March 31, 1995 — Tank Girl premiered. Based on the British comic book created by Alan Martin and Jamie Hewlett (who also illustrated it), the movie starred Lori Petty as Tank Girl along along with Naomi Watts, Ice-T and Malcolm McDowell. It was directed by Rachel Talalay who was responsible for Ghost in The Machine, and directed a lot of new era Doctor Who episodes. Critics at the time used words like tiresome and amateurish to describe it though one found it funnier than Batman Forever. The audience reviewers at Rotten Tomatoes give it an excellent 63% rating.
March 31, 1987 — The Max Headroom series premiered on ABC. This is the America version of Max Headroom as the British version was Max Headroom: 20 Minutes into the Future which is essentially identical to the initial origin episode of the American series. Matt Frewer as Max Headroom and Edison Carter; Amanda Pays as Theora Jones; and W. Morgan Sheppard as Blank Reg, would reprise their characters from the British film. It ran from April of 1985 to March of 1987. A spin-off series, a talk show featuring Max was recorded, The Original Max Talking Headroom Show, this time in New York. It aired on Cinemax between the two seasons and lasted six episodes.
March 31, 2009 — Dragonquest premiered. It was directed by Mark Atkins, and produced by David Michael, Latt David Rimawi and Paul Bales. It stars Marc Singer, best remembered for his roles in the Beastmaster film franchise, along with Jason Connery and Brian Thompson. It bears absolutely no relation to either the novel of that name by Anne McCaffrey, nor to the Dragon Quest RPG series. On Rotten Tomatoes, the audience reviewers definitely do not like it as they give it a 6% rating.
March 31, 1999 — The Matrix premiered. It written and directed by the Wachowskis. It starred Keanu Reeves, Laurence Fishburne, Carrie-Anne Moss, Joe Pantoliano and Hugo Weaving. It was the first film in the Matrix franchise. It would finish second to Galaxy Quest in the Long Form Dramatic Presentation Hugo voting at Chicon 2000. It’s considered one of the best SF films of all time, and it currently has a rating of 85% among audience reviewers at Rotten Tomatoes.
March 31, 1987 — Steel Dawn premiered. It was directed by Lance Hool. It starred Patrick Swayze and Lisa Niemi. The working title of the film, reflecting its mix of science fiction and western, was Desert Warrior. Doug Legler, best known as director of the Dragonheart sequel Dragonheart: A New Beginning, was the writer. Though made on a shoestring comparatively speaking, it still lost millions, and critics founds it boring. Currently it has a 34% rating among audience reviewers at Rotten Tomatoes.
In this debut fantasy novel, Wade writes of Pelismara, a city within a deep cave, occupied by 12 ruling families that form a rigid class system. The city has been in decline, and when an epidemic sweeps over the city and kills their ruler, 17-year-old Tagaret is forced to represent his family to compete to become the heir to the throne. He has to contend with other rivals to the throne, including his sociopathic younger brother Nekantor, who threatens everything that he’s worked for.
Publishers Weeklygave the book a starred review and says that the novel has an “impressively winding plot, layered worldbuilding, and psychologically acute characterizations are sure to hold readers’ attention.”
CBS All Access debuted its new Star Trek series Picardjust a couple of days ago, and to commemorate the occasion, it’s releasing a tie-in novel that sets up the events of the series, written by Una McCormack. The novel will provide some backstory to some of the show’s newest characters.
The exhibition will display an array of rare artifacts, set pieces, and props from the television series, spinoffs, and films, some of which have never been on display in Los Angeles. Highlights include:
Set pieces from Star
Trek: The Original Series, including Captain Kirk’s command chair
and the navigation console.
More than 100 artifacts and props
from the various Star Trek TV series and films, including an original
series’ tricorder, communicator, and phaser; a Borg cube from the film Star
Trek: First Contact; a Klingon disruptor pistol from Star Trek: The Next Generation; and
tribbles from Star Trek: The Original Series.
Spock’s tunic worn by Leonard
Nimoy; Lt. Uhura’s dress worn by Nichelle Nichols; Khan garments past and
present, including the open-chest tunic worn by Ricardo Montalban and the
costume worn by Benedict Cumberbatch in the 2013 reboot; Captain Picard’s
uniform worn by Patrick Stewart; plus, a Borg costume, the alien Gorn, and
Original scripts, concept art,
storyboards, and production drawings.
Spaceship filming models of the
U.S.S. Enterprise, U.S.S. Excelsior, U.S.S. Phoenix, and Deep Space Nine space station.
Objects that illustrate how Star
Trek has become deeply embedded in popular culture and has even
inspired real-world technological innovations, such as a prototype of an actual
medical tricorder, Star Trek-themed beer, Boston Red Sox “Star
Trek Night” foam finger in the shape of the Vulcan salute, a
“Picardigan” sweater, a listening station with songs by Star Trek tribute bands, US postal stamps featuring
the U.S.S. Enterprise, and much more.
No one has nominated us yet for the book cover challenge so we thought we’d take matters into our own hands and publish some of our favourites from the first hundred years of the book cover (as we commonly understand it today) — though we’ve not the restraint for seven spread over seven days, so here’s a massive splurge of thirty-two in one.
(5) TODAY IN HISTORY.
February 1, 1984 — The Invisible Strangler premiered. (You might have seen it under the names of The Astral Factor or The Astral Fiend.) It was directed by John Florea. It starred Robert Foxworth, Stefanie Powers and Elke Sommer. Arthur C. Pierce both wrote the screenplay and co-directed the film though was uncredited in the latter. You can see it here.
February 1, 1998 — The Lake premiered on NBC. Scripted by Alan Brennert off the novel by J.D. Fiegelson, it starred Yasmine Bleeth, Linden Ashby, Haley Joel, Osment Susanna, Thompson and Stanley Anderson. It is made not enough of a ripple for there to any critical reviews online, nor foes it get any ratings at Rotten Tomatoes. IMDB reviewers obsess on Yasmine Bleeth of Baywatch fame in her red bathing suit here when reviewing the film which should tell all you need to know.
(6) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born February 1, 1884 — Yevgeny Zamyatin. Author of We, a dystopian novel. He also translated into into Russian a number of H.G. Wells works and some critics think We is at least part a polemic against the overly optimistic scientific socialism of Wells. The Wiki writer for the Yevgeny Zamyatin page claims that We directly inspired Nineteen Eighty-Four, TheDispossessed and Brave New World. (Died 1937.)
Born February 1, 1908 — George Pal. Let’s see… Producer of Destination Moon, When Worlds Collide, The War of the Worlds (which I love), Conquest of Space (anyone heard of this one?), The Time Machine, Atlantis, the Lost Continent, Tom Thumb, The Time Machine, Atlantis, the Lost Continent, The Wonderful World of the Brothers Grimm, 7 Faces of Dr. Lao (another I love)and his last film being Doc Savage: The Man of Bronze which is not so great. Can we hold a George Pal film fest, pretty please? (Died 1980.)
Born February 1, 1926 — Nancy Gates. Though just genre adjacent, I’m including The Atomic City with her as Ellen Haskell as her first SFF appearance, though World Without End in which she’s Garnet is pure SF and that follows that film, so you choose. She was Renza Hale in the “First Woman on the Moon” episode of Men Into Space, and she’s Lois Strand in the “Marked Danger” episode of Science Fiction Theater. (Died 2019.)
Born February 1, 1942 — Bibi Besch. Best remembered for her portrayal of Dr. Carol Marcus on The Wrath of Khan. Genre wise, she’s also been in The Pack (horror), Meteor (SF), The Beast Within (more horror), Date with an Angel (romantic fantasy) and Tremors (SF). (Died 1996.)
Born February 1, 1942 — Terry Jones. Member of Monty Python who was considered largely responsible for the program’s structure, in which sketches flowed from one to the next without the use of punchlines. He made his directorial debut with Monty Python and the Holy Grail, which he co-directed with Gilliam, and also directed Life of Brian and The Meaning of Life. He also wrote an early draft of Jim Henson’s 1986 film Labyrinth, though little of that draft remains in the final version. (Died 2020.)
