners is firmly indoctrinated into the Cult Movie Hall of Fame, thanks in large part to an iconic scene early in the film that features an exploding head. 

Scanners is a barebones sci-fi thriller about a man capable of telekinesis and psychokinesis forced to hunt down others like him. His hunt takes him and audiences on a dark and unsettling tour of where government bureaucracy and supernatural science intersect, where individuals with the ability to weaponize thoughts are subjugated by those who think of them only as threats. Despite its low-budget trappings, Scanners packs in a considerable amount of deep thematic ideas among all the gore and unsettling bits. 

(6) WINCHESTER. Edward M. Lerner suggests his book signing in Virginia on August 7 is the right destination if you’re ready to fly the coop. “SF and Nonsense: Has the time come? Are we (as opposed to my protagonists) *less* doomed?” (And the area boasts some historic sites worth visiting, too.)

Is anyone ready to get out of the house and resume “normal” life? And I don’t mean to observe Bastille Day. (I hear a resounding chorus of “YES!“)

Then please join me for my first post-COVID book signing, upcoming on Saturday, August 7th (2 to 4 PM) for Déjà Doomed. 

Unfamiliar with this, my latest novel?  That’s easily remedied. “DÉJÀ DOOMED is … finalement here 🙂” is what I posted on its recent release date. Naturally, I’ll be happy to discuss it — or pretty much anything — in person.

Where? you ask. The Winchester Book Gallery, on the lovely walking mall of scenic, historic Winchester, VA. 

(7) NOT OFF THE SHELF. Jayme Lynn Blaschke’s video “A Moment of Tiki: The Wall Is Lava” is a progress report on his DIY tiki bar.

Episode 29 of A Moment of Tiki is now live on the YouTubes! This time out I walk viewers through a build of a faux lava accent wall. I spent the bulk of last summer building out this project in the Lagoon, and it was more of a time-consuming than I’d anticipated. Editing all the footage taken over the course of several months proved a challenge unto itself.

Still, this is a vision I had way back when I started this whole crazy home tiki bar build project…

(8) MEMORY LANE.

  • 2006 – Fifteen years ago, Eureka premiered on the SciFi Channel. It was created by Andrew Cosby and Jaime Paglia. It had a very large ensemble cast: Colin Ferguson, Salli Richardson-Whitfield, Joe Morton. Debrah Farentino. Jordan Hinson, Ed Quinn, Erica Cerra, Neil Grayston, Niall Matter, Matt Frewer, Tembi Locke and James Callis were the principal performers. It had a five-year run and lasted seventy-seven episodes plus a handful of webisodes. Though set in Oregon, it, like so many SF series, was filmed in British Columbia. Though critical reception was decidedly mixed, it did very well in the ratings and the SciFi Channel allowed it to wrap up properly. Audience reviewers at Rotten Tomatoes give it a most excellent eighty-eight percent rating.  

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born July 18, 1913 — Red Skelton. Comedian of the first order. The Red Skelton Hour ran for three hundred and thirty-eight episodes.  I remember Freddie the Freeloader. He’s here because ISFDB says he wrote A Red Skelton in Your Closet which is also called Red Skelton’s Favorite Ghost Stories. He also has cameos in Around the World in Eighty Days and Those Magnificent Men in their Flying Machines, both of which I consider at least genre adjacent. (Died 1997.)
  • Born July 18, 1913 —  Marvin Miller. He is remembered, if he’s remembered for it, for being the voice of Robby the Robot in Forbidden Planet. He would reprise that role myriad times in the next few decades in such films and series as The Invisible Boy, the first Lost in Space series and Gremlins. (Died 1985.)
  • Born July 18, 1933 — Syd Mead. Best remembered on his design work on such films as Star Trek: The Motion Picture, Blade Runner, Tron, 2010: The Year We Make Contact, Short Circuit, Aliens, Johnny Mnemonic, and Blade Runner 2049. There’s an excellent look at him and his work, Visual Futurist:The Art & Life of Syd Mead. (Died 2019.)
  • Born July 18, 1938 — Paul Verhoeven, 83. Responsible for Starship Troopers, Total Recall, Hollow Man and Robocop. He’s made the final list for the Hugo for Best Dramatic Presentation three times (Starship Troopers, Total Recall and Robocop) but has not won it. 
  • Born July 18, 1966 — Paul Cornell, 55. Author of both the Shadow Police series and the Witches of Lychford novella series which are quite excellent as well as writing a lot of television scripts for Doctor Who including his Ninth Doctor story”Father’s Day” which was nominated for a Hugo, Primieval and Robin Hood. He was part of the regular panel of the SF Squeecast podcast which won two Hugo Awards for best fancast, one at Chicon 7 and one at LoneStarCon 3. And he scripted quite a bit of the Captain Britain and MI: 13 comic series as well — very good stuff indeed.
  • Born July 18, 1967 — Van Diesel, 54. Guardians of The Galaxy franchise (“I am Groot!”) and other MCU films, The Iron Giant, xXx which is more or less genre, the Chronicles of Riddick franchise and The Fifth Element which I absolutely adore. He’s apparently in the third Avatar film. 
  • Born July 18, 1982 — Priyanka Chopra,  39. As Alex Parrish in Quantico, she became the first South Asian to headline an American network drama series. Is it genre? Maybe, maybe not, though it could fit very nicely into a Strossian Dark State. Some of her work in her native India such as The Legend of Drona and Love Story 2050 is genre as Krrish 3, an Indian SF film she was in. She’s got a major role in the still forthcoming Matrix 4 film.
  • Born July 18, 1994 — Taylor Russell, 27. Judy Robison on the current Lost in Space series. She had a recurring role as Evelyn on Falling Skies, and she’s done a lot of horror films given her age.

