Tommy Lasorda famously said, “There are three kinds of people in this world: people who make it happen, people who watch what happens, and people who wonder what happened.” And this year, some of the Dragon Awards’ most vocal supporters find themselves in the third category.
You know, I am fairly hooked into the book community. If I don’t read every book, I at least hear about a lot of them. Even if I take one look and decide I don’t want to read it, I at least check it out.
Sure, I’ve heard of a few. Margaret Atwood at least has a TV show. She’s an opportunistic parasite, but people have at least heard of her (though I haven’t heard of that book. I guess she came out with another). I’ve heard of Scalzi–don’t like him, but I can at least pick his name out of a phone book. Chuck Wendigo? The same.
But so many of these names are just … Who? What? Huh?
I’ve been assured by some people (randoms online, mostly) that these are Hugo authors. I guess I’ll take their word on it… but usually, I’ve at least HEARD about those authors. These folks? Nah.
… If only someone could have warned about this.
If only someone could have tried to lead discussions, hold conversations on what books came out. That way, we could have narrowed it down to a few.
WAIT! I know! I DID. I FUCKING WANTED PEOPLE TO DISCUSS BOOKS FOR THE DRAGONS. WHAT DID EVERYONE THINK I WAS DOING IN 2018 AND 2019? COMPILING EVERY ELIGIBLE BOOK BECAUSE IT WAS FUN? I DID IT FOR MY HEALTH? THAT WAS EXTRA WORK I DIDN’T NEED TO DO.
…It was especially fun this year when I had an author see that “I was talking about the Dragon again,” therefore, she asked if “I could put her book on the list.” IE: She didn’t even read the blog post to see what I was talking about. It was assumed I enjoyed killing myself so I could market their book for free.
No one wanted to play. That’s fine. I’m used to it.
But everyone can all stop bitching about it. They either didn’t vote, or didn’t want to talk about it. They didn’t want to invest even thirty minutes into presenting a selection of choices, or having a conversation.
Now this years ballot sucks….
Brian Niemeier in “The Dragon Sleeps” doesn’t think the reason is that they neglected Declan’s advice. After ranting about John Scalzi’s nomination, Niemeier says the pandemic is the reason that the award he’s spent years boosting, where EVERYONE can vote for FREE, has in 2020 generated a ballot bereft of work by him and his friends:
From the author of The Handmaid’s Tale to lesbian vampire stories to a writer so deranged even Disney fired him, this year’s Dragon ballot reads like the canon of Death Cult humiliation scripture….
Of course, the Death Cult witches lie constantly in the manner of their father below. Thus their previous attempt to take over the Dragons in 2017.
That attempt failed, and the Dragons continued to be a direct democratic process as intended. Each subsequent years’ winners were pretty much what you’d expect from a readers’ choice award with a broad voter base. Baen and the bigger indies came to dominate, with cameos from the more mainstream Pop Cult fare like Corey Doctorow and The Expanse.
I and the other cultural commentators who predicted this course of events based our forecasts on the key difference between the Dragons and the other literary awards. Anyone can vote in the former, while the latter lock voting rights behind a paywall or professional organization membership.
Put simply, the Death Cult can monopolize the Hugos because World Con’s voter base is quite small, relatively speaking. The number of CHORFs isn’t growing. In fact, they’re rapidly graying. It stands to reason that an award with an open, large, and growing voter base would be immune to manipulation by an insular Cult.
And for three years, that reasoning held true. But as is its wont, 2020 threw the con scene a curve ball: Corona-chan.
Niemeier tries to spin that the pandemic has caused these aberrant results because people won’t be able to attend an in-person Dragon Con this year. (Never mind that Brian is always telling readers one of the Dragon’s virtues is that you don’t have to buy a con membership to vote.)
…There’s your explanation for what happened with the Dragons. The virus shut down the con, normal people tuned out, and the small but relentless Cult faction took advantage of the drastically reduced voter base to pack the ballot.
Then, the following Twitter conversation was devoted to asking “What happened?”
In contrast, Larry Correia, inventor of Sad Puppies, hailed the 2020 ballot: “Fantastic! There are a bunch of really good authors nominated this year.”
And Brad R. Torgersen, who ran the last Sad Puppies slate, found the pandemic didn’t stop his friends from getting nominated: “Nice to see some friends getting some well-deserved recognition on the Dragons final ballot. Even though there is no DragonCon being held in Atlanta due to Covid-19 panic, the Dragons roar onward. Good luck to Nick and Jason, Marko, Dave, and Chris!”
It’s a field where I would be happy with any one of these writers/titles winning, so that’s really the best of all possible worlds. And it’s nice to see The Last Emperox getting some early recognition, award-wise. That would be lovely to have continue.
Fonda Lee is especially happy:
(She’s been up for a Nebula and won a World Fantasy Award (2018), neither of which, it’s true, would you call “fan awards,” however, she’s won three Aurora Awards, which I thought are run by fans; I’ll have to defer to her knowledge on that score.)
Meanwhile, even experienced sff news reporters like Ansible’s David Langford are still coming to grips with the Dragon Awards’ turnaround. He told Camestros Felapton:
I am of course utterly stupended. But this is a condition that comes easily to me.
You and me both, Dave. And count on you to know the best word for it.
(Spelling of name may not be correct – it was not shown on screen.) The Hank Reinhardt Georgia Fandom Award is presented for outstanding contributions to the genre by a Georgia writer, artist, or fan.
THE JULIE AWARD
In 1998, Dragon Con established the Julie Award presented annually in tribute to the legendary Julie Schwartz. The Julie Award is bestowed for universal achievement spanning multiple genres, selected each year by our esteemed panel of industry professionals.
Thanks to Red Panda Fraction and Ray Radlein for livetweeting the
The 2019 Dragon
Award Ballot came out today, and it’s interesting to see that the nominees
collectively have become more organic, even while the award instructions encourage
writers to campaign (i.e., “it is perfectly acceptable for you to encourage
your fans to vote for you.”)
One way to test “who has actually read this nominee?” is to look at the Goodreads ratings. Every category on the 2019 ballot except Best Fantasy Novel has at least one nominee with less than a hundred Goodreads ratings, however, those are generally books with release dates in June and July 2019. The five exceptions to that general rule are the nominees by Brad Torgersen, Jason Cordova, Chris Kennedy, David Mack, and David Guenther.
The Dragon Awards have 7 novel categories, with a total of 43 nominees. All three 2019 Hugo finalists published within the Dragon eligibility period (July 1, 2018 to June 30, 2019) are also up for a Dragon Award. And Hugo finalist Naomi Novik’s Spinning Silver has, by far, the highest number of Goodreads ratings of any book up for a Dragon Award.
