19 When Other Pixels Have Been Fifthgot, Ours Will Still Scroll Hot

Posted on April 25, 2019 by Mike Glyer

(1) A CLOCKWORK REWIND. After Aldous Huxley wrote Brave New World (1932), he wrote a book of essays about issues raised in the novel, Brave New World Revisited (1958). Anthony Burgess planned to do the same for his novel A Clockwork Orange (1962) in A Clockwork Condition. Burgess evidently decided he was a better novelist than a philosopher and never published his 200-page typescript, which now has been rediscovered by The Anthony Burgess Foundation: “Unseen Clockwork Orange ‘follow-up’ by Anthony Burgess unearthed”.

A previously unseen manuscript for a follow-up to writer Anthony Burgess’s novel A Clockwork Orange has been unearthed in his archive.
A Clockwork Condition, which runs to 200 pages, is a collection of Burgess’ thoughts on the human condition and develops the themes from his 1962 book.
The novel told the story of the state’s attempt to cure a teenage delinquent.
The unfinished non-fiction follow-up is described as “part philosophical reflection and part autobiography”….
He then published a short autobiographical novel tackling some of the same themes, The Clockwork Testament, in 1974.

On Friday, the Design Museum in London launches a major Stanley Kubrick exhibition, which will include material from his Clockwork Orange film.

(2) COSPLAY: A HISTORY. Andrew Liptak has one on the way to the press says SYFY Wire. “First Look: Cosplay expert Andrew Liptak examines fandom fashion in Cosplay: A History”.

Cosplay: A History is a deluxe upcoming release from Saga Press celebrating the colorful kingdom of cosplay being compiled by writer/historian Andrew Liptak…
Inspiration to craft this upcoming book came from his interest in the history of the 501st Legion. At the same time, he was working closely with The Verge colleague Bryan Bishop and realized that costumers working today occupy a fascinating place between the intersection of fandom, entertainment, and technology.

Liptak’s own press release says –

Seth Fishman at the Gernert Company brokered the deal with Joe Monti of Saga Press. The initial goal as it stands right now is to have it turned in by next March, with it to hit stores in 2021. I’ll be doing quite a bit of research and writing in the coming months, and expect to see more about cosplay as I write.

The book is going to cover the broad history of cosplay and the state of the field. I’m looking at a lot of things: renaissance fairs, masquerade balls at science fiction conventions, groups like the 501st Legion, 405th Infantry Division, historical reenactors, protestors, and more.

The goal is to talk about why people dress up in costumes, and how they interact with the story that they’re reimagining. It’s a wonderful popular culture phenomenon, and there’s a lot to delve into with the intersections of fandom, the making and entertainment communities, and technology.

(3) SWAMP THING TEASER. A new original series DC Universe Swamp Thing premieres May 31.

SWAMP THING follows Abby Arcane as she investigates what seems to be a deadly swamp-born virus in a small town in Louisiana but soon discovers that the swamp holds mystical and terrifying secrets. When unexplainable and chilling horrors emerge from the murky marsh, no one is safe. Based on the DC characters originally written and drawn by Len Wein and Bernie Wrightson.

(4) SF CONCATENATION. The summer edition of the SF2 Concatenation is now up, with its seasonal summary of SF news as well as a survey of the primary research journals, for science philes, plus forthcoming SF/F and non-fiction book releases from the major British Isles SF imprints.

And the regular articles include film charts and Gaia for this season, another in the series of scientist-turned-SF-authors inspiring scientists, a swathe of standalone fiction and non-fiction reviews. The next seasonal edition will appear in September.

(5) PACKET ITEM AVAILABLE. Bogi Takács has released eir Hugo Voter’s Packet for Best Fan Writer – the material is at this link: “Hugo award voter packet 2019 (works from 2018)”.

I successfully produced my Hugo award voter packet! ….I hope. It features some highlights from 2018, but I had a lot more stuff in 2018, so please feel free to browse around.
The packet only has reviews and other forms of fan writing, because it is for the Fan Writer category. So no original fiction or poetry!…

(6) TICKETS TO RIDE. There’s an Omaze fundraiser for The Planetary Society — “Win a One-of-a-Kind 1958 VW® Bug Powered by Tesla® Batteries”. Buy tickets for a chance to win at the link.

Score a rare, custom Zelectric 1958 Classic VW Bug with an electric motor and Tesla batteries (the only one of its kind!)
Enjoy 102 HP thanks to its electric motor and a nearly 100 mile range battery that’ll keep you moving
Rock this car’s classic style and upgraded perks like new leather seats, high-quality flooring, ragtop sunroof and more
Support The Planetary Society’s work to advance space science and exploration

(7) NICK TREK. The Hollywood Reporter informs fans — “‘Star Trek’ Animated Series Gets Green Light at Nickelodeon”.

The cable network has given a series order to an animated Trek show from Emmy-winning writers Kevin and Dan Hageman and Star Trek franchise captain Alex Kurtzman. The untitled, CG-animated series will follow a group of teenagers who discover a derelict Starfleet ship and use it to search for adventure, meaning and salvation.

(8) MORE ON MCINTYRE. Kate Schaefer sent a roundup of time-sensitive Vonda McIntyre news.

Vonda N. McIntyre’s memorial will be held Sunday afternoon on June 9 at The Mountaineers Goodman Auditorium at 7700 Sand Point Way NE in Seattle, Washington.
Doors will open at 1:45, an event will start at 2:30, and the memorial will end at 4:30pm.
After short introductory remarks, we’ll have a microphone to pass around so that folks can share brief reminiscences of Vonda.
Further information about the memorial will be posted on Vonda’s CaringBridge page at https://www.caringbridge.org/visit/vondanmcintyre/journal.

Also — Jeanne Gomoll and Stephanie Ann Smith are still collecting memories of Vonda for a tribute book to be distributed both as a free electronic document and as a print-on-demand physical book. Send your memories to Jeanne at jg@unionstreetdesign.com before May 11.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born April 25, 1897 — Fletcher Pratt. Pratt is best known for his collaborations with de Camp, the most well-known of which is the Harold Shea series which is collected as The Complete Enchanter. His solo fantasy novels The Well of the Unicorn and The Blue Star are also superb. Pratt established the literary dining club known as the Trap Door Spiders in 1944. The club would later fictionalized as the Black Widowers in a series of mystery stories by Asimov. Pratt would be fictionalized in one story, “To the Barest”, as the Widowers’ founder, Ralph Ottur. (Died 1956.)
Born April 25, 1925 — Richard Deming. Ok, I think that all of the Man from U.N.C.L.E. novellas, or in this case the Girl from U.N.C.L.E. novellas, in the digest-sized Man from U.N.C.L.E. Magazine, were listed under the house name of Robert Hart Davis. Deming was only one of a very long list of writers (I know of Richard Curtis, Richard Deming, I. G. Edmonds, John Jakes, Frank Belknap Long, Dennis Lynds, Talmage Powell, Bill Pronzini, Charles Ventura and Harry Whittington) that were the writers who penned novellas in the twin U.N.C.L.E. series. (Died 1983.)
Born April 25, 1929 — Robert A. Collins. Scholar of science fiction who founded the International Conference for the Fantastic in the Arts. Editor of the Fantasy Newsletter & Fantasy Review from 1978 to 1987, and editor of the IAFA Newsletter from 1988 to 1993. Editor, The Scope of the Fantastic: Selected Essays from the First International Conference on the Fantastic in Literature and Film and Modes of the Fantastic: Selected Essays from the Twelfth Annual International Conference for the Fantastic in the Arts. (Died 2009.)
Born April 25, 1939 — Rex Miller. Horror writer with a hand in many pies, bloody ones at that. (Sorry couldn’t resist.) The Chaingang series featured Daniel Bunkowski, a half-ton killing-machine. Definitely genre. He contributed to some thirty anthologies including Hotter Blood: More Tales of Erotic Horror, Frankenstein: The Monster Wakes, Dick Tracy: The Secret Files and The Crow: Shattered Lives and Broken Dreams. (Died 2005.)
Born April 25, 1950 — Peter Jurasik, 69. Ambassador Londo Mollari on Babylon 5 who would be Emperor one day and die for his sins. (Yes spoiler.) He has also very short genre credits other than Babylon 5 — Doctor Oberon Geiger for several episodes on Sliders and Crom, the timid and pudgy compound interest program, in the Tron film.
Born April 25, 1952 — Peter Lauritson, 67. Long involved with the Trek franchise starting with Star Trek II: The Wrath of Khan. He became the producer of Star Trek: The Next Generation, and supervising producer for Deep Space Nine, Voyager and Enterprise. He directed three episodes of those series, including the Hugo Award-winning “The Inner Light”, as well as being second unit director for two Star Trek films.
Born April 25, 1969 — Gina Torres, 50. The first thing I remember seeing her in was Cleopatra 2525 where she was Helen ‘Hel’ Carter. Her first genre was in the M.A.N.T.I.S. pilot as Dr. Amy Ellis, and she actually was in The Matrix Reloaded and The Matrix Revolutions as a character named Cas but I’ll frankly admit I remember almost nothing of those films. She’s had a number of DC voice roles including a recurring Justice League Unlimited run as Vixen / Mari McCabe. And, of course, Zoe in the Firefly verse. Lastly anyone remember her on the Angel series as Jasmine?

(10) ACONYTE. Asmodee is a leading global games publisher and distributor. Its game brands include Catan, Ticket to Ride, Pandemic, Arkham Horror, and Legend of the Five Rings. More recent hits have included the innovative fantasy card game KeyForge and the co-operative zombie survival missions of Dead of Winter.

Asmodee Entertainment has created their own fiction imprint — Aconyte, it will be publishing novels based on many of Asmodee’s best game properties. Aconyte are also actively pursuing licenses for third-party tie-in fiction, with the first of these at the contract stage. Aconyte will start a monthly publication schedule from early summer 2020, producing paperbacks and ebooks for the US, UK and export trade.

To helm the imprint, Asmodee has appointed Marc Gascoigne, lately publisher & MD of award-winning global scifi imprint Angry Robot. He’s hired assistant editor, Lottie Llewelyn-Wells, and publishing coordinator, Nick Tyler, to join him in new offices in Nottingham.

(11) PEAK GEEK. Vox suspects “Geek culture may never again be as all-consuming as it is right now”. “Avengers: Endgame and Game of Thrones make this moment feel like a series finale for geek pop culture too.”

…But if this moment in pop culture started around 10 years ago, it’s coming to some sort of peak now, as two massively beloved pop culture properties reach endpoints. And there’s a definite finality to it. Here’s the curious thing about this moment: So much of this geek culture apotheosis revolves around the question of which of our favorite fictional characters are going to die. Call it geekpocalypse now….

(12) PAST ITS PEAK. From Wisecrack — “Harry Potter & The Plague of Twitter: Why JK Rowling Should Leave Harry Alone.”

JK Rowling has been regularly updating the Harry Potter lore; not through more books, not through movies, but through twitter. Fans voraciously consume extra-textual canon on works like Harry Potter, Star Wars and much more. But does this desire for an all-encompassing knowledge of how fictional worlds tell us something about our own anxieties? In this Wisecrack Edition, we’ll dive in to the works of philosopher Martin Heidegger to discover why people are so consumed by the desire to understand the nitty gritty details of fictional worlds, and to how it reflects an essential element of our humanity.

(13) SHELVES FULL OF BOOKS. Laura Lee expounds on “Women’s Bookshelves and Clutter”.

I don’t have strong feelings about Marie Kondo and her theories of decluttering. I know a number of people who have found her “does this object spark joy” way of relating to stuff to be meaningful and if feeling overwhelmed by too many possessions is an issue for you then it might be just what the doctor ordered. I have no problem with Kondo giving this advice, take it or leave it…
I did, however, have some opinions on the Electric Lit article defending Kondo and decrying “bookishness.” The background is that in an episode of Kondo’s TV series she suggested that people get rid of books that do not “spark joy” and book lovers began to write think pieces about whether or not books are clutter. Some people had strong feelings on the subject.
Book buying, and book writing, have long been feminine activities. As I have pointed out here a number of times, in Victorian England female authors outsold their male counterparts, but their works were not deemed worthy of serious study and the memory of many once influential women has not found its way down to us. (A number of scholars are now trying to recover these “lost” works and bring them to our attention.) Books by women or which women appreciated have consistently been written off as fluffy, sentimental, non-intellectual and unimportant. If Egginton is correct, women were not only major consumers of popular literature, they were also creating “serious” libraries and archives to rival men’s, but their efforts, like their books, were denigrated.
It is interesting then to see a feminist writer contrasting the masculine “highly discriminating form of curated library collection” with the feminine “highly personalized, almost fannish, engagement with books.” Then following this with an argument that the feminized form of consumption led to the emotional engagement with middlebrow literature that book blogs now celebrate.
…Is it at all possible a century of being judged by the cleanliness of their homes, being told that this was more important than their intellects, and that their taste in literature is trivial might have colored their reactions to an authority suggesting their books might be clutter?

(14) COMING TO A BOIL. Here’s the new poster for GeyserCon, the 40th New Zealand National Convention happening in another six weeks:

(15) OUR MARCHING ORDERS. In “Timothy’s Hugo Picks”, Timothy the Talking Cat’s recommendations bear all the marks of a slate – because he put them there.

I’m going to come right out and say it: this is a slate. Vote for each of these in this order or else.

(16) NEUTRON LONGEVITY. Nature reports “Physicists close in on neutron puzzle” [PDF file].

Physicists are drawing nearer to answering a long-standing mystery of the Universe: how long a neutron lives. Neutrons are electrically neutral particles the nucleus of atoms.
Some neutrons are not bound up in atoms; these free-floating neutrons decay radioactively into other particles in minutes. But physicists can’t agree on precisely how long it takes a neutron to die. Using one laboratory approach, they measure the average neutron lifetime as 14 minutes 39 seconds. Using a different approach, they get 8 seconds longer!
Pinpointing the lifetime of a neutron is important for understanding how much hydrogen, helium and other light elements formed in the first few minutes after the Universe was born 13.8 billion years ago.

(17) BEEN TO SEE THE DRAGON. Doctor Science is right, there aren’t too many eyewitness accounts like this — “A first-hand description of a dragon”.

The observations were made by the Chinese scholar Xie Zhaozhe (1567–1624)…
Obviously this account is extremely useful for writers of fantasy and science fiction. I don’t know if the (vast) Chinese literature contains any other first-person accounts of dragons, much less ones recorded by such a careful and specific observer. I’m pretty sure there are no good first-person descriptions from the other end of Eurasia.
Then there’s the question of what Xie Zhaozhe “actually” saw….

(18) BEHIND THE SCENES WITH HALDEMAN. The Partially Examined Life podcast talks to one of the field’s greats: “Constellary Tales #7: Interview with Author Joe Haldeman”.

SFWA Grand Master Joe Haldeman takes Brian and Ken behind the scenes of his storied career in an exclusive interview. Among other conversation topics…

How “I of Newton” went from the page to The Twilight Zone
The unusual origins of Hugo Award–winning short story “Tricentennial”
Getting The Forever War published (and bootlegging the stage production)
Details about Joe’s new novel in the works (!!!)

(19) MAD, I TELL YOU. A TED-Ed presentation written and narrated by Silvia Moreno-Garcia: “Titan of terror: the dark imagination of H.P. Lovecraft.”

Dive into the stories of horror savant H.P. Lovecraft, whose fantastical tales, such as “The Call of Cthulhu,” created a new era of Gothic horror
Arcane books of forbidden lore, disturbing secrets in the family bloodline, and terrors so unspeakable the very thought of them might drive you mad. These have become standard elements in modern horror stories. But they were largely popularized by a single author: H.P. Lovecraft, whose name has become synonymous with the terror he inspired. Silvia Moreno-García dissects the “Lovecraftian” legacy.

[Thanks to Martin Morse Wooster, Paul Weimer, Carl Slaughter, Andrew Liptak, SF Concatenation’s Jonathan Cowie, Andrew Porter, JJ, Mlex, Cat Eldridge, ULTRAGOTHA, Doctor Science, Alan Baumler, Mike Kennedy, John King Tarpinian, John A Arkansawyer, and Chip Hitchcock for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew.]

Pixel Scroll 9/18/18 When Lessa Told Me To Do It, I Succumbed To Weyr Pressure

Posted on September 18, 2018 by Mike Glyer

(1) BIGFOOT’S POLITICAL OPINIONS. Registration is required to read Adweek’s article “Bigfoot Tries to Get Footage of an Elusive Congressman in This Enjoyably Odd Political Ad”. Fortunately, the commercial itself is available at YouTube.

Congressional hopeful Dean Phillips, a Democrat running in Minnesota, says Republican incumbent Erik Paulsen is so detached from his home district, he’s practically impossible to find.

