Pixel Scroll 8/13/20 There’s A Right Way To Pixel, A Wrong Way To Pixel, And There’s The Scroll Way To Pixel

(1) BLYLY IN STAR-TRIBUNE AGAIN. Uncle Hugo’s Bookstore owner Don Blyly, who made the front page in Minneapolis yesterday, was back in the news today when the city announced it has reversed a policy that has made it hard to get demolition permits: “City removes tax demand that was blocking rebuilding of riot-torn Minneapolis”.

Minneapolis officials will no longer require property owners to prepay the second half of their property taxes in order to start removing rubble from sites damaged in the May riots.

Mayor Jacob Frey announced the change Thursday after the Star Tribune reported on the controversy.

…Minneapolis property owners have complained that the policy was slowing the pace of recovery and turning piles of debris into public safety hazards. The situation is different in St. Paul, which has been issuing demolition permits without requiring the prepayment of the second half of 2020 property taxes, which are due in October.

…“This will remove one small roadblock, but I am not sure how much it will actually speed up the entire rebuilding process,” said Don Blyly, owner of Uncle Hugo’s and Uncle Edgar’s bookstores in Minneapolis, which were destroyed in the riots. “You are still going to have the problem of a whole lot of demolition permits being handled by people who are working at home because of COVID-19.”

Blyly, who hired a contractor to remove the rubble from his lot a month ago, still doesn’t have his demolition permit, even though he paid his taxes last week.

Minneapolis City Council Member Andrew Johnson said he will introduce legislation at Friday’s council meeting that would require city officials to expedite the approval process for riot-damaged properties and waive all administrative fees.

“We should be processing their applications first, in front of everyone else’s, and they shouldn’t be subject to any unnecessary steps that are slowing stuff down,” Johnson said. “We need to bend over backward and do everything possible to help them with rebuilding.”

(2) F&SF COVER. The Magazine of Fantasy and Science Fiction’s Sept/Oct 2020 cover art is by Bob Eggleton for “The Shadows of Alexandrium” by David Gerrold.

(3) QUITE A FASCINATING ARTICLE. In “My First Thriller: David Morrell” on CrimeReads, Rick Pullen interviews Morrell, who explains that sf writer and Penn State English professor Philip Klass not only inspired Morrell to find the path he needed to complete First Blood (whose protagonist was John Rambo) but also introduced Morrell to his first agent.

…He read the show’s credits, noting that Stirling Silliphant was the creator. His local library found the address for the “Route 66” production company (the beginning of Morrell’s love affair with libraries). He mailed Silliphant a hand-written letter, saying “I want to be you.” Surprisingly, Silliphant wrote back with a single-spaced, two-page letter within the week. (The framed letter now hangs in Morrell’s office.)

“I wish I had some specific advice for you or encouragement,” wrote Silliphant, “but what I have to say is certainly not new. Keep writing…eventually if you have something of promise to say, someone will help you or hire you.”

…While at Penn State, he met science fiction writer Philip Klass, better known by the pseudonym William Tenn, who taught the basics of fiction writing.

“It was astonishing that a university would hire a real writer. He did not have a degree. He was the backbone of their creative writing department…I couldn’t get into his classes. They filled up right away. So Klass agreed to meet me during office hours.”

To test Morrell, Klass instructed him to turn in a short story every week, and every week he did.

Eventually Klass summoned Morrell to his office and begged him to stop writing fiction. “You’re terrible,” he said.

“He was right,” Morrell says. “I was writing bad Joyce and Faulkner.”

From Klass, he learned “every writer has a dominant emotion.” Morrell’s was fear. Maybe if he wrote honestly about fear, Klass told him, he would stop writing all of his horrible imitation fiction.

“I took him at his word.”…

(4) HELP NEEDED. Filer Lenora Rose hopes someone can lend a hand:

I have a writer’s issue to do with language — specifically semi-Nordic language — and I think this might be the right place to ask for help?

So I’m dealing with a fantasy setting that is used for the course of at least three books. One of the countries major characters come from speaks something I have been rendering, for the purpose of getting through the rough drafts, as quasi-Nordic — sometimes actually looking up words in Swedish or Norwegian or Icelandic and picking the one that sounds the least like English, and also going a Germanic style take two or three words and squish them together. It didn’t help that I decided they were the culture where the names of humans mostly translate to other nouns (Snow, Willow, etc) and the names of the non-human sapient race are usually those Germanic-style squished-together compounds (Bright Witty Magpie is one, as is Stream in Spring Flood). The protagonist is a multi-linguist and cares about this stuff.

Well, the story is now getting into final draft stages in every other way, and the placeholder language is still something that would almost certainly give any linguist or speaker of any of the related Scandinavian languages creeping horrors.

It certainly bothers me, because in the “I don’t know what I don’t know” way, I’m terrified I am going to end up, (as one author did when inventing names she thought sounded Welsh), naming someone a slang term for women’s hygiene products or something similarly terrible.

So basically I need a consult with someone who speaks a related language and would be willing to make non-painful translations or naming suggestions, or a linguist to do the same. *I am assuming this is something where I should pay for their time in some way*, at least if it goes past an initial consultation.

If anyone is willing to help, please relay your email through OGH – mikeglyer (at) cs (dot) com

(5) HUGO RIPPLES. The KPBS website keeps the story alive: “Criticism Of 2020 Hugo Awards Spotlights A Lack Of Inclusivity In Literary Fiction World”.

….With 2020 seeing the re-emergence of the Black Lives Matter movement, leading to many conversations about inclusivity, [George R.R.] Martin’s mispronunciations have taken on a deeper meaning.

“The backlash is absolutely justified,” said Hugo award winner and British fantasy author Jeanette Ng. “But I am sometimes frustrated that it gets reduced down to an anger about him mispronouncing names rather than this deeper tension between competing visions of the genre and the award…Whilst the mispronunciations matter, they are ultimately a symptom of that deeper disconnect of what the [awards are meant to do].”

(6) ASFA SPONSORS BIPOC MEMBERSHIPS. The Association of Science Fiction & Fantasy Artists is offering “Sponsored Memberships For BIPOC”. Donations have raised the number available to 15.

In recognition of systemic biases against BIPOC (Black, Indigenous, & other People of Color)  both within the Speculative Fiction & Fantasy communities and without, the Association of Science Fiction & Fantasy Artists intends to sponsor memberships in the organization for BIPOC artists. These sponsorships will be open to up-and-coming artists as well as established artists, and each membership will convey voting rights in the annual Chesley Awards in addition to periodic opportunities to exhibit in shows with other ASFA artists. Additionally, ASFA encourages its BIPOC members to participate in our Board elections, as candidates for Board positions and as voters, to ensure that the organization’s representatives are truly representative of our membership and our aspirations for the community overall.

If you are interested in receiving one of these memberships please fill out this form: https://forms.gle/YF23aYPvMPe4mob86

(7) MARK ON HISTORY. “NASA wants nuclear-contaminated Santa Susana site to be made a historic landmark”. I guess that this is the first time I ever heard about the meltdown is inherently explained by the cover-up. But I grew up at the other end of the San Fernando Valley feeling the earth tremble when they used to test rockets over there.

The site of America’s first nuclear meltdown — and subsequent cover-up — in the picturesque hills of Ventura County may soon join Hearst Castle, the cable cars of San Francisco, and the Santa Barbara Mission as an official landmark in the National Register of Historic Places.

In what some have described as a cynical attempt by a U.S. government agency to avoid a long-promised cleanup of toxic and radioactive contaminants, NASA has nominated the Santa Susana Field Laboratory for official listing asa traditional cultural property.

…Hidden within the chaparral and rocky peaks of the Simi Hills, the Santa Susana Field Lab conducted research that was critical to the nation’s Cold War ambitions, yet toxic to the Earth. The partial meltdown released radioactive gasses that the public was never warned about, and spent rocket fuel, heavy metals and other toxins contaminated the soil and groundwater.

