Tag Archives: Bride of Frankenstein

Pixel Scroll 10/18/20 The Beatles That Twisted And Shouted At The Heart Of The World

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(1) WRESTLING OVER MEANING. Steven Erikson’s essay asserts a changing relationship between authors and literary criticism. “The Author as the Living Dead (Barthes’ Death of the Author: Zombie Horror and Literary Criticism)”.

… Death of the Author by Barthes is postmodernist. It has absorbed the essence of postmodernist thought which seeks to question the most basic assumptions of reality. It seeks to separate the author from the work for purposes of analysis. The faculty office door must remain closed to allow for the fullest purity of the endeavour that is literary analysis. With the author excised, and with an argument presented to bolster the assertion of non-contextuality in the work to be examined, the scholar is given free rein to invent whatever pleases them, provided the thesis is properly assembled.

Under the vast umbrella of postmodernism, personal interpretations have egalitarian virtue. The text is neutered of intention at its source (the author), to be dismantled and reassembled at leisure. If the author writes: “The shirt was blue,” the literary critic can now assert that line to mean the shirt was red, or there was no shirt at all, but a shirtless person made blue by the fierce winter wind. And if that sentence was not anchored to any character’s point of view, but rather to that of an unseen omniscient narrator, well, clearly that narrator wasn’t the actual author, but a voice generated by the novel itself, which sprang into creation like a toadstool on a pile of dung in the basement.

As with all art, in other words, the creator ceases to be relevant and the audience is made eminent.

You might think I’d be fine with that. By this means am I divested of all responsibility for what I write. What a relief. Just as I no longer have any say in how a reader interprets (or feels) about anything I write, the only thing that binds me to their expectations leaves the field of literary criticism behind and ventures into the crass world of consumerism, popularity, and publishing, since these market forces will decide if I am or am not a successful writer. When I wrote “The shirt was blue” I could not possibly have expected a reader to interpret the shirt as being red, or no shirt at all, and even if I had an expectation that a reader would read that sentence in one way and one way only, that’s no longer relevant.

De-contextualizing a work of art is the gentle injection that puts it to eternal sleep. No longer any risky vivisection awaiting the examiner. Just flat out, stiff-as-a-board-body dissection. Here the limits can be decided upon, the parameters clearly defined, the self-as-audience raised on the highest pedestal. It’s a postmodernist’s wet dream….

(2) BISHOP MEDICAL UPDATE. Michael Bishop gave readers a frank report about his cancer in a public Facebook post.

“What’s on your mind?” the cue on an unwritten Facebook post always reads, and today what’s on my mind is the fact that the cancer in my right thigh (twice removed: the cancer, let me stress, not my thigh) has returned and spread.

Its spread complicates treatment options, as do the lingering effects of earlier surgeries, and so, for now, excision is out and chemotherapy looms as the safest if not the fastest approach to returning me to healthy-featherless-biped status.

I won’t be coy: I’m posting this message because many of you are not only FB friends but also beloved friends, and you may want or deserve to know what’s happening now in Jeri’s and my conjoined life.

My second reason is selfish: I covet your prayers, good wishes, positive vibes, unalloyed sympathy, etc., if not your visits (in this time of pandemic) or any cards requiring answers (in my time of highly unfixed focus).

Forgive these prohibitions, my obvious inability to suffer in silence, and my fear-deflecting facetiousness. And bless you all.

(3) HINES HAS HAND SURGERY. Jim C. Hines tells how things have been going since the operation on his hand in “Surgery and Recovery”.

It’s been six days since the surgeon opened up my hand to try to restore movement to the pinky. At that point, the Dupuytren’s contracture had progressed to where I only had about 30° of movement. (Click the link for a lovely photo.)

This was causing trouble with things like reaching into a pocket or putting on a glove. It was also messing with my typing. When I finally met with the surgeon, he said I should have come in before it got to this point. Earlier on in the progression, they can do less invasive procedures to help. At this point, there wasn’t much to try except for surgery.

The surgeon said things went pretty well. He was able to get the fingers pretty much straight, though they may not stay perfectly straight as they heal. I was bandaged up and put in a splint to try to hold the finger straight as much as possible….

(4) TURNING THE PAGES. Galactic Journey’s Gideon Marcus is navigating the winds of change: “[October 18, 1965] Turn, Turn, Turn (November 1965 Fantasy & Science Fiction)”.

