The Science Fiction and Fantasy Writers of America (SFWA) honors one living writer each year with the Damon Knight Memorial Grand Master Award.
The recent deaths of two distinguished sf writers have drawn attention to the award. The late Ben Bova is someone Gregory Benford wished would have gotten it. James Gunn, who passed away last week, deservedly did get it. And he is also now the fifth Grand Master to die in the past four years (preceded by Brian Aldiss, Ursula K. Le Guin, Harlan Ellison, and Gene Wolfe.)
What writers are File 770 readers hoping SFWA will honor in years to come? Give your ideas in a comment.
To start the discussion rolling I asked four writers who they think deserves priority.
Gregory Benford sent a list of five:
Ursula Vernon says:
Oh lord…my choices might be rather idiosyncratic! But I’d want Terri Windling, Robin McKinley, Diane Duane, Barbara Hambly and Ellen Kushner to all be considered. Terri Windling would probably be top of my list.
Past SFWA President Cat Rambo, who led the selection process during her years in office, sent this overview:
The biggest thing stopping Bova being a candidate — and the reason a lot of my picks didn’t fly — is that there’s been a lot of past “the rule is they can’t be dead” stuff. This leads to some weirdness (IMO), including people factoring in how healthy candidates are. To me it has to be someone who shaped the genre — my picks were Peter Beagle, C.J. Cherryh, Jane Yolen, and Bill Gibson, and I think all of them have a substantial and unquestionable legacy and influence on the field.
I’d love to see the award revamped, and be something that could go to multiple people, living and dead, each year, along the lines of the Science Fiction Hall of Fame. I know top of my list would be Octavia Butler, and there’s some other now-gone folks that I would also put above Bova, although he is certainly worthy.
That last thought about expanding eligibility resonates with Nisi Shawl ’s SFWA Grand Master Wishlist:
I’m surely not the first to name Octavia E. Butler as a priority for the honor of SFWA Grand Master. I mean. I mean come on. She was a MacArthur Fellowship-certified genius who demonstrably changed the field. She was gracious, kind, and charming in person and ruthlessly gorgeous in her prose. She was a tireless worker, a dreamer, a sincere advocate for emerging authors such as myself, and the moment for us to honor her is fast approaching. Or maybe it’s already here.
My other two picks for most-likely-to-make-Grand Master are known primarily for their short stories, a form I feel has gotten much shorter shrift than it deserves.
Nebula-winner Eileen Gunn is a short story writer supreme. Wisewoman and wise-ass, Eileen is generous with that most precious of authorial treasures, her time. She teaches, she critiques, she analyzes, she sets forth on pioneering journeys to the heart of speculation and leaves shining footsteps for us to follow.
And Ted F. Chiang (ask Ellen Klages what the “f” stands for) is a careful, precise giant in this field. His stories are exquisite and true to the core. Long may he live! Long may he reign as Grand Master—and soon!
(1) TAG TEAM. YouTuber Morganeua, a fourth year PhD student in Theatre and Performance Studies, uses Stephen King and Toni Morrison to beat Isaac Asimov into the ground in “Asimov’s Adverbs.” (Think of it as a homage to “Fenimore Cooper’s Literary Offenses.”)
I just finished reading “Foundation and Empire” by Isaac Asimov and it was GREAT but I noticed THIS about his writing. What do you think about excessive -ly adverb use in novels?
Some people outline their novel before they start. Others don’t, but just plunge right and start. There’s plenty of advice on how to do the former, but those who practice the latter sometimes feel that they’re floundering, and no one’s providing any guidance. Working with my own process as well as that of students, clients, and mentees, I’ve come up with twelve principles for writing that you can apply, pre and post-pantsing, in order to start moving from chaos to order.
…A posthumously published book can be tricky property, given the inevitable question of whether the author was able to finalize the manuscript to the degree they wanted, were they alive. Although Angel’s Inferno does not feel incomplete, it lacks the economy and flow of Falling Angel. It is also far darker, more debauched and violent. When you’ve made a pact to sell your soul to Satan, in terms of what you’re prepared to do, the sky, or in Angel’s case, the depths are the limit.
(4) KOWAL’S VISION FOR SERIES. Mary Robinette Kowal’s talk for the 2020 National Book Festival about her “Lady Astronaut” series is online.
…My first moment where I’m really, really conscious of the space program aside from just like, oh, yeah, people go into space, is when Sally Ride goes up. And looking back at the history of this and thinking about how long it took us to send someone up, it bothered me. It especially bothers me now that this is a problem that we still have ongoing. And so, I wanted to see what it would have been like if we had actually centered women. I sometimes say that this is Apollo era science fiction that’s women-centered. I wanted to read Ray Bradbury, but with 100% more women and people of color. That’s what I wanted. I wanted that sense of Golden Age adventure, but I wanted to be there. And so, I created this world.
(5) CORBEN OBIT. Artist Richard Corben (1940-2020) died December 2 following heart surgery. He was a winner of the Spectrum Grand Master Award (2009) and the Grand Prix at Angoulême (2018), and an inductee to the Will Eisner Award Hall of Fame (2012). Dona Corben announced his passing on Facebook.
Corben started in underground comics, then gained increasing fame over the years working in the French magazine Métal Hurlant, and at Marvel, DC and Dark Horse Comics. His name will ring a bell with Harlan Ellison fans as the artist on the three-story graphic novel Vic and Blood: The Chronicles of a Boy and His Dog (1988).
(6) ING OBIT. Author Dean Ing, whose story “The Devil You Don’t Know” was a Hugo and Nebula finalist in 1979, died July 21 according toLocus, whichhas a complete profile: Dean Ing (1931-2020).
(7) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz]
Born December 10, 1815 — Ada Lovelace. Lovelace was the only legitimate child of poet Lord Byron and his wife Lady Byron. She was an English mathematician and writer, principally known for her work on Charles Babbage’s proposed mechanical general-purpose computer, the Analytical Engine. Genre usage includes Gibson and Sterling’s The Difference Engine, Stirling’s The Peshawar Lancers and Crowley’s Lord Byron’s Novel: The Evening Land. (Died 1852.) (CE)
Born December 10, 1830 – Emily Dickinson. She set on paper 1,800 poems, less than a dozen published during her lifetime – too unconventional. “Because I Could Not Stop for Death” got into a 2014 Everyman’s Library volume. She has a poem on a schoolhouse in the Hague, in English and Dutch. You could do worse than look at her Wikipedia entry. (Died 1886) [JH]
Born December 10, 1824 — George MacDonald. His writings have been cited as a major literary influence by many notable authors Including Tolkien and Lewis, Gaiman and L’Engle, Beagle and Twain to name but a few that I’d single out. The Princess and The Goblin and Phantastes: A Faerie Romance for Men and Women as particularly fine reading. The Waterboys titled their Room to Roam album after a passage in Phantastes. Not surprisingly, he’s well represented at the usual digital suspects with one publication an offering fifteen pages of reading for a dollar including eight novels. (Died 1905.) (CE)
Born December 10, 1903 — Mary Norton. Author of The Borrowers which won the 1952 Carnegie Medal from the UK’s Chartered Institute of Library and Information Professionals recognizing the novel as the year’s outstanding children’s book by a British author. She would continue to write these novels for three decades with Hallmark turning it into a film in the early seventies. Her novels The Magic Bed Knob; or, How to Become a Witch in Ten Easy Lessons and Bonfires and Broomsticks would be adapted into the Disney film Bedknobs and Broomsticks in the same period. (Died 1992.) (CE)
Born December 10, 1920 – Dan Spiegle. In a career of Blackhawk, Maverick, Spin and Marty, he also drew Space Family Robinson and The Black Hole. For this Roger Elwood book he did interiors too. Of his work on Mickey Mouse with Paul Murry, Scott Shaw said “none of the ‘real’ human characters seem to notice anything remotely unusual about [working] with a three-foot-tall talking cartoon mouse”; to quote KC and the Sunshine Band, that’s the way I like it. Inkpot Award. (Died 2017) [JH]
Born December 10, 1928 — John Colicos. You’ll first recognize him as being the first Klingon ever seen on classic Trek, Commander Kor in “Errand of Mercy” episode. (He’d reprised that role as the 140-year-old Kor in three episodes of Deep Space Nine.) He’ll next show up as Count Baltar in the original Battlestar Galactica continuity throughout the series and film. He’ll even show up as the governor of Umakran in the Starlost episode “The Goddess Calabra”. (Died 2000.) (CE)
Born December 10, 1960 — Kenneth Branagh, 60. Oh, Branagh, I feel obligated to start with your worst film, Wild Wild West, which, well, had you no shame? Fortunately there’s much better genre work from you as an actor including as Victor Frankenstein in Mary Shelley’s Frankenstein and Gilderoy Lockhart in Harry Potter and the Chamber of Secrets. As a Director, I’m only seeing Mary Shelley’s Frankenstein and Thor — Anyone know of anything else genre related? Is Hercule Poirot genre adjacent? (CE)
Born December 10, 1969 – Jon Hansen, age 51. Born in Athens – Georgia. A score of short stories, a score of poems, in Albedo One, Electric Velocipede, Realms of Fantasy, Strange Horizons, A Field Guide to Surreal Botany (his story is “Dream Melons”, where else should he have published it?) [JH]
Born December 10, 1984 – Helen Oyeyemi, F.R.S.L.,age 36. Six novels, ten shorter stories. Somerset Maugham Award. PEN (Poets, Essayists, Novelists) Open Book Award. Fellow of the Royal Soc. Literature (she’s Nigerian, lives in Prague). Here is a NY Times review of HO’s collection What Is Not Yours Is Not Yours (winner of that PEN award) which I don’t think is behind a paywall – I could see it, anyhow. [JH]
Born December 10, 1985 – Celeste Trinidad, M.D., age 35. A dozen short stories from this busy Filipina pathologist. Don Carlos Palanca Award. “Finding Those Who Are Lost” is in the Typhoon Yolanda Relief anthology Outpouring. [JH]
Mr Roger Lancelyn Green (25 November) asks whether it is known how Robert Louis Stevenson intended the name of Dr Jekyll should be pronounced. Fortunately a reporter from the San Francisco Examiner, who interviewed Stevenson in his hotel bedroom in San Francisco on 7 June 1888, asked him that very question:
‘There has been considerable discussion, Mr Stevenson, as to the pronunciation or Dr Jekyll’s name. Which do you consider to be correct?’
Stevenson (described as propped up in bed ‘wearing a white woollen nightdress and a tired look’) replied: ‘By all means let the name be pronounced as though it spelt “Jee-kill”, not “Jek-ill”. Jekyll is a very good family name in England, and over there it is pronounced in the manner stated.’
Yours faithfully, Ernest Mehew
(9) CSI ARIZONA. [Item by Joey Eschrich.] Two new videos from Center for Science and the Imagination events are of interest to fans.
First, the latest episode of CSI Skill Tree, our series on video games, worldbuilding, and futures thinking, features the classic science fiction strategy game Sid Meier’s Alpha Centauri, with special guests Arkady Martine, author of the Hugo Award–winning novel A Memory Called Empire, as well as a historian of the Byzantine Empire and a climate and energy policy expert, and Bodhisattva Chattopadhyay, a science fiction scholar at the University of Oslo and principal investigator of the European Research Council Project CoFUTURES.
Second, the latest in our Science Fiction TV Dinner series (which we don’t usually record), featuring Ellipse, a short science fiction film about the search for life in the cosmos, with special guests Ilana Rein, the film’s director and writer, and Sara Walker, an astrobiologist and theoretical physicist and the deputy director of Arizona State University’s Beyond Center for Fundamental Concepts in Science.
One of the original novels of post-nuclear-holocaust America, The Long Tomorrow is considered by many to be one of the finest science fiction novels ever written on the subject. The story has inspired generations of new writers and is still as mesmerizing today as when it was originally written.
…But procuring a vintage tray, from one of the most celebrated and historic Southern California establishments, is an experience that’s as exciting as finding the last tempting dish of red Jell-O wobbling in your favorite cafeteria’s dessert section.
That’s just what will happen for some fans of Clifton’s Cafeteria.
The destination, which first opened in 1931, is well-known for its woodsy theme, its various levels, its small chapel, and its many decades of feeding Angelenos seeking a solid and affordable meal.
It closed for renovations for about a half decade, then reopened in 2015 with a number of new bars, including, eventually, the tiki-themed Pacific Seas on its upper level.
…Author Ray Bradbury enjoyed his 89th birthday at Clifton’s Cafeteria, a place dear to his heart. The Science Fiction Club met at the Broadway restaurant for many years back in the 1930s and ’40s, and Mr. Bradbury was a devoted regular.
To show gratitude to the author for being a longtime friend to Clifton’s, the cafeteria presented a tray, cheerfully wrapped in colorful birthday paper, to the acclaimed writer, a nostalgic and meaningful gift.
If a decades-old Clifton’s tray might hold that same meaning for you, or someone in your family or life, purchase yours here, sending support to the history-famous destination during the closure….
(12) ALL ABOARD. Which will be under your Christmas tree?
…This new Hogwarts Express LionChief Set now features two passenger cars and one Dementors Coach with sounds!
What sounds those are they don’t say, but I can guess.
And the Bradford Exchange is hustling a Star Trek Express Train Collection with the one and only “Science Officer Spock – Live Long and Prosper dome car” which just amuses the heck out of me.
[Thanks to Martin Morse Wooster, JJ, Cat Eldridge, James Davis Nicoll, Andrew Porter, Mike Kennedy, John Hertz, Michael Toman, Joey Eschrich, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew (not Werdna).]
It’s official – Captain Jack is back for the Doctor Who Christmas special, with John Barrowman’s immortal Time Agent set to join the TARDIS team in Revolution of the Daleks.
Of course, this isn’t as big a shock as it might have been. Jack Harkness already popped up once after a decade away from Doctor Who in series 12’s Fugitive of the Judoon, and fans had long suspected this could be followed by a larger onscreen return. After all, he hasn’t even met Jodie Whittaker’s Doctor yet!
But now that his festive presence has been confirmed, we have to wonder… is this just the start of Jack’s new era in the TARDIS? Does John Barrowman already have a key cut for Roath Lock Studios in Cardiff? Is Jack’s coat currently being dusted off for another adventure?
Bertelsmann, owner of Penguin Random House, is buying Simon & Schuster from ViacomCBS and will make it part of PRH, the company announced. The deal should close in the second half of next year, subject to the usual closing procedures as well as regulatory approval. The deal is reportedly for more than $2 billion. PRH is the largest trade book publisher in the world, and both it and S&S have substantial distribution operations.
ViacomCBS had put S&S up for sale in March, saying the publisher was “not a core asset.” At the time, ViacomCBS was reportedly asking at least $1.2 billion for S&S. Bertelsmann publicly expressed interest in September; News Corp., owner of HarperCollins, was also interested in the company.
In a memo to staff, PRH CEO Markus Dohle said in part, “I have long admired the team at Simon & Schuster and the books they publish, and I am incredibly excited to welcome our new colleagues to Penguin Random House. Simon & Schuster’s distinguished legacy of publishing notable authors, perennial bestsellers, and culture-shaping blockbusters is a natural complement to our publishing programs and catalogs around the world.”
Referring to the merger of Penguin and Random House and other PRH acquisitions, he said, “As we have demonstrated, we can successfully unite company cultures and prestigious publishing teams while preserving each imprint’s identity and independence. Simon & Schuster aligns completely with the creative and entrepreneurial culture that we nurture by providing editorial autonomy to our publishers, funding their pursuit of new stories, ideas, and voices, and maximizing reach for our authors….”
(3) 100 MORE TBR. The New York Times’ “100 Notable Books of 2020” has plenty of good reading even if there are just a few titles that register as genre — and of those, none I’ve heard of. Mind you, I’m generally not impressed to see the dismissive phrase, “Well, I never heard of it,” and I’m counting on you to remain equally unmoved when I say it; I’m just reporting. Besides, some of you probably have heard of them and can say something on their behalf.
