“I Am Phoenix!” are words that will take on new life this December when Jason Aaron and Javier Garron’s next Avengers epic, “Enter The Phoenix,” begins.
To anticipate the return of the cosmic chaos-bringer, your favorite Marvel characters will be reborn as Phoenix hosts this November in astonishing variant covers by some of the industry’s top artists including Salvador Larroca, Kris Anka, and Aaron Kuder.
Captain America, Black Panther, and She-Hulk are no longer the heroes you knew as they bond with the Phoenix Force to spread rebirth—or destruction—throughout the Marvel Universe. In the end, only one will be chosen to wield this terrifying and great power when the Phoenix Force chooses a new host. Find out more when “Enter The Phoenix” begins this December but in the meantime, check out the Phoenix Variant covers listed below and keep your eyes peeled for more coming your way in November!
AVENGERS #38 BLACK PANTHER PHOENIX VARIANT COVER by AARON KUDER with colors by MATTHEW WILSON
CAPTAIN AMERICA #25 CAPTAIN AMERICA PHOENIX VARIANT COVER by SALVADOR LARROCA with colors by FRANK D’ARMATA
DOCTOR DOOM #9 DOCTOR DOOM PHOENIX VARIANT COVER by DECLAN SHALVEY
IMMORTAL HULK #40 SHE-HULK PHOENIX VARIANT COVER by TAURIN CLARKE
FANTASTIC FOUR #26 NAMOR PHOENIX VARIANT COVER by KRIS ANKA
(1) FIRST FIFTH. Camestros Felapton’s fifth anniversary celebration is in progress and he’s rolling out the party favors, like today’s “Book Launch: How To Science Fictionally“, “a new collection of posts spanning the nearly two-thousand day history of the blog.”
We answer all the important topics! How can you make your space ship travel faster than light? How can you make your teleporter work? How are you going to send a message home and how are you going to style your beard?
(2) ESTATE SALE. Doug Ellis alerted Facebook readers to the availability of a catalog for the Spike MacPhee estate sale of original art, books and other material.
From 1977 to 1989, the Science Fantasy Bookstore operated in Harvard Square in Cambridge. Deb and I hung out there when we were in law school and became friends with the owner, Spike MacPhee. Spike was a member of NESFA and also founded the small press, Paratime Press, which published several checklists in the 1970’s. He was also GoH at the first Arisia convention in 1990.
Besides reading SF, Spike was a devoted science art collector. From the late 1960’s into the 1990’s, Spike attended several SF conventions – among them Boskone, Lunacon, Nycon III, Noreascon, Discon, Torcon and Disclave – where he would often buy art at the art show auction. He also became friends with many SF artists of the 1970’s and bought art directly from them as well. Spike remained a passionate fan until he passed away on November 13, 2019.
The second catalog is now available, and can be downloaded until May 10 as a 30 MB pdf file here.
If you’d like to download actual jpgs of the images, those can be downloaded in a zip file until May 10 directly here.
….The answer—I eventually decided—was that Lovecraft’s unlikable, stuffy, racist neuters have a way of stumbling onto things that hint at some of the most dramatic and gripping revelations one could bring to light.
Namely, Lovecraft’s protagonists tend to encounter clues that point to the fact that humans—their hopes and dreams, their institutions and religions, and most certainly their accomplishments—don’t, for lack of a better word, matter. That the universe doesn’t give a damn what we do, and that our opinion of ourselves is a case of vast overestimation.
Crime fiction is full of stories in which a detective seeks to solve one mystery, but his or her digging unintentionally unearths other, deeper, more disturbing secrets. So it is with Lovecraft. . . just to the nth degree….
Andy Serkis will give a continuous live reading of The Hobbit online, to raise money for charity.
The Gollum actor will read JRR Tolkien’s 1937 novel from start to end, breaking only to nip to the loo.
Money raised from the 56-year-old’s expected 12-hour performance will be split between NHS Charities Together and Best Beginnings.
Serkis played the corrupted character, originally known as Smeagol, in the The Lord of the Rings and Hobbit films.
“So many of us are struggling in isolation during the lockdown,” he said.
“While times are tough, I want to take you on one of the greatest fantasy adventures ever written, a 12-hour armchair marathon across Middle Earth whilst raising money for two amazing charities which are doing extraordinary work right now to help those most in need.”
,,,His reading will take place from 10:00 BST on bank holiday Friday, with streaming details to follow via his Hobbitathon Covid-19 Go Fund Me Page.
The cartoonist and illustrator Sir Quentin Blake is famous for his collaborations with the writers Roald Dahl and David Walliams.
But now he has stumbled on a story of his own involving a mysterious taxi driver and a robot.
Sir Quentin has created a massive new artwork following a “bizarre” encounter with a taxi driver two years ago.
“We live in worrying times,” the driver had told Sir Quentin, when he picked him up from his home.
“He [the taxi driver] went on to say that he’d seen Picasso’s Guernica a couple of times in Spain. And then he said, ‘what we need is a picture like that for our time and you are the person to do it.'”
Sir Quentin could not resist the challenge and felt: “I must try something.”
…He completed the “narrative picture” in a day. It forms the centrepiece of a new exhibition called We Live in Worrying Times, which was due to open at Hastings Contemporary last month.
But the coronavirus pandemic put paid to that.
At the age of 87, Sir Quentin is self-isolating. And the Museum has been closed to the public since March.
That, though, is where the robot comes in.
A camera, mounted on a thin black pole attached to wheels, is able to tour the gallery and stream pictures back to viewers watching on their computers at home.
Up to five people at a time, plus an operator, can join the tour and explore and examine Sir Quentin’s new work.
In the 1954 film “Godzilla”, he was in charge of the modeling of special effects costumes based on the prototype created by the sculptor Sadazo Toshimitsu. Japanese paper and cloth were piled up on the mold made of wire, wire mesh, and bamboo, and the raw material synthetic latex of rubber was used for the hull. It took about two months to make the production.
He then contributed to Godzilla Raids Again (aka Gigantis The Fire Monster), King Kong Vs. Godzilla, Godzilla Vs. The Thing, Ghidorah The Three-Headed Monster and Invasion Of The Astro-Monster, and many other such movies. In 1966 he formed his own company, Kaimai Productions, where he continued working on TV shows, including the Ultra Q and Ultraman, until the early 1980s.
(7) TODAY IN HISTORY.
May 7, 1895 — H. G. Wells’ The Time Machine is first published in book edition by Henry Holt & Co. (after having been serialized.)
May 7, 1966 — BBC first aired Doctor Who‘s “Don’t Shoot The Pianist”. A First Doctor Story, It involved the TARDIS landing at Tombstone as the Doctor needs a dentist, which results in the Clantons believing the Doctor to be Doc Holliday and Wyatt Earp taking him into protective custody while the Companions of course get in danger. It is one of the surviving episodes of that Doctor and despite the fan myth is not the lowest rated story of all time.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge, with an assist from John Hertz.]
Born May 7, 1912 — Clyde Beck. Fan and critic who wrote what Clute says in EoSF is the first work of criticism devoted to American SF: Hammer and Tongs which waspublished in 1937 by Futile Press. It was assembled from four essays and the reviews Beck wrote for The Science Fiction Critic, a fanzine by his brother Claire P. Beck with a newly written author’s preface by Clyde. He wrote four pieces of genre fiction between the Thirties and Fifties. None of what he wrote is in-print. (Died 1986.)
Born May 7, 1918 – Walt Liebscher. His fanzine Chanticleer was a finalist for the 1946 Retro-Hugo; Harry Warner said “Liebscher did incredible things with typewriter art. He specialized in little faces with subtle expressions…. the contents page was frequently a dazzling display of inventive borders and separating lines.” His later pro writing was collected in Alien Carnival (1974). He was given the Big Heart, our highest service award, in 1981. (Died 1985)
Born May 7, 1922 — Darren McGavin. Oh, I loved him being Carl Kolchak on Kolchak: The Night Stalker — How many times have seen it? I’ve lost count. Yes, it was corny, yes, the monsters were low rent, but it was damn fun. And no, I did not watch a minute of the reboot. By the way, I’m reasonably sure that his first genre role was in the Tales of Tomorrow series as Bruce Calvin in “The Duplicates“ episode which you can watch here.
Born May 7, 1923 — Anne Baxter. The Batman series had a way of attracting the most interesting performers and she was no exception as she ended playing two roles there, first Zelda and then Olga, Queen of the Cossacks. Other genre roles were limited I think to an appearance as Irene Adler in the Peter Cushing Sherlock Holmes film The Masks of Death. (Died 1985.)
Born May 7, 1931 — Gene Wolfe. He’s best known for his Book of the New Sun series. My list of recommended novels would include Pirate Freedom, The Sorcerer’s House and the Book of the New Sun. He’s won BFA, Nebula, Skylark, BSFA and World Fantasy Awards but to my surprise has never won a Hugo. (Died 2019.)
Born May 7, 1940 — Angela Carter. She’s best remembered for The Bloody Chamber and Other Stories where she took fairy tales and made them very adult in tone. Personally, I’d recommend The Curious Room insteadas it contains her original screenplays for The Company of Wolves which starred Angela Lansbury and The Magic Toyshop films, both of which were based on her own original stories. (Died 1992.)
Born May 7, 1951 — Gary Westfahl, 69. SF reviewer for the LA Times, the unfortunately defunct Internet Review of Science Fiction, and Locus Online. Editor of The Greenwood Encyclopedia of Science Fiction and Fantasy: Themes, Works, and Wonders; author of Immortal Engines: Life Extension and Immortality in Science Fiction and Fantasy (with George Slusser) and A Sense-of-Wonderful Century: Explorations of Science Fiction and Fantasy Films.
Born May 7, 1964 — Craig Hinton. He’s best remembered for his work on various spin-offs from Doctor Who. He wrote six novels set in the Whoverse plus two more in Tomorrow People audio series as produced by Big Finish. (Died 2006.)
Born May 7, 1968 — Traci Lords, 52. Yes she did a number of reasonably legit genre appearances after her, errr, long adult acting career. She was for example in The Tommyknockers series along with the first Blade film. She’s also in the the SF comedy Plughead Rewired: Circuitry Man II (I know, weird title that.) And finally, I should note she was Dejah Thoris in Princess of Mars. By the way her first post-adult film was a genre undertaking and that was Not of This Earth. Yes, it is a remake of Roger Corman’s 1957 film of the same name.
Born May 7, 1972 — Jennifer Yuh Nelson, 48. She is the director of Kung Fu Panda 2, Kung Fu Panda 3, and The Darkest Minds. Yuh is the first woman to solely direct an animated feature from a major Hollywood studio. The Darkest Minds is a dystopian SF film which Rotten Tomatoes gives a rating of 17% to. Ouch.
(9) COMICS SECTION.
Danish artist Striber’s political cartoon translates: “And the award for best Representation of Bats in media this year goes to…”
…My grandfather worked for Fox Publications at the time, but he and fellow artist Jack Kirby rented an art studio where they worked after-hours. Hunched over their desks all night, they brainstormed new character ideas and worked on freelance assignments that offered needed extra income. It was here in this studio, their own bubble of imagination, that Captain America was created. While the newspapers reported the horrors overseas, as the city buzzed with fear and heated debate over whether the United States should enter the war, my grandfather put his pencil to paper.
While writing, there are moments when I stop typing, my eyes lose focus, and I’m gone. It’s as though I’ve entered another dimension where I take pieces of the world, rearrange and jostle, until I can understand what it is I’m trying to put on the page. I’m grateful for the escape, even if it’s only for a few minutes. I picture my grandfather in this dimension, leaving the buzz of the city, the photos of war in the newspapers, his hand frozen over the blank sheet of paper.
I often study his artwork that hangs on my walls. If you look closely enough, you can see the ghost of an erased line where his hand worked, moving—rearranging and jostling—the shapes and movements of a character. Sometimes it’s the letters that were erased, the words that he reconsidered. He was a writer as well, his mind always spinning tales of adventure and humor.
(11) JAILBREAK. Matt Patches, in “The post-disaster artist” on Polygon, has a profile of Josh Trank, whose new film Capone is the first effort of his since his widely-panned Fantastic Four film in 2015. Trank says he was offered a Boba Fett film what was never made, but which eventually became The Mandalorian.
…“If Josh Trank is not in Movie Jail,” one critic tweeted after the announcement of Capone, “does Movie Jail even exist anymore?” Trank doesn’t believe it does. Hollywood has sentenced directors to careers in TV or general obscurity, but to Trank, escaping the metaphorical lockup is about writing and directing one’s way out of it, doing the work. There’s undeniable privilege to the perspective, considering the struggle marginalized groups face in breaking into the industry, yet little to argue with, logically — the best way to get a movie made, if all you want to do in the world is make movies, is to write a movie to make and go get it made.
