Pixel Scroll 4/7/22 Earth, Be Glad! An April Scroll Is Born

(1) GAIMAN AND DORAN. The Guardian has made the full video of the livestream event with Neil Gaiman and Colleen Doran available online now, introducing their new graphic novel Chivalry from Dark Horse Comics. In comic shops now, in bookstores next week.

(2) AS TIME GOES BY. Rachel Birenbaum, author of a time travel novel, discusses why time travel stories remain an important part of sf. “On Time Travel and Metafiction” at CrimeReads.

…Every iteration begins with rules. The author has to create their universe and dictate how long time travel lasts, how it’s done, how it might affect the protagonist physically, and more. Most tales send people hurtling forwards or backwards with orders not to affect anything but their target. While all the rules are different, the reason behind time travel is almost always the same: regret….

(3) ONE DOES NOT SIMPLY. “LOTR Fitness Challenge Asks You To Walk From The Shire To Mordor To Rid Evil From The World”GameSpot has the details.

Looking to get in shape but need some extra motivation? A new gamified exercise program challenges players to log workouts in the real world as they virtually follow The Lord of the Rings characters Frodo and Sam from The Shire to Mount Doom to destroy the One Ring.

The Conqueror Virtual Challenges has teamed up with Warner Bros. for a new series of five virtual challenges based on The Lord of the Rings movies. Anyone can take part in exercises of varying lengths, with the ultimate goal of making it all the way to Mordor to destroy the ring.

The Conqueror Challenges app has been updated with a Middle-earth map that has five challenges to unlock: The Shire, The Fellowship, Mines of Moria, The Eye of Sauron, and the Mordor. Participants can run, cycle, swim, or walk to reach the set distance, and each stop has stories and postcards detailing Frodo and Sam’s journey. The distances are listed below….

(4) COUNT HIM OUT. “Doctor Who’s Steven Moffat ‘can confidently say’ he’s done showrunning”. Radio Times has quotes.

“I think I can confidently say I’m done showrunning Doctor Who,” Steven Moffat (who was in charge of Doctor Who from 2010 to 2017) told RadioTimes.com at the Radio Times Covers Party.

“Everyone can stop worrying. I did it for six seasons on the trot. And I cannot imagine going back into doing that. I cannot. I simply cannot picture it.”

He added: “I loved the show. I don’t want anyone to think I didn’t love the show. And I loved every second I spent on it, although some of them were hellish. But I’ve done that. I have done it and I did it a lot.

“So no offence and no disrespect and certainly no disdaining of wonderful memories. But no, I will not be showrunning Doctor Who again.”

(5) AN APPEAL TO AUTHORS. [Item by SF Concatenation’s Jonathan Cowie.] Russia has been using SF/F fiction for a few years now to promote propaganda against Ukraine.

Even back in 2006 at the Eurocon in Ukraine it was possible to see how Russian publishing dominated over Ukrainian in that country. However, since then Russian propaganda against Ukraine has appeared in fiction including fantasy.

For example Eduard Limonov in Kyiv Kaput has written an alternate universe history of Ukraine that ends up predicting events in the future.

Mockups Design

Chytomo – the Ukrainian publishing news site – has created a pie chart of Russian publishers and the number of such propaganda books they publish.

Western writers may wish to note — once all this ghastly business is over — who these publishers are and avoid them translating western works. The chart is here.

Ukranian fan Borys Sydiuk also commented, “This is an important article, it explains why we ask authors not to provide foreign rights to Russian publishers.” “50 propaganda books against Ukraine and incitement to hatred against Ukrainians from Russian publishers” at Chytomo.

…Another problem was propaganda.

 Since 2009, Russia has been actively publishing books on the war between Russia and Ukraine in the «fantasy» genre, as well as «historical» and nonfiction literature about the «collapse of the Ukraine project» and mocking the independence of the «non-existent» Ukrainian people, «artificial» Ukrainian language.

These books can be easily found on the Internet for purchase and in services for open access books. In addition, children’s books began to offer more and more poems about the «great Russian army» that was coming to free everyone. 

The import of books from Russia was limited in 2017 due to their aggressive content. Only books with anti-Ukrainian printed materials were restricted, such as publications aimed at eliminating Ukraine’s independence, promoting violence, inciting ethnic, racial, religious animosity, carrying out terrorist attacks, and violating human rights and freedoms. The State Committee of television and radio broadcasting of Ukraine was entrusted with the functions of examination and issuance of permits.

The State Committee of television and radio broadcasting of Ukraine processed more than 45,000 applications during this period: issued 39,416 permits to import  publishing products, 5,275 refusals and revoked  2,227 previously issued permits.

Among the publications not allowed on the territory of Ukraine, many publications belong to authors who have been included in the lists of persons who pose a threat to national security — in particular, Zakhar Prilepin, Alexander Dugin and Alexander Tamonikov. The latter is «famous» because the list of anti-Ukrainian publications includes 20 of his works at once, not just with propaganda elements, but those whose sole purpose is to incite hatred against Ukraine and Ukrainians.

(6) MEDIA BIRTHDAY.

1978 [Item by Cat Eldridge.] Much to my surprise, forty-four years ago a series called Quark aired as mid-season replacement on NBC. Why surprises me is that it only lasted eight episodes. I swear I remember it lasting longer than that. 

It was created by Buck Henry, co-creator of Get Smart. It was co-produced by David Gerber who had been responsible for the series version of The Ghost & Mrs. Muir (try not to hold that against him) and Mace Neufield who after being a talent agent for such acts as The Captain and Tennille became responsible for The Omen as the producer. 

The cast was Richard Benjamin, Tim Thomerson Richard Kelton Tricia Barnstable, Cyb Barnstable, Conrad Janis, Alan Caillou and Bobby Porter. The Barnstable twins got a lot of press, mostly for the fact that they didn’t wear much and really, really could not act. They previously appeared as the Doublemint Twins often with identical canines. I kid you not. 

Ok, so how is the reception? Oh you have to ask? Seriously? One reviewer summed it up this way: “Only lasting eight episodes, it is eight episodes too many. The idea of spoofing science fiction is a given and there are only a handful that get it right, but this is a spectacularly awful show.” And another said succinctly that “A viewer seeking something a little different may find the series entertaining, but low expectations are a must.” 

It has no rating at Rotten Tomatoes. It might be streaming on Crackle and Philo, two services that I’ve never heard of. 

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born April 7, 1909 Ray Quigley. Here solely for the three covers that he did for Weird Tales in the Forties. He didn’t do a lot of pulp work that I can find but these three are amazing. He did the December 1938 cover with the Dracula like figure here, the September 1940 cover with the nightmarish skull-faced Bombers here, and finally, the May 1942 cover with the really scary living ship here. The latter issue had Henry Kuttner, Robert Bloch and Dorothy Quick listed on the cover! (Died 1998.)
  • Born April 7, 1915 Henry Kuttner. While he was working for the d’Orsay agency, he found Leigh Brackett’s early manuscripts in the slush pile; it was under his guidance that she sold her first story to Campbell at Astounding Stories.  His own work was done in close collaboration with C. L. Moore, his wife, and much of they would publish was under pseudonyms.  During the Forties, he also contributed numerous scripts to the Green Lantern series. He’s won two Retro Hugos, the first at Worldcon 76 (2018) for “The Twonky” short story, the second at Dublin 2019 for “Mimsy Were the Borogoves”. (Died 1958.)
  • Born April 7, 1928 James White. Certainly the Sector General series which ran to twelve books and ran over thirty years of publication was his best known work. I’ve no idea how many or even which ones that I read but I’m certain that it was quite a few as I really, really loved this series. I’m not sure what else by him I’ve read but I’m equally sure there were other novels down the years. He was a 1996 Worldcon guest of honor at L.A.con III. It appears that only a handful of his novels are available from the usual suspects. (Died 1999.)
  • Born April 7, 1939 Francis Ford Coppola, 83. Director / Writer / Producer. THX 1138 was produced by him and directed by George Lucas in his feature film directorial debut in 1971. Saw it late at night after some serious drug ingestion with a redhead who was seriously into Morrison — strange experience that was. Other genre works of his include Bram Stoker’s Dracula, a episode of Faerie Tale Theatre entitled “Rip Van Winkle”, Twixt (a horror film that I’m betting almost no one here has heard of), Captain EO which featured Michael JacksonMary Shelley’s FrankensteinJeepers Creepers and Jeepers Creepers 2.
  • Born April 7, 1945 Susan Petrey. Another who died far, far too young. Only three of her stories were published during her lifetime. More of her work appeared in the Gifts of Blood collection published after her death. She was nominated, also posthumously, for the Astounding Award for Best New Writer, and her story ”Spidersong” was nominated for the Hugo Award at Denvention Two. The Susan C. Petrey Clarion Scholarship Fund annually awards scholarships to both the Clarion & Clarion West workshops and also supports an instructor at Clarion West as a Petrey Fellow. (Died 1980.)
  • Born April 7, 1946 Stan Winston. He’s best known for his work in Aliens, the Terminator franchise, the first three Jurassic Park films, the first two Predator films, Batman Returns and Iron Man. (He also did the Inspector Gadget film which I still haven’t seem.) He was unusual in having expertise in makeup, puppets and practical effects, and was just starting to get in digital effects as well upon the time of his passing. I think we sum up his talent by noting that his four Oscars include a pair he won for Best Visual Effects and Best Makeup for his work on Terminator 2: Judgment Day. (Died 2008.)
  • Born April 7, 1951 Yvonne Gilbert, 71. Though best remembered for her controversial cover design of Frankie Goes To Hollywood’s 1983 single “Relax”, she did a number of great genre covers including Le Guin’s A Wizard of Earthsea for Bantam in 1991 and Beagle’s A Dance for Emilia for Roc in 2000. (CE) 

(8) WORLD BUILDER. “How Long ’til Black Future Month? by N.K. Jemisin (a review)” by Brenton Dickieson at A Pilgrim in Narnia.

…Thus, while Jemisin has become a leading figure, her influence and prestige have come through two decades of unrelenting commitment to sophisticated world-building, culturally rich, character-driven literary prose, and a remarkable capacity for experimental writing. This concentration of character-voice combined with a disciplined approach to speculative world-building appears in some of Jemisin’s best writing in How Long ‘Til Black Future Month?

The true Jemisin fan is going to be particularly thrilled to participate in some of her short story experiments that later become novels or full series. “The Narcomancer” has a tinge of a melancholy sweetness, a story of conscience and vocational risk that becomes part of the Dreamblood series (which I haven’t read yet). “Stone Hunger” was exciting for me to read, for I was privileged to see how Jemisin began to conceptualize the extremely complex character make-up of The Broken Earth Trilogy–and how deeply implicated the characters are in that universe with the speculative world itself. And “The City Born Great” has all the terrifying brilliance and bracing goodness of The City We Became–an experiment in allegorical fiction that I have argued (here and here) is more successful in this short story than in the full novel….

(9) THIS JUST IN. From the authors themselves: “Getcher new Lee & Miller news right here!”

Three Liaden Universe® titles to be released by Baen in 2023
Scout’s Progress will be reissued in a new mass market/ebook edition March 2023
Salvage Right* will be published in Summer 2023
Trade Lanes** will be published in Fall 2023

Liaden Universe® Constellations audiobook editions
Tantor Media will be releasing the first four Liaden Universe® Constellations, starting in June.  Go to this link, and click on the individual titles to preorder.

Trade Lanes audiobook edition
We are in contact with our publisher and hope to have news regarding the Trade Lanes audiobook edition soon.  As soon as we have it, you’ll have it.  Promise

_________________
*Salvage Right is set on Tinsori Light after the events described in Neogenesis. The cast of characters includes, but is not limited to: Jen Sin yos’Phelium, Seignur Veeoni, Tocohl Lorlin, Lorith, Tolly Jones, Hazenthull nor’Phelium, Theo Waitley

**Fair Trade is the third book following the adventures of Jethri Gobelyn ven’Deelin, who made his first, admittedly awkward, bow in Balance of Trade; his second, somewhat more nuanced, in Trade Secret.

(10) ON STAGE AT CALTECH. A musical adaptation of Verne’s From the Earth to the Moon will be performed by Theater Arts at Caltech (TACIT) in Pasadena’s Ramo Auditorium on six times next week – see full details at the link.

From the Earth to the Moon

From the writers of the record-breaking Caltech musical Boldly Go! comes a fresh new science fiction musical based on the Jules Verne classic written in 1865. Gauntlets are thrown, headlines made, duels waged, and alliances put to the test in this dynamic imagining of spaceflight in the late nineteenth century directed by Brian Brophy.

…TACIT, as Theater Arts at Caltech is familiarly known, typically prepares and performs two or three plays each academic year. Recent productions include She Kills Monsters, Avenue Q, Rent, Company and many original projects.

Members of the Caltech community have the opportunity to learn all aspects of the theatrical craft—acting, stage crew, set construction, wardrobe, light and sound operation, properties, house management, and publicity—and to work with professionals in areas of theater design: set, light, sound, costume, and music. This is a hands-on approach, not classroom theory. It also provides an appreciation of the theatrical literature and exposure to the literature of many languages (in translation). 

(11) HOLY GUACAMOLE. The New York Times invites you to “Meet DALL-E, the A.I. That Draws Anything at Your Command”.

At OpenAI, one of the world’s most ambitious artificial intelligence labs, researchers are building technology that lets you create digital images simply by describing what you want to see.

They call it DALL-E in a nod to both “WALL-E,” the 2008 animated movie about an autonomous robot, and Salvador Dalí, the surrealist painter.

OpenAI, backed by a billion dollars in funding from Microsoft, is not yet sharing the technology with the general public. But on a recent afternoon, Alex Nichol, one of the researchers behind the system, demonstrated how it works.

When he asked for “a teapot in the shape of an avocado,” typing those words into a largely empty computer screen, the system created 10 distinct images of a dark green avocado teapot, some with pits and some without. “DALL-E is good at avocados,” Mr. Nichol said….

(12) HE’S NOT HEAVY, HE’S MY BOSON. The W boson is not bigger on the inside, but it’s bigger than anticipated: “’Huh, That’s Funny’: Physicists Delighted by New Measurement for the W Boson” reports Gizmodo.

A collaboration of hundreds of scientists have precisely measured the mass of the W boson, an elementary particle responsible for the weak nuclear force. The researchers found, to their surprise, that the boson is more massive than predicted by the Standard Model of particle physics, the working theory that describes several of the fundamental forces in the universe….

(13) A BAD DAY IN NORTH DAKOTA A LONG TIME AGO. “Tanis: Fossil of dinosaur killed in asteroid strike found, scientists claim”. BBC News says the artifact will be seen in a Sir David Attenborough production to be broadcast April 15.

Scientists have presented a stunningly preserved leg of a dinosaur.

The limb, complete with skin, is just one of a series of remarkable finds emerging from the Tanis fossil site in the US State of North Dakota.

But it’s not just their exquisite condition that’s turning heads – it’s what these ancient specimens are purported to represent.

The claim is the Tanis creatures were killed and entombed on the actual day a giant asteroid struck Earth.

The day 66 million years ago when the reign of the dinosaurs ended and the rise of mammals began.

Very few dinosaur remains have been found in the rocks that record even the final few thousand years before the impact. To have a specimen from the cataclysm itself would be extraordinary.

The BBC has spent three years filming at Tanis for a show to be broadcast on 15 April, narrated by Sir David Attenborough.

Sir David will review the discoveries, many that will be getting their first public viewing.

Along with that leg, there are fish that breathed in impact debris as it rained down from the sky.

We see a fossil turtle that was skewered by a wooden stake; the remains of small mammals and the burrows they made; skin from a horned triceratops; the embryo of a flying pterosaur inside its egg; and what appears to be a fragment from the asteroid impactor itself….

(14) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] Ryan George, in “Morbius Pitch Meeting,” a spoiler-filled episode, says that Dr. Michael Morbius drinks vampire bat blood which causes him to bulk up “like a Calvin Klein underwear model.” But the producer tells the screenwriter to add many more references to Spider-Man, Vulture, and other Marvel characters because “we’re in the MCU now” at Sony.

[Thanks to Cat Eldridge, Mike Kennedy, Martin Morse Wooster, JJ, Cleo Campion, Daniel Dern, Borys Sydiuk, SF Concatenation’s Jonathan Cowie, John King Tarpinian, Andrew Porter, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Hampus Eckerman.]

Pixel Scroll 2/25/22 Pixels, Comments, Shoggoths, That Scroll! Credentials, Nitpicks, Wrongtime Is That Scroll!

(1) PAY THE WRITER. Publishers Weekly says a New York State legislator has introduced a bill designed to upgrade protections for freelancers, including writers: “‘Freelance Isn’t Free’ Bill Introduced in New York State”.

Roughly five years after the implementation, in New York City, of the Freelance Isn’t Free Act, a local law intended to establish and enhance the rights of freelance workers—including authors, journalists, and other writers on contract—a similar law has been proposed at the state level.

On February 18, Democratic New York state senator Andrew Gounardes and assembly member Harry Bronson introduced S8369, also nicknamed “Freelance Isn’t Free,” a new bill intended to “protect contract and freelance workers from wage theft by ensuring all freelancers receive appropriate contracts for their work, are paid in a timely manner, and have state support to recoup unpaid wages.” It would, the lawmakers explained in a release, build upon the prior New York City bill, expanding the protections for freelancers state-wide.

The bill, should it become law, would also lower the threshold for mandating additional financial remediation from contractors to contract workers should the latter not be paid in a timely manner from $800 to $250. It would also make the New York State Labor Department the regulatory agency for freelancers in the state, including New York City, where, currently, the Department of Consumer and Worker Protection oversees the protection of freelancers, but has no ability to pursue legal action against delinquent contract clients….

(2) RELATED WORK. Cora Buhlert has released her latest Non-Fiction Spotlight. This one features a new biography of Robert E. Howard:  “Renegades and Rogues: The Life and Legacy of Robert E. Howard by Todd B. Vick”.

What prompted you to write this book?

The simple answer: I’ve been a fan of Robert E. Howard’s work since 1981 when, at the time, my best friend loaned me his Ace paperback copy titled, Conan, with the Frank Frazetta cover art for Howard’s story, “Rogues in the House.” The idea for a biography came to me when I purchased a copy of Glenn Lord’s work, The Last Celt back in the mid-80s. Lord’s book made me realize there were others out there who took Howard’s work a bit more seriously than the casual reader. Due to life and higher education, Howard was sidelined until I began work (mostly research) on the biography in late 2002. I am currently working on a novel….

(3) 25 BEST SFF SHOWS. Den of Geek declares these to be the “Best Sci-Fi TV Shows of the Past 15 Years”. I don’t want to spoil everything by posting their #1 – but here, let me spoil number nine…

9. The Mandalorian

Star Wars has long been a little too beholden to one particular corner of its mythology. The Skywalker Saga looms large, perhaps too large, in pop culture consciousness. Deviate too much from it, or fail to pay sufficient homage to childhood classics, at your peril. But The Mandalorian managed to deliver everything longtime fans want from Star Wars, while also making the galaxy far, far away equally appealing to those who might be experiencing it for the first time. As much a space Western or a riff on Lone Wolf and Cub as it is an actual science fiction show, The Mandalorian is every bit as cinematic as the most famous entries in the franchise, exploring deeper corners of the Star Wars universe than we’re accustomed to seeing in live action (with apologies, of course, to the brilliant Rogue One).

Alternately as episodic as the vintage movie serials that first inspired George Lucas and as intricately woven as any other prestige TV effort, it’s made all the more remarkable by the fact that it’s anchored by a riveting performance by its lead (Pedro Pascal), who spends all but moments of the show’s entire runtime so far hidden completely behind a mask. And then there’s Grogu (Baby Yoda), a character who should feel like the cloying, craven little cash grab he is who instead became an instantly (and deservedly) beloved Star Wars fixture. – Mike Cecchini

(4) NOVACON. [Item by SF Concatenation’s Jonathan Cowie.] Novacon is Britain’s longest-running regional SF convention. Last November it held its 50th event. SF2 Concatenation has just Tweeted an advance post of a review of the 50th anniversary Novacon report ahead of its next seasonal edition that is slated for April. [The con took place November 12-14, 2021.]

There were around 250 attendees: about a quarter of those you’d get at the average Eastercon these days. Being the 50th anniversary event, the occasion was marked by a special publication, Burning Brightly, edited by Ian Whates, gathering stories generated exclusively from various Novacon publications over the decades, with work by such luminaries as Iain M Banks, Adrian ( Shards of Earth) Tchaikovsky and Stephen (Flood) Baxter among others. Each attendee received a free copy.

There were two programme streams with main hall events running parallel to fringe events in a side room, and everything was on the ground floor with easy access. (The accommodation was upstairs, served by a dreadful, slow rickety tin elevator with a mind of its own)….

(5) ASK THE D.A. “Peter Sarsgaard: ‘Have we reached superhero saturation? Probably’” answers the actor in The Guardian.

… His tendency to seem half-asleep and harmless until – snap! – he has you in his teeth, like a Venus flytrap, serves him well in the world of The Batman. Robert Pattinson plays the caped vigilante, while Sarsgaard is Gil Coulson, the shady, shaven-headed district attorney of Gotham City. “Gil is leading a double life,” he says. “He is protective of his family, but he’s involved in some things that are not legit.” The mix of sweet and sour appeals. “It creates more conflict. What if the biopic of Donald Trump showed how he made a damn good cherry pie on Thanksgiving, and sang songs with his family, but then he did all this other stuff?”…

(6) A MIRROR TO LIFE.  Two scholars and their cats announce a Call for Papers for Gardeners of the Galaxies: How Imaginary Worlds Teach Us to Care for This One by Drs. Sørina Higgins and Brenton Dickieson”.

