Pixel Scroll 8/5/18 This Is Not A Pixel Scroll Title

(1) MUST-READ GRAPHIC NOVELS. The Guardian has a little list: “From Maus to Tamara Drewe: the 10 graphic novels everyone should read”.

The recent hoo-ha about the Man Booker prize’s longlisting of a graphic novel for the first time, the chilling, understated Sabrina by Nick Drnaso, may have piqued your interest in exploring this ever-expanding medium further, or perhaps for the first time. Not everyone has grown up reading comics and the demands of their various verbal and visual literacies can take some adjusting to, particularly if you’re used to the orderly typesetting of prose novels. It’s never too late, though, to try stretching your brain – both sides of it when it comes to graphic novels, where looking is as important as reading.

The roundup begins with —

This experience comes through in the wordless migration parable The Arrival by Shaun Tan (2006), which follows a man who has gone on ahead of his wife and children to seek work abroad and struggles to navigate his alien surroundings and their indecipherable language. Unable to make himself understood, he resorts to making simple drawings to communicate his need for a room. The reader shares his bafflement and gradually grasps with him how his strange new homeland works. Tan’s genius in children’s picture books blossoms in this extended tale for all ages, illustrated in almost photographic sepia images.

(2) PREDATOR’S FIRST BITE. ScreenRant gives the popular actor’s fans a reason to mourn: “The Predator Cuts Edward James Olmos’ Character Due to Shorter Runtime”.

As first reported by Slash Film, Olmos won’t be appearing in The Predator as previously planned. When asked about his role in the film Olmos commented, “I’m not in the show though. It was too long so my character, they had to take me out. They were like half an hour, 3/4 of an hour too long. So I understand why“. Olmos himself doesn’t seem to be terribly disappointed by the news, but fans of his previous work such as Battlestar Galactica and Blade Runner certainly will be.

(3) CARTOON VERDICT. Camestros Felapton’s “Review: Final Space (Netflix)” is an interesting tour whether you’re likely to watch the series or not – and more likely not, based on his conclusions….

It’s basically a fun kids cartoon but with more violence and (generally mild) sexual references. With a small amount of effort, it could have been a really good kid’s cartoon instead of whatever it ended up being…

I wouldn’t want to recommend you watch it as for some readers it might result in them using their mobile device as a projectile aimed at the wall but it is sort of a better show than it deserves to be.

(4) PAPER CANCELLED.  John Teehan notes that the SFWA Bulletin is abandoning its print edition.

End of an era. As production manager and occasional editor, I worked on 56 issues over 15 some odd years. The SFWA Bulletin is now going digital, and the current issue is the last print one I’ll be involved with. It was a great run—one of the best gigs ever. Had some ups and downs, certainly, but the experience overall was a great one in which I found myself growing each year. Many thanks to everyone who supported our work over the years.

(5) TODAY IN HISTORY

  • August 5, 1861 — The United States government issued its first income tax, encouraging more people to write fantasy.
  • August 5, 2011Rise of the Planet of the Apes was a reboot that worked.

(6) TODAY’S BIRTHDAYS

  • Born August 5, 1930 – Neil Armstrong

(7) CURIOSITY’S QUIET ANNIVERSARY. [Item by Mike Kennedy.] You may have seen headlines about Curiosity singing (well, humming) Happy Birthday to itself in honor of it’s fifth birthday (as measured in Earth years since landing) last week. Well, nope. Florence Tan at NASA’s Science Mission Directorate explained to The Atlantic why this was a one-time occurrence (in 2013) rather than an annual event — “Why the Curiosity Rover Stopped Singing ‘Happy Birthday’”.

“The answer to your question will sound rather cold and unfeeling,” her email began.

Oh, no.

“In a nutshell, there is no scientific gain from the rover playing music or singing ‘Happy Birthday’ on Mars,” Tan said. In the battle between song and science, science always wins.

Vibrating the sample-analysis unit (which is a normal part of Curiosity’s scientific endeavors) uses energy that could be put to use elsewhere and adds wear and tear to the SAM unit. Plus, of course, it takes someone to work the humming into an incredibly tight schedule:

“It’s not just, ‘Oh, I’m ready to send a command, just send an email to somebody,’” Tan said in a phone interview. The rover’s activities are scheduled down to the minute, and SAM requires power to operate. Curiosity runs on a nuclear battery that turns heat into electricity, and it will eventually die.

So, the uncaged rover no longer sings.

(8) VONARBURG BIRTHDAY. Steven H Silver lights up another cake at Black Gate with “Birthday Reviews: Élisabeth Vonarburg’s ‘Cogito’”.