I spoke to Trank off and on for four years as he reeled from Fantastic Four and set out to make Capone. And while he sidestepped Movie Jail, there may be no escape from the larger requirements of the industry and his own personal hang-ups. There are costs to every step of the process, and some personalities are more susceptible than others.
“Whatever I’m sacrificing just has to be sacrificed,” he said. “It’s worth it for me […] I’m just here to do this.”
(12) RIVERDALE EPISODE RECAP – BEWARE SPOILERS. [By Martin Morse Wooster.] Last night on Riverdale Archie and the gang were getting their acceptances to college, and Jughead Jones was admitted to the Iowa Writer’s Workshop — a highly unusual move, because while the workshop has undergraduate courses, nearly everyone there is working on their M.F.A.’s. But Jughead has to write an additional story to be admitted, so he spends much of the episode writing a story about killing their enemy, Mr. Honey the principal. and the fantasy of Mr. Honey’s death is dramatized along with what really happened to Mr. Honey.
Also, a character named Chuck is introduced just so a character can say, “What’s up, Chuck?”
(13) A MARTIAN ODYSSEY. The American Museum of Natural History in New York City invites you to come along for “Field Trip Mars” this Friday, May 8 at 1:30 pm ET on YouTube.
Are volcanoes still active on Mars? What does Mars smell like? Where did the water that was once on Mars go? Get answers to these questions—and ask your own! Join the Museum’s Director of Astrovisualization Carter Emmart and astrophysicist Jackie Faherty during a real-time flyover across the Martian landscape on the Museum’s YouTube channel
(14) PLANTING A FIELD OF DREAMS. Todd Zaleski, in “Harper joins Phillie Phanatic for bedtime story” on MLB.com, says that Phillies slugger Bryce Harper decided to read The Phillie Phanatic’s Bedtime Story on Instagram, a tale that turns out to be sf, because the notorious green blob dons a virtual reality helmet and time-travels to the Colonial era, where he flies a kite with Ben Franklin and cracks the Liberty Bell!
[Thanks to Cat Eldridge, Lise Andreasen, John King Tarpinian, JJ, Michael Toman, Chip Hitchcock, Martin Morse Wooster, Mike Kennedy, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Anna Nimmhaus who was inspired by Xtifr’s comment.]
As I pointed out in our last column, Walpole’s novel is one of two that has inspired much that has come since, beginning with Mary Shelley, Bram Stoker, and Edgar Allan Poe (all of whom we’ll be getting to soon).
The other novel that serves as the genre’s ancestral blueprint is The Monk by Matthew Gregory Lewis.
Up until the publication of The Monk in March of 1796, the Gothics mostly followed Walpole’s formula. The books usually featured a mystery or threat to the main character, an evil villain threatening the virtue of a virginal female, supernatural elements such as a ghost or an ancestral curse, and secret passages in crumbling mansions or castles. That template carried over into the next century, as evidenced by the bulk of the stories published in the pulps during the 1930s.
But with The Monk, Matthew Gregory Lewis took Walpole’s formula, as well as the influence of Radcliffe’s The Mysteries of Udolpho, and ran them through a meat grinder. The result was the most shocking novel of the century. If The Castle of Otranto was the world’s first horror novel, then The Monk was the world’s first extreme horror novel. As author J.F. Gonzalez once said, “In some ways, The Monk can be seen as the entire hardcore oeuvre of Edward Lee and Wrath James White of 1796. It was certainly hardcore for its time, and as a result it was banned and suppressed in later editions.”
(2) ON THE FRONT OF F&SF. The Magazine of Fantasy &
Science Fiction’s Mar/Apr
2020 cover art is “Walkabout” by Mondolithic Studios.
(3) MO*CON. The day after Maurice Broaddus’ 50th birthday Mo*Con: Origins begins: “Imagine a convention that’s nothing but a barcon. writers, artists, publishing professionals, and fans having great conversations while enjoying great meals”.
The event takes place May 1-3, 2020 at Café Creative (546 E. 17th
Street, Indianapolis, IN). Guests of Honor are Nisi Shawl, Chesya Burke, Linda
Addison, Wrath James White, and Brian Keene, with Editor Guest Scott Andrews (Beneath
Ceaseless Skies), Publisher Guest of Honor Jason Sizemore, Special Guests K.
Tempest Bradford, Jeff Strand, Lynne Hanson, and Featured Local Artists Deonna
Craig and Rae Parker.
No apology or explanation has been given by the party organizers, and that’s really all I want. The radio silence feels like an implication that I’m being the unreasonable one for being upset I wasn’t allowed into a party I was explicitly invited to. Am I in the right or wrong here?
George R.R. Martin wrote several thousand words of explanation here, and specifically said there were things he was sorry for, including — “They had to wait, yes, and I am sorry for that, and it should not have happened, and a number of mistakes were made, most by me.” Alex Acks, who was one of the invited Hugo losers stuck outside, thought the piece fell far short of being an apology (“I didn’t feel personally belittled until this moment: George’s Hugo Losers Party explanation”). Although the Miss Manners letter has parallels to Acks’ post, since that’s been on the internet since September anybody could have cribbed from it. (Question: Does Miss Manners really just wait for letters to show up, or does she have helpers searching for real-life inspirations like this?)
(5) CLASH OF OPINIONS. Deadline says SYFY Wire’s The Great Debate will begin airing this summer, hosted by comedian and actor Baron Vaughn (Grace & Frankie, Mystery Science Theater 3K) and his robot sidekick DB-8.
The show will throw a group of nerds in a room as they answer questions like “Who’d be a worse boss, Darth Vader or the Joker?” or “Would you rather have a Green Lantern ring or a Wizard Wand?”
Jenkins, a robot who appears in Clifford Simak’s City fix-up, at first glance seems an Asimovian robot, dutifully serving the Webster family across generations. Each new cohort of humans make decisions that seem justifiable at the time; each choice assists humans on their way to irrelevance and extinction. It’s little wonder, therefore, that ultimately Jenkins transfers his loyalty away from foolish, suicidal, and sometimes vicious humans to their successors, the gentle Dogs. Humans may have built Jenkins but rather like Frankenstein, they never earned his loyalty.
John Updike was not much of a fan of science fiction, objecting to the flash and glare of its imagined scenery, complaining that it “rarely penetrates and involves us the way the quietest realistic fiction can”. To Updike, the genre was little more than an “escape into plenitude”. This week, we certainly provide plenitude, but also an examination of the breadth of science fiction, not least the way it often involves much more than Updike ever allowed.
We begin with two authors whose membership of the SF canon comes with qualification: they are “more” than simply genre novelists. Both H. G. Wells and John Wyndham share a certain approach to the extra-terrestrial, “examining the impact on real-life society of a perturbing incident or two”. Pippa Goldschmidt notes that, when it comes to Wyndham’s triffids, only “persistent and hard physical work will succeed in clearing the protagonist’s land of these all-pervasive plants”. There is more quiet realism here than Updike might have noticed.
… Robert Cohen, in The Sun Also Rises, liked to brag that if all else fails, a man can still make a living playing bridge. Somewhere in the back of my mind, I’ve always known that if I hit rock bottom, there’s a shelf in the TV room of my parents’ house in Austin where I’ve got several hundred dollars’ worth of role-playing games. Not just the standard stuff (bent-sided bright red box sets of the old Basic edition), but specialist limited editions like Privateers and Gentlemen. The pick of the bunch, the one that gave me the most pleasure as a kid, is also the most obvious: my 1978 Advanced Dungeons & Dragons Players Handbook.
(8) BARNETT OBIT. The Encyclopedia of Science Fiction crew mourns the death of one of their colleagues: “Paul Barnett (1949-2020)”.
Our old friend and fellow-encyclopedist Paul Barnett — who published mostly as by John Grant — died unexpectedly on 3 February 2020. Besides a prodigious output of solo-written sf, fantasy and nonfiction, he was Technical Editor of the second edition of the SF Encyclopedia (1993), and co-editor with John Clute of the 1997 Encyclopedia of Fantasy, for which they shared a Hugo; he also wrote many new artist entries and updated existing ones for the current online edition of this encyclopedia. See his SFE entry for some indication of his considerable achievement.
(9) KIRK DOUGLAS OBIT. Kirk Douglas, a throwback to Hollywood’s golden age, died February 5 at the age of 103. Although best known as the leading man in movies from Spartacus to Paths of Glory, his portfolio includes appearances in such genre productions as Ulysses (based on Homer), Disney’s production of 20,000 Leagues Under the Sea, TV movie Dr. Jekyll and Mr. Hyde (he played both leads, of course), Saturn 3, the WW2 time-travel movie The Final Countdown, and an episode of the Tales From the Crypt TV series.
He wasn’t known as a singer, yet his rendition of “Whale of a Tale” is iconic.
(10) TODAY IN HISTORY.
February 5, 1944 — The original Captain America himself — Dick Purcell — premiered theatrically in the silver screen serial. This Republic black-and-white serial film was based on the Timely Comics (now known as Marvel Comics) Captain America character. It was the last Republic serial made about a superhero, and the next theatrical release featuring a Marvel hero would not occur for more than forty years. It was the most expensive serial the company ever produced. You can watch it here.
February 5, 1953 — Walt Disney’s Peter Pan premiered.
February 5, 1983 — T. J. Hooker‘s “ Vengeance Is Mine” premiered. It’s being listed here as Shatner playing Sgt. T. J. Hooker encounters Nimoy in the role of a disturbed police officer whose daughter was raped. For this one episode, these two Trek stars were reunited.
February 4, 1994 – The Next Generation’s “Lower Decks” episode from their final season first aired. It’s being included here as the CBS All access service will be adding an animated series in 2020 to the Trek universe called Star Trek: Lower Decks which has already been given a two-season order. The episode itself is consistently ranked among the best episodes of that series making the Best of Lists, and ranking as high as Variety listing it as one of the fifteen best Next Gen episodes.
February 5, 1998 — Target Earth premiered. It starred Janell McLeod, Dabney Coleman and Christopher Meloni, and was directed by Peter Markle from a script from Michael Vivkerman. It seems to have been intended as a pilot for a series but it faired poorly at the box office, critics didn’t like (“sheer rubbish” said several) and it currently has a 29% rating among reviewers at Rotten Tomatoes.
[Compiled by Cat Eldridge.]
Born February 5, 1906 — John Carradine. I’m going to count Murders in the Rue Morgue as his first genre appearance. After that early Thirties films, he shows up (bad pun, I know) in The Invisible Man, The Black Cat, Bride of Frankenstein, Ali Baba Goes to Town, The Three Musketeers and The Hound of the Baskervilles. Look that’s just the Thirties. Can I just state that he did a lot of genre work and leave it at that? He even had roles on The Twilight Zone, The Munsters, Lost in Space, Night Gallery and the Night Strangler. (Died 1988.)
Born February 5, 1915 — Sam Gilman. He played Doc Holliday in the Trek episode,”Spectre of the Gun”. Surprisingly he’s done little additional in genre showing only up in a one-off in the Tucker’s Witch series, and a starring role in Black Sabbath. Now Westerns he was a pro at. (Died 1985.)
Born February 5, 1919 — Red Buttons. He shows up on The New Original Wonder Woman as Ashley Norman. Yes, this is the Lynda Carter version. Somewhat later he’s Hoagy in Pete’s Dragon followed by being the voice of Milton in Rudolph and Frosty’s Christmas in July. He also played four different characters on the original Fantasy Island. (Died 2006.)
Born February 5, 1924 — Basil Copper. Best remembered for Solar Pons stories continuing the character created as a tribute to Sherlock Holmes by August Derleth. I’m also fond of The Great White Space, his Lovecraftian novel that has a character called Clark Ashton Scarsdale has to be homage to Clark Ashton Smith. Though I’ve not seen them them, PS Publishing released Darkness, Mist and Shadow: The Collected Macabre Tales of Basil Copper, a two-volume set of his dark fantasy tales. (Died 2013.)
Born February 5, 1941 — Stephen J. Cannell. Creator of The Greatest American Hero. That gets him Birthday Honors. The only other genre series he was involved with was The 100 Lives of Black Jack Savage which I never heard of, but you can see the premiere episode here. (Died 2010.)
Born February 5, 1961 — Bruce Timm, 59. He did layout at Filmation on the likes of of Flash Gordon and He-Man and the Masters of the Universe. Sought work at DC and Marvel without success before being hired at Warner Brothers where his first show was Tiny Toons before he and his partner on that series created Batman: The Animated Series. That in turn spawned more series by him — Superman: The Animated Series, Batman Beyond, Static Shock, Justice League in several series and Green Lantern: The Animated Series. Certainly not all of them but that’s the one I remember seeing and enjoying. His first love is comics. He and writer Paul Dini won the Eisner Award for Best Single Story for Batman Adventures: Mad Love in the early Nineties and he’s kept his hand in the business ever since. Harley Quinn by the way is his creation. He’s a voice actor in the DC Universe voicing many characters ranging from the leader of a Jokerz gang in a Batman Beyond episode to playing The Riddler in Batman: Under the Red Hood.
