Pixel Scroll 2/18/16 Pixel Bell Rock

(1) INTERNET HIGHWAY ROBBERY. Chuck Wendig tees off on a Huffington Post UK editor who preens about not paying their 13,000 contributors.

Because it isn’t “authentic.” To pay writers.

You toxic tickledicks.

You venomous content-garglers.

You thieves, you brigands, you media lampreys.

Let us expose this hot nonsense for what it is: a lie meant to exploit writers and to puff up that old persistent myth about the value of exposure or the joy of the starving artist or the mounting power of unpaid citizen journalism.

The lie is this: writing is not work, it is not fundamental, it is a freedom in which you would partake anyway, and here some chucklefuck would say, haw haw haw, you blog at your blog and nobody pays you, you post updates on Twitter and nobody pays you, you speak words into the mighty air and you do it for free, free, free. And Huffington Post floats overhead in their bloated dirigible and they yell down at you, WE BROADCAST TO MILLIONS and DON’T YOU WANT TO REACH MILLIONS WITH YOUR MEAGER VOICE and THIS IS AN OPPORTUNITY FOR YOU.

But it is an opportunity for them, not for you.

But it seemed to me after a strong start Wendig’s rant winds down and loses headway:

Writing is work. Most things begin with writing. Though I find writing a pleasure, it is also a thing that requires great mental effort. It is not mere content — that word said almost dismissively, as if it is a synonym for styrofoam peanuts. (And by the way: you actually have to buy styrofoam peanuts. They aren’t free unless you rob them from boxes shipped to you.) Content is not slurry. It’s not protein goo. It’s not mud or air or some readily available resource…

Intrinsic value and market value are different things. While I don’t think Chuck Wendig believes all writing has the same market value, or necessarily any market value, it seems to me he has conflated spiritual and economic value in this paragraph.

Wendig is right that Huffington Post capitalizes on uncompensated labor, of course. If HuffPo is making money, that establishes that the content collectively has some market value. Since none of that value flows through to the contributor, you can argue an injustice.

But are all these contributors trying to launch writing careers? I do agree that if somebody is trying to be a pro writer, which not all HuffPo contributors necessarily are, they should be working on material that has a paying market.

(2) THAT GETTING PAID THING. In a series of tweets, John Scalzi thanked Wendig for doing the heavy lifting today, and tossed in a few more points:

(3) WRITING VS. WIDGETS. Elizabeth Bear tells about detoxing as a writer, metaphorically speaking, in “if you live for something, you’re not alone”.

One of the things I’ve realized that I need to work on in order to develop a healthier relationship with my job involves certain toxic aspects of the professional writing/publishing culture that I’ve done an overly good job of internalizing. And I’m trying to scrape it out of my soul, because in the long term it winds up being the opposite of productive when dealing with a creative career.

Some of that is a competition thing: “Writer X turns in three books a year and I’m a slacker if I don’t, too!” And that’s not great, honestly, and the sheer pressure to produce isn’t great, either, and doesn’t necessarily lead to good work. One has to think up new things to say between books, after all, or one ends up writing the same book over and over again. No use in that.

I think there’s a certain bravado of culture among may writers that is actively toxic in a lot of ways. And it’s tied to the NaNoWriMo kind of mode of “produce a bunch of stuff really fast, lather rinse repeat” pressure, and also the “THIS JOB SUCKS AND WE’RE WARRIORS FOR DOING IT” thing. It’s this weird Puritan machismo in suffering.

I mean, you don’t learn to write well by turning out 50K in a month once a year. It’s the two pages a day or whatever that get you there. Constant practice, as with any art. And mammals don’t respond well to punishment for performance. If we do a thing and the result is horrible, we generally avoid doing that thing again

(4) STARSHIPPING. From the Initiative for Interstellar Studies, Principium, Issue 12, February 2016 [PDF file]. The overview begins —

In this edition our guest introduction is by Gill Norman. Gill is a former director of i4is. She has helped us become the reasonably well organised body that we now are. Her thoughts here are on the necessity of human engagement in Interstellar Studies and space in general, Space: It’s all about people. She tells us how we need to engage resources and talents from all who feel our outward urge. Scientists and engineers are essential but so are entrepreneurs, PR experts and, of course, the best administrators we can find!

(5) FRAUD AT ICE CREAM COUNTER. “Astronaut ice cream is a lie”!

Astronaut ice cream — did it really fly? Vox’s Phil Edwards investigates, with the help of the Smithsonian and an astronaut.

 

(6) MOVING DAY. “China displaces nearly 10,000 humans for huge telescope in search for aliens” reports Asia One.

China will move nearly 10,000 people to make way for the world’s largest radio telescope which promises to help humanity search for alien life, state media reported on Tuesday.

It’s compensating them less than $2,000 each to relocate.

(7) CONGRATULATIONS: Becky Thomson and Tom Veal, friends for over 45 years, have announced they are engaged to be married. The wedding will be on June 25, in Ft. Collins, Colorado.

