The 34th shortlist for the Arthur C. Clarke Award for science fiction literature was announced on June 18.
The City in the Middle of the Night – Charlie Jane Anders (Titan)
The Light Brigade – Kameron Hurley (Angry Robot)
A Memory Called Empire – Arkady Martine (Tor)
The Old Drift– Namwali Serpell (Hogarth)
Cage of Souls – Adrian Tchaikovsky (Head of Zeus)
The Last Astronaut – David Wellington (Orbit)
Clarke Award director Tom Hunter said:
Listening to the deliberations of our judges this year, I was reminded again of the depth of passion that can power and unite our science fiction community, and what shines through for me in the choices of this year’s panel is this sense of shared love for the sf genre.
There are familiar themes here, from first contact and colonisation to the ravages of war and the end of the world, but all retooled with eyes firmly fixed on science fiction’s future as well as its long history.
Andrew M. Butler, Chair of Judges, added:
It felt as if we were actually inside an sf novel when we chose these half dozen books – it was our first virtual shortlist meeting. I think the judges have selected a wonderful set of novels. At this point any of the six could win.
The award judges are Stewart Hotston, British Science Fiction Association; Alasdair Stuart, British Science Fiction Association; Farah Mendlesohn, Science Fiction Foundation; Chris Pak, Science Fiction Foundation; and Rhian Drinkwater, SCI-FI-LONDON film festival.
The list of 122 eligible titles submitted for this year’s prize can be found on the award committee’s Medium blog here.
The winner will be revealed in September, date to be determined.
(1) NEXT TREK. CBS All Access dropped a trailer for Star Trek: Strange New Worlds, a spinoff from Star Trek; Discovery that stars Anson Mount and Rebecca Romijn.
Fans spoke, Star Trek listened, and a new series aboard the U.S.S. Enterprise is on the horizon! Watch stars Anson Mount, Ethan Peck, and Rebecca Romijn excitedly break the big news. Stay tuned for more information on Star Trek: Strange New Worlds, coming soon to CBS All Access. In the meantime, stream full episodes of Star Trek: Discovery, exclusively in the U.S. on CBS All Access.
(3) DEALING WITH A FAMILIAR MEDIA WEAPON. On Saturday, May 16, professionals in the field of influence operations (“Fake News”) will join Gadi Evron, Sounil Yu, Malka Older, and special guest David Weber to discuss how disinformation can be countered from an operational standpoint, as well as its effects on society and policy. “Countering ‘Fake News’: Professionals Speak” at Essence of Wonder. Registration required
Panel one will cover the effects of “Fake News” on society, and the shaping of policy around the topic. Panel two will dive deeply into methodologies, operational tools, and techniques, for countering “Fake News” attacks.
WFC2020: The Sookie Stackhouse books were made into the series True Blood, which ran seven years. In the books Lafayette (the fry cook) doesn’t last long, but the actor, Nelsan Harris, was so popular his role was expanded in the series. What other changes were made to the books’ characters?
CH: I thought the character of Jessica (Deborah Wohl) was a fabulous addition to the storyline. Wished I had thought of her. The fae on screen turned out to be not at all what was in my head, but it worked for the purposes of the show. I loved the sets, which I saw several times: Sookie’s house, Jason’s house, Merlotte’s. And all the actors were amazing. Alan Ball is a genius at casting. Nelsan was wonderful!
Dana Cameron, Toni L.P. Kelner (a.k.a. Leigh Perry), Patricia Briggs, and Charlaine Harris will join us on Essence of Wonder with Gadi Evron for geeky shenanigans in a panel discussion about Worldbuilding (and maybe pets). Before the panel, Charlaine will interview Patricia on her new Mercy Thompson book, “Smoke Bitten“. Join us for this special show with The Leading Ladies of Urban Fantasy on Saturday (23 May).
(6) DON’T MISS OUT. Another WFC 2020 guest of honor, Steve Rasnic Tem, telling about “My First WFC”, includes this wisdom:
…My late friend Ed Bryant and I would sometimes read the glowing tributes to authors who had passed and Ed would say, “Well, I hope they told them these nice things while they were still alive.” Attending a World Fantasy Convention gives you a great opportunity to practice Ed’s advice. The sad fact is you may not have another chance.
Charlie Jane Anders is writing a nonfiction book—and Tor.com is publishing it as she does so. Never Say You Can’t Survive is a how-to book about the storytelling craft, but it’s also full of memoir, personal anecdote, and insight about how to flourish in the present emergency.
Below is the Introduction, followed by the first chapter, “How To Make Your Own Imaginary Friends”
New installments will appear every Tuesday at noon EST.
Here’s an excerpt –
….So I’m writing a series of essays called Never Say You Can’t Survive, all about how writing and making up stories can help you to survive a terrifying moment in history. (These essays came out of a talk that I gave at the Willamette Writers Conference and elsewhere. And their title is borrowed from the 1977 album of the same name by Curtis Mayfield, which is a piece of music that has given me so much strength and inspiration over the years.)