(2) STORMY WEATHER. Mur Lafferty’s Hugo win (with Matt Wallace) for Ditch Diggers was not completely washed out by Hurricane Florence, but the news did get bumped to fifth place in her latest post at The Murverse Mothership (where you can also see a photo of her wearing a chicken hat at the Hugo Losers Party).

Florence: We are fine. Hurricane Florence hit North Carolina and South Carolina last weekend, and wandered slowly through the state, dumping lots and lots of rain. The flooding was catastrophic. Oddly enough, when we thought our area would get hit with the eye, the storm turned and moved south of us, then turned north. We got wind, rain, Fiona’s school lost a big tree, but our area is largely unscathed. We did have some excitement yesterday when the last tail end of the storm whipped around and smacked us, letting Durham get a taste of the flooding and tornadoes that the rest of the state has suffered, but that didn’t last too long. If you can give to hurricane relief to help the eastern part of the state, please do.

(3) OBSERVATIONS ABOUT SF IN FRENCH. Matthew Rettino reports on “Congrès Boréal 2018: Differences between Anglophone and Francophone SF” at Archaeologies of the Weird, including the panel “L’imaginaire a-t-il une langue? Différence culturelle dans l’imaginaire anglophone et francophone” (“Does the imagination have a language? Cultural differences in the anglophone and francophone imaginary.”)

…One interesting idea that arose: language does not inherently carry the values of a society. Rather, culture does. The different traumas and schisms that define a society do have a much greater influence on national literature. For example, Cixin Liu’s Three Body Problem, remarked one of the panelists, is marked by the impact of the Cultural Revolution in China. This echoes how French SF is marked by the policy of laïcité (state secularism), the origins of which go back to the French Revolution. There did seem to be truth to this observation, given how French-language SF is in a sense more “secular” in its embrace of violent and sexual themes that would religious people shiver. On the other hand, anglophone SF retains a more “puritanical” attitude in the literature it produces and censors, particularly in the United States.

This being said, certain attitudes to the French language itself do influence French SF. Patrick Senecal pointed out later in the discussion that French-language editors have a tendency to homogenize the different registers of the language, leading to less linguistic diversity. When editing dialogue, French publishers often edit out regional dialect in favour of “le Français internationale.” The result is a banal, grammatically correct French, where all characters sound the same. These editing decisions do not accommodate the regional French spoken in certain regions of Québec, for example, which leads to a more monovocal (as opposed to polyvocal) body of literature. This is not just unappealing; it’s unrealistic and unrepresentative of how French is actually spoken. As Senecal quipped, “Il n’y a personne qui parle comme Radio Canada!”

(4) BELGIAN INFLUENCE ON SPACE PROGRAM. “Elon Musk Says SpaceX’s BFR Design Is Inspired by Tintin Comics” — Inverse has the story.

Elon Musk unveiled a new design for SpaceX’s BFR rocket on Thursday, and he’s taking inspiration from a famous series of Belgian comics. The CEO confirmed on Twitter that the new design “intentionally” bears resemblance to the vehicles depicted in The Adventures of Tintin, the whimsical series that depicts Tintin and his friends embarking on far-flung trips to find new stories.

…The redesign shared with the moon announcement bears similarities to rockets as featured in Hergé’s comic series. The 1950 comic Destination Moon shows a red-and-yellow checkered rocket with three giant fins on the base, elevating the rocket above the ground, which Tintin and his friends use to visit the moon and explore a secret government project.

(5) THE ACADEMY. At Quills, Fretful Porpentine’s new discourse is: “On the performativity of ‘What have you been reading lately?’” Here’s the kind of thing college professors are supposed to say when asked what they have been reading:

– If you are a humanities professor, you say something that is clearly pleasure-reading, but at least vaguely cerebral. Witty mysteries about British academics are good, or the sort of science fiction that doesn’t have aliens on the cover.

– If you work in tech support, you are allowed to read the kind of books with aliens on the cover.

(6) YOU ARE HERE. A new version of a reference frame for the universe is being released (Gizmodo: “Where Are We in Space? Astronomers Update Their Celestial Frame of Reference”). The third International Celestial Reference Frame is based with (0,0,0) at the center of mass of the Solar System, with the axes fixed in relation to a number of distant quasars.

“Nitty-gritty stuff like this is super important when you’re sitting on an Earth moving 70,000 mph around a star that is moving 450,000 mph around a galaxy center,” Grant Tremblay, astrophysicist at the Harvard-Smithsonian Center for Astrophysics, told Gizmodo.

…The ICRF-3 […] places the center of the reference frame at the Solar System’s center of mass, and is oriented based on the position of distant bright radio sources called quasars. Those measurements were made using Very Long Baseline Interferometry (VLBI), essentially a method of using the entire Earth as a telescope, collecting data from multiple radio telescopes and combining them to get the highest-resolution image possible.

This most recent frame derives from measurements of 4,536 quasars, all between 100 million and 10 billion light-years away. […] The most recent edition also takes the motion of our own Milky Way galaxy into account for the first time, according to a press release from the Helmholtz Centre Potsdam.

(7) MEXICANX INITIATIVE. The second installment of Hector Gonzalez’ report — “My Road to Worldcon 76. Part 2: Who the hell is John Picacio?”

I even remember the first conversation I had with my dad about being a Mexicanx recipient. He was initially wary, doubting a stranger on the internet would give away something like that. I explained the situation and mentioned John’s name. “¡Si! ¡John es un monstruo de la ciencia ficción!” Translation note: If I tried to literally translate what my dad meant to say, it would sound as if John was a monster. My dad meant it more as “He is HUGE in the science fiction world.” Bottom line, he knew more about John than me.

(8) TODAY IN HISTORY

September 18, 1964 – The Addams Family premiered on television.

(9) TODAY’S BIRTHDAYS

[Compiled by Cat Eldridge.]

Born September 18 – Lynn Abbey, 70. Author best known for her Thieves World fiction though her first works for was for TSR games including stories set in the Forgotten Realms and the Dark Sun games. Daughter of the Bright Moon was edited by Gordon R. Dickson and I’ll let someone here tell that story.
Born September 18 – Caitlin Kittredge, 34. Author of the Black London urban fantasy series featuring Jack Winter and Pete Caldecott which I think is one is the finest such series ever done. Also wrote the Iron Codex, Nocturne City and Hellhound Chronicle series. Currently writer on Witchblade series.

(10) W76 PANEL RESOURCES. Bogi Takács has released notes prepared for use when appearing on two panels at Worldcon 76.

“Worldcon panel resources I”

I promised the writeups of my notes for Worldcon 2018 panels! The first one is for Queer Joy. I am honestly not sure which of these works I actually mentioned on the panel, these were my advance notes and I just tidied them up and hyperlinked them.

[At the post are lists of works under each of these categories — ]

Presents oppression / discrimination and/or suffering, but also joy:

Recent-ish anthologies with related material (not all stories might be related):

More grim SFF which is still queer-inclusive and queer people are not persecuted in-universe:

“Worldcon panel resources 2”

Queer Families

These are my advance notes, but I also mentioned on the panel how queer families seem to be non-multigenerational in SFF, and we had a fairly lengthy discussion about that. So I tried to add which of the works buckle that trend.

Contemporary work…

(11) IN A HOLE IN THE GROUND THERE LIVED A WRITER. The latest Brandon Sanderson newsletter talks about constructing his office – which is epic, just like his books. (See photos at the link.)

I always like to include something about my life in these newsletters—something unrelated to the books. So today, I thought I’d post some updates on my office, which we’re building in the empty lot beside my house.

I’m building it underground, because…well, what else would you expect from a fantasy novelist? It’s been an interesting process, since the city really has no idea what to do with someone like me. I call it my Underground Supervillain Lair, something that the suburbs in Utah really aren’t that equipped to deal with. But, after some work, we’ve gotten permissions. Peter has been taking pictures of it.

First, we dug out a huge pit. I don’t go halfway on underground lairs—so we’re doing 20-foot ceilings. The kids had a wonderful time digging in this hole, and I’m convinced they’d have loved it if we never put anything in it.

(12) PUNCH-CARD-PUNK. Mary Robinette Kowal is writing two new lady astronaut novels. Andrew Liptak interviews the author for The Verge: “Return to an alternate history space race with two new Lady Astronaut novels”

After signing a six-figure deal with Tor Books, author Mary Robinette Kowal will expand to her Lady Astronaut series over the next several years with two new novels, The Relentless Moon and The Derivative Base, as well as a standalone sci-fi murder mystery novel, The Spare Man. The new Lady Astronaut titles will join this summer’s fantastic The Calculating Stars and The Fated Sky, which followed pilot and mathematician Elma York through an alternate history 1950s space race aimed at sending humanity to off-world colonies after an extinction-level asteroid strike on Earth. The Relentless Moon is expected to drop in 2020, with The Spare Man to follow in 2021, and The Derivative Base in 2022.

Both novels are set in the “punch-card-punk” world that Kowal established in her 2013 novelette, “The Lady Astronaut of Mars.” The Calculating Stars begins in 1953, as the asteroid lands off of Washington, DC, devastating the US East Coast. York and her colleagues quickly realize that the incident has started a chain reaction that will change the climate of the Earth in decades, making it inhospitable to human life. In response, a coalition of nations forms the International Aerospace Coalition (IAC), which works to first reach space, and then figure out how to live there.

(13) WHEN PERFECTION ISN’T ALL IT’S CRACKED UP TO BE. James Davis Nicoll discusses “Six Stories That Find the Drama in Utopian Settings” at Tor.com.

Tanith Lee’s classic duology Don’t Bite the Sun and Drinking Sapphire Wine is set on a desert world hostile to unprotected life. Not that this matters, because all of its human inhabitants live in one of three domed cities: Four BEE, Four BAA, and Four BOO. Within those cities, virtually every need and desire is met. Even death is only a momentary inconvenience before one is incarnated in a new designer body.

The nameless protagonist, offered material paradise, commits the unforgivable sin of realizing that while the options offered are pleasant, none of them are meaningful. That realization is the border between life in paradise and life in a cossetted hell. Unfortunately for our hero, the Powers That Be in the three cities are determined to maintain the status quo of their cozy societies, keeping them just as they are…which means crushing (by any means necessary) any pesky aspirations for personal fulfillment.

(14) YOUNG VETERAN ACTOR. Sandie Angulo Chen in the Washington Post interviews seventh-grader Owen Vaccaro, star of The House With a Clock in Its Walls, about how he became an actor and what it was like to work on the film: “Sports didn’t interest Owen Vaccaro, but a theater class sparked a passion for acting”

Soon, the theater classes led to his first auditions, which eventually landed him his first film gig, “A Product of Me,” at age 7. In the years since, Owen has been in eight more movies, most notably acting opposite A-list stars Will Ferrell and Mark Wahlberg in the comedies “Daddy’s Home” and “Daddy’s Home 2.”

(15) BACK LOOKING FOR SUNSPOTS. In a September 16 press release (“AURA Statement about the Status of the Sunspot Solar Observatory at Sacramento Peak, New Mexico”), the sponsoring organizations (Association of Universities for Research in Astronomy and the National Science Foundation) have released some information on the mysterious closure of the Sunspot Solar Observatory.

On September 6th, the Association of Universities for Research in Astronomy (AURA) and the National Science Foundation (NSF) made the decision to temporarily vacate the Sunspot Solar Observatory at Sacramento Peak, New Mexico as a precautionary measure while addressing a security issue. The facility closed down in an orderly fashion and is now re-opening. The residents that vacated their homes will be returning to the site, and all employees will return to work this week.

AURA has been cooperating with an on-going law enforcement investigation of criminal activity that occurred at Sacramento Peak. During this time, we became concerned that a suspect in the investigation potentially posed a threat to the safety of local staff and residents. For this reason, AURA temporarily vacated the facility and ceased science activities at this location.

The decision to vacate was based on the logistical challenges associated with protecting personnel at such a remote location, and the need for expeditious response to the potential threat. AURA determined that moving the small number of on-site staff and residents off the mountain was the most prudent and effective action to ensure their safety.

In light of recent developments in the investigation, we have determined there is no risk to staff, and Sunspot Solar Observatory is transitioning back to regular operations as of September 17th. Given the significant amount of publicity the temporary closure has generated, and the consequent expectation of an unusual number of visitors to the site, we are temporarily engaging a security service while the facility returns to a normal working environment.

We recognize that the lack of communications while the facility was vacated was concerning and frustrating for some. However, our desire to provide additional information had to be balanced against the risk that, if spread at the time, the news would alert the suspect and impede the law enforcement investigation. That was a risk we could not take.

(16) CAN’T SAY THAT. Ryan George discovers “Being a Motivational Speaker in the MCU Sucks.”

[Thanks to JJ, David K.M. Klaus, Mike Kennedy, Cat Eldridge, John King Tarpinian, Chip Hitchcock, Martin Morse Wooster, Carl Slaughter, Michael J. Walsh, Alan Baumler, Andrew Liptak, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew.]

Pixel Scroll 9/6/18 Wild Pixels Couldn’t Scroll Me Away

Posted on September 6, 2018 by Mike Glyer

(1) DONATION BY WORLDCON SCIENCE GOH MAKES HEADLINES. BBC reports Dublin 2019 guest of honor Jocelyn Bell Burnell will donate the money coming to her as winner of a major science prize: “Physics star Bell Burnell gives away £2.3m prize”

One of the UK’s leading female astronomers is to donate her £2.3m winnings from a major science prize she was awarded.

The sum will go to fund women, under-represented ethnic minority and refugee students to become physics researchers.

Prof Dame Jocelyn Bell Burnell has been awarded a Breakthrough Prize for the discovery of radio pulsars.

This was also the subject of the physics Nobel in 1974, but her male collaborators received the award.

The Breakthrough award also recognises her scientific leadership.

‘An inspiration’

Prof Bell Burnell believes that under-represented groups – who will benefit from the donation – will bring new ideas to the field.

“I don’t want or need the money myself and it seemed to me that this was perhaps the best use I could put to it,” she told BBC News.

Prof Bell Burnell’s story has been both an inspiration and motivation for many female scientists. As a research student when pulsars were discovered, she was not included in the Nobel prize citation – despite having been the first to observe and analyse the astronomical objects (a type of neutron star that emits a beam of radiation).

She now says she wants to use her prize money to counter what she describes as the “unconscious bias” that she believes still occurs in physics research jobs.

The Guardian’s coverage of the donation includes a wonderful quote:

The discovery was so dramatic it was awarded the Nobel prize in 1974. But while Hewish was named as a winner, Bell Burnell was not. The decision drew vocal criticism from the British astronomer Sir Fred Hoyle, but Bell Burnell has not complained.

“I feel I’ve done very well out of not getting a Nobel prize,” she said. “If you get a Nobel prize you have this fantastic week and then nobody gives you anything else. If you don’t get a Nobel prize you get everything that moves. Almost every year there’s been some sort of party because I’ve got another award. That’s much more fun.”

(2) INCLUSION. There is a discussion taking place over the submissions call for Artemis Rising, and what is an effective inclusive phrasing.

The Artemis Rising page at Escape Artists explains its mission:

Artemis Rising is an annual month-long event across all four Escape Artists podcasts, highlighting women in genre fiction, a demographic that has been underrepresented until recent years. This showcase helps to address that historical imbalance and correct the impression, which continues to persist in some social circles, that women cannot write excellent genre fiction.

…Prior to 2018, we specifically included the term “non-binary” in our Artemis Rising submission calls. English is flawed in its ability to accurately represent the breadth of human genders, and as such the language we use is always evolving. We respect the feedback that we’ve received regarding our use of “non-binary” as a catch-all: that it erroneously tilts the perception of non-binary people in a feminine direction. Non-binary authors who identify as women are welcome and encouraged to participate. An author’s gender and its expression are theirs alone to determine.

Bogi Takács, in “Why “women + nonbinary” is not a good idea”, recommended a different collective phrasing:

I have noticed a trend where more and more venues change their phrasing to “women + nonbinary” only to then revert back to “women only” after a period of time. This can be very difficult for nonbinary authors they published in the meanwhile who are not women. (Including, occasionally, me.)

I used to say that “women + nonbinary” can be acceptable as a phrasing, even if not ideal. In the light of this recent trend, I changed my mind and no longer recommend such calls for submission. Nonbinary people can be and often are very rapidly erased from such phrasings…

I tend to recommend “marginalized genders / sexes.” This includes all trans and intersex people, while also including cis non-intersex women. It also includes nonbinary people in general….

There follows (at the linked post) a really interesting and informative FAQ that analyzes a lot of issues involved in the choice of wording. Takács cautions,

This is not the be-all-end-all of nonbinary inclusion in calls for submissions, just my thoughts as someone who is a writer and editor who gets asked all these questions frequently.