…As the 60s dawned, the genre had become anemic.  Almost all of the monthly digests had gone out of print.  The old stalwart, Astounding, had changed its name to Analog, but is fiction remained stolidly fixed in an older mode.  Gold retired from Galaxy and Fred Pohl struggled to keep it and its sister mags fresh as its reliable stable of authors left for greener (as in the color of money) pastures.  F&SF‘s helm passed on to Avram Davidson, whose whimsical style did the magazine few favors.

But the genre seems to have found its feet and is stomping off in a new direction.  Propelled by a “New Wave,” again largely based in Britain, the science fiction I’ve been reading these days no longer feels like retreads of familiar stories.  They have the stamp of a modern era, an indisputable sense of 1960s.  And no single issue of a single magazine has represented this renaissance in SF better than the latest issue of Fantasy and Science Fiction.

(5) NARNIA ON EARTH. Travel wrter Chris Leadbeater speculates about “Where to find Narnia in the real world, as the CS Lewis classic turns 70” in The Telegraph.

The Mourne Mountains

Lewis’s love of Northern Ireland also extended to the Mourne Mountains – the coastal range which spreads out some 40 miles south of Belfast in County Down, and includes the mighty bluff that is Slieve Donard (2,790ft/850m). He would draw directly on these granite peaks and grassy troughs for the landscape of Narnia. In his essay collection On Stories (posthumously released in 2002), he would explain that “I have seen landscapes in the Mourne Mountains and southwards which, under a particular light, made me feel that, at any moment, a giant might raise his head over the next ridge”. And in a letter to his brother Warren, he once explained that “that part of Rostrevor [a village at the foot of Slieve Martin] which overlooks [the sea inlet] Carlingford Lough is my idea of Narnia”.

How much comparison you draw between this rocky realm and the pages of The Lion, The Witch and The Wardrobe is perhaps a matter of personal perspective. But the range is happy to play up the association (see visitmournemountains.co.uk/ChroniclesofNarnia) – and is home to two walking routes which tie in with the book.

The Narnia Trail is the shorter of the pair (see walkni.com/walks/the-narnia-trail) – a half-mile loop through Kilbroney Park, which sits right next to the waterline in Rostrevor. Lewis spent happy childhood holidays in the village, and the trail attempts to communicate some of this innocent joy to visitors. The path begins with a wardrobe door – and, as with C.S. Lewis Square in the city, Narnia-related statues (Aslan, Mr Tumnus, thrones) decorate the setting. As does a lamp-post akin to the one beneath which Lucy first espies Mr Tumnus.

The Cloughmore Trail – also in Kilbroney Park – requires slightly more effort, ebbing for 2.5 miles above the Lough (see walkni.com/mourne-mountains/cloughmore-trail-via-fiddlers-green). It features a large rounded boulder which, according to local legend, represents the stone table on which (spoiler alert!) Aslan is sacrificed by the White Witch….

(6) THE SISKO KID. We Got This Covered teases a second source that claims “CBS Reportedly Considering Star Trek: Deep Space Nine Revival”.

…Last weekend, We Got This Covered reported that the network is thinking about doing something with Avery Brooks as Benjamin Sisko, the chief of the space station throughout DS9‘s seven seasons (1993-99). Now, Geekosity’s Mikey Sutton is reporting that his own intel says much the same thing. According to the insider, CBS is considering reviving DS9 in some form for Paramount+, the rebranded and expanded CBS All Access that’s launching in 2021.

Sutton teases that other Deep Space Nine stars could return alongside him, too. He can’t say which ones as yet, but this news only doubles our chances of seeing Michael Dorn as Worf again, given that he would fit in with both this project and Picard. 

(7) MEDIA ANNIVERSARY.