The SFWA Airship Nebula will be returning in June 2021… Captaining the ship this year, SFWA is also very pleased to announce that L.D. Lewis is joining the Nebula Conference team.
Lewis is an award-winning SF/F writer and editor, and serves as a founding creator, Art Director, and Project Manager for the World Fantasy Award-winning and Hugo Award-nominated FIYAH Literary Magazine. She primarily writes stories of ordinary Black women and femmes with extraordinary powers in equally extraordinary worlds.
Coming off the success of helming FIYAHCON last month, L.D. will be acting as the project manager for all of the exciting year-round events associated with the Nebula Conference. We hope you join us in welcoming L.D. aboard.
With smaller events leading up to our main conference, the team is working on elevating our content and offerings again this year, and celebrating the best that science fiction and fantasy have to offer with our annual Nebula Awards ceremony.
So, please join us for another weekend full of professional development, workshops, and opportunities to network in one of the coolest virtual spaces there is. There will be more dance parties, karaoke, and social meet-ups around special interests. We’ll also be bringing back our conference-specific mentorship program and office hours.
…Diversity is about getting the most differently informed points of view on a panel because that is a valuable thing. Because it means we all get a chance to learn new and interesting aspects to a topic. And sometimes it is about making sure that the voices that have not been able to contribute in the past for one reason or another get a chance to take part in the conversation by reaching out to them.
We need to rethink the ways we create [convention] programming. Consider this art form, the quilt. A practical item made beautiful, and often a way to use up excess fabric or recycled rags. One variant is the “crazy quilt,” which uses up odds and ends in irregularly shaped patches, sometimes with embroidered details. Crazy quilts can be beautiful, but not by nature. When they are it is the result of serendipitous accident or the creation of someone experienced and talented at putting those scraps together. Programming should not be a crazy quilt made up of the varied scraps of material different participants pull out of their pockets.
Quilts with deliberately created patterns can be extraordinarily beautiful, and this is where our programming metaphor comes in. The Multiverse [Con in Atlanta] was such a quilt, pulling from those eight tracks and interspersing them in a rhythm that made the convention’s quilt far greater than the sum of its yardage. Partially because they realized the world is not binary—a thing that’s hard to do sometimes in America in a political scene which doesn’t acknowledge that people can agree on one thing and not another.
The democratisation of conventions created by the move online has been heartening, because conventions have previously been limited to the people of means and those who the first group was willing to club together and help. The Hugos are voted on by people who have the money to afford the membership fee; the Nebulas, while voted on by F&SF writers, are still limited to those writers with the money for a membership fee. (One reason why I worked to find ways to reduce or ameliorate that fee when holding SFWA office.) One of the things that has come out of 2020, in fact, has been this democratisation, which has made the conventions available to people who historically and geographically were barred from them due to factors over which they had no control….
…Charles Coleman Finlay, who for more than five years has carried on the grand tradition of editing The Magazine of Fantasy and Science Fiction, and Sheree Renée Thomas, who picks up the mantle as new editor beginning with the March/April 2021 issue. We talk about the magazine’s distinguished history, the challenges of maintaining an iconic magazine in a radically changing short fiction field, and their own experiences as SF readers, writers, and editors.
(7) BE A MEDIEVAL SURVIVALIST. In “A Survival Guide to Medieval Fairy Tales” at Medievalists.net, Marta Cobb looks at great medieval romances such as Sir Orfeo and Sir Gawain And The Green Knight to discover the moral lessons these romances convey, particularly in dealing with the supernatural.
Rule 1: Know the signs
The border between the supernatural world and our own can be extremely permeable. Sometimes it’s easy to tell when the supernatural has intruded upon more normal life, such as when the Green Knight barges into a holiday feast (it is not that the Green Knight wears green clothing but that his skin and hair and even his horse are completely green). Sometimes, however, the signs are more subtle, such as a deer that leads a knight away from his friends and into the unknown or a boat that sails away in the absence of sailors. In the case of Sir Lanval, it can be a mysterious woman in an opulent tent….
(8) KOBAYASHI OBIT. Japanese author Yasumi Kobayashi (1962-2020) died November 23 at the age of 58. His short story “The Man Who Watched the Sea” won the Hayakawa Award for best short story in 1998.Two more were nominated for the Seiun Award for best short story in 2003 and 2004. He was nominated as “Best Foreign Author” in the Chinese-language Galaxy Awards in 2009.
(9) MEDIA ANNIVERSARY.
November 25, 1998 — Babylon 5 ended its five year run with the “Sleeping in the Light” finale. In the year 2281, twenty years since Sheridan died on Z’ha’dum and twenty years since the Interstellar Alliance was formed, Sheridan realises his time is running out and calls his old friends for one last get-together before embarking on one final journey. In the process, he learns that his fate and that of Babylon 5 remain interconnected. Trivia note: The worker who throws the final switch to shut down the station is played by Straczynski.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born November 25, 1904 – Amelia Reynolds Long. Pioneer female SF author; one novel, a score of short stories for us. “Reverse Phylogeny” is in Conklin’s fine SF Adventures in Dimension. Also detective fiction, poetry. Here is a tribute site. (Died 1978) [JH]
Born November 25, 1920 — Ricardo Montalbán. Khan Noonien Singh and the first Mr. Rourke. Armando and Grandpa Valentin Avellan as well. I’m picking those as four most memorable roles he’s played and they just happen to all be genre in nature. Oh, and is Khan Noonien Singh the only occurrence of a non-crew character carrying over from the original series into the films? I suspect not but I can’t think of anyone other. If there is, I’m sure one of you will tell me. (Died 2009.) (CE)
Born November 25, 1926 — Poul Anderson. My favorite ones by him? Orion Shall Rise for the mix of personal scale story with his usual grand political stories, and all of the Flandry and van Rijn stories. I also enjoy his Time Patrol stories as well, and the two Operation Luna tales are quite fun. He was quite honored with seven Hugo Awards and three Nebula Awards. I’m currently reading the first two volumes of his NESFA short fiction series which I will review here soon. (Died 2001.) (CE)
Born November 25, 1926 — Jeffrey Hunter. Best known for his role as the first Captain Christopher Pike in the original pilot episode of Star Trek and the later use of that material in “The Menagerie” episode. Other genre work included Dimension 5, A Witch Without A Broom, Strange Portrait (never released, no print is known to exists), Alfred Hitchcock Hour, Journey into Fear and The Green Hornet. (Died 1969.) (CE)
Born November 25, 1941 – Sandra Miesel, 79. Two novels, half a dozen shorter stories; anthologies; Myth, Symbol, and Religion in “The Lord of the Rings”; Against Time’s Arrow (Poul Anderson); more than a hundred essays, forewords and afterwords, letters, reviews; collection of fanwriting, Sweetmeats (Jerry Kaufman, ed.); much other work outside our field. Guest of Honor at Rivercon III. [JH]
Born November 25, 1953 – Michael “Orange Mike” Lowrey, 67. Why orange? So he dresses – inside and out: he has sixty pairs of orange underwear. Fanzine, Vojo de Vivo; he is also an Esperantist. Fan Guest of Honor at ICON 25. Elected the 2020 TAFF (Trans-Atlantic Fan Fund) delegate. Often seen here. In case you wonder, he doesn’t wear orange on St. Patrick’s Day – but only then. [JH]
Born November 25, 1953 — Mark Frost, 67. He’s best known as a writer for Hill Street Blues (I know it’s not genre but superb nonetheless) and as the co-creator with David Lynch of Twin Peaks in which he’s been involved with in other roles as well. He had a hand in writing both of the not well regarded Fantastic Four films. He was also one of the Executive Producers of the very short lived All Souls series. (CE)
Born November 25, 1963 – Tony Daniel, 57. A dozen novels, forty shorter stories, a dozen poems. “The Infuence of ‘The Song of the South’ on Lucius Shepard” in NY Review of SF. Interviewed in Lightspeed. “Life on the Moon” was a Readers’ Choice in Asimov’s. [JH]
Born November 25, 1972 – D.A. Adams, 48. Five books about the Brotherhood of Dwarves; others outside our field. Likes C.S. Lewis and Toni Morrison. Has read The Glass Bead Game and Absalom, Absalom! [JH]
Born November 25, 1974 — Sarah Monette, 46. Under the pen name of Katherine Addison, she published The Goblin Emperor which garnered the Locus Award for Best Fantasy Novel and was nominated for the Nebula, Hugo and World Fantasy Awards. She won the Spectrum Award in 2003 for her short story “Three Letters from the Queen of Elfland”. Her first two novels Mélusine and The Virtu are quite wonderful and I highly recommend her Iskryne series that she co-wrote with Elizabeth Bear. (CE)
Born November 25, 1980 – Licia Troisi, 40. Astrophysicist; she is currently the best-selling Italian fantasy author. Fifteen novels. “If you don’t read, you cannot write. Read everything, not only your favorite genre.” [JH]
Born November 25, 1986 — Katie Cassidy, 34. Best remembered as Laurel Lance / Black Canary in the Arrowverse, primarily on Arrow but also Flash and Legends of Tomorrow. She was also Ruby on Supernatural, Patricia “Trish” Washington on Harper’s Island and Kris Fowles on A Nightmare on Elm Street. (CE)
…My favorite memory of Buster making his hat is when we were in Germany in 1962 to promote the screenings of The General. He needed a new hat. Buster went to a little hat shop next to our hotel in Frankfurt and pointed out the hat he wanted to the little elderly man who ran the shop. Buster pantomimed everything, as he did not speak German and the shopkeeper did not speak English. Buster tried on the fedora and liked it. He then pantomimed scissors, and the shopkeeper handed Buster a pair of shears. Buster proceeded to tear the entire hat lining out, fold down the crown and cut the brim. The old man looked like he was about to have a stroke because Buster had not yet paid for the hat. When Buster finished and placed the hat on his head to test it, the old man recognized who Buster was and what was taking place in his hat shop.
Never underestimate the popularity of Pocket Monsters. A box of unopened, first edition base set Pokémon trading cards recently sold for a whopping $360,000 at Heritage Auctions’ Comics & Comic Art Auction. The item, which is over 20-years-old, was purchased by Thomas Fish, president of Blowoutcards.com. “I am thrilled to purchase this pedigree box,” Fish said in a statement.
His winning bid shattered the previous world record, also held by Heritage Auctions, which sold a similar set last September for $198,000. Demand for the still-shrink wrapped box was reportedly so heated, that online offers broke the record before bidding even officially began.
(15) VIDEO OF THE DAY. In “Honest Trailers: The New Mutants” on YouTube, the Screen Junkies say that the final X-Men movie “looks like a long pilot episode for a series the CW passed on” and where the producers saved money by not having a dialect coach and by having the mutants rarely use their powers.”
[Thanks to JJ, Cat Eldridge, Bill, John Hertz, Mike Kennedy, Michael Toman, Martin Morse Wooster, John King Tarpinian, John A Arkansawyer, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]
By Mark L. Blackman On the night of Wednesday, November 18, the Fantastic Fiction at KGB Reading Series, hosted by Ellen Datlow and Matthew Kressel, presented authors William Gibson and Cat Rambo in YouTube livestreamed readings. This was the Series’ ninth virtual event. (Its longtime venue, the KGB Bar in Manhattan’s East Village, had shut down due to the pandemic, but the Soviet era-themed dive bar has sporadically reopened with limited capacity, and its fans are invited to help it out with donations.) The current setup, Kressel noted, offers the advantage of allowing readings from writers not living in or visiting New York; both readers were “in” from the West Coast (Rambo lives in Seattle and Gibson Vancouver). It has also enabled a larger audience than could have fit into the bar (at one point, 120 people were watching).
As the evening’s livestream began, Gibson and Rambo schmoozed with Datlow and Kressel about everything from what they were drinking (hydration is important) to the scary Michelin Man, Gene Wolfe’s role at Pringle’s (the logo character is probably based on him), Oreos, and the previous week’s tornado in New York.
The first reader, Cat Rambo, is the author of over 200 stories, among them the novelette Carpe Glitter, which received a Nebula Award earlier this year, and four novels, including the upcoming space opera, You Sexy Thing. She is a past President of SFWA, and, as it happens, was in that position when Gibson was named a Grand Master. She opened with a selection from Carpe Glitter – “seize the glitter.” A woman is cleaning out the home of her eccentric late grandmother (“Carpe glitter” is something the old lady used to say), a former stage magician and a hoarder. It is an inheritance that she chose (to her mother’s disappointment) over cash, excavating and treasure-hunting (a friend has referred to it as “urban archeology”) through rancid furs, piles of multiple copies of magazines with her old notices and her doll collection.
She then read a flash story (“one of my favorite forms”) that ran on Daily Science Fiction, “I Decline.” An old man turns down government-offered technology that can preserve – and even edit out – his memories. (The spoiler is in the title.)
A short break followed.
William Gibson is best known as the creator (or, at minimum, co-creator) of an entire subgenre of speculative fiction, Cyberpunk. He is the author of the award-winning Neuromancer, Count Zero, Mona Lisa Overdrive, Virtual Light, Idoku, Spook Country, and other novels, most recently Agency, a sequel to The Peripheral.
He offered “a blended reading,” selections from the latter two novels, both of which center around “The Jackpot,” a multicausal, slow, androgenic process over 40 years rather than a solitary apocalyptic event, described by one character as “seriously bad shit.” Climate change and too much carbon results in droughts and water shortages, and pandemics that lead ultimately to the death of 80% of everyone (in other words, as we’ve heard too often on the news this year, “a perfect storm”). There is nanotechnology and cheaper energy sources, but the world is run by hereditary oligarchs. The protagonist is reached by a posse from the 22nd century who tell her about it. From Chapter 79 of The Peripheral, “The Jackpot,” he turned to Chapter 75 of Agency, “Jackpot.” The novel is set in an alternate continuum in which Hillary Clinton won in 2016, but that, he said, “doesn’t have the effect it might have, doesn’t prevent the Jackpot from happening.” Here too the protagonist is contacted by people from the future. Gibson is currently working on Jackpot, the conclusion of the trilogy.
Datlow described both selections as “greatly depressing reads, but optimistic” somehow. The Peripheral, was published in 2014 and Agency, appeared in early 2020, effectively pre-Covid-19. Trump’s election caused him to rewrite large parts of Agency, but the Coronavirus hasn’t derailed it. Both novels refer to “the pandemics,” plural.
Datlow asked how the writers are faring during the Pandemic. Rambo is staying productive with co-writing sessions, while Gibson has been “doing domestic stuff,” and “watching and reacting, and taking the measure of the fuckedness quotient and applying some of it to Jackpot #3.”
A Q&A with the audience ensued. Asked what classic sf stands up or stands out, Rambo replied that she’d been reading a number of ’70s short stories, particularly from women writers. Gibson cited J.G. Ballard and Brunner (who “got it astonishingly right,” notably Stand on Zanzibar), and we can feel like we’re in 1984. How do they decide the genders of their protagonists? Rambo said that if she didn’t know, she would return to her “D&D roots” and roll dice. Gibson noted that he had male and female protagonists in the same book; there are maybe four female protagonists in Jackpot. When he started out, he consulted Joanna Russ’s circle about handling women characters. Females, he opined, “better comprehend their world.”
What about the current milieu do they find surprising? Rambo finds social media both “horrifying and fascinating.” The only social media Gibson does is Twitter (Rambo also is on Twitter). In a digression, he observed (to laughter) that one thing that we don’t see in zombie apocalyptic fiction in books, movies and tv is people calling zombies a hoax. Kressel likened our polarized world to China Miéville’s The City and the City, with people “literally living in two realities,” pretending the others don’t exist. What are Rambo and Gibson finding to be optimistic about? Rambo likes “the informal nature of things,” and hopes that sf conventions have “a strong virtual component going forward.”
