Tag Archives: Brian Murphy

Pixel Scroll 6/18/23 I Think There Is A World Market For About Five Pixel Scrolls

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(1) STOKERCON 2024. Next year the Horror Writers Association will hold StokerCon in San Diego, CA from May 30-June 2. Here’s the Eventbrite listing: StokerCon 2024 Tickets.

(2) 3-BODY TRAILER FROM G-O-T CREATORS. “3 Body Problem: Netflix Show From Game of Thrones Creators Has Trailer” reports Variety.

At long last, Netflix has revealed the first footage of its highly anticipated sci-fi epic from “Game of Thrones” creators David Benioff and D.B. Weiss — their first large-scale project at the streamer since signing a mega overall deal in 2019 — and Alexander Woo.

Based on the book series by Cixin Liu, the eight-episode drama, which recently wrapped production, will launch in January 2024.

Per Netflix’s logline for the sci-fi series, “A young woman’s fateful decision in 1960s China reverberates across space and time to a group of brilliant scientists in the present day. As the laws of nature unravel before their eyes, five former colleagues reunite to confront the greatest threat in humanity’s history.”…

(3) BAD B.O. “Pixar’s ‘Elemental’ Falls Flat, Adding to Worries About the Brand” opines the New York Times.

Pixar is damaged as a big-screen brand.

That was one of the rather glum takeaways from the weekend box office, which found “Elemental,” a $200 million-plus Pixar original, arriving to a disastrous $29.5 million in domestic ticket sales. “The Flash,” a Warner Bros. superhero spectacle that cost about $200 million, also struggled, taking in a lethargic $55.1 million, according to Comscore, which compiles ticketing data.

“Hard to sugarcoat this,” said David A. Gross, a film consultant who publishes a newsletter on box office numbers.

Questions about Pixar’s health have swirled in Hollywood and among investors since last June, when the Disney-owned studio released “Lightyear” to disastrous results. How could Pixar, the gold standard of animation studios for nearly three decades, have gotten a movie so wrong — especially one about Buzz Lightyear, a bedrock “Toy Story” character?

Maybe pandemic-worried families were not quite ready to return to theaters. Or maybe, as some box office analysts speculated, Disney had weakened the Pixar brand by using its films to build the Disney+ streaming service. Starting in late 2020, Disney debuted three Pixar films in a row (“Soul,” “Turning Red” and “Luca”) online, bypassing theaters altogether.

By streaming standards, those three movies were runaway hits. But Pixar’s most recent box office success was in 2019, when “Toy Story 4” took in $1.1 billion worldwide…

(4) MASTERS OF THE UNIVERSE PIECE THEATRE. Cora Buhlert has posted a new Masters of the Universe toy photo story — or rather two short ones in time for the US Father’s Day: “Two Links and a Masters-of-the-Universe-Piece Theatre Double Feature: ‘New Dad’ and ‘Orko Interruptus’”.

…This version of King Randor is based on the 2002 cartoon, where Randor was protrayed as a somewhat younger and more active character than his Filmation counterpart. While the Filmation Randor mostly set around on his throne and occasionally gave a speech, the 2002 Randor charged into battle alongside his warriors on occasion and also seemed to do more actual governing. The 2002 cartoon also established that Randor was captain of the guard, i.e. Teela’s current, before he became king. All in all, I’d say that the 2002 cartoon features the best overall King Randor – and Randor is a difficult character, because his raison d’etre is to be the parent who does not understand or even see their child – though the Netflix CGI features the best version of Randor as a father. In case you’re wondering which version of King Randor is the worst, that would be the King Randor of Masters of the Universe Revelation, who narrowly missed winning the 2021 Darth Vader Parenthood Award…

(5) AGENT OF CHAOS. But trolls have made Father’s Day rough for Oghenechovwe Donald Ekpeki as he told Twitter readers:

Hows my Father’s day going? Saw @virtuallyleslie wrote a racist manifesto where she said I only get attention cuz of political correctness. Her supremacist cult friends are on it, including the one impersonating my dead father who was gruesomely murdered, to defame & harass me

Patrick S. Tomlinson also has commented on what Leslie Varney wrote, and the significance of it coming from an agent. Thread starts here.

Leslie Varney wrote a reply thread that starts here.

(6) ONCE UPON A BIRTHDAY. Brian Murphy profiles Lin Carter for what would have been his 93rd birthday: “Lin Carter: Enthusiast of the Fantastic” at Goodman Games.

…. I love Carter’s illuminating and occasionally gushing introductions to the volumes he edited. Introducing readers to William Morris in the BAFS, Carter makes a compelling case that his The Wood Beyond the World (1895) was the first-ever novel of heroic fantasy ever written in a true secondary world, quipping that “it was the first of all such tales of adventurous wanderings through the marvelous landscapes of worlds which have somehow managed to avoid the wear and tear of ever having actually existed.”…

(7) FREE READ. Issue 7 of Whetstone Amateur Magazine of Sword and Sorcery has just come out and is available as a free download: Whetstone: Amateur Magazine of Pulp Sword and Sorcery: Issue 7.

(8) MEMORY LANE.

1999 – [Written by Cat Eldridge from a choice by Mike Glyer.]

Vernor Vinge’s A Deepness in The Sky is our Beginning this Scroll.  It won a much deserved Hugo at Chicon 2000 along with a John W. Campbell Memorial Award and a Prometheus Award for Best Libertarian SF Novel. It was also nominated for a HOMer and a Nebula as well. Damn impressive I’d say.

The novel is a loose prequel and is set twenty thousand years earlier to his A Fire Upon the Deep which was published previously. 

So let’s get to the Beginning…

The manhunt extended across more than one hundred light-years and eight centuries. It had always been a secret search, unacknowledged even among some of the participants. In the early years, it had simply been encrypted queries hidden in radio broadcasts. Decades and centuries passed. There were clues, interviews with The Man’s fellow-travelers, pointers in a half-dozen contradictory directions: The Man was alone now and heading still farther away; The Man had died before the search ever began; The Man had a war fleet and was coming back upon them. 

With time, there was some consistency to the most credible stories. The evidence was solid enough that certain ships changed schedules and burned decades of time to look for more clues. Fortunes were lost because of the detours and delays, but the losses were to a few of the largest trading Families, and went unacknowledged. They were rich enough, and this search was important enough, that it scarcely mattered. For the search had narrowed: The Man was traveling alone, a vague blur of multiple identities, a chain of one-shot jobs on minor trading vessels, but always moving back and back into this end of Human Space. The hunt narrowed from a hundred light-years, to fifty, to twenty—and a half-dozen star systems. 

And finally, the manhunt came down to a single world at the coreward end of Human Space. Now Sammy could justify a fleet specially for the end of the hunt. The crew and even most of the owners would not know the mission’s true purpose, but he had a good chance of finally ending the search.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 18, 1917 — Richard Boone. He did only two genre roles of which one, playing Maston Thrust Jr. in The Last Dinosaur, I’m willing to bet almost all of you have never seen it. (It gets a fifty percent rating among audience reviewers at Rotten Tomatoes.) The other however is one that nearly everyone here has heard, yes heard, as he voiced Smaug in the Rankin/Bass animated version of The Hobbit. Of course his major non-genre role was as Paladin in Have Gun, Will Travel which I’ve seen every episode of at least three times. Really I have. (Died 1981.)
  • Born June 18, 1931 — Dick Spelman. A fan and a legendary book dealer who was active at SF conventions from the late Seventies through the early Nineties. He chaired Windycon IX in 1982. He was a member of the board of directors of Chicon IV, and ran the Dealers’ Room at many Worldcons. In 1991 he sold his book business to Larry Smith and retired to Orlando, where he was active in local fannish affairs. (Died 2012.)
  • Born June 18, 1942 — Roger Ebert. He got his start as a fanzine writer while in high school, publishing the Stymie zine and having his writing appear in Xero, Yandro and many other zines such as Kipple, Parsection and Psi-Phi. At university, he was a member of the Champaign-Urbana Science Fiction Association. His fannish  autobiography is  How Propellor-Heads, BNFs, Sercon Geeks, Newbies, Recovering GAFIAtors and Kids in Basements Invented the World Wide Web, All Except for the Delivery System. Mike has much to say about him in a obituary here. (Died 2013.)
  • Born June 18, 1958 — Jody Lee, 65. Illustrator with a long career in genre work. Her first cover art was Jo Clayton’s Changer’s Moon for DAW Books in 1985. Her latest is Passages: All-New Tales of Valdemar, a Mercedes Lackey anthology from DAW Books which seems to be her primary client. Her most stellar website is here.
  • Born June 18, 1960 — Barbara Broccoli, 63. Daughter of the late James Bond producer Albert R. “Cubby” Broccoli. She has producer or director credit on at least fourteen Bond films which or may not be genre depending on how you view each one of them. Her only acting role is as an uncredited Opera patron in The Living Daylights. She produced the Chitty Chitty Bang Bang production staged in NYC at the Hilton Theater sixteen years ago. 
  • Born June 18, 1947 — Linda Thorson, 76. Best known for playing Tara King, the only actual spy in The Avengers. For her role in that series, she received a special BAFTA at the 2000 BAFTA TV Awards along with the other three actresses from the series, Honor Blackman, Joanna Lumley and Diana Rigg. She’s also been in Return of the Saint, Tales from the Darkside, Star Trek: The Next Generation, Kung Fu: The Legend Continues, F/X: The Series and Monsters. 
  • Born June 18, 1949 — Chris Van Allsburg, 74. For some twenty years now until the Pandemic came upon us, the local Narrow Gauge Railroad ran a Polar Express every Christmas season compete with cars decorated in high Victorian fashion and steaming cups of hot chocolate for the children. It always sold out for the entire month they ran it. Allsburg‘s Polar Express book is just magical for me and I enjoy his Jumanji every bit as much. (I’ve never seen the film.) He illustrated A City in Winter which was written by Mark Helprin and I highly recommended it. 

(10) COMICS SECTION.

(11) ROLLING THE CREDITS. [Item by Mike Kennedy.] Descendants of Jack Kirby seem none too happy about the recently-released Disney+ documentary on Stan Lee’s life. Granddaughter Jillian Kirby has published a statement from her father Neal Kirby at the latter’s request. 

Among other things, Neil provides an analogy for Lee having an idea for a character to others bringing the character to life. “In 1501, the Opera del Duomo commissioned a 26-year-old Michelangelo to sculpt a statue of David for the Cathedral of Florence—their idea, their money. The statue is called Michelangelo’s David—his genius, his vision, his creativity.” “Jack Kirby’s Son, Neal Kirby Responds to Stan Lee Disney+ Documentary” at Bleeding Cool.

The following is an excerpt of the statement from Neal Kirby, son of the late Jack Kirby.

…I (000ps!) understand that, as a “documentary about Stan Lee,” most of the narrative is in his voice, literally and figuratively. It’s not any big secret that there has always been controversy over the parts that were played in the creation and success of Marvel’s characters. Stan Lee had the fortunate circumstance to have access to the corporate megaphone and media, and he used these to create his own mythos as to the creation of the Marvel character pantheon. He made himself the voice of Marvel. So, for several decades he was the “only” man standing, and blessed with a long life, the last man standing (my father died in 1994). It should also be noted and is generally accepted that Stan Lee had a limited knowledge of history, mythology, or science.

On the other hand, my father’s knowledge of these subjects, to which I and many others can personally attest, was extensive. Einstein summed it up better; “More the knowledge, lesser the ego. Lesser the knowledge, more the ego.”

If you were to look at a list and timeline of Marvel’s characters from 1960 through 1966, the period in which the vast majority of Marvel’s major characters were created during Lee’s tenure, you will see Lee’s name as a co-creator on every character, with the exception of the Silver Surfer, solely created by my father. Are we to assume Lee had a hand in creating every Marvel character? Are we to assume that the other co-creator never walked into Lee’s office and said, “Stan, I have a great idea for a character!” According to Lee, it was always his idea. Lee spends a fair amount of time talking about how and why he created the Fantastic Four, with only one fleeting reference to my father. Indeed, most comics historians recognize that my father based the Fantastic Four on a 1957 comic he created for DC, “Challengers of the Unknown,” even naming Ben Grimm (The Thing) after his father Benjamin, and Sue Storm after my older sister Susan.

Though the conflict between Lee and my father concerning creator credit gets glanced over with little mention, there is more attention paid to the strife between Lee and Steve Ditko, with Lee’s voice proclaiming, “It was my idea, therefore I created the character,” Ditko’s rebuttal being that his art and storyline is what brought life to Spiderman. In 1501, the Opera del Duomo commissioned a 26-year-old Michelangelo to sculpt a statue of David for the Cathedral of Florence – their idea, their money. The statue is called Michelangelo’s David – his genius, his vision, his creativity.

I was very fortunate. My father worked at home in his Long Island basement studio we referred to as “The Dungeon,” usually 14 – 16 hours a day, seven days a week. Most of the artists, writers, inkers, etc. worked at home, not in the Marvel offices as depicted in the program. Through middle and high school, I was able to stand at my father’s left shoulder, peer through a cloud of cigar smoke, and witness the Marvel Universe being created. I am by no means a comics historian, but there are few, if any, that have personally seen or experienced what I have, and know the truth with first-hand knowledge.

My father retired from comic books in the early 1980s and of course, passed away in 1994. Lee had over 35 years of uncontested publicity, much naturally, with the backing and blessing of Marvel as he boosted the Marvel brand as a side effect of boosting himself. The decades of Lee’s self-promotion culminated with his cameo appearances in over 35 Marvel films starting with “X-Men” in 2000, thus cementing his status as the creator of all things Marvel to an otherwise unknowing movie audience of millions, unfamiliar with the true history of Marvel comics. My father’s first screen credit didn’t appear until the closing crawl at the end of the film adaptation of Iron Man in 2008, after Stan Lee, Don Heck, and Larry Lieber. The battle for creator’s rights has been around since the first inscribed Babylonian tablet. It’s way past time to at least get this one chapter of literary/art history right. ‘Nuff said.

(12) JEOPARDY! [Item by David Goldfarb.] On Thursday’s episode there was a full category of “21st Century horror novels”, which the contestants took in order.

  • Returning champ Holly Hassel
  • Kiran MacCormick
  • Suzanne Goldlust

$200: Christina Henry’s “Looking Glass” is the last book in a chilling trilogy about a woman with this 5-letter name

Returning champ Holly Hassel tried: “What is Megan?”

Her name was Alice. (As in “Through the Looking-Glass”….)

$400: In Grady Hendrix’ “How to Sell” this place, it has a sealed attic & creepy puppet collection & Redfin will be no help

Suzanne Goldlust knew or guessed: “What is a haunted house?”

$600: The Scooby Gang was often accused of being these, the title of a book by Edgar Cantero about 4 teens with a telepathic pooch

Suzanne said, “What are meddling teens?”

Holly tried “What are those meddling kids?” but this was not accepted, as the title of the book was just “Meddling Kids”.

$800: Megan James pays homage to this horror master & his creation Cthulhu with her graphic novel “Innsmouth”

Holly knew this one.

$1000: Clive Barker’s “Scarlet Gospel” revisits the Hellraiser universe where this prickly priest of Hell mans the pulpit

Holly knew this one too: “Who is Pinhead?”

In the Double Jeopardy round, there was one:

TV Criminals, $800: The villainous supe Homelander on this series is the leader of The Seven, a group of some not-so-super heroes

This was triple stumper: nobody was familiar with the comic “The Boys” or its Amazon Prime adaptation. (I quibble with the question here. The Seven are super enough! It’s the “hero” part that should be getting the “not-so-“.)

(13) TURA SATANA. [Item by Steve Green.] Tura Satana, whose movie credits included The Astro-Zombies (1968) and its 2004 ‘reimaging’, is now an action figure, based upon her role in the 1965 cult classic Faster Pussycat… Kill! Kill!

Ms Satana, who died in 2011, was smart enough to trademark her own likeness, and this is apparently the first officially-licensed figure. It’s a collaboration between White Elephant Toyz and the publisher PlaidStallions (as Odeon Toys). “Tura Satana Action Figure Pre-Orders now open!”.

… This limited edition action figure is 8″ tall and features a detailed outfit, natural hair, motorcycle gloves, and boots. Tura is ready to kick your other action figures’ asses.

Each Tura Satana Action figure comes in vintage style packaging with striking artwork by Joseph Michael Linsner, creator of “Dawn.”…

(14) FIRST AMERICAN WOMAN IN SPACE. The National Air and Space Museum remembers “Sally Ride”.

40 years ago today, Dr. Sally K. Ride became the first American woman in space, launching aboard Space Shuttle Challenger on the STS-7 mission.

Dr. Sally Kristen Ride was a physicist, astronaut, educator, and advocate for young people in science, technology, engineering, and mathematics. Best remembered as the first American woman in space, Ride’s tenure as an astronaut was but one chapter in a long and impactful career.

Ride was accepted to the astronaut corps in 1978 as a member of Astronaut Group 8—NASA’s first astronaut class to include women. On June 18, 1983, when Dr. Sally K. Ride became the first American woman in space, she challenged long-held stereotypes about who would make a good astronaut. Ride spent more than two weeks in space over the course of two missions, STS-7 and STS-41G. Ride operated one of the Space Shuttle’s most important tools—the robotic arm—and loved taking photos of Earth from space.

When Ride retired from NASA in 1987, she dedicated herself to educating and inspiring learners. For more than 18 years she taught physics at the University of California San Diego. In 2001, Ride founded Imaginary Lines (now Sally Ride Science) with her partner, Dr. Tam O’Shaughnessy, to inspire girls and young women to explore science careers.

(15) ANKYLOBITERS. [Item by SF Concatenation’s Jonathan Cowie.] A new dinosaur has been found on the Isle of Wight so the BBC reports.

Don’t worry, it’s dead! So we are all safe. (Phew.) If you do go to the Isle of Wight to hunt for dinosaurs (they really all are dead) then I recommend a beer and food at the Crab and Lobster Inn. The view from outside to the left is mainland Brit Cit while straight ahead and left is the English Channel with a view of The Nab tower a few miles offshore and transatlantic liners going around the point.

But if you can’t be bothered then there is the primary research paper.

…It is the first new species of armoured dinosaur to be found on the island since 1865 and belongs to the same family – the ankylosaurs.

Though fearsome in appearance with its blade-like armour, the giant reptile – which has been named Vectipelta barretti – only ate plants.

It was discovered in rocks dating back between 66 and 145 million years….

(16) VIDEO OF THE DAY. Here’s the teaser trailer for One Piece.

Here’s a first look at the live action adaptation of the most popular manga in history, written by Eiichiro Oda. ONE PIECE sets sail on August 31st only on Netflix.

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Cora Buhlert, David Goldfarb, Steve Green, Rich Lynch, Andrew Porter, John King Tarpinian, Chris Barkley, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Soon Lee.]

Pixel Scroll 5/29/23 I Do Not File With My Scroll. The Man Who Files With His Scroll Has Forgotten The Face Of His Father. I File With My Pixel.

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(1) GROOT, STAR-LORD, ROCKET, OR WHO? Guardians of the Galaxy stars Karen Gillan and Pom Klementieff test their knowledge of Volumes I and II by seeing if they remember who said what lines.