…Now, NASA and a coalition of Native American groups have proposed the area be designated a traditional cultural district. The move has been opposed by critics, who fear that strict laws protecting Native American artifacts, combined with terms of the 2010 agreement, could make it difficult to clean up contamination.

(8) WHY JUST BEING NOMINATED IS A PLUS. The Dragon Awards nominations inspired John Scalzi to signal boost his 2019 post “Hey, Let’s Talk Awards For a Bit: A Handy Guide For Dealing With Them”. He makes many points drawn from his experience as a nominated writer. For example —  

4. Winning an award is not always as important as being a finalist. I can speak to this personally: In terms of my career, it was far more important for me to have been nominated for the Best Novel Hugo award in 2006, than it was for me to win it in 2013. Why? Because in 2006 I was new to the field, and having my first novel nominated was a thing, especially when coupled with the nomination for the Campbell Award for Best New Writer. I was the first person in more than twenty years to get nominated for the Campbell and Best Novel in the same year, and it changed my status in the field from “who is John Scalzi” to “oh, that’s John Scalzi.”

I didn’t win the Hugo that year (nor should I have: Spin by Robert Charles Wilson won, and deservedly so), but it didn’t matter because the boost put me in a different career orbit. When I did win the Best Novel award, several years later, it was great, and I loved it, and I wouldn’t trade the experience. But careerwise, it wasn’t a transforming event. It was a confirming event. My professional career didn’t change all that much after I won. Whereas being nominated earlier was transforming, and ultimately more important to my career.

(9) BOOKS ARE FLYING OUT THE DOOR. Entertainment Weekly reports “Twilight companion novel Midnight Sun sells 1 million copies in first week”.

…The novel, which follows the love story between vampire Edward Cullen and high schooler Bella Swan that fans originally fell for in the first Twilight book back in 2005, is currently No. 1 on USA Today’s Best-Selling Books List as well as on The New York Times’s Children’s Series List. While the original book series —which was adapted into a franchise of movies starring Kristen Stewart and Robert Pattinson in the leading roles — was told from the point of view of Bella, this version takes readers inside the mind of her bloodsucking boyfriend, Edward.

Something about that last line sounds a little off….

(10) BITING FOR BYTES. What made me think of that headline, I wonder, “The Big Idea: Julie E. Czerneda” at Whatever.

…Esen the Living Archive

When I first envisioned Web-beings, it was a thought experiment on a biological basis for being semi-immortal. I arrived at the notion of organisms who manipulate their molecular structure using energy to repair aging and damage. It led me to aliens who’d hide themselves by cycling, as I called it, into the form of shorter-lived intelligent species. To be convincing, they’d need to know how to behave as one. Thus I had them (there were six at the start) collect and share everything they discovered about a species, from its biology (and thus how to be that form) to every aspect of society and culture.

When your memory consists of your flesh, you’re able to store vast amounts of information, which Web-beings exchange by biting off bits of one another. (I love my job.)…

(11) A CONZEALAND SOUVENIR. W.O.O.F. #45 put together by the Worldcon Order of Fan-Editors for CoNZealand is a free download from eFanzines [PDF file]. It boasts a cover by Tim Kirk, and contributions from John Purcell, Chris Garcia, Rich Lynch, Chuck Connor, Ahrvid Engholm, Evelyn & Mark Leeper, David Schlosser, Mark Blackman, Andrew Hooper, Murray Moore, Kees van Toorn, Wolf von Witting, R. Laurraine Tutihasi, Roger Hill, Alan Stewart, and Phil Wlodarczyk. Guy H. Lillian III served as the Offcial Editor.  

(12) I DON’T KNOW — THIRD BLAST! On the Dragon Awards site: “A Blast from the Past (Winners) – Part 3” with Kevin J. Anderson, Nick Cole, Larry Correia, Richard Fox, Claudia Gray, Brian Niemeier, S.M. Stirling, and Harry Turtledove.

If you were a voting electorate of one, what book by any other author would you give a Dragon Award to? What books by other authors would you recommend to those who voted for or enjoyed your book?

Nick Cole: I’m going to decline naming any authors because I have too many talented friends. If you enjoyed Ctrl Alt Revolt!, I guess I would recommend that you read any book by any author who’s been cancelled. Instead of just arbitrarily listening to someone’s opinion on some author and why they should be banned, blacklisted, and their works burned in a bonfire either digital or physical, I think you should take the time to read that book, listen to that person, and come to the conclusion yourself.

(13) BOOK ANNVERSARY.

  • August 2015 [Item by Cat Eldridge.] The House of Shattered Wings, the first of her Dominion of The Fallen series by French-Vietnamese author Aliette de Bodard was published by Roc in the U.S.  It would be the first novel in what has been a prolific and award-rich writing career. In addition to the decadent, ruined Paris set of the Dominion of The Fallen series, there’s her Xuya stellar empire where she makes rich use of her French-Vietnamese heritage. Of the new writers I’ve been reading (and most are female), I think she’s one that bears watching as it’ll be interesting to see what new universes come from her. And yes I’m waiting for the first Xuya novel somewhat impatiently.
The House of Shattered Wings by Aliette de Bodard cover art by Nekro
The House of Shattered Wings by Aliette de Bodard cover art by Nekro

(14) MEDIA BIRTHDAY.

  • August 13, 1953 — George Pal’s adaptation of H.G. Wells’ The War Of The Worlds premiered in Atlantic City, New Jersey. (Not New York City as is popularly believed.) It was directed by Byron Haskin from the screenplay by Barré Lyndon. It starred Gene Barry and Anne Robinson. It was narrated by Cedric Hardwicke. The film was both a critical and box office success with it earning back its budget in its first run. And it would won an Academy Award for Special Effects. Audience reviewers at Rotten Tomatoes currently give it a 71% rating. (CE)

