File 770 today kicks off a Titan-Comics blog tour for Life is Strange Vol. 4: Partners In Time: Tracks. Enjoy Cat Eldridge’s review and the art highlights that follow.
How far would you go, to get back to the person you love? As Max Caulfield embarks on a road trip across America after coming so close to returning to her own timeline, across the transect Tristan and Chloe follow the same path. But, both Max and Tristan struggle to control their powers and it looks like Max and Chloe may never get their happy ending – unless they can find something, or someone, to help them.
Review by Cat Eldridge: Life is Strange, Volume 4: Partners in Time Tracks
The fourth volume of the comic series based on the BAFTA-winning video game Life is Strange, follows the quite strange tales of multiverse hopping Max Caulfield. Though the premise is that they are time travelers, they actually are altering the multiverse itself and changing what happens to reality itself.
In this chapter of the series, time-twisting photographer Max has spent the past several years in a reality adjacent to her own. Lately, she realised she was running from her responsibilities… and from the Chloe she left in that reality. So she is determined to get home at all costs. So there must be a way for her to get home even with the multiverse firmly against her, so it’s time for the coast-to-coast road trip of multiple lifetimes to find it – when she follows the The High Seas band towards an uncertain destiny!
(I’m a sucker for a genre story involving a band and this one is damn good. Charles de Lint had one in his Medicine Road novel, and Terri Windling hand a scene with a band in The Wood Wife.)
So without going into the story in detail, let’s just say that both the characters and the story told here are plausible and well thought with characters that actually make sense. The LGBTQ characters are well-fleshed and make perfect sense here. I will say that it would definitely make more sense to start at the beginning of the story than here at volume four as there’s a lot of backstory doesn’t get detailed.
The artwork is awesome, simply awesome. It’s a soft palate brush effect that fits that setting in the Southwest and California perfectly. I also give points for whoever did the formatting for making work absolutely perfecting with the iPad, something that doesn’t happen all that often alas.
By Cat Eldridge: I spent four days at the virtual World Fantasy Convention having a really enjoyable time. From my viewpoint, it worked damn near perfect, being homebound because of the multiple knee surgeries, so having lots of time to do digital experiences like this. And it was a spectacular experience!
The Con experience was built around CrowdCompass, an app and website based portal that allowed them to have the participant access everything from one place from the readings to the art shows and the virtual book bag. All of the actual programming was hosted in Zoom and available from within the WFC based CrowdCompass app.
(Side-note. The Con had a live tech desk during Con hours that handled any problems quite well. Not sure any of them slept, but I applaud them for their skilled work.)
There were five hundred and fifty-seven attendees, says the Chair, from all over the world, an advantage she admitted of the virtual set-up. It was also more diverse than the usual Con had been, being younger and more representative of the global culture she thought because it was virtual than the usual WFC which has tended to be older and mostly white.
I attended three to five events each day Thursday through Sunday. This meant I encountered a lot of authors that I’d never met before including Charlaine Harris, Madeleine Robins, Greg Bear, C.J. Cherryh, Sharon Shinn, Walter Jon Williams and Marie Brennan.
Subjects covered were fascinating (alternate history, swordplay, noir fantasy, music in fantasy, and genre fiction in video to name but a few) but it really was the people here that made it. One and all, they appeared to be having a blast being part of this and expressed their delight repeatedly at being at the Con.
A panel I found absolutely fascinating had C.J. Cherryh, L.E.Modesitt Jr., Anne Groell, Greg Bear, Joe Haldeman and one author I didn’t recognize, Dave Doering, on it. It was called “Fantasy or Not, That Doesn’t Work!” And dealt with the problems of keeping a story logically consistent.
There were, of course, readings. I delightedly got to hear Joe Haldeman, Walter Jon Williams and S. M. Stirling along with Karen J. Fowler and Sharon Shinn read mostly from their latest work. I must stop and stress that the Zoom-based quality of these readings, like everything else, was excellent with nary a hitch. And, of course, it was fascinating to see the authors in their native habitats! I did ask Walter Jon Williams about the third Metropolitan novel and he said there’s a good chance that it will happen. Yea!
Note: Recordings of the panel discussions will be only available through CrowdCompass to WFC members (only).
The digital book bag worked perfectly adding dozens of works to my digital to be read (or at least sampled) list. The printed program guide arrived several days before the event and looks very nice though I’ve just skimmed it so far.
The Award Ceremony was low key, a pleasant contrast from the Hugos, being hosted by Gordon Van Gelder and Ellen Datlow at her apartment. They simply announced the nominees, then the winner and when possible, had the winner say a few words. Very nice. It was budgeted in the program for two hours and came in I think under that. The recording of the award ceremony is publicly available.
Update 11/06/2020: Corrected statements about availability of recorded program items.
By Cat Eldridge: Jodi Houser’s Doctor Who: A Tale of Two Time Lords, Vol. 1: A Little Help From My Friends
This graphic novel from Titans Comics involves my two favorite Doctors from the modern era, the Tenth and Thirteen Doctors. Written by Jodi Houser who’s also written Faith for Valiant Comics, Max Ride: Ultimate Flight and Agent May for Marvel Comics, and Orphan Black for IDW, it’s splendidly illustrated by Roberta Ingranata, an Italian artist who’s mainly worked for a European comic publisher I’ve never heard of until now.
Note that Doctor Who: A Tale of Two Time Lords Vol. 1: A Little Help From My Friends is the beginning of a series and not a one-off, so we can expect more delightful tales involving these two Time Lords.
This story ties into the fan-favorite Tenth Doctor “Blink” episode which was written by former showrunner Steven Moffat. With her Companions (Yaz, Ryan and Graham), she battles the Weeping Angels – assisted by the Tenth Doctor! It’s set in the swinging Sixties London, which makes for a good background for a Whovian story.
Ok so how does it read as a Who story? Quite brilliantly, actually. Houser has a deft sense of the Doctors as characters so her script feels right, and Ingranata’s art, though not exactly representative of how I think they look, captures their feel well enough. Tennant’s easy to illustrate as is Whittaker and that helps here. The premise is that during ‘Blink’ the Tenth Doctor and his companion Martha were transported by the Weeping Angels back to 1969 where they will encounter the Thirteenth Doctor. And together they will battle another ancient enemy of the Time Lords.
I’m not going to give anything away but will note that if you like Doctor Who, I think you’ll like this story. Her Doctors are believable and the story is told very very well with the artwork good enough to carry her story excellently.
For $30.99, users of Cameo — an app where singers, actors and other public figures record custom video messages for a fee — can request a personalized clip of the divisive figure saying whatever they want.
And supporters and critics alike are seizing the opportunity.
Most of Arpaio’s Cameo videos appear to be standard fare, such as birthday greetings, thank-you messages, congratulatory comments. But one that began circulating on social media on Tuesday evening, an encouraging message for the organizers of an upcoming event, raised eyebrows.
“Hey, good luck organizing the Arizona Furry convention,” Arpaio begins, though he pronounces it “Fury,” suggesting he’s not totally certain what he’s been asked to talk about. It’s “for animal lovers,” he adds by way of explanation.
“I’ve always loved animals, fought those that abused animals and will continue to do so,” he continues. “In any event, have a great convention.”
…Many members of the subculture have defined it as one dedicated to artistic expression and helping people come out of their shells, but they’ve long had to endure jokes from people who mock “fur-suiting” as a sexual fetish.