  • October 2012 — Eight years ago this month, Arkady Martine started off her genre career with “Lace Downstairs” published in Abyss & Apex, 4th Quarter. Though she was only one novel, her Hugo winning A Memory Called Empire with her second A Desolation Called Peace out early next year, she’s been quite prolific in writing short works with seventeen stories, two poems and one essay by the title of  “Everyone’s World Is Ending All the Time: Notes on Becoming a Climate Resilience Planner at the Edge of the Anthropocene”. Her website is worth visiting. (CE)

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born October 18, 1925 – Voltaire Molesworth.   Led a revival of the Sydney Futurians after World War II.  Fanzines Luna, Cosmos.  Vital to the three natcons (natcon = nat’l SF con; nearest thing for U.S. fans is the NASFiC = North America SF Con, held since 1975 when the Worldcon is overseas, although that’s a continental not a national convention) in Sydney during the 1950s.  Mathematician, amateur radio operator, managed the Univ. New South Wales radio station.  Wrote A History of Australian Fandom 1935-1963.  (Died 1964) [JH]
  • Born October 18, 1934 – Kir Bulychev.  Author, scriptwriter, translator.  Best known for Alisa Selezneva series, fifty novellas and other short stories, animation, tie-ins, videogames; also Village of Gusliar and Doctor Pavlysh.  Reporter for Locus from Moscow.  Ph.D. under another name, two nonfiction books.  (Died 2003) [JH]
  • Born October 18,1935 — Peter Boyle. The monster in Mel Brooks’ Young Frankenstein. He won an Emmy Award for a guest-starring role on The X-Files episode, “Clyde Bruckman’s Final Repose”. He also played Bill Church Sr. in Lois and Clark: The New Adventures of Superman.  One of his final roles was in the “Rosewell” episode of Tripping the Rift. (Died 2006.) (CE)
  • Born October 18, 1938 — Dawn Wells, 82. Mary Ann Summers on Gilligan’s Island which y’all decided last year was genre. She and Tina Louise are the last surviving regular cast members from that series. She had genre one-offs on The Invaders, Wild Wild West, Fantasy Island and Alf. She reprised her role on the animated Gilligan’s Planet and, I kid you not, The Harlem Globetrotters on Gilligan’s Island. (CE) 
  • Born October 18, 1944 — Katherine Kurtz, 76. Known for the Deryni series which started with Deryni Rising in 1970, and the most recent, The King’s Deryni, the final volume of The Childe Morgan Trilogy, was published several years back. As medieval historical fantasy goes, they’re damn great. (CE) 
  • Born October 18, 1947 — Joe Morton, 73. Best remembered as Henry Deacon on Eureka in which he appeared in all but one of the seventy-seven episodes. He has other genre appearances including in Curse of the Pink Panther as Charlie, The Brother from Another Planet as The Brother, Terminator 2: Judgment Day as Dr. Miles Bennett Dyson, The Walking Dead as Sergeant Barkley, and in Batman v Superman: Dawn of Justice and Justice League as Silas Stone, father Victor Stone aka Cyborg. (CE) 
  • Born October 18, 1950 – Tony Roberts, 70.  A hundred eighty covers, thirty interiors.  Here is Macroscope.  Here is a Best of A.E. Van Vogt and here is a Best of Fritz Leiber.  Here is A World Out of Time.  Here is To Live Forever.  Here is Xanadu 3.  See his Website.  [JH]
  • Born October 18, 1951 – Jeff Schalles, 69.  Pittsburgh fan working on PgHLANGE III-IV, moved to Minneapolis and its local club, or something, Minn-stf (stf, pronounced and sometimes spelled stef, a remnant of Hugo Gernsback’s word scientifiction).  Con reports for SF Chronicle and Locus.  Stalwart in the last three issues of Science Fiction Five-Yearly, also Idea, Rune.  Fanartist including photographs; did these fine photos of Bob Bloch, Chuch Harris and Avedon Carol, Harlan Ellison, Steve Stiles, Geri Sullivan (note allusion to The Harp That Once or Twice).  [JH]
  • Born October 18, 1958 – Elissa Malcohn, 62.  Edited Star*Line 1985-1988 and 2011 (some with co-editors), three covers for it (2007), half a dozen interiors (1986-1988).  Six novels, a dozen shorter stories; forty poems in Aboriginal, Amazing, Asimov’s, Strange Horizons, Tales of the Unanticipated.  [JH]
  • Born October 18, 1964 — Charles Stross, 56. I’ve read a lot of him down the years with I think his best being the rejiggered Merchant Princes series especially the recent Empire Games and Dark State novels. Other favored works include the early Laundry Files novels and both of the Halting State novels though the second makes me cringe. (CE)
  • Born October 18, 1965 – Sergey Poyarkov, 55.  Artist emerging to us in the 1990s.  Exhibited at some of our cons.  Artbooks Balance of Contradictions, Flawless Imperfection.  This was in a show at Odessa.  This sold at auction in 2013 for a five-figure sum.  [JH]
  • Born October 18, 1968 — Lisa Irene Chappell, 52. New Zealand actress here for making a number of appearances on Hercules: The Legendary Journeys after first appearing in the a pre-series film, Hercules and the Circle of Fire. Curiously according to IMDB one of her roles was as Melissa Blake, Robert Tapert’s Assistant. Quite meta that. (CE) 
  • Born October 18, 1974 – Amish Tripathi, 46.  Eight books sold 5.5 million copies on the Indian subcontinent.  First author in Indian publishing history to have six fiction books simultaneously in the top 10 of the HT-Nielsen Bookscan national bestseller list 4 weeks in a row.  Honorary doctorate from Jharkhand Rai Univ.  Grandfather a Sanskrit scholar and a Pandit in Uttar Pradesh.  Just announced (Sep 2020) he’ll do a feature film of his Legend of Suheldev.  See his Website.  [JH]