She has twice been nominated for the Philip K. Dick Award and once for the James Tiptree, Jr. Memorial Award. Her greatest recognition came from the Canadian Casper/Aurora Awards, which she has won ten times. Vonarburg won the French language award in 1987 for her story “La Carte du Tendre” (“Readers of the Lost Art”). That same year, she received a second Aurora for her fannish contributions to Solaris. She won three additional short story Auroras for “Cogito” (1990), “Ici, des tigres” (1991), and “La Course de Kathryn” (2004) and five Auroras for Best book for Histoire de la Princesse et du Dragon (1991), Ailleurs et au Japon (1992), Chroniques de Pays des Mères (1993), Les Voyageurs malgré eux (1996), and Reine de Mémoire 4. La Princesse de Vengeance (2007). She won the Prix Rosny-Ainé and the Prix Boreal in 1982 for her novel Le Silence de la Cité. She also won the Boreal for Chroniques de Pays des Mères (1993), Les Rêves de la mer (1997), Reine de Mémoire 1. La Maisson d’oubli (2006) and Reine de Mémoire 4. La Princesse de Vengeance (2007). Prior to 1990, the Aurora Award was known as the Casper Award and in 2011, the Prix Aurora and Prix Boreal combined.

(9) EERIE. Bill “Beamjockey” Higgins has a birthday today, too – and is wondering how File 770’s commenting bug knew!

I can easily accept that some crazy glitch in your blogware puts a far-future date on my draft comment.

What’s spooky is that WHEN I WAS COMMENTING ABOUT CENTENNIALS AND BICENTENNIALS the date on my comment turned out to be 5 August 2854, 900 years after my own birth.

Pics, or it didn’t happen?  I attach a screenshot.

Timebindingly yours….

(10) OUTREACH. The reading evangelists from Dublin 2019 will be out again next weekend at a local event: “Dublin Comic Con and Outreach”. Chair James Bacon outlines the history:

…No matter where we go, we try and focus on ensuring we have something for all ages of reader. We isolate books for children and younger readers, and keep them to one side; we know adults also love them, but we conserve them so every child can walk away with a book or comic.

This year in Dublin we have 4 large boxes of Childrens Comics, The Beano, Whizzer and Chips and Buster, and cartoon based Superhero comics as well as children’s books, and we will ensure kids get them.

It positively encourages the gentle transition of fascination with all that is super heroes or fun on the screen, to reading on the pages.

These projects have benefited hugely from established conventions who support their logistical activities and also from individuals and organisations who make generous donations of books, magazines and comics as well as their time and effort. Publishers and book stores also support the activities, and Half Price Books in the states have consistently been very good to SF Outreach.

This year, Dave Finn from Incognito Comics has again given two car loads of magazines, books, and comics to Outreach, knowing from seeing it in action at London Film and Comic Con, that the energy and enthusiasm to encourage reading is genuine and if as a by-product, people go to more cons, well isn’t that just fabulous.

Dublin Comic Con next weekend, and if you are in Dublin and want to check out anything to do with the Worldcon, please do call by and speak to us if you are going to Dublin Comic Con. (Check tickets availability, they do sell so well!)

(11) CHOCOLATE HUGO. Jerry Pournelle famously said, “Money will get you through times of no Hugos better than Hugos will get you through times of no money,” however, at the 1984 Worldcon Larry Niven played off his collaborator’s pet phrase when he presented him with a solid chocolate rocket during the ceremony: “Jerry, this is the Hugo that will get you through times of no money better than….”

All that came back to mind when I saw Worldcon 76 will auction the version of a chocolate Hugo given at last year’s Hugo Loser’s Party in Helsinki.

Delicious?

Yes, these were awarded at the legendary Hugo Loser’s Party in Helsinki Finland at Worldcon 75. The frame is milk chocolate, the center is white chocolate. Together, they taste like victory.

We can’t guarantee they’re gluten free. They may have been made in a facility that works with nuts. If you have any kind of dietary restrictions, you can still buy and enjoy this, but don’t eat it. Just relax and bathe in the glamor of owning a Worldcon Hugo Award.

And keep cool, or it might melt.

The beneficiary of the Worldcon76 in San Jose Charity Auction is the Alzheimer’s Association.

(12) THOUGHT EXPERIMENT. If that was too much chocolate, then for certain this is too much jam: “What If the Earth Was Made Out of Blueberries?” at Popular Mechanics,

In the heart of blueberry season, Billy-bodega, a user on Physics Stack Exchange, posed the question: “Supposing that the entire Earth was instantaneously replaced with an equal volume of closely packed, but uncompressed blueberries, what would happen from the perspective of a person on the surface?” the question got promptly deleted. But it didn’t stop Anders Sandberg, a researcher at Oxford’s Future of Humanity Institute, to seriously tackle the idea, explaining the development of this blueberry planet (and even publishing the comprehensive answer in a paper).

