Pixel Scroll 2/13/20 Doctor Pixelstein’s Scrollster – or The Filing Prometheus

(1) PSYCHICHISTORY. I can’t read minds, but I can read blogs. Camestros Felapton took up the literary question of “How to be psychic”.

Are psychic powers a trojan horse from the world of magic that have snuck into science fiction? Psychic powers are almost indistinguishable from wish fulfilment in aggregate and only take on a resemblance of speculation about reality when codified into subtypes with Graeco-Latin names with sciency connotations.

But psychic powers aren’t going to vanish from science fiction any time soon. Doctor Who has psychic paper and telepathic circuits in their TARDIS, Star Trek has empaths and telepathic Vulcans, and Star Wars has a conflict between psychic factions as its core mythology. Firefly and Babylon 5 had psychics. Dune, Stranger in a Strange Land, Le Guin’s Ekumen universe, Asimov’s Foundation series, multiple Philip K Dick works, each contain various beings with mental powers. Science Fiction has a permission note for amazing mental abilities had has used that licence freely….

(2) MAG*C HAPPENS. At Disneyland, “’Magic Happens’ Parade – Debuts February 28”.

Starting February 28, Disneyland Park will welcome Magic Happens, the park’s first new daytime parade in nearly a decade—and one that reminds us wings aren’t needed to fly, shooting stars were created for wishes and magic doesn’t end at midnight!

With a wave of his wand, Mickey Mouse leads a cavalcade of fabulous floats, whimsically costumed performers and popular Disney pals like Anna, Elsa and Olaf around the park and into your hearts—all while moving to a high-energy musical score that puts a contemporary spin on classic Disney hits. In addition, a brand-new song co-composed by singer-songwriter Todrick Hall helps bring some of your favorite Disney tales to life like never before.

(3) ENOUGH ALREADY. Cat Rambo is bidding Facebook farewell:

I’m tired of logging onto here and seeing nothing but propaganda and talking points freshly harvested from the meme farms. I feel that the company has helped shred the American political system, that it divides us more than it connects, that it profits off our private data while selling us out to foreign powers, and that it is a major component of a system that continues to facilitate active class warfare being waged by the current kleptocracy on the poor and middle-class in our country.

If you are being asked to hate certain people or groups, whether liberal or conservative — ask yourself for a moment, who benefits from you hating them? What’s getting slipped past you while the rhetorical smoke and mirrors are dazzling you? I can tell you: it’s your country and all the things that we own in common that’s getting dismantled so rich people can shove more money in their already bulging pockets….

(4) APPEAL CONTINUES. The ”Help Mike Resnick’s widow pay off medical bills” GoFundMe asked people to share the link again, which File 770 is glad to do.

Update on 2/13/2020: Carol and Laura Resnick would dearly love to thank everyone who has donated to Mike’s fundraiser. As you can imagine, this has been an incredibly hard month for them both and all the kind words and support they have received has been so valued and treasured. Unfortunately, with Mike’s passing, the bills did not stop coming in. Carol has literally been swamped with bills, and there is no longer any regular income coming into the house to cover the mortgage, utilities or daily necessities (she has some very tough decisions ahead). We understand many of you have donated before, so even if you could just re-share the fundraiser link again, we would be so very thankful. Carol has been so incredibly touched by all the kindness shown to her and she knows Mike would be so proud of the SF&F field he loved so much for helping to support his family in their time of need. As every book dedication said “To Carol, as always.” She was his world.

(5) ALL FLOCKED UP. In Leonard Maltin’s opinion, “‘Birds’ Preys On Civilized Moviemaking”.

What price girl-power? Does the positive energy of a female-centric comic book movie—made by women—compensate for the nihilistic, super-violent nature of its content? Is this really a step forward for women, behind the camera and in the audience? That’s the conundrum presented by Birds of Prey (full title Birds of Prey And the Fantabulous Emancipation of One Harley Quinn)….now re-titled Harley Quinn: Birds of Prey.

(6) THEY COME OUT AT NIGHT. In “Worldbuilding: Crime and Fantasy Books Have More in Common Than You Might Think at CrimeReads, Kelly Braffet makes a case.

… Take, for example, this passage from the second chapter of Dashiell Hammett’s The Maltese Falcon. Sam Spade is on his way to a crime scene, and he stops at an overpass nearby to check out a few looky-loos interested in the murderous goings-on…

There’s nothing in this paragraph that relates to the murder he’s about to investigate or the case he’s working; the fleeing car doesn’t have any important characters in it, and the looky-loo never shows up again. This is pure worldbuilding. Spade’s world is one of cars and ads and fumes and concrete and people so bored and aimless that they’re willing to contort themselves to catch a glimpse of a dead body….

(7) GREEN TEASER. David Lowery’s upcoming movie The Green Knight stars Dev Patel alongside Alicia Vikander and Joel Edgerton. The fantasy is based on Arthurian legend and will hit screens in Summer 2020. The story is based on the poem of Sir Gawain and the Green Knight.

(8) TRIVIAL TRIVIA.

Native English speakers unconsciously organize adjectives in a particular order that is rarely deviated from, even in informal speech. The order is: opinion, size, age, shape, color, origin, material, purpose. For example, it’s more common to hear “silly old fool,” rather than “old silly fool.” One notable exception, however, is the Big Bad Wolf. Source: The Guardian

(9) TODAY IN HISTORY.

  • February 13, 1954 Tom Corbett, Space Cadet first aired “The Space Projectile”. Frankie Thomas played the lead role in the series which was one of the rare series which aired on all four networks of the time. Joseph Greene of Grosset & Dunlap publishing house developed the series off of Heinlein’s late Forties Space Cadet novel but also based of his own prior work. Both a newspaper strip and radio show were intended but never went forward. You can watch this episode here.
  • February 13, 2000 — The last original Peanuts comic strip ran in newspapers

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born February 13, 1908 Patrick Barr. He appeared in Doctor Who as Hobson in the Second Doctor story, “The Moonbase”, in the Seventies Randall & Hopkirk (Deceased) “You Can Always Find a Fall Guy” episode, and appeared once in The Avengers as Stonehouse in the “Take me to Your Leader” episode. His last genre role was as the British Ambassador in Octopussy. (Died 1985.)
  • Born February 13, 1932 Susan Oliver. She shows up in the original Trek pilot, “The Cage” as Vina, the Orion slave girl. She had a number of one-offs in genre television including Wild Wild West, Twilight Zone, Alfred Hitchcock Hour, The Man from U.N.C.L.E., Tarzan, The Invaders, Night Gallery and Freddy’s Nightmares. (Died 1990.)
  • Born February 13, 1933 Patrick Godfrey, 87. His very first acting was as Tor in a First Doctor story, “The Savages. He’d be in a Third Doctor story, “Mind of Evil”, as Major Cotsworth. His last two acting roles have both been genre — one being the voice of a Wolf Elder in Mowgli: Legend of the Jungle; the other Butler in His Dark Materials.
  • Born February 13, 1938 Oliver Reed. He first shows up in a genre film uncredited in The Two Faces of Dr. Jekyll, with his first credited role being Leon in The Curse of the Werewolf. He was King in The Damned, an SF despite its title, and Z.P.G. saw him cast as Russ McNeil. Next up was him as Athos in the very charming Three Musketeers, a role he reprised in Four Musketeers and Return of the Musketeers. And can we skip past him as Sarm in Gor please? Does Royal Flash count as genre? Kage Baker loved that rogue. Kage also loved The Adventures of Baron Munchausen in which he played Vulcan. Orpheus & Eurydice has him as Narrator, his final film role. (Died 1999.)
  • Born February 13, 1943 Leo Frankowski. Probably best known for his Conrad Stargard series featuring the Polish time travelling engineer Conrad Schwartz, but I’m more fond of his stand-alone novels Fata Morgana and Copernick’s Rebellion. (Died 2008.)
  • Born February 13, 1954 Mary GrandPré, 66. She’s best known for her cover and chapter illustrations of the Potter books in the Scholastic editions. She’s the author and illustrator of A Dragon’s Guide series which is definitely genre of aimed at children. 
  • Born February 13, 1959 Maureen F. McHugh, 61. Her first novel, China Mountain Zhang, was nominated for both the Hugo and the Nebula Award, and won the Otherwise Award, impressive indeed. Her other novels are Half the Day Is NightMission Child and Nekropolis. She has an impressive collective of short stories. Both her novel and short story collections are readily available at the usual digital sources. 
  • Born February 13, 1960 Matt Salinger, 60. Captain America in the 1990 Yugoslavian film of that name which was directed by Albert Pyun as written by Stephen Tolkin and Lawrence J. Block. It’s got a 16% rating among reviewers at Rotten Tomatoes which matches what critics thought of it. As near as I can tell this is only genre role. You can watch the film here.

(11) A FILER’S PICKS. Ziv Witie’s (aka Standback) annual F&SF appreciation/recommendation thread is up. Thread starts here.

(12) NEW WAVICLE. At Eight Miles Higher, Andrew Darlington’s “New Wave SF: Graham Charnock’s ‘First And Last Words'” is a profile of the massive pro career of someone I think of as a legendary UK fan. Which he is, of course.

…Beyond stories in ‘New Writings In SF’, Damon Knight’s ‘Orbit’ and the ‘Other Edens’ anthologies, the ‘New Worlds’ connection continues, into its later reincarnation as a thick paperback series edited by David Garnett. The teasing conundrum “On The Shores Of A Fractal Sea” (in ‘New Worlds no.3’) draws on Graham’s close encounters with Rock music, via his contributions to Michael Moorcock’s Deep Fix. The fictional deceased Rock-star narrator persists in a virtual Lagoona where ‘the beach goes on forever’, and where he works on his concept-cycle triple-album. Maybe being dead means he’s unaware that Hawkwind’s seventh studio album is also called ‘Quark, Strangeness And Charm’ (Charisma, June 1977)! He talks to shape-changing French, to whom his reality exists as ‘a fragment of cloned tissue… awash with oxy-infused saline.’…

(13) READ WITHOUT CEASING. In “5 things I learned from binge-reading a 50-book crime series in 5 months”, Sophia Rosenbaum says she read 50 novels by “J.D. Robb” (a pseudonym of Nora Roberts) in five months and talks about what she learned from reading so many books in a series in so short a time. This is a series that the Internet Science Fiction Database classifies as “futuristic mystery.”

J.D. Robb is the pen name for the prolific romance writer Nora Roberts, who started writing the series in 1995 and releases at least two new titles a year.

In the very first book, “Naked in Death,” we are introduced to a slew of what become recurring characters: Eve’s former partner and trainer, who becomes a father figure; the esteemed police commander; the maternal staff psychiatrist; Eve’s criminal-turned-singer bestie; and most importantly, Roarke.

(14) MADAM I’M. In an article in The Believer that begins “Palindrome, Palindrome” and then has an obscenity, Colin Dickey reprints Dan Hoey’s 543-word expansion of the palindrome “a man, a plan, a canal—Panama.”  Hoey was a Washington DC-area fan who died in 2011. 

Sometime in the mid-1940s, Leigh Mercer rescued from the trash several thousand index cards that his employer, Rawlplug, had thrown out. Mercer may not have yet had a plan, but he had an idea. He’d grown up in a family that cherished word games and had lived through the birth of the modern crossword puzzle craze, but he’d noticed that no one had seriously set their minds to the problem of palindromes. Though Mercer wasn’t interested in crosswords, he’d acquired a used copy of a book for crossworders that contained lists of words—no definitions—grouped alphabetically and according to length. Using this book and his new stash of recovered index cards, he began copying out possible palindrome centers—any word or snippet of a phrase that might be reversible. In 1946, he came up with one construction: “Plan a canal p.” It was, he himself later admitted, “not very hopeful looking,” but all great plans have to start somewhere.

It took him two years to find Panama.

…This kind of nonsense quickly spins out of control. Using a computer that trawled the dictionary, Dan Hoey created this monstrosity in 1984….

It technically works, but it relies on gibberish (“a bater,” “an em,” and “a say”), and it is long enough that all sense is lost and the palindrome topples into meaninglessness. The program used here was rudimentary enough that even Hoey knew his effort could be easily bested, and sure enough, Peter Norvig assembled a 21,012-word variation to commemorate the palindromic date of 6-10-2016, and it is absolutely as unbearable and unreadable as it sounds. And yet, even as everything falls apart, you reach the end—“a canal, Panama!”—and it’s like all is forgiven, like everything is somehow right once more.

(15) DINO CASH. “British dinosaurs to feature on UK money for the first time” – the Natural History Museum has the story.

The Royal Mint is releasing three new dinosaur-themed coins – the first ever in the UK.

The series of 50p coins is a collaboration with palaeoartist Bob Nicholls and experts at the Museum.

The coins will honour the first three dinosaurs ever named – Megalosaurus, Iguanodon and Hylaeosaurus – although at the time they were named, ‘dinosaurs’ as a group didn’t exist. In fact, it was these three animals that made Sir Richard Owen realise that there was something different enough about them that they warranted being placed in a new group, which he named Dinosauria.

The three species will be featured on five series of collectors’ coins. Although they will be legal tender, they won’t go into circulation. Instead members of the public will be able to buy the coins, either individually or in sets.

(16) RESTORED TO THE THRONE. “Rise of Skywalker: How we brought Carrie Fisher back” — and other details of the effects are discussed by filmmakers in this BBC video.

Actress Carrie Fisher, who was best known for her role as Princess Leia in the Star Wars series, died in 2016.

She recently appeared in the 2019 film Rise of Skywalker, but how was this possible?

BBC Click speaks to the visual effects supervisor, Roger Guyett and animation supervisor, Paul Kavanagh of ILM to find out more.

(17) I’M MELTING! “Antarctica logs highest temperature on record of 18.3C”

A record high temperature of 18.3C (64.9F) has been logged on the continent of Antarctica.

The reading, taken on Thursday by Argentine research base Esperanza, is 0.8C hotter than the previous peak temperature of 17.5C, in March 2015.

The temperature was recorded in the Antarctic Peninsula, on the continent’s north-west tip – one of the fastest-warming regions on earth.

It is being verified by the UN World Meteorological Organisation (WMO).

“[This] is not a figure you would normally associate with Antarctica, even in the summertime,” WMO spokeswoman Clare Nullis told reporters in Geneva.

(18) EIGHT MILES HIGH. That was quick: “British Airways Sets Record, Crossing The Atlantic In Under 5 Hours In Strong Winds”.

Kubilay Kahveci’s flight was supposed to be in the air for more than six hours — an overnight voyage from New York City to London. But British Airways Flight 112 made the trek in under five hours, setting a new record for the fastest subsonic commercial flight across the Atlantic Ocean.

(19) LEAST HYPOTHESIS. Nothing acute about this: “Wreck’s Identification 95 Years After Ship’s Disappearance Puts Theories To Rest”.

Lore had it that the SS Cotopaxi was swallowed by the infamous Bermuda Triangle after the steamship, and all 32 crew members on board, inexplicably vanished in 1925.

In the sci-fi film Close Encounters of the Third Kind, aliens are responsible for the ship’s disappearance.

But a team of divers has identified the ship and debunked the fictions, theories and conspiracies that emerged over the years. And unlike in Close Encounters, the ship wasn’t found in the Gobi desert, but rather 35 miles off St. Augustine in Florida.

The Cotopaxi had set off on its normal route between Charleston, S.C., and Havana, carrying a cargo of coal, when it was caught in a powerful storm, Michael Barnette discovered.

The wreck isn’t located within the boundaries of the Bermuda Triangle — a region in the Atlantic Ocean with its corners at South Florida, Bermuda and Puerto Rico that has been blamed for unexplained disappearances.

(20) BACK TO THE BASICS. How it all got started — “Tom and Jerry: 80 years of cat v mouse”.

A cartoon cat, sick of the annoying mouse living in his home, devises a plot to take him out with a trap loaded with cheese. The mouse, wise to his plan, safely removes the snack and saunters away with a full belly.

You can probably guess what happens next. The story ends as it almost always does: with the cat yelling out in pain as yet another plan backfires.

The plot may be familiar, but the story behind it may not be. From Academy Award wins to secret production behind the Cold War’s Iron Curtain – this is how Tom and Jerry, who turn 80 this week, became one of the world’s best known double-acts.

The duo was dreamt up from a place of desperation. MGM’s animation department, where creators Bill Hanna and Joe Barbera worked, had struggled to emulate the success of other studios who had hit characters like Porky Pig and Mickey Mouse.

Out of boredom, the animators, both aged under 30, began thinking up their own ideas. Barbera said he loved the simple concept of a cat and mouse cartoon, with conflict and chase, even though it had been done countless times before….

[Thanks to Martin Morse Wooster, Mike Kennedy, JJ, John King Tarpinian, Andrew Porter, Chip Hitchcock, Michael Toman, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Ingvar.]

Pixel Scroll 1/12/20 Mongo Only Pawn In Scroll Of Pixels

(1) AVOIDING CALENDRICAL ROT. Odyssey Writing Workshop presents “Interview: Guest Lecturer Yoon Ha Lee”.

You recently completed the Hugo Award-nominated Machineries of Empire trilogy. Did you know how the trilogy would end when you began writing the first book? Are you more of a planner, or more of a pantser?

I didn’t know it was going to be a trilogy! I originally intended Ninefox Gambit to be a standalone. But after I finished drafting it, I had an idea for a sequel. And after I committed to Raven Stratagem, I had another idea, and that became Revenant Gun. I plan individual novels because I’m not smart enough to figure out the plots on the fly. But on the series level…well, I didn’t plan to write a trilogy. It just happened.

(2) SOMTOW IN THE NEWS. Forward’s Benjamin Ivry interviews Somtow Sucharitkul: “A new Holocaust opera premieres — in Thailand”.

Thailand might not seem the most probable point of origin for a new opera about the Holocaust, but on January 16, the world premiere of “Helena Citrónová” by the composer Somtow Sucharitkul, 67, will be staged in Bangkok.

It is about a real-life Auschwitz survivor of Slovak Jewish origin who at a trial in 1972, testified that a Nazi officer had fallen in love with her and thereafter, saved her and her sister. Despite testimony from others attesting to his crimes, the Nazi was allowed to go free due to a statute of limitations.

Citrónová’s story gained further currency in a 2005 BBC-TV documentary, “Auschwitz: The Nazis and the ‘Final Solution’” in which she was interviewed.

It inspired a controversial romance novel about a Jewish prisoner at a Nazi concentration camp whose love for a Nazi commandant redeems him. As The Forward reported in August 2015, this book sparked objections, notably from Katherine Locke, a Jewish writer based in Philadelphia.

Far from Auschwitz and Philadelphia, Somtow Sucharitkul, who writes and composes under the name S.P. Somtow, published his libretto for Helena Citrónová in 2018….

Last October, you tweeted a response to those who wonder why you chose the subject of Helena Citrónová by citing lines from Yevgeny Yevtushenko’s poem “Babi Yar,” about Nazi atrocities in the USSR: “Today, I am as old/ As the entire Jewish race itself,” adding “This story belongs to all of us.” What did you mean by that?

Somtow Sucharitkul: People ask me all the time why should I talk about these things as if I were somehow schnorring in on someone else’s life. I was born in Thailand, but left when I was six months old and lived in Europe for most of my childhood, so it feels like more of my past than what happened in Asian countries. The reason I started getting involved in Jewish issues in Thailand were that none of my students here knew whether Thailand had won or lost the Second World War. I was in the Terminal 21 Shopping Mall [in Bangkok] and saw a statue of Hitler dressed as Ronald McDonald. No one meant anything by it, but it was a terrible moment of disjunction, and I felt that I should explain to young people around me and those in a wider range.