Born February 5, 1964 — Laura Linney, 56. She first shows up in our corner of the Universe as Meryl Burbank/Hannah Gill on The Truman Show before playing Officer Connie Mills in The Mothman Prophecies (BARF!) and then Erin Bruner in The Exorcism of Emily Rose. She plays Mrs. Munro In Mr. Holmes, a film best described as stink, stank and stunk when it comes to all things Holmesian. Her last SF was as Rebecca Vincent in Teenage Mutant Ninja Turtles: Out of the Shadows.
Born February 5, 1974 — Rod Roddenberry, 46. Son of those parents. Currently Executive Producer on Discovery, Picard and Lower Decks. His very first job in the Trek franchise was as production assistant on Next Gen. Interestingly his Wiki page says he was a Consulting Producer on the fanfic video Star Trek: New Voyages.
(12) COMICS SECTION.
Shoe makes a confession when asked to define a word.
Tombaugh Regio is literally the beating heart of Pluto. Half nitrogen ice and half glacier-studded highlands, this frozen heart is located in the Sputnik Planitia basin and is now thought to control the dwarf planet’s wind circulation — kind of like how the human heart is the epicenter of the human circulatory system. It could also possibly be the source of many strange features, like those weird ice dunes that could be a landscape from beyond the Wall in Game of Thrones.
When I spotted The Escape Orbit by James White in the spinner rack at my local import store, what first attracted me was the cover, showing two humans fighting a tusked and tentacled monstrosity. But what made me pick up the book was the tagline “Marooned on a Prison Planet”. Because stories about space prisons are like catnip to me.
Sorry if you were looking forward to seeing superpowered baby-raising shenanigans on the CW’s upcoming Superman & Lois spin-off series. The network just announced who’ll be playing the sons of Superman and Lois Lane, and it looks like the show will be leaning into teen drama instead. Well, it is the CW. What did you expect, really?
The world is on average getting warmer, but we still need to keep buildings at liveable temperatures year-round. Is it possible to cut emissions while keeping warm in winter?
To look at, the dark, dripping sewers of Brussels seem an unlikely place for anything particularly valuable to be hidden. But a wet day reveals all.
During a winter downpour, the brick tunnels become subterranean waterslides. Fresh rain tumbles from drains in the street above, joining waste water already in the sewers from sinks, baths, showers and toilets on their long journey downstream. The volume of these fluids and, crucially, their temperature are the reason that the city’s energy experts’ minds are in the gutter.
“The heat of the tunnels always astonished me,” says Olivier Broers, head of investment at the city’s water company, Vivaqua. He first noticed the Belgian city’s dormant heat source 20 years ago when he worked in tunnel restoration. He recalls days when there was ice and snow in the city, but on climbing down a manhole, he would find the sewers an ambient 12-15C. “Enough to fog my glasses,” he recalls.
In Belgium, residential heating accounts for around 14% of total greenhouse gas emissions. Of that heat, the largest source of loss is through what goes down the drain and into the sewer. To try and recoup that loss, Broers has developed a prototype heat converter that can be installed in the sewers themselves….
UK satellite company SSTL has got the go-ahead to produce a telecommunications spacecraft for the Moon.
The platform, which should be ready for launch in late 2022, will be used by other lunar missions to relay their data and telemetry to Earth.
Satellites already do this at Mars, linking surface rovers with engineers and scientists back home.
The Lunar Pathfinder venture will do the same at the Moon.
SSTL is financing the build of the satellite itself but will sell its telecoms services under a commercial contract with the European Space Agency (Esa).
It’s hoped other governmental organisations and private actors will purchase capacity as well.
…Nasa’s Project Artemis has identified 2024 as the date when the “first woman and the next man” will touchdown, close to the lunar south pole.
The plan is to put the UK satellite into a highly elliptical orbit so that it can have long periods of visibility over this location.
Pathfinder is expected to be particularly useful for any sorties – human or robotic – to the Moon’s far side, which is beyond the reach of direct radio transmission with Earth.
(18) VIDEO OF THE DAY. “Turtle Journey: The Crisis In Our Oceans” on YouTube
is a cartoon done by Aardman Animations for Greenpeace about the need to
protect turtle habitat in the oceans.
[Thanks to Mike Kennedy, John King Tarpinian, Martin Morse
Wooster, Cat Eldridge, Chip Hitchcock, JJ, Gordon Van Gelder, Darrah Chavey, and
Andrew Porter for some of these stories. Title credit goes to File 770 contributing
editor of the day Xopher Halftongue.]
[From a press
release.] When Marvels Snapshots begins in March, fans
will get to see Marvel’s greatest characters from the Golden Age to today, in
new legendary tales told through the eyes of ordinary people! As curator of
this landmark series, Kurt Busiek has handpicked the creative teams for each
standalone, double-sized issue and he’s put together an amazing assemblage of
talent to tackle April’s issues focusing on Captain America and the X-Men.
First up, Eisner
nominated writer Mark Russell will revisit Jack Kirby’s classic Madbomb
storyline from his 1970s run on Captain America.
“Some people, when
they call, you gotta pick up the phone. And Kurt Busiek is one of those
people,” says Russell. “I was pretty instantly sold on the project once he
started describing it to me— stories about the human cost of these famous
conflicts in the Marvel Universe. I truly enjoyed working on this with him.”
Known for his work on
books like Second Coming and Wonder Twins, Russell says Marvels Snapshot:
Captain America will focus on “the Madbomb’s impact in the South Bronx, a
community which had already been effectively abandoned by the rest of the
nation, that community’s struggle for survival, and of the search for heroes of
its own.” He will be joined by acclaimed artist Ramón Pérez (All-New Hawkey).
Next, in X-Men: Marvels
Snapshot, readers will see the rise of super heroes from the eyes of a
young orphan named Scott Summers, the boy who would grow up to be Cyclops. The
future X-Men leader couldn’t be in safer hands. Jay Edition, the co-host of the
popular X-Men podcast, Jay and Miles X-Plain the X-Men, makes his Marvel
Comics debut with a tale about one of his favorite characters.
“This is a story
that’s pretty personal to me—because I’m me, and it’s a Cyclops story; but even
more because it’s about the ways that superheroes and the stories around them
can become lifelines. If I’m going to be really sappy about it (which I
absolutely am), I get to give one of my favorite heroes the same kind of
touchstone he’s been to me over the years,” says Edidin. “I’d say it’s a dream
come true, but given that I’m the kind of uptight overachiever who
overidentifies with Scott Summers in the first place, maybe also a bit of an
anxiety dream come true. That said, it’s been a blast to get to sit down and
play in a sandbox I’ve spent years cataloguing and analyzing and
Teaming up with Edidin
will be artist Tom Reilly, a rising star artist known for his recent work on
(1) FAREWELL. Martin Hoare’s funeral was
held today. Pete Young shared a photo of the casket (posted here with permission.)
Yes, it was used for Martin. He was inside, then Martin + Tardis were cremated. I could not get any closer but I believe the Tardis was painted on it; I think it was Hazel Langford who told me it was Martin’s girlfriend’s idea. Needless to say the coffin was bigger on the inside…
(2) SURVIVABILITY OF SHORT SFF. Neil Clarke speaks again
about the problems with the current economic model of short fiction in the sff
field. Thread starts here.
…I hadn’t realised how apparently old-school I was until I discovered that one panel at WorldCon was entitled Continuing Relevance of older SF, which questioned whether 20th-century writing was still relevant in the 21st (answer: yes). Among the writers it listed as older and of a past era were Isaac Asimov, Octavia Butler and Margaret Atwood – yikes, really?
The discussion was lively and intense and intelligent – and this was the real joy, for me, of this entire colossal event, alongside the surprising (and vast) range of the hundreds upon hundreds of sessions over five days.
My assumptions were immediately and happily demolished. I’d looked forward to learning about some new writers and had thought there might also be some intriguing overlap with technology. But the science element was just as high-profile as the fiction….
Mike and Carol Rensick are at a loss for words about how successful this GoFundMe campaign has become. (Which says a lot, since as a storyteller Mike is well known for his words.) They cannot thank everyone enough–there are not the words to say how much all of you have changed a very bad year for the better.
Many people have asked them why, with so many weeks in ICU and bills much surpassing any modest number, we had only set the fundraiser goal to $15;000. But in Mike’s mind, $100 is a lot to ask for, let alone $15,000. He had not realised how beloved in the field he is, and how much we all love the opportunity to “pay it back” for all he has given to the science fiction and fantasy community.
Mike is composing and thank you message as we speak–once he can pick up his jaw up from the ground and find the words–but in the meantime we have been encouraged to increase the GoFundMe goal, and so we have! We have doubled the number to $30,000.
(6) LIBRARIES AND
DIGITAL BOOKS. Tom
Mercer, Senior Vice President of cloudLibrary, has written an email about the
many changes impacting libraries and their ability to offer high-quality
digital lending services to library users. He discusses why these shifts are
happening, how libraries can respond, and what bibliotheca is doing to support
libraries — “bibliotheca
leadership responds to publisher model changes”.
…Now, fast-forward to the digital library lending market today, where we’re seeing a shift from several of the major publishing companies. Blackstone Audio is embargoing audiobook titles for 90 days, Hachette has changed from perpetual access to two-year expirations (also implemented by Penguin Random House last October), and Macmillan will limit the quantity of frontlist titles effective November 1. It’s unlikely that all of these publishers would be changing their terms without external pressures. So, where is the pressure coming from? ?There is evidence to suggest that in recent years, authors and agents have come to feel that the library market is eroding their revenue. I think it’s telling that Macmillan CEO John Sargent addressed his letter about the library model change to “Macmillan Authors, Macmillan Illustrators and Agents.”
This begs the next question: if authors and agents are voicing concerns about library lending, where are they getting their data from? I doubt it’s publishers, since a report on library lending is not part of an author’s royalty statement. There is only one company that has access to readers’ digital retail purchases as well as users’ digital library borrowing habits, and that is Amazon.
In 2009, Amazon created a publishing division, Amazon Publishing, which doesn’t sell any of its eBooks or audiobooks to libraries. They have teams of people talking with authors and agents trying to secure rights and make them as exclusive as possible to the Amazon ecosystem. It’s highly probable that they use the data provided by library users to argue that library lending is undercutting retail sales. This is a major concern that we need to understand and to face together as an industry.
…Captain America reflects on the symbolism of his costume in a newly published essay by Mark Waid, which was changed from an earlier version in which he called his country “deeply flawed.”Marvel Entertainment
The page, written by Mark Waid and drawn by John Cassady, is narrated by Captain America. In earlier versions of the page that comic-book retailers received in July, the star-spangled hero opened with: “I’m asked how it is possible to love a country that’s deeply flawed. It’s hard sometimes. The system isn’t just. We’ve treated some of our own abominably.”
He went on to say that fixing America’s system is “hard and bloody work” but that it could be done when enough people take to the streets, call for revolution and say, “Injustice will not stand.”
Captain America concludes: “That’s what you can love about America.”
The version that arrived in stores and online, however, has new text, also written by Waid, in which Captain America ruminates on his own image, not the United States: “Captain America isn’t a man. It’s an idea. It’s a commitment to fight every day for justice, for acceptance and equality, for the rights of everyone in this nation.” The hero says that those qualities — “not hatred, not bigotry, not exclusion” — are the values of true patriotism.
Marvel and Waid declined to say why the page was changed. But in an email message, Waid expressed frustration at how his original text was being presented. “I’m disappointed that the cherry-picked quotes circulated by the media severely mischaracterize what was actually written,” he wrote. While the essay was critical, he added, “As written, Cap is supportive of America as a whole.”
(8) A WORD FROM OUR WILDLIFE. The Red Panda Fraction asks
that I remind everyone there is only a little more than 24 hours remaining to
vote in the Dragon
Awards. Request a ballot at the link.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born August 29, 1854 — Joseph Jacobs. Australian folklorist, translator, literary critic and historian who became a notable collector and publisher of English folklore. Many of our genre writers have use of his material. “Jack the Giant Killer” becomes Charles de Lint’s Jack Of Kinrowan series! Jack the Giant Killer and Drink Down the Moon to give an example. (Lecture mode off.) Excellent books by the way. (Died 1916.)
Born August 29, 1904 — Leslyn M. Heinlein. She was born Leslyn MacDonald. She was married to Robert A. Heinlein between 1932 and 1947. Her only genre writing on ISFDB is “Rocket’s Red Glare“ which was published in The Nonfiction of Robert Heinlein: Volume I. There’s an interesting article on her and Heinlein here. (Died 1981.)
Born August 29, 1939 — Joel Schumacher, 80. Director of The Lost Boys and Flatliners, not mention Batman Forever and Batman and Robin. Ok, so those might not be the highlights of his career… However his Blood Creek vampirefilm starring Michael Fassbender is said to be very good. Oh, and his The Incredible Shrinking Woman is a very funny riff the original The Incredible Shrinking Man.