Escape Artists’ S.B. Divya , in “Letter to SF”, commented on the issues – here is an excerpt:

…So instead, this is me inviting you to have a conversation. All I ask is that you give me the benefit of your doubt. I know I’m relatively new to this industry so you have no reason to trust me, but please give a chance. I’ll try to keep the rest of this as brief and minimal as necessary to help you know where I’m coming from.

Please note: this is all from me, not representing anyone else at Escape Artists, Escape Pod, or the Artemis Rising project.

I was the one who pushed back on “marginalized genders” when we began discussing this year’s Artemis Rising submissions call back in spring.

I will remove myself from Artemis Rising because I can’t comfortably be part of that conversation anymore. In avoiding my negative emotional triggers, I ended up hurting others, and I don’t want to inflict any more pain on the world. I apologize to everyone affected by this.

I find the word marginalized deeply problematic on a personal level. I lived several years in a high school of 1500 students where I could count the number of Asians on one hand. It was not a good time in my life. Being marginalized is something that was done to me in the past. Inhabiting the margins – or not – is something I actively choose today….

There is also a Twitter thread.

Thank you for your thoughts! I appreciate you taking the time to write them out. I think I have already said everything I meant to say in my blog post (including alternatives to "marginalized" too) and replies to it, so for the time being I am sitting back a bit –

— Bogi Takács PERSON, 100% migráncs (@bogiperson) September 5, 2018

Thank you for the work that you do in this arena. I think it could be productive to have a round table discussion with others on how to achieve representation in a more intersectional context, i.e., not only gender, and where this leaves special submission calls.

— S.B. Divya (@divyastweets) September 5, 2018

Rachel K. Jones, a former Escape Artists editor who helped start the annual Artemis Rising cycle, also responded to the discussion. Her Twitter thread starts here.

There are often real safety issues with sharing your identity. Family safety. Employment. Ability to get health insurance. If you’re nodding along as you read this, you know what it means to do the calculus on a call for submissions and come up on the side of sitting it out.

— Rachael K. Jones (@RachaelKJones) September 3, 2018

(3) FAREWELL TO THE FORBIDDEN PLANET. Richard Bruton has closed the Forbidden Planet blog, noted here because Dublin 2019 chair James Bacon wrote a hundred posts for them over the years. Bruton explained:

Well, you might have heard, you might have not, but as from this week, the FPI Blog shall be no more. The online side of things at FPI is changing, and the blog simply isn’t part of the future sadly. But, it’s been a wonderful thing while it lasted, a decade plus of incredible comics coverage, serving the UK comics scene as only a few others have really done over the years.

Yep, from this weekend, the blog is being shuttered. Alas.

I started here in 2007 (with this post in fact), a couple of years after the blog itself had started. Initially, it was meant to be the place for a few reviews. It swiftly became a lot more than that. And now, after over 6,000 posts from me, it’s time to say goodnight.

(4) FOURTH MURDERBOT. There’s an excerpt available, however, I resisted reading it because I’ve already got the book pre-ordered and don’t want to spoil my own enjoyment. That won’t be an obstacle for some of you, and will be a treat for others who have not discovered Wells’ series before now –

If you need a break today, IO9 has a long excerpt from Exit Strategy, the fourth Murderbot Diaries novella: https://t.co/ht1B3CaYdy pic.twitter.com/tDznLvlypL

— Martha Wells (@marthawells1) September 6, 2018

(5) ON BOARD. The Washington Post’s Michael J. Gaynor previews WashingCon, a board-game convention taking place at the Georgetown University conference center that is expected to draw 1,000 people — “You can play more than 500 board games in D.C. this weekend”.

Since then, WashingCon has grown in attendance and variety of activities. The library is open for anyone to check out something that looks interesting, with volunteers on hand to teach rules to beginners. A gamer might sit down to play with friends, but it’s also typical to just ask random passersby if they’d like to join.

“It’s an easy icebreaker,” says Dave Chalker, a local board-game designer who’s attended all three WashingCons. “You get to meet people throughout the course of the game, and you might even stay together as a group to play a new game together. That side of it is just so casual and welcoming.”

The convention also hosts panel discussions on subjects like inclusivity and diversity in gaming, as well as how to make a living as a designer. (That one’s hosted by Chalker.) There are tournaments for popular games like Pandemic, Codenames and Settlers of Catan.

The Dave Chalker quoted here is the son of Jack and Eva Whitley Chalker.

(6) FOLLYCON. Peter Tyers’ report of this year’s Eastercon is posted at SF Concatenation – “Follycon 2018”.

Follycon 2018 was held at the Majestic Hotel in the Yorkshire spa town of Harrogate. In some ways it was a convention of two halves: the convention catering, which left a lot to be desired (for reasons described later), and the convention itself, which was most enjoyable and very successful.

…The Opening Ceremony was straight after lunch and we were introduced to the committee and the Guests of Honour: Kim Stanley Robinson (author), Nnedi Okorafor (author), Kieron Gillen (graphic novelist and games enthusiast), and Christina Lake (author and fan), who were much in evidence over the weekend. Stan Robinson gave several talks and covered the life and times of John Muir (including his influence on California and the creation of Yosemite National Park), Galileo and the Scientific Method, generally recalled his previous visits to our shores, and answered many questions from the audience. Nnedi Okorafor was interviewed by Tade Thompson and she was relaxed and forthcoming, covering her intended career as a professional tennis player, curtailed by illness, and how she turned to writing. She also gave a couple of readings and a kaffeeklatsch though her writer’s schedule meant that sometimes she had to retire to her room and meet a few deadlines (lookout for her name on output from the world of Marvel Comics, especially Black Panther stories)….

(7) SPIDER-GEDDON. I thought the artwork for the new Spider-Geddon comics series was impressive:

REVENGE OF THE SPIDER-VERSE! Marvel is excited to celebrate SPIDER-GEDDON from Christos Gage and Jorge Molina with a spectacular, brand-new connecting variant cover by superstar artist InHyuk Lee.

Unlike the variant covers that will accompany SPIDER-GEDDON’s debut, this stellar cover connects all six issues, including the prelude #0 issue, celebrating the multitude of Spideys that appear in the story – from old favorites to new favorites to the newest member of the Spider-Man family, Peter Parker from the world of Marvel’s Spider-Man!

Featuring new villains and old villains, shocking deaths and shocking returns, and all the Spider characters you can fit into one larger-than-life tale, this is a Marvel Spider-Event not to be missed! Don’t miss the opportunity to dive into this fresh new adventure October 10^th, when SPIDER-GEDDON #1 hits comic shops!

(8) FRASER OBIT. Liz Fraser (1930-2018): British actress, died September 6, aged 88. Television appearances include The Avengers (one episode, 1966, playing an actress hired to impersonate Emma Peel), Randall and Hopkirk (Deceased) (1970). Featured in four Carry on movies.

(9) TODAY IN HISTORY

September 6, 1956 – Fire Maidens from Outer Space premiered.

(10) TODAY’S BIRTHDAYS

[Compiled by Cat Eldridge.]

Born September 6 — China Miéville, 46. — Bas-Lag series, myriad stand-alone novels including o I really like, Kraken and The City & The City, plus I’ll single out Embassytown, Un Lun Dun and The Last Days of New Paris which is the only work by him I never finished. He won a Hugo for The City & The City. He’s wrote scripts for Hellblazer, Justice League and Dial H.

(11) COMICS SECTION.

Speed Bump — Would you like to know what bugs time travelers more than anything?

(12) BIG CATS. Nina Kahn at The Bustle brings us the latest in SJW credential science: “Cats Apparently Think Humans Are Bigger, Clumsy, Hairless Cats, So That’s Adorable”.

Needless to say, when I look at a cat, I see a clearly superior being. But what do cats think when they look at us? Well, according to some experts, cats might think humans are cats, too. Bigger, clumsier cats, sure — but cats nonetheless.

According to John Bradshaw, an expert on cat behavior and author of a bestselling book on cat science, there’s plenty of evidence that points to the fact that cats see humans as nothing more than fellow cats. In an interview with National Geographic, Bradshaw stated, “We’ve yet to discover anything about cat behavior that suggests they have a separate box they put us in when they’re socializing with us. They obviously know we’re bigger than them, but they don’t seem to have adapted their social behavior much.”

(13) UP ABOVE THE WORLD SO HIGH. BBC reports “Space laser ‘Aeolus’ starts chasing the wind”.

The British-built Aeolus satellite has begun firing its laser down on Earth to map the planet’s winds.

It is a big moment for the European Space Agency mission, the technology for which took 16 years to develop.

Launched two weeks ago from the Kourou spaceport in French Guiana, Aeolus is now undergoing three months of testing.

(14) WORD USE FREQUENCY. Fanzine fans have spent decades trying to identify the authors of various hoax and anonymous publications using techniques like this – and failing spectacularly (just going by my own track record of what I’ve gotten away with…)This Twitter thread, which starts here, gathered some entertaining responses.

What is the word choice that would give you away as the author of an anonymous op-ed?

— James Poniewozik (@poniewozik) September 6, 2018

Discombobulated;)

— DK (@IHeartLesbians) September 6, 2018

(15) ABOUT THAT MOON FLAG NONSCENE NONSENSE. Homer Hickam, author of the memoir Rocket Boys, which was made into the film October Sky, has an op-ed in today’s Washington Post about the controversy over the Neil Armstrong biopic First Man not having the scene where Armstrong unfurls a flag on the moon. Hickam says the issue of the flag on the moon wasn’t a big deal in 1969 and he plans to see the movie because First Man is based on a book he thinks is an excellent biography of Neil Armstrong: “The new Neil Armstrong movie is about more than the lunar flag-planting”.

…Author James R. Hansen worked hard to reveal a man who comes across in the book as a kind of techno-Atticus Finch — someone who never says outright what he believes but demonstrates it through his actions.

I suspect this vision of Armstrong affected the filmmakers. No one ever saw Armstrong do a fist-pump; he just didn’t do that kind of thing. Raising the flag on the moon might be perceived as that kind of gesture and therefore jar the flow of a film trying to uncover the inner workings of a man who spent a lifetime keeping his emotions in check. Although I personally would have included the flag-raising — it was a moment of rare lightheartedness between Neil and Buzz — I understand from experience the decisions that writers and directors sometimes make to fit their vision of their characters, even ones based on real people….

(16) NOT ON MY CHRISTMAS LIST. Maybe you know someone who will love these Archie McPhee catalog items.

This year we’re excited to introduce TWO new flavors of candy canes. We’ve got Clamdy Canes that taste like sweet clams, and Mac & Cheese Candy Canes that taste like that little packet of cheese powder that comes with instant macaroni and cheese. Savory candy canes are an inevitable wave of the future; you might as well switch now and avoid the rush. Don’t forget to order Pickle Candy Canes now! They sell out every year.

(17) ZOMBIES IN YOUR STOCKING. Here’s the Anna and the Apocalypse Official Trailer. “This year’s feel-good Christmas hit!” exclaims one possibly-already-zombified critic. Based on Ryan McHenry’s 2011 short Zombie Musical.

Music. Christmas. Zombies. Watch the official trailer for Anna and the Apocalypse and see why critics are calling it “Shaun of the Dead meets La La Land”! In theaters this holiday season.

[Thanks to JJ, Cat Eldridge, Mike Kennedy, Jeff Smith, Steve Green, Chip Hitchcock, John King Tarpinian, Carl Slaughter, Martin Morse Wooster, SF Concatenation’s Jonathan Cowie, James Bacon, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Acoustic Rob.]

Worldcon 76 Program Troubles

Posted on July 23, 2018 by Mike Glyer

When Worldcon 76 program participants were sent their schedules over the weekend such controversy resulted that the schedule was taken offline this morning, Chair Kevin Roche issued an apology, and the committee now is reviewing the participant bios, asking to hear from Hugo nominees who haven’t been put on the program and, presumably, filling the vacancies left by writers who have now dropped out.

Three issues drawing the most fire in social media have been —

Respect for people’s chosen pronouns (and related concerns about LGBTQAI+ and POC participation);
Whether new writers are being accepted onto programming (with skepticism fueled by the realization that several newer writers who are Hugo nominees are not on the program); and
Dissatisfaction with responses by the Worldcon 76 program division.

Lighting off the social media cycle was Hugo nominee Bogi Takács’ call for an apology after seeing eir bio in the program database. (The thread starts here.)

I would very much appreciate a public apology from @worldcon2018 for rewriting my bio to change my name and my gender.

I have never, ever used "he" pronouns.

After many similar exclusionary actions, this is the last straw, I am honestly not sure I can safely attend. pic.twitter.com/agazsY1rmV

— Bogi Takács PERSON, 100% migráncs (@bogiperson) July 23, 2018

I talked a lot about how this year I am a finalist for 3 awards and I can barely scrape the $ together to attend one.

I chose this one.

The past few weeks have been a continuous proof that it was a bad decision.

A lot of this was behind the scenes bc I didn't make a ruckus

— Bogi Takács PERSON, 100% migráncs (@bogiperson) July 23, 2018

Takács also pointed to undeserved criticism from Worldcon 76 Program Division Head Christine Doyle for going public:

Worldcon's response, screencapped:

"Please talk to me directly about this. It’s your public bio from elsewhere and I am happy to edit it so it reads the way you want it. Again, Worldcon did *not* write the bio."

Uh? pic.twitter.com/mzzJOQQOuN

— Bogi Takács PERSON, 100% migráncs (@bogiperson) July 23, 2018

Takács received an apology from Chair Kevin Roche:

I did get an apology just now.https://t.co/VA0ktt4CTp

I hope @worldcon2018 will also investigate the highly inappropriate communications about marginalized award finalists that I linked above.

— Bogi Takács PERSON, 100% migráncs (@bogiperson) July 23, 2018

Unfortunately, Roche’s general apology was preceded by another one based on some wrong information, leading to this exchange:

Okay, the baldfaced lies are getting ridiculous at this point. There is literally no publicly published bio of Bogi's on the internet that uses he/him pronouns. Your team did not pull an incorrect bio, they pulled a correct one and then DELIBERATELY EDITED IT TO MISGENDER BOGI.

— ?Nibedita Sen, smol potato @ Readercon ? (@her_nibsen) July 23, 2018

I was told in good faith by my head of Program this. She believed this. I am continuing to investigate.

And how exactly is an apology from the chair of the convention "Not Official"?

— Kevin Roche (@kproche) July 23, 2018

Hugo nominee JY Yang voiced concerns for POC as well:

I have never felt as disrepected by a convention as I have by @worldcon2018. And not just me, but also my POC and queer community.

I am seriously considering declining to attend the Hugo ceremony despite being a nominee. What would be the point? We’re clearly not valued there.

— JY Yang ? (they/them) (@halleluyang) July 23, 2018

If this is your reasoning @worldcon2018 you can take me off your programming right fucking now. I don’t want to be there if a fucking HUGO NOMINATION isn’t enough for a new/marginalized writer to be considered of value. pic.twitter.com/MaqdOfGD0m

— JY Yang ? (they/them) (@halleluyang) July 23, 2018

Another comment:

Do not put this on us. Or the many NON finalists who asked to be included on programming and were summarily turned away bc programming was “full”. A community is not just made out of a handful of people FFS. https://t.co/FpnIgEdxjU

— JY Yang ? (they/them) (@halleluyang) July 23, 2018

Yang later wrote another thread (starts here) to make such points as these –

That's why I've withdrawn from programming entirely. I'm not interested in being part of a conversation which shuts out voices based on some arbitrary, insular standard of popularity.

— JY Yang ? (they/them) (@halleluyang) July 23, 2018

Michi Trota, in a thread that starts here, reminded programming why these creators are Hugo nominees in the first place —

(Ok now I’m really going to bed but that giant error in logic was just making my brain itch)

— M. Trota Fieriosa ???? (@GeekMelange) July 23, 2018

In other thread, Trota wrote:

Just a data point but: I’m up for a 3rd Hugo & San Jose will be my 3rd Worldcon but this is the 1ST TIME I’ve ever been included on programming. And that 1st Worldcon? I was attending as the 1st Filipina Hugo finalist but no programming for me til now so ?????? pic.twitter.com/O9dgMf56w3

— M. Trota Fieriosa ???? (@GeekMelange) July 23, 2018

Amal El-Mohtar did this roundup of the issues —

Before going further I want to acknowledge that @worldcon2018’s chair has posted an apology & a commitment to investigate the issues—but I really want to know how this happened, & how to prevent it from happening again.

— Amal El-Mohtar (@tithenai) July 23, 2018

For the record, the email Program Division Head Christine Doyle sent to program participants yesterday said in part:

We had over 2000 people ask to be on the program, and unfortunately there was no way to accommodate everyone. Similarly, we had over 2000 program items submitted, with lots of duplication in some areas, and we couldn’t schedule them all.

We realized that many people didn’t receive our initial communications, because they were either blocked without us getting notice (i.e., earthlink), or filtered into the promotions bin (gmail).