(10) MAX LEGROOM. Scott Stinson explains why “Mad Max: Fury Road is a ridiculous masterpiece — flaming guitar bad guy says it all really” at National Post.

…Fury Road is a thrill ride, is what I’m saying. Our hero Max is captured right off the jump by a bunch of marauding fellows, imprisoned and used as a blood donor. His captors call him a blood bag, which really underscores the unlikelihood of a fair trial and eventual release. It’s quickly established that the gang is beholden to a cult leader, Immortan Joe, who has respiratory and skin problems but does control the water supply, the source of his power. Next comes Furiosa, a bad-ass truck driver who is leading a supply run. (There is a shortage of everything in this world except sand and orange lens filters.) But, wait! Furiosa is actually double-crossing ol’ Joe and has stowed away his harem of wives. Joe is greatly displeased and a convoy heads off in pursuit, with Blood Bag Max strapped to the front of one of the vehicles rather awkwardly.

This all happens with such quick pacing that it feels like it could have been one of those “previously on” catch-up scenes on a TV series…. 

(11) MR. GREEN HAS ARRIVED. Here’s another argument why “there’s no such thing as bad publicity.” BasedCon organizer Robert Kroese tweeted —

(12) CREATIVE DIFFERENCES. Fansided discusses “How Dr. McCoy’s age changed Star Trek’s The Way to Eden” in The Original Series.

…Once [D.C.] Fontana turned her draft of the script in, a producer told her McCoy wasn’t old enough to have a twenty-one-year old daughter because he was Kirk’s “contemporary,” even though DeForest Kelley, the actor who portrayed Dr. McCoy, would have been 48 in 1968.

Fontana was livid that the writers’ guide wasn’t even read so that the script could be considered. She requested her name be removed from it, choosing instead to use her pseudonym “Michael Richards.”…

(13) COPTER ON TITAN. The Planetary Society tells “How Dragonfly will explore Saturn’s ‘bizarro Earth’ moon, Titan”. But it won’t arrive until 2037.

Why send a typical lander when you can send a dual-quadcopter?

That’s the question Dr. Elizabeth Tuttle and her team at The Johns Hopkins University Applied Physics Laboratory asked when they developed NASA’s next New Frontiers mission to Saturn’s largest moon, Titan. The dual-quadcopter, aptly named Dragonfly, will carry a suite of instruments designed to analyze Titan’s surface, which can vary from pure water ice to crumbly, orange-tinted organic sands.

Over a series of flights throughout its three-year nominal mission, Dragonfly will hopscotch over Titan’s surface, investigating new places to visit and previously identified safe sites. Dragonfly’s science instruments include a gamma-ray and neutron spectrometer to analyze the elements beneath its ski-like legs, a UV light to detect fluorescent, organic molecules, and a mass spectrometer to analyze more complex, biologically relevant samples….