Judging by the requester listed on Arpaio’s Cameo, the person who ordered the video may be one of them. The username: Sir Yiffs A Lot.
“Yiff” refers to furry-related sexual content or activity, which made Arpaio’s sign-off all the more cringeworthy.
“As far as what animal I would like to be, I’m kind of partial to dogs,” he says after a pause, as if responding to a question included in the video request. “But I love all animals. Thanks.”
“Mosley is a master of craft and narrative, and through his incredibly vibrant and diverse body of work, our literary heritage has truly been enriched,” said David Steinberger, chair of the NBA board of directors, in the release. “From mysteries to literary fiction to nonfiction, Mosley’s talent and memorable characters have captivated readers everywhere, and the Foundation is proud to honor such an illustrious voice whose work will be enjoyed for years to come.”
At first glance, what surprises about Lafawndah’s new album, The Fifth Season, is the absence of her image on the cover. Instead of the regal, sometimes confrontational gazes adorning past works, such as Ancestor Boy (2019) and “Tan” (2016), here the listener is greeted with the empty eyes of an amorphous stone figure, kneeling, palms extended, on what seems to be the edge of the Earth. It’s unclear if this character is meant to represent Lafawndah herself, or something else entirely—but upon listening to the album, it almost doesn’t matter. As an artist who self-identifies as a “creative orphan,” shapeshifting is written into Lafawndah’s DNA. It’s only appropriate that her latest release takes it as its central mode.
Its core subject, however, marks a decisive break from past projects. Rather than looking inward, Lafawndah instead extends outward, drawing on the emotionally charged myths of N.K. Jemisin’s Broken Earth trilogy to guide her. Set in a far-future Earth rife with conflict and periodic disasters (“Seasons”) that threaten to destroy all human life, Jemisin’s Afrofuturist series tells tales of heartbreak, strife, and conflict from the perspectives of three different women. It’s only at the end the reader realizes that each character is the same person, at different points in her life….
(5) SUGGESTIONS NEEDED. “So what should do I with a half dozen signed limited edition posters by Charles Vess? Can you think of a worthy fan cause?” Cat Eldridge looks to Filers for suggestions.
“No, I don’t know why he sent them.” says Cat. “I think they’re twenty years old now but they’re in excellent shape.”
Everything’s bigger in Texas—even the vampire scene. Television and film have catapulted vampires into the mainstream, cementing vampirism into pop culture. From the cult classic Interview with the Vampire to FXX series What We Do in the Shadows, there’s no shortage of fictional portrayals of vampire life and the people who crave to be like them. Life can be stranger than fiction, and real-life vampires exist. While they tend to have an affinity for the occult, they’ve sunk their fangs into philanthropy and social good during the COVID-19 pandemic.
Texas is one of many states that boasts of vibrant vampire communities, known as courts. Self-identifying vampires can apply for membership in their city. To an outsider, these vampire courts may sound eerie. For the vampires, the courts are a place they can find belonging….
…One of my favorite ways to visualize how much book cover design has changed over the years is to track one classic book that tends to get redesigned every few years and see how the designs have evolved. Honestly the entire Penguin Classics imprint survives on this as an entire business model. There have been entire academic studies and books published on the design history of books like Lolita. But this is a SciFi Fantasy Art blog and it just so happens that the new Dune trailer finally came out today, so we’re going to be looking at the last few decades of book cover design through the lens of Dune by Frank Herbert….
The stories that would become Dune were first serialized in Analog Magazine starting in December 1963. John Schoenherr was commissioned on August 7, 1963 (great backstory on the blog kept by his son Ian Schoenherr here) to create images for the covers and interiors for “Dune World” 1, 2, and 3.
(8) PARDUE OBIT. Filker Naomi Pardue took her own life reports Tom Smith who said, “She had been very depressed for awhile now, after the death of a close friend.”
(9) MEDIA ANNIVERSARY.
September 1990 — The 1991 World Fantasy Award for Best Short Fiction Would go to Neil Gaiman’s “A Midsummer Night’s Dream” which was published thirty years ago this month in the nineteenth issue of Sandman. It features the beginning of Morpheus’ creative partnership with William Shakespeare, and is the only comic book to date to win a World Fantasy Award. It was drawn by Charles Vess and colored by Steve Oliff. The final issue of Sandman, number seventy five, “The Tempest”, concerns the second of the two plays commissioned by Morpheus.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born September 10, 1860 – Margaret Armour. Novelist, poet, translator. Translated the Nibelungenlied into English prose (1887), then Wagner’s four Nibelungen operas The Rhine Gold and The Valkyrie, Siegfried and Twilight of the Gods, illustrated by Arthur Rackham (1912); also Legerlotz’ Gudrun (1932). Outside our field, tr. Heine with Leland and Brooksbank; and her own works. (Died 1943) [JH]
Born September 10, 1905 – Jay Jackson. A hundred interiors for Amazing, Fantastic, Golden Fleece, Weird Tales. Here is Robert Bloch’s “Secret of the Observatory”. Here is “The Space Pirate”. Here is “Planet of the Gods”. Also outside our field: here is an image for World War II bonds. He appears to have been the first black SF artist. See this from the Chicago Defender. (Died 1954) [JH]
Born September 10, 1911 – William Crawford. Published and edited Fantasy Book (as Garret Ford; with wife Margaret Crawford), Marvel Tales, Unusual, Spaceway (i.e. not Harry Warner’s fanzine Spaceways). Early LASFS (L.A. Science Fantasy Soc.) member. Seven anthologies, some uncredited. Started SF conventions. Seen in Locus as late as 1981. Helped many; received the Big Heart, our highest service award. (Died 1984) [JH]
Born September 10, 1914 — Robert Wise. Film director, producer, and editor. Among his accomplishments are directing The Curse of The Cat People, The Day the Earth Stood Still, The Haunting, The Andromeda Strain and Star Trek: The Motion Picture. Though not at all genre, he also directed West Side Story and edited Citizen Kane. (Died 2005.) (CE)
Born September 10, 1927 – Betty Levin, 93. Ten novels for us; several others outside our field e.g. Starshine and Sunglow (“Grace and subtle humor” – Kirkus), Thorn (“Strongly lyrical writing, unusual & provocative themes” – Kirkus). Judy Lopez Award, Hope Dean Award. [JH]
Born September 10, 1952 — Gerry Conway, 68. Writer who’s best known for co-creating with John Romita Sr. and Ross Andru the Punisher character and scripting the death of Gwen Stacy during his long run on The Amazing Spider-Man. I’m also fond of his work on Weird Western Tales at DC. (CE)
Born September 10, 1953 — Pat Cadigan, 67. Tea from an Empty Cup and Dervish is Digital are both amazing works. And I’m fascinated that she has co-written with Paul Dini, creator of Batman: The Animated Series, a DCU novel called Harley Quinn: Mad Love. (CE)
Born September 10, 1955 — Victoria Strauss, 65. Author of the Burning Land trilogy, she should be praised unto high for being founder along with AC Crispin of the Committee on Writing Scams. She maintains the Writer Beware website and blog. (CE)
Born September 10, 1959 — Tara Ward, 61. She played Preston in the “Warriors of the Deep”, a Third Doctor story. After Doctor Who, she shows up in one-offs in Star Cops and Dark Realm, the Eric Roberts as the Host with vampire teeth horror anthology series,beforehaving a very minor role in the Justice League film. (CE)
Born September 10, 1959 — Nancy A. Collins, 61. Author of the Sonja Blue vampire novels, some of the best of that genre I’ve ever had the pleasure to read. She had a long run on Swamp Thing from issues #110 to #138, and it is generally considered a very good period in that narrative. She also wrote Vampirella, the Forrest J Ackerman and Trina Robbins creation, for awhile. (CE)
Born September 10, 1964 – Chip Kidd, 56. Some say he does 75 covers a year. “Designing books is no laughing matter. Okay, it is.” Here is Jurassic Park. Here is Was. Here is The Elephant Vanishes. Here is Loop. Infinity Award for Design (Int’l Center of Photography), Nat’l Design Award for Communication, AIGA (Am. Inst. Graphic Arts) Medal. “I’m very much against the idea that the cover will sell the book. Marketing departments of publishing houses tend to latch onto this concept and they can’t let go. But it’s about whether the book itself really connects with the public, and the cover is only a small part of that.” [JH]
Born September 10, 1977 – Emily Snyder, 43. Directed eleven Shakespeare plays, performed in twenty-five, including Brutus in Julius Caesar and Prospero in The Tempest. Love and Death trilogy in blank verse Persephone Rises, The Seduction of Adonis and Cupid and Psyche. Matter of Arthur plays The Table Round and The Siege Perilous. Novels for us Niamh and the Hermit, Charming the Moon. Feminist and Catholic.[JH]
That’s the quote we all know and love, uttered as the bad guys try to steal the priceless artifact away from Indiana Jones. And when he says it, the audience is usually cheering him on. He’s the scientist with the archaeological smarts after all. He knows how much these artifacts could benefit the world, so he’s going to risk his life to give us the chance to see them. Pretty damn noble if you ask me.
