The winners of the 2016 Fan Activity Achievement (FAAn) awards were announced today at Corflu 33 (Chiflu) in Chicago.
The FAAn awards are presented annually to honour the best in fan writing, drawing, publishing and posting, and are voted on by fanzine fans around the world.
The voting statistics have been posted here [PDF file].
More information about this and previous years’ awards, including a full breakdown of the 2016 results, will be available on the Corflu website here.
The Lifetime Achievement Award has been presented at Corflu since 2010, to honor a living fan for their fan activity over a long career in fandom. It is not a FAAn award; in most years winners have been selected from nominations by a small committee, usually (as this year) including recent Corflu chairs and the FAAn Awards administrator. Previous winners are listed alongside the FAAn awards on the awards history page [link: http://corflu.org/history/faan.html ]
The Fan Activity Achievement (FAAn) awards voting will remain open until April 23. The award honors the best in fan writing, drawing, publishing and posting. The awards will be presented at Corflu 33 on May 15.
Claire Brialey, the award administrator, encourages fans to get involved:
Anyone interested in science fiction fanzines is eligible to vote on the FAAn awards; please do take part if you’d like to recognize and celebrate what you’ve enjoyed about fanzines in the past year. The awards are voted on by fanzine fans around the world and the results are now usually announced at Corflu – but you don’t need to be a member of this year’s, or any other, Corflu in order to vote.
The FAAn Award categories are Genzine, Personalzine, Special Publication, Fan Website, Fan Writer, Fan Artist, Letterhack, and Fanzine Cover.
More information about this and previous year’s awards, together with a downloadable ballot form with voting instructions, can be found on the Corflu 33 website.
There will be further reminders, but don’t let that stop you voting relatively early. If you vote often, only the last ballot received before the deadline will count.
(1) PRELIMINARY PUPPIES. Vox Day issued his first “preliminary recommendations” today: “Rabid Puppies 2016: Best New Writer” (Preliminary, since he may change them based on feedback about eligibility, or for other reasons.)
To kick things off, we’ll begin with the Campbell Award: Best New Writer category:
Pierce Brown
Cheah Kai Wai
Sebastien de Castell
Marc Miller
Andy Weir
There was a noteworthy exchange in the comments.
[Phil Sandifer] Just for the record, Vox, the only reason Andy Weir wasn’t on the ballot last year was the Puppies. Without you, the Campbell nominees last year would have been Chu, Weir, Alyssa Wong, Carmen Maria Marchado, and Django Wexler.
[VD] Oh, Phil, you’re always so careless. That is not the only reason. It is a reason. Had you SJWs favored Weir over Chu, he would have also been on the ballot.
In any event, since you all are such champions of Weir, I’m glad we will all be able to join forces and get him nominated.
(2) GRRM REQUESTS. After announcing that the Locus Recommended Reading List is online, George R.R. Martin explicitly said –
Just for the record, before the issue is raised, let me state loudly and definitively that I do not want any of my work to be part of anyone’s slate, this year or any year. But I do feel, as I have said before, that a recommended reading list and a slate are two entirely different animals.
— an announcement whose timing may be more relevant today than it would have been yesterday.
(3) LOCUS SURVEY. You can now take the Locus Poll and Survey at Locus Online. Anyone can vote; Locus subscriber votes count double. Voting closes April 15.
Here is the online version of the 46th annual Locus Awards ballot, covering works that appeared in 2015.
In each category, you may vote for up to five works or nominees, ranking them 1 (first place) through 5 (fifth).
As always, we have seeded the ballot with options based on our 2015 Recommended Reading List [this link will open a new window], mainly because this greatly facilitates tallying of results. However, again as always, you are welcome to use the write-in boxes to vote for other titles and nominees in any category. If you do, please try to supply author, title, and place of publication, in a format like the options listed, where appropriate.
Do not vote for more than one item in a category at the same rank (e.g. two selections ranked 1st); if you do, we will disregard your votes in that category.
File 770 is seeded in the Best Magazine or Fanzine category and would cherish your fifth place votes. Or twenty-fifth, for that matter – the competition is formidable.