(9) COMICS SECTION.

  • Bizarro shows tourism is still alive. Or is that after-alive?

(10) A GORN IN TIME SAVES NINE. “Star Trek: Discovery Season 3’s Gorn Reference Creates A TOS Plot Hole” – ScreenRant seems concerned, but Doctor Who gets along fine with a complete lack of internal consistency, so as the bard say, “What, Me Worry?”

…In “That Hope Is You,” Burnham is learning about the travails of the 32nd century from Cleveland “Book” Booker, who crashed into her as the Red Angel suit dropped out of the wormhole. Book recognizes that Burnham’s wormhole was unnatural and chastises her recklessness, not yet realizing she’s a time traveler from the past. According to Book, the Gorn “destroyed two light-years worth of subspace” while attempting to creating artificial wormholes, to which Burnham replies “the Gorn did WHAT?” The biggest curiosity here isn’t whatever mischief the Gorn have been getting up to, but how Burnham has even heard of the species. The aforementioned “Arena” episode marked the moment of first contact between Starfleet and the Gorn, and was set in 2267. The Discovery departed for the far-future in 2258, so its crew should have no idea who the Gorn are, yet Burnham’s line suggests exactly the opposite.

(11) NO FLASH, PLEASE. The Guardian article about recently rediscovered concept designs for a 1979 Flash Gordon movie — “Flesh Gordon? Artwork reveals erotic version that was never made” – suffers from a confusing headline. There was, of course, a Flesh Gordon movie released in 1974. (Bjo Trimble worked on Flesh Gordon as a makeup artist, an experience she described in her book On the Good Ship Enterprise: My 15 Years with Star Trek.) But as for the project that never reached movie screens —

…[Nicolas Roeg’s] Flash Gordon film would have starred Debbie Harry, lead singer of the American band Blondie, as Princess Aura, the seductive daughter of Ming the Merciless, the tyrannical dictator, who would have been played by Hollywood movie star Keith Carradine.

But the production was abandoned before Roeg had cast his superhero after he fell out with its producer, Dino De Laurentiis, the movie mogul who made Barbarella, a 1968 science-fiction comic adaptation that turned Jane Fonda into a sex symbol. De Laurentiis had dreamed of three Flash Gordon films. He only made one, the 1980 version directed by Mike Hodges, which became a cult favourite, with huge conventions worldwide despite disappointing reviews.

… John Walsh, a film-maker and author, has retrieved about 40 designs for the Roeg version from the British Film Institute (BFI) archives: “It’s public knowledge that Roeg worked on the film’s development. What hasn’t been seen is its artwork.”

Walsh will feature the artwork in his forthcoming book, Flash Gordon: The Official Story of the Film, to be published on 20 November.

One image depicts Flash Gordon confronting Ming for a sword fight on top of the emperor’s royal spaceship. “It is a vast sequence that could not have been realised using 1970s technology,” Walsh said. “This image has more of the flourish of the original Raymond comic strips from the 1930s.”

(12) FRANKENSTEIN SETS A RECORD. SYFY Wire has a recommendation for your listening pleasure: “The Bride Of Frankenstein’s Original 1935 Score Hits Vinyl For First Time Ever With Spooky Cool Set”.

Directed by Frankenstein’s legendary filmmaker James Whale and released in 1935 by Universal Pictures, The Bride of Frankenstein is considered by film scholars and cinephiles to represent the pinnacle of Golden Age Hollywood horror, with chilling performances by Boris Karloff and Elsa Lanchester, and a haunting, majestic musical score composed by the masterful Franz Waxman.