Here is a list the 2019 Dragon Awards nominees with their date of
publication and the number of Goodreads ratings in parentheses to the right:
Best Science Fiction Novel
A Memory Called Empire by Arkady Martine (pub. 3/19) (2,631) A Star-Wheeled Sky by Brad R. Torgersen (pub 12/18) (58) Europe at Dawn by Dave Hutchinson (pub 11/18) (249) Record of a Spaceborn Few by Becky Chambers (pub. 7/18) (12,209) Red Moon by Kim Stanley Robinson (pub. 10/18) (2,019) Tiamat’s Wrath by James S.A. Corey (pub. 3/19) (14,392)
Best Fantasy Novel (Including Paranormal)
Deep Roots by Ruthanna Emrys (pub. 7/18) (520) Foundryside by Robert Jackson Bennett (pub 8/18) (10,237) House of Assassins by Larry Correia (pub. 2/19) (1,382) Lies Sleeping by Ben Aaronovitch (pub. 11/18) (9,805) Spinning Silver by Naomi Novik (pub. 7/18) (42,885) The Raven Tower by Ann Leckie (pub. 2/19) (5,433)
Best Young Adult / Middle Grade Novel
Archenemies by Marissa Meyer (pub. 11/18) (15,480) Armageddon Girls by Aaron Michael Ritchey (pub. 6/19) (3) Bloodwitch by Susan Dennard (pub. 2/19) (4,249) Imposters by Scott Westerfeld (pub. 9/18) (4,186) Sawkill Girls by Claire Legrand (pub. 10/18) (5,977) The King’s Regret by Philip Ligon (pub. 6/19) (2) The Pioneer by Bridget Tyler (pub. 3/19) (222)
Best Military Science Fiction or Fantasy Novel
A Pale Dawn by Chris Kennedy, Mark Wandrey (pub. 1/19)
(153) Order of the Centurion by Jason Anspach, Nick Cole (pub. 9/8) (425) Marine by Joshua Dalzelle (pub. 12/18) (1,229) Sons of the Lion by Jason Cordova (pub. 5/19) (87) The Light Brigade by Kameron Hurley (pub. 3/19) (2,023) Uncompromising Honor by David Weber (pub. 10/18) (2,664)
Best Alternate History Novel
Black Chamber by S.M. Stirling (pub. 7/18) (403) Machines Like Me by Ian McEwan (pub. 4/19) (5,852) The Calculating Stars by Mary Robinette Kowal (pub. 7/18) (8,975) The Iron Codex by David Mack (pub. 1/19) (78) The World Asunder by Kacey Ezell (pub. 6/19) (14) Unholy Land by Lavie Tidhar (pub. 10/18) (461)
Best Media Tie-In Novel
Big Damn Hero by James Lovegrove, Nancy Holder (pub. 11/18)
(1,455) Darkness on the Edge of Town by Adam Christopher (pub. 5/19) (459) Master & Apprentice by Claudia Gray (pub. 4/19) (2,778) The Replicant War by Chris Kennedy (pub. 7/18) (37) The Way to the Stars by Una McCormack (pub. 1/19) (348) Thrawn: Alliances by Timothy Zahn (pub. 7/18) (7,962)
Best Horror Novel
Cardinal Black by Robert McCammon (pub. 4/19) (398) Little Darlings by Melanie Golding (pub. 4/19) (3,350) Riddance by Shelley Jackson (pub. 10/18) (152) We Sold Our Souls by Grady Hendrix (pub. 11/19) (3,429) Zombie Airman by David Guenther (pub. 7/18) (40) 100 Fathoms Below by Steven L. Kent, Nicholas Kaufmann (pub. 10/18)
LEAST GOODREADS RATINGS BY CATEGORY
Best Science Fiction Novel: A Star-Wheeled Sky by Brad R. Torgersen (pub 12/18) (58)
Best Fantasy Novel: Deep Roots by Ruthanna Emrys (pub. 7/18) (520)
Best Young Adult / Middle Grade Novel: Armageddon Girls by Aaron Michael Ritchey (pub. 6/19) (3); and The King’s Regret by Philip Ligon (pub. 6/19) (2)
Best Military Science Fiction or Fantasy Novel : Sons of the Lion by Jason Cordova (pub. 5/19) (87)
Best Alternate History Novel: The World Asunder by Kacey Ezell (pub. 6/19) (14)
Best Media Tie-In Novel: The Replicant War by Chris Kennedy (pub. 7/18) (37)
Best Horror Novel: Zombie Airman by David Guenther (pub. 7/18) (40)
ENDNOTE. Publication date of 2019 Hugo nominees for Best Novel:
The Calculating Stars, by Mary Robinette Kowal (Tor)
Record of a Spaceborn Few, by Becky Chambers (Hodder
& Stoughton / Harper Voyager) (7/18)
Revenant Gun, by Yoon Ha Lee (Solaris)
Space Opera, by Catherynne M. Valente
Spinning Silver, by Naomi Novik (Del Rey /
Trail of Lightning, by Rebecca Roanhorse (Saga)
(1) NAME THAT ROCK. In the Washington Post, Sarah Kaplan profiles the “byzantine and marvelously
nerdy naming guidelines” of the International Astronomical Union (“The
bizarre and brilliant rules for naming new stuff in space”). Among them: the mountains and
plains of Titan have to be named according to references in Dune or Lord of the Rings, Names for asteroids have relatively few rules,
but one of them is not to name an asteroid after your cat, as James Gibson
found out when he named an asteroid after his cat, Mr. Spock, and was told that
while his asteroid remains “2309 Mr. Spock,” he really shouldn’t do
[Names for the moons of Jupter] must come from a character in Greek or Roman mythology who was either a descendant or lover of the god known as Zeus (in Greek) or Jupiter (Latin). It must be 16 characters or fewer, preferably one word. It can’t be offensive, too commercial, or closely tied to any political, military or religious activities of the past 100 years. It can’t belong to a living person and can’t be too similar to the name of any existing moons or asteroids. If the moon in question is prograde (it circles in the same direction as its planet rotates) the name must end in an “a.” If it is retrograde (circling in the opposite direction), the name must end in an “e.”
Most people don’t kill time by finding the most distant object ever discovered in the solar system, but most people aren’t Scott Sheppard.
Last week, the Carnegie Institution for Science astronomer announced he had just discovered an object that sits about 140 astronomical units away. One AU equals the 93 million miles between Earth and the sun, so that means this object is 140 times the distance of Earth from the sun, or 3.5 times farther away than Pluto.
This is just a mere couple months after he and his team discovered 2018 VG18, nicknamed “Farout,” which sits 120 AU away, and for a brief moment was the farthest known object in the solar system. Sheppard and his team have already given a pretty apt tongue-in-cheek nickname to the usurper: “FarFarOut.”
Realistic worldbuilding requires that we get out of the dystopia/utopia binary and imagine futures that are a diverse mix of worlds. To imagine a plausible future world, we need to look critically at our own history, where progress is uneven and resistance is not futile. Annalee Newitz, journalist, co-founder of the website io9, and author of the acclaimed science fiction novel Autonomous joins us to share her insights into worldbuilding as part of the San Diego 2049 series of programs.
(4) SALAM AWARD JUDGES. The 2019 jury for the Salam Award will be Jeffrey Ford, Mary Anne Mohanraj, Maha Khan Phillips, John Joseph Adams, and Saba Sulaiman. The award promotes imaginative fiction in Pakistan. (Via Locus Online.)
Last year’s winner was Akbar Shahzad for his story Influence
From what I’ve seen–and the effects of the last decade in the genre short fiction scene have been to render it even more diffuse than it already was, so I really can’t say that I’ve had a comprehensive view–2018 was a strong year for SF short fiction, with venues including Strange Horizons, Lightspeed, and Uncanny delivering strong slates of stories. I was interested to observe how easy it is to discern an editorial voice, and a preoccupation with certain topics, when reading through a magazine’s yearly output. Uncanny, for example, had a strong focus on disabled protagonists in 2018, with stories that often turn on their struggles to achieve necessary accommodation, with which they can participate and contribute to society.
One topic that I expected to see a great deal more of in my reading was climate change. Only a few of the pieces I’ve highlighted here turn on this increasingly important topic, and very few stories I read dealt with it even obliquely. Given how much climate change has been in the public conversation recently (and not a moment too soon) it’s possible that next year’s award nominees will deal with it more strongly, but I was a bit disappointed not to see SF writers and editors placing an emphasis on it already.
The Necronomicon is undoubtedly the most emblematic book in the mythology of H.P. Lovecraft. In this game you will assume the role of Abdul Alhazred with the aim of completing all sections of the aberrant book. It is a game for 2 to 4 players with game modes for 20 or 60 minutes.
(7) PLAYING IN THE FIELDS OF D.C. John Kelly in the Washington Post went on the press tour for Tom Clancy’s The Division 2, a Ubisoft
video game in which Washington, wiped out by a pandemic, has turned the
National Air and Space Museum into an armory and the Lincoln Memorial into a
graffiti-covered headquarters for paramilitary groups. (“A
new video game invites players to wallow in a dystopian Washington”.) But Ubisoft couldn’t use the World
War II Memorial for copyright reasons and decided not to have shooters blast
away at the Martin Luther King Jr. Memorial because “the gamemakers
thought it would be disrespectful to have players shooting at each other around
the statue of the famous pacifist.”