(5) STATISTICS. Brandon Kempner at Chaos Horizon began the month of February by “Checking Back in with the SFWA Recommended Reading List”. He prepared a change table and interpreted the rising fortunes of various novels, beginning with the greatest uptick —
What does this tell us? That Lawrence M. Schoen’s Barsk has emerged as a major Nebula contender, despite being lightly read (as of January 30th, this only has 93 ratings on Goodreads, 31 on Amazon, much much lower than other Nebula/Hugo contenders). That’s due in part to Schoen’s late publication date: the novel came out on December 29, 2015. That’s a tough time to come out, as you get lost in the post-Christmas malaise. A Nebula nomination would drive a lot of attention to this book. Schoen now seems like a very good bet for the Nebula, particularly when we factor in that he received Nebula nominations in the Best Novella category in 2013, 2014, and 2015. There’s clearly a subset of Nebula voters that really like Schoen’s work; a Best Novel nomination might be a spark that gets him more read by the rest of us.
I’ve lost track of how many submissions I made to Analog during the intervening years, first to Ben Bova, then Stan Schmidt (for more than three decades!), and now Trevor Quachri. Were there 25 short stories? Fifty? It’s probably been more than that, but I don’t know for sure. And it doesn’t really matter.
What matters is—in the face of rejection, I kept writing.
What matters is—in the face of rejection, I kept submitting.
What matters is—I never took it personally. I knew that I wasn’t the one being rejected—it was only the words on the page that weren’t the right match.
Will Eisner wasn’t just the godfather of comics, a creative force who changed the face of modern comics — he was also a staunch advocate for the freedom of expression. In celebration of Eisner’s indomitable talent and advocacy, CBLDF is delighted to offer up for auction books from Eisner’s own personal collection!
All books in this collection come from the late, great Will Eisner’s personal library. The books from this collection are bookplated with Eisner’s own personalized bookplate, featuring his most famous creation, The Spirit. Most of the books in this collection are signed and personalized to the master himself by creators whom Eisner inspired over his illustrious 70-year career
(8) FAN ART AT RSR. I see that with help from eFanzines’ Bill Burns, Rocket Stack Rank terrifically upgraded its “2016 Fan Artists” content. Gregory N. Hullender explains.
With the help of Bill Burns, we’ve updated the Best Fan Artist page at RSR to include cover art from eFanzines (plus a few that Bill scanned by hand). This doubled the number of artists and tripled the number of images, making it comparable to the Pro Artist page.
(9) INCONCEIVABLE. Japan’s huge convention Comic Market, aka Comiket, which draws half a million fans (in aggregate over three days) expects to be bumped from its facilities in 2020. What could bump an event that big? The Olympics. Anime News Network reports —
Tokyo Big Sight, the convention center where Comiket is usually held, announced earlier that it would not be able to hold the convention between April 2019 and October 2020. Event spaces have been closing throughout the Tokyo area for the past decade. Tokyo Big Sight has also announced that industry booths at this summer’s Comiket would close after two days (instead of the usual three) to accommodate construction work to expand the building for the upcoming Olympics.
(10) TAKE YOUR HANDS OFF THE CANON. We might call this a contrarian view.
Given all the weird shit she's done since HP7, I do not accept that JKR is qualified to determine canon anymore. https://t.co/f8qDZODEe3
February 1, 2003 – Space shuttle Columbia broke apart during re-entry, killing all seven astronauts aboard.
(12) TODAY’S BIRTHDAY BOY
February 1, 1954 – Bill Mumy, soon to be seen in Space Command.
(13) WOODEN STARSHIP. A Washington Post article about the renovation of the original Starship Enterprise model reveals it was mostly made from big pieces of wood. When ready, the Enterprise will be displayed in a slightly more prestigious spot .
Collum said the model had long hung in the gift shop of the Air and Space Museum on the Mall. Now it is headed for the renovated Milestones of Flight Hall there.
“The historical relevance of the TV show, and this model, has grown,” he said. “So it’s now being brought up into the limelight, and it’s going to be in the same gallery as the ‘Spirit of St. Louis’ [and] the Apollo 11 command module.”