You posted on Facebook in October that in the opera’s final scene, when you set the heroine’s words, “My father told me once, never forget you’re a Jew,” you chose to rework a melody from Wagner’s “Die Walküre.” You add that this was done “unconsciously,” but using the notorious anti-Semite Wagner’s music in this context was an “allusion so cogent and so trenchant that my unconscious must have intended it.” So was it intentional or unconscious?

I imagine it was unconsciously intentional. At the time I wrote those notes, I thought to myself, this is Wagner, but I couldn’t place it. That was an odd moment, I have to admit….

(3) A COMPLETE TRIUMPH. Edgar Allan Poe’s “William Wilson” is Library of America’s “Story of the Week.” It’s preceded by a long and interesting note about its reception.

Since returning from Europe in 1832, Irving had done much to help younger American writers, and he responded without hesitation as soon as the letter reached him at his home in Tarrytown. “I have read your little tale of ‘William Wilson’ with much pleasure,” Irving wrote. “It is managed in a highly picturesque style, and the singular and mysterious interest is well sustained throughout. . . . I cannot but think a series of articles of like style and merit would be extremely well received by the public.” Irving added that he much preferred this new work over Poe’s previous story in the magazine, which suffered from “too much coloring.” (That tale, incidentally, was “The Fall of the House of Usher.”) While the endorsement might seem somewhat equivocal, Poe boasted to one editor that Irving’s support represented “a complete triumph over those little critics who would endeavor to put me down by raising hue and cry of exaggeration in style, of Germanism & such twaddle.” The quote from Irving was featured prominently in publicity for Poe’s new book, Tales of the Grotesque and Arabesque.

(4) NISI SHAWL CLASS. Cat Rambo tweeted “Highlights from Nisi Shawl’s A Taste of Writing the Other”

(5) AN ALLUSION, In The Village Voice, Thulani Davis recounts how “Black Women Writers Reclaim Their Past”. Tagline: “Like a number of other black women writers, I have made it a point to speak of our ‘tradition,’ yet I know that no such tradition is assumed by the rest of the world, primarily because our books have not been read or taught”

…Imagine a John Coltrane who had only heard one 78 by Charlie Parker, one LP by Billie Holiday. Imagine a Cecil Taylor who did not grow up with the sounds of Art Tatum and Duke Ellington, and you have some idea how amazing it is that we have writers like Lorraine Hansberry and Toni Morrison.

Each generation of black women has cer­tainly taken ideas from known forms, yet in the matter of content — the telling of black women’s stories — the same impulses appear time and again, with little revision over the decades. Only lately have we seen work that makes conscious nods to the past. And no wonder: Morrison, Alice Walker, Gayl Jones, Toni Cade Bambara, Gloria Naylor, Sherley Anne Williams, Ntozake Shange, and others are the first generation to have a body of work on the black woman’s condi­tion readily at hand.

(6) TODAY IN HISTORY.

  • January 12, 1932 – In Mexico, Doctor X premiered. A pre-Code film, it was directed by Michael Curtiz and was headlined by Lionel Atwill and Fay Wray. Because it was pre-Code, murder, rape, cannibalism, and prostitution were part of the story. It’s based on the play titled “The Terror (New York, February 9, 1931) by Howard W. Comstock and Allen C. Miller. It was well received both by critics and at did very well at the box office. Warner Bros. followed up with Mystery of the Wax Museum, another pre-Code film.  Critics at Rotten Tomatoes rate it considerably higher (75%) than reviewers do (48%). 
  • January 12, 1940The Invisible Man Returns, the sequel to The Invisible Man, premiered. Directed by John May and produced by Ken Goldsmith, it starred Vincent Price in the title role. The screenplay was written by Lester Cole and Curt Siodmak (as Kurt Siodmak). Its success led to a third film, The Invisible Woman, a comedy billed as a sequel. Critics at Rotten Tomatoes love it giving a 82% rating while reviewers give a not so bad 58% rating.
  • January 12, 1966 Batman made its television debut.
  • January 12, 1967 Star Trek’s “The Squire of Gothos” first aired on CBS. Starring William Campbell as Trelane, it was written by Paul Schneider, and directed by Don McDougall. Trelane Is considered by many Trekkies to be a possible Q. Critics loved it giving such comments as “one of TOS’s most deservedly iconic hours” and voting the William Campbell performance as Trelane, as the fifth best guest star of the Trek series. 
  • January 12, 2018 — Amazon dropped Philip K. Dick’s Electric Dreams unto the public for viewing.  The first episode of the first season was titled “The Hood Maker”.  It was originally published in the June 1955 issue of Imagination hich was born in the Fifties and ceased publishing in the the Fifties as well.The screenplay was by Matthew Graham. 

(6) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born January 12, 1916 House Peters Jr. Though he’s best remembered as Mr. Clean in the Procter and Gamble commercials of the Fifties and Sixties, he did appear in a fair amount of SFF including Flash Gordon, Batman and Robin, King of the Rocket Men, The Day The Earth Stood Still, Red Planet Mars, Target Earth and The Twilight Zone. (Died 2008.)
  • Born January 12, 1937 Shirley Eaton, 83. Bond Girl Jill Masterson in Goldfinger, and yes, she got painted gold in it. She also shows up as the title character in The Million Eyes of Sumuru, the Sax Rohmer based film we just discussed. Her other significant role would be as Dr. Margaret E. ‘Maggie’ Hanford in Around the World Under the Sea. She retired from acting in 1969. 
  • Born January 12, 1948 Tim Underwood, 72. Bibliographer with such works as Fantasy and Science Fiction by Jack Vance (done with Jack Miller), Shameless Art: Paintings of Dames, Dolls, Pin-ups, and Bad Girls (genre adjacent at the very least) and Stephen King Spills the Beans: Career-Spanning Interviews with America’s Bestselling Author.  
  • Born January 12, 1951 Kirstie Alley, 69. She’s here for being Saavik on Star Trek II: The Wrath of Khan. It was, errr, interesting reading the various rumors why this was her only Trek film. Her SFF experience otherwise was brief limited to being an uncredited handmaiden on Quark, and being in the Village of the Damned as Dr. Susan Verner.
  • Born January 12, 1952 Walter Mosley, 68. An odd one as I  have read his most excellent Ezekiel “Easy” Rawlins series but hadn’t been aware that he wrote SF of which he has four novels to date, Blue Light, Futureland: Nine Stories of an Imminent Future, The Wave, and 47. There’s a Jack Kirby art book called Maximum Fantastic Four that was conceived of and orchestrated by him.  Interestingly enough, he’s got a writing credit for episode of Masters of Science Fiction called “Little Brother” where Stephen Hawking is the Host according to IMdB.
  • Born January 12, 1952 Rockne S. O’Bannon, 68. He’s The genius behind  Farscape, SeaQuest 2032, the Alien Nation series and Defiance. Only the latter couldn’t I get interested in. 

(7) TAKE A RIDE ON THE READING. “For William Gibson, Seeing the Future Is Easy. But the Past?” – a New York Times interview.

Describe your ideal reading experience (when, where, what, how).

The ideal reading experience, for me, is wholly induced by the text, with a complete lack of interruption. My most memorable adult experience of this remains my initial reading of Cormac McCarthy’s “Blood Meridian,” which I began in the cab, in Vancouver, on my way to the airport, in 1991 or so, for my first visit to Berlin. I remember nothing of the journey, between my door in Vancouver and the hotel room in which I finished the book. Just the Judge and I, here to there. Leaving him (as much as any receptive reader ever can) I stepped to the window, blinking out at this city, whenever and wherever it was. I was late getting to the Kunsthalle, to greet Samuel Delany and Wim Wenders, though I was able to later.

(8) FARSIGHT. “Everybody talks about the weather,” begins a Mark Twain quote. Now they’ll have even more to talk about: “Aeolus: Weather forecasts start using space laser data”.

Europe’s novel wind-measuring satellite, Aeolus, has reached a key milestone in its mission.

The space laser’s data is now being used in operational weather forecasts.

Aeolus monitors the wind by firing an ultraviolet beam down into the atmosphere and catching the light’s reflection as it scatters off molecules and particles carried along in the air

The European Centre for Medium-Range Weather Forecasts says the information is now robust enough for routine use.

The Reading, UK-based organisation is ingesting the data into its numerical models that look from one to several days ahead.

Forecast improvements are most apparent for the tropics and the Southern Hemisphere.

…The European Space Agency’s Aeolus satellite is regarded as a breakthrough concept.

Wind measurements have traditionally been very patchy.

You can get data from anemometers, weather balloons and aeroplanes – and even from satellites that infer air movements from the way clouds track across the sky or from how rough the sea surface appears at different locations.

But these are all limited indications that tell us what is happening in particular places or at particular heights.

Aeolus on the other hand gathers its wind data across the entire Earth, from the ground to the stratosphere (30km) above thick clouds.

(9) IF YOU’VE GOT IT… BBC reports that “The woman who paid $250,000 to go into space” may get there yet.

Ketty Maisonrouge has waited 15 years for a trip that she knows will be out of this world.

The 61-year-old business school professor signed up back in 2005 for the promise of five minutes in zero-gravity, paying $250,000 (£190,500) to travel beyond the earth’s atmosphere.

Now the company that sold her the ticket, Virgin Galactic, says it will finally begin flights this year. Its founder, Sir Richard Branson, will be on the first trip, and Mrs Maisonrouge won’t be far behind.

“Hopefully it will be as amazing as I think,” says Mrs Maisonrouge.

If all goes to plan, Virgin Galactic will be the first private company to take tourists into space. The company says 600 people have already purchased tickets, including celebrities like Justin Bieber and Leonardo DiCaprio.

But rival firms are close behind. Blue Origin, started by Amazon founder Jeff Bezos, has also starting speaking to possible passengers for trips it hopes to start this year, while SpaceX, founded by Tesla’s Elon Musk, announced in 2019 that a Japanese billionaire would be its first passenger for a trip around the moon.

(10) ANOTHER HITCHHIKER. Martin Plimmer lets us share a ride “In Roald Dahl’s Car” in his essay for the New York Times.

…I told him I was a reporter on the local paper, The Bucks Herald. I needed to get back for work the next day. My first task every Monday morning, as the most junior reporter on the paper, was to call on the town’s undertakers and compile a list of people who had died over the weekend. Then I had to phone or visit the next of kin. It was my job to populate the newspaper’s obituary column.

He chuckled. “Sounds grim,” he said.

“It’s not really,” I said. “Well, the undertakers are grim, but people are actually very happy to be approached for an obituary. And they’re good stories too. Obituaries celebrate whole lives. It would be hard not to find a couple hundred interesting words to write about someone’s whole life.”

“I can see that,” he said. “I also do a bit of writing.”

I’d had a feeling this was coming. In my experience of conversations with people who stopped to give me lifts, it was quite common to be told that they were also “writers.” Sometimes it would be a couple of articles in the parish magazine, or a half-finished novel in a bedroom drawer, or, more commonly, they would claim to have easily a book’s worth of fascinating ideas in their heads, just itching to become a best seller. This man had the look of a gentleman tinkerer, someone who might do a bit of scribbling in his spare time. “What sort of writing?” I asked.

“Oh, plays, film screenplays, some TV. Children’s novels seem to be taking up a lot of my time just lately. I suppose, though, that I’m best known for short stories. Stories with a macabre element — I’ve written quite a lot of them.”

His answer surprised me. I asked him his name.

“Roald Dahl,” he said.

It meant nothing to me. “I haven’t come across your work,” I said. “So … ‘a macabre element’ — are these horror stories?”

“Not exactly,” he said, “though, unlike your jolly obituaries, they can be pretty horrible. They don’t always end well; there’s often a twist in the tail. Actually, I think I’m writing funny stories, because they can be very comical. There’s such a narrow line between the macabre and laughter.” I could sense him smiling as he said it….

(11) LONG REMEMBERED THUNDER. In “Samuel R. Delany: Portrait of the Artist as a Young Super-Nova, Jeet Heer rediscovers that the field’s reception of this new author had its bright spots, too, despite the resistance of editors John W. Campbell and Michael Moorcock.

…It was only after his appearance at the 24th World Science Fiction Convention, held in Cleveland in 1966, that Delany’s existence was recognized, which led to the quick consensus that he was a leading figure in the field. In 1967, the contentious editor Harlan Ellison wrote that Delany gave “an indefinable but commanding impression that this was a young man with great work in him.” The following year, Algis Budrys, a respected novelist and at the time the sharpest critic in science fiction, hailed Nova by saying the novel proved that “right now, as of this book” Delany is “the best science-fiction writer in the world, at a time when competition for that status is intense.” Delany was all of twenty-six years old when he earned that accolade.

[Thanks to Cat Eldridge, John King Tarpinian, JJ, Chip Hitchcock, Martin Morse Wooster, Michael Toman, Mike Kennedy, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Bill.]

Pixel Scroll 1/11/20 The Yellow Brick Road Must Roll

(1) PROZINE REJOINS THE LIVING Compelling Science Fiction has been saved from the scrapheap of history. Editor Joe Stech explains how it happened:

We’re back in business and will be open to submissions once again on Monday, January 13th!

After I announced in September that Compelling Science Fiction would be shutting down for good, Nick Wells of Flame Tree reached out to me and suggested we work together to keep the magazine publishing our unique brand of science fiction stories. Over the last month we came to an agreement that will allow Compelling Science Fiction to continue publishing — you may recall that my issue was one of time, and Flame Tree will take over many of the most time-consuming aspects of the magazine. My role will transition to that of editor-in-chief, and Nick will take over the publishing role. I’m very excited to work with Nick and Flame Tree, and continue to support this genre of fiction that I love.

We’ll be transitioning to a quarterly schedule, and will also be accepting submissions much more often. Authors, we need your wonderful stories, so please send them our way! And readers, thanks for entrusting us with your time. I will always treat it with respect, and do my best to provide the types of stories you come here for.

(2) MORE SFF ON JEOPARDY! David Goldfarb says “The third episode of the ‘Greatest of All Time’ Jeopardy! tourney had a number of SFF-related questions.”

Here was the $800 answer in “Prequels and Sequels”:

Edited by the author’s son Christopher & published in 1977, it’s a history of Middle-Earth before “Lord of the Rings”.

Ken Jennings readily questioned, “What is Silmarillion?”

And the $400 answer:

Set for release in 2020 is Suzanne Collins’ “The Ballad of Songbirds and Snakes”, a prequel to this series.

James Holzhauer asked, “What is The Hunger Games?”

In the “TV Green Thumb” category:

$1200: On “The Handmaid’s Tale”, this wife of Commander Waterford has some pivotal scenes in her greenhouse.

Two wrong guesses, but nobody got, “Who is Serena?”

$1600: Played by Carolyn Jones in the ’60s, she loved to cut the heads off her roses, & rejoiced when her thorns came in sharp.

Crickets. “Who is Morticia Addams?”

And the $2000 featured a picture of Jean-Luc Picard and Boothby the groundskeeper: Jean-Luc Picard once helped Boothby, played by this one-time TV Martian, to replant some flowers at Star Fleet Academy.

Ken Jennings got it: “Who is Ray Walston?”

Goldfarb concludes, “The game in the second half (each day’s game is two regular games put together) had questions about Cocteau’s ‘La Belle et Le Bête’ and Grieg’s ‘In the Hall of the Mountain King’, but I’m going to call those only genre-adjacent and not quote them.”

Then, Andrew Porter saw this go down —

Category: Book Marks

Answer: In this novel, Mark Watney says, “I didn’t die on Sol 6. Certainly the rest of the crew thought I did.”

Wrong question: What is “The Sun Also Rises?”

Right question: What is “The Martian.”

(3) DIAGNOSING SUCCESS. The Hollywood Reporter’s Patrick Shanley probes “The Key Difference Between Video Game and Film Remakes”.

…Video game remakes work because, in many ways, they are the antithesis of film remakes. They honor the original vision by elevating it to what it was hoping to be but unable to achieve due to the limits of technology. The best remakes (in any medium) maintain the heart and soul of their source material while simultaneously modernizing them. In that regard, games have outshone film, delivering on the promise of the original while also updating them in a way that appeals to the nostalgia of longtime fans and the discerning eye of newcomers.

(4) STREAMING SEVENTIES SFF. [Item by Rob Thornton.] Criterion Channel, a streaming service that focuses on art films and is based on the home video distributor The Criterion Collection, will be featuring a wide range of science fiction films from the 1970s for most of January 2020. The service’s sci-fi offerings for the month are:

  • No Blade of Grass (Cornel Wilde, 1970)
  • A Clockwork Orange (Stanley Kubrick, 1971) [based on the Anthony Burgess novel of the same name]
  • The Omega Man (Boris Sagal, 1971) [based on Richard Matheson’s novel I Am Legend]
  • THX 1138 (George Lucas, 1971)
  • Z.P.G. (Michael Campus, 1972)**
  • Westworld (Michael Crichton, 1973)
    Soylent Green (Richard Fleischer, 1973) [based on Harry Harrison’s Make Room, Make Room!]
  • Dark Star (John Carpenter, 1974)
  • The Terminal Man (Mike Hodges, 1974)
  • Rollerball (Norman Jewison, 1975),
  • A Boy and His Dog (L. Q. Jones, 1975) [based on the Harlan Ellison story of the same name]
  • Death Race 2000 (Paul Bartel, 1975)
  • Shivers (David Cronenberg, 1975)
  • The Ultimate Warrior (Robert Clouse, 1975)
  • Logan’s Run (Michael Anderson, 1976)
  • God Told Me To (Larry Cohen, 1976)
  • Demon Seed (Donald Cammell, 1977)
  • Mad Max (George Miller, 1979)

Other genre-related SF films from the decade may already be available on the service (Tarkovsky’s Stalker and Solaris are definitely there) .

(5) JAMES DAVIS NICOLL. The proprietor tells us that today’s review — of An Illusion of Thieves by Cate Glass — is review 1500 on James Nicoll Reviews. His career total is “something like 6600 reviews.”

(6) CROWDFUNDING WISDOM. Cat Rambo tweeted the highlights from “Crowdfunding and Kickstartering with M.C.A. Hogarth.” Thread starts here.

(7) GETTING THE ROCKETS READY. CoNZealand has posted a “Hugo Awards Video” hosted by Tammy Coxen, this year’s awards administrator.

If you’d like to know more about the Hugo Awards, check out this new video from the CoNZealand team, talking about the history of the awards and why they’re so important.

(8) TODAY IN HISTORY.

  • January 11, 1997 — in Japan, Barb Wire got released. Starring Pamela Anderson and a very brief outfit, it was based on a Dark Horse comic (written by John Arcudi and illustrated by a rotating group of artists), the film was made on a shoehorn budget (about the size of her outfit) of nine million but was still a box office bomb bringing in only four million. Excepting Ebert, most critics didn’t like it and the reviewers at Rotten Tomatoes are especially harsh, giving it just a 14% rating. And there’s a lot of them that don’t like it — 47, 276 so far! 
  • January 11, 2013 Survival Code (Borealis was its original name and it was called that in Canada), and it starred Ty Olsson, Patrick Gallagher and Michelle Harrison. It was directed by David Frazee. It won three Canadian Screen Awards at the Second Canadian Screen Awards for Best Dramatic Miniseries or Television Movie, Best Writing in a Dramatic Program or Miniseries, and Best Original Score for a Television Program. The film was created to be a series pilot for Space, but the series never happened for reasons we can’t find but Space, its distributor, aired it instead as a television film. Yes it scored well at the Canadian Screen Awards, but the reviewers at Rotten Tomatoes were less forgiving as it get just 33% there. 