As the climate crisis worsens, our home planet and our conversations about it are heating up–and creative writers both reflect and anticipate such concerns. Thanks to the recent ethical turn in science fiction and fantasy, many speculative works offer readers a mirror in which to view our own world. Its beauties and vulnerabilities take on special clarity through the page or the screen. A tale of terraforming another planet reminds us how precious and fragile our home world is. The perennial conflict between nature and technology comes alive when trees march to war. We find insights into healthy, diverse communities by spending time with characters in a fellowship–or on a starship….

(7) HENRY LINCOLN (1930-2022). Doctor Who writer Henry Lincoln has died at the age of 91. Doctor Who News paid tribute.

Henry Lincoln was the last surviving writer to have worked on Doctor Who in the 1960s. He wrote three Doctor Who stories, co-creating The Yeti and the character Brigadier Lethbridge-Stewart. 

…In the 1960s he formed a writing partnership with Mervyn Haisman and together they were commissioned to write a six-part story for the second Doctor. The result was The Abominable Snowmen which saw the Doctor, Jamie and Victoria battle The Great Intelligence and their robot servants The Yeti. The story was so successful the team was immediately commissioned to write a sequel, this time bringing the Yeti into the claustrophobic world of the London Underground in The Web of Fear.

The story introduced a new character in the form of Colonel Lethbridge-Stewart played by Nicholas Courtney. Not only was the story highly regarded but the new character caught the imagination of the producers and would return the following year, albeit with a promotion, and become a regular throughout the Pertwee years. 

Henry Lincoln and Mervyn Haisman’s third outing with the Doctor was not so successful. Their six-part story, The Dominators would cause a permanent rift with the BBC following an argument over who owned the characters The Quarks. The story was rewritten and reduced to five episodes resulting in the writers asking for their names to be removed from the credits. The story was transmitted under the pseudonym Norman Ashby. …

(8) GEORGE OLSHEVSKY (1946–2021). Artist George Olshevsky died in December of Covid, according to an announcement by SDCC’s Jackie Estrada on Facebook. A profile of his work for Marvel can be found on the Marvel Database.

…Graduate of M.I.T. Olshevksy indexed all of the Marvel Comics major titles in the 1970’s and Early 80’s. This quite extensive project also employed Lou Mougin and many others. Olshevksy was also aided by a complete personal collection of Marvel Comics….

(9) MEMORY LANE.

2019 [Item by Cat Eldridge] Two of my favorite individuals, Charles de Lint, who would later win a World Fantasy Lifetime Achievement Award, and Charles Vess, who received a Hugo at Dublin 2019 for Best Professional Artist and a World Fantasy Award for Best Artist. collaborated on The Cats of Tanglewood Forest, a follow-up to their A Circle of Cats

Fourteen years ago, it would win the Sunburst Award for Excellence in Canadian Literature of the Fantastic, an award that until this moment I’d not heard of. My bad for not knowing of this award. 

If you’ve not encountered this novel, it’s considered a young adult work but I’d recommend for anyone interested in a good read grounded in Appalachia folklore with the fantastic artwork of Vess profusely illustrating it. You can read the Green Man review here. And here’s our review for A Circle of Cats as well. I’ve got one of his signed prints for A Circle of Cats in my apartment.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born February 25, 1909 Edgar Pangborn. For the first twenty years of his career, he wrote myriad stories for the pulp magazines, but always under pseudonyms. It wasn’t until the Fifties that he published in his own name in Galaxy Science Fiction and The Magazine of Fantasy & Science Fiction. Ursula Le Guin has credited him with her realizing it is possible to write humanly emotional stories in an SF setting. And yes, I know he wrote Davy. (Died 1976.)
  • Born February 25, 1917 Anthony Burgess. I know I’ve seen and read A Clockwork Orange many, many years ago. I think I even took a University class on it as well. Scary book, weird film.  I’ll admit that I’m not familiar with the Enderby series having not encountered them before now. Opinions please. (Died 1993.)
  • Born February 25, 1964 Lee Evans, 58. He’s in The History of Mr Polly as Alfred Polly which is based on a 1910 comic novel by H. G. Wells. No, not genre, but sort of adjacent genre as some of you are fond of saying.
  • Born February 25, 1968 A. M. Dellamonica, 54. A Canadian writer who has published over forty rather brilliant short since the Eighties. Her first novel, Indigo Springs, came out just a decade ago but she now has five novels published with her latest being The Nature of a Pirate. Her story, “Cooking Creole” can be heard here at Pod Castle 562. It was in Mojo: Conjure Stories, edited by Nalo Hopkinson.
  • Born February 25, 1971 Sean Astin, 51. His genre roles include Samwise Gamgee in the Rings trilogy, Mikey Walsh in The Goonies, and Bob Newby in the second season of Stranger Things. He also shows up in Justice League: War and in Justice League: Throne of Atlantis films voicing both aspects of Shazam, a difficult role to pull off. He reprises that role on the Justice League Action series. 
  • Born February 25, 1973 Anson Mount, 49. He was Black Bolt in Marvel’s Inhumans series. He now has a recurring role as Captain Christopher Pike, a role he first played on Discovery, and which he will reprise on Strange New Worlds this year.  I see he was in Visions, a horror film, and has had appearances on LostDollhouse and Smallville.

(11) JEOPARDY! Sure, you’ll get it. But Andrew Porter saw a contestant miss it on tonight’s episode of Jeopardy!

Final Jeopardy; category: Awards

Answer: These awards have a retro version & winners include the novel “The Sword in the Stone” and “The War of the Worlds” radio broadcast

Wrong question: What are the Webbies?

Right question: What are the Hugo Awards?

(12) VASTER THAN EMPIRES. [Item by Daniel Dern.] “Largest Bacterium Ever Discovered Has An Unexpectedly Complex Cell”Slashdot has the story.

A newly described bacterium living in the Caribbean “is visible to the naked eye, growing up to 2 centimeters — as long as a peanut — and 5,000 times bigger than many other microbes,” writes Elizabeth Pennisi via Science.org.

(Cue Christine Lavin singing “The Amoeba Hop”.)

(13) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] Not only can you play Lego Star Wars in “mumble mode,” but your inner eight-year-old will love that you can turn off the weapons noises and replace them with human sounds! “LEGO Star Wars: The Skywalker Saga – Behind the Scenes”.

[Thanks to Cat Eldridge, Mike Kennedy, Martin Morse Wooster, JJ, Chris Barkley, Daniel Dern, SF Concatenation’s Jonathan Cowie, John King Tarpinian, Andrew Porter, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 2/11/22 They’re Creepy And They’re Scrolly, The Pixel Family

(1) EMPOWERING LIBRARIES. “Texas Book Ban Prompts School Librarians to Launch #FReadom Fighters” reports Publishers Weekly.  (The #FReadom website is here.)

In response to Texas Rep. Matt Krause’s published list of 850 books on race and sexuality that he targeted for their subject matter —many of which were pulled from school library shelves—a group of Texas school librarians has decided to push back. Last November, they orchestrated #FReadom Fighters, a social media campaign with the goal of supporting authors, teachers, librarians, and students in their pursuit of intellectual freedom. In a matter of months, the organization’s work has amassed thousands of supporters, both at the state level and across the country, and incited other likeminded groups to take action.

… On launch day, November 4, 2021, #FReadom Fighters garnered 13,000 tweets, much to the organizers’ surprise. “We had planned all this in secret, so we were amazed that this was happening even before starting a Twitter account,” Foote said. “We saw ourselves as a guerilla effort, serving as a rapid response team.” The @FReadomFighters Twitter account and website soon followed, updated with weekly and monthly action plans to support fellow librarians in their day-to-day operations. Ideas for #FReadom Fridays varied, from inviting authors to show letters they had received from readers about why their books were so powerful, to asking people to share books that had had an impact on them. A more recent prompt focuses on celebrating wins: sharing success stories of books that have been put back on shelves….

(2) THE BUZZ. Lightyear opens June 17.

“Lightyear” is the definitive origin story of Buzz Lightyear—the hero who inspired the toy—follows the legendary Space Ranger on an intergalactic adventure. “Buzz’s world was always something I was excited about,” said director Angus MacLane. “In ‘Toy Story,’ there seemed to be this incredible backstory to him being a Space Ranger that’s only touched upon, and I always wanted to explore that world further. So my ‘Lighytear’ pitch was, ‘What was the movie that Andy saw that made him want a Buzz Lightyear toy?’ I wanted to see that movie. And now I’m lucky enough to get to make it.”

(3) BRADBURY’S SUPER BOWL CONNECTION. A newspaper pitched Ray to contribute to its Super Bowl XXXV (2001) special section. Did he do it?

(4) HORROR THEATER 3000. Ursula Vernon livetweeted her experience watching the horror movie Midsommar. Thread starts here.

(5) THE OFFICE. [Item by Martin Morse Wooster.] In the Washington Post, Adela Suliman says Britain’s Science Museum has opened an exhibit called “Stephen Hawking At Work,” which features a preserved doodle-covered blackboard and the case that held his voice synthesizer. “’Stephen Hawking at Work’ exhibition in London displays his blackboard, glasses and other belongings”.

Hawking’s daughter, Lucy, said it was “wonderful to see my father’s working environment recreated.”

“It was such a unique and fascinating environment, and I am delighted his office has been recreated in order to inspire scientists of the future,” she said in a statement.

The blackboard in the exhibit illustrates Hawking’s playful sense of humor and was used during a “Superspace and Supergravity” conference in 1980. Delegates covered it in equations, cartoons and jokes about one another. Hawking had the souvenir framed and hung in his office.

Because even small vibrations could cause the blackboard to lose chalk, Juan-Andres Leon, curator of Stephen Hawking’s Office, said in an email, “the museum applied a starch-based material to stabilise the chalk dust and enclosed it in a frame.”

(6) RIGHTS AND WRONGS. Want to own the rights to The Lord of the Rings? Can you outspend Jeff Bezos? Meanwhile, other legal shenanigans are in progress reports Yahoo! “Lord Of The Rings Mod Hit With Takedown Just As Series’ Rights Are Up For Sale”.

The bigger news first: the Saul Zantz company has owned most of the rights to Tolkien’s works since the 1970s. Almost everything that has been made based on the books in the fields of “film, video games, merchandising, live events and theme parks” has had to be negotiated and paid for accordingly. Variety reported this week though that the company is moving to sell those rights, for a sum that’s expected to be around the $2 billion mark, with Amazon expected to be front of the line to make the purchase, which seems like an absolute worst-case scenario.

So it’s weird, then, that given the timing of that sale, Warner Bros.—who currently licenses the rights to Lord of the Rings video games—have chosen February 2022 to go after a prominent and highly-anticipated mod for the Total War series called Rise of Mordor.

This mod has been around for yearswe wrote about it in 2018!—and has quietly gone about its business with the assumption that, like its popular predecessor Third Age, nobody really cared. Only now somebody clearly does, because Rise of Mordor’s Mod DB page has been hit with a takedown notice (Third Age’s, however, remains)….

(7) MAIL FROM HELL. Yesterday, Brenton Dickieson celebrated “The 80th Anniversary of C.S. Lewis’ The Screwtape Letters” at A Pilgrim in Narnia.

… As I discuss it in detail here, it is a shocking beginning for the unprepared. Who is Screwtape? Who is Wormwood? Why is Wormwood being commended for encouraging connections with materialists (atheists? naturalist? worldly people?)? Why is he rebuked for using argument as a foundation for action?

The original Screwtape Letters were an extreme use of in medias res with the potential to leave the reader completely befuddled. We all “get” Screwtape now because the genre of demonic epistolary fiction is something we might expect. It is part of pop culture. Back then, though, it was entirely new. While the editor’s little note may prepare regular readers to expect a Christian academic, readers not expecting a new, satirical genre may well be surprised….

… I don’t know anyone who has catalogued the breadth of influence that Screwtape has had within popular culture as a whole. That Monty Python’s John Cleese narrated a Grammy-nominated audiobook of The Screwtape Letters is some indication of its impact….

(8) TWO DOZEN STORIES. [Item by Daniel Dern.] A free download of 24 stories is available: “Some of the Best From Tor.com 2021 Is Out Now!” Yes, you could find these one-by-one at Tor.com. This is easier.

This anthology features twenty-four of our favorite original stories published on the site in the past year.

Of course, you can always read these—and all other—Tor.com stories  for free whenever you’d like, but starting today they will be available world-wide as a single, easy-to-read, FREE ebook, available from all your favorite vendors.

(9) MEDIA BIRTHDAY.

1970 [Item by Cat Eldridge]  Fifty-two years ago, Hammer Films’ Frankenstein Must Be Destroyed premiered. It was the fifth Hammer film that featured Baron Frankenstein. It was directed by Terrence Fisher from the screenplay by Bert Batt as taken from the story written by Anthony Nelson and Batt. It starred Peter Cushing, Freddie Jones, Veronica Carlson and Simon Ward. 

Critics say that it is one of the better Hammer films in quite some time with Variety saying that  it had “a minimum of artless dialogue, good lensing by Arthur Grant and a solid all round cast”, and Slant Magazine holding it to be “One of the finest of the seven entries in Hammer’s Frankenstein cycle.”

It holds a sixty-eight percent rating among the nearly three thousand who rated it over at Rotten Tomatoes. You can watch it here.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born February 11, 1908 Tevis Clyde Smith, Jr. He did several short stories with Robert E. Howard — “Diogenes of today”, “ Eighttoes makes a play” and “Red Blades of Black Cathay”. Donald M. Grant would publish them together in the Red Blades of Black Cathay collection. The title story originally appeared in Oriental Stories, an offshoot of Weird Tales. (Died 1984.)
  • Born February 11, 1910 L. T. C. Rolt. English writer whose enthusiasm for heritage railways is writ large in his 1948 Sleep No More collection of supernatural horror stories which tend to be set in rural railways. (Simon R. Green may be influenced by him in his Ghost Finders series which often uses these railways as a setting.) Some of these stories were adapted as radio dramas.  Sleep No More is available from the usual digital suspects. (Died 1974.)
  • Born February 11, 1926 Leslie Nielsen. I know, the comic, bumbling fool who delighted generations of film goers. But his first starring role was as Commander John J. Adams in one of the finest SF films of all time Forbidden Planet. I am most decidedly not a fan of his later films, but I think he’s brilliant here. (Died 2010.)
  • Born February 11, 1939 Jane Yolen, 83. Jane Yolen loves not-so-dark chocolate, so I send her some from time to time. She wrote me into a novel as a character, an ethnomusicologist in One-Armed Queen to be precise, in exchange for finding her a fairytale collection she wanted. Don’t remember now what it was other than it was very old and very rare. My favorite book by her is The Wild Hunt which she’s signed a copy for me, and I love that she financed the production of Boiled of Lead’s Antler Dance which Adam Stemple was lead vocalist on.
  • Born February 11, 1948 Robert Reginald. He’s here because of two Phantom Detective novels he wrote late in his career which are mostly popcorn literature. (The Phantom Detective series started in 1936 so he used the Robert Wallace house name.) He has two series of some length, the Nova Europa Fantasy Saga and War of Two Worlds. Much of what he wrote is available from the usual digital sources. (Died 2013.)
  • Born February 11, 1950 Alain Bergeron, 70. He received an Aurora Award for Best Short Story for “Les Crabes de Vénus regardent le ciel” published In Solaris number 73, and a Sideways Award for Alternate History for “Le huitième registre” (translated in English as “The Eighth Register” by Howard Scott).
  • Born February 11, 1953 Wayne Hammond, 69. He’s married to fellow Tolkien scholar Christina Scull. Together they’ve done some of the finest work on Tolkien that’s been done, including J. R. R. Tolkien: Artist and Illustrator, The Lord of the Rings: A Reader’s CompanionThe Adventures of Tom Bombadil and Other Verses from the Red Book and The J. R. R. Tolkien Companion and Guide
  • Born February 11, 1982 Natalie Dormer, 40. Best known as being in Game of Thrones as Margaery Tyrell, though I’m more interested in the fact that she was in Elementary over three seasons as both Jamie Moriarty and Irene Adler. Anyone here watch this series? I’ve not but this sounds fascinating! 

(11) TRIVIAL TRIVIA. Thomas Edison was born this day in 1847. Edison’s film company produced the very first known feature adaptation of Mary Shelley’s Frankenstein.

(12) A WEBB FIRST. “James Webb Space Telescope captures its first images of a star” and Yahoo! has a copy — see the image at the link.

The James Webb Space Telescope has finally captured its first image of a star — or rather, images. NASA has shared a mosaic of pictures (shown above) of a star taken using the primary mirror’s 18 segments. It looks like a seemingly random collection of blurry dots, but that’s precisely what the mission team was expecting. The imagery will help scientists finish the lengthy mirror alignment process using the telescope’s Near Infrared Camera, or NIRCam. The first phase is nearly complete as of this writing.

(13) HEVELIN FANZINES. A couple of years ago, Atlas Obscura signal-boosted a call for help with a fanzine transcription project: “Even More Ways to Help Librarians and Archivists From Home”. What’s their status today? They say they are 100% done!

First the 2020 excerpt:

What better time to zip into a happily unfamiliar realm? The DIY History project at the University of Iowa Library, which invites people to help transcribe digitized objects from the library’s special collections and other holdings, could use your help with its massive trove of science-fiction zines. Some date back to the 1930s; all were collected by the late James L. “Rusty” Hevelin. More than 10,780 pages of the Hevelin Fanzines collection have been transcribed so far, but there are still around 500 left to go. If you need a mental break from this planet and its familiar troubles, pop into this project and spend a little time somewhere else.

David Doering was one of the volunteers, so I checked with him and this is what I learned:

We completed the transcription of Rusty’s collection about two years ago. I don’t see any new additions to that collection. (And the numbers match what this article says: There’s 11285 pages transcribed. Which is 500 more than the articles 10,780.)

Now there are other (non-SF) works to possibly transcribe. You can find the landing page here: https://diyhistory.lib.uiowa.edu/

To be fair, there were pages that were not transcribed because the pages were (almost) unreadable due to mimeo ink fading.  I tried to noodle out the contents and made some progress, but some I just couldn’t get enough of an image to read the text. So if there’s someone out there who has great image restoration skills, there are probably a couple of hundred pages that were skipped due to readability.

Unfortunately, the software the U of Iowa used for this project would count a page as transcribed even if you wrote the obligatory note “Not transcribed due to legibility issues.” So all the zines show 100% transcribed when some were not.

(14) FYI. Behind a paywall, WIRED presents “Ada Palmer and the Weird Hand of Progress”: “The sci-fi author writes about the 25th century and teaches college students about the 15th. The past we think we know is wrong, she says—and so is the future.”

(15) ATTENTION SJW CREDENTAL OWNERS. Andrew Porter witnessed Jeopardy! contestants stumped by a science fictional item on tonight’s episode.

Category: I’m too sexy: a lyrical potpourri

Answer: …for this animal “who walks through walls” in a Robert A. Heinlein title.

No one could answer: What is a cat?

(16) FOURWARD MARCH. DC tells us about the four movies they’re bringing out this coming year: “DC – The World Needs Heroes”.

(17) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Game Trallers: Tom Clancy’s Ranbow Six Extraction,” Fandom Games notes that this series is sf, because special forces are blasting “alien goo-boys.”  And if the going gets tough, the narrator reminds us that “There may be no ‘I’ in ‘team’, but there is an i in ‘I’m departing from this field immediately.’”

[Thanks to Cat Eldridge, Mike Kennedy, Martin Morse Wooster, JJ, Cliff, Hampus Eckerman, David Doering,Bonnie Warford, Daniel Dern, Michael J. Walsh, John King Tarpinian, Andrew Porter, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Jon Meltzer.]

Pixel Scroll 11/11/21 It’s Just A Noisy Scroll, With A Nightly Gnole, And All Those Pixels

(1) BEGIN AT THE FRONT.  Alex Shvartsman is including File 770 in today’s cover reveal of The Middling Affliction, his humorous urban fantasy novel forthcoming form Caezik SF&F on April 12, 2022. Art is by Tulio Brito.

What would you do if you lost everything that mattered to you, as well as all means to protect yourself and others, but still had to save the day? Conrad Brent is about to find out.

Conrad Brent protects the people of Brooklyn from monsters and magical threats. The snarky, wisecracking guardian also has a dangerous secret: he’s one in a million – literally.

(2) WHEN YOUR STORY’S FINISHED, WHAT NEXT? [Item by Melanie Stormm.] John Wiswell recently wrote a thread on how a Nebula winner submits short fiction. Thought it might be helpful to someone.  Thread starts here. An excerpt from his advice:

(3) LOOKING AT THE SUBJECT FROM ALL SIDES. Brenton Dickieson has launched his “Blogging the Hugos 2021” novel review series at A Pilgrim in Narnia. His introductory post tells why he’s writing it, and gives the schedule.

…The 2021 Hugo Awards ceremonies will be on Dec 18th at DisCon III in Washington, DC. Ahead of the event, Signum University is hosting a panel discussion of the nominees. My job will be to represent Susanna Clarke’s Piranesi, not so much in a battle of books but a winsome argument about great storytelling. Last year, I was delighted to represent Alix E. Harrow’s The Ten Thousand Doors of January, a novel that did not win but was also nominated for the Nebula Award, the World Fantasy Award, the Mythopoeic Award, and the Locus Award in the category of Best First Novel. It’s a beautiful, evocative book, and I very much enjoyed last year’s Signum Roundtable.