The game is set in the months after a deadly pandemic has swept the country and transformed the area around the Tidal Basin into a flooded wasteland, the National Air and Space Museum into a heavily guarded armory and the Lincoln Memorial into the smoke-blackened, kudzu-shrouded headquarters of a paramilitary group.
On the plus side, rush hour traffic is pretty light.
The challenge facing anyone designing a video game set in an actual place is making it realistic. The purpose of this junket — events were spread over two days, with a shuttle bus squiring the group from site to site — was to explain that process.
It will consist of a talk by David Ketterer and Ken Smith on Wyndham and the Penn Club where he lived from 1924 to 1943 and from 1946 to 1963 followed by drinks and food at a pub on the nearby Store Street, a street which figures on page 98 of the Penguin edition of The Day of the Triffids.
David Ketterer has more or less completed a full scale critical biography entitled TROUBLE WITH TRIFFIDS: THE LIFE AND FICTION OF JOHN WYNDHAM…
Anyone who is interested is invited to gather outside the Penn Club at 21-23 Bedford Place, London W.C.1 (near the British Museum) at 6.00 pm on Monday, 11 March 2019. We shall move to seating in the Penn Club lounge around 6.15 pm for the talk and questions. Around 7.00 pm we shall walk to The College Arms at 18 Store Street (near Senate House).
(10) HUGH LAMB OBIT. British anthologist
Hugh Lamb, editor of many paperback collections of vintage horror, died March 2.
His son, Richard, tells more in a “Tribute to My Father”.
On the night of 2nd March 2019, Hugh Lamb passed away. He died peacefully, in his sleep, after a long illness that had left him frail and weak. At the end he chose to move on, rather than suffer long months of treatment with no guarantees. We, his family, chose to honour his wishes and were with him at the end.
Hugh Lamb was, to many, one of the country’s foremost authorities on Victorian supernatural literature and a respected anthologist of those stories. To me, however, he was just dad. Certainly, I inherited a great love of ghost stories, as well as the cinema of the macabre, from my father. We would recommend movies to each other and enjoy critiquing them. As a child I used to thrill at tales of the supernatural, both real and fictional, all because of my father’s influence. When I wrote a series of screenplays, two of which were optioned by producers, they were all either ghost stories or stories with a supernatural flavour. And when one of my screenplays won the 2008 Rocliffe/BAFTA New Writers award, it was my father who positively glowed with pride. The screenplay was a father and son story, and he recognised himself in the pages with a mischievous delight.
(11) TODAY’S BIRTHDAYS.
by Cat Eldridge.]
Born March 3, 1863 — Arthur Machen. His novella “The Great God Pan” published in 1890 has garnered a reputation as a classic of horror, with Stephen King describing it as “Maybe the best horror story in the English language.” His The Three Impostors; or, The Transmutations 1895 novel is considered a precursor to Lovecraft and was reprinted in paperback by Ballantine Books in the Seventies. (Died 1947.)
Born March 3, 1920 — James Doohan. Montgomery “Scotty” Scott on Trek of course. His first genre appearance was in Outer Limits as Police Lt. Branch followed by being a SDI Agent at Gas Station in The Satan Bug film before getting the Trek gig. He filmed a Man from U.N.C.L.E.film, One of Our Spies Is Missing, in which in played Phillip Bainbridge, during 5he first season of Trek. Doohan did nothing of genre nature post-Trek. (Died 2005.)
Born March 3, 1945 — George Miller, 74. Best known for his Mad Max franchise, The Road Warrior, Mad Max 2, Mad Max Beyond Thunderdome andFury Road. He also directed TheNightmare at 20,000 Feet segment of the Twilight Zone film, The Witches of Eastwick, Babe and 40,000 Years of Dreaming.
Born March 3, 1948 — Max Collins, 71. Best known for writing the Dick Tracy comic strip from 1977 to 1993 giving The it a SF flavor. He also did a lot of writing in various media series such as Dark Angel, The Mummy, Waterworld, The War of The Worlds and Batman.
Born March 3, 1955 — Gregory Feeley, 64. Reviewer and essayist who Clute says of that “Sometimes adversarial, unfailingly intelligent, they represent a cold-eyed view of a genre he loves by a critic immersed in its material.” Writer of two SF novels, The Oxygen Barons and Arabian Wine, plus the Kentauros essay and novella.
Born March 3, 1970 — John Carter Cash, 49. He is the only child of Johnny Cash and June Carter Cash. To date, he’s written two fantasies, Lupus Rex which oddly enough despite the title concerns a murder of crows selecting their new leader, and a children’s book, The Cat in the Rhinestone Suit, which I think Seuss would be grin at.
Born March 3, 1982 — Jessica Biel, 37. A number of interesting genre films including The Texas Chainsaw Massacre, Blade: Trinity, Stealth, The Illusionist, the remake of Total Recall which I confess I’ve not seen, and the animated Spark: A Space Tail.
(12) COMICS SECTION.
Rich Horton, quite rightly, calls this a “very Eganesque” Dilbert.
(13) VARIANT COVERS. Brian
Hibbs in his Tilting at Windmills column
for Comics Beat“Heroes
in (Sales) Crisis” says variant covers are helping to break the
Again, the new Marvel catalog leads with a mini-series called “War of the Realms” that has seventeen different covers attached to it. For one single issue worth of release. Even if you try to “ignore variants” they take up catalog and “eye” space, they increase the amount of time it takes to order (let alone find) the comics you want to stock; they also consume distributor resources, ultimately increasing overages, shortages and damages, hurting everyone as a result.
The January 2019 order form features 1106 solicited periodical comic books. Of those, only 454 of those SKUs are new items – the other 652 are variant covers. That means a staggering fifty-ninepercent of all solicited comics are actually variants. That’s completely and entirely absurd! It is deluded, it is dangerous, and it actively works against the best interests of the market.
Last Man on Earth star Will Forte voicing Shaggy, Jane the Virgin star Gina Rodriguez [Velma], Tracy Morgan [Captain Caveman] and Frank Welker [Scooby-Doo] are going for a ride in the Mystery Machine.
The actors have closed deals to voice star in the untitled Scooby-Doo animated movie being made by Warner Bros. and its Warner Animation Group division.
Tony Cervone is directing the feature, which counts Chris Columbus, Charles Roven and Allison Abbate [as] producers.
[…] The story sees the Mystery Inc. gang join forces with other heroes of the Hanna-Barbera universe to save the world from Dick Dastardly and his evil plans…and this time, we are told, the threat is real. The movie is slated for a May 2020 release.
Star Trek is boldly going on a new mission where only men have gone before. Hanelle Culpepper will direct the first two episodes of the upcoming untitled Star Trek Jean-Luc Picard series, making her the first woman to direct a pilot or debut episode of a Starfleet series in the franchise’s 53-year history. All 13 feature films in the Trek universe have also been directed by men.
Culpepper has directed two episodes of Star Trek Discovery on CBS All-Access. She helmed the episode titled Vaulting Ambition in Season One as well as an upcoming episode in Season Two, now underway on the subscription streaming site.
…Try as they will to style themselves international, the Inner and Outer Party members of American literary SF/F are hopelessly provincial, sharing a painful overlap in ideology, as well as a kind of homogeneous, mushy globalist-liberal outlook. Which, being “woke”, puts a premium on demographics over individualism. Fetishizing ethnicities and sexualities. While remaining borderline-militant about a single-track monorchrome political platform.