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born January 11, 1906 John Myers Myers. Ahhh, Silverlock. I read the NESFA Edition which has the Silverlock Companion in it which is very useful as you know the novel’s very meta indeed. If you don’t have this, it was reprinted separately later. Thirty years after Silverlock was published, The Moon’s Fire-Eating Daughter novella came out. Myers claims it’s a sequel to Silverlock. (Died 1988.)
  • Born January 11, 1923 Jerome Bixby. His “It’s a Good Life” story became the basis for an episode of the original Twilight Zone episode under the same name, and which was included in Twilight Zone: The Movie. He also wrote four episodes for the original Star Trek series: “Mirror, Mirror”, “Day of the Dove”, “Requiem for Methuselah”, and “By Any Other Name”. With Otto Klement, he co-wrote the story upon which Fantastic Voyage series is based, and the Isaac Asimov novel was based. Bixby’s final produced or published work so far was the screenplay for The Man from Earth film.  (Died 1998.)
  • Born January 11, 1923 Wright King. He’s had roles in the SFF realm starting with Captain Video and His Video Rangers and including Johnny Jupiter, Twilight Zone, Out ThereThe Invaders, Planet Of The Apes , Invasion of the Bee Girls, Voyage to the Bottom of the Sea and Logan’s Run. (Died 2018.)
  • Born January 11, 1930 Rod Taylor. First SFF role would be as Israel Hands in Long John Silver. He would follow that up with World Without End (which you probably heard of), The Time MachineColossus and the Amazon Queen (Taylor claims to have rewritten the script), The Birds (I really don’t like it), Gulliver’s Travels and last, and certainly least, The Warlord: Battle for the Galaxy. (Died 2015.)
  • Born January 11, 1937 Felix Silla, 83. He played Cousin Itt (sic) on The Addams Family in a role invented for the show. The voice was not done by him but rather provided by sound engineer Tony Magro in post-production. He was also responsible for the physical performance of Twiki on Buck Rogers in the 25th Century though the voice was supplied by Mel Blanc or Bob Elyea. And he played an unnamed Ewok on Return of the Jedi
  • Born January 11, 1961 Jasper Fforde, 59. I read and thoroughly enjoyed every one of his Thursday Next novels with their delightfully twisted wordplay as I did his Nursery Crimes series. I thought last year when I wrote Birthday note up that I had not read his Shades of Grey books and I was right — I now know that I read the first few chapters of the first one and wasn’t impressed enough to finish it. I do know I’ve not read the Dragonslayer series though I’ve heard Good Things about them. 
  • Born January 11, 1963 Jason Connery, 57. Son of Sir Sean Connery. He’s best known for appearing in the third series of Robin of Sherwood, a series I loved dearly including the music which was done by Clannad which I’ve got live boots of. He also played Jondar in the “Vengeance on Varos”story on Doctor Who during the Sixth Doctor era (my least favorite Doctor). He was Ian Fleming in Spymaker: The Secret Life of Ian Fleming. And he was a young Merlin in Merlin: The Quest Begins
  • Born January 11, 1971 Tom Ward, 49. He’s Captain Latimer in the Eleventh Doctor’s Christmas Special, “The Snowmen”. And he’s Edward Goodwin in Harry Price: Ghost Hunter. His latest genre role was as Sir Robert Peel in The Frankenstein Chronicles.
  • Born January 11, 1972 Amanda Peet, 48. Not a long SFF précis but an interesting one none-the-less.  She first shows up voicing Maria Montez in Battle for Terra. She was then Harlee in Martian Child which is at genre adjacent. She was ASAC Dakota Whitney in The X-Files: I Want to Believe. Say did you know that Quantum Quest: A Cassini Space Odyssey was paid for in part by NASA? Way cool. She voiced Ranger in it. 

(10) BRITISH INTERPLANETARY SOCIETY REMEMBERED. The London Review of Books has linked to “Operation Backfire” by Francis Spufford first published in 1999.  This history of the British space program mentions Arthur C. Clarke twice:  first in describing the British Interplanetary Society in 1944 and second a theological debate Clarke had with Lewis and Tolkien in 1958.

In November 1944 a group of men met in a London pub. In this fifth year of the war, the capital was dingy, dog-eared, clapped-out, frankly grimy. Though Britain had not shaken off its usual inefficiencies at mass production, it had converted its economy to the needs of the war more completely than any other combatant nation. For five years there had been no new prams, trams, lawnmowers, streetlamps, paint or wallpaper, and it showed. All over the city things leaked, flapped, wobbled and smelt of cabbage. It was the metropole that Orwell would project forward in time as the London of 1984.

These drinkers were not the kind of people to let an unpromising present determine the shape of things to come. They were the inner circle of the British Interplanetary Society, and in 1938 they had published a plan for reaching the Moon using two modules, one to orbit, one to descend to the lunar surface. The cost of the rocket – as much as a million pounds – was far more than they could raise, but they did have enough money to make a couple of instruments for it. ‘We were in the position of someone who could not afford a car, but had enough for the speedometer and the rear-view mirror,’ Arthur C. Clarke would remember. They constructed a ‘coelostat’, a device to stabilise the image of a spinning star-field. It was made from four mirrors and the motor of Clarke’s gramophone; it worked, and was proudly displayed in the Science Museum.

(11) “FUN” IS OVER. For awhile Jon Del Arroz branded his videos Diversity in Comics – but no more! “Why I’m Changing the Channel Name Back to Jon Del Arroz”.  Here’s the transcript of his explanation. (And remember, YouTube talking head videos really do tend to be one endless run-on sentence):

…But for here I’ve used the name Diversity in Comics over the last I guess two three months helped grow the channel quite a bit so thank you everybody came by because you saw the name and thought it was funny and all that but there comes a time where jokes have to end and we had a funny joke for a bit there and it was great and at this point I’m seeing that there’s a couple things that are an issue with this which is one that yeah it is needlessly antagonizing some people who get really worked up about this and and while I I do enjoy triggering people who get triggered for no reason and all that there there comes a time where joke a stand and it’s it’s just not funny and it’s not funny even watching somebody lose their minds over something like this anymore so definitely don’t want that happening anymore don’t want to insult anybody who might be a comic book reader who might check out the books and things like that I definitely want that to be something uh you know to where we can have are buying comic books and and we’re coming back and changing it back to just my name and the reason we’ll go with my name instead of something fancy….

(12) GIBSON INTERVIEW. William Gibson tells a Guardian writer, “‘I was losing a sense of how weird the real world was'”.

… As a Canadian writer who initially marked his territory in a future Japan, what attracted him to setting his post-Jackpot world in London? He doesn’t see it as so much of a jump. “On my first three or four visits to Japan I immediately thought that Tokyo had more in common with London than with any other city,” he says. “These disproportionately large sites of former empires, huge concentrated populations, recent wartime trauma, lots of fatalities. They’re capitals of island nations. But also cultural things: the fanatical attention paid to specific individual classes of objects. In London you could probably find a speciality shop for almost anything. And you certainly could in Tokyo. All these parallels. I’m curious that I’ve almost never seen it mentioned anywhere.”

(13) STRANGE DIRECTION. BBC reports “Doctor Strange director Scott Derrickson exits over ‘creative differences'”.

Doctor Strange director Scott Derrickson has left the sequel over “creative differences” with Marvel.

Derrickson made the original 2016 film starring Benedict Cumberbatch and had been due to deliver Doctor Strange in the Multiverse of Madness in 2021.

There’s speculation that Derrickson and Marvel boss Kevin Feige disagreed about how scary the follow-up should be.

The director, whose credits include The Exorcism of Emily Rose and Sinister, had pledged “the first scary MCU film”.

He made the comments at San Diego Comic Con in July, where Feige swiftly clarified that it would still be suitable for teenage viewers. “It’s gonna be PG-13 and you’re going to like it!” he added.

Feige has since said it would not be a horror film, and that any scary sequences would be like those made by Steven Spielberg in films like Indiana Jones and Gremlins.

(14) MOMENT OF BOOM. “Popocatépetl: Mexican volcano’s spectacular eruption caught on camera” — someone caught the start of the eruption on a short video.

Mexico’s Popocatépetl volcano erupted on Thursday with a dramatic show of lava and a cloud of ash and rocks that reached 3,000m (9,800ft) into the sky.

No-one was hurt. Popocatépetl is an active stratovolcano, 70km (43 miles) south-east of the capital, Mexico City.

Its name means “smokey mountain” in the indigenous Náhuatl language.

(15) OPPOSITE OF SWATTING. Or so you might call it: “Teenager having seizure saved by online gamer – 5,000 miles away in Texas”.

The parents of a teenager who suffered a seizure while chatting online have thanked his friend who called emergency services from 5,000 miles away.

Aidan Jackson, 17, was talking to an American gamer from his bedroom in Widnes on 2 January when he had a fit.

His friend, 20-year-old Dia Lathora, from Texas, alerted police in the UK.

The first Aidan’s parents knew of the emergency was when police and an ambulance appeared at their front door, the Liverpool Echo reported.

Caroline and Steve Jackson then rushed upstairs to find their son “extremely disorientated”.

(16) VIDEO OF THE DAY. They intend to live happily ever after:

Lee Loechler recently proposed to his girlfriend, Sthuthi David, by taking her to a packed theater to see her favorite movie, Sleeping Beauty. Little did she know that Loechler had spent six months altering the animation of the film’s most iconic scene, changing the characters to look like the couple themselves and altering the storyline to set up his Big Question. And that’s only the beginning.

Watching David’s face during the scene change is sheer delight, as her confused look proves that she has no clue what is about to happen. The set-up is great, but the magical moment when Loechler’s illustrated self tosses the engagement ring to his real-life self? That’s when we all toss up our hands and say, “OKAY, man. You win at proposing. Everyone else must bow before you now.”

The whole proposal—the re-illustrations, the heart jokes (David is a cardiologist), and the bride-to-be’s surprise when she finds surrounded by her friends and family—it’s all perfection. Just watch:

[Thanks to Rob Thornton, Chip Hitchcock, Martin Morse Wooster, JJ, Mike Kennedy, Cat Eldridge, John King Tarpinian, Michael J. Walsh, Contrarius, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 1/6/20 Forever Let Us Hold Our Appertainments High

(1) RWA CANCELS RITA AWARDS. The “Status of the 2020 RITA Contest” announces the RITA awards are the latest casualties of the internecine strife that began when Romance Writers of America tried to impose penalties on Courtney Milan.

Due to recent events in RWA, many in the romance community have lost faith in RWA’s ability to administer the 2020 RITA contest fairly, causing numerous judges and entrants to cancel their participation. The contest will not reflect the breadth and diversity of 2019 romance novels/novellas and thus will not be able to fulfill its purpose of recognizing excellence in the genre. For this reason, the Board has voted to cancel the contest for the current year. The plan is for next year’s contest to celebrate 2019 and 2020 romances. 

While we understand this will be disappointing news for some, we also understand that other members will support taking this step. Recent RWA Boards have worked hard to make changes to the current contest, striving to make it more diverse and inclusive, relieve judging burdens, and bring in outside voices, but those changes had to be voted on and implemented in a narrow window of time each year. 

By not holding a contest in 2020, we will be able to move away from making piecemeal changes. Instead, we will have the opportunity to take a proper amount of time to build an awards program and process – whether it’s a revamped RITA contest or something entirely new – that celebrates and elevates the best in our genre. We plan on engaging a consultant who specializes in awards programs and a DEI consultant, as well as soliciting member input. 

Members who entered the 2020 contest will be refunded their full entry fee by January 22, 2020. We extend our deep appreciation to the judges who volunteered their time this year.

(2) LEADING WORKSHOPS. Cat Rambo’s “Nink Knowledge: How to Grow Voices ~ The Subtle Art of Facilitating Workshops” is the featured article for January at Novelists, Inc.

When leading a discussion, don’t be afraid to go with the flow. Sometimes the oddest questions may be the most fruitful, or those questions may lead to additions for the future, sometimes even inspiring entirely new classes. The question of how to maintain a fruitful writing practice in the face of increasingly grey times, for example, led to a class on hopepunk that has become one of my favorites to teach and one which was even referenced in a Wall Street Journal article on the subgenre.

(3) MUTATIS MUTANDI. A trailer for The New Mutants has dropped. Film comes to theaters April 3.

20th Century Fox in association with Marvel Entertainment presents “The New Mutants,” an original horror thriller set in an isolated hospital where a group of young mutants is being held for psychiatric monitoring. When strange occurrences begin to take place, both their new mutant abilities and their friendships will be tested as they battle to try and make it out alive.

(4) PICARD TEASER. The show arrives January 23. Will this be the bait that finally gets me to pay for CBS All-Access?

(5) ALT WORLD PANEL IN LA. The Barnes & Noble story at The Grove in Los Angeles will host “The Man in The High Castle: Creating The Alt World Special Event” on January 8.

Join us when we celebrate “The Man in the High Castle: Creating the Alt World” with our very special panel of guest Mike Avila – author and Emmy award-winning TV producer, Jason O’Mara – Star, “Wyatt Price”, Isa Dick Hackett – Executive Producer, David Scarpa – Co-Showrunner, Drew Boughton – Production Designer.

Discover the alt worlds of The Man in the High Castle with the cast and crew in this exclusive collection of art. Packed with concept art, final designs, and artist commentary plus previously unseen storyboards.

The Man in the High Castle is the hit Amazon series, inspired by Philip K. Dick’s award-winning novel, that offers a glimpse into a chilling alternate timeline in which Hitler was victorious in World War II. In a dystopian America dominated by Nazi Germany and Imperial Japan, Juliana Crain discovers a mysterious film that may hold the key to toppling the totalitarian regimes.

This is a panel discussion and signing and will be wristbanded.

A wristband will be issued on a first come, first serve basis to customers who purchase “The Man in The High Castle: Creating The Alt World ” from Barnes & Noble in The Grove beginning January 8th
• Limit 1 wristband per book
• Check Back for more Details as they Become Available

For more information contact Barnes & Noble at The Grove — 189 The Grove Dr, Ste K 30, Los Angeles, California 90036

(6) FREELANCING IN CALIFORNIA. Publishers Lunch for January 2 includes the following: “Legal: California Freelance Law and Authors.”

The Authors Guild has a look at California’s new law AB-5 that requires treating many freelance workers as employees. On the question of whether the law affects book authors, “We were assured by those working on the bill that trade book authors are not covered, and we do not see a basis for disagreeing since the bill clearly states that AB-5 applies only to ‘persons providing labor or services’ and authors provide neither ‘labor’ nor ‘services’ under standard book contracts—they instead grant copyright licenses or assignments. Additionally, royalties—even in the form of advance payments—are not considered wages. It is difficult to imagine how a court would conclude that a typical book contract is for labor or services.”

Some book contracts, though, such as work-made-for-hire agreements and “contracts where the author has ongoing obligations and the publisher has greater editing ability or control over the content” could be subject to the new law, though. And the AG recommends that, “Publishers and authors who want to be certain to retain a freelancer relationship should be careful to make sure the contracts are written as simple license grants and not as services agreements.”

(7) NOT QUITE MAGGIE’S DRAWERS. James Davis Nicoll pointed Tor.com readers at “12 Excellent SFF Books You Might Have Missed in 2019”. Not to brag, but I actually read one of these! The list includes —

Magical Women, edited by Sukanya Venkatraghavan

Venkatraghavan delivers an assortment of stories by talented Indian writers. Three elements unite the stories: all are written by women, all are speculative fiction, and all are worth reading. A further element common to many (but not all) is an undercurrent of incandescent fury over the current condition of the world. Taken as a whole, the collection is not quite as upbeat as Jemisin’s Broken Earth series, but the craft of the writers is undeniable.

(8) ANDI SHECHTER. The Andi Shechter Memorial is scheduled for January 11, 2020 in Seattle.

Her friends will be gathering to remember her and share those memories. The memorial will be held in Seattle, at the Magnolia Public Library.

Date: Saturday 11th January, 2020
Noon – 3pm (set-up at 11am, teardown until 4pm)

Magnolia Meeting Room in Magnolia Library
Address: 2801 34th Ave W, Seattle, WA 98199

Please bring light refreshments to share, and note that this is an alcohol-free venue.

At this gathering we will share stories of Andi,  honoring her life and fight for disabled access and political advantages for all.

(9) TODAY’S DAY.

Handsel Monday — According to Scottish custom, the first Monday of the new year was the time to give children and servants a small gift, or handsel. Literally something given into the hands of someone else, the gift itself was less important than the good luck it signified. The handsel was popular as a new year’s gift from the 14th to 19th centuries, but it also had a broader application to mark any new situation. It continues today in the form of a housewarming gift to someone moving into a new home.

(10) TODAY IN HISTORY.

  • January 6, 1973 Schoolhouse Rock! premiered
  • January 6, 1975 — The first episode of The Changes premiered on BBC 1. It was a ten-part series adapting Peter Dickinson’s The Changes YA trilogy (The Weathermonger, Heartsease and The Devil’s Children. (The books were written in reverse order: the events of The Devil’s Children happen first, Heartsease second, and The Weathermonger third). It starred Victoria Williams and Keith Ashton. I find no reporting on it from the time, nor is it rated over at Rotten Tomatoes but that’s typical of these BBC series from this time. 

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born January 6, 1895 Tom Fadden. He’s on the Birthday Honors List for the original  Invasion of the Body Snatchers where his character was one of the first victims to yield to the invaders. It wasn’t his first SFF role as some thirty years before that role, he would make his Broadway debut as Peter Jekyll in The Wonderful Visit based off the novel of the same name by H. G. Wells, who also co-wrote the play. The last role of his that I’ll note was that one of his first television roles was Eben Kent, the man who adopts Kal-El on the first episode of The Adventures of Superman series. (Died 1980.)
  • Born January 6, 1905 Eric Frank Russell. He won the first annual Hugo Award for Best Short Story at Clevention in 1955 for “Allamagoosa” published in the May 1955 issue of Astounding Science Fiction. Sinister Barrier, his first novel, appeared in Unknown in 1939, the first novel to appear there. What’s your favorite work by him? (Died 1978.)
  • Born January 6, 1954 Anthony Minghella. He adapted his Jim Henson’s The Storyteller scripts into story form which were published in his Jim Henson’s The Storyteller collection. They’re quite excellent actually. (Died 2008.)
  • Born January 6, 1955 Rowan Atkinson, 65. An unlikely Birthday perhaps except for that he was the lead in Doctor Who and The Curse of Fatal Death which I know did not give him the dubious distinction of the shortest lived Doctor as that goes another actor although who I’ve not a clue.  Other genre appearances were scant I think (clause inserted for the nit pickers here) though he did play Nigel Small-Fawcett in Never Say Never Again and Mr. Stringer in The Witches which I really like even if the author hates. 
  • Born January 6, 1958 Wayne Barlowe, 62. Artist whose Barlowe’s Guide to Extraterrestrials that came out in the late Seventies I still remember fondly. It was nominated at Noreascon 2 for a Hugo but came in third with Peter Nichol’s Science Fiction Encyclopedia garnering the Award that year.  His background paintings have been used in Galaxy Quest, Babylon 5, John Carter and Pacific Rim to name but a few films. 
  • Born January 6, 1959 Ahrvid Engholm, 61. Swedish conrunning and fanzine fan who worked on many Nasacons as well as on Swecons. Founder of the long running Baltcon. He has many fanzines including Vheckans Avfentyr, Fanytt, Multum Est and others. He was a member of Lund Fantasy Fan Society in the University of Lund.
  • Born January 6, 1960 Andrea Thompson, 60. I’ll not mention her memorable scene on Arliss as it’s not genre.  Her noted genre work was as the telepath Talia Winters on Babylon 5. Her first genre role was in Nightmare Weekend which I’ll say was definitely a schlock film. Next up was playing a monster in the short-lived Monsters anthology series. She had a one-off on Quantum Leap before landing the Talia Winters gig. Then came Captain Simian & The Space Monkeys. Really. Truly. Her last genre role to date appears to be in the Heroes: Destiny web series.
  • Born January 6, 1969 Aron Eisenberg. Nog on Deep Space 9. Way after DS9, he’d show up in Renegades, a might be Trek series loaded with Trek alumni including Nichelle Nichols, Robert Beltran, Koenig and Terry Farrell. It lasted two episodes. (Died 2019.)
  • Born January 6, 1976 Guy Adams, 44. If you’ve listened to a Big Finish audio-works, it’s likely that you are familiar with his writing as he’s written scripts for their Doctor, UNIT and Torchwood series among his many endeavors there. Not surprisingly, he’s also written novels on Doctor Who, Torchwood, Sherlock Holmes and so forth. I’ve read some of his Torchwood novels — they’re good popcorn literature.
  • Born January 6, 1982 Eddie Redmayne, 38. He portrayed Stephen Hawking in The Theory of Everything. He was Newt Scamander in the Fantastic Beasts film series.
  • Born January 6, 1984 Kate McKinnon, 36. Dr. Jillian Holtzmann in that Ghostbusters film.   I think her only other genre role to date was voicing various character on Robotomy, a Cartoon Network series. She is Grunhilda in the forthcoming The Lunch Witch film based off the YA novel by Deb Lucke.