What you’d end up with, according to Sandberg, “is a world that has a steam atmosphere covering an ocean of jam on top of warm blueberry granita.” Here’s how the planet would form: you start with fat, thick-skinned blueberries (blueberry Earth would be much less dense than actual Earth, and gravity would be weaker). Since blueberries can’t withstand strong forces, gravity would turn them into mash, releasing air that previously separated them from their neighbors, shrinking the radius of the planet.

(13) NOVIK. Naomi Novik’s Spinning Silver, her take on Rumplestiltskin, is reviewed by Choire Sicha in the New York Times Book Review“Rumpelstiltskin Redux”.

Here [the author] has gathered countless old tales and turned them into something new. The theft of summer, a burning demon who lives inside a prince, a witch’s hut in the woods, the secret power of names, the frozen winter road that winds its way through the depths of the forest—they’re all here.

(14) THUMB DOWN. At Locus Online, “An Awful Warning, in More Ways Than One: Gary Westfahl Reviews The Darkest Minds.

If anyone is glancing at this review for advice on which films to see this weekend, my recommendation would be to avoid The Darkest Minds. For while it is competently executed and offers some superficial novelties, it is a film that most people have already seen several times, and since two similar franchises to be discussed have failed to generate expected sequels, it may be that many filmgoers are growing as tired of this film as I am.

The film is a generally faithful adaptation of Alexandra Bracken’s novel The Darkest Minds (2012), yet another version of a common formula for success in the modern marketplace of young adult fiction: a future dystopia spawned by an improbable disaster that prods evil adults to torment and oppress its teenagers, despite the fact that – or even because – these amazingly talented and virtuous youth are the only ones who can save humanity from impending extinction. In this case, the improbable disaster is the sudden appearance of a disease called IAAN (Idiopathic Adolescent Acute Neurodegeneration), which kills most young people and imbues the surviving youth with a variety of psychic powers: “greens,” superintelligence; “blues,” telekinesis; “yellows” (in the film, “golds”), control of electricity; “oranges,” the ability to control others’ minds; and “reds,” pyrokinesis. Naturally, the government responds by declaring martial law, rounding up all teenagers, and placing them in concentration camps to either be slaughtered or exploited as slave labor. Our heroine, Ruby Daly (Amandla Stenberg), conceals her feared orange powers, keeping her alive until she escapes from her camp with the help of Cate Connor (Mandy Moore), a member of an underground organization called the Children’s League which turns out to be similarly sinister. But Ruby runs away to join three other teenage fugitives, the blue Liam (Harris Dickinson), the gold Suzume, or Zu (Miya Cech), and the green Chubs (Skylan Brooks), and they proceed to have several adventures in the vicinity of Virginia (though the movie was filmed in Georgia).

(15) CLIMATE FIXES. Kim Stanley Robinson educates in “The King Of Climate Fiction Makes The Left’s Case For Geoengineering” at Huffington Post.

…Robinson’s New York 2140, published last year, lays out a vision of what climate catastrophe and a leftist uprising against the capitalist forces that caused it would look like. So HuffPost asked him to elaborate on what he sees as the future of geoengineering. The following was edited for length and clarity.

How do you define geoengineering and what are the forms it will most likely take?

I guess the definition would be something like “a deliberate planned attempt by human beings to mitigate the damages of climate change, of carbon dioxide and methane buildup in the atmosphere, and of ecological damage generally, by way of some action that is large-scale” — if not global in reach, then regional in ways that might have global repercussions.

I’ve been saying that “geoengineering” is a bad name because engineering implies we know what we’re doing more than we really do. Also, that we have more powers than we actually have. I’ve suggested we think of it as “geo-finessing” or “geo-tweaking” or even “geo-begging,” to better indicate our relative ignorance and weakness in the face of global geochemical processes. Lots of those processes we can’t do anything about, even if we really want to. So the name needs some unpacking.

The most likely forms it might take, I think, are the following: casting dust-like particles into the atmosphere to mimic a volcanic eruption, so that for a number of years after that, the global average temperatures would go down a bit. Drawing carbon dioxide out of the atmosphere by way of biological and/or mechanical means. Pumping seawater onto the ice cap of Eastern Antarctica. Stimulating growth of small life forms in the ocean that would then die and take their carbon to the seafloor ? this has been mentioned as a possibility, but it’s widely regarded as potentially dangerous for ocean ecologies. Still, it might be tested on small scales, even used on small scales, which would reduce its power to help but also its power to harm.