(14) HOW GAMES INSPIRE ENGAGING FICTION. N. K. Jemisin in “Gaming as connection: Thank you, stranger” talks about the aspect of game play that challenges her as a writer. (Beware spoilers about the game Journey.)
I see a lot of discussion about whether games are art. For me, there’s no point in discussing the matter, because this isn’t the first time I’ve had such a powerful emotional experience while gaming. That’s why I’m still a gamer, and will probably keep playing ’til I die. This is what art does: it moves you. Maybe it makes you angry, okay. Maybe it makes you laugh. Not all of it is good, but so what? There’s a lot of incredibly shitty art everywhere in the world. But the good art? That’s the stuff that has power, because you give it power. The stuff that lingers with you, days or years later, and changes you in small unexpected ways. The stuff that keeps you thinking. Right now I’m trying to figure out how to recreate that game experience with my fiction.
There were more than 70 college SF clubs in China in year 2015. Compared to 120 clubs in 2012, the number was reduced. However, two independent fandoms, Future Affairs Administration in Beijing and SF AppleCore in Shanghai, were still very active.
SF AppleCore is the most important fandom in Eastern China. Last year, in addition to orchestrating the annual Shanghai Science Fiction and Fantasy Festival, SF AppleCore continued to operate on a regular base to bring about the public SF events such as AppleCore Party (speeches and gatherings of fans) and AppleCore Reading Group.
Future Affairs Administration was the backbone behind the 2016 Worldcon bid for Beijing. Although the bid was not successful, they organized the Chinese Nebula Award ceremony in 2014. Last year, this fandom was consolidated into a media platform for SF and technology related information, although the function for fan events still remained.
(16) WORLDS OF LE GUIN. The Kickstarter fundraising appeal for Arwen Curry’s documentary Worlds of Ursula K. Le Guin has begun. So far, 514 backers have pledged $39,699 of the $80,000 goal. The SFWA Blog endorsed it today:
Viewers will accompany Le Guin on an intimate journey of self-discovery as she comes into her own as a major feminist author, inspiring generations of women and other marginalized writers along the way. To tell this story, the film reaches into the past as well as the future – to a childhood steeped in the myths and stories of disappeared Native peoples she heard as the daughter of prominent 19th century anthropologist Alfred Kroeber.
Le Guin’s story allows audiences to reflect on science fiction’s unique role in American culture, as a conduit for our utopian dreams, apocalyptic fears, and tempestuous romance with technology. Le Guin, by elevating science fiction from mind candy to serious speculation, has given permission to younger mainstream writers like Michael Chabon, Zadie Smith, and Jonathan Lethem to explore fantastic elements in their work.
The blooper reels for the Star Wars prequel films have been available for a while, but there’s a noticeable trend with all of them. Nearly every blooper — genuinely funny or otherwise — is filmed within a green screen backdrop.
[Thanks to Janice Gelb, JJ, Petrea Mitchell, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Gregory N. Hullender.]
The A-Train, EPH, and AI make up the alphabet soup that is today’s Scroll.
(1) An effort to get sf writers on postage stamps fizzled a couple of years ago. A new effort to might wind up putting a fanzine editor on a stamp – albeit for reasons entirely unrelated to fandom. See NPR’s report “Willis Conover, The Voice Of Jazz Behind The Iron Curtain”
Willis Conover at a 1970s Lunacon. Photo by and (c) Andrew Porter.
Willis Conover, who died in 1996, could pack concert halls for jazz shows behind the Iron Curtain. But he wasn’t a household name in his own country because by law, the Voice of America cannot broadcast to the United States. This week, Doug Ramsey, who writes about jazz for The Wall Street Journal, reported that a campaign to persuade the Postal Services Stamp Advisory Committee to put Willis Conover on a U.S. postage stamp now has thousands of signatures. It would send the face of the voice who brought the light of hot jazz into the darkest places of the Cold War around the world again.
Andrew Porter explains the fannish connection:
Before Willis Conover was the voice of American jazz to the world behind the Iron Curtain, he was a science fiction fan and reader. Although he left the field for wider seas, he came back to SF in the 1970s, reviving his earlier fanzine Science-Fantasy Correspondent in 1975, and resumed attending science fiction conventions. He should be honored for his work with the VoA. Like Rog Ebert, who honed his writing skills in the fanzines he wrote for before he started college and eventually became a film reviewer, Conover’s heart belonged to science fiction and fantasy first.
