Pixel Scroll 4/8/19 File The Scroll Ashore, Pixellujah

(1) MOST READ NOMINEES. Nicholas Whyte blogs the numbers of people who report owning copies of the Hugo nominees in various categories to see if it helps predict who will win: “Hugo finalists – Goodreads/LibraryThing statistics”.

Once again I’m running the statistical ruler over the finalists for the Hugos – this year, more than ever. This has not often been a useful guide to which books will win; however I think it does show the extent to which they ave penetrated popular consciousness, at least to within an order of magnitude.

(2) TAKEN ABACK. Best Fan Artist Hugo nominee Ariela Housman (Geek Calligraphy) apparently is getting some official pushback about which of her items are qualifying work, as explained in “Hugo Eligibility Revisited”.

When we published our eligibility post in December, we included the above two works, plus “Lady Astronaut Nouveau” based on The Calculating Stars by Mary Robinette Kowal. The former two were created earlier in 2018 and shown in art shows at Confluence and ICON. We finished “Lady Astronaut Nouveau” late enough in the year that we didn’t have any more art shows booked in which we could show it. We put it all over the interwebs, though.

This is what the Hugo Awards Website gives as the criteria for the Best Fan Artist category (bolding ours):

The final category is also for people. Again note that the work by which artists should be judged is not limited to material published in fanzines. Material for semiprozines or material on public displays (such as in convention art shows) is also eligible. Fan artists can have work published in professional publications as well. You should not consider such professionally-published works when judging this award.

The internet is about as public as it gets, right? It was even included in Mary Robinette’s Pinterest Gallery for Lady Astronaut Fan Art.

Apparently the Hugo Committee disagrees. Per the email I received from the committee member who contacted me prior to the announcement of the ballot:

The first two pieces clearly qualify, so that is fine. I’m afraid that the rules exclude pieces that have only been displayed online.

This, dear reader, is ridiculous.

Hopefully, Hugo Administrator Nicholas Whyte will reconcile all this for us, especially since some of us are under the impression fan artists’ online work was included in the 2017 Hugo Voter Packet.  

(3) THUS ENDETH THE SERIES. Comic Book Resources warns fans that “AMC’s Preacher Is Ending With Season 4”.

Co-creator Seth Rogen announced the news in a video teaser posted to his Twitter page. The simple, yet stylized video prominently displays the Preacher title card, followed by an explosion and the declaration, “The end is now.” Then, the title card returns to confirm that the show’s fourth season will mark the end of the series. The teaser also reveals that Preacher Season 4 will debut on Aug. 4.

(4) LUCKY NUMBER. Next week’s Titan Comics releases include another adventure with the thirteenth Doctor Who. No, it’s not a Prisoner mashup.

DOCTOR WHO: THIRTEENTH DOCTOR #6 –  The Thirteenth Doctor’s continue after the season finale, as Eisner nominee Jody Houser brings a fresh new Doctor Who story to fans old and new.

(5) TREK THRU FANHISTORY. The Dana Gould Hour podcast interviews John and Bjo Trimble:

John and Bjo Trimble. For those of you who don’t know John & Bjo, I’m very excited you get to hear their story for the first time. In the late 1960s, they were fans of a little TV show called Star Trek, and when it was announced, during Star Trek’s second season, that the show would not be returning for a third, they sprang into action. John and Bjo knew that TV shows don’t go into syndication unless they have three seasons – that gives you enough episodes strip the show. In other words, you need enough episodes to run five nights a without repeating episodes too quickly. You needed volume. And two seasons was not enough.

In those pre-internet days, John and Bjo started the letter writing campaign that saved Star Trek. Thanks to John and Bjo Trimble, Star Trek had three seasons, which allowed it to be syndicated, which allowed it to catch on, find its audience and become the juggernaut that it is today.

(6) MORE OREO MUTATIONS. Food & Wine’s spies say “Purple Creme Oreos Will Celebrate the Moon Landing, Apparently”.

 The weekend is two days long, so of course, we have photos of three new Oreo varieties for you.

(7) LEARNING A LOT. Cat Rambo posted highlights from Catherine Lundoff’s online class, “So You Want To Put Together An Anthology”. For more information about Rambo Academy for Wayward Writers Classes, see the website at academy.catrambo.com

(8) POP YOU CAN HEAR IN SPACE. Star Trek Nitpickers didn’t find it hard to choose ten, for obvious reasons:

Top 10 funniest uses of pop music in The Orville. There were only 11, so I threw in a runner up. Also–lots of song factoids. This video serves as a loose recap for season one as well. I hope you’ll check out other songs by these great musicians!