Thus, in looking forward to December’s conversation, I am blogging through the Hugo novels, offering a review or thoughtful essay each week leading up to the convention. I hope you can join in as we read and talk about the leading speculative fiction of the past year! This week, we’ll look at Mary Robinette Kowal’s Lady Astronaut Universe, followed by Martha Wells’ Network Effect next week….

Dickieson’s first review is up: “Mary Robinette Kowal’s The Relentless Moon and the Lady Astronaut Universe (Blogging the Hugos 2021)”.

…Not lost in world-building details, the structures of catastrophe and the struggles for liberation in the Lady Astronaut Universe are the context for stories of personal growth, trial, and triumph. The Calculating Stars and The Fated Sky (2018) are from Elma York’s viewpoint, a friendly and self-conscious intellectual working as an IAC (human) computer with an unusually adept and intuitive mathematical sense. Elma finds herself in a battle to be heard as the mathematician who predicted the first global winter and subsequent global warming, as well as a skilled pilot vying to be the first woman in the space program. Her real battle, however, is with a general anxiety disorder that is triggered by stress and tragedy and an intense fear of the media or interpersonal conflict. With a winsome sense of relational connection and a rugged commitment to the possible, Elma finds a way to become “the first Lady Astronaut” (insert an earnest and upbeat 1950s TV commentator voice here).

In The Relentless Moon (2020)—the first nominee in my Blogging the Hugos 2021 series—Elma York is on her way to Mars…

(4) GORILLA MARKETING. [Item by John L. Coker III.] From a 1997 interview, here’s Julie’s take on the popularity of gorillas in DC comic books in the early-1950s, a topic mentioned in the November 9 Scroll (item #14).

Julius Schwartz: One day someone came into the office and said, “What has happened?  Strange Adventures went sky-high.”  I said, “Well, you know how it works.  It must have been the cover,” because covers sold the magazines in those days.  You went into a mom and pop store, where you saw hundreds of comics.  You looked them over and picked out something that was interesting.  I said, “Let’s look at the cover.” And on the cover, roughly, was this.  It took place in a zoo, and there’s a cage, and inside the cage is a gorilla.  And outside is an audience looking up at him, including a pretty girl whose name was Helen, as I vaguely recall.  The gorilla had a little blackboard in his hand, and with a piece of chalk had written the following message: “Dear Helen, Please Help me.  I’m the victim of a horrible scientific experiment.”  You laugh, but it made you want to find out what it’s all about, so obviously you bought the magazine. 

One way to find out is to try it again, so we tried another gorilla story, the secret being that the gorilla was not a gorilla, so to speak, but acting and reacting like a human.  And it worked again.

We knew we had something, so I did a series of stories with gorillas on them, until finally all the other editors wanted to do one.  Wonder Woman had one, Batman, they all had gorilla covers, until the editorial director said, “That does it.  From now on, only one gorilla cover a month.”  And then when that caught fire, they said, “We’re doing so well on this Strange Adventures, let’s put out another science fiction magazine.”  I said, “Impossible.  There are so many science fiction magazines being published that there are no titles left.  I can’t even think of another title.”  I’m sorry I never thought of Strange Gorilla Stories

[Interview with John L. Coker III, 1997.]

(5) SPEAKING OF GORILLA ART. [Item by Steve Vertlieb.] “King Kong” … Willis H. O’Brien … Ray Harryhausen: Exploring The Cultural Influence And Legacy Of A “Monstrous” Motion Picture Classic!

I had an opportunity quite recently to sit down once more with Host, Actor, Comedian, and Writer Ron MacCloskey for his Emmy Award Winning Public Television Series, “Classic Movies with Ron MacCloskey.”

Ron is the writer and producer of the new feature length documentary motion picture, “Boris Karloff: The Man Behind The Monster,” now playing in theaters all across the globe.

For this Halloween themed episode of the popular program, however, we explored the cultural significance, history, and legacy of the most famous “Monster” of them all … King Kong … and his nearly ninety year influence on gorilla films of all shapes and sizes, as well as his career defining impact on the lives and reign of Stop Motion Animation legends, Willis H. O’Brien and Ray Harryhausen.

Our spirited conversation both precedes and follows the film segment. Simply click on the projector, or the blue link, in order to screen the program. ” Classic Movies: “The Gorilla”

(6) ON THE WEB. The Marvel’s Avengers – Spider-Man game character reveal trailer dropped today.

Watch the Marvel’s Avengers Spider-Man reveal trailer. Spider-Man swings into Marvel’s Avengers on November 30th, 2021. Get a first look at the Marvels Avengers PlayStation exclusive character joining the team in this cinematic Marvels Avengers Spider Man trailer!

(7) SELKIES SPOTLIGHTED. [Item by Bruce D. Arthurs.] CrimeReads had an interesting piece listing a number of novels about selkies. I was kind of surprised that I only recognized one of the books listed. “The Story of the Selkie: Eight Novels Based in Powerful Folklore” by Melanie Golding.

… I love the idea that much of folklore is based on universal human stories that are still true today. Selkies may be mystical creatures but they are also women treated badly by men, then judged for their response by wider society. Because of this universality, as well as the compelling magical element, there are many modern novels that make use of selkie folklore, which in several ways shares roots with the folklore of mermaids. I’ve picked out a few that spoke to me. I hope many more readers will discover these sea-faring, shape-shifting, magic-realist tales….

(8) WFC GALLERY. Ellen Datlow has posted her World Fantasy Con photos on Flickr: WFC 2021 Montreal, Canada.

(9) AIRING OUT THE PROBLEM. Adam Rogers in WIRED has an interview with Neal Stephenson about Termination Shock and how didactic writers should be when composing near-future climate sf. “Neal Stephenson on Building and Fixing Worlds”.

… Stephenson stressed that achieving net-zero carbon emissions isn’t enough and that there’s no more important idea than developing technologies that can quickly suck carbon out of the atmosphere. “We need carbon capture on an enormous scale,” he said. “We have to do that. That’s the big solution that we really need to implement.”

“It truly is a solution,” he continued. “It would get rid of the underlying problem and kind of undo the mistake that we made by putting all that CO2 into the atmosphere in the first place.”…

(10) SOMETHING YOU CAN RELATE TO. James Davis Nicoll leads readers to stories that test whether blood is thicker than…money: “Five SFF Stories Where Interplanetary Trading Is a Family Affair” at Tor.com.

Nothing spells plot like an independent trader plying the spacetime lanes in search of profit, in a world very much skewed against the little guy. Nothing, that is, unless one adds family! Now in addition to scrabbling after profit, one has extra motivation: failure isn’t merely an individual catastrophe. Bad judgement, terrible luck, or the machinations of a vast inhuman corporation could drag one’s whole family down into poverty…or worse….

(11) MEDIA BIRTHDAY.

1951 — Seventy years ago, Flight to Mars as produced by Monogram Pictures premiered. It was produced by Walter Mirisch and directed by Lesley Selander. It starred Marguerite Chapman and Cameron Mitchell. The screenplay was by Arthur Strawn and it would be his only SF work. Critics who really didn’t like it compared it to the previously released Destination Moon and Rocketship XM with the comparison not being at all great as one critic noted: “Destination Moon was scientifically accurate, and Rocketship XM had a gripping dramatic script. This copycat production has neither.” This movie reused the ship interior from the Rocketship XM production, and the suits from the Destination Moon shoot. Audience reviewers at Rotten Tomatoes currently give it a twenty-two percent rating. 

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born November 11, 1916 Donald Franson. Author of A Key to the Terminology of Science-Fiction Fandom and An Author Index to Astounding/Analog: Part II—Vol. 36, #1, September, 1945 to Vol. 73 #3, May, 1964. With Howard DeVore wrote A History of the Hugo, Nebula, and International Fantasy Awards, Listing Nominees & Winners, 1951-1970. When I stumble across an author and their works like this, I’m reminded how deep the genre is. (Died 2002.)
  • Born November 11, 1917 Mack Reynolds. I assume you know he was the first writer to write an original novel based off the Trek series? Mission to Horatius came in 1968. I’m fond of his very first novel, The Case of The Little Green Men. He was a Hugo finalist at Chicon III (1962) for his “Status Quo” short story. Worked as an organizer for the Socialist Labor Party, then later was the most prolific short fiction writer in Campbell’s Analog – go figure. (Died 1983.)
  • Born November 11, 1922 Kurt Vonnegut Jr. The Sirens of Titan which was nominated for a Hugo at Pittcon was his first SF novel, followed by Cat’s Cradle — which after turning down his original thesis in 1947, the University of Chicago awarded him his master’s degree in anthropology in 1971 for this novel. It was nominated for a Hugo at Pacificon II. Next up was Slaughterhouse-Five, or The Children’s Crusade: A Duty-Dance with Death, which is one weird book and an even stranger film. The book was nominated for Hugo Award at Heicon (1970) but lost to Ursula K. Le Guin’s The Left Hand of Darkness. However, the movie Slaughterhouse Five won a Hugo at Torcon II (1973 — over a field that also included Between Time and Timbuktu, a TV adaptation of other Vonngeut material.)  While I’m fairly sure Breakfast of Champions, or Goodbye Blue Monday is his last genre novel there’s a lot of short fiction where something of a genre nature might have occurred. (Died 2007.)
  • Born November 11, 1925 Jonathan Winters. Yes, he did do quite a few genre performances including an early one as James Howard “Fats” Brown in “A Game of Pool”, a 1961 episode of The Twilight Zone. He next shows up as Albert Paradine II in More Wild, Wild West. He had a recurring role in Mork & Mindy as a character named Mearth. You’ll find him in The Shadow film, The Adventures of Rocky and BullwinkleThe Flintstones, both of The Smurfs films and quite a bit more. He of course was a guest on The Muppets Show. Who wasn’t? (Died 2013.)
  • Born November 11, 1935 Larry Anthony. Actor who made two appearances on the original Trek in  “The Man Trap” (uncredited) and “Dagger of the Mind”. He also appeared on The Wild Wild WestThe Man from U.N.C.L.E. and had five appearences on Batman playing two different characters. He made two appearances on Get Smart! And his final genre role was on Mission Impossible. (Died 2005.)
  • Born November 11, 1947 Victoria Schochet, 74. Wife of Eric Van Lustbader. She co-edited with John Silbersack and Mellisa Singer the most excellent The Berkley Showcase: New Writings in Science Fiction and Fantasy that came out in the Eighties. SFE says she has worked editorially at Analog though not what she did there. 
  • Born November 11, 1960 Stanley Tucci, 61. Actor, Director, and Producer with a lengthy resume of character roles in genre films including The Core (Yay! The Core!), Prelude to a Kiss, A Midsummer Night’s Dream, Muppets Most Wanted, Beauty and the Beast, The Lovely Bones, Captain America: The First Avenger, Jack the Giant Slayer, Percy Jackson: Sea of Monsters, and The Hunger Games films, as well as numerous voice roles including Leonardo da Vinci in Mr. Peabody & Sherman
  • Born November 11, 1962 Demi Moore, 59. Ghost, of course, for getting her Birthday Honors. And yes, I did see it. Sniff. But she got her genre creds with her second film Parasite which is good as she didn’t do much after that of a genre nature. She has a recurring role as Linda in the Brave New World series that aired on Peacock for just one series before being cancelled. 

(13) COMICS SECTION.

  • Bizarro earns its name with a superhero joke that could have been inspired by the quality of copyediting I do here…

(14) WHO’S WHO? Radio Times keeps the pot roiling with more ideas about Jodie Whittaker’s replacement: “Lydia West says Russell T Davies’ Doctor Who will have a modern twist”.

…The rising star has had roles in Russell T Davies’ Years and Years and It’s a Sin, and with Davies set to take over from Doctor Who showrunner Chris Chibnall next year, many have wondered whether he might bring West – or her It’s a Sin co-star Olly Alexander – along for the ride.

West herself addressed the rumours during an exclusive chat with RadioTimes.com.

“I mean, the fact I’ve been named as one of the favourites is quite special,” she said. “So I mean, it would be an honour to be the Doctor. I’m glad people think I could do it. So yeah.”

(15) KEEP GUESSING. Radio Times is also fueling speculation about the course of Season 13 now in progress. Could it be mining a never-produced script? “Doctor Who: Flux might be adapting lost story Lungbarrow”.

It’s official – no Doctor Who theory is too outlandish any more. After series 12’s finale essentially canonised the Morbius Doctors and added Jo Martin’s Time Lord to the roster of regenerations, we’d say any and all bets are off for deep-cut fan ideas about the series as it continues.

Which is why we’re not dismissing out of hand the latest theory about Doctor Who: Flux, and specifically the idea that the series might be drawing from a story that never actually made it to TV – Lungbarrow, written by Marc Platt for Sylvester McCoy’s Doctor but left on the shelf until Platt adapted it into a book some years later.

… That story would have delved into the ancestry and backstory of the Doctor, centred around his/her ancestral home of Lungbarrow – and now some fans think they might have seen that abandoned family seat in new series 13 episode War of the Sontarans, specifically within a black-and-white vision scene where Jodie Whittaker’s Doctor gazed up at a ruined, floating house before the main action of the story kicked off….

(16) DOGGING IT. Raquel S. Benedict’s Rite Gud podcast revisits “Puppy Play: The Saga of the Sad Puppies”.

In this episode, we re-examine the saga of the notorious Sad Puppies. What happened? What ripple effects did it have on the sci-fi/fantasy community? Did we learn anything from this? Should we learn anything from this? And is there more to the story than the official narrative?

Kurt Schiller joins us to talk about angry mobs, squeecore writing, and the musical stylings of forgotten 90s techno group Psykosonik.

(17) OCTOTHORPE. Episode 44 of Octothorpe is up. What are John Coxon, Alison Scott and Liz Batty saying this time? Listen here.

We discuss burning melons and the latest news from Reclamation 2022 before discussing what an Eastercon might look like if it were held at a campsite. To round it off, we talk a lot about Dune. With sound effects.

(18) ASIMOV NEVER THOUGHT OF THIS. [Item by SF Concatenation’s Jonathan Cowie.] The cover story of this week’s Nature concerns soft robots.  Soft robots have garnered interest thanks to their ability to carry out complex tasks such as crawling and swimming.  But making soft actuators remains difficult.  This week’s Nature sees researchers’ new bubble-based method based on elastic polymers (plastics/rubbers) .

Inspired by living organisms, soft robots are developed from intrinsically compliant materials, enabling continuous motions that mimic animal and vegetal movement. In soft robots, the canonical hinges and bolts are replaced by elastomers assembled into actuators programmed to change shape following the application of stimuli, for example pneumatic inflation…

Research paper: “Bubble casting soft robotics”.

(19) FOR TEN YEARS WE’VE BEEN ON OUR OWN. And one for your home team… “US astronomy’s 10-year plan is super-ambitious” – “Its ‘decadal survey’ pitches big new space observatories, funding for large telescopes and a reckoning over social issues plaguing the field.”

A long-anticipated road map for the next ten years of US astronomy is here — and it’s nothing if not ambitious.

It recommends that NASA coordinate, build and launch three flagship space observatories capable of detecting light over a broad range of wavelengths. It suggests that the US National Science Foundation (NSF) fund two enormous ground-based telescopes in Chile and possibly Hawaii, to try to catch up with an advanced European telescope that’s under construction. And for the first time, it issues recommendations for how federal agencies should fight systemic racism, sexism and other structural issues that drive people out of astronomy, weakening the quality of the science….

(20) THEY CAN FLING IT FASTER THAN YOU CAN CATCH IT. [Item by Daniel Dern.] An interesting idea, and of course, nothing could possibly go wrong – “Company Wants to Launch Satellites With Huge Centrifugal Slingshot” (Gizmodo) — like, say, supercriminal seizes control of the aim controls, or there’s a sinkhole, and suddenly it’s aimed at Cleveland or whatever…

…Alternatives to launching rockets haven’t exactly been runaway successes, however. In the 1960s, the United States Department of Defense and Canada’s Department of National Defence formed a joint partnership called Project HARP (High Altitude Research Project) to essentially develop giant Earth-based guns that could blast objects into space. HARP successfully fired a projectile 180 KM into the atmosphere using a 16-inch cannon built at the U.S. Army Research Laboratory’ Yuma Proving Ground, but by the late ‘60s both governments had withdrawn funding for the research project, and it was officially shut down before it came to fruition.

SpinLaunch is taking a somewhat similar approach to Project HARP, but the kinetic space launch system it’s been developing since 2015 does away with explosive materials altogether. In its place is an electric-powered centrifuge that spins objects inside a vacuum chamber at speeds of up to 5,000 MPH before they’re released through a launch tube that is roughly as tall as the Statue of Liberty….

(21) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Game Trailers: Back4Blood,” Fandom Games says this slaughter-fest “still fuflills the need to kill a million zombies” and “feels like riding a bicycle after a mild concussion.”

[Thanks to Martin Morse Wooster, JJ, John King Tarpinian, John L. Coker III, Melanie Stormm, John Coxon, R.S. Benedict, Alex Shvartsman, SF Concatenation’s Jonathan Cowie, Daniel Dern, Andrew Porter, Michael Toman, Cat Eldridge, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Jim Janney.]

Pixel Scroll 11/4/21 Last Scroll Of The Planet Fileton, Pix-El (The Cousin Clark Doesn’t Talk About)

(1) DOCTOR WHO SEASON BEGINS. Plenty of Radio Timesy-Wimey stuff to start today’s Scroll. First — “Doctor Who series 13 episode 1 review ‘The Halloween Apocalypse’”Radio Times does an episode recap, and beyond this excerpt it’s rather spoilery:

…Flux – Chapter One: The Halloween Apocalypse gets off to a rollicking start. Mid escapade. High peril. No hanging about. Well, unless you’re Yaz and the Doctor, who, as we join them, are dangling from a “gravity bar” over an ocean of roiling acid. The pace is set for a fast, fun-packed opener, impressively achieved by Chibnall and his team in the face of COVID.

Shorn of former sidekicks Ryan and Graham, the Doctor (Jodie Whittaker) and Yaz (Mandip Gill) make good sparring partners, fielding a balance of amity and antagonism, and falling into the trad pattern in which the Time Lord withholds vital information, imperilling the companion’s life, who in turn proves to be plucky and resourceful….

(2) BOX SCORE. And how many watched the kickoff of Season 13? Let Radio Times tell you: “Doctor Who overnight ratings revealed for The Halloween Apocalypse”.

The overnight viewing figures for yesterday’s episode of Doctor Who are in, with the series 13 premiere drawing in almost 4.5 million viewers.

BBC News entertainment correspondent Lizo Mzimba shared the audience statistics on Twitter, writing that an audience of 4.43 million watched series 13’s first episode – Chapter One: The Halloween Apocalypse.

While the figures are higher than most of series 12’s overnight statistics, they are lower than those for last season’s premiere, which was watched by 4.88 million.

(3) RAMPANT SPECULATION. Don’t read this if you’re avoiding spoilers: Radio Times returns with the gossip being shared around the TARDIS’ water-cooler: “Swarm Doctor Who regeneration theories – is Swarm a Time Lord?”

… Obviously, there’s a lot to dissect from the episode – but one of the most striking moments had to be the introduction of new (or possibly old) baddie Swarm, who claims to be an ancient foe of the Doctor now wiped from her memory (thanks to events glimpsed in series 12 finale The Timeless Children)….

(4) WORK OF A LIFETIME. Artist James A. Owen has launched a Kickstarter appeal to fund an art book retrospective/meditation/collection of illustration, comics, pop culture, and stories celebrating his career: “Illustrations & Illuminations by James A. Owen”. As of this writing, it’s raised $13,421 of the $30,000 goal.

…I envisioned this book as the place where I could collect and display the very best of that work: the color covers and best pages from STARCHILD; the line art, color covers, and process drawings for illustrations from the IMAGINARIUM GEOGRAPHICA books; the drawings I made of J.R.R. TOLKIEN, C.S. LEWIS, and the other Inklings of Oxford from Diana Glyer’s book BANDERSNATCH; the lost graphic novel proposal for Peter Beagle’s THE LAST UNICORN; covers for books by Jeff VanderMeer & Cat Rambo, and Alma Alexander, and Catherynne Valente; illustrations and covers for the emagazine THE INTERGALACTIC MEDICINE SHOW; comics adaptations of a song by TORI AMOS and a story by F. PAUL WILSON; unseen art for LOST TREASURES OF THE PIRATES OF THE CARIBBEAN; the covers from my periodical WORDS & PICTURES; designs for the magazines ARGOSY and INTERNATIONAL STUDIO; spot illustrations and pinups from every era of my career; and much, much more….

(5) A FINE ROMANCE, WITH NO KISSES. Deadline reports “’Eternals’ Banned In Saudi Arabia, Qatar, Kuwait, Bahrain & Oman”.

Eternals was originally scheduled to open in the region on Nov. 11.

While official reasons weren’t provided by either the studio or the local territories, here’s our understanding of what went down:

In Saudi Arabia, Bahrain and Oman, the censors were seeking further cuts beyond any scenes of intimacy and that Disney opted not to make the edits, hence distribution certificates weren’t issued.

Meanwhile in Kuwait and Qatar, the Chloe Zhao-directed super-gods movie was blocked. The issue, we hear, may not solely be the same-sex kiss, but rather that overall these markets have historically had a problem with the depiction of gods and prophets, something they consider blasphemous.

In the United Arab Emirates, Jordan, Lebanon and Egypt we understand that a version of the film will be released that removes all scenes of intimacy — be they heterosexual or homosexual. This is generally normal practice for these markets…

(6) ALL THE ANGLES. At A Pilgrim in Narnia, Brenton Dickieson provides a fascinating in-depth review of a recent book about Tolkien’s Chaucer scholarship: “The Doom and Destiny of Tolkien’s Chaucer Research: A Note on John M. Bowers, Tolkien’s Lost Chaucer (2019)”.