Born August 29, 1942 — Dian Crayne. A member of LASFS, when she and Bruce Pelz divorced the party they threw inspired Larry Niven’s “What Can You Say about Chocolate-Covered Manhole Covers?” She published mystery novels under the name J.D. Crayne. A full rememberence post is here. (Died 2017.)
Born August 29, 1942 — Gottfried John. He’s likely best known as General Arkady Orumov on GoldenEye but I actually best remember him as Colonel Erich Weiss on the short-lived Space Rangers. He was Josef Heim in the “The Hand of Saint Sebastian” episode of the Millennium series, and played König Gustav in the German version of Rumpelstilzchen as written as collected by the Brothers Grimm. (Died 2014.)
Born August 29, 1945 — Robert Weinberg. Author, editor, publisher, and collector of science fiction. At Chicon 7, he received a Special Committee Award for his service to science fiction, fantasy, and horror. During the Seventies, he was the genius behind Pulp which featured interviews with pulp writers such as Walter B. Gibson and Frederick C. Davis. (Died 2016.)
Born August 29, 1951 — Janeen Webb, 68. Dreaming Down-Under which she co-edited with Jack Dann is an amazing anthology of Australian genre fiction, winner of a World Fantasy Award. If you’ve not read it, go do so. The Silken Road to Samarkand by her isa wonderful novel that I do also wholeheartedly recommend. Death at the Blue Elephant, the first collection of her short stories, is available at iBooks and Kindle.
Born August 29, 1953 — Nancy Holder, 66. She’s an impressive four-time winner of the Bram Stoker Award. I’m not a horror fan so I can’t judge her horror novels for you, but I’ve read a number of her Buffyverse novels and I must say that she’s captured the feel of the series quite well. If you are to read but one, make it Halloween Rain.
(10) COMICS SECTION.
Today’s pop culture figure, tomorrow’s museum exhibit — Bizarro.
…[Jeannette] Ng, who wrote the fantasy novel “Under the Pendulum Sun,” said in an interview on Wednesday that she was delighted by the decision. “It’s a good move away from honoring a completely obnoxious man who kept a lot of people out of the genre, who kept a lot of people from writing, who shaped the genre to his own image.” Thanks to the change, she added, “we’re now celebrating a little more neutrally a piece of history that’s not attached to his name.”
(12) ABOUT THOSE EDITORIALS. A tweet highlights one
problematic view – the Wikipedia
article covers this one and many more.
A year after Rotten Tomatoes announced plans to boost diversity among its approved critics, the review aggregation site revealed it has added 600 new film commentators.
In an effort to increase representation and inclusion across the industry, the company also renewed $100,000 in grants for 2020 to assist critics from underrepresented groups to attend film festivals and industry events. In 2018 and 2019, Rotten Tomatoes has helped over 160 journalists attend film festivals by donating grant money to festivals like Toronto, Sundance and SXSW.
Last August, Rotten Tomatoes refurbished its criteria to look at an individual’s qualifications, rather than just their employer when it comes to verifying critics. The initiative also expanded its pool to newer media platforms like digital videos or podcasts. Of the new critics added this year, 55% are women, 60% are freelancers and 10% publish reviews on more modern platforms like YouTube.
Engineers attached a helicopter to the Mars 2020 rover ahead of its launch next summer. And if it flies successfully, it’ll be the first aircraft to fly on another planet, NASA said.
The solar-powered Mars Helicopter will be safely stowed underneath the rover until it lands at the Jezero Crater, where scientists believe water once flowed. The craft will detach from the rover and explore Mars from the air while the rover collects samples on the ground, NASA said.
If the helicopter flies, it can provide a unique vantage point for scientists to observe Mars.
If all goes well, the autonomous aircraft will snapshot aerial views of Martian cliffs, caves and craters that the land-bound rover can’t explore. And even if it doesn’t take flight, the rover can still gather important data from the surface.
(20) VIDEO OF THE DAY. In “I Wrote A Song Using Only Hate Comments” on YouTube,
Madilyn Bailey provides a song where all the lyrics come from comments made by
[Thanks to Standback, John King Tarpinain, JJ, Lis Carey, James Bacon,
mlex, Mike Kennedy, Martin Morse Wooster, Chip Hitchcock, Cat Eldridge, StephenfromOttawa,
Hampus Eckerman, and Andrew Porter for some of these stories. Title credit goes
to File 770 contributing editor of the day Trey.]
…This handsome, earnest, yet overstuffed and poorly paced film deviates frequently from the historical record. Most seriously, it ignores Tolkien’s devout Christian faith: there is no indication that he served Mass daily as a boy or ever even entered a Catholic church. His punch-ups with Wiseman and drunken night-time profanities are, in comparison, unimportant inventions.
But departures from reality are inevitable in dramatisations, and enumerating them can quickly devolve into captiousness. What’s more relevant is whether the artistic licence results in a successful story. One expects a biopic to sit somewhat loose to the facts, yet one hopes it will also hold the attention and make one care about the characters, however far from real life they may diverge.
A helpful comparison is Richard Attenborough’s Shadowlands, the story of CS Lewis’s late marriage. It’s worthless as an account of actual events, but works brilliantly as a movie: engaging, well-structured, powerful and poignant.
Here, with Lewis’s friend Tolkien, it’s a different story. Incidents come thick and fast, but are strangely uninvolving….
the co-editor of The Cambridge Companion to CS Lewis.
(2) A MODEST PROPOSAL. Daniel Dern is
making an offer –
Our dead tree edition of the Sunday New York Times this week (here in the year 2019 – April 28) included a special 12-page section, consisting of (a version of) Ted Chiang’s story, “Better Versions of You,” adapted from his story “Anxiety is the Dizziness of Freedom” from Chiang’s new (coming out May 7) collection Exhalation. Illustrations by Daehyun Kim/Moonassi.
According to social media, “The piece is PRINT ONLY.” (My brief searches don’t show otherwise; I’d been looking for it before I found this tweet.)
Once we’re done reading the story, I don’t feel the need to keep it. So I’m happy to pass it along to the first Filer who asks for it, via a comment to this post. (We’ll sort out snail addresses, etc. off-list. If need be, I’ll ask OGH to be the email-address intermediary.)
Beyond possibly the minor cost of mailing it, I’m not asking any $ for it.
OTOH, I’m happy if the recipient will in turn, once it’s arrived, make a modest (say, $10-$25) donation to some sf/fan related fund/fundraiser or other Good Cause (of their choice, e.g., the Gahan Wilson GoFundMe, or some WorldCon-related fundraiser — your choice, I don’t need to know what/who, how much, or whether). But this is an optional follow-through.
(I don’t see Chiang listed in the current ReaderCon Guests list, so you’d be on your own for trying to get it autographed.)
Owner Alan Beatts, also the owner of Borderlands Books — which will remain open on Valencia Street at least for the next year — said that the decision to shutter the cafe was, by and large, voluntary. He attributed the move to a confluence of factors, including staff retention, slumping sales, and his personal desire to focus on the bookstore….
“It’s more of a full circle than you realize,” Starlin says. “I got the assignment to draw Invincible Iron Man #55-56 because the regular penciller on it, George Tuska, had to go in for some elective surgery. So I did the first issue, which I plotted out with Mike Friedrich, and then the second one I worked with this writer Steve Gerber. We did a funny Iron Man issue, and Stan Lee hated it so much he fired both of us.”
The Tonopah Westercon committee is a standing committee of San Francisco Science Fiction Conventions, Inc. answerable to the corporation’s Board of Directors. Our organizing committee consists of the following people, with others helping on an ad hoc basis.
Chair: Kevin Standlee (Co-chair, 2002 Worldcon, San José CA) Assistant to Chair/Hospitality Lead : Lisa Hayes Treasurer: Bruce Farr (Chair, Westercon 45 (1992), Phoenix AZ) Facilities: Mike Willmoth (Chair, Westercon 62 (2009), Tempe AZ) Website Planning: Cheryl Morgan Travel Coordinator: Sandra Childress
Other Committee Members Without Portfolio: David W. Clark (Chair, 1993 Worldcon, San Francisco CA) Lisa Detusch Harrigan (Chair, Westercon 40 (1987), Oakland CA) Kevin Roche (Co-Chair, Westercon 66 (2013), Sacramento CA and Chair, 2018 Worldcon, San José CA) Andy Trembley (Co-Chair, Westercon 66 (2013), Sacramento CA)
(7) IT’S HISTORY. “And she’s
not only merely dead, she’s really most
sincerely dead.” At Gizmodo/io9,
last Thursday’s Morning Spoilers
column drops the news that “At Least One of the Game of
Thrones Spinoff Series Is Truly Dead” and the creator is
done, at least for now, at HBO. Tidbits for a dozen or so shows are shared in
Speaking to the Hollywood Reporter, Bryan Cogman confirmed that his time with the franchise is over for now—because the spinoff series he was attached to is officially scrubbed…
(8) TODAY’S BIRTHDAYS.
by Cat Eldridge.]
Born April 30, 1926 — Cloris Leachman, 93. I’ve got grist in the genre in Young Frankenstein as Frau Blücher. (Strange film.) she does her obligatory mouse role when she voices Euterpe in The Mouse and His Child. Next up is being The Lord’s Secretary in The Muppet Movie. (Always a fun time.) Hmmm… she’s Millie Crown in Shadow Play, a horror film that I don’t plan on seeing. Not my cup of tea. Lots of voice work from there out and I will only note her as Mrs. Tensedge in The Iron Giant, a great film indeed. She in the live action and I assume disgusting Scouts Guide to the Zombie Apocalypse as Ms. Fielder.
Born April 30, 1934 — Baird Searles. Best- known for his long running review columns in Asimov’s, Amazing Stories and The Magazine of Fantasy & Science Fiction. For a time, he managed a genre bookstore in New York City’s Greenwich Village, the Science Fiction Shop, which is no longer in business. With Brian Thomsen, he edited Halflings, Hobbits, Warrows & Weefolk: A Collection of Tales of Heroes Short in Stature, and among other publication that he wrote was the Cliff Notes on Heinlein’s Stranger in a Strange Land. (Died 1993.)
Born April 30, 1938 — Larry Niven, 81. One of my favourites author to read, be Ringworld, The Mote in God’s Eye with Jerry Pournelle, or the the Rainbow Mars stories, there’s always good reading there. What’s your favourite Niven story?
Born April 30, 1968 — Adam Stemple, 51. Son of Jane Yolen. One-time vocalist of Boiled in Lead. With Yolen, he’s written the Rock ‘n’ Roll Fairy Tales, Pay the Piper and Troll Bridge which are worth reading, plus the Seelie Wars trilogy which I’ve not read. He’s also written two Singer of Souls urban fantasies which I remember as engaging.
Born April 30, 1973 — Naomi Novik, 46. She wrote the Temeraire series which runs nine novels so far. Her first book, His Majesty’s Dragon, won the Compton Crook Award for best first novel in the science fiction and fantasy category. She most deservedly won the Nebula Award for Best Novel for Uprooted which is a most excellent read. I’ve not yet her Spinning Silver, so opinions are welcome.
Born April 30, 1982 — Kirsten Dunst, 37. Her first genre role was as Claudio in Interview with the Vampire. Later genre roles include Judy Shepherd in Jumanji, voicing Christy Fimple in Small Soldiers, voicing Becky Thatcher in The Animated Adventures of Tom Sawyer, Mary Jane Watson in Spider-Man franchise, voicing Kaena in Kaena: The Prophecy, and showing up on Star Trek: The Next Generation as Hedrilin in the “Dark Page” episode. She would have been nine years old in that episode!
Born April 30, 1985 — Gal Gadot, 34. Wonder Woman, of course, in the DC film universe. Other genre work, well, other than voicing Shank on Ralph Breaks the Internet, there really isn’t any. She did play Linnet Ridgeway Doyle in the Kenneth Branagh of Murder on the Orient Express which is quite lovely but hardly genre…
(13) BEAUTIFUL BOOK. Look
at the gorgeous endpapers in the Russian edition of Goss’ novel:
(14) CELEBRATING THE RONDO
WINNERS. Steve Vertlieb sends his regards:
I want to take a moment this morning to wish hearty congratulations to all of this year’s most worthy Rondo Award winners. As always, the nominated films, television shows, writers, and artists were strong and worthy contenders, and each winner was deservedly voted the absolute best in his or her field of endeavor. In particular, however, I’d like to pay respect and homage to Veronica Carlson, Caroline Munro, and Martine Beswick whose long overdue recognition by The Rondo Hall of Fame was enthusiastically welcomed, and for my lifelong friend and brother, Wes Shank, whose loss late last Summer shattered us all, and whose entry last night into “The Monster Kid Hall of Fame” was a most fitting tribute to a beloved friend and fan. My personal remembrance of Wes was posted on File 770. Congratulations once again to all of this year’s most deserving Rondo Award winners.