(8) SIGNALLING THE BEST. At SF Signal, “Top 15 Sci-Fi Comics of 2015 (Becky Cloonan, Kelly Sue DeConnick, Greg Rucka, More” .

We don’t write many articles about comics here at SF Signal. That’s not to say that we dismiss comics as literature, though. Many of the contributors to this blog are huge fans of the medium, but sites devoted the field abound, and whether superheroes are actually science fiction or a form of fantasy that simply employs sci-fi conventions as convenient MacGuffins is debatable. The one notable exception to our comic freeze out is our annual list of the top science fiction comics of the year… which number exactly one, because last year’s list was our first.

To my surprise, though, last year’s list of the Top 14 Sci-Fi Comics of 2014 turned out to be one of our top ten most popular articles of 2015. So, back by popular demand, here’s a rundown of the best on-going science fiction comics to hit stands in 2015. It’s not exhaustive, because there were a LOT of great sci-fi series this year, but it’s what we consider these to be the cream of the crop. Feel free to debate or contribute your own suggestions in the comments below….

(9) KENYON/CLARE ARTICLE. Laura Miller at Slate writes with a fannish slant about “The Shadowhunters vs. the Dark-Hunters”.

A lawsuit between two best-selling authors involves fantasy, romance, charges of plagiarism, and fan fiction gone mainstream….

I have friends with deep roots in fandom—albeit without much connection to this particular sector of it—who believe that this is the true source of the undying animosity toward Clare: She left fandom “badly,” or, worse yet, she seemed to be repudiating her own origins in that community by changing the spelling of her name. Fan-fiction writers are routinely and viciously ridiculed and shamed for their hobby, which makes their communities especially insular and self-policing. “Back in the day,” Cleolinda Jones, a onetime regular at Fandom Wank, wrote to me, “we used to say, ‘The first rule of fanfic is, do not take money for your fanfic.’ Because the overriding fear was intellectual property holders would sue everybody and shut fandom down.” Rights-holders that once issued cease-and-desists against fan sites for using promotional photos now encourage fan art and other tributes, Jones says, but in the early 2000s, “I just really cannot overstate the sense of living on borrowed time by the grace of the IP holders.” This would explain why word-for-word plagiarism, as opposed to the transformative appropriation of another creator’s characters and setting, would seem a catastrophically reckless sin against the entire community.

Of course, Clare was reviled—and adored—in Harry Potter fandom even before the plagiarism charges against her came to light. And fan fiction itself has come a long way, spawning numerous real-world stars, fan writers such as E.L. James who move on to publish best-sellers. Clare was among the very first to do this. But the prospect of going pro and striking it rich seems to many fan-fiction writers like a serpent in the garden, corrupting what once felt like an idyllic, egalitarian gift-economy of like-minded dabblers. Once, fandom was a destination in itself; now it’s just another stepping stone for ambitious writers with their eyes on a richer prize. Like so much of the idealism of the early Internet, this, too, has become an offshoot of the marketplace. “I think what you don’t understand,” one friend told me when I expressed bafflement that Clare’s fellow fan-fiction writers didn’t view the popularity of her books as a feather in their collective cap, “is that a lot of them just feel used.” When I admitted that didn’t make sense to me, she added, “It’s hard to explain, but that doesn’t mean it isn’t real.”

(10) CON OR BUST. MidAmeriCon II has also pitched in:

MidAmeriCon II, August 17-21, 2016, Kansas City, MO, USA. MidAmeriCon is the 2016 WorldCon; its Guests of Honor are Kinuko Y. Craft, Patrick Nielsen Hayden, Teresa Nielsen Hayden, Tamora Pierce, and Michael Swanwick, and its Toastmaster is Pat Cadigan.

MidAmeriCon has donated four memberships to Con or Bust, either in full or as upgrades to supporting memberships (if the recipient already has one).

(10) TAKING ART IN NEW DIRECTIONS. “Best Fan Artist?” asks Steven H Silver. GPS Doodles’ Stephen Lund creates figures by riding his bike in meatspace on routes tracked by Strava. Some are Star Wars-themed.

GPS Yoda

“Doodle a Jedi I must”

Wasn’t it Yoda, Grand Master of the Jedi Order, who said “Doodle. Or doodle not. There is no try”?

Well, doodle I must. And on May the 4th, there’s little choice but to doodle the Jedi Order’s most disciplined master of the Force. Good ol’ Yoda.

“Take a ride on the dark side”

Subject: ride along I’d like to request one. Can you come up with a suitable topic? Vader and his young apprentice perhaps?

It sounded like fun – not just the Star Wars theme but the idea of having someone along for the ride.

Kudos to Geoff, who stuck with me for the entire 4.5+ hours with no inkling whatsoever about what we were doodling. He was completely in the dark (“on the Dark Side,” I suppose you could say) until he got home afterward and downloaded the ride to Strava.