Born February 1, 1946 — Elisabeth Sladen. Certainly best known for her role as Sarah Jane Smith on Doctor Who. She was a regular cast member from 1973 to 1976, alongside the Third Doctor (Jon Pertwee) and Fourth Doctor (Tom Baker), and reprised her role down the years, both on the series and on its spin-offs, K-9 and Company (truly awfully done including K-9 himself) and The Sarah Jane Adventures (not bad at all). It’s not her actual first SF appearance, that honor goes to her being a character called Sarah Collins in an episode of the Doomwatch series called “Say Knife, Fat Man”. The creators behind this series had created the cybermen concept for Doctor Who. (Died 2011.)
Born February 1, 1954 — Bill Mumy, 66. Well I’ll be damned. He’s had a much longer career in the genre than even I knew. His first genre were at age seven on Twilight Zone, two episodes in the same season (Billy Bayles In “Long Distance Call” and Anthony Fremont in “Its A Good Life”). He made it a trifecta appearing a few years later again as Young Pip Phillips in “In Praise of Pip”. Witches are next for him. First he plays an orphaned boy in an episode of Bewitched called “A Vision of Sugar Plums” and then it’s Custer In “Whatever Became of Baby Custer?” on I Dream of Jeannie, a show he shows he revisits a few years as Darrin the Boy in “Junior Executive”. Ahhh, his most famous role is up next as Will Robinson in Lost in Space. It’s got to be thirty years since I’ve seen it but I still remember and like it quite a bit. He manages to show up next on The Munsters as Googie Miller in “Come Back Little Googie” and in Twilight Zone: The Movie In one of the bits as Tim. I saw the film but don’t remember him. He’s got a bunch of DC Comics roles as well — Young General Fleming in Captain America, Roger Braintree on The Flash series and Tommy Puck on Superboy. Ahhh Lennier. One of the most fascinating and annoying characters in all of the Babylon 5 Universe. Enough said. I hadn’t realized it it but he showed up on Deep Space Nine as Kellin in the “The Siege of AR-558” episode. Lastly, and before Our Gracious Host starts grinding his teeth at the length of this Birthday entry, I see he’s got a cameo as Dr. Z. Smith in the new Lost in Space series.
Born February 1, 1965 — Brandon Lee. Lee started his career with a supporting role in Kung Fu: The Movie, but is obviously known for his breakthrough and fatal acting role as Eric Draven in The Crow, based on James O’Barr’s series. Y’ll know what happened to him so I’ll not go into that here. (Died 1993.)
Born February 1, 1965 — Sherilyn Fenn, 55. Best known for playing as Audrey Horne on Twin Peaks. Her first genre work was in The Wraith as Keri Johnson followed by being Suzi in Zombie High (also known charmingly not as The School That Ate My Brain). Her latest work is Etta in The Magicians series.
(8) REMEMBERING KAGE BAKER. [Item by Cat Eldridge.] She passed ten years ago last night. We had a long,
interesting conversation via email with the occasional phone call about her
fiction, and I sent her chocolate and the odd music CD from time to time. We
almost put together a Concordance on The Company novels in which I would
have interviews with each of the major cyborgs. She was particularly interested
in having them express their opinions on chocolate.
She loved her sister Kathleen who maintains a blog, Kathleen,
Kage, and The Company which has thoughts on her passing yesterday: “Oh,
My Breaking Heart”.
She, above all, had a great heart and a wicked sense
of humor. I’m convinced that she really did believe that Harry, her parrot,
really was a space raptor.
For the first time since 2014, zero Star Wars movies are slated to come out this year. But, that doesn’t mean some badass sci-fi action isn’t coming our way. The visionary filmmaker behind Arrival and Blade Runner 2049 is adapting Frank Herbert’s Dune for the big screen this December. Denis Villeneuve’s feature adaptation of the 1965 classic novel is not only an incredibly highly-anticipated 2020 movie, it’s packed with an absurdly-talented cast. Check them out and read up on the Dune characters they’ll be portraying here:
[Thanks to Martin Morse Wooster, JJ, John King Tarpinian, Chip
Hitchcock, Andrew Liptak, Cat Eldridge, Mike Kennedy, Dan Bloch, and Andrew
Porter for some of these stories. Title credit goes to File 770 contributing
editor of the day Paul Weimer.]
By Cat Eldridge: On this day in 1960, “The Hitch-Hiker” aired as the sixteenth episode of The Twilight Zone’s first season. It is based on Lucille Fletcher’s “The Hitch-Hiker” radio play. It is frequently listed among the series’ greatest episodes by fans and critics alike.
Its opening narration is:
Her name is Nan Adams. She’s twenty-seven years old. Her occupation: buyer at a New York department store. At present on vacation, driving cross-country to Los Angeles, California from Manhattan…Minor incident on Highway 11 in Pennsylvania. Perhaps, to be filed away under ‘accidents you walk away from.’ But from this moment on, Nan Adams’ companion on a trip to California will be terror. Her route: fear. Her destination: quite unknown.
The primary cast is Inger Stevens as Nan Adams and Leonard Strong as
The Hitch-Hiker with a number of others in supporting roles. In the original
radio play by Fletcher, the character of Nan was a man named Ronald Adams.
Orson Welles would play that character in on The Orson
Welles Show, Philip
Morris Playhouse, Suspense and The Mercury Summer Theater, all of which aired in the early Forties.
Hitch-hikers, of all persuasions, have a long tradition in SFF with one of our
favorite ones being Rose Marshall of the Sparrow Hill Road duology.
By Cat Eldridge: On this day in 1939, the Superman
comic strip appeared for readers for the very first time. Let me
tell about it as it’s a fascinating story. It began on this date, and a
separate Sunday strip was added on November 5, 1939. Both of the strips ran
continuously without an interruption until May 1966. In 1941, the McClure
Syndicate which controlled its distribution had placed the strip in hundreds of
newspapers. The Syndicate says that some three hundred papers with twenty
million readers had access to the strip at its peak.
Setting aside the numbers,
let’s turn to who created it. Joe Shuster was the initial artist but within a
few years, he had turned over those duties to his bullpen including Paul Cassidy,
Leo Neowik and Jerry
Siegel who were among the first and Bill Finger would be the last to do
it before it ceased in the Sixties.
Siegel wrote them before
he was drafted in 1943. Whitney Ellsworth, who had begun working on the strip
in 1941, did them for four years. Jack Schiff began his writing on the strip in
1942 and worked on the strip off and on until 1962. Alvin Schwartz first
started writing on it in 1944, and he continued on the strip more or less until
1958. Finger and Sebel finished off writing it in the last several years.
The strip had a number of
firsts including the telephone booth costume change, the appearance
of a bald Lex Luthor, and the appearance of Mr. Mxyzptlk.
Superman: The Complete
Comic Strips 1939-1966 is an
unofficial name for the strips now in exquisite hardcover collections published
by The Library of American Comics.
Compiled by Cat Eldridge: I’ve no idea why three newspaper comic strips were first published on this date. Before you think that can’t be possible, I’ve double-checked and yes, they were. I think it has to do with traditional Christmas holidays at that time in American history, so they’d be launched after those holidays.
January 7, 1929 — The Buck
Rogers in the 25th Century A.D. comic strip premiered. Philip Francis
Nowlan Was the writer for the first decade with Dick Calkins and Russell Keaton
being the artists for the first three years. At its peak in 1934, Buck Rogers
appeared in 287 U.S. newspapers. Like many other popular comic strips of that
day, Buck Rogers was reprinted in Big Little Books in a reformatted
January 7, 1929 — The Tarzan of the Apes
strip was first published. It was drawn by Hal Foster (the first decade
of strips) and Rex Mason (nearly twenty years’ worth) with Don Kraar adapting
Edgar Rice Burroughs story. A full-page Sunday strip began on March
15, 1931, with artwork by Rex Maxon. A dozen artists would draw the strip
including Gil Kane and Mike Grell in its waning years. Russ Manning’s portrayal of Tarzan Is considered by
many to be the definitive one. We’ve included two strips here, one with him as
artist, the first with Hal Foster.