That’s not really the whole story, is it?
Captain Moxley and the Embers of the Empire, was always meant to be a fast, fun, action-packed adventure in the Indiana Jones style. An entertaining beach read (or, I guess, ‘pandemic read’ now). However, it was also important to me to address some serious archaeological issues, in particular the colonial elements of these types of stories. I wanted to pull that aspect into the torch light and inspect it properly (while hoping it didn’t set off a trap).
The big idea here is that the famous “it belongs in a museum” line is only half complete. In a world where archaeologists and museums are being nudged to move beyond their colonial past, it deserves a follow-up:
…No one could say that the books have grown quaint or stale; just ask my third graders. Nor was Walpole indulging in hyperbole. Doctor Dolittle is a wonderful creation: a Victorian eccentric from the pages of Dickens; a perpetual bachelor who drives conventional humans from his life but is much loved by the poor and the marginal; a gentleman whose exquisite politesse never falters, even before sharks and pirates; a peace-loving naturalist prepared to wage war to defend his friends from evil depredations. Only by the standards of the world of grown-ups does he “do little.”
… Lofting really was a genius of children’s literature. But he was also a product of the British Empire. When Doctor Dolittle goes to Africa to cure the monkeys, he stumbles into the Kingdom of Jolliginki. Prince Bumpo, the heir to the throne, is a mooncalf who mistakes fairy tales for real life, speaks in Elizabethan periphrasis and murmurs to himself: “If only I were a white prince!” In the pencil sketches with which Lofting illustrates his texts, Prince Bumpo looks like the missing link between man and ape. Lofting’s biographer, Gary D. Schmidt, defensively notes that Doctor Dolittle himself rarely utters a bigoted word. But the doctor is only a character; the narrator and the illustrator are none other than our author. While Lofting never fails to give his Africans a measure of nobility, he is also quite certain of their savagery.
… The edition I read was probably published in 1950, three years after Lofting’s death. By the 1970s, he had gone into eclipse. Over the years, new editions appeared that attempted to address the racism, including one in 1988 from which all pictures of Prince Bumpo and his parents had been removed, along with all references to their skin color, not to mention their wish to change it. “If this verbal and visual caution occasionally seems almost craven,” a reviewer for The New York Times Book Review wrote, the blind spots for which it sought to compensate were real.
(15) SET DECORATION BY NATURE. Yeah, this is how San Francisco looked yesterday.
(16) BOOKS ON TAP. Baen Books authors will make two livestreaming appearances Publishers Weekly’s Books on Tap LIVE series in the coming months. The authors will be interviewed with the opportunity to answer questions at the end of the segment.
The first, featuring Larry Correia, will air on Wednesday, September 23rd at 4:00 PM EDT. Larry Correia is the bestselling author of the Monster Hunter International urban fantasy series, the Grimnoir trilogy, and the Saga of the Forgotten Warrior military epic fantasy series with the latest novel Destroyer of Worlds, on sale September 1st.
David Weber & Jacob Holo will be teaming up for an event on Wednesday, October 7th at 4:00 PM EDT to celebrate the release of The Valkyrie Protocol, the second book in their Gordian Division time travel adventure series. David Weber is a multiple New York Times best-selling author, the creator of the Honor Harrington military science fiction series, as well as Path of the Fury, the Hell’s Gate multiverse series, the Dahak Saga, and many more. The Valkyrie Protocol is on sale October 6th.
The authors are known for lively dialogue, interesting backstories, and enjoying interaction with guests. These events are free to the public. To sign up for these special events go here September 23rd at 4:00 for Larry Correia; and a link will be forthcoming for the event on October 7th at 4:00 for David Weber and Jacob Holo.
(17) MALTIN ON MOVIES. [Item by Martin Morse Wooster.] I listened to a 2019 podcast Leonard and Jessie Maltin did with Phil Lord and Chris Miller.
Lord and Miller met at Dartmouth, where they wrote a comic strip about a chain-smoking squirrel that was turned into a feature in the Dartmouth alumni magazine. That magazine ended up on Disney CEO Michael Eisner’s corporate jet, which led to a phone call the undergraduates got asking them to come to Hollywood and take a meeting, which they declined because they were doing mid-term exams.
After they were graduated, Disney hired them but their first great success came with the MTV series “Clone High,” which was banned in India because Gandhi was one of the clones. Most of the podcast includes discussion of the Cloudy With A Chance Of Meatballs movies and The Lego Movie. The podcast was produced before The Lego Movie 2 came out. There is much discussion about why it’s so much harder to come up with a good script for an animated film than for a feature film, with Leonard Maltin noting that Walt Disney threw out six months’ work on Pinocchio.
There was one question about SOLO, the Star Wars project that Lord and Miller were sacked from.
Earlier this year, we were introduced to the Pringles and Rick and Morty collaboration that resulted in Pickle Rick pickle-flavored chips. Not only are the chips — which were released in honor of the Super Bowl — available again, but there are two new varieties that were inspired by the Adult Swim series.
The special-edition Pickle Rick flavor is joined by Honey Mustard Morty and Look at Me! I’m Cheddar & Sour Cream. While the flavors are self-explanatory (hello, honey mustard-flavored and cheddar-and-sour-cream-flavored chips!), there’s a reason these three were chosen. Stacking Pringles flavors, which fit so perfectly together, has been gaining popularity over the past couple of years, according to the brand. The idea here is that you take one of each chip and eat them together for an insane flavor combination….
[Thanks to Andrew Porter, N., Daniel Dern, Bill, Michael Toman, Lise Andreasen, John King Tarpinian, JJ, Mike Kennedy, Martin Morse Wooster, John Hertz, Rob Thornton, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Rob Thornton.]