And Bill Burns said,
When I worked at BBC Overseas Services (1968-71) we relayed the VoA signal, picked up on shortwave at Caversham, sent by landline to Bush House in London, then to the BBC’s shortwave transmitters. Music programmes such as Jazz Hour didn’t really sound very good after this treatment, so the VoA would ship us tapes of each show which we would insert into the outgoing stream instead of the received signal. I didn’t know it when I was at the BBC, but I saw Conover a few years later at a Philcon and discovered that he had published a fanzine in the 1930s and was a correspondent of HP Lovecraft.
Jim Freund, whose program “Hour of the Wolf” is heard on WBAI-FM, met some of these folks through Conover.
I worked with Mr. Conover quite a few times in the early 70s. I was introduced to him by Hans Stefan Santesson, who was a frequent guest on ‘Hour of the Wolf.’ Mr. Conover would give me a call at the station and ask if I’d be free and could book a studio for a given time, and would then show up with surviving members of the Lovecraft Circle. I clearly recall his bringing along Manly Wade Wellman, and most dramatically, Sonia Greene, who was married to Lovecraft (if not living with him most of their years.) This was not long before her death in 1971.
In my wisdom, I tried to make Mr. Conover take the lead in these interviews — he was a true radio professional with a fabulous voice, and knew far more about American and early horror than I ever could. I got the impression he didn’t want to make too much of a public thing of his name on WBAI — I think the political views of the VoA and Pacifica Radio were not very compatible. So I took the lead, but usually with a briefing by him and/or Hans beforehand.
He gave me a recorded reading he’d made of ‘The Willows’ by Algernon Blackwood, recorded for an airline for passengers to listen to in-flight. We were never sure of the rights to broadcast this, but we did so anyhow. (Safe in those days — especially at 5:00 AM.)
If you ever plan to approach Mark Hamill for an autograph, make sure you have a Star Wars baseball card handy. As it turns out, the man otherwise known as Luke Skywalker has made an artform out of prefacing his John Hancock with hilarious captions on vintage collectible cards.
(3) Patrick May has done another set of calculations in “E Pluribus Hugo vs Slates” using historic vote data from the 1984 Hugos to show the impact of the proposed rules change.
E Pluribus Hugo vs Slates
With the EPH algorithm, the results in the Novel category in 1984 would have been:
Startide Rising: 105 ¼ points, 136 ballots
The Robots of Dawn: 52 ¾ points, 75 ballots
Moreta: Dragonlady of Pern: 41 ¾ points, 54 ballots
Tea with the Black Dragon: 40 1/6 points, 55 ballots
Millennium: 33 5/6 points, 52 ballots
This is the same result as under the existing rules.
With 43 slate ballots (10% of the number cast) added, the result would have been identical to the actual 1984 result.
With 85 slate ballots (20% of the number cast) added, one slate work would make the list, bumping off “Millennium”. This is quite different from the current rules where only “Startide Rising” would remain out of non-slate works.
With 128 slate ballots (30% of the number cast) added, two slate works would make the list, bumping off “Millennium” and “Tea with the Black Dragon”. Again this is quite different from the current rules where the only non-slate work remaining would be “Startide Rising”.
Even with 170 slate ballots (40% of the number cast) added, both “Startide Rising” and “The Robots of Dawn” would remain on the nomination list under the EPH rules. Under the current rules, slate works would sweep the category.
The singularity is a hypothesized time in the future, approximately 2045, when the capabilities of non-living electronic machines will supersede human capabilities. Undismissable contemporary thinkers like Elon Musk, Stephen Hawking, and Ray Kurzweil warn us that it will change everything. Hawking likens it to receiving a message from aliens announcing their arrival in “a few decades,” saying this is “more or less” what’s happening with artificial intelligence software….
How “alive” would a superintelligence be?