(12) COMICS SECTION.

  • Non Sequitur offers an alternate description of the afterlife.
  • Frank and Ernest find out the problems the cast of The Wizard of Oz has when looking for work.

(13) FRIENDS DON’T LET FRIENDS WATCH ‘CATS’ ON DRUGS. The Washington Post’s Michael O’Sullivan helps readers decide if they’re the audience for this movie: “‘Cats’ the movie is pretty crazy. But you already know that, and you don’t care.”

Having just watched “Cats,” the movie version of the hit musical about something called “Jellicle cats,” it is clear that “Jellicle” must be cat-speak for “wackadoodle.”…

(14) SILENT RADIO. So far as I know, Camestros Felapton is only on beer. But after reading “CATS! An audio-free podcast review!” I plan to follow Abraham Lincoln’s example and ask him to send each of us a barrel.

[Camestros] So let’s start. [in recitative] Did you find this film weird?
[Timothy] Did it give us the frights?
[Susan] Did it run far too long?
[Camestros] Did the cast all wear tights?
[Timothy] Was it bad C-G-I?
[Susan] Was it moving and sad?
[Camestros] Was it ineffably awful and indescribably bad?
[Susan] (take it away Timothy!)
[Timothy -sings] Because the movie of Cats is and the movie is not,
It’s like the movie of Cats can and the movie can not,
It’s not the movie of Cats is but also its not,
While this movie of Cats should and really should not,
And its because the movie of Cats is bad and bad it is not….

(15) FERTILITY PIONEER. BBC makes sure you’ll remember the name of “The female scientist who changed human fertility forever”.

She was the first person to successfully fertilise a human egg in vitro, changing reproductive medicine forever – but few people know her name today.

…As a technician for Harvard fertility expert John Rock, Menkin’s goal was to fertilise an egg outside the human body. This was the first step in Rock’s plan to cure infertility, which remained a scientific mystery to doctors. He particularly wanted to help women who had healthy ovaries but damaged fallopian tubes – the cause of one-fifth of the infertility cases he saw in his clinic.

Usually, Menkin exposed the sperm and egg to each other for around 30 minutes. Not this time. Years later, she recalled what transpired to a reporter: “I was so exhausted and drowsy that, while watching under the microscope how the sperm were frolicking around the egg, I forgot to look at the clock until I suddenly realised that a whole hour had elapsed… In other words, I must admit that my success, after nearly six years of failure, was due – not to a stroke of genius – but simply to cat-napping on the job!”

On Friday, when she came back to the lab, she saw something miraculous: the cells had fused and were now dividing, giving her the world’s first glimpse of a human embryo fertilised in glass.

(16) THE FUTURE IS REDISTRIBUTED. “Wheel.me robot wheels move furniture via voice commands” – a BBC video.

A Norwegian start-up wants to make it possible to rearrange a home’s furniture solely via a voice command or the touch of an app’s button.

To achieve this, Wheel.me has developed the Genius robotic wheels, which attach to the base of tables, chairs and other furnishings.

It is showing off a prototype at the CES tech expo in Las Vegas, where founder Atle Timenes arranged a demo for BBC Click’s Lara Lewington.

(17) HELPFUL SJWC? “CES 2020: Restaurant cat robot meows at dining customers” – let the BBC introduce you.

A robot cat designed to ferry plates of food to restaurant customers has been unveiled at the CES tech expo in Las Vegas.

BellaBot, built by the Chinese firm PuduTech, is one of a number of wacky robotic inventions being shown off at the event this year.

There is also UBTech’s Walker, which can pull yoga poses.

And Charmin’s RollBot. It speeds a roll of toilet paper on demand to bathrooms that have run out of the stuff.

One expert said it was likely that robots exhibited at CES would only continue to get more bizarre in the future.

BellaBot, the table-waiting robot cat, is a service bot with personality.

It updates a previous model that had a more utilitarian design. BellaBot, in contrast, features a screen showing cat-face animations.

It mews when it arrives at tables to encourage customers to pick up their food.

(18) SOUND INVESTMENT. “Audiobooks: the rise and rise of the books you don’t read”.

Audiobooks are having a moment. As they soar in popularity, they are becoming increasingly creative – is the book you listen to now an artform in its own right, asks Clare Thorp.

…Audiobooks are in the midst of a boom, with Deloitte predicting that the global market will grow by 25 per cent in 2020 to US$3.5 billion (£2.6 billion). Compared with physical book sales, audio is the baby of the publishing world, but it is growing up fast. Gone are the days of dusty cassette box-sets and stuffily-read versions of the classics. Now audiobooks draw A-list talent – think Elisabeth Moss reading The Handmaid’s Tale, Meryl Streep narrating Charlotte’s Web or Michelle Obama reading all 19 hours of her own memoir, Becoming. There are hugely ambitious productions using ensemble casts (the audio of George Saunders’ Booker Prize-winning Lincoln in the Bardo features 166 different narrators), specially created soundscapes and technological advances such as surround-sound 3D audio. Some authors are even skipping print and writing exclusive audio content.

…While audiobook sales are up and physical book sales down, it’s not a given that the two things are related. In fact, audio is pulling in new audiences – whether that’s listeners who don’t usually buy books, or readers listening to genres in audio format that they wouldn’t pick up in print.

(19) VIDEO OF THE DAY. Is that Emperor Palpatine on an air guitar, or a Force guitar?

[Thanks to John King Tarpinian, JJ, Cat Eldridge, Chip Hitchcock, Martin Morse Wooster, Mike Kennedy, Daniel Dern, Darrah Chavey, James Davis Nicoll, Michael J. Walsh, Peace Is My Middle Name, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Steve Davidson.]

Pixel Scroll 12/31/19 God Stalk Ye Merry Gentle Kzin

(1) PREACH IT! As the decade comes to an end, Cat Rambo comments on the writers driving the changes she aspires to keep pace with — “The New Rude Masters of Fantasy & Science Fiction – and Romance”.  One segment addresses “The Weaponization of Civility” —

As I’ve said, one cudgel used in this fight is a demand for civility, and I’m seeing it raised again in the debate surrounding the RWA ejecting Courtney Milan for speaking up. Courtesy becomes weaponized, a way of silencing. A way of forcing others to wait for the conversational turn that never gets ceded. Note Silverberg calling Jemisin’s speech “graceless and vulgar” and Spinrad weighing in to call Ng “swinish.” I cannot help but think that these men are less upset by what was said, than that it was not delivered with the deference that they felt Campbell, a proxy for themselves, deserved.

Hegemonic structures replicate themselves, continually pretending to reinvent and innovate but doing so in the same old forms. Traditional publishing is as prone to this as any other social structure. Indie writers get treated as though they were the nouveau riche, obsessed with money, when many of them are actually making a living at writing in a way our forebears—Chaucer, Shakespeare, Gilman—would have totally approved of. The truth is being a New York Times best-selling author doesn’t mean one is rolling around on moneypiles like Scrooge McDuck unless you’re part of a very very small group. For things to truly change, publishing must bring in new voices and not just allow them, but encourage them to speak.

Those voices are a diverse group, but one thing they often share is a lack of economic privilege, the sort that allows one to work as an unpaid intern, or pay for the grad school that gives one time enough to write or resources for focusing on craft rather than survival. That’s part of the undercurrent in those cries about vulgarity: an unease with people who haven’t undergone the same social shaping features, who may not have been signed off on by society with a standardized degree. To ignore the ways otherness has been used to justify discouraging those others is to be complicit in that act of silencing. And that, I would argue, is about as rude as it gets.

(2) SHORT STORY MARKET. Heather Rose Jones’ Lesbian Historic Motif Podcast will be open for short story submissions for audio publication during the month of January 2020.

Stories should be set in an identifiable pre-1900 time and place but may include fantastic elements that are either consistent with the setting or with the literature of that setting. And, of course, stories should center on a female character whose primary emotional orientation within the context of the story is toward other women.

Payment is the current SWFA rate of $0.08 per word. For full details, see the “Call for Submissions”.

(3) BE ON THE LOOKOUT. At Dragonmount: A Wheel of Time Community, JenniferL gets the logs rolling with “How Wheel of Time can Win a Hugo Award”.

Wheel of Time’s last chance

Despite its popularity and far-reaching impact on the fantasy genre, Robert Jordan and The Wheel of Time have never won a Hugo Award. 

In 2014 the entire WoT series was nominated for (but did not win) the “Best Novel” award. The “Best Series” category did not exist at the time. WoT’s nomination caused a controversial stir, as some people didn’t feel it was appropriate to consider the entire 15-book Wheel of Time series as one single work. This helped prompt the World Science Fiction Society, which awards the Hugos, to add a new category in 2017, the “Best Series” award. 

At the time, it didn’t mean much for The Wheel of Time, but it did enable several other long-running and popular series (including Brandon Sanderson’s Stormlight Archive) to be recognized with nominations and awards. 

And now The Wheel of Time will have one more chance to potentially earn a Hugo Award. 

Earlier this year, in 2019, Brandon Sanderson published “A Fire Within the Ways”, a short story that was included in the Unfettered III anthology from Grim Oaks Press. This written sequence contained a lng set of “deleted scenes” from A Memory of Light. With Harriet’s permission, the scenes were lightly edited and submitted for publication in the Unfettered III anthology, with proceeds going to support health care needs for writers in need.  According to the WSFS bylaws, any new installment to a written series, regardless of length, makes The Wheel of Time eligible for the Best Series award. Therefore, A Fire Within the Ways makes WoT eligible for the first–and likely only–time.

(4) AUSTRALIAN FIRES CLAIM FAN’S HOME. BBC has been reporting all day on the fate of the Australian resort town of Mallacoota as the east Victoria bush fires overtook it. Moshe Feder reports, “I just heard from Carey Handfield that longtime fan Don Ashby has lost his home to the fire.”

(5) CHANGE BACK FROM YOUR DECADE. Andrew Liptak’s “Reading List, December 30th, 2019” sums up the decade in 8 news stories.

…Plus, I think that there’s a better way to look at the decade: how did science fiction and fantasy storytelling change in the last ten years? Why? After consulting with a number of authors, editors, and agents, it’s clear that the entertainment industry and SF/F have experienced major changes in the last ten years, from the introduction of streaming services, to Disney’s franchise domination, gender and politics within SF/F, self-publishing, and a growing acceptance of SF/F content within mainstream culture. This list is broken down into those categories, with a representative example or two from each section.

Here’s how the decade changed in 8 stories.

(6) FUTURE TENSE. Slate has put up a list of the sff stories they published this year as part of the Future Tense Fiction series: “All of the Sci-Fi Stories We Published This Year”.

Future Tense started experimenting with publishing science fiction in 2016 and 2017, but we really invested in it in 2018, publishing one story each month. That year was capped off by Annalee Newitz’s quirky and urgent “When Robot and Crow Saved East St. Louis,” which won the Theodore Sturgeon Memorial Award for the best short science fiction of the year. Our hope was that these glimpses into possible futures could provide a thought-provoking parallel to our coverage of emerging technology, policy, and society today, inviting us to imagine how the decisions we’re making today might shape the way we live tomorrow, illuminating key decision points and issues that we might not be giving enough attention.

(7) MEN IN THE RED. “The greatest work of science fiction I’ve ever been involved with – my Men in Black profit statement” — “1997 hit ‘Men In Black’ is still yet to make a profit says screenwriter”.

Men In Black, the 1997 sci-fi comedy starring Will Smith and Tommy Lee Jones, remains in the red despite making $589 million (£448 million) at the global box office over 20 years ago. Adjusted for inflation, that translates to $944 million (£718 million) in 2019 money, not taking into account extra ticket prices for 3D or IMAX.

This is according to the film’s screenwriter Ed Solomon, who adapted Lowell Cunningham’s comic book seriews for Sony Pictures, who then turned it into a mega-blockbuster with a $90 million (£68 million) budget that spawned three sequels and an animated series, not to mention shifting piles of merchandise.

Solomon, who also wrote all three Bill & Ted films, Now You See Me, and Charlie’s Angels (2000), shared on Twitter that he had received his “Men In Black profit statement” from the studio over the festive period which said that the film had lost “6x what it lost last period”, linking back to a previous tweet from June this year that said the film was “STILL in the red”….

(8) MEAD OBIT. In sadder news, Syd Mead, an artist who worked on Blade Runner, Aliens, and Star Trek: The Motion Picture, has passed away. Variety has the story.

…Mead started his design career in the auto, electronics and steel industries working for Ford Motor Co., Sony, U.S. Steel and Phillips Electronics. He then transitioned to film. His career began as a production illustrator working with director Robert Wise (“West Side Story”) to create Earth’s nemesis V’Ger in the 1979 “Star Trek: The Motion Picture.”

He continued fusing technology with creativity, bringing to life some of the biggest films in science fiction. In 1982, he served as a visual futurist on “Blade Runner,” before collaborating as a conceptional artist with director Steven Lisberger  on the 1982 “Tron.”

He explained his inspiration for “Blade Runner” to Curbed in 2015, “For a city in 2019, which isn’t that far from now, I used the model of Western cities like New York or Chicago that were laid out after the invention of mass transit and automobiles, with grids and linear transport. I thought, we’re at 2,500 feet now, let’s boost it to 3,000 feet, and then pretend the city has an upper city and lower city. The street level becomes the basement, and decent people just don’t want to go there. In my mind, all the tall buildings have a sky lobby, and nobody goes below the 30th floor, and that’s the way life would be organized,” Mead said.

(9) INNES OBIT. Neil Innes, best known for his work with the Bonzo Dog Doo-Dah Band, The Rutles and in collaboration with Monty Python, has died at the age of 75.

…A spokesperson for the Innes family said he had not been suffering from any illness and had passed away unexpectedly on Sunday night.

…In the 1970s, Innes became closely associated with British comedy collective Monty Python, contributing sketches and songs like Knights of the Round Table and Brave Sir Robin, as well as appearing in their classic films The Holy Grail and Life of Brian.

He wrote and performed sketches for their final TV series in 1974 after John Cleese temporarily left, and was one of only two non-Pythons to be credited as a writer, alongside The Hitchhiker’s Guide to the Galaxy author Douglas Adams.

A film about Innes called The Seventh Python was made in 2008.

(10) TODAY IN HISTORY.

  • December 31, 1958 The Crawling Eye premiered. In the U.K, it was called The Trollenberg Terror. Directed by Quentin Lawrence, it stars Forrest Tucker, Laurence Payne, Jennifer Jayne, and Janet Munro. Les Bowiec who worked on Submarine X-1 did the special effects. The film is considered to be one of the inspirations for Carpenter’s The Fog. Critics found it to be inoffensive and over at Rotten Tomatoes, it currently a thirty percent rating among reviewers. 

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born December 31, 1937 Anthony Hopkins, 82. I think one of his most impressive roles was as Richard in The Lion in Winter but we can’t even call that genre adjacent, can we? He was, during that period, also King Claudius in Hamlet. I’ll say playing Ian McCandless in Freejack is his true genre role, and being Professor Abraham Van Helsing In Bram Stoker’s Dracula is a plum of a genre role. It’s a better role than he as Odin has the MCU film franchise. What else have I missed that I should note? 
  • Born December 31, 1943 Ben Kingsley, 76. Speaking of Kipling, he voiced Bagherra in the live action adaptation that Disney did of The Jungle Book. He was also in Iron Man 3 as Trevor Slattery, a casting not well received. He’s The Hood in Thunderbirds (directed by Frakes btw), Charles Hatton in A Sound of Thunder and Merenkahre in Night at the Museum: Secret of the Tomb, the third of three great popcorn films.
  • Born December 31, 1945 Connie Willis, 74. She has won eleven Hugo Awards and seven Nebula Awards for her work, a feat that impresses even me, someone who isn’t generally impressed as you know by Awards! Of her works, I’m most pleased by To Say Nothing of the Dog, Doomsday Book and Bellwether, an offbeat novel look at chaos theory. I’ve not read enough of her shorter work to give an informed opinion of it, so do tell me what’s good there.
  • Born December 31, 1945 Barbara Carrera, 74. She is known for being the SPECTRE assassin Fatima Blush in Never Say Never Again, and as Maria in The Island of Dr. Moreau. And she was Victoria Spencer in the really awful Embryo, a film that that over five hundred review reviewers at Rotten Tomatoes give a sixteen percent rating. 
  • Born December 31, 1949 Ellen Datlow, 70. Let’s start this Birthday note by saying I own a complete set of The Year’s Best Fantasy & Horror which yes , I know it was titled The Year’s Best Fantasy for the first year. And I still read stories for them from time to time. If that was all she had done, she’d have been one of our all-time anthologists but she also, again with Terri Windling, did the Fairy Tale and Mythic Fiction series, both of which I highly recommend. On her own, she has the ongoing Best Horror of Year, now a decade old, and the Tor.com anthologies which I’ve not read but I assume collect the fiction from the site. Speaking of Tor.com, she’s an editor there, something she’s also done at Nightmare MagazineOmni, the hard copy magazine and online, and Subterranean Magazine. 
  • Born December 31, 1953 Jane Badler,  66. I first encountered her on the Australian-produced Mission Impossible where she played Shannon Reed for the two seasons of that superb series. She’s apparently best known as Diana, the main antagonist on V, but I never saw any of that series being overseas at the time. She shows up in the classic Fantasy Island, Sir Arthur Conan Doyle’s The Lost World, Bitch, Popcorn & Blood and Virtual Revolution.
  • Born December 31, 1958 Bebe Neuwirth, 61. She’s had but one television SF credit to her name which is playing a character named Lanel in the “First Contact” episode of the Next Gen series during season four, but I found a delightful genre credential for her. From April 2010 to December 2011, she was Morticia Addams in the Broadway production of The Addams Family musical! The show itself is apparently still ongoing. 
  • Born December 31, 1959 Val Kilmer,  60. Lead role in Batman Forever where I fought he did a decent job, Madmartigan in Willow, Montgomery in The Island of Dr. Moreau, voiced both Moses and God in The Prince of Egypt, uncredited role as El Cabillo in George and the Dragon and voiced KITT in the not terribly we’ll conceived reboot of Knight Rider. Best role? Ahhh, that’d be Doc Holliday in Tombstone.
  • Born December 31, 1971 Camilla Larsson, 48. Therese in the first series of Real Humans on Swedish television. She was Jenny in the Mormors magiska vind series which is definitely genre given it’s got a ghost and pirate parrots in it! 

(12) COMICS SECTION.