Tolkien’s Lost Chaucer is a book about a book that was doomed from the start….

… However, the entire book is really about how the fertile imagination and poetry of Chaucer provides an unceasingly rich bed for Tolkien’s scholarship and mythopoeic work. Tolkien’s Lost Chaucer really does reveal Tolkien’s thinking about words, accents, language development, regional dialects, poetic beauty, storytelling, character development, and moral and creative rooting. It is also an excellent book for showing Tolkien’s process as a thinker and editor. Readers of the Middle-earth histories and other Tolkien archival collections (like Christopher Tolkien’s publication of Beowulf) will recognize the patterns of intensive work, attention to detail, harried productivity, and chronic procrastination endemic to Tolkien’s lifetime at the desk.

When I mention “parallels” between Chaucer and Tolkien, I really mean that this is what the book is about. These parallels are often striking, sometimes surprising, and almost always thoughtful (even when they are peculiar). I wish, as I always do of writers about intertextual influence, that Bowers would have better distinguished the different kinds of probability of influence on a case-by-case basis. Usually, though, the reader can make that decision, deciding if this is a Chaucerian moment in Tolkien or merely a striking coincidence….

(7) MODEL LYRICS. [Item by Martin Morse Wooster.] In the Financial Times behind a paywall, Helen Brown says that Gilbert and Sullivan’s “The Major General’s Song” from The Pirates of Penzance (you know, “I am the very model of a modern major general”) has surprising sf resonances because of Tom Lehrer.

The smart-alecky language and precision-engineered rhyme scheme of (W.S.) Gilbert’s original lyrics made their way, via (Tom) Lehrer, into 20th-century science-fiction nerd culture, which made the song a perfect fit for tv shows.  On a 1978 episode of the BBC’s Dr. Who written by Douglas Adams (The Pirate Planet) Tom Baker’s incarnation of the Time Lord sang, ‘I am the very model of a Gallifreyan Buccaneer.’  The song was also sung in episodes of Star Trek:  The Next Generation (1992), Babylon 5 (1997), and Star Trek:  Discovery  (2019)… In 2017, the adorably chaotic minions from Universal’s animated film Despicable Me 3 turned the song into giddy gibberish as “Papa Mamma Loca Pipa.” As their helium-high voices tear into lines like ‘toka bocca pissa lalasagnaa,’ you can imagine Gilbert laughing from beyond the grave.

(8) KRUGMAN, PALMER, WALTON & MORE. City University of New York will present “Imagining the Future: Science Fiction and Social Science”, a free virtual event, on November 10 at 7:30 p.m. Eastern. Reservations required — register on Zoom. (The event will be available a few days later on their YouTube channel.)

What do science fiction and social science have in common? Much in the way economists and political scientists forecast the results of social and economic structures, science-fiction writers envision future civilizations, both utopian and dystopian, through systematic world-building. Paul Krugman, distinguished professor of economics at the CUNY Graduate Center, joins in a conversation about the connection between the social sciences and fantasy fiction, and how they often inspire each other. The panel, including sci-fi novelists and social scientists who often refer to fiction in their writing and interviews, includes: Henry Farrell, a professor working on democracy and international affairs at Johns Hopkins University and editor-in-chief of the Monkey Cage blog at The Washington PostAda Palmer, author of the Terra Ignota series and associate professor of history at the University of Chicago; Noah Smith, who writes about economics at Noahpinion and is a former Bloomberg columnist and assistant professor at Stony Brook University; and Jo Walton, whose many books include Tooth and ClawHa’Penney, and the recent Or What You Will.

(9) SLIME TIME. “Ghostbusters Confidential: Inside The Original Ghost Shop” is an in-person Artist Talk being presented at the Museum of Neon Art in Glendale, CA on Saturday, November 20 at 5:00 p.m. Pacific. If you’re going to be in the neighborhood, tickets are available for $10 at the link. 

To celebrate the release of Ghostbusters: Afterlife, neon and kinetic sculptor Stuart Ziff returns to MONA to share an entertaining, behind-the-scenes glimpse of the creatures in the original 1984 Ghostbusters movie. As “Head of Ghost Shop,” Stuart managed over 50 artists and technicians to create the film’s iconic monsters and creatures. Stuart will explain the creature-creation process–from concept drawings to filming on set– for fan-favorite creatures including “Slimer”, “Terror Dogs”, and The “Stay Puft Marshmallow Man.” 

(10) ONCE A FANNISH MECCA. Daytonian in Manhattan profiles “The Doomed 1919 Hotel Pennsylvania”, a famous NYC hotel remembered by fans like Andrew Porter under its operating name the Statler-Hilton as the site of the 1967 Worldcon, NyCon 3, and other sff events. Porter commented there:

In 1966, a bunch of science fiction fans, myself included, checked out holding our annual World Science Ficrtion Convention at the then-Statler-Hilton. I remember being shown around. Sights included the enormous drained swimming pools, over which were built office space, as well as all the function rooms, some of which no longer exist. We did indeed hold the convention there, with numerous problems, including that the elevator operators were on strike because they were being automated out of existence. I remember the hotel rooms had window air conditioners, but also had hot, cold, and ice water faucets in the bathrooms, from the days before air conditioning was installed. Over the 1960s to 1990s, numerous science fiction, comics and Star Trek conventions were held in the hotel, and I have numerous photos with those facilities behind the people. Or just Google “1967 World Science Fiction Convention” to see reports, photos, etc.

All the hotel fittings were auctioned in September, and the building is expected to be demolished .

(11) MEDIA BIRTHDAY.

1996 – Twenty-five years ago, DS9’s “Trials and Tribble-ations” first aired in syndication. A most delightful episode, it blended footage from the original “The Trouble with Tribbles” into the new episode in a manner that allowed the characters from DS9 to appear to interact with the original Trek crew. The story was by Ira Steven Behr, Hans Beimler and Robert Hewitt Wolfe with Ronald D. Moore and René Echevarria writing the actual script.

Paramount promoted the episode by arranging the placement of around a quarter million tribbles in subways and buses across the United States. Huh. Critics loved it. Really. Truly. They all turned into fanboys.  And everyone loved that they brought Charlie Brill back to film new scenes. It was nominated for a Hugo at LoneStarCon 2 but lost out to Babylon 5’s “Severed Dreams”. I personally think it should’ve won. 

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born November 4, 1912 Wendayne Ackerman. Was the translator-in-chief of 137 novels of the German space opera series Perry Rhodan, the majority published by Ace Books. She left Germany before WWII to escape anti-Semitism, working as a nurse in France and London. After the war she emigrated to Israel where she married her first husband and had a son. Following their divorce she moved to LA in 1948, and soon met and married Forrest J Ackerman. (Died 1990.)
  • Born November 4, 1917 Babette Rosmond. She worked at magazine publisher Street & Smith, editing Doc Savage and The Shadow in the late Forties. Rosmond’s first story, co-written by Leonard M. Lake, “Are You Run-Down, Tired-“ was published in the October 1942 issue of Unknown WorldsError Hurled was her only genre novel and she only wrote three short genre pieces. She’s not available at the usual suspects. (Died 1997.)
  • Born November 4, 1920 Sydney Bounds. Writer, Editor, and Fan from Britain who was a prolific author of short fiction, and novels — not just science fiction, but also horror, Westerns, mysteries, and juvenile fiction — from 1946 until his death in 2006. He was an early fan who joined Britain’s Science Fiction Association in 1937. He worked as an electrician on the Enigma machine during World War II, and while in the service, he started publishing the fanzine Cosmic Cuts. The film The Last Days on Mars (an adaptation of “The Animators”) and the Tales of the Darkside episode “The Circus” are based on stories by him. In 2005, two collections of his fiction were released under the title The Best of Sydney J. Bounds: Strange Portrait and Other Stories, and The Wayward Ship and other Stories. In 2007, the British Fantasy Society honored him by renaming their award for best new writer after him. (Died 2006.)
  • Born November 4, 1934 Gregg Calkins. Gregg Calkins, Writer, Editor, and Fan. Mike Glyer’s tribute to him reads: “Longtime fan Gregg Calkins died July 31, 2017 after suffering a fall. He was 82. Gregg got active in fandom in the Fifties and his fanzine Oopsla (1952-1961) is fondly remembered. He was living in the Bay Area and serving as the Official Editor of FAPA when I applied to join its waitlist in the Seventies. He was Fan GoH at the 1976 Westercon. Calkins later moved to Costa Rica. In contrast to most of his generation, he was highly active in social media, frequently posting on Facebook where it was his pleasure to carry the conservative side of debates. He is survived by his wife, Carol.”
  • Born November 4, 1953 Kara Dalkey, 68. Writer of YA fiction and historical fantasy. She is a member of the Pre-Joycean Fellowship (which if memory serves me right includes both Emma Bull and Stephen Brust) and the Scribblies. Her works include The Sword of SagamoreSteel RoseLittle Sister and The Nightingale. And her Water trilogy blends together Atlantean and Arthurian mythologies. She’s been nominated for the Mythopoeic and Otherwise Awards. 
  • Born November 4, 1953 Stephen Jones, 68. Editor, and that is putting quite mildly, as he went well over the century mark in edited anthologies edited quite some time ago. The Mammoth Book of Best New Horror accounts for eighteen volumes by itself and The Mammoth Book of (Pick A Title) runs for at least another for another dozen. He also, no surprise, to me, has authored a number of horror reference works such as The Art of Horror Movies: An Illustrated HistoryBasil Copper: A Life in Books and H. P. Lovecraft in Britain. He’s also done hundreds of essays, con reports, obituaries and such showing up, well, just about everywhere. He’s won a number of World Fantasy Awards and far too many BFAs to count. 
  • Born November 4, 1955 Lani Tupu, 66. He’d be here just for being Crais and the voice of the Pilot on the Farscape series but he’s actually been in several other genre undertakings including the 1989 Punisher as Laccone, and Gordon Standish in Robotropolis. He also had roles in Tales of the South SeasTime Trax and The Lost World. All of which we can guess were filmed in Australia. Lastly he appears in the Australian remake of the Mission: Impossible series which if you haven’t seen it is quite excellent. I just found it in DVD format several years back. 
  • Born November 4, 1960 James Vickery, 61. In Babylon 5, he played Neroon which is where I remember him from as he was a Right Bastard there. His major Trek universe role was as Rusot, a member of Damar’s Cardassian resistance group, appearing in the DS9 episodes “The Changing Face of Evil”, “When It Rains…” and “Tacking Into the Wind”.  He also played a Betazoid in Next Gen’s “Night Terrors” and a Klingon in Enterprise‘s “Judgment” episode. And he voiced the character Legolas in a radio adaptation of The Lord of the Rings.

(13) COMICS SECTION.

(14) REUBEN AWARD. Ray Billingsley, creator of the comic strip Curtis, won the Reuben Award for Outstanding Cartoonist from the National Cartoonists Society on October 17. Billingsley is the first Black person to win in the 75-year history of the award. A video of his acceptance speech is here. SVA profiled him in February: “’Curtis’ Creator and SVA Alumnus Ray Billingsley on His Career, His Influences and Representation in Comics”.

(15) STUFFING YOUR CHRISTMAS SCOFFING. The Guardian’s Stuart Heritage enjoys a snarkfest at the expense of an annual UK TV tradition: “John Lewis Christmas advert 2021: this alien girl is here to ravage our planet”.

There are plenty of theories why the John Lewis Christmas ad no longer hits as hard as it once did. You could look at the fortunes of John Lewis itself, which has spent the last couple of years locked in a nightmare of plunging revenues and store closures. You could look at how aggressively every other retailer has attempted to rip off the tear-jerky John Lewis Christmas ad formula, to the extent that sitting through an ITV commercial break in November or December is now exactly the same as suffering through the first 10 minutes of Up on a neverending loop in an abandoned corn silo full of crying children.

But judging by this year’s offering, you might also suggest that John Lewis has run out of ideas. Because this year’s ad is such a straight-down-the-line John Lewis Christmas advert that you can only imagine it was assembled by tombola.

Sweet children? Check. Bittersweet ending? Check. Maudlin cover version of a song you once liked? Check, in this case a version of Together in Electric Dreams that sounds like it was performed by someone who has tumbled down a well and just realised nobody is coming to rescue her…. 

(16) REN FAIRES. Maryland’s NPR outlet produced a segment about “The Timeless Endurance Of Renaissance Faires”. Listen to it at the link. The guests are Eleanor Janega, a guest teacher in women’s history at the London School of Economics and Political Science; host, “Going Medieval;” author, “The Middle Ages: A Graphic History”; Kevin Patterson, executive director, Red Barn Productions; son of the founders of the original Renaissance Faire; and Rachel Lee Rubin, professor and chair of American Studies, University of Massachusetts-Boston; author, “Well Met: Renaissance Faires and the American Counterculture.” There’s also a sizable photo gallery.

The modern Renaissance Faire blossomed from a children’s arts education program in Agoura, California, in 1963.

Now, almost 60 years later, it’s a nationwide industry.

More than 200 festivals operate around the country — complete with jousters, performers, carnival games, vendors selling bespoke costume pieces, and various meats on a stick.

So why has the Renaissance Faire endured, nay, proliferated, all these years later?

(17) VIDEO OF THE DAY. An Audi is such a powerful car that it lets customers buy scary houses!

[Thanks to Martin Morse Wooster, JJ, John King Tarpinian, Andrew Porter, John A Arkansawyer, Bill, Michael Toman, Cat Eldridge, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna) riffing off an idea by Jon Meltzer.]

Pixel Scroll 7/14/21 Still Crazy After All These Light-Years

(1) F&SF COVER PREVIEW. The Magazine of Fantasy and Science Fiction shared an advance look at the cover of its July/August 2021 issue by artist Alan M. Clark.

(2) A PERSPECTIVE ON AFRICAN SF. Marta Mboka Tveit discusses how “The rise of African Speculative Fiction and other exciting cultural production indicates that modernity is not an exercise in ‘catching up’ with Europe, but an entirely new condition” in “Makeshift modernity” at Africa Is A Country.

…First off, let me argue how excellent the rise of ASF is for everyone, but most importantly for us, the people of African descent. “The place in which I’ll fit will not exist until I make it,” said James Baldwin. To make it, one must first imagine it; to make change, one must first imagine a different kind of future. ASF can be linked to the decolonization of the mind in many ways: we must break the molds of colonial prescriptions, education, and decisions about Africa’s place in the world, much like speculative fiction breaks the mold of what can and cannot exist.

ASF points to an insistence on partaking in the technology-steeped global future and represents a push to actively influence that future. Furthermore, publishing and sharing tales and ideas about the future shows a new kind of optimism and self-confidence. Newfound confidence also arguably comes from stronger and more frequent connections with cousins from another planet—those in African America—facilitated by modern communication technology and faster cultural exchange. Africa is looking to African America for cool self-confidence, and African America is looking to Africa for roots and authenticity. This has been going on for a long time. Increasingly, however, African American interest has given cultural expressions from the continent a boost onto the global stage. After five centuries of the rest of the globe telling Africa its cultures and inputs are useless, those cultures and inputs suddenly find themselves at the forefront of global “cool.” But this time around, we might actually gain something from it….

(3) SCORCHED EARTH. Elaborate attempts to sabotage Nicole Kornher-Stace’s Reddit “Ask Me Anything” yesterday prompted Paul Weimer to connect the dots, saying “the trolls are trying to ruin my life and the lives of those even lightly connected to me” in “A Quick Post on Trolls Again” on his Patreon. He attributes the attack to his having retweeted the author’s announcement of the AMA.

… So what they did is, just before her AMA, they set up a fake account very similar to her name (one letter changed to the number one) and set up their OWN AMA.  So, not only were they impersonating here (with plenty of comments and stuff about my supposed perfidy), Nicole could not actually do her own AMA at first.

And when THAT got sorted and she started her real AMA, the troll account started answering questions posed to her in the real AMA, until the moderators finally banned them from the AMA…. 

And the trolls also subjected Paul to a new round of harassment at work and by trying to get into some of his online accounts.

Nicole Kornher-Stace tweeted a thread of her own about the experience that starts here. A few excerpts —

And here’s a screencap of the Reddit moderator’s announcement while they were trying to manage the trollish invasion of the real AMA.

(4) ADA HOFFMANN BOOK LAUNCH. Ada Hoffmann’s The Fallen, the sequel to her debut, The Outside, was released yesterday. The author will be in conversation with Janelle Shane in a free online event on July 15 (3pm MDT/5pm EDT/10pm BST) on Facebook and YouTube

Released to immediate acclaim in 2019, The Outside was nominated for both the Philip K. Dick Award and the Compton Crook Award, so the follow-up, continuing the story of scientist Yasira Shien as she faces off against awesome AI gods and angels, is hotly anticipated to say the least!

Excitedly, to mark the next book in this eldritch-horror-meets-space-opera universe, Ada will (very appropriately) be in conversation with Janelle Shane, optics and AI researcher, host of the AI humor blog AIWeirdness.com, and author of the 2019 popular science book, You Look Like a Thing and I Love You

(5) I HAVE NO CATNIP AND I MUST SCREAM. Camestros Felapton presents “A Message From: The CattimothyTech Dept.” It was a great ride while it lasted. Which wasn’t long!

…Dear valued subscriber,

Thank you for joining us on the amazing journey into freedom. It has been a truly inspiring five thousand and forty seconds in which we came together in the spirit of unity that shaped our great nation. When our founder, CIO, CFO and CEO Timothy the Talking Cat outlined his vision for a truly free and anti-elite tech platform for all Americans, we were inspired by how many of you rallied around his cause to break free of the shackles of facebooktwittergoogle. …

(6) WHAT ABOUT. Space.com is actually complaining that the Emmys neglected genre despite the huge haul of nominations for The Mandalorian, WandaVision, The Handmaid’s Tale, and Lovecraft Country “’The Mandalorian’ receives 24 Emmy nominations, including Best Drama Series”.

…Sadly, the sci-fi genre wasn’t well represented in this year’s nominations, which were announced Tuesday  (July 13). Again. It seems only the big franchise names received any kind of attention. There was nothing for “The Expanse” on Amazon Prime Video or “For All Mankind” on Apple TV+ or HBO’s “Raised By Wolves” — and while that show gradually descended into insanity as Season 1 concluded, the actual performances were outstanding. And what about SyFy’s “Resident Alien” in the Comedy category? The eligibility period for 2021 submissions was from June 1, 2020 to May 31, 2021, so all of those shows could’ve been recognized….

(7) DON’T TAKE IT FOR GRANTED. On the other hand, WandaVision’s team is a little surprised: “How ‘WandaVision’ Went From ‘Totally Bananas’ Underdog to Emmy Juggernaut” at Vanity Fair.

…Not that the WandaVision team expected it to happen, at least like this. “Honestly, I was like, if we have one nomination, we will have won,” says series showrunner Jac Schaeffer, who also earned a writing nomination. “The cards are kind of stacked against the superhero space when it comes to recognition and awards.”

By the time nominations morning arrived, Schaeffer may have been the only one—most pundits were betting big on WandaVision, though maybe not 23 nominations big—but when it started, WandaVision really was an underdog. It became the first Marvel project on Disney+ basically by accident, when the pandemic delayed production on other shows, meaning that the bright new future of Marvel on television was being introduced by a defiantly oddball story about grief, sorcery, and classic television. “I felt very secure early on sort of occupying this little corner of the sandbox,” Schaeffer says. “The idea was that Falcon and the Winter Soldier would go first and, and that we could be weird in this little space.”

Instead, WandaVision debuted in mid-January at the peak of a world-altering pandemic, which many viewers had spent stuck at home and, like Wanda Maximoff herself, filtering their realities through television. “There was sort of an element of kismet to it,” Schaeffer says. “The content of the show itself ended up being a reflection of what so many people were doing in their own homes, you know, retreating into their favorite shows as a form of comfort.”

On Emmy nominations morning, both Olsen and Schaeffer were busy sharing the celebration with the rest of the team, though it wasn’t easy to take in the scope of the success….

(8) DOUBLE UNDERLINE. Meanwhile, Adweek declares “Streaming Has Officially Taken Over TV Awards Season”.

No matter how you look at the nomination breakdowns released Tuesday, the story is clear: If it wasn’t already a sure thing that streaming is the future of television, the 2021 Emmy nominations have officially cemented it.

Streaming services accounted for four of the five top nominated outlets, with HBO Max (paired with HBO) and Netflix overwhelmingly dominating in terms of total nominations. Disney+, less than two years old, beat out every broadcast and cable network in terms of nominations and came in third overall.

Apple TV+, which isn’t even a breakout streamer (parent company Apple has mostly given it away for free since its launch), received more nominations (34) than all the broadcast networks aside from NBC. 

(9) WHAT’S AHEAD FOR AMERICA. James Davis Nicoll curated these “Five Speculative Visions of a Future America” for Tor.com. I was pleasantly surprised to find I’m not the only fan who remembers this one —

Rosinante Trilogy by Alexis Gilliland

Crisis and political necessity led to the formation of the North American Union, encompassing the United States, Mexico, Canada, and a few other nations. The formative crisis having past, the Union is held together largely thanks to the determination of a cabal of conservatives, the Creationist Coalition. The central figures in the Administration are determined to not let their power and influence slip away. Their resolve proves the North American Union’s undoing.

The Administration is long on steadfast purpose, but short on foresight. Assassinating a Hispanic populist governor alienates Hispanic North Americans. Paranoid attempts to capture a suspected Old Regime sympathizer force the sympathizer to see the Union as his enemy. Each move undertaken to ensure the Union’s stability instead undermines it, with the inevitable result that the North American Union collapses into independent nation states.