On this evening in 1938, The Shadow’s “Black Buddha” first aired on Mutual Radio. It starred Orson Welles as The Shadow (Lamont Cranston) and Margot Stevenson as Margot Lane. “A shop owner will kill anyone to regain a statue from the Far East, beginning with the lawyer to whom the statue was sold by mistake.” It was sponsored by BF Goodrich Tires. You can listen to it here.
X MINUS ONE’S TUNNEL UNDER THE WORLD
On this date in 1956, X Minus One’s “Tunnel Under the World” first aired. It’s based on the short story by Frederik Pohl that was first published in the January 1955 issue of Galaxy. The story is that June 15th keeps repeating each day with a very slight change each day. George Lefferts wrote the script. Cast was Norman Rose, Dean L. Olmquist, Amy Sedell, Elaine Ross, Bob Hastings, Ken Raffitte and Larry Haines. You can listen to the broadcast here.
On this date in 1975, Rollerball premiered in the United Kingdom. It was directed and produced by Norman Jewison. The screenplay was written by William Harrison from his “Roller Ball Murder” story which had first been published in the September 1973 issue of Esquire. It stars James Caan, John Houseman, Maud Adams, John Beck, Moses Gunn and Ralph Richardson. Critics on the whole were unimpressed but it did well at box office, and audience reviewers at Rotten Tomatoes currently give it an excellent 67% which is decidedly better than the 14% rating the twenty-five-year-later remake receives.
XENA: WARRIOR PRINCESS
On this date in 1995, Xena: Warrior Princess first aired in first-run syndication. It was created by John Schulian and Robert Tapert with development work by R.J. Stewart and Sam Raimi. It was executive produced by Robert Tapert and Sam Raimi. It starred Lucy Lawless and Renee O’Connor. It would run for six seasons and one hundred and thirty-four episodes. An animated film, Hercules and Xena – The Animated Movie: The Battle for Mount Olympus, myriad novels and even comics followed. The late Josepha Sherman ghost wrote XENA: All I Need to Know I Learned From the Warrior Princess. A reboot was planned five years ago but canceled.
By Cat Eldridge: In honor of Ellen Datlow sharing the cover for Best Horror of the Year, Volume Twelve, let’s note that the first volume in what would be the long-running award-winning Year’s Best Fantasy & Horror anthology series was published in August of 1988. It wasn’t called that but was titled The Year’s Best Fantasy: First Annual Collection. Cover art here as it was for all twenty-one volumes is by Tom Canty. It was edited by her and Terri Windling as it would be for the next sixteen years until Gavin J. Grant and Kelly Link would take over for Windling for the last five volumes.
As a reviewer would note of a later volume, “…the essays at the beginning are fascinating: Summation of Fantasy 1993 by Windling; Summation of Horror 1993 by Datlow; Comics by Will Shetterly and Emma Bull; Horror and Fantasy in the Media by Edward Bryant.” I don’t remember if the first volume had the summations but I’ll ask Ellen. (Some hours later and after a long email conversation of fiction, living spaces and dark chocolate.) Yes, she says that they’ve always had the summations.
Oh, the authors you ask. Just look at the cover below. It’s a fair representation of the writers found in the series but I couldn’t summarize the diversity of those whose writings are here as Datlow and Windling over their sixteen volumes would find writers and fiction of an amazing breadth, often delving into literary publications for these works that were delightfully obscure. Harlan Ellison and Jane Yolen are here, but so are Natalie Babbit, author of Tuck Everlasting, and Kathryn Ptacek, later winner of two Stokers, who I’d never heard at that point but who turned out to be delightful writers. Did I mention there’s a Alan Moore Liavek novella here?
The first volume won a World Fantasy Award for Best Anthology and the series would eventually win a total of three World Fantasy Awards and a Stoker. You won’t find them being offered up in digital form as the packager has said in an email to me when I asked if that was planned that they didn’t secure digital rights when the original author contracts were done.
A hallowed series was off to a very fine start. If you’ve not read it, the trade paper edition can be had rather reasonably.
(1) RECONVENE REPORT. [Item by Cat Eldridge.] ReCONvene, the one-day virtual con of NESFA, was this afternoon, so I paid my ten dollars and attended via Zoom.
It was worth devoting much of the afternoon to it for just one conversation, the Worldbuilding in Speculative Fiction panel which had Ellen Kushner as moderator with P. Djèlí Clark, Cerece Rennie Murphy, Carlos Hernandez and, to my utter delight, Aliette de Bodard. I learned much about the writers and their worlds that I didn’t know. Like all items it allowed conversations among the fans as a text feed — I didn’t listen in too very much of that but they were getting a lot of participation.
Earlier on, Modernizing Fairy Tales and Myths with Adam Stemple as moderator had Victor Lavalle, Seanan McGuire, Catherynne Valente and Rebecca Roanhorse as panelists. Like the other Zoom groups I listened to, it was flawless in its sound and video. Lots of personal ethnic background here as basis for storytelling — most excellent.
The panels were good and they used Discord for follow up chats which I’ll admit I skipped. There was a tour of the art show which is less interesting than being there, but the writers were the reason to be there and they even did Kaffeeklatsches, solo conversations with authors, so I listened to Justina Ireland who I was hearing of for the first time and turned out to be fascinating.
All in all, it was a pleasant way to spend the afternoon. If Boskone is virtual next February (and I wouldn’t count against it being so), I’ll certainly pay for a virtual membership based on his trial run which was organized well and easy to use.
As soon as Toronto let customers eat on restaurant patios again, I made a beeline for Orwell’s Pub — best dang chicken wings in the city. The indoor restaurant was closed, and Chris, the guy who usually tends bar, was serving. When he came by my table, he quipped, “Seems like we’re all living in a Robert J. Sawyer novel now.”
I was surprised he knew who I was. Despite Orwell’s being a cosy “Cheers”-style “Where Everybody Knows Your Name” place, as a non-drinker, I’m usually invisible to bartenders. But Chris was right: we are living in a science-fiction novel now, and a dystopian one at that.
Since my latest novel, “The Oppenheimer Alternative,” is about the Manhattan Project, I often get asked what should be the next big-science undertaking with an all-but-unlimited budget bringing together our brightest minds.
My answer: developing a general antiviral technique, rather than an endless succession of vaccines targeting one, and only one, specific virus. The old method is why our annual flu shots are sometimes ineffective; we’d guessed wrong about which strain of flu would become prevalent. It’s also why we’ve never had a vaccine against the common cold, which is caused by a vast, ever-mutating range of coronaviruses.
ERIC DEGGANS, BYLINE: Here’s the thing about being a Black nerd who loves science fiction, fantasy and superhero stories. Often, you wind up admiring work created to glorify people who are the exact opposite of you. That’s something the aptly-named bookworm Atticus Freeman tries to explain while telling a female friend about the latest novel he was reading on a long bus ride, the 1912 book “A Princess Of Mars” and its star, planet-jumping hero John Carter.
(SOUNDBITE OF TV SHOW, “LOVECRAFT COUNTRY”)
UNIDENTIFIED ACTOR #1: (As character) You said the hero was a Confederate officer.
JONATHAN MAJORS: (As Atticus Freeman) Ex-Confederate.
UNIDENTIFIED ACTOR #1: (As character) He fought for slavery. You don’t get to put a ex in front of that.