With such a stacked cast, the challenge should be difficult, but having such iconic characters like Groot played by Vin Diesel, Starlord by Chris Pratt, and Bradley Cooper as Rocket, Mantis and Nebula’s knowledge proves to be superior. Get ready for Vol III of ‘Guardians of The Galaxy’ by time-traveling through lines of volumes past.

(2) WISCON SPEECHES. The WisCon 46 GOH speeches and Otherwise Award presentation can be viewed on YouTube.

(3) NEXT YEAR IN NEW MEXICO. And WisCon GoH Martha Wells has been announced as Guest of Honor of the 47th Jack Williamson Lectureship which will take place April 11-13, 2024.

Best known for her Murderbot Diaries, Martha Wells has been an actively publishing author in scifi and fantasy since 1993 and in that time she has won four Hugo Awards, two Nebula Awards and three Locus Awards. The Murderbot Diaries is also currently being adapted for a TV series, and this series has been growing increasingly popular in the past few years. 

(4) GOOD OMENS GRAPHIC NOVEL. The second season of the TV series arrives July 28, and now a Good Omens graphic novel has been announced – Comics Worth Reading has the story. Neil Gaiman, the Terry Pratchett Estate, and Colleen Doran are creating a graphic novel version of Good Omens that will be funded via Kickstarter. The Kickstarter has not yet launched, but you can sign up at the link to be notified when it does.

(5) SIGNED, SEALED, AND SOON TO BE DELIVERED. Guess where fans will be able to find the new Sharon Lee and Steve Miller book?

(6) NOT JUST A GOOD IDEA, IT’S THE LAW. James Davis Nicoll brings us “Five Ways SF Writers Sidestep the Problem of Relativity” at Tor.com.

Relativity! Extremely well supported by the evidence, and extremely inconvenient for SF authors who want jaunts to the galactic core to be as easy as popping down the road. Given a universe so large that light takes as long as anatomically modern humans have existed to meander across a single galaxy, combined with a very strict speed limit of C, and you face a cosmic reality that makes many stories authors might want to write quite simply physically impossible. So… what are hardworking science fiction authors to do?

 The first solution, courtesy of E. E. “Doc” Smith is —

Disregard the Issue

By far, the most popular option is to ignore the issue or actively deny that it is an issue. Maybe Einstein divided when he should have multiplied (he didn’t). Perhaps light speed can be surpassed given sufficient will (it can’t). What if some miracle material for which absolutely no evidence exists could facilitate superluminal travel? (More likely, such materials are simply non-existent.)

(7) THOUGHT EXPERIMENT. SYFY Wire reveals “The Real Reason Kong Is Alone: The Science Behind King Kong”. For some values of science…

…The particulars of Kong, including his size and origin, vary from movie to movie, but in every single telling he is alone. The reasons for his solitude haven’t been widely explored, but the 2005 movie shows the decaying skeletons of other giant apes, long since dead. While their cause of death isn’t entirely clear, it’s implied that the rest of Kong’s family were killed off by the other large predators on the island, particularly the T. rex-like theropod dinosaurs.

The dinosaurs probably contributed to the demise of Kong’s species, but the true culprit may have been the island itself. In the continuity of Jackson’s 2005 film, Skull Island was slowly sinking into the ocean by the time Denhem and crew landed on its shores. By 1948, a 9.2 magnitude earthquakes broke it loose and the island vanished into the sea….

(8) AD ASTRA. Chris McKitterick recently announced that Ad Astra (originally established as a University of Kansas Center in AAI) has now grown into the not-for-profit Ad Astra Institute for Science Fiction & the Speculative Imagination.

Led by yours truly and Kij Johnson, Ad Astra is an umbrella organization that brings together creators, readers, educators, and fans to learn about and create speculative fiction through writing workshops, expert talks, seminars, and more. The people we work with create and teach art that opens minds and imaginations, reaching for the stars and “Saving the world through science fiction!”

Their residential Science Fiction Summer program takes off in mid-June, in-person again for the first time since before Covid. Kij Johnson and Barbara Webb’s Novel Architects Workshop is now full, but there’s still room in McKitterick’s Speculative Fiction Writing Workshop (and both of his and Johnson’s “Repeat Offenders” workshops).

Also, a talk-and-weekend-workshop “Science into Fiction” Spec-Fic Writing Workshop series resumes in late August.

(9) HOWARD DAYS. Brian Murphy reports on the annual Robert E. Howard gathering to readers of The Silver Key: “There and back again from Massachusetts to Cross Plains: A recap of 2023 Robert E. Howard Days”.

…I live in Massachusetts, some 1600 miles from the small town in West Texas that Howard called home. With a wife and family, domestic obligations, and a busy professional career to manage, there is never a good time to do something like this, even though Howard Days had been on my bucket list for years….

The annual con is also part pilgrimage:

…Nothing can quite prepare you for the first view of Robert E. Howard’s home and ultimately the humble bedroom where did the majority of his writing. Others have made the same observation many times, but its stunning that Howard was able to birth and deliver such vivid creations to the world from such small, prosaic quarters. It’s a testament to his unique genius. The volunteer docents who serve as tour guides, women from the Cross Plains community, were patient and wonderful. I learned that Howard’s father, Isaac, treated bloodied oil field workers right in the Howard home. One docent noted poetically that blood has seeped its way into the roots of the home….

Murphy is also one of the guests on the Rogues in the House podcast episode “Howard Days Wrap Up”.

(10) ATOMIC SHAKESPEARE. Eighties cult TV favorite Moonlighting reportedly is slouching its way towards availability on a streaming service. Meantime, Heritage Auctions will put on the block some of the costumes from its most iconic episode, as explained in “Maddie, David and Bill Shakespeare”.

…That episode essentially paid tribute to [showrunner Glen] Caron’s inspiration for the entire series: The Taming of the Shrew. Willis, of course, would play the fortune-seeking Petruchio; Shepherd, the titular “shrew,” Katherina. The rest of the regulars rounded out the cast, among them Allyce Beasley and Revenge of the Nerds’ Curtis Armstrong, which was transported from the Blue Moon Detective Agency in Los Angeles to Padua, Italy, in 1593 (“or just an incredible facsimile,” per the title card, which was the Universal backlot).

The episode starts as a Moonlighting episode about a kid wanting to watch a Moonlighting episode; no series winked at itself in the funhouse mirror more. But the boy’s mother banishes him to his room to do his homework – in this case, read Shakespeare. He cracks open the play, and the episode quickly morphs into a rather sincere retelling of The Taming of the Shrew, down to the iambic pentameter and its occasional use of actual dialogue, combined with some anachronistic winks (Willis’ Ray-Bans, his saddle bearing the BMW insignia, the performance of The Rascals’ “Good Lovin’”)….

(11) GEORGE MAHARIS (1928-2023). Actor George Maharis, best known for his work on TV’s Route 66, died May 24. Though it was not a genre program, Steve Vertlieb recalled in his File 770 post about Route 66 there was one episode with a strong genre appeal to horror fans:

…“Lizard’s Leg and Owlet’s Wing” premiered over the CBS television Network on Friday evening, October 26th, 1962. Featuring guest stars Boris Karloff, Peter Lorre, and Lon Chaney, Jr., this beloved episode of the classic television series “Route 66” starring George Maharis and Martin Milner would be the last time that Boris Karloff and Lon Chaney, Jr. would ever reprise their signature performances as Frankenstein’s Monster and The Wolf Man….

Deadline’s summary of his career includes these appearances on genre shows:

In the 1970’s, Maharis returned to television and starred in shows like Night Gallery, The Mostly Deadly Game, … Mission: Impossible, … The Bionic Woman, Fantasy Island, and many more.

Maharis’ final credit was in the film Doppelganger directed by Avi Neshar in 1993 which starred Drew Barrymore and George Newbern.

(12) MEMORY LANE.

2011 – [Written by Cat Eldridge from a choice by Mike Glyer.]

Sheri Holman’s Witches on the Road Tonight is the source of our Beginning this Scroll. 

It was published twelve years ago by Atlantic Monthly Press. It would win a Shirley Jackson Award  for Best Novel, and it also won the Independent Publisher Book Award, Gold Medal, Literary Fiction.  It was named a Book of the Year by the Boston Globe, the Toronto Globe and Mail, and PopMatters. Very impressive I’d say. 

It is her only genre novel to date. She has written several other novels including a mystery set in a medieval monastery.  Oh, and she was a principal writer on the Longmire series for much of its run.

(I finished watching the Longmire series recently. They did a stellar job of tying everything up there.) 

And now the Beginning…

Eddie

New York City

Midnight

Of all the props I saved, only the coffin remains. Packed in boxes or tossed in the closet were the skulls and rubber rats, the cape folded with the care of a fallen American flag, my black spandex unitard, white at the seams where I’d stretched out the armpits, sweat-stained and pilled. I saved the squeezed-out tubes of greasepaint, the black shadow for under the eyes, the porcelain fangs. Of the gifts fans sent, I kept that bleached arc of a cat’s skeleton, the one you used to call Fluffy and hang your necklaces from, and a dead bird preserved with antifreeze. I kept maybe a hundred of the many thousands of drawings and letters from preteen boys and girls. There were some from adults, too, confessions of the sort they should be writing their shrinks or the police, and not a man who plays a vampire on TV. “Dear Captain Casket, Fangs for the memories.” 

But in the move up to Manhattan, in the successive apartments Charles and I shared, everything has been lost or thrown away. Coming to me late in life, Charles has been pitiless in tossing my prehistory, usually while I am off at one of the twice-yearly conventions I attend as if having an affair we both tacitly refuse to discuss. Now everything has been scrapped but the coffin, too big not to be missed, too great a conversation piece even for Charles, a bit of memorabilia that you might send off to a regional horror movie museum or sell to some theme restaurant as the base of a fixin’s bar to defray a small portion of the funeral cost. We’ve been using it as a coffee table, pushed in front of the big picture window that overlooks the Chrysler Building, a view that accounts for three-quarters of the ridiculous price we paid for this apartment. It has held up well over the years, made of wormy chestnut, hand-planed and smooth as a wooden Indian. I used to keep it in the carport between Saturday shows, and you played in it as a girl. Sometimes when we couldn’t find you, your mother and I would look outside and you’d be curled up inside it, asleep, your hand bookmarking the eternally youthful and nosy Nancy Drew, your mouth brushed with cookie crumbs.

I have made it as comfortable as possible. It is lined with an old down comforter tucked inside one of Charles’s more elegant duvet covers, a dusky rose shot with gold thread. I have a pillow for my head and a scarlet throw to keep me warm. You might think I’d like to go out in full costume, but camp comes too easily these days. I’m wearing, instead, my most comfortable pajamas, the ones with the pug dogs you bought me for my birthday last year. They are about the only ones my chemo-blistered skin can bear. Before I put them on, I took a shower and washed what’s left of my hair. Maybe it was cowardly to wait to do this until Charles was out of town. His mother, who is only a few years older than I, is ill, too, and poor Charles hasn’t known whom to nurse more dutifully. He refuses to discuss my death, pulling, instead, all sorts of prophylactic voodoo like purchasing cruise tickets for next spring, or placing a down payment on a purebred mastiff puppy, if you can imagine, as if he can mortgage me back to life, keeping me on the ventilator of increasingly onerous financial obligation. I know he will be furious when he gets back from Philadelphia, but maybe he’ll take his mother with him on that cruise through the Cyclades.

My only real regret is not seeing you one last time. I left you a message before you went on the air, something light and innocuous, and I hope you’re not too shocked to hear it after you get the news. I want this good-bye to set the tone for all the memories that follow it. When people approach me about my show, they never want to talk about the cut-rate monster movies. Most can barely remember the titles. No, it is the irreverence of the interruption they cherish, the silliness and explosions. I made it my career for decades, but only now do I begin to understand the need to terrify, followed by the even greater need to puncture the fear we’ve called into being. It is a surrender and recovery that feels suspiciously like love.

(13) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born May 29, 1906 — T. H. White. Best known obviously for the wonderful The Once and Future King which I read a long, long time ago. Back in the Thirties, he wrote Earth Stopped and its sequel Gone to Ground, sf novels. Gone to Ground contains several fantasy stories which were later reprinted in The Maharajah and Other Stories. ISFDB also lists Mistress Masham’s Repose, The Elephant and the Kangaroo and The Master as the other novels by him, plus the aforementioned story collection. (Died 1964.)
  • Born May 29, 1909 — Neil R. Jones. It is thought that “The Death’s Head Meteor,” his first story, which was published in Air Wonder Stories in 1930, could be the first use of “astronaut” in fiction. He also created the use of a future history before either Robert A. Heinlein or Cordwainer Smith were to do so. They’re collected in The Planet of the Double Sun, The Sunless World and a number of other overlapping collections.  He’s a member of the First Fandom Hall of Fame. (Died 1988.)
  • Born May 29, 1923 — Genevieve Linebarger. Widow of Cordwainer Smith. She had a hand in The Instrumentality of Mankind series, co-authoring “The Lady Who Sailed the Soul” (1960), and “Golden the Ship Was — Oh! Oh! Oh!” (1959) and, after her husband’s death, was the sole author of “Down to a Sunless Sea” (1975) published under his name, and completed “Himself in Anachron” (published 1993). (Credits per NESFA Press’ Rediscovery of Man collection.) (Died 1981.)
  • Born May 29, 1930 — Richard Clifton-Dey. An Illustrator of many SF book covers including The Wizard of Venus by Edgar Rice Burroughs. He did not sign many of his originals so his widow has the final say what is an original and what is not. (Died 1997.) 
  • Born May 29, 1939 — Alice K. Turner. Playboy fiction editor from 1980 to 2000. Silverberg praised her highly and she did much to make sure SF had an important place in the fiction offered up there. The Playboy Book of Science Fiction collects a good tasting of the SF published during her tenure. (Died 2015.)
  • Born May 29, 1952 — Louise Cooper. She wrote more than eight works of fantasy and was best known for her Time Master trilogy. Most of her writing was in the YA market including the Sea Horses quartet and the Mirror, Mirror trilogy. (Died 2009.)
  • Born May 29, 1996 — R. F. Kuang, 27. She’s an award-winning Chinese-American fantasy writer. The Poppy War series, so-called grimdark fantasy, consists of The Poppy War which won the Compton Crook Award for Best First Novel, The Dragon Republic and The Burning God. She’s been a finalist for the Astounding Award for Best New Writer.

(14) COMICS SECTION.

  • Candorville shows a new tech that combines streaming with nagging.
  • Non Sequitur looks for a definition of intelligent life.
  • Macanudo has a strange mashup of Darth Vader and Casablanca.

(15) ALL IT’S CRACKED UP TO BE. This is impressive – watch Boston Dynamics’ “Spot” deftly remove a pistachio from its shell.

(16) FACTORY SECONDS. Discover Magazine chronicles “Why 1 Second Is 1 Second”.

…Today, however, when computers perform operations at the rate of 4 billion cycles per second, we need a better measure. The rotation of Earth, and its orbit, change slightly over time. Earth’s rotation, for example, is slowing slightly. So measuring a second based on rotation would mean that a second would get slowly longer over time. Ultimately, we couldn’t compare the second of today to the second of yesterday.

So, to pin down a truly timeless measure of a second, scientists in the 1950s devised a better clock, one based not on astronomical processes but on the movement of fundamental bits of matter — atoms — whose subtle vibrations are, for all intents and purposes, locked in for eternity. Today, one second is defined as “9,192,631,770 periods of the radiation corresponding to the transition between the two hyperfine levels of the ground state of the cesium 133 atom”.

That’s a mouthful.

…When hit with a laser, the single electron in a cesium atom’s outermost shell will cycle back and forth between two states — known as a hyperfine transition. It can be magnetically aligned either in the same direction as the atom’s nucleus, or the opposite direction, and under a laser’s beam, it will flip back and forth between these two states rapidly at a rate that never changes. Cesium isn’t the only element for the job, but it has only one stable isotope, so it’s easier to purify, and the hyperfine transition is both large enough and fast enough to be accurate, unlike some other atoms….

(17) NEANDERTHAL CHESS ODDS? According to Discover Magazine, “Neanderthal Brains: Bigger, Not Necessarily Better”. But once you’ve clicked they admit they don’t really know.

Neanderthals had bigger brains than people today.

In any textbook on human evolution, you’ll find that fact, often accompanied by measurements of endocranial volume, the space inside a skull. On average, this value is about 1410 cm3 (~6 cups) for Neanderthals and 1350 cm3 (5.7 cups) for recent humans.

So does that quarter-cup of brain matter, matter? Were Neanderthals smarter than our kind?

While brain size is important, cognitive abilities are influenced by numerous factors including body size, neuron density and how particular brain regions are enlarged and connected. Some of these variables are unknowable for Neanderthals, as we only have their cranial bones and not their brains. But anthropologists have made the most of these hollow skulls, to learn what they can about the Neanderthal mind….

(18) NEXT GEN NAVIGATION. [Item by Mike Kennedy.] A quantum inertial navigation system has the potential to improve INS accuracy to the point that it could replace satellite systems like GPS for some applications. “Imperial College working with Royal Navy on groundbreaking system to replace GPS on ships” explains the Telegraph.

A new quantum compass that could replace GPS on ships has been tested on water for the first time, The Telegraph can reveal.

Inside an old shipping container onboard XV Patrick Blackett, the Royal Navy’s experimental ship, could be the future of navigation.

Military chiefs have been warning for years of the dangers of relying on GPS, due to the potential for adversaries to jam and manipulate trackers.

In an interview with The Telegraph last year, Admiral Sir Tony Radakin, the head of the Armed Forces, warned Russia could wage war in space against the West.

He said: “Russia could also attack the GPS systems which play a key role, both military and civilian, throughout the world,” he said. He added that attacking a nation’s GPS was attractive to an adversary because it involves “neither direct casualties nor an attack on another country’s territory,” and is therefore less likely to provoke a direct Western military response….

(19) VIDEO OF THE DAY. How It Should Have Ended knows “How The Little Mermaid Should Have Ended” and asks for three minutes to tell you.

[Thanks to SF Concatenation’s Jonathan Cowie, Mike Kennedy, Andrew Porter, Dariensync, Cora Buhlert, John King Tarpinian, Chris Barkley, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Nina.]

Pixel Scroll 3/23/23 MurderChatBotGPT-124C41+

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(1) NO DOGS^H^H^H^H BOOKS ALLOWED. “Book ban attempts hit record high in 2022, library org says” – AP News has the story.

Attempted book bans and restrictions at school and public libraries continue to surge, setting a record in 2022, according to a new report from the American Library Association released Thursday.

More than 1,200 challenges were compiled by the association in 2022, nearly double the then-record total from 2021 and by far the most since the ALA began keeping data 20 years ago.

“I’ve never seen anything like this,” says Deborah Caldwell-Stone, who directs the ALA’s Office for Intellectual Freedom. “The last two years have been exhausting, frightening, outrage inducing.”

Thursday’s report not only documents the growing number of challenges, but also their changing nature. A few years ago, complaints usually arose with parents and other community members and referred to an individual book. Now, the requests are often for multiple removals, and organized by national groups such as the conservative Moms for Liberty, which has a mission of “unifying, educating and empowering parents to defend their parental rights at all levels of government.”