(11) TODAY IN HISTORY

  • February 18, 1930 – Clyde Tombaugh discovered planet Pluto, before it became a dwarf.
  • February 18, 1977 – First unmanned test flight of space shuttle Enterprise mounted on another aircraft.

(12) ARE YOU SHOCKED? Kate Paulk’s award overview series continues with “Hugo Categories Highlight – The Short Fiction Categories”.

The problems of the Hugo voting/nominating population being relatively small and to a large extent long-term fans who could be termed the science fiction “establishment” (in the sense that many of these people have been to the same conventions for twenty and more years and helped each other run quite a few of them) have probably had years where they actually could read everything eligible with the result that they’ve seen practically everything.

This leads to a kind of weird inversion of killer mailbox syndrome (what happens to your marvelous tale about a killer mailbox when the slush reader has just read the third killer mailbox piece in the slush dive and the other three were horrible. The horrible gets imputed to your story because of the human mind’s extreme pattern-making and association ability) where something that isn’t all that great seems the freshest, most wonderful piece of the year because it’s sufficiently unlike the rest of the entries it stands out. This gets good-but-not-extraordinary works nominated and winning awards because they aren’t like everything else.

There’s no need for a conspiracy to explain some of the “winning the future” selections in recent years – this effect will do just as nicely, particularly since many of said voting group have very similar opinions about what constitutes a desirable message and from what I’ve seen are honestly shocked that their views of what is right and proper are not shared by the rest of fandom (two rules that we fans have to remember: sufficiently advanced stupidity is indistinguishable from malice; and highly intelligent people are capable of extremely advanced stupidity).

(13) THE REBUTTAL. Vox Day at Vox Popoli makes additional arguments supporting his contention that he is a better editor than David Hartwell.

The SF-SJWs at File 770 are appalled at the fact that Tor Books and Castalia House author John C. Wright is willing to go on the record and state that, in his opinion, I am a better editor than the late, Hugo Award-winning editor David Hartwell:…

You see, I have perspective that they do not. Unlike them, I have seen Mr. Wright’s unedited prose. I know exactly what it looks like. And as it happens, it looks very much like the prose that appears in Mr. Wright’s novels that are published by Tor Books. John is an excellent writer; he is one of the greatest SF/F writers alive. But he writes very, very quickly and he is prone to what one might describe as an exuberant approach to writing. Last year, Castalia House offered him a contract for a 60k-word book. I am now reading the manuscript, which clocks in at nearly 200k words. Even those authors who don’t like Mr. Wright or his style might well contemplate suicide if they truly understood how speedily and effortlessly the man writes… and writes well. When I say he is a great writer, I do not do so lightly, nor do I do so because I am fortunate enough to publish some of his works. I say it out of pure envy and awe.

…. UPDATE: It appears my surmise about the extent to which Mr. Wright’s books were edited at Tor Books was correct, as per L. Jagi Lamplighter Wright

Just in case anyone wondered: John has tremendous respect for Mr. Hartwell, whom he admired, appreciated working with, and liked as a person. But Mr. Hartwell almost never made any changes to John’s manuscripts.

(14) ADMIRATION. John C. Wright’s contributions to the foregoing discussion included this compliment to another author:

I would have trouble editing George RR Martin’s books. Most of the comments here mock him, but he is an exquisitely skilled writer, a consummate writer. His writing is a little dark for me, but reread the opening prologue of GAME OF THRONES: the text establishes a fullfledged three dimensional character, a man who is realistic yet sympathetic, and who is snuffed out as a redshirt a few paragraphs later to show you how the monster works — and it comes as a surprise because usually the redshirts are not given a backstory. What in other hands would have been a boring B-movie horror scene in Martin’s is a masterful, and even moving, establishing scene. Now, to be frank, I have not read his last two volumes, and I may never, because he has killed off too many likable characters and is taking too long to get anywhere: but once the series is done, and I know it reaches a satisfying conclusion, I may revisit that decision. So Mr. Martin may be suffering from the victory disease, where some of his discipline lapses due to his popularity. Or he may be, as I am, an exuberant writer who likes his digressions.

(15) TROPE TRAP. At The Book Smugglers, Carlie St. George “examines the Sexy Douchecanoe trope” in “Trope Anatomy 101: Reader, I Didn’t Marry Him – I Kicked His Jerk Ass to the Curb”.

The Sexy Douchecanoe isn’t an official trope, as such; at least, it’s not one that I often find people analyzing, subverting, and/or railing against. It is one, however, that I run into constantly because, while they’re often unfairly associated with strapping, half-dressed men on paperback covers, Sexy Douchecanoes actually pop up in every medium and every genre. The first time I remember coming across one, I was maybe 20 and reading Naked in Death by JD Robb. At the time, I’d been interested in giving romance a go, but as I hadn’t read much of the genre, I wasn’t entirely sure where to start. I figured the best plan was to pick a romance that was also a murder mystery set in the future.

And maybe that plan would have been successful, if I hadn’t hated the love interest with the power of a thousand suns.