(16) RETRO TECH. How we know it’s the 21st century: “Town dusts off typewriters after cyber-attack”. Remember all those post-holocaust stories of reviving old tech? (But is anybody still making ribbons?)

Government workers in a borough of Alaska have turned to typewriters to do their jobs, after ransomware infected their computer systems.

A spokeswoman for Matanuska-Susitna said the malware had encrypted its email server, internal systems and disaster recovery servers.

She said staff had “resourcefully” dusted off typewriters and were writing receipts by hand.

The borough is in the process of rebuilding its systems.

[Thanks to Mike Kennedy, StephenfromOttawa, Cat Eldridge, JJ, Rob Thornton, John King Tarpinian, Martin Morse Wooster, Chip Hitchcock, Carl Slaughter, Bill “Beamjockey” Higgins, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Lisa Goldstein.]

MT Void Publishes 2000th Issue

Mark and Evelyn Leeper in 2002. Photo by Mark Olson.

By Bill Higgins: 1978 was a good year for me and, apparently, a good year for starting fanzines. Congratulations on celebrating File 770‘s fortieth anniversary! And last Friday I noticed that Issue Number 1998 of MT Void had slipped into my mailbox. Which means that Evelyn and Mark Leeper are scheduled to publish the two-thousandth issue on February 2, 2018.

Here’s an account of the zine’s history Mark wrote in 2009 (Volume 28, No. 23, Whole Number 1574):

TOPIC: A Brief History of the MT VOID and the Mt. Holz Science Fiction Society (comments by Mark R. Leeper)

We have had some questions about the Mt. Holz Science Fiction Society and the MT Void. Let me try to answer all the questions in one very short history.

Since we first met Evelyn and I have always mixed out interest science fiction with our socializing. We were in the science fiction club at the University of Massachusetts from before school started freshman year until we graduated. The last six months I was the president of the club. Evelyn preferred to be the club librarian and did about six times the work anyone else in the club did.

When we graduated we married, and while I was getting my Masters from Stanford we filled the need for a science fiction club by joining PenSFA, the Peninsula Science Fiction Association, which included such members as artists George Barr and Jim Thomas.

When I graduated Stanford I went to work for Burroughs Computer Corporation in Detroit. Wednesday evenings we would go over to Wayne State University and attend the science fiction meetings of the Wayne Third Foundation. We liked the people of that area, but Detroit was depressing and cold. Also, Burroughs was a rather unpleasant place to work. After three and a half years, at the end of 1977, we left and went to work for Bell Laboratories, the research arm of the telephone company.

Bell Laboratories was one of the primary scientific research environments in the world, and they treated their employees well. They even funded social clubs for their staff. But nobody had started a science fiction club. This seemed peculiar for a cutting edge research facility. There was a little science fiction activity, but it consisted of one group what shared the cost of a subscription to the Science Fiction Book Club and then they passed the books around by inter-office mail. This was not entirely satisfying. We did go to the Empiricon science fiction convention in November, 1978. On the way home I told Evelyn that we really ought to found a science fiction discussion group at Bell Laboratories. Things were never the same again. By the end of 1978 we had a working science fiction club.

Bell would give some minimal funding to the club and we could use company facilities if we could get ten people to say they would join it. At first we thought finding ten people interested would be difficult. That fear was quickly disposed of. We should have been able to call ourselves the “Bell Labs Science Fiction Club”, but that was not allowed by the company so we were just the “Science Fiction Club”.

We met every other week and discussed one book and picked another for the following meeting. So two notices had to go out through inter-office mail for each meeting, one to remind people of the coming meeting and one to tell people what book had been chosen for the next meeting. That was a notice a week, and they started hand-written and photocopied, then typed, and eventually e-mailed. A year or so later the meetings were changed for once every three weeks so we would send out two notices every three weeks, but we soon returned to weekly publication. It seemed pointless to just have one item per notice so I started commenting on films and making jokes. Evelyn would write book reviews and other comments and announcements.

We at first were based at Bell Laboratories in Holmdel, New Jersey, but members would come to meetings from other nearby Bell Laboratories locations, particularly Lincroft and Middletown. Each of these locations had a two-letter code to make addressing in interoffice mail quick. Holmdel was HO; Middletown was MT; Lincroft was LZ. Why Lincroft was not LC we never found out. The meetings were at whichever facility Evelyn and I were at the time. We were moved around. At a time when we were in Middletown we decided that the club and the notice needed a better name. We could have called ourselves the Middletown-Holmdel-Lincroft Science Fiction Club, but we shortened that using the mail codes to the MT HOLZ. That is not an abbreviation for a mountain’s name, and there appears to be no Mount Holz. Instead it is pronounced as if it were “empty holes.” The weekly notice has was similarly named the MT VOID or pronounced “empty void.” These names were proposed by member Paul S. R. Chisholm.