It was chosen by the Library of Congress for preservation in the United States National Film Registry in 1998, having been deemed “culturally, historically or aesthetically significant.”

Now just in time to spice up your Halloween season, New Orleans-based Waxwork Records is presenting The Bride of Frankenstein Original 1935 Motion Picture Soundtrack by Franz Waxman for pre-order on the occasion of its 85th birthday. This marks the very first time the entire score has been delivered onto vinyl, sourced from the original 1935 acetates and masters provided to Waxwork by the Waxman estate and Universal Pictures. 

(13) OLD CAT ONLY WINS ONCE A NIGHT. BBC finds the ancients also loved their SJW credentials: “Large 2,000-year-old cat discovered in Peru’s Nazca lines”.

The figure of a relaxing cat has been discovered in the Nazca desert in Peru.

The Nazca lines, a Unesco World Heritage site, is home to designs on the ground – known as geoglyphs – created some 2,000 years ago.

Scientists believe the cat, as with other Nazca animal figures, was created by making depressions in the desert floor, leaving coloured earth exposed…

In a statement, Peru’s culture ministry said: “The figure was scarcely visible and was about to disappear, because it’s situated on quite a steep slope that’s prone to the effects of natural erosion.”

It added that the geoglyph, which is about 37m (120ft) long, has been cleaned and conserved over the past week.

Johny Isla, Peru’s chief archaeologist for the Nazca lines, told Efe news agency that the cat pre-dates the Nazca culture – which created most of the figures from 200 to 700 AD.

The cat, he said, was actually from the late Paracas era, which was from 500 BC to 200 AD.

“We know that from comparing iconographies,” he said. “Paracas textiles, for example, show birds, cats and people that are easily comparable to these geoglyphs.”

(14) CHESLEY AWARDS ON THE CALENDAR. Here are the presenters for the 2020 Chesley Awards. The winners will be revealed on Saturday, October 24 at 7 p.m. EST in conjunction with IX Arts.

[Thanks to John Hertz, JJ, John King Tarpinian, Martin Morse Wooster, Cat Eldridge, Michael Toman, Mike Kennedy, Cora Buhlert, Rob Thornton, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 5/2/17 Pixel Packing Mama, Lay Your Pixel Down

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(1) YOUNG AGAIN. James Davis Nicoll will be doing a Phase II of Young People Read Old SFF and asks — What short works published before 1980 would File 770 readers recommend?

(2) POTTERPOLOGY DAY. Following her tradition of apologizing for killing off a character on the anniversary of the Battle of Hogwarts, J.K. Rowling tweeted today —

And as Katherine Trendacosta astutely observed at io9:

See? She knows she’s stirring shit up and she does it anyway.

For the uninitiated, Severus Snape is the third rail of Harry Potter fandom. One side has the completely valid argument that Snape was, despite happening to be on the same side as the heroes, horribly abusive to his students and, whatever Rowling’s intent, less “in love with” Lily Evans than a stalker with “nice guy” syndrome. The other side says that his very obvious flaws make him an interesting and nuanced character, and that, regardless of everything else, he died a hero. Plus, being played by Alan Rickman in the movies made Snape a lot more approachable than he is on the page.

(3) FREE COMIC BOOK DAY. May 6 is Free Comic Book Day when participating comic book shops give away special sample comics free to anyone who comes into their shops. There are a lot of different issues involved – see the catalog.

(4) BEAGLE SUIT. Peter S. Beagle isn’t as broke as people are making him out to be says Snopes’ David Emery in “The Trials of ‘Last Unicorn’ Author Peter S. Beagle”.

Contrary to Internet rumor, the beloved science fiction and fantasy author Peter S. Beagle (perhaps best known for his classic 1968 novel The Last Unicorn) is neither destitute nor teetering on the brink of starvation.

A cry for immediate financial assistance went up shortly after the writer’s 78th birthday on 20 April 2017, in the form of tweets describing Beagle’s circumstances as “dire”:

https://twitter.com/barrydeutsch/status/855603906440814592

Several posts repeated the claim that Beagle, who has been embroiled in a costly legal battle with his former manager since 2015, was having difficulty even meeting basic household expenses such as grocery bills. However, we spoke to Beagle’s lawyer, Kathleen A. Hunt of El Cerrito, California, who told us that her client’s money woes, albeit chronic, are not as acute as they have been portrayed:

It’s true that he doesn’t have lots of money, but it’s not true that his living situation is dire. Peter does need the help and support of his friends and fans, but it is not the case that he’s in danger of being on the street.