Would Gibson ever write in anyone else’s world? No, he has “never understood the impulse to write fan fiction.” What are their research methods? Gibson “Google[s] blindly,” and Rambo also relies on Google or “a good university library.” She is currently reading Zelazny’s A Night in the Lonesome October, and Gibson recommended M. John Harrison’s latest.
After a brief and reluctant cameo by her cat Jack, Datlow concluded by announcing upcoming readers:
December 16: Priya Sharma and Justin Key
January 20, 2021: Lauren Beukes and Usman T. Malik
February 17: Kathleen Jennings and Shveta Thakrar
All dates are the third Wednesday of the month (“come rain or shine or Covid”).
The producers of long-running British sci-fi series Doctor Who announced filming has commenced on the 13th season of the show’s 2005 revival.
BBC America, which airs Doctor Who in the United States, said Jodie Whittaker is returning as the 13th incarnation of the Doctor for Season 13, which is being filmed “under strict industry and U.K. government guidelines to ensure the safety of all cast and crew.”
“In this strangest of years, the Doctor Who production team have worked wonders to get the show back into production,” showrunner Chris Chibnall said. “We’re thrilled to be back making the show.”
Chibnall said the extra time required to follow the COVID-19 safety protocols led to the decision to do an eight-episode season instead of the usual 11 episodes.
(2) GOLDSMITHS PRIZE. M. John Harrison’s novel The Sunken Land Begins to Rise Again has won the Goldsmiths Prize 2020 worth £10,000.
Harrison is an acclaimed genre writer, winner of the Arthur C. Clarke Award and Philip K. Dick Award for Nova Swing (2007), and the Tiptree Award for Light (2003), and with many other major awards nominations to his credit. Whether The Sunken Land Begins to Rise Again is genre was not evident from the three reviews I consulted, but since one of them was in Locus Online perhaps that should count for something.
The Goldsmiths Prize, established in 2013, rewards “fiction that breaks the mould or extends the possibilities of the novel form.” Works must be written in English by authors from the UK or the Republic of Ireland, and be published by a publisher based in one of those countries.
The award judges were Will Eaves, Sarah Ladipo Manyika, Chris Power, and Frances Wilson (chair). [Via the estimable Locus Online.]
(3) ELUSIVE TIMES. Cat Rambo discusses “Shooting at a Rolling Hoop: Predicting the Near Future” on the SFWA Blog, about the challenge of writing her contribution to And The Last Trump Shall Sound (which features a cover with a take on Grant Wood’s American Gothic, using Trump and Pence as the iconic couple.)
… Over and over, something was brought home to me in this: when we write science fiction, we are writing about our own times, simply seen through a lens that changes how it is perceived, in a way that adds meaning. Paradoxically, the closer the time in which you’re trying, the harder this is to do. The far future is easy; so much can be hidden in those intervening, ample swathes of time. In the near future, the fabric is stretched out tighter, to the point where every imperfection catches your eye, and yet that gives it a reality, an immediacy, perhaps even an earnestness sometimes lacking in works more removed in chronological terms.
…Allison V. Harding is also a mystery, because we almost nothing about her. Of course, there are plenty of pulp authors about whom we know next to nothing, but most of them are one or two story wonders, not one of the top ten most prolific contributors to Weird Tales. Furthermore, Allison V. Harding was clearly popular in her day, as the letter columns and reader polls in Weird Tales indicate.
So why do we know so little about her, even though the history of Weird Tales is fairly well documented? Part of the reason is that early Weird Tales scholars like Robert Weinberg didn’t much care for Allison V. Harding’s stories and dismissed them as forgettable fillers and therefore never even bothered to research the author….
….Abrams wrote her first novel during her third year at Yale Law School, inspired after reading her ex-boyfriend’s PhD dissertation in chemical physics. She had wanted to write a spy novel: “For me, for other young black girls, I wanted to write books that showed them to be as adventurous and attractive as any white woman,” she wrote in her memoir Minority Leader. But after being told repeatedly by editors that women don’t read spy novels, and that men don’t read spy novels by women, she made her spies fall in love. Rules of Engagement, her debut, was published in 2001, and sees temperatures flare as covert operative Raleigh partners with the handsome Adam Grayson to infiltrate a terrorist group that has stolen deadly environmental technology.
(6) BAD TO THE BONE. [Item by Cora Buhlert.] At the crime fiction site Criminal Element thriller writer Chris Mooney tells what makes a great villain. All examples are SFF and Mooney’s latest novel is borderline SF as well: “The Ultimate Villain Creates the Ultimate Hero”.
… The best, most memorable villains are, to paraphrase screenwriter John Truby (who has consulted on more than 1,000 films), exceptionally good at attacking the hero’s greatest weakness, or weaknesses. Truby calls such a villain “the ultimate antagonist.” The crisis points in the story force the hero to make incredibly difficult decisions that not only reveal the hero’s true nature but also force the hero to face his or her true self. And more often than not, the hero and the antagonist are competing for the same goal.
But how do you accomplish such a feat in an established pop culture behemoth franchise like Star Trek, where beloved and iconic heroes have already been through dozens of life-and-death scenarios by dozens of villains? How can you elevate the story, make it more meaningful and dramatic, when a book or comics reader or audience of a film or TV show knows from the very beginning that the hero and main supporting characters won’t die or get physically harmed in any serious way?
You create the ultimate antagonist.
The second Star Trek movie brought back a well-known villain from one of its classic episodes—Khan Noonien Singh, the genetically-engineered superhuman from “Space Seed.” The movie could have followed a simple connect-the-dots story about revenge, but the writers turned Khan into an antagonist who not only has the upper hand but is also much smarter than Kirk, more prepared….
…Crossing and re-crossing the city at night on foot, aimlessly reclaiming the freedom of its streets from automobiles, Bradbury’s Pedestrian is identifiable as the scion of a distinct tradition of urban rebellion or resistance, the dissident tradition of the nightwalker.
The distant origins of the so-called “common night-walker” lie in late 13th-century England, when Edward I introduced the Statute of Winchester as a means of enforcing the curfew that prevailed at that time throughout the nation’s towns and cities. This “nightwalker statute,” as it was known, then became central to the colonial law instituted in North America in the late 17th century.
In 1660, colonial law stipulated that the state’s night watchmen should “examine all Night Walkers, after ten of the clock at Night (unless they be known peaceable inhabitants) to enquire whither they are going, and what their business is.” If the individual accosted could not “give Reasonable Satisfaction to the Watchman or constable” making this enquiry, they were liable to be arrested and taken before the magistrate, who would ask them “to give satisfaction, for being abroad at that time of night.” In urban settlements throughout North America there was in the early modern period no right to the night, particularly for plebeians. Almost by definition, the poor could not “give satisfaction for being abroad” after dark. In the streets at night the itinerant were an inherent threat to society. Today, as in the 1950s, residues of this situation persist. Indeed, in some places in the United States, the term “common nightwalker” remains on the statute books, where it indicates a vagrant as well as a streetwalker or sex worker.
“An idle or dissolute person who roams about at late or unusual hours and is unable to account for his presence” is the definition of a nightwalker offered by two legal commentators who summarized a number of relevant statutes in the 1960s. The ordinance against vagrants in Jacksonville, Florida, for instance, includes a reference to nightwalkers. The state, in its infinite leniency, doesn’t construe a single night’s wandering as necessarily criminal. “Only ‘habitual’ wanderers, or ‘common night walkers,’” the authors of a legal textbook explain, “are criminalized.” “We know, however, from experience,” they rather drily add, “that sleepless people often walk at night.” The sleepless, the homeless and the hopeless, then, are all susceptible to this archaic charge.
It is against this legal background—and in view of the persistent suspicion about solitary people who inhabit the streets at night that, historically, it has sponsored—that Bradbury’s portrait of a nocturnal pedestrian trapped in a dystopian cityscape demands to be interpreted. Despite the passage of more than 300 years since the origins of colonial law in North America, nightwalking remains a socially transgressive activity.
For Bradbury, writing in the 1950s, it potentially also has political implications. “The Pedestrian” is an affirmation of the heterodox politics of the night, which “has always been the time for daylight’s dispossessed,” as Bryan Palmer writes, “—the deviant, the dissident, the different.” The Pedestrian’s footsteps, echoing on empty, darkened pavements, interrupt the ominous silence of the totalitarian city, which insists that its inhabitants remain visible but inaudible at all times.
(8) TURKEY TIME. HBO Max dropped a trailer for the new Melissa McCarthy film Superintelligence.
When an all-powerful AI (James Corden) chooses to study the most average person on Earth, Carol Peters (Melissa McCarthy), it’s the perfect recipe for a Thanksgiving movie.
(9) MEDIA ANNIVERSARY.
Twenty-five years ago, Ursula K. Le Guin’s “Forgiveness Day” as published in the November 1994 Asimov’s Science Fiction wins the 1995 Theodore Sturgeon Memorial Award for the best short SF story published in English in the previous calendar year. There were fourteen other nominated stories so they won’t be listed here. Only John Kessel and Michael Swanwick who have each won once out of seven nominations have been nominated more than Ursula K. Le Guin who is tied at one win out of six with Nancy Kress and Ian McDonald. It would win a Locus Award for Best Novella and be nominated for the Hugo, Nebula and Otherwise Awards.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born November 11, 1916 – Don Franson. Active in the N3F (Nat’l Fantasy Fan Fed’n): three terms as President; club historian; three terms editing The Nat’l Fantasy Fan; Kaymar Award (service; can only be received once); two President’s Awards (later named for him). Also LASFS (L.A. Science Fantasy Society). With Howard DeVore, Hugo, Nebula, and World Fantasy Awards (most recently, 3rd ed. 1998). Also SF Title Changes (with Michael Viggiano); 1945-1964 vol. of N3F’s Author Index to “Astounding” / “Analog”; A Key to the Terminology of SF Fandom (1962). A dozen short stories. Fanzine Trash Barrel excelled at thumbnail-size fanzine reviews. (Died 2002) [JH]
Born November 11, 1922 — Kurt Vonnegut Jr. The Sirens of Titan was his first SF novel followed by Cat’s Cradle which, after turning down his original thesis in 1947, the University of Chicago awarded him his master’s degree in anthropology in 1971 for this novel. Next was Slaughterhouse-Five, or The Children’s Crusade: A Duty-Dance with Death which is one weird book and an even stranger film. It was nominated for best novel Nebula and Hugo Awards but lost both to Ursula K. Le Guin’s The Left Hand of Darkness.I’m fairly sure Breakfast of Champions, or Goodbye Blue Mondayis his last genre novel there’s a lot of short fiction where something of a genre nature might have occurred. (Died 2007.) (CE)
Born November 11, 1925 — Jonathan Winters. I thought he was in Get Smart! which was why I was going to list him here but he wasn’t… Huh. However he’s in a number of genre series and films including Twilight Zone, Wild Wild West as Albert Paradine II, Mork & Mindy where he was Mearth, the animated Smurfs series and The Animaniacs. And that’s a very selective list to say the least. (Died 2013.) (CE)
Born November 11, 1927 — Mack Reynolds. He’d make Birthday Honors just for his first novel, The Case of the Little Green Men, published in 1951, which as you likely know is a murder mystery set at a Con. He gets Serious Geek Credits for writing the first original authorized classic Trek novel Mission to Horatius. And I’ve seriously enjoyed his short fiction. He’s been nominated for six Hugos but never won. Wildside Press has seriously big volumes of his fiction up at the usual digital suspects for very cheap prices. (Died 1983.) (CE)
Born November 11, 1945 – Delphyne Joan Hanke-Woods. One Best-Fanartist Hugo, two FAAn (Fan Activity Achievement) Awards. Also worked as a pro. Guest of Honor at ConClave V, Archon 5 (which I keep saying should be pronounced “Arch on”, but what do I know?), Windycon XI, Xanadu III, Capricon 7, Bubonicon19. Here is her cover for Mike Resnick’s Weird Chicago (part of successful bid to hold 70th Worldcon). Here is Journey Planet 17. Here is a Doctor Who image. Here is an interior from the Minicon 17 Program Book (at left; for “gafiate” in image at right, see here). Here is an interior from The Drink Tank 300. Our Gracious Host’s appreciation here. (Died 2013) [JH]
Born November 11, 1946 – Ian Miller, 74. A hundred covers, as many interiors; games; two Ralph Bakshi films; sculpture. Four years art editor for Interzone. The Art of Ian Miller;three earlier artbooks. Here is R is for Rocket. Here is Kai Lung’s Golden Hours. Here is The Difference Engine. Here is Seven Stars. Elaborate Wikipedia entry. [JH]
Born November 11, 1948 – Kathy Sanders, 72. Among our finest costumers; has also served as judge, and Masquerade Director (the on-stage costume competition at SF cons we call the Masquerade evolved from dress-up parties). Here is “The King and Queen of Wands”. Here is “The Court of the Peacock King”. Here is “Fantasy and Science Fiction”. Here is “Treasures of the Earth”. Int’l Costumers Guild Life Achievement Award. [JH]
Born November 11, 1960 — Stanley Tucci, 60. He was Puck in that film version of A Midsummer Night’s Dream. However, his first role was asDr. John Wiseman in Monkey Shines. (Shudder.) he shows as in forgettable The Core, and was amazing as Stanley Kubrick in The Life and Death of Peter Sellers. And I’m fond of his voicing Boldo in The Tale of Despereaux. (CE)
Born November 11, 1962 — Demi Moore, 58. Ghost of course gets her the Birthday Honors. And yes I did see it. Sniff. But she got also her genre creds with her second film Parasite which is good as she didn’t do much after that of a genre nature that she is Piper Griffin in the forthcoming Songbird based off our Pandemic. (CE)
Born November 11, 1973 – Brett Savory, 47. Four novels, thirty shorter stories. Three anthologies. British Fantasy Award; Bram Stoker Award for Editing; World Fantasy Award. Likes “drumming, writing, editing, and drinking Bumbu rum, which is the world’s best…. Go try some. Tell me I’m wrong. I’ll wait.” [JH]
Born November 11, 1994 – Ellie Simmonds, 26. Four novels from Ellie’s Magical Bakery. Outside our field, five gold medals, starting at age 13, in the Paralympics (she has achondroplasia), setting two world swimming records; ten World Championship titles. Active in the Scout Association (U.K.) and Girlguiding. [JH]
(11) MANDALORIAN GROG. [Item by Cora Buhlert.] You can drink a Baby Yoda cocktail at a bar in Banbridge, Northern Ireland: “Jennifer Aniston makes restaurant’s adorable Baby Yoda cocktail go viral” (Entertainment Weekly.) I did pass through Banbridge last year while travelling from Worldcon in Dublin to Eurocon in Belfast, but I didn’t visit this bar nor did I have a Baby Yoda cocktail.
A little over a half century ago, Kurt Vonnegut’s Slaughterhouse-Five—a darkly comic, throughly batshit, semi-autobiographical anti-war novel about a fatalistic young American soldier who survives the firebombing of Dresden and becomes “unstuck in time”—exploded onto the literary scene. A bestseller upon its release, the book has gone on to become one of the most beloved and influential (not to mention challenged) works of contemporary American fiction. It has also enjoyed a storied pop culture life, appearing or being namechecked in everything from The Wonder Years to The Simpsons, Footloose to Varsity Blues. There was even a 90s folk-rock duo called Billy Pilgrim who weren’t half bad.
Before it joined the ranks of the immortals, though, Slaughterhouse-Five had to run the book review gauntlet just like any other novel. Today, on what would have been the Vonnegut’s ninety-eight birthday, we look back at five of the earliest critical takes….