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born April 8, 1887 Hope Mirrlees. She is best known for the 1926 Lud-in-the-Mist, a fantasy novel apparently beloved by many. (I’m not one of them.) In 1970 an American reprint was published without the author’s permission, as part of the Ballantine Adult Fantasy series. (Died 1978.)
  • Born April 8, 1939 Trina Schart Hyman. An illustrator of children’s books. She illustrated over 150 books, including fairy tales and Arthurian legends. She won the 1985 Caldecott Medal for U.S. picture book illustration, recognizing Saint George and the Dragon, retold by Margaret Hodges. Among the genre works she’s illustrated are Lloyd Alexander’s The Fortune-Tellers, Mark Twain’s A Connecticut Yankee in King Arthur’s Court and J. M. Barrie’s Peter Pan. (Died 2004.)
  • Born April 8, 1942 Douglas Trumbull, 77. Let’s call him a film genius and leave it at that. He contributed to, or was fully responsible for, the special photographic effects of Close Encounters of the Third Kind2001: A Space Odyssey, Star Trek: The Motion Picture and Blade Runner, and directed the movies Silent Running and Brainstorm. And Trumbull was executive producer for Starlost
  • Born April 8, 1943 James Herbert. Writer whose work erased the boundaries between horror and sf and the supernatural in a manner that made for mighty fine popcorn reading. None of his work from his first two books, The Rats and The Fog, to his latter work such as Nobody True would be considered Hugo worthy in my opinion (you may of course disagree) but he’s always entertaining. I will note that in 2010 Herbert was greatly honored by receiving the World Horror Convention Grand Master Award which was presented to him by Stephen King. (Died 2013.)
  • Born April 8, 1966 Robin Wright, 53. Buttercup! Need I say more? I think not. She next pops in in Robin William’s Toys as Gwen Tyler and I see she was in M. Night Shyamalan’s Unbreakable as Audrey Dunn. The animated Neil Gaiman Beowulf has her voicing Queen Wealtheow.  Blade Runner 2049 is next for her where she has the role of Lieutenant Joshi. The DC Universe is where we finish off with her playing General Antiope in three films, to wit Justice League, Wonder Woman and Wonder Woman 1984. 
  • Born April 8, 1967 Cecilia Tan, 52. Editor, writer and founder of Circlet Press, which she says is the first press devoted primarily to erotic science fiction and fantasy. It has published well over a hundred digital book to date with such titles as Telepaths Don’t Need Safewords and Other Stories from the Erotic Edge of SF/Fantasy. (Wouldn’t Bester be surprised to learn that. I digress), Sex in the System: Stories of Erotic Futures, Technological Stimulation, and the Sensual Life of Machines and Genderflex: Sexy Stories on the Edge and In-Between. She was two series, Magic University and The Prince’s Boy
  • Born April 8, 1968 Patricia Arquette, 51. She made her genre debut as Kristen Parker in A Nightmare on Elm Street 3: Dream Warriors. That and the horror film Nightwatch in which she was Katherine are, I think, her only genre gigs other than a Tales from the Crypt episode called “Four-Sided Triangle” episode in which she was Mary Jo.
  • Born April 8, 1974 Nnedi Okorafor, 45. Who Fears Death won the 2011 World Fantasy Award for Best Novel.  Lagoon which is an Afrofututurist novel was followed by her amazing Binti trilogy. Binti which led it off that trilogy won both the 2016 Nebula Award and 2016 Hugo Award for best novella. Several of her works are being adapted for video, both in Africa and in North America. 
  • Born April 8, 1980 Katee Sackhoff, 39. Being noted here for playing Lieutenant Kara “Starbuck” Thrace on the rebooted Battlestar Galactica though I must confess I’ve only seen in her role as Deputy Sheriff Victoria “Vic” Moretti on Longmire. She also played Amunet Black, a recurring character who showed up on the fourth season of The Flash. To my pleasant surprise, I see her on Star Wars: The Clone Wars In a recurring role of voicing Bo-Katan Kryze. 
  • Born April 8, 1981 Taylor Kitsch, 38. The lead in John Carter, a film I’ll be damn if I can figure out how anything can have such great digital effects and such truly bad acting. No mind you he went on next to be Lt. Alex Hopper In Battleship, a film based on, yes, the board game. Earlier in his career is did play Gambit (Remy Etienne LeBeau) in X-Men Origins: Wolverine which, errr, wasn’t received well either. 

(10) COMICS SECTION.

  • Frazz is all about coffee science.

(11) JANSSON LEGACY. The Guardian’s Lisa Allardice profiles the Moomins, subject of a new TV adaptation, in “‘It is a religion’: how the world went mad for Moomins”.

It is striking how much fear shadows the novels: for all the sunshine and picnics, menace lurks behind every bush: like a skater on ice, Jansson is always aware of the murky darkness just inches below. Of her success Jansson wrote: “Daydreams, monsters and all the horrible symbols of the subconscious that stimulate me … I wonder if the nursery and the chamber of horrors are as far apart as people think.” As Huckerby observes, the novels “go to some very dark places” and they have tried to reflect this in their adaptation. “It is being billed as prime time drama for all the family,” Ostler says. “It’s not a kids’ show.”

(12) YOU’RE THE TOP! To mix a metaphor, John Scalzi scaled Amazon’s Mt. Everest yesterday.