January 7, 1934 — First published on this date, the Flash Gordon comic strip was inspired by the success of, and created rather obviously to compete with, the already established Buck Rogers strip. The story goes that King Features tried to purchase the rights to John Carter of Mars from Burroughs who refused, so King Features then turned to Alex Raymond, one of their staff artists, to create a similar story. The rest is history. Raymond’s strip would run until 1943 with the various artists and strips continuing for decades.
January 5, 1950 — The Flying Saucer premiered. It was written by Howard Irving Young, from a story by Mikel Conrad who also produced, directed, and stars with Pat Garrison and Hantz von Teuffen. It as half of a double-feature with Atomic Monster, the retitled-reissue of Man Made Monster originally released in 1941. Critics mostly ignored it, and currently it has no rating at Rotten Tomatoes. All rights to the film have been owned worldwide and in perpetuity since 1977 by Wade Williams. Yes, he’s got sff film credits.
January 5, 1951 — Two Lost Worlds premiered. It was directed by Norman Dawn and stars James Arness and Laura Elliott. It was produced by Boris Petroff from the story he wrote. No dinosaurs were harmed in the making of this early Fifties film as all footage here comes from footage recycled from the earlier film One Million B.C. Like many early Fifties films, there’s little or no critical commentary on it, nor does it show up at Rotten Tomatoes. Should you be inclined, you can watch it here.
January 5, 1968 — Star Trek’s “The Gamesters of Triskelion” episode premiered, written by Margaret Armen. She would also write the “The Paradise Syndrome” and “The Cloud Minders” episodes for the series. She would be a regular writer in Sixties and later sff television series offering up scripts for The Six Million Dollar Man, Land of the Lost, The Bionic Woman, Jason of Star Command and Fantasy Island. The popular Star Trek catchphrase “Beam me up, Scotty” is a common misquotation of a line here she wrote in which Kirk says “ Scotty, beam us up.”
January 5, 1995 — Twelve Monkeys premiered. It was directed by Terry Gilliam as inspired by Chris
Marker’s La Jetée film, with Bruce Willis, Madeleine Stowe, and Brad
Pitt leading up the cast. (David and Janet Peoples greatly expanded the story
from that of the short film in their script.) It was a financial success at the
Box Office many times over, critics loved it and it currently has a 90% rating
among the very large number of reviewers at Rotten Tomatoes.
January 5, 2007 — Children of Men premiered. Directed by Alfonso Cuarón and produced by Hilary Shor and others, it’s based off the P. D. James novel of that name. Its cast was led by Clive Owen, Julianne Moore, Michael Caine, Chiwetel Ejiofor and Charlie Hunnam. It was not a box office hit though both critics and reviewers love it — the film currently has a 92% rating among reviewers at Rotten Tomatoes. It would place second in voting for that Hugo Award at Nippon 2007 to Pan’s Labyrinth.
(1) QUEEN’S NEW YEAR HONOURS. Over a thousand people are on the list. It is a very good New Year to be a musician with the surname “John” — both Olivia Newton-John and Elton John received honours.
As for literature and genre…
Queen’s New Year’s Honors list, literary agent Felicity
Bryan was given an MBE for services to publishing, and novelist Rose
Tremain was made a Dame.
Director Sam Mendes received a Knighthood for services to
drama. He was Executive Producer of Penny Dreadful, and his two James
Bond movies, the Oscar winning Skyfall and Spectre, released in
2012 and 2015 respectively, are the most successful in the history of the
(2) THE BEST OF TIMES, THE WORST OF TIMES. Jason Sanford has released “a detailed look at science fiction and fantasy magazine publishing in this day and age” — “#SFF2020: The State of Genre Magazines”. His report is loaded with information and includes observations by a dozen magazine editors.
Back in August I tweeted congrats to the fantasy magazine Beneath Ceaseless Skies for achieving their fundraising goal. Which again, excellent news! But I then foolishly used that thread to try and demonstrate why BCS’s success was proof that science fiction and fantasy magazines were doing better than ever.
Spoiler: I was wrong. As multiple editors and publishers of genre magazines quickly pointed out.
In addition, the boon of e-publishing has lowered the traditional printing and distribution cost barriers to creating new genre magazines. This allows more people than ever, including marginalized and diverse voices, to create their own magazines without the need for a large company or trust fund to support their dreams.
But despite all this, times are still tough for many magazines. A number of high-profile and award-winning genre magazines have shut down in the last two years, including Apex Magazine, The Book Smugglers (although their review site continues), Intergalactic Medicine Show, and Shimmer.
And during this same time period Neil Clarke, the publisher and editor-in-chief of Clarkesworld, has been speaking publicly about the many issues faced by genre magazines and warning that the short fiction market was “oversaturated when compared to the number of paying readers.” He believed this might eventually result in a market correction and said a big part of the problem was that having so many SF/F short stories available to read for free had “devalued short fiction.”
(3) CLIMATE CHANGE. [Item by SF Concatenation’s Jonathan
Cowie.] Not strictly SF but since climate fiction
is arguably a sub-branch of SF —
The BBC Radio 4 morning Today programme is the
most listened radio news programme in the British Isles.
In the dead period between Christmas and New Year,
when Westminster and Capitol Hill are shut down, the Today programme
gives over editorial control to guest editors. This morning (30th Dec) we
had Greta Thunberg as the day’s editor who brought on folk from Antarctic
researchers to the head of the Bank of England.
It is a three-hour programme interspersed with the
general news of the day — such as the Australian wildfires. Rarely do we
get such an intense, diverse burst of climate information on a news programme. You
can listen to it here.
Back then I was perhaps considered as depressing and
even a few might have thought a little controversial alarmist. However over the
subsequent decade I have bullet-point listed the key science developments since my
original writing of the essay. These show how the overall science view
has slowly migrated to my own perspective. In fact, today my own views
might be considered by some as positively conservative…
But if you want a short (8 minute) summary as to how
well we are doing addressing the issue then here’s Thunberg herself earlier
Map lovers will be thrilled by the possibility to peruse some of the world’s most unique historic maps. Over 91,000 maps from the exhaustive David Rumsey Map Collection have been placed online for the world to view and download, making it a treasure trove of information related to cartography. The collection, which was started over 30 years ago, is now housed at Stanford University.
In the 1980s, David Rumsey, president of the digital publishing company Cartography Associates, began building his collection by first focusing on maps of North and South America. With materials dating from the 16th to 21st centuries, the collection is unique in its scope of maps focusing on the United States. From 19th-century ribbon maps of the Mississippi to the world’s largest early world map, the collection is filled with special gems that show the wide variety of artistic maps produced throughout history.
If you’re a pantser you are not in sole charge of the work. The characters, the plot, the theme, all chip in and drag the book to new and exciting places. You want them to do that. This is the whole point of pantsing in the first place. The book will go to places that you, if you outlined it at the beginning, could never have imagined. You know the thing’s really alive, when it gets up and runs!
But to get this to happen, you have to listen…
(7) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born December 30, 1865 — Rudyard Kipling. Yea, Kipling. I didn’t do him last year and he’s written enough of a genre nature such as the Just So Stories for Little Children stories like “How the Camel Got Hump“ and “ The Cat that Walked By Himself“ being wonderful stories with a soupçon of the fantastic in them that I should’ve of done so. Or there’s always The Jungle Books, which run to far more stories than I thought. Yes, he was an unapologetic Empire-loving writer who expressed that more than once but he was a great writer. (Died 1936.)
Born December 30, 1922 — Jane Langton. Author of the Hall Family Chronicles series which is definitely SFF in nature having both fantasy and SF elements in these charming tales for children. The eight books herein are mostly not available digitally though Kindle has the final novel but the Homer Kelly mysteries which both Fantastic Fiction and ISFDB list as genre or genre-adjacent are partially available. (Died 2018.)