We may contact some people for headshots and bios. If the headshot and/or bio that we have for you is not to your liking, please contact us with suggested edits or replacements. A note about names: for consistency and fairness, we are not using any prefixes (honorifics) or suffixes for your name unless it changes who you are (Sr/Jr/III). That said, we fully expect all of those details to be in the bios. Let us know if we need to edit the bio to get this included.

The present controversy has cost Worldcon 76 some of its best-known participants.

N.K. Jemisin dropped out of Worldcon 76 programming:

FYI for all — I've withdrawn from @worldcon2018 programming, which frees up 2 hours for (hopefully) #ownvoices panels, etc.

— N. K. Jemisin (@nkjemisin) July 23, 2018

Mary Robinette Kowal is going to the con but is getting off the program:

Oh, I'm still going to San Jose and I'll still make sure Hugo and Campbell nominees are celebrated, but as things currently stand, I will have to withdraw from programming.

— Mary Robinette Kowal (@MaryRobinette) July 23, 2018

Several writers say they are dropping off the program to (in effect) leave room for newcomers.

John Scalzi, in “Being Seen at Worldcon”, sums up what he terms to be —

A Twitter thread on the recent contretemps at Worldcon 76, where many newer writers (including some Hugo finalists) were not represented on the initial programming slate

Including this comment:

5. With this year's Worldcon, we're having discussion about who gets to be seen on programming. As someone now who is *definitely* seen, I think it's important that we continue to pay it forward — to give new voices, new people and new perspectives a literal seat at the table.

— John Scalzi (@scalzi) July 23, 2018

David Gerrold said on Facebook:

Re: Worldcon.

There are program items I cannot step out of (specifically the memorial panel for Harlan Ellison), but I have written to the Worldcon Committee and asked them to cancel my reading and slot in a Hugo nominee or a person of color or a woman into that spot instead.

I will be taking a second look at a couple other panel assignments as well.

David D. Levine also offered to vacate his place on Worldcon 76 program.

I haven't yet reached the point of canceling my @worldcon2018 participation, but I would gladly give up my panels if that's what it takes to get marginalized authors a seat on the podium.

— David D. Levine (@daviddlevine) July 23, 2018

(This is unlikely to be an exhaustive list, just the ones I found.)

Worldcon 76 Chair Kevin Roche has announced on Facebook (with a parallel Twitter thread):

(From the Chair)

I directed the Program Division to take down the preliminary program information that was released yesterday evening. There were too many errors and problems in it to leave it up.

I am sorry we slighted and angered so many of the people we are gathering to meet, honor, and celebrate. This was a mistake, our mistake. We were trying to build a program reflecting the diversity of fandom and respectful of intersectionality. I am heartbroken that we failed so completely.

We are tearing the program apart and starting over. It was intended to be a reflection of the cultures, passions, and experiences of Worldcon membership, with room for both new voices and old. What we released yesterday failed to do that; we must do better.

Many of you have offered to help us do a better job. Thank you. We cannot accept all those offers, but yes, we will be turning to some of you to help us do it better this time.

We will continue to reach out to the Hugo Finalists we have missed connections with, to ensure any who wish to be on the program will have a place on it.

Kevin Roche
Chair, Worldcon 76 in San Jose

An additional complaint about how the bios seem to have been created:

I'm just here to have a good time and maybe get some Taco Bell. Like, my public website has a bio and lots of art already there for use? *sigh*

— Fictograph | grace p fong @ Worldcon (@fictograph) July 23, 2018

More dissatisfaction about program from two Hugo nominees.

Suzanne Palmer (thread starts here).

So, I'm a Hugo nominee, I've been a finalist for the Eugie Foster and Theodore Sturgeon Award (twice), won the Asimov's & AnLab Reader's award multiple times, and @worldcon2018 has put me on exactly one programming item: a kaffeeklatch the last day, an hour after hotel checkout.

— Suzanne Palmer (@zanzjan) July 23, 2018

K.M.Szpara (thread begins here)

I really want to see everyone in their favorite convention duds, have amazing conversations, know that folks are being treated well and uplifted, enjoying themselves. I want it to be everyone’s best night. And it is shaping up very much not to be.

?? to you all, friends.

— Kellan ? // K.M. Szpara (@KMSzpara) July 23, 2018

Alexandra Erin responded to the latest social media cycle with these thoughts about the application of lessons from the culture wars to the science fiction community. (Thread starts here.)

The stance of WorldCon2018's programming people has been that, well, "their attendees" just aren't interested in the Hugo nominees or the new up-and-comers or things like #OwnVoices.

— Alexandra Erin (@alexandraerin) July 23, 2018

Furthermore, Alexandra Erin has decided what is needed is a “Queer Rapid Response Team for WorldCon 76”.

So, this is one of those posts that’s going to be mystifying to a lot of people but make perfect sense to others. It’s a busy day and I don’t have the time or wherewithal to go into the background. The short version is: WorldCon 76 is fudging up quite badly in how it treats attendees, up to and including finalists for its crown jewel Hugo Award. Multiple genderqueer, non-binary, and non-conforming members have spoken up about feeling unsafe and disrespected, and WorldCon’s safety team is not inspiring a lot of confidence.

Accordingly, I am taking one of my standing offers at WisCon and expanding and formalizing it for the larger WorldCon: I am forming a Queer Rapid Response Team. Before the convention next month, I will set up an automated channel that will text any messages onward to everybody on the team. The idea is that if anybody in the family needs an escort, needs a friendly face, needs emotional support, or whatever, we can form up on them like queer Voltron.

2018 Lambda Literary Awards

Posted on June 5, 2018 by Mike Glyer

Congratulations to Lammy winners Carmen Maria Machado (Lesbian Fiction), Bogi Takács (Transgender Fiction), Emil Ferris (LGBTQ Graphic Novels), and Annalee Newitz (LGBTQ SF/F/Horror). The awards were presented the 30th Annual Lambda Literary Award ceremony on June 4.

The Lammys celebrate achievement in lesbian, gay, bisexual, and transgender (LGBT) writing.

The winners in categories which had nominees of genre interest are reported below. The full list of 23 category winners is available on Twitter.

Lesbian Fiction

Her Body and Other Parties, Carmen Maria Machado, Graywolf Press

Transgender Fiction

Transcendent 2: The Year’s Best Transgender Speculative Fiction, Bogi Takács (ed), Lethe Press

LGBTQ Anthology

¡Cuéntamelo! Oral Histories by LGBT Latino Immigrants, Juliana Delgado Lopera, Aunt Lute Books

LGBTQ Graphic Novels

My Favorite Thing is Monsters, Emil Ferris, Fantagraphics Books

LGBTQ SF/F/Horror

Autonomous, Annalee Newitz, Tor Books

LGBTQ Studies

Punishing Disease: HIV and the Criminalization of Sickness, Trevor Hoppe, University of California Press

Pixel Scroll 5/16/18 Ringworlds For Sale or Rent, Moons To Let Fifty Cents

Posted on May 16, 2018 by Mike Glyer

(1) PLANE SPEAKING. CollegeHumor shows what happens when a ticket agent has to deal with the argument that “My Dinosaur Is a Service Animal” (features Chris Pratt and Bryce Dallas Howard).

(2) EARLY RETURNS ON 451. Phil Nichols of BradburyMedia saw a preview screener of “HBO’s new Fahrenheit 451” and weighed in on his blog:

…The new Fahrenheit does take many liberties with Bradbury’s story (what, no Millie? Clarisse as a police informant?), but it knows what it’s doing. Specifically, it knows what Guy Montag has to learn, and what he has to become; and it knows what Beatty is in relation to Montag. Most importantly, it knows how to show the relevance of Fahrenheit to today’s world of sound bites, clickbait headlines and fake news. Bradbury said that you don’t have to burn books to destroy a culture; you just have to get people to stop reading. And that’s exactly the world Bahrani has created here….

(3) MORE WORK FOR HOLLYWOOD LAWYERS. “Stan Lee Files $1B Lawsuit Against POW! Entertainment for “Stealing” His Name and Likeness” says The Hollywood Reporter.

The epic battles in Stan Lee’s comics may be nothing compared to the array of legal fights he’s waging — which now includes a billion-dollar lawsuit against the company he co-founded.

Lee is suing POW! Entertainment for fraud and conversion, claiming the company and two of its officers conspired to steal his identity, name and likeness in a “nefarious scheme” involving a “sham” sale to a Chinese company.

POW! was acquired in 2017 by Hong Kong-based Camsing International, and Lee says POW! CEO Shane Duffy and co-founder Gill Champion didn’t disclose the terms of the deal to him before it closed. At the time, Lee claims, he was devastated because his wife was on her deathbed and they took advantage of his despair — and his macular degeneration, which rendered him legally blind in 2015.

Lee says last year Duffy and Champion, along with his ex-business manager Jerardo Olivarez, whom he’s currently suing for fraud, asked him to sign a non-exclusive license with POW! for the use of his name and likeness in connection with creative works owned by the company. Instead, what he purportedly signed was a “fraudulent” intellectual property assignment agreement that granted POW! “the exclusive right to use Lee’s name, identity, image and likeness on a worldwide basis in perpetuity.”

According to the complaint filed Tuesday in Los Angeles County Superior Court, Lee has been selective about licensing his name and likeness and will only authorize the use on a non-exclusive basis.

(4) AWARD NOMINEE. Congratulations to Cora Buhlert! Her story “’Baptism of Fire’ is a nominee for the 2018 eFestival of Words Best of the Independent eBook Award”.

The nominations for the 2018 eFestival of Words Best of the Independent eBook Awards, which are run by the small press Bards & Sages, were announced today.

I was going to put the link to the announcement into the weekly link round-ups at the Speculative Fiction Showcase and the Indie Crime Scene respectively, but first I took a gander at the list of nominees and all but fell from my chair, because there, a bit down the page, was my name. For it turns out that “Baptism of Fire”, my contribution to the science fiction anthology The Guardian, edited by Alasdair Shaw, has been nominated in the “Best short story” category. I had absolutely no idea about this, until I saw the nominee list.

(5) BLABBAGE. Derek Stauffer, in “Star Wars Comic May Hint At Leia’s Episode 9 Fate” in ScreenRant, says that Marvel’s Poe Dameron comic may have clues about what will happen to Leia Organa in Episode 9.

Given Leia’s weakened state in the comic, it seems even more obvious that she will end up passing the torch to Poe as leader of The Resistance at some point in the near future. The only real question is if that passing will come with Leia’s retirement, or her death.

(6) ARTISTS TO BE INDUCTED. The Society of Illustrators will honor the following artists at its Hall of Fame Awards Ceremony on June 21.

2018 Hall of Fame Laureates
Robert Crumb
Hilary Knight
Jim McMullan
CF Payne
Kate Greenaway
Rene Gruau
Jack Kirby
Heinrich Kley
Kay Nielsen

(7) NEW TO SHORT FICTION? Lady Business offers a “Short & Sweet Roundtable Discussion: Short Fiction Reading Habits” with A.C. Wise, Bogi Takács, Brandon O’Brien, Vanessa Fogg, and Bridget McKinney.

One thing I’ve learned from talking to people about short fiction is that there are many different styles of reading short fiction. There are people like me who read one story (generally online) and then stop and do something else. There are people who sit down with a print or ebook magazine and read the whole thing cover to cover. There are people who only listen to short fiction in podcast form. So I was thinking about the different ways people read short SFF, and I wanted to find out more about these differences. I also thought that since lots of people have different short fiction reading habits, people who want to try short fiction might find that different pieces of advice are helpful to different people. So I’ve invited several guests to the column to talk about their short fiction reading habits and to share advice for people new to short fiction.

This roundtable features prolific short fiction readers, so they have a lot of great ideas for where to find short fiction, but I know it can be a little intimidating when there’s so much to choose from and people who read so much! I hope this roundtable gives readers a taste of how many ways there are to read short fiction and how many entry points there are, and that there’s no wrong way to read, including how much you read or at what point in life you start reading short fiction.

(8) LEND ME YOUR EARS. From Tested in 2013, “ILM Modelmakers Share Star Wars Stories and Secrets”. News to me — the crowds of the pod races in Star Wars Episode I were half a million painted q-tips.

Don Bies: One of the cool things, whenever we’re working together, is people thinking outside the box, and trying to come up with practical solutions. And in the early days, certainly it was ‘let’s see if we can beat the CG guys at their own game.’ Michael Lynch, one of the modelmakers–he was always really good at looking at things this way–he was looking at the crowds. And when you see a crowd in a stadium you’re really just seeing shapes and colors, you’re not really seeing people or individual faces.

So he came up with the idea…of using q-tips, cotton swabs, colored, in the stands of the Mos Espa arena. So there were something like 450,000 q-tips painted multiple colors, and he even researched it to find out how many reds versus yellows and blues and greens that should be in there.

And it was a process of just days of painting. Think about 450,000 cotton swabs, how you paint them, and then how you put them in. Everyone took turns at one point sticking them into the stands. And by blowing a fan underneath they kind of twinkled, like people moving around. Ultimately they did put some CG people on top of it, but I always thoght it would be funny if they caught to a close-up of the stands and you saw a cotton swab sitting in the stands next to the aliens…

(9) ALFRED THE GREAT. Hollywood Reporter headline: “’Gotham’ Boss Sets New Batman Prequel Series at Epix (Exclusive)”. Premium cable network Epix will air Pennyworth. The series has some behind-the-camera personnel ties to Gotham, but is not a prequel of that Fox series. No cast has been announced.

Epix is getting into the DC Comics business.

The MGM-owned premium cable network has handed out a 10-episode, straight-to-series order for Pennyworth, a drama set in the Batman universe from Gotham showrunner Bruno Heller.

The series will revolve around Alfred Pennyworth, the best friend and butler to Bruce Wayne (aka Batman). The series is not a Gotham spinoff but rather an entirely new story exploring Alfred’s origins as a former British SAS soldier who forms a secret company and goes to work with Thomas Wayne — Bruce’s billionaire father — in 1960s London. Sean Pertwee, who plays Alfred Pennyworth on Fox’s recently renewed Gotham, is not involved. Casting has not yet begun and the series is set in a completely different universe despite hailing from Heller and producers Warner Horizon. (Others who have played the Alfred role include Jeremy Irons, Michael Gough, Michael Caine, Alan Napier and William Austin, among others.)

(10) TRIVIAL TRIVIA

Hershey Kisses were named after the “kissing” sound made by the nozzle that drops the chocolate onto a cooled conveyor belt during their production. Hershey started making its version in 1907 but “kiss” was commonly used as a generic term for candies wrapped with a twist as early as the 1820s. Hershey managed to trademark the term in 2000 after arguing that consumers almost exclusively associated the word “kiss” with their brand versus other candies.

Source: Time

(11) COMICS SECTION.

Chip Hitchcock learned space isn’t easy from Rhymes With Orange.
But it can be warm: Arctic Circle.
And time travel can be even warmer, as Lise Andreasen witnessed in Saturday Morning Breakfast Cereal’s “Hindenburg”.

(12) SCALZI FREE READ. The Electronic Frontier Foundation enlisted John Scalzi to help make their point: “EFF Presents John Scalzi’s Science Fiction Story About Our Right to Repair Petition to the Copyright Office”.

A small bit of good news: Congress designed a largely ornamental escape valve into this system: every three years, the Librarian of Congress can grant exemptions to the law for certain activities. These exemptions make those uses temporarily legal, but (here’s the hilarious part), it’s still not legal to make a tool to enable that use. It’s as though Congress expected you to gnaw open your devices and manually change the software with the sensitive tips of your nimble fingers or something. That said, in many cases it’s easy to download the tools you need anyway. We’re suing the U.S. government to invalidate DMCA 1201, which would eliminate the whole farce. It’s 2018, and that means it’s exemptions time again! EFF and many of our allies have filed for a raft of exemptions to DMCA 1201 this year, and in this series, we’re teaming up with some amazing science fiction writers to explain what’s at stake in these requests.

This week, we’re discussing our right to repair exemption. Did you know the innards of your car are copyrighted?

… The use of DRM to threaten the independent repair sector is a bad deal all-around. Repair is an onshore industry that creates middle-class jobs in local communities, where service technicians help Americans get more value out of the devices they buy. It’s not just cars: everything from tractors to printers, from toys to thermostats have been designed with DRM that stands in the way of your ability to decide who fixes your stuff, or whether it can be fixed at all. That’s why we’ve asked the Copyright Office to create a broad exemption to permit repair technicians to bypass any DRM that gets in the way of their ability to fix your stuff for you.

Our friend John Scalzi was kind enough to write us a science fiction story that illustrates the stakes involved.

(13) HOUSE OF REPUTE. Real estate news site 6sqft profiles a celebrity abode which once housed sf author Robert Silverberg: “Former home of Mayor Fiorello LaGuardia lists for $3.5M in Fieldston section of Riverdale”. Numerous photos of the inside and outside.