So, certain Inner and Outer Party folks proceeded to step all over their own unmentionables in an effort to “call out” the “slate” of the indie Proles from the dirty ghettos of indie publishing. And now the Inner and Outer Parties are in damage control mode (yet again!) trying to re-write events, submerge evidence, gaslight the actual victims of the literary pogrom, blame all evils on Emmanuel Goldstein (cough, Sad Puppies, cough) and crown themselves the Good People once more. Who would never, of course, do anything pernicious, because how could they? They are Good! They tell themselves they are Good all the time! They go out of their way to virtue-signal this Goodness on social media! It cannot be possible that they have done anything wrong!
Rabid Puppies packmaster Vox Day not only reprinted Torgersen’s post at Vox Popoli (“Puppies redux: Nebula edition” [Internet Archive link]), he appropriated to himself others’ credit for indie authors being in SFWA:
It was funny to read this in my inbox, as it was the first time I’ve had any reason to give a thought to SFWA in a long, long time. Possibly the most amusing thing about this latest SFWA kerfluffle is that it is a direct consequence of SFWA adopting my original campaign proposal to admit independent authors to the membership. Sad Puppy leader Brad Torgersen observes, with no little irony, the 2019 version of Sad Puppies…
(17) DIAL 451. The New Indian Express’ Gautam Chintamani uses a famous Bradbury novel as
the starting point to comment on news coverage of the recent Pakistan-India incident
Bradbury wrote Fahrenheit 451 as a commentary on how mass media reduces interest in reading literature but considering the times we live in, it is doing more than that. Following the February 14 Jaish-e-Mohammed fidayeen attack on a CRPF convoy in Pulwama that left 44 Indian soldiers dead, most television news channels bayed for blood. There is no denying that the national emotions were running high and it was only natural for citizens of a nation that have been at the receiving end of a proxy war conducted by a neighbour that as a national policy believes in causing loss of life in India to ask for a befitting reply. Yet the fashion in which many news anchors assumed the mantle of judge, jury, and executioner was nothing less than appalling. The constant white noise emanating from most news debates, where everyone was urged to shout louder than the next person, offers a greater emotional bounty to the one who would teach Pakistan a lesson and this showed a committed effort from media to not allow the average citizen a moment to think.
(18) GAHAN WILSON FUNDRAISER. A GoFundMe to “Help Gahan Wilson find his way” wants to raise $100,000 for the artist’s care. Neil Gaiman gave $1,000. Other donors include artist Charles Vess, editor Ellen Dtalow, and Andrew Porter.
Gahan Wilson is suffering from Dementia
Gahan is suffering from severe dementia. We have helped him through the stages of the disease and he is currently not doing very well.
His wife, Nancy Winters, just passed away
My mother, and his wife of fifty three years, Nancy Winters, passed away on March 2, 2019. She was his rock. His guide through the world. While we all helped with his care, it was my mother who grounded him. He is currently distraught and out of sorts with the world.
Memory care is needed immediately
Gahan and my mother had been residing in an assisted living facility in Arizona. With my mother’s passing, the facility is about to discharge him. We must find him a memory care facility immediately.
… Memory care is wildly expensive. More so than assisted living. If we could cover the cost ourselves, we would. We can’t, and Gahan and my mother did not save for anything like this. We are asking his fans to help us, help Gahan.
Canada will contribute US$1.4bn to a proposed Nasa space station that will orbit the Moon and act as a base to land astronauts on its surface.
Prime Minister Justin Trudeau said the step would “push the boundaries of innovation”.
The space station, called Gateway, is a key element in Nasa’s plan to return to the Moon with humans in the 2020s.
As part of the 24-year commitment, Canada will build a next-generation robotic arm for the new lunar outpost.
“Canada is going to the Moon,” Mr Trudeau told a news conference at Canadian Space Agency’s headquarters near Montreal, according to AFP.
Nasa plans to build the small space station in lunar orbit by 2026. Astronauts will journey back and forth between Gateway and the lunar surface. It will also act as a habitat for conducting science experiments.
(22) VIDEO OF THE DAY. In “Motion Makes a Masochist” on
Vimeo, Dev warns that if you want to be a motion designer for movies, you
should be prepared to suffer a lot for your art.
John King Tarpinian, Rich Horton, Mike Kennedy, Frank Olynyk, Chip Hitchcock, Carl Slaughter, JJ, Martin
Morse Wooster, Brian Z., Andrew Porter, and Cat Eldridge for some of these stories.
Title credit goes to File 770 contributing editor of the day John Winkelman.]
Foz Meadows, who readily accepted Lou Antonelli’s apology for claiming Camestros Felapton is a pseudonym for Foz Meadows’ husband, Toby, said today she has a different policy and expectation for any apologies and retractions that might come from Dave Freer and others who ran with the story because of all the abuse they packaged with it.
I would also like to note that while, as far as I know, Freer didn't email VD about my husband being Camestros – a falsehood now acknowledged as such by @LouAntonelli – VD has nonetheless run with Freer and Antonelli's original claims on his blog.
What I will say is that, in the event Dave Freer *does* admit he was wrong & that my husband isn't Camestros, I won't be accepting any apology he might make. His gross, homophobic speculation about my marriage & identity, & his slander of my husband, was always a separate issue.
The only type of apology I'll even *consider* accepting from Freer is one that involves an admission of homophobia, an acknowledgement that none of his personal comments were either correct or appropriate, and a pledge to actively educate himself. Anything less is meaningless.
I'd also appreciate a similar apology from Brad Torgersen. I have zero expectation of Vox Day doing anything remotely conciliatory or charitable, but I'll do Torgersen the kindness of assuming him capable of admitting error.
Lou Antonelli has tweeted apologies to the victims of his false claims that blogger Camestros Felapton is a pseudonym for Foz Meadows’ husband, Toby.
@CamestrosF I've spent some time reviewing the leads I had, and when they coincided it occurred to me that maybe the mistake was something I did. It was. I made a crucial geographic mistake. It took me a while to see it – the forest for the trees stuff.
Lou Antonelli has sent me a polite apology via Twitter regarding his claims that I was Toby Meadows. I’d like to thank him for that.
I’ve disabled comments on this post because I’d prefer to move on from this now. I will say that I don’t regard myself as particularly the injured party in this. The Meadows family have had to put up with a lot of maliciousness from several parties.
Over the past ten days Camestros Felapton has written many posts about this kerfuffle. “Was Antonelli Set Up?” (January 26) is as good as any for learning the details if you don’t already know them.
Foz Meadows also accepted Antonelli’s apology in this exchange:
I would also appreciate if you could pass your findings on to Freer, Torgersen and VD, assuming they don’t see it here.
The impetus for the charge may have come from Facebook conversations that I cannot access, therefore I cannot document who originated it. But on January 21, Brad Torgersen used the charge as the basis for a malicious attack on Camestros at Mad Genius Club,“Camestros Felapton is Toby Meadows, spouse of Foz Meadows” [Internet Archive page]. Foz Meadows, after she and her husband dealt with the resulting abuse for several days, on January 29 posted “A Personal Note” about the falsehood of the claim and the emotional pain that it caused.
[Thanks to JJ, Daniel Dern, and Camestros Felapton for the story.]
Look out ’50 Shades’ and ‘Magic Mike’! Some real sexy is about to hit the big screen! Namely, a stand-alone ‘Jabba The Hutt’ movie. Yes, following the now-in-production ‘Han Solo’ film, Disney is in some stage of development on additional films that focus on individual members of the vast ‘Star Wars’ mythology, including Boba Fett, Obi-Wan Kenobi and Yoda. Now comes word that the space version of ‘The Godfather’ (who is just slightly slimmer than Marlon Brando later in his career) might also get similar treatment.
This news comes from a write-up by Variety about the ‘Obi-Wan Kenobi’ movie and is just casually thrown out…
…As you probably know, Jabba doesn’t speak English. This is something that helped protect C-3PO who he kept around (and intact) in order to translate for him. American audiences rarely embrace foreign films. Does Disney really think The Force is so strong with fans that they will turn out for a movie spoken entirely in a fake alien language?