MAJORS: (As Atticus Freeman) Stories are like people. Loving them doesn’t make them perfect. You just try to cherish them and overlook their flaws.
DEGGANS: That could be something of a mission statement for the “Lovecraft Country,” a series based on the recent novel of the same name. The book and series reference the work of renowned horror novelist H.P. Lovecraft, known to have racist views about African Americans. The show compares the work of Lovecraftian (ph) supernatural beings which could have sprung from his books to the racism Black people faced in 1950s-era America.
Atticus Freeman, played by “Da 5 Bloods” costar Jonathan Majors, is a Korean War veteran who returns home to find his missing father. Before long, he’s enlisted help from his Uncle George, played by Courtney B. Vance, and his friend Letitia, played by Jurnee Smollett. They must travel across the country from Chicago to follow a clue. And along the way, they run into a not-too-helpful police officer who informs them Black people aren’t allowed in the area after dark.
(SOUNDBITE OF TV SHOW, “LOVECRAFT COUNTRY”)
JAMIE HARRIS: (As Sheriff Eustace Hunt) Any of y’all know what a sundown town is?
MAJORS: (As Atticus Freeman) Yes, sir. We do.
HARRIS: (As Sheriff Eustace Hunt) Well, this is a sundown county. If I’d have found you after dark, it would have been my sworn duty to hang every single one of you from them trees.
MAJORS: (As Atticus Freeman) It’s not sundown yet.
DEGGANS: But when the police officer and his buddies try to lynch the trio, everyone is attacked by huge, teethy, flesh-eating monsters who chase them into a cabin. Uncle George, who’s just as much of a bookworm as Atticus, has an idea of what they might be facing.
…At a time when the world is still reeling from seeing a Black man die with a white policeman’s knee on his neck, there is no better moment for HBO’s gripping “Lovecraft Country” to reinvent a supernatural tale.
When Cherie Dimaline was growing up near Penetanguishene, a small town on the Georgian Bay in Ontario, her grandmother and great-aunts told her stories about a werewolf-like monster called the rogarou. It wasn’t spoken of as a mythical creature but as an actual threat, the embodiment of danger in a place where Indigenous women face heightened risk of violence.
“This wasn’t like, here’s a metaphor,” she said. “They would say, ‘The rogarou’s out, and he’s really hungry.’”
Decades later, Dimaline, a member of the Métis Nation in Canada, was working on a novel about a woman whose missing husband reappears with no memory of her, seemingly under a spell. She needed a charismatic villain, and when the rogarou — a wily trickster figure in Métis oral traditions — popped into her head, she realized the creature had never been given its due in popular culture.
That flash of inspiration turned into “Empire of Wild,” a genre-bending novel whose modern Indigenous characters confront environmental degradation, discrimination and the threat of cultural erasure, all while battling a devious monster….
This episode I have breakfast while Australian writer Stephen Dedman has dinner 12 hours in my future.
Stephen has published more than 100 short stories, some of which I was privileged to publish back when I was editing Science Fiction Age magazine. You can find many of those stories in his collections The Lady of Situations (1999) and Never Seen by Waking Eyes (2005). His novels, which include The Art of Arrow Cutting (1997), Foreign Bodies (1999), Shadows Bite (2001), and others, have been Bram Stoker, Aurealis, William L. Crawford, and Ditmar Award nominees. He’s also written role-playing games, stageplays, erotica, and westerns. And he at one time worked as a “used dinosaur parts salesman,” a job which had me extremely curious — and as you listen to us chat and chew, you’ll find out all about it.
We discussed how the Apollo 11 moon landing introduced him to science fiction, what his father told him which changed his plan to become a cartoonist, the huge difference the Internet made in the lives of Australian writers, his creative trick for getting his first poem published, what acting taught him about being funny in the midst of tragedy, his former job as a used dinosaur parts salesman, the way page one tells him whether he’s got a short story or novel idea, how Harlan Ellison became the first American editor to buy one of his stories, and much more.
For centuries, human thinking—at least in the West—has been dominated by the notion, said to have originated with Aristotle, of the Scala Naturae, or the Ladder of Life. Also known as the Great Chain of Being, this concept establishes a hierarchy in which all life forms can be arranged in ascending degrees of perfection with humans, conveniently, at the topmost rung. Even after Darwin came along and replaced this model with his considerably less vertical Tree of Life, the idea of the human mind as the apex of biological consciousness has persisted.
Increasingly, in the face of climate catastrophe, more humans are beginning to question their hubris. In the introduction to their 2017 book Arts of Living on a Damaged Planet: Ghosts and Monsters of the Anthropocene, the editors note: “Some scientists argue that the rate of biological extinction is now several hundred times beyond its historical levels. We might lose a majority of all species by the end of the 21st century.” This, the arguable point of no return, affords a chance to examine the received belief in human exceptionalism. Science writing in particular and nonfiction in general have much to say regarding the similarities between human and non-human minds, but fiction offers opportunities to explore this interconnectedness as well. After all, if fiction has the power to show us another individual’s private and interior uniqueness, then why not depict animals possessing such interiority?
(9) YOU KNOW IT IN YOUR BONES. Skeleton Hour is a new monthly horror literature webinar series presented as an Horror Writers Association event in collaboration with The Last Bookstore in Los Angeles.
Each panel will be an hour long and bring together 3-5 authors to discuss a specific topic in horror with a moderator guiding the discussion. Panels will take place on Zoom, with the audience able to ask questions in the chat window. The series launches Friday, August 28th, with the first panel focused on 70s-90s throwback horror including authors of novellas from the Rewind or Die series published by Unnerving Press: Mackenzie Kiera, Stephen Graham Jones, Lisa Quigley, and Jessica Guess, as well as noted subject matter expert Grady Hendrix!
(10) PUBLIC SERVICE ANNOUNCEMENT. Be sure to consult NASA’s Guide to Near-light-speed Travel before blasting off.
So, you’ve just put the finishing touches on upgrades to your spaceship, and now it can fly at almost the speed of light. We’re not quite sure how you pulled it off, but congratulations! Before you fly off on your next vacation, however, watch this handy video to learn more about near-light-speed safety considerations, travel times, and distances between some popular destinations around the universe.
(11) MEDIA BIRTHDAY.