There are still something like 215 real members of the MT HOLZ Science Fiction Society. Activities have become increasingly rare. For a long time there was a video film festival that went along with the club showing pairings of related films like THE POWER and SCANNERS, WHO? and THE RETURN OF MARTIN GUERRE, or Z and ELENI. As participation dropped off the festival died and was reborn once or twice. These days we do not even announce showings to the whole club, but this activity goes on. The one activity that still goes strong is a weekly publication of surprising length, the MT VOID. It may well be the science fiction fanzine that has had the greatest number of issues. The notice/fanzine has had 1574 issues going back to 1978. The members get the MT VOID emailed to them, but it is reprinted on numerous web locations and my reviews appear separately on sites like the Internet Movie Database and Rotten Tomatoes. [-mrl]

Asked for a comment on reaching issue 2000, Mark Leeper replied, “If you are going to start a fanzine one thing you should have that we did not have is an exit strategy.”

I can’t recall when I myself began subscribing to MT Void. Sometime in the Nineties? Maybe the late Eighties? Anyway, it has given me many years of pleasurable reading, as movie reviews, book reviews, wit, whimsy, and the occasional mathematical puzzle paraded past my eyeballs.

I salute Evelyn, Mark, and their correspondents for the remarkable longevity of their creation, and for their efforts in maintaining a high level of entertainment. Long may MT Void wave!

An Earlier Clarke Birthday Celebration

By Bill Higgins: As the world celebrates the 100th anniversary of Arthur C. Clarke’s birth, allow me to share a photocopy I recently rediscovered.

In 1977 my college SF club, the Michigan State University Science Fiction Society, noted that Clarke’s 60th birthday was approaching. Jim Ransom volunteered to write a letter of greeting and mail it to Colombo, Sri Lanka.

To our delight, Clarke sent a postcard in reply, dated on his birthday, December 16, 1977. He wrote:

==================

Thanks for nice greeting!

Herewith earth end of my next (&last) novel THE FOUNTAINS OF PARADISE.

All good wishes

Arthur C Clarke

==================

The postcard pictured Sigiriya Rock, a historic fortress where King Kasyapa built his palace in the 5th Century AD.

I kept a photocopy; I wonder if Jim Ransom kept the postcard, which turns 40 this year.

As for the plug for his upcoming book, Clarke did in 1979 publish The Fountains of Paradise and it does indeed feature a fictionalized version of King Kasyapa and Sigiriya Rock, as well as a space elevator.

Science fiction writers are notoriously inaccurate at prophecy, however; Clarke may have foreseen the Space Age and the Information Age, but he was wrong about The Fountains of Paradise being his final novel. He went on to publish eighteen more novels before passing away in 2008.

Celebrate the Clarke Centenary with a Book Cover Parade

Photo, L to R: Arthur C. Clarke, Evelyn Gold, Harlan Ellison and Robert Bloch in 1952. Clarke and Bloch were both born in 1917.

By Bill Higgins: Today is the 100th anniversary of Sir Arthur C. Clarke’s birth. I would’ve liked to attend a Clarke centennial event of some kind, but I live far away from any of them.

I did celebrate in a small way on Twitter: I rounded up links to interesting reviews for each of Sir Arthur’s solo novels, and tweeted them out in chronological order, along with cover art.

 

The Full-Length Banner

By Bill Higgins: This item is five years old, or in another sense, twenty-six, but I’ve just learned of it.

Isaac Asimov loved “The Star-Spangled Banner.”  Fandom’s music maven Matthew B. Tepper writes: “In March, 1991, Isaac Asimov published an essay in The Magazine of Fantasy & Science Fiction entitled ‘All Four Stanzas.’ In it, he gave the background of Francis Scott Key’s ‘The Star-Spangled Banner’ (as it has come to be called), and perhaps just as remarkably, speaks of his own love of the anthem, and his habit of singing it with all four stanzas, not just the first one which is generally heard.”

In 2012, Mr. Tepper contributed to YouTube a 1991 audio recording of Asimov, aged 71, singing all four stanzas. Though Asimov’s wit was renowned, he performs here in perfect seriousness.