(2) GALAXY QUEST. A new writer will help the beloved movie resume its trek to TV? Promises, promises!
Amazon’s Galaxy Quest TV revival is back on track. Writer-actor-comedian Paul Scheer of The League has been tapped to pen the script for the Paramount Television-produced series. Scheer takes over for the feature film’s original scribe, Robert Gordon, who was on board to pen the script for the Amazon reboot. The Amazon series is described as a new take on the cult movie that starred Tim Allen, the late Alan Rickman as well as Sigourney Weaver. The original 1999 movie centered on the cast of a since-canceled beloved sci-fi show that was forced to reunite to save the planet after aliens believe their show was real. Plans for the Amazon series were put on hold after Rickman’s passing.
— Monica Valentinelli Has Witches on the Brain ??? (@booksofm) August 19, 2017
(4) HEROIC EFFORT. Hugo administrator Nicholas Whyte has posted packet coordinator Jo Van Ekeren’s deeply interesting “2017 Hugo Voter’s Packet Debrief”. Did we mention, this job is not that easy? Here’s the part about eligibility issues:
Eligibility Issues encountered: after consultation with the Hugo Admins, an explanation was sent to the Finalist of the issue and what the resolution was going to be, and the Finalists were all quite gracious about understanding:
Short Form Editor including stories they published but did not edit resolution: they resubmitted a document without those stories
Short Form Editor including a short Novel they edited resolution: the Novel was not included in the packet
Short Form Editor including an entire issue of a magazine in which they had an editorial published resolution: an extract with only the editorial was included in the packet
Professional Artist including two works from an non-eligible publication resolution: these were not included in the packet
Campbell Finalist requested inclusion of non-fiction work in the packet resolution: this was not included in the packet
Campbell Finalist including a story from a non-eligible market, and a poem resolution: these were not included in the packet
Fanzine creating an online web page with links to reviews of 2016 works which included a vast majority of reviews written in 2016, but a handful written in 2015 and 2017 resolution: let them know that I was going to let it slide, but that a future Packet Coordinator might not, and if there had been more of them, I wouldn’t have either, and suggested this might be something they wish to take into consideration in future as far as the timing of posting reviews
Explicit Content: The porn novelette was placed inside a subfolder which included “Note – Explicit Content” in the folder name. The Fan Writer whose work included cartoon nudity and explicit verbiage agreed to create an online page on their website, and a document with a link to that webpage was included in the packet (at my recommendation, this URL was added to their robots.txt file, so that it would not be indexed by search engines).
Editor Long Form: My original e-mail to the finalists referred to novels edited during the year, and it was called to my attention that the definition actually specifies novel-length works which were published during the eligibility year, and that those works could be either fiction or non-fiction. I sent a revised e-mail to the Editor Long Form Finalists to reflect these changes
When Kirby joined the army, his reputation as the co-creator of Captain America preceded him—but this talent didn’t get him a cushy job, like many luckier writers and artists. Rather, Kirby ended up serving as a scout, a thankless job that involved sneaking into enemy territory and drawing what he saw to help prepare future missions. This was extremely dangerous. As Kirby put it, “If somebody wants to kill you, they make you a scout.” Before setting off for duty, the auteur cranked out an increased flow of comics, stating that he wanted “to get enough work backlogged that I could go into the Army, kill Hitler, and get back before the readers missed us.”…
He Was Ready to Fight Nazis Anywhere
Kirby, who grew up in Manhattan’s rough Lower East Side, knew how to throw a fist and didn’t back down from anyone—especially a Nazi. As Mark Evanier describes in his biography Kirby: King of Comics, “…Jack took a call. A voice on the other end said, ‘There are three of us down here in the lobby. We want to see the guy who does this disgusting comic book and show him what real Nazis would do to his Captain America’. To the horror of others in the office, Kirby rolled up his sleeves and headed downstairs. The callers, however, were gone by the time he arrived.” Based on everything we know about Kirby, these Nazi crank-yankers got lucky.
It’s a giant chess game out there in the entertainment world, with streaming giants and known content producers vying for the upper hand. Mark Millar signing with Netflix and Robert Kirkman going with Amazon made headlines on their own, but a new lawsuit makes the reason for Kirkman’s new home even more apparent.
On August 14, The Walking Dead’s series co-creator Robert Kirkman, joined producers Gale Anne Hurd, Glen Mazzara and David Alpert in a complaint filed against the AMC television network. The complaint alleges breach of contract, tortious interference, and unfair or fraudulent business acts under California business code. The damages being sought could exceed $1 Billion dollars.
Filed at Los Angeles Superior Court, the suit alleges that AMC “exploited their vertically integrated television structure” to keep “the lion’s share of the series’ profits for itself.” The Hollywood Reporter has provided a great breakdown of the major claims in the suit. The complaint alleges the network in effect reduced series profits using various means, thereby diminishing the percent owed to the named plaintiffs. One of the ways this was accomplished, the suit claims, is by AMC Network paying a lower than fair market licence value than the show is worth–a violation of the plaintiff’s signed agreements.
(7) HODGELL. On the Baen Free Radio Hour for August 18, P.C. Hodgell discusses The Gates of Tagmeth, her latest entry in the Kenycyrath Saga high fantasy series; and part thirteen of the complete audiobook serialization of Liaden Universe® novel Alliance of Equals by Sharon Lee and Steve Miller.
(8) TODAY IN HISTORY
August 19, 1692 — Five hanged for witchcraft in Salem, Massachusetts
August 19, 1983 – Yor, the Hunter from the Future premiered
A central feature in the preparation of the newsletter was two parallel concerns: we resolved to make the W75 newsletter as accessible to fans with dyslexia & other reading issues as possible; and we resolved to make the newsletter visually impressive and professional-looking.
The Design AH’s experience with several years of Finncons had led to the emergence of a Finncon “house style,” including preferred typefaces & colors, through which Design sought to present a unified visual identity for W75. Consequently Design was able to provide the newsletter with an adaptable, minimalist & clear template design including a custom masthead and footer. This template was produced using Adobe Indesign and some custom graphics.
For my part, I concentrated on the question of accessibility. Early in this process, I noted that while W75 had agreed to follow the SWFA’s document “Accessibility Checklist for SFWA Spaces,” that document contained no discussion on the question of readability. Discussions between myself, the Design AH, the Design DH, and the Member Services DH Vanessa May, resulted in a number of recommendations which were incorporated into the final W75 newsletter. These recommendations were drawn from a combination of personal experience, systematic reviews in academic literature on readability, the British Dyslexia Association’s Dyslexia Style Guide, and the UK National Union of Students’ Disabled Students’ Campaign’s guidance on accessible printed materials.
(13) PRO TIP. There’s some truth in what she says –
How to become the best at everything: 1. Go to Everything. 2. While you're there, tell people you are the best.#writerslife#amwriting
(14) IN THE BEGINNING. James Cooray Smith, in “Starting Star Wars: How George Lucas came to create a galaxy” in New Statesman, has a lot of good information about how Star Wars came to be created, including how the first character Lucas created was Mace Windu and how much of Star Wars was filmed at EMI Elstree because the Harold Wilson government was trying to keep the facility open and one condition of studios filming there was that they had to bring in their own technicians, which suited Lucas fine.
The script development money gave Lucas enough to live on whilst he continued work on the screenplay. As he did so it changed again; a ‘Kiber Crystal’ was written in and then written out. Skywalker became Deak Starkiller’s overweight younger brother before becoming the farm boy familiar from the finished film. Characters swapped names and roles. A new character named Darth Vader – sometimes a rogue Jedi, sometimes a member of the rival ‘Knights of Sith’ – had his role expanded. Some drafts killed him during the explosion of the Death Star, others allowed him to survive; across subsequent drafts his role grew. Some previously major characters disappeared altogether, pushed into a “backstory”, Lucas choosing to develop the practically realisable aspects of his story.