(10) EFFECTS HISTORY. BBC Radio 4 has aired the second installment of Unreal: The VFX Revolution “Digital Realms”.

How visual effects changed and how they changed the movies. Oscar winner Paul Franklin explores how film entered the digital realm.

The 1970s saw the very first onscreen digital effects in films like Westworld. Those first pioneers of CGI already spoke of digital humans, indeed of entire films being made within the computer, but Hollywood was unconvinced. By 1979, some of those visionaries like Ed Catmull and Alvy Ray Smith, later founders of Pixar, were working for filmmaker George Lucas, who primarily wanted new digital tools for editing and compositing and to explore computer graphics. Their first all-digital sequence created life-from lifelessness with the Genesis effect for Star Trek II: The Wrath of Khan. Meanwhile Disney itself was creating TRON, a spectacular mix of state-of-the art animation and pioneering digital effects that took audiences into cyberspace for the first time. In their different ways these two films were the true harbingers of the digital revolution that would bring profound change to moviemaking within little more than a decade. And then came Terminator 2’s chrome shape shifter-the T1000. The revolution was underway.

(11) MEMORY LANE.

  • 2006 – Fifteen years ago, Catherynne M. Valente would win the Otherwise Award and the Mythopoeic Fantasy Award for Adult Literature for The Orphan’s Tale: In the Night Garden. (It would also be nominated for a World Fantasy Award.) Two years later, she won a second Mythopoeic Fantasy Award for Adult Literature for The Orphan’s Tale: In the Cities of Coin and Spice.  Both volumes are available from the usual suspects for just five dollars and ninety-nine cents. 

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born July 14, 1904 — Zita Johann. She’s best known for the lead performance in Karl Freund’s 1932 film, The Mummy which also featured Boris Karloff. She wouldn’t show in another horror film for another fifty-four years when she was in Raiders of the Living Dead as a Librarian as her original career only lasted three years. She quit film to work in theater where she where she was a partner of John Houseman, her husband, who she was married to from 1929 to 1933, and with Orson Welles as well. She also taught acting to people with learning disorders. (Died 1993.)
  • Born July 14, 1906 — Abner J. Gelula. One of the many authors* of Cosmos, a serialized novel that appeared first in Science Fiction Digest in July 1933 and then has a really complicated publication that I won’t detail here. It was critiqued as “the world’s most fabulous serial,” “one of the unique stunts of early science fiction,” and conversely “a failure, miserable and near-complete.” The entire text, chapter by chapter, can be read here. *To be precise,  Earl Binder, Otto Binder. Arthur J. Burks,  John W. Campbell, Jr., Lloyd Arthur Eshbach. Ralph Milne Farley, Francis Flagg, J. Harvey Haggard, Edmond Hamilton, David H. Keller, M.D., Otis Adelbert Kline, A. Merritt, P. Schuyler Miller, Bob Olsen, Raymond A. Palmer, E. Hoffmann Price and Edward E. Smith. Gulp!  (Died 1985.)
  • Born July 14, 1926 — Harry Dean Stanton. My favourite genre role for him? The video for Procul Harum’s “A Whiter Shade of Pale”. No, I’m not kidding.  He also played Paul of Tarsus in The Last Temptation of Christ, Harold “Brain” Hellman in Escape from New York, Detective Rudolph “Rudy” Junkins in Christine, Bud in Repo Man, Carl Rod in Twin Peaks twice, Toot-Toot in The Green Mile, Harvey in Alien Autopsy and a Security Guard in The Avengers. He didn’t do a lot of genre tv, one episode of The Wild Wild West as Lucius Brand in “The Night of The Hangman” and a character named Lemon on Alfred Hitchcock Presents in the “Escape to Sonoita” episode. (Died 2017.)
  • Born July 14, 1939 — Sid Haig. Best remembered as having a lead role in Jason of Star Command as the villain Dragos. He had one-offs in BatmanMission: Impossible, Star TrekGet SmartFantasy IslandBuck Rogers in the 25th Century, and MacGyver. His Trek appearence was First Lawgiver in “The Return of the Archons”, and someone in casting at Mission: Impossible liked him as he had nine different roles there. He was Royal Apothecary twice on Batman, not a role I recognize. (Died 2019.)
  • Born July 14, 1943 — Christopher Priest, 78. This is the Birthday of the One and True Christopher Priest. If I was putting together an introductory reading list to him, I’d start with The Prestige, add in the Islanders (both of which won BSFAs)and its companion volume, The Dream Archipelago. Maybe Inverted World as well. How’s that sound?  
  • Born July 14, 1949 — Brian Sibley, 72. He co-wrote (with Michael Bakewell) BBC Radio 4’s adaptation of The Lord of the Rings. He also adapted The Chronicles of Narnia, and Titus Groan and Gormenghast for the same. Print wise, he’s responsible for such works as The Lord of the Rings Official Movie Guide and The Lord of the Rings: The Making of the Movie Trilogy. His only Award to date is a Sir Julius Vogel Award which is given by the members of the Science Fiction and Fantasy Association of New Zealand (SFFANZ) and the National Science Fiction convention for Weta Digital: 20 Years of Imagination on Screen.
  • Born July 14, 1964 — Jane Espenson, 57. She had a five-year stint as a writer and producer on Buffy the Vampire Slayer where she shared a Hugo Award at Torcon 3 for her writing on the “Conversations with Dead People” episode, and she shared another Hugo at Chicon 7 for Games of Thrones, season one. She was on the writing staff for the fourth season of Torchwood and executive produced Caprica. And yes, she had a stint on the rebooted Galactica.
  • Born July 14, 1966 — Brian Selznick, 55. Illustrator and writer best known as the writer of The Invention of Hugo Cabret which may or may not be genre. You decide. His later work, Wonderstruck, definitely is. The Marvels, a story of a travelling circus family is magical in its own right though not genre. His next work, Kaleidoscopic, due out this autumn looks to just as fantastic. 

(13) COMICS SECTION.

  • Gasoline Alley, after a week or so following a colander-hat-guy “hearing ghost voices,” solves the mystery.
  • Broom Hilda needs a proofreader just as much as I do.

(14) TODAY’S THING TO WORRY ABOUT. Is Jason Cordova trying to suggest John Scalzi ripped off two of his novels? Here’s a screencap of Cordova’s Facebook post.

What seems clear to Cordova might not seem so clear to anyone else. Scalzi’s “Preservation Society” in his title phrase sounds like it’s about a rather different subject than Cordova’s “Urban Revitalization Project.” And Cordova’s own title resonates with a line from Godzilla 1985 (as quoted in the Wikipedia) — “That’s quite an urban renewal program they’ve got going on over there” – a coincidence that would be of no more than trivial interest but for Cordova’s complaint.  

As for Cordova’s The Corruptor – the Amazon blurb says this is what the book is about:

…The single greatest advance in computer technology since the invention of the microchip, the Warp is a virtual reality gaming system so advanced that players aren’t just in the game, they are the game. And inside the Warp lies the most cunning of all games, the de facto king of online gaming. It is the one game said to be unbeatable: Crisis.

The Warp was flawless, and the game was perfect. Until something went terribly wrong, trapping Tori Adams and her friends inside it, unable to log off and free their minds from the uploaded virus in their brains. With no other options available and time running out, they must do the one thing that has never been done before—what experts say can’t be done—they must beat Crisis in order to save their lives.

I have read Scalzi’s Lock In but not Cordova’s book, however, from the latter’s description they appear to have about the same degree of overlap as Ready Player One and The Matrix.

(15) HYPE TIME. Two members of the MCYouTube react to the upcoming film FreeGuy featuring Ryan Reynolds and Taika Waititi. “Deadpool just slipped into the MCU early, to make fun of Ryan Reynolds”.

…like so many other studios, Disney is facing the question of how to goose up active interest in a film it’s been teasing since 2019. The apparent solution: Bring in Deadpool, dump him into the Marvel Cinematic Universe, and have him promote the film.

(16) GAIMAN ON SCREWTAPE. Brenton Dickieson shares “Neil Gaiman’s Introduction to The Screwtape Letters, Marvel Comics Edition” at A Pilgrim in Narnia.

… someone sent me a snapshot of the introduction to an edition that is slightly different than my own gifted copy of the Marvel Comics version of C.S. Lewis’ The Screwtape Letters. This other edition does not reproduce Lewis’ own 1941 preface as mine does. Instead, it has a special introduction written by Neil Gaiman.

As readers will know, Gaiman is not simply a giant in the fantasy world–outside of the horror genre, I think American Gods is the most important work of fantasy on the continent–but one of the new generation pioneers of the graphic novel medium. He is also a lifelong Narnia fan–and, we discover here, a lover and appreciative reader of Screwtape. Leaving beside any technical matters you might normally find in an introduction, Gaiman still manages to orient the reader to the book in their hands while giving us a sense of what he loves about Screwtape as a theologically interested but not specifically religious reader.

Besides some good swipes at the American Christian culture war (the ’90s one, not the current one) and a perceptive description of Narnia, Gaiman draws the reader to Screwtape for entertainment, delight, and wisdom. Gaiman’s perspective of Screwtape‘s impact has reminded me of that larger group of readers of Lewis that keep coming back to his works….

(17) MIGHT BE ON YOUR BOOKSHELF. Fonts In Use looks back at the design of “Philip K. Dick paperback covers (Panther Science Fiction)” from the Seventies.

Roslyn Gothic arguably saw its most extensive and iconic use on the paperback covers with works by Philip K. Dick as published by Panther Books.

Designed by Harry Winters, Roslyn Gothic was released by Visual Graphics Corporation (VGC) in 1972, to be used with their Photo Typositor, a popular display typesetting machine of the phototype era. There were three styles; Medium, Bold, and Outline. The sans serif of condensed proportions is infused with some traits that seem to harken back to Art Nouveau, or Jugendstil: counters in dg, or p are tear-shaped, e has a diagonal bar while the top arm of K is vertical, some stems in mnu are slightly curved, A is asymmetrical, and G is pointed at the bottom. Several of these features can also be found in German typefaces from around 1900, like Sezessions-Grotesk or Skulptur. By giving his design a large x-height and tight letterspacing, Winters turned these influences into a quintessential 1970s display typeface. With its punchy yet slightly alien-looking shapes, Roslyn Gothic became a popular choice on book covers in the science fiction genre.

(18) SPEAKER FOR THE TREES. No, we’re not talking about the Lorax. In this video of “Trees, Chainsaws, and the Visions of Paradise in J.R.R. Tolkien” from 2002, Tom Shippey discusses Tolkien’s relationship to trees, the literary function of forests, and the under-rated sophistication of Hobbit poetry. This quote comes from the YouTube transcript —

…Perhaps the best example of this comes from a colleague of mine now a professor of Harvard who tells this anecdote which I shall rapidly pirate. He said that some it must have been at least thirty years ago when he was a student backpacking his way around Europe he found himself in Oxford and he went to the University parks and he found a bench there and took his backpack off and sat down on the bench and looks at the parks for a bit. And at this point I’m an old guy came up very well-dressed and he came along and he sat down on the bench and he started to talk about trees. Trees, how beautiful they were, trees, some particularly beautiful trees, trees, now some trees he was personally fond of, trees, the awful things people did to trees, trees, how awful people were who did these awful things to trees trees, what we ought to do to these awful people in the world. But at this point my colleague said he was beginning to get rather nervous, picks his backpack up and edged away reflecting that you know they haven’t got all the weirdos locked up yet by any means. But next morning he got the local paper and discovered a picture of the old weirdo in it and it was of course the distinguished professor talking who was in the paper because he’d been collecting an honorary doctorate… 

[Thanks to John King Tarpinian, Cat Eldridge, Mike Kennedy, Gordon Van Gelder, Anna Grace Carpenter, SF Concatenation’s Jonathan Cowie, Daniel Dern, Andrew Porter, Martin Morse Wooster, JJ, and Michael Toman for some of these stories. Title credit belongs to contributing editor of the day Daniel Dern.]

Pixel Scroll 7/1/21 Scrolling By 40 Specially Trained Ecuadorian Mountain Pixels

(1) KGB IN TIMES TO COME. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present Nancy Kress and Kim Stanley Robinson in a YouTube livestream event on Wednesday, July 21 at 7 p.m. EDT. Link to follow. 

  • Nancy Kress

Nancy Kress is the multiple-award winner of science fiction and the occasional fantasy.  Her most recent works are the stand-alone novella Sea Change, about the genetic engineering of crops, and the space-opera The Eleventh Gate. Based in Seattle with, Nancy divides her time between writing and trying to train a very stubborn Chihuahua puppy.

  • Kim Stanley Robinson

Kim Stanley Robinson is a multi-award winner of science fiction probably best known for his Mars trilogy. His most recent novels are Red Moon and The Ministry for the Future. He lives in Davis, California.

(2) JEMISIN’S STATEMENT. Following publication of the Vox article “How Twitter Can Ruin A Life”, based on an interview with Isabel Fall, author of “I Sexually Identify as an Attack Helicopter,” some of N. K. Jemisin’s tweets about the topic from 2020 (see the Wikipedia) have been criticized. Today Jemisin posted an explanatory “Statement on Isabel Fall comments” at her blog.

… The reporter also reached out to me while researching this article, because there’s been a lot of internet chatter about my involvement. I shared what I could with her (off the record), and since she let me know that she was in direct contact with Ms. Fall, I took the opportunity to send a private apology at that time. I had hesitated to do so publicly before this because I didn’t know if it would just bring more unwanted attention to Ms. Fall — but since we’re talking about all of this again, now seems like a good time….

Jemisin recaps in some detail what she was trying to say and what went wrong, followed by this short summary:

…I am deeply sorry that I contributed to Ms. Fall’s distress, and that I was not as thoughtful as I should have been in my response. Let me also apologize specifically to my trans and NB readers, some of whom caught flak because I RTed them, and others who may have been hurt or confused by what I said. I just should’ve done a better job of it.

By now I hope it’s clear that I never wanted to hurt Ms. Fall and was trying to offer support…. 

(3) ALIEN COMING TO TV. Vanity Fair interviews the showrunner: “New ‘Alien’ TV Series Will Be Class Warfare With Xenomorphs”.

…Now a new FX TV series based on the franchise is in the works from Fargo showrunner Noah Hawley—who says it’s about time for the facehuggers and xenomorphs to sink their claws into the white-collar executives who have been responsible for sending so many employees to their doom. 

In a conversation about the symbolism of season four of Fargo, Hawley also offered an update on the Alien series, as well as his new novel, Anthem. The show, however, will have to wait a little while, since the crush of new productions after the pandemic has consumed all of Hollywood’s resources. How appropriate….

Vanity Fair: What’s next for you? Is there a season five in the works for Fargo?

Noah Hawley: Yeah, I think so. I don’t have it yet. I have pieces that will have to survive. They’re not connected. I think it would be good to create an ending, and deliberately come to something, knowing it’s the last one and see how one might wrap up this anthology. What’s next for me, it looks like, is [an] Alien series for FX, taking on that franchise and those amazing films by Ridley Scott and James Cameron and David Fincher. Those are great monster movies, but they’re not just monster movies. They’re about humanity trapped between our primordial, parasitic past and our artificial intelligence future—and they’re both trying to kill us. Here you have human beings and they can’t go forward and they can’t go back. So I find that really interesting.

(4) SPEED READING. Cat Rambo will be part of the July 2 First Friday Quick Read Zoom event. It’s free – register at the link.

Join us for a lunchtime tasting menu of science fiction, fantasy, and horror stories written by women and non-binary authors. We’ll feature 6 authors who will each have 8 minutes to tempt and tantalizing you with their reading. Our readings are like Forrest Gump’s box of chocolates – you never know what you’ll get!

(5) RADIO PLAY WINS KURD LAßWITZ AWARD. The radio play jury of Kurd Laßwitz Award has finished voting reports award trustee Udo Klotz. The winner is Der zweite Schlaf by Heinz Sommer.

  • Best German SF Radio Play First Broadcast In 2020

 (6) SFF AFTER MAO. There is a new book on Chinese sff in the 70s and 80s that readers might be interested in: Hua Li’s Chinese Science Fiction during the Post-Mao Cultural Thaw, from University of Toronto Press.

The late 1970s to the mid-1980s, a period commonly referred to as the post-Mao cultural thaw, was a key transitional phase in the evolution of Chinese science fiction. This period served as a bridge between science-popularization science fiction of the 1950s and 1960s and New Wave Chinese science fiction from the 1990s into the twenty-first century. Chinese Science Fiction during the Post-Mao Cultural Thaw surveys the field of Chinese science fiction and its multimedia practice, analysing and assessing science fiction works by well-known writers such as Ye Yonglie, Zheng Wenguang, Tong Enzheng, and Xiao Jianheng, as well as the often-overlooked tech–science fiction writers of the post-Mao thaw.

Exploring the socio-political and cultural dynamics of science-related Chinese literature during this period, Hua Li combines close readings of original Chinese literary texts with literary analysis informed by scholarship on science fiction as a genre, Chinese literary history, and media studies. Li argues that this science fiction of the post-Mao thaw began its rise as a type of government-backed literature, yet it often stirred up controversy and received pushback as a contentious and boundary-breaking genre. Topically structured and interdisciplinary in scope, Chinese Science Fiction during the Post-Mao Cultural Thaw will appeal to both scholars and fans of science fiction.

(7) TIME LIMIT. A trailer has dropped for the fourth and final installment of the Rebuild of EvangelionEvangelion: 3.0+1.01 Thrice Upon A Time.

The fourth and final installment of the Rebuild of Evangelion. Misato and her anti-Nerv group Wille arrive in Paris, a city now red from core-ization. Crew from the flagship Wunder land on a containment tower. They only have 720 seconds to restore the city. When a horde of Nerv Evas appear, Mari’s improved Eva Unit 8 must intercept. Meanwhile, Shinji, Asuka, and Rei wander around Japan.

(8) MARS IN CULTURE. “Exploring the Red Planet through History and Culture” with Nick Smith (past President of LASFS) will be hosted by the Pasadena Museum of History. This free virtual presentation* will be available for viewing Thursday, July 22 through Sunday, July 25. Sign up for email notification here.

The planet Mars has long been connected to humankind through religions, literature, and science. Join Nick Smith, guest curator of PMH’s 2018 exhibition Dreaming the Universe, to explore our fascination with Earth’s neighboring planet, and discover some of the many ways Mars is part of our culture. 

This free virtual presentation* will be available for viewing Thursday, July 22 through Sunday, July 25. An email with the link to the presentation will be sent to all of our email subscribers on Thursday, July 22.

*Pre-recorded presentation from Spring ArtNight 2021.

(9) RESOURCES FOR HORROR FICTION SCHOLARSHIP. The University of Pittsburgh library system announced the acquisition of the papers of Linda Addison, Kathe Koja, and the archives of the Horror Writers Association: “University of Pittsburgh Library System Acquires Additional Archives for its Horror Studies Collection”/

…The ULS has acquired the papers of Linda D. Addison, the most decorated horror poet today with a total of six Bram Stoker literary awards. Addison became the first African American writer to win a Stoker in 2001 for her collection, Consumed, Reduced to Beautiful Grey Ashes and has also received the Lifetime Achievement (2018) and Mentor of the Year (2016) Awards from the Horror Writers Association as well as the title Grand Master from the Science Fiction and Fantasy Poetry Association (2020). Her poetry explores themes of race, gender, loss, struggle, hope, and the resiliency of humanity through a lyrical style that employs both traditional horror tropes of the supernatural as well as stark realism. Her archive will include drafts and manuscripts of her poetry as well as ephemera such as convention programs and awards which help demonstrate her impact on the genre. On her hopes that her archive will inspire others, she says:

“Having my writing journey from journals, through edits to final versions, become part of the University of Pittsburgh Horror Studies Collection is a dream, I never imagined, come true! To think that others, studying my process, could find value and inspiration will allow my work to safely exist past the length of my life, is an incredible blessing.”

The ULS has also acquired the papers of Kathe Koja, who is a true iconoclast whose works push boundaries, expand our conceptions of horror, and prove that horror is indeed a true literary genre. Her first novel, The Cipher (1991), won both a Bram Stoker Award and Locus Award and solidified her impact as a force within new horror. She employs a striking and unique prose style to explore themes of alienation and social isolation as well as transcendence, often through art. Her collection will include drafts, manuscripts, and notes from her novels and short stories. On her decision to establish her archive at the University of Pittsburgh, Koja said:

“A book is its writing as well as its words: the thoughts and notes and drafts and edits (and edits, and edits) that comprise the final text. To have all that making made available for scholars, readers, and fans of horror literature is a real boon, and I’m beyond delighted that my own horror novels will now be available this way.”

Lastly, the ULS has acquired the archives of the Horror Writers Association (HWA), the premiere professional organization for writers working in the genre.  This collection, established by current HWA President John Palisano with support from former President Lisa Morton, documents the history of the organization through its newsletters, convention booklets and programs, and other published materials. Collectively, these materials illustrate the work of the HWA, as well as the community it has built. The HWA has been the main space for writers working within the genre to collect and collaborate since the late 1980s and has issued the Bram Stoker literary awards since 1987 at yearly conventions, such as the World Horror Convention and, since 2016, StokerCon.

(10) HUGO NOMINEE IS PLEASED. Best Professional Artist Hugo finalist Maurizio Manzieri tweeted –

(11) MEMORY LANE.