Last year, more than 2,500 different books were objected to, compared to 1,858 in 2021 and just 566 in 2019. In numerous cases, hundreds of books were challenged in a single complaint. The ALA bases its findings on media accounts and voluntary reporting from libraries and acknowledges that the numbers might be far higher….

(2) LET THERE BE LIGHTS. Cora Buhlert has posted a new “Semiprozine Spotlight” about “Hexagon Speculative Fiction Magazine” edited by J. W. Stebner.

… Science fiction, fantasy and horror were born in the pulps and short fiction has long been the beating heart of the genre. However, the focus of attention is increasingly moving towards novels and series. So why do you think SFF short fiction is important and worthy of attention?

I think that the reason SFF short fiction is so important is that it is constantly evolving and keeping up with what is happening in the world. Short fiction can be written, edited, and published long before a novel outline is finished. There is something immediate and satisfying about short fiction that does not exist in longer works of SFF. A great short story can be devoured in a single sitting, giving the reader a complete narrative arc in the time it takes to drink a cup of coffee. Whole worlds can be created, inhabited, and destroyed on a single bus ride. There’s something about that that always attracted me to short fiction….

She also has a new “Fancast Spotlight” about the “Chrononauts” podcast hosted by JM, Gretchen, and Nate.

Tell us about your podcast or channel.

JM: Chrononauts is a podcast that delves into the history of science fiction literature, and seeks to discuss more obscure works in tandem with or in relation to more well-known stories and writers. In the beginning, I don’t think we had a very precise vision of what we wanted to do, besides: “Hey, let’s talk about some cool sci-fi books! And maybe we can proceed sort of chronologically through the genre’s history!” As time has gone on I think we’ve gotten a more firm handle on this, but also adopted a somewhat relaxed approach, so that while we are still, roughly speaking, moving forward chronologically, we are also taking many tangential side-steps, and are open to including newer works “out of sequence” as it were, particularly if they match up thematically with something from the past. Since I’ve always been into hunting down obscure treasures, I think one of my goals, from the beginning, was always to highlight things that were lesser-known, either because they simply didn’t get as much promotion or, in some cases, had no exposure in the English-speaking world….

(3) WORLD BUNDLE. The 2023 World SF StoryBundle curated by Lavie Tidhar is available for another three weeks. Full information at the link.

For StoryBundle, you decide what price you want to pay. For $5 (or more, if you’re feeling generous), you’ll get the basic bundle of four books in .epub format—WORLDWIDE.

  • Unto the Godless What Little Remains by Mário Coelho
  • Signal to Noise by Silvia Moreno-Garcia
  • Ion Curtain by Anya Ow
  • Hadithi & the State of Black Speculative Fiction by Eugen Bacon and Milton Davis

If you pay at least the bonus price of just $20, you get all four of the regular books, plus six more books for a total of 10!

  • Nova Hellas: Stories from Future Greece edited by Francesca T Barbini and Francesco Verso
  • The Love Machine & Other Contraptions by Nir Yaniv
  • & This is How to Stay Alive by Shingai Njeri Kagunda
  • And What Can We Offer You Tonight by Premee Mohamed
  • Of Dragons, Feasts and Murders by Aliette de Bodard
  • HebrewPunk by Lavie Tidhar (StoryBundle Exclusive)

(4) SHE SAYS SCREENS AREN’T TO BLAME. The Atlantic’s Katherine Marsh thinks she knows the real reason “Why Kids Aren’t Falling in Love With Reading”.

…What I remember most about reading in childhood was falling in love with characters and stories; I adored Judy Blume’s Margaret and Beverly Cleary’s Ralph S. Mouse. In New York, where I was in public elementary school in the early ’80s, we did have state assessments that tested reading level and comprehension, but the focus was on reading as many books as possible and engaging emotionally with them as a way to develop the requisite skills. Now the focus on reading analytically seems to be squashing that organic enjoyment. Critical reading is an important skill, especially for a generation bombarded with information, much of it unreliable or deceptive. But this hyperfocus on analysis comes at a steep price: The love of books and storytelling is being lost.

This disregard for story starts as early as elementary school. Take this requirement from the third-grade English-language-arts Common Core standard, used widely across the U.S.: “Determine the meaning of words and phrases as they are used in a text, distinguishing literal from nonliteral language.” There is a fun, easy way to introduce this concept: reading Peggy Parish’s classic, Amelia Bedelia, in which the eponymous maid follows commands such as “Draw the drapes when the sun comes in” by drawing a picture of the curtains. But here’s how one educator experienced in writing Common Core–aligned curricula proposes this be taught: First, teachers introduce the concepts of nonliteral and figurative language. Then, kids read a single paragraph from Amelia Bedelia and answer written questions.

For anyone who knows children, this is the opposite of engaging: The best way to present an abstract idea to kids is by hooking them on a story. “Nonliteral language” becomes a whole lot more interesting and comprehensible, especially to an 8-year-old, when they’ve gotten to laugh at Amelia’s antics first. The process of meeting a character and following them through a series of conflicts is the fun part of reading. Jumping into a paragraph in the middle of a book is about as appealing for most kids as cleaning their room….

(5) POT WALLOPER. “Stamp honoring ‘Strega Nona’ author Tomie dePaola gets release date” reports CBS Boston.

Fans of beloved children’s writer and illustrator Tomie dePaola will be able to get stamps honoring the “Strega Nona” author in just a few weeks.

The U.S. Postal Service said the stamps will be released on May 5. dePaola, a longtime New Hampshire resident whose books sold nearly 25 million copies, died in 2020 at 85 years old.

The Forever stamp shows the titular grandmother with her magic pasta pot. “Strega Nona,” published in 1975, is a Caldecott Honor book and was voted one of the “Top 100 Picture Books” by the School Library Journal.

(6) IN PASSING. [Item by Cora Buhlert.] Three deaths in the sff field to report.

Eric Brown, science fiction, mystery and children’s book writer as well as the Guardian’s SFF reviewer, has died aged 62. The Guardian’s tribute is at the link.

Paul Grant, a British actor who played an Ewok in Return of the Jedi and also appeared in Legend, Labyrinth and the Harry Potter movies, has died: “Star Wars and Harry Potter actor Paul Grant dies aged 56” in the Guardian.

Norwegian cartoonist Dina Norlund has died aged 27. Her best known work outside Norway is The Snowcat Prince: “Cartoonist Dina Norlund has died of cancer” at Comics Beat.

(7) MEMORY LANE.

1968 – [Compiled by Cat Eldridge.]

So the Beginning this Scroll is not one of the more upbeat ones we’ve done to date as it of Keith Roberts’ Pavane. 

The ending of this novel, yes the ending, a novellette, “Pavane: The Signaller”, came out in Impulse: The New Science Fantasy in their March 1966 issue.  The complete stories that are Pavane would first be printed by Hart-Davis in 1968. Why the ending first? I’ve no idea, but perhaps one of you knows why. 

So I’ll just say that Pavane is a brilliant telling of an alternative England that mercifully never happened. So without further commentary, here’s the perfect Beginning that the author gave it…

PROLOGUE

On a warm July evening of the year 1588, in the royal palace of Greenwich, London, a woman lay dying, an assassin’s bullets lodged in abdomen and chest. Her face was lined, her teeth blackened, and death lent her no dignity; but her last breath started echoes that ran out to shake a hemisphere. For the Faery Queen, Elizabeth the First, paramount ruler of England, was no more … 

The rage of the English knew no bounds. A word, a whisper was enough; a half-wit youth, torn by the mob, calling on the blessing of the Pope. … The English Catholics, bled white by fines, still mourning the Queen of Scots, still remembering the gory Rising of the North, were faced with fresh pogroms. Unwillingly, in self-defence, they took up arms against their countrymen as the flame lit by the Walsingham massacres ran across the land, mingling with the light of warning beacons the sullen glare of the auto-da-fé. 

The news spread; To Paris, to Rome, to the strange fastness of the Escorial, where Philip II still brooded on his Enterprise of England. The word of a land torn and divided against itself reached the great ships of the Armada, threshing up past the Lizard to link with Parma’s army of invasion on the Flemish coast. For a day while Medina-Sidonia paced the decks of the San Martin, the fate of half the world hung in balance. Then his decision was made; and one by one the galleons and carracks, the galleys and the lumbering urcas turned north toward the land. Toward Hastings and the ancient battleground of Santlache, where history had been made once centuries before. The turmoil that ensued saw Philip ensconced as ruler of England; in France the followers of Guise, heartened by the victories across the Channel, finally deposed the weakened House of Valois. The War of the Three Henrys ended with the Holy League triumphant, and the Church restored once more to her ancient power. 

To the victor, the spoils. With the authority of the Catholic Church assured, the rising nation of Great Britain deployed her forces in the service of the Popes, smashing the Protestants of the Netherlands, destroying the power of the German city-states in the long-drawn-out Lutheran Wars. The Newworlders of the North American continent remained under the rule of Spain; Cook planted in Australasia the cobalt flag of the Throne of Peter. 

In England herself, across a land half ancient and half modern, split as in primitive times by barriers of language, class, and race, the castles of mediaevalism still glowered; mile on mile of unfelled woodland harboured creatures of another age. To some the years that passed were years of fulfillment, of the final flowering of God’s Design; to others they were a new Dark Age, haunted by things dead and others best forgotten; bears and catamounts, dire wolves and Fairies. 

Over all, the long arm of the Popes reached out to punish and reward; the Church Militant remained supreme. But by the middle of the twentieth century widespread mutterings were making themselves heard. Rebellion was once more in the air…

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 23, 1904 — H. Beam Piper. I am reasonably sure that the first thing I read and enjoyed by him was Lord Kalvan of Otherwhen followed by Little Fuzzy and related works which are damn fun reading. Has anyone here read Scalzi’s Fuzzy novel? And how’s his Federation series? Not a Hugo to be had by Piper, amazingly, but Little Fuzzy was nominated at the first Discon when The Man in the High Castle won. (Died 1964.)
  • Born March 23, 1934 — Neil Barron. Certainly best known for Anatomy of Wonder: A Critical Guide to Science Fiction which actually is still a damn fine read which is unusual for this sort of material. If memory thirty years on serves me right, his Fantasy Literature and Horror Literature guides were quite good too. (Died 2010.)
  • Born March 23, 1937 — Carl Yoke, 86. One of those academics that I stumbled upon when I was looking for information on Zelazny. His 1979 study of him, Roger Zelazny, is quite excellent, as is his essay, “Roger Zelazny’s Bold New Mythologies” which is in Tom Staicar’s Critical Encounters II: Writers and Themes in Science Fiction. He also wrote “What a Piece of Work is a Man: Mechanical Gods in the Fiction of Roger Zelazny” which you’ll find in Contributions to the Study of Science Fiction and Fantasy. Yoke does have four genre stories to his credit.
  • Born March 23, 1947 — Elizabeth Ann Scarborough, 76. Though her only award was a Nebula for The Healer’s War, I remember her best for a three book series called The Songkiller Saga which was wonderful and the Acorna series that she did with Anne McCaffrey which they co-wrote all but two as the first two were written by McCaffrey and Margaret Ball. She wrote a tribute to McCaffrey, “The Dragon Lady’s Songs”, that appeared in Dragonwriter.
  • Born March 23, 1952 — Kim Stanley Robinson, 71. If the Mars Trilogy was the only work that he’d written, he’d rank among the best genre writers ever. But then he went and wrote the outstanding Three Californias Trilogy. I won’t say everything he writes I consider top-flight, the Science in the Capital series just didn’t appeal to me. His best one-off novels I think are without argument (ha!) The Years of Rice and Salt and New York 2140.  I should note he has won myriad Awards including the Hugo Award for Best Novel, BSFA Award for Best Novel, the Nebula Award for Best Novel and the World Fantasy Award. And the Heinlein Society gave him their Robert A. Heinlein Award for his entire body of work! 
  • Born March 23, 1959 — Maureen Kincaid Speller. British reviewer and essayist who has been nominated for Hugos for Best Semiprozine and Best Fan Writer. She had an extensive career with her writing showing up in Matrix, Steam Engine Time, The Gate and Vector (all of which she either edited or co-edited), Barbed Wire Kisses, Fire & Hemlock, Local Fanomena, Red Shift, Interzone and The BSFA Review. A brief collection by BSFA, And Another Thing … A Collection of Reviews and Criticism by Maureen Kincaid Speller, leave room for an additional collection. OGH’s obituary writeup is here. (Died 2022.)
  • Born March 23, 1958 — John Whitbourn, 65. Writer of a number novels and short stories focusing on an alternative history set in a Catholic universe. It reminds me a bit of Keith Robert’s Pavane but much more detailed. A Dangerous Energy in which Elizabeth I never ascends the throne leads off his series. If that’s not to your taste, Frankenstein’s Legion’s is a sheer delight of Steampunk riffing off Mary Shelley‘s tale. He’s available at the usual digital suspects. 

(9) COMICS SECTION.

(10) HAMILTON, YOLEN Q&A’S. Grimdark Magazine landed interviews with two distinguished writers.

LAURELL K. HAMILTON: “An Interview With Laurell K. Hamilton”

[GdM] The expression of characters’ sexuality is something you have always written about that feels open and honest. Has the way you approached sex scenes and sensuality changed between the first novel and now, and if so, how?

Answer: When I started writing the series my plan was to have every kiss, every caress so amazing that we wouldn’t need to ever complete the act. What actually happened was that I built up the anticipation higher and higher so when it came to the point where Anita was finally ready to have full blown sex I had to live up to all the amazing foreplay. I was incredibly uncomfortable with the idea of doing it on paper, but I’d written crime scenes and fight scenes with extreme violence in them and not hesitated. The fact that sex between two people that cared about each other bothered me more than writing violent murder made me question my priorities. Was sex really worse than violence? No, no it wasn’t, but in America we’re conditioned that it is, and once I realized where the bias came from I was determined not to be trapped by it. I promised myself that every sex scene would be as well written and unflinching as my murder scenes had been. I think I’ve kept that promise to myself and to my readers.

JANE YOLEN: “An Interview With Jane Yolen”.

Are you still sending your subscribers a poem a day? To produce the poem a day, are you influenced by the news, world happenings, or something beautiful you saw while about in your daily life?

JY: All of the above, plus lines from favorite poems, newspaper clippings, something someone asked, or watching out my window and seeing squirrels and foxes and bobcats and bears and….it’s an old New England farmhouse with a lot of out buildings and farmland! Lots happening there every day.

(11) WHAT CAN REPLACE A (HU)MAN? Brian Murphy turns the tables in the ongoing AI debate: “Why (Human Generated) Sword-and-Sorcery?” at DMR Books.

… Sword-and-sorcery is a subgenre of influence, to varying degrees. The various “Clonans”—Brak, Thongor, Kothar, and their ilk—bear the obvious influence of Robert E. Howard’s famous creation. Michael Moorcock read and was influenced by Howard, but with Elric created a protagonist wholly different than Conan or Kull—civilized, decadent, his strength dependent on a cocktail of drugs.

We also consume and enjoy derivative products. I like my Kothar books—they’re fun (no, they’re not, they’re terrible—DMR), and sometimes they’re just what I need (no, they’re not, they’re terrible!—DMR). The Clonans sold, but creatively arrested the subgenre in the ‘60s and ‘70s. S&S became so narrowly focused and artistically stultified that it suffered a collapse in the early 1980s.

It’s important we recognize true innovators and mavericks. And offer venues and support creators that strive for originality.

Today the issue of originality vs. derivative work has risen to greater prominence and debate with the rise of AI. Now our art is threatened not by derivative authors, but by machines capable of turning it out in choking quantities….

(12) BEAGLE VISITS GLENDALE. Here’s a beautiful photo of author Peter S. Beagle, taken by Krystal Rains, while Beagle was signing at the LA Vintage Paperback Show in Glendale on Sunday.

Peter S. Beagle. Photo by Krystal Rains.

[Thanks to Michael Toman, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Daniel Dern, Krystal Rains, Cora Buhlert, Mike Kennedy, John King Tarpinian, Chris Barkley, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern – folding more references together than the ingredients in a Scalzi burrito.]

Pixel Scroll 9/18/22 Scrolling Pixels In The Park

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(1) HE KEPT IT UNDER HIS HAT. Rob Wilkins, who assisted Terry Pratchett for many years, writes a long profile about him for the Guardian: “’I think I was good, though I could have been better’: Terry Pratchett and the writing of his life”. “After he was diagnosed with Alzheimer’s, the Discworld author began an autobiography. He never finished it, but seven years after his death, his long-time assistant has taken up the task.”

…Terry also had strong and, some might even say, puritanical ideas about how much money he should accept in advance of a book’s publication. If he couldn’t be confident that the advance would earn itself out inside three years and that the book would go into profit and yield royalties, he refused to accept it. At one point, for example, Transworld offered Terry £125,000 for a book. This was in the mid-1990s, when a generous offer for a book of its nature would have been in the region of £25,000, so that six-figure offer was an emphatic demonstration of confidence in Terry’s writing. Colin, naturally, was excited to tell Terry about it. The conversation they had was short and pointed. Colin then found himself ringing Transworld and saying: “I have conveyed your offer to Terry, and I’m afraid he is not at all happy with it … No, he says it’s far too much and he would like me to agree a deal with you for less.”…

(2) THE KICKOFF. Charlie Jane Anders is the new sf/fantasy book reviewer for The Washington Post. Here is her first column: “4 witchy books from the world of science fiction and fantasy”.

When Megan Giddings told her agent she wanted to write a novel about witches, he told her: “If anybody can make them feel new, it’s you.” In the acknowledgments of her new novel, “The Women Could Fly” (Amistad),Giddings says she didn’t entirely agree with him that witches feel like a tired subgenre; to her, there’s always room for another take.

Luckily for anyone who feels the same way, a wealth of novels about witches has come out recently — and many of them do feel brand new.

To be sure, many recent witch novels explore timeworn themes: Witches are distrusted and feared and must conceal themselves from the world. But Giddings and other authors also uncover fresh layers to the classic witch tales, exploring the complexity of anti-witch attitudes in an enriching and timely way….

(3) IT’S NOT EVEN THE THING I’M POINTING AT WHEN I SAY ‘FANZINE’.  In “Fan v Pro v Fanzine”, Camestros Felapton ventures into the twisty little maze of passages all alike.

…But seriously, I think the current knot arises out of an unwillingness to redefine what a fanzine is. Functionally, fan artist and fan writer arose out of fanzine culture where fanzine didn’t need a definition. To a lesser degree the mess around semi-prozine arises there as well. There’s an intuitive sense of three grades of platforms were stuff happens: professional, fan and somewhere in between (a labour of love that aspires to be a going concern).

There are many available dimensions but none by themselves capture the essence of the fanzine distinction:

  • profit v non-profit
  • paywall v open access
  • corporate v non-corporate
  • size – number of people involved in the endeavour
  • fiction v non-fiction
  • hobby v “job”
  • weight class – a mix of size, influence and professional demeanour I guess
  • paying writers or not
  • paying staff or not
  • general vibe

¯\_(ツ)_/¯

commercial-corporate v. non-commericial-corporate gets closest to a distinction but not one that I could convert into a sensible set of rules.