Mike McHargue, host of the Ask Science Mike podcast: We think nothing of wiping out bacteria by the millions when we wash our hands, and most people don’t hesitate to slap the fly buzzing around their heads. But dogs? Dolphins? Apes? We see some reflection of awareness in their eyes, and mark them as greater peers among life. What’s fascinating about machine intelligence is we are presented with some level of consciousness that is not associated with biological life. We’ve already built robots with similar intelligence and conscious awareness as an earthworm, and we’ve modeled neural network as complex as insects and possibly reptiles.
As computer technology advances, there’s a real possibility of something that is highly intelligent but not “alive” in any traditional sense.
[Thanks to Andrew Porter, Mark, Patrick May and John King Tarpinian for some of the stories. Title credit to File 770 contributing editor of the day Will R .]
All the posts from Bruce Sterling’s Dead Media project of 20 years ago have been collected and released as a free 921-page ebook.
Back in 1995 Sterling offered a “crisp fifty-dollar bill” to the first person to write and publish a project he and Richard Kadrey had dreamed up — a handbook “about media that have died on the barbed wire of technological advance, media that didn’t make it, martyred media, dead media…”
Such as: the phenakistoscope. The teleharmonium. The Edison wax cylinder. The stereopticon. The Panorama. Early 20th century electric searchlight spectacles. Morton Heilig’s early virtual reality. Telefon Hirmondo. The various species of magic lantern. The pneumatic transfer tubes that once riddled the underground of Chicago. Was the Antikythera Device a medium? How about the Big Character Poster Democracy Wall in Peking in the early 80s?
But somebody else would have to do it, explained Sterling, because “[we], after all, are just science fiction writers who spend most of our time watching Chinese videos, reading fanzines and making up weird crap.”
When nobody stepped forward (big surprise) Sterling appealed for help collecting stories and notes about dead media. These were hosted at Deadmedia.org and eFanzines’ Bill Burns was one of the participants. Burns described an example of dead media in USA Today’s 1997 story about the website:
The notes illustrate something often lost in today’s relentless barrage of technological hype: Innovations that were once the latest and greatest can vanish without a trace.
Who remembers the Regina players that once filled homes, bars and hotels with music? A cross between a record player and a music box, they were 20-inch metal disks that interacted with tiny sprockets that in turn twanged small tone bars. The players required no electricity, merely a good strong arm to crank them up.
“They lasted from the 1890s to about 1912,” says Bill Burns, an engineer on Long Island who collects them. “All the popular tunes of the day came out on these stamped steel or zinc disks. It was an entire industry.” Gone without a ripple, in the wake of the phonograph.
Here are links to Bill Burns’ photographs of last weekend’s NY Art Book Fair exhibit “The Tattooed Dragon Meets The Wolfman: Lenny Kaye’s Science Fiction Fanzines 1941-1970.”
Strictly speaking, this is an assembly of the front pages from 2012 fanzines. Some have full-page art (my idea of a cover), while others combine text and a decorative illo or background image.
Voting is open to all fans, not only Corflu members. A copy of the FAAn ballot with voting instructions is available here [PDF file]. The deadline to submit your vote is April 6, 2013.
Bill and Mary Burns came through Hurricane Sandy with no damage, but they lost electricity for almost a week, and it went down again when the nor’easter came through November 7. Bill says he’s powering essential home electrical equipment from his Prius and they have gas for hot water and cooking.
Bill’s eFanzines site is unaffected because its server is in the cloud, but until power is restored he can’t bring up his main PC to do updates.
Bill Burns recently explained that eFanzines.com runs on a virtual Linux server hosted in the cloud, which costs him $38 per month with 100GB of traffic included. Once you add in the value of his incredible work keeping the site running it’s worth far more than the cost of the internet connection, but I’m glad to discover the service is so affordable.
Chicon 7 achieved Fan Guest of Honor Peggy Rae Sapienza’s vision of giving Worldcon members a special Sunday morning edition of the daily newzine. “The Sunday Funnies” is now available at eFanzines.
Edited by Kurt Erichsen, the four-pages of color comics were created by Randy B. Cleary, Phil Foglio, delphyne woods, Richard Chwedyk, Alan F. Beck, Sheryl Birkhead, Kurt Erichsen, Steven Vincent Johnson, Howard Tayler, Anne Trotter, Kurt Erichsen, Taral Wayne and Spring Schoenhuth.