…“It’s not E.T., but it’s E.T.’s home,” said William Borucki when the mission was launched in March 2009. It was Dr. Borucki, an astronomer now retired from NASA’s Ames Research Center, who dreamed up the project and spent two decades convincing NASA to do it.
Before the spacecraft finally gave out in 2018, it had discovered more than 4,000 candidate worlds among those stars. So far, none have shown any sign of life or habitation. (Granted, they are very far away and hard to study.) Extrapolated, that figure suggests that there are billions of exoplanets in the Milky Way galaxy. But how many of those are potentially habitable?
After crunching Kepler’s data for two years, a team of 44 astronomers led by Steve Bryson of NASA Ames has landed on what they say is the definitive answer, at least for now. Their paper has been accepted for publication in the Astronomical Journal.
Kepler’s formal goal was to measure a number called eta-Earth: the fraction of sunlike stars that have an Earth-size object orbiting them in the “goldilocks” or habitable zone, where it is warm enough for the surface to retain liquid water.
The team calculated that at least one-third, and perhaps as many as 90 percent, of stars similar in mass and brightness to our sun have rocks like Earth in their habitable zones, with the range reflecting the researchers’ confidence in their various methods and assumptions. That is no small bonanza, however you look at it….
Researchers approximate nearly 200 queens were produced from that single nest, which is a significant uptick over the two queens they originally found.
Entomologists from the Washington State Department of Agriculture (WSDA) eradicated and cleared out the nest found inside of the cavity of a tree near Blaine, Washington on October 24.
[Thanks to John Hertz, Daniel Dern, Cora Buhlert, John King Tarpinian, JJ, Mike Kennedy, Cat Eldridge, Martin Morse Wooster, Michael Toman, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]
Here are some questions I think would be useful for someone starting their Patreon page to ask themselves:
Do I have a consistent style or theme?
Do I have a project to share?
Am I comfortable being held accountable for my output?
Have I got an engaged online following (small or large)
Do you want this to be full time or part time?
Are you a good teacher?
1. I believe number 1 is an important one. If you have a recognisable look to your work or always choose specific themes (like I nearly always stick with fantasy and fairytale type things) then this will help enormously. People who are paying you regularly will want to be paying for the thing they sign up for. So for instance, if they sign up for cute fluffy bunny art and then when they’re signed up you occasionally post erotic horror for example, then they will not stay a patron unless they happen to be interested in both those things. This is a very silly and extreme example, but you get my meaning! This doesn’t mean that someone doing more than one thing can’t have success with Patreon, but it is going to be much harder. Know your audience and be aware of why they are following you. Humans like the familiar and predictable. We are creatures of habit!…
(2) KGB. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present William Gibson and Cat Rambo in a YouTube livestreamed reading on Wednesday, November 18, 2020, 7 p.m. Eastern. Link forthcoming.
William Gibson is the author of Neuromancer and other novels, most recently Agency, a sequel to The Peripheral. He lives in Vancouver, Canada.
Cat Rambo is the author of over two hundred stories and four novels, including upcoming space opera, You Sexy Thing, from Tor Macmillan in 2021. Her novelette Carpe Glitter won a Nebula Award earlier this year. She lives, writes, and teaches in Seattle.
This is a perfect way to get into your books because you sort of are creating your own Area X there, I guess.
Well, people have varying ideas about what Area X is. At the end of the day, Area X is a very natural, nice, beautiful place as long as you don’t stay there too long. But I think what it is that in Area X, at least by the rules of that fictional construct, people who are more attuned to their environment and more already integrated with it have less of an issue. So it’s just like almost a metaphorical or a more direct embodiment of what we see in the real world because what is somebody — like a few streets down, I saw someone the other day doing something very disturbing. They were spraying herbicide across all their dead leaves under their pine trees. Well, they’re also increasing their own possibility of cancer. So by not living in harmony, they’re also killing themselves to some degree. So that’s kind of what I’m getting at in part there, but I also think that it’s important for Area X to have its own ultimately unknowable purpose to the point where, even though I know most of it, there are things I don’t know too.
(4) RECUSAL. Horror Writers Association President sends a message:
“Balance of Terror” remains one of the most important episodes of Star Trek: The Original Series. After all, this was the tale that first introduced us to the Romulans. In the adventure, a Federation outpost located in the Romulan Neutral Zone comes under attack by a Romulan warship.
When filming began on “Balance of Terror,” producer Bob Justman placed a call to his ace up the sleeve — special effects designer Wah Chang. The uncredited artist was the brilliant creative mind behind the communicator, the Salt Vampire, the Tribbles and other iconic Trek costumes and props. Justman asked Chang to fabricate a new alien ship with a twist. He wanted something like a bird swooping down upon its enemy to wipe them out.
Chang did just that, decorating the underbelly of his Romulan Bird of Prey with a graphic fit for the hood of a vintage Pontiac Firebird. The model was put into action and became a vital part of the standout episode.
However, in a subsequent season, when another script called for the model to be pulled out of mothballs, a tragic fate had taken the bird from us.
Wah Chang was a non-union contractor. The Bird of Prey prop was returned to him after the production of “Balance of Terror.” Thinking it was a one-off use, Chang had disposed of the ship. After much back and forth, producers came to the revelation and determined the budget could not afford to rebuild the prop.
(7) HOLIDAY SPECIAL. Disney+ dropped a trailer for the Lego Star Wars Holiday Special.Begins streaming November 17.
“The LEGO Star Wars Holiday Special” reunites Rey, Finn, Poe, Chewie, Rose and the droids for a joyous feast on Life Day. Rey sets off on a new adventure with BB-8 to gain a deeper knowledge of the Force. At a mysterious Jedi Temple, she is hurled into a cross-timeline adventure through beloved moments in Star Wars cinematic history, coming into contact with Luke Skywalker, Darth Vader, Yoda, Obi-Wan and other iconic heroes and villains from all nine Skywalker saga films. But will she make it back in time for the Life Day feast and learn the true meaning of holiday spirit?
(8) MEDIA ANNIVERSARY.
November 1985 — Thirty-five years ago this month, Robert Heinlein’s The Cat Who Walks Through Walls: A Comedy of Manners was first published by G. P. Putnam’s Sons. (There’s a limited edition of fifty copies done at the same time.) The cover art for the trade edition is by Michael Whelan. It might be considered a sequel to The Number of the Beast. Or not. David Langford in his White Dwarf review said, “ it’s Heinlein self-indulgence time again.”
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born November 5, 1938 — Jim Steranko, 82. His breakthrough series was the Sixties’ “Nick Fury, Agent of S.H.I.E.L.D.” featured in Marvel Comics’ Strange Tales and in the subsequent debut series. His design sensibility is widespread within and without the comics industry, affecting even Raiders of the Lost Ark and Bram Stoker’s Dracula, as he created the conceptual art and character designs for them. He was inducted into the comic-book industry’s Will Eisner Comic Book Hall of Fame in 2006. (CE)
Born November 5, 1940 – Butch Honeck, 80. Sculptor. Guest of Honor at Archon 27, Capclave 2004, DucKon 13, Lunacon 48, ConClave XXX. Archon Hall of Fame. Magic Mountain bronze (with wife Susan Honeck), 1987 Chesley for Best Three-Dimensional; see here. [JH]
Born November 5, 1942 – Frank Gasperik. Singer and storyteller. With Leslie Fish a novella and a short story. This FG memorial page from a Larry Niven Website produced by LN fans has a note by Jerry Pournelle, a portrait by Kelly Freas, and several links of which some worked when (4 a.m. PST, 5 Nov 20) I tried them; about filk music, see here. (Died 2007) [JH]
Born November 5, 1944 — Carole Nelson Douglas, 76. Although she has two inarguably genre series In the Delilah Street, Paranormal Investigator and the Sword and Circlet novels, I’m here to pitch to you her Social Justice Warrior credential series instead (and dissenters can now go elsewhere) in the form of her Midnight Louie series. Each novel is told in part from the point of view of Midnight Louie, the cat himself in a style some say is like that of a Damon Runyon character. Great dearies, lovely premise. (CE)
Born November 5, 1946 – Barry Gold, 74. Famed among filkers, more widely active in Los Angeles fandom e.g. his 2017 Evans-Freehafer award (for service to LASFS the L.A. Science Fantasy Society, in his case over five decades). With wife Lee Gold, Along Fantasy Way (Tom Digby Fan Guest of Honor Book for ConFrancisco the 51st Worldcon), Alarums and Excursions (role-playing-game apa), Xenofilkia (filkzine). Both in the Filk Hall of Fame, Interfilk Guests at OVFF 16 (Ohio Valley Filk Fest), Featured Filkers at Boskone 44. [JH]
Born November 5, 1949 — Armin Shimerman, 71. Quark on Deep Space Nine. And Principal Snyder on Buffy the Vampire Slayer who if I remember correctly came to a very bad end. He had the recurring role of Pascal on Beauty and the Beast. He also played Professor George Edward Challenger in the later Nineties Lost World film. (CE)
Born November 5, 1952 – Frankie Bailey, Ph.D., 68. Professor, School of Criminal Justice, State University of NY at Albany. Two novels for us; next door she has an essay in R. Lupoff’s One Murder at a Time, seven novels, shorter stories, nonfiction. “The first speech I ever memorized was Patrick Henry’s fiery ‘Give Me Liberty or Give Me Death’ – which I later recalled with some irony when I learned the truth about the founding fathers and slavery. However, I am still a proud Virginian.” Website here. [JH]
Born November 5, 1958 – Gary Farber, 62. Indispensable outspoken fan in the 1970s-1990s; fanzine Drift (“Have you got Gary Farber’s Drift?”). See him as he was then (YouTube; special bonus appearances by other well-known fans of the time). Today by his own statement largely gafiated although occasionally appearing here. [JH]
Born November 5, 1960 — Tilda Swinton, 60. Her take as Rosetta/Ruby/Marinne/Olive in Teknolust might be the most weird genre role she’s done but I like her take as The White Witch in The Chronicles of Narnia: The Lion, the Witch and the Wardrobe as her best role to date. Mind you her Gabriel in Constantinewas frelling strange… (CE)
Born November 5, 1961 — Sam Rockwell, 59. First in our area of interest as the Head Thug in Teenage Mutant Ninja Turtles. I’ve got him next being Francis Flute in A Midsummer Night’s Dream, not a role I knew. Ahhh Guy Fleegman on Galaxy Quest. And lastly, he was Zaphod Beeblebroxin The Hitchhiker’s Guide to the Galaxy. (CE)
Born November 5, 1966 – Erik V. Olson, 54. Chaired SMOFcon 21 (SMOF for “secret masters of fandom” as Bruce Pelz said a joke – nonjoke – joke; SMOFcon draws people who often do the work at SF conventions and want to do it better), Capricon 31. See him in this story of how the (eventually successful) bid for Aussiecon IV the 68th Worldcon started (and note that the author K. Buehler, in much the same way, later chaired CoNZealand the 78th). [JH]
(11) ALL IN COLOR FOR ALL THE MARKET WILL BEAR. [Item by Martin Morse Wooster.] I saw Secret Origin: The History Of DC Comics, a 2010 documentary narrated by Ryan Reynolds and directed by Mac Carter. This is a corporate history celebrating DC’s 75th anniversary. Like a lot of corporate histories, the best part of it is the documentation. I didn’t realize so much footage of Siegel and Shuster from the 1930s survives. The role of editors Mort Weisinger and Julie Schwartz is accurately described, including their origins in sf fandom of the 1930s. There’s even an uncredited photo of L. Sprague de Camp.
Best line: Neil Gaiman says that he told his high school guidance counselor, “I want to write American comics” and the counselor said, “Have you ever considered accountancy?”
I didn’t really learn anything from this documentary but I thought it was well-made and interesting and a good use of 90 minutes.
“In the sequel to the New York Times best-selling novel Hope Never Dies, Obama and Biden reprise their roles as BFFs-turned-detectives as they chase Obama’s stolen cell phone through the mean streets of Chicago–and right into a vast conspiracy.”
(13) TALKING ANIMALS. Netflix dropped a trailer for Beastars Season 2.
Next year, BEASTARS returns with a brand-new season full of mystery, suspense, and never before seen beasts. Are you ready?
(14) KRAMER NEMESIS LOSES ELECTION. The Georgia county District Attorney who prosecuted Ed Kramer on various charges over the past decade, including child molestation, lost his re-election bid this week. (Kramer is a co-founder of Dragon Con, but has not been a co-owner since 2013.)
DA Danny Porter had held the office for nearly 30 years, going back to 1992. His bid to serve one more term in the office came up short on Tuesday, however, after he was defeated by his Democratic challenger Patsy Austin-Gatson.
… Austin-Gatson, who is one of several Democrats and people of color who were ushered into office by voters on Tuesday, will make Gwinnett history as the county’s first Black district attorney.
Back to the Future is, fittingly, quite timeless. It’s a perfect movie with an amazing premise. It also rocks. Not only does Marty bust out an amazing version of Chuck Berry’s “Johnny B. Goode,” but the film features two of the best songs in the history of cinema: Alan Silvestri’s theme and Huey Lewis’s “Power of Love.” And we want to hear all three tracks performed with one of the coolest instruments ever made. Because great Scott! This Time Machine Bass guitar inspired by Doc Brown’s DeLorean is heavy.
And it was built to help out Michael J. Fox’s charity.
When NBC executives decided to take a chance on Lorne Michaels’s live sketch comedy show in 1975, they were a little wary about what the budding young producer might actually end up airing. So they worked some safe territory into the contract—namely, Jim Henson and the Muppets.
Henson and Michaels shared a manager (Bernie Brillstein), and the collaboration seemed promising at first. Henson was looking to broaden his work beyond Sesame Street; and Michaels, already a Henson fan, “wanted as many different styles of comedy as [he] could possibly have.”
For his weekly sketch, Henson dreamed up “the Land of Gorch,” a mystical, craggy kingdom populated with creatures that scholar Jennifer Stoessner later described as “scaly, bloated, and licentious.” Among them were: the bombastic King Ploobis; his simpering wife, Queen Peuta, and their ne’er-do-well son, Wisss; a mistress named Vazh; a bumbling henchman named Scred; and the Mighty Favog, an omnipotent god-like oracle. Together, they tackled sex, drugs, and other adult themes.
George Lucas drew upon two distinct styles of classic Saturday matinee serials when creating his two epics, Star Wars and Indiana Jones. Star Wars’ inspiration is straight from the Flash Gordon outer space adventures, while mostly forgotten films like Secret of the Incas inspired Indy. Now, one fan has found a way to bring those two distinct worlds together. Filmmaker Phil Hawkins has created the most expensive fan film yet, with Star Wars: Origins. Blending the styles and storylines of both worlds, it’s the mashup you never knew you needed until now.
[Thanks to John King Tarpinian, Nancy Collins, Mike Kennedy, Andrew Porter, Michal Toman, Martin Morse Wooster, N., John Hertz, Cat Eldridge, Olav Rokne, Daniel Dern, and JJ for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]
….But fans familiar with the books noticed a major omission in its promotional materials: any reference to the Islam-inspired framing of the novel. In fact, the trailer uses the words, “a crusade is coming”, using the Christian term for holy war – something that occurs a mere three times in the six books of the original series. The word they were looking for was “jihad”, a foundational term and an essential concept in the series. But jihad is bad branding, and in Hollywood, Islam does not sell unless it is being shot at.
Dune is the second film adaptation of the popular 1965 science fiction novel by Frank Herbert. Set approximately 20,000 years in the future on the desert planet Arrakis, it tells the story of a war for control of its major export: the mind-altering spice melange that allows for instantaneous space travel. The Indigenous people of this planet, the Fremen, are oppressed for access to this spice. The story begins when a new aristocratic house takes over the planet, centring the narrative on the Duke’s son Paul.