A cat lover and space fan is about to make history by launching the remains of a cat named Pikachu into orbit around the Earth.
“Pikachu will have a final send-off like no cat has ever had before,” Steve Munt, Pikachu’s owner, wrote on a GoFundMe page dedicated to raising funds for Pikachu’s space memorial. Thanks to a company called Celestis — which also offers memorial spaceflights for humans — the orange tabby’s cremated remains will hitch a ride to space as a small secondary payload on a satellite launch sometime in the next 18 months, Munt told Space.com.
(16) MICE IN
SPACE. These mice, however, made it to orbit while still alive. Ben
Guarino in “Up
in space, mice found a new way to play” in the Washington Post, says a paper in Scientific Reports discusses what happened to mice that spent a
month in the International Space Station on the NASA Rodent Habitat.
After more than a week in space, young mice began to psrint and glide, as though they were zooming inside invisible hamster wheels. The scientists called this circling behavior, which they hadn’t seen before, ‘racetracking.’ Within a few days, other mice joined the fray. As a group, they ran laps around the habitats, reaching speeds of about a mile an hour. It’s strange to watch.
(17) HEDGEHOGGING THE ROAD. Sonic The Hedgehog is fast enough to create a blue shift.
He’s a whole new speed of hero. Watch the new trailer for Sonic The Hedgehog, in theatres this November
Cat Eldridge, John King Tarpinian, Martin Morse Wooster, JJ, Chip Hitchcock,
Mike Kennedy, Daniel Dern, Carl Slaughter, and Andrew Porter for some of these
stories. Title credit goes to File 770 contributing editor of the day Hampus
Eckerman and/or Daniel Dern. It’s complicated.]
Bog butters are large, white to yellow waxy deposits regularly recovered from the peat bogs of Ireland and Scotland, often found in wooden containers or wrapped in bark or animal membranes (Fig. 1). With recorded weights of up to 23?kg (and several examples that may be larger), bog butters were first documented in the 17th century; the total number recovered to date may approach 500 specimens1,2. Published radiocarbon determinations on Irish bog butters show activity spanning the Iron Age to the post-medieval period3,4 with folk accounts indicating survival into the 19th century5,6. While the reasons behind their deposition continue to be debated1,2, the remarkable preservative properties of peat bogs are well known7 and several post-medieval accounts mention the practice of storing butter in bogs to be consumed at a later date, whether by necessity or as a delicacy8,9,10. Early medieval Irish law tracts list butter as one of the products payable as food rents11, which may have needed to be stockpiled or stored. Parallels have also been drawn with the widespread deposition of metal and other objects in wetlands during the Bronze Age and Iron Age, often assumed to be votive or ritual acts….
(2) CLOSE GUESSES. The New York Times
Book Review has two articles on
world-building in speculative fiction this week:
“Ours is a world of laws—and given available evidence, so are all other worlds.
As they build their wild what ifs, the authors of speculative fiction draft legislation: They draw up regulations and establish cabinet agencies and sub-agencies, often employing a diction eerily reminiscent of real-life government and politics—the eeriness being very much the point.”
Maybe because we’re living in a dystopia, it feels as if we’ve become obsessed with prophecy as of late. Protest signs at the 2017 Women’s March read “Make Margaret Atwood Fiction Again!” and “Octavia Warned Us”…
In “The Dreams Our Stuff Is Made Of: How Science Fiction Conquered The World,” Thomas Disch calls this relay between fiction and reality “creative visualization.”
(3) FIRE IN THE WHOLE. Steven Zeitchik
says in the Washington Post that
tensions are rising between the Writers Guild of America (East) & Writers
Guild of America (West) and the Association of Talent Agents because the
writers think the agents are forming production companies and not being fair to
the writers. He says if the agents and writers don’t negotiate a new
“artists manager basic agreement” about fee sharing by April 6, the
result could be a mass firing by the 20,000 WGA members of their agents. “Hollywood
agents and writers meet, but impasse remains”.
…The writers say they do not wish to renew the franchise agreement without significant revisions. They want new units that the agencies created to function as production companies to instead be formally carved out as separate entities. At present those units exist more as extensions of the agencies, which the writers say ups the possibility for conflicts of interest.
The also want to overhaul the main ways agents collect money on writers’ work. At the moment those revenue are dominated not by standard commissions from clients but by packaging fees, in which studios pay the agents for putting together the creative elements of a show. Those fees, the writers say, encourage agents to act against their own clients’ interests and also allow them to dip into a pool of revenue that should go to creators.
The agencies, particularly the Big Four — CAA, WME, UTA and ICM — that are leading the fight, say that the writers are working under false assumptions. Packaging fees and new entities offer riches to both parties, they say, especially as the media companies with which they are negotiating are growing larger and more vertical.
(4) FOR MEMORY CARE. The
GoFundMe for Gahan Wilson has raised
$52,175 of its $100,000 goal in the first 14 days. More than a thousand people
(5) NOT SAFE FOR WHATEVER. [Item by Dann.] Netflix
recently released their series of sci-fi/fantasy/horror animated short files
under the title Love,
Death + Robots. The collection features 10-20 minute long films
based on genre stories. Original story authors include John Scalzi, Marko
Kloos, Joe Lansdale, and Ken Liu.
The collection is billed as an “NSFW
anthology”. It generally lives up to that appellation. The
films range from mildly questionable language to full-on body dismemberment to
sexually explicit content (voluntary and otherwise). The use of felines
periodically borders on being questionable.
The collection is part of Netflix’s effort to create
unique content. Many recently released titles feature genre based
stories. Not unlike Amazon’s influence on the increasing number of
sub-novel length works, might this development be a signal of technology
changing markets to allow a range of video productions other than long format
movies or shorter format TV series?
Is there a Hugo worthy animated short in this
anthology? Only people living in 2020 know for certain.
Cartoonist Tom K. Ryan, who gave us the syndicated strip Tumbleweeds has passed at the age of 92…actually, about 92.8. His popular western-themed comic made its debut in September of 1965 and lasted until the end of 2007 when Ryan decided he was getting too old to continue it. A run of 42+ years is pretty impressive in any industry. Like most cartoonists, Ryan was aided by occasional assistants, one of whom — a fellow named Jim Davis — did okay for himself when he struck out on his own and created Garfield.
(7) TODAY’S BIRTHDAYS.
by Cat Eldridge.]
Born March 17, 1846 — Kate Greenaway. Victorian artist and writer, largely known today for her children’s book illustrations. So popular was she and her work that the very popular Kate Greenaway Almanacks appeared every year from 1883 to 1895. Among her best-known works was her edition of Robert Browning’s The Pied Piper of Hamelin, Rosa Mulholland’s Puck and Blossom and Bret Harte’s Pirate Isle. (Died 1901.)
Born March 17, 1906 — Brigitte Helm. German actress, Metropolis. Her first role a an actress, she played two roles, Maria and her double, the Maschinenmensch. Oddly enough I’ve not seen it, so do render your opinions on it please. She’s got some other genre credits including L’Atlantide (The Mistress of Atlantis) and Alraune (Unholy Love). Her later films would be strictly in keeping with the policies of the Nazis with all films being fiercely anti-capitalist and in particular attacking Jewish financial speculators. (Died 1996.)
Born March 17, 1945 — Tania Lemani, 74. She played Kara in the Trek episode “Wolf in the Fold”. She first met Shatner when she was offered her a role in the pilot for Alexander the Great, starring him in the title role (although the pilot failed to be picked up as a series). She had parts in The Man from U.N.C.L.E., The Bionic Woman and she shows up in the fanfic video Star Trek: Of Gods and Men. I assume as Kara, though IMDb lists her as herself.
Born March 17, 1947 — James K. Morrow, 72. I’m very fond of the Godhead trilogy in which God is Dead and very, very present. Shambling Towards Hiroshima is a lot of satisfying satirical fun as is The Madonna and the Starship which is also is a wonderful homage to pulp writers.
Born March 17, 1948 — William Gibson, 71. I’ve read the Sprawl trilogy more times than I can remember and likewise the Bridge trilogy and The Difference Engine. The works I struggled with are Pattern Recognition, Spook Country and Zero History. I’ve tried all of them, none were appealing. Eh?
Born March 17, 1949 — Patrick Duffy, 70. Surely you’ve seen him on Man from Atlantis? No? Oh, you missed a strange, short-lived show. His other genre credits are a delightfully mixed bag of such things as voicing a Goat on Alice in Wonderland, appearing on The Secret Adventures of Jules Verne as Duke Angelo Rimini in the “Rockets of the Dead” episode and voicing Steve Trevor in the incredibly excellent “The Savage Time” three-parter on Justice League.
Born March 17, 1951 — Kurt Russell, 68. I know I saw Escape from New York on a rainy summer night in a now century-old Art Deco theatre which wasn’t the one I later saw Blade Runner in. I think it’s much better than Escape from L.A. was. Of course there’s Big Trouble in Little China, my favorite film with him in it. And let’s not forget Tombstone. Not genre, you say. Maybe not, but it’s damn good.
Born March 17, 1958 — Christian Clemenson, 61. Though I’m reasonably sure his first genre appearance was on the Beauty and The Beast series, his first memorable appearance was on the BtVS episode “Bad Girls” as a obscenely obese demon named Balthazar. Lots of practical effects were used. His other significant genre role was on The Adventures of Brisco County, Jr. as fish way out of the water Eastern lawyer Socrates Poole. And yes, I loved that series!
Born March 17, 1962 — Clare Grogan, 57. On the Red Dwarf series as the first incarnation of Kristine Kochanski. Anyone here watch it? One truly weird series! She really doesn’t have much of any acting career and her genre career is quite short otherwise, a stint in an episode on Sea of Souls, a Scots ghost chasing series, is it.
(8) COMICS SECTION.
Tom the Dancing Bug finds humor in explaining why some time travelers hold no terrors for Americans of the 1950s.
FRANSON AWARDS. National Fantasy Fan
Federation (N3F) President George Phillies has picked three recipients for this
year’s Franson Awards, named for the late Donald Franson, and given as a show
As your President, it is my privilege and honor to bestow the N3F President’s Award on our three art-ists, who have been doing so much to beautify our N3F zines. Please join me in thanking Angela K Scott, Jose Sanchez, and Cedar Sanderson for what they have done for our Federation.
An old deleted scene from Revenge of the Sith where Anakin speaks droid has started to gain popularity online. Some Star Wars fans are having a hard time believing that the scene is real, which makes sense in an age where deleted scenes are practically a thing of the past. Over the years, the prequels have been looked at in a better light by a younger generation that grew up with those three installments being the first Star Wars movies that they saw.
…While it is a bit of a silly scene, it does probably point Obi-Wan in the direction to learn droid. In A New Hope, he can understand R2D2, so the scene could have served a purpose had it been left in. But it’s a little on the silly side because these are powerful Jedi that we’re talking about here. They should, at the very least, know how to talk to a droid before levitating rocks and using Jedi mind tricks. Whatever the case may be, the scene was left on the cutting room floor and thrown on the DVD.
When it comes to ‘90s-era Star Trek series, Voyagerdoesn’t always get its due, maybe because it couldn’t quite live up to the high standard set by The Next Generation or because it lacked the gravitas and daring of Deep Space Nine. (Or maybe it’s just because we’re all trying to avoid thinking too hard about the events of “Threshold.”) Still, Voyager stayed true to Star Trek’s overarching spirit of exploration and cooperation, forcing two very different groups of people to work together to survive and testing the characters’ utopian ideals by stranding them far from the safety of the Federation. Plus, the series was the first in the franchise to be led by a female captain, Kathryn Janeway, played by the dynamic Kate Mulgrew.
The show’s lasting influence can be felt in two stories from this week about prominent Democratic politicians, Alexandria Ocasio-Cortez and Stacey Abrams, both of whom are fans of Voyager and, in particular, its lead character. The first surprise nod to Trek in the political sphere came from the Daily Mail’s unexpectedly wholesome interview with Blanca Ocasio-Cortez, who described how Voyager became a portent of her daughter’s future success.
[…] The other Voyager shoutout appeared in the New York Times on Thursday in a story with the headline “Stacey Abrams, Star Trek Nerd, Is Traveling at Warp Speed.” In quotes from a previously unpublished interview from last summer, the former Georgia gubernatorial candidate says that while The Next Generation is her favorite series, she “reveres Admiral Janeway.” She also shows off her good taste in Trek by picking a Voyager episode, “Shattered,” as a favorite. […]
A Star Wars Is Born . . . How did I not see this coming? The Star Wars and A Star Is Born universes finally collided to pay tribute to two fan-favorite ships in a Nerdist parody music video. If Ally and Jackson were transported to a galaxy far, far, away, perhaps their version of “Shallow” would’ve ended up a little like Kylo Ren and Rey’s.