  • Lio warns us that pocket universes can pop up unexpectedly.
  • Scroll down to the third cartoon – a classic from The Far Side as cops deduce what killed these cats…

(13) THE LONELINESS OF GENERAL HUX. [Item by Olav Rokne.] Nobody really understands the motivations of General Hux in the most recent Star Wars movie, so Slate Magazine’s Dan Kois (@DanKois) gets into Hux’ head with excerpts from the General’s private diaries: “The Lost Diaries of General Hux”. The results are laugh-out-loud funny: 

Kylo Ren loves making little comments about Starkiller Base. “I sense a great regret in your heart about the failure of your planet-sized death machine,” he says. It hurts my feelings. I spent years managing that project, prime years of my career, and I only got to blow up one star system before the whole thing was destroyed. Which, incidentally, was the fault of those horrid contractors, not me. I can’t complain to Ren, obviously. I wish there was someone I could talk to! I ordered a therapist droid from the medical bay but Snoke had them all reprogrammed to say “Your problems are inconsequential, focus only on crushing the Resistance.” No one knows how to reboot them. It’s too bad—therapy is supposed to be covered in the medical plan, and a lot of our nameless young stormtroopers could stand to talk things out about their kidnapping, parents being killed, etc.

(14) BACKSTAGE. NPR’s Petra Mayer finds out that “‘Harry Potter And The Cursed Child’ Makes Its Magic The Old-Fashioned Way”.

When the creators of Harry Potter and the Cursed Child were working on adapting the wizarding world for the stage, they knew a lot of people have seen the Harry Potter movies. And they didn’t want to reproduce the things most people have already seen.

The result is a spectacle that relies much more on human-powered magic than special effects trickery. And the show’s creators have documented that process in a lavish new coffee-table book, Harry Potter and the Cursed Child: The Journey. So I went on my own journey, backstage at the current Broadway production, to see how that magic is made.

Around and under the stage of Manhattan’s Lyric Theater, there’s a warren of corridors and staircases so complex you almost expect to pop out in Hogsmeade. But instead, I end up in a rubber-floored workout room where today’s cast is warming up for the show, directed by movement captain James Brown III (who also plays the magisterially surly Bane the Centaur).

It’s pretty intense. There’s yoga, stretching, and some hard-core calisthenics. Grunts and groans ripple around the room as Brown leads everyone through their paces. This isn’t usual for a Broadway show, but then not that many shows are this physical. The actors in Cursed Child create effects that would have been done digitally onscreen with their own bodies, and with the help of some special crew members.

(15) PAST GAS. BBC posted its collection of “The best space images of 2019”.

With some blockbuster space missions under way, 2019 saw some amazing images beamed back to Earth from around the Solar System. Meanwhile, some of our most powerful telescopes were trained on the Universe’s most fascinating targets. Here are a few of the best.

Up in the clouds

Nasa’s Juno spacecraft has been sending back stunning images of Jupiter’s clouds since it arrived in orbit around the giant planet in 2016. This amazing, colour-enhanced view shows patterns that look like they were created by paper marbling. The picture was compiled from four separate images taken by the spacecraft on 29 May.

(16) FOR YOUR LISTENING PLEASURE. Oscar and Grammy-winning film composer Hans Zimmer wrote the theme music for the BBC podcast 13 Minutes to the Moon. He shares how Nasa’s historic Apollo 11 mission influenced his work in the BBC video “Hans Zimmer: What inspired 13 Minutes to the Moon’s music?”

“The problem is when you write about space, [as] we all know, there is no sound in space.”

Click the link to hear the full theme music from 13 Minutes to the Moon.

(17) UNDEAD SUPERHEROES. [Item by Mike Kennedy.] The LARGE majority of this list had me mentally screaming, “Noooooooo.“ In my very loudest mental voice. I’ve left out the reasons cited for wanting to bring each of them back in reproducing the list below. It’s kinder that way. CBR.com lists “10 Saturday Morning Cartoon Superheroes That Need To Be Resurrected”

Saturday morning cartoons. Before the advent of 24-hour cartoon networks and streaming services, this was the only way for kids to get their fill of both animated fare and sugary cereals. It was a Golden Age filled with characters that ran or drove past the same scene several times, animals that talked, and scrappy puppies that saved older cartoon franchises.

In the 1960s and 70s, it was also the place where superheroes came to life. Not only familiar ones like Superman, Batman, Spider-Man, and the Fantastic Four. But also ones created for that precious five hours of time on Saturday’s. Some would continue on beyond this era. Others would vanish around the same time they premiered. Yet, they all have a space in our dusty and aging hearts. To honor these pioneers, here are 10 Saturday morning cartoon superheroes that need to be resurrected.

10 Captain Caveman

9 Superstretch and Microwoman

8 Frankenstein, Jr.

7 Web Woman

6 The Galaxy Trio

5 Freedom Force

4 Blue Falcon

3 Super President

2 Birdman

1 Space Ghost

(18) THIS IS THE CARD YOU’RE LOOKING FOR. Baby Yoda’s trading card — “Star Wars: The Mandalorian TOPPS NOW” — you have only five days left to order it.

TOPPS NOW celebrates the greatest moments… as they happen!

(19) CLEVER COMMERCIAL. “Not genre but will put a smile on your face,” promises John King Tarpinian.

[Thanks to Michael Toman, Andrew Porter, Cat Eldridge, Martin Morse Wooster, John King Tarpinian, Olav Rokne, Darrah Chavey, Mike Kennedy, N., Heather Rose Jones, Nina Shepardson, Chip Hitchcock, Moshe Feder, and JJ for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 12/16/19 It’s Not Easy Being Soylent Green

(1) MAKE IT SO AGAIN. Although showrunner Michael Chabon is moving on, Picard is not a one-and-done series judging by this item of state tax news. (However, CBS declined comment). “‘Star Trek: Picard’ Renewed For Season 2 Ahead Of Series Debut On CBS All Access Next Month” at Deadline.

… Like the first season that will premiere on CBS All Access on January 23, Season 2 of the Patrick Stewart-led Picard looks to be a 10-episode order for the streamer. As a part of that second season, the latest venture in the Alex Kurtzman marshaled Trekverse has been allocated over $20.4 million in California tax incentives….

Certainly, the huge reaction that Picard received when the resurrection of the philosopher-captain was first announced in Las Vegas last year and the tax credits made public today were a cold hard cash indication that the CBS Television Studios, Secret Hideout and Roddenberry Entertainment produced series was going to engage further, to paraphrase Jean-Luc himself.

(2) WELL-INFORMED. Joe Haldeman explained to his Facebook readers why he signed a petition to ban assault weapons – and how he became familiar with them.

We got this interesting petition, which Gay asked me to sign, from an outfit called Ban Assault Weapons Now.

I did sign it, but not reflexively. I do know assault weapons.

Unlike most people — unlike almost every American — I have been shot, both as a soldier and as a civilian. But I did carry a gun for most of a year “in country,” in Vietnam, sometimes two guns, and was conventionally glad to be armed.

Because of odd timing, I was never issued an M-16. They were not ubiquitous in Vietnam in 1968. I carried — and preferred, most of the time — the M-14 automatic rifle. We also had a Colt .45 automatic, sealed in a plastic bag, and traded around a Chinese AK-47, which my squad carried on convoy….

(3) ENJOYING THE WRONG FUTURE. In another article that takes off from Gary K. Wolfe’s Sixties sff novel collection for Library of America, Scott Bradfield holds forth on “Science Fiction’s Wonderful Mistakes” in The New Republic. Tagline: “The great novels of the 1960s remain enjoyable because they got everything wrong.”

…The science fiction novels of the 1960s—as this two-volume collection of eight very different sci-fi novels testifies—remain enjoyable because they got everything wrong. They didn’t accurately predict the future of space travel, or what a postnuclear landscape would look like, or how to end intergalactic fascism. They didn’t warn us against the roads we shouldn’t travel, since they probably suspected we were going to take those roads anyway. And they definitely didn’t teach us what a neutrino is. But what ’60s science fiction did do was establish one of the wildest, widest, most stylistically and conceptually various commercial spaces for writing (and reading) fiction in the history of fictional genres. Each book is unpredictable in so many ways as to almost constitute its own genre.

Take, for example, Samuel R. Delany’s influential space opera, Nova (presented here in a newly corrected, author-approved text), which takes the concept of the “cybernetic” fusion of human and machine and runs with it. Nova envisions a universe boiling over with star-hopping spaceships, spine-socketed crew members, weirdly mutated sexual and familial relationships, synesthetic video-art instruments, and at least one character raised on another planet who speaks in a verb-delaying syntax several years before Yoda was a gleam in George Lucas’s eye. (“Not too good going to be is. Out of practice am.”) Delany’s prose was stylistically bright, fizzing with ambitious energy (he began publishing novels in his late teens and won several major awards early) and relentlessly inventive, with flashy new visions of the future in one paragraph after another….

(4) WILL YOU BE MY NEIGHBOR?  Alastair Reynolds tells how he admired Niven’s “Tales of Known Space” and that despite recent discoveries a writer can still do wildly creative worldbuilding. Then the question is – how do your space-faring characters navigate your stellar neighborhood?

…In some instances, our observations have begun to put limits on the numbers and properties of planets around familiar, SF-friendly stars such as Epsilon Eridani. It may well turn out that what was perfectly reasonable speculation thirty years ago is now ruled out by current data.

Still, let’s assume for now that our real stars and imagined planets remain viable locations, and we wish to use them in new stories. That’s where an additional wrinkle comes in: it’s very easy to look up how far away these stars are, and on that basis, work out (depending on the mechanics of your imagined space technology) how long it would take to get there from Earth. But sooner or later your story may depend on getting from star A to star B, without stopping off at Earth en-route. How do we work out how far these stars are from each other?

All the information we need is present: for any given star, all we need are its coordinates in the night sky, and a figure for its distance….

(5) KEYS TO THEIR PERSONALITIES. In the Washington Post, Frank Lehman, a music professor at Tufts University, analyzes John Williams’s scores to the Star Wars films and argues the music Williams composed for evil characters such as Emperor Palpatine and Darth Vader gives many clues to how we view these characters: “How John Williams’s Star Wars score pulls us to the dark side”.

…It’s said that the Devil gets the best tunes, but Williams has long proved that that maxim applies to Sith lords, too. Within Star Wars’ ever-expanding library of leitmotifs — recurring, malleable musical symbols — much of the most insinuating material belongs to the villains, from Darth Maul to Jabba the Hutt to Supreme Leader Snoke. Listening to these nefarious themes with the ear of a music scholar offers a lesson in the real power of the dark side, showing us how music can repel, deceive and, with the right compositional tricks, even charm.

(6) A DIFFERENT KIND OF COPIER. Daniel Dern’s GrabCAD article unexpectedly predicts “3D Printers Could Be Coming to a Library Near You”.

Public libraries have always been the place where you can go to borrow books, CDs, DVDs, and magazines. And in recent years, it’s now where you can go for 3D printing services.

“Libraries represent the public on-ramp to the world of 3D printing and design,” said Dan Lee, chair of the Advisory Committee for the American Library Association’s (ALA) Office for Information Technology Policy (OITP).

According to a report from ALA, there are over 428 public library branches in the United States that offer 3D printers to the public….

… Using 3D printers requires education. The Medway library, for example, offers weekly walk-in 3D printer certification sessions.

How libraries charge for use of their 3D printers varies. Some charge per hour of printing time (probably around a dollar), while others will charge based on the amount of printing materials that will be required — typically nickel to a quarter per gram of filament.

(7) KERFUFFLE IS COMING. According to Vanity Fair, “David Benioff and D.B. Weiss’s Lovecraft Movie Has a Massive Problem: H.P. Lovecraft”. Laura Bradley’s question is: “The renowned horror writer was also a known racist and anti-Semite. Are the Game of Thrones creators the right people to handle that history?”

… What is known, however, is that Lovecraft, for all his pop-culture influence, was also terribly racist. His letters and literary work overflow with these sentiments, and in some cases it’s not even subtext. In 1912 he penned a poem titled “On the Creation of N—–s,” in which, as Lithub explained in its thorough exploration of Lovecraft’s white supremacy, Gods create black people as a semi-human species somewhere between man and beasts.

Benioff and Weiss, no strangers to online controversy, are seeing some of the same pushback that happened when they first announced the now-defunct series Confederate for HBO: namely, why this story, and why them?

(8) LEFT BRAINED ALIENS. NPR invites us to “‘Imagine Pleasant Nonsense’ With ‘Strange Planet’ Creator Nathan Pyle”.

Nathan Pyle fills the pages of his new book Strange Planet with big eyed, bright blue aliens from a planet that shares a lot in common with Earth. These aliens sunbathe, sneeze and even wish each other sweet dreams like us, but they describe these practices with deadpan technical terminology like “sun damage” and “face fluid explosions.” The lifegiver aliens even implore their offspring to “imagine pleasant nonsense” as they tuck them in for the night.

“One of the points of Strange Planet is that this is all (gestures in every direction) delightfully odd. It’s wonderful how much complexity we [humans] have created,” Pyle tells me in an email conversation — and yes, those parentheticals are his.

Pyle was inspired to create the series one day as he and his wife were preparing to have guests over — and they began hiding their possessions to make their small New York City apartment appear as clean as possible. “I realized this would make an excellent comic. I drew this one based on the experience, and the series was born,” he says. He began posting the comics on social media in February, and in less than a year, the series has amassed over 4.7 million followers on Instagram.

(9) KARINA OBIT. Actress Anna Karina died December 15 at the age of 79. Her work has been saluted by many culture blogs, including Lawyers, Guns and Money. Alphaville is the only SF she did, “a science-fiction tale set in a loveless dystopian future…”

(10) TODAY IN HISTORY.

  • December 16, 2016 Rogue One: A Star Wars Story premiered. It was directed by Gareth Edwards with the  screenplay by Chris Weitz and Tony Gilroy. It is from a story by John Knoll and Gary Whitta. The cast includes Felicity Jones, Diego Luna, Donnie Yen, Mads Mikkelsen, Alan Tudyk, Jiang Wen and Forest Whitaker. The film was a box office success, the critics loved it and it’s got an eighty eight percent rating among reviewers at Rotten Tomatoes. The Fan Boys…? 

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born December 16, 1917 Arthur C. Clarke. When I was resident in Sri Lanka courtesy of Uncle Sam in the early Eighties, nearly every American ex-pat I ran into was reading The Fountains of Paradise. The tea plantations he described therein are very awesome. I never saw him, but he was well-known among the small British community there.   I’ll admit that I’ve not read that much by him — Childhood’s End, Rendezvous with Rama and that novel are the only long-form works by him I’ve read. I’m certain I’ve read The Nine Billion Names of God collection as well. And I’ve seen 2001 myriad times but I’ve never seen the sequel. (Died 2008.)
  • Born December 16, 1927 Randall Garrett. Ahhh, Lord Darcy. When writing this up, I was gobsmacked to discover that he’d written only one such novel, Too Many Magicians, as I clearly remembered reading reading more than that number. Huh. That and two collections, Murder and Magic and Lord Darcy Investigates, is all there is of this brilliant series. Glen Cook’s Garrett P.I. is named in honor of Garrett.  I’ll admit I’ve not read anything else by him, so what else have y’all read? (Died 1987.)
  • Born December 16, 1928 Philip K. Dick. Dick has always been a difficult one for me to get a feel for. Mind you Blade Runner is my major touchstone for him but I’ve read the source material as well, Do Androids Dream of Electric Sheep?, and Flow My Tears, the Policeman Said which won an John W. Campbell Memorial Award, and I’ve read a lot of the shorter works, so I’d say he’s a challenging writer is a Good Thing. (Died 1982.)
  • Born December 16, 1937 Peter Dickinson. Author who was married from 1991 to his death to Robin McKinley. He had a number of truly  great works, both genre and not genre, including Eva, The Tears of the Salamander and  The Flight of Dragons. His James Pibble upper class British mystery series are quite excellent as well. (Died 2015.)
  • Born December 16, 1957 Mel Odom, 62. An author deep into mining franchise universes with work done into the Buffyverse, Outlanders, Time Police, Rogue Angel (which I’ve listen to a lot as GraphicAudio as produced them as most excellent audioworks) and weirder stuff such as the Left Behind Universe and Tom Clancy’s Net Force Explorers, both I think game tie-ins. 
  • Born December 16, 1967 Miranda Otto, 52. She was Éowyn in the second and third installments of Peter Jackson’s The Lord of the Rings film franchise. She‘s Zelda Spellman in Chilling Adventures of Sabrina, and Mary Ann Davis in Spielberg’s version of The War of The Worlds. She also played Wueen Lenore inI, Frankenstein which had an an amazing cast even if the Tomatometer gives it’s 5% rating. 
  • Born December 16, Krysten Ritter, 38. She played Jessica Jones on the series of that name and was in The Defenders as well. She had a recurring role in the Veronica Mars series which a lot of a lot is us adore (it’s one of the series that Charles de Lint and his wife MaryAnn Hartis are avid followers of, and they contributed to the the film Kickstarter) and I supposed it’s sort of genre adjacent, isn’t it? (Do not analyze that sentence.) She’s been in a number of horror flicks as well, but nothing I grokked. 
  • Born December 16, 1988 Anna Popplewell, 31. She was Susan Pevensie in The Chronicles of Narnia film franchise, Chyler Silva in Halo 4: Forward Unto Dawn (I saw this — it’s quite well done), she was (at twelve) Anna Sackville-Bagg in The Little Vampire, and she’s Frankie in the forthcoming  Fairytale which may be genre or genre adjacent. It might even be titled Fairytale of New York. Or not. 

(12) COMICS SECTION.

(13) SOUND AND THE FURY. ScienceFiction.com is excited because “Your Alexa Device Can Now Curse You Out With The Samuel L. Jackson Voice Package!”.

To get started, just say, “Alexa, introduce me to Samuel L. Jackson.” Then, choose whether you’d like Sam to use explicit language or not. If you change your mind later, simply go to the settings menu of the Alexa app to toggle between clean and explicit content.

The Bloomberg video is a bit calmer: “Amazon Alexa Now Lets You Make Samuel L. Jackson’s Your Personal Assistant.”

Amazon company kicked off its celebrity voice program for Alexa, giving customers the option to hear some familiar voices—and it’s starting with Samuel L. Jackson. Users can pay $0.99 and have Jackson respond to your Alexa requests for music, the weather forecast, and more. You can also ask questions that are specific to Jackson, including queries about his career, specific roles, or his interests outside Hollywood.

(14) STEPHENSON BOOK TO SMALL SCREEN. The A.V. Club reports that “HBO is taking a crack at adapting Neal Stephenson’s Snow Crash for TV”.

Hollywood’s ongoing efforts to adapt every single book that some guy spent way too much time and energy recommending at you at a party in college continues apace today, with Deadline reporting that HBO has put a TV version of Neal Stephenson’s Snow Crash into development. The series comes courtesy of The Kid Who Would Be King and Attack The Block director Joe Cornish, with 21 Jump Street’s Michael Bacall set to write the script…[Snow Crash] is satirical, fast-paced, and with one of the most kinetic opening sequences ever committed to print, it’s also one of Stephenson’s most readily accessible books. (Which is to say, he keeps the parables about computer programming, cryptography, and 17th century economics to a minimum.)

(15) FREE DOWNLOAD. Free anthology of Tor.com fiction from 3rd quarter — “Download the Fall 2019 Tor.com Short Fiction Newsletter”.

(16) TAKEN TO THEIR LEADER. Lou Antonelli has posted the latest free story at his Sirius Science Fiction site: “’Trump Asks a Feminist Extraterrestrial Leader for a Favor’ by Marleen S. Barr”.

It’s satirical. Whether it’s satirical enough for you remains the question.