(15) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born August 13, 1895 Bert Lahr. Best remembered  and certainly beloved as The Cowardly Lion in The Wizard of Oz, as well as his counterpart who was a Kansas farmworker. It’s his only genre role, though In the war film Meet the People, he would say “Heavens to Murgatroyd!” which was later popularized by a cartoon character named Snagglepuss. (Died 1967.) (CE)
  • Born August 13, 1899 Alfred Hitchcock. If he’d only done his two Alfred Hitchcock series which for the most part was awesome, that’d be enough to get him Birthday Honors. But he did some fifty films of which a number are genre such as The Birds and Psycho. Though I’ve not read it, I’ve heard good things about Peter Ackroyd’s Alfred Hitchcock. (Died 1980.) (CE)
  • Born August 13, 1909 Tristram Coffin. He’s best remembered for being Jeff King in King of the Rocket Men, a Forties SF serial, the first of three serials featuring this character. He showed up on the Fifties Superman series in different roles, sometimes on the side of Good, sometimes not. He played The Ambassador twice on Batman in. “When the Rat’s Away the Mice Will Play” and “A Riddle a Day Keeps the Riddler Away”. (Died 1990.) (CE)
  • Born August 13, 1922 Willard Sage. He showed up on Trek as Thann, one of the Empaths in “Empath”. He was Dr. Blake in Colossus: The Forbin Project, and had roles in The Land of GiantsInvadersThe Man from U.N.C.L.E.The Outer Limits and The Sixth Sense. (Died 1974.) (CE)
  • Born August 13, 1928 – Sir George Pollock, Bt.  The 5th baronet (an oversimplification); pursued photography that had light itself as its subject; invented color photographs using controlled light, originally through glass, which he called Vitrograph; later, large-scale photographic murals.  Five book and magazine covers for us; here is New Writings in SF 3.  Two album covers for His Master’s Voice; here is HQM 1008 with Stravinsky’s Soldier’s Tale (translation in part by Michael Flanders!), here is HQM 1026 with Prokofievand Shostakovich.  Here is Galactic Event.  Website here (under re-construction but some help).  Appreciation by the Photographic Alliance of Great Britain here (“NGV” is Nat’l Gallery of Victoria) (PDF).  (Died 2016) [JH]
  • Born August 13, 1932 – John Berkey.  A hundred seventy covers, two hundred twenty interiors.  Mixed his own colors.  Here is Starman Jones.  Here is Star SF 6.  Here is the Nov 94 SF Age.  Here is a Star Wars book.  Here is One Giant Leap.  Four artbooks; lastly J. Frank ed., The Art of John Berkey.  Society of Illustrators Hall of Fame.  Spectrum Grand Master.  Website here.   (Died 2008) [JH]
  • Born August 13, 1945 – Rita Krupowicz.  (She usually signed “R.J. Krupowicz”.)  Ten covers, as many interiors.  Here is The Dark Cry of the Moon.  Here is the Nov 85 Fantasy & Science Fiction.  This is from The Vortex Library on Twitter.  (Died 1991) [JH]
  • Born August 13, 1952 – Donna Barr, 68.  Enlisted in the U.S. Army, school-trained Teletype operator.  Much of her work self-published, available electronically.  Stinz was serialized in the Eclipse Comics series The Dreamery (hello, Lex Nakashima).  GURPS (Generic Universal RolePlaying System) and Traveller role-playing books.  “I usually do a rough on scrap paper (junk mail has lots of blank backs!), happily cutting and pasting, then I copy the whole thing (so the back is clear), rearrange the copy backwards on the back of the final paper, slap in some lettering guides, flip it over on a light table, and use it as a rough guide while I ink.  No penciling, and no erasing.”  Website here.  [JH]
  • Born August 13, 1974 – Christina Henry, 46.  A dozen novels, half a dozen shorter stories.  Alice, Red Queen and Looking Glass are “a dark and twisted take on Alice’s Adventures in Wonderland”; The Girl in Red is “a post-apocalyptic Red Riding Hood novel”.  The Ghost Tree, expected next month, is “an homage to all the coming-of-age horror novels I read when I was younger – except all those books featured boys as the protagonists when I longed for more stories about girls.  Just to clarify, though – this is not a young adult novel; it’s intended for an adult audience (like all of my work).”  [JH]
  • Born August 13, 1977 Damian O’Hare, 43. Though you might know him from  the Pirates of the Caribbean films, The Curse of the Black Pearl and  On Stranger Tides where he played Gillette, I know him as the voice of John Constantine on Justice League Action. He also showed up in Agent Carter. (CE)
  • Born August 13, 1990 Sara Serraiocco, 30. She plays the complex role of Baldwin on the Counterpart series which I’ve got on the iPad for watching soon. Anyone watch this? (CE) 
  • Born August 13, 1990 – Marlon Pierre-Antoine, 30.  “Helena’s Empire” is an E-book novelette.  Its sequel Wandering Stars explores a teenage girl’s whblooming romance with Lucifer (i.e. after his fall), whom she meets on a beach.  MP ranks The Divine Comedy above Animal Farm, both below The Hitchhiker’s Guide to the Galaxy.  [JH]

(16) COMICS SECTION.

(17) DC SECRET HISTORY. “John Ridley Unveils ‘The Other History of the DC Universe'”The Hollywood Reporter has the story.

Years after the completion of the second outing of his alternate history series The American Way12 Years a Slave screenwriter John Ridley is returning to comics to reveal The Other History of the DC Universe. The long-awaited series, exploring DC’s lengthy comic book mythology from a new angle, has been newly scheduled for a November release.

The five-part series, originally announced in 2018, re-examines important and iconic moments from DC’s comic book history from the point of view of characters from traditionally disenfranchised groups, including Jefferson Pierce — better known as Black Lightning — and Renee Montoya (The Question). Giuseppe “Cammo” Camuncoli, Andrea Cucchi, and colorist José Villarrubia are the artists for the series, with covers from Camuncoli and Jamal Campbell (Far Sector, Naomi)….

(18) THE AIRING OF GRIEVANCES. “Netflix soured the live-action remake of Avatar: The Last Airbender, its showrunners say” – a story on Vox.

In a rare public fallout for Netflix, the creators of the platform’s highly anticipated, live-action adaptation of Avatar: The Last Airbender, the acclaimed Nickelodeon cartoon, have walked away from the project.

Avatar: The Last Airbender’s full run became available on Netflix this past June, attracting a huge audience and reigniting the 2000s cartoon’s popularity. But in separate posts published to their respective blogs and InstagramsAvatar franchise creators Michael Dante DiMartino and Bryan Konietzko said they were no longer involved with the previously announced Netflix remake, due to prolonged creative differences.

“When Netflix brought me on board to run this series alongside Mike two years ago,” Konietzko wrote in his Instagram post, “they made a very public promise to support our vision. Unfortunately, there was no follow-through on that promise. … [T]he general handling of the project created what I felt was a negative and unsupportive environment.”

“I realized I couldn’t control the creative direction of the series, but I could control how I responded,” DiMartino added on his own website. “So, I chose to leave the project.”…

(19) HALLOWEEN CUISINE. The Horror Writers Association calls on members to stir up some entries for the “Horror D’oeuvres Recipe Contest”.

(20) THE FORUM ON BRADBURY. Today’s episode of BBC’s The Forum: “Ray Bradbury, a master of science fiction”.

”People ask me to predict the future, when all I want to do is prevent it.” Ray Bradbury has been acclaimed as the writer most responsible for bringing modern science fiction into the literary mainstream but, as the quote above shows, he regarded himself as the author of modern philosophical fables, rather than a sci-fi writer. In his dystopian works, such as Fahrenheit 451, he holds up a mirror to contemporary society and then transposes it into fantastical and futuristic scenarios. Bradbury was a prolific writer who tried his hand at everything from poems and novels to TV and radio scripts but it’s his early short stories which he produced in his twenties that are perhaps the most imaginative.

To mark the centenary of Bradbury’s birth, Rajan Datar is joined by three Bradbury experts to help him navigate through the author’s prodigious output: Professor Jonathan Eller from Indiana University who is also the Director of the Center for Ray Bradbury Studies; Dr. Miranda Corcoran who teaches American literature at University College Cork with particular interest in science fiction, horror and the gothic; and Dr. Phil Nichols who combines research into Bradbury’s TV and other media work with the teaching of Film and Television Production at Wolverhampton University.

(21) TOONING OUT. Camestros Felapton’s attention was drawn to “The Webtoon Short Story Contest” by Vox Day’s complaints that his Arkhaven Comics entry got no love from the judges:

Where there are stories gathered together there are story competitions and Webtoon is no different. They recently held their Short Story competition with the winners announced here https://www.webtoons.com/en/challenge/contest/us-contest-2020. It’s a juried award with cash prizes that splits winners and runners up into two categories: “Brain” for stories that blow your mind and “Heart” for stories that warm your heart (Rules and FAQs).

“Why are you telling us all this Camestros?” I hear you say….

Camestros proceeds to make some interesting observations.

After looking at those, you can also read Vox’s complaints in “Unappreciated and unawarded” [Internet Archive]. (Or not!)

And it wasn’t just unawarded. Midnight’s War somehow didn’t even qualify as one of the 36 runners-up despite being one of the top 10 ranked in Popularity and earning a higher rating than two out of the three Silver winners.

This tells me that Arkhaven needs to seriously rethink our plan to use Webtoons as a platform…. 

(22) NUH-UHHH! “Dwayne Johnson Can’t Convince His Daughter He Starred In ‘Moana'”NPR transcript.

Dwayne Johnson’s character in the Disney film Moana is beloved by kids everywhere. However, his daughter refuses to believe that her dad lent the character his voice.

(23) FIRST-PERSON NON-SHOOTERS. “The U.S. Military Is Using Esports As A Recruitment Tool” – another NPR transcript.