August 15, 1984 — The Adventures of Buckaroo Banzai Across the 8th Dimension premiered. Directed by and produced by W.D. Richter (with co-production by Neil Canton), the screenplay was by Earl Mac Rauch who did nothing else of a genre nature. Primary cast was Peter Weller, Ellen Barkin, John Lithgow, Jeff Goldblum and Christopher Lloyd. Initial critical response was generally negative with a few claiming the script was unintelligible. More than one said it was too hip for its good. No, it didn’t do well at the box office but has since become a cult film, and the audience reviewers at Rotten Tomatoes give an excellent 70% rating. (CE)
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born August 15, 1771 – Sir Walter Scott, Bt. Lawyer, reviewer, antiquarian, poet, novelist; in the last three, fantastic elements recur; in the last two, by his doing; his reputation has soared, fallen, soared again. He may yet prove timeless. He wrote “Breathes there the man with soul so dead” and “Oh, what a tangled web we weave / When first we practice to deceive!” Rossini, Donizetti, Schubert, Beethoven set his words to music. His baronetcy became extinct upon the death of his son. (Died 1832) [JH]
Born August 15, 1858 — E. Nesbit. She wrote or collaborated on more than sixty books of children’s literature including the Five Children Universe series. She was also a political activist and co-founded the Fabian Society, a socialist organization later affiliated to the Labour Party. (Died 1924.) (CE)
Born August 15, 1907 – Jack Snow. Wrote Who’s Who in Oz (1954), rightly praised by Anthony Boucher (“Recommended Reading”, Magazine of Fantasy & Science Fiction, Mar 55). By then JS had written two Oz novels of his own, five darker short stories for Weird Tales. When Frank Baum, the first and arguably best Oztorian, died in 1919, JS offered to succeed him – age 12; he was turned down. Matching or at least harmonizing with Baum’s style has been elusive ever since; Who’s Who which could neither treat at length nor argue is masterly, as Boucher noted. (Died 1956) [JH]
Born August 15, 1917 — John Joseph McGuire. Best remembered as a co-writer with H. Beam Piper of A Planet for Texans, Hunter Patrol, Crisis in 2140 and The Return, all of which I’ve read. His solo fiction was a bare handful and I don’t think I’ve encountered it. The works with Piper are available from the usual digital suspects as is a novella of his called The Reason Prisoner. It’s listed as being public domain, so’s free there. (Died 1981.) (CE)
Born August 15, 1932 — Robert L. Forward. Physicist and SF writer whose eleven novels I find are often quite great on ideas and quite thin on character development. Dragon’s Egg is fascinating as a first contact novel, and Saturn Rukh is another first contact novel that’s just as interesting. (Died 2002.) (CE)
Born August 15, 1933 – Bjo Trimble, 86. (There should be a circumflex over the j, an Esperantism indicating the pronunciation “bee-joe”, but the software won’t allow it.) Omnifan preceding Bruce Pelz. Her vitality and wit sparked LASFS (L.A. Science Fantasy Soc.) out of a slump, authored SF con Art Shows (for which she still refuses credit), led a letter-writing campaign that saved Star Trek from being scrapped (see On the Good Ship “Enterprise”), flourished in fanart, concocted cons and costumes. Received the Big Heart (our highest service award) in 1964, possibly the youngest ever; Inkpot, 1974 (its first year); Fan Guest of Honor at Dragon*Con 1995 the 6th NASFiC (North America SF Con, since 1975 held when the Worldcon is overseas). She and husband John have the Life Achievement Award from the Int’l Costumers Guild. They were early Baroness and Baron in the Society for Creative Anachronism, where she has the Order of the Laurel (arts & sciences), both the Order of the Pelican (service). Together co-chaired Westercon 23; were Fan Guests of Honor at ConJosé the 60th Worldcon. [JH]
Born August 15, 1934 – Darrell K. Sweet. Three hundred fifty covers for us, seventy-five interiors; perhaps 3,000 images all told. Here is Space Cadet. Here is Beyond the Blue Event Horizon. Here is The Dictionary of SF Places. Here is The Eye of the World. Here is “The Gap Dragon and Princess Ivy”. Artbook, Beyond Fantasy. Graphic Artist Guest of Honor at Tuckercon the 9th NASFiC; World Fantasy Con 2010; LoneStarCon 3 the 71st Worldcon which had to celebrate him posthumously. (Died 2011) [JH]
Born August 15, 1943 — Barbara Bouchet, 77. Yes, I’ve a weakness for performers who’ve shown up on the original Trek. She plays Kelinda in “By Any Other Name”. She also appeared in Casino Royale as Miss Moneypenny, a role always noting, and is Ava Vestok in Agent for H.A.R.M. which sounds like someone was rather unsuccessfully emulating The Man from U.N.C.L.E. It will be commented upon by Mystery Science Theater 3000. (CE)
Born August 15, 1945 — Nigel Terry. His first role was John in A Lion in Winter which is at least genre adjacent, with his first genre role being King Arthur in Excalibur. Now there’s a bloody telling of the Arthurian myth. He’s General Cobb in the Tenth Doctor story, “The Doctor’s Daughter”, and on the Highlander series as Gabriel Piton in the “Eye of the Beholder” episode. He even played Harold Latimer in “The Greek Interpreter” on Sherlock Holmes. (Did 2015.) (CE)
Born August 15, 1952 – Louise Marley, 68. A score of novels (some under other names) including both a Glass Harmonica and a Mozart’s Blood, as many shorter stories. Interviewed in Fantasy, Locus, Strange Horizons, Talebones. Two Endeavour Awards (note spelling; named for Captain Cook’s ship). Before authoring, sang with the Seattle Opera. See this autobiographical note. [JH]
Born August 15, 1958 — Stephen Haffner, 62. Proprietor of Haffner Press which appears to be largely a mystery and genre reprint endeavor though he’s published such original anthologies as Edmond Hamilton & Leigh Brackett Day, October 16, 2010 and the non-fiction work Thirty-Five Years of the Jack Williamson Lectureship which he did with Patric Caldwell. (CE)
Born August 15, 1964 – Carla Sinclair, 56. Editor of Net Chick. Author of Signal to Noise. Co-founder of bOING bOING. [JH]
Born August 15, 1972 — Matthew Wood, 48. He started out as, and still is, a sound engineer but he also became a voice actor with his best know role being that of General Grievous in The Revenge of the Sith and The Clone Wars. He often does both at the same time as on the 2013 Star Trek into Darkness where he was the surviving sound editor and provided the ever so vague additional voices. (CE)
…The resulting series, “Marvel’s Agents of S.H.I.E.L.D.,” went on to have a successful seven-season run on ABC, which ended Wednesday with a complex two-hour series finale. That didn’t seem especially likely after its rough debut in 2013. Some critics wanted flashier connections to Marvel cinema — where was Iron Man? — and the show had to operate in the shadow of the movies: The existence of magic couldn’t be acknowledged until it was first revealed by the 2016 film “Doctor Strange” first; “life-model decoys,” a kind of android, weren’t permissible until an android character appeared in “Avengers: Age of Ultron.”
But about halfway through its run, the show began reinventing itself, with characters ping-ponging through space, time and alternative realities. Once the writers freed themselves of the timeline and narrative restraints established by the movies (and even ignored a few), the series started to soar.
“We could just make up our own stories,” said Jed Whedon. “It was liberating.”
In the final season, S.H.I.E.L.D. agents hopped around different decades, with a pit stop in the 1980s that provided pure pop-geek joy. (Agent Coulson as Max Headroom? Check.)
But the show never lost its emotional core: the relationship between Agents Fitz (Iain De Caestecker) and Simmons (Elizabeth Henstridge), who crossed the galaxy more than once to be together, only to be repeatedly pulled apart. In the finale, they reunited, as Fitz helped the ragtag team save both S.H.I.E.L.D. and the Earth from a takeover by an alien android race.
… A squabble in the sky over Lake Michigan left one bald eagle victorious and one government drone mangled and sunken.
Hunter King, a drone pilot at the Michigan Department of Environment, Great Lakes, and Energy, was surveying an area of the lake near the state’s Upper Peninsula last month when the drone started “twirling furiously” after it indicated that a propeller had been torn off.
A couple who regularly spends time watching eagles go after sea gulls in the area witnessed the battle but were surprised when they learned that it was a drone that had been downed in the fight, the department said….
The department speculated that the eagle could have attacked because of a territorial dispute, because it was hungry “or maybe it did not like its name being misspelled.”