Which means that I must circle back to the notion of self-identification as fan or pro. That also has tricky cases (a pro-writer who is a fan artists or vice versa) but if the point is to address the weight-class idea then maybe that is the least problematic pain point to accept. Put another way, if we see the “original sin” of John Scalzi’s* fan writer win not as blogs v print fanzines, not as style of genre question (clearly it was in the genre of fan writing), not as whether he is a real fan (clearly he is), but as a question of whether the voting is distorted because he had a large voting base in the Hugo Awards and major name recognition…then self-identification for the purpose of award eligibility gets at that issue….

(4) AND HE’D DO IT ALL OVER AGAIN.  Meanwhile, John Scalzi’s ears are burning.

(5) HWA CELEBRATES LATINX HORROR AUTHORS. The latest entry in the Horror Writers Association blog’s “Latinx Heritage in Horror” series is an “Interview with LP Hernandez”.

What inspired you to start writing?

Reading fueled my love of writing. I was a constant Scholastic Book Fair customer, addicted to the smell of new Goosebumps or Fear Street books. Eventually, I progressed to King, McCammon, and Tolkien. I began writing stories at around nine or ten. I remember corralling my mother in the morning as she attempted to get ready for work, handing her what I knew was going to be a best seller and requesting she read it right there in front of me.

(6) RATED ARRRRH! Do people still do “Talk Like a Pirate Day”? If so, it’s tomorrow, September 19.

(7) UNTRUE GRIT. Brian Murphy shares his appreciation for the Bard books by Keith Taylor: “Under the Spell of Keith Taylor’s Bard Songs” at Goodman Games.

…A characteristic of good sword-and-sorcery is earthiness; even if not set in some ancient age of our own earth, sword-and-sorcery nevertheless is typically gritty, even grimy, in its realism. Joseph McCullough once described sword-and-sorcery with the terse, pithy, “fantasy with dirt.” That works for me.

Over this layer of grit, which serves to ground the reader somewhere recognizable and to spare overly tedious worldbuilding, the skilled sword-and-sorcery writer adds in the fantastic, in small doses. Weird monsters and dark sorcery that feels alien, and dangerous, and when it appears casts its spell upon the reader….

(8) HOUSES DIVIDED. The New York Times explores “How Russian Trolls Helped Keep the Women’s March Out of Lock Step”.

…For more than a century, Russia and the Soviet Union sought to weaken their adversaries in the West by inflaming racial and ethnic tensions. In the 1960s, K.G.B. officers based in the United States paid agents to paint swastikas on synagogues and desecrate Jewish cemeteries. They forged racist letters, supposedly from white supremacists, to African diplomats.

They did not invent these social divisions; America already had them. Ladislav Bittman, who worked for the secret police in Czechoslovakia before defecting to the United States, compared Soviet disinformation programs to an evil doctor who expertly diagnoses the patient’s vulnerabilities and exploits them, “prolongs his illness and speeds him to an early grave instead of curing him.”

A decade ago, Russia’s president, Vladimir V. Putin, oversaw a revival of these tactics, seeking to undermine democracies around the world from the shadows.

Social media now provided an easy way to feed ideas into American discourse, something that, for half a century, the K.G.B. had struggled to do. And the Russian government secretly funneled more than $300 million to political parties in more than two dozen countries in an effort to sway their policies in Moscow’s favor since 2014, according to a U.S. intelligence review made public last week.

What effect these intrusions had on American democracy is a question that will be with us for years. It may be unanswerable. Already, social media was amplifying Americans’ political impulses, leaving behind a trail of damaged communities. Already, trust in institutions was declining, and rage was flaring up in public life. These things would have been true without Russian interference.

But to trace the Russian intrusions over the months that followed that first Women’s March is to witness a persistent effort to make all of them worse….

(9) MORE TROLLS WITH OPINIONS. The homegrown trolls are also busy. “The Rings of Power Gets Review Bombed: Amazon Turns Off Ratings” – The Hollywood Reporter has the story.

Where’s a wizard to fight trolls when you need one?

The mega-budget fantasy series The Lord of the Rings: The Rings of Power is under fire from some of its viewers. A day after the first two episodes of Amazon’s billion-dollar baby debuted on Prime Video, the show’s average audience score on Rotten Tomatoes is a “rotten” 37 percent, and reviews on Amazon have been outright suspended.

Compare that score to TV critics giving the show a very fresh 83 percent average, and many of the reviews were highly enthusiastic (“It’s great: a gorgeously immersive and grandly ambitious spectacle, packed with stunning imagery and compelling plot threads,” wrote TV Line). The Hollywood Reporter dubbed the first two episodes a rather successful, promising start.

The scores come a couple weeks after Marvel’s She-Hulk was declared review bombed on the site, with 88 percent critics score and an initial 36 percent audience score.

How The Rings of Power is doing on Amazon’s own user review ecosystem is not yet clear because the company has taken the unusual step of suspending user ratings for the show. An Amazon source says reviews are being held 72 hours to help weed out trolls and to ensure each review is legitimate. The source later claimed Prime Video started the policy this summer on all its shows.

“Review bombing” is when a group of online users post numerous negative reviews for a product or service due to its perceived cultural or political issues rather than its actual quality….

(10) HENRY SILVA (1926-2022). [Item by Cora Buhlert.] Actor Henry Silva, whose genre rolls include The Manchurian Candidate (well, I think it’s genre), Killer Kane in Buck Rogers in the 25th Century and the voice of Bane in Batman: The Animated Series, died September 13 at the age of 95.

…“Henry Silva is one of those guys you most likely will recognize even if you don’t know his name,” onetime Crimespree magazine writer Dave Wahlman wrote in 2016. “His face is something straight out of central casting if you were looking for a villain. It alternates between the insipid glee of potential mayhem and looking emotionless and dead as a stone.”

…He went on to make dozens of movies in Europe, the majority of which were in the Italian “poliziotteschi” genre. “Funny thing,” he said in a 1971 interview, “over here they see me as a bad guy; in Europe, they see me as a hero.”… 

(11) MEDIA BIRTHDAY.  

1964 – [By Cat Eldridge.] There are series I refuse to rewatch lest the Suck Fairy with her steel toed boots stomps all over it.  The Addams Family series which premiered on this evening fifty-eight years ago on ABC is definitely one of them. I unreservedly loved that series. 

The Los Angeles Times in its obituary of David Levy explained how he came to create the series: “The idea for the series came to Levy when he was strolling with a friend down New York’s 5th Avenue and passed a display of Addams’ books. One, ‘Homebodies,’ showed the entire group of Addams characters in a family portrait on the cover. Levy was stopped in his tracks by the sight and told his friend: ‘There’s a hit series!’”

Now let’s talk about the characters here. Who wasn’t perfect? Be it John Astin as Gomez Addams or Carolyn Jones as his wife Morticia, they played their roles perfectly. And no, I’m certainly not forgetting Wednesday, their child. (Surely the name comes from the English folk poem, Wednesday’s child is full of woe), Uncle Fester or Thing. Not to mention Lurch played oh-so-well by Ted Cassidy. 

It had pets, presaging to a great extent what Lio would have. Aristotle was Pugsley’s pet octopus and Fang was his pet jaguar. Addams Family had a lion called Kitty Kat and they piranhas, Tristan and Isolde. Zelda was their vulture. Morticia had a very large carnivorous plant named Cleopatra and Wednesday has a pet tarantula by the name of Homer.

It didn’t last nearly as long as I thought did — just two seasons totaling sixty-four episodes shot in glorious black and white. 

Halloween with the New Addams Family aired eleven years after the series went off the air with new characters added in. Seven years after the series was cancelled, the animated version of The Addams Family aired for sixteen episodes. It’s notable for a young Jodie Foster voicing Pugsley Addams. Only Jackie Coogan and Ted Cassidy, who played Uncle Fester and Lurch from the series, returned in voice acting roles.

Gold Key Comics produced a comic book series in connection with the show, but it only lasted three issues.

It streams on Amazon and Paramount +. Of course Paramount + owns the Columbia catalog and Columbia produced it.

It has a near perfect ninety-eight percent rating among audience reviewers at Rotten Tomatoes.

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 18, 1884 — Gertrude Barrows Bennett. She’s been called by many a pioneering author of genre fiction. She wrote a number of fantasies between in the late 1910s and early 1920s, and has been called “the woman who invented dark fantasy”. Her short story, “The Curious Experience of Thomas Dunbar” which was published under G.M. Barrows in Argosy is considered the first time that an American female writer published an SF story using her real name. (Go ahead, dispute it.) I’m pleased to say that the usual suspects are heavily stocked with her works.  (Died 1948.)
  • Born September 18, 1917 — June Foray. Voice performer with such roles as Cindy Lou Who, Natasha Fatale and Rocky the Flying Squirrel. She also provided the voice of Lucifer the Cat from Disney’s Cinderella. She also did a lot of witches such as Looney Tunes’ Witch Hazel which you can hear over here. She was instrumental in the creation of the Academy Award for Best Animated Feature twenty years ago. OGH has a most touching remembrance here. (Died 2017.)
  • Born September 18, 1946 — Struan Rodger, 76. He was the Bishop in Stardust, and shows up in the A Discovery of Witches as John Dee. (Loved the novels, skipped the series as I always do.) He voiced the Three-Eyed Raven in The Game of Thrones’ “The Lion and The Rose” and “The Children”.  More interestingly he’s got multiple roles in Doctor Who. First he’s The Voice of The Face of Boe in the Tenth Doctor stories, “New Earth” and “Gridlock”, next he’s Clayton in the Twelfth Doctor story, “The Women Who Lived” and finally he’s a voice again, that of Kasaavin in “Skyfall, Part One”, a Thirteenth Doctor story. 
  • Born September 18, 1946 — Nicholas Clay. Here for playing Lancelot on Excalibur. He did two earlier horror films, The Damned and Terror of Frankenstein, and he was The Prince in Sleeping Beauty. For television work, he’s done The Adventures of Sherlock Holmes, The Hound of the Baskervilles, Zorro, The New Adventures of Robin Hood, Virtual Murder, Highlander and Merlin. (Died 2000.)
  • Born September 18, 1948 — Lynn Abbey, 74. She’s best known for co-creating and co-editing with Robert Lynn Asprin (whom she was married to for 13 years) the quite superb Thieves’ World series of shared-setting anthologies. (Now complete in twelve volumes.) Her Sanctuary novel set in the Thieves’ World universe is quite excellent. I’ve not kept up with her latter work, so y’all will have to tell me how it is. Most, if not all, of the Thieves’ World series is available from the usual digital suspects.
  • Born September 18, 1959 — Mark Romanek, 63. His first film was Static about a teenager who invents a device he claims can show picture of Heaven. Cult hit in the UK after Robyn Hitchcock prompted it. Never Let Me Go, a film released a decade ago postulated clones whose organs were harvested that made life extension possible in the UK. US reviewers thought it was fact leading it to having a text prologue explaining it was fiction.
  • Born September 18, 1963 — Gary Russell, 59. A very prolific director of audio narratives for Big Finish Productions, having done forty-five Doctor Who and related productions, which is to say the Sarah Jane and Bernice Summerfield lines as well. He’s written novels that feature Doctor Who and related characters. He’s written three nonfiction works, two Who related, no surprise there, and one called The Art of The Lord of the Rings.
  • Born September 18, 1984 — Caitlin Kittredge, 38. Known for her Nocturne City series of adult novels which I’d not heard of before this, and for The Iron Codex, a series of YA novels, but I think her best work is by far the Black London series. She’s penned a Witchblade series at Image Comics, and the excellent Coffin Hill series for Vertigo. 

(13) COMICS SECTION.

(14) EDGE CASE. “R. Crumb Means Some Offense” is a profile of the iconic comix creator in the New York Times.

…Crumb used to attend comic conventions and book signings, but now he makes very few public appearances. He never really picked up French (he relies on Kominsky-Crumb for that), and his social circle is small. Crumb’s followed in the long line of artists and writers who have exiled themselves from America, but his life abroad feels far more circumscribed than most. He doesn’t even have a cellphone. (At one point, he looks at his wife’s and says earnestly, “It’s listening to us right now.”) He uses email but “I worry about it,” he says. “Any email you write goes into the N.S.A. computer banks.” He’s only voted once in his life, for Barack Obama in 2008. Yet even living thousands of miles from America, disconnected from its culture by so many moats of his own making, he is, like many of his expatriate predecessors, a dedicated and unflinching observer of home. It was his ability to capture the id of America — in all its decadence, hypocrisy and lecherousness — that established him as an artist; that ability is unmatched nearly six decades later. He’s been called an “equal opportunity offender”: For his entire career, he’s angered the left, the right and everyone in between. It’s why his work remains, more than that of perhaps any other artist today, a litmus test for how much we’re willing to put up with for the sake of art….

(15) CONSTANTINE NEWS. [Item by Mike Kennedy.] There can be only one. AKA The Law of Conservation of Constantines. “Keanu Reeves’ Constantine Sequel Means JJ Abrams’ Constantine Show is Dead, For Now” reports Gizmodo.

Just before the weekend started, Warner Bros. Discovery up and surprised everyone when they revealed that a sequel to their 2005 Constantine movie was in development. With Keanu Reeves and original director Francis Lawrence both set to return, it seemed like a pleasant shock…until one had to remember that way back in 2021, the corporation announced that JJ Abrams was working on a series for the Hellblazer. And like with much of what’s recently happened with HBO Max, the situation for Abrams’ show is now in a weird bind.

Per Variety, the new Constantine show, along with the Madame Xanadu series being headed up True Blood’s Angela Robinson, are both dead at the moment…. 

(16) SCREEN TIME. Gizmodo is also prepared to fill you in about the coming season of genre TV: “Fall 2022 TV Preview: All the Sci-Fi, Fantasy, and Horror Shows”.

Your TV brain might be completely hardwired into magical rings and lusty dragons these days, but there are so many more sci-fi, fantasy, and horror shows—both returning and new—coming to screens this season.

Scroll through for our handy calendar of all the geeky series that you need to know about, with the caveat that dates may be subject to change….

(17) LIFE LESSONS. His role in Tron is the ObSF reference, however, there’s so much more! “’Dealing with your mortality, it makes things more precious’: Hollywood legend Jeff Bridges on the gift of life after cancer” in the Guardian.

…So he’s someone who can quickly identify and make the most of a bright side. As I’m not someone like that, I ask him how he does it. How did he stay positive through two vicious illnesses? Bridges starts to tell an apparently unrelated story, the relevance of which only gradually becomes clear. “So I’m remembering the very last gift my father gave me, before he died,” he says. His father, Lloyd, was a successful TV actor who died in 1998. “Sue and I had this new house at the time,” Bridges continues, “huge grounds, and what I really wanted for my birthday was a neat little electric golf cart to get around the property. I know Dad’s bought something cool for me. I open a door. And there… It’s not the golf cart I wanted… It’s like a motorised, gasoline-operated, dump truck kind of a thing. In my mind I’m thinking, ‘Oh, shit. This is not what I want at all.’ But I say thank you to him. Then he dies. Suddenly I’m using this vehicle all the time. I’m constantly saying to myself, ‘This is so much better than a golf cart! It’s so much more powerful! There are so many things I can get done!’”…

(18) HOT STUFF. Get ready to serve breakfast on Halloween: “Dash Mini Waffle Maker — Halloween, Black and Orange”.

SPOOKY WAFFLES: The Dash Halloween Mini Waffle Maker 2-pack is perfect for making spooky waffles for fall and beyond. Plus make your favorite breakfast classics and get creative with waffled hash browns, cookies and more

(19) NASA RELIC. “A Busted Trailer Listed on a Government Auction Website Turned Out to Be a Space Fan’s Dream: a NASA Command Vehicle”. ArtNet News tellxs all about it.

For most people trawling government auctions, the listing would not have stood out: GSA Auctions, a division of the General Services Administration, was offering up a vehicle described simply as a “1989 Airstream Executive Air Coach,” with no minimum bid.

An online sleuth, however, was able to determine that the RV was probably once used in NASA’s Space Shuttle program. Acquired for just $21,000, the historic item was a major steal for any fan of space memorabilia…. 

The upshot? “This van was the official Convoy Command Vehicle for the Space Shuttle at Edwards,” Higgins wrote. “It directed all Shuttle recovery procedures once the spacecraft was on the ground! And it’s for sale currently at $10k.” (He also shared a YouTube video of the vehicle in action.)

Some 19 bidders competed for the former Convoy Command Vehicle, with interest leaping from $10,000 to over $20,000 in the final day….

(20) VIDEO OF THE DAY. Alasdair Beckett-King parodies “Every ‘Not So Fast… I’ll Be Taking That’ Scene”.

When you’re a rogue archaeologist in search of a surprisingly cheap-looking idol. I’m really pushing the limits of what one man with four hats can do, here.

[Thanks to Martin Morse Wooster, JJ, John King Tarpinian, Cora Buhlert, Steven French, Andrew Porter, Chris Barkley, Michael Toman, Cat Eldridge, and Mike Kennedy  for some of these stories. Title credit belongs to File 770 contributing editor of the day Cliff.]

Pixel Scroll 8/7/22 She Came In Through The Bathroom Pixel, Protected By Her Silver Scroll

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(1) WSFS BUSINESS MEETING AGENDA UPDATE. Chicon 8 has released an expanded Business Meeting agenda — 2022-WSFS-Agenda as of 20220807. One of the many items added since the first draft came out in July is a motion to create a Best Game or Interactive Work Hugo.

(2) NEVALA-LEE’S LATEST. Pradeep Niroula deconstructs the figure at the center of Alec Nevala-Lee’s Inventor of the Future: The Visionary Life of Buckminster Fuller, who “became a counterculture icon while entrenched in the very things that betrayed its spirit” in “The Making of a Prophet” for LA Review of Books.

HOW DO YOU write a biography of a man who lived like a demigod? A man for whom the vocabulary and syntax of the English language was so inadequate that he had to invent words, including “synergy,” “ephemeralization,” and “livingry” (a spiritual antithesis to weaponry, which, of course, leads to “killingry”), to articulate his ideas. A man who wore three wristwatches set to three different time zones to organize his day and who angrily banged his fists if you dared ask him for his address (“Young man, I live on Planet Earth!”). A man who believed that it fell to him to save the planet….

(3) ABOUT COSPLAY. Cora Buhlert posted another “Non-Fiction Spotlight” today. This one is for “Cosplay: A History by Andrew Liptak”.

Why should SFF fans in general and Hugo voters in particular read this book?

In short, it’s a history of fandom as a community — not just the capital F literary traditions/community, but of the wider history of fandom and how it’s evolved and changed over the decades.

This was a particularly fascinating thing to watch as I interviewed folks or pored over documents from Fanac.org: how did the act of costuming become an institution within the worldcon scene, and how did it grow out and fracture as fandom expanded and Balkanized as science fiction and fantasy entertainment began to take over movie theaters, television sets, and video game consoles? It’s a really fascinating evolution, and one that I think is well worth paying attention to, culturally.