…JAY PRICE, BYLINE: Esports has exploded in the past few years. There are pro leagues, bricks and mortar arenas, players with six-figure salaries. Millions of people log on to streaming platforms like the Amazon owned Twitch to watch games and interact with players and each other. Many are of recruiting age. The military has taken notice. Major General Frank Muth just finished a stint leading U.S. Army Recruiting Command.

FRANK MUTH: This really has brought us into the modern era of where this generation and the next generation – they’re mainly hanging out online all the time.

PRICE: The four largest military services all now have teams or official players. Sergeant Nicole Ortiz is on the Army’s team. Her role includes playing games while socializing and explaining military life to viewers, like her own as an IT specialist.

NICOLE ORTIZ: A lot of them, they look at movies and think that the Army is just about war and shooting guns. In reality, I used to work at a help desk.

PRICE: Recruiting brass say the new esports push is already helping, especially given the difficulties of face-to-face recruiting during the pandemic. Part of the allure is being able to interact directly with viewers through the chat function. And that’s where the military’s esports initiative ran into some trouble.

KATIE FALLOW: What they did here is impermissible under the First Amendment.

PRICE: Attorney Katie Fallow is with the Knight First Amendment Institute at Columbia University. She represents an activist named Jordan Uhl. On the Army and Navy Twitch channels, he posted messages including, what’s your favorite U.S. war crime? Uhl was banned from both, along with dozens of others who posted similar messages or other comments the military gamers deemed improper.

FALLOW: Because they basically said, we don’t like that you’re raising questions about war crimes or things that the military is sensitive about. And they blocked people based on their viewpoints.

(24) SOONER OF LATER IT ALL ADDS UP. In “The Cost of Perseverance, in Context”, the Planetary Society says the cost of the latest Mars Exploration Rover mission sounds quite modest compared to some other chosen figures.

NASA expects to spend approximately $2.7 billion on the Perseverance rover project. This number can sound large, even excessive, to some—but it’s a number that demands context. Let’s give it some….

The total cost of the Perseverance rover is equivalent to…

(25) FAILURE TO LAUNCH. “Bird watching: The robin that thinks a cuckoo is its baby” (despite the cuckoo being bigger than the robin…) Short BBC video.

They say birds of a feather flock together, but what are the chances of a robin and cuckoo sharing a bit of lunch?

Well, County Donegal woman Maureen Carr captured the moment a red-breasted bird shared its meal.

(26) PUT IT IN REVERSE. BBC reports “London bus garage to become world’s largest ‘trial power station’”.

…Northumberland Park garage will host vehicle-to-grid technology, which feeds energy stored in parked electric buses back into the electricity network.

If the government-funded Bus2Grid project is rolled out across London it could power an estimated 150,000 homes.

The project will begin in November and run for three years.

Putting energy back into the grid when demand is high and recharging buses when demand is low helps make the network more efficient by balancing the peaks and troughs.

Ian Cameron, head of innovation at UK Power Networks, said: “A fleet of bus batteries harnesses large amounts of electricity and they are habitual, with regular and predictable routes, driving patterns and timings.

“That means we can easily predict and plan for how we can use any spare electrical capacity they can offer.”

(27) FORBIDDEN KNOWLEDGE. Forbidden Planet, the world’s largest and best-known comic book and cult entertainment retail chain, is throwing itself a 42nd birthday party — Forbidden Planet 42 – an online event featuring many genre and other celebrities. 

On Saturday August 29th 2020ForbiddenPlanet.com will play host to a huge range of celebrity interviews, as alumni from the worlds of science fiction, comics & popular culture come together to help the store celebrate 42 years of pop-culture addiction – and ponder the answer to The Ultimate Question of Life, the Universe and Everythingwith an all-star cast of our oldest friends & customers! 

This star-studded online event will feature new, exclusive interviews with some of Forbidden Planet’s most celebrated customers including William ShatnerDMCNeil Gaiman, Alice CooperJonathan RossGerard WayGarth EnnisKevin Smith, Michael Moorcock, Simon Pegg, Mark MillarDan Slott, V.E. Schwab, Dave GibbonsBrian BollandDirk MaggsChris Claremont & Ben Aaronovich amongst others, hosted by Forbidden Planet’s Andrew Sumner.

 As part of the Forbidden Planet 42 celebrations, this online extravaganza will also host a tribute to Forbidden Planet’s old friend – the late, great Douglas Adams (The Hitchhiker’s Guide to the Galaxy) in the shape of a rare, never-before-heard interview with Douglas (recently discovered in the Forbidden Planet vaults) conducted by another old pal, celebrated author Neil Gaiman.

[Thanks to Kathryn Sullivan, John King Tarpinian, JJ, John Hertz, Rose Embolism, Chip Hitchcock, Cat Eldridge, Mike Kennedy, Gordon Van Gelder, Martin Morse Wooster, Michael Toman, and Andrew Porter for some of the ridiculous number of stories in today’s Scroll. Title credit goes to File 770 contributing editor of the day Olav Rokne.]

Best Professional Artist Hugo: Eligible Works from 2019

By JJ: To assist Hugo nominators, this post provides information on the artists and designers of more than 660 works which appeared in a professional publication in the field of science fiction or fantasy for the first time in 2019.

These credits have been accumulated over the course of the year from dust jackets, Acknowledgments sections and copyright pages in works, as well as other sources on the internet. This year, Filer Goobergunch also collected this information, and though we had a lot of overlap, his extra entries have greatly increasead the information we are able to provide you. My profound thanks go to Goobergunch for all of his hard work.

You can see the full combined spreadsheet of Editor and Artist credits here (I will be continuing to update this as I get more information).

In this post I will display up to 8 images of artworks for each artist for whom I have identified 3 or more works which appeared in a professional publication in the field of science fiction or fantasy for the first time in 2019.

Please note carefully the eligibility criteria according to the WSFS Constitution:


Professional Artist

3.3.12: Best Professional Artist. An illustrator whose work has appeared in a professional publication in the field of science fiction or fantasy during the previous calendar year.

3.2.11: A Professional Publication is one which meets at least one of the following two criteria:
(1) it provided at least a quarter the income of any one person or,
(2) was owned or published by any entity which provided at least a quarter the income of any of its staff and/or owner.

3.10.2: In the Best Professional Artist category, the acceptance should include citations of at least three (3) works first published in the eligible year.


Under the current rules, artwork for semiprozines and fanzines is not eligible in this category. You can check whether a publication is a prozine or a semiprozine in this directory (the semiprozine list is at the top of the page, and the prozine directory is at the bottom).

Please be sure to check the spreadsheet first; but then, if you are able to confirm credits missing 2019-original works and the names of their artists from Acknowledgments sections, copyright pages, or by contacting authors and/or artists, go ahead and add them in comments, and I will get them included in the spreadsheet, and if the artist is credited with at least 4 works, in this post. If you have questions or corrections, please add those also. Please note that works may or may not be added to the list at my discretion.

PLEASE DON’T ADD GUESSES.

Artists, Authors, Editors and Publishers are welcome to post in comments here, or to send their lists to jjfile770 [at] gmail [dot] com.


(warning: this post is heavily image-intensive, and will probably not work well on mobile devices: flee now, or prepare to meet your doom extremely slow page download)

Only those bying stoute of heyrte and riche in bandwydthe shouldst click hither to proce’d…

Pixel Scroll 10/7/19 Yet There’s Much More To Be Said

(1) FANTASY & SCIENCE FICTION. Here is the cover of the Nov/Dec 2019 issue of The Magazine of Fantasy & Science Fiction.  The cover art is by Bob Eggleton.

(2) FIYAH SURVEY. FIYAH Literary Magazine’s “The Black Speculative Fiction Writer Survey” is open for responses again through November 30th.

This survey is designed to provide context to reports like Fireside Fiction’s #BlackSpecFic Reports. We invite Black SFF writers to submit information about their practices and insights on submission to SFF short fiction markets with a focus on a 13 month period. The responses we receive will allow us to:

  • Quantify the existence of Black speculative fiction writers seeking publication.
  • Provide submission context to existing publication data.
  • Expose the impact of doleful publication statistics on Black writers.
  • Enable markets to pinpoint their failings in attracting or publishing Black writers.