Other than the trailer released at NYCC, we’ve haven’t seen much else in regard to everyone’s favorite psychopath with a heart of gold. That is until Cuoco took to Instagram and posted some shots from her voice sessions.
That’s the California company that owns worldwide rights to trademarked terms within British author J.R.R. Tolkien’s fantasy world, including “The Lord of the Rings” and “The Hobbit.” It’s an arm of The Saul Zaentz Co., which produced the animated 1978 “Lord of the Rings” film.
A friend of mine inquired about an obscure science fiction story the other day. She expressed surprise that I had, in fact, read it, and wondered what my criteria were for choosing my reading material. I had to explain that I didn’t have any: I read everything published as science fiction and/or fantasy.
My friend found this refrain from judgment admirable. I think it’s just a form of insanity, particularly as it subjects me to frequent painful slogs. For instance, this month’s Fantasy and Science Fiction continues the magazine’s (occasionally abated) slide into the kaka. With the exception of a couple of pieces, it’s bad. Beyond bad — dull….
FLING THAT THING. Comic Books vs The World calls them “giant
death frisbees” in “Every MCU Captain America Shield
He may not have been in action in the Marvel Cinematic Universe all that much, but Captain America’s had a bunch of different shields over the years. Let’s look over the timeline of the MCU and see what all he’s used so far!
Cat Eldridge, Chip Hitchcock, Martin Morse Wooster, Rob Thornton, John King
Tarpinian, JJ, Mike Kennedy, Carl Slaughter, and Andrew Porter for some of
these stories. Title credit goes to File 770 contributing editor of the day Daniel
Dern, who just saw Captain Marvel.]
(1) OBERST FROM COAST TO COAST. As reported the other day, Bill Oberst Jr.’s Ray Bradbury Live (forever) will launch with a performance at the South Pasadena Public Library on March 2. The show’s website says the next performances will be in Indianapolis, IN from May 3-5, then in Charleston, SC on dates to be announced.
Writing a series can be a long, strange journey. How do you best prepare for it, and where do you stop to refuel? And how do you do know when to keep going and when to bring things to an end? Join Seanan McGuire, Hugo-winning author of multiple series, as she shares secrets of not get lost along the way when undertaking such a trip.
(4) SHRINK RAP. Larry
Correia talks about “getting paid” all the time, and Harlan Ellison extolled
the importance of a writer’s work being acknowledged by a “check of money.” How
to explain everyone else who keeps pulling the handle on their typewriter? Camestros
Felapton searches for parallels between writing and an addiction in “Writing
One of the notable features of gambling (and a factor that can lead to it becoming a problem for some people) is that people still gain pleasure from it even when they are losing. The phenomenon called “loss chasing”…
Do you mind if authors read and/or comment on your review of their book?
“I don’t want them to comment on negative reviews, but I’m fine if they comment on positive reviews!” +12 with the same sentiment +11 same sentiment, also specifying that they would not tag an author in a negative review
“What I don’t like is when an author comments on my reviews to defend themselves or to try and guilt me into changing my opinions.” +6
“I don’t mind if they read, and a quick thanks for reading my book comment is fine— but nothing else.” +3
(paraphrased) Authors are not obligated to read reviews, but I’d like them to know that someone’s enjoyed it, and it would make me happy if they read my (positive tagged) review! +1
“I don’t mind though I’d rather have them contact me in private if they want to discuss it.”
“…would depend on the relationship you have with that specific author.”
“…from anyone with more power than me, NO.”
“…I wouldn’t mind them BOOSTING blog posts involving their books.”
“I don’t mind them commenting on my review in a tweet…but no comments on my actual blog.”
Though there seems to be a tendency to nominate debut novels for the Nebula in recent year—more than half of the nominees for the last three years have been first novels—there is a clear precedent for established novelists to actually take home the Nebula. The preference for books from established writers makes sense: not only have they had time to hone their craft, but, as and industry award, connections within the industry factor.
1. Like the movie’s human heroine, Goose comes straight from the comic books.
She’s named Chewie in the pages of the “Captain Marvel” series (named for the “Star Wars” Wookiee co-pilot), while the movie uses Anthony Edwards’ “Top Gun” sidekick as inspiration. But a lot of the hidden abilities Goose unleashes later in the film mirror the comic character’s cosmic connections as an alien Flerken.
Before they had a script, directors Anna Boden and Ryan Fleck had a room with a whiteboard where they wrote a wish list of everything from the comics that they wanted to see in the movie, including the cat. After figuring out Goose’s role, Boden remembers giving an initial script outline to executive producer Kevin Feige “and him being like, ‘Yep, we’re going to need about 200 percent more (Goose) in the story.’ And he was right. It was so fun to find all the ways that she could participate in the film.”
‘Thor: Ragnarok’s Taika Waititi has signed on to co-write and direct the pilot for a series based on the 1981 Terry Gilliam film ‘Time Bandits’ for Apple‘s upcoming streaming service. Waititi will also serve as executive producer along with Gilliam and Dan Halstead (‘People of Earth’). This will be just one of many shows that Apple plans to offer for free to owners of its various devices, including Apple TV, iPhones, iPads and Macs. ‘Time Bandits’ will be co-produced by Anonymous Content, Paramount Television and Media Rights Capital.
Time Bandits is a dark, irreverent adventure about imagination, bravery and the nature of our dreams. It follows the time-traveling adventures of an 11-year-old history buff named Kevin who, one night, stumbles on six dwarfs who emerge from his closet. They are former workers of the Supreme Being who have stolen a map that charts all the holes in the space-time fabric, using it to hop from one historical era to the next in order to steal riches. Throughout the movie, they meet various historical and fictional characters, including Napoleon Bonaparte and Robin Hood, while the Supreme Being simultaneously tries to catch up to them and retrieve the map.
(9) TODAY’S BIRTHDAYS.
by Cat Eldridge.]
Born March 11, 1921 — F. M. Busby. Together with his wife and others he published a fan magazine named Cry of the Nameless which won the Hugo award in 1960. Heinlein was a great fan of him and his wife — The Cat Who Walks Through Walls in part dedicated to Busby and Friday in part to his wife Elinor. He was a very busy writer from the early Seventies to the late Nineties writing some nineteen published novels and myriad short stories before he blamed the Thor Power Tools decision for forcing his retirement. (Died 2005.)
Born March 11, 1952 — Douglas Adams. I’ve read and listened to the full cast production the BBC did of The Hitchhiker’s Guide to the Galaxy but have absolutely no desire to see the film. Wait, wasn’t there a TV series as well? Yes, there was. Shudder! The Dirk Gently series is, errr, odd and its charms escape my understanding. He and Mark Carwardine also wrote the most excellent Last Chance to See, their travels to various locations in the hope of encountering species on the brink of extinction. It’s more silly than it sounds. (Died 2001.)
Born March 11, 1962 — Elias Koteas, 57. Genre appearances include the very first (and I think best of the many that came out) Teenage Mutant Ninja Turtles, One Magic Christmas, Teenage Mutant Ninja Turtles III (I did warn you, didn’t I?), Cyborg 2 (just don’t), Gattaca, Skinwalkers, The Curious Case of Benjamin Button, and The Haunting in Connecticut.
Born March 11, 1963 — Alex Kingston, 56. River Song in Doctor Who. She’s in a number of different stories with a number of different Doctors and was the eventual wife of the Eleventh Doctor. (I don’t believe in spoilers.) I don’t see a lot of other genre work from her but she was in Ghost Phone: Phone Calls from the Dead, as Sheila and she was Lady Macbeth in the National Theatre Live of Macbeth. Oh, and she’s in the Arrowverse as Dinah Lance, in FlashForward as Fiona Banks and recently shows up as Sara Bishop on A Discovery of Witches, a series based off the Deborah Harkness novel of the same name. Great series, All Souls Trilogy, by the way.
Born March 11, 1967 — John Barrowman, 52. Best genre without doubt is as Captain Jack Harkness in Doctor Who and Torchwood. He reprised the role for Big Finish audiobooks and there’s one that I highly recommend which is the full cast Golden Age production with all the original cast. You’ll find a link to my review here. I see he’s been busy in the Arrowverse playing three different characters (I think as I confess I’m not watching it currently) in the form of Malcolm Merlyn / Dark Archer / Ra’s al Ghul. He’s also had a long history in theatre, so he’s been in Beauty and the Beast as The Beast / The Prince, Jack and The Bean Stalk as Jack, Aladdinas, well, Aladdinand Cinderella as, errrr, Buttons.
Born March 11, 1982 —Thora Birch, 37. A very, very extensive genre history so I’ll just list her appearances: Purple People Eater, Itsy Bitsy Spider, Hocus Pocus, Dungeons & Dragons, The Hole, Dark Corners, Train, Deadline, Dark Avenger series, The Outer Limits, Night Visions series, My Life as a Teenage Robot and a recurring role on the Colony series.
Born March 11, 1989 — Anton Yelchin. Best known for playing played Pavel Chekov in Star Trek, Star Trek Into Darkness and Star Trek Beyond. He also was in Terminator Salvation as Kyle Reese, in the Zombie comedy Burying the Ex as Max and voiced Clumsy Smurf in a series of Smurf films. Really, he did. (Died 2016.)
(11) SO, DOES LOTUS TASTE
GOOD? [Item by Mike Kennedy.] Some science fiction has imagined a future where automation
of one sort or another replaces most or all jobs. Thinking about that sort of
future is slowly becoming mainstream but even if this leads to some version of
utopia, there will be a difficult transition period. An installment of an AI
series on The Verge (The Real-World AI Issue) looks at “How to protect humans in a
fully automated society” and asks the question “What happens when
every job is replaced by a machine?” It doesn’t get to an answer, but that
doesn’t make the question any less important.
People have been worried about machines taking jobs for a very long time. As early as 1930, John Maynard Keynes was warning about the new scourge of technological unemployment, which he termed as “unemployment due to our discovery of means of economizing the use of labor outrunning the pace at which we can find new uses for labor.” In short, automating ourselves out of a paycheck.
Mexican archaeologists announced last week that they discovered a trove of more than 200 Maya artifacts beneath the ancient city of Chichén Itzá in Mexico.
The discovery of the Yucatán Peninsula cave – and the artifacts, which appear to date back to 1,000 A.D. – was not the team’s original goal, National Geographic Explorer Guillermo de Anda, who helped lead the team, told NPR’s Lulu Garcia-Navarro for Weekend Edition.
A local resident told the archeologists about the secret cave, known as Balamku or “Jaguar God.” It had been known to locals for decades and about 50 years ago some of them told archeologist Víctor Segovia Pinto about the cave, but he ordered it sealed for unknown reasons, causing it to be forgotten. This time, the explorers decided to search the cave chambers, which involved crawling on their stomachs for hours to reach the coveted artifacts.
Anthem is a mess. There’s no nicer way of putting it. I can’t recommend it in any form today. The good(?) news is that it’s essentially unfinished but it’s a part of EA’s games-as-a-service strategy. Like so many other games-as-a-service shlooters (that’s loot-shooters, games like Destiny and The Division), it’s being patched frequently with new features, quality of life improvements, and bug fixes. The outstanding questions are can they fix this game post-release and do they have the will to keep working on this game?
Is there an efficient way to tinker with the genes of plants? Being able to do that would make breeding new varieties of crop plants faster and easier, but figuring out exactly how to do it has stumped plant scientists for decades.
Now researchers may have cracked it.
Modifying the genetics of a plant requires getting DNA into its cells. That’s fairly easy to do with animal cells, but with plants it’s a different matter.
“Plants have not just a cell membrane, but also a cell wall,” says Markita Landry, assistant professor of chemical and biomolecular engineering at the University of California, Berkeley.
Scientists have tried different ways to get DNA and other important biological molecules through the cell wall – by shooting microscopic gold bullets coated with DNA into the cell using a gene gun or by hiding DNA inside bacteria that can infect plant cells.
Both methods have limitations. Gene guns aren’t very efficient, and some plants are hard, if not impossible, to infect with bacteria.
UC Berkeley researchers have found a way to do it using something called carbon nanotubes, long stiff tubes of carbon that are really small. Landry came up with the idea, and the curious thing is she’s neither a nanotechnology engineer nor a plant biologist.
BACKWARD. Remember in Armageddon where
Bruce Willis’ character says to the NASA manager, “You’re the
guys that’re thinking shit up! I’m sure you got a team of men sitting around
somewhere right now just thinking shit up and somebody backing them up!” Same
answer here – they’re looking for help from the public:
“It’s 2050 And This Is How We Stopped Climate Change”.
When NPR interviewed Congresswoman Alexandria Ocasio-Cortes in February about her Green New Deal, she said that her goal was bigger than just passing some new laws. “What I hope we’re able to do is rediscover the power of public imagination,” she said.