He also wrote a Twitter thread explaining that this good thing could not be improved by knocking other writers. Thread starts here.

(13) WELCOME OUR ROBOT UNDERLORDS. NPR announces “The Robots Are Here: At George Mason University, They Deliver Food To Students”.

George Mason University looks like any other big college campus with its tall buildings, student housing, and manicured green lawns – except for the robots.

…”We were amazed by the volume of orders that we had when we turned the service on,” Starship Technologies executive Ryan Tuohy says. “But what’s really touching is how the students on the campus have embraced the robots.”

(14) TURN OUT THE LIGHTS. A study shows “Big Cities, Bright Lights And Up To 1 Billion Bird Collisions”NPR has the story.

Up to 1 billion birds die from building collisions each year in the United States, and according to a new study, bright lights in big cities are making the problem worse.

The study, published this month in the journal Frontiers in Ecology and the Environment, examined two-decades of satellite data and weather radar technology to determine which cities are the most dangerous for birds. The study focused on light pollution levels, because wherever birds can become attracted to and disoriented by lights, the more likely they are to crash into buildings.

The study found that the most fatal bird strikes are happening in Chicago. Houston and Dallas are the next cities to top the list as the most lethal. One of the study’s authors, Kyle Horton, a postdoctoral fellow at Cornell University, called the cities a “hotspot of migratory action,” adding, “they are sitting in this primary central corridor that most birds are moving through spring and fall.”

(15) RUBBER WEAPONS CHECK. Somebody thinks Voyager’s photon torpedo account was overdrawn. Because they counted. (A 2011 post.)

(16) VOYAGE TO THE BOTTOM OF THE FOOD CHAIN. In comments, Darren Garrison figured out what the contents of Ursula Vernon’s next Hugo acceptance speech will be: “Unsettling Video Shows What Happens to a Dead Alligator at the Bottom of the Sea” at Gizmodo.

The enthusiasm of these scavengers is totally understandable. Deep-sea bottom feeders are immensely dependent upon “food falls,” in which deceased aquatic animals from above settle on the ocean floor. This typically involves whales, dolphins, sea lions, and large fish like tuna, sharks, and rays, but it can also involve stuff from the land, such as plant material, wood, and, as the new video shows, alligators dropped by scientists.

(17) ALL ABOARD! The Points Guy tells you how to catch a ride on this celebrity train: “Calling All Muggles: The Real Hogwarts Express Train Is Back in Action”.

Accio tickets to the Scottish Highlands!

After a seasonal break, the Jacobite steam train (a.k.a. the train used as a stand-in for the actual Hogwarts Express in the Harry Potter films) is back in business, People reports. And no, you won’t have to pass through Platform 9 3/4 to get there. 

The Jacobite steam train has been in operation for over 100 years. Known originally for its scenic views of the Scottish Highlands, the old rail line only got attached the Harry Potter-verse after it was featured as the Hogwarts Express in “Harry Potter and the Sorcerer’s Stone” and every other Potter film going forward.

(18) TOOTLE, PLUNK AND BOOM. In “Game of Thrones Turned Its Composer Into a Rock Star” in The Atlantic, Spencer Kornhaber profiles Ramin Djawadi, composer of the music for Game of Thrones.

The arsenal of instruments Ramin Djawadi has used to score Game of Thrones includes mournful strings, mighty horns, and the Armenian double-reed woodwind known as a duduk.  During the series’ first five seasons, however, he left one common weapon untouched:  the piano.  Early on, the showrunners, David Benioff and D.B. Weiss, decided that the ivories were too delicate for the show;s brutal realms, where even weddings tend to involve some stabbing.  They also banned the flute, for fear that Thrones would sound like a Renaissance fair.

(19) LIVE FROM NEW YORK. Kit Harington Saturday Night Live monologue is full of Game of Thrones jokes, and the sketch “Graphics Department” makes D and D jokes.

[Thanks to JJ, John King Tarpinian, Cat Eldridge, Chip Hitchcock, Daniel Dern, Martin Morse Wooster, Carl Slaughter, Mike Kennedy, Darren Garrison, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Rob Thornton.]

Pixel Scroll 3/10/19 Don’t Go Chasing Waterscrolls – Please Stick To The Pixels And The Clicks You Know

(1) WAYWARD WRITERS. Cat Rambo shares her notes from Kay Kenyon’s class about plotting, “Mapping the Labyrinth”:

(2) OUTSIDE THE THEATER. Abigail Nussbaum convincingly argues that the discussion around Captain Marvel is more significant than the movie.

…Which is really the most important thing you can say about Captain Marvel: this is a movie that is important not because of what happens in it, but because of what happens around it.  The most interesting conversations you can have regarding it all take place in the meta-levels–what does Captain Marvel mean for the MCU, for superhero movies, for pop culture?