… For the purposes of this survey, participating writers:

  • must have submitted at least one piece of short speculative fiction to a paying market in the last 12 months. You do not have to be published in order to participate in the survey. Speculative fiction includes fantasy, science fiction, horror, paranormal and all of their included subgenres. “Short” fiction includes flash, shorts, novelettes, and novellas (under 40,000 words).
  • must identify as Black or of the African Diaspora (to include mixed/biracial)

(3) INSPIRED CREATURES. The “Natural History of Horror” exhibit will open October 10 at Los Angeles County’s Museum of Natural History, and run through April 19.

We have a strange curiosity for mysterious, eerie, and grotesque monsters. We love the thrill of intense, heart-pounding bursts of adrenaline that only horror movies can provide. In our new exhibition Natural History of Horror, explore the scientific inspiration for classic monsters from DraculaFrankensteinThe Mummy, and Creature from the Black Lagoon. Get a glimpse of rare movie props, film footage, hands-on activities, and museum specimens.  

…Your senses will tingle as you hear about the scientific experiments and discoveries that inspired filmmakers to create four of the world‘s most iconic movie monsters: the Creature from the Black Lagoon, Frankenstein, the Mummy, and Dracula. Whether these classics spotlighted sinister figures lurking in the shadows or creatures waiting unseen beneath the water, one thing is true: Each larger-than-life character had a surprisingly rich real-world backstory.

(4) UNTWIST THOSE KNICKERS. Shelf Awareness has retracted an earlier report. Now they say “U.S. Tariffs on E.U. Won’t Include Books”.

The report last week that books were included in the new tariffs on E.U. products imported to the U.S. was inaccurate. In fact, books will not be included in the $7.5 billion of tariffs, which are being imposed after the World Trade Organization ruled last Wednesday that the U.S. could tax $7.5 billion of E.U. goods to recoup damages after the WTO had determined in May that the E.U. illegally subsidized Airbus.

(5) ATWOOD’S LATEST. Kyra reviews The Testaments in a comment on File 770’s 2019 Recommended SFF List.

I wasn’t at all sure what to expect from this book. What I absolutely did not expect was … a pretty good young adult dystopian adventure story. It was a bit jarring when I realized that was what I was reading, as if I’d discovered that The Hunger Games had somehow been intended as a direct sequel to 1984….

(6) YOUR MONEY’S NO GOOD HERE. FastCompany reports: “In latest streaming wars move, Disney bans Netflix ads from its entertainment networks”.

In a move that reminds us that the streaming wars are already well underway, Disney has banned all Netflix advertising from its entertainment properties, according to a report in The Wall Street Journal.

Netflix spent $99.2 million on U.S. TV ads during 2018, with about 13% going to Disney-owned networks, according to estimates made by the ad-measurement firm iSpot.TV. But with Disney’s new streaming service Disney+ launching next month, the Mouse has ramped up its competitive edge to gain any traction it can against its newest, biggest rival. Notably, the ban only applies to Disney’s entertainment networks, not Disney-owned ESPN.

Back in August, Disney announced that it had banned ads from any of its streaming rivals but then walked that back, citing complex, mutually beneficial business relationships with partners who are also competitors such as Apple and Amazon.

(7) DRIVE THEM CRAZY. Engadget has discovered “Tesla will let you customize your car’s horn and movement sounds”. One hilarious option is coded but not yet operative:  

Electrek also found references in the Tesla Android app’s code to a currently unavailable “Patsy Mode” (named after Arthur’s sidekick in Holy Grail) that could play the coconuts when you summon your car from Auto Park. Things are about to get very silly in your EV, then, whether or not you’re actually moving.

(8) TAYLOR OBIT. Comedian Rip Taylor, a staple of daytime TV back in the day, died October 6 at the age of 84. SYFY Wire reminded readers about his genre resume.

…Aside from his career as a shtick-happy comic, he had a number of noteworthy genre roles, particularly in animation, where his unique vocal delivery got to breathe real life into his cartoon counterparts. His first major role animated role was in 1979’s Scooby Goes to Hollywood in 1979. Years later, he’d appear in two more Scooby-Doo projects, What’s New, Scooby-Doo in 2002 and Scooby-Doo and the Monster of Mexico in 2003. He also voiced the genie in 1990’s DuckTales the Movie.

Additionally, he had roles in Popeye and Son, The Snorks, and The Jetsons. Later, he had a recurring role as Uncle Fester in the early 1990s animated series The Addams Family. More recently, he was the voice of the Royal Recordkeeper in the Disney short film series The Emperor’s New School, and he played another genie in the superhero family series The Aquabats! Super Show! His last role was in the 2012 horror flick Silent But Deadly.

(9) TODAY IN HISTORY.

  • October 7, 1959 — First photos taken of the far side of the Moon, by Luna 3.
  • October 7, 1988 — The War of the Worlds series premiered. Starring Jared Martin and Lynda Mason Green, it would last for two seasons. Andria Paul of Highlander fame would join the cast in season two. 
  • October 7, 1988 Alien Nation debuted as a film. Written by Rockne S. O’Bannon, it starred James Caan and Mandy Patinkin. It received a nomination for Best Dramatic Presentation in the Hugo Awards losing out at Noreascon 3 to Who Framed Roger Rabbit?. Both the movie and the series rate a 43% at Rotten Tomatoes. 

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born October 7, 1926 Ken Krueger. Krueger co-founded and organized the first San Diego Comic-Con International convention, then called “San Diego’s Golden State Comic-Con,” in 1970. He attended the first Worldcon in 1939. I’ll leave it up to y’all to discuss his activities as a fan and as a pro as they won’t fit here! (Died 2009.)
  • Born October 7, 1942 Lee Gold, 77. She’s a member of LAFA and a writer and editor in the role-playing game and filk music communities. She published Xenofilkia, a bi-monthly compilation of filk songs which has been published since 1988, four issues of the Filker Up anthology; and has published for forty-four years, Alarums and Excursions, a monthly gaming zine. She’s edited more fanzines than I care to list here, and is a member of the Filk Hall of Fame along with Barry Gold, her husband. 
  • Born October 7, 1946 Chris Foss, 73. UK Illustrator known for the Seventies UK paperback covers for Asimov’s Foundation trilogy and E. E. “Doc” Smith’s Lensman and Skylark series among many that he did. He also did design work for the Jodorowsky version of Dune. Alien has his Spaceship design, and he did redesign of Gordon’s rocket cycle for the 1980 Flash Gordon film. 
  • Born October 7, 1950 Howard Chaykin, 69. Comic book artist and writer. His first major work was for DC Comics, drawing The Price of Pain” which was an adaptation of author Fritz Leiber’s characters Fafhrd and the Gray Mouser in Sword of Sorcery #1. He would illustrate damn near everything else from Batman and The Legion of Super-Heroes for DC to Hulk and Iron-Man for Marvel (to name but two series) but I think his best genre work was his own American Flagg! series.
  • Born October 7, 1958 Rosalyn Landor, 61. She played Guinevere in Arthur the King, and Helen Stoner in “The Speckled Band” of Jeremy Brett’s Sherlock Holmes. She was the red headed colleen Brenna Odell in the “Up the Long Ladder” episode of Next Generation.
  • Born October 7, 1959 Steven Erikson, 60. He’s definitely  most known for his Malazan Book of the Fallen series, which began with the publication of Gardens of the Moon and was completed with the publication of The Crippled God, ten novels later. Though I’ve not read it, and didn’t know it existed, he’s written the Willful Child trilogy, a spoof on Star Trek and other tropes common in the genre. 
  • Born October 7, 1963 Tammy Klein, 56. She’s getting Birthday Honors because of the most-likely-unauthorised Trek audioseries she’s involved in called Star Trek: Henglaar, M.D. in which she’s Subcommander Nonia but she also been in some definitely really pulpy works such as Lizard ManJurassic City, Awaken the Dead and Zoombies.
  • Born October 7, 1970 Nicole Ari Parker, 49. She’s getting a Birthday Honor because she was Vanessa Anders in Time After Time, a short lived series (twelve episodes aired in 2017) based off the H.G. Wells novel of that name. Freddie Stroma played Wells. Anyone see it? Oh, and she had a recurring role in the Revolution series as Justine Allenford. 
  • Born October 7, 1979 Aaron Ashmore, 40. He‘s known for being Jimmy Olsen on Smallville and Steve Jinks on Warehouse 13. He also is Johnny Jaqobis on Killjoys. He also had a recurring role as Dylan Masters in XIII: The Series which I think is SFF. 