It’s a high-level overview of the larger fan world, one that touches on a bunch of these various tribes. I wanted to make sure that it was approachable to folks who have been fans for decades, long-time costumers/cosplayers/makers, and to folks who were just casual fans or who wanted to learn a little more. Hopefully, it’s a good entry point to understand the larger cosplay — and fan — world.

(4) FROM ORION TO APOLLO. The Compact Ella Parker is the latest addition to the Trans-Atlantic Fan Fund’s library of free downloads. And if you enjoy the book, a donation to TAFF is a fine way to express your appreciation:

Ella Parker was a prominent, London-based British fan of the 1950s and 1960s who published the highly regarded fanzine Orion from 1958 to 1962 and the later Compact in 1963-1964. Which should explain the ebook title The Compact Ella Parker. She was a founder member of the Science Fiction Club of London and of the British Science Fiction Association.

As a follow-up to his presentation of her 1961 North American trip report with third-party fannish commentary as The Harpy Stateside (2021), Rob Hansen has compiled this selection of Ella Parker’s other fan writing both before and after the famous excursion. As he writes in his Foreword, “I wasn’t sure that Ella – never the most prolific of fanwriters – had written enough to warrant such a volume but, happily, I was wrong. Taken together, the pieces she produced are the best account that we have of London fandom as it was in the first half of the 1960s. They also offer an interesting look into the larger fannish politics and convention issues of that period.” As a bonus there’s a long report, crammed with sense of wonder, of her attendance at the launch of Apollo 16 in 1972.

(5) EVOLUTION OF S&S. Brian Murphy shares “Some ruminations on sword-and-sorcery’s slide into Grimdark” at The Silver Key.

Sword-and-sorcery continues to show stirrings, and life. Outlets like Tales from the Magician’s Skull, DMR Books, new projects like Whetstone, New Edge, etc., are publishing new authors and new stories that embrace its old forms and conventions. Obviously the genre ain’t what it used to be circa 1970, but who knows what the future may hold for us aging diehards.

I speculate on some of the reasons why S&S died off in Flame and Crimson (which, by the way, just surpassed 100 ratings on Amazon—thank you to everyone who took the time to rate or review the book, as these help with visibility in some arcane, Amazon protected manner). I won’t rehash them all here, they are available in the book.

What I haven’t written as much about is why Grimdark filled the void, what makes that genre popular with modern readers, and what we might have to learn from this transition.

First, I am of the opinion that Grimdark is the spiritual successor to S&S. One of them, at least. I agree with the main thrust of this article by John Fultz. S&S has many spiritual successors, from heavy metal bands to video games to Dungeons and Dragons. But in terms of literature, the works of Richard Morgan, Joe Abercrombie, and George R.R. Martin, bear some of the hallmarks of S&S, while also being something markedly different…. 

(6) DIALOG ADVICE. Dorothy  Grant advises “Don’t serve sir sandwiches” at Mad Genius Club.

Or, advice for non-military authors when writing military.

“Sir, statement, sir.” “Sir, question, sir?” “Sir, blah blah, sir.” “Sir, yadda yadda, sir.” …NO. …

(7) ROLAND J. GREEN (1944-2021). Author Roland J. Green died on April 20, 2021. File 770 just became aware of his passing. Green wrote many books under his own name, and 28 books in the Richard Blade series published under the pen name “Jeffrey Lord.”

His first novel, Wandor’s Ride, was a sword & sorcery tale published in 1973

His alternate history short story “The King of Poland’s Foot Cavalry” from Alternate Tyrants was a Sidewise Award nominee in 1998.

The family obituary is here:

…Roland became an established science fiction/fantasy writer after his first novel was published in 1973, writing more than 60 works in his 30+ year writing career.

He was involved in historical re-enactments and could brilliantly spout off historical trivia. He enjoyed reading (favoring maritime history), drawing, and a good pun. When working or during leisure time you could always find one of his cats curled up next to him. Most of all he cherished and loved being a family man….

He is survived by his wife, Freida, a daughter, and a grandchild.

(8) MEDIA BIRTHDAY.  

1981 – [By Cat Eldridge.] Forty-two years ago on a very hot summer day not dissimilar to this one, I saw the Heavy Metal film which premiered today. I was familiar with the Heavy Metal magazine being an on-and-off reader of it. The illustrations were quite good and occasionally the stories were brilliant as well. 

The film was directed by Gerald Potterton who previously done animation on Yellow Submarine which was nominated for a Hugo at St. Louiscon. (Now there’s a film I hadn’t thought of as being genre.) 

As it was an anthology, a lot of folk were responsible for the source material: there was original art and stories by Richard Corben, Angus McKie, Dan O’Bannon (doesn’t he show up in the most interesting places?), Thomas Warkentin and Bernie Wrightson. 

It was produced by Ivan Reitman, known for his comedy work such as Stripes which I really liked and Ghostbusters II which I thought wasn’t nearly as good as the first film was, and Leonard Mogel who, well did pretty much this and nothing else. The screenplay was written by Daniel Goldberg, who also wrote the Stripes screenplay and Len Blum, who did the same. 

It had a big voice cast which frankly I don’t recognize outside of John Candy and Harold Ramis.

I’m not going to discuss the film itself as it has far too many stories to do so, nor will I talk about the more controversial aspects of it in the form of the nudity, sex, and graphic violence, though the critics below will. I liked some of it but thought most of it was just badly done. I certainly haven’t had any reason to go see it again. There was a sequel, Heavy Metal 2000, which I’ve no desire to see.

The reception among critics at the time was, to say the least, was mixed. Gene Siskel of the Chicago Tribune really liked it but criticized it for being sexist and overly violent. And Sheila Benson of the Los Angeles Times condemned it for its explicit sadism.  Reading through the reviews, a common note was that they thought the animation was really poor. And almost everyone criticized it for being overly sexist and way too violent.

It probably broke even as it cost very little to make, nine million, and made twenty million. It has, as many a site notes, a cult following now. 

Audience reviewers at Rotten Tomatoes currently give it a rather excellent sixty-seven percent rating. 

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 7, 1884 — Billie Burke. This Birthday is new this year as she popped up on a list I subscribe to. Her best remembered role was as the Glinda the Good Witch of the North in oh-so-stellar The Wizard of Oz. But she did have some other genre roles. She is also remembered for her appearances in the Topper film series as Clara Topper, not altogether a favorable role but memorable none the less. She also starred in a version of “Dr. Heidegger’s Experiment” about a search for the Fountain of Youth on the TV’s Lights Out. (Died 1970.)
  • Born August 7, 1918 — Jane Adams. Actress who showed in the Forties Batman and Robin film as Vickie Vale, Girl Reporter. (That’s how she’s listed at the time.) Other genre credits were House of Dracula, Tarzan’s Magic Fountain, Master Minds (eat too much sugar and you can see the future — it was sponsored by a cereal company) and the Adventures of Superman series. (Died 2014.)
  • Born August 7, 1944 — John Glover, 78. He’s got a wealth of genre roles, so I’m going to be highly selective. (Go ahead and complain.) He was Brice Cummings in the Bill Murray fronted Scrooged, and he voiced a great Edward Nygma who was The Riddler in Batman: The Animated Series, in Brimstone, he was both The Devil and The Angel, and he was Daniel Clamp in the second Gremlins film.
  • Born August 7, 1933 — Jerry Pournelle. Some years ago, I got an email from a J. R. Pournelle about some SF novel they wanted Green Man to review. I of course thought it was that Pournelle. No, it was his daughter, Jennifer. And that’s how I came to find out there was a third Motie novel called, errrr, Moties. It’s much better than The Gripping Hand was. His best novel is of course The Mote in God’s Eye which he wrote with with Niven. And yes, I’ve read a lot of his military space opera when I was a lot younger. At that age, I liked it. I expect the Suck Fairy with her steel toe boots wouldn’t be kind to it now if I read any of it, so I won’t. I see though he hasn’t won any Hugos, that he has a number of nominations starting at Torcon II for “The Mercenary” novella followed by a nomination at DisCon II for his “ He Fell into a Dark Hole” novelette. The next year at the first Aussiecon, The Mote in God’s Eye got nominated and his Extreme Prejudice novel also got a nod. MidAmericaCon saw Inferno by him and Niven get nominated and his “Tinker” novelette also was on the ballot. Lucifer’s Hammer with Niven got on the ballot at IgunaCon II and his final nomination was at ConFederation for Footfall with Niven. Oh and at MidAmericaCon II, he got a nomination for Best Editor, Short Form. And yes, I was a devoted reader of his Byte column. (Died 2017.)
  • Born August 7, 1957 — Paul Dini, 65. First, he is largely responsible for the existence  of Batman: The Animated Series, Superman: The Animated Series, The New Batman/Superman Adventures, Batman Beyond, and yes Duck Dodgers And Tiny Toons as well. He’s recently been writing for the Ultimate Spider-Man series which is quite good. He co-authored with Pat Cadigan, Harley Quinn: Mad Love. He’s responsible for the single best animated Batman film, Batman Beyond: Return of the Joker, as he wrote it. If you see it, see the R rated version. 
  • Born August 7, 1957 — Lis Carey, 65. A prolific reader whose reviews fill the shelves at Lis Carey’s Library. She is also a frequent Filer, contributor of numerous cat photos and even more book reviews. She is a longtime member of NESFA, and chaired Boskone 46 in 2009. (OGH)
  • Born August 7, 1960 — Melissa Scott, 62. I think the first work I read by her was Trouble and Her Friends which holds up well even now. I’m also fond of Night Sky Mine and The Jazz. I see that she has an entire series set in the Stargate Atlantis universe. She won the Astounding Award for Best New Writer, and four Lambda Awards, the first for Trouble and Her Friends, a second for Shadow Man, a third for Point of Dreams and a fourth for Death by Silver. 

(10) MUSIC TO HPL BY. Bandcamp has available for purchase “Nyarlathotep – A Tribute To Howard Phillips Lovecraft” by various artists.

Eighth Tower is proud to reprint the rare and long time out of stock compilation “Nyarlathotep – A Tribute To Howard Phillips Lovecraft”, originally released in 1997 by the label KADATH. With this remastered release Eighth Tower brings to light a jewel of the Portuguese post-industrial tape culture, featuring some of the most interesting projects from the late 90’s Portuguese, Italian and French underground.

(11) D&D&B. Chris Barkley passed this along with a comment that “This is fandom at its BEST.” Thread starts here.

(12) COMING TO TRANSFORMED SPACE. In October, “Star Trek Original Enterprise Model Returns to National Air & Space Museum” reports Collider.

The latest stage of the Smithsonian National Air and Space Museum’s renovations may have the museum temporarily closed, but Trekkies will have something to look forward to when it reopens on October 14: The Enterprise studio model used in Star Trek: The Original Series. The Museum is reintroducing the popular display as a part of its reopening later in the fall, unveiling 8 new galleries in the transformed space….

[Thanks to Martin Morse Wooster, JJ, John King Tarpinian, Rob Thornton, Steven H Silver, Cora Buhlert, Andrew Porter, Chris Barkley, Michael Toman, Cat Eldridge, Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Jack Dominey.]

Pixel Scroll 6/6/22 Make Your Own Kind Of Pixel, Even When Nobody Else Scrolls Along

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(1) FUND OGHENECHOVWE DONALD EKPEKI’S TRIP TO CHICON 8. Jason Sanford has set up a GoFundMe that will “Send Oghenechovwe Donald Ekpeki to Worldcon”. Donate at the link.

This year Oghenechovwe Donald Ekpeki became the first African writer to win the Nebula Award for Best Novelette for his story “O2 Arena ,” with that story also making him the first African writer to be a finalist for the Hugo Award in the same category. In addition, he became the first person from Africa to be a finalist for the Hugo Award for Best Editor, Short Form, for his work on the groundbreaking anthology Year’s Best African Speculative Fiction.

 This fundraiser is to allow Ekpeki to travel from Nigeria to attend Chicon 8, the World Science Fiction Convention (Worldcon) in Chicago. In addition to allowing Ekpeki to attend the Worldcon where he is a finalist for two Hugo Awards, the fundraiser will also enable him to work on building in-person connections at Worldcon between genre fans and professionals from Africa and around the world….

(2) 2024 NASFIC BID. The Buffalo in 2024 NASFiC bid chair Wayne Brown answered File 770’s question about who is on the committee. Says Brown:

We have a small group right now but are looking to add more committee members.  Right now the committee consists of:

  • Wayne Brown (chair)
  • Alex Von Thorn
  • Debi Chowdhury
  • Marah Searle-Kovacevic
  • David Ennis

(3) UP ABOVE THE WORLD SO HIGH. Astronaut Chris Hadfield is one of the shortlisted authors for the 2022 Wilbur Smith Adventure Writing Prize worth £10,000.

  • The Apollo Murders by Chris Hadfield (Quercus)
  • Where Blood Runs Cold by Giles Kristian (Bantam Press, Transworld Publishers)
  • The Vacation by John Marrs (Pan, Pan Macmillan)
  • The Plant Hunter by T.L. Mogford (Welbeck Publishing Group)
  • Sankofa by Chibundu Onuzo (Virago, Little, Brown Book Group)
  • Moonlight and the Pearler’s Daughter by Lizzie Pook (Mantle, Pan Macmillan)

The judges discuss their definition of adventure here.The winner of the 2022 Wilbur Smith Adventure Writing Prize will be announced at an online ceremony on September 21. 

(4) JUBILEE COVERAGE. [Item by SF Concatenation’s Jonathan Cowie.] The weekend has been a blast. If you get a chance catch the “Jubilee Platinum Party at the Palace.” [Note: Can only be viewed in the UK. But there are many short video clips on The Royal Family Channel.]

The next day we had a parade through central London and even the Daleks were well behaved.

(5) PULP FOREVER. Cora Buhlert has an essay about Harald Harst, a forgotten German pulp detective of the Weimar Republic era, in The Drink Tank #439 on page 10:

So-called dime novels or penny dreadfuls are a child of the industrial revolution, when the invention of the rotary printing press made it possible to publish cheap literature for the masses. The dime novel was born in the mid-nineteenth century and in the United States gave way to pulp magazines at the turn of the twentieth century. But in Germany, the dime novel never died….

(6) HE’S BACK. Netflix announced The Sandman will begin airing August 5.

There is another world that waits for all of us when we close our eyes and sleep — a place called the Dreaming, where The Sandman, Master of Dreams (Tom Sturridge), gives shape to all of our deepest fears and fantasies. But when Dream is unexpectedly captured and held prisoner for a century, his absence sets off a series of events that will change both the dreaming and waking worlds forever. To restore order, Dream must journey across different worlds and timelines to mend the mistakes he’s made during his vast existence, revisiting old friends and foes, and meeting new entities — both cosmic and human — along the way. Based on the beloved award-winning DC comic series written by Neil Gaiman, THE SANDMAN is a rich, character-driven blend of myth and dark fantasy woven together over the course of ten epic chapters following Dream’s many adventures.

(7) MEDIA BIRTHDAY.

1980 – [By Cat Eldridge.] It’s been forty-two years since this film came out and I can’t remember if I’ve seen it. It certainly sounds familiar but that doesn’t mean anything. So let’s get to it.

It was both directed and written by William Sachs who previously had done Secrets of the Gods (re-released in theatres as The Force Beyond in 1977) and The Incredible Melting Man. It was produced by Marilyn Jacobs Tenser who had absolutely no genre background though she did produce Superchick and The Pom Pom Girls. 

The cast consisted of Stephen Macht, Avery Schreiber. James David, Hinton Lionel and  Mark Smith. And one more individual — Dorothy Stratten.  Now let’s be honest, Dorothy Stratten was Galaxina. Literally. And as she was a Playboy Playmate, she was the only draw for this R-rated SF film which also had a triple breasted alien in it a decade before Total Recall had its triple-breasted Mars whore.

As Jeffrey Anderson said in his review, “Unfortunately, the actual movie isn’t much. Stratten in fact plays a robot and doesn’t do or say much for at least the first half of the movie; and, despite her Playboy status, she keeps her clothes on. Then we’ve got the rest of the movie to deal with: it’s a lazy attempt to spoof the popular sci-fi movies of the day, including Star Wars, Alien, and many others, but the jokes are little more than references and they simply don’t work.” 

It was made in less than three weeks on a shoestring budget of about five million and the box office was somewhat less than that. It was never released outside of the States.  

No, the audience reviewers at Rotten Tomatoes do not like it, giving it just a twenty-three percent rating.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 6, 1918 — Richard Crane. In the Fifties, he would be cast in two of the series that largely defined the look and feel of televised SF for a decade. First, he was the dashing lead in Rocky Jones, Space Ranger which lasted for thirty-nine thrilling episodes; second, he’s Dick Preston in nine of the twelve episodes of the wonderfully titled Commando Cody: Sky Marshal of the Universe. He was also the lead in the fifteen-chapter serial Mysterious Island which was a very loose adaption of the Jules Verne novel. He died far too young died of a heart attack at the age of fifty. (Died 1969.)
  • Born June 6, 1931 — Joan Marshall. She played Lt. Areel Shaw in Star Trek‘s “Court Martial”, a rather excellent affair. Her other major genre other was as Wilma in The Twilight Zone‘s “Dead Man’s Shoes”.  She also had roles in Men in Space, The Outer Limits, The Munsters and I-Spy. The Munsters appearance was in My Fair Munster, the Unaired Pilot as Phoebe Munster. (Died 1992.)
  • Born June 6, 1936 — Levi Stubbs. Remember the voice of Audrey in The Little Shop of Horrors film?  (It was nominated for a Hugo at Conspiracy ’87 the year Aliens won.) Well that was this individual who was the lead vocalist of the Four Tops. Cool, very cool.  On the film soundtrack, he performs “Feed Me (Git It)”, “Suppertime” and “Mean Green Mother From Outer Space”. (Died 2008.)
  • Born June 6, 1947 — Robert Englund, 75. I think his best performance was as Blackie on the very short-lived Nightmare Cafe. Short-lived as in just six episodes. Of course most will remember him playing Freddy Krueger in the Nightmare on Elm Street franchise. He actually appeared in a couple of now forgotten horror films, Dead & Buried and Galaxy of Terror, before landing that role. And he’s continued to do myriad horror films down to the years ranging from CHUD  to Strippers vs Werewolves. (Really. Truly. He did.)  Versatile man, our Robert. So versatile in fact that he’s on Stranger Things as Victor Creel in a recurring role.
  • Born June 6, 1951 — Geraldine McCaughrean, 71. Fifteen years ago, she wrote Peter Pan in Scarlet, the official sequel to Peter Pan commissioned by Great Ormond Street Hospital, the holder of Peter Pan’s copyright which J.M. Barrie granted them. So has anyone here read it?  By the way, she’s extremely prolific having now written over one hundred and eighty books! 
  • Born June 6, 1959 — Amanda Pays, 63. I first encountered her as Thero Jones on Max Headroom, a series I think should be considered one of the best SF series ever made. She appeared as Dawn in the Spacejacked film. She also had a guest role as Phoebe Green in the episode “Fire” of The X-Files, and was cast as Christina “Tina” McGee in The Flash of the 1990 series, and she has a recurring role on the present Flash series as the same character.
  • Born June 6, 1963 — Jason Isaacs, 59. Captain Gabriel Lorca, the commanding officer of the USS Discovery in the first season of Discovery and also provided the voice of The Inquisitor, Sentinel, in Star Wars Rebels, and Admiral Zhao in Avatar: The Last Airbender. Oh, and the role of Lucius Malfoy in the Harry Potter film franchise.
  • Born June 6, 1964 — Jay Lake. Another one who died far too young. If you read nothing else by him, read his brilliant Mainspring Universe series. Though his Green Universe is also extremely entertaining. He won an Astounding Award for Best New Writer and an Endeavour Award for Last Plane to Heaven: The Final Collection which collects a lot of his most excellent short fiction.  He has two Hugo nominations, one at Noreascon 4 for his “Into the Gardens of Sweet Night” novelette and one at LoneStarCon3 for his “The Stars Do Not Lie” novella. (Died 2014.)