We also spoke with Beagle himself, who said he considers himself a lot better off than the average writer:

It’s always dicey, but anybody who makes a living as a writer learns to cope with lean times. Compared to so many other people, I’m fortunate.

The impromptu fund drive nevertheless resulted in a welcome infusion of cash, not to mention an outpouring of love and support from Beagle’s many online fans. “The response was pretty phenomenal,” Hunt said.

The writer’s ongoing money woes are due in part to court costs from a 2015 lawsuit he filed against Connor Cochran, owner of Conlan Press, who had managed the author’s creative and business affairs for fourteen years…

Cochran filed a counterclaim denying the allegations, and posted a series of statements on his web site alleging that Beagle was being unduly influenced by individuals close to him who seek personal gain from the suit…

At present, Beagle says he feels fine and endeavors to write every day (with varying levels of success, he admits), focused mainly on a novel he envisions as a semi-sequel to Two Hearts, which itself he describes as “kind of a sequel to The Last Unicorn.” He will appear at BayCon, the annual San Francisco Bay Area science fiction convention, in May.

The lawsuit is set to go to trial in January 2018.

(5) RHETORICAL VIOLENCE. In The Guardian, Jessa Crispin challenges a popular narrative: “The Handmaid’s Tale is just like Trump’s America? Not so fast”.

…If the television show based on the Margaret Atwood dystopia feels like propaganda, with its depiction of women raped, mutilated, and forced into shapeless cloaks and bonnets in the new American theocracy named Gilead, then it shouldn’t be a surprise viewers are responding to it as such.

There are dozens of thinkpieces claiming this show is all too real and relevant; Atwood herself called it “a documentary” of Trump’s America. Sarah Jones at The New Republic went so far as to compare Gilead to contemporary Texas and Indiana. Women are in peril. We must do something.

If this propaganda is not being used to sell us a war, we should be interested in what it is selling us instead. That so many women are willing to compare their own political situation living under a democratically elected president with no overwhelming religious ideology (or any other kind, for that matter, except for maybe the ideology of greed and chaos), with the characters’ position as sexual slaves and baby incubators for the ruling class, shows that it is always satisfying to position yourself as the oppressed bravely struggling against oppression.

The text and the thinkpieces make it clear who our enemies are: conservatives and Christians. (It shouldn’t be a surprise The New Republic piece was headlined “The Handmaid’s Tale is a Warning to Conservative Women.”)…

(6) IN JEOPARDY! Tom Galloway reports:

On Monday’s Jeopardy! episode, the defending champion Alan Lin (“a software engineer from Santa Barbara, CA”) was asked by Alex Trebek about his writing. Lin replied that he writes SF short stories, but hasn’t sold one yet. But last summer he went to this writing workshop…. Checking the Clarion site, he’s listed as an alumnus. He’s doing well; as of the end of Monday’s show, he’s a six-time winner at $123,600 and still going. But on Monday’s show, he was beaten to the buzzer by another player on the clue in the category The Book of Verbs of “‘The Cat Who ____ Through Walls’ by Robert A. Heinlein”

(Jeopardy! will be doing an uncommon midyear online tryout test at the end of the month (three nights, May 30, 31, June 1) for those others who want to tryout. See Jeopardy.com for details)

(7) SEVEN TIME STOKER LOSER. Scott Edelman has a story:

Saturday night, I was up for my seventh Bram Stoker Award from the Horror Writers Association, and emcee Jeff Strand took that opportunity to root for me … if you can call it rooting. Here’s what he had to say during his opening comments. Note that since the livestreamed video was so dark Jeff wasn’t even visible, I replaced that video with a photograph of me after I donned a new button once the results were announced in my category.

 

(8) DICK OBIT. Anne Dick died April 28 after surviving with congestive heart failure for many years. The former wife of Philip K. Dick published a biography about him in 2010, The Search for Philip K. Dick.

Tandy Ford, Anne Dick’s daughter and Philip Dick’s step-daughter, told a member of Facebook’s Philip K. Dick group, “She was still working away on her computer the night before her passing. She was a force of nature and her loss leaves a great void.”