(11) COMICS SECTION.

  • Lio intercepts a message from outer space. It sounds pretty familiar…
  • Moderately Confused amuses by combining Halloween with a sff trope joke. I laughed.
  • On the other hand, today’s Off the Mark is truly bizarre.

(12) THE INTERNET SAYS “OOPS!” At Examined Worlds, Ethan Mills asks “Was Social Media a Huge Mistake?” Of course it was, that’s why I hurried to read his post…

My concern isn’t so much that social media makes new bad things. Humans have always been intellectually and morally fallible. My concern is that it exacerbates our weaknesses in a deeply unhealthy way.

Cognitive Biases and Logical Fallacies

Social media exacerbates our cognitive biases and tendencies toward fallacious reasoning. “Fake news” and conspiracy theories are shared more quickly and are believed more widely. Social media successfully exploits cognitive biases like availability heuristic and confirmation bias. Social media echo chambers make us think our views are more popular or more correct than they actually are. 

Logical fallacies like Ad Hominem, Tu Quoque, Strawman, Red Herring, Appeal to Popularity, Appeal to Authority, and No True Scotsman frequently pass for good arguments. And social media algorithms and click bait headlines deliberately exploit all of this to keep us clicking, liking, and sharing too quickly, long before we have time to digest or examine anything philosophically. (Indeed, I suspect philosophical thinking is too slow for social media, although a lucky few on philosophy Twitter may be exceptions.)…

(13) SHORT SFF AT ANGRY ROBOT. Tomorrow Angry Robot releases its “first foray into short-form fiction” Duchamp Versus Einstein, by Christopher Hinz and Etan Ilfeld, something we reported this last week. But we’ve subsequently learned the interesting fact that co-author Etan Ilfeld is also the owner of Watkins Media, of which Angry Robot has been part since 2014. Does that change how likely it is there will be more short sff forthcoming?

(14) O2. The Nobel Prizes are being announced this week. First up – the Nobel Prize for Physiology or Medicine: “How cells sense oxygen wins Nobel prize”.

Three scientists who discovered how cells sense and adapt to oxygen levels have won the 2019 Nobel Prize.

Sir Peter Ratcliffe, of the University of Oxford and Francis Crick Institute, William Kaelin, of Harvard, and Gregg Semenza, of Johns Hopkins University share the physiology or medicine prize.

Their work is leading to new treatments for anaemia and even cancer.

The role of oxygen-sensing is also being investigated in diseases from heart failure to chronic lung disease.

…Why does this matter?

The oxygen-sensing ability of the body has a role in the immune system and the earliest stages of development inside the womb.

It can trigger the production of red blood cells or the construction of blood vessels.

So, drugs that mimic it may be an effective treatment for anaemia.

Tumours, meanwhile, can hijack this process to selfishly create new blood vessels and grow.

So, drugs that reverse it may help halt cancer.

(15) NOT THE BIGGEST BANG, BUT STILL PLENTY BIG. “Milky Way’s centre exploded 3.5 million years ago”.

A cataclysmic energy flare ripped through our galaxy, the Milky Way, about 3.5 million years ago, a team of astronomers say.

They say the so-called Sifter flare started near the super massive black hole in the centre of the galaxy.

The impact was felt 200,000 light-years away.

The discovery that the Milky Way’s centre was more dynamic than previously thought can lead to a complete reinterpretation of its evolution.

(16) PRIVACY V. SAFETY. “Facebook encryption: Should governments be given keys to access our messages?” BBC has the story.

Governments in the UK, US and Australia have asked Facebook, in an open letter, to roll back plans to bring end-to-end encryption to all of its platforms.

Facebook, rocked by privacy scandals, responds that everyone has the right to a private conversation.

It is the latest in an age-old battle between privacy and safety, which has played out between governments and tech firms ever since digital communication became mass market.

What is end-to-end encryption?

As the name suggests, this is a secure way of sending information so that only the intended receiver can read it.

The information is encrypted while it is still on the sender’s device and is only decrypted when it reaches the person intended. Nobody, not even the platform owner, has the keys to unlock it.

Is there evidence encryption has hampered police enquiries?

When the BBC asked the Home Office to provide examples, it could not do so.

The real issue is the fact that Facebook will no longer be able to police its own content, it said.

It pointed to the fact that last year Facebook sent 12 million reports of child exploitation or abuse to the US’s National Center for Missing and Exploited Children, and it would no longer be able to do this if it had encryption on all its platforms.

It is something that Facebook chief Mark Zuckerberg addressed directly in a Q&A with staff about the issue.

“When we decided to go to end-to-end encryption across the different apps, this is one of the things that just weighed the most heavily on me,” he said.

(17) RUBY ROSE. In the Washington Post, David Betancourt interviews Ruby Rose, star of “Batwoman,” who explains that even though she identifies as gay and Batwoman is gay, “you don’t fight crime in a gay way or a lesbian way.” “Ruby Rose knows Batwoman is a step forward for LGBTQ superheroes — but she’s more interested in how she saves the day”.

…Rose did a bit of soul searching when CW called. Shooting a network TV season often means filming almost year round, leaving a limited window for Rose to make movies. She would have to move from Los Angeles to Vancouver, where most of the CW’s DC shows film.

But ultimately, Rose answered the bat-signal call — the role was too emotionally appealing to pass up. She tried to think of any upcoming role she’d been offered that could make her feel the same way. There weren’t any.

“[This role is] something that we all wish did exist when we were growing up [watching] television. It would have helped [us] as well as other people feel less alone and less misunderstood or all confused or isolated and different and not unlike many other things that come with being young and gay,” Rose said. She hopes the show will impact people who feel alone — “and empower them to feel like they’re a superhero too and that they can change the world too.”…

(18) VIDEO OF THE DAY. 2001 A Space Odyssey, Epilogue. Featuring Frank Poole on Vimeo.

Some 203 years after astronaut Frank Poole is murdered by the Discovery’s A.I. HAL 9000, his body encounters a Monolith.

Using practical models and digital versions of the tricks used in the original, with respect to Stanley and Wally.

[Thanks to Cat Eldridge, Martin Morse Wooster, JJ, John King Tarpinian, Chip Hitchcock, Mike Kennedy, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Cliff.]

2019 Writers and Illustrators of the Future Contest Winners

The 2019 Writers and Illustrators of the Future Contest Award Event was held April 5 in Los Angeles.

2019 Writers of the Future Golden Pen Award was won by Andrew Dykstal for his story “Thanatos Drive.”

The Illustrators of the Future Golden Brush Award went to Aliya Chen for her illustration of Elise Stephens’ story “Untrained Luck.”

Each winner received a trophy and a $5,000 check.

Also, the L. Ron Hubbard Lifetime Achievement Award was presented to artist Bob Eggleton.

Bob Eggleton Announcement

Artist Bob Eggleton asked to have his statement posted:

I’m taking a major step back from SF fandom. I’ll still do covers for my favorite people, here and there and will be around, just have to step back from some of the unkind aspects and pithy fights fandom has developed into recently to focus on my landscape, seascape and spacescape work and my Fine Art direction. People take themselves waaay too seriously in regards to awards like the Hugo and so forth. I got a bunch when it was fun and before Social Media and “campaigning.” Now I see too much backbiting and a tendency to forget the past honors going back to the Hugo’s beginning.