Life on Titan, if it exists or ever existed, would need to adapt to a life of Antarctic-like temperatures, near-constant twilight, and transient liquid water. What sort of life could possibly survive in such a hostile environment?

That’s exactly what Dragonfly aims to investigate by flying to Selk Crater, a geologically young impact crater just 800 kilometers (about 500 miles) north of where Cassini’s Huygens probe landed in 2005. 

(14) THE CLAWS THAT CATCH. An #OwlKitty parody video from 2019: “If Baby Yoda was a Cat (Mandalorian + OwlKitty)”

(15) TENTACLE TIME. This link was sent together with a note of concern that Last Week Tonight with John Oliver’s soliloquy “Octopuses” is probably too profane for a Scroll item, “but it’s genre-adjacent and really funny.” So you know. From the transcript —

…And before we start, I am fully aware that there are plenty of amazing animals in the ocean, which is, as we know, a big wet trash bin full of God’s weirdest typos….

(16) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] Creating The World Of Harry Potter:  The Magic Begins is a 2009 documentary, which Warner Bros. posted to YouTube in April, about the making of Harry Potter And The Sorcerer’s Stone.  It has a lot of behind-the-scenes footage which if you’re a hardcore Harry Potter fan you’d want to see,  I thought the footage of filming was interesting and the adults in the interviews are British pros who know how to be entertaining.  The kids are a lot less interesting.  I dunno what the British equivalent of “inside baseball” is but here are two things I learned:  the Hogwarts uniforms come from the films and not the books because J.K. Rowling declared that Hogwarts students didn’t have uniforms.  She was persuaded that uniforms were the right look for the movies.  Dame Maggie Smith declared that her character, Professor McGonigall, was Scottish, so her hat isn’t a witch’s hat but some sort of Scottish hat. Harry Potter fans will find this worth an hour.

[Thanks to Martin Morse Wooster, JJ, Michael Toman, John King Tarpinian, Cat Eldridge, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to contributing editor of the day Andrew (not Werdna).]

BasedCon Planning for Dozens of Attendees

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BasedCon – A based sci-fi con, organized by author Robert Kroese to appeal to the “sci-fi writer or fan who is sick of woke politics,” is planned for September 17-19 near Grand Rapids, Michigan.

The list of confirmed guests includes two-time Prometheus Award-winner Travis J.I. Corcoran, Robert Kroese, J.A. Sutherland, Hans Schantz, Jason Anspach*, Milo James Fowler, J. Daniel Sawyer, Dan Gainor, and Nick Cole* (asterisk indicates attending virtually).

On the BasedCon website, Kroese explains what “based” means to him and why his con has that name.

Why “BasedCon”?

In internet parlance, “based” means something like “in touch with reality.” Based behavior is the opposite of social justice activism, which is about meaningless virtue signaling and beating up strawmen. Some based beliefs include:

  • Men cannot give birth
  • Guns don’t kill people; people kill people
  • A fetus is a human being
  • Socialism has failed everywhere it’s been tried
  • Discriminating against white people is racism

BasedCon isn’t about pushing any particular ideology, but honest conversations have to start with a shared understanding of reality. If you think people with a certain skin color can’t be racist or you expect people to use made-up pronouns when talking about you, you may want to do a reality check before coming to BasedCon.

The BasedCon “About” page also devotes several paragraphs to the now-familiar “lost cause” genre narrative, for example —

Sci-fi cons used to be a lot of fun. They were places where people of all colors and creeds could get together to talk and learn about science fiction and fantasy books, games, movies, and TV shows. Then, starting a few years ago, things changed. Cons became increasingly dominated by a small clique of authoritarian jerks who made them into venues for pushing social justice dogma and, in the name of “inclusiveness,” shut down any opinions that didn’t align with progressive orthodoxy. You may remember the Sad Puppies saga, which culminated in WorldCon voters selecting “No Award” in several categories of the Hugo Awards rather than reward people outside their tribe…

Venue: BasedCon 2021 will be held at a privately owned property in Norton Shores, Michigan. How many people are they expecting to attract?

We have nine bedrooms onsite with 2-3 beds per room. If you prefer a private room, you can stay at one of the hotels nearby. 

Here are some tweets from earlier in the year when Kroese was still searching for a place to hold the event:

Here is some of the social media reaction, both favorable and unfavorable.

https://twitter.com/JASutherlandBks/status/1412366489001336833

[Thanks to Anne Marble for the story.]