…Another example is the way Captain Marvel refigures Samuel L. Jackson’s Nick Fury, who functions here as Carol’s sidekick on Earth, where she crash-lands after being captured by Skrulls, the enemies of the Kree.  Fury has been a fixture of the MCU since he showed up in the after-credits scene of Iron Man in 2008, and has always cut an imposing figure: a grey eminence, spymaster, and general who suffers no fools and always has plans within plans in his monomaniacal quest to defend the Earth from alien dangers.  The version of Fury we meet in Captain Marvel is much more down to earth–funny, self-deprecating, willing to pause his serious pursuits in order to coo over an adorable cat, and inordinately pleased with himself over minor bits of spycraft, like fooling a fingerprint reader with a bit of tape.

It can be hard to square the Fury in Captain Marvel with the one we’ve known for twelve years in the rest of the MCU, and once again, when looking for solutions, one immediately turns to the metafictional.  My first thought when the film’s credits rolled was “someone told Jackson to just do what he did in The Long Kiss Goodnight“.….

(3) SPEAKING OF THE BIG BUCKS. Forbes’ Scott Mendelson listened to the cash register ring this weekend: “Box Office: ‘Captain Marvel’ Trolled The Trolls With A $455M Global Launch”.

The Brie Larson/Samuel L. Jackson/Reggie the Cat sci-fi adventure opened with $153m in North America this weekend, which is the second-biggest solo superhero non-sequel launch behind Black Panther ($202m in 2018). It’s the third-biggest March opening of all time, sans inflation, behind Batman v Superman ($166m in 2016) and Beauty and the Beast ($174m in 2017).

(4) HEAR IT FROM AN AGENT: Odyssey Workshops interviewed guest lecturer, literary agent Joshua Bilmes:

You founded JABberwocky Literary Agency in 1994, and your agency has grown since, adding several agents and assistants. What are the most common problems in the manuscript submissions you receive?

Make every word count! No excess description. No tossing facial gestures like smiles and smirks onto the page for no good reason. Never stopping to give a three-line description of every character when they come on stage. Quoting two of Bradbury’s 8 Rules:

• Every sentence must do one of two things—reveal character or advance the action.

• Start as close to the end as possible.

Most writers don’t understand that an agent can only represent a limited number of authors, and that agents specialize in particular types of fiction. Can you discuss how many authors you represent and why you’ve settled on that number? Can you describe the areas that you specialize in and why you’ve chosen those areas?

In an alternate universe, the initial crop of mysteries I sold (my very first sale as an agent was a mystery) would have taken off and the sf/fantasy not done as well! I never consciously set out to be a specialist. I don’t count clients; I have “clients” who haven’t written a book in 20 years, so do I count them? And some I’m working with but haven’t yet sold. I don’t target a particular number of clients. I’d say it’s my ability to get through my reading pile that says if I can take on more or fewer; that’s the pressure valve that says if the apparatus can safely support more.

(5) ODIN’S OPINIONS. The New York Times interviews the actor about American Gods, Seasonn 2: “Ian McShane Puts All His [Expletives] in the Right Place”. Also discusses other projects, including a remake of Hellboy and the sequel to Deadwood.

The series touches on immigration, racism, xenophobia and gun control. Did you have any idea how prescient it would be?

Well, it was very interesting what was happening when we did the first season of “American Gods.” The country has taken a serious lurch to the right, as much as they’d love to say it’s taken a serious lurch to the left. I don’t think America would know a socialist if they fell over him. They think it’s somebody who lives in a garret in Russia and has no telephone and no refrigerator. But that’s due to their lack of education. America’s been dumbed down over the years, which is a shame. It’s wonderful to see Congress now with a rainbow color, if you like, of immigrants and nationalities and people who love this country. They’re talking about it in a different way.

(6) THE PRICE ON THE BOUNTY HUNTER. Popular Mechanic’s article “The Great Star Wars Heist” recalls that in 2017, an uncovered toy theft ruptured the Star Wars collecting community. Two years later, the collectors—and the convicted—are still looking for a way forward.

…After talking with Wise, though, Tann’s doubts reached beyond one Boba Fett. The legitimacy of the dozens of purchases he’d made from Cunningham were at stake. Were those stolen goods, too?

Tann shared a comprehensive list of his purchases with Wise and, sure enough, Wise recognized more collectibles of his. But he noticed something else, too. The large volume of items that Cunningham was selling suggested that he had been stealing from someone else.

And the quality of the collectibles left little doubt as to who it was.

(7) SHEINBERG OBIT. Universal Studios executive Sidney Sheinberg died March 7 reports the New York Times. His career-launching connection with Steven Spielberg proved lucrative for both.

Mr. Sheinberg, who could be as tender as he was prickly, was the one who allowed Mr. Spielberg to make “Jaws,” giving him a budget of $3.5 million (about $17 million in today’s money). A problem-plagued shoot pushed the cost to more than twice as much. But Mr. Sheinberg… continued to support the film, which went on to become the prototype for the wide-release summer blockbuster.

“Sid created me, in a way, and I also re-created Sid, in a way,” Mr. Spielberg was quoted as saying in The New York Times in 1997.