(9) BERLIN IN 1967. Cora Buhlert’s new Galactic Journey article chronicles the point where the peace and love 1960s turned violent in West Germany, namely the protests against the visit of the Shah of Iran to West Berlin and the murder of Benno Ohnesorg in 1967: “[June 6, 1967] Blood in the Streets of West Berlin: The Shah Visit and the Shooting of Benno Ohnesorg”. Content warning for police violence in words and pictures as well as a photo of a body.

… On June 2, the Shah and his wife were due to visit West Berlin. Therefore, the student parliament of the Free University organised a panel discussion about the Iranian regime on the day before. Among those invited to speak at the meeting was Bahman Nirumand. The Iranian embassy in West Germany was incensed and demanded that the panel discussion be cancelled. However, the chancellor of the Free University refused, citing the rights to freedom of speech and freedom of assembly. This is not the first time that the Iranian government has tried to suppress criticism in West Germany, by the way. They have also repeatedly invoked a lese-majeste law dating from the days of the Second German Empire (which ended fifty years ago) in order to have unfavourable news articles retracted….

(10) ARTIST KELLY REMEMBERED. Brian Murphy offers a tribute to the late Ken Kelly at DMR Books: “Remembering Ken Kelly: Master of Light and Dark, and the Imagination”.

… I have a hard time writing about artists because their images speak so much louder and more potently than words. Just spend a minute looking at the covers of the Berkley Medallion Conans, and your tribute to Kelly’s passing is paid. Maybe you are lucky enough to have copies with the foldout posters intact. Kelly’s iconic images of Conan alone make him an S&S immortal, and of course they only scratch the surface of his epic 50 year career….

(11) LOVECRAFT: IT’S COMPLICATED. At Deep Cuts in a Lovecraftian Vein, Serbian horror author and scholar Dejan Ognjanović explains what the works of H.P. Lovecraft mean to him: “A Serbian Looks At Lovecraft”.

… In my childhood, in the early 1980s, during my initial investigations into the scarce horror fiction then available in Serbian, Lovecraft was literally unknown. Not a single story by him had been translated by my late teens, i.e. by 1989. Thus my first encounter with him was indirect – it was through the idea of Lovecraft, as re-imagined in an Italian comic series Martin Mystere, the episode “The House at the Edge of the World” (“La Casa ai confini di mundo”, 1982), which I read in the summer of 1986, when I was 13. It was love at first sight: for the first time I encountered the concept of houses haunted not by ghosts or any traditional monster, but by unnamable inter-dimensional entities; it also involved places serving as portals into non-Euclidean spaces, nameless cosmic vistas, alien temples and weird-looking gods/demons…

(12) A SWORD & SORCERY PODCAST. The Rogues in the House podcast talk about their fantasy influences:  “Sweet Nostalgia: A Nerd’s Journey”.

The Rogues are once again joined by Flame and Crimson author, Brian Murphy–this time to discuss the works of fiction most near and dear to their roguish hearts.

(13) NO MORE LICENSE TO KILL. “Seven years, 40 editions and 3117 trained witchers later,” the Witcher School live-action role-play events in Poland has shut down: “’Witcher school’ closes after CD Projekt Red pulls license over political ties” reports Indy100.

A ‘Witcher school’ located in Poland has been forced to close after its licence was abruptly pulled by the game’s publisher.

The reasons for which are currently unclear but organisers have claimed that the decision was due to a staff member’s involvement with an ultra-conservative political group, according to Eurogamer.

[CD Projekt Red pulled the license because of a staff member’s involvement with the ultra-conservative Polish Catholic organization Ordo Iuris, which is anti-abortion, anti-LGBTQ+, and rejects the idea of gender equality.]

The Witcher School ran live-action role-playing (LARP) events in Poland themed around the popular videogame series with 40 editions of the event and over 3000 “Witchers” taking part.

But after 7 years, the publisher of the hit videogame series, CD Projekt Red, officially ended the contract with the school in February 2022 with a three-month notice, effectively ending their use of The Witcher’s characters, setting and storylines.

(14) FUNERAL DIRECTOR. Nicholas Meyer talks with Ethan Alter of Yahoo! Entertainment on the death of Spock in this piece about the 40th anniversary of The Wrath of Khan. “’Wrath of Khan’ director reveals how he killed Spock in the 1982 blockbuster” at Yahoo!

It’s been forty years since Spock put the needs of the many ahead of the needs of the few — or the one — in the final moments of Star Trek II: The Wrath of Khan. With the U.S.S. Enterprise‘s warp drive inoperable thanks to a devastating attack launched by Khan Noonien Singh (Richardo Montalban), Starfleet’s most popular Vulcan officer descends into the starship’s engine room and absorbs a lethal dose of radiation, surviving just long enough to save the day and say goodbye to his closest companion, James T. Kirk. And no matter how many times you’ve seen Wrath of Khan in the four decades since the movie’s June 4, 1982 release, Spock’s passing never fails to trigger tears, whether you’re human, Klingon… or Gorn.

The tears were certainly flowing on the Wrath of Khan set when William Shatner and Leonard Nimoy — who had been part of each other’s lives since the 1966 premiere of the original Star Trek TV series — played what was intended to be their final scene together. In his 2010 memoir, The View From the Bridge, Wrath of Khan director, Nicholas Meyer, described members of the crew weeping as Spock told Kirk: “I have been, and always shall be, your friend.”…

(15) WEBB TELESCOPE. Inverse tells us, “We Finally Know When The Webb Telescope’s First Color Images Will Arrive — Here’s What To Expect”

…On Sunday, July 12, the Webb team will release an unconfirmed number of full-color images based on observations by two of Webb’s four science instruments: the Near-Infrared Camera (NIRCam) and the Mid-Infrared Instrument (MIRI).

The Webb’s two other instruments, the Near-Infrared Spectrograph (NIRSpec) and the Fine Guidance Sensor/Near-Infrared Imager and Slitless Spectrograph (FGS/NIRISS) don’t capture photo-like images of the universe. Instead, they sort incoming light from distant objects into distinct wavelengths. Scientists can then use these data to measure the temperature and chemical makeup of those objects.

“We will release the scientific data from those observations as well — not just the color JPGs, but also the actual quantitative data — to the astronomical community,” Pontoppidan explains.

What can we expect to see in those first images and data? The Webb team is keeping specific spoilers under wraps, but they’ve offered a few (very broad) hints…

(16) NOSE FOR NEWS. [Item by Martin Morse Wooster.] This is the first trailer for Disney’s Pinocchio remake, which is not Guillermo del Toro’s version (That’s a Netflix project.)

This reminds me of the version of Pinocchio that sank Roberto Benigni’s career because he stupidly played Pinocchio instead of Geppetto.  “Call the vice squad!” warned Washington Post critic Stephen Hunter.  “It’s a 50-year-old man wearing jammies!”

(17) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] David Sproxton and Peter Lord, creators of Aardman Animations, explain how stop-motion animation is done in this excerpt from a 1981 episode of Blue Peter.

[Thanks to Chris Barkley, Andrew Porter, Michael Toman, Cora Buhlert, Jason Sanford, Hampus Eckerman, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, JJ, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Kaboobie.]

Pixel Scroll 3/13/22 In Five Years, The Pixel Will Be Obsolete

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(1) I’M JUST A POE BOY. [Item by Martin Morse Wooster.] In the Washington Post, Andrea Sachs writes about the Edgar Allan Poe Museum in Richmond, which opened in April 1922.  The museum has as official greeters two black cats, Edgar and Pluto. The museum will celebrate its centennial on April 28 with an UnHappy Hour, where guests will cosplay characters from the 1920s, with music by “local surfrock band The Embalmers.”  And if your kids are bored, they can leap into a coffin! “Why you should visit the Edgar Allan Poe Museum in Richmond”.

… From “The Raven,” Edgar Allan Poe’s acclaimed poem, we know that birds can speak. If the Enchanted Garden at the Poe Museum in Richmond, which celebrates its centennial this year, had a voice, it might have a choice word to say as well.

“Evermore,” the bricks from the Southern Literary Messenger building, the writer’s former office, would utter. “Evermore,” the ivy clipped from his mother’s grave would whisper. “Evermore,” the copy of the bust of Poe would intone, before asking after the original plaster statue of his head. (Rest easy, Mr. Poe. After police recovered the stolen object from the bar at the Raven Inn in 1987, it has been living safely and soberly inside the museum’s reading room.)To be sure, 100 years is not forever, but for a museum dedicated to a 19th-century American author who wades in the dark recesses of the human psyche, it comes close….

There’s a website: The Poe Museum – Illuminating Poe for everyone, evermore.

(2) VASTER THAN EMPIRES AND MORE SLOW. Robert J. Sawyer greeted the announcement of SFWA’s name change by reminding Facebook readers he’s advocated the idea since 1988:

It only took THIRTY-FOUR YEARS, but SFWA is FINALLY changing its name to The Science Fiction and Fantasy Writers Association (instead of Science Fiction and Fantasy Writers of America). Text of a letter I sent to the SFWA FORUM on February 25, 1988:

Dear FORUM:

At the SFWA meeting during the Brighton WorldCon [in August 1987), Charles Sheffield proposed changing the name of our organization from the Science Fiction Writers of America to the Science Fiction Writers Association. Why? He said the current name was insulting to overseas members. I agree, but, as I pointed out at that meeting, you don’t have to be separated from the United States by an ocean to feel excluded by the present name.

Now Joel Rosenberg has written to the FORUM (Number 104, page 33), again talking about American vs. overseas members. Let’s put this to rest. Canadians do not live overseas from the States, and they certainly do not consider themselves Americans, any more than the other non-U.S.-residents of North and South America do.

There are 21 Canadians in SFWA, making us by far the largest non-American nationality. I can’t speak for my compatriots, but I dislike SFWA’s current name and I object to having my country fall between the cracks of this debate….

(3) UNMET TWAIN. [Item by Cora Buhlert.] Here’s a very good article on Ukraine and Russia and why both countries are different by Ukrainian novelist Andrey Kurkov: “Ukranians Will Never Be Russians” in The Sunday Times.

 … Ukrainians are individualists, egoists, anarchists who do not like government or authority. They think they know how to organise their lives, regardless of which party or force is in power in the country. If they do not like the actions of the authorities, they go out to protest. Therefore, any government in Ukraine is afraid of the street; afraid of its people.

Russians loyal to their authority are afraid to protest and are willing to obey any rules the Kremlin creates. Now they are cut off from information, from Facebook and Twitter. But even before they believed the official TV channels more than the news from the internet.

In Ukraine, about 400 political parties are registered with the Ministry of Justice. This only once again proves the individualism of Ukrainians. Not a single nationalist party is represented in the Ukrainian parliament. Ukrainians do not like to vote for either the extreme left or the extreme right. Basically, they are liberals at heart.

In the 1920s and 1930s peasants were sent to Siberia and the Far East as a punishment for not wanting to join collective farms. Ukrainians are not collective, everyone wants to be the owner of his own land, his own cow, his own crop. Looking at this history, they can safely say: “We and the Russians are two different peoples!”…

(4) MOORCOCK. “Dangerous Visions: Final Programmes and New Fixes: A conversation with Michael Moorcock” is a conversation between Michael Moorcock and Mike Stax from the symposium presented by City Lights in conjunction with PM Press on February 26 and 27, exploring the radical currents of sf. It happened during the celebration of the US launch of the book Dangerous Visions and New Worlds: Radical Science Fiction, 1950 to 1985 edited by Andrew Nette and Iain McIntyre.

(5) LISTEN UP. Cora Buhlert’s new Fancast Spotlight is for the sword and sorcery podcast Rogues in the House, one of her personal favorites: “Fancast Spotlight: Rogues in the House”.

Tell us about your podcast or channel.

Rogues in the House, as the title may suggest, is a sword-and-sorcery focused podcast. We explore everything from Conan the Cimmerian to Elric of Melnibone, and we aren’t afraid to dive into adjacent genres and topics. Masters of the Universe, Willow, and the Witcher tend to simmer in our soup as well.

We call ourselves half-baked experts and usually place fun in front of fidelity, though we do do our homework.

(6) HIGH SCORE. Delia Derbyshire discusses how she and her colleagues developed the Doctor Who theme in this 1965 clip from BBC’s Tomorrow’s World.

Tomorrow’s World visits the BBC Radiophonic Workshop, a studio dedicated to the production of cutting edge electronic sound effects, soundscapes and electronic music for use in BBC television and radio programmes. Pioneering sound engineer Delia Derbyshire – who, along with colleague Dick Mills, realised Ron Grainer’s famous Doctor Who Theme at the Radiophonic Workshop – shows how electronic sounds are produced, and demonstrates some of the processes and techniques used in the workshop to build these sounds into otherworldly scores for the likes of Quatermass and the Pit

(7) END OF AN ERA. The Tellers of Weird Tales blog pays tribute to the late Marvin Kaye, who edited the magazine from 2012 to 2019: “Marvin Kaye (1938-2021)”.

…Marvin Kaye was certainly multitalented. He had an admirable career, the kind that few men or women born in later decades have been able to attain. We should be thankful to him–and his wife–for bringing so much back from the past and placing it before us so that we might all enjoy it once again.…

(8) WILLIAM HURT (1950-2022) Actor William Hurt, whose first film was Altered States, and who gained fame in non-genre roles such as his Oscar-winning performance in Kiss of the Spider Woman, died March 13. Variety’s tribute includes Hurt’s late-career genre work.

…More recently, Hurt became well known to a younger generation of movie lovers with his portrayal of the no-nonsense General Thaddeus Ross in 2008’s “The Incredible Hulk.” He later reprised the role in “Captain America: Civil War” and “Avengers: Infinity War,” “Avengers: Endgame” and “Black Widow.”

…After appearing on stage, Hurt secured a lead role in “Altered States,” playing a troubled scientist in Ken Russell’s offbeat film, a notable entry in the body horror genre. 

… A rare attempt at popcorn entertainment with 1998’s big-screen adaptation of “Lost in Space” was a modest hit, but didn’t earn enough money to spawn a franchise and Hurt looked miserable throughout the movie.

He also appeared in the TV mini-series version of “Dune,” in Steven Spielberg’s “A.I. Artificial Intelligence” and in M. Night Shyamalan’s “The Village.”…

(9) MEMORY LANE.

1987 — [Item by Cat Eldridge] The history of Roger Zelazny’s Hugos is quite fascinating, both ones he actually won and the ones that he got nominated for but didn’t win.

His first was a nomination at Pacificon II at “A Rose for Ecclesiastes” which was followed by a nomination at Tricon for “The Doors of His Face, the Lamps of His Mouth” and a win for …And Call Me Conrad (also known as This Immortal) in a tie with Dune.  

At NyCon 3 the next year, two of his novelettes woulde to get nominated, “For a Breath I Tarry” and “This Moment of the Storm” as did his “Comes Now the Power” short story. 

Baycon would see him win the Hugo for Best Novel for Lord of Light and get a nomination for the “Damnation Alley” novella. The novel version of Damnation Alley would come after Baycon.

Jack of Shadows would get nominated at the first L.A. Con. Doorways in the Sand got that honor in MidAmeriCon where his “Home is The Hangman” novella won a Hugo. 

At Chicon IV, “Unicorn Variation” wins the Best Novelette and at ConFederation, “24 Views of Mt. Fuji, by Hokusai” would win Best Novella. The next year at Conspiracy ’87, “Permafrost” would get a Hugo for Best Novelette, his final Hugo. 

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 13, 1928 — Douglas Rain. Though most of his work was as a stage actor, he was the voice of the HAL 9000 for 2001: A Space Odyssey and its sequel. He’s in Sleeper a few years later as the voices of the Evil Computer and Various Robot Butlers. (Died 2018.)
  • Born March 13, 1933 — Diane Dillon, 89. With husband Leo Dillon (1933 – 2012), illustrators of children’s books, and paperback book and magazine covers. Over fifty years they created more than a hundred genre book and magazine covers together as well as considerable interior art. They were nominated for Best Professional Artist at St.Louis Con and Heicon ’70 before winning it at the first Noreascon, and The Art of Leo & Diane Dillon was nominated at Chicon IV for Best Related Non-Fiction Book. She and her husband would get a much deserved World Fantasy Award for Lifetime Achievement. 
  • Born March 13, 1951 — William F. Wu, 71. Nominated for two Hugos, the first being at L.A. Con II for his short story, “Wong’s Lost and Found Emporium”; the second two years later at ConFederation for another short story, “Hong’s Bluff”.  The former work was adapted into a Twilight Zone episode of the same name. He’s contributed more than once to the Wild Card universe, the latest being a story in the most excellent Texas Hold’Em anthology five years back. Though definitely not genre in general, The Yellow Peril: Chinese Americans in American Fiction, 1850-1940 is decidedly worth reading.
  • Born March 13, 1956 — Dana Delany, 66. I’ve come today to praise her work as a voice actress. She was in a number of DCU animated films, first as Andrea Beaumont in Batman: The Mask of The Phantasm, then as Lois Lane in Superman: The Animated Series, Superman: Brainiac Attacks and Justice League: The Flashpoint Paradox. (That’s not a complete listing.) Remember that Wing Commander film? Well there was an animated series, Wing Commander Academy, in which she was Gwen Archer Bowman. And though definitely not genre or even genre related, I must single out her role in Tombstone as it is a most excellent film indeed. 
  • Born March 13, 1966 — Alastair Reynolds, 56, As depressing as they are given what they lead up to, the Prefect Dreyfus novels are my favorites of his novels. That said, Chasm City is absolutely fascinating. His present novel in the Revelation Space series, Inhibitor Phase, was damn great. 
  • Born March 13, 1968 — Jen Gunnels, 54. Writer and genre theater critic, the latter a rare thing indeed. She does her reviews for Journal of the Fantastic in the Arts, Foundation: The Review of Science Fiction and New York Review of Science Fiction. With Erin Underwood, she has edited Geek Theater: Anthology of Science Fiction and Fantasy Plays. She’s also an editor at Tor these days where her writers are L. E. Modesitt, Jr., Richard Baker, Kit Reed, Emily Devenport, and F. Paul Wilson.

(11) IT’S A WONDERFUL GENRE. Brian Murphy explains what the fantasy genre would look like, if Tolkien had never written The Hobbit and The Lord of the Rings: “Fantasy Without Tolkien? Yes That Happened, and Yes It Matters” at DMR Books.