Asimov’s memorable essay on the song has been rewritten, and appears in garbled form on many sites around the Internet.  Tepper also points out that in 2010,  Eric Scheie made an effort to rescue “All Four Stanzas” from mutilation.  Scheie tracked down the original essay, posted scans of the F&SF pages on which it appeared, and presented an HTML version:

In this moment, while Americans are focusing new attention on “The Star-Spangled Banner” and the meanings with which we invest it, it may be interesting to hear it sung by one who, while granting that his nation had its flaws, greatly loved its anthem– all four stanzas of it.

Pixel Scroll 7/29/17 So What’s It Gonna Be, Kid? Calendrical Rot Or Diachronic Shear?

(1) TWEETS OF GENIUS. The winner of the internet today begins here –

(2) NEXT CHIANG ADAPTATION. A Ted Chiang story will be the basis for this new AMC show: “AMC is developing a sci-fi show from the writers behind Arrival”.

During the Television Critics Association press tour, AMC announced a slate of eight new shows that it’s putting into development, according to Deadline, which includes a project based on a story by Ted Chiang, whose novella Story of Your Life was the basis for Denis Villeneuve’s movie Arrival.

Liking What You See is being developed by Arrival’s screenwriter, Eric Heisserer, with Chiang as a consultant. It’ll be based on Liking What You See: A Documentary, which Chiang published in his collection, Stories of Your Life and Others in 2002. The story is set in the near future where members of a community called Saybrook undergo a procedure called calliagnosia, which prevents them from perceiving beauty. The story plays out like a documentary, and its characters discuss the pros and cons of this procedure in a media-saturated world.

(3) ALTSPACEVR CROAKS. A social media pioneer ran out of money, as they do – The Verge has the story: “The most famous VR social network is abruptly shutting down”.

AltspaceVR, the virtual reality social network that has hosted everything from stand-up comedy to presidential debate-watching parties, is shutting down next week. The community announced “with heavy hearts” last night that AltspaceVR would be closing August 3rd at 10pm ET, after “unforeseen financial difficulty.”

Spokesperson Gerard Gottheil provided more detail in an email to The Verge and other outlets. “We had a supportive group of investors that last gave us money in 2015. It looked like we had a deal for our next round of funding, and it fell through,” he said. “Some combination of this deal falling through and the general slowness of VR market growth made most of our investors reluctant to fund us further. We’ve been out fundraising but have run out of time and money.”

Currently, AltSpaceVR has around 35,000 active monthly users, who spend an average of around 35 minutes a day on the free platform.

(4) FUTURE FORESEEN. UploadVR says “Here’s A Look Back at How Sci-Fi Literature Predicted the Rise of Modern Virtual Reality”. Sure, but did sci-fi predict it would go broke?

With the introduction of top-end devices such as the Oculus Rift and the HTC Vive as well as the simple ones such as Google Cardboard, Virtual Reality is the next digital frontier. While it’s a world that can now be practically realized, it’s not a new idea: Science Fiction has long been imagining virtual worlds within imagined ones.

From the early 1950s, authors had begun to experiment with stories involving simulated worlds. Ray Bradbury’s 1951 story The Veldt dealt with a pair of children and a virtual nursery, while Fredric Pohl’s 1955 short story The Tunnel Under the World told the story of a man who relived the same day over and over, only to discover that he was trapped in a cruel marketing simulation…..

(5) FAMOUS SF SERIES CONTINUES. C.J. Cherryh  announced in a public Facebook post that she and Jane Fancher are currently completing a new Alliance-Union book (titled Alliance Rising). It is set early in the universe’s timeline. At the moment, the book is being edited by Fancher and Cherryh has finished her edit.

It takes two people of similar style (check) and egos both strong enough and pliable enough (check) to see something you thought brilliant as fluid and changeable. In a profession as solitary as writing can be, it’s downright fun to sit down for a brainstorming session on the shared story. We’re already thinking about ‘next…’

(6) PRESTO. Camestros Felapton’s latest hilarious invention is the “Genre Shifter”.

Turns a single paragraph into different genres via the miracle of science!

(7) MORE MEMORIES OF JORDIN KARE. Bill Higgins of Fermilab recalls the science panels he did with Jordin Kare in their personas Fizz and Fuse.

(8) TODAY IN HISTORY

  • July 29, 1988 – George A. Romero’s Monkey Shines opens.
  • July 29, 1970 — The 1965-produced Invasion of the Astro-Monster finally found its way to a theatrical release in the United States.
  • July 29, 2002 Signs premieres in theaters.
  • July 29, 2011 — Director Jon Favreau spawned Cowboys & Aliens on this day in 2011.