Under Mr. Sheinberg’s watch, Universal released two more hits from Mr. Spielberg, “E.T. the Extra-Terrestrial” (1982) and “Jurassic Park”(1993). It was Mr. Sheinberg who handed Mr. Spielberg Thomas Keneally’s novel “Schindler’s List,” which the director turned into his masterpiece of the same title. Released in 1993, it won seven Academy Awards, including best picture.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 10, 1891 Sam Jaffe. His first role was in Lost Horizon  as the High Lama and much later in The Day the Earth Stood Still  playing Professor Jacob Barnhardt. Later on we find in The Dunwich Horror as Old Whateley, voicing Bookman in Bedknobs and Broomsticks, playing The Old-Man in The Tell-Tale Heart, and in his last film, appearing in Battle Beyond the Stars as Dr. Hephaestus. John Sayles wrote the script oddly enough. (Died 1984.)
  • Born March 10, 1921 Cec Linder. He’s best remembered for playing Dr. Matthew Roney in the BBC produced Quatermass and the Pit series in the later Fifties, and for his role as James Bond’s friend, CIA agent Felix Leiter, in Goldfinger. He also appeared on Alfred Hitchcock PresentsVoyage to the Bottom of the Sea, the Amerika series, The Ray Bradbury Theatre and The New Avengers. (Died 1992.)
  • Born March 10, 1932 Robert Dowdell. He’s best known for his role as Lieutenant Commander Chip Morton in Voyage to the Bottom of the Sea. After that series, he showed up in genre series such as Max Headroom, Land of the GiantsBuck Rogers in the 25th Century  and Freddy’s Nightmares. (Died 2018.)
  • Born March 10, 1938 Marvin Kaye, 81. Currently the editor of Weird Tales, he has also edited magazines such as H. P. Lovecraft’s Magazine of Horror and Sherlock Holmes Mystery Magazine.  The Fair Folk anthology which is most excellent and which he edited won a World Fantasy Award.
  • Born March 10, 1958 Sharon Stone, 61. Damn, she’s the same age I am. She’s been in three genre films, her first being Total Recall where she played the ill-fated Lori Quaid. Her next was Sphere where she was cast as Dr. Elizabeth “Beth” Halperin, and last was in, errr, Catwoman where she was Laurel Hedare, an assassin. 
  • Born March 10, 1977 Bree Turner, 42. She’s best known for her role as Rosalee on Grimm. She also starred in the pilot episode (“Incident On and Off a Mountain Road”) of Masters of Horror. She was in Jekyll + Hyde as Martha Utterson. Confession time: I got through maybe three seasons of Grimm before giving up as it became increasingly silly.

(9) GODSTALK. Nerds of a Feather discusses “6 Books with Catherine Lundoff”:

3. Is there a book you’re currently itching to reread?

I’m in the middle of a slow reread of P.C. Hodgell’s Kencyrath series so I can get caught up with the latest volumes in time for the new book to come out later on in 2019. I’ve just finished rereading God Stalk and Dark of the Moon, so Seeker’s Mask is next. It’s been rereleased a few times but this remains my favorite cover. If you are looking for a really splendid high fantasy series with a darker edge, intricate worldbuilding, a complex heroine and fascinating cast of characters, this is one of the best around.

(10) AWARD WORTHY. Camestros Felapton is doing a review series about the Nebula-nominated novelettes. Here are links to three:

(11) SATURDAY NIGHT LIVE. Idris Elba guest hosted Saturday Night Live. His sketches included –

  • “The Impossible Hulk”
  • “Can I Play That/” in which actors are told they can’t play various parts because trolls on Twitter say they can’t.

(12) GONE CRUISIN’. I don’t know what to say… (See second tweet.)

(13) AKA JOHN CLEVE, Here’s a curiosity: a scan of a 7-page andy offutt letter to Bob Gaines from 1977, mostly a history/list of his porn novels, but also about a page of current events about his career at the time.

(14) DENIAL DENIERS. Cody Delistraty, in “John Lanchester’s Future Tells The Truth” on Vulture, profiles British novelist John Lanchester, whose new sf novel THE WALL is an attempt to educate readers about climate change without preaching to them.

…Something else sets Lanchester apart from crossover literary personalities of yore. He has the ability to deflect — and to notice, too, when most people want to look away from the truth. (He has a “deep sympathy” for climate-change deniers.) He knows where to find the most pressing emergencies facing humanity, as he’s proven time and again with his nonfiction. But, crucially, in his fiction, he also knows when and how people tend to avoid the toughest topics. A central goal of his recent novels — which grounds them in cold reality — is to draw attention to what we might otherwise not want to notice: What are the lies that we must tell ourselves? What must we believe in order to cope with the world? Questions that, perhaps unsurprisingly, spring directly from his own life.

(15) GIVE IT A MISS. Kevin Polowy, in the Yahoo! Entertaiment story “How Captain Marvel Avided Controversial Comic-Book Past To Create Empowered Female Ideal,” notes that when Carol Danvers first appeared in Marvel Comics in 1968, she was known as “Ms. Marvel,” but the producers of the Captain Marvel movie threw out these early years as sexist and based the film on a 2012 reboot of the character.