(16) MONSTER HIGH NOTE. Lady Gaga and Mattel are teaming to create a Monster High doll.

You know you’ve made it big when you’re commissioned by a major toy manufacturer to design a doll. That’s exactly what’s happened to Lady Gaga. The singer/actress is adding “toy designer” to her resume now with a forthcoming Monster High doll. Is there anything she can’t do? She’s designing the doll with her sister, costume designer Natali Germanotta. Which is totally fitting, given Gaga’s Mother Monster moniker.

 

https://twitter.com/LGMonsterFacts/status/698251609860485120

(17) THIRD MILLENNIUM. Part three of “Who Are Millennial Fans: An Interview with Louisa Stein” by Henry Jenkins at Confessions of an Aca-Fan.

[Louisa Stein] I mentioned above the TV series Supernatural’s ambivalent depictions of female fans over the years. Supernatural is a series that has a dynamic and rich transformative fandom, and the majority of those participating in the fandom are women. Supernatural fans, while expressing love for the series and its characters and potential, have long been critics of its gender and racial politics, and have spoken out at times about how they have felt misrepresented and even attacked by the series and its metatexts, for example, in response to a preview that declared the teenage girl the “ultimate monster.”

(18) STUBBY ON SPUDS. At Tor.com Stubby the Rocket says, “Matt Damon Has Replaced Sean Astin as the Face of Pop Cultural Potato Enthusiasm”. Yes, I guess he has…. (It’s a reference to this antique video from the dawn of YouTube.)

[Thanks to David K.M. Klaus, Brian Z., Dave Doering, Will R., and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day redheadedfemme.]

Pixel Scroll 2/11/16 Get Your Pixels For Nothin And Your Clicks For Free

(1) ALBERT WAS RIGHT! Einstein – what an insightful dude! He should have been on a bubblegum card.

Another bit of his work has been confirmed. Here’s The New Yorker’s account: “Gravitational Waves Exist: The Inside Story Of How Scientists Finally Found Them”.

…The waves rippled outward in every direction, weakening as they went. On Earth, dinosaurs arose, evolved, and went extinct. The waves kept going. About fifty thousand years ago, they entered our own Milky Way galaxy, just as Homo sapiens were beginning to replace our Neanderthal cousins as the planet’s dominant species of ape. A hundred years ago, Albert Einstein, one of the more advanced members of the species, predicted the waves’ existence, inspiring decades of speculation and fruitless searching. Twenty-two years ago, construction began on an enormous detector, the Laser Interferometer Gravitational-Wave Observatory (LIGO). Then, on September 14, 2015, at just before eleven in the morning, Central European Time, the waves reached Earth. Marco Drago, a thirty-two-year-old Italian postdoctoral student and a member of the LIGO Scientific Collaboration, was the first person to notice them. He was sitting in front of his computer at the Albert Einstein Institute, in Hannover, Germany, viewing the LIGO data remotely. The waves appeared on his screen as a compressed squiggle, but the most exquisite ears in the universe, attuned to vibrations of less than a trillionth of an inch, would have heard what astronomers call a chirp—a faint whooping from low to high. This morning, in a press conference in Washington, D.C., the LIGO team announced that the signal constitutes the first direct observation of gravitational waves.

(2) PERFECT TIMING. Michael A. Burstein observed in a comment on Facebook:

It’s probably not significant, but I find it interesting that the gravitational waves we detected from the black holes merging one billion light-years away from us…reached us on Rosh Hashanah.

(3) TIES AND JACKETS REQUIRED. At Black Gate, Doug Ellis posted some fascinating photos and letters from fandom’s early days in “The Great Pulp Gathering: That Time Jack Williamson, L. Sprague de Camp, Frank Belknap Long, Edmond Hamilton, John W. Campbell, Manly Wade Wellman, Otis Adelbert Kline and others met at Mort Weisinger’s House in 1937”

From time to time I’ve posted in various places material I acquired at an auction many years ago from the estate of Jack Darrow. In the 1930’s, Darrow (whose real name was Clifford Kornoelje) was pretty much science fiction fan #2 behind Forry Ackerman.

Darrow’s best friend was science fiction pulp author Otto Binder – who, with his brother, Earl, formed half of the writing tandem of Eando Binder (their other brother was pulp/comic artist Jack Binder). By 1936 however, although the byline often continued to read Eando, the stories were written solely by Otto. In 1939, Binder also began working in comics, particularly for Captain Marvel and the other Fawcett titles, though he would eventually work for all the major publishers. Among the material in Darrow’s estate was a box of correspondence between him and Binder about a foot thick.

Among these letters was one from Binder to Darrow, dated July 10, 1937, which was accompanied by two snapshots. On the back of each, Binder writes that these are photos of “science fiction authors at Mort Weisinger’s home June 1937” (the home was in New Jersey). At the time, Weisinger was the editor of Thrilling Wonder Stories….

(4) MILLENNIALS. “Who Are Millennial Fans?: An Interview with Louisa Stein (Part One)” conducted by Henry Jenkins at Confessions of an Aca-Fan.