(9) TODAY’S BIRTHDAY BOY

  • Born July 29, 1972 – Wil Wheaton

(10) COMIC SECTION R.I.P. The July 24 Financial Times has an article on D C Thomson, the Scottish publisher of “The Beano,” Briitain’s oldest comic (founded 1938), as they try to invent apps and short animations for tablets to keep kids interested an avoid the fate of another DC Thomson comic, “The Dandy” which died in 2012 after its circulation fell from 2 million in the 1950s to 7,500.  (“The Dandy” was supposed to move online, but hasn’t.)

(11) TIME TRAVEL. If you weren’t present in 1962 when Galactic Journey held its second tele-conference, thank goodness you have the means to go back in time whenever you want to watch Gideon Marcus and company present their predictions for the 1962 Hugo Science Fiction Awards.

(12) CONFEDERATE. The Hollywood Reporter’s Lesley Goldberg, in “HBO’s Casey Bloys Defends Slave Drama From ‘Game of Thrones’ Creators: ‘It’s a Risk Worth Taking'”, says that Bloys spoke at the Television Critics Association press tour and said Confederate was “weapons-grade material” but “If you can get it right, there is real opportunity to advance the racial discussion in America.”

If you can draw a line between what we’re seeing in the country today with voter suppression, mass incarceration, lack of access to public education and healthcare and draw the line to our past and shared history, that’s an important line to draw and a conversation worth having. [The producers] acknowledge this has a high degree of difficulty. It’s a risk worth taking.

(13) LATE SHOW. JJ admires these reviews by James Reid and wishes they’d been posted earlier so they could have been included in our roundup here. “I thought that the Campbell was the best eval (possibly the only one) for that category I’ve seen.”

Black Panther, Volume 1: A Nation Under Our Feet, writen by Ta-Nehisi Coates, illustrated by Brian Stelfreeze

Wakanda is beset by internal strife, and it’s king is overwhelmed.

How does a good king rule when they’ve failed their kingdom, and how do they fight a rebellion that philosophically might be right?  Wakanda has been devastated by war, their elite warriors have become vigilantes and rebels, and a woman flames fear in the populous and drives them to rebellion using mystical powers.  What is most interesting in this book is the sympathy that Coates shows those rising up, rather than assume that because Black Panther tries to be a good ruler he should rule, it looks at the consequences of his actions, and the role of kings.  As a book, Black Panther lacks in neither action nor thought, but unfortunately, as merely the first volume in a longer arc never has a chance to answer the questions it poses.  This is a series that demands further reading, but as a volume is all set up.

As art, the landscapes and cities are evocative, creating a technocratic eden in the jungle.  In contrast the characters are highly stylised and angular, better in motion than standing still.

A good introduction to what promises to be a well thought out look at leadership and governance combined with superhero action.

(14) COVER STORY. Shorpy is back with another old newsstand photo from around November 1938. For this one you don’t even need to squint to see the science fictional goodies. Bill says he sees these stories:

The Astounding has stories by Hubbard and Simak, and a letter from Asimov. The Amazing Stories has “I Robot” by Eando Binder. The Weird Tales has a Kull poem by REH, and stories by August Derleth, Clark Ashton Smith, Robert Bloch and Henry Kuttner. The Startling Stories has a novel (“The Black Flame”) by Stanley Weinbaum. The Argosy has a reprinted installment of “The Ship of Ishtar” by Merritt. The issue of Adventure Comics contains stories and art by Bob Kane, Bill Finger, Siegel and Shuster, and Sheldon Moldoff.

Although I think for some of these identifications, Bill must be using x-ray vision.

(15) I SCREAM, YOU SCREAM. We all scream… No, this isn’t a horror story, it’s a lyric: “Scoop! This Woman Tastes Ice Cream For A Living”.

Fast Company: How did you land that job, really?

Molly Hammel: It was a competitive process with dozens of applicants, but I’m not sure exactly how many people applied for this job.

One thing that really helped me stand out during the interview process was that I was on the dairy judging team in college. To participate in the team, I went through extensive training on how to judge dairy products (ice cream included). I came in second overall in the Collegiate Dairy Products Evaluation Contest in 2014 so that definitely helped as well. During my interviews, I also mentioned that I made up silly songs and walked around the office singing to get panelists to attend panels at my last internship. A couple of associates mentioned my songs to me after I was hired, so I think that helped me stand out.

(16) TIPPING THE SCALES. Only one can win! “Finalists to gather for Miss Mermaid United Kingdom pageant”.

The top mermaids in Great Britain will gather this weekend to determine who will earn the title of Miss Mermaid U.K.

Women from England, Scotland, Wales and Northern Ireland were invited to compete in regional pageants and the finalists will gather at Billing Aquadrome in Northampton on Saturday.