The trailer’s use of “crusade” obscures the fact that the series is full of vocabularies of Islam, drawn from Arabic, Persian, and Turkish. Words like “Mahdi”, “Shai-Hulud”, “noukker”, and “ya hya chouhada” are commonly used throughout the story. To quote Herbert himself, from an unpublished 1978 interview with Tim O’Reilly, he used this vocabulary, partly derived from “colloquial Arabic”, to signal to the reader that they are “not here and now, but that something of here and now has been carried to that faraway place and time”. Language, he remarks, “is mind-shaping as well as used by mind”, mediating our experience of place and time. And he uses the language of Dune to show how, 20,000 years in the future, when all religion and language has fundamentally changed, there are still threads of continuity with the Arabic and Islam of our world because they are inextricable from humanity’s past, present, and future….
(2) LEARNING HORROR. Sarah Gailey adds to her Personal Canons “Wayside School”, a tribute to Louis Sachar’s Wayside School series.
…In addition to tapping into the deep, gut-level instability of growing up, Sachar wrote some truly choice moments of horror into these books. It’s horror for children, in that it’s a little gross and a little ridiculous, but that doesn’t make it ineffective. …
These are all presented as genuinely frightening, and they land beautifully. When I read these books as a child, I was aware that they were funny and unrealistic — but I also felt a lingering sense of unease. The school was not a safe place, and the teachers were not safe or trustworthy people. The rules rarely made sense, but the consequences to breaking them were very real. Everything constantly seemed to be teetering on the brink of collapse.
These are the books that taught me to love being unsettled….
(3) STOP AND SMELL THE ROSES. Congratulations to the Strange Horizons’ reviews section which celebrated a milestone anniversary. Their twentieth-anniversary round table of reviewers past and present, featuring Rachel Cordasco, Erin Horáková, ML Kejera, Samira Nadkarni, Abigail Nussbaum, Charles Payseur, Nisi Shawl, Aishwarya Subramanian, and Bogi Takács, discusses “what reviewing is, why it matters—and why they bother with it.”
…Abigail Nussbaum: I see my reviewing as an offshoot of fandom. In the late 90s and early 00s I was active in a few fandoms—X-Files and Harry Potter, mostly—but gravitated almost exclusively to what would now be described as “meta,” analysis and reviewing rather than fanfic. Around the mid-00s I was active on a message board called Readerville, dedicated to discussions of books, which helped me both to expand my reading and explore my impulse to talk about the things I’d read. I started a blog in 2005 basically because I had a lot to say and nowhere to say it—certainly not at the length I wanted. A few months later, Niall Harrison got in touch and asked if I’d be interested in writing for Strange Horizons, and the rest is history.
The protagonist in your new novel tries to offset her job at a tech company where she is working for a repressive regime by helping some of its targets evade detection. Do you think many Silicon Valley employees feel uneasy about their work? Anyone who has ever fallen in love with technology knows the amount of control that it gives you. If you can express yourself well to a computer it will do exactly what you tell it to do perfectly, as many times as you want. Across the tech sector, there are a bunch of workers who are waking up and going: “How did I end up rationalising my love for technology and all the power it gives me to take away that power from other people?”
As a society, we have a great fallacy, the fallacy of the ledger, which is that if you do some bad things, and then you do some good things, you can talk them up. And if your balance is positive, then you’re a good person. And if the balance is negative, you’re a bad person. But no amount of goodness cancels out the badness, they coexist – the people you hurt will still be hurt, irrespective of the other things you do to make amends. We’re flawed vessels, and we need a better moral discourse. That’s one of the things this book is trying to establish.
When I moved to California from Toronto (by way of London), I was shocked by the prevalence of gun stores and, by their implication, that so many of my reasonable-seeming neighbors were doubtless in possession of lethal weapons. Gradually the shock wore off—until the plague struck. When the lockdown went into effect, the mysterious gun stores on the main street near my house sprouted around-the-block lines of poorly distanced people lining up to buy handguns. I used to joke that they were planning to shoot the virus and that their marksmanship was not likely to be up to the task, but I knew what it was all about. They were buying guns because they’d told themselves a story: As soon as things went wrong, order would collapse, and their neighbors would turn on them.
Somehow, I couldn’t help but feel responsible. I’m a science-fiction writer, and I write a lot of disaster stories. Made-up stories, even stories of impossible things, are ways for us to mentally rehearse our responses to different social outcomes. Philosopher Daniel Dennett’s conception of an intuition pump—“a thought experiment structured to allow the thinker to use their intuition to develop an answer to a problem”—suggests that fiction (which is, after all, an elaborate thought experiment) isn’t merely entertainment.*
That’s true. And it’s a problem….
(6) UNFORGOTTEN. Never mentioned by the actress, but Glorious Trash remembers Diana Rigg’s work in “Minikillers (1969)”.
German producers H.G. Lückel and D. Nettemann had an entrepreneurial idea: to provide entertainment for people getting their cars refilled at gas stations in Germany. The idea was to place TV sets by the pumps, so customers could watch a short film while their car was filled (this was before the days of self-service.) They envisioned an espionage thriller to capitalize on the James Bond/Eurospy genre. Casting about for a famous lead, they eventually settled on Diana Rigg — fresh from her biggest role in the Bond film On Her Majesty’s Secret Service. After negotiating, Rigg agreed to appear in these films.
Minikillers is a series of four short films, tied together into a coherent storyline: the idea was that customers would keep coming back to that particular gas station to see the conclusion. The series was shot on 8 millimeter and without dialog; sound effects and music were added later. In a way the project comes off like a silent film; all is relayed via movement, gestures, and facial expressions.
Rigg apparently did not realize the uber-low budget of these films until the camera(s) started to roll. However true to her contract she shot each of them…and never mentioned them again.
As they are up on YouTube:
(7) MEDIA ANNIVERSARY.
2010 — Terry Pratchett won the World Fantasy Award for Life Achievement from the Mythopoeic Society. It was his second Award from them as five years earlier he’d won the Mythopoeic Fantasy Award for Children’s Literature for A Hat Full of Sky, the second of the novels involving the young witch Tiffany Aching. That novel would also garner the Locus Award for Best Young Adult Book. The series as a whole would later be nominated for a Mythopoeic Fantasy Award for Children’s Literature but the Award went to Ursula Vernon’s Castle Hangnail.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born October 13, 1872 – Boris Zvorykin. Designer and illustrator; illustrated books, decorated churches, worked for Tsar Nicholas II. Left at the Revolution, eventually went to Paris, in 1930 translated & illustrated four Russian fairy tales, also did porcelain for Porzella later incorporated in Villeroy & Boch. In 1978 Jacqueline Onassis found and produced his book, The Firebird(in English). Here is a print illustrating Boris Godounov. Here is one for Tsar Saltan. Here is “The Snow Maiden”. Here is a set of his V&B plates. (Died 1942) [JH]
Born October 13, 1906 – William Morrison. Four novels, eighty shorter stories; “The Science Stage” in F&SF; memoir in Greenberg, Olander & Pohl’s 1980 thirty-year Galaxy anthology; posthumous collection The Sly Bungerhop (2017). Ph.D. research chemist under another name. Comics, credited with creating J’Onn J’Onzz the Manhunter from Mars. Wrote about archeology, ballet, opera, theater, Rome. (Died 1980) [JH]
Born October 13, 1923 – Iona Opie, C.B.E. Folklorist, anthologist, with her husband Peter; their collection of children’s books and ephemera 16th-20th Centuries is in the Bodleian Lib’y (20,000 pieces; two-year public appeal raised the £500,000 cost); audiotapes of children’s games & songs in the British Lib’y. Oxford Dictionary of Nursery Rhymes; Lore & Language of Schoolchildren; two dozen stories for us in The Classic Fairy Tales; two dozen more books. Coote Lake Medal jointly. Iona made a Commander of the Order of the British Empire. (Died 2017) [JH]
Born October 13, 1926 — Lenny Bruce. Yes, the foul-mouthed stand-up comic. ISFDB lists him as having co-authored three essays with Harlan Ellison in Rouge magazine in 1959 all called “Bruce Here”. Rogue also printed SF stories as well from Fritz Leiber, Robert Bloch, Mack Reynolds and Harlan Ellison to name some of their writers. It lasted but six issues. (Died 1966.) (CE)
Born October 13, 1956 — Chris Carter, 64. Best known for the X-Files and Millennium which I think is far better than X-Files was, but also responsible for Harsh Realm which lasted three episodes before being cancelled. The Lone Gunmen managed to last thirteen episodes before poor ratings made them bite the bullet. (CE)
Born October 13, 1959 — Wayne Pygram, 61. His most SFish role was as Scorpius on Farscape and he has a cameo as Grand Moff Tarkin in Revenge of the Sith because he’s a close facial resemblance to Peter Cushing. He’s likely best recognized as himself for his appearance on Lost as a faith healer named Isaac of Uluru. (CE)
Born October 13, 1967 — Kate Walsh, 53. She has the recurring role of The Handler in The Umbrella Academy series. Walsh starred as Sandra Anderson in the biblical horror film Legion, and was a sexy waitress in the Bewitched film. She was Amal Colb in Scary Movie 5, the fifth and final installment in the Scary Movie franchise. (CE)
Born October 13, 1967 – Petri Hiltunen, 53. Cartoonist and illustrator. Puupäähattu award. His Praedor comics led to a role-playing game of the same name. In his comic strip The Return of Väinämöinen, the Eternal Sage of Kalevala ends his self-imposed exile to find he might have been gone too long, e.g. these newfangled “potatoes” are now considered a traditional food. PH contributes to the SF magazine Tähtivaeltaja (“Star Wanderer”); he’s well known in Finnish fandom e.g. at Finncon. Here is an illustration for Knight of the Cursed Land. Here is the cover for his graphic-novel version of Macbeth. Here is an illustration for the board-game Aegemonia. [JH]
Born October 13, 1969 — Aaron Rosenberg, 51. He’s written novels for Star Trek, StarCraft, Warcraft, Exalted, Stargate Atlantis, and Warhammer, as well as other franchises. He’s even written a novel set In the Eureka ‘verse, Eureka: Roads Less Traveled, under the house name of Cris Ramsay. Eureka novels sound fascinating but this is the only one that I found so far. (CE)
Born October 13, 1975 – Jana Bauer, 45. Her Witch Vanisher is available in English; the publisher says she has a deviously humorous narrative style. She edits Exchanges, short prose from different countries, and Forget-me-nots in Slovenian and English for the children of Slovene emigrants (I’ve left out the Slovenian titles because of software character trouble). In the Land of Gingerbread was the first Forget-me-not (see p. 2 of this newsletter). For Scary Fairy in the Fearful Forest see here. A dozen other books. [JH]
Born October 13, 1976 — Jennifer Sky, 44. Lead character conveniently named Cleopatra in Sam Raimi’s Cleopatra 2525 series. (Opening theme “In the Year 2525” is performed by Gina Torres who’s also a cast member.) She’s had guest roles on Seaquest DSV, Xena, Charmed and Buffy the Vampire Slayer. And she was Lola in The Helix…Loaded, a parody of The Matrix which scored 14% at Rotten Tomatoes among audience reviewers. (CE)
Born October 12, 1983 – Lesley Nneka Arimah, 37. Nat’l Magazine Award, O. Henry Award, Commonwealth Short Story Prize. “Skinned” (Best American Science Fiction & Fantasy Stories, Machado ed. 2019) and four more for us in her collection What Does It Mean When a Man Falls from the Sky?, Kirkus Prize and don’t miss its last review at her Website, where also she says she is working on a novel about you. [JH]
(11) GETTING INTO THE SPIRIT. Cat Rambo reads a story for Halloween.
This short urban fantasy story originally appeared in Stamps, Tramps, and Vamps, edited by Shannon Robinson. It takes place in Durham, North Carolina, and involves a tattoo artist who’s got a different purpose in mind than her latest client does. It seemed like it would be a fun Halloween story to share!
…Derbyshire, an early electronic music pioneer, worked at the BBC’s Radiophonic Workshop in the 1960s, where she composed the theme for the long-running science fiction series Doctor Who. Written and directed by Caroline Catz, the film features archival materials, interviews with Derbyshire’s colleagues and collaborators, and dramatizations starring Catz herself as the composer. Derbyshire’s original compositions are featured alongside a soundtrack by Cosey Fanni Tutti, constructed from samples Derbyshire’s posthumously released “Attic Tapes.”
(14) UNCLE WALT. Defunctland is “the show about the past…of the future!” Here are two of its episodes devoted to Walt Disney’s landmarks Disneyland and EPCOT.
In this episode, Kevin finally reaches the opening of Disneyland, focusing on the development and history of Tomorrowland 1955, the first, hastily-made version of the famous theme park land, including attractions such famous attractions as Rocket to the Moon, Autopia, Space Station X-1, the Matterhorn, the Skyway, Submarine Voyage, and the Monorail.
Walt Disney made ambitious plans for a City of Tomorrow named E.P.C.O.T. just before his death in 1966, but the plans were soon abandoned. What were Walt’s ideas for his city of the future, what happened to the project, and would it have worked?
(15) VIDEO OF THE DAY. In “Twilight: Eclipse Pitch Meeting” on ScreenRant, Ryan George says the third Twilight movie has a very strange title, because “Why would you spend two hours looking at an eclipse?”
[Thanks to Daniel Dern, Mike Kennedy, Martin Morse Wooster, John King Tarpinian, Michael Toman, JJ, N., Cat Eldridge, Alan Baumler, Will R., John Hertz, and Andrew Porter for some of these stories. Title credt goes to File 770 contributing editor of the day Daniel Dern.]
(1) ASU CSI PODCAST. The initial episode of the second season of The Imagination Deskpodcast from the Center for Science and the Imagination at Arizona State University is live now, featuring an interview with Ytasha Womack, author of the book Afrofuturism: The World of Black Sci-Fi and Fantasy Culture. The next episode will be with sff author and editor Troy L. Wiggins
The Imagination Desk is a series of interviews with authors, scholars, and technologists about how we can harness creativity and imaginative thinking to inspire new work and build better futures. As this long, strange year wanes, we’re launching new set of podcast episodes featuring deep conversations with fascinating collaborators to think about ways we can move forward together.
For the first installment of Season 2, we sat down with Ytasha L. Womack. Ytasha is a Chicago-based filmmaker, dancer, fiction writer, scholar, and the author of the 2013 book Afrofuturism: The World of Black Sci-Fi and Fantasy Culture. In this chat, CSI’s Joey Eschrich and Ytasha discuss how culture, art, and storytelling help us to understand the complexity of Black life in the present, as well as transformative prospects for the future.
This conversation with Ytasha is part of our observance of Black Speculative Fiction Month, which takes place every October. Started by authors Balogun Ojetade and Milton Davis, Black Speculative Fiction Month honors the role that Black people have played in shaping the culture of speculative fiction and charting the course toward vibrant and equitable futures. We’ll continue to explore these themes in future events and upcoming episodes of The Imagination Desk. Follow along on our website and subscribe to the show on Spotify, Apple Podcasts, or RadioPublic.
(2) SHOSHANA EDWARDS Q&A. Conducted by Cat Rambo:
I interviewed Shoshana Edwards, author of Death Lives in the Water: A Harper’s Landing Story from Ring of Fire Press and A Roman Wilderness of Pain. We talk about her writing, neurolinguistics, and current political rhetoric. Shoshana Edwards was born in rural Oregon, attended Portland State University and California State University, Los Angeles. She later earned advanced degrees in English and Rhetoric. Now retired, she lives near Portland, Oregon where she continues to write.
(3) ADA PALMER’S EXOTERRA GAME CRITICIZED. Ashlyn Sparrow’s op-ed “A Game that Threatens Student Intellectual Property”, in the Chicago Maroon, the independent newspaper of the University of Chicago, contends “Ada Palmer’s ExoTerra game has colonial themes and undermines students’ creative freedom.”