In many ways, you see the millennial audience as emblematic of the “mainstreaming” of fan culture within a networked culture. You write, “Millennials have made fan practices more socially acceptable by action, word, and image, if not name.” To what degree is this something Millennials have done and to what degree is this something the industry has done as it has constructed millennials as a particular kind of fan?

First, I want to emphasize that I mean millennial as an imagined category, one co-created by industry and (the cultural participants we refer to as) millennials in an ongoing negotiation. Likewise, the depiction of millennials as modified fans is an ongoing joint creation: industry marketing, advertising, network positioning, programming, scheduling, and digital paratexts together construct a vision of millennials as modified fans; but millennials’ (and/or fans’) own performances of self, responses to one another, and collective interactions also shape this picture. Advertising campaigns and paratextual strategies (like officially coordinated hash tags or programming embedded with fan reference) may hail a modified fan position—one that is invested, created, and interactive up to a particular degree and in certain industry-accepted modes. But fans created many of these practices in the first place, and choose when and how to respond to industrial hailing, when to play along the designated lines and when to transgress….

The mainstreaming of fandom into millennial culture is a chosen stance of fans to represent their modes of engagement as more than only niche and subcultural. Fans choose to post about their fan engagement in the public spaces of Tumblr rather than the locked communities and friends-only journals of the late 1990s and early 2000s. They may perceive these fan spaces as intimate publics, as I’ve written about elsewhere, yet they choose to allow for the possibility of visibility, for a default public culture, albeit one with intimate semi-private pockets. Indeed, the social activism of, for example, what some refer to as Tumblr feminism is part of—or at least deeply connected to—this fan performance of fandom as an expansive mode of engagement with something important to share and spread.

(5) IT’S HUGE! You might like this enormous list of movies/tv series being developed from SF books. Adam Whitehead, “The SF and Fantasy novels currently being developed for the screen”, at The Wertzone.

After a glut of recent news, here’s a list of all the science fiction and fantasy novels, short stories and novellas which are currently being developed for the screen. Natalie Zutter’s article for Tor.com from last year was a helpful reference point for this post.

(6) HARRY THE EIGHTH. Shelf Awareness says another volume of Potter will be published this summer.

The “eighth Harry Potter story,” a script of a stage play called Harry Potter and the Cursed Child Parts I & II, will be published in the U.S. and Canada by Scholastic at 12:01 a.m. — aka bookstore party time — on Sunday, July 31, the day after the play by Jack Thorne makes its world debut in London. The play is based on an original new story by J.K. Rowling, Jack Thorne and John Tiffany.

The “special rehearsal edition” book, called Harry Potter and the Cursed Child, will be priced at $29.99 in the U.S. and $39.99 in Canada and published under Scholastic’s Arthur A. Levine Books imprint. The book will be published in the U.K. by Little, Brown Book Group, and Pottermore.com will publish the e-book version.

(7) BSG REBOOT. The Battlestar Galactica reboot is still happening reports CinemaBlend.

The Social Network’s Michael de Luca has signed on to produce Battlestar Galactica, according to The Tracking Board. This doesn’t provide any new details on the movie’s creative direction, but de Luca reportedly describes himself as a “huge Battlestar Galactica fanatic,” so that should prove beneficial. De Luca’s other producing credits include Moneyball, Captain Phillips, Fifty Shades of Grey and the Syfy miniseries Childhood’s End.

(8) NO 2016 DUCKON. SF Site News has learned that “DucKon Remains on Hiatus”

After cancelling the 2015 DucKon and establishing a transition team to take care of the convention’s debt and retool for future DucKons, the Duckon Transition Team has announced that they are not in a position to host a DucKon in 2016….

(9) TODAY IN LAWSUIT HISTORY

In the latest of a series of legal battles involving J.R.R. Tolkien’s beloved trilogy The Lord of the Rings and film adaptations made of the books, several of Tolkien’s heirs join a group of publishers in filing a $150 million lawsuit against New Line Cinema on February 11, 2008, in Los Angeles Superior Court….

Behind the film trilogy’s phenomenal success, however, was a tangled web of legal conflict, as recounted in a February 2008 New York Times article on the most recent lawsuit. …Finally, in the Tolkien lawsuit, the holders of a trust for J.R.R. Tolkien, who died in 1973, stated that they had failed to receive any money from the films. According to the literary-rights agreement signed in 1969, they said, the trust was entitled to 7.5 percent of the gross revenue from any film adaptation of Tolkien’s novels.

(10) COPY OF THE COMPLAINT. If you’re in the market for a copy of the Kenyon v. Clare lawsuit, click here — http://www.courtneymilan.com/cc-complaint/1-main.pdf.