(17) RAMBO UNLIMITED. And to complete our free fiction trifecta, Cat Rambo has released a bunch of titles on KU: “Free Fiction: Stories Newly Enrolled in Kindle Unlimited”. Here are a few of them —

Tabat stories include:

  • §  Narrative of a Beast’s Life: Taken from his home village, the centaur Fino is enslaved and shipped to a new land, where he must learn to cope with the trainer determined to break him. This short story originally appeared in Realms of Fantasy.
  • Events at Fort Plentitude: An exiled soldier tries to wait out a winter in a fort beleaguered by fox-spirits and winter demons. Originally appeared in Weird Tales under editor Ann VanderMeer.
  • How Dogs Came to the New Continent is a short story pulled from the events of the novel Hearts of Tabat, told in the form of a meandering historical paper that teases out more behind the oppression of Beasts and their emerging political struggle.

(18) PLUS ONE. ComicBook.com reports “Guardians of the Galaxy Star Karen Gillan Has Completed Her Role on Marvel’s What If…?”

Marvel’s What If…? may be one of the most anticipated offerings coming to Disney+. The animated series, based on the comics of the same name, will explore many significant moments from the Marvel Cinematic Universe but from the angle of what would have happened had just one thing gone a little differently. It’s a premise that is set to offer Peggy Carter as Captain Carter instead of Steve Rogers as Captain America among other interesting twists, but while it’s an exciting premise it’s one that fans have to wait for as the series isn’t set to debut until summer 2021. But while we don’t yet have a release date, fans can at least take some comfort in knowing that work is underway and that when it comes to Guardians of the Galaxy star Karen Gillan, she’s already completed her voice work on the series….

(19) THE FUTURE OF A GALAXY FAR, FAR AWAY. Los Angeles Times: “After ‘Rise of Skywalker’ and Baby Yoda, Kathleen Kennedy’s plan for ‘Star Wars’ and beyond”.

 [Rob Bredow [(head of Lucasfilm’s visual effects division Industrial Light & Magic), speaking of Lucasfilm President Kathleen Kennedy:]

“She said, ‘There have been a few times in my career where there have been these kinds of moments. Go for it,’” Bredow recalled in the cafeteria of Lucasfilm’s San Francisco headquarters. “She, and we, are looking for those opportunities to break new ground.”

By all accounts, the gamble on “The Mandalorian” has paid off for Lucasfilm since it debuted to an enthusiastic response on streaming service Disney+ in November. Viewers have obsessed online about the show’s introduction of so-called Baby Yoda, an infant from the same species as the green Jedi master…

Kennedy said she plans to make key decisions about the direction of the franchise in the coming weeks. But some things she already knows. While the “Skywalker” saga is ending, the company won’t abandon the characters created in the most recent trilogy. Additionally, she said, the plan is to move beyond trilogies, which can be restricting.

“I think it gives us a more open-ended view of storytelling and doesn’t lock us into this three-act structure,” she said. “We’re not going to have some finite number and fit it into a box. We’re really going to let the story dictate that.” […]

(20) WORKS FOR HER. NPR interviews somebody who had success with the idea — “Researchers Explore A Drug-Free Idea To Relieve Chronic Pain: Green Light”.

Ann Jones tried everything short of surgery for her chronic migraines, which have plagued her since she was a child.

“They’ve actually gotten worse in my old age,” says Jones, who is 70 years old and lives in Tucson, Ariz.

Jones would have as many as two dozen migraines a month.

Over the years, some treatments might work initially, but the effects would prove temporary. Other medications had such severe side effects she couldn’t stay on them.

“It was pretty life-changing and debilitating,” Jones says. “I could either plow through them and sometimes I simply couldn’t.”

In 2018, her doctor mentioned a study that was taking place nearby at the University of Arizona: Researchers were testing if daily exposure to green light could relieve migraines and other kinds of chronic pain.

Jones was skeptical.

“This is going to be one more thing that doesn’t work,” she thought to herself.

But she brushed aside the hesitation and enrolled in the study anyway.

It began with her spending two hours each day in a dark room with only a white light, which served as the control. In the second half of the study, she swapped out the conventional light for a string of green LED lights.

For more than a month, Jones didn’t notice any change in her symptoms. But close to the six-week mark, there was a big shift.

She began going days in a row without migraines. Even when the headaches did come, they weren’t as intense as they had been before the green light therapy.

(21) NOT DARWIN. But a sign of the times: “Driver ‘blows up’ car with ‘excessive’ use of air freshener”. Doesn’t smell so good anymore. (Includes a picture of the destruction.)

A driver caused an explosion in his car when he lit a cigarette after spraying air freshener.

He used “excessive” amounts of the aerosol scent before sparking up, according to firefighters.

Gas from the spray ignited, blew out the windscreen and windows and buckled the doors but the man escaped with only minor injuries.

Police said the incident in Halifax on Saturday “could’ve been worse” and warned people to follow safety advice.

The motorist was in stationary traffic in Fountain Street in the town at about 15:00 GMT on Saturday when the explosion happened.

It was so powerful it caused damage to windows at nearby businesses.

(22) YULE TRADITION. Marcus Errico, in the Yahoo! Entertainment story “The Joker’s still getting away… How ‘Jingle Bells, Batman Smells’ became the ultimate holiday spoof”, looks into the origins of “Jingle Bells, Batman Smells” and traces its origins to the Batman TV series of the 1960s.

[Thanks to Mike Kennedy, Martin Morse Wooster, JJ, John King Tarpinian, Rob Thornton, Cat Eldridge, Chip Hitchcock, Alan Baumler, Darrah Chavey, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 12/15/19 The UnPixeled Scrollfession Of Jonathan Hugo

(1) THE CHICKEN OR THE EGG, CAME FIRST IT DID. Popular Mechanics takes “An Alarmingly Deep Dive Into the Science of Baby Yoda”. Tagline: “We talked to eight actual scientists to find the answers. This is a cry for help.”

There have been many famous babies throughout history: The Lindbergh Baby. The Gerber Baby. Baby Jessica. Rosemary’s Baby. But has there ever been a baby as universally loved and fawned over as Baby Yoda?

For all the joy that Baby Yoda brings us, he can also be confusing. And not because of the obvious questions, like whether Baby Yoda is the real Yoda. Obviously he’s not. The Mandalorian—the Disney+ original series that’s given us our favorite non-English-speaking Star Wars character since BB-8—is set between Return of the Jedi (when the O.G. Yoda dies) and The Force Awakens.

It’s arguable that Baby Yoda could be the illegitimate love-child of Yoda and Yaddle, the lady Yoda from The Phantom Menace, and there’s been some scholarly speculation on that topic, including an investigative report with the refreshingly blunt title, “Did Yoda F**k?”

But whether the Yoda is Baby Yoda’s true daddy isn’t what fascinates us every time we tune into The Mandalorian. What keeps us coming back for more is trying to figure out what in the actual hell Baby Yoda is supposed to be….

(2) WRITE IF YOU GET WORK. Cat Rambo tweeted highlights from the online class “The Freelancer’s Toolkit” with James L. Sutter for the Rambo Academy for Wayward Writers. Thread starts here.

(3) MANGA REVELATIONS. In the Washington Post Simon Denyer profiles Tomoni Shimuzu’s What Has Happened To Me, a manga that tells the first-person story of Mihrigul Tursun, a Uighur persecuted by the Chinese: “Japanese manga about a Uighur woman’s persecution in China becomes viral hit”

… “What has happened to me — A testimony of a Uyghur woman” recounts the story told by Mihrigul Tursun, a member of the Muslim minority in western China that has faced relentless crackdowns from authorities in Beijing.The manga — as all comic-style works are known in Japan — describes Tursun’s imprisonment and torture by the Chinese government, the death of one of her young children while in custody, and the jailing of her husband for 16 years.

(4) KINDLING HIGHER RATES. The Digital Reader announced “Kindle Unlimited Per-Page Rate Jumped in November 2019”. Which is a good thing if KU readers are flipping your pages.

Amazon announced on Friday that the Kindle Unlimited funding pool increased by one hundred thousand dollars in November 2019, to $26.1 million, from $26 million in October 2019.

At the same time the per-page rate royalty jumped to d $0.004925, from $0.0046763  in October.

(5) HIGH MAGIC. Nerds of a Feather’s Paul Weimer, in “Microreview: The Last Sun, by K.D. Edwards, reviews “an intriguing Urban Fantasy that uses genderqueer characters and the story of Atlantis to tell an intriguing magic-infused story.”

In a world very much like ours but where Atlantis existed, and existed into the modern era until the survivors of its fall emigrated to a new home in the New World, a scion of a fallen House is wrapped up in mystery and intrigue, as rivalries, schemes and long set plans collide with that scion’s destiny and coming into his true power.

Rune Sun is the last of his kind. House Sun, his tarot card named noble family, has long since fallen and he is the only survivor. A  sword fighter and a sorcerer, he lives doing odd jobs here and there, a down on his luck existence especially given the wealth and power of his peers, and of his life, long ago. It is doing one of those odd jobs, against another noble House, that Sun gets hooked into an intrigue that extends across New Atlantis. That hook, too and just might provide an opportunity for Rune to prove and show his capability and true abilities. If it doesn’t wreck his homeland or get him killed first, that is.

(6) FOR BETTER OR WORSE. ScreenRant, in “DCEU: 5 Best Rivalries (& 5 That Make No Sense)”, says “the characters in these movies and their conflicts are also not so black-and-white. Some of them are good, but others are not.” Here’s part of their list:

6 Makes No Sense: Wonder Woman & Ares

Another pointless final battle in the DCEU includes the one in Wonder Woman. Not only did we expect another character to be Ares, but we also focused on a different conflict, which was Diana’s belief that Ares was causing wars and the reality that people weren’t just all good.

This is why the final battle feels so odd to most viewers. It is just a CGI mess with explosions that are meant to excite those who were expecting such action. But what could have been more logical would be for Diana to finally come to the realization that she was wrong and naive.

(7) CLOSING TIME. Publisher Joe Stech is signing off with Issue 14 of Compelling Science Fiction, his magazine devoted to plausible science fiction.

Welcome to the final issue of Compelling Science Fiction!

The last 3 years have been a fun ride. I wrote a blog post about some of the highlights from my perspective, but here I’ll just say: It was a privilege working with so many wonderful authors, and I hope people enjoy these stories for many years to come. I’ll be leaving every issue up online indefinitely.

As for this issue, I’m happy to say that we’re finishing strong — here are our final five fantastic stories that you can read right now…

Stech wanted hard sf, as he thought of it, but to communicate that he came up with a less-fraught alternative term:

“Plausible science fiction,” in this context, means “science fiction that tries not to disrupt suspension of disbelief for people that have knowledge of science and engineering.” This can mean not blatantly contradicting our current knowledge of the universe, and it can also mean not blatantly ignoring how humans generally behave. It also means internal self-consistency.

(8) TODAY IN HISTORY.

  • December 15, 1978 Superman: The Movie premiered. It would win a Hugo at  Seacon ’79 with The Hitchhiker’s Guide to the Galaxy radio program and Watership coming in second and third respectively. Likewise Rotten Tomatoes has 94% of their reviewers giving Superman a positive review.  That it was boffo at the  box office and a critical favorite is hardly surprising either. 

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born December 15, 1923 Freeman Dyson, 96. Physicist best known in genre circles for the concept he theorized of a Dyson Sphere which would be built by a sufficiently technologically advanced species around a sun to harvest all solar energy. He credited Olaf Stapledon in Star Maker (1937), in which he described “every solar system… surrounded by a gauze of light traps, which focused the escaping solar energy for intelligent use” with first coming up with the concept. 
  • Born December 15, 1948 Cassandra Harris. She was in For Your Eyes Only as the Countess Lisl von Schlaf. Pierce Brosnan, her third husband, met producer Albert R. Broccoli while she was shooting her scenes and was cast in four Bond films as a result. Her genre resume is short otherwise, an appearance on Space: 1999, and a likewise one-off on Shadows, a YA scary show. (Died 1991.)
  • Born December 15, 1949 Don Johnson, 70. Though Miami Vice is where most will know him from, he has impressive genre creds including the lead in the Ellison-derived A Boy and Dog, voicing Wazir’s Son in Aladdin and the Wonderful Lamp, Office Andy Brady in the Revenge of the Stepford Wives film and another Sheriff, Earl McGraw, in the From Dusk till Dawn: The Series.
  • Born December 15, 1954 Alex Cox, 65. Ahhh, the Director who back in the early Eighties gave us Repo Man. And that he got a co-writer credit for the screenplay of Fear and Loathing in Las Vegas before it was completely rewritten by Gilliam. No, what interests me is that he’s listed as directing a student film version of Harry Harrison’s Bill, the Galactic Hero at University of Colorado Boulder just a few years ago!
  • Born December 15, 1963 Helen Slater, 56. She was Supergirl in the film of that name,  and returned to the 2015 TV series of the same name as Supergirl’s adoptive mother. Also within the DC Universe, she voiced Talia al Ghul in in Batman: The Animated Series. Recently she also voiced Martha Kent in DC Super Hero Girls: Hero of the Year. And Lara in Smallville… And Eliza Danvers on the Supergirl series.  Me? I’m not obsessed at all by the DC Universe though the DCU streaming app is my sole entertainment budget other than an Audible subscription.  Her other genre appearances include being on Supernatural, Eleventh Hour, Toothless, Drop Dead Diva and Agent X
  • Born December 15, 1970 Michael Shanks, 49. Best known for playing Dr. Daniel Jackson in the very long-running Stargate SG-1 franchise. His first genre appearance was in the Highlander series and he’s been in a lot of genre properties including the Outer Limits, Escape from Mars, Andromeda (formally titled Gene Roddenberry’s Andromeda and there’s a juicy story there), Swarmed, Mega Snake, Eureka, Sanctuary, Smallville, Supernatural and Elysium. Wow! 

(10) MILES TO GO. Marvel Comics presents “Rapid-Fire Questions with Saladin Ahmed.”

Writer for Spider-Man: Miles Morales and The Magnificent Ms. Marvel, Saladin Ahmed, answers the hard-hitting questions about Kamala and Miles.

(11) OVERWHELMED BY RELATIVISM. The Chengdu in 2023 Worldcon bid prompts Steve Davidson to ask a basket of questions in “The Future for WSFS” at Amazing Stories.

As WSFS – empowered by its ever-shifting fannish membership – moves towards the greater realization of the initial word in its name – World – it will be increasingly called to task over issues and concerns that it has heretofore not had to grapple with.  No longer can Fannish politics enjoy wide separation from real world politics.  One of those questions will surely be How do we assess the fitness of a country to host a Worldcon?

That single question is replete with detail and nuance.  Previously, we’ve applauded governmental support of Worldcons;  Finland was underwritten by the Finnish government;  New Zealand’s Prime Minister recently endorsed an upcoming convention.  On the other hand Chengdou would be taking place in a city that has been designated as a center for science fiction by the Chinese Government and is undoubtedly receiving both financial and material support from the same.

When a government’s support and endorsement is limited to just a bit of funding and some promotional support, we’re unlikely to question its motives (of course they love fans), but at what point do we begin to question those motives?  At what point does our desire for such impact other aspects of our community, and how much influence are we prepared to accept?  (Remember that Scientology attempted to use promotional and financial support to co-opt as Worldcon and its awards.)…

(12) SOMETHING MISSING. Rob Latham identifies snubs and surprises in a review of Gary K. Wolfe’s Sixties novel anthology for Library of America in “An Uneven Showcase of 1960s SF” at LA Review of Books.

…The shortcomings of this set derive, in large part, from constraints not wholly of the editor’s making. Probably because the press wanted to extend its coverage as much as possible, a decision was made to exclude writers who had been featured in the earlier 1950s volumes, meaning that talents who continued to produce compelling work into the subsequent decade — Heinlein, Fritz Leiber, James Blish, Frederik Pohl — were programmatically passed over. At the same time, major authors whose work has come to define the 1960s, but who were already spotlighted in single-author collections, were barred as well: hence, this set does not include Dick’s The Man in the High Castle (1962) or Ubik (1969), Le Guin’s The Left Hand of Darkness (1969), or Kurt Vonnegut’s Cat’s Cradle (1963) or Slaughterhouse-Five (1969). And the goal of gathering as many texts as possible into two manageable volumes meant that exceptionally long books could not be chosen, which ruled out the novel often voted by fans as the best ever written in the genre, Frank Herbert’s Dune (1965). Finally, the goal of “balanc[ing] the halves of the decade” — as Wolfe puts it in his introduction — has produced a first volume that is significantly inferior, aesthetically, to the second, since (for reasons I explain below)…

(13) FURSUITING. Mara Reinstein in Parade gives an extensive background to CATS: “Cats Returns! James Corden and Rebel Wilson Take Us Behind the Scenes of the New Cats Movie”.

Ask the Cats cast members why they wanted to be a part of the movie, and the answers all circle back to, well, memories—of the original musical.

Corden, 41, a Tony and Emmy winner perhaps best known for belting out music with celebrities on the hugely popular “Carpool Karaoke” segments on his Late Late Show on CBS, recalls seeing the production with his parents as a 13-year-old in London in the early 1990s. “I remember thinking, Man, this is a spectacle,” he says. “I knew the movie would be great fun.” Wilson, who attended theater school in her native Australia, was visiting London in the early 2000s and caught a performance from the cheap seats. “I had to watch it with little binoculars,” she recalls, “and I was still blown away.”

For Dench, 85, the film served as a Cats homecoming. Back in 1981, she was slated to be part of the original production but had to pull out because of an injury. “We were concentrating every minute of every day on behaving like cats and trying to translate that into a way of moving,” she says. “But I snapped my Achilles tendon during one of the rehearsals, and as anyone knows, that can take a while to heal.” She was “very pleased” to be invited to join the movie production.

(14) OUT OF BREATH. An interview conducted with Richard K. Morgan in 2018 by Professor Sara Martin Alegre is presented in “Thin Air, Deep Dive”.

The novel is called Thin Air partly because this refers to how the ‘terraform eco-magic’ has failed to generated atmospheric conditions beyond ‘four percent Earth sea level standard’. Why this pessimism? Can you also tell a little about the ‘lamina’ and about the role of nanotech in developing Mars?

There is a central conceit that I keep – not consciously, I swear! – returning to in my work. It takes different metaphorical guises, but at root it’s always the same sense of something grand and worthwhile being abandoned by vicious and stupid men in favour of short-term profit and tribal hegemony. You see it in the regressive politics of the Protectorate in the Kovacs novels, the way both the Yhelteth Empire and the – so-called – Free Cities fail their duty as civilisations in A Land Fit for Heroes. So also with Thin Air – the landscape is littered with the markers of a retreat from the grand scheme of terraforming and building a home for humanity on Mars, in favour of an ultra-profitable corporate stasis and an ongoing lie of highly emotive intangibles sold to the general populace in lieu of actual progress. Take a look around you – remind you of anything?

(15) FOUND FOOTAGE. In the “news to me” department – a 2010 episode of Pawn Stars featured a clump of silver rupees recovered from a shipwreck found off the coast of Sri Lanka by Arthur C. Clarke and Mike Wilson in 1961. The discovery became the basis for the book The Treasure of the Great Reef. Clarke’s name is mentioned several times in episode’s “Taj Mahal sunken treasure” segment, which starts around 1:10 of this video:

(16) THE PERILS OF BLABBING. YouTuber TheOdd1sOut’s review of “The Dark Crystal: Age of Resistance” was #1 on the trending tab. Apparently because its anecdotes revolve around why Jim Henson’s daughter was peeved at an earlier review and the nondisclosure agreement he had to sign before screenings of the new series.

[Thanks to Cat Eldridge, John King Tarpinian, JJ, Martin Morse Wooster, Chip Hitchcock, Mike Kennedy, Michael Toman, N., and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew.]