During the 2020 fall quarter, Ada Palmer (Associate Professor of History at the University of Chicago) launched ExoTerra. The WordPress website for this project describes ExoTerra as “an online collaborative research role-playing game (RPG) community, in which students from all disciplines, from physics to literature, pool their expertise to design a new world.” The game incorporates students via several university courses, including “Self, Culture, and Society 1,” “America in World Civilization I,” and “Europe’s Intellectual Transformations.” What appears like a well-intentioned pedagogical experiment, however, turns out to make lazy narrative choices and, more importantly, undermines the creative labor and intellectual property of University of Chicago undergraduate students.
ExoTerra is a game where “participating students play the crew of a space colony ship traveling from Earth to a newly-terraformed exoplanet.” Sparrow thinks narratives should focus on improving the Earth.
… But as I looked closer at ExoTerra and began to discuss it with colleagues, I grew increasingly concerned. Some of my initial concerns had to do with a narrative frame that focuses on a colonization narrative at a historical moment when Black and Brown people continue to be exploited in the aftermath of global empire in so many ways. In focusing on the creation of a “new civilization,” this game rests on a colonization and Earth escape fantasy that is being celebrated by tech billionaires such as Elon Musk. Rather than improving the Earth, such a narrative takes us further from facing the ills of climate change, unprecedented income inequality, systemic racism, and global pandemic. This is problematic even at an allegorical level or via the cognitive estrangement characteristic of the science fiction genre. There are so many better narrative arcs and fresher sub-genres from which to choose, especially in our current world.
Sparrow points out that participants sign away to Palmer the rights to what they create in the game.
…Palmer (who is also a published science fiction novelist) reserves the right to take any intellectual property that students might contribute to this allegedly collective storytelling game and use it for her own purposes, including fiction she publishes in the future. To be clear, this is not a video game that students play. It is instead a roleplaying and world building game that they are creating together. Yet the material benefits of this shared effort return to a single person: Ada Palmer.
…Setting a program in the near future restricts the writers and what they can do. In contrast, as Hale noted, setting a science fiction show in the far future (or, alternatively, “a long time ago, in a galaxy far, far away”) can free up the writers from having to reference—and be limited by—historical or current events that the audience is familiar with. Setting a story in a far distant future can be liberating in terms of storytelling. But it also restricts the writers’ ability to use the show to make social commentary, and their ability to use familiar historical and cultural reference points in their storytelling.
“For All Mankind” has a different set of challenges in terms of storytelling—it is both about our past, and our future, while also inevitably being a commentary about the present. The show’s setting in the 1960s and, for season two, the 1980s, represents a time decades in our past, but still within the living memory of many people. Yet the stories depict a space program that never happened, but still might happen in some way. The Jamestown lunar base in the show is not that different from concepts NASA and its contractors are currently studying. Perhaps in the coming decades, NASA could build something that looks a lot like Jamestown….
(5) WALT WILLIS’ TASFIC SPEECH. Fanac.org announced on FB that thanks to the fan history researches of Rob Hansen in Vince Clarke’s papers, they can present the final draft typescript of Walt Willis’s speech at the 1952 Worldcon, which Willis was able to attend because of the “WAW with the Crew in ’52” fan fund started by Shelby Vick. Here is Joe Siclari’s introduction to the speech:
Although Walt Willis was prolific, the quality of his writing remained very high because he was diligent. In several articles, Walt Willis described some of his writing procedures. Despite what so many people thought was his facile and relaxed style, he worried over pieces and rewrote them. See Warhoon 12, p 22.
Walt’s quality writing was why Shelby Vick created the first really successful campaign to bring a foreign fan to a US Worldcon, “WAW with the Crew in ’52”. You can imagine the excitement when this was successful. You might also imagine the stress when Walt realized that he would have to speak at the TASFiC/Chicon II.
So it seems he wrote a speech beforehand. Not only did he work on it in advance and rewrite and edit it, but it seems he sent it to at least one friend. During his research into Vince Clarke’s papers, Rob Hansen discovered this presentation that you are about to read. It’s probably the closest we will get to what Walt Willis said at the TASFiC. As Rob indicated in a note: “What *isn’t* included, obviously, is whatever off-the-cuff thanks he added after he’d finished reading.”
1987 — Thirty-three years ago, the Mythopoeic Award for Adult Novel went to Peter Beagle‘s The Folk of the Air which had been published that year by Ballantine Del Rey. The main character is Joe Farrell, who first appeared as the hero of a short story called “Lila the Werewolf”, making a sequel of sorts to that story. The League for Archaic Pleasures, here described as a group dedicated to the pleasures of the medieval period, is very obviously modelled after the SCA. Thirteen years later, Tamsin would garner him a second Mythopoeic Award, and The New Voices of Fantasy anthology three years ago would get him his third. He also received their Lifetime Achievement Award as well.
(7) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born October 12, 1904 — Lester Dent. Pulp-fiction author who was best known as the creator and main author of the series of novels chronicling Doc Savage. Of the one hundred and eighty-one Doc Savage novels published by Street and Smith, one hundred and seventy-nine were credited to Kenneth Robeson; and all but twenty were written by Dent. (Died 1959.) (CE)
Born October 12, 1905 – William Kolliker. Moved from Switzerland to New York at 16. Illustrated for newspapers e.g. NY American, Baltimore News & American. Art director & editor of The American Weekly 25 years. Moved to Texas, resigned from business, taught at El Paso Museum of Art; Conquistador Award from El Paso 1963. A hundred twenty interiors for us. Here is an interior for “The Weapon Shop” (Astounding, Dec 42). Here is one for “Mimsy Were the Borogoves”. Here is one for “The Sorcerer of Rhiannon”. Here is a 1979 etching “The Graduate”. Here is a mid-1970s abstract landscape. (Died 1995) [JH]
Born October 12, 1943 – Daphne Patai, Ph.D., 77. Feminist dissenter, see e.g. What Price Utopia? (2008); Oral History, Feminism, and Politics (2010, in Portuguese). Outstanding to us for discovering that the author of Swastika Night, published under a pseudonym 1930, was Englishwoman Katherine Burdekin. [JH]
Born October 12, 1949 – Barclay Shaw, 71. A hundred twenty covers, thirty interiors. Here is The Glass Teat; here is I Have No Mouth and I Must Scream. Here is The Shockwave Rider. Here is The Ringworld Throne. Here is the Mar 01 F&SF. Chesley for three-dimensional Wonderland. Artbooks The Art of Barclay Shaw; Electric Dreams. Website here (includes 3D animation). [JH]
Born October 12, 1951 – Taral Wayne, 69. Fanartist, pro artist, fanwriter. Many covers and interiors for fanzines; here is Torus 2; here is File 770 116 (PDF); see more in the cover gallery at his efanzines.com page. Here is his logograph for IguanaCon II the 36th Worldcon; Fan Guest of Honor at Anticipation the 67th. Co-founded Ditto (fanziners’ convention, named for a brand of spirit-duplicator copying machine); Special Guest at Ditto 8. Toastmaster at Corflu 4 (fanziners’ con, named for mimeograph correction fluid). CUFF (Canadian Unity Fan Fund) delegate; his CUFF history here. Numismatist. Collections Old Toys; The Great White Zine. Eleven-time Hugo finalist. FAAn (Fan Activity Achievement) award. Rotsler Award. [JH]
Born October 12, 1956 — Storm Constantine, 63. Writer with her longest-running series being the Wraeththu Universe which has at least four separate series within all of which are known for their themes of alternative sexuality and gender. She has also written a number of non-fiction (I think they are) works such as Sekhem Heka: A Natural Healing and Self Development System and The Grimoire of Deharan Magick: Kaimana. (CE)
Born October 12, 1961 – Susan Power, 59. Enrolled member of the Standing Rock Tribe (Dakota). Law degree from Harvard. Hemingway/PEN Award for first novel The Grass Dancer (ours); several more novels; shorter fiction in The Atlantic Monthly, Paris Review, Ploughshares, Story, a dozen for us in collection Roofwalker. Voices from the Gaps interview with her here (PDF). [JH]
Born October 12, 1965 — Dan Abnett, 55. His earlier work was actually on Doctor Who Magazine, but I’ll single out his co-writing Guardians of the Galaxy #1–6 with Andy Lanning, The Authority: Rule Britannia and his Border Princes novel he did in the Tirchworch universe as great looks at him as a writer. (CE)
Born October 12, 1966 — Sandra McDonald, 54. Author of some sixty genre short stories, some of which are collected in Diana Comet and Other Improbable Stories (which won a Lambda Award for LGBT SF, Fantasy and Horror Works) and Lovely Little Planet: Stories of the Apocalypse. Outback Stars is her space opera-ish trilogy. (CE)
Born October 12, 1968 — Hugh Jackman, 52. Obviously Wolverine in the Marvel film franchise. He’s also been the lead character in Van Helsing as well as voicing him in the animated prequel Van Helsing: The London Assignment. One of his most charming roles was voicing The Easter Bunny in The Rise of The Guardians. And he played Robert Angier in The Prestige based off the World Fantasy Award winning novel written by the real Christopher Priest. (CE)
Born October 12, 1974 — Kate Beahan, 46. Her best remembered role is as Sister Willow Woodward in the remake of The Wicker Man. In the same year, she was Michell in The Return, a horror film. She showed up on Farscape as Hubero in “Fractures”, and on Lucifer as Justine Doble in “All About Her”. (CE)
Born October 12, 1992 – Melanie Vogltanz, 28. Austrian author and translator. European SF Society Encouragement Award, 2016; shortlisted for several prizes e.g. Kurd Laßwitz. Five novels, plus six in a Black Blood series; shorter stories collected in On Dark Wings (in German). I have not yet found translations into English. [JH]
(10) DISNEY DISAPPOINTS EURO MOVIE HOUSES. Naman Ramachandran, in the Variety story “Disney’s ‘Soul’ Decision Upsets European Cinemas” says the European trade association the International Union of Cinemas is mad at Disney because they say they operate safe cinemas and would love to have exhibited Soul.
…“There is compelling evidence that where audiences have returned, they have found the experience both safe and enjoyable,” the UNIC statement said. “But it is also clear that it is the release of new films that will make all the difference in encouraging people back to the big screen.”
“Indeed, across Europe, many cinemas have — since re-opening successfully — screened countless local releases, underlining that first-run titles are now more important than ever.”
Should J.R.R. Tolkien be made a Saint? In this film we explore the Catholic virtue of one of England’s most renowned authors and look beyond the trolls and goblins at what the Lord of the Rings is really trying to say.
(12) IT ALL GOES AROUND. CrowdScience answers the question “Why do planets spin?” in an episode available at the BBC Sounds archive.
Crowdscience solves a range of listeners’ cosmic mysteries, from the reason we only ever see one side of the moon, to why planets spin, and discover the answer can be found in the formation of the solar system. We talk to astronomer Dr Carolin Crawford to understand how stars are made, and investigate the art of astronomy with journalist Jo Marchant, hearing how the ancient Greeks came up with a zodiac long before the invention of a telescope, revealing an intimate relationship between humans and the night sky.
(13) WOMEN OF SFF IN THE SIXTIES. Fanac.org has posted to its YouTube channel a recording from Boskone 6 in 1969, “The Feminine Viewpoint,” moderated by Hal Clement, with Anne McCaffrey, Marion Zimmer Bradley, and Larry Niven. NESFA and Rick Kovalcik provided the recording.
Moderated by Hal Clement, this audio recording (illustrated with dozens of images) is a 1960s view of feminism and the female viewpoint in SF by two of SF’s most successful women writers of the day. It is uncomfortable in parts by today’s standards, with comments like “you can’t be a feminist if you like being a woman”, and remarks about fanzines that discount female writers solely because of their sex. Hal Clement is the neutral moderator, and Larry Niven provides a male perspective. This panel is dominated by MZB and Anne McCaffrey, who express their views on women in the field, on the differences in fiction written by woman and men, and on the disadvantages attendant on being a female science fiction writer. Remember, Anne McCaffrey was born in 1926 and MZB in 1930. Their opinions were shaped by the times. It’s a fascinating snapshot of the times.
The audio recording is accompanied by contemporary photos, including one of Walter Breen and MZB, just so you know.
[Thanks to JJ, Cat Eldridge, John King Tarpinian, Michael Toman, Martin Morse Wooster, John Hertz, Mike Kennedy, Joey Eschrich, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]
(1) SF ENCYCLOPEDIA MILESTONES. John Clute regaled Facebook followers with the latest box score:
SFE hubris moment again; we’re free online so hope we can intrude this way . We’ve just hit 75,000 titles listed with full context in Encyclopedia of Science Fiction Checklists. Also, we now provide Picture Gallery scans for more than 5,000 individual authors given entries (some have only one, Robert Silverberg has 166 and counting). Personally, have just finished writing solo entry number 7,000.
(2) MEACHAM TO RETIRE. Tor editor Beth Meacham, a 7-time Hugo nominee and winner of the Skylark Award (2007), is retiring in December.Publishers Lunch has the story.
Beth Meacham, executive editor at Tor/Tom Doherty Associates will retire at the end of the year. She joined Tor as editor-in-chief in 1984. President and publisher Fritz Foy writes, “We’re delighted that Beth will continue to edit a small number of projects for us on a consulting basis. But most of her list will be moving to other editors as she prepares for her retirement.”
(3) NERDS EVERY MONDAY. Adri Joy and the Nerds of a Feather Team are starting a new series of weekly theme posts that focus on work from countries and regions that are underrepresented in English speaking science fiction and fantasy markets: “Introducing: Nerds on Tour!”
…Speculative fiction is, by definition, a global phenomenon, but the Anglophone science fiction and fantasy community has often sought to define its boundaries in ways that exclude much of the work being created in the rest of the world, even as it adds the “World” label into its own events and awards. At a time when it can feel like our own worlds are narrowing, we think its more important than ever to push back, to remind ourselves why we love genre in all its forms and to go beyond the narrow window of culture, language and geography that shapes most of the media we get to watch. Nerds on Tour will be running on Mondays from now until December, and we hope you enjoy everything we have in store.
(4) FRANCHISE PLAYER. Cat Rambo’s new “Cat Chat” is a really fascinating “Interview with Jennifer Brozek about Writing For Franchises.” Brozek: “The final surprise that I had for franchises is sometimes the publisher doesn’t actually know what they want. They want a story and they have sort of an idea in their head but they don’t know how to communicate it to an author. They don’t have universe bibles. They don’t have… They just want fiction in that universe. ‘No, not like that!’ You know, it’s kind of like ‘I don’t know art but I know it when I see it.’”
Jennifer Brozek is a multi-talented, award-winning author, editor, and media tie-in writer. She is the author of the Never Let Me Sleep, and The Last Days of Salton Academy, both of which were nominated for the Bram Stoker Award. Her BattleTech tie-in novel, The Nellus Academy Incident, won a Scribe Award. …Jennifer talks about writing for franchises, including Shadowrun and Valdemar, what has surprised her about the process, what worlds she hasn’t written in but would like to, and which of her original worlds would make the best franchise, as well as what advice she’d give to people working in it. Jennifer teaches Working in Other Worlds: Writing for Franchises with Jennifer Brozek, for the Rambo Academy for Wayward Writers. The next class will be Saturday, October 24, 2020, 1:00-3:00 PM Pacific Time.
Dungeons & Dragons players will no longer have a negative ability score modifier when building a character of a certain race. Last week, Dungeons & Dragons officially released updated errata for a number of their sourcebooks and adventures. The Volo’s Guide to Monsters errata was particularly important in that it removed the negative ability score modifiers for playable kobolds and orcs. While kobolds originally had a -2 modifier to their Strength score, and orcs had a -2 modifier to their Intelligence, the updated rules remove those modifiers entirely from the game. Additionally, the errata also removes the orc’s “Menacing” trait with the “Primal Intuition” trait, which grants players proficiency in two of the following options – Animal Handling, Insight, Intimidation, Medicine, Nature, Perception, and Survival.