A stately English Tudor mansion in the historic Fieldston neighborhood of Riverdale, considered one of the city’s best preserved early 20th century suburbs, has just hit the market for $3.5 million, and it’s oozing history filled ghosts, science fiction, New York master politicians, and urban planners. Former Mayor Fiorello LaGuardia moved to 5020 Goodridge Avenue after serving three consecutive terms as mayor and living in Gracie Mansion….

In 1961, Robert Silverberg, a well-known science fiction author – and not as well-known as the prolific writer of erotica novels for quick cash – bought the house. In his 1972 novel, The Book of Skulls, Silverberg mentioned the neighborhood, writing, “How unreal the whole immortality thing seemed to me now, with the jeweled cables of the George Washington Bridge gleaming far to the southwest, and the soaring bourgeois towers of Riverdale hemming us on to the right, and the garlicky realities of Manhattan straight ahead.”

(14) PROBLEM FIXER. Michael Z. Williamson’s advice is to ban the people who complain about a convention GoH.

…Your only rational, immediate response to avoid “controversy” is just to ban the person making the public scene. They’ve already told you by this action that they intend to cause trouble for at least one of your guests and that guest’s followers.

“I wouldn’t feel safe with this person at the con!”
“We’re sorry you feel that way. Here’s a full refund.* We hope to see you at a future event.”

Then stop responding. You’ll only give attention to an attention whore.

Having seen this happen to guests at least three times, any future guest invitations I accept will involve a signed cancellation clause and a cash penalty for doing so, because once a guest has made arrangements for your event, they can’t schedule something else, and you’re eating up their writing/art/production time. They are there for YOUR benefit, not you for theirs. In my case, I currently have three novels, a collection, an anthology, all contracted, another novel offer, three on spec, an article request, three short stories and a lengthy stack of products to test and review, and an entire summer of professional bookings. I have a not-quite four year old and a teenager. Don’t waste my time then roll over for some worthless whiner….

(15) MAKING PLANS. John Ringo, in a public Facebook post, advises writers —

…With every other convention, assume you’re being set-up at this point and don’t be played for a sucker.

Oh, yeah, and as fans and lovers of liberty, never, ever attend Origins again if you ever have. Or ConCarolinas. (Sorry, Jada.) Or ArchCon. Or WorldCon.

We need a list. They never will be missed. No they never will be missed.

(16) ALTERNATE SPORTS HISTORY. Counterfactual: “Blimps Full Of Money And 30 Other Sports Fantasias In ‘Upon Further Review'”. What if football had stayed boring, or the US had boycotted the Berlin Olympics, or …?

Mike Pesca assembled the new book titled Upon Further Review: The Greatest What-Ifs In Sports History and a companion podcast. In an interview, he explained some of the book’s 31 different scenarios written by 31 sportswriters.

(17) SYMBOLISM. “Henrietta Lacks’ Lasting Impact Detailed In New Portrait” — shoutouts to unwitting donor of a cell line that has been used all over biomedicine.

When Henrietta Lacks was dying of cancer in 1951, her cells were harvested without her knowledge. They became crucial to scientific research and her story became a best-seller. Since then, Lacks has become one of the most powerful symbols for informed consent in the history of science.

On Monday, when the Smithsonian National Portrait Gallery in Washington, D.C., honored Lacks by installing a painting of her just inside one of its main entrances, three of Lacks’ grandchildren were there.

(18) BIRD IS THE WORD. “Dinosaur parenting: How the ‘chickens from hell’ nested”. “How do you sit on your nest of eggs when you weigh over 1,500kg?”

Dinosaur parenting has been difficult to study, due to the relatively small number of fossils, but the incubating behaviour of oviraptorosaurs has now been outlined for the first time.

Scientists believe the largest of these dinosaurs arranged their eggs around a central gap in the nest.

This bore the parent’s weight, while allowing them to potentially provide body heat or protection to their developing young, without crushing the delicate eggs.

The feathered ancient relatives of modern birds, oviraptorosaurs lived in the Late Cretaceous period, at least 67 million years ago.

(19) SF TV ARCHEOLOGY. Echo Ishii’s tour of old sf TV leads this time to “SF Obscure: Cosmic Slop”.

Cosmic Slop was a 1994 TV anthology series on HBO featuring three short black science fiction movies. (I have also seen the broadcast date listed as 1995.) It features three short “Space Traders” based on the Derrick Bell short story; “The First Commandment” and “Tang”. It’s kind of a Twilight Zone vibe with George Clinton of Parliament Funkadelic during the intros. (It’s as bizarre in the way only George Clinton can be.)

(20) TREK MEDICINE TODAY. The Arthur C. Clarke Center for Human Imagination hosts “Star Trek, the Qualcomm Tricorder XPRIZE & the Future of Medicine” on June 2, with Qualcomm XPRIZE Tricorder Prize winner Basil Harris, Robert Picardo (actor, Emergency Medical Hologram, Star Trek: Voyager), and Dr. Rusty Kallenberg, Chairman of Family Medicine and Director of the UCSD XPRIZE Test Program.

June 2, 2018
5:00-7:00pm
Liebow Auditorium
UC San Diego

Artificial intelligence is already impacting healthcare is numerous ways. Are we far from the future portrayed in Star Trek: Voyager, of an AI holographic doctor with encyclopedic medical knowledge? What are the pathways that will yield the most profound results for AI in medicine? And what are the ethical and regulatory issues we need to consider as we develop these technologies?

Hosted by Erik Viirre, associate director of the Arthur C. Clarke Center for Human Imagination and Medical Director of the Qualcomm Tricorder XPRIZE, The Future of Medicine is an exploration of these questions and more, as they impact the UC San Diego innovation ecosystem and beyond. Our master of ceremonies is Robert Picardo, actor and star of Star Trek: Voyager, where he left a cultural impact as the face of AI medicine as the Emergency Medical Hologram, known as “The Doctor.” Basil Harris, founder of Basil Leaf Technologies and winner of the Qualcomm Tricorder XPRIZE to develop a real-world Tricorder-like medical device, will share his experience developing DextER, an autonomous medical diagnostic device, and the future of this pathway for innovation. And leaders from UC San Diego will join a panel on artificial agents in medical technology development.

[Thanks to Mike Kennedy, Standback, John King Tarpinian, JJ, Martin Morse Wooster, Cat Eldridge, Carl Slaughter, Andrew Porter, Lise Andreasen, Chip Hitchcock, and rcade for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 4/14/18 The Adventures Of Scrolli And Pixelwinkle

Posted on April 14, 2018 by Mike Glyer

(1) ISSUES IN SFF REVIEWING. Several interesting threads about reviews and reviewing in sff. Each tweet is the jumping off point for the thread.

Bogi Takács

"Why aren't there more critical and/or negative reviews" is usually a demand by white Anglo men. (Several on my timeline today.)

Here is a short thread explaining why.

I have both positive and negative reviews and also a lot of "well I liked this but X aspect was annoying"

— Bogi Takács PERSON (@bogiperson) April 11, 2018

Charles Payseur

Positivity in reviewing is…a complex and sometimes messy thing. I've written about it previously, but it's always something to revisit.

— Charles Payseur (@ClowderofTwo) April 11, 2018

Cecily Kane

Not link-tweeting anyone because it's so pervasive, but: when you create a critical culture in which any negative critique is framed as an "attack on authors," you create conditions in which virtually the only people willing to do it are also willing to *actually* attack authors.

— Cecily Kane (@Cecily_Kane) April 11, 2018

Also, Jason Sanford did an overview which includes numerous links to reviewers.

(2) WORLD FANTASY AWARDS. John Joseph Adams advises that the 2018 World Fantasy Awards nominations have opened and voting continues until May 31.

The World Fantasy Awards will be presented in Baltimore, MD during the World Fantasy Convention (Nov. 1-4). Deadline for nominating is and ballots must be received by May 31, 2018.

All registered members of the 2016 World Fantasy Convention, the 2017 World Fantasy Convention, and the 2018 event in Baltimore will be eligible to vote before the deadline. If you didn’t attend one of the previously mentioned World Fantasy conventions, and you don’t plan to attend this year, you can still nominate by purchasing a supporting membership.

Already registered? Go and nominate your favorite works! Voting information is available on the World Fantasy Convention 2018 website.

(3) CODE OF OMELAS. Ursula Vernon tells about the ones who stagger away…

I suppose that’s the bit LeGuin left out. For every one of those people walking away who looked like they knew where they going, there’s a couple hundred going “I’m lost and have no map and am reduced to reading labels to make sure my beet isn’t sourced from Omelasian hops.”

— The Wombat Resists (@UrsulaV) April 12, 2018

(4) SUPER TRAFFIC MONITOR. The Caped Crusader says, “Don’t get run over!” Or something like that. From the BBC: “Lost footage of Batman star Adam West to be screened”. [Video]

Previously lost footage of Batman star Adam West teaching road safety will be screened for the first time in more than 50 years.

The clip from May 1967 of Batman teaching children the Kerb Drill will be shown to an audience of TV professionals and enthusiasts in Birmingham to kick-off a hunt for 100 missing television clips.

Kaleidoscope, which specialises in finding missing television footage, recently discovered the segment, which was never screened outside of the UK.

It will be shown at Birmingham City University on Saturday, as the company launches its list of the UK’s top 100 missing TV shows that industry professionals most want to see recovered.

This includes early episodes of Doctor Who featuring Mark Eden as Marco Polo, Top Of The Pops and The Avengers.

(5) UTAH WESTERCON NEWS. Westercon 72 (July 4-7th, 2019 in Layton, Utah) has added Special Guest Eric Flint. Westercon also will host the 2019 1632 Minicon.

Eric Flint’s writing career began with the science fiction novel Mother of Demons. His alternate history novel 1632 has led to a long-running series with over thirty novels and anthologies in print. He’s also written many other science fiction and fantasy novels. He resides in northwest Indiana with his wife Lucille.

Along with Mr. Flint, we are also pleased to announce the 2019 1632 Minicon will be held in conjunction with Westercon 72. The minicon is the annual event that allows the 1632 fans and authors to get together. (Of course, in the case of 1632, fans and authors overlap substantially.) Each year the minicon is held “inside” a science fiction convention in a different part of the country. Many cons have agreed to host the minicon over the years. (Wording courtesy of https://1632.org )

(6) DISNEY PIXAR. A fresh trailer for Incredibles 2.

(7) TIN FOIL HATS FOR CATS. Did you know these were a thing? From the Archie McPhee catalog:

It’s a tin foil hat for conspiracy cats! They want to know what your cat is thinking. They want to control your cat’s thoughts. Not on our watch! We’ve made a Tin Foil Hat for Cats to make sure that kitty’s thoughts stay private. This mylar hat fits most cats, has a comfy felt lining and is held in place with an elastic strap. It even has holes for cat ears! Take that, Illuminati! Restores the dignity of your kitty. Very effective against MKUltra satellites, cat food company dream-insertion marketing, Guy Fieri, Soviet cat control protocols, psychic dogs, skull tapping, focused magnetic pulse and the neighbor’s labradoodle. Great for pictures! Fits most cats.

(8) BELL OBIT. Art Bell (1945-2018), the original host of the paranormal-themed radio program Coast to Coast AM, died April 13. At its peak in popularity, Bells show was syndicated on more than 500 radio stations and claimed 15 million listeners nightly

(9) TOWFIK OBIT. Sindbad Sci-Fi eulogizes an influential Egyptian sf writer: “Remembering Ahmed Khaled Towfik (1962 – 2018)”.

Ahmed Khaled Towfik is no longer with us. After a period of prolonged illness, he died of a heart attack on 2 April 2018 in El-Demerdash hospital, Cairo, at the age of 55.

By day, Dr Ahmed Khaled Towfik practised as a medical professor at Egypt’s Tanta University. Over time, he was an obsessively prolific writer who became the Arab world’s most prominent bestselling contemporary author of Sci-Fi, fantasy and horror genres. He is claimed to have written over 500 titles of which one third is science fiction, including his Arabic translations of English Sci-Fi.

(10) TODAY’S SFF BIRTHDAYS

April 14, 1936 – Arlene Martel. She played Spock’s betrothed, co-starred with Robert Culp in the Outer Limits Demon with a Glass Hand written by Harlan Ellison plus a couple of Twilight Zone episodes.
Born April 14, 1958 – Peter Capaldi
Born April 14, 1977 — Sarah Michelle Gellar
Born April 14, 1982 – Rachel Swirsky

(11) SWIRSKY CELEBRATED. Steven H Silver shares his appreciation in “Birthday Reviews: Rachel Swirsky’s ‘The Monster’s Million Faces’” at Black Gate.

Rachel Swirsky was born on April 14, 1982. To this point, her writing career has been focused on short stories, although in 2010 she co-edited the anthology People of the Book: A Decade of Jewish Science Fiction and Fantasy with Sean Wallace. Her stories have been collected in two volumes, Through the Drowsy Dark and How the World Became Quiet: Myths of the Past, Present, and Future.

(12) COMICS SECTION.

Courtesy of mlex:

?by @tomgauld pic.twitter.com/WQRvOeFyvE

— New Scientist (@newscientist) April 10, 2018

(13) GOOD TO THE LAST DROP. Charles Payseur tests a new batch of short fiction: “Quick Sips – Strange Horizons 04/02/2018 & 04/09/2018”.

The short SFF from the first two weeks of April’s Strange Horizons looks at faith and education, memory and time, fiction and hope. The stories feature characters either revisiting their pasts or desperate to do so. They also feature relationships between parents and children, though in opposite directions (one with a mother as main character, the other with a son). And they explore memory and trying to rewrite the past with something better than the crushing weight of the present. The poetry looks at religion and education, at expectation and death. It’s a rather complex collection of pieces, but it makes for some compelling reading. So let’s get to the reviews!

(14) ARE YOU KIDDING? The Deseret News reports “Former FBI director James Comey is a fan of Utah author Brandon Sanderson”.

In an interview with The New York Times Book Review “By the Book” section, Comey said he’s an avid reader of fiction, “almost always (reading) something my kids are reading, so I can … pretend to be cool.”

When asked what books readers would be surprised to find on his shelf, Comey answered with “The Fault in Our Stars,” by John Green; the Mistborn series, by Brandon Sanderson, and the Red Rising series, by Pierce Brown.

(15) SFF HISTORY. Tom De Haven remembers what it was like to write for Byron Preiss in a memoir at Café Pinfold.

…I met Byron Preiss in the 1970s, near the start of both our careers—as I recall, it was at an art show that he’d curated in a small Manhattan gallery (somewhere up near Bloomingdale’s, I believe) that consisted of super-realistic, high-key paintings of Brian Wilson and the Beach Boys (yes, the Beach Boys; don’t ask me why, although probably it was the first or second or third step in a scheme to produce a “Byron Preiss Book” sometime in the future). He was the most confident man I’d ever met. Soft spoken, slow moving, but confident as hell. Always well dressed. Good clothes but they could get rumpled looking. For as long as I knew and saw him, and it was quite a while, Byron always had a hundred ideas for new projects and the sublime confidence they’d all make millions.

So far as I understood it, he worked like this: he’d pitch a slew of different ideas to a variety of book editors in New York City, ideas that (again, so far as I understood it) he’d dreamed up himself, ideas inspired by current trends in publishing or pop culture (U.S.S.A., for example, followed in the wake of the original Red Dawn movie). Whenever Byron got the go-aheads for specific packaging projects, he’d call up writers to do the actual writing. (He was also likely to call up cartoonists and illustrators since most of his books came illustrated. Later, when he was one of the first people to pionneer digital publishing, he probably called up programmers.)

For me, and no doubt for many other “midlist” authors like me, it was often a lifesaver to get a telephone call from Byron Preiss; he took a big cut of any advance, naturally, and the advances were never better than just okay, but when you were in-between books and fresh out of ideas, or in-between advances for novels of your own, or had a major house repair that you couldn’t afford, or there was a new baby on the way, you were glad—at least I was glad—for an offer from Byron….

(16) WILL ROBINSON REBOOTY. NPR’s Glen Weldon goes back and forth in “Will Robinson, Meet Danger; Danger, Will Robinson: The ‘Lost In Space’ Reboot”, props for competent women, points off for repetition.

The original Lost in Space, which ran on network television from 1965 to 1968, began as a straightforward, if high-concept, adventure show: A colony spaceship carrying a nuclear family, a dashing pilot and a sniveling doctor got stranded on a remote planet. They had adventures while wearing v-neck sweaters over their turtlenecks, presumably because Irwin Allen, who produced the show, imagined that the future would be a chilly place. Or maybe he got a deal on velour, who knows.