In a 2010 profile by the New York Times’ Scott Timberg Anne Dick said:

“I think he’s what you might call a psychomorph,” Ms. Dick said recently, sitting in the boxy, modernist home she once shared with him. “He was quite different with each person. He had this enormous gift of empathy, and he used it to woo and please and control. I’m not saying he wasn’t a very nice person too; he was. He just had a very dark shadow.”

…After the breakup of their marriage, Ms. Dick said she endured seeing herself reflected in several evil-wife characters in his later novels. Yet when he died in 1982, after a series of strokes, “everything changed,” she said.

“You see a person in the round,” she continued. “I started writing this after he died, because I was still so confused by what had happened.”

(9) TRIVIAL TRIVIA. When screenwriter William Goldman first tried to get The Princess Bride made into a movie in the 1970s, he wanted the relatively unknown actor and bodybuilder Arnold Schwarzenegger to play the role of Fezzik. By the time the film was made in 1987, Schwarzenegger was a too big star. The part instead when to former wrestler Andre the Giant.

(10) TODAY IN HISTORY

  • May 2, 1933 — Although accounts of an aquatic beast living in Scotland’s Loch Ness date back 1,500 years, the modern legend of the Loch Ness Monster is born when a sighting makes local news on May 2, 1933. The newspaper Inverness Courier related an account of a local couple who claimed to have seen “an enormous animal rolling and plunging on the surface.” The story of the “monster” (a moniker chosen by the Courier editor) became a media phenomenon, with London newspapers sending correspondents to Scotland and a circus offering a 20,000 pound sterling reward for capture of the beast.

(11) THEIR STEELY KNIVES. Mark Lawrence explains how his Stabby Award finally arrived after some difficulty, and treats fans to a photo gallery of all the daggers and double-headed axes his work has won:

And finally here they are with my growing collection of pointy literary awards, along with the books responsible. My quest to win the Fluffy Bunny award for Friendliest Fantasy continues in vain.

(12) VIVA MAX. I can’t stay away from “five things” posts any more than a dog can avoid noticing a squirrel. Today Max Florschutz blows the myths away in “Five Things Non-Writers Should Know About Writers and Writing”.

1) Writing is a Lot of Hard Work This is one of the most common misconceptions I hear about writing. That it’s not work. That’s it’t not hard. That it’s not a “real” vocation (Yes, I hear all of these all the time).

This just plain isn’t true. Writing is a dedicated effort that takes hundreds, thousands of hours worth of both practice, planning, and devotion. Unfortunately, most people don’t think of it as something that does, because after all, they can write. They do it all the time! Text messages, letters, Facebook posts … they write all the time. How hard could it be to write a story?

The truth is that it’s very hard to write a story. It requires a very different set of tools to writing a text message, copying down the minutes of a meeting, or writing someone a letter. These things are straightforward and simple because they’re personal. Writing a story, however, is very impersonal. It has to be written from a perspective outside the writer’s own, and convey it’s tale to a vast audience of varying talent, comprehension, and capability. Writers must figure out how to paint a picture in each and every reader’s mind—a challenge considering that all of them will be very different people, and yet the same words the author pens must in each case create the same vision.

(13) AMAZON AUTHOR. Amanda S. Green continues her Mad Genius Club series with a lesson in Amazon marketing — “It’s really a business, pt. 2”.

Today, let’s talk about the Amazon author page and one or two related topics.

First of all, if you have released anything on Amazon and haven’t set up your Amazon author page, do so now. Don’t finish reading this post. Hie thee off to Author Central. You will sign in with the same user name and password that you have set up for your KDP account. Once you have, the first page you encounter is a general information page. Review everything there because there is some interesting information, especially if you haven’t been publishing for long.

(14) SHADOW CLARKE JURY FINISHES. Tomorrow the real Arthur C. Clarke Award shortlist will be revealed. Today, the Shadow Clarke Jury issued its collective decision about who belongs on that list.

My final shortlistee is another popular novel among the Sharkes: the reality-bending investigation of light and perception, A Field Guide to Reality by Joanna Kavenna. While Jonathan approves of its class consciousness in the form of a cynical satire of academia, Maureen is intrigued by the alt-Oxford setting and intricate unfolding of universes, while Nina finds it good for “bust[ing] wide open” the science fiction envelope. The Sharke reviews, so far, have demonstrated just how malleable and diaphanous this novel is.