It’s one of the cheapest ways to help kids in extremely poor countries: Twice a year, give them a 50-cent pill to kill off nasty intestinal parasites. Now, a landmark study finds the benefits carry over long into adulthood — and the impact is massive. But dig deeper and the issue quickly becomes more complicated — and controversial.
To understand why, it helps to start at the beginning, when newly minted economist — and future Nobel prize winner — Michael Kremer says he stumbled into this study by lucky happenstance.
It was the mid-1990s and Kremer was visiting Kenya. “I mean I was on vacation. I wasn’t there for a research trip or something,” he recalls.
Kremer, who had spent a year after college teaching at a school in Kenya, decided to look up a friend from that project. And at their get-together, the friend mentioned to Kremer that he was about to start a new aid program to help elementary school children — including by giving them deworming pills.
The parasites aren’t just bad for kids’ health. They can make a child too listless to pay proper attention in school or so sick she misses many school days.
Kremer, who had recently gotten his doctorate in economics, says he was struck by an idea: “I suggested that if he chose twice as many schools and then they initially started working in half of them and then later expanded [the deworming to the other half], I could measure the impact of what they were doing.”
…The experiment, which involved about 32,000 children, also turned deworming into a popular form of aid. That’s because the first set of results, released in 2004 by Kremer and a collaborator, Edward Miguel of University of California, Berkeley, showed that giving the kids the pills reduced absenteeism and dropping out of elementary school by a fourth — from 28% to 21%.
There may be no novelty sweet more polarizing than astronaut ice cream. Those who adore it praise its light, crunchy texture, and a flavor that is still unmistakably creamy and sweet. Its detractors will say biting into it is akin to chomping down on a piece of chalk: powdery and unnatural. And for those who have never tried it, the entire concept of eating ice cream stripped of all liquid may seem downright bizarre. But even though so-called astronaut (or to be more precise, freeze-dried) ice cream isn’t the most popular of novelty treats, its longevity proves that it has found a small, but fiercely loyal fan base.
Even its creator has been a little surprised at the product’s staying power….
[Thanks to amk, Andrew “Eagle Eye” Porter, Somtow Sucharitkul, Cat Eldridge, John Hertz, JJ, Martin Morse Wooster, Mike Kennedy, John King Tarpinian, Olav Rokne, Michael Toman, Dan Bloch, and Chip Hitchcock for some of these stories. Title credit goes to File 770 contributing editor of the day Rob Thornton.]
March 31, 1995 — Tank Girl premiered. Based on the British comic book created by Alan Martin and Jamie Hewlett (who also illustrated it), the movie starred Lori Petty as Tank Girl along along with Naomi Watts, Ice-T and Malcolm McDowell. It was directed by Rachel Talalay who was responsible for Ghost in The Machine, and directed a lot of new era Doctor Who episodes. Critics at the time used words like tiresome and amateurish to describe it though one found it funnier than Batman Forever. The audience reviewers at Rotten Tomatoes give it an excellent 63% rating.
March 31, 1987 — The Max Headroom series premiered on ABC. This is the America version of Max Headroom as the British version was Max Headroom: 20 Minutes into the Future which is essentially identical to the initial origin episode of the American series. Matt Frewer as Max Headroom and Edison Carter; Amanda Pays as Theora Jones; and W. Morgan Sheppard as Blank Reg, would reprise their characters from the British film. It ran from April of 1985 to March of 1987. A spin-off series, a talk show featuring Max was recorded, The Original Max Talking Headroom Show, this time in New York. It aired on Cinemax between the two seasons and lasted six episodes.
March 31, 2009 — Dragonquest premiered. It was directed by Mark Atkins, and produced by David Michael, Latt David Rimawi and Paul Bales. It stars Marc Singer, best remembered for his roles in the Beastmaster film franchise, along with Jason Connery and Brian Thompson. It bears absolutely no relation to either the novel of that name by Anne McCaffrey, nor to the Dragon Quest RPG series. On Rotten Tomatoes, the audience reviewers definitely do not like it as they give it a 6% rating.
March 31, 1999 — The Matrix premiered. It written and directed by the Wachowskis. It starred Keanu Reeves, Laurence Fishburne, Carrie-Anne Moss, Joe Pantoliano and Hugo Weaving. It was the first film in the Matrix franchise. It would finish second to Galaxy Quest in the Long Form Dramatic Presentation Hugo voting at Chicon 2000. It’s considered one of the best SF films of all time, and it currently has a rating of 85% among audience reviewers at Rotten Tomatoes.
March 31, 1987 — Steel Dawn premiered. It was directed by Lance Hool. It starred Patrick Swayze and Lisa Niemi. The working title of the film, reflecting its mix of science fiction and western, was Desert Warrior. Doug Legler, best known as director of the Dragonheart sequel Dragonheart: A New Beginning, was the writer. Though made on a shoestring comparatively speaking, it still lost millions, and critics founds it boring. Currently it has a 34% rating among audience reviewers at Rotten Tomatoes.
In this debut fantasy novel, Wade writes of Pelismara, a city within a deep cave, occupied by 12 ruling families that form a rigid class system. The city has been in decline, and when an epidemic sweeps over the city and kills their ruler, 17-year-old Tagaret is forced to represent his family to compete to become the heir to the throne. He has to contend with other rivals to the throne, including his sociopathic younger brother Nekantor, who threatens everything that he’s worked for.
Publishers Weeklygave the book a starred review and says that the novel has an “impressively winding plot, layered worldbuilding, and psychologically acute characterizations are sure to hold readers’ attention.”
CBS All Access debuted its new Star Trek series Picardjust a couple of days ago, and to commemorate the occasion, it’s releasing a tie-in novel that sets up the events of the series, written by Una McCormack. The novel will provide some backstory to some of the show’s newest characters.
The exhibition will display an array of rare artifacts, set pieces, and props from the television series, spinoffs, and films, some of which have never been on display in Los Angeles. Highlights include:
Set pieces from Star
Trek: The Original Series, including Captain Kirk’s command chair
and the navigation console.
More than 100 artifacts and props
from the various Star Trek TV series and films, including an original
series’ tricorder, communicator, and phaser; a Borg cube from the film Star
Trek: First Contact; a Klingon disruptor pistol from Star Trek: The Next Generation; and
tribbles from Star Trek: The Original Series.
Spock’s tunic worn by Leonard
Nimoy; Lt. Uhura’s dress worn by Nichelle Nichols; Khan garments past and
present, including the open-chest tunic worn by Ricardo Montalban and the
costume worn by Benedict Cumberbatch in the 2013 reboot; Captain Picard’s
uniform worn by Patrick Stewart; plus, a Borg costume, the alien Gorn, and
Original scripts, concept art,
storyboards, and production drawings.
Spaceship filming models of the
U.S.S. Enterprise, U.S.S. Excelsior, U.S.S. Phoenix, and Deep Space Nine space station.
Objects that illustrate how Star
Trek has become deeply embedded in popular culture and has even
inspired real-world technological innovations, such as a prototype of an actual
medical tricorder, Star Trek-themed beer, Boston Red Sox “Star
Trek Night” foam finger in the shape of the Vulcan salute, a
“Picardigan” sweater, a listening station with songs by Star Trek tribute bands, US postal stamps featuring
the U.S.S. Enterprise, and much more.