Over the course of its run, the focus of the show shifted from the family to that weaselly doctor. Looking back, it’s easy to see why: The family was a bunch of white-bread squares in matchy-matchy outfits, but the doctor – played with a sublimely mincing menace by Jonathan Harris, was a revelation. The character of Doctor Smith was vain, overdramatic (“Oh, the pain, the pain!”), selfish, self-pitying, self-aggrandizing – a campy, eminently hissable villain out of a Christmas panto, down to the clipped British accent (which was something the Bronx-born Harris sniffily affected).

(17) LOST ATTENTION. In contrast, the Boston Globe reviewer describes the robot and the series as “sleek, shiny, and boring”: “‘Lost in Space,’ we have a problem” (may be passworded soon).

The casting is a problem, except in one case — Parker Posey as Dr. Smith. Molly Parker, a favorite of mine from “Deadwood” and “Swingtown,” is OK as the logic-and-science-loving Maureen — but she can be so much better than OK. The writers try to give her a personal storyline, since she and husband John, played sternly by Toby Stephens, are dealing with a troubled marriage. But it’s hard to care about the fate of their relationship because they’re so bland and heroic. The rest of the Robinsons are bland too, with Will (Maxwell Jenkins) a sweet but dramatically inert presence. I didn’t worry about their safety during all of their dangerous missions because I just didn’t care enough about them. TV’s original Robinson family wasn’t particularly exciting, either, but at least whimpering Jonathan Harris’s Dr. Smith brought enough camp and cowardice to keep things entertaining.

(18) SHARKE BITES. Shadow Clarke juror Maureen Kincaid Speller shares her picks: “A Shadow Clarke 2018 selection box – six exciting centres”. First, what you won’t find in her box:

This year, inevitably, my decision-making process is going to be more focused and more self-conscious, so I’ve laid out a few ground rules for myself. First, I have tried to avoid seeing what the other jurors are choosing, so this selection process has been conducted in isolation. Second, my Shadow Clarke to-read list isn’t going to feature anything I’ve already read, although there are some titles there I’d dearly like to discuss with the other jurors: Nick Harkaway’s Gnomon, for example, which is very much my kind of novel – formally inventive, a challenging read, a great story. But Gnomon is among a handful of titles already touted as shoo-ins for the official Clarke shortlist, and I have also decided to avoid putting any of those on my to-read list. I’m going to read them anyway and at this stage I’d rather experiment in my reading and see what’s going on in sf. This may seem very perverse but I would remind you that this exercise is categorically not about attempting to second-guess the official shortlist. As such I have leeway to explore.

With those decisions made, things become both easier and more complicated. Critics and reviewers are mortals like the rest of the world, and we all have our prejudices. For example, as I’ve noted before, I dislike zombie novels and while I could test that prejudice by reading a zombie novel – there seems to be a prime candidate on the list – I’ve come to the conclusion that I am secure enough in my understanding of my active dislikes to avoid wasting everyone’s time by confronting them, because the chances of anything positive emerging from the encounter are unlikely.

(19) CALL FOR PAPERS. Sublime Cognition is a very catchy name for a conference:

(20) SOLO CARDS. I don’t think I covered this with the rest of the Denny’s Star Wars-themed advertising: “Solo: A Star Wars Story exclusive trading cards, available only at Denny’s!”

[Thanks to John King Tarpinian, Camestros Felapton, JJ, Mark Hepworth, Chip Hitchcock, Michael O’Donnell, Cat Eldridge, Martin Morse Wooster, Carl Slaughter, mlex, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Peer.]

Pixel Scroll 4/12/18 But By God, Elliot, It Was A Pixel Scroll From Life!

Posted on April 12, 2018 by Mike Glyer

(1) KINGFISHER. James Davis Nicoll turned the Young People Read Old SFF panel loose on “Toad Words” by T. Kingfisher.

Young People Read Old SFF has circled back to a modern work for the final time in the phase of the project. This time the modern author is Ursula Vernon, who also publishes as T. Kingfisher. To quote her Wikipedia entry,

Digger won the Hugo Award for Best Graphic Story in 2012 and the Mythopoeic Fantasy Award for Adult Literature in 2013. She won the Nebula Award for Best Short Story and the WSFA Small Press Award for Jackalope Wives in 2015. Her story “The Tomato Thief” won the 2017 Hugo Award for Best Novelette.

I’ve read a number of Vernon’s works but not, as it happens, any of those. I have read “Toad Words”, however, and it seemed an apt choice for a modern work given what the Young People have liked in the past. But I’ve been wrong before…

(2) DEADPOOL CHOW. Adweek describes how “Deadpool’s Newest Product Pitch Takes Us Inside His Dreams, Which Center on … Frozen Food?”

Brand partnerships with superhero movies are inevitable—let’s face it, most movies are superhero movies these days—but so many of them seem like an unnatural fit. Or a lazy one, at best. There’s a car chase in the movie? Let’s use that in a car commercial! Genius!

That might initially seem like the case with Deadpool’s Devour partnership. Why would Deadpool care about frozen food? Well, he doesn’t—and that’s what makes the new 30-second spot work.

(3) POTTER RECAP. Martin Morse Wooster watched “Harry Potter: A History of Magic” last night on the CW:

This was a BBC documentary tied to an exhibit that is currently at the British Library and will be coming to the New-York Historical Society this fall, although what I gather from the Pottermore website is that there will be two exhibits with some overlap between the British and American versions.

The special, narrated by Imelda Staunton, had several parts. One was when actors from the movies (including Warwick Davis, Miriam Margoyles, and David Thewlis) read excerpts from the novels. A second thread consisted of curators from the British Library showing off their magical treasures of books and stuff from their collections. In addition, we saw some witches and eccentrics who had things to donate to the exhibit, including two gentlemen named Dusty Miller XIII and Dusty Miller XIV who said they had created 7,500 magic-filled wands from sticks they collected in the woods. Finally, J.K. Rowling was extensively interviewed and got to look at a lot of the stuff the curators had unearhed.

Oh, and there was a lot of Harry Potter cosplay.

Rowling had done a lot of research in the sixteenth and seventeenth centuries, such as a seventeenth-century herbal written by the great botanist Nicholas Culpeper. She said that she invented everything to do with wands. She also named two sources that inspired her. One was C.S. Lewis’s THE MAGICIAN’S NEPHEW, and if there are references to portals and libraries in that book those are the parts she found inspiring. A second source came from an illustration Rowling made in1990 of Professor Sprout. Rowling said that that night she was watching The Man Who Would Be King, a film with many Masonic symbols. A simplified version of one masonic symbol was the source for the three-part symbol that denotes the Deathly Hallows in the novels.

Finally Rowling said, “I tied to steer clear of hallucinogenic drugs in Hogwarts.” So if you’re writing fan fiction where Harry and the gang settle in for good times with some mushrooms, you should know that such scenes are NOT canonical.

(4) AUSTRALIAN CON SURVEY. Twelfth Planet Press publisher/editor and Galactic Suburbia cohost Alisa Krasnostein tweeted —

If you’ve attended an SF con or event in Australia in the last 5 years, please consider taking this survey: https://www.surveymonkey.com/r/TCGQB82

…The purpose of this survey is to investigate the degree of harassment being experienced at our SF conventions and events.

(5) WOTF. Vajra Chandrasekera discourages participation in the Writers of the Future Contest. His thread starts here —

Because I'm irritated at myself for not saying it more often in public: if you are a new writer, you should not submit your work to the Writers of the Future contest.

— Vajra Chandrasekera (@_vajra) April 12, 2018

(6) NEW PERSPECTIVES. Bogi Takacs has started writing a column for Tor.com about “QUILTBAG+ Speculative Classics”.

…In this series of columns, I will review classics of QUILTBAG+ speculative fiction—often out of print, little-known and seldom discussed. Even novels which were acclaimed in their day are frequently ignored now, creating the false impression that all QUILTBAG+ SFF is very recent.

For those who may be unfamiliar with the term, QUILTBAG+ is a handy acronym of Queer, Undecided, Intersex, Lesbian, Trans, Bisexual, Asexual / Aromantic / Agender, Gay and a plus sign indicating further expansion.

…On the other hand, I also don’t want to pigeonhole QUILTBAG+ writers and only show interest in their work if it is about their specific marginalization. I want to see minority writers write whatever they want. If they (we) want to write about cephalopods in space, I am all for that! Therefore I opted to include work either by QUILTBAG+ authors (where this is known) or with QUILTBAG+ themes. Often these two coincide, but not necessarily so.

A specific difficulty is whether to include people with non-Western, culturally specific gender, sex or sexuality IDs. Often these people also use at least some Western terms to self-identify, but sometimes they don’t—especially Indigenous people. If someone has expressed a desire not to be included in Western terms, both umbrella or specific terms, I will of course respect that. But in the absence of explicitly opting out, and also if the authors use Western terms, I decided on the side of inclusion. One of my motivations in this is somewhat self-serving: I also have a culturally specific gender / sex (though I am not Indigenous, specifically) and I am interested in other people who do too!

I aim to discuss a new book every two weeks. I will begin next week with The Gilda Stories, the queer Black / Indigenous vampire classic by Jewelle Gomez, and then follow with The Fortunate Fall by Raphael Carter, possibly the first SFF novel by an intersex author—which also draws a parallel between being intersex and sharing a mind with a giant whale.

(7) TRUTHINESS. Hear about “’That High Truth’: Lewis, Williams, Chesterton, and Ray Bradbury,” in this video of a lecture given at the Wade Center by Jonathan R. Eller of the Center for Ray Bradbury Studies on April 9, 2018.

(8) PROGRAM IDEA. Amal El-Mohtar has a fresh angle for a panel discussion. Start the thread here:

I just–I really love Tolkien, obvious warts & all, & I get a really specific thing from his work that I rarely get from contemporary work, & I'd love to explore that on panels.

— Amal El-Mohtar (@tithenai) April 12, 2018

(9) BECKETT OBIT. Alex Beckett (1982-2018): Welsh actor, death announced April 12, aged 35. His genre appearances include Spark Ark (2014), and The Aliens (two episodes, 2016).

(10) HEAR STAN LEE’S DENIAL. Io9 reports “In a New Video, Stan Lee Threatens to Sue Anyone Reporting on Claims of Alleged Elder Abuse”.

The Marvel mainstay came down with pneumonia in February and so his frequent convention appearances were understandably cut back. During this time, multiple reports emerged detailing how hundreds of thousands of dollars, and literal blood, were allegedly stolen from him. In a video sent to TMZ this week that’s copyrighted to Keya Morgan (Lee’s handler, who is currently in control of all of his communications), Lee says he’s prepared to take legal action against any and all media outlets that have reported on the claims that he’s being taken advantage of:

“Hi this is Stan Lee and I’m calling on behalf of myself and my friend Keya Morgan. Now, you people have been publishing the most hateful, harmful material about me and about my friend Keya and some others. Material which is totally incorrect, totally based on slander, totally the type of thing that I’m going to sue your ass off when I get a chance.

You have been accusing me and my friends of doing things that are so unrealistic and unbelievable that I don’t know what to say. It’s as though you suddenly have a personal vendetta against me and against the people I work with. Well I want you to know I’m going to spend every penny I have to put a stop to this and to make you sorry that you’ve suddenly gone on a one man campaign against somebody with no proof, no evidence, no anything but you’ve decided that people were mistreating me and therefore you are going to publish those articles.

I’m going to get the best and most expensive lawyers I can and I want you to know if you don’t stop these articles and publish retractions, I am going to sue your ass off.”

The subject video was reportedly sent to TMZ and is marked on their website as being copyrighted by Keya Morgan. The linked TMZ article is headlined: “STAN LEE DENIES ELDER ABUSE … Leave Me and My Friends Alone!!!” This copy is on YouTube, though who knows for how long?

(11) HUGOS AT ECBATAN. Rich Horton check off another nominated book in “Hugo Ballot Review: Raven Stratagem, by Yoon Ha Lee”.

The novel is interesting reading throughout, with plenty of action (and some pretty cool battle scenes), some rather ghastly (in a good sense) comic bits, and lots of pain and angst. There is a continuing revelation of just how awful the Hexarchate is, with the only defense offered even by its supporters being “anything else would be worse”. There is genocide, lots of murders, lots of collateral damage. The resolution is well-planned and integral to the nature of this universe, with a good twist or two to boot. It’s a good strong novel that I enjoyed a lot.

(12) SERVICE TO SFF. Congratulations to 2018 Chandler Award winner Edwina Harvey! The award recognizes members of the Australian speculative fiction community, both professionals and fans.

Edwina Harvey is a worthy recipient of this year’s A. Bertram Chandler Award. She has been an active member of Australian science-fiction fandom: writing, publishing and with her amazing artwork for 40 years.

She was one of the founding members of Astrex, the Star Trek fan club of NSW, and regularly contributed fiction to the associated fanzine Beyond Antares as well as other SF fanzines from the mid 1970s onwards. She was also an active member of The Hitchers Club of Australia (Hitch-hikers Guide to the Galaxy Fanclub) from approximately 1984 onwards contributing to the newsletter Australian Playbeing through articles and comments and assisting with the copying and distribution of some issues of the newsletter. Known locally as the Fund Raising Queens, Edwina has worked with Karen Auhl on organising fundraiser events for Medtrek 4, Huttcon 90 and two Sydney Worldcon bids. (Late 1980s – mid 1990s) Edwina has been a contributing member of FOLCC (the Friends of Linda Cox Chan) which was an informal group donating monies raised to Diabetes Charities in Australia. Linda Cox Chan was a Sydney-based SF fan artist and writer who passed away in 1991. From 2012 to the present time, Edwina has also run a lucky-dip at Australian SF conventions to raise money for FFANZ.

(13) EUROVISION IN SPACE. Learn about the author’s new novel Space Opera at Whatever: “The Big Idea: Catherynne M. Valente”.

My agent refers to it as the fastest deal in publishing. It was done and I was committed before I could catch a breath. As I was signing the contract, my fiance asked: “Does it really just say ‘Eurovision in space’? Do you actually have any idea how you’re gonna pull that off?”

“Yes, it does,” I said. “And no, I don’t.”

And I didn’t. Part of me was terrified. How the hell do you even begin to write that? I mean, you can’t play it straight. It’s too absurd. It’s obviously a comedy. Ah, but if you try to write science fiction comedy, the ghost of Douglas Adams appears and asks you with a stern expression if that’s really necessary. And even if it was a comedy, the core of Eurovision is that political darkness and artistic light. You can’t play it totally camp, either. And given the politics all around me, I wasn’t sure I was actually up to singing it out just this minute. What had I agreed to?

But the deadline approached. And I sat down at a blank screen. I laughed nervously.

And then I stopped trying to worry about whether I could do this thing at all and wrote some shit about Enrico Fermi and I was off, and off at breakneck speed.

(14) I’M HOME! Glen Weldon creates a mythic dialogue. Jump on the thread here:

PERSEPHONE: I'm back, Mom.
DEMETER: Your mail's on the counter. How's Mopey McGee?
PERSEPHONE: Do we have to do this now?
DEMETER: Finish his novel yet?
PERSEPHONE: Mom.
DEMETER: "The Sorrow & The More Sorrow" was it?
PERSEPHONE: I'm not doing this. I'll be back in a week. [SLAM]

— Glen Weldon (@ghweldon) April 11, 2018

(15) DIRECT FROM INTERNATIONAL FALLS. Here is Amazon Prime’s trailer advertising new episodes of Rocky and Bullwinkle. [Via io9.]

The world-famous talking moose and flying squirrel are back in The Adventures of Rocky and Bullwinkle, a comedy about two goofball friends who end up in harrowing situations but end up saving the day time and again. As their silly ambitions dovetail with Fearless Leader’s sinister plans to take over the world, they are set on a collision course with his notorious super spies Boris and Natasha.

[Thanks to Standback, JJ, John King Tarpinian, Elizabeth Fitzgerald, Steve Green, Cat Eldridge, Martin Morse Wooster, StephenfromOttawa, Chip Hitchcock, Iphinome, Mike Kennedy, Andrew Porter, Errolwi, James Davis Nicoll, and Carl Slaughter for some of these stories,. Title credit goes to File 770 contributing editor of the day RedWwombat.]

Pixel Scroll 3/27/18 Godstalk It, Jake, It’s Pixel Scroll

Posted on March 27, 2018 by Mike Glyer

(1) READ THE GAME. The Read it Forward site is celebrating Ready Player One’s theatrical debut this week with an interactive 8-bit-inspired excerpt that “gamifies” the prologue from Ernest Cline’s novel. [Click on the GIF to view.]

Read your way to the top of the Scoreboard as you earn points for discovering Easter eggs that bring the content to life. As readers learn of Parzival’s hunt for the keys to OASIS, they’ll maneuver their way around a maze, attend an ‘80s dance party, unlock footnotes, and more. Upon completion, readers can add their name to a Scoreboard and share their score with a link to the excerpt on social media. All of the excerpt’s hidden extras are unlocked once a reader earns the maximum score of 10,000 points.