Born December 30, 1942 — Fred Ward, 77. Lead in Remo Williams: The Adventure Begins which was pleasant but forgettable upon finishing. Co-lead with Kevin Bacon in several of the Tremors films. Plays The Captain in The Crow: Salvation and Maj. General David Reece in the Invasion Earth series. My favorite role for him? Detective H.P. Lovecraft in Cast a Deadly Spell. Is he that Lovecraft? Maybe, maybe not.
Born December 30, 1945 — Concetta Tomei, 74. Blank Dominique, operator along with Blank Reg (the late Morgan Shepherd) of Big Time Television, on Max Headroom. She’s had one-offs on Touched by an Angel, Numb3rs, Ghost Whisperer, and Voyager.
Born December 30, 1950 — Lewis Shiner, 69. Damn, his Deserted Cities of the Heart novelwas frelling brilliant! And if you’ve not read his Wild Cards fiction, do so now. He also co-wrote with Bob Wayne the eight-issue Time Masters series starring Rip Hunter which I see is on the DC Universe app. Yea! Anyone that’s read the Private Eye Action As You Like It collection of PI stories I see listed on Kindle with Joe Lansdale? It looks interesting.
Born December 30, 1951 — Avedon Carol, 68. She was the 1983 winner of the Trans-Atlantic Fan Fund to Albacon II in Glasgow, And she was GOH at Wiscon II along with Connie Willis and Samuel R. Delany. She has been nominated for three Hugos as Best Fan Writer. She’s been involved in thirty apas and fanzines according to Fancyclopedia 3.
Born December 30, 1959 — Douglas A. Anderson, 60. The Annotated Hobbit, for which he won the Mythopoeic Award, is one of my favorite popcorn readings. I’m also fond of his Tales Before Narnia: The Roots of Modern Fantasy and Science Fiction which has a lot of great short fiction it, and I recommend his blog Tolkien and Fantasy as it’s one of the better ones on fantasy literature out there. Today he’s saying a few words about Holdstock.
Born December 30, 1976 — Rhianna Pratchett, 43. Daughter of Terry who now runs the intellectual property concerns of her father. She herself is a video game writer including the recent Tomb Raider reboot. For her father, she’s overseen and being involved several years back in The Shepherd’s Crown, the last Discworld novel, to print. She was also with Simon Green the writer of The Watch, the Beeb’s Ankh-Morpork City Watch series. She’s a co-director of Narrativia Limited, a production company which holds exclusive multimedia and merchandising rights to her father’s works following his death. They, of course, helped develop the Good Omens series on Amazon.
Born December 30, 1980 — Eliza Dushku, 39. First genre role was Faith in the Buffyverse. Not surprisingly, she’d star in Whedon’s Dollhouse. I think her Tru Calling series was actually conceptualized better and a more interesting role for her. She voices Selina Kyle, Catwoman, in the animated Batman: Year One which is quite well done and definitely worth watching. She done a fair of other voicework, two of which I’ll single out as of note. One is is the character of Holly Mokri in Torchwood: Web of Lies – view here. The other role is fascinating — The Lady In Glen Cook’s The Black Company series. Here’s the link to that story.
Born December 30, 1986 — Faye Marsay, 33. Shona McCullough In a Twelfth Doctor story, “The Last Christmas”. She also was on A Game of Thrones for several seasons as The Waif. (Who that is I know not as I didn’t watch that series.) She also played Blue Colson in Black Mirror’s “Hated in the Nation” tale. Her theater creds include Hansel & Gretel, Peter Pan and Macbeth — all definitely genre.
(8) COMICS SECTION.
Speed Bump – a superhero joke so obvious you’ll wonder why you didn’t think of it first.
…The most recent teardown on our list, this 1937 Cheviot Hills house was the home of author Ray Bradbury for more than 50 years. In January 2015, starchitect Thom Mayne began deconstruction of the house, much to the chagrin of Bradbury fans and local preservationists. Mayne claimed, “I could make no connection between the extraordinary nature of the writer and the incredible un-extraordinariness of the house. It was not just un-extraordinary, but unusually banal.”
In Retrospect: Rowling’s Hugo Award is very likely one of the most controversial in the history of the award – while beloved, the Harry Potter novels have never quite received their due as literature. They are books for children and the series is wildly popular, a combination which is great for success and less great for earning respect (such that it truly matters).
The main thing working against Harry Potter and the Goblet of Fire for its place in Hugo Award history, though, is that it won the award over A Storm of Swords, by George R.R. Martin (as well as novels from Ken MacLeod, Robert Sawyer, and Nalo Hopkinson). A Storm of Swords is, notably, the third novel in his A Song of Ice and Fire sequence and widely considered the finest novel in not only that series but in Martin’s acclaimed career. To those who care about such things, Martin is considered “core genre”, writing epic fantasy and being a lifetime part of the Worldcon community. Rowling was an outsider who writes children’s books. I’m sure there is a segment of the old guard Worldcon crowd who still has not gotten over Rowling’s win and Martin’s loss….
After first pledging to upend the way people worked, WeWork vowed to change how they lived: WeLive, a sleek dormitory for working professionals with free beer, arcade games in the laundry room and catered Sunday dinners, would spread around the world.
It has not quite turned out that way.
WeLive has not expanded beyond its first two locations and efforts to open sites in India and Israel have collapsed. In addition to long-term rentals, WeLive offers rooms at its only locations, in New York City and Virginia, for nightly stays on hotel sites.
…Now WeLive’s chances of surviving as the We Company tries to recover from its failed initial public offering are slim, said Scott Galloway, a business analyst and professor of marketing at New York University’s Stern School of Business.
“I bet WeLive is wonderful for everyone except the shareholders and We,’’ Mr. Galloway said. “There was a total lack of internal controls. Where were the board’s basic questions like, ‘Why are we doing WeLive?’”
The uncertainty about WeLive comes as other co-living companies are thriving and expanding. A London-based company, The Collective, has plans to build a co-living building in Brooklyn, while another company, Common, has more than 12,000 beds under development in multiple cities, including a 600-unit building in Miami.
Constance: Ooh, this is tricky, and actually, Veronica Mars is a good case study here.
Veronica Mars went on as long as it did entirely because of its fandom. In the ’00s, fan mail-in campaigns got it renewed for a second and third season despite low ratings. In 2013, the fan Kickstarter campaign raised over $5 million to pay for the movie’s production budget. This year, the show’s history of intense fan engagement is an enormous part of what led to the Veronica Mars Hulu revival — and in that revival, Veronica’s love interest Logan dies, destroying the ship that large swaths of the fandom were hugely invested in and, with it, their fannish investment in the show.
My impulse when Logan died was to think, “Well, that sucks, but certainly showrunner Rob Thomas is entitled to do whatever he wants with his characters. He doesn’t owe me or his fans anything.” But a number of fans disagreed: Rob Thomas, they said, had taken advantage of their desire to see Veronica and Logan together, using their investment as shippers to leverage not just their time and attention, but the literal dollars out of their pockets. In that case, didn’t he owe them something? Wasn’t killing Logan a betrayal of the contract Thomas had made with the fandom?
To be honest, I can see the argument. When a show’s survival depends this heavily on its fans, the power dynamic between creator and fandom does change dramatically. The Veronica Mars fandom went above and beyond to keep that show coming back again and again, and the showrunner responded by destroying the piece of the show that a huge part of the fandom cared about most. Emotionally, that does feel like a betrayal.
Emily:…I think a lot about a quote from Joss Whedon that I heard when I was a teenager and decided was accurate without a ton of reflection: “Don’t give people what they want; give them what they need.” Of the many bits of storytelling wisdom Whedon has dispensed in interviews over the years, this is the one that has most taken on a life beyond his fandom, because it speaks to something that I think we’re all a little wary of in 2019: anesthetizing art against the horrors of the world so much that it becomes a sort of safe space.
…That rich worldbuilding seen in the first novel is extended and expanded on here. From the nature of magic, to the political structure of the capital (including the true structure of the Queen’s Men), the novel enfolds rich details of the main character’s world. Both Ellisberg and now, Dannsburg come across as distinct, real cities that you can imagine walking down the streets of (although do mind the smell of the first, and all the guards in the second)….