Well, we’re unleashing our imagination and exploring a dream, a possible future in which we’re bringing global warming to a halt. It’s a world in which greenhouse emissions have ended.
(Editor’s note: Each story has two sections, the first reflecting the present and the second imagining the world of 2050.)
Published in February 2019. Britain, the not-too-distant future. Idir is sitting the British Citizenship Test. He wants his family to belong. Twenty-five questions to determine their fate. Twenty-five chances to impress. When the test takes an unexpected and tragic turn, Idir is handed the power of life and death. How do you value a life when all you have is multiple choice?
Extensive cellars of the world’s best wines. Pristine slopes with no other skiers, the lifts at your disposal. A hotel kitchen with an endless supply of food that never spoils. The penthouse room available day in and day out for sleeping and leisure. Paradise calls, such is the tragedy of Graham Joyce’s touching 2010 The Silent Land.
“Captain America” found out he had a big fan in Congress after his mission to the US Capitol this week.
Chris Evans, known for playing the superhero in the Marvel movies, met up with Rep. Dan Crenshaw on a visit to Washington, and the two seemed to hit it off.
Crenshaw, who represents Texas’ 2nd Congressional District, lifted his eye patch to show off a Captain America-inspired glass eye to Evans. In a picture posted to Twitter on Friday, the eye resembles Captain America’s shield, with a five-point, white star in the middle surrounded by circles.
The BGR story talks about the possibility of Russian
fighters using drones (that fly with an AI assist) as a force multiplier.
Well, it seems Russian military officials don’t want to just stop with that fearsome new hypersonic intercontinental ballistic missile that was tested last month, which we told you about and which Russia claims there’s no defense against. It would appear the country’s military forces have also been testing the feasibility of having AI-powered wingmen fly alongside Russian fighter pilots, executing commands issued by the human pilot an inaugurating a scary new chapter in aerial military combat.
News accounts of Russia’s efforts here are the result of images spotted on social media of a drone called Hunter, an unmanned combat vehicle, along with images of a jet called the Sukhoi Su-57. Of particular interest is that fighter jet’s tail. As you can see below, on the tail you can see the shape of a jet as well as an image that seems to be the “Hunter” drone, along with the image of a lightning bolt.
Meanwhile, PopSci takes a look at using big data and machine
learning to keep aging aircraft in the air instead of grounded.
Late in 2018, the Air Force (with help from Delta) retrofitted its aging C-5 and B-1 fleets to perform predictive maintenance. “It’s already doing amazing work, telling us things that we need to look at before they become critical,” Will Roper [(USAF assistant secretary for acquisition, technology, and logistics)] says. “The data is there but it’s not in a discoverable format that you can layer in machine learning on top of it. A lot of what we had to do was reverse engineering, so that that data can be exposed in an algorithm friendly way.”
He says there are more than 100 algorithms running on the C-5 systems, and more than 40 examining the B-1. Each algorithm parses the information generated by specific systems, like the landing gear, wheels, temperature sensors, and anything that is deemed mission-critical.
So far, the A.I. found three maintenance actions on the C-5 “that we wouldn’t have found through traditional processes, that affect 36 different aircraft,” Roper says. Maintainers also removed 17 parts that were showing subtle signs of wear well before those parts had issues.
(20) WHAT’S THAT SMELL?
It’s D&D night at Ursula Vernon’s place. The thread starts here.
JJ, Chip Hitchcock, Rich Lynch, Martin Morse Wooster, Cat Eldridge, John King
Tarpinian, Mike Kennedy, Carl Slaughter, and Andrew Porter for some of these
stories. Title credit goes to File 770 contributing editor of the day Adam
…Part of the trouble, Edidin says, is that comics is a prestige industry, which attracts people for whom the primary reward is simply getting to work in comics. And because there are always people clamoring to be part of the industry, even famous creators are ultimately disposable, and often disposed of. (The very existence of the Hero Initiative, which raises money for comics creators in need, testifies to this.) While the industry can be tight-knit and often supportive, it also leaves creators to fend for themselves. “You don’t really work in comics unless you really care about it, because it’s pretty much a guarantee that you’ll be low-paid,” Edidin says. “So what we’ve got at this point is an industry full of people who are exquisitely financially vulnerable, and who generally feel extremely passionate about what they do… and can’t afford to lose their work or their jobs. And that includes publishing employees.”
In such an environment, the standards for what kind of public speech is acceptable are often either left unclear or inconsistently applied. Simply staying off social media isn’t really an option for freelancers, especially those still working to become established, Edidin points out: having an active profile somewhere like Twitter is vital for networking, getting the word out about projects, and talking shop with fellow freelancers and enthusiasts. But because freelancers aren’t official employees, these social media accounts are—by definition—personal. Lines between personal opinions and professional ones are blurry, and few companies offer solid social media guidelines for dealing with them….”
This is a topic that we have been wanting to write on for a while. It’s something Andy has grappled with over the years as an attorney of conscience whose job is sometimes to represent the accused, and other times the victim, and of course is also a member of society free to have his own opinions when not representing a client.
What do we mean when we say “believe women” or “believe survivors?” Some folks say, “when you report a robbery, or a theft, or some other crime, nobody starts by asking how you fought back, what you were wearing, or whether you made it up.” …
Ju Honisch M.A.
James Patrick Kelly
Mary Robinette Kowal
Yoon Ha Lee
Jo Lindsay Walton
Mary Anne Mohanraj
E. Lily Yu
(4) DUBLIN 2019 ACCESS. People should contact Dublin2019 now with hotel accessibility requests. The website’s Accessibility Policy page says —
We will have information on accessible accommodation in mid-September 2018, with access bookings opening in early December 2018. People needing Accessible rooms will be asked to register with the Access team to help people get the most appropriate room.
And judging by this tweet they’re already being helpful —
Pleased to hear from @Dublin2019 Worldcon access requirements folk, re sorting our accessible hotel requirements for next August. Always delighted by how helpful Worldcon volunteers are re sorting this. We’ll be booking ahead of general bookings opening. https://t.co/yuh0cAg4xH
(5) LOSCON 45 PROGRAM. Loscon programming is now LIVE on Grenadine — Loscon-45. The con runs Thanksgiving weekend.
And Galactic Journey will do a presentation that — in keeping with their 1963 sequence — occurs a simulated two days after the Kennedy assassination!
It is November 24, 1963, and a nation is in mourning. The death of a youthful President and the heating up of struggles in southeast Asia and the southern United States mark a harsh divide between the past and the new era.
There’s a sharp transition in culture, too: The first British invasion since 1812 features mop-tops and mod suits rather red coats, but its influence will be as profound. And not just music — the British New Wave of science fiction (and its American counterpart) are ushering in new ideas, diverse viewpoints, weirder topics….
Write a letter of comment to Amazing Stories and you would win a collectible lapel pin! It’s pretty simple: read our issues, write a letter of comment, email it (or mail it, old school is appreciated!) and if we think it is sufficiently pithy, inciteful, provocative and/or informative, we’ll mail you a one-of-a-kind collectible Amazing Stories lapel pins. Read on to learn more about the history of letter writing in fandom. (Mail to: Amazing Stories, PO Box 1068, Hillsboro, NH 03244. Email email@example.com)
(8) MYSTERY CATS. Diane A.S. Stuckart, in “Five Favorite Fictional Feline Sleuths” at Criminal Element, recommends stories with cats in them that SJWs would like, including Poe’s “The Black Cat,” Carroll’s Chrisre Cat, and Disney’s “That Darn Cat.”
Louie has no supernatural powers, but he has the feline skills of stealth and persistence that make him a crack investigator. And while he talks tough, he has a soft spot for Temple and will risk life and paw for her. Louie was one of the first felines to narrate his own mystery series. I started reading him back in the 90s and promptly fell in love with him. I haven’t made it through the entire colorized alphabet of novels yet, but intend to eventually rectify that.
When legends meet: Ringo was the only member of the Beatles whom Ray Bradbury met in person. (Backstage at an Eagles concert) Ringo became so excited at the sight of Bradbury he yelled, “It’s Ray Bradbury!” began running to hug him and tripped over a chair.
(11) TODAY’S BIRTHDAYS
[Compiled by Cat Eldridge and JJ.]
Born November 10, 1889 – Claude Rains, Actor whose first genre role was as Dr. Jack Griffin in the 1933 film The Invisible Man. He would go on to play Jacob Marley in Scrooge, Prince John in The Adventures of Robin Hood, Sir John Talbot in The Wolf Man, and Erique in The Phantom of the Opera. (Died 1967.)
Born November 10, 1932 – Roy Scheider, Actor, Producer, and Amateur Boxer played Dr. Heywood R. Floyd in 2010, the sequel to 2001: A Space Odyssey. His other major genre performance was as Captain Nathan Bridger in the SeaQuest DSV series. He also has roles in The Curse of the Living Corpse (his first acting role, a very low-budget horror film), one of The Punisher films, Dracula III: Legacy and Naked Lunch which may or may not be genre, and the technothriller Blue Thunder (JJ says yay! Blue Thunder!). I do not consider the Jaws films to be genre, but you may do so.
Born November 10, 1946 – Jack Ketchum, Writer who was mentored by Robert Bloch, horror writer par excellence. Winner of four Bram Stoker Awards, he was given a World Horror Convention Grand Master Award for outstanding contribution to the horror genre. I’ll admit I’ve not read him, so I’ll leave it up to the rest of you to say which works by him are particularly, errr, horrifying. Oh, and he wrote the screenplays for a number of his novels, in all of which he quite naturally performed. (Died 2018.)
Born November 10, 1950 – Dean Wesley Smith, 68, Writer and Editor of Pulphouse magazine, for which fortunately Black Gate has provided us with a fascinating history you can read here. Pulphouse I first encountered when I collected the works of Charles de Lint, who was in issue number eight way back in the summer of 1990. As a writer, he known mostly for his work in licensed properties such as StarTrek, Smallville, Aliens, Men in Black, and Quantum Leap. He is also known for a number of his original novels, such as the Tenth Planet series, on which he collaborated with his wife, Kristine Kathryn Rusch.
Born November 10, 1955 – Roland Emmerich, 63, Writer, Director, and Producer originally from Germany. Usually I don’t touch upon SJW affairs here, but he’s a very strong campaigner for the LGBT community, and is openly gay, so bravo for him! Now back to his genre credits. The Noah’s Ark Principle was written and directed by him in 1984 as his thesis, after seeing Star Wars at the Hochschule für Fernsehen und Film München. Moon 44 followed, which likely most of you haven’t seen, but now we get to his Hollywood films: to wit Universal Soldier, The High Crusade (yes the Poul Anderson novel), Stargate, Independence Day… no, I’m going to stop there. Suffice it to say, he’s created a lot of genre film. And oh, he directed Stonewall, the 2015 look at historic event.
Born November 10, 1960 – Neil Gaiman, 58, Writer from England whose work has not just been published as fiction, but has been made into comic books, graphic novels, audioplays, and movies. Summarizing him is nigh unto impossible so I won’t, beyond saying that his works include Neverwhere, Anansi Boys, the Sandman series, Stardust, American Gods, Coraline, and The Graveyard Book. He has awards beyond counting – including, but not limited to, Eisners, Harveys, Hugos, Nebulas, and Bram Stokers. As for film, I think the finest script he did is his “Day of The Dead” one for Babylon 5, not either of his Doctor Who scripts. (Your opinions will, I know, differ.) The animated Coraline is, I think, the most faithful work from one of his novels; the Neverwhere series needs to be remade with decent CGI; and the less said about Stardust, the better. My first encounter with him was reading the BBC trade paper edition of Neverwhere, followed by pretty much everything else he did until the last decade or so, when I admit I stopped reading him, but I still remember those early novels with great fondness. I even read the Good Omens film script which he and Pratchett wrote.
Born November 10, 1971 – Holly Black, 47, Writer best known for her Spiderwick Chronicles, which were created with fellow writer & illustrator Tony DiTerlizzi, and for the Modern Faerie Tales YA trilogy. Her first novel was Tithe: A Modern Faerie Tale. (It’s very good.) There have been two sequels set in the same universe. The first, Valiant, won the very first Andre Norton Award for Young Adult Science Fiction and Fantasy. Doll Bones, which is really, really creepy, was awarded a Newbery Honor and a Mythopoeic Fantasy Award. Suffice it to say that if you like horror, you’ll like her.
Born November 10, 1989 – Taron Egerton, 29, Actor nominated for a Saturn Award for playing Gary “Eggsy” Unwin in Kingsman: The Golden Circle. He’s playing the title character in Robin Hood, due out in on the 21st of the month from Lionsgate. He’s also voicing El-Ahrairah, a rabbit trickster folk hero, in the forthcoming Watership Down series, and also voices Moomintroll in the also forthcoming Moominvalley series.
(12) COMICS SECTION.
Non Sequitur makes a movie reference – then in comments, a reader sensibly asks, “Who would want to escape a bookstore?”