Events like SPACE FEST, Windy City Pulp Con, and G FEST(Godzilla Con) I will still attend as I will Boskone (local) and some of the “Monster Convention” shows. Some of the cattiness and political backbiting and disrespect in the core of “SF fandom” has been very tiring. I have been declining AGoH invites politely anyway, I wish them well but it’s not my “tribe” as it were.

“All Best Wishes, Stay Positive.”

Lunacon 2017 Artist Guests

Marianne P;umridge and Bob Eggleton in 2008.

Marianne Plumridge and Bob Eggleton in 2008.

The New York Science Fiction Society – the Lunarians (2), Inc. – has announced Bob Eggleton will be Artist Guest of Honor and Marianne Plumridge will be Special Guest Artist at Lunacon 2017. They join others already on the marquee, Ben Bova as Writer Guest of Honor, Roberta Rogow as Fan Guest of Honor, and the Boogie Knights as Musical Guests.

Bob Eggleton is a multiple Hugo, Chesley and Locus Award-winning artist who first came to prominence for his awe-inspiring spacescapes. (Asteroid 13562 was named Bobeggleton in his honor.)

Over the years, Bob has done art for comics, collectible card games, and book covers for many well-known authors, as well producing as his own illustrated books and art books. “Publishers love artists that slam out the work and sell their books,” he says. Appropriately, his work will be featured on the cover for the upcoming novel by our Writer Guest of Honor, Ben Bova. The Lunacon 2017 Art Show will be exhibiting his work throughout the Convention weekend.

Marianne Plumridge, Special Guest Artist, and Bob’s wife, works mainly in the fields of fantasy and adventure, with occasional forays into science fiction. “When I embarked on a creative career,” she relates, “I started out as a writer. When I found that I could tell the story in paint, the writing sort of fell by the wayside.” Her art history started in her native Australia, where she honed her black and white illustration skills for fan magazines, and earned her the Australian Science Fiction Media (ASFMA) Award for Best Australian Media Fanartist.

Lunacon 2017 will be held on the weekend of April 7 – 9, 2017 at the Westchester Marriott Hotel, 670 White Plains Road, Tarrytown, NY 10591-5104.

Pixel Scroll 8/4 The Dead Wallaby of Clown Town

Money, money, money – we cover the spectrum from scarcity to infinite wealth in today’s Scroll.

(1) David Pascoe (“Trekking With The Green-Eyed Monster” on According To Hoyt) knows something that nobody else knows. ‘Cause he made it up:

It occurs, what with the Hugo voting just finished, and the results to be announced in a couple of week, that most of the Puppy Kickers are suffering from an excess of envy. I mean, think about it: the prospect of Jim Butcher (or Kevin Anderson, etc.) receiving a shiny, rocket-shaped object is so painful to them that they’re willing to ruin the award’s (remaining shreds of) credibility to prevent it. It’s accepted wisdom at this point that a move to limit voting to attending memberships will be advanced at the WSFS business meeting at Sasquan. While there’s a good deal of speculation over whether such a motion will even get approved (what then, would supporting members get for their hard earned filthy lucre? How could WorldCon possibly garner any kind of diverse, international support by shutting out anybody who can’t afford to fly across an ocean to come to the majority of conventions?), that it’s not reduced to backroom rumor mills is a sign of how strong the desire is to keep out the undesirable types.

Use this link to keep track of new business actually submitted to Sasquan.

(2) Bob Eggleton has some more anecdotes and critiques about Worldcon art shows, and in the last paragraph alludes to professional shows that are competing effectively for artists’ attention, which may be the most important influence on the fate of the Worldcon art show.

Illuxcon had risen in 2008 and, it started being for many pro artists the model for such a quality artshow. Security, professional hangings, a sense of overall quality to the show and one where artists, art fans and art collectors could come and be treated all well. No politics or stupidity or getting caught in some “fan” feud or political battle. Everyone gets on. Everyone does fairly well. Spectrum Live also fills a similar need. So maybe there is hope, but it requires a new and consistent sustainable model for such shows.

(3) Ahrvid Engholm’s post about Girl With The Dragon Tattoo author Stieg Larsson at Europa SF reminds readers about Larsson’s beginnings as a fanzine fan, and draws attention to a successor’s work on a new Millennium series novel that is coming out late this month.

An avid science fiction reader from an early age, he became active in Swedish science fiction fandom around 1971; co-edited, together with Rune Forsgren his first fanzine, Sfären, in 1972; and attended his first science fiction convention, SF•72, in Stockholm. Through the 1970s, Larsson published around 30 additional fanzine issues; after his move to Stockholm in 1977, he became active in the Scandinavian SF Society where he was a board member in 1978 and 1979, and chairman in 1980. In his first fanzines, 1972–74, he published a handful of early short stories, while submitting others to other semi-professional or amateur magazines. He was co-editor or editor of several science fiction fanzines, including Sfären and FIJAGH!; in 1978–79, he was president of the largest Swedish science-fiction fan club, Skandinavisk Förening för Science Fiction (SFSF).

The Swedish morning paper Dagens Nyheter August the 2nd published an “exclusive diary” by David Lagercrantz, covering his work with writing the new Millennium novel.

(4) Responding to a report that “Most of the [Hugo] votes were cast in the final week before the deadline, over 3,000,” Vox Day suggests —

Something to consider: on July 24th, I posted my complete Hugo recommendations. I am NOT saying those are all Puppy votes, only that there may be a connection.

(5) J. A. Micheline explains “Why I’m Boycotting Marvel Comics” at Comics Alliance.

First, came your quiet decision to hand the new Blade book over to two white creators. To be clear, I have no reason to think either creator will do a bad job on this book, but I was disappointed that one of Marvel’s most prominent black heroes would be handed to white people yet again.

I feel like I have to say this five or six times. Whenever this comes up, I get a tsunami of white people wondering what my problem is and suggesting I’m racist for saying white people can’t write about people of color. It’s not that white people can’t; it’s not even that they shouldn’t (except in some circumstances that I have written about almost ad nauseam recently) — it’s that white people are the ones who, historically and systemically, are consistently offered the opportunity. And in 2015, perhaps the right thing to do is to let people of color have a turn.

But that wasn’t the dealbreaker for Micheline, it was the string of gaffes that followed, beginning with —

The moment you and I really started having a problem, Marvel, was when your editor-in-chief all but laughed off the numerous critiques of the variants. Axel Alonso’s interview with CBR was unspeakably condescending and horrendously dismissive. From using scare quotes to frame the discussion to referring, to outcry from David Brothers and other readers/critics as a “small but very loud contingent,” to — and this is the part that I pretty much can’t forgive — indicating that we had suddenly learned the phrase ‘cultural appropriation’ and were eager to use it in an essay.

(6) Monty Python’s Terry Gilliam will appear at Live Talks Los Angeles on October 19, 2015 at the Alex Theatre. It’s the launch event for Gilliam’s memoir.

Gilliamesque-hc-s-227x300In Gilliamesque, his “pre-posthumous memoir,” he offers an intimate glimpse into his world in this fascinating book illustrated with hand-drawn sketches, notes, and memorabilia from his personal archive.

From his no-frills childhood in the icy wastes of Minnesota, to some of the hottest water Hollywood had to offer, via the cutting edge of 1960s and ’70s counter-culture in New York, L.A. and London, Terry Gilliam’s life has been as vivid, entertaining and unorthodox as one of his films.

(7) Larry Correia is selling a second series of challenge coins. Jack Wylder gives the details at the link.