…Too often in the past, we agreed, Clarke shortlists had tended to feel weighted towards two or at the most three contenders that immediately looked stronger than the others, with the remainder simply making up the numbers. We wanted to avoid that scenario if we could, to present a genuine six-horse race.

And so the discussion proper was soon underway. The first two slots were filled very quickly – indeed, I think we all came to the meeting in the knowledge that Colson Whitehead’s The Underground Railroad and Lavie Tidhar’s Central Station? were scoring high marks with just about every juror. Paul Kincaid called The Underground Railroad ‘essential’, and even went so far as to say he would judge this year’s Clarke Award on whether or not the official shortlist included it. Those who read the comments on the Sharke reviews here will know that I am not The Underground Railroad’s strongest advocate myself – and if the book makes it through to the official shortlist I will do my best to write in greater detail about why that is – but as I said to my fellow Sharkes I wasn’t about to step in front of a juggernaut. And as for Central Station, I was only too happy to see this very special book go through, especially since if the Clarke made any sense Tidhar would have been shortlisted twice already in previous years, for Osama and for A Man Lies Dreaming.

With two down and four to go, the question was then asked of each Sharke: of all the novels on your personal shortlist, are there any that you would say, absolutely, should be in the Sharke Six…

(15) THE GHOST BRIGADIER WHO WALKS. So why is the first thing that pops into my mind The Phantom comic strip? It’s not as if John goes around punching people in the jaw. (But if he ever did!)

(16) EVERYBODY LOOK WHAT’S GOIN’ DOWN. Galactic Journey gets another letter of comment from 1962 — “[May 02, 1962] A Good Lie (Letter Column #2)” – by a writer who wonders what the heck the U.S. is doing in Indochina.

Anyway, I thought of something I didn’t write about in my first letter to you.  (Thanks for sending some back issues of your publication.) I see that you are aware that there is something going on in Indochina that involves the US (March 31, 1961), but now, a year later, yes, it is clear that we as a nation are involved in war, but are just being sort of secretive about it.

(17) SOMETHING FOR MOTHERS’ DAY. Now on eBay, it can be yours for $28,000 – “Bride of Frankenstein Movie Novel Signed by Elsa Lanchester & Forrest J Ackerman”.

First Edition. Signed and inscribed on the half-title by the film’s star, Elsa Lanchester, to Philip J. Riley, the editor of the book ‘The Bride of Frankenstein. Screenplay by William Hurlbut & John L. Balderston.  Introduction by Valerie Hobson. Foreword by Forrest J Ackerman’ which reprinted the film’s screenplay. Inscribed: “To Phil, From THE Bride of Frankenstein! Elsa Lanchester. With all my very best wishes.” Additionally signed and inscribed to Riley from Forrest J Ackerman on the front free endpaper: “Phil – Aunt Beeze is fine and here’s The Bride of Frankenstein. What else? Forry, at 59.” Ownership signature dated 1938 on the front pastedown…

(18) MIDNIGHT SEUSS. The Tennessean apprises locals of a chance to see “Dr. Seuss’ secret ‘Midnight Paintings’ at the Factory at Franklin”.

Presented by Ann Jackson Gallery (Roswell, Ga.), the exhibition on view May 5-7 charts the wider reaches of Geisel’s prolific artistic imagination, featuring nearly 100 limited edition reproductions of his work that have been largely unseen by the public. In addition to sketches, illustrations, and political cartoons he created during World War II, the major highlight of the exhibition are the selections from “The Secret Art of Dr. Seuss,” a collection of paintings, drawings and sculptures that Geisel created late at night for his personal enjoyment.

… The paintings and drawings, detached from a narrative, are more formally sophisticated and experimental.

Though they depict familiar Seussian settings populated by flamboyant characters and animals rendered in the same waggish visual vernacular as his storybook illustrations, they are more detailed, diversely colored, and at times more wondrous.

His sculptures, which comprise their own sub-collection of his secret art called, “Unorthodox Taxidermy,” are also remarkable. Using plaster, metal, and taxidermied animal parts, Geisel sculpted what look like the heads of his own outlandish animal creations — a “Goo-Goo-Eyed Tasmanian Wolghast” or “The Carbonic Walrus” — and mounted them on wood like hunting trophies.

[Thanks to Mark-kitteh, Tom Galloway, Cat Eldridge, Scott Edelman, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew.]