…Danvers first appeared in 1968. Originally known as Ms. Marvel, the character had fought for feminist causes throughout her comic book history, but her depiction by male writers and artists had several problematic elements. The oft-scantily clad Ms. Marvel had a tendency of being objectified or oversexualized; one infamous storyline in 1980 even featured her being raped and impregnated by an intergalactic supervillain….

(16) LEGACY. Neil Gaiman wrote this eulogy after Harlan Ellison passed away last June. It ends:

He left behind a lot of stories. But it seems to me, from the number of people reaching out to me and explaining that he inspired them, that they became writers from reading him or from listening to him on the radio or from seeing him talk (sometimes it feels like 90% of the people who came to see Harlan and Peter David and me talk after 911 at MIT have gone on to become writers) and that his real legacy was of writers and storytellers and people who were changed by his stories.

(17) VIDEO OF THE DAY. A clip from The Jack Benny Program with Rod Serling.

[Thanks to John King Tarpinian, JJ. Mike Kennedy, Martin Morse Wooster, Chip Hictchcock, Cat Eldridge, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Xtifr.]

Missing Puppy Formation 4/15

Today there were major responses to a pair of Hugo nominees withdrawing their work from the ballot,  Marko Kloos and Annie Bellet, which raised the temperature of the discussion even higher.

John Scalzi comments on comparisons drawn between the eligibility of his 2006 novel and a 2013 John C. Wright story.  Sarah Hoyt turns an argument on its head. John Ringo forsees an enjoyable moment at the Hugo ceremony.

And Brad R. Torgersen posted a highly interesting, self-revelatory essay.

Bryan Thomas Schmidt on Facebook

When I hear one of my favorite writers, one of the most deserving of nominees, has dropped out of the Hugos because of the pressure, insults, and more she was subjected to by assholes who are angry and can’t blame those responsible but instead generalize and attack everyone, it makes me really disgusted. It also makes me more determined to keep my nomination and say this: the only thing tainting the awards this year is bad behavior by people who should have more maturity and class. Not bloc voting accusations or politics. But people unable to behave respectfully toward others. THAT stains our genre. It tars all of us. And I am soooooooo sick of it.

 

Vox Day on Vox Popoli

Annie Bellet withdraws – April 14

As to anyone feeling betrayed by this, don’t be. Leave them alone and respect their decision; do not criticize them for it. Regardless of why they chose to withdraw, that is their right and their choice, and it is neither a problem nor a concern of ours.

UPDATE: Marko Kloos wasn’t quite so judicious on Facebook, apparently. …

What is with these SF writers and their absolute preoccupation with all things excremental anyhow?

 

Larry Correia on Monster Hunter Nation

Well, this sucks. – April 14

Personally, I think this sucks. We were trying to get talented quality writers on the ballot who would normally be ignored. Neither of these share my politics. There are some amazing authors nominated for the first time, and I wish that people would just read the fucking books, but hell, who am I kidding? I’m tired of repeating myself. Some of the stuff I’ve seen go down over the last two weeks is so infuriating it would blow your mind.

For the 100th damned time, Vox wasn’t on SP3. He did his own thing. Now authors are being tried for guilt by association with somebody they never chose to associate with, and their nominations are somehow meaningless because the wrong person plugged their work.

That’s unfair bullshit and you all know it.

 

Sarah Hoyt on Mad Genius Club

“The Dogs You Lie Down With” – April 15

It occurred to me that no one, that I know (and he’d probably tell me, at least for the novelty) has gone to John C. Wright and said “You’re supported by Sarah A. Hoyt, a public and avowed supporter of same sex marriage, who has many gay characters in her books. Therefore, you too must be a public and avowed supporter of same sex marriage, you horrible man.”

Mind you, there are people who consider this position of mine more than they can swallow and who have told me so and told me they’d never read me again. That’s fine by me. I arrived at that decision on my own and by thought. (And I’m not in favor of activist stunts like taking down pizza parlors or forcing religions you don’t even belong to to marry you or to perform ceremonies forbidden by their beliefs. No, supporting SSM doesn’t mean supporting that. I reject guilt by association in all forms.) I’m a big girl and I can wear big girl pants. (As for the gay characters they just happen. It’s like I have a ton of stories by the sea, and no, that’s not where I grew up. Or why I’m infected with dragons. Not everything in art is under your strict control.)

 

Nerdvana Podcast

Show #146: Episode 38: “HugoGate 2015”, Part 1. The title pretty much says it all. We’re not here to discuss the nominees, we are here to talk about the controversy surrounding this years Hugo awards. Join hosts JC Arkham and Two-Buck Chuck as we welcome back guests Hugo awards winners Christopher J Garcia and Mo “The Thrill” Starkey along with special guest Hugo expert Kevin Standlee.