13. The Dark-Hunter Series and the Shadowhunter Series are so similar that CLARE’S own publisher mistakenly printed 100,000 copies of a Shadowhunter Book referencing the Dark-Hunter Mark on the cover. Upon written demand by PLAINTIFF, CLARE’s publisher destroyed tens of thousands of the Shadowhunter Book that contained PLAINTIFF’s Dark-Hunter Mark on its cover. Despite the destruction of tens of thousands of copies of this Shadowhunter Book, thousands of Shadowhunter Books including the Dark Hunter Marks on the cover have now been sold and substantial commercial confusion has resulted.

(11) ZOE QUINN. Zoë Quinn explains “Why I Just Dropped The Harassment Charges The Man Who Started GamerGate” [sic].

I just hung up from what I hope will be my last phone call with the District Attorney assigned to my case, and I choked back tears as she told me that I’d conducted myself with grace through this whole nightmare. I don’t know why I’m crying. I’m writing this and examining it as I go through the fog of someone with PTSD. I don’t know if the tears are out of frustration of having sunk a year and a half into this awful system for seemingly less than nothing, or if it’s out of relief….

One of the biggest myths that needs to die is that your first response to being abused should be to go to the police and seek justice. Leaving aside the fact that the police flat out murder unarmed citizens for their race all the time, and that sex workers are likely to be incarcerated when reporting crime done to them, and a myriad of other things I can’t get into, I have a certain amount of privilege and a well-documented case. I have one of the most public abuse cases out there, it started a hate movement that’s swept up my industry and hurt dozens of bystanders, and got international media attention. A lot of people don’t think of it in terms of domestic violence, they forget where the flashpoint of GamerGate came from – you might not even know the man responsible’s name. To make matters worse, I was unable to speak up during that time period out of fear of reprisal from the judicial system (more on that later) and watched as he was washed out of history (along with a lot of other people targeted). I was on my own on this front, until the Boston Magazine article was posted by a journalist who had been following everything and speaking with my ex. Shortly after, I got a call from the DA telling me that I shouldn’t have been told to simply go offline, and that she knew we had a very strong case worth prosecuting.

So why am I dissolving it then?

Ironically, getting a restraining order against Creep Throat was the least effective thing I could do in terms of getting him out of my life for good, and for protecting myself.

(12) GRRM REPORTS. George R.R. Martin posted another editor’s list of what she worked on in 2015 — “What They Edited, Once More”

So… as we discussed below, a lot of fans don’t know who to nominate for the Hugo in the two editorial categories because they don’t know who edited what last year. The problem is especially acute in Long Form. Fair enough. So I went and asked the editors I’d recommended what books they’d edited. We all benefit by being well informed, no?

…Today I received another answer, from DIANA PHO of Tor.

(13) BEST RELATED. Kate Paulk demonstrates the difference between Sad Puppies and Rabid Puppies in “Hugo Category Highlight: Best Related Work” at Mad Genius Club.

I’d say the Castalia House series about pedophilia in the science fiction and fantasy community is a worthy entry if seriously disturbing – and frankly, I expect this suggestion to be controversial because the series does not tiptoe around any of the major figures in the genre.

(14) A LONG DOGIE. Vox Day continues recommending things for his slate in “Rabid Puppies 2016: Dramatic Presentation (long)”.

Although the ancient geezers of fandom don’t seem to know it, or are just too old to either know or care about games, both computer and video games are eligible for the Hugo Award for Dramatic Presentation Long Form as they are included in the definition of “any medium of dramatized science fiction or fantasy” that lasts more than 90 minutes. Ergo, my recommendations for the category will probably look a little different than most this year.

  • The Witcher 3: Wild Hunt
  • Metal Gear Solid V: The Phantom Pain
  • Until Dawn
  • Avengers: Age of Ultron
  • The Martian

(15) GEEKING OUT. You got me, clickbait.

Geeking Out About…  actually didn’t propose a slate but a platform. See “Road to the Hugo Awards: Presenting The Geeking Out About… Platform”

When word first broke on how a vocal and reactionary segment of the sci-fi/fantasy fandom managed to rally its supporters over the years into jamming works they liked into the nominations list for the Hugo Awards, culminating in a near-total overrun in 2015, I was amused at how it began, appalled and how it progressed, and ultimately impressed at what they managed to pull off.

Which makes me think that if a group of terrible people can push forwards works they think epitomize the best in science fiction and fantasy, why can’t someone like me who is not completely terrible do the same thing?

Here then are the planks of the first-ever “Geeking Out About…” platform for the 2016 Hugo Awards season:

1. All works which are being promoted must be created by people who believe that genre fiction should contain diverse characters and perspectives.

2. All fictional works which are being promoted must contain at least two characters whose gender, sexual, physical, and/or racial identity is substantially different from the creator’s and also:

a) Has their own agency within the plot.

b) Has a scene with another character who is also of their same gender, sexual, physical, and/or racial identity where they don’t speak about the main protagonist but do advance the plot.

c) If there is a love interest for either or both of the characters, it is not the same character as the main protagonist. d) If the characters die, the deaths are meaningful.