(14) JEOPARDY! On tonight’s Final Jeopardy, contestants
showed they can draw a blank on non-sff literary items, too. Andrew Porter took
Answer: In a New Yorker profile, he said, “Where I like it is out west in Wyoming, Montana, & Idaho, & I like Cuba & Paris.”
Wrong questions: “Who is Kerouac?” and “Who is John Wayne?”
In this episode of Kurzgesagt, they’re talking about building engines powerful enough to move entire stars, dragging their solar systems along with them….
[Thanks to SF Concatenation’s Jonathan Cowie, N., Daniel Dern, Mike Kennedy, Martin Morse Wooster, John King Tarpinian, JJ, Chip Hitchcock, Cat Eldridge, Bill, Alan Baumler, John A Arkansawyer, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew.]
Born December 25, 1924 — Rod Serling. Best
remembered for the original and certainly superior Twilight Zone
and Night Gallery with the former winning an impressive three Hugos.
He’s also the screenwriter or a co-screenwriter for Seven Days in May,
a very scary film indeed, as well as The New People series, The
Strange Case of Dr. Jekylland Mr. Hyde, A Town Has Turned to
Dust, UFOs: Past, Present, and Future and Planet of the Apes.
ISDB lists a lot of published scripts and stories by him. (Died 1975.)
December 25, 1965 — BBC’s Doctor Who aired the very first of its holiday
episodes “The Feast Of Steven”. Running about twenty-four minutes, this
First Doctor story survives only in stills and video fragments. It’s worth
noting that Jean Marsh who was once married to future Third Doctor Jon Pertwee
was a cast member here as Sara Kingdom who BBC does not consider a Companion.
December 25, 1992 — Roald Dahl’s The BFG premiered on ITV in the
U.K. It’s based on his decades-old novel of that name. It was directed by
Brian Cosgrove and scripted by John Hambley. The film was dedicated to animator
George Jackson as he had worked on quite a few Cosgrove Hall productions
prior to his passing some years earlier. This film is also the last and only
posthumous role of Ballard Berkeley, the voice of the Head of the Army, who
died four years earlier. Well received by critics and viewers alike, it’s now a
cult classic (don’t groan) with a 65% rating among reviewers at Rotten Tomatoes.
December 25, 1999 — The film that is an acknowledged homage to Trek, Galaxy Quest
premiered. It’s directed by Dean Parisot from a script by David Howard and
Robert Gordon. It has a cast of Tim Allen, Sigourney Weaver, Alan Rickman, Tony
Shalhoub, Sam Rockwell, and Daryl Mitchell. Chicon 2000 would of course award
the Hugo it deserved (yes, I’m biased) beating out The
Matrix, The Sixth Sense,
Being John Malkovich
and The Iron Giant.
December 25, 2005 – Doctor Who “The Christmas Invasion” premiered. This episode features the first full-episode appearance of David Tennant as the Tenth Doctor and is also the first specifically produced Doctor Who Christmas special in the series history as the ones before were considered just part of a series. It included Companion Rose Tyler as played by Billie Piper and Rose’s mother, Jackie, as played by Camille Coduri.
December 25, 2008 — The Spirit premiered. It was written and directed by Frank
Miller and starred Gabriel Macht, Eva Mendes, Sarah Paulson, Dan Lauria, Paz
Vega, Scarlett Johansson, and Samuel L. Jackson. It’s based as you know on Will
Eisner’s most excellent The Spirit.
To say it bombed would be an understatement as it lost tens of millions of
dollars, critics for the most part really didn’t like it and it currently has a
rating of 14% among reviewers at Rotten Tomatoes.
Rowling is customarily outspoken about her politics, which can be generalized as ranging from moderately liberal to progressive — though over time, she’s seemed increasingly less so than her fans. On Thursday morning, many of them woke up to a tweet from Rowling, which might seem at first to be a typical example of Rowling’s broadly liberal feminism.
In context, however, Rowling’s tweet reveals itself as a shocking dismissal of transgender identity: its first three lines seem to directly attack trans identity, while its final line mischaracterizes the facts surrounding a court case that involves significant transphobia.
Many fans have found Rowling’s statement deeply disturbing — so much so that the reaction to it was trending on Twitter on early Thursday morning, ahead of the historic impeachment of Donald Trump….
(3) YEAR’S TOP BOOKS. Cat Eldridge says he counts eight SFF novels on Paste’s list of “The 19 Best Novels of 2019”. This Is How You Lose the Time War by Amal El-Mohtar and Max Gladstone clocks in at
Whether you’re looking for a story about necromancers fighting in space or boys surviving a reform school in Florida, you’ll find something to love on our ranked list of the year’s best novels. These 19 books promise an escape from reality while still tackling real-world issues in creative ways, exploring everything from grief to mother-child relationships to spirituality. We loved these stories, and we believe you will, too.
Ancestral Night, by Elizabeth Bear [Saga Press / Simon & Schuster]
Elizabeth Bear’s Ancestral Night immerses readers in a strange, futuristic universe from the very first pages, and while some of the concepts and language may be difficult at first for readers who want simple, unchallenging texts or are not used to the more speculative side of the genre, those who persevere will quickly be hooked. The book’s sweeping sense of mystery and discovery is what initially hooks, but it’s the speculative and complex world Bear has constructed which is most rewarding in the end.
Ancestral Night is a wise, intelligent book for modern-minded, thinking readers. Bear has dabbled in the steampunk and fantasy vein in the past, and while elements of that are recognizable here, for the most part this is hard sci-fi combined with brilliantly imagined speculative fiction. Bear has constructed a fascinating, absorbing universe populated with compelling and intelligent characters who conform to neither clichés nor stereotypes. It’s sci-fi of the top order, and here’s hoping we see more of it. – Hans Rollmann
We don’t only watch nerd TV here at WIRED. Fleabag’s fabulous. More Pose now. Ship a box of Emmys to Big Little Lies.
It’s just that, this year, when it came to new shows, genre kind of kicked all the butts. In fact, we could’ve left off the sci-fi/fantasy qualifier and called this list “The 5 Best TV Shows of 2019,” period. (We didn’t, because we thought you’d appreciate a bit of what’s known in the biz as framing.) Sure, there was some commodity crapola. The Boys wasn’t half as edgy as it thought. Baby Yoda swallowed The Mandalorian whole. His Dark Materials verged, at times, on the soulless (ironic, for a show about souls). (But Ruth Wilson as Mrs. Coulter—that slightly flared, froglike upper lip!—gives the best performance of 2019.)
(5) ANCIENT ADVICE. “Throw
your testicles” at the London
Review of Books is a review by Tom Shippey of the Getty Museum’s book about
its exhibition of bestiaries. SJWs will not like what medieval people thought
about cats! (Fortunately, the title does not come from the section about
Sometimes ordinary life intrudes. A text from Bodley 764 (c.1225-50) neatly describes the cat: ‘This creature is called mouser because he kills mice. The common word is cat because he captures [captat] them … Catus is the Greek word for cunning.’ The mice the cat catches are ‘greedy men who seek earthly goods’, but, as Susan Crane comments, the accompanying pictures show an artist ‘speculat[ing] imaginatively on the hidden life of cats at night’. There are three cats: one curled up in front of a fire (apparently cleaning his behind), another with a mouse in his paws, and a third on his hind legs, trying to reach into a birdcage – almost a Breughel before its time.
(6) MARKET LIGHTLY
KILLED. Sorry, you can’t
resell pixels in Europe… Publishers
Lunch has the story —
The European Court of Justiceagreed with the non-binding opinion from their Advocate General that reselling “used” ebooks is a violation of copyright. The ruling was made in a case brought by Dutch publisher associations against the website Tom Kabinet, which has tried to establish a marketplace for individuals to resell their ebooks.
(7) TODAY IN HISTORY.