This is an important clarification to the idea that Star Wars was “always” a part of a larger saga, one later incarnated in its sequels and prequels. That’s true, but not in an absolutely literal way. Star Wars itself isn’t an excerpted chunk of a vast plotline, the rest of which was then made over the next few decades. It’s a distillation of as much of a vast, abstract, unfinished epic as could be pitched as a fairly cheap film to be shot using the technology of the mid 1970s. And even then much of the equipment used to make the film would be literally invented by Lucas and his crew during production.
Last I said in my last Hugo post, I did not expect The Obelisk Gate to win, because it was the second book in a trilogy and those rarely win and also because it was competing in a very strong ballot. In fact, I suspected that All the Birds in the Sky by Charlie Jane Anders would win (which also wasn’t one of my three top picks), since it already won the Nebula and Locus Awards (in the end, it came in second). I’ve been wondering how my predictions for this category could have been so totally off and I suspect that we’re seeing an effect at work here we often see with awards of any kind, from genre awards via general literature prizes to the Oscars, namely that more serious works focussed on serious issues tends to trump lighter works. Now both All the Birds in the Sky and A Closed and Common Orbit are lighter and more hopeful works, even though they do tackle serious issues as well. Coincidentally, A Closed and Common Orbit addresses very similar issues as The Obelisk Gate, namely who is viewed as a person and who is viewed as a thing or tool, but it handles these issues in a very different way. And due to a general bias towards more serious works that can be found in pretty much all awards, a darker book like The Obelisk Gate trumped a lighter and more hopeful treatment of the same theme like A Closed and Common Orbit (or the equally lighter and more hopeful All the Birds in the Sky). It was always pretty obvious that Death’s End and Too Like the Lightning were not going to win, since both were love it or hate it books, which leaves Ninefox Gambit as the other darker and more serious work on the ballot.
(16) THE RETURNS. Steven J. Wright also pores over the order of finish in “Hugo Awards 2017: The Relentless Detail”. For most readers “gone are the days when everyone just voted for Langford and forgot about it” is a lighthearted jape about Best Fanwriter (medic!), while I found it easier to admire this turn of phrase about Best Fancast:
And a big (though genteel) yay from me for Tea and Jeopardy, there, easily my favourite among the podcasts. Not much to say about the vote, except that Ditch Diggers got gradually jostled down into its final place. Next one down the long list is Verity!, which has got to be more fun than The Rageaholic, if only because groin surgery is more fun than The Rageaholic, and yes, I am qualified to make that comparison.
(17) PSYCH. Alexandra Erin did an analysis of how professed beliefs can interact with internal worldviews to lead to apparently contradictory behavior. She used as an example Brad Torgersen and the Hugos. The thread begins here —
LRT: I think we need to recognize the difference between what we profess vs. what we internalize, rather than focusing on "what we believe".
(18) DRAGON AWARDS RUNNERS. Rebecca Hill viewed the recording of last year’s Dragon Awards ceremony and noted the names of the organizers are, besides President Pat Henry, David Cody, Bill Fawcett, and Bev Kaodak. Of course, we reported last year that David Cody left a comment on Monster Hunter Nation on a thread, making sure people knew how to register.
The reason astronauts generally don’t have much access to the real stuff isn’t rocket science, but rather something we’ve all encountered: a lack of freezer space.
What limited refrigeration there is on the space station is given over to blood samples, urine samples, etc. — stuff you don’t really want next to your Moose Tracks.
Unlike previous cargo vehicles used by NASA, the SpaceX Dragon capsule has the ability to return to Earth without burning up on re-entry.
That means it can bring stuff back. The spacecraft is equipped with freezers to transport medical and scientific samples back to Earth. And sometimes, those freezers are empty when they go up to the station — which leaves room for ice cream, Vickie Kloeris, manager of NASA’s Space Food Systems Laboratory, tells NPR.
Before the capsule lifted off atop a Falcon 9 rocket from Florida’s Kennedy Space Center on Monday, she says, NASA’s cold storage team packed it with a sweet array of frozen treats: 30 individual cups of Bluebell ice cream and some Snickers ice cream bars.
There are around 20 known supervolcanoes on Earth, with major eruptions occurring on average once every 100,000 years. One of the greatest threats an eruption may pose is thought to be starvation, with a prolonged volcanic winter potentially prohibiting civilisation from having enough food for the current population. In 2012, the United Nations estimated that food reserves worldwide would last 74 days.
When Nasa scientists came to consider the problem, they found that the most logical solution could simply be to cool a supervolcano down. A volcano the size of Yellowstone is essentially a gigantic heat generator, equivalent to six industrial power plants. Yellowstone currently leaks about 60-70% of the heat coming up from below into the atmosphere, via water which seeps into the magma chamber through cracks. The remainder builds up inside the magma, enabling it to dissolve more and more volatile gases and surrounding rocks. Once this heat reaches a certain threshold, then an explosive eruption is inevitable.
But if more of the heat could be extracted, then the supervolcano would never erupt….
The Hangzhou Internet Court opened on Friday and heard its first case – a copyright infringement dispute between an online writer and a web company.
Legal agents in Hangzhou and Beijing accessed the court via their computers and the trial lasted 20 minutes.
The court’s focus will be civil cases, including online shopping disputes.
Judges were sworn in and the first case was presented on a large screen in the courtroom.
(22) BEAGLE SUIT. Cat Eldridge has made the latest filing by Peter S. Beagle’s attorney in his suit against his former manager Connor Cochran available here. The filing includes a brief history of the litigation, including the information that in 2016 the court awarded a firm representing Beagle’s attorney $24,000+ in attorneys fees.
[Thanks to JJ, John King Tarpinian, Chip Hitchcock, Rose Embolism, Martin Morse Wooster, and Cat Eldridge for some of these stories. Title credit goes to File 770 contrbuting editor of the day Daniel Dern.]
(1) ANOTHER MASTERPIECE OF CONRUNNING. Mothership says Akiba Town, held this weekend in Singapore and which markets itself as a “Japanese culture event bringing in official anime merchandise along with fan artists and guest cosplayers” — was a mess: “S’pore-organised cosplay event riddled with multiple problems, slammed by cosplay community”. It changed venues a week before the event, allowed stolen artwork to be sold as official merchandise, oversold vendor space, and the list goes on….
If you guys are coming to AkibaTown, please use the Hall B entrance! We're straight ahead to the end from there ? pic.twitter.com/wIGAkci5MV
The spider, named Kumo, is one of two giant robots created by a street theater company of artists, technicians and performers based in Nantes, France. The company, La Machine, was in Ottawa July 27-30 as part of celebrations marking Canada’s 150th birthday.
The spectacle of robots, music and other special effects drew tens of thousands to Ottawa’s downtown.
The show opened July 27 in the evening, with Kumo “waking up” to organ music from inside the cathedral. As the spider, suspended from cranes, climbed off its perch between the towers, “snow” fell from above as part of the event’s special effects.
“I don’t understand how allowing a mechanical spider to stand on the cathedral is anything but disturbing, disappointing and even shameful,” wrote Diane Bartlett on the archbishop’s Facebook wall.
…Archbishop Terrence Prendergast said he was surprised by the negative reaction to an artistic initiative after critics called the spider’s placement “sacrilegious,” “demonic,” and “disrespectful” of a sacred space.
“My cathedral staff and I anticipated that some … might object, but thought it would be minimal, as nothing demeaning was intended in the spider being near the church,” said the archbishop in an email interview with Canadian Catholic News.
“I regret that we had not sufficiently understood that others would see this event so differently. I say to those who were shocked that I understand that this would have been upsetting for them and that I regret that a well-intentioned effort to cooperate in a celebration was anything but that for them.”