(13) ORAL HISTORY. What has it got in its tooth socketses?
(14) INSIDE FANHISTORY. Fanac.org has posted video from MagiCon, the 1992 Worldcon, of Rusty Hevelin interviewing Art Widner.
MagiCon, the 50th Worldcon, was held in Orlando, Florida in 1992. In this video, Rusty Hevelin interviews Art Widner about the early days of fandom. The conversation ranges from the first fanzine (arguably published by Lovecraft) to the origins of FAPA to the Singleton suicide hoax. You’ll hear about the perils of mimeography, the start of the Strangers Club and even learn the plural of YHOS. If you are interested in Fan History, here’s your chance to get a personal view from someone who was there at the beginning. To read many of the fanzines discussed, go to FANAC.ORG.
In a lot of ways, this is a book about trying not to think about the election. It’s about running off into a free space where maybe you can conceive that there isn’t just a right and a left, a red and a blue, a man and a woman; but that there’s some kind of possible reinvention. In that sense, it’s, you know, it’s chasing the old American fantasy of the frontier which is a … utopian space where something can be — a new kind of world can be set up.
…Role-playing Nato forces launched a single medium range nuclear missile, wiping Ukrainian capital Kiev from the map. It was deployed as a signal, a warning that Nato was prepared to escalate the war. The theory was that this ‘nuclear signalling’ would help cooler heads to prevail. It didn’t work.
By 11 November 1983, global nuclear arsenals had been unleashed. Most of the world was destroyed. Billions were dead. Civilisation ended.
Later that day, the Nato commanders left their building and went home, congratulating themselves on another successful – albeit sobering – exercise. What Western governments only discovered later is that Able Archer 83 came perilously close to instigating a real nuclear war.
“There’s evidence at the highest levels of the Soviet military that they were finding it increasingly difficult to tell drills from an actual attack,” says Nate Jones, director of the Freedom of Information Act Project for the National Security Archive in Washington DC, an independent non-profit organisation that advocates for open government. “We’re now amassing a collection of documents confirming that the Soviets were really scared the West would launch a nuclear strike.”
In an era of entertainment industry mergers and acquisitions, the founders of British animation powerhouse Aardman – the much-loved Oscar-winning studio behind Wallace & Gromit and Shaun the Sheep – have moved to ensure their company’s continued independence by transferring it into employee ownership.
The decision, made by Peter Lord and David Sproxton, who first set up Aardman in 1972, will see the majority of company shares transferred into a trust, which will then hold them on behalf of the workforce.
Speaking to The Hollywood Reporter, both Lord and Sproxton explained that the move was about seven years in the making, and while it wasn’t an indicator of their imminent departure, meant that Aardman was in “the best possible shape” for when that moment came and would help secure its creative legacy and culture.
“We’ve spent so much time so much time building this company up and being so profoundly attached to it. It’s not a business to us, it’s everything, it’s our statement to the world,” said Lord. “Having done that for so many years, the last thing we wanted to do was to just flog it off to someone.”
John Boyega and Letitia Wright are to star in a sci-fi romance story that is being billed as Romeo and Juliet meets Gravity.
The film is based on author Katie Khan’s novel, Hold Back the Stars.
(19) STOP, DROP, AND SCROLL. What could be more sincere than Marvel’s Captain America doing public service announcements?
[Thanks to Cat Eldridge, Chip Hitchcock, John King Tarpinian, Mike Kennedy, JJ, Martin Morse Wooster, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Kip Williams.]
The Museum of Illustration at the Society of Illustrators is pleased to present an exhibition of original artwork showcasing characters from the Marvel Universe featuring the Avengers and other heroes. Artists include John Buscema, John Cassaday, Don Heck, Joe Jusko, Jack Kirby, George Perez, John Romita, Marie Severin, Walt Simonson, Barry Windsor Smith, Jim Steranko, Herbe Trimpe, and others, on display from July 5th through October 20, 2018.
The exhibition includes vintage, original comic artwork from all years of Marvel Comics history. The selections illustrate how Marvel’s innovative creative teams initially led by legendary creators Stan Lee and Jack Kirby, kept the Marvel Universe evolving with the times.
(2) B&N EXEC GONE, BUT WHY? On July 3, Barnes and Noble announced it had fired CEO Demos Parneros for unspecified policy violations, adding that he would not receive any severance package. Publisher’s Weekly has the story.
In a brief statement released late Tuesday afternoon, the retailer said CEO Demos Parneros was terminated for “violations of the Company’s policies.” While not saying what policies Parneros violated, B&N said his termination “is not due to any disagreement with the Company regarding its financial reporting, policies, or practices or any potential fraud relating thereto.” In addition to being fired immediately, Parneros will not receive any severance, B&N said. B&N said Parneros’s removal was undertaken by its board of directors, who were advised by the law firm Paul, Weiss, Rifkind, Wharton & Garrison LLP.
The International Space Station got its first robot with artificial intelligence Monday, along with some berries, ice cream and identical brown mice.
SpaceX’s capsule reached the station three days after launching from Cape Canaveral, Florida. Station astronaut Ricky Arnold used a large mechanical arm to grab the Dragon capsule as the spacecraft soared above Quebec, Canada.
The nearly 6,000-pound (2,700-kilogram) delivery includes the round robot Cimon, pronounced Simon. Slightly bigger than a basketball, the AI robot from the German Space Agency is meant to assist German astronaut Alexander Gerst with science experiments. Cimon’s brain will constantly be updated by IBM so its intelligence — and role — keep growing.
(4) SMOFS ON THE AIR. Bids for future Westercons, Worldcons, and NASFiCs gave presentations and answered questions at Westercon 71 in Denver on July 5.
Kevin Standlee sent a link to the YouTube playlist of videos where you can watch the appearances of representatives from the SeaTac in 2020 Westercon, Utah in 2019 NASFiC, New Zealand in 2020 Worldcon, and DC in 2021 Worldcon bids.
(5) RHYSLING AWARD FOLLOW-UP. In the Science Fiction and Fantasy Poetry Association press release about the winners of the 2018 Rhysling Awards, SFPA President Bryan Thao Worra said:
My deep and personal congratulations to all of the winners and all of the nominees. The SFPA thanks everyone who nominated these poets and those who took the time to vote this year. Every year the awards are filled with great excitement, even as it is often deeply challenging to choose the best poem among so many styles and talented voices from around the world.
We’re looking forward to many more decades ahead of our members celebrating profound possibility, inquiry and imagination through verse.
First established in 1978, the Rhysling Award is now in its 40th year. Science Fiction fans may recognize the name. The Rhyslings were named for the blind poet Rhysling in Robert A. Heinlein’s short story “The Green Hills of Earth.” Rhysling’s skills were said to rival Rudyard Kipling’s. In real life, Apollo 15 astronauts named a crater near their landing site “Rhysling,” which has since become its official name.
The Rhysling Awards will be formally presented at DiversiCon 26 on Saturday, July 28th at 3:00pm in St. Paul (Bandana Square Best Western) by SFPA President, Bryan Thao Worra and other members of the SFPA executive committee. All members of the SF community are welcome to attend the ceremony. For scheduling at updates, visit www.diversicon.org.
At the Neumark-Nord site in Germany, Neanderthals 120,000 years ago hunted along the shores of a lake surrounded by dense forest. It’s a tough environment to make a living in, even for modern hunter-gatherers. Here, archaeologists found two textbook examples of hunting-spear trauma. A fallow deer vertebra bore a circular wound from what Gaudzinski-Windheuser and her colleagues described as “a well-placed lethal injury” to the deer’s neck, not far from the trachea—probably from a spear thrust.
A pelvic bone from another fallow deer had a circular hole punched through the thinnest part of the bone, toward the front and close to the spine. The bone hadn’t begun to heal, so the injury, although likely not fatal in its own right, probably happened in the moments before death.
In micro-CT images, Gaudzinski-Windheuser and her colleagues could see that the wound had a tapered shape, wider on the outer face of the bone where the spear had entered. This pushed bone fragments inward, but things were narrower on the inner surface where the spear tip had come out the other side and pushed bone fragments outward. Such a clear injury is a rare find, and it offered Gaudzinski-Windheuser and her colleagues a chance to analyze Neanderthal hunting methods in detail.
(7) AND HAVING WRIT, MOVES ON. Someone corrected this blue plaque in Cambridge.
A few months ago I wrote about my friend Mary Whitehead, who works as an Experimental Officer in Australia. She recently wrote me back with some corrections, that I will pass on to you, in order not to mar the historical record.
For example, I said that Mary lived at Woomera, which was not the case. I was conflating the rocket testing range with the place where most of the computing work got done. She actually lives near the Weapons Research Establishment (WRE), which is located in Salisbury, a small town about 15 miles north of the big city of Adelaide. Woomera Rocket Range is in the isolated outback another 300 miles north of that.
In 1949, Mary, who studied mathematics in college, got a job in the Bomb Ballistics Section of the WRE. At that time, Mary was the only professional woman at Salisbury. Her first work was to lead a team of female Computers. At first, they used mechanical calculators like the noisy Friden’s and then Marchant’s like we used at Los Alamos Scientific Laboratory.
“We wanted to come up with a ‘summer fun’ cover and looked to things like beach parties, county fairs and amusement arcades for inspiration,” Morrison says of the cover illustrated by Mark Fredrickson. “Art director Suzy Hutchinson thought an image of [Mad mascot] Alfred playing Whac-A-Mole would be fun, and mocked up a surreal cover of Alfred whacking mini-versions of himself.
“Then,” the editor says, “we turned on the news and decided that taking a whack at some notorious celebrities would be not only fun, but therapeutic.”
Nearly a quarter of a century in the making, the film that premiered at Cannes and screened out of competition Wednesday at the Karlovy Vary Film Festival in the Czech Republic, has been dogged with challenges worthy of Cervante’s noble hero.
After false starts and many rewrites, ex-Monty Python member Gilliam finally completed the film only for a legal dispute with a now former Portuguese producer Paolo Branco to threaten to derail it.
Branco’s threats were sufficient for Amazon to pull out of a deal that would have ensured a 90-day cinematic release in the U.S. before it was available for streaming. Even Cannes chief Jerome Paillard was rumored to have had the jitters before its festival screening in May.
But that decision, Karlovy Vary’s screening and an upcoming competition screening at the Munich film festival appear to have strengthened the French distributors Kinology’s hand, despite a Paris court ruling last month granting the film’s rights to Branco.
“It is about to be released broadly in Holland and Belgium,” Gilliam told The Hollywood Reporter on Wednesday. “I think Cannes changed things. Paolo just went too far – ‘I will tell the festival not to show it’… It seems things are floating along nicely, although he did scare a lot of people away at one point.”
Fast-flowing waterways on ancient Mars carved river valleys much like those on modern Earth.
Although Mars is cold and dry today, channels on its surface look as if running water shaped them, leading researchers to think the planet was warm and wet in the past. But scientists have struggled to determine whether that water fell from the sky as rain or seeped upward from the ground.
To discern the water’s source, Hansjoerg Seybold at the Swiss Federal Institute of Technology (ETH) Zurich and his colleagues analysed the geometry of Martian valley channels. The channels branch off at relatively narrow angles, as do waterways in arid landscapes on Earth, such as the US Southwest. More-humid landscapes with a lot of groundwater — the Amazon rainforest, for example — host river channels that branch at wider angles.
We know Cap’s exact date of birth thanks to a scene early on in Captain America: The First Avenger, when pre-serum Steve Rogers attempts (not for the first time) to sign up for the army. The doctor dismisses him due to his long list of ailments, and in the process gives the audience a look at his medical records, which include his date of birth. Naturally, he was born on Independence Day.
The comic book version of Captain America, meanwhile, is actually 101 years old, having been born on July 4, 1917. His birth date is often incorrectly cited as being July 4, 1920, since that’s the date given on his Wikipedia page. However, The Adventures of Captain America #1 (the source for Wikipedia’s claim) states that he was born in 1917.
If you squint, the image above bears a pretty strong resemblance to what you might see at a July 4 fireworks display.
But it’s actually, dare we say, far cooler. Or hotter: The image captured by the Hubble Space Telescope is a cluster of “huge, hot” stars called NGC 3603, about 20,000 light years away in the constellation Carina.
The glittery image was captured in 2009, and NASA posted it on its website on the eve of today’s Independence Day celebrations. The swirling purple clouds of gas and dust, it says, are the “raw material for new star formation.”
(15) DISSERTATION DEFENDER. Congratulations to Shaun Duke, of Skiffy and Fanty, who earned his Doctorate today.
[Thanks to Carl Slaughter, Andrew Porter, Cat Eldridge, ULTRAGOTHA, SF Concatenation’s Jonathan Cowie, Martin Morse Wooster, Mike Kennedy, Chip Hitchock, JJ, Daniel P. Dern, Steven H Silver, Eric Franklin, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Ingvar.]