(2) TV INTEREST IN THREE-BODY PROBLEM. From io9: “Report: Amazon May Pay $1 Billion to Adapt the Hugo-Winning Chinese Novel The Three-Body Problem”.

The Hugo-winning Chinese novel The Three-Body Problem could become Amazon’s Game of Thrones. A new report from Financial Times suggests Amazon is pursuing a deal to make a three-season television show based on the trilogy from Liu Cixin, and it may be willing to pay up to $1 billion to do so.

According to the Financial Times report, international investors say Amazon is negotiating for the rights to produce three seasons based on Remembrance of Earth’s Past, the scifi trilogy more commonly known by the title of its first book, The Three-Body Problem.

In a statement reported by Chinese news outlets, YooZoo Pictures stated that it remains the sole owners for the film and TV rights for The Three-Body Problem, though it didn’t comment on whether Amazon had approached the company or were in talks with them to collaborate on this reported streaming project. Cixin was also asked about this development by Chinese news outlet MTime.com, where he revealed he knew nothing about the project and doesn’t know if he’d be invited to work on it.

(3) DISSENTING VOICE. In contrast to those looking forward to the movie, Vox says “The Ready Player One book used to be considered a fun romp. Then Gamergate happened,” in “The Ready Player One backlash, explained”.

A time traveler from 2011 could be forgiven for being deeply confused by this response. In 2011, Ready Player One was beloved. It was “a guaranteed pleasure.” It was “witty.” It was not only “a simple bit of fun” but also “a rich and plausible picture of future friendships in a world not too distant from our own.”

What gives? How did the consensus on a single book go from “exuberant and meaningful fun!” to “everything that is wrong with the internet!” over the span of seven years?

… But the main thing Ready Player One is doing is telling those ’80s-boy-culture-obsessed gamers that they matter, that in fact they are the most important people in the universe. That knowing every single goddamn word of Monty Python and the Holy Grail can have life-or-death stakes, because why shouldn’t it? (Yes, that is a crucial step in Wade’s battle to save the OASIS.)

For readers in Cline’s target demographic in 2011, that message felt empowering. For readers who weren’t, it felt like a harmless piece of affirmation meant for someone else. Everyone deserves a silly escapist fantasy, right? And since Cline’s silly escapist fantasy wasn’t specifically meant for girls — unlike, say, Twilight, which was getting savaged in popular culture at the time — Ready Player One was largely left alone by the people it wasn’t built for…

(4) ASHBY STORY. This month’s entry in the Future Tense Fiction series, “Domestic Violence” by Madeline Ashby, is a free read at Slate.

A partnership of Slate, New America, and Arizona State University, Future Tense explores how emerging technologies will change the way we live. The latest consumer gadgets are intriguing, but we focus on the longer-term transformative power of robotics, information and communication technologies, synthetic biology, augmented reality, space exploration, and other technologies. Future Tense seeks to understand the latest technological and scientific breakthroughs, and what they mean for our environment, how we relate to one another, and what it means to be human. Future Tense also examines whether technology and its development can be governed democratically and ethically.

And there’s also a response essay from Ian Harris, who works on technology issues with the National Network to End Domestic Violence: “The Complicated Relationship Between Abuse and Tech”.

Violence against women is having something of a moment right now. Which is to say, portrayals of domestic violence in film and TV are gaining critical acclaim. Through shows like Big Little Lies and movies like I, Tonya, popular culture is grappling with more nuanced representations of domestic violence and the humanity of survivors of abuse. These are important conversations, and I hope that this is the start of a profound societal transformation, though time will tell. For me, the most disturbing part of these portrayals is not the brutality of the assaults, but how frequently physical violence is prioritized over other types of abusive behavior. It is what we don’t see that worries me.

We see this distorted prioritization in real life, too. I’ve been a domestic violence attorney for more than a decade. Despite the long list of clients who have struggled to get the justice system to live up to its name, I have found that survivors are much more likely to get help for physical assaults than for other kinds of abusive behavior such as stalking, surveillance, harassment, and intimate image disclosures, which frequently feel more harmful to the survivor.

(5) AVENGERS PLUG. A new TV spot for Marvel Studios’ Avengers: Infinity War.

The end is near. One month until Avengers: Infinity War.

(6) SEARCH FOR DIVERSE FICTION. Rocket Stack Rank has another new feature. Greg Hullender explains:

In response to readers who wanted a way to find good stories by diverse authors, we did an analysis of the most-recommended short speculative fiction stories written by people of color in 2015 and 2016 — “Best People of Color SF/F of 2015-2016”.

This only looks at stories that got some sort of recognition (e.g. solid recommendation from a prolific reviewer, inclusion in a years-best anthology, finalist for a major award), so just 481 stories across those two years. Of those, 112 were written by people of color.

The credit for this work goes to Eric Wong, who did the hard work of looking up information on all the authors as well as customizing the software to let readers group the data different ways.

(7) BLOWN UP, SIR. In “This teacher aims to get kids fired up about chemistry”, the Washington Post’s Kitson Jazynka profiles University of Texas chemistry instructor Kate Biberdorf, who “breathes fire and makes explosions that blast the eyes out of jack-o-lanterns.”

Or what about one who, with a quick pour of potassium iodide into a mix of hydrogen peroxide, dish soap and food coloring, makes bubbly foam that shoots toward the ceiling? Kate Biberdorf is no imaginary teacher. She’s real, and she’s coming to Washington next month, bringing along her blowtorch and cornstarch, her supplies of liquid nitrogen and dry ice, and a lot of enthusiasm for chemistry.

Bibersdorf’s website is http://katethechemist.com/. How could Filers NOT be interested in a woman who says her goal in life is “to have an explosive science show in Vegas?”

(8) HELP BILL SPENCER. Paul Di Filippo urges readers to support a GoFundMe that will “Give Back to Bill Spencer”.

We all need a little help sometimes. This is one of those times for Bill. He has several different health issues going on right now and the medical expenses he is incurring that are not covered through Medicare are mounting and could get much worse. As well, he’s facing some unforeseeable out of pocket expenses that could potentially end up being a serious problem. Right now, Bill simply doesn’t have enough for monthly bills, day to day living expenses and numerous co-pays that keep coming his way for various medical necessities.

Many readers know Bill as the award-winning writer William Browning Spencer, author of novels like Zod Wallop, Resume with Monsters and short-story collections like his latest, The Unorthodox Dr. Draper and Other Stories.

But Bill has contributed to others in a very different way as well. By freely and graciously donating endless amounts of his time over the years to sponsoring and supporting people who are facing their own daunting problems related to alcohol, drugs and living life. It’s time to give back to Bill what he has so freely given.

This is something Bill would never ask for himself, but he is one of my best friends and I know he is important to folks like yourself, who may wish to help in his time of need. Bill is truly one of the most amazing, caring and hilarious human beings I know and if you’re reading this you most likely feel the same. I think we’d all love for Bill to have the peace of mind of knowing that, whatever happens, he need not be stressed out and worried each day about how he’s going to pay for medication or a test or procedure he needs on top of his modest monthly and day to day expenses.

(9) BISCHOFF OBIT. Writer David Bischoff, 66, of Eugene, OR died March 19. He was a contributor to Doug Fratz’ 1970s fanzine Thrust. His first professional successes included The Seeker, a novel published in 1976, and the Nebula-nominated story “Tin Woodman,” co-authored with Dnnis Bailey, later adapted into both a novel and TV episode for Star Trek: The Next Generation. He also wrote the Star Trek tie-in novel Grounded, which spent time on the bestseller list. His other TV work included Dinosaucers (with Ted Pedersen). Bischoff wrote 75 original novels, and tie-in novels for movies and TV series.

David Bischoff. Photo by and copyright Andrew Porter.

(10) A POLICEMAN’S LOT. Camestros Felapton reacted to Richard Paolinelli’s minor league prank of complaining to the Aussie cops about Felapton’s blog.

A stalwart champion of free speech has attempted to report me to the federal police for the crime of having a blog – once again surpassing satire.

— Camestros Felapton (@CamestrosF) March 26, 2018

Cop’s spouse: did you catch many evil doers today honey?
Cop: Mainly read an advice column on the internet…by a dinosaur…about how t-Rexs drink too much and try to climb trees when they are drunk…
Cop’s spouse: Just another day on the mean crime ridden streets of Canberra

— Camestros Felapton (@CamestrosF) March 27, 2018

(11) MOUNTAINTOP EXPERIENCE. “The hidden history of the UK’s highest peak”: A tourist hiking trail once led to an early weather station whose records are now being used to trace climate change.

Back in Victorian Britain, science was still largely an amateur pastime conducted by bands of self-financed enthusiasts who formed scientific societies. One was the Scottish Meteorological Society, which set up and maintained a network of weather stations across Scotland between 1855 and 1920.

(12) WAVE GOODBYE. “Stephen Hawking’s final interview: A beautiful Universe” starts from LIGO discovery of grav waves.

Tell us how important is the detection of two colliding neutron stars?

It is a genuine milestone. It is the first ever detection of a gravitational wave source with an electromagnetic counterpart. It confirms that short gamma-ray bursts occur with neutron star mergers. It gives a new way of determining distances in cosmology. And it teaches us about the behaviour of matter with incredibly high density.

(13) MAY THE ODDS BE ALWAYS IN YOUR FAVOR. Don’t look up — “Tiangong-1: China space station may fall to Earth ‘in days'”.

Should I be worried?

No. Most of the 8.5-tonne station will disintegrate as it passes through the atmosphere.

Some very dense parts such as the fuel tanks or rocket engines might not burn up completely. However, even if parts do survive to the Earth’s surface, the chances of them hitting a person are incredibly slim.

“Our experience is that for such large objects typically between 20% and 40% of the original mass will survive re-entry and then could be found on the ground, theoretically,” the head of Esa’s space debris office, Holger Krag, told reporters at a recent briefing.

“However, to be injured by one of these fragments is extremely unlikely. My estimate is that the probability of being injured by one of these fragments is similar to the probability of being hit by lightning twice in the same year.”

(14) WEDDING BELLS. Page Six headline: “‘Star Trek’ star marries Leonard Nimoy’s son”:

Live long and prosper, you two.

Adam Nimoy, son of the late “Star Trek” icon Leonard Nimoy, and “Star Trek: Deep Space Nine” actress Terry Farrell married on Monday, on what would’ve been Leonard Nimoy’s 87th birthday.

The couple tied the knot in a civil ceremony at City Hall in San Francisco, according to film critic Scott Mantz, who tweeted a photo of the couple on their wedding day. Farrell retweeted Mantz’s photo and wrote, “Freakin AWESOME day!!!!!!! Love ya all! Aka: Mrs. Adam Nimoy.”

She also changed her Twitter bio to include “Mrs. Adam Nimoy.”

RT BREAKING NEWS!! ADAM NIMOY & TERRY FARRELL got MARRIED TODAY at a CIVIL CEREMONY at CITY HALL in SAN FRANCISCO! Today is the BIRTHDAY of Adam’s father #LeonardNimoy! Big CONGRATS to the happy couple!! #LLAP #StarTrek pic.twitter.com/sGB8OX2Tir

— Scott Mantz (@MovieMantz) March 26, 2018

(15) COMPLAINTS ABOUT DATE OF HUGO ANNOUNCEMENT. The announcement of the 2018 Hugo finalists wouldn’t be on March 31/Passover/Easter weekend/a Saturday if it was up to these folks:

Do Worldcons get to pick when the Hugo finalists get announced? Because if so I'm going to start exclusively supporting bids that pledge to announce nominees on a weekday, when nominees have a chance of getting press coverage.

— Annalee Flower (@leeflower) March 27, 2018

And yes I realize I'm kicking the hornet's nest of "this is a fandom event" vs "this is a professional industry event." It's both. That's fine. But cleaving to a practice that doesn't serve modern fandom is choosing 'tradition' over inclusivity.

— Annalee Flower (@leeflower) March 27, 2018

Hey @Dublin2019, PLEASE, Next year, please announce the Hugo Award Finalists on a Monday or Tuesday morning, not on a Saturday.This is a tradition that long since has lost its usefulness. https://t.co/OZn8jADkDu

— Paul Weimer (@PrinceJvstin) March 27, 2018

Without fail, WorldCon always announces the Hugos on the most inconvinient day possible. It's like they don't want people paying attention.

— Aidan Moher rehoM nadiA Aidan Moher rehoM nadiA (@adribbleofink) March 27, 2018

I think this sends is one or more of the following messages, @worldcon2018 :

"There are no observant Jewish finalists so we don't care"
"We don't care about any observant Jewish finalists"
"We don't care about any observant Jewish fans"
"We don't care"

(choose one or more)

— R. Lemberg (@RoseLemberg) March 27, 2018

Yes 🙁 Unfortunately, a number of us will not be able to be around when the announcement is made. This includes myself, @bogiperson and I believe @navahw and a number of other people. It's upsetting 🙁

— R. Lemberg (@RoseLemberg) March 27, 2018

Hugo nominations have almost always been announced the day before Easter. It’s a bad day to do this for so many reasons. Last year was a rare and happy exception.

— John Chu (@john_chu) March 27, 2018

Last year was the anomaly. Releasing the info simultaneously on the weekend of multiple Easter weekend conventions has been the tradition as long as I remember. (Not saying it's good or defensible. I was just pleasantly surprised it was a weekday last year)

— Mur: Whacked-Out Tesla of Podcasting (@mightymur) March 27, 2018

It was a good anomaly, and they should have stuck with it. All I'm saying is, if they can break tradition once, it's clearly not that powerful or important a tradition.

— Navah Wolfe (@navahw) March 27, 2018

Part of a longstanding tradition of announcing them the weekend of Easter, so it's always been an inconvenience to observant Christians. This year, by fluke of the calendar, they're discriminating a little bit less.

— rst (@rsthau) March 27, 2018

Nebula finalists are usually announced on a weekday. Makes sense for getting press.

— Sarah Pinsker (@SarahPinsker) March 27, 2018

March 31 is Passover, during which many Jewish members of the industry and community will be unable to participate. Hope @worldcon2018 reconsiders. https://t.co/Uuz5EIsXuN

— ???? ????????? (@ohseafarer) March 27, 2018

So, here’s a thing i didn’t know: the Hugo Awards are named after Hugo Gernsback, who was Jewish. Odd that this year's Hugo Awards nominee announcement is falling on Passover, then. @worldcon2018

— Rainbow Dash Warrior (@XtinaSchelin) March 27, 2018

OK, while I'm yelling about dumb Hugos things, what the hell is this nonsense? Who thought it was a good idea to put the ceremony on a Sunday night? Most attendees need to be back at work and this makes it that much harder even for pros and industry folk to attend. pic.twitter.com/9LWnJopd8Q

— dongwon (@dongwon) March 27, 2018

1) Announcing on Passover is a terrible idea because it excludes Jewish members/community members.

2) Having the Hugos on Sunday night is a terrible idea – think of all of the people that cannot afford to take the Monday off.

Please reconsider these scheduling decisions.

— Michael R. Underwood (@MikeRUnderwood) March 27, 2018

The ceremony is usually on the Saturday.
Worldcon 76 contact information page:https://t.co/FoGWz43NlE
I'd suggest contacting Events, the Chair, and WSFS. I have no idea if the plans are too mature to change.

Dublin 2019 contacts for pre-emptive lobbying:https://t.co/PwXQtmUTdT

— ULTRAGOTHA [Call Congress: (202) 224-3121] (@ULTRAGOTHA) March 27, 2018

(16) VERTLIEB CANVASSES. Rondo Awards voting closes April 8 at midnight and Steve Vertlieb hopes people will consider his nominated article “Robert Bloch: The Clown at Midnight” for Best Article of the Year.

My published work about the author of “Psycho” … “Robert Bloch: The Clown At Midnight” … has been nominated for a Rondo Award for “Best Article of the Year.” Anyone can vote. This year’s competition ends Sunday night, April 8th, at midnight. To vote for my remembrance of Robert, simply send your choice, along with your name, to taraco@aol.com

This is the story of my twenty five year friendship with acclaimed writer Robert Bloch, the author of Psycho. It is the newly published remembrance of a complex, remarkable man, and our affectionate relationship over a quarter century.