3. All non-fictional works which are being promoted must contain references to and/or significant discussion about diversity in genre fiction, and also:

a) If a web article written by one person or solo podcast or web series, must contain links to other articles or references to other work where the gender, sexual, physical, and/or racial identity of those creators/authors is substantially different from the solo creator’s.

b) If a multiple-creator podcast, article, or web series, one of the authors/creators or a guest speaker must be a person whose gender, sexual, physical, and/or racial identity is substantially different from the other creators.

4. All visual works which are being promoted which depict humanoid beings must contain imagery which does not demean individuals who are not of the same gender, sexual, physical, and/or racial identity of the creator.

[Thanks to Steven H Silver, John King Tarpinian, Mark-kitteh, Andrew Porter, and Will R. for some of these stories. Title credit goes to File 770 contributing editors of the day Kip W., Cheryl S., JJ.]

Pixel Scroll 2/10/16 They Hive

(1) QUINN FEATURES IN MAINSTREAM NEWS. Jameson Quinn is quoted several times in “Your ballot has matrix algebra lurking in the background” at the Concord Monitor.

Mathematically speaking, “one man, one vote” sounds about as exciting as “1 = 1.” Yet it turns out that something so simple can produce a Nobel Prize in economics, not to mention a slew of graduate school statistics homework.

“Our class spent three weeks just on Arrow’s Theorem, looking at it from different angles,” said Jameson Quinn, a Ph.D. candidate in statistics from Harvard who showed up in Concord last week to testify before the House Elections Committee in favor of a bill allowing something called approval voting.

Arrow’s Theorem, key to the aforementioned Nobel prize, is to social choice theory what E=MC2 is to physics. It is usually described as saying that all voting systems are imperfect, a synopsis which misses lots of nuance and isn’t all that helpful to laymen, because most of us don’t even known that other systems exist.

(2) EDELMAN’S NEW PODCAST. Scott Edelman has started an SF-related podcast, Eating the Fantastic.

Are you ready to have lunch with me and writer/musician Sarah Pinsker? Because the first episode of Eating the Fantastic is now live!

 

Scott Edelman and Sarah Pinsker

Scott Edelman and Sarah Pinsker

Food, friends, and clanking dishes in the background reproduce the atmosphere where so many great fan conversations take place. Edelman writes:

I’ve found that while the con which takes place within the walls of a hotel or convention center is always fun, the con away from the con—which takes place when I wander off-site with friends for a meal—can often be more fun. In fact, my love of tracking down good food while traveling the world attending conventions has apparently become so well known that Jamie Todd Rubin once dubbed me “science fiction’s Anthony Bourdain.”

…During each semi-regular episode (I’ve yet to determine a frequency), I’ll share a meal with someone whose opinions I think you’ll want to hear, and we’ll talk about science fiction, fantasy, horror, writing, comics, movies, fandom … whatever happens to come to mind. (There’ll also be food talk, of course.)

One thing to note—this will not be a pristine studio-recorded podcast, but one which will always occur in a restaurant setting, meaning that mixed in with our conversation will be the sounds of eating and drinking and reviewing of menus and slurping and background chatter … in other words … life.

(3) PKD AWARD. The five Philip K. Dick Award judges for distinguished science fiction published in paperback original format in the United States in the 2016 award year are Michael Armstrong, Brenda Clough, Meg Elison, Lee Konstantinou, and Ben Winters.

(4) CASSANDRA CLARE SUED. “Copyright Clash Over Demon-Fighting Stories” at Courthouse News Service has the scoop.

Sherrilyn Kenyon says she started the “Dark-Hunter” series in 1998. The story “follows an immortal cadre of warriors who fight to protect mankind from creatures and demons who prey on humans,” according to court records.

On Friday, Kenyon sued Cassandra Clare aka Judith Rumelt aka Judith Lewis, claiming her “Shadowhunter” series initially used Kenyon’s trademark “darkhunter.”

After Kenyon demanded that Clare remove the word “darkhunter” from her work, Clare used the term “shadowhunter” for her protagonists instead, according to the lawsuit. The word “hunter” was also removed from the book title.

Clare’s book, “The Mortal Instruments: City of Bones,” was published in 2007. Since then, Clare has expanded her use of the term “shadowhunter” despite assurances that she would not, according to Kenyon.

Clare’s 2007 book was made into a movie and released in 2013, the lawsuit states. In 2014, it was reportedly announced that “Mortal Instruments: City of Bones” would be adapted into a television series called “Shadowhunters: The Mortal Instruments.”

Kenyon says ABC Family picked up Clare’s TV pilot in March 2015. The first episode of the “Shadowhunters” TV show premiered on Jan. 12 of this year, according to IMDB.

The “Dark-Hunter” author also claims Clare has used symbols and merchandise that are confusingly similar to Kenyon’s.

“Comparing the Dark-Hunter series to Clare’s work or works, the literary components are fictional and, in many respects, the elements are virtually identical,” Kenyon’s Feb. 5 lawsuit states. “These substantially similar elements, coupled with defendant’s access to the Dark-Hunter series, which were widely disseminated, leave little doubt that numerous substantive original elements of the Dark-Hunter series have been copied by defendant.”