 

John Ringo on Facebook – April 15

Talking with Cedar Sanderson reminded me of something.

There are multiple nominees for every Hugo and Nebula which are publicly posted. A few years back, both the Hugo and Nebula committee started to give out small trinkets to all the nominees who didn’t win. Runner up awards if you will. ‘You’re such nice people and you really deserve SOMETHING.’

Lois Bujold has collected so many over the years that she has a whole necklace of the things.

I just realized that the Hugo committee is going to have to pass those out to Tom Kratman, Toni Weisskopf, Brad Torgersen, etcetera, EVEN IF THEY DON’T WIN A HUGO.

Or I suppose they can eliminate the practice.

But I really want to see their faces when they’re forced to give one to Tom Kratman.

Fortunately, the whole ceremony is generally live cast to DragonCon. So I don’t actually have to attend WorldCon thank God.

 

 

 

David Gerrold on Facebook – April 15

Fans don’t quit. Fans don’t give up. Fans are the kind of people who — if you give them lemons — come back with key lime pie and you’re left scratching your head, wondering how they did it.

So we will have a Hugo ceremony. It will be a celebration of our deserving nominees. It will be a celebration of excellence in the genre. It will be a celebration of our history and our traditions. It will be a celebration of us.

There will be some jokes. There will be some surprises. Some of the best people in the genre have stepped up to the plate — and we’re planning a celebration that will be joyous and fun. I intend that we will end up feeling proud that we haven’t lost our ability to be the greatest fans on Earth — and in space as well.

When we step back and take a larger look at our history, at our traditions, at ourselves and the scale of our dreams and the scale of our accomplishments — this year’s little kerfuffle is merely a momentary hiccup in a much bigger history.

 

John Brown

“What Vox Day Believes” – April 15

I asked Day if he’d mind answering a few questions.

He agreed.

What you will read below is our conversation, arranged for easy reading.

Why am I doing this?

Well, who doesn’t want to scoop the devil? But beyond that, I agree with George R. R. Martin: internet conversations that are not moderated to maintain a tone of respectful disagreement are a bane upon us all. Actually, Martin said they were part of the devil’s alimentary canal, but I didn’t want to confuse the topic.

 

Dave Gonzales on Geek.com

“Winter isn’t coming: Hugo Awards’ own GamerGate is delaying A Song of Ice and Fire” – April 15

George RR Martin has taken to his blog to talk about a scandal at the Hugo Awards this year, and if he’s blogging, he’s not finishing Winds of Winter, the next installment in his A Song of Ice and Fire series of novels that inspired HBO runaway hit Game of Thrones.

Martin is an avid blogger and a seemingly avid procrastinator that loves hanging out at comic book and sci-fi conventions. He was in the news this March when he announced he wasn’t going to San Diego Comic-Con this year so he could continue work on his next book. Sad news for fans attending the Con and devastating news for those waiting for the new book: this July marks four years since A Dance With Dragons, and he’s still going to be working?

 

Brad R. Torgersen

“Tribalism is as tribalism does” – April 14

I told George R. R. Martin I’d be writing this post — as a result of some of the polite dialogue we had at his LiveJournal page. His basic question to me was, “How can you, as a guy in an interracial marriage, put up with some of the racist and sexist stuff (a certain person) writes on his blog?” I thought this a valid question. How indeed? I didn’t have the space on LiveJournal to unpack all of my thoughts and feelings on the dread ism topic, so I thought I would do it here.

 

Rhiannon on Feminist Fiction

“Responding to the Hugos” – April 15

The key thing, in the end, is voting. If we want diverse creators and titles to be included in the Hugos, then we need to show up and have our voices heard. And not just as an act of protest, but as an act of engagement. Read the nominees, make a genuine evaluation of which ones we like the best, and vote for them because we truly believe they deserve to win. Sure, it’s not as dramatic as nuking the votes, and it makes a less headline-worthy point of “we matter too,” but it’s the way that “untraditional” sci-fi/fantasy fans should be able to engage with the Hugos, and the Sad Puppies don’t prevent us from doing that. If enough people who don’t fit the Sad Puppies idea of “real sci-fi/fantasy” feel inspired to vote, then diverse works will be included naturally. The Sad Puppies slate only worked because very few people actually contribute to the Hugo nominations. The best way to stop them, therefore, is to contribute. And no matter how much some people believe that must be a conspiracy, anyone with sense can easily see that it’s just honest diversity in action.

 

John Scalzi on Whatever

“The Latest Hugo Conspiracy Nonsense Involving Me” – April 15

In the wake of one of John C. Wright’s Hugo-nominated stories being disqualified for the ballot because it was previously published on his Web site, howls of bitter indignancy have arisen from the Puppy quarters, on the basis that Old Man’s War, a book I serialized here on Whatever in 2002, qualified for the Hugo ballot in 2006 (it did not win). The gist of the whining is that if my work can be thought of as previously unpublished, why not Mr. Wright’s? Also, this is further evidence that the Hugos are one big conspiracy apparently designed to promote the socially acceptable, i.e., me specifically, whilst putting down the true and pure sons of science fiction (i.e., the Puppies)…..