… But I also believe what he said implies that fantasy would not have mattered without Tolkien. If so, this deserves rebuttal. So here goes.

The modern fantasy genre does NOT all come from Tolkien, and it would have arrived even without him. In fact, it already had. And pre-Tolkien fantasy matters.

To set the stage, early fantasists Lord Dunsany, William Morris, George MacDonald, and H. Rider Haggard were writing long before Tolkien. Tolkien himself read and loved many of these authors and his work bears their influence. As it should; much of their work is great.

Sword-and-sorcery existed long before The Lord of the Rings (1954) and even The Hobbit (1939). Starting in the late 20s and early 30s, Robert E. Howard, Clark Ashton Smith, C.L. Moore, and Fritz Leiber produced an amazing body of work that attracted fanbases in pulp magazines Weird Tales and Unknown….

(12) ABOUT OUR PARTNERS. In the Washington Post, Homer Hickam says we will have to work with the Russians at the International Space Station for now, but we should “proceed on our own to carefully resolutely work to decommission” the station. “Our space partnership with Russia can’t go on”.

…In nearly every arena, the Biden administration has imposed harsh sanctions on Russia. The space station should not be immune. It’s time to end our well-intentioned partnership with Russia — even if, as seems almost certain, it would mean the early closing and decommissioning of the space station.

The realpolitik of the International Space Station is that it is not only a symbol of cooperation between us and the Russians, but it also provides a certain amount of diplomatic leverage. The fact is, Russia needs the ISS a lot more than we do.

When the space station began continuous occupancy in 2000, we wanted to learn how to build large structures in space and get experience with lengthy spaceflight. These goals have been accomplished, and now the station is approaching obsolescence, its recently planned life extension to 2030 notwithstanding. With our flourishing commercial space companies, who are already cutting metal on their own future space stations, plus our federal government’s Artemis moon program, the United States is entering a new golden age of space exploration. The Russians, meanwhile, are stuck in the past with antiquated spacecraft and nowhere to go except the ISS.

If we are truly determined to stop Putin’s brutal war, we have to use every lever we’ve got. Unhappily, that includes the space station….

However, a comment from “BilTheGalacticHero” challenges some of Hickam’s facts:

This is a shockingly ignorant and contradictory opinion piece by Homer Hickam. The US commercial spaceflight industry is almost wholly dependent on the ISS for business. No companies are “cutting metal” on commercial space stations. Studies are just now starting. Axiom is creating a module for the ISS but obviously that’s different. On one hand Hickam says we should ditch the station and on the other he says we should keep the station and ditch the Russians. Which is it? Ditching the station is the worst option by far. With proper planning the other ISS partners could operate the station without the Russian segment but that’s not something that can happen overnight. In addition, the Cygness rebost hasn’t happened yet and Cygness alone cannot maintain long term ISS attitude control.

(13) HELLO MY BABY. Saturday Night Live explains why The Princess and the Frog was so bad it ended up on Disney Minus.

(14) VIDEO OF THE DAY. Amber Ruffin says “Marvel’s New Comic Princess Is Racist As Hell”.

Native women have been hyper-sexualized throughout American history, and the consequences have been devastating. Recently, Marvel Comics introduced a new character named Princess Matoaka. Instead of taking the opportunity to show a brave strong Native women, they really let us all down.

[Thanks to Martin Morse Wooster, John King Tarpinian, Andrew Porter, Cora Buhlert, John A Arkansawyer, Michael Toman, Cat Eldridge, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day David Shallcross.]

Pixel Scroll 9/22/21 Or I Will Scroll Thee In The Gobberfiles With My Pixelcruncheon, See If I Don’t!

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(1) WORKING FOR THE MAN EVERY NIGHT AND DAY. Yesterday’s Scroll picked up The Mary Sue’s report that “Marvel Fired Joe Bennett After Alleged Anti-Semitic Cartoons”. Today Bounding Into Comics reports Bennett is now working for Vox Day’s Arkhaven Comics: “After Being Blacklisted By Marvel Comics, Joe Bennett Joins Arkhaven Comics”. That obviously wasn’t a hard decision for Bennett.

…In a press release, Arkhaven Comics notes they “did not hesitate to take advantage of Bennett’s unexpected availability, and promptly signed the former DC and Marvel illustrator as its lead artist on two series being written by legendary comics writer Chuck Dixon.”

Not only was Bennett the artist for Immortal Hulk, but his resume also includes Savage Hawkman, Deathstroke, and Arrow Season 2.5 among others at DC Comics. 

…Dixon, who has also been subject to a Marvel Comics blacklist since 2002, welcomed Bennett to Arkhaven Comics stating, “It’s a sign of where the American comic industry is at the moment that they would let a powerhouse talent like Joe Bennett go because his personal politics are not in line with their own.”

“I’m looking forward to working with Joe on both of the projects we have in motion at Arkhaven,” he added….

(2) BARBARIAN AT THE GATES. Funcom has purchased the Cabinet Group, which currently holds the trademarks to Conan and most other Robert E. Howard characters. This mainly affects comics and videogames, since there apparently are no movies, TV shows or new books in the works, although they say a game is in development. “Funcom Acquires Full Control of Conan the Barbarian and Dozens of Other IPs”.

…Funcom CEO Rui Casais said he has high ambitions for the IPs and noted at least one unannounced project is already in development. 

“We are currently overseeing the development of an unannounced game which will combine many of the characters in the Robert E. Howard universe,” said Casais. “And if you combine Funcom’s knowledge of games with Heroic Signatures’ knowledge of the TV/entertainment, publishing, and licensing industries, it makes us perfectly placed to take this venture to the next level. It’s exciting times ahead for us and for fans of the IPs.”… 

(3) BES&ST, Lavie Tidhar and Silvia Moreno-Garcia offer an overview of the best sword and sorcery fiction past and present at the Washington Post: “Let’s talk about the best sword and sorcery books”.

…Lavie: I love the original “Witcher” stories by Andrzej Sapkowski, collected in English as “The Last Wish” in 2007 and translated by Danusia Stok. They were originally published in the Polish magazine Nowa Fantastyka. I got to read “The Last Wish” in proof before it even came out, but I don’t know that anyone then expected it would become as big as it did. For a time, it was nearly titled “The Hexer” but, hexer or witcher, Sapkowski’s Geralt of Rivia is a worthy successor to its earlier influences….

(4) HE CALLED IT. Goodman Games has a post on Fritz Leiber and Fafhrd and the Grey Mouser by James Maliszewski: “Fritz Leiber, H.P. Lovecraft, and the Origin of Sword-and-Sorcery Stories”.

In the May 1961 issue of the fantasy fanzine Amra, future stalwart of Appendix N, Michael Moorcock, wrote a letter to the editor in which he proposed the term “epic fantasy” for the literary genre pioneered by Robert E. Howard in his stories of Conan the Cimmerian. In the July issue of that same year, however, Fritz Leiber offered another term in reply, writing, “I feel more certain than ever that this field should be called the sword-and-sorcery story.” Leiber elaborates a bit on his coinage, adding that this term “accurately describes the points of culture-level and supernatural element,” as well as being useful in distinguishing these stories from other popular pulp genres….

(5) WHAT BELONGS IN THAT BOX? Also at Goodman Games, — now that we have a name for these stories, how do we define sword and sorcery? Brian Murphy discusses the problem in “Sifting Through a Sword-and-Sorcery Definition”.

…But, in the same essay Moorcock began refining these broad parameters, focusing on a subset of fantasy stories “which could hardly be classified as SF, and they are stories of high adventure, generally featuring a central hero very easy to identify oneself with …. tales told for the tale’s sake… rooted in legendry, classic romance, mythology, folklore, and dubious ancient works of “History.” These were quest stories, Moorcock added, in which the hero is thwarted by villains but against all odds does what the reader expects of him….

(6) RACISM IN S&S. This isn’t new, but Charles R. Saunders’ famous essay “Die, Black Dog, Die” about the latent and not so latent racism in sword and sorcery and fantasy in general from the 1970s is available again online here: “Revisiting ‘Die, Black Dog!’” at Reindeer Motel. (It’s posted as a single image file, so no excerpt here.)

(7) BACKSTAGE TO THE FUTURE. [Item by Martin Morse Wooster, Designated Financial Times Reader.] In the Financial Times, Sarah Hemming reviews Back To The Future: The Musical, which recently opened in London.  Roger Bart, who played Frankenstein in Young Frankenstein, plays Doc.

“As in the film, restless teenager Marty McFly escapes his humdrum home life by hanging out with doc and ends up taking the wheel of the DeLorean for an early voyage.  But he gets more than he bargains for when that voyage lands him back in 1955 and in the hugely awkward position of meeting his teenage mum–who promptly develops a crush on him.  Gale’s script gleefully replicates the film (with a few wise excisions, such as the Libyan terrorists), while relishing the irony that from 2021, 1985 looks like old hat and that, for many in the audience, the whole show is an exercise in nostalgia–coupled with curiosity to see time travel on stage…

…A mix of pastiche and sincerity characterises the show.  The songs (Alan Silvestri and Glen Ballard) channel the periods–such as a peppy Fifties number in praise of gasoline and DDT–and there’s a nice streak of self-mockery.”

The website for the show is Back to the Future the Musical.

(8) SUPER-OVERRATED. James Davis Nicoll has decided there are “Five Superpowers That Just Aren’t As Fun as They Sound”.

Who among us has not dreamed of having superpowers? We are urged thereto by the avalanche of comics, movies, novels, and roleplaying games featuring abilities beyond mortal ken. Yet not all superpowers are created equal. Some superpowers require secondary superpowers to survive.  Other abilities have disquieting consequences for their possessors.

I’m not going to talk about superhumans with powers that would kill them or their friends if exercised. No one dreams of being any of the following:

  • X-Bomb Betty (can self-detonate, producing a 150 million megaton explosion (once))
  • Hazmat (lethal radioactive aura)
  • Absorbing Man (can duplicate the properties of materials he touches; see footnote)

I’m talking, here, about powers that appear on their surface to be useful but later reveal themselves to be harmful to, or at least extremely alienating for, those who wield them. Below are my musings about five such examples…

(9) NOW, THE NEWS. Also, James Davis Nicoll recommends this comedy sketch on Tik-Tok as an interpretation of “the Canadian election seen through the lens of the Matrix”.

(10) GIANT PEACH OF A DEAL. Netflix now owns the rights to Roald Dahl’s stories. Roundup at Adweek: “Netflix Acquires Roald Dahl Story Company, Plans Extensive Universe”.

The U.S. streaming giant announced Wednesday it has bought the Roald Dahl Story Company, which manages the rights to the British novelist’s characters and stories. It comes three years after Netflix signed a deal to create a slate of new animated productions based on the works of Dahl. (CNBC)

Under the previous deal, Taika Waititi is working on Roald Dahl animated series projects for Netflix, covering Charlie and the Chocolate Factory and its sequel, Charlie and the Great Glass Elevator. That’s in addition to two different versions of Matilda, including a film version of Matilda the Musical and an animated series, plus plans to make a BFG cartoon. (The Verge)…

(11) 1001, A FACE ODYSSEY. “What About the Heroine’s Journey?” asks the New York Times in its review of Maria Tatar’s The Heroine With 1,001 Faces.

…[Joseph] Campbell’s ideas have rippled out in the culture for decades — especially after a popular series hosted by Bill Moyers in 1988 — but he has long demanded a feminist response. It would be hard to conjure up a more suitable person to provide one than Maria Tatar, the Harvard professor who is one of the world’s leading scholars on folklore.

Her new book, “The Heroine With 1,001 Faces,” out this month from Liveright, is an answer to Campbell, though she is careful not to frame it as an assault. “Even though my title suggests that I’m writing a counternarrative, or maybe an attack on him, I think of it as more of a sequel,” Tatar said in a video interview from her home in Cambridge, Mass.

She is stirring what J.R.R. Tolkien once called the “cauldron of story” in search of the girls and women, some silenced and some forgotten, some from the Iliad and some from Netflix, who live in Campbell’s blind spot. The reader jumps from Arachne’s battle with Athena to the escape of Bluebeard’s trickster wife to Pippi Longstocking and Nancy Drew and even to Carrie Bradshaw typing away on her laptop.

(12) LIGHTEN UP. Sarah Gailey is joined by Sophie Lee Mae and Jaxton Kimble to play with this new writing prompt in “Building Beyond: That’s Just Super” at Stone Soup:

Exposure to fluorescent lights gives people a 98% chance of developing a superpower under conditions of duress.

(13) J. RANDOLPH COX (1936-2021). Randy Cox died in a nursing home on September 14 reports Mysteryfile.com. Cox edited The Dime Novel Round-Up for over 20 year. He wrote several books including Man of Magic & Mystery: A Guide to the Work of Walter B. Gibson, about the man who created The Shadow; Flashgun Casey: Crime Photographer, co-authored with David S. Siegel, about the character originally created for Black Mask by George Harmon Coxe; Masters of Mystery and Detective Fiction: An Annotated Bibliography;  and The Dime Novel Companion: A Source Book. He received the Munsey Award at PulpFest in 2014.

(14) MEMORY LANE.

  • 1964 – Fifty-seven years ago on NBC, The Man from U.N.C.L.E. premiered. It was created by Sam Rolfe who was responsible for Have Gun, Will Travel and Norman Felton who directed All My Children, the first daytime soap which debuted in the Forties. It starred Robert Vaughn, David McCallum and Leo G. Carroll. It would last four seasons of one hundred and five episodes, most in color. Harlan Ellison scripted two episodes, “The Sort of Do-It-Yourself Dreadful Affair” and “The Pieces of Fate Affair.” A reunion film, Return of the Man from U.N.C.L.E. with the subtitle of The Fifteen Years Later Affair with Vaughn and McCallum reprising their roles with Patrick Macnee replacing Leo G. Carroll, who had died, as the head of U.N.C.L.E. There was a film reboot recently that was very well received. 

(15) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 22, 1917 — Samuel A. Peeples. Memory Alpha says that he’s the person that gave Roddenberry the catch phrase he used to sell Star Trek to the network: “[As] fellow writer Harlan Ellison has credited him with the creation of one of the most famous catch phrases in Star Trek lore, “[Gene Roddenberry] got ‘Wagon Train to the stars’ from Sam Peeples. That’s what Gene said to me. They were at dinner and Sam Peeples, of course, was a fount of ideas, and Gene said something or other about wanting to do a space show and Sam said, ‘Yeah? Why don’t you do Wagon Train to the stars?’” (Died 1997.)
  • Born September 22, 1952 — Paul Kincaid, 69. A British science fiction critic. He stepped down as chairman of the Arthur C. Clarke Award in April 2006 after twenty years. He is the co-editor with Andrew M. Butler of The Arthur C. Clarke Award: A Critical Anthology. He’s also written A Very British Genre: A Short History of British Fantasy and Science Fiction and What It Is We Do When We Read Science Fiction. His latest publication is The Unstable Realities of Christopher Priest.
  • Born September 22, 1954 — Shari Belafonte, 67. Daughter of Harry Belafonte, I first spotted her on Beyond Reality, a Canadian series that showed up when I was living in upstate Vermont. You most likely saw her as Elizabeth Trent in Babylon 5: Thirdspace as that’s her most well known genre performance. 
  • Born September 22, 1957 — Jerry Oltion, 64. His Nebula Award winning Abandon in Place novella is the beginning of the Cheap Hyperdrive sequence, a really fun Space Opera undertaking. Abandon in Place was nominated for a Hugo at LoneStarCon 2 (2013). The Astronaut from Wyoming was nominated for a Hugo at Chicon 2000. 
  • Born September 22, 1971 — Elizabeth Bear, 50. First, let’s all wish her a speedy recovery from her cancer surgery which was this week. Her first sff series was a superb trilogy, which might be considered cyberpunk, centered on a character named Jenny Casey. She’s a very prolific writer; I’m fond of her Promethean Age, New Amsterdam and Karen Memory series. She won an Astounding Award for Best New Writer, a Hugo Award for Best Short Story for “Tideline”, and a Hugo for Best Novelette for “Shoggoths in Bloom”. One of only five writers to win multiple Hugo Awards for fiction after winning the Astounding Award! Very impressive indeed! It is worth noting that she was one of the regular panelists on now sadly defunct podcast SF Squeecast, which won the 2012 and 2013 Hugo Awards for “Best Fancast”. (CE)
  • Born September 22, 1981 — Maria Ashley Eckstein, 40. She’s voice of Ahsoka Tano on Star Wars: The Clone Wars, Star Wars Rebels, and Star Wars Forces of Destiny. She even has a voice only cameo as Ashoka in Star Wars: The Rise of Skywalker. And she voiced the character in the audiobook of E. K. Johnston’s Star Wars: Ahsoka.
  • Born September 22, 1982 — Billie Piper, 39. Best remembered as the companion of the Ninth and Tenth Doctors, she also played the dual roles Brona Croft and Lily Frankenstein in Penny Dreadful. She played Veronica Beatrice “Sally” Lockhart in the BBC adaptation of Philip Pullman’s The Ruby in the Smoke and The Shadow in The North.
  • Born September 22, 1985 — Tatiana Maslany, 36. Best known for her superb versatility in playing more than a dozen different clones in the Orphan Black which won a Hugo for Dramatic Presentation (Short Form) at the  73rd World Science Fiction Convention for its “By Means Which Have Never Yet Been Tried“ episode. She received a Best Actress Emmy and more than two dozen other nominations and awards. She’ll be playing Jennifer Walters / She-Hulk in the upcoming Marvel She-Hulk series.

(16) SHARP POINTY TEETH. Of course it’s a vampire movie. Was there ever any doubt? Night Teeth coming to Netflix on October 20.

(17) IT CANNOT BE DENIED. From a book review in today’s New York Times:

“(Turid is among those names, like Shakespeare’s Titus, for which it is crucial, when spelling, not to omit the second vowel.)”

(18) DANGEROUS HISTORY. A genre study titled Dangerous Visions and New Worlds: Radical Science Fiction, 1950 to 1985 edited by Andrew Nette and Iain McIntyre is available for pre-order from PM Press.

…It starts with progressive authors who rose to prominence in the conservative 1950s, challenging the so-called Golden Age of science fiction and its linear narratives of technological breakthroughs and space-conquering male heroes. The book then moves through the 1960s, when writers, including those in what has been termed the New Wave, shattered existing writing conventions and incorporated contemporary themes such as modern mass media culture, corporate control, growing state surveillance, the Vietnam War, and rising currents of counterculture, ecological awareness, feminism, sexual liberation, and Black Power. The 1970s, when the genre reflected the end of various dreams of the long Sixties and the faltering of the postwar boom, is also explored along with the first half of the 1980s, which gave rise to new subgenres, such as cyberpunk.

Dangerous Visions and New Worlds contains over twenty chapters written by contemporary authors and critics, and hundreds of full-color cover images, including thirteen thematically organised cover selections. New perspectives on key novels and authors, such as Octavia Butler, Ursula K. Le Guin, Philip K. Dick, Harlan Ellison, John Wyndham, Samuel Delany, J.G. Ballard, John Brunner, Judith Merril, Barry Malzberg, Joanna Russ, and many others are presented alongside excavations of topics, works, and writers who have been largely forgotten or undeservedly ignored.