So in this languorous time, about the only consistent pasttime I can enjoy, aside from my records, is the ever-growing pile of stf (scientifiction, natch) magazines. One of the ones I look forward to is IF, which, if it is not always stellar, usually has a few items of interest. This month, the September 1962 issue has a lot of lousy stories, and editor Pohl cunningly placed the best one in front so as to dull the impact of the sub-par stuff that follows. But the last tale is a fine reprise of the first, quality-wise. See if you agree:
A famous author and actor, Leiber’s works often approach sublimity. This is one of them, combining both beautiful prose and cutting edge science fiction….
(6) A TO Z. When yesterday’s Scroll said a website had picked an sf author for every letter of the alphabet – all male — Karl-Johan Norén immediately set about balancing the books with his own alphabetical list of 26 influential sf authors – all women:
Authors who appeared at the YALC young adult literature convention over the weekend, including Alex Wheatle and Joanne Harris, have spoken out about what they feel was a lack of disabled facilities at the event. Their complaints centre on the sequestering of one of two disabled toilets for the use of celebrities attending the associated Comicon festival on a lower floor.
Organisers of the event, tied to the London Film and Comic Convention (Comicon) at Olympia in London, were accused by one visitor of “ablism” after wheelchair users ended up squeezing into busy lifts and negotiating crowds to reach accessible toilets on the Comicon floor.
Actor and playwright Athena Stevens, who has cerebral palsy, described organiser Showmasters’ decision to rope off one of the facilities for famous figures attending Comicon – including Benedict Cumberbatch – as “ablist”….
Disabled charity Scope said that defining “reasonable” provision of toilet facilities was a grey area under the Disability Discrimination Act, but it did seem that Showmasters had shown a disregard for their disabled attendees over access to them.
Showmasters, however, denied claims that accessible facilities were unavailable on the same floor as the literary festival, which attracted 40,000 visitors, but acknowledged problems on Saturday. “There were two disabled toilets on that floor, and one was behind the green room wall,” he said. Overcrowding at lunchtime on Saturday had meant that wheelchair users were forced to use facilities on another floor, a spokesman conceded, but not for the whole weekend. Showrunners will consult disabled people to ensure there was no repetition of the problem, he added.
(8) TODAY IN HISTORY
August 6, 1996— A Game of Thrones by George R.R. Martin is released.
August 6, 2003 — Asteroids renamed to honor final Shuttle Columbia crew
(9) TODAY’S BIRTHDAY BOYS
Born August 6, 1934 — Piers Anthony
Born August 6, 1970 – Filmmaker M. Night Shyamalan
With more than two months to go before Philip Pullman’s long-awaited new novel from the world of His Dark Materials is published, pre-orders have sent La Belle Sauvage flying up bestseller lists. But with booksellers already slashing the cover price in half, the award-winning author has spoken out about how cheap books devalue the experience of reading, and called for an end to the “pernicious” doctrine of “market fundamentalism” if literary culture is to survive.
“I don’t like it when I see my books sold cheaply,” Pullman said. “But I’d like to think I’m speaking on behalf of all authors who are caught in this trap. It’s easy to think that readers gain a great deal by being able to buy books cheaply. But if a price is unrealistically cheap, it can damage the author’s reputation (or brand, as we say now), and lead to the impression that books are a cheap commodity and reading is an experience that’s not worth very much.”
A pair of vehicles are operating on a route through the city as part of the Baltic state’s presidency of the European Union, and have so far managed not to collide with any other road users, national broadcaster ERR reports.
But there have been a number of near misses since the launch on Saturday, ERR says. An eyewitness reports that one of the buses failed to give way to a police car with its lights flashing on Monday; while an ERR photographer saw a bus ignore a red light at a pedestrian crossing, ploughing on regardless of the “surprise” it had provoked.
Despite no-one driving, local traffic law means that there still has to be a responsible person on board, meaning that all passengers are greeted by a host. They’ve been tasked with explaining the technology to passengers new to the world of autonomous vehicles, ERR says.
7) So don’t quit your damned day job. Seriously. Do. Not. Quit. Your. Day. Job. It sucks trying to write full-time and work full-time. It sucks more not paying bills and being forced out of your house or your apartment. It sucks even more depending on the good will of your relatives, or your church, or government programs. If I had $10 for every embarrassed pauper author who proudly proclaimed, “I am a full-time writer, so fuck you,” and then (s)he went back to begging for lunch money, I wouldn’t have to work anymore. Starving artistry is not a holy calling. Really, it’s not. I know I am gonna get burned at the stake for saying it. But seriously, do not check out of the “mundane” work force. Not unless you’ve got a metric ton of dough in the bank, or you’ve got a spouse who eagerly volunteers to carry the mundane load — while you labor at the desk in the attic. But if you’ve got responsibilities to meet, and mouths to feed, please, meet them and feed them. As Steven Barnes said at Norwescon ’07, suffering for your art may be noble, but making your family suffer for your art, just means you’re an asshole.
(13) INHUMANS. In this“Marvel’s Inhumans” clip, Maximus and Medusa face off.
(14) YOUTUBE ARCHEOLOGY. Today I discovered there’s a whole subgenre of YouTube videos which take the musical intros to famous TV series and swap in visuals from Star Trek. I admire the effort, although they’re rarely funny. I found this one from 2008 to be somewhat amusing — it starts with the advantage that the original A-Team intro included a lot of self-referential humor.
[Thanks to Hampus Eckerman. John King Tarpinian, JJ, Chip Hitchcock, Cat Eldridge, and Carl Slaughter for some of these stories. Title credit goes to File 770 contributing editor of the day Jack Lint.]
Death’s End by Cixin Liu Death’s End is the conclusion of the Remembrance of Earth’s Past trilogy by world acclaimed author Liu Cixin. The first installment of the series won the prestigious Hugo Award for best novel.
I finished reading the story a couple of days ago, but it is still stuck in my head. More I think about it, more I come to realize how adroitly woven it is. All the elements, themes, concepts from the three books fit together perfectly at the end, giving birth to a logically self-consistent, scientifically sound (and deeply terrifying) cosmology.
I also like how this third book manages to color what would have been an otherwise plot-driven hard sci-fi book, with very human, emotional, moments. Cheng Xin ethical struggles, and Yun Tianming love are some of the best elements of the story.
The story begins during the fall of Constantinople, and then moves backs to the event of the previous novels: after the Doomsday Battle, the uneasy balance of Dark Forest Deterrence keeps the Trisolaran invaders at bay. Earth enjoys unprecedented prosperity due to the infusion of Trisolaran knowledge. With human science advancing daily and the Trisolarans adopting Earth culture, it seems that the two civilizations will soon be able to coexist peacefully as equals without the terrible threat of mutually assured annihilation. But the peace has also made humanity complacent…
On the philosophical side, the interactions of Apollo and Hermes demonstrate how gods are themselves constrained by higher powers: both by Zeus, father of all the gods, and Necessity. As the title suggests, the compulsion of Necessity is an important aspect of the novel. It’s a force that not even gods can avoid, and it can even be used to avoid the potentially damaging aspects of time travel, of getting stuck in difficult situations: if Necessity says you must do something later in your timeline, you can’t be stuck somewhere else. Complementing this is a strong focus on the free choices of humans to undertake either stupid or worthy actions, in politics and personal relationships and everything else—and the contention that this is a noble part of the human condition.
After you’ve looked at the picture, check out Minoan Architecture and Urbanism: New Perspectives on an Ancient Built Environmentedited by Quentin Letesson and Carl Knappett, which includes the co-authored article “Lost in Translation: Settlement Organization in Postpalatial Crete – A View from the East” by Louise A. Hitchcock and Aren M. Maier. The book is available for pre-order, with a release date of September 23.
Almost 50 years after the appearance of one of the most famous felines in children’s books, Mog creator Judith Kerr is to publish a book inspired by her latest pet cat, Katinka. The much-loved author and illustrator, who celebrated her 94th birthday last week, is to publish Katinka’s Tail in the autumn.