No one has nominated us yet for the book cover challenge so we thought we’d take matters into our own hands and publish some of our favourites from the first hundred years of the book cover (as we commonly understand it today) — though we’ve not the restraint for seven spread over seven days, so here’s a massive splurge of thirty-two in one.
(5) TODAY IN HISTORY.
February 1, 1984 — The Invisible Strangler premiered. (You might have seen it under the names of The Astral Factor or The Astral Fiend.) It was directed by John Florea. It starred Robert Foxworth, Stefanie Powers and Elke Sommer. Arthur C. Pierce both wrote the screenplay and co-directed the film though was uncredited in the latter. You can see it here.
February 1, 1998 — The Lake premiered on NBC. Scripted by Alan Brennert off the novel by J.D. Fiegelson, it starred Yasmine Bleeth, Linden Ashby, Haley Joel, Osment Susanna, Thompson and Stanley Anderson. It is made not enough of a ripple for there to any critical reviews online, nor foes it get any ratings at Rotten Tomatoes. IMDB reviewers obsess on Yasmine Bleeth of Baywatch fame in her red bathing suit here when reviewing the film which should tell all you need to know.
(6) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born February 1, 1884 — Yevgeny Zamyatin. Author of We, a dystopian novel. He also translated into into Russian a number of H.G. Wells works and some critics think We is at least part a polemic against the overly optimistic scientific socialism of Wells. The Wiki writer for the Yevgeny Zamyatin page claims that We directly inspired Nineteen Eighty-Four, TheDispossessed and Brave New World. (Died 1937.)
Born February 1, 1908 — George Pal. Let’s see… Producer of Destination Moon, When Worlds Collide, The War of the Worlds (which I love), Conquest of Space (anyone heard of this one?), The Time Machine, Atlantis, the Lost Continent, Tom Thumb, The Time Machine, Atlantis, the Lost Continent, The Wonderful World of the Brothers Grimm, 7 Faces of Dr. Lao (another I love)and his last film being Doc Savage: The Man of Bronze which is not so great. Can we hold a George Pal film fest, pretty please? (Died 1980.)
Born February 1, 1926 — Nancy Gates. Though just genre adjacent, I’m including The Atomic City with her as Ellen Haskell as her first SFF appearance, though World Without End in which she’s Garnet is pure SF and that follows that film, so you choose. She was Renza Hale in the “First Woman on the Moon” episode of Men Into Space, and she’s Lois Strand in the “Marked Danger” episode of Science Fiction Theater. (Died 2019.)
Born February 1, 1942 — Bibi Besch. Best remembered for her portrayal of Dr. Carol Marcus on The Wrath of Khan. Genre wise, she’s also been in The Pack (horror), Meteor (SF), The Beast Within (more horror), Date with an Angel (romantic fantasy) and Tremors (SF). (Died 1996.)
Born February 1, 1942 — Terry Jones. Member of Monty Python who was considered largely responsible for the program’s structure, in which sketches flowed from one to the next without the use of punchlines. He made his directorial debut with Monty Python and the Holy Grail, which he co-directed with Gilliam, and also directed Life of Brian and The Meaning of Life. He also wrote an early draft of Jim Henson’s 1986 film Labyrinth, though little of that draft remains in the final version. (Died 2020.)
Born February 1, 1946 — Elisabeth Sladen. Certainly best known for her role as Sarah Jane Smith on Doctor Who. She was a regular cast member from 1973 to 1976, alongside the Third Doctor (Jon Pertwee) and Fourth Doctor (Tom Baker), and reprised her role down the years, both on the series and on its spin-offs, K-9 and Company (truly awfully done including K-9 himself) and The Sarah Jane Adventures (not bad at all). It’s not her actual first SF appearance, that honor goes to her being a character called Sarah Collins in an episode of the Doomwatch series called “Say Knife, Fat Man”. The creators behind this series had created the cybermen concept for Doctor Who. (Died 2011.)
Born February 1, 1954 — Bill Mumy, 66. Well I’ll be damned. He’s had a much longer career in the genre than even I knew. His first genre were at age seven on Twilight Zone, two episodes in the same season (Billy Bayles In “Long Distance Call” and Anthony Fremont in “Its A Good Life”). He made it a trifecta appearing a few years later again as Young Pip Phillips in “In Praise of Pip”. Witches are next for him. First he plays an orphaned boy in an episode of Bewitched called “A Vision of Sugar Plums” and then it’s Custer In “Whatever Became of Baby Custer?” on I Dream of Jeannie, a show he shows he revisits a few years as Darrin the Boy in “Junior Executive”. Ahhh, his most famous role is up next as Will Robinson in Lost in Space. It’s got to be thirty years since I’ve seen it but I still remember and like it quite a bit. He manages to show up next on The Munsters as Googie Miller in “Come Back Little Googie” and in Twilight Zone: The Movie In one of the bits as Tim. I saw the film but don’t remember him. He’s got a bunch of DC Comics roles as well — Young General Fleming in Captain America, Roger Braintree on The Flash series and Tommy Puck on Superboy. Ahhh Lennier. One of the most fascinating and annoying characters in all of the Babylon 5 Universe. Enough said. I hadn’t realized it it but he showed up on Deep Space Nine as Kellin in the “The Siege of AR-558” episode. Lastly, and before Our Gracious Host starts grinding his teeth at the length of this Birthday entry, I see he’s got a cameo as Dr. Z. Smith in the new Lost in Space series.
Born February 1, 1965 — Brandon Lee. Lee started his career with a supporting role in Kung Fu: The Movie, but is obviously known for his breakthrough and fatal acting role as Eric Draven in The Crow, based on James O’Barr’s series. Y’ll know what happened to him so I’ll not go into that here. (Died 1993.)
Born February 1, 1965 — Sherilyn Fenn, 55. Best known for playing as Audrey Horne on Twin Peaks. Her first genre work was in The Wraith as Keri Johnson followed by being Suzi in Zombie High (also known charmingly not as The School That Ate My Brain). Her latest work is Etta in The Magicians series.
(8) REMEMBERING KAGE BAKER. [Item by Cat Eldridge.] She passed ten years ago last night. We had a long,
interesting conversation via email with the occasional phone call about her
fiction, and I sent her chocolate and the odd music CD from time to time. We
almost put together a Concordance on The Company novels in which I would
have interviews with each of the major cyborgs. She was particularly interested
in having them express their opinions on chocolate.
She loved her sister Kathleen who maintains a blog, Kathleen,
Kage, and The Company which has thoughts on her passing yesterday: “Oh,
My Breaking Heart”.
She, above all, had a great heart and a wicked sense
of humor. I’m convinced that she really did believe that Harry, her parrot,
really was a space raptor.
For the first time since 2014, zero Star Wars movies are slated to come out this year. But, that doesn’t mean some badass sci-fi action isn’t coming our way. The visionary filmmaker behind Arrival and Blade Runner 2049 is adapting Frank Herbert’s Dune for the big screen this December. Denis Villeneuve’s feature adaptation of the 1965 classic novel is not only an incredibly highly-anticipated 2020 movie, it’s packed with an absurdly-talented cast. Check them out and read up on the Dune characters they’ll be portraying here:
[Thanks to Martin Morse Wooster, JJ, John King Tarpinian, Chip
Hitchcock, Andrew Liptak, Cat Eldridge, Mike Kennedy, Dan Bloch, and Andrew
Porter for some of these stories. Title credit goes to File 770 contributing
editor of the day Paul Weimer.]