December 20, 1961 — Mysterious Island premiered. Based on the novel by Jules Verne, the film was produced by Charles H. Schneer and directed by Cy Endfield, it was a visual feast of Ray Harryhausen special effects with music as often was in his films by Bernard Herrmann. Critics loved it, the box office was more than successful and the current Rotten Tomatoes rating among reviewers is an excellent 63%.
December 20, 1985 — Enemy Mine premiered. It was directed by Wolfgang Petersen as the script by Edward Khmara off of Barry B. Longyear’s novella which won a Hugo Award for Best Novella and a Nebula Award for the same as well. The film stars Dennis Quaid and Louis Gossett, Jr. as you well know. It wasn’t well received at the time, one critic called it “This season’s Dune”, but it has a 68% rating over at Rotten Tomatoes.
December 20, 2002 — The Firefly series premiered on FOX. The Browncoats among us know more about it than we could say about it, so tell us what you think about it.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge]
Born December 20, 1925 — Nicole Maure. She appeared in The Day of the Triffids as Christine Durrant, and was Elena Antonescu in Secret of the Incas, a film its Wiki page claims was the inspiration for Raiders of the Lost Ark. (Died 2016.)
Born December 20, 1943 — Jacqueline Pearce. She’s best known as the villain Servalan on Blake’s 7. She appeared in “The Two Doctors”, a Second and Sixth Doctor story as Chessene, and she’d voice Admiral Mettna in “Death Comes to Time”, a Seventh Doctor story. I’d be remiss not to note her one-offs in Danger Man, The Avengers, The Chronicles of Young Indiana Jones and The Rivals of Sherlock Holmes. (Died 2018.)
Born December 20, 1952 — Jenny Agutter, 67. Her first SF role was Jessica 6, the female lead in Logan’s Run. Later genre roles include Nurse Alex Price In An American Werewolf in London (fantastic film), Carolyn Page in Dark Tower which is not a Stephen King based film, an uncredited cameo as a burn doctor in one of my all time fav films which is Darkman and finally Councilwoman Hawley in The Avengers and The Winter Soldier.
Born December 20, 1952 — Kate Atkinson, 67. A strong case can be made that her Jackson Brodie detective novels are at least genre adjacent with their level of Universe assisting metanarrative. The Life After Life douology is definitely SF and pretty good reading. She’s well stocked on all of the digital book vendors.
Born December 20, 1960 — Nalo Hopkinson, 59. First novel I ever read by her was Brown Girl in The Ring, a truly amazing novel. Like most of her work, it draws on Afro-Caribbean history and language, and its intertwined traditions of oral and written storytelling. I’d also single out Mojo: Conjure Stories and Falling in Love With Hominids collections as they are both wonderful and challenging reading. Worth seeking out out out is her edited Whispers from the Cotton Tree Root: Caribbean Fabulist Fiction. She was a Guest of Honor at Wiscon thrice. Is that unusual?
(10) TAKE-HOME TEST. Camestros Felapton studies all the
angles science fiction has come up with to get stories out of the idea of identical
human copies in “How
to duplicate people”.
So while the term ‘clone’ is what is used, actual cloning does not get at the concept which is more about duplication or near duplication. Creating another copy of a person is the essence of the science-fiction concept. Duplication of genes is just a handy hook on to which the idea can be hung. Practically we have always known that monozygotic twins are not literally identical even at a superficial level and certainly not at the level of character or personality.
…There have certainly been attempts at gritty and dark interpretations of the Dickens text, but few as random and gratuitous as Steven Knight brings to the table in his new take for FX and BBC. Finally, we have a Christmas Carol in which Ebenezer Scrooge can bellow “Fuck!!!” several times for limited reason and where viewers can be exposed to one fleeting — not prurient, mind you — bare rump, as FX endeavors finally to put the “ass” in “Christmass.”
The result is that FX has made a Christmas Carol that very much isn’t for children — seriously, the wee ones will be either bored or scandalized — and probably isn’t really for adults either. At its very best, it’s an attempted in-depth character study of Scrooge, one that meshes very poorly with the inspiring structure of the story, while at its worst it’s an ill-paced, ill-focused version of A Christmas Carol that doesn’t even get up to the arrival of Jacob Marley until over an hour into its three-hour running time. At least FX is airing A Christmas Carol all at once. On BBC One, it’s airing over three nights, and I’m betting the lack of incident in the first hour will lead to ample tune-out.
A Virginian biochemist has been named winner of Miss America 2020 after performing a live science experiment that defied stereotypes of the contest.
Camille Schrier defeated 50 women to take the crown at Thursday’s final in Uncasville, Connecticut.
Wearing a lab coat, the 24-year-old impressed judges with a chemistry demonstration in the talent show.
(13) GOOD QUESTION. Jon Del Arroz has made seven consecutive
blog posts about one Star Wars subject or another, including the piece
de resistance — “Why Are So Many People Unhealthily Obsessed
With Star Wars?”
…If you were there back in the ’70s, anticipating the Empire Strikes Back the way kids long for Santa, you’re going to enjoy this book immensely. It’s like time traveling back to your glorious misspent youth, back in the days of feathered hair and innocence.
Star Wars unlocked science fiction for me. I still run into folks who aren’t shy about letting me know they don’t consider it as *real* a franchise as some of the others. The science is wonky (explosions in space???) and the dialogue is nuts (nerfherder!!!) and some of the storytelling details remain as nebulous as Schroedinger’s cat (Han shot first dang it)….
… While supernatural phenomena in Ghana’s daily life serve as a unique background for much of the crime fiction I set in that West African country, it can also be a challenge. For logistic reasons too complex to go into now, my novels are not distributed to a significant degree in Africa in general and Ghana in particular. Western readers, primarily those in the United States, are and will remain my main market for the foreseeable future. So how do I introduce these unfamiliar beliefs and concepts like juju to my readers? Very carefully. It should appear seamless, which is not as simple as it may sound. Whenever I describe or highlight a supernatural phenomenon in my novel, I follow some general rules.
It should play an important part in the plot and not be tangential to the story.
I avoid making it seem gratuitous.
I avoid making it seem didactic.
I leave criticisms or praise of the custom to characters in the novel, not the narrator.
BLUF: Things were, as they say in the space biz, “off
nominal.” At least nothing exploded. The entire press release is reproduced
FYI: BLUF means Bottom Line Up Front—one preferred
method of briefing high-ranking personnel in case their attention wanders or
they cut the briefing off short.
“Early this morning, NASA and Boeing successfully launched Starliner on the first human-rated United Launch Alliance Atlas V rocket from Space Launch Complex 41 in Florida.
“The plan was for Starliner to rendezvous and dock with the International Space Station and return home safely to Earth. While a lot of things went right, the uncrewed spacecraft did not reach the planned orbit and will not dock to the International Space Station.
“This is in fact why we test. Teams worked quickly to ensure the spacecraft was in a stable orbit and preserved enough fuel to ensure a landing opportunity.
“Boeing, in coordination with NASA, is working to return Starliner to White Sands, New Mexico, Sunday.
“At NASA we do really difficult things, and we do them all the time. I spoke to Vice President Pence, Chairman of the National Space Council, and he remains very optimistic in our ability to safely launch American astronauts from American soil. We remain positive even though we did face challenges today. We’ll be getting a lot more data in the coming days….
(18) VIDEO OF THE DAY. “Peace on Earth” on Vimeo
is a 1939 cartoon by Hugh Harman about how the world is wiped out by a global
apocalypse and humanity is replaced by cuddly carol-loving animals.
[Thanks to Joel Zakem, Martin Morse Wooster, Bill, John King
Tarpinian, Mike Kennedy, Chip Hitchcok, JJ, N., Michael Toman, Cat Eldridge,
and Andrew Porter for some of these stories. Title credit belongs to File 770
contributing editor of the day Daniel Deuteronomy Dern.]
(1) MARVEL SNAPSHOTS. Kurt Busiek is overseeing a Marvel
showcase series featuring history-making characters.