2003 – Eighteen years ago, Iain M. Banks’ only non-fiction book was published. It was Raw Spirit: In Search of The Perfect Dram. Of course he published it as Iain Banks as only his SF was under published under Iain M. Banks. It was his tour of the small whisky distilleries of Scotland in the small red sports coupe that he’d bought with the advance from the publisher who’d underwrote the entire affair on the word of Banks that it was a Great Idea. And being Banks about the Iraq War as well.  As he says in his introduction, “After doing extensive research, I can definitely tell you that single malt whiskies are good to drink”.  If you want to know more about this book, we reviewed it here at Green Man Review. And yes, it is available from the usual suspects. 

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born July 1, 1891 — Otis Adelbert Kline. Early pulp writer and and literary agent whose great claim to fame was a possibly apocryphal feud with fellow author Edgar Rice Burroughs, in which he supposedly raised the latter’s anger by producing close imitations of Burroughs’s Mars novels. Wollheim and Moskowitz believed in it having happened, Lupoff did not. (Died 1945.)
  • Born July 1, 1934 — Jean  Marsh, 87. She was married to Jon Pertwee but it was before either involved in Dr. Who. She first appeared alongside The First Doctor in “The Crusade” as Lady Joanna, the sister of Richard I (The Lionheart). She returned later that year as companion Sara Kingdom in “The Daleks’ Master Plan”. And she’d return yet again during the time of the Seventh Doctor in “Battlefield” as Morgana Le Fay. She’s also in Unearthly Stranger Dark PlacesReturn to OzWillow as Queen Bavmorda and The Changeling. (CE)
  • Born July 1, 1935 — David Prowse. The physical embodiment of Darth Vader in the original Star Wars trilogy. Ok, it’s been  a very long time since I saw Casino Royale but what was Frankenstein’s Creation doing there, the character he played in his first ever role? That he played that role in The Horror of Frankenstein and Frankenstein and the Monster from Hell, Hammer Films a few later surprises me not. He shows up in Gilliam’s Jabberwocky according to IMDB as Red Herring and Black Knights (and no I’ve no idea what that means). Finally he’s the executioner in The People That Time Forgot, a film that’s very loosely based off of several Burroughs novels. (Died 2020.)
  • Born July 1, 1952 — Dan Aykroyd, 69. Though best known as Dr. Raymond Stantz in the original Ghostbusters films (which he wrote with Harold Ramis), he actually shows up a year earlier in his first genre role in Twilight Zone: The Movie as Passenger / Ambulance Driver. He’s reprising his role in the recent Ghostbusters 2020
  • Celebrated July 1, 1955 — Robbie the Robot. On this date in 1955, Robby the Robot was born. Or more properly constructed. Or so claims the studio, Metro-Goldwyn-Mayer, that would release Forbidden Planet, where he had his first screen appearance, on March 3, 1956 when the movie had its US premiere. He would go on to be in a number of  series including Lost in Space twice plus on The Addams FamilyThe Man from U.N.C.L.E. twice,  Twilight Zone (five appearances , mostly as toys) and Holmes & Yo-Yo to name but a few of his other  appearances. His latest appearance was on The Big Bang Theory with other movie props in “The Misinterpretation Agitation” episode. He had a memorable appearance on The New Adventures of Wonder Woman where he was the Master of Ceremonies at one of our SF Cons!  
  • Born July 1, 1962 — Andre Braugher, 59. He’s the voice of Darkseid in Superman/Batman: Apocalypse which is why he makes the Birthday list. If there’s ever proof that a great voice actor can make an animated role, this is it. It’s also a superb film. His other major genre role is as General George W. Mancheck in The Andromeda Strain series that originally aired on A&E. 
  • Born July 1, 1964 — Charles Coleman Finlay, 57. The Traitor to the Crown series is his best known work. His first story, “Footnotes”, was published in The Magazine of Fantasy and Science Fiction where many of his stories have since been published. Six years the editor of The Magazine of Fantasy and Science Fiction, ending in February of this year.
  • Born July 1, 1981 — Genevieve Valentine, 40. Author of the superb  Persona novel and also she scripted a Catwoman series, working with artists Garry Brown and David Messina. Her first novel, Mechanique: A tale of the Circus Tresaulti, won the Crawford Award for a first fantasy novel. She scripted a run of Xena: Warrior Princess, and scripted Batman & Robin Eternal as well. 

(13) COMICS SECTION.

(14) HUGOS FROM THE HAGUE. Fanac.org now hosts a video of the ConFiction (1990) Worldcon Hugo Ceremony.  

This video, captured with a hand held camera, covers the Hugo Awards, as well as the Campbell Award for New Writers, and the fannish Big Heart and First Fandom awards. Many awards were accepted by designees for the recipients, and we see Anne McCaffrey and Jack Chalker among those accepting for others. There’s a bit of humor from Dave Langford, and appearances by the American Ambassador to the Netherlands, C. Howard Wilkins. The World Science Fiction Society Banner, first hung at NyCon II in 1956, makes its appearance, and the video ends with the traditional view of all the recipients on stage. The video was recorded by John Cramer, provided by Tom Whitmore and used with the permission of Kees van Toorn, Chairman of ConFiction.

(15) SHAT TRADES SMACK. Shat gets into trouble by being a host on Russian propaganda network RT.“Star Trek Icon William Shatner Spars With Journalists About His New Show on Kremlin TV” says The Daily Beast.

Star Trek star William Shatner has taken to Twitter to trade blows with journalists who called him out for hosting a new show on the Kremlin’s notorious state-funded network, RT.

Earlier this week, the 90-year-old Canadian actor—known for taking on the legendary role Captain James Kirk in the Star Trek saga—announced he would be hosting a new general talk show on the American branch of RT called “I Don’t Understand,” where he’ll be posing questions to guests on a variety topics. The show is set to debut later this month.

Alexey Kovalev, an investigative editor for Meduza—one of the most popular independent Russian-language news outlets—had some choice words for Shatner on his work with the network.

“Quick reminder about [RT’s] views and editorial policies @WilliamShatner is now endorsing (whether he wants to or not),” he tweeted on Thursday, linking to a thread that ends with “Don’t go on RT, unless you are okay with sharing a mic with some of the most vile racist degenerates out there. It’s not a legitimate media platform. It has no redeeming qualities. And if no other platform will have you, then you really shouldn’t have *any* platform.”

Those comments seem to have hit a nerve with Shatner, who wrote back, “Perhaps instead of rebuking me with facts that have zero influence on my show, a better use of your time would be to move? It seems that you being in Moscow means you are directly supporting the very regime you are berating me about. #hypocrite.”…

(16) POE’S SCIENCE REPORTING. Daniel Engber reviews John Tesch’s Poe biography The Reason for the Darkness of the Night: Edgar Allan Poe and the Forging of American Science in “Edgar Allan Poe’s Other Obsession” at The Atlantic.

…By 1840, Poe was working at a men’s magazine, where he launched a feature called “A Chapter on Science and Art,” consisting of the sorts of squibs on innovation later found in Popular Mechanics. (“A gentleman of Liverpool announces that he has invented a new engine,” one entry started.) With this column, Tresch suggests, “Poe made himself one of America’s first science reporters.” He also made himself one of America’s first popular skeptics—a puzzle master and a debunker, in the vein of Martin Gardner. Poe wrote a column on riddles and enigmas, and he made a gleeful habit of exposing pseudoscience quacks….

(17) RAILGUN R.I.P. The idea got a lot of media attention, however, they’re going another direction: “Navy ditches futuristic railgun, eyes hypersonic missiles” reports the AP.

The U.S. Navy pulled the plug, for now, on a futuristic weapon that fires projectiles at up to seven times the speed of sound using electricity.

The Navy spent more than a decade developing the electromagnetic railgun and once considered putting them on the stealthy new Zumwalt-class destroyers built at Maine’s Bath Iron Works.

But the Defense Department is turning its attention to hypersonic missiles to keep up with China and Russia, and the Navy cut funding for railgun research from its latest budget proposal.

“The railgun is, for the moment, dead,” said Matthew Caris, a defense analyst at Avascent Group, a consulting firm.

(18) PUNCH, BROTHERS, PUNCH WITH CARE. At the link, another fabulous Middle-Earth transit map, from 2018 – “One does not simply walk into Mordor” by artist Christian Tate.

Middle Earth map commissioned for Empire Magazine plotting the journeys of Tolkien’s key characters through Peter Jackson’s six films of The Hobbit and Lord of the Rings trilogies.

(19) A REALLY SHORT HOBBIT. Brenton Dickieson introduces readers to “The First Animated Hobbit, and Other Notes of Tolkienish Nonsense” at A Pilgrim in Narnia. The film runs about 11 minutes.

…Rembrandt Films had purchased film rights to produce a film by 1967, but a Hollywood feature-length deal fell apart. According to the Wikipedia page, the film was produced cheaply and quickly–Mythmoot lore places it at 7-10 days–and premiered on the last day that the contract, paying people to see the film. Having fulfilled the contract, they were able to return rights to Tolkien, opening possibilities for future adaptations, including the 1977 animation (which I call “the cute Hobbit” in my mind), and the trilogy epic of the fairy tale in the early 2010s by Peter Jackson, which some may have heard about….

(20) VIDEO OF THE DAY. The HISHE series says this is “How Godzilla vs Kong Should Have Ended”.

[Thanks to Mike Kennedy, Andrew Porter, Martin Morse Wooster, Shao Ping, N., Tom Becker, Daniel Dern, JJ, Michael Toman, John King Tarpinian, and Cat Eldridge for some of these stories. Title credit belongs to contributing editor of the day Jon Meltzer.]

Pixel Scroll 6/16/21 No One Is Born A Pixel, Except In A French Scroll Where Everyone Is

(1) FANTASY ART EXHIBIT AND SYMPOSIUM. The “Enchanted” fantasy art exhibit opened at the Norman Rockwell Museum in Stockbridge, MA last weekend:

Donato Giancola: St. George and the Dragon (2010)

Enchanted: A History of Fantasy Illustration explores fantasy archetypes from the Middle Ages to today. The exhibition will present the immutable concepts of mythology, fairy tales, fables, good versus evil, and heroes and villains through paintings, etchings, drawings, and digital art created by artists from long ago to illustrators working today. Mythology explores the adventures of Apollo and Thor, Perseus rescuing Andromeda with the head of Medusa, and the labours of Hercules; fairy tales depict the worlds of elves, fairies, and mermaids, and conjure dreams of Little Nemo in SlumberlandAlice in Wonderland, and Cinderella; heroes and villains follow the exploits of Arthurian legends, Prince ValiantConan the Barbarian, and The Lord of the Rings; and haunting images of sorcerers and witches, and battles between angels and demons embody the struggle between good and evil.

James Gurney has a report on his site Gurney Journey “Fantasy Art Exhibition Opens in Massachusetts” – including photos from the artists’ reception.

… Rather than setting up the exhibit chronologically, curator Jesse Kowalski arranged it thematically, with rooms full of new and classic paintings devoted to mythic themes, such as dragons, faeries, mermaids, and monsters. ….

This weekend they’re holding an on-line symposium: “Enchanted: Epic Adventures in Fantasy Illustration” with opening remarks from Sara Frazetta, granddaughter of Frank Frazetta, and two artist panels. RSVP at the link – there is a charge.

Artist Panel One: The Frazetta Legacy in Contemporary Fantasy Illustration: A Family of Artists

Julie Bell, Boris Vallejo, Anthony Palumbo, and David Palumbo are gifted artists who have been inspired by the notable legacy of fantasy and science fiction illustrator Frank Frazetta. This panel will explore their art, their position as the first family of fantasy illustration, and the creative and technical approaches that has inspired the acclaim and admiration of many fans.

Artist Panel Two: The Epic Fantasy Adventure

The rich histories relayed by the storytellers, writers, artists, historians, and philosophers have helped to define epic adventures and fantastical characters through time, from The Epic of Gilgamesh in 2100 BCE to the dynastic rivals of The Game of Thrones. Alessandra Pisano, Donato Giancola, and Gregory Manchess will discuss their work as well as the fantasy narratives that have inspired it.

(2) TWO NGHI VO INTERVIEWS. “Nghi Vo gets the green light” – a Q&A conducted by Noah Fram at Bookpage.

When F. Scott Fitzgerald’s The Great Gatsby entered the public domain in 2021, it became free game for adaptation. But unfortunately for any future reimaginings of the iconic Jazz Age novel, it’s going to be hard to top Nghi Vo’s historical fantasy, The Chosen and the Beautiful.

Shifting narrators from Nick Carraway to Jordan Baker, Daisy’s best friend and a fan favorite, Vo adds even greater power to Fitzgerald’s depiction of the haves and have-nots of American capitalism by making Jordan the adopted Vietnamese daughter of a rich, white couple. We talked to Vo about Jordan’s idiosyncratic allure, the dangers of Hemingway and more.

The Chosen and the Beautiful is a stunning book in its own right, but I’m essentially obligated to ask: What led you to adapt The Great Gatsby and why did you choose this particular genre?
Well, I’m absolutely a fantasist, so of course I was going to write it as a fantasy, and plus, it’s just too much fun to miss. The ’20s were wild to begin with, and the temptation to imagine people drinking demon’s blood cocktails, trading faces and chasing ghosts was far too strong for me….

One of the challenges of adapting a widely known work of fiction is creating something new and vital on a well-established canvas. How did you go about finding spaces to add intrigue, twists and surprises, especially since your readers will most likely be familiar with the events of The Great Gatsby itself?
So in writing The Chosen and the Beautiful, I more than doubled Fitzgerald’s word count. This actually makes a lot of sense to me because when I went back to read The Great Gatsby, what I found from a mechanical perspective is that Gatsby is a brick of a book in disguise. Fitzgerald doesn’t spell things out so long as the reader walks away with the general point. There are a ton of spaces to explore in the original. The ones that stand out most significantly to me are the secret conversations Jordan Baker is canonically having with Jay Gatsby, the ones that actually set the whole thing into motion, but those are far from the only ones! (cough, lever scene, cough)…

The Los Angeles Daily News probes “How this queer ‘Great Gatsby’ remake finds magic in reimagining a classic novel”.

Nghi Vo was halfway through writing a novel about “a young woman who was raised by dead people” when her agent suggested she begin work on what would become the novel “The Chosen and the Beautiful.”

The book she had been writing is still on her computer. “I haven’t gone back to it yet,” says the Milwaukee-based author, whose previous works include the novellas “When the Tiger Came Down the Mountain” and “The Empress of Salt and Fortune.”

With “The Chosen and the Beautiful,” which will be published June 1 by Tor, Vo reimagines “The Great Gatsby” from the perspective of Jordan Baker, who in this version is a young, queer woman who was born in Vietnam and raised in White, American high society. Vo also incorporates elements of the fantastic in the story, aiming to make the story seem true even if it ventures into the unreal.

“Which means that this could absolutely never happen in the real world at all. It defies physics. It defies logic, but somehow, it’s still true,” she says on a recent phone call. “That’s the grail for me when it comes to writing.”…

(3) SF SPARKLE SALONS. Arizona State University’s Center for Science and the Imagination launched a new video series today: Science Fiction Sparkle Salons, hosted by Malka Older. The first episode features Karen Lord, Amal El-Mohtar, Arkady Martine, astrophysicist Katie Mack, and Annalee Newitz having a wide-ranging, informal conversation about a variety of issues in fiction and science, enhanced by factoids and graphics in the style of VH1’s “Pop-Up Video.”

(4) BRUSH UP YOUR INKLINGS. Brenton Dickieson tells “5 Ways to Find Open Source Academic Research on C.S. Lewis, J.R.R. Tolkien, and the Inklings” at A Pilgrim in Narnia.

… Therefore, partly in response to student need and partly to encourage great research by you, dear reader–who also may not have a university behind you–I thought I would feature some places where you will find open-access Inklings research beyond my little website.

5. Free Materials Among Print Journals

Finding the right open-source material is always a challenge. Even though I am a faculty member at several libraries, I am always using my networks to find things that I need. There are some resources that we use as go-to places for accessible research:

  • Open JSTOR and Artstor, offering tools for search for materials online and in partnership with the libraries where you do have access
  • Also check out Open Access On MUSE
  • DOAJ.org lists open-access journals and articles
  • Google Scholar, a weirdly dated but moderately helpful resource for materials where you have specific texts or search-words; it does not distinguish between reviews, articles, and other academic resources–though it does list most of what I’ve done in the last 10 years (not everything is linkable)
  • Google Books, deeply limited but sometimes quite helpful in searching a phrase or two or finding an outdated resource, and includes the Books Ngram Viewer–a visual history of term usage
  • Kindle Samples are a good way to get a sense of what books might be helpful in your research and often includes a copy of the introduction or preface
  • Universities usually archive their MA and PhD thesis and dissertations, though some may be embargoed; and check your national research resources: Canada, for instance makes all of their publicly funded major projects searchable (see here, where there were four dozen results each for “C.S. Lewis,” “Tolkien,” and “L.M. Montgomery”)

(5) BAD TO WORSE. Camestros Felapton advances the Sad/Rabid Puppy saga to May 2015 in “Debarkle Chapter 42: May”.

… April had been a mixed month for the public-relations campaign of the Sad Puppies. Their apparent victory in the nomination stages was more than the leaders had expected and the scale of the controversy was possibly more than they had planned for. Nevertheless, they had started as winners. Brad Torgersen had gained some sympathy after the error-prone Entertainment Weekly article (see chapter 41) had falsely claimed that the Sad Puppies had only nominated white men. After anti-Gamergate campaigner Arthur Chu had referred to Torgersen’s wife and child as “shields”[2], Torgersen compared himself to a prisoner in a gulag[3]. However, both Correia and Torgersen had used April to argue with George R.R. Martin and his posts about the Puppy campaigns. Correia, in particular, followed his normal style of internet argument in an attempt to discredit Martin’s characterisation of the Sad Puppies[4]. While their responses pleased their followers, they reacted to Martin’s posts on “Puppygate” as if he were a major opponent rather than a potential ally in opposing the No Award Strategy[5].

The Sad Puppy campaign needed to start May with some positive presentation of their views. Unfortunately, things quickly went badly wrong….

(6) ROWLING REP’S NEW LITIGATION REVEALS OLD SETTLEMENT AMOUNT. A lawsuit in the UK has led to the discovery that Neil Blair at The Blair Partnership paid his former employer Christopher Little £10 million as a settlement fee in January 2012 after Blair set up his own agency in 2011 and took over representation of J.K. Rowling. Blair borrowed the money for the lump sum payment from Rowling herself. “Revealed: £10m payout for Harry Potter agent after Rowling fallout” at Evening Standard.

The only previous report of the settlement, in the Daily Mail in 2012, was based on a statement from reputation and crisis-management firm Project Associates indicating the parties had settled for an unspecified amount “believed to be worth millions of pounds.”

Publishers Lunch says Blair is now suing his former accountant, alleging negligence “in connection to advice relating to the restructuring of his business,” apparently related to tax treatment of that settlement payment to Little.

(7) DON’T TICK HIM OFF. “Q returns in time-hopping teaser” for Picard Season 2. (Can Federation time be broken any worse than it is in my comments software?)

In celebration of “Picard Day” (named for the celebration thrown on the Captain’s behalf by the children of the Enterprise-D back in the Next Generation days) on Wednesday, Paramount+ released the first intriguing teaser for Star Trek: Picard Season 2, and in the process set up a confrontation we’ve long been waiting for. The series has already revealed that the great John de Lancie will reprise his role as the enigmatic Q for Season 2, but that doesn’t stop the goosebumps when he finally appears, looking as mischievous as ever as he prepares to put Picard through yet another test. It seems all of time is broken, and Jean-Luc and his crew may be our only hope of putting it back together.

(8) MEMORY LANE.

  • 1996 — Iain M. Banks wins the BSFA for Excession, a Culture novel, published by Orbit Books. It would be his second genre Award and last English language genre Award for a novel following garnering another BSFA Award for Feersum Endjinn, one of four SF novels that he wrote that’s not set in the Culture, the others being The AlgebraistTransition and Against a Dark Background.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 16, 1894 — Mahlon Blaine. Illustrator who’s largely of interest here for his work on the covers of the Canaveral Press editions in 1962 of some Edgar Rice Burroughs editions. He told Gershon Legman who would put together The Art of Mahlon Blaine “that he designed the 1925 film, The Thief of Bagdad, but Arrington says that his name doesn’t appear in any of the published credits.” He also claimed to have worked on Howard Hawks’ Scarface, but IMDB has no credits for him. (Died 1964.)
  • Born June 16, 1896 — Murray Leinster. It is said that he wrote and published more than fifteen hundred short stories and articles, fourteen movie scripts, and hundreds of radio scripts and television plays. Among those was his 1945 Hugo winning “First Contact” novella which is one of the first (if not the first) instances of a universal translator in science fiction. So naturally his heirs sued Paramount Pictures over Star Trek: First Contact, claiming that it infringed their trademark in the term. However, the suit was dismissed. I’m guessing they filed just a bit late given the universal translator was used in Trek prior to that film. (Died 1975.)
  • Born June 16, 1939 — David McDaniel. A prolific writer of The Man from U.N.C.L.E. novels, penning seven of them with such names as The Vampire Affair and The Hollow Crown Affair. He also wrote a novel for The Prisoner series, The Prisoner: Number Two. As a fan, he was quite active in LASFS, serving as its Director, writing various APAs and is remembered as a “Patron Saint” which is to say he financially support the a Club. (Died 1977.)
  • Born June 16, 1920 — T. E. Dikty. One of our earliest anthologists and publishers. At Shasta Publishers, with E. F. Bleiler, he published the first “Best of the Year” SF anthologies, The Best Science Fiction, which ran from 1949 until 1957. He did a handful of later anthologies. He also edited two issues of Fantasy Digest in 1939, and as the editor of Tenth Anniversary Program of World Science-Fiction Convention. (Died 1991.)
  • Born June 16, 1940 — Carole Ann Ford, 81. Best known for her roles as Susan Foreman in  Doctor Who, and as Bettina in  of The Day of the Triffids. Ford appeared in the one-off 50th-anniversary comedy homage The Five(ish) Doctors Reboot.
  • Born June 16, 1957 — Ian Buchanan, 64. Best remembered as Dick Tremayne on Twin Peaks. He’s done one-offs on the first Flash series, Quantum Leap, voice roles on GargoylesBatman: The Brave and the BoldBatman Beyond and Justice LeagueCharmed and Stargate SG-1
  • Born June 16, 1962 — Arnold Vosloo, 59. His best remembered role is as Dr. Peyton Westlake / Darkman in Darkman II and Darkman III, andImhotep inThe Mummy and The Mummy Returns. He’s done several notable voice roles, first as Black Adam in Shazam!: The Return of Black Adam, and Abin Sur in Green Lantern: Emerald Knights
  • Born June 16, 1972 — Andy Weir, 49. His debut novel, The Martian, was later adapted into a film of the same name directed by Ridley Scott. He received the Astounding Award for Best New Writer. His next two novels are Artemis and Project Hail Mary. Intriguingly, he’s written one piece of Sherlockian fan fiction, “James Moriarty, Consulting Criminal“ which is only available as an Audible audiobook. 