Here’s a sample page that was posted to the book’s Kickstarter site:

(19) THE QUICK SAND AND THE DEAD. Juliette Kayyem remembers a hazard much on the minds of young TV viewers back in the day:

Her tweet inspired E. Gruberman to round up a zillion YouTube links to relevant scenes from old shows of TV heroes up to their hips in quicksand.

(20) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Transformers:  Age of Extinction Pitch Meeting” on Screen Rant, Ryan George says in the fourth Transformers movie, Sam Witwicky disappears without an explanation because Shia LeBouef didn’t want to be in Transformer movies anymore. The writer explains that the Transformers are powered by “transformium,” “which can change into any product placement we want.” but the third act will be “our usual visual mess” but will feature “guns, boobs, America, victory.”

[Thanks to John King Tarpinian, Cat Eldridge, Mike Kennedy, Cora Buhlert, Andrew Porter, Martin Morse Wooster, JJ, and Michael Toman for some of these stories. Title credit belongs to contributing editor of the day Jayn.]

Pixel Scroll 7/22/21 Look At My Fingers: Four Pixels, Four Scrolls. Zero Pixels, Zero Scrolls!

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(1) WILD TALLAHASSEE. At the link, access six months of Jeff VanderMeer’s “Wild Tallahassee” urban wilderness columns for the Tallahassee Democrat. VanderMeer says, “I also hope that if you like my rewilding posts on twitter (hashtag #VanderWild) or these columns that you’ll consider buying one of my novels from Midtown Reader.”

The first column in the list is: “Adventure begins with a raccoon at the door”.

I knew we’d bought the right house in Tallahassee when, two years ago, a raccoon rang our doorbell at four in the morning. Granted, the doorbell glows blue at night and, for some reason, is at waist height. But, still, this seemed like something that belonged in the Guinness Book of World Records for urban wildlife.

Dear reader, I hope you understand that we did not answer the door and it was only from the muddy pawprints we saw when we ventured out at a more reasonable hour…that we understood who had visited us….

(2) SCIENCE FICTION STATE OF MIND. “The Realism of Our Times: Kim Stanley Robinson on How Science Fiction Works” is an interview conducted by John Plotz for Public Books last September.

John Plotz (JP): You have said that science fiction is the realism of our times. How do people hear that statement today? Do they just hear the word COVID and automatically start thinking about dystopia?

Kim Stanley Robinson (KSR): People sometimes think that science fiction is about predicting the future, but that isn’t true. Since predicting the future is impossible, that would be a high bar for science fiction to have to get over. It would always be failing. And in that sense it always is failing. But science fiction is more of a modeling exercise, or a way of thinking.

Another thing I’ve been saying for a long time is something slightly different: We’re in a science fiction novel now, which we are all cowriting together. What do I mean? That we’re all science fiction writers because of a mental habit everybody has that has nothing to do with the genre. Instead, it has to do with planning and decision making, and how people feel about their life projects. For example, you have hopes and then you plan to fulfill them by doing things in the present: that’s utopian thinking. Meanwhile, you have middle-of-the-night fears that everything is falling apart, that it’s not going to work. And that’s dystopian thinking.

So there’s nothing special going on in science fiction thinking. It’s something that we’re all doing all the time.

And world civilization right now is teetering on the brink: it could go well, but it also could go badly. That’s a felt reality for everybody. So in that sense also, science fiction is the realism of our time. Utopia and dystopia are both possible, and both staring us in the face.

(3) THE TRANSOM IS OPEN. The Dark Magazine is accepting submissions. Do you have what editors Silvia Moreno-Garcia, Michael Kelly, and Sean Wallace are looking for?

(4) DUNE TRAILER. Warner Bros. has dropped the main trailer for Dune, set for an October 22 release. Here’s the story they’re telling:

A mythic and emotionally charged hero’s journey, “Dune” tells the story of Paul Atreides, a brilliant and gifted young man born into a great destiny beyond his understanding, who must travel to the most dangerous planet in the universe to ensure the future of his family and his people. As malevolent forces explode into conflict over the planet’s exclusive supply of the most precious resource in existence—a commodity capable of unlocking humanity’s greatest potential—only those who can conquer their fear will survive.

(5) PATTEN IN HUMBLE BUNDLE. The late Fred Patten’s essay collection Watching Anime, Reading Manga is part of Humble Bundle’s new Japanese Culture bundle: Humble Book Bundle: Japanese Culture & Language by Stone Bridge Press. The entire 26-item bundle includes four books about anime and manga. Pay at least $18 to get all of them, pay less to get fewer items, or pay extra to give more to publishers, Humble, and charity.

Discover the rich history and culture of Japan!

There are thousands of years of rich history and culture to be found in Japan, and Stone Bridge Press wants to help you discover plenty of it with books like Crazy for Kanji: A Student’s Guide to the Wonderful World of Japanese Characters, Family Crests of Japan, and Japaneseness: A Guide to Values and Virtues. Plus, your purchase helps support the Book Industry Charitable Foundation and a charity of your choice!

(6) 2021 SEIUN AWARDS. Locus Online’s 2021 Seiun Awards post has translations into English of all the titles up for Best Japanese Novel and Best Japanese Story, as well as the correct English titles of the works nominated for Best Translated Novel and Best Translated Story (i.e. of works into the Japanese language.) And I don’t! So hie thee hence.

The award’s own official website also lists the Multimedia, Comic, Artist, Non-Fiction, and “Free” (other) categories winners.

The awards will be presented at SF60, the 60th Japan SF Convention, scheduled for August 21-22, 2021 in Takamatsu city, Kagawa prefecture.

(7) THE STORY BEHIND THE STORY. The Astounding Analog Companion conducted a “Q&A with Rosemary Claire Smith”.

AE: How much or little do current events impact your writing?

RCS: Looking back, it strikes me that “The Next Frontier” was born of a desire to live in a world with greater cooperation between nations on important projects requiring global efforts. I took international cooperation much more for granted in the 1990s and 2000s than I do now.

(8) MEMORIES. [Item by Martin Morse Wooster.] In the July 17 Financial Times, Henry Mance interviews Lord Andrew Lloyd Webber and his wife, Lady Madeleine Lloyd Webber.

‘Do we mention the other lowest of the low moments?’ says Madeleine. “The Cats film.  I’ve never seen Andrew so upset.’  He had sold the rights and was sidelined.  ‘I’ve never known anything so ghastly.  It was disgraceful, the whole process,” he (Andrew Lloyd Webber) says.  ‘I wrote a letter to the head of Universal Pictures, Donna Langley, which I didn’t even get (a response to) and I said, ‘this will be a car crash beyond belief if you don’t listen to me.’

He blames the director Tom Hooper.  ‘You’ve got to have somebody who understands the rhythm of music…I had right of approval over some of the musical elements.  But they really rode roughshod over everything.’ Things were so bad that he had to console himself by buying a Havanese puppy.

(9) LUCKY SEVEN. Cora Buhlert was interviewed by Stars End, a podcast about the works of Isaac Asimov in general and Foundation in particular: Episode 7 – Stars End: A Foundation Podcast.

…Cora is an amazingly prolific and eclectic writer. So prolific that Jon joked about her owning “Asimov’s Typewriter” and we suddenly had a new imaginary episode of Warehouse 13 in our heads. So eclectic that no matter your tastes there’s a good chance that she’s written something that you’d enjoy. If you like stories about galactic empires like Foundation, she’s written two full series you might like, In Love and War and Shattered Empire.  She’s also a two-time Hugo Finalist for Best Fan Writer.

(10) MARS IN CULTURE. “Exploring the Red Planet through History and Culture” with Nick Smith (past President of LASFS) is hosted by the Pasadena Museum of History. The free virtual presentation* is available for viewing Thursday, July 22 through Sunday, July 25.

The planet Mars has long been connected to humankind through religions, literature, and science. Join Nick Smith, guest curator of PMH’s 2018 exhibition Dreaming the Universe, to explore our fascination with Earth’s neighboring planet, and discover some of the many ways Mars is part of our culture. 

*Pre-recorded presentation from Spring ArtNight 2021.

(11) HAPPY BIRTHDAY ARNIE KATZ. Alan White posted a photo on Facebook of his wife, DeDee, presenting Arnie Katz, 76, with a fanboy cake.

(12) MEDIA BIRTHDAY.

  • 2016 – Five years ago on this date, Star Trek Beyond premiered. The third film in the rebooted series, and the thirteenth Trek film so far released. It directed by Justin Lin from the script from Simon Pegg and Doug Jung. It was produced by J. J. Abrams, Roberto Orci Lindsey Weber and Justin Lin. It starred  cast of Chris Pine, John Cho, Simon Pegg, Zachary Quinto, Zoe Saldana, Karl Urban, Anton Yelchin (one of his last roles before his death) and Idris Elba.  Almost unanimously critics loved it and audience reviewers at Rotten Tomatoes currently give it an excellent rating of eighty percent. It however was a box office failure losing money as it debuted in a crowded market that had the likes of Jason Bourne and Suicide Squad. 

(13) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born July 22, 1926 — Bernhardt J. Hurwood. Author of The Man from T.O.M.C.A.T series which is more or less soft porn. He also did the Pulp series, the Invisibles series. He also had a deep and abiding fascination with the supernatural, publishing myriad non-fiction works on it including Passport to the Supernatural: An Occult Compendium from All Ages and Many Lands, Vampires, Werewolves and Ghouls and Monsters and Nightmares. (Died 1987.)
  • Born July 22, 1932 — Tom Robbins, 89. Author of such novels as Even Cowgirls Get the Blues and Another Roadside Attraction. ISFDB lists everything he’s done as genre and who am I to argue with them on this occasion at least? Well I will. Now Jitterbug Perfume, that’s definitely genre! Cowgirls Get the Blues got made into a rather excellent film by Gus Van Sant and stars Uma Thurman, Lorraine Bracco, and Keanu Reeves. Interesting note: Still Life with Woodpecker made the long list at one point for the Prometheus Award for Best Libertarian SF Novel. 
  • Born July 22, 1940 — Alex Trebek. Remembered as the genial long term Host of Jeopardy!, he was but one genre credit to his name. It’s as a Man in Black who Agent Mulder says looks incredibly like himself  in the “Jose Chung’s From Outer Space”. I actually think it’s only his acting role. (Died 2020.)
  • Born July 22, 1941 — George Clinton, 70. Founder and leader of the bands Parliament and Funkadelic, who incorporated science-fictional themes in his music throughout his career, perhaps most notably with his 1975 hit album, Mothership Connection, which was a huge influence on afrofuturism. (Xtifr)
  • Born July 22, 1941 — Vaughn Bode. Winner of Best Fan Artist Hugo at St. Louiscon. (He was nominated for Best Professional Artist as well but that honor went to Jack Gaughan.) He has been credited as an influence on Bakshi’s Wizards and Lord of the Rings. Currently there at least three collections of his artwork, Deadbone Erotica, Cheech Wizard and Cheech Wizard‘s Book of Me in print. (Died 1975.)
  • Born July 22, 1962 — Rena Owen, 59. New Zealand native who appeared as Taun We in Attack of the Clones and Revenge of the Sith as Nee Alavar. She also has minor roles in A.I. Artificial Intelligence, The Crow: Wicked Prayer, The Iron Man and The Last Witch Hunter. She had a lead role in Siren, a series about merfolk that lasted for three seasons and thirty six episodes. Set in the state of Washington, it was, no surprise, filmed in British Columbia. 
  • Born July 22, 1964 — Bonnie Langford, 57. She was a computer programmer from the 20th century who was a Companion of the Sixth and Seventh Doctors. She also appeared in the thirtieth anniversary special Dimensions in Time. If you’re really generous in defining genre, she was in Wombling Free as Felicity Kim Frogmorton. Other than that, Who was all she did for our end of the universe. 
  • Born July 22, 1972 — Colin Ferguson, 49. Best known for being Sheriff Jack Carter on  Eureka. Damn I miss that series which amazingly won no Hugos. (I just discovered the series is on the Peacock streaming service which I subscribe to so I’m going to watch it again!) He’s also been in Are You Afraid of the Dark, The Hunger, The X-Files, The Outer Limits, the Eureka “Hide and Seek” webisodes (anyone seen these?) and The Vampire Diaries. 

(14) COMICS SECTION.

  • At The Far Side, farmers have another visit from those darned saucer-flying kleptomaniacs.

(15) MORE MCU ON DISNEY+. Slashfilm talks about “Ms. Marvel and Hawkeye Premiere Set for This Year on Disney+”.

Marvel’s Vice President of film production, Victoria Alonso, recently gave us the news of the studio’s grand ambitions for expanding into the world of animation…and she’s not stopping there….

According to Variety, Alonso confirmed that both Hawkeye and Ms. Marvel will be appearing on Disney+ for subscribers before the year is out….

Hawkeye sees the return of Jeremy Renner’s Clint Barton. Similar to Black Widow, however, a younger star in Hailee Steinfeld’s Kate Bishop will also be co-starring and appears set to take the reins from the much more established bow-wielding Avenger. And don’t forget, Florence Pugh’s Yelena is also set as a recurring character in the series, making the connections between the two productions even more apparent.

Ms. Marvel, meanwhile, will serve as the debut for Kamala Khan (Iman Vellani) and strengthen ties between Disney+ and the Captain Marvel movies. Brie Larson is sure to be a mainstay in the MCU for years and years to come, of course, so this will likely resemble some Miles Morales and Peter Parker mentor/mentee storylines rather than a straightforward passing of the torch.

(16) REVIVING SWORD & SORCERY. [Item by Cora Buhlert.] Brian Murphy, who’s written a non-fiction book about sword and sorcery, which was on my Hugo ballot this year and which won the Robert E. Howard Foundation Award, muses about what sword and sorcery needs to experience a revival:  “What sword-and-sorcery needs” at The Silver Key.

3. A cohesive community, perhaps organized around a fanzine. Guys like Jason Ray Carney are building this right now, with the likes of Whetstone, an amateur magazine that also has a Discord group. I belong to several good Facebook groups, and there are some reasonably well-trafficked Reddit groups and the like. You’ve got the Swords of REH Proboards and a few other hangouts for the diehards. But it all feels very disparate. Sword-and-sorcery lacks a common gathering space and watering hole, like Amra used to serve. Leo Grin’s now defunct Cimmerian journal is the type of publication I’m thinking of.

(17) OCTOTHORPE. Episode 36 of the Octothorpe podcast is now available, titled: “Worldcon Fire Service”.

We answer two letters of comment before we do a deep dive into convention communications. We plug Fantasy Book Swap and chat about books we loved as kids before wrapping up.

Here’s a neat patch to go with it.

(18) JEOPARDY! Andrew Porter witness this item trip up a contestant on tonight’s Jeopardy!

Final Jeopardy: category: 1970s Movie Scenes

Answer: Dan O’Bannon based a scene in the film on his own Crohn’s Disease, which felt like things inside him fighting to get out.

Wrong question: What is ‘The Exorcist”?

Right question: What is “Alien”?

(19) TAKING THE MICKEY. “The National Labor Relations Board grants a reprieve to inflatable rats” reports the New York Times.

On Wednesday, the National Labor Relations Board ruled that unions can position large synthetic props like rats, often used to communicate displeasure over employment practices, near a work site even when the targeted company is not directly involved in a labor dispute.

While picketing companies that deal with employers involved in labor disputes — known as a secondary boycott — is illegal under labor law, the board ruled that the use of oversized rats, which are typically portrayed as ominous creatures with red eyes and fangs, is not a picket but a permissible effort to persuade bystanders.

Union officials had stationed the rat in question, a 12-foot-tall specimen, close to the entrance of a trade show in Elkhart, Ind., in 2018, along with two banners. One banner accused a company showcasing products there, Lippert Components, of “harboring rat contractors” — that is, doing business with contractors that do not use union labor.

Lippert argued that the rat’s use was illegal coercion because the creature was menacing and was intended to discourage people from entering the trade show. But the board found that the rat was a protected form of expression.

“Courts have consistently deemed banners and inflatable rats to fall within the realm of protected speech, rather than that of intimidation and the like,” the ruling said.

The rise of the rodents, often known as “Scabby the Rat,” dates to the early 1990s, when an Illinois-based company began manufacturing them for local unions intent on drawing attention to what they considered suspect practices, such as using nonunion labor. The company later began making other inflatable totems, like fat cats and greedy pigs, for the same purpose….

(20) DULCET TONES. Add this to your font of trivia knowledge: “Mark Hamill says he’s secretly been in every Star Wars movie since 2015” at Yahoo!

Everybody knows that Mark Hamill is in Star Wars, unless you only know him from the credits of Batman: The Animated Series and have just had your mind blown, but did you know that he’s also in a lot of Star Wars movies? Like, almost all of them? Okay, yeah, you probably knew that as well, but we’re not talking about Luke Skywalker. We’re talking about an untold number of droids and aliens and other puppets who shared the distinct pleasure of having Mark Hamill’s voice come out of their mouth holes….

(21) CHAIR PAIR. In Episode 57 of the Two Chairs Talking podcast, “From a skewed perspective”, just out, David Grigg and Perry Middlemiss discuss the nominees for Best Novella at this year’s Hugo Awards, then talk about some more recent reading.

(22) POOCH UNSCREWED. Air & Space says “New Evidence Shows That Gus Grissom Did Not Accidentally Sink His Own Spacecraft 60 Years Ago”. This is a brand new article, although I saw one pundit say this info has been out for years. Be that as it may – it is news to me!

It’s one of the great mysteries of the early space age. How did Mercury astronaut Gus Grissom, after a near-perfect flight on just the second U.S. space mission, inadvertently “blow” the escape hatch prematurely on his Liberty Bell 7 capsule, causing it to fill with water and sink in the Atlantic? In fact, did Grissom blow the hatch? Or was some technical glitch to blame?

Grissom himself insisted he hadn’t accidentally triggered the explosive bolts designed to open the hatch during his ocean recovery. His NASA colleagues, by and large, believed him. Years later, Apollo flight director Gene Kranz told historians Francis French and Colin Burgess, “If Gus says he didn’t do it, he didn’t do it.”…

(23) OUT ON A LIMB. Do you know Lego has come out with a LEGO Bonsai Tree and a Lego flower arrangement for Lego lovers who aren’t good at dealing with plants? But they better be good at assembling Legos – this item has 878 pieces!

(24) FROM PITCH MEETING. This video from Ryan George has him playing Chim Ontario, a seven-time Oscar winner who specializes in crotch composition because “you have to specialize in something.”  His eighteen-hour days don’t leave him time for relationships or children, but he sold one of his Oscars on eBay and got a nice sleeping bag! — “THE Movie Special Effects Tutorial | Pro Tips by Pitch Meeting”.

[Thanks to Cat Eldridge, Mike Kennedy, Andrew Porter, Cora Buhlert, Bruce D. Arthurs, David K.M. Klaus, Martin Morse Wooster, JJ, Michael Toman, and  John King Tarpinian for some of these stories. Title credit belongs to contributing editor of the day Jamoche.]