The story of a “perfectly ordinary cat with a not-so-ordinary tail” was inspired by Kerr’s observations of her cat, the ninth in an inspirational line. “She is a ridiculous-looking white cat with a tabby tail that looks as though it belonged to somebody else,” she said. It was watching the “bizarre” behaviour of her first family pet, Mog – which included licking her sleeping daughter’s hair – that inspired the eponymous stories beloved by generations of children.
“Transformers: The Last Knight,” the fifth installment in the blockbuster franchise from Michael Bay, may have topped the weekend, but all the robot-smashing has gotten a bit rusty at the box office.
The Paramount film, which opened Wednesday, took in $45 million in the U.S. and Canada over the weekend, placing it in the No. 1 spot ahead of returning titles “Cars 3” and “Wonder Woman.” When factored into its five-day debut, “The Last Knight” grossed a franchise low of $69 million.
….The latest installment, which stars Mark Wahlberg and Anthony Hopkins and features a new mythology involving King Arthur and Stonehenge, cost $217 million to make. And however squeaky “The Last Knight’s” debut may have been domestically, the film took in an Optimus Prime-sized number overseas. It earned $196 million from its first 40 markets — with $123 million of that haul coming from China.
(10) LINE DIRECTOR. While being interviewed about his new assignment directing the Han Solo movie, Ron Howard reminisced that right after he and his wife saw Star Wars they loved it so much they got right back in line and waited to see it again.
As news of the 1977 film Star Wars began to unfold, Howard said he became “so curious.” He and his wife went to see it on the first day of release and were “so moved by the movie. It was all the things you dream you’re going to experience in the movies.”
Although they had stood in line for two hours to see it, when Howard and Cheryl came out, they threw each other a look and decided to see it again immediately — standing in line for another 90 minutes.
Which made me wonder — how did Ron Howard not see this movie at a free pre-release screening? After all, I did — along with many other LASFSians.
(11) WHY IT HAPPENED. Carl Slaughter recommends, “For those in shock or scratching their heads over the Han Solo project shakeup, Mr. Sunday Movie offers an explanation that seems to make sense.”
Its Jonbar point the American Civil War, Bring the Jubilee looks into the idea ‘what if the South won’? The story of Hodge Backmaker, son of a poor farmer in what’s left of the United States of America (essentially the Union), the young man breaks free of his rural home at an early age and heads to New York City—an impoverished metro compared to the grand, lavish cities of the Confederate States of America. Getting lucky and finding work with a book printer, Hodge spends the next few years of his life learning the trade. And he learns much more. The book printer’s essentially a front, namely that of printing propaganda and counterfeiting money, Hodge learns of ongoing secret operations to build a Grand Army and restore the United States to its former glory.
While many readers might expect such an early effort of alternate history to go the black and white route of vilifying the South by portraying them as tyrannical victors while glorifying the North as honorable victims, instead, the South is not portrayed as a slave-loving region which stamps the poor further into the ground, rather simply an economically and politically aggressive government bent on empire. In other words, Moore spins the tables… to look something like the North. This is all a convoluted manner of saying Bring the Jubilee is more interested in finding common ground between reality and the alternate reality, than it is putting the 8 millionth nail in the coffin of ‘slavery is bad’.
The evening concert on Friday was called A night to remember. I was a little bit sceptical if it would be really a night I will remember for long, but I was wrong. There were few artists presenting their pieces. We were able to hear people playing guitar and theremin, reciting poetry or “interpreting alien poetry”. But the best pieces of this evening were songs played by Dimitra Fleissner on her harp and the ATS show by Gata. Music and dance were quite different but they both left me astonished and I will be looking forward for another possibility to see one of these artists performing.
Clearly, nobody owns culture. So why do we worry about appropriating it?
(Cough, when I say “we,” I mean American progressives and Social Justice Zealots who clearly have too much time on their hands, cough.)
My take: If you’re a science fiction or fantasy writer, you have more to say on this topic than anyone. Because you’re extrapolating futures, presents, and pasts. Alternative histories. Possible horizons. The “What if?” that makes SF/F so much fun in the first place. There are no rules which you aren’t automatically authorized to break. The entire cosmos is your paint box. Nobody can tell you you’re doing it wrong.
Are we really going to be dumb enough to pretend that SF/F authors of demographics X, Y, or Z, cannot postulate “What if?” for demographics A, B, and C?
We’re not even talking about homework — which is a good idea, simply because some of your best syntheses will occur when you take Chocolate Culture and Peanut Butter Culture — kitbash them together — and come up with the inhabitants of a frontier planet for your thousand-year-future interstellar empire.
We’re talking about authors voluntarily yoking their creative spirits to somebody else’s pet political and cultural hobbyhorses. A game of rhetorical, “Mother, may I?”
Canadians may now have a slight advantage when it comes to digging for lost change in sofa cushions and car seats; the Royal Canadian Mint has unveiled what it described as the world’s first glow-in-the-dark coin in circulation.
The specially designed two-dollar coin, or toonie, as it’s known in Canada, features two people paddling in a canoe as the northern lights – vivid in green and blue – dance high above them. When the coin is put in the dark, the aurora borealis glows softly, thanks to a new ink formulation that contains luminescent material.
The coin, part of a collection created to mark the 150th anniversary of Canada’s confederation, also ranks as the world’s first coloured bimetallic coin, said a mint spokesperson. “Only the core of the $2 coin is coloured and the glow effect makes the aurora borealis part of the design look lifelike,” said Alex Reeves.
Step one was to dig back into the past of TSR and the role-playing hobby as a whole. In so doing, the FBI put together a pretty decent three-page history, if I do say so myself. It also came up with a list of armed and dangerous individuals who were “known members of the Dungeons & Dragons” that it pulled from TSR’s own computer system.
David Klaus sent the link along with his comments:
The fishing expedition into TSR as a cocaine front would appear to be sparked by cultural bigotry. Unable to find real crime, to justify his existence, local FBI agent investigates legitimate business run by “weirdos” playing a game Pat Robertson says is Satanic. (This would be in keeping with the Secret Service act of stupidity against Steve Jackson Games at about the same time.) Again, having no evidence of crime, just prejudiced opinion, the personal histories of all corporate officers are gathered, civil rights being violated, the company computers are invaded and lists of game purchasers are kept on file. And that Gary Gygax! He answers his mail! He ‘s a Libertarian Party member! He had a difficult divorce! He’s eccentric! Somebody whose credibility can’t be judged says he’s “frightening”! His business makes money! He spends his own money as he pleases! The file included allegations he breaks drug and gun laws. (If there were evidence, why didn’t they make an arrest? Perhaps because there wasn’t?) We’re incompetent to find the Unabomber, and this guy uses a computer. It might be him, yeah, that’s the ticket! Let’s drop some hints among his friends and watch them get paranoid about each other! Since we couldn’t find evidence, let’s see if one of them will manufacture some out of fear! Scare ’em enough, and they’ll say anything. These Flatfeet Keystone Cops are supposed to protect us from foreign terrorism. Right.
Callie Bates’s strength lies in how quickly and succinctly she lays down the plot without making it complicated, a great feat when you consider the story is told in the first person; Elanna’s view point restricts us to what she is seeing and hearing, but never distracts from the bigger picture—and Bates manages to cleverly insert plot points along the way without them appearing to be shoe-horned in. I was immediately sympathetic to Elanna’s plight, her confused and conflicted state: the fact that everything she has been taught—from history to basic morals—is falling down around her makes her someone you want to side with. In a lesser writer’s hands Elanna’s character could have easily become whiny, but Bates makes her a strong, opinionated woman, yet one who is forced to have her mind opened to something beyond herself.
[Thanks to John King Tarpinian, David K.M. Klaus, Cat Eldridge, Martin Morse Wooster, Paul Weimer, Chip Hitchcock, and Louise Hitchcock for some of these stories. Title credit goes to File 770 contributing editor of the day Stoic Cynic.]