The updated rules reflect previous comments by the Dungeons & Dragons team that promised better representation and a movement towards giving the player characters individualism as opposed to forcing them to fit within cultural stereotypes within the game’s lore. While players can still choose to use the cultural generalities of D&D’s various campaign settings when creating a character, the updated rules allows for greater expression and also gives DMs more freedom to create their own worlds where the standard D&D cultural stereotypes aren’t present.
Doctor Who: The Faceless Ones BBC America, 8pm New Miniseries! This is the mostly missing eighth serial of the fourth season of Doctor Who, which was broadcast in six weekly parts from April to May 1967, starring Patrick Troughton as the Doctor. Only two of the six episodes are held in the BBC film archives with snippets of footage and still images existing from the other four. Fortunately, off-air recordings of the soundtrack also still exist, making the animation of a complete serial possible once again, and that is what has been done here. The Faceless Ones sees the TARDIS arrive on Earth at a runway at Gatwick Airport in England, where the Doctor and his companions encounter sinister identity-stealing aliens known as the Chameleons. The first three episodes of the serial air tonight, and the three concluding episodes air tomorrow night.
What was the most difficult challenge you encountered in this project?
AnnMarie Walsh: There are a number of challenges in creating an animated series of classic Doctor Who. For one, animation is a very different medium compared with live-action, and we play to its strengths to achieve the best way of telling the stories. Working with a low budget and a tight schedule will always require inventiveness, but we are animating to the original soundtracks from the 1960s. The fact that they are mono tracks—with the music, sound effects, and dialogue all in one single track—makes it very difficult to edit. It forces us to reorder our approach: Instead of recording the dialogue [from] the script, creating the music to the storyboards and animatics, and adding the sound effects at the end, we change the order of production and visualize the storyboards with the audio of the original recordings in mind as well as the original script.
Being unable to separate the music and sound effects from the dialogue means we need to be very creative in our storytelling. We need to have something fitting happen for every sound effect, even if it would be easier to have that action timed differently, or to have a line said earlier. We also don’t get any alternative or retakes in the audio, which we normally have.
(7) MEDIA ANNIVERSARY.
1995 — Twenty-five years ago, Pat Cadigan’s Fools won the Arthur C. Clarke Award for the Best Science Fiction Novel. It was first published on HarperCollins UK, and it would be her second Clarke Award as she won for Synners three years previously. Fools is currently available as a Gollancz SF Masterworks trade paper edition and as an ebook from the usual digital suspects for just three dollars. (CE)
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born October 7, 1893 – Alice Dalgliesh. Taught 17 years at the Horace Mann School. Wrote three dozen children’s books. Editor of children’s books at Scribner’s 1934-1960; under her, books (including hers) won Newbery Honors, Caldecott Medals and Honors. Edited Heinlein’s “juveniles” from Red Planet through Have Spacesuit, Will Travel; his disagreements with her appear in Grumbles From the Grave and were added to her Wikipedia page. (Died 1979) [JH]
Born October 7, 1942 – Lee Gold, 78. Introduced to Van Vogt because she had golden pipecleaners in her hair and someone thought Van should meet her. Published Along Fantasy Way, the Guest of Honor book for Tom Digby at ConFrancisco the 51st Worldcon. Since 1975, Official Editor of Alarums & Excursions, an apa devoted to role-playing games; since 1988, also of Xenofilkia, a filk fanzine. Filk Hall of Fame. Evans-Freehafer Award (for service to the Los Angeles Science Fantasy Society). Hour-and-a-half 2019 interview here. [JH]
Born October 7, 1947 – John Brosnan. Sixteen novels, half a dozen shorter stories; four nonfiction books about the cinema, Eaton Award for Future Tense. Wrote most of the cinema entries in the 1979 Encyclopedia of SF. The current (2018) Nicholls-Clute-Langford entry ends, “he gave readers a considerable amount of unfocused pleasure.” (Died 2005) [JH]
Born October 7, 1947 — Lightning Bear. Native American stuntman and stunt coordinator. He did stunt work on the classic Trek series as well as Star Trek: The Motion Picture, The Wrath of Khan, and The Search for Spock. He did not receive on-screen credit for any of these. Star Wars fans claim that he did stunt work on the three original Star Wars films but Lucas Films says that there is no records that he did. (Died 2011.) (CE)
Born October 7, 1950 — Howard Chaykin, 70. Comic book artist and writer. His first major work was for DC Comics drawing “The Price of Pain” which was an adaptation of author Fritz Leiber’s characters Fafhrd and the Gray Mouser in Sword of Sorcery #1. He would illustrate damn near everything else from Batman and The Legion of Super-Heroes for DC to Hulk and Iron-Man for Marvel (to name but four series) but I think his best genre work was his own American Flagg! series which I’ve enjoyed several times. It’s available from the usual digital suspects. (CE)
Born October 7, 1952 – Peter Peebles, 68. Fifty covers, a few interiors. Here is the Aug 91 SF Chronicle. Here is the Apr 95 Analog. Here is A Wizard in Midgard. Here is Taylor’s Ark. [JH]
Born October 7, 1958 — Rosalyn Landor, 62. She played Guinevere in Arthur the King, and Helen Stoner in “The Speckled Band” of Jeremy Brett’s Sherlock Holmes. She was the redheaded colleen Brenna Odell in the “Up the Long Ladder” episode of Next Generation which was banned in The United Kingdom for some years as it made a passing reference to Ireland being united in the early twenty first century. (CE)
Born October 7, 1963 — Tammy Klein, 57. She’s getting a birthday write-up because of the most likely unauthorized Trek audioseries she’s involved in called Star Trek: Henglaar, M.D. in which she’sSubcommander Nonia but she also been in some definitely really pulpy works such as Lizard Man, Jurassic City, Awaken the Dead and Zoombies. (CE)
Born October 7, 1977 — Meighan Desmond, 43. New Zealand resident who’s best remembered as Discord in Hercules: The Legendary Journeys, Xena: Warrior Princess and even Young Hercules, a vastly underrated series. Post-acting career, she was the special effects runner on The Chronicles of Narnia: The Lion, the Witch and the Wardrobe, special effects assist coordinator/runner on Underworld: Rise of the Lycans, assistant art director on The Chronicles of Narnia: Prince Caspian and construction office assistant on Mulan. (CE)
Born October 7, 1979 — Aaron Ashmore, 41. He‘s known for being Jimmy Olsen on Smallville and Steve Jinks on Warehouse 13. He also is Johnny Jaqobis on Killjoys, a series I’ve yet to watch. He also had a recurring role as Dylan Masters in XIII: The Series which I think is SFF. (CE)
Born October 7, 1979 – Shadreck Chikoti, 41. Writes in English and Chichewa in and out of our field. His SF novel Azotus the Kingdom won his second Peer Gynt Literary Prize. Director of Pan African Publishers, founder of the Story Club. See Geoff Ryman at Strange Horizons about and with him here. [JH]
Born October 7, 1992 – Stephanie Diaz, 28. Extraction and two sequels. Also edits. “Any combination of chocolate and peanut butter…. Basically, it’s all books all the time in my world…. wish I could go back to a year ago when we were in London on our way to Edinburgh and the Isle of Skye.” I haven’t learned if she drinks my favorite whisky, Talisker. [JH]
(9) COMICS SECTION.
Off The Mark shows why it might be hard for a zombie to wear a mask – or did that possibility ever cross your mind?
(10) DIAMOND JUBILEE. In “Pippi and the Moomins” on Aeon, Richard W. Orange uses the 75th anniversary of the first books by Astrid Lindgren and Tove Jansson to discuss their achievements in children’s literature.
In February 1944, Russian bombs smashed the windows of Tove Jansson’s art studio in Helsinki. ‘I knocked slivers of glass out of the windows,’ the author wrote in her diary. She was so depressed, she had been unable to paint for a year, and despaired that war was ‘making us smaller. People don’t have the strength to be grand if a war goes on for a long time.’
Some 250 miles away across the Baltic, another woman was documenting the same bombardment from the safety of her flat in Stockholm. ‘About 200 Russian planes had carried out a bombing raid on Helsinki,’ wrote Astrid Lindgren in her war scrapbook. ‘It’s awful to contemplate the fate of Finland.’
Aside from a seven-year age difference, the two had much in common: both had cut their hair short in their late teens and early 20s, and worn trousers and neck ties – the style of radical women in the age of jazz. Both had a youthful fascination with philosophers such as Friedrich Nietzsche. Both were committed anti-Fascists….
2. What upcoming book are you really excited about?
Maria Dahvana-Headley’s Beowulf translation. No woman has ever had their translation of Beowulf published before. Translations are very much affected by the person that translates them. I understand this really affected the interpretation of the story. I’m so very looking forward to it.
Based on Martin’s Fire & Blood, the series, which is set 300 years before the events of Game of Thrones, tells the story of House Targaryen.
In the 10-episode first season, Considine will play King Viserys Targaryen, chosen by the lords of Westeros to succeed the Old King, Jaehaerys Targaryen, at the Great Council at Harrenhal. A warm, kind and decent man, Viserys only wishes to carry forward his grandfather’s legacy. But good men do not necessarily make for great kings….
A 67-million-year-old dinosaur fossil known as “Stan” was the star of the show at Christie’s last night when it sold for $31,847,500 after a protracted bidding war between buyers on the phone in New York and London. Among the 46 lots in the 20th Century Evening Sale, including standout works by Cy Twombly, Picasso, and Mark Rothko, the Tyrannosaurus Rex skeleton, the last lot of the evening, caused the most excitement when it sold for nearly four times its high estimate of $8 million to James Hyslop, head of Christie’s Science & Natural History Department. The sale beat the last record of $8.36 million set in 1997 for an equivalent T. Rex specimen.
The Nobel Prize in chemistry went to two researchers Wednesday for a gene-editing tool that has revolutionized science by providing a way to alter DNA, the code of life — technology already being used to try to cure a host of diseases and raise better crops and livestock.
Emmanuelle Charpentier of France and Jennifer A. Doudna of the United States won for developing CRISPR-cas9, a very simple technique for cutting a gene at a specific spot, allowing scientists to operate on flaws that are the root cause of many diseases.
“There is enormous power in this genetic tool,” said Claes Gustafsson, chair of the Nobel Committee for Chemistry….
(15) NOTHING. NEXT QUESTION? Co-hosting this week’s Essence of Wonder with Gadi Evron on Saturday, October10 will be Alan Lightman, discussing with philosophers Rebecca Goldstein and Edward Hall what separates science from the humanities. For example, what would it take to convince a scientist that a phenomenon was actually a miracle? Register here.
In this discussion with philosopher and novelist Rebecca Goldstein, philosopher of science Edward Hall (Harvard), and physicist and novelist Alan Lightman (MIT), we will consider the question of the role of experiment in science and how that feature separates science from the humanities. We will also discuss the strong commitment of scientists to a completely lawful universe.
This latter issue could be framed as a question: What would it take to convince a scientist that some phenomenon was a miracle — that is, could not be explained, even in principle, to lie within the laws of nature?
For most scientists, the answer is NOTHING. Yet surveys repeatedly show that 75% of the American public believes in miracles. Why this marked discrepancy between the beliefs of scientists and nonscientists?
(16) TRUE GRIT. Andrew Porter took notes when a contestant stumbled over a Neil Gaiman item on tonight’s Jeopardy!
Category: The Librarian Invasions.
Answer: Lucien becomes chief librarian of the Dreaming in this Neil Gaiman comic Book series with a one-word title.
[Thanks to John King Tarpinian, Martin Morse Wooster, Mike Kennedy, Dann, JJ, Cat Eldridge, Michael Toman, John Hertz, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Soon Lee.]
(1) GRIND IT OUT. Cat Rambo’s latest Cat Chat is an interview with David Steffen of the Submission Grinder.
If you’re not familiar with the Submission Grinder, it’s a web utility that many genre writers spend a lot of time staring at: https://thegrinder.diabolicalplots.com/ I thought it would be interesting to talk to David about how the Grinder came about and what it does.
(2) THE NARRATIVE. Constance Grady, in “The false link between Amy Coney Barrett and The Handmaid’s Tale, explained” on Vox, says the rumor that People of Praise, the charismatic Catholic group Amy Coney Barrett belongs to, was the basis for The Handmaid’s Tale isn’t true and Margaret Atwood has not only denied it, but says she can’t currently say which groups were the basis for the “handmaids” because her papers are at the University of Toronto library and she can’t access them because the library is closed because of Covid-19.
To be absolutely clear: People of Praise is not an inspiration for The Handmaid’s Tale, and the group does not practice sexual slavery or any of the other dystopian practices Atwood wrote about in her novel. But the argument over whether or not the two are connected reflects the deeply contentious atmosphere in which Barrett’s nomination to the Supreme Court occurs — and the immense symbolic weight The Handmaid’s Tale carries in American popular culture…
…Her archive of work and research is at the University of Toronto, where she can’t currently access it due to Covid-19 restrictions. But she’s on the record as going through her Handmaid’s Tale archives for journalists plenty of times in the past, and during those interviews, she’s always cited People of Hope, a different Catholic charismatic spinoff that calls women handmaids.
(3) NEW SFWA BLOG EDITOR. The Science Fiction and Fantasy Writers of America (SFWA) have selected C.L. Clark as the new SFWA Blog Editor. The position of Blog Editor was previously held by Todd Vandermark, who stepped down earlier this past summer.
Clark graduated from Indiana University’s creative writing MFA. She’s been a personal trainer, an English teacher, and an editor, and is some combination thereof as she travels the world. When she’s not writing or working, she’s learning languages, doing P90something, or reading about war and [post-]colonial history. Her work has appeared or is forthcoming in FIYAH, PodCastle, Uncanny, and Beneath Ceaseless Skies. Now she’s one of the co-editors at PodCastle. The first novel in her upcoming trilogy is The Unbroken (Orbit, 2021).
“Todd Vandermark has done years of wonderful work and is moving on to work on his own projects. SFWA is grateful that he’s been a rock of stability for so long. Going forward, I am very excited to have C.L. Clark coming aboard to edit and curate SFWA’s website content,” SFWA President Mary Robinette Kowal said. “Her experience as an editor and writer make her the perfect choice to nurture fresh new voices in the nonfiction side of the genre. I look forward to seeing how she shapes the blog during her tenure.”
The Blog Editor provides oversight and direction regarding articles published on SFWA’s blog. This critical position is responsible for soliciting and publishing online content to support SFWA’s goals of informing, supporting, promoting, defending, and advocating for writers of SF/F.
“I’m thrilled to be joining the SFWA team and so excited to bring the SFFH community helpful articles that reflect the diversity of our community while also addressing the systemic issues within it,” said Clark. “I’m committed to making sure the blog is a great resource for writers at all stages of their career, and is especially welcoming to writers in the early stages. I’m looking forward to seeing new pitches!”
The Sunbird loses contact with Earth while circumnavigating the Sun. Initially, the three men on board assume that a solar flare knocked out their communications. Only after making contact with another space vessel do they learn the truth: whatever happened to them cast their ship across time and space.
The human society of the future arose, as so many societies of the future do, from the ashes of the past. Catastrophe swept away the old order, including all men. Human society is now exclusively female. The crew of the Sunbird are the first men seen since the rise of the current civilization. How can these curious relics be integrated into modern society?
Like many other organizations, the Sunburst Award has been affected by the Covid-19 shutdown. As a consequence, the Sunburst Award Society is announcing a hiatus in its awards program for the coming year. The Sunburst Awards Society members plan to use this time to re-imagine the most effective means available to them for continuing to highlight the stellar work done by Canadians in the field of speculative literature.