  1. Aside from my notification of the nomination, I had no contact with the Hugo Award committee of that year prior to the actual Worldcon, nor could I tell you off the top of my head who was on the committee. It doesn’t appear that anyone at the time was concerned about whether OMW being serialized here constituted publication. Simply put, it didn’t seem to be an issue, or at the very least, no one told me if it were. Again, if this was a conspiracy to get me on the ballot, it lacked one very important conspirator: Me.
  2. So why would OMW’s appearance on a Web site in 2002 not constitute publication, but Mr. Wright’s story’s appearance on a Web site in 2013 constitute publication? There could be many reasons, including conspiracy, but I think the more likely and rather pedestrian reason is that more than a decade separates 2002 and 2013. In that decade the publishing landscape has changed significantly. In 2002 there was no Kindle, no Nook, no tablet or smart phone; there was no significant and simple commerce channel for independent publication; and there was not, apparently, a widespread understanding that self-publishing, in whatever form, constituted formal publication for the purposes of the Hugo Awards. 2013 is not 2002; 2015, when Mr. Wright’s story was nominated, is not 2006, when OMW was nominated.

 

Frank Catalano on GeekWire

“As science fiction ascends its popular award — the Hugo — threatens to nosedive” – April 15

It’s not that campaigning is new to science-fiction and fantasy awards. I was the volunteer administrator of another prestigious science-fiction competition, the Nebula Awards, during its major controversy in the 1980s. When I called an author to congratulate her for taking best short story in the peer-voted honors, I was stunned to hear her say she wanted to withdraw the work – after winning.

Her reason was the campaigning by another finalist in the same category. I had the awkward task of notifying the board of the Science Fiction and Fantasy Writers of America of the winner’s desire to decline, establishing my unenviable role as the Miles Standish of the Nebulas in the process. (The writer was Lisa Tuttle, the work was “The Bone Flute,” and both remain worth reading.)

But the big difference between the Nebulas then, and the Hugos now, is that the Nebula campaigning didn’t affect the outcome of the vote. For the Hugos, bloc campaigning verging on manipulation dominates the ballot today. And if protest “No Award” votes overwhelm slate-propelled finalists, the Hugos also fail in 2015 because certainly something, somewhere was worthy of a Hugo this year.

That could be a sad thing for science fiction, as geek culture has become mainstream popular culture. The irony of this Hugo ballot is that, simultaneous to science fiction’s ascendance, we’ve seen a reduced reliance on “quality” gatekeepers such as awards. Fans can find recommendations of what’s worth reading, even more tightly tied to their tastes, with an online tap or click. Maybe, as once was said about academia, the battles are so fierce because the stakes are so small.

 

Daniel on Castalia House

“Hugo Awards: A History of Recommendation Lists” – April 15

Frank Wu’s analysis of the awards from 2001-2005 suggests otherwise: that not only was there tremendous overlap in the “competing” lists, but that the appearance of diversity was, in fact, an important element of bloc-list unity. Some of the discrepancy between Wu and Martin is in interpretation: where [George R.R.] Martin sees an issue of an individual body exerting “control” over the process, and the evidence of “independent” bodies diffusing that control, Wu boils it down to the practicalities: a clear harmony of recommendations by influencers effectively guides the Hugos.

In other words, with the exception of a single book out of 28, if your novel wasn’t on a campaign list…you simply weren’t nominated, and sure as shooting were not going to win. The recommendation blocs didn’t guarantee individuals made it to the final ballot, they guaranteed that outsiders were left off.

 

Steve Davidson on Amazing Stories

“Happy Fans” – April 15

Now, it’s time for some real speculation.

Why would someone knowingly allow an ineligible work to be nominated for an award?

Well, if I were a schemer who liked to play head games with people and I was also trying to make a political point about the organization that was responsible for administering that award, I might find it extremely funny to try and set them up in a “Heads I Win, Tails You Lose” situation, especially if I was trying to devalue the entire award process.

Here’s how that might work.

I get my pals together and create a voting slate (knowing that since such a thing had never been done before, or at the very least never been done on such a monumentally annoying scale before, that it stands a good chance of succeeding) and when the list of recommendations that my minions will slavishly vote for is finalized, I’d salt it with a couple of ineligible works.

Heads I Win:  for one reason or another, the ineligible works make it all the way through to the final ballot, the awards are handed out and:  “See!  We TOLD you the awards were poorly managed.  How long has this been going on?  This brings the validity of every single award given out for the past 60 years into question!  What a crock.  They’re totally valueless.”

Tails You Lose: the ineligible works are identified and removed from the ballot.  “See!  We TOLD you the fix was in.  The ONLY reason that this work was ruled ineligible is because of the author’s politics!  How long has this been going on?  This brings the validity of every single award given out for the past 60 years into question!  What a crock.  They’re totally valueless.”