(5) AB INITIO. Sarah A. Hoyt begins a column for Mad Genius Club about the preceding news story, “There Is Nothing New Under The Sun”, with these words —

So, this morning (yes, I crashed early yesterday) I was sent this article NEWS: Sherrilyn Kenyon sues Cassandra Clare over infringement claims by Amanda S. Green.  It’s amazing.  And by that I mean, I was amazed anyone is giving this so called “plagearism” any credence.

Now, I haven’t read the complaint, so perhaps there is more to it, and the complaint is more substantial. …

We’ll stop here and wait til she reads the complaint…

(6) GRRM’S EDITOR RATIONALE. George R.R. Martin had some feedback for File 770 commenters about the Best Editor (Long Form) category, but he also queried some of the editors he recommended about “What They Edited” in 2015.

My observations about the Best Editor (Long Form) Hugo, which you can read in full several posts down, have drawn some comments here and on FILE 770 from fans who object to my suggestion that this category has become a de facto lifetime achievement award, at least since David G. Hartwell set an example by withdrawing from future consideration after his third win.

The objections seem to take the form of stating emphatically that Best Editor (Long Form) is NOT a lifetime achievement award, it’s not, it’s not, it’s just NOT.

And quite right they are. According to the rules, that is. According to the rules, the award is only supposed to be for the previous year’s editing.

Which is great in theory, and completely wrong in fact. Maybe those who are objecting vote on that basis, but if so, they are a very tiny minority….

(7) TODAY IN HISTORY

  • February 10, 1957 – Roger Corman’s Not Of This Earth premiered.

Not of this Earth poster

(8) TODAY’S BIRTHDAY BOY

  • Born February 10, 1906 – Lon Chaney, Jr.

(9) A PEEK AT PIXAR. “Pixar and Khan Academy Release Free Online Course for Aspiring Animators”, from Makezine [via Chaos Manor.]

Up there with being an astronaut, comic book artist, or the President, there’s one job that your average kid would probably love to snag: Working at Pixar. Animation and Pixar enthusiasts of all ages, take note! Pixar in A Box (or PIAB) is a collaboration between Khan Academy and Pixar Animation Studios that focuses on real-Pixar-world applications of concepts you might usually encounter in the classroom. The latest batch of Pixar in a Box, released today, gives Makers a rare peek under the hood so that you can get a whiff of the warm engine that keeps those Pixar pistons pumping. There’s no need to register for the course, nor a requirement to watch the lessons in order — just head to their site and start exploring!

(10) BRING HIM HOME. Here’s a review of an app game — “The Martian: Communicate with Astronaut Mark Watney in real time while helping him return to Earth”.

In The Martian, you’ll experience the plight of astronaut Mark Watney, only in this strategy game you’re his only hope for survival. You play one of a NASA communications specialist that is communicating with Mark in real time via text-based messages. You’re his only contact on Earth, and all that stands between him and a return to our world, or certain death.

themartian

(11) MAD TEA. Links to all kinds of interesting Alice In Wonderland-themed merchandise in this post at The Snug.

Bonkers pillow

(12) BEST OF A YEAR LONG AGO. Black Gate’s John ONeill revisits “Thomas M. Disch on the Best Science Fiction of 1979”.

He has particular praise for Connie Willis’s first published story, “Daisy in the Sun,” originally published in issue #15 of Galileo (see right):

My own favorite among the also-rans is Connie Willis’s first published story, “Daisy in the Sun” (in the Wollheim/Saha annual). With lyric ellipses Willis describes a world in the grip of epidemic schizophrenia precipitated by news that the sun is going nova. The heroine is a sexually disturbed adolescent girl in a condition of fugal amnesia. All the way through I thought, “This won’t work,” but it did. What a great way to begin a career.

Of course, you could dismiss all this as sour grapes, as Disch’s own Hugo-nominee, the novel On Wings of Song, came in last in the voting that year.

(13) A CURIOUS ARTIFACT.

(14) RULES OF THE ROAD. After reading a few thousand selected words in the Amazon Web Service’s Service Terms, the account holder arrives here —

57.10 Acceptable Use; Safety-Critical Systems. Your use of the Lumberyard Materials must comply with the AWS Acceptable Use Policy. The Lumberyard Materials are not intended for use with life-critical or safety-critical systems, such as use in operation of medical equipment, automated transportation systems, autonomous vehicles, aircraft or air traffic control, nuclear facilities, manned spacecraft, or military use in connection with live combat. However, this restriction will not apply in the event of the occurrence (certified by the United States Centers for Disease Control or successor body) of a widespread viral infection transmitted via bites or contact with bodily fluids that causes human corpses to reanimate and seek to consume living human flesh, blood, brain or nerve tissue and is likely to result in the fall of organized civilization.

[Thanks to John King Tarpinian, Will R., and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day J-Grizz.]