Pixel Scroll 11/6/19 The Bulleted, Bolded People

(1) SFF MAGAZINE SURVEY. Jason Sanford is working on a report about science fiction and fantasy magazines for which he’s already interviewed a number of publishers and editors. Sanford also wants feedback from the larger genre community – that means you! Readers are welcome to respond to his short survey hosted on Google Docs.

Sanford aims to release his report after Thanksgiving.

(2) ELIGIBILITY POSTS. Cat Rambo has started her “Round-up of Awards Posts by F&SF Writers, Editors, and Publishers for 2019”.

Once again I have created this post for consolidating fantasy and science fiction award eligibility round-ups. Here are the rules.

I prefer to link to, in order of preference:

  1. Your blog post listing what you published that is eligible
  2. Your social media post listing what you published that is eligible
  3. A single link to the material that is available online

(3) CIVIL WAR. It won’t take you long to figure out what inspired James Davis Nicoll’s latest Tor.com post “Science Fiction vs. Fantasy: The Choice Is Clear”. Which side will you choose?

…Science fiction provides its readers with iron-hard, fact-based possibility. For example, Frank Herbert’s Dune played with the possibility that the right combination of eugenics and hallucinogenic drugs (taken from enormous alien worms) might allow messianic figures to draw on the memories of their ancestors. Well, how else would it work?

(4) LOOKING BACKWARD. At Quillette, Craig DeLancey analyzes the removal of Tiptree, Campbell and Lovecraft from sff award iconography in “Science Fiction Purges its Problematic Past” to lay the foundation for his own unique proposal.

…If we must be concerned with the author and not just the work, then Houellebecq’s book is an example of the balance that our criticism should achieve: we must recognize that the work is one thing, the author another. Literary criticism should not be a struggle session.

But this is not the spirit of our moment. Instead, as speculative fiction becomes more diverse, the sense that it must be corrected grows, and author and art are evaluated together. There is a notable asymmetry in this evaluation. Most fiction readers are women, and many fiction genres are dominated by women. Men who write romance novels or cozy mysteries must write under female pseudonyms, because the audiences for these genres will largely avoid books by men. In publishing, this is considered merely a demographic fact, and not an ethical failure of some kind. The attitude is very different towards science fiction. That for decades science fiction was mostly written, read, and published by white men is seen, at best, as something that must be denounced and aggressively corrected, and at worst as evidence that racism and sexism were the driving engines of this creative explosion. We do not single out other genres of fiction, or other art forms, for this kind of invective. We do not hear admirers of the golden age of jazz, for example, denounce the great composers of that era because they were nearly all African-American men. Louise Armstrong, Duke Ellington, Billy Strayhorn, Charlie Parker, John Coltrane, Thelonius Monk, Miles Davis, Wayne Shorter, and many other such men are honored for their genius, and we recognize their creations as a gift to humankind. Why not consider American science fiction in the twentieth century as a gift, instead of dismissing it as “Sterile. Male. White.”?

(5) EXPLORING SPACE – ON BOOKSTORE SHELVES. Sarah A. Hoyt treats Fonda Lee as someone who deserves mockery for “A Fundamental Misunderstanding of Supply and Demand”. Hoyt addresses Lee’s March 2019 tweets:

…Sigh.  We won’t get into the idiocy of traditional publishing and their artificial restrictions on market, but still…

This poor woman has everything backward in her head.  It makes it very difficult for me to believe that she can create any kind of sane or believable world. Why? Because she doesn’t understand the laws of supply and demand, which means she doesn’t understand reality….

…The dead great shall always be with us. You want to outsell them: write a lot and write well.  Or find another job.

Economics in the end — regardless of what prizes you get for being a good little girl, or how much your professors praised you — is cold equations. Cold equations ALL THE WAY DOWN.

Is it fair? No. Well…. Not fair in the sense that it doesn’t matter how good you are if people don’t know you exist.  But it is fair in the sense that if you write well and a lot and figure out how to advertise you’ll be rewarded.

(6) TODAY IN HISTORY.

  • November 6, 1981 Time Bandits premiered. Co-written, produced, and directed by Terry Gilliam and starring Kenny Baker, Sean Connery, John Cleese, Shelley Duvall, Ralph Richardson, Ian Holm, Michael Palin, and David Warner. It received critical acclaim with a current 89% rating at Rotten Tomatoes and was a financial success as well.  Apple has gained the rights for a Time Bandits television series to distribute on Apple TV+ with Gilliam on board in a non-writing production role and Taika Waititi as the director of the pilot. 

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born November 6, 1907 Catherine Crook de Camp. Author and editor. Most of her work was done in collaboration with her husband L. Sprague de Camp, to whom she was married for sixty years. Her solo work was largely non-fiction. Heinlein in part dedicated Friday to her. (Died 2000.)
  • Born November 6, 1914 Jonathan Harris. Doctor Zachary Smith, of course, on Lost in Space. He was somewhat typecast as a villain showing up such Mr. Piper on Land of the Giants, The Ambassador on Get Smart and the voice of Lucifer on Battlestar Galactica. (Died 2002.)
  • Born November 6, 1951 Nigel Havers, 68. The bridegroom Peter Dalton in “The Wedding of Sarah Jane Smith” on The Sarah Jane Adventures. He’s done a lot of children’s genre theatre: Jack in the Beanstalk twice, Robin Hood, Cinderella, Peter Pan and Aladdin. He’s been in one Doctor Who audiobook and narrated Watership Down once upon a time. He was Mark Ingram in An Englishman’s Castle, an alternate telling of WWII. 
  • Born November 6, 1953 Ron Underwood, 66. His first directing effort was Tremors starring Kevin Bacon, Fred Ward and Reba McEntire in her acting debut. Later genre efforts include Mighty Joe Young, The Adventures of Pluto Nash, episodes of Once Upon A Time, Fear the Walking Dead and Agents of S.H.I.E.L.D. 
  • Born November 6, 1955 Catherine Ann Asaro, 64. She is best known for her books about the Ruby Dynasty, called the Saga of the Skolian Empire. I don’t think I’ve read them, so if you’ve read them, please do tell me about them. 
  • Born November 6, 1960 Michael Cerveris, 59. Remembered best as the Primary Observer on Fringe. He’s played Puck and been in Macbeth way off Broadway so his creds there are covered too. He was Mr. Tiny in Cirque du Freak: The Vampire’s Assistant, and Elihas Starr, the original Egghead, in Ant-Man and the Wasp.
  • Born November 6, 1964 Kerry Scott Conran, 55. A director and screenwriter, best known for creating and directing Sky Captain and the World of Tomorrow, a film I absolutely adore. And that’s it. That’s all he done. 
  • Born November 6, 1968 Kelly Rutherford, 51. She’s here for having the recurring role of Dixie Cousins on The Adventures of Brisco County, Jr. and that’s in addition to managing to get herself involved in more bad genre series that got cancelled fast such as Bill & Ted’s Excellent Adventures and Kindred: The Embraced (8 episodes each). Indeed, her very first genre gig had the dubious title of Phantom of the Mall: Eric’s Revenge.
  • Born November 6, 1972 Rebecca Romijn, 47. Played Mystique in the X-Men film franchise but my favorite role for her is as Eve Baird, The Guardian of the Library that cross all realities in The Librarians series.  She also was a regular playing Roxie Torcoletti in Eastwick, yet another riff the John Updike novel. She is now Number One on Discovery

(8) LEARN ABOUT STAN LEE. In LA at the Skirball Cultural Center on November 10, there will be a conversation between Danny Fingeroth, author of “A Marvelous Life: The Amazing Story of Stan Lee”, and comics historian Jerry Beck.

Discover how Stan Lee became known as the voice and face of comics at this conversation between Lee’s colleague and author Danny Fingeroth and animation historian Jerry Beck.

As editor, publisher, and co-creator of Marvel, Lee worked with creative partners, like Jack Kirby and Steve Ditko, to create world-famous characters including Spider-Man, the X-Men, and the Avengers. But Lee’s career was haunted by conflict and controversy. Be amazed by Lee’s complex and accomplished life at this illuminating discussion.

(9) MARY YES, HERMAN NO. A word sticks out prominently in this Guardian interview: “Tade Thompson: ‘Quite frankly Victor Frankenstein was a dick’ “.

The book that influenced my writing
Mary Shelley’s Frankenstein. I read it as a teenager and the seething mess of nested narratives and charnel houses lodged itself in my imagination. I’ve read it more than any other book and hardly a day goes by when I don’t think of making corpses walk. Quite frankly Victor Frankenstein was a dick.

The book I think is most overrated
Moby-Dick by Herman Melville. With apologies to my US friends and my English teacher. This book didn’t just leave me cold. When I finished I wanted to make a list of everybody who had recommended it and make them eat it.

(10) GENRE WORK NOTED. BBC’s panelists invite everyone to “Explore the list of 100 Novels That Shaped Our World”. Chip Hitchcock says, “I count 17 of the 100 (and there’s probably a few I’m missing through not knowing the works), although I’d be happier if the Twilight series wasn’t one of them.”

(11) NOT A TWELVE-STEP PROGRAM. “Boeing aims for Moon landing in ‘fewer steps'”.

Aerospace giant Boeing has unveiled its proposal for a lander that could take humans to the Moon’s surface.

Under a programme called Artemis, the White House wants to return humans to the Moon by 2024.

Its approach, named “Fewest Steps to the Moon”, would use the huge Space Launch System (SLS) rocket.

The company says its plan reduces the complexity involved in sending several different bits of hardware into space on multiple launches.

For most robotic space missions, all the hardware needed for the mission is launched on one rocket. Likewise, the crewed Apollo missions to the Moon in the 1960s and 70s required only one lift-off.

However, the Artemis missions are expected to involve several flights to loft all the hardware needed. For example, the lander elements are likely to be launched separately from the Orion capsule carrying crew.

Boeing says it can land astronauts on the Moon with only five “mission critical events” – such as launch, orbit insertion and others – instead of the 11 or more required by alternative strategies.

…The company says its lander would be ready for the 2024 mission, called Artemis-3. But Boeing’s plan would depend on a more powerful variant of the SLS rocket called Block 1B.

Under current Nasa plans, the Block 1B version of the rocket wouldn’t be ready until 2025.

(12) VARIATION ON FLORIDA MAN. UPI says be on the lookout — “Florida police seek return of 300-pound Bigfoot”.

Police in Florida are seeking information on the disappearance of an unusual piece of property — a 300-pound Bigfoot statue.

The Boynton Beach Police Department said the 8-foot-tall Sasquatch statue was stolen from in front of a store called Mattress Monsterz in October.

(13) HPL. SYFY Wire opines: “Nic Cage goes full Lovecraft in first trailer for cosmic horror tale Color Out of Space”. Tell me if you don’t think the kid doesn’t look like he just walked out of A Christmas Story. (Not the one framed below, the one in the beginning of the trailer,)

[Thanks to John King Tarpinian, Mike Kennedy, Nina Shepardson, Martin Morse Wooster, JJ, Cat Eldridge, Chip Hitchcock, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Anna Nimmhaus.]

Pixel Scroll 11/4/19 Sandworms On A Plane!

(1) SPINRAD KEEPS ON DIGGING THAT HOLE. Norman Spinrad seems to have decided the solution is to start making up his own facts, judging by his latest Facebook post “Blackballed? Or Worse Still, Not? Revisited and Even Worse”. For one thing — of course people read his review — at Asimov’s website.

…Somehow, fans in the audience, most of whom who could never have even read my review, likewise foaming at the mouth, got it into their ignorant peabrain heads that STATE OF THE ART was defending this evil racist facisist who had polluted the vital bodily fluids of science fiction before I was even born. After all, it is well known that Norman Spinrad is an old white male, needing only to be dead to complete their social fascist hat trick.

It got picked up on Twitter, which is really fake news, as even Donald Trump knows, I got trolled, or rather the magazine did. And it just so happened that Penny Press, which publishes both Analog and Asimov’,s also financially supported the Campbell award, which is now going to be called something else, ala the other Campbell award, and academic award for the year’s best novel.

As William Burroughs put it, enough to make an ambulance attendant puke.

That’s the bad news. The good news is that there were enough people who understood the freedom of the press to get STATE OF THE ART back on the Asimov’s website. And I’m not dead yet, sorry about that, stay tuned, motherfuckers.

Then, in a comment, Spinrad lit into Jeannette Ng and jumped onto the Campbell-couldn’t-have-been-a-fascist train.

(2) THEORY AND PRACTICE. Ann Leckie commented on the recurring effort to place sf and fantasy in opposition. Thread starts here.

Before that, Leckie shared another theory:

(3) A WORD IN THE RIGHT PLACE. In “Africanfuturism Defined”, Nnedi Okorafor advocates for an alternative to Afrofuturism.

I started using the term Africanfuturism (a term I coined) because I felt… 

1. The term Afrofuturism had several definitions and some of the most prominent ones didn’t describe what I was doing.  

2. I was being called this word [an Afrofuturist] whether I agreed or not (no matter how much I publicly resisted it) and because most definitions were off, my work was therefore being read wrongly.  

3. I needed to regain control of how I was being defined…. 

(4) BACK TO WORK. 2019 Hugo-winning editor Navah Wolfe wasn’t on the sidelines for very long – Subterranean Press has hired her.

Subterranean Press announced that Hugo Award-winning editor Navah Wolfe will be acquiring and editing a number of novellas for the publisher to be released in 2021 and beyond.

“I’ve admired the work Subterranean Press has been doing for years, so it’s an honor to get to work with them to publish original fiction,” said Wolfe. “I’m really looking forward to publishing great novellas in Subterranean’s famously gorgeous editions.”

Managing editor and Chief Operating Officer Yanni Kuznia expressed excitement about this new editorial partnership. “Navah is one of the most exciting editors currently active in genre fiction, and I’m thrilled Subterranean has the opportunity to work directly with her.”

Wolfe parted ways with Saga Press a few weeks ago when they eliminated her position.

(5) IN OP-EDS TO COME. “We Shouldn’t Bother the Feral Scooters of Central Park” is the latest in the New York Times Op-Eds From the Future series. Author Janelle Shaneis an optics research scientist and the author of You Look Like a Thing and I Love You: How Artificial Intelligence Works and Why It’s Making the World a Weirder Place. Contributors to this series Op-Eds that they imagine might be read 10, 50 or even 200 years from now.

We’ve been safely coexisting with the feral self-driving scooters for over a decade. They’re part of the cityscape now, the last remnants of the scooter craze of 2021, sky-blue scooters that cruise the streets in solitude or cluster around their charging stations on the edge of Central Park, rippling their rainbow LEDs and beeping occasionally.

The New York City Department of Parks and Recreation recently announced a plan to lease the scooter charging spaces to vendors and is calling the feral scooters a menace. It’s true that the scooters have developed survival strategies that may not always prioritize the safety of their riders. But as a behavioral ecologist, I’m convinced that humans and scooters can adapt to each other and that removing the feral scooters from Central Park would be a mistake.

The feral scooters don’t want to harm humans — they’re not nearly intelligent enough to have such a goal (based on the specs I could find, their raw computing power is somewhere around the level of an earthworm’s). They are just another form of life trying to survive, and yet they aren’t life as we know it — they’re something much weirder and less understood. It would be a shame to let a brand-new form of life go extinct.

(6) STACKPOLE CLASS. Cat Rambo posted highlights of an online class: “21 Days To a Novel with Michael Stackpole”.

(7) TODAY IN HISTORY.

  • November 4, 1977 — The Incredible Hulk series premiered on CBS. Starring starred Bill Bixby as Dr. David Bruce Banner and  Lou Ferrigno as the Hulk, it would run for five seasons and an additional five tv films. It was followed by The Incredible Hulk Returns filmwhich was intended to lead to a new series but that never happened.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born November 4, 1912 Wendayne Ackerman. Wife of Forrest J Ackerman in the Forties. After eight years of marriage, she and FJA divorced but remained friends and companions. Later she translated the German language Perry Rhodan books he acquired. In addition, he says that she coined the “sci-fi” term that he’s credited with being responsible for. (Died 1990.)
  • Born November 4, 1918 Art Carney. Yet another performer on The Star Wars Holiday Special, he playedTrader Saun Dann. Genre wise, he’s otherwise fairly light, showing in Ravagers, a post-nuclear holocaust film, Firestarter, The Muppets Take ManhattanThe Night They Saved Christmas and Last Action Hero. (Died 2003.)
  • Born November 4, 1930 Kate Reid. Dr. Ruth Leavitt on The Andromeda Strain.  Several years later, she’d be sort of typecast as Dr. Jessica Morgan, Director McNaughton Labs in Plague. Death Ship in which she plays Sylvia Morgan only sounds like typecasting. And I think her last genre appearance was on Friday the 13th: The Series as Lila Lita in the “Femme Fatale” episode. (Died 1993.)
  • Born November 4, 1950 Markie Post, 69. Her main genre role was voicing June Darby in the Transformers Prime series but she’s had a decent number of genre one-offs including The Incredible HulkBuck Rogers in the 25th Century, The Greatest American Hero, Fantasy Island, VR.5 and Ghost Whisperer
  • Born November 4, 1953 Kara Dalkey, 66. Writer of YA fiction and historical fantasy. She is a member of the Pre-Joycean Fellowship (which if memory serves me right includes both Emma Bull and Stephen Brust) and the Scribblies. Her works include The Sword of SagamoreSteel RoseLittle Sister and The Nightingale. And her Water trilogy blends together Atlantean and Arthurian mythologies. She’s been nominated for the Mythopoeic and Tiptree Awards.
  • Born November 4, 1953 Stephen Jones, 66. Editor, and that is putting quite mildly, as he went well over the century mark in edited anthologies quoted sometime ago. The Mammoth Book of Best New Horror accounts for seventeen volumes by itself and The Mammoth Book of (Pick A Title) runs for at least another for another dozen. He also, no surprise, to me, has authored a number of horror reference works such as The Art of Horror Movies: An Illustrated HistoryBasil Copper: A Life in Books and H. P. Lovecraft in Britain. He also done hundreds of essays, con reports, obituaries and such showing up, well, just about everywhere.
  • Born November 4, 1955 Lani Tupu, 64. He’d be here just for being Crais and the voice of the Pilot on the Farscape series but he’s actually been in several other genre undertakings including the 1989 Punisher as Laccone, and  Gordon Standish in Robotropolis. He also roles in Tales of the South SeasTime Trax and The Lost World. All of which we can guess were filmed in Australia. Lastly, he appears in the Australian remake of the Mission: Impossible series which if you haven’t seen it is quite excellent. I just found it in DVD format sometime in the past year. 
  • Born November 4, 1960 John Vickery, 59. In Babylon 5, he played Neroon which is where I remember him from as he was a Right Bastard there.  His major Trek universe role was as Rusot, a member of Damar’s Cardassian resistance group, appearing in the DS9 episodes “The Changing Face of Evil”, “When It Rains…” and “Tacking Into the Wind”.  He also played a Betazoid in Next Gen’s “Night Terrors” and a Klingon in Enterprise‘s “Judgment” episode. 

(9) MARKED UP. Pirated Thoughts scores the rounds as “DC Comics Battles with Celebrity Chef Over “Super Hero Chefs” Restaurants”.

Darnell “SuperChef” Ferguson finds himself is a trademark cook-off with DC Comics over the name of his new restaurants chain, “Superhero Chefs”.

Darnell “SuperChef” Ferguson is known for winning the “Ultimate Thanksgiving Challenge” hosted  on The Food Network and has also appeared on The “TODAY” Show, “The Rachael Ray Show,” and a whole bunch of other shows. Ferguson opened up three restaurants in Alabama, Georgia, and Kentucky called “Superhero Chefs” and using the above logo. Ferguson filed the trademark in his own name and not a company that owns the restaurants, not a smart move because Superman and company came a knockin’….