This March, prepare to see the greatest moments of Marvel’s 80-year history told like never before! In MARVEL SNAPSHOTS, industry legend Kurt Busiek will bring together incredible creative teams for eight standalone, double sized issues showcasing Marvel’s most beloved characters from the golden age to today. Like 1994’s critically acclaimed MARVELS series, MARVEL SNAPSHOTS will be tales told through the eyes of ordinary people, offering unique insights on the legendary mythos of the Marvel Universe. MARVELS SNAPSHOTS also reunites Busiek with renowned MARVELS co-creator Alex Ross who will be providing the series with his iconic painted covers.
It all begins with SUB-MARINER: MARVELS SNAPSHOT #1 when best-selling novelist and Emmy Award-winning TV writer Alan Brennert (L.A. LAW, TWILIGHT ZONE) and superstar artist Jerry Ordway (ALL-STAR SQUADRON, CRISIS ON INFINITE EARTHS) unite to tell an unforgettable story about Marvel’s original antihero: Prince Namor!
Set circa World War II, things kick off with an action-packed tale featuring Namor, Betty Dean, and the All-Winners Squad–a dream come true for Brennert. “I can honestly say that I enjoyed working on this story more than any comics story I’ve done in years. I grew up reading (and loving) Marvel’s Golden Age heroes in the 1960s, in reprints in FANTASY MASTERPIECES. But I never thought I’d have a shot at writing them–especially the All-Winners Squad!–and I’m grateful to Kurt Busiek and Tom Brevoort for providing me the opportunity, and to Jerry Ordway for bringing it all to glorious life,” Brennert says. “I’m enormously proud of ‘Reunion’ and honored to be the first story published in MARVELS SNAPSHOTS.”
Artist Jerry Ordway is just as passionate about bringing this tale to life. “When I was offered this project, I jumped at it, being a big fan of the original MARVELS book by Kurt Busiek and Alex Ross. Getting to draw a Sub-Mariner story set in the 1940s, with appearances by the All-Winners Squad, lets me connect with Marvel’s World War II era history, and the work of Subby’s creator, Bill Everett,” says Ordway. “I’ve been a Marvel maniac from the age of 10, so this is pretty cool! Alan Brennert wrote a great script which fits neatly into the bigger tapestry that is the Marvel Universe. I’m thrilled to get to play in this sandbox after so many years as an artist.”
My guest this time around is Elsa Sjunneson-Henry, who was a winner of the Best Semiprozine Hugo Award earlier this year for her work as a Guest Editor of Uncanny Magazine’s Disabled People Destroy Science Fiction Special Issue. She was also a 2019 Hugo Award finalist for Best Fan Writer. Her fiction has appeared in such magazines as Fireside and Uncanny, as well the anthologies Ghost in the Cogs and Upside Down: Inverted Tropes in Storytelling. She’s written non-fiction for The Boston Globe, Barnes & Noble, Tor.com, and other venues. She is a feminist scholar and disability rights activist (which I knew), but also a burlesque historian (which I did not know).
We lunched at La Tavola, where I’d previously joined Marv Wolfman during the 2017 Baltimore Comic-Con. We discussed her roller coaster of emotions the night she won a Hugo Award earlier this year during the Dublin Worldcon, how that editorial gig increased her empathy, the way writing roleplaying games and being a Sherlock Holmes nerd taught her about world-building and led to her first professional fiction sales, the dinosaur-themed Twitter feed that gave birth to her most recently published short story, the novel she’s working on which she describes as The Conjuring meets The Stand, her expertise in obscenity law and fascination with the history of burlesque, why she felt the Bird Box novel handled blindness better than the movie, her background in competitive improv and the way that helped her within science fiction, advice on how not to let Internet trolls get you down, and much more.
(4) JUST PLAIN FOLKS TALES. RS Benedict has released another episode of the Rite
Gud podcast, “No
More Heroes with JR Dawson”. In this interview with sff short fiction author JR Dawson, they talk
about writing fiction that doesn’t focus on Big Important Heroes of Destiny. It’s
called No More Heroes.
Much of speculative literature focuses on superheroes and Chosen Ones. But what about ordinary people or flawed people who don’t save the world? Do they matter?
Sci-fi/fantasy author JR Dawson joins us to talk about why she writes about ordinary people, and how privilege and inequality warp our idea of whose story deserves to be told. She also talks about being a Midwestern writer, her favorite literary losers and that time Hans Christian Andersen got really weird with Charles Dickens’ family.
Cixin Liu might have become the best-known science fiction writers to come out of China, but he’s far from the only one. Chen Qiufan’s Waste Tide is a far cry from Liu’s epic science fiction tales, taking a grim look at the near future of China, where impoverished workers struggle to make a living from the world’s electronic waste.
Waste Tide follows a series of people who come together in Silicone Isle: Mimi, a worker who heads there for work; Scott Brandle, an American who is trying to arrange a contract; and Chen Kaizong, a translator, all of whom find themselves wrapped up in a greater plot for control. It’s a book that reminded me quite a bit of Paolo Bacigalupi’s The Windup Girl, with a pointed commentary on class warfare and the lifecycle of the devices we use.
One of SFF’s grand traditions is carefully filing the serial numbers off historical events (the American Revolutionary War, perhaps, or the Napoleonic Wars), or famous and classic works (Lord of the Rings, the Hornblower series, Zulu), and re-purposing the result as SFF. This is usually known as “research” (See Tom Lehrer on this point). Examples abound—my disinclination to deal with crowds of irate authors protesting at my door precludes naming them here….
(7) HOLLYWOOD HISTORY. Profiles in History’s “Hollywood: A Collector’s Ransom Auction” has all kinds of genre movie props, models, and figurines.
It even has examples of correspondence between director Sam Peckinpah and Ray
Bradbury. “Ray and Sam would lunch (hoist a few pints) at the Formosa Café,”
recalls John King Tarpinian.
The Man Who Killed Don Quixote completes a quest that has consumed Terry Gilliam for thirty years, but as Leonard and Jessie learned, he bears his burdens lightly. He made his name supplying unique animated sequences for Monty Python’s Flying Circus and his films include Monty Python and the Holy Grail, The Adventures of Baron Munchausen, Brazil, and The Fisher King. He’s a delightful man with stories to tell (about everyone from Robin Williams to Heath Ledger) and a great outlook on life.
Duha is a nice girl who lives with her family in a small humble house near Ramallah. Duha has an amazing idea: she decided to restore an old house to make it a library and a place to sell books and other stationery.
She went to Palestine for Credit and Development (FATEN) to request a loan to help her to cover all restoration expenses to convert the old house into a library. Duha hopes that all the students and residents of the area will benefit from the library.
Study the nuances of rejection In the miserable miasma of reading a fresh rejection, it can be easy to miss the nuggets of positivity and constructive feedback that are often contained in the message too. Some messages are form rejections, but it’s well-known that many venues have form messages that vary according to their take on the writer. A writer a venue wishes to encourage, for example, may get a standard message that’s quite different from the standard message that’s sent to a writer that for whatever reason they are never likely to publish.
So once the initial disappointment has subsided, make a point of going back to the message and seeing what you can learn from it for your next project or submission. Sometimes there is a valuable nugget in there (e.g. Try to use fewer adverbs or We felt we wanted to know more about what was happening from the protagonist’s perspective.) These are valuable insights that you can work with.
However disappointing the message, always send an acknowledgment – stay polite and professional. And if a venue says you should submit again, then do so, once or twice more at least. They didn’t have to say that, after all.
Amazon declined interview requests for this story. In an emailed statement, a spokeswoman wrote, “Privacy is foundational to how every team and employee designs and develops Alexa features and Echo devices. All Alexa employees are trained on customer data handling as part of our security training.” The company and its competitors have said computers perform the vast majority of voice requests without human review.
Yet so-called smart devices inarguably depend on thousands of low-paid humans who annotate sound snippets so tech companies can upgrade their electronic ears; our faintest whispers have become one of their most valuable datasets. Earlier this year, Bloomberg News was first to report on the scope of the technology industry’s use of humans to review audio collected from their users without disclosures, including at Apple, Amazon, and Facebook. Few executives and engineers who spoke with Bloomberg Businessweek for this story say they anticipated that setting up vast networks of human listeners would be problematic or intrusive. To them, it was and is simply an obvious way to improve their products.