(10) COMICS SECTION.

  • Bizarro shows two well-known comics antagonist trying to shrink their problems.
  • Tom Gauld’s cartoon, one fan claimed, is what attending this year’s ConFusion Eastercon was like. (Click on image.)

(11) BOOSTING GRAPHIC NOVELS IN LIBRARIES. [Item by Michael Toman.] Am pleased to report that the Overbooked (Overwhelmed?) Undersigned has had a pretty good success rate with his “Suggestions for Purchase” for Graphic Novels at all of the local Los Angeles area libraries where he has cards over the years. Would be delighted to have more Interested Library Users get involved, too! “Libraries Look to Sustain Surge in Graphic Novels” reports Publishers Weekly.

…In February, the GNCRT accomplished one of its key goals with the release of the first Best Graphic Novels for Adults list. Nominations were taken throughout 2020, and the final list includes more than 50 titles. It’s a big achievement because adult librarians have traditionally been reluctant to start graphic novel collections and have had the burden of starting to build them from scratch with fewer resources than children’s librarians.

“The adult list was needed, because adult librarians are among the last holdouts of librarians who don’t want to buy graphic novels,” Volin says. “This list has been incredibly helpful for librarians who don’t know anything about the format and who rely on selection lists, or for librarians limited by their collection policy to only purchase things that have been reviewed positively. A book showing up on a selection list like this almost guarantees that they’re going to be able to purchase it.”

Matthew Noe, lead collection and knowledge management librarian at Countway Library at Harvard Medical School and incoming president of the GNCRT, helped launch the adult graphic novel list. He has already seen displays at his local libraries with books from the 2020 list. He confirms that this is a big step for recognizing the category within libraries. “We harp on the legitimacy thing all the time, but this lends some weight to the medium,” he adds….

(12) KNOCK ON SPOCK. [Item by Martin Morse Wooster.] In the June 12 Financial Times, Tim Harford discusses Julia Galaf’s The Scout Mindset, which has extensive discussion about Spock.

Spock’s model of other minds is badly flawed.  For example, in an early ‘Star Trek” episode, ‘The Galileo Seven’. Spock and his subordinates have crashed a small ship and face hostile aliens who kill one crew member. Spock decides to deter any future attacks by firing warning shots.  The aliens respond not by retreating in fear, but by attacking in anger, killing another member of the crew.

‘Most illogical reaction,’ comments Spock. “(When) we demonstrated our superior weapons, they should have fled…I’m not responsible for their unpredictability.’

To which Dr  McCoy   rages in response:  ‘They were perfectly predictable, to anyone with feeling.’

Spock is not being rational here, but the problem is not that he lacks feeling, rather he lacks the capacity to learn from experience.  He should have realised aggression is often met with aggression.

(13) MOVING UP TO THE WEST SIDE. New York YIMBY specializes in eye-catching architecture, like this eye-catching plan for some Manhattan condos.

…“Era is unlike any building on the Upper West Side with its unique cantilever structure that was developed to provide spacious residential layouts with various exposures to maximize fresh air and natural light, a collection of luxury amenity offerings, and a rooftop complete with a rare outdoor pool and expansive views of the Hudson River and Manhattan skyline,” said Omri Sachs, co-founder of Adam America Real Estate.

(14) THE DINO EGG IS IN THE MAIL. “Italian Customs Authorities Seized a Dinosaur Egg Hidden In a Package” reports Vice.

Italian authorities discovered an authentic fossilized dinosaur egg during a routine customs check, the Customs and Monopolies Agency announced on Sunday. 

In a Facebook post, authorities said that the egg had been found at Milan Bergamo Airport in Northern Italy in a package sent from Malaysia. A video embedded in the post appears to show a large and strikingly intact, pasty-colored egg. 

“Even dinosaurs pass through customs,” the Facebook post reads. “As part of [customs] checks on e-commerce goods aimed at fighting the illegal import of goods, we found an authentic fossil egg embedded in a rocky sediment inside a package […] This discovery was accompanied by a certificate of origin with dubious authenticity issued by an organization which was later found to be non-existent.”… 

(15) THE TITLE IS ACCURATE. Old West meets magic in Wizard With a Gun, a multiplayer survival adventure game announced at Devolver’s MaxPass+ showcase. Wizard With a Gun is coming to Nintendo Switch and PC in 2022.

(16) THEY FORGOT TO DUST. “Mystery of Betelgeuse’s dip in brightness solved”European Southern Observatory has the details. [Hat-tip to Paul Weimer.]

Betelgeuse’s dip in brightness — a change noticeable even to the naked eye — led Miguel Montargès and his team to point ESO’s VLT towards the star in late 2019. An image from December 2019, when compared to an earlier image taken in January of the same year, showed that the stellar surface was significantly darker, especially in the southern region. But the astronomers weren’t sure why.

The team continued observing the star during its Great Dimming, capturing two other never-before-seen images in January 2020 and March 2020. By April 2020, the star had returned to its normal brightness.

“For once, we were seeing the appearance of a star changing in real time on a scale of weeks,” says Montargès, from the Observatoire de Paris, France, and KU Leuven, Belgium. The images now published are the only ones we have that show Betelgeuse’s surface changing in brightness over time.

In their new study, published today in Nature, the team revealed that the mysterious dimming was caused by a dusty veil shading the star, which in turn was the result of a drop in temperature on Betelgeuse’s stellar surface.

Betelgeuse’s surface regularly changes as giant bubbles of gas move, shrink and swell within the star. The team concludes that some time before the Great Dimming, the star ejected a large gas bubble that moved away from it. When a patch of the surface cooled down shortly after, that temperature decrease was enough for the gas to condense into solid dust.

“We have directly witnessed the formation of so-called stardust,” says Montargès, whose study provides evidence that dust formation can occur very quickly and close to a star’s surface.

(17) TIME ENOUGH FOR ROVE. [Item by Mike Kennedy.] A new simulation claims to show that even taking slow ships there has been far, far more than enough time since the era of galactic formation for an advanced civilization to spread throughout a Milky Way sized galaxy. Gizmodo has the story: “Aliens Wouldn’t Need Warp Drives to Take Over an Entire Galaxy, Simulation Suggests”. At the link you can see a video clip.

…A simulation produced by the team shows the process at work, as a lone technological civilization, living in a hypothetical Milky Way-like galaxy, begins the process of galactic expansion. Grey dots in the visualization represent unsettled stars, magenta spheres represent settled stars, and the white cubes are starships in transit. The computer code and the mathematical analysis for this was project were written at the University of Rochester by Jonathan Carroll-Nellenback. Astronomer Adam Frank from the University of Rochester also participated in the study….

(18) VIDEO OF THE DAY. In “Honest Game Trailers: Biomutant” on YouTube, Fandom Games says Biomutant is an example of the rare “cute furry animals with guns” genre where the protagonist is “basically Sid from the Ice Age movies as a mass murderer.”

[Thanks to Cat Eldridge, Mike Kennedy, Andrew Porter, Arnie Fenner, Daniel Dern, Martin Morse Wooster, JJ, Michael Toman, and John King Tarpinian for some of these stories. Title credit belongs to contributing editor of the day David Shallcross.]

Pixel Scroll 2/24/21 Old Rossum’s Scroll Of Practical Credentials

(1) YOU TAKE THE HIGH ROAD. George R.R. Martin is involved in developing a series based on Roger Zelazny’s Roadmarks for HBO, as he explained at Not A Blog: “On the Road with Roger Z”:

… We had not intended to announce anything yet, to be sure. Development is a long and uncertain process. Thousands of shows are pitched, hundreds of pilots are written, dozens of pilots are filmed, but only a very few of them ever get greenlit to series. There is a reason that Hollywood insiders call it “development hell.” And what’s the point of announcing projects that might never make it to air? That’s why HBO — like most other networks and streamers — prefers to keep these things quiet.

Even so, even so… you cannot win the lottery unless you buy a ticket, so we all keep playing.

…My career in television started in 1985 when I adapted Roger Zelazny’s “The Last Defender of Camelot” for THE TWILIGHT ZONE. It was the first script of mine ever to be filmed (starring Richard Kiley and Jenny Agutter and a stuntman whose nose got cut off during the swordfight). Roger was a friend, a mentor, and one of the greatest science fiction writers who ever lived. He died in 1995, but his work will live for so long as people read SF and fantasy. It was an honor to be able to bring one of his stories to television. And now I am hoping we will be able to do it again.

I pitched ROADMARKS to HBO last year — along with four other SF and fantasy works (by various other writers) that I thought had the makings of great shows. They all had (and have) lots of potential, but ROADMARKS was the one they responded to….

(2) LEVER OF CHANGE. Learn the key to an author’s new book in “The Big Idea: Juliette Wade” at Whatever.

…The big idea of Transgressions of Power is that a human being, in the moment of action, may not know what the significance of their choices might be; they might not be in a position of power that allows for drastic change; but their choices and actions matter.

(3) FRY’S CLOSING. [Item by Betsy Hanes Perry.] Fry’s was where, in Northern California, you went to look for components; later it branched out into computers (of course!), computer components, large appliances. It used to stock snacks as a loss-leader to get geeks to come in for casual shopping.

All the stores were themed, and the one in Fremont was themed around the 1893 World’s Fair. It had a Tesla coil that went off once an hour (see here). The one in San Jose was themed as a Mayan temple. “The kitschy history of the Bay Area’s themed Fry’s Electronics” at SFGate.

…If you’re not familiar: Every Fry’s store has a theme and elaborate decorations to go along with it. In the Bay Area, the San Jose store “pays tribute to the first astronomers, the Mayans, with settings from Chichen Itza,” complete with a massive temple at the entrance, palm trees between shelves and hidden speakers that play the sounds of birds chirping through the parking lot. Fremont is the “1893 World’s Fair,” where a Tesla coil at the center of the store fires off every hour. Sunnyvale is “the history of Silicon Valley” and the Palo Alto store was “Wild West.” (Sadly, the Palo Alto store rode into the sunset earlier this year.)

[Editor’s postscript.] The Fry’s in Burbank near where I used to live had an explicitly Fifties sci-fi alien invasion theme. It was awesome.

(4) THE FIRST SILENCE. Tananarive Due conducts an interview with “Jodie Foster and Anthony Hopkins on ‘Silence of the Lambs’ Legacy” at Vanity Fair.

…FOSTER: We met at a reading. I didn’t really get a proper meet with Tony. So we’re sitting across from each other, and he launches in, and we start the reading. And I was just petrified. [Laughs.] I was kind of too scared to talk to him after that.

He did another movie, and I started the film without him. I still kept that kind of hold-your-breath feeling about the character just from that first reading. Jonathan wanted to use this technique that Hitchcock talked about, where you have the actors use the camera as the other person. And I think there was something really interesting about that for the film, but that also meant that Tony and I couldn’t see each other. For a lot of the close-ups, we were looking into a camera lens and the other person was just a voice in the background. And—remember?—they had to lock you into the glass prison cell. So he would do a whole day inside the prison cell, and they wouldn’t let him out. We’d just do his side. And then the next day, we’d do my side.

HOPKINS: Also, they discovered before we started filming that there would be a problem if there were bars on the prison cell for left and right eyelines. So the designer—it was Kristi Zea—came up with a Perspex thing, which makes it even more frightening, because he’s like a tarantula in a bottle. No visual borderline between the two. It was more terrifying, because it’s a dangerous creature in a bottle who can do anything. He could break the glass….

(5) MORE, PLEASE. In “The Canonical Sequel FAQ” John Scalzi tells fans what the future holds in store for his various series.

Pretty much on a daily basis, I get asked on social media whether there will ever be a sequel to [insert one of my books/series here]. To reduce the amount of typing that I have to do each time this is asked, I now present The Canonical Sequel FAQ, which will tell you — at a glance! — whether you can expect a sequel to whatever book it is that you are hoping to have a sequel to. This will be updated from time to time.

(6) TIM KIRK MAP. Brenton Dickieson introduces readers to “’The Country Around Edgestow’: A Map from C.S. Lewis’ That Hideous Strength by Tim Kirk from Mythlore” at A Pilgrim in Narnia. The map has been reproduced at the link with permission.

… One of Lewis’ key terran fictional places is “Edgestow,” the home of Bragdon Wood, Bracton College, and the literary centre of the events in That Hideous Strength. In my reading about Lewis and Arthurian literature, I happened upon Margaret Hannay’s piece, which included a map of “The Country Around Edgestow” by artist Tim Kirk.…

(7) ARE YOU BOOKED FOR THE LAST DAY OF FEBRUARY? “Doctor Who Master trilogy watchalong party confirmed for Sunday” says Radio Times.

…Doctor Who Magazine’s Emily Cook has organised most of the watchalongs so far, and announced that they would be coming to an end this month. She tweeted the news by saying, “Everything has its time, and everything ends… I’ll be announcing the final Tweetalong later this afternoon!”

She later followed up with a tweet that read, “Believe it or not, we’ve been doing Doctor Who Lockdown for almost a year now! This may be the last Tweetalong, but we’re going to end with a SPECTACULAR watch party.

“And here comes our final Tweetalong… A TRIPLE BILL! Sunday 28th February 6pm (GMT), UTOPIA 7pm (GMT), THE SOUND OF DRUMS 8pm (GMT), LAST OF THE TIME LORDS. Watch with fans around the world. Join in with the hashtag #YANA”

If you haven’t participated in the event before, the idea is that fans from all over the world re-watch classic episodes at exactly the same time, tweeting their reactions and comments along the way.

(8) CATCH AND SELL ‘EM ALL. [Item by Martin Morse Wooster.] In the February 17 Financial Times, gaming columnist Tom Faber discusses the rise in value of rare Pokemon cards.

Today, a Chansey (Pokemon card) could be worth around $3,000. That’s a great deal less than the rare holographic Blastoise which sold at auction last month for $360,000, roughly the price of a brand-new Ferrari. In 2021, their 25th year of existence, Pokemon cards are enjoying a resurgence in popularity almost matching their late-1990s heyday.

This is partly down to the pandemic, which has left many stuck at home with extra disposable income, to take up a new hobby that combines investment with a waft of nostalgia. Streaming platforms YouTube and Twitch have cultivated communities of Pokemon card traders such as Leonhart, who quit his job as a lawyer to open card packs full-time on YouTube (the sealed packs contain a random selection of cards which could be precious or worthless), and streaming star Logan Paul, who says he has spent $2m on his card addiction.

(9) HEAR OCTAVIA BUTLER. NPR’s “Morning Edition” devoted a segment today to “Sci-Fi Writer Octavia Butler Offered Warnings And Hope In Her Work”. It includes numerous sound bites from an archival interview with the author. Listen to a recording or read a transcript of the NPR item at the link. (The complete transcript of Octavia Butler’s 2005 interview is available at Democracy Now! – “Remembering Octavia Butler: Black Sci-Fi Writer Shares Cautionary Tales in Unearthed 2005 Interview”.)

NOEL KING, HOST:

Octavia Butler seemed almost to belong to the future. She was the first Black woman to receive the Nebula and Hugo Awards. Those are the highest honors in science fiction and fantasy writing. She was the first science fiction writer to win a MacArthur genius grant. She was prolific and prophetic from the 1970s until her death in 2006. Here’s Laine Kaplan-Levenson from NPR’s history show Throughline.

(SOUNDBITE OF ARCHIVED NPR BROADCAST)

OCTAVIA BUTLER: I don’t recall ever having wanted desperately to be a Black woman science fiction writer. I wanted to be a writer.

(10) MEDIA BIRTHDAY.

  • February 24, 1952 — On this day in 1952, Aladdin And His Lamp premiered. It was directed by Lew Landers, and starred Johnny Sands and Patricia Medina. Filming was finished in less than a week. It was originally produced for a television audience, then Allied Artists picked up the film and added additional footage for a theatrical release. You can see this short film here. It is not one of the three Aladdin And His Lamp filmsthat are rated at Rotten Tomatoes.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born February 24, 1786 – Wilhelm Grimm. With older brother Jacob (1785-1863) assembled and published the collection known to us as Grimms’ Fairy Tales (1812). Loved music; good story-teller; animated, jovial fellow. The Grimms weren’t the authors, so I can’t call them seminal, but they sure were vital. (Died 1859) [JH]
  • Born February 24, 1909 August Derleth. He’s best known as the first book publisher of H. P. Lovecraft, and for his own fictional contributions to the Cthulhu Mythos (a term that S. T. Joshi does not like). Let’s not overlook him being the founder of Arkham House which alas is now defunct. I’m rather fond of his detective fiction with Solar Pons of Praed Street being a rather inspired riff off the Great Detective. (Died 1971.) (CE)
  • Born February 24, 1921 – Richard Powers. Frank R. Paul Award. SF Hall of Fame. Society of Illustrators Hall of Fame. Six hundred sixty covers, seventy interiors. Artbooks Spacetimewarp Paintings; The Art of Richard Powers. Our great pioneer of illustration that was not representation. You can see it start here with a 1950 cover (his first?) for Pebble in the Sky. By 1956 he did this for To Live Forever. By 1963 he was here for Budrys’ Inferno. Here is the Sep 78 Analog. Here is the Program Book for Chicon V the 49th Worldcon, 1991 – where he was Guest of Honor; before that, LoneStarCon I the 3rd NASFiC (North America SF Con, since 1975 held when the Worldcon is overseas). Not one Chesley, not one Hugo. Did we appreciate him? Do we now? (Died 1996) [JH]
  • Born February 24, 1933 Verlyn Flieger, 88. Well-known Tolkien specialist. Her best-known books are Splintered Light: Logos and Language in Tolkien’s World, A Question of Time: J. R. R. Tolkien’s Road to Faerie, which won a Mythopoeic Award, Tolkien’s Legendarium: Essays on The History of Middle-earth (her second Mythopoeic Award) and Green Suns and Faërie: Essays on J.R.R. Tolkien (her third Mythopoeic Award). She has written a YA fantasy, Pig Tale, and some short stories. (CE)
  • Born February 24, 1941 – Sam Lundwall, age 80. Author, critic, translator, editor, publisher; television producer; cartoonist; photographer; singer. Organized Scancon 76 (Stockholm); Guest of Honor at Eurocon 9 (Zagreb), 21 (Dortmund). Translated his 1969 book on SF from Swedish into English as SF, What It’s All About (1971). SF, an Illustrated History (1978). Penguin World Omnibus of SF (1986) with Brian Aldiss. More nonfiction in Swedish about SF. A score of novels (four available in English), seven shorter stories (four). Reporter for Locus. Long thought by many the personification of SF in Sweden, idiosyncrasies (how not?) and all. [JH]
  • Born February 24, 1947 Edward James Olmos, 74. Reasonably sure the first thing I saw him in was as Detective Gaff in Blade Runner, but I see he was Eddie Holt In Wolfen a year earlier which was his genre debut. Though I didn’t realize it as I skipped watching the nearly entire film, he was in The Green Hornet as Michael Axford. He has a cameo as Gaff in the new Blade Runner film. And he’s William Adama on the rebooted Battlestar Galactica. He was made appearances on Agents of S.H.I.E.L.D. and Eureka. ( CE)
  • Born February 24, 1951 Helen Shaver, 70. Her SFF debut was as Betsy Duncan in Starship Invasions aka Project Genocide in the U.K. though you’ve likely not heard of her there, you might have seen her as Carolyn in The Amityville Horror. She’s Littlefoot’s mother in The Land Before Time, and Kate ‘White’ Reilly in the second Tremors film. She’s got one-offs in The Outer Limits, Amazing Stories, Ray Bradbury Theater and Outer Limits to name but a few. And she was Dr. Rachel Corrigan in Poltergeist: The Legacy, a super series indeed. (CE)
  • Born February 24, 1966 Billy Zane, 55. His genre roles include Match in Back to the Future and Back to the Future Part II, Hughie Warriner in Dead Calm, John Justice Wheeler in Twin Peaks, The Collector in Tales from the Crypt presents Demon Knight and the title role in The Phantom. ( CE)
  • Born February 24, 1968 Martin Day, 53. I don’t usually deal with writers of licensed works but he’s a good reminder that shows such as Doctor Who spawn vast secondary fiction universes. He’s been writing such novels first for Virgin Books and now for BBC Books for over twenty years. The Hollow Men, a Seventh Doctor novel he co-wrote wrote with Keith Topping, is quite excellent. In addition, he’s doing Doctor Who audiobooks for Big Finish Productions and other companies as well. He’s also written several unofficial books to television series such as the X Files, the Next Generation and the Avengers. (CE)
  • Born February 24, 1975 – Socorro Acioli, age 46. A score of books; Head of the Saint is available in English. Author, teacher, translator. “I collect bookmarks and coffee makers. I like old photos, old houses, and things that no longer exist. In the same measure [na mesma medida], I love technology.” [JH]
  • Born February 24, 1979 – C.J. Harper, age 42. Two novels for us, also “funny books for teens under the name Candy Harper…. attended six different schools, but that honestly had very little to do with an early interest in explosives”; she’s been “a bookseller, a teacher and the person who puts those little stickers on apples”; has read Vanity Fair, Gone With the Wind, Of Mice and Men, David Copperfield. [JH]
  • Born February 24, 1991 – Daryl Qilin Yam, age 30. One novel; co-editor of SingPoWriMo (i.e. Singapore). Studied at Univ. Warwick, Univ. Tôkyô. Stageplay producer at non-profit collective Take Off Productions. On the board of directors of literary charity Sing Lit Station. “I am first and foremost a writer of fiction and poetry … photography … is a field in which I remain an amateur. But … we live in a world that loves images…. I have a fondness for the backs of people (facial expressions are too didactic for my taste), and I like to frame my subjects in situations where highlights and shadows are nicely balanced.” [JH]

(12) PRESERVING WORLDS. Here’s a new Diamond Bay Press podcast on the classic online gaming environments and virtual worlds that have become virtual ghost towns. It’s based on a new video documentary series called Preserving Worlds, which is available for free on the streaming service called Means.tv.