(10) WHAT ABOUT THE MIDLIST. Publishers Weekly considers the focus on megasellers in “Is Publishing Too Top-Heavy?”

…Simon & Schuster CEO Carolyn Reidy, during a discussion of the company’s second-quarter results, pointed to generating interest in midlist books as one of the biggest challenges facing all publishers.

Though the hits-driven nature of publishing has not changed in recent years, the nature of those hits has. Due to a number of coalescing factors—including a shrinking physical retail market and an increase in competing entertainment driven by the proliferation of streaming TV platforms—book publishing has watched as a handful of megaselling titles have begun to command an ever-larger share of its sales.

According to NPD BookScan, which tracks an estimated 80% of unit sales of print books, sales of the 100 bestselling adult titles increased 23% in 2018 compared to 2017. All other titles ranked below that top tier either fell or remained flat. On a 52-week rolling basis through Oct. 5, 2019, the sales of the top 100 books rose another 6% over the comparable 52-week period ending in 2018, while, again, all other sales levels either fared worse or stayed flat. Taken together, sales of the 100 bestselling print books rose nearly 30% over a period of about two years, while books that ranked between 101 and 10,000 saw their total print unit sales fall 16%. Books that ranked below 10,000 remained flat in the period.

(11) LOSS LEADER. The Hollywood Reporter says the latest Terminator movie is hemorrhaging red ink: “‘Terminator: Dark Fate’ Puts Franchise on Ice, Faces $120M-Plus Loss”.

A storied Hollywood film franchise has been terminated — at least for the foreseeable future.

Terminator: Dark Fate bombed in its global box office debut over the weekend, grossing just $29 million in the U.S., well behind expectations.

Nor was its performance much better overseas, where it has earned $94.6 million to date, including a lackluster China launch of $28 million, for a global total of $123.6 million.

 (12) GIFS THEY LOVE. Entertainment Weekly calls these “The 25 best Star Wars GIFs in the galaxy”. (I won’t run a sample here because I’ve been told GIFs in the Scroll drive people to distraction.)

From Yoda to lightsabers to Force ghosts, the Star Wars films have given us so much pop culture goodness over the years.

The dialogue, the drama, and the unforgettable characters lend themselves quite well to Internet infamy, particularly in the form of GIFs.

(13) ADDING TO MT. TBR. Andrew Liptak’s November book list is now live on Polygon: “17 new science fiction and fantasy books to check out this November”. It includes —

Made Things by Adrian Tchaikovsky

I fell in love with Adrian Tchaikovsky’s space opera novel Children of Time, a phenomenal story about uplifted spiders deep in space. His next is a novella that’s a return to usual territory for him: fantasy. Made Things is set in Fountains Parish, a rough neighborhood where crime is rampant. Coppelia is a thief who has some extra help: some puppet-like “friends” that she’s made. They don’t entirely trust her, but they have a relationship that works. But a new discovery changes her entire world, and they all must reexamine how they understood the world, and save their city from disaster. Civilian Reader says that it’s an “excellent short fantasy novella, one that introduces us to a new world, with interesting magic and politics.”

(14) LAND OF THE MIDNIGHT STUN. Vanity Fair’s Mark Seal offers his version of an Icelandic saga: “The Big Bitcoin Heist” – a crime where you can’t “follow the money.”

…While he was sleeping, someone had broken into the data center and stolen 550 Bitcoin computers, along with motherboards, graphics cards, and power accessories—a haul worth $500,000 for the hardware alone. It was the fifth cryptocurrency data center in Iceland to be hit in two months. The total take: $2 million in tech gear.

But the true value of the computers was far greater. If the thieves knew how to operate them, the machines could be used to mine Bitcoins—an operation that would churn out a continuous stream of virtual money for the burglars, all of it encrypted and completely untraceable. The criminals weren’t robbing banks, or even Fort Knox. They were stealing the digital presses used to print money in the age of cryptocurrency.

(15) CRISP SALUTE. “Walkers bags Mariah Carey for full-throated Christmas ad” and The Drum listens in.

In the spot by AMV BBDO, Carey is seen belting out the timeless classic amid a stereotypical Christmas setting but things go off script when the star becomes embroiled in a tug of war with a hungry elf for the last bag of Walkers Pigs in Blankets on set.

(16) GALAXY QUEST MEMORIES. Nerdist interviews actor “Rainn Wilson on GALAXY QUEST’s 20th Anniversary”.

What was it like for a young actor in his first movie to be on the set with big stars?

RW: There’s a deleted scene with me and Tony Shalhoub in the engine room, and I knew the lines coming in, but it was my first movie. I had done a couple little things on camera before, but seeing all of those stars—Sigourney Weaver from Alien; Tim Allen, who was huge at the time; Alan Rickman, Sam Rockwell, all of them—they were all standing behind me and I was so intimidated I couldn’t remember my lines. Maybe the first and last time I would do that.

And a really complex line like, “The iron capacitor and the valence protector don’t synchronize when rerouting the surveillance monitors,” or whatever I’m saying, I just couldn’t for the life of me get my lines out. It was humiliating. I kept fumbling. And I really was a theater actor, so I prided myself on knowing my lines and being able to come in and deliver. But I was sweating I was so nervous. And if you see it, if you watch the scene, you can kind of see on my face that I’m pretty intimidated and overwhelmed there. Watch it for the sheer terror on my face. Probably it fit the character.

[Thanks to Xtifr, Cat Eldridge, Chip Hitchcock, JJ, John King Tarpinian, Martin Morse Wooster, Mike Kennedy, Andrew Liptak, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 10/30/19 Pixels And Gatherings Of Pixels, File Beyond File Without End, The Light

(1) FOOTPRINTS IN THE SAND. Vaught Contemporary Ballet once again will perform Dune, The Ballet on November 2 at the Chesapeake Arts Center in Brooklyn Park, which is outside Baltimore.

Frank Herbert’s 1965 novel, Dune, is widely recognized as the best selling science fiction novel of all time. It’s exploration of politics, religion, sexism, and ecology against an interstellar backdrop, allows the reader a reflection on the human condition in the modern era. Herbert’s Fremen of Arrakis provide a counterpoint to a culture consumed by avarice – the desire for melange.

Join us as we interpret this classic science fiction story through the art of ballet. Movement will be on full display in its varied definitions as we follow Paul Atreides in his rise to power as both royalty and the prophet of the Fremen.

The Baltimore Sun previewed another performance this summer:

…Katie Vaught of Vaught Contemporary Ballet has choreographed a piece that follows Paul through his many tribulations. It will feature parts of the soundtrack from David Lynch’s 1984 film adaptation scored by Toto, as well as tracks from 2013 documentary “Jodorowsky’s Dune.” Though it is meant to stand alone as a ballet and to be accessible to anyone, those who have read the novel will understand the plotline clearly and pick up on references to the book.

(2) NEOLOGOS. Slate’s Laura Spinney, in “Tongue Twisters”, shows why “Invented languages—or conlangs—have a scientific and cultural impact far beyond Klingon.”

The recent proliferation of conlangs has been driven by the internet, as resources became more accessible and people who were initially ashamed of a nerdy pastime discovered like-minded others and came together in online communities. That in turn meant that producers of sci-fi movies and TV series knew where to turn when they wanted a now obligatory alien-sounding conlang built, and some conlangers—like David Peterson, the inventor of Game of Thrones’ Dothraki—have turned professional. There is another category of conlangers, however, who couple their love of linguistic creativity with serious scientific investigation.

(3) ROANHORSE WRITES STAR WARS. USA Today talks to the author: “Exclusive excerpt: New ‘Star Wars’ novel rallies the good guys before ‘Rise of Skywalker'”.

“Star Wars: The Last Jedi” left Rey, Finn, General Leia Organa and the rest of the scrappy, rag-tag Resistance with a win against the evil First Order but far, far away from having a legit army.

The highly anticipated movie “The Rise of Skywalker” (in theaters Dec. 20) promises major battles between good guys and bad, but before that the new novel “Resistance Reborn” (Del Rey Books, out Nov. 5) acts as an important bridge between films. It picks up immediately after “Last Jedi.” Resistance pilot Poe Dameron (played by Oscar Isaac in the movies) has been tasked to reunite with his Black Squadron, while Leia is aboard the Millennium Falcon trying desperately to reach their allies.

Writing Leia “was an honor and a gift,” says author Rebecca Roanhorse, adding that the late Carrie Fisher‘s heroine “was really my way into the ‘Star Wars’ universe. Her continued leadership and strength in the face of loss and grief was a great inspiration for understanding not only her character but Poe, Finn and Rey, as well.

“I remember the first time I wrote, ‘Leia said’ or ‘Leia laughed.’ I definitely got a bit choked up. That’s when this fantastic journey all became real.”…

Andrew Liptak provides a thorough rundown about the book at the B&N Sci-Fi & Fantasy Blog.: Star Wars: Resistance Reborn Sets the Stage for a Galactic Final Showdown with the First Order”.

While many Expanded Universe novels exist at the edges of the Star Wars galaxy, Resistance Reborn feels like a vital next step in the saga. While the Resistance’s dire position was made patently obvious at the end of The Last Jedi, Roanhorse hammers the point home: the movement is down to its last people, and if they’re found, they’ll be snuffed out completely by the First Order’s stormtroopers. While the odds are certainly against them, the narrative feels like an inherently optimistic one, despite it all. (You know how these rebels react to being told the odds.) It feels particularly pressingly relevant in our world of 2019, a time when mass protests against oppressive governments are raging in the streets of Chile and Hong Kong.

(4) CHARACTER REFERENCE. Deborah J. Ross helps authors understand their wayward characters in “Auntie Deborah’s Autumn Writing Advice Column” at Book View Café.

Dear Auntie Deborah: Help! My characters have gone amok and won’t follow the plot of my book! What can I do to whip them into shape?

— A Frustrated Author

Dear Frustrated: The short (but brutal) answer is that your characters behave the way you created them. Their histories, personalities, goals, and motivations are all part of that creation. So if you — like so many of us! — find your characters resisting the demands of the plot or going off on their own adventures, it’s time to take a step back and delve deeper into what’s on the page and what’s in your creative imagination that isn’t explicit but nonetheless exerts a powerful influence over the character’s behavior….

(5) RAMBO’S VIRTUAL BOOK TOUR. T. Kent Writes hosts today’s stop on the Carpe Glitter blog tour with “10 Things I Have Learned From Writing by Cat Rambo”. Number One is:

If you binge read or watch something, it will seep into the writing you are producing at the moment, which may or may not be a good thing.

 Carpe Glitter by Cat Rambo was released by Meerkat Press on October 29.

What do you do when someone else’s past forces itself on your own life? Sorting through the piles left behind by a grandmother who was both a stage magician and a hoarder, Persephone Aim finds a magical artifact from World War II that has shaped her family history. Faced with her mother’s desperate attempt to take the artifact for herself, Persephone must decide whether to hold onto the past—or use it to reshape her future.

(6) JOE HILL. Andrew Liptak interviews “Joe Hill on Full Throttle, Netflix Adaptations, and Working With His Dad” for the B&N Sci-Fi & Fantasy Blog.

[AL]: My favorite one so far is “Late Returns”.

[JH]: “Late Returns” is sort of a soft, sentimental fantasy, and I think that’s probably my favorite in the collection too, that and “You Are Released.”

I do think I think you’re right that there’s a wider, wider range of genres. I was actually surprised at how much Bradbury is in the book. I didn’t realize it until I was writing the introduction and going through the stories. But “By the Silver Waters of Lake Champlain” feels a little bit like a rip on Bradbury’s classic tale “The Fog Horn,” about a prehistoric monster falling in love with a lighthouse. “Faun” is about men who go to a farmhouse in Maine who slip through a tiny door and enter a Narnia-like world called Palomino, full of orcs and trolls and fauns. They’ve gone their ton to shoot Fauns and to shoot orcs, and bring home ahead, you know, a trophy head for the wall. That story has a little bit of C.S. Lewis and a little bit of Hemingway in it. But a lot of Bradbury, a lot of “Sound of Thunder.” 

Joe Hill meets Ray Bradbury for the first time at 2009 Comic-Con. Photo by John King Tarpinian.

(7) RIVERS OF LONDON GRAPHIC NOVEL. Titan Comics will release Rivers of London: Action at a Distance, a 112-page graphic novel, on November 13. Authors: Andrew Cartmel, Ben Aaronovitch; Artists: Brian Williamson, Stefani Renne; Cover artist: Anna Dittmann.

A new story in the bestselling cops-and-wizards series Rivers Of London, from chart-topping author Ben Aaronovitch! Uncover the secret World War II history of Peter Grant’s fan-favorite mentor, the mysterious Nightingale. When a serial killer with strange powers arrives on the streets of London, an old soldier remembers the man who mastered the occult at the height of World War II!

(8) TODAY IN HISTORY.

  • October 30, 1938 — The broadcast of Orson Welles’ radio drama, War of the Worlds, caused a national panic.
  • October 30, 1974 Invasion From Inner Earth premiered. The film, also known as Hell Fire and They, starred Paul Bentzen and Debbi Pick. It has an audience rating of 0% at Rotten Tomatoes. 

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born October 30, 1896 Ruth Gordon. You’ll likely best remember her as Minnie Castevet in Rosemary’s Baby. (Trust me, you don’t need to see Look What’s Happened to Rosemary’s Baby.) she’s quite excellent as Cecilia Weiss in The Great Houdini, and that pretty much sums up her genre work save Voyage of the Rock Aliens which keeps giving the giggles. Serious giggles. (Died 1985.)
  • Born October 30, 1923 William Campbell. In “The Squire of Gothos” on Trek, he was Trelane and in “The Trouble With Tribbles”, he played the Klingon Koloth, a role revisited on Deep Space Nine in “Blood Oath”. He had one-offs in the Six-Million Dollar Man, Wild Wild West and The Next Step Beyond. (Died 2011.)
  • Born October 30, 1951 Harry Hamlin. His first role of genre interest was Perseus on Clash of The Titans. He plays himself in Maxie, and briefly shows up in Harper’s Island
  • Born October 30, 1972 Jessica Hynes, 47. Playing Joan Redfern, she shows up on two of the Tenth Doctor stories, “Human Nature” and “ The Family of Blood”. She’d play another character, Verity Newman in a meeting of the Tenth and Eleventh Doctors, “The End of Time, Part Two”. Her other genre role was as Felia Siderova on Randall & Hopkirk (Deceased) in the “Mental Apparition Disorder” and “Drop Dead” episodes.
  • Born October 30, 1980 Sarah Carter, 39. She’s known for her recurring role as Alicia Baker in Smallville, and Maggie in Falling Skies. She was on The Flash in a recurring role as Grace Gibbons who was The Cicada.
  • Born October 30, 1981 Fiona Dourif, 37. Her longest running SFF role is as Bart Curlish in Dirk Gently’s Holistic Detective Agency. She’s played Nica Pierce in two of the Chucky horror films, and she’s Good Leader Tavis on The Purge, an ongoing horror series.

(10) COMICS SECTION.

(11) FRIGHTENING IN ANY CASE. CrimeReads’ Zach Vasquez picks “20 Essential Films That Blur the Line Between Horror and Noir”.

Targets (1968)

In his debut feature (made for Roger Corman’s American International Pictures), Peter Bogdanovich brilliantly cast Boris Karloff (who owed Corman two days of shooting from a previous project) as a worn-out horror film icon only a few steps removed from his real life persona. He then split the narrative with a seemingly unrelated story about a clean-cut young man (inspired by real life mass murderer Charles Whitman) who randomly embarks upon a mass shooting spree. Eventually, the dual narratives do intersect, resulting in a profoundly disturbing statement about the nature of idealized horror versus the banality of the real thing. In the decades since, Targets has grown even more prescient and unnerving.

(12) WHAT JOKER MASK SIGNIFIES. [Item by Mike Kennedy.] CNN is reporting that “Some Hong Kong protesters are adopting the Joker as their own. Others are horrified”.

Halloween is just days away — and with “Joker” smashing box-office records, it seems inevitable that throngs of film fans will dress as killer clowns for the festivities that await.

But in Hong Kong, where pro-democracy, anti-government protests have stretched on for four months, the mask of the Joker holds greater weight — and reveals a divide between some protesters who see themselves reflected in him, and others who are horrified at the comparison.

[…] Viewers on social media point out that both Gotham and Hong Kong are home to groups of discontented people who feel abandoned by their government and a rich elite. In the movie, Gotham citizens and police officers fight in a subway station, an eerie echo of such scuffles in Hong Kong’s own stations. At the end of the film, rioters vandalize parts of the city, with what appears to be smoke or gas drifting through the air — similar to the tear gas, graffiti and smashed glass that have become routine in Hong Kong.

[…] Despite their best efforts, however, these Joker fans are not making headway within the protest movement — rather, many more are trying to distance themselves from the film. Posts that draw these comparisons are often heavily downvoted, with comments urging the community not to aspire towards the Joker.

[…] “Please don’t make the Joker into a leader of the resistance,” the post read. “(The movie) is really good. But at this moment, it is dangerous, and the danger lies in the fact that people may interpret it intentionally or unintentionally into the current situation in Hong Kong.”

(13) TALKING ANIMALS. Chelsea Eckert’s post “On Writing Anthropomorphic Animal Characters (For Adults)” includes this advice:

…Unless you’re specifically looking to write an allegory, you have to actively avoid making your species and characters allegorical or symbols or stand-ins for something. It’s rather patronizing at best and can get offensive at worst. (FYI, we’re not dealing with allegory in this post.)

(14) MILESTONE. Right on schedule…

(15) GETTING READY FOR THE HOLIDAY. Jeff VanderMeer is crowdsourcing costume ideas.

(16) HALLOWEEN DÉCOR. Lots of pictures in BBC’s post “Day of the Dead: Giant skeleton ‘crawls out’ of Mexico street”.

A giant skeleton has “emerged” from a street in the Tlahuac neighbourhood of Mexico City.

Much to the delight of local children, the sculpture has been placed in the city street ahead of the Day of the Dead celebrations on 1 and 2 November.

(17) DO YOU GET THESE REFERENCES? Seventeen has collected “27 Best Harry Potter Costume Ideas That Only True Fans Will Get”.

Now, you’ve probably already dressed as Harry, Ron, and/or Hermione for at least one Halloween celebration, so it’s time to really up your fandom game. As a lifelong Potterhead and Seventeen‘s official HP expert, I am uniquely qualified to help you on this magical Halloween-related journey.  

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Riddikulus! #boggart #snape #harrypotterhalloween

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(18) INSIDE AND TRYING TO GET OUT. Buzzfeed invites you to take the quiz: “Everyone Has A Stephen King Character Who Matches Their Personality — Here’s Yours”. Mine is – Carrie.

On the outside, you’re an absolute introvert, but when people get to know you, they realize there’s some ~fire~ in there.

(19) ANCESTRAL HOME. BBC reports “Origin of modern humans ‘traced to Botswana'”.

Scientists have pinpointed the homeland of all humans alive today to a region south of the Zambezi River.

The area is now dominated by salt pans, but was once home to an enormous lake, which may have been our ancestral heartland 200,000 years ago.

Our ancestors settled for 70,000 years, until the local climate changed, researchers have proposed.

They began to move on as fertile green corridors opened up, paving the way for future migrations out of Africa.

“It has been clear for some time that anatomically modern humans appeared in Africa roughly 200,000 years ago,” said Prof Vanessa Hayes, a geneticist at the Garvan Institute of Medical Research in Australia.

“What has been long debated is the exact location of this emergence and subsequent dispersal of our earliest ancestors.”

[Thanks to John King Tarpinian, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, John A Arkansawyer, Chip Hitchcock, JJ, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Rich Horton.]