2) Instead we’re doing it through the MHI Swag page: https://mhiswag.myshopify.com/ Important: Do NOT order yet! Wait until all 12 designs are finalized and up there so you only have to order once. Even if you’re planning on buying a complete set, hold off- we have a few other items we’ll be introducing along the way that might interest you. In fact, I’m not even going to put them on the site until all has been revealed…

This is the first of the series —

ProvisionalPUFF

(8) At Bloomberg, Noah Smith writes about “Star Trek Economics: Life After the Dismal Science”.

I grew up watching “Star Trek: The Next Generation” (easily the best of the Star Trek shows). There’s one big, obvious thing missing from the future society depicted in the program. No one is doing business. There is almost no one buying and selling, except for a few species for whom commerce is a form of traditional religion. Food and luxuries are free, provided by “replicators” — machines capable of creating essentially anything from pure energy. Recreation, provided by virtual reality, is infinite in scope. Scarcity — the central defining concept of economics — seems to have been eliminated.

Is this really the future? Is it possible? Is it something we want?

Wait ‘til Smith discovers the Culture novels of Iain M. Banks…

[Thanks to Martin Morse Wooster and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Kurt Busiek.]

Pixel Scroll 8/3 Crisis in Infinite Victories

A Hollywood bomb that made money, a cable hit with a future, and the perpetual love feast that is the Worldcon, all in today’s Scroll.

(1) James Earl Jones played B-52 bombardier Lt. Lothar Zogg in Dr. Strangelove.

It was his seventh professional credit. In five of his first 10 roles he was cast as a doctor. That early typecasting wasn’t enough to get him the part of Dr. Strangelove himself, though… Jones first appears in this YouTube clip at :40.

James Earl Jones would establish his greatness as an actor a few years afterwards on Broadway, earning a Tony as the lead in The Great White Hope, and an Academy Award nomination in the film version of the play. Because of his prominence in mainstream entertainment, gigs like voicing Darth Vader or Mufasa in The Lion King seem like sidelines, however, Jones has often worked in genre, fantasy and offbeat productions.

He played alien abductee Barney Hill in a 1975 TV movie, Thulsa Doom in Conan the Barbarian, the warrior Umslopogaas in Allan Quatermain and the Lost City of Gold (1986), reclusive author Terence Mann in Field of Dreams (1989), and also has been in many obscure genre and animated productions.

(2) J. Michael Straczynski, interviewed by Comic Book Resources, is cautiously optimistic about a second season of Sense8.

While the streaming service hasn’t officially given the green light to second season, a promising gesture occurred when Netflix hosted a “Sense8″ panel during the Television Critics Association summer press tour with cast and creators in attendance, including Straczynski who updated the status of a possible renewal. “We’re still awaiting word,” he said on stage. “We’re in the process. We’re waiting for a final determination. We’re cautiously optimistic, but ultimately it’s Netflix’s call.”

If the call does come, Straczynski said he and the Wachowskis have already given plenty of thought to the next phase of the “Sense8” universe. “We’re looking at expanding that as far as logic goes,” he said. “What’s kind of fun about the characters is that what they’re sharing are not necessarily [powered] – like, in other concepts, which might be superpowers, flight. They have ordinary abilities, and we’re trying to say that there is value and merit and power in [that] – whether you’re an actor or you are a martial arts person or a bus driver, you have something to contribute.”

(3) You have til tomorrow to bid on a copy of the American first edition of Verne’s Twenty Thousand Leagues Under The Sea. Currently up to $2,400.

twenty thousand leagues vern

(4) “7 Science Fiction Publishers that Pay $750+ for Short Stories” seems to have valid info (I checked the Analog entry and it is good) even if the page itself is an ad for writing jobs.

(5) Today’s birthday boy – Clifford D. Simak, three-time Hugo winner, for “The Big Front Yard” (1959), “Grotto of the Dancing Deer” (1981), and one of my very favorite sf novels, Way Station (1964). He was named a SFWA Grand Master, received a Bram Stoker Award for Life Achievement, and won the First Fandom Hall of Fame Award.

After the original Dean of Science Fiction, Murray Leinster, passed away, Isaac Asimov considered only two writers had earned the right to succeed to the unofficial title, saying in The Hugo Winners: 1980-1982 (1986) “the only writer who can possibly compete with [Clifford D. Simak] as ‘dean of science fiction’ is Jack Williamson, who is four years younger than Cliff but has been publishing three years longer.”

Clifford Simak

Clifford Simak

(6) Artist Bob Eggleton predicts the demise of the Worldcon art show in “We LOVE Worldcon….but here’s what happened…”

Back in the 1980s, it was commonplace for us Pro Artists to schlep or ship our work to the convention. The 80s was a great time,  SF looked good,  major authors were doing major works, the covers were the best they’d ever been.  Costs were low.  Even in the 90s it was still viable. I can remember in 1996 shipping 3 large boxes of artwork to the LACon of that year in Anaheim.  It was a lot of fun, I won a Hugo in fact. The boxes cost me something like $300.00 each way for a total of $600 and change.  I made something like $4500 in the show, so including everything, I still made money.

….It’s the shipping costs that it all comes down to vs the return in sales that are not always congruent. So while people ask “What happened to all the name artists?”….it’s simply cost that we can’t do this anymore. My personal view is also that, Worldcon has changed and few people are interested in the physical art like they used to be, with all the interest in digital media. And it has become a lot of work to prepare for these events. My memories are long and I will always remember the good times, but, they’ve passed. I see a future of an artshow-less Worldcon, due to insurance costs and lack of manpower and, as digital art becomes the mainstay, a lack of physical art.

(7) Dave Freer’s “Show me” at Mad Genius Club is a one-man roundup post.

In this case I’m talking about all those folk who have been telling us ‘we’re doing it wrong’. You know precisely the sort of individuals I’m talking about. They’ll tell me I’m an evil cruel man for killing a chicken or a wallaby… but they have never done it. They’ve never been faced with a choice of that, or no food (let alone meat). They buy a product in the supermarket… which magically makes it appear in the freezer. They’ll tell you that you did your book all wrong and that it is terrible and full of typos… but they haven’t written one. Or if they have, they didn’t have to survive the mill of the slush-pile as I did (or self-pub), but thanks to their ‘disadvantages’ and connections had a publisher pay an editor to help, and proof reader to clear some of those typos. They’ll tell you that the puppies efforts are dragging sf back in time (yes, JUST in time), yet they’ve done nothing to alter the catastrophic plunge of sf/fantasy sales from traditional publishers. If you force them to confront the figures showing they’ve been part of excluding anyone to the right of Lenin from traditional publishing and the various awards (which, it seems extremely likely, downgraded the sale-value of those awards, and the popularity of the genre… they’ll tell you there might be a problem (but of course nothing like as bad as you make it out to be) and we, the puppies just did it wrong.

(8) But never let it be said the Puppies haven’t left their noseprint on the field. Dave Hicks’s cover art for Novacon 45’s progress reports is themed for GoH Stan Nicholls’s Orcs fantasies. Here’s the topical #2.

Art by Dave Hicks.

Art by Dave Hicks.

[Thanks to David Langford and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Snowcrash.]

The Cream Rises

All five nominees for the 2010 Best Professional Artist Hugo are strutting their stuff at Tor.com this week. Art Director Irene Gallo has lined up screensavers from Shaun Tan, Dan Dos Santos, Stephan Martiniere, John Picacio, and Bob Eggleton. She’s posting one each day.

Gallo led off with Shaun Tan on Monday:

To celebrate AussieCon’s (home of this year’s Hugo ceremony) artist Guest of Honor, Shaun Tan, we decided to kick-off the week with this lovely “Eric” drawing from one of my favorite stories in Shaun’s short story picture-book collection, Tales from Outer Suburbia.

This example makes it easy to understand why the sig line reads: “Irene Gallo is in love with every piece of paper Shaun Tan touches.”

She followed with Dan Dos Santos’ contribution on Tuesday, an incredible portrait of an elf painted during the 2009 Illustration Master Class.

I’m looking forward to seeing more breathtaking art at Tor.com as the week progresses.