A conversation between Lex Berman and Derek Murphy.

Derek Murphy is the co-director, with Mitchel Zemil, of the Preserving Worlds series, and the documentary film Sarasota, Half in Dream.

Recorded with Zencastr from Cambridge and Brighton, MA on 18th February, 2021.

what if the ghost of a player of a dead game, was telling us what it was all like?

(13) THE ’66 DOLLAR QUESTION. Galactic Journey’s Jason Sacks sends a missive from 1966 asking — “[February 24, 1966] Is 1966 the Best Year Ever for American Comic Books?”.

… A lot of the thrill these days has been at Marvel, as some of their comics are reaching unparalleled new levels of excellence. For instance, the work of Steve Ditko and Stan Lee on both Amazing Spider-Man and the “Dr. Strange” strip in Strange Tales has been outstanding. Peter Parker has graduated high school and enrolled at Empire State University in Spider-Man. Pete seems to be shedding his nature as a nebbish since he joined college, making new friends while having new (and more sophisticated) problems. The three-part “Master Planner” saga which ended in ASM #33 was a storyline nonpareil, a thrill a minute journey with a spectacular denouement. (I’m including the payoff below, but please try to find all these issues if you can, because the leadup is just as spectacular).

(14) ANOTHER GOOD QUESTION. Alexandra Erin wonders something —

(15) JPL’S TRICKSTERS. [Item by John King Tarpinian.] Remember that on the last Rover they would not allow JPL to put a JPL plaque on it so they used Morse Code on the wheels that spelled out JPL. Holes that were “designed” to drain sand as it moved about.

This time, there are multiple Easter Eggs. The first was deployed as Perseverance was en route to the Martian surface: “Mars rover’s giant parachute carried secret message” at Yahoo!

The huge parachute used by NASA’s Perseverance rover to land on Mars contained a secret message, thanks to a puzzle lover on the spacecraft team.

Systems engineer Ian Clark used a binary code to spell out “Dare Mighty Things” in the orange and white strips of the 70-foot (21-meter) parachute. He also included the GPS coordinates for the mission’s headquarters at the Jet Propulsion Laboratory in Pasadena, California.

Clark, a crossword hobbyist, came up with the idea two years ago. Engineers wanted an unusual pattern in the nylon fabric to know how the parachute was oriented during descent. Turning it into a secret message was “super fun,” he said Tuesday.

Only about six people knew about the encoded message before Thursday’s landing, according to Clark. They waited until the parachute images came back before putting out a teaser during a televised news conference Monday….

This illustration provided by NASA shows a diagram added over the parachute deployed during the descent of the Mars Perseverance rover as it approaches the surface of the planet on Thursday, Feb. 18, 2021. Systems engineer Ian Clark used a binary code to spell out “Dare Mighty Things” in the orange and white strips of the 70-foot (21-meter) parachute. He also included the GPS coordinates for the mission’s headquarters at the Jet Propulsion Laboratory in Pasadena, Calif. (NASA/JPL-Caltech via AP)

(16) BOOKS ARE THE ESSENCE. The Essence of Wonder crew gets together on-screen to exchange book recommendations in “EoW Staff Share Their Favorite Books! Ready… Fight!” on Saturday, February 27, at 3 PM (US Eastern). Register at the link.

(17) THE DIRTY DOZEN PLUS THREE. 24/7 Wall St. has compiled a highly scientific list of the fifteen “Worst Sci-Fi Movies Ever Made”. Well, at least highly-less-pulled-out-of-somebody’s-butt-than-usual for a listicle.

…To determine the worst sci-fi movies of all time, 24/7 Tempo reviewed data from the Internet Movie Database (IMDb) and Rotten Tomatoes. We created an index based on the average critic rating from Rotten Tomatoes, the average audience rating from Rotten Tomatoes, and the average user rating from IMDb. We only considered feature films with at least 5,000 Rotten Tomatoes audience reviews, 10 Rotten Tomatoes critic reviews, and 10,000 IMDb user reviews…

(18) VIDEO OF THE DAY. In “Honest Game Trailers: ‘Werewolf: The Apocalypse: Earthblood’” Fandom Games says you play a werewolf fighting evil corporation Endron, “which doesn’t even pretend not to be Enron with a D” but is so dumb on security that it has ventilator shafts with doggy doors so werewolves can pass through them.

[Thanks to John Hertz, Mlex, John King Tarpinian, Betsy Hanes Perry, Martin Morse Wooster, Andrew Porter, Rich Lynch, Mike Kennedy, Michael Toman, JJ, Gadi Evron, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 10/22/20 Yondo Lies The Pixel Of My Filer

(1) GET READY TO LAUNCH. At Nerd and Tie, “Interview: Eliana González Ugarte and Coral Alejandra Moore of Constelación Magazine” conducted by Andrea Johnson,

NOAF: I am so excited for Constelación Magazine! When and how, and why did you decide to make this magazine a reality?

Coral Alejandra Moore: The entire process of building Constelación from the idea to what you can see on the website and social media now was really organic. Eliana and I met at a virtual convention called Flights of Foundry in May of this year, and a few weeks later we met again at the Nebulas convention. We both happened to be a in a zoom room where John Picacio and Mary Robinette Kowal started talking about Spanish language speculative fiction because of Eliana’s experience with it, and that got the hamsters in my brain turning. A few emails, and Twitter DMs later, Eliana and I were already moving forward at warp speed, and we really haven’t stopped since then. Lots of people got quarantine puppies during the pandemic, but we got a quarantine magazine!

NOAF: What makes Constelación Magazine different from other speculative fiction magazines out there?

Eliana González Ugarte: We take stories in both English and Spanish! One of our goals is to publish more Latin American and Caribbean authors who may not be able to submit their stories directly in English, or they’d have to first pay someone to translate it for them in order to be able to submit. 

(2) NEXT REVELATION. Alastair Reynolds has delivered the latest book in the Revelation Space series. It will probably be called Inhibitor Phase: “I’ve delivered a book”.

… As may be apparent to those familiar with my work, the book takes place in the Revelation Space universe and is largely set in the years after ABSOLUTION GAP, my 2003 novel. 

It’s not intended as a sequel to that book, but merely another entry in the mosaic of books and stories which illuminate a larger future history. That said, it does have connective tissue with some of the other novels. although I’ve scrupled as carefully as I can to make the book function as a standalone title, a single book which tells a complete tale in its own right and can be read as “just” an isolated story.

.. What happens in the book? I’m not going to say – just yet. I can state that some of the influences that have fed into the book include a film by Ingmar Bergman, a song by Scott Walker (in fact more than one), and the closing track of a Muse album.

(3) HEINLEIN STANDING DOWN. “‘Starship Troopers’ is off the Marine commandant’s reading list, but ‘White Donkey’ by Terminal Lance is in”. Would you like to know more? Task & Purpose has the story.

The Marine Corps commandant’s reading list saw some big changes this week, with the sci-fi military classic Starship Troopers getting the boot as newer works of fiction like The White Donkey took a place on the shelf.

The change came on Tuesday when Marine Commandant Gen. David Berger released the new reading list, which includes 46 books across a range of topics and genres….

(4) AFTERLIFE POSTPONED. Yahoo! Life reports ”End of the world delays Ghostbusters: Afterlife to June 2021″.

Perhaps sensing that the minds of the moviegoing public—as much as concepts like “moviegoing” and “public” exist during the COVID-19 pandemic—were otherwise occupied with images far more horrifying than a giant SlorSony announced this afternoon that the release of Ghostbusters: Afterlife has been pushed to June 11, 2021. For those keeping score at home, that’ll put the Jason Reitman-directed sequel into theaters 37 years after the original Ghostbusters, four months after its first revised release date, and approximately two-and-a-half years after self-proclaimed “first Ghostbusters fan” Reitman stuck his foot in his mouth upon announcing that his new addition to the comedy franchise was “for all the other fans.” But then again, what’s waiting 16 additional weeks in the midst of 40 years of darkness, earthquakes, volcanoes, and all of the other stuff that Dan Aykroyd might attribute to the difficulties of getting a third film set in the continuity of the first two Ghostbusters movies in front of people?

(5) A FLASH FROM FIFTY-EIGHT. Fanac.org has added 17 photos from the late Karen Anderson’s collection (thanks to Astrid Bear) to the Solacon (1958 Worldcon) album. These include half a dozen photos from “Alice in Thrillingwonderland”  which was performed at the con.

In issue #795 of Karen’s fanzine Zed, you can read the script for the play starting on page 7. So now you can read the script, see the pix and imagine yourself there. There are also some wonderful masquerade photos and some individual photos as well. Thanks to Astrid for letting us put them up.

(6) SUPPORT YOUR LOCAL MAMMAL. “It’s a Wild City! Funny Wildlife PSAs Appear in NYC”Untapped New York knows where they came from.

… Hynes got his start writing for Untapped New York and turned his animal-focused column into Wild City, which was released earlier this year. It’s an illustrated exploration that highlights everything from the return of the humpback whale to the pizza rat…. 

The illustrator of the animals on the posters is Kath Nash, who also illustrated Wild City. Each of the PSAs have more highlights about each creature. The Mandarin Duck one says “Remember this little guy? Used to be around all the time! Loved to swim in Central Park and have his picture taken. But now he’s just gone! We will always love you, Gucci duck. Please come home soon! ENJOY YOUR LOCAL WILDLIFE TODAY!” One of the mastodon says, “NEW YORK GIANTS. Mastodons were the original New Yorkers. These big buddies lived all over the city back in the day. Just imagine this furry elephant roaming around Inwood or wherever. It’s wild.”…

(7) VINTAGE 98.6. [Item by Mike Kennedy.] It’s a cold Halloween night. What better to curl up with than a warm bucket of blood? “Halloween Kills: Jamie Lee Curtis Jokes About All The Fake Blood Needed For The Sequel” at CinemaBlend.

[…L]egendary scream queen [Jamie Lee Curtis} recently joked about the massive amount of fake blood needed to make the project [Halloween Kills] into a reality.

Halloween Kills is in the can and was set to arrive in theaters this October, before being delayed a full year amid the pandemic. Jamie Lee Curtis is as disappointed as anyone else about this, although she recently posted an awesome video from the movie’s set. The Knives Out actress shared the story behind said clip, saying:

So the second movie that we shot takes place immediately where the first movie lets off, which is similar to what Hallowen II did. Halloween II picked up exactly after Halloween I. So I’ve been stabbed in the stomach by Michael. And the first sequence is us in the back of this truck which you see us climb into at the end of the movie. I posted on Instagram this video because you’re in the back of a truck, they’re trailing behind you. But I’m supposed to literally be bleeding out, I’m supposed to be hemorrhaging. So we had to freshen the sticky blood. And they have this big bucket, like a paint bucket. And by the end of it I was like ‘Give me my bucket. I want my bucket.’ Because it was warm, and it was super cold. David called it ‘the sauce.’ He said ‘Bring in more sauce.’

[…Y]ou can check out the video that Jamie Lee Curtis was referencing [at Instagram].

(8) MONTANARI OBIT. Gianni Montanari, writer, translator, curator of the Italian prozine Urania from 1985 to 1990, has died at the age of 71 reports Fumetto Logica. Francesco Spadaro called him, “A genius I’ve known for years through printed paper, then in person in an unexpected friendship like all the great gifts life gives you.”

Montanari was also creator of the Urania Prize.

(9) MEDIA ANNIVERSARY.

  • 1990 — Thirty years ago at ConFiction, Hyperion by Dan Simmons wins the Best Novel Hugo. Runner-ups were George Alec Effinger’s A Fire in the Sun, Orson Scott Card’s Prentice Alvin, Poul Anderson‘s The Boat of a Million Years and Sheri S. Tepper‘s Grass. It is the first book of his Hyperion Cantos and was followed by The Fall of Hyperion. It would also be nominated for the BSFA and Clark, and win the Locus Award for Best SF Award. (CE)

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born October 22, 1882 – N.C. Wyeth.  One of America’s greatest illustrators; his masterpiece Treasure Island; over a hundred books.  For us e.g. Rip Van WinkleRobin Hood.  Outside our field e.g. Coca-Cola, Lucky Strike; Beethoven, Liszt, Wagner for Steinway & Sons; public and private buildings; patriotic images during both World Wars.  Besides illustration – “Painting and illustration cannot be mixed” – portraits, landscapes.  Here is a gallery.  (Died 1945) [JH]
  • Born October 22, 1927 – Lee Jacobs.  When he wrote “The Influence of Science Fiction on Modern American Filk Music”, filk was a typo.  But it acquired a life of its own.  Active in Washington, D.C, fandom; then Los Angeles.  Took part in FAPA (Fantasy Amateur Press Ass’n, our oldest apa), SAPS (Spectator Am. Pr. Society, our second-oldest), SFPA (Southern Fandom Pr. Alliance), The Cult.  Wrote The Ballard Chronicles (pulp-magazine parody featuring Wrai Ballard) and Redd Boggs – Superfan.  (Died 1968) [JH]
  • Born October 22, 1938 Derek Jacobi, 82. He played a rather nicely nasty Master in “Utopia”, a Tenth Doctor story. He’s currently Metatron on Good Omens. And he was Magisterial Emissary in The Golden Compass. I’ll single out that he’s played Macbeth at Barbican Theatre in London as part of the Royal Shakespeare Theatre ensemble. (CE) 
  • Born October 22, 1939 Suzy McKee Charnas, 81. I’d say The Holdfast Chronicles are her best work to date. “Boobs” won the Best Story Hugo at ConFiction. She’s also won the Otherwise, Nebula, Gaylactic Spectrum, and Lambda Literary Awards. Any of you read her Sorcery Hall series? (CE) 
  • Born October 22, 1943 Jim Baen. Editor of Galaxy and If for three years. He edited the sf line at Ace ad then Tor before starting his own namesake company in 1983. In late 1999, he started Webscriptions, now called Baen Ebooks, which is considered to be the first profitable e-book service. He also was the editor of Destinies and New Destinies which I remember fondly.  He was nominated for Best Editor Hugo five times between 1975 and 1981 but never won. At Nippon 2007, he’d be nominated for Best Editor, Long Form. (Died 2006.) (CE)
  • Born October 22, 1948 – Debbie Macomber, 72.  Over 200 million copies of her books in print worldwide.  First winner of the Quill Award; Romantic Times Distinguished Lifetime Achievement Award; RITA Award.  For us, three novels about three angels who work miracles but have a hard time resisting the use of human technology, which sometimes lands them in trouble; they are named – which couldn’t resist – Shirley, Goodness and Mercy.  [JH]
  • Born October 22, 1952 Jeff Goldblum, 68. The Wiki page gushes over him for being in Jurassic Park and Independence Day (as well as their sequels, The Lost World: Jurassic Park and Jurassic World: Fallen Kingdom and Independence Day: Resurgence, but neglects my favorite film with him in it, The Adventures of Buckaroo Banzai Across the 8th Dimension, not to mention the  Invasion of the Body Snatchers remake he was in. (CE) 
  • Born October 22, 1954 Graham Joyce. Selecting his best novel is a futile exercise as everything is fantastically good but I’ll single out Some Kind of Fairy Tale and The Tooth Fairy as the ones I found the most interesting reads. (Died 2014.) (CE) 
  • Born October 22, 1956 Gretchen Roper, 63. Long-time member of fandom, filker and con-runner. She co-founded Dodeka Records with her husband, Bill Roper. She received with her husband the Pegasus Award for Best Original Humorous Song, “My Husband The Filker”, and was inducted into the Filk Hall of Fame. She runs The Secret Empire, a business selling filk-related stuff and other things at cons. (CE)
  • Born October 22, 1958 – Keith Parkinson.  A hundred forty book covers, a hundred eighty interiors. Three artbooks, most recently Kingsgate.  Cards. Video and online games.  Here is the May 85 Amazing.  Here is In the Shadow of the Master (in Dutch; English title After the King; Tolkien).  (Died 2005) [JH] 
  • Born October 22, 1960 – Dafydd ab Hugh, 60.  Eight Star Trek novels, four others; four shorter stories including “The Coon Rolled Down and Ruptured His Larinks, a Squeezed Novel by Mr. Skunk” (novelette; Hugo & Nebula finalist).  Served in the U.S. Navy. [JH]
  • Born October 22, 1992 – Carrie Hope Fletcher, 28.  Four novels for us; career onstage including A Christmas Carol (Menken, Ahrens & Ockert 1994), The Addams Family (Lippa, Brickman & Elice 2009), Cinderella (Lloyd Webber, Zippell & Fennell 2019), Mary Poppins (Sherman, Sherman, Drewe & Fellows, 2004).  Singer, Internet celebrity.  YouTube channel with 650,000 subscribers.  [JH]

(11) COMICS SECTION.

  • At Bizarro, Trolls and Gremlins come to an agreement.

(12) HELD FOR RANSOM. Brenton Dickieson found an unexpected connection between some works of C.S. Lewis: “My Paper, “A Cosmic Shift in The Screwtape Letters,” Published in Mythlore” at A Pilgrim in Narnia.

 …It isn’t that Lewis wrote these Screwtapian letters; rather, as he says in the preface published in your copy of The Screwtape Letters:

“I have no intention of explaining how the correspondence which I now offer to the public fell into my hands.”

What is intriguing about the handwritten preface, is that Lewis makes a link between Screwtape and his Ransom book–Out of the Silent Planet from 1938 and Perelandra, which he was writing at this time. This is the first sentence of the “Ransom Preface,” as I call it:

“Nothing will induce me to reveal how my friend Dr. Ransom got hold of the script which is translated in the following pages.”

It is a pretty exciting discovery and one that I have spent years working on…. 

…. You can purchase Mythlore here, and the free open-access copy of this paper is available here.

(13) VIDEO OF THE MINUTE. In “Honest Trailers: Us” the Screen Junkies take on the 2019 film, which has “enough social commentary to trick snobs into watching B-movie sci-fi horror action.”

(14) POE IN TOWN. In “Edgar Allan Poe And The Rise Of The Modern City” on CrimeReads, College of Charleston English professor Scott Peeples looks at Poe’s story “The man In The Crowd” to discuss Poe’s attitudes towards urban life.

First published in December 1840, Poe’s story “The Man of the Crowd” encapsulates the mystery and fear that attended the rapid development of cities and the influx of “strangers.” Though set in London, where Poe had lived as a child and whose density and growth exceeded those of American cities in 1840, the tale reflects the future shock of mid-nineteenth-century urban experience generally. For the first third of the story, the narrator, recuperating from an unnamed illness, sits alone at the “large bow-window” of a coffee house, watching the parade of pedestrians at the workday’s end. A shrewd taxonomist of urban types, he identifies the professions and social stations of passersby. The first group includes “noblemen, merchants, attorneys, tradesmen, stock-jobbers . . . men of leisure and men actively engaged in affairs of their own.” He proceeds down the social ladder, calling attention to visible clues…

(15) SHARDS OF PLENTY. Gizmodo finds Bennu is ready for its close-up. “Stunning Images Show NASA’s Attempt at Scooping Samples From an Asteroid”.  

…Pictures snapped by the spacecraft’s SamCam imager show the 1-foot-wide (0.3-meter) sampling head absolutely bathed in debris. Though I’m no expert, it would be hard to believe that nothing got scooped up by the collection system, known as Touch-and-Go, or TAG. But images can be deceiving, and the team, led by the University of Arizona, will spend the next week trying to figure out how much debris was collected.

Approximately one second after making touchdown, the probe fired a nitrogen gas bottle, which produced the debris cloud, according to a NASA statement. OSIRIS-REx arrived at a predetermined site called Nightingale and reached the surface during its first attempt….

(16) VIDEO OF THE DAY. “Bob Marley — Redemption Song” on Vimeo is an animation of the classic Marley song by Octave Marsel and Theo de Gueltzl.

[Thanks to Rob Thornton, John King Tarpinian, Mike Kennedy, Martin Morse Wooster, Rich Horton, Cat Eldridge, JJ, John Hertz, Michael Toman, Michael J. Walsh, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Jeff Smith.]