The winner will be adorned with a special crown and receive the opportunity to compete in the Miss Mermaid International final in Egypt in November.

Participants in the pageant are required to be females between 18 and 32-years-old who live in the U.K. and have strong swimming skills.

(17) SHAKE IT FAR, FAR AWAY. Eclectic Method has created Star Wars video you can dance to, using only sounds from the 8 Star Wars Movies, no added sugars or samples.

[Thanks to John King Tarpinian, Bill, Andrew Porter, JJ, Cat Eldridge, Martin Morse Wooster, Rob Thornton, and Cat Rambo for some of these stories. Title credit goes to File 770 contributing editor of the day Peer Sylvester.]

SF in Broadway History

By Bill Higgins: Karel Capek’s play R.U.R. — which gave the English language the word “robot”– was a hit in Prague in 1921, and came to the U.S. soon afterward, with a Broadway production in 1922.

Among the New York Public Library Digital Collections I found photos of a later traveling production of R.U.R. by the Theatre Guild Tour Company. They’re dated 1928 to 1929. They’re part of the collection “Vandamm Theatrical Photographs, 1900-1957”.

One actor whose name I recognized in a small part: Sydney Greenstreet, whose later Hollywood career included appearances in The Maltese Falcon and Casablanca. (He turns up at the right-hand edge of this image.

If you’re curious what sets, costumes, and actors looked like in a 1920s version of Capek’s famous play, take a look.

There’s probably all kinds of SF-related stuff in the NYPL’s collection of public-domain images.

Sasquan Hugo Ceremony Video Posted

By Bill Higgins: Sasquan now has the 2015 Hugo Ceremony video online — http://livestream.com/worldcon.

It is divided into four parts.

Parts 1 and 2 cover the “pre-game show” talk show chatter.

The ceremony proper starts about 1:37 into Part 2.

Part 3 is all ceremony.

In Part 4, the ceremony ends at about 37:50. After that comes the post-ceremony talk show.

The Planet: One Last Landing

The delightfully inconclusive debate here on the topic of whether the Scienceers or the Eastbay Science Correspondence Club was the first sf club led to a discovery I am happy to share with you.

From Guy H. Lillian’s The Zine Dump I learned Ned Brooks had scanned a photocopy of first issue of The Planet, published by the Scienceers in July 1930. Ned kindly sent the images to me and I have uploaded them here.

A squib on page 3 says the Scienceers published meeting notices every Friday in the New York Evening World, confirming Allan Glasser’s memory about the weekly meeting schedule. Unfortunately, I was denied the minor pleasure of locating one of those ads because the paper has only been digitized through 1922.

As for Aubrey MacDermott and the Eastbay Science Correspondence Club, Fred Patten wrote in comments about his conversation with Cliff Amsbury, one of the other members: “He said that, yeah, MacDermott and other S.F.-area teenage s-f fans often got together in 1928, so they were first. But those were all one-shot social meetings. They did not hold club meetings.”

MacDermott only claimed they met, not that they met on a regular schedule. Bill Higgins’ jibe, “Which is more fannish?” hits the nail on the head.

The Scienceers had more traits of the prototype sf club. Yet the Eastbay group identified itself as a club and met socially in 1928 more than once. Depending on your preferred criteria, either club could claim to be first. And since 99% of you are already picking the Scienceers, there is your official wisdom-of-crowds answer…

P.S. Read The Planet’s science fiction quiz on page 2. I used to consider myself a trivia master but I scored zero out of 10…

Planet1p1Planet1p2Planet1p3

Arthur C. Clarke, Salesman

By Bill Higgins: I know perfectly well that he doesn’t belong to fandom — he belongs to the entire world. Still, it was a bit startling to hear my favorite author’s voice come out of my TV tonight. In tiny letters at the lower right of the screen was ARTHUR C. CLARKE 1964. Sir Arthur was talking about what the future would be like.

“The only thing we can be sure of about the future is that it will be absolutely fantastic.”

Eventually it became clear that this was a commercial for BMW automobiles. These days, advertisers frequently park a copy of their commercial on Youtube:

It was uploaded last February, so I guess it took me a long time to notice the campaign.

This may be the first of Sir Arthur’s posthumous ads I have seen, but even before his death he lent his image to commercials. Here’s a spot for *Omni* magazine from 1980, with speechifying about the future very similar to the 1964 sound clip featured in the 2014 BMW ad above:

“One thing is certain: It will be wider and more wonderful than ever dreamed of by any poet or dramatist of the past.”

No doubt other examples of Clarkean pitchmanship could be turned up. Magazine ads, perhaps?