Since its inception, the Sunburst Award for Canadian Literature of the Fantastic has raised the public’s awareness of works of speculative literature, and rightfully honoured deserving works, through its prestigious awards program. Over two hundred and twenty-five works have been acknowledged for their contribution to the arts in Canada, and thirty-eight truly outstanding authors have also benefited from monetary recognition.
Members of the Sunburst Board extend their thanks to their members, their jurors, the publishing community, authors and readers for their support over the last twenty years.
The Sunburst Award also administers the Copper Cylinder Award, which went on hiatus in 2019 and has yet to resume activity.
(6) IT’S A SECRET. 20020, the sequel to Jon Bois’s 17776, is here. New chapters every Monday, Wednesday and Friday on Secret Base, September 28 through October 23. Here’s the first installment:
…Fairy tales, we are made to believe, are not for queers. Cishet culture’s magic trick of making itself seem natural, inevitable and universal depends in part on the ubiquity and repetition of fairy tales throughout our lives. We are told these stories of compulsory heterosexuality from cradle to grave—and even though everyone knows they are just fantasies, their enchantments are so seductive that it is difficult to resist their charms and not wish we could all live the fairy tale.
The fairy tale realm is the perfect place for the shifting, resisting, transformative and hard-to-pin-down cultures of LGBTQ folks. Ignore the happily-ever-after endings that imply a kind of blissful stasis that goes on and on forever. The wonder-filled, strange and surprising worlds of fairy tales have the potential for a kind of queer enchantment. Don’t let all those ever-after weddings fool you: Fairy tales are the perfect environment for LGBTQ folks and queer desires…
…Rolling Stone asked me to participate in this year’s project, a request I accepted without hesitation. I was happy to be part of a project that stretched back to the original 1987 issue that was so important to me as a teenager. As I began to assemble my ballot of 50 albums, I came to the quick realization that my decades of listening, list-making, and reading have drastically changed how I view lists and canons. I no longer think of them as some definitive word being passed down from on high or some definitive historical document but rather a reflection of how the pop music community views the past.
Looking at the new Rolling Stone list of 500 Greatest Albums, it’s striking to see how the times have changed. The most obvious seismic shock is how Sgt. Peppers Lonely Hearts Club Band is no longer the Citizen Kane of pop. It’s been dethroned from the top spot, pushed all the way to number 24, with Marvin Gaye’s What’s Going On taking its slot. What’s Going On has been floating in Rolling Stone‘s Top 10 since 1987, the same year where it made it into the Top Five on The World Critics List masterminded by Paul Gambaccini. In other words, What’s Going On has been acknowledged as a consensus classic for decades, so it’s not shocking to see it at the top of the list. The shocks arrive within the guts of the poll, where it becomes clear that the rock & roll era has come to an end….
(9) MEDIA ANNIVERSARY.
September 2000 — Twenty years ago at Chicon 2000, Galaxy Quest, a DreamWorks film, would win the Hugo for Best Dramatic Presentation. It would beat out The Matrix (which lost by just three votes), The Sixth Sense, Being John Malkovich and The Iron Giant. It was directed by Dean Parisot from a screenplay by David Howard and Robert Gordon who worked off the story by David Howard. It’s considered by many Trekkies to the best Trek film ever made.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born September 28, 1897 – Mary Gnaedinger. Edited Famous Fantastic Mysteries and its companions Fantastic and A. Merritt’s Fantasy Magazine. Conducted “The Readers’ Viewpoint” in FFM and “What Do You Think?” in FN. May have been a Futurian. (Died 1976) [JH]
Born September 28, 1909 – Al Capp. His wildly popular comic strip Li’l Abner was made a Broadway musical and a motion picture; it was read by 70 million in the U.S. when the population was 180 million. It had fantastic elements: Evil Eye Fleegle, the Shmoos, the Bald Iggle. Capp spoke at NYCon II the 14th Worldcon. (Died 1979) [JH]
Born September 28, 1913 – Edith Pargeter, O.B.E. Two novels for us, four shorter stories; other work under this name; perhaps her detective fiction under another name about a medieval monk, Brother Cadfael, is best known. EP was named an Officer of the Order of the British Empire for services to Literature. (Died 1995) [JH]
Born September 28, 1930 – Lívia Rusz. (Hungarian-style her name would be Rusz Lívia; Rusz is the family name.) Cartoonist, illustrator, sometimes including fantastic elements e.g. Csipike the dwarf (with Fodor Sándor, or as we’d write, “Sándor Fodor”). Illustrated The Hobbit; here is her cover (in Romanian), here is an interior. (Died 2020)
Born September 28, 1938 – Ron Ellik. You can see his fanzine Fanac (with Terry Carr; fanac = fan activity) here; it won a Hugo. Rick Sneary called him the squirrel for his chatter; he cheerfully adopted it; cartoons appeared. Lived, among other places, in Los Angeles and Berkeley. Hitch-hiked from L.A. to New York for NYCon II the 14th Worldcon. TAFF (Trans-Atlantic Fan Fund) delegate; his trip report was The Squirrel’s Tale. Served in the Marines. Under another name, wrote a Man from U.N.C.L.E. novel, The Cross of Gold Affair. (Died 1968) [JH]
Born September 28, 1950 – William Barton, 70. A dozen novels, thirty shorter stories. Reviews in SF Eye, interviewed there too (with co-author Michael Capobianco). Acts of Conscience won a special Philip K. Dick Award citation; he later served a term a a judge. [JH]
Born September 28, 1950 — John Sayles, 70. I really hadn’t considered him a major player in genre films but he is. He’s writer and director The Brother from Another Planet and The Secret of Roan Inish; andhe wrote the scripts of Piranha, Alligator, Battle Beyond the Stars, The Howling, E.T. the Extra-Terrestrial, The Clan of the Cave Bear and The Spiderwick Chronicles. (CE)
Born September 28, 1956 — Kiran Shah, 64. A dwarf (and yes that’s relevant) who’s been in Superman, Superman II, Raiders of the Lost Ark, The Dark Crystal , Return of the Jedi, Legend , Aliens, The Chronicles of Narnia: The Lion, the Witch and the Wardrobe and The Sign of Four. He stunt doubled for Elijah Wood as Frodo and Martin Freeman as Bilbo Baggins. He’s got two Who appearances, first as Emojibot 1 in “Smile” and as the mysterious unnamed figure In “Listen”, both Twelfth Doctor stories. (CE)
Born September 28, 1963 — Greg Weisman, 57. Writer who’s best remembered for Gargoyles, Spectacular Spider-Man and Young Justice. He also scripted some of Men in Black: The Series and Roughnecks: Starship Troopers Chronicles. He also wrote children’s novel World of Warcraft: Traveler, followed by a sequel, World of Warcraft: Traveler – The Spiral Path. Children’s novels in the Warcraft universe? Hmmm… (CE)
Born September 28, 1982 — Tendai Huchu, 38. Zimbabwean author who’s the editor along with Raman Mundair and Noel Chidwick of the Shores of Infinity zine. He’s also written a generous number of African centric stories of which “The Marriage Plot” won an African Speculative Fiction Society Nommo Award for African Speculative Fiction for Best Short Story. The latest issue of Shoreline of Infinity (Issue 18, Summer 2020) is available from the usual digital suspects. (CE)
Born September 28, 1986 — Laurie Penny, 34. They are the writer of one genre novella to date, “Everything Belongs to the Future“, published at Tor.com, and a generous number of genre short stories. They were a finalist for the Astounding Award for Best New Writer at Worldcon 75 won by Ada Palmer. “Vector at Nine Worlds: Laurie Penny”, an interview with them by JoWalton is in Vector 288. (CE)
(11) CORFLU CONCORDE. The 2021 fanzine fans’ convention, Corflu Concorde, has posted its first progress report on the official Corflu website. The con is planned for March 26-28 in Bristol, UK. Rob Jackson is the Chair.
The FAAn Awards Administrator will be Nic Farey. (Mothers, shield your children!)
Jackson notes provisions are being made for alternate timings for the con “if — as is very possible indeed — we have to postpone from the original date.” A decision about timing will be in PR2, which will be published before Christmas.
…Writing about mathematics presents some special challenges. All science writing generally amounts to explaining something that most people don’t understand in terms that they do. The farther the science is from daily experience, the tougher the task. When it comes to mathematics, its “objects” of study are hardly objects at all. In his famously heartfelt if somewhat dour memoir A Mathematician’s Apology, the mathematician G. H. Hardy describes mathematicians as “makers of patterns.” While all sciences depend on the ability to articulate patterns, the difference in mathematics is that often it is in the pattern in the patterns, divorced from any context at all, that are in fact the subject.
None other than Winston Churchill was able to tell us how it feels to have tower of mathematical babble transformed to a stairway to understanding: “I had a feeling once about Mathematics—that I saw it all. Depth beyond depth was revealed to me—the Byss and Abyss. I saw—as one might see the transit of Venus or even the Lord Mayor’s Show—a quantity passing through infinity and changing its sign from plus to minus. I saw exactly why it happened and why the tergiversation was inevitable, but it was after dinner and I let it go.” Let’s assume it wasn’t just the whiskey talking.
It’s hard to remember now, but there was a time when Game of Thrones couldn’t afford to stage a battle. For all its groundbreaking, world-building ambition, the HBO fantasy drama’s 2011 debut season struggled to populate even modest crowd scenes on its $6 million-per-episode budget. Yet going into the show’s sophomore year, GoT producers were faced with the challenge of depicting one of saga author George R.R. Martin’s most colossal events: the Battle of the Blackwater, the climax of his second Song of Ice and Fire novel, A Clash of Kings.
…George R.R. Martin: We had a director who kept saying, “Cut this! Cut that! I can’t make the day.” I kept removing elements and it was getting to the point where it was getting as bad as the jousting tournament.
And then, just a few weeks before filming, the director had an unexpected family medical emergency and had to drop out. “I’d done quite a lot of work prepping that episode,” the director said. “Very sadly, I had an illness in the family and I had to leave. I knew I was leaving them with a difficult time, but it was absolutely unavoidable.”
Now the production had another tough problem. After all their pleading and negotiation with HBO for the money and latitude to stage a climactic battle, they were less than a month from shooting and didn’t have a definitive plan or a director.
Bernadette Caulfield (executive producer): That was my first year on the show and probably my first fight with David and Dan. They were like, “Oh, let’s get so-and-so.” I said, “Ninety percent of this is action. We need somebody who really knows action. It’s not easy. We should really look at Neil Marshall.”
David Benioff: Neil did Centurion and Dog Soldiers, movies where the guy is doing an incredible amount of really impressive action on a very thin budget.
Bernadette Caulfield: And other directors kept being mentioned and I kept saying, “I’m telling you, we need an action director!” Then David calls me up. At the time we didn’t know each other that well. And he goes: “Okay, Bernie, we’re going with your idea to hire Neil.”
I swear to God, my stomach dropped. I’m like, “Wait, my idea? This is a community decision!” I hung up the phone and I thought, Shit. Now it’s my idea. I’m responsible for this guy doing our first battle.
Neil Marshall (director): I was aware of Game of Thrones when season one was happening. I thought, This is really my kind of thing, and had my agent contact HBO and say, “If there’s any chance, I’d like to be able to direct an episode.” Their response was like, “We have our directors, thank you very much.”
Then a year or so later on a Saturday morning, I got an emergency call from Bernie to come and fix a situation that, from what I gathered, was a bit out of control. She asked if I would like to direct an episode. I was like, “Absolutely!” I’m thinking this will be in few months’ time. Then she said, “It’s on Monday morning and you’ve got one week to plan.”…
(14) GET STARTED ON YOUR HOLIDAY SHOPPING. Time Travel Mart offers a Robot Toupee. Know anybody who needs one?
They have lots of amusing novelties. Consider the Pastport:
Whether heading to Pangaea or the future Moon Colony, no time traveler would dare go without their Pastport. Only documentation officially recognized by the Intertemporal Travel Commission.
Travel stamps may be obtained whenever travel to era is approved. Watch social media for era approval stamps.
Several liquid bodies have been found under the south pole of Mars, according to a major new study.
The findings give extra credence to previous research that suggested there could be a large saltwater lake underneath the Martian surface, the researchers claim – and also led to them discovering a number of other wet areas.
The findings could be key in the search for alien life on the planet, the researchers note, given life as we know it requires liquid water to survive.
They will also be key to “planetary protection” work that ensures that humanity doesn’t contaminate other planets with life from Earth during missions to explore them.
…The discovery was made using MARSIS, or the Mars Advanced Radar for Subsurface and Ionosphere Sounding, which is onboard the Mars Express spacecraft sent by the European Space Agency to orbit around Mars.
Future moon explorers will be bombarded with two to three times more radiation than astronauts aboard the International Space Station, a health hazard that will require thick-walled shelters for protection, scientists reported Friday.
China’s lander on the far side of the moon is providing the first full measurements of radiation exposure from the lunar surface, vital information for NASA and others aiming to send astronauts to the moon, the study noted.
A Chinese-German team reported on the radiation data collected by the lander — named Chang’e 4 for the Chinese moon goddess — in the U.S. journal Science Advances.
(17) A DOLLAR SHORT. The Space Review’s Dwayne Day looked at the 12 reality shows that claimed to send the winner into space and explained why they all turned into vaporware. “Reality bites”.
…Of course, this is Hollywood, where production companies announce all kinds of plans, some of them much more solid than others, where often the announcement of a project does not mean that the project is about to happen. The article contained this bit of information: “The series will be taken out soon, with a global streaming platform and a broadcast partner in each country, including the U.S., explored as distribution options.”
“Taken out” is Hollywood jargon for “go looking for somebody to pay us to do this.” And when it comes to space-based reality television, lots of proposals like this have been “taken out” before, giving the term a more ominous meaning. In fact, by one count, this is now the twelfth time that somebody has attempted to create a reality TV show with a spaceflight as the prize.
Around 20 years ago, there was the first of a long string of announced reality television shows that would culminate in a flight into space for a lucky winner. The one, or at least the first one that became public, was “Destination: Mir” proposed in 2000 by Mark Burnett, the producer of numerous successful reality television shows, most notably “Survivor.” Burnett wanted to fly the winner of a reality show competition to the Russian space station aboard a Soyuz spacecraft. NBC even announced that the show would be on its 2001 schedule. After the Mir space station was deorbited, Burnett renamed the show “Destination: Space,” featuring a flight to the International Space Station instead. The reputed price tag for the show was $50 million. Burnett’s project never made it to television….
(18) INSATIABLE. Pac-Man, the iconic arcade game from the 1980s, turns 40 this year. To celebrate, the video game now enters the world of virtual reality.
(19) BRACKETT OUT OF CHANDLER. K A Laity, in “Classic Noir: The Long Goodbye (1973)”, comes up with a bunch of reasons to make you want to find the movie and watch it – even though I don’t remember it being all that good!
I read the novel so long ago (back in my L. A. days so looooong ago) I could only remember the basics of the story. There were probably more of them in the original script by the legend Leigh Brackett, but Robert Altman’s style of filmmaking always left room for improvisation and Elliott Gould—unlikely to be most director’s ideal choice to play Phillip Marlowe—works well here.
(20) VIDEO OF THE DAY. In “After Earth Pitch Meeting” on YouTube, Ryan George notes that the 2013 Will Smith film is set in a future Earth where there’s no oxygen even though there are plenty of trees and animals, and how creatures can smell human fear in a world where humans haven’t lived for a thousand years.
[Thanks to Martin Morse Wooster, N., Mike Kennedy, Michael Toman, JJ, Olav Rokne, John Hertz, Cat Eldridge, John King Tarpinian, John A Arkansawyer, Todd Mason, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Jack Lint.]