… Several of the big tech companies tweaked their virtual-assistant programs this year after a steady drip of news reports. While Google has paused human transcriptions of Assistant audio, Apple has begun letting users delete their Siri history and opt out of sharing more, made sharing recordings optional, and hired many former contractors directly to increase its control over human listening. Facebook and Microsoft have added clearer disclaimers to their privacy policies. And Amazon has introduced a similar disclosure and started letting Alexa users opt out of manual reviews. “It’s a well-known thing in the industry,” Amazon’s Limp recently said about human transcription teams. “Whether it was well known among press or customers, it’s pretty clear we weren’t good enough there.”
(12) TODAY’S BIRTHDAYS.
[Cat Eldridge emailed that he needed urgent care for some physical problems – I hope they are able to get him feeling better soon. Go ahead and mention birthdays you know about in the comments.]
(13) STAR TREK SHIP IN A BOTTLE. So is there a teeny-tiny
Kirk and Spock in there somewhere?
On this episode of Ben’s Worx I make a ship in a bottle with epoxy resin and Australian burl.
Outside investigators have submitted a report to the Washington state house about the activities of the far-right Republican state representative Matt Shea, but legislators on both sides of the aisle remain tight-lipped about its contents.
…Last Monday the independent investigator, the Rampart Group, presented their findings to the chief clerk of the Washington state legislature . He in turn delivered the findings to the executive rules committee, composed of leaders of both parties in the house.
…Shea, meanwhile, was interviewed last week on Infowars’ David Knight Show, where he attacked perceived critics.
Shea then quoted Theodore Beale, whom the Anti-Defamation League (ADL) describes as a “champion of the alt right movement”, and whose blog is described as a home of “misogynistic, white supremacist diatribes”.
“Social justice warriors always lie, they always double down on their lie, and they always try to project on to you how they really are themselves,” Shea said.
The second-largest comic auction of all time, trailing only the $15,121,405 realized in Heritage Auctions’ Chicago Comics & Comic Art Auction in May 2019, this sale included 15 lots that sold for at least $100,000.
…The issue, with famous cover art by Frank R. Paul and interior art by a group of illustrators that included Bill Everett, Carl Burgos and Paul Gustavson, was purchased by a Pennsylvania postal carrier who bought every No. 1 issue he could of both comic books and magazines, beginning in the 1940s. It’s grade of 9.4 on a scale of 1-10 makes it the best copy of the issue ever found, according to Certified Guaranty Company (CGC).
More than two dozen collectors made bids for Robert Crumb Your Hytone Comix #nn “Stoned Agin!” Inside Back Cover Original Art (Apex Novelties, 1971) before it closed at $690,000, breaking the record for the most ever paid for an interior piece of comic art. Created at the height of the artist’s popularity, the image is instantly recognizable, even by many who don’t know the work of Crumb, who is revered for his contribution to the underground comics movement in the 1960s. This iconic image was reproduced countless times, including on a blacklight poster, on pinback buttons, postcards and t-shirts.
Neal Adams Batman #251 Cover The Joker Original Art (DC, 1973) sold for $600,000, the most ever paid through Heritage Auctions for a piece of DC art. The spectacular image of one of the most famous Joker covers of all time debuted a new version of the villain, trumpeting the return of the Joker after a four-year hiatus from Batman comics….
On a June morning in 1974, a Marsh Supermarket cashier in Troy, Ohio, rang up a 67-cent pack of Juicy Fruit chewing gum using something novel — the black and white stripes of a universal bar code.
The Universal Product Code is now a packaging mainstay on everything from cereal boxes and produce to electronics and airplane tickets, but it might not have worked without IBM engineer George Laurer.
Laurer, who died this month at 94 in North Carolina, had been given an assignment by his manager: Write a proposal for grocery executives explaining how IBM would take a previously invented bar code pattern, in the shape of a bull’s-eye, and make it work in supermarkets across the country.
But when that manager returned from a vacation, Laurer was there to meet him. “I didn’t do what you asked,” he said.
Instead, Laurer had created something else — the bull’s-eye was gone and in its place was a linear bar code. Laurer had deemed the bull’s-eye design unworkable. The circular code, inspired by Morse code and patented by N. Joseph Woodland and Bernard Silver in 1952, was too small, and it would smear when run through the poor-quality printing presses used for most food labels at the time.
Because EA owns The Sims, and because EA also has the rights to Star Wars video games, we finally have a digital tie-in with the new live-action Mandalorian series. It’s not a Carl Weathers outfit. It’s not a “Bounty Hunter” job for your Sim. It’s a Baby Yoda statue you can buy and put in your yard.
In 2008, psychologists proposed that when humans are shown an unfamiliar face, they judge it on two main dimensions: trustworthiness and physical strength. These form the basis of first impressions, which may help people make important social decisions, from whom to vote for to how long a prison sentence should be.
To date, the 2008 paper — written by Nikolaas Oosterhof of Dartmouth College and Alexander Todorov of Princeton University — has attracted more than a thousand citations, and several studies have obtained similar findings. But until now, the theory has been replicated successfully only in a handful of settings, making its findings biased toward nations that are Western, educated, industrialized, rich and democratic — or WEIRD, a common acronym used in academic literature.
Now, one large-scale study suggests that although the 2008 theory may apply in many parts of the world, the overall picture remains complex. An early version was published at PsyArXiv Preprints on Oct. 31. The study is under review at the journal Nature Human Behavior.
The study is the first conducted through the Psychological Science Accelerator, a global network of more than 500 labs in more than 70 countries. The accelerator, which launched in 2017, aims to redo older psychology experiments but on a mass scale in several different settings. The effort is one of many targeting a problem that has plagued the discipline for years: the inability of psychologists to get consistent results across similar experiments, or the lack of reproducibility.
If you’ve wondered whether there were actually 30 people trying to book the same flight as you, you’re not alone. As Chris Baraniuk finds, the numbers may not be all they seem.
Ophir Harpaz just wanted to get a good deal on a flight to London. She was on travel website OneTravel, scouring various options for her trip. As she browsed, she noticed a seemingly helpful prompt: “38 people are looking at this flight”. A nudge that implied the flight might soon get booked up, or perhaps that the price of a seat would rise as they became scarcer.
Except it wasn’t a true statement. As Harpaz looked at that number, “38 people”, she began to feel sceptical. Were 38 people really looking at that budget flight to London at the same exact moment?
Being a cyber-security researcher, she was familiar with web code so she decided to examine how OneTravel displayed its web pages. (Anyone can do this by using the “inspect” function on web browsers like Firefox and Chrome.) After a little bit of digging she made a startling discovery – the number wasn’t genuine. The OneTravel web page she was browsing was simply designed to claim that between 28 and 45 people were viewing a flight at any given moment. The exact figure was chosen at random.
Not only that, the website’s innards were surprisingly blatant about what was going on. The bit of code that defined the number shown to users was even labelled “view_notification_random”.
For the first time, BBC News published a news story for every constituency that declared election results overnight – all written by a computer.
It was the BBC’s biggest test of machine-generated journalism so far.
Each of nearly 700 articles – most in English but 40 of them in Welsh – was checked by a human editor before publication.
The head of the project said the tech was designed to enhance the service provided rather than to replace humans.
“This is about doing journalism that we cannot do with human beings at the moment,” said Robert McKenzie, editor of BBC News Labs.
“Using machine assistance, we generated a story for every single constituency that declared last night with the exception of the one that hasn’t finished counting yet. That would never have been possible.”
VIDEO OF THE DAY. In Quail on Vimeo, Grant Kolton explains that if you want
to be a quail, it’s hard work!
[Thanks to John King Tarpinian, Hampus Eckerman, Cat Eldridge, JJ, Mike Kennedy, Chip Hitchcock, Martin Morse Wooster, Michael Toman, Contrarius, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Bill.]