Robert Bloch was one of the founding fathers of classic horror, fantasy, and science fiction whose prolific prose thrilled and influenced the popular genre, its writers, and readers, for much of the twentieth century. An early member of “The Lovecraft Circle,” a group of both aspiring and established writers of “Weird Fiction” assembled by Howard Phillips Lovecraft during the early 1930’s, Bloch became one of the most celebrated authors of that popular literary genre during the 1940’s, 1950’s, and 1960’s, culminating in the publication of his controversial novel concerning a boy, his mother, and a particularly seedy motel. When Alfred Hitchcock purchased his novel and released “Psycho” with Anthony Perkins and Janet Leigh in 1960, Bloch became one of the most sought after authors and screen writers in Hollywood. His numerous contributions to the acclaimed television anthology series “Alfred Hitchcock Presents” are among the best of the director’s classic suspense series, while his legendary scripts, adaptations and teleplays for Boris Karloff’s “Thriller” series for NBC are among the most bone chilling, frightening, and horrifying screen presentations in television history. He also famously penned several classic episodes of NBC’s original “Star Trek” series for producer Gene Roddenberry. Writers Stephen King, Richard Matheson, and Harlan Ellison have written lovingly and profusely of their own literary debt to Robert Bloch. Bob was, for me, even more significantly, a profoundly singular mentor and cherished personal friend for a quarter century. This is the story of that unforgettable relationship.

(17) NUMBER PLEASE. A strange post at George R.R. Martin’s Not a Blog caught Greg Hullender’s eye: “I wonder if this is a coded announcement that Winds of Winter is coming?” “Yowza” consists of a series of pictures of hands with finger extended as though counting. But does the number 4534 really mean anything?

[Thanks to Andrew Porter, Joey Eschrich, Cat Eldridge, John King Tarpinian, Ghostbird, Martin Morse Wooster, JJ, Carl Slaughter, Chip Hitchcock, Mike Kennedy, Greg Hullender, Paul DiFilippo, and Mark Hepworth for some of these stories, Title credit goes to File 770 contributing editor of the day Kurt Busiek.]

Pixel Scroll 2/6/18 If Only The Contents Matched The Packaging

Posted on February 6, 2018 by Mike Glyer

(1) WITH ADDED SHARKE. New Shadow Clarke juror Gary K. Wolfe gives his opening statement in “Conversations in a Noisy Room: Introducing Gary K. Wolfe”.

I initially came to SF criticism through academia, where matters of grace and clarity are not always the highest priority. My earliest publications were in scholarly journals or with university presses, at a time when everyone seemed enamored of structuralism as a theoretical model. (A few years later, of course, we escaped that cage, only to find everyone equally enamored of post-structuralism.) It was essentially a grammar of analysis and taxonomy, modeled largely on the language of the social sciences, and to the extent that it was evaluative at all, it was mostly in passing. It was also a language marvelously well-suited to disguising thinness of thought.

Then I was invited to begin writing for a now defunct magazine, Fantasy Review, for a very different kind of audience. What models I had for SF criticism consisted of those early volumes by Damon Knight, James Blish, and even Kingsley Amis, and the succession of remarkable reviewers in The Magazine of Fantasy and Science Fiction – Judith Merril, Joanna Russ, Algis Budrys, and others. Budrys became a kind of mentor in my shift toward real-world reviewing and criticism. We disagreed a lot, but he showed me that while my opinions might be worthwhile, they were a lot more worthwhile if they had solid reasoning behind them, and if they described a context for the works under discussion….

(2) BEST SERIES. Now that voting has opened for Hugo nominations, keep in mind JJ’s tool: “Best Series Hugo: Eligible Series from 2017” and discussion thread.

To assist Hugo nominators, listed below are the series believed to be eligible as of this writing for the 2018 Best Series Hugo….

OTHER AIDS. JJ is also curating —

The 2017 Recommended SF/F Page
The 2017 Novellapalooza post and comments

(3) BEST SERIES CAVILS. Martin P. advocates that voters impose additional criteria beyond the rules: “On the Hugo Award for Best Series”

…However, just because something can’t be legislated doesn’t mean it shouldn’t be kept in mind while nominating and voting. The standard I intend to apply is that to be worthy of a Best Series Hugo, a story must be fully satisfying even if no other installments are ever published. This does not necessarily mean a story must be conclusively over. For instance, while I can certainly imagine new installments in the Vorkosigan Saga, last year’s winner in the award’s trial run (and if Lois McMaster Bujold wants to write them I’d happily read them), my enjoyment of the series will not be diminished if Gentleman Jole and the Red Queen is ultimately the final installment. But I don’t think a series that is clearly incomplete is award-worthy, and I’m not inclined to grant credit for future work. Everybody can think of a series that started strong and then went off the rails. I’m not comfortable coming back in the future and saying “this received the Best Series Award but you need to ignore its conclusion”. I don’t even love new books getting a “Hugo-Nominated [or Hugo Winning] Series” stamp from their publisher when the Hugo electorate hasn’t had a chance to read the book yet, although I recognize that marketers are going to pull that kind of thing regardless.

I do not intend to nominate any series that does not meet this criteria, and I urge others to do likewise. I will also likely rank any clearly incomplete series nominated below No Award, although I might consider a series whose final installment is published in 2018 before the voting deadline, as such a series would be ineligible for future nomination. And yes, I fully anticipate that I will rank something I quite like below No Award.

…While it might be difficult to find satisfactory completed series every year, N. K. Jemisin’s exceptional Broken Earth trilogy is eligible for the 2018 Best Series Hugo. I’m nominating it. If you haven’t read it, I highly encourage you to do so.

(4) THANKS BUT NO THANKS. Despite endorsements like Martin P’s, author N.K. Jemisin, in “Hugo Nomination Rumination”, wants Hugo voters to leave her trilogy out when nominating in the Best Series category.

As I’ve mentioned on social media, I only have two works eligible for awards nomination from 2017: The Stone Sky, and my Uncanny short story Henosis. Last year was tough, so I didn’t get much writing done. I’m sure a lot of you can relate.

But since people have asked for my thoughts on this… Please, if you’re going to nominate The Stone Sky in any form, do so in the Novel category, rather than nominating the whole Broken Earth trilogy for Series. I mean, I can’t stop you from nominating it however you like — but let me point out, if you didn’t know, that The Fifth Season and The Obelisk Gate have both won Hugos already. This is awesome, but in my eyes, it simply wouldn’t be fair for those books to effectively get a second bite at the apple in the Series category. That this possibility exists has always been a potential problem of the category, IMO.

And here’s the thing: I understand that some folks believe I’d have a better chance at scoring a third Hugo in the Series category. I’m super-grateful to those of you who think about stuff like this, but as someone who never expected to get even one Hugo… y’all, I’m okay either way. If TSS doesn’t get nominated or win in the Novel category, and some other deserving work does win, then so be it. TSS is a New York Times and Locus bestseller and the series has been picked up for a TV show; I’m doin’ all right by most other measures. I’m not going to pretend I wouldn’t squee my head off if I won Hugo #3 at any point, but there won’t be any tears in my beer if I lose, either. (If for no other reason than that I don’t drink beer.)

(5) JUICY RUMORS. Been suffering from a lack of A Song of Ice and Fire and Game of Thrones gossip? Reddit’s ASOIAF discussion group delivered a spicy serving today.

First, a user who goes by the handle ExceedsCharacterLimi wrote — “[Spoilers Extended] A Media Professional in GRRM’s Outer-Orbit Relayed Some Relatively-Tame ‘Common Knowledge’ to Me”
Then Adam Whitehead (Wertzone) deconstructed that report at length.

(6) YET ANOTHER STAR WARS SERIES. With Thrones creators D&D’s work on their HBO series ending, the pair have hooked up with Disney to make more Star Wars movies — “‘Game of Thrones’ Creators to Write, Produce New ‘Star Wars’ Series of Films”.

“Game of Thrones” creators David Benioff and D.B. Weiss are going to write and produce a new series of “Star Wars” films, Disney announced on Tuesday.

The new series will be separate from the main episodic Skywalker saga that started with “Star Wars: A New Hope” and is slated to wrap up with 2019’s “Star Wars: Episode IX.” It will also exist independently from a Rian Johnson-helmed series that was announced last year.

“David and Dan are some of the best storytellers working today,” said Kathleen Kennedy, president of Lucasfilm, in a statement. “Their command of complex characters, depth of story and richness of mythology will break new ground and boldly push Star Wars in ways I find incredibly exciting.”

It also comes at a time of transition for Benioff and Weiss. “Game of Thrones,” their sprawling fantasy epic, will end its run on HBO in 2019.

(7) KEEPING READER TRUST. Sandra M. Odell shares tips on “Building The Disabled World” at the SFWA Blog,

I love intricate, detailed worldbuilding; it’s the backbone of science fiction and fantasy stories, even those set in the modern era. Sadly, few things make me stop reading faster than the realization that a writer gave more thought to the description of a meal than they did to the how or why an accommodation for a character with disabilities came to be in a story. Inclusion and representation matter, and so do the supports that allow an individual with disabilities to interact with a writer’s world. You don’t need to include every last detail about the world on the page, but there should be enough detail and consistency in the presentation that I can trust that you know what you’re talking about.

When creating a world where individuals with disabilities play a role, you should answer four basic questions…

(8) CLOVERFIELD. Netflix put up The Cloverfield Paradox on Sunday. The trailer —

Yahoo! Entertainment has a spoiler-filled discussion: “How Does ‘The Cloverfield Paradox’ Fit With the Other Two ‘Cloverfield’ Movies?”

One of the bigger developments of Super Bowl Sunday, aside from the game itself being outstanding, was the news that “The Cloverfield Paradox” (previously known as “The God Particle”) would be surprise dropping on Netflix right after the game. It was a genius move from a marketing standpoint — the number of folks who watched the movie Sunday night probably far exceeded what the movie would have done at the box office. But now that we’ve seen it, it’s left a bunch of us scratching our heads.

Looper also has analysis (video) —

The Cloverfield movie-verse has now officially expanded into some wild new territory. Netflix surprised fans of the sci-fi film series by dropping the third installment, The Cloverfield Paradox, on Super Bowl Sunday without warning. Like the first two films, Cloverfield 3 offers a new perspective on why all of those giant monsters have appeared on Earth. If you haven’t seen it yet, you might want to click away now because we’re about to take a deep dive into outer space…

(9) CONAN UP THE AMAZON WITHOUT A PADDLE. According to Deadline, “Conan the Barbarian TV Series In Works At Amazon From Ryan Condal, Miguel Sapochnik & Warren Littlefield”.

Amazon is developing drama series Conan, based on the books by Robert E. Howard, Deadline has learned. The project hails from Colony co-creator Ryan Condal, Game of Thrones director Miguel Sapochnik, Fargo and The Handmaid’s Tale executive producer Warren Littlefield, Pathfinder Media and Endeavor Content.

Created and written by Condal, Conan retells the classic character’s story via a return to his literary origins. Driven out of his tribal homelands, Conan wanders the mysterious and treacherous world of civilization where he searches for purpose in a place that rejects him as a mindless savage….

(10) TODAY’S BIRTHDAY BOY

Born February 6, 1947 – Eric Flint

(11) SALUTE TO THE BIRTHDAY BOY. At Black Gate, Steven H Silver continues his series – “Birthday Reviews: Eric Flint’s ‘Portraits’”:

“Portraits” first appeared in The Grantville Gazette, an online magazine tied to Flint’s 1632 series, which allows various authors to discuss the setting and try their hand at fiction. When Baen decided to publish hard copies of some of the articles and stories, “Portraits” was reprinted as the first story in Grantville Gazette Volume I (2004) and provided the volume with its cover art. It was subsequently reprinted in Flint’s collection Worlds.

“Portraits” tells the story of Anne Jefferson, an American nurse posing for the Flemish artist Pieter Paul Rubens. The story assumes knowledge of the 1632 situation and characters Flint introduced three years earlier. This is a story which relies on its published context to be fully appreciated.

(12) LISTEN UP. Marvel New Media and top podcast listening service Stitcher have released the trailer for Wolverine: The Long Night. The 10-episode series airs weekly beginning March 12, 2018 exclusively on Stitcher Premium. It will see a wide release across all podcast platforms in fall 2018.

Listen to the trailer for Wolverine: The Long Night” here: www.WolverinePodcast.com

The “Wolverine: The Long Night” story is a captivating hybrid of mystery and the larger-scale fantasy of the Marvel Universe. It follows agents Sally Pierce (Celia Keenan-Bolger) and Tad Marshall (Ato Essandoh) as they arrive in the fictional town of Burns, Alaska, to investigate a series of murders and quickly discover the town lives in fear of a serial killer. The agents team up with deputy Bobby Reid (Andrew Keenan-Bolger) to investigate their main suspect, Logan (Richard Armitage). Their search leads them on a fox hunt through the mysterious and corrupt town.

(13) FALCON HEAVY. It worked: “Elon Musk’s Falcon Heavy rocket launches successfully”. As of the time the BBC posted this article, two of the three first-stages were known to have detached and landed safely. They were still awaiting news of the third, which was making a sea landing.

It is designed to deliver a maximum payload to low-Earth orbit of 64 tonnes – the equivalent of putting five London double-decker buses in space.

Such performance is slightly more than double that of the world’s next most powerful rocket, the Delta IV Heavy – but at one third of the cost, says Mr Musk.

For this experimental and uncertain mission, however, he decided on a much smaller and whimsical payload – his old cherry-red Tesla sports car.

A space-suited mannequin was strapped in the driver’s seat, and the radio set to play David Bowie’s classic hit Space Oddity on a loop.

…Two came back to touchdown zones on the Florida coast just south of Kennedy; the third booster was due to settle on a drone ship stationed several hundred kilometres out at sea.

During the launch, the video signal from the drone ship was lost, so the fate of the third booster is not yet clear.

(14) FRESH CYBERPUNK. Speculiction’s Jesse Hudson finds a winner: “Review of Graft by Matt Hill”

Cyberpunk is now roughly forty years old. With relevant works from writers like James Tiptree Jr. and John Brunner appearing in the 60s and 70s, it coalesced into a recognizable trend in the early 80s—the four decades since having seen a full exploration of the idea of ‘cyberpunk’ through hundreds of stories and books. Thus, in 2016, how does a writer do something original with the form? With its imagery and characters, settings and ideas well established, there is probably only one way: deliver unique prose combined with a competent package. Matt Hill, in his 2016 Graft, does precisely this….

(15) SPEAKER TO ALIENS. At Quick Sip Reviews, Charles Payseur delivers “Quick Sips – Lightspeed #93″, reviews of four stories, including —

“Four-Point Affective Calibration” by Bogi Takács (1450 words)

No Spoilers: A person must undergo a special kind of mental exercise to calibrate a machine that might allow them to communicate with aliens. The piece dissects emotions and the supposed universality of certain “core” emotions, as well as looks at the idea of expectation, immigration, and appearance. Quick but dense with hope, fear, and the barriers of language.
Keywords: Aliens, Emotions, Transcript, Non-binary MC, Immigration, Communication
Review: For me, this story hinges on understanding and communication. The piece is framed as a transcript of a sort of mental calibration—part test, part measurement to set a baseline to allow the narrator to communicate with aliens. I many ways, though, I feel like the communication with the aliens isn’t the most important relationship being explored. Or, I guess I mean, what I keep getting out of the story is that for the narrator, it’s not communicating with the aliens that seems fraught or difficult—it’s communicating with other humans. Because of the barriers that humans erect between each other in order to try and ease communication, but in practice make things much more difficult for many people, especially those who don’t fit in well enough, for whom the burden of communication and understanding is always on appeasing the dominant voices, the dominant empathies. For the narrator, this seems another way that they have to grapple with ideas, “core” emotions, that they might not feel the same as others—because they are autistic, because they aren’t a cisgender person. These things that people take for granted the narrator cannot, nor do they react to this central frustration in the ways that people expect, in ways that are expected of them. And it’s a short but very complex and moving story about the hazards and difficulties of communicating, and of being understood. That there is this frantic kicking of thoughts, worries, fears, just under the surface of the narrator’s thoughts, laid bare here by this test in the hopes that they’ll be able to have this opportunity, to be allowed to have a conversation that excites them. It’s a wonderful read!

(16) SHIMMER PROGRAM. Another Chinese story in translation is available at Clarkesworld.

#HighlightOfToday “The Power is Out”, by A Que, translated by Elizabeth Hanlon. First published in English in Clarkesworld, Issue 137, February 2018.

Read the story in English here: https://t.co/PTOT1ySK70 pic.twitter.com/awPXzlbopv

— The Shimmer Program (@ShimmerProgram) February 5, 2018

(17) ANSWER WITH A QUESTION. Steven H Silver reports this was “a triple stumper” on today’s Jeopardy!

(18) FOR SALE. Mel Hunter’s original art “Lunar landscape,” which appeared on the cover of the June 1960 issue of The Magazine of Fantasy and Science Fiction (with small painted rocket ships superimposed on the landscape), is offered by Illustration House. It is expected to bring $3,000-$4,000.

(19) VIDEO OF THE DAY. Nothing to do with sff whatsoever. Loved The Parking Lot Movie, recommend it highly. Here’s the trailer —

[Thanks to John King Tarpinian, JJ, Cat Eldridge, Steven H Silver, Martin Morse Wooster, StephenfromOttawa, Chip Hitchcock, Carl Slaughter, Mark Hepworth, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Dann.]

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Tag Archives: Bogi Takács

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