Stories of Darkness and Escapism
When I wrote “Don’t Press Charges And I Won’t Sue,” I was going to the darkest possible place I could go in a story, and putting my protagonist through the most dehumanizing treatment I could imagine. I needed to face up to the absolute worst that could happen, so I felt like I understood it a little better. I also needed to write about someone facing up to the most nightmarish scenario and still emerging in one piece, surviving, even though it’s a dark ending.
Writing a horrifying story on your own terms means that you can show how someone can survive, or even triumph. And meanwhile, you can cast a light on the injustice of oppressive systems. You can also choose the frame and eliminate some of the ambiguity in some situations, to make things more stark and more clear, or to make juxtapositions that illuminate how the problem started, and how it’ll be in the future.
When you’re telling the story, you get to draw all the lines….
…Thus he was receptive on the day in early 1990 when one of his most productive if headstrong programmers, a strapping young metalhead named John Romero, suggested that Softdisk start a new MS-DOS disk magazine, dedicated solely to games — the one place where, what with Apogee’s success being still in its early stages, shareware had not yet clearly cut into Softdisk’s business model. After some back-and-forth, the two agreed to a bi-monthly publication known as Gamer’s Edge, featuring at least one — preferably two — original games in each issue. To make it happen, Romero would be allowed to gather together a few others who were willing to work a staggering number of hours cranking out games at an insane pace with no resources beyond themselves for very little money at all. Who could possibly refuse an offer like that?
(9) TODAY IN HISTORY.
May 15, 1955 — X Minus One’s “Universe” first aired. It’s based off Heinlein’s Universe which was first published in Astounding Science Fiction’s May 1941 issue, and George Lefferts wrote the script. The cast includes Donald P. Buka, Peter Kapell, Bill Griffis, Abby Lewis, Edgar Stehli, Jason Seymour and Ian Martin. Untold generations of people traveling in a giant’s spaceship have lost track of who they are and what they set out to do. They think that their ship is the Universe. You can listen to it here.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born May 15, 1856 – L. Frank Baum. His Wizard of Oz has been translated into 50 languages, selling 3 million copies by the time it entered the public domain in 1956, applauded by the Library of Congress in 2000; 13 more Ozbooks, 28 others, 83 shorter stories, 200 poems, at least 42 scripts, under his own and half a dozen pen names. While living in the Dakota Territory, he was Secretary of the Aberdeen Woman’s Suffrage Club, and hosted Susan B. Anthony (Aberdeen is now a city in the State of South Dakota). He knew French, German, Italian. He said at the start that Wizardaspired to fantasy “in which the wonderment and joy are retained and the heart-aches and nightmares are left out,” at which he succeeded. Last words, to his wife, “Now we can cross the Shifting Sands.” (Died 1919) [JH]
Born May 15, 1848 – Viktor Vasnetsov. Co-founder of Russian folklorist and romantic-nationalist panting, key figure in Russian Revivalist movement. Designed churches, mosaics, a revenue stamp, the façade of the Tretyakov Gallery. Worked on stage designs and costumes for Rimsky-Korsakov’s opera The Snow Maiden. V’s fantasy and epics irritated radicals, who said he undermined realist principles. Here is a flying carpet. (Died 1926) [JH]
Born May 15, 1891 – Mikhail Bulgakov. Had he only written The Master and Margarita, that would have sufficed us; an elaborate strange masterpiece; Margarita, not the Master, allies herself with the Devil – maybe; I talk a little about it here; in fact not published until decades after his death, too dangerous. Mick Jagger said it inspired “Sympathy for the Devil”. Try this Website. See also Diaboliad, The Fatal Eggs, Heart of a Dog. Two rival museums in Moscow – in the same building; one in Kiev. (Died 1940) [JH]
Born May 15. 1906 – Ellen MacGregor. Librarian, cataloguer, researcher, editrix of the Illinois Women’s Press Ass’n monthly bulletin Pen Points; also worked in Florida and Hawaii. For children’s fantasy with accurate science she wrote Miss Pickerell Goes to Mars and Goes Undersea; Goes to the Arctic published after her death; then 13 more, 16 shorter stories, by Dora Pantell. Lavinia Pickerell, prim, angular, and devoted to her pet cow, is an inadvertent stowaway on a rocket to Mars in her first adventure, but she is unflappable. (Died 1954) [JH]
Born May 15, 1932 – Jack Cady. He won the Nebula Award, the World Fantasy Award, and the Bram Stoker Award, an impressive feat indeed. McDowell’s Ghost gives a fresh spin on the trope of seeing seeing a War Between The States ghost, and The Night We Buried Road Dog is another ghost story set in early Sixties Montana and is quite horrid. Underland Press printed all of his superb short fiction into two volumes, Phantoms: Collected Writings, Volume 1 and Fathoms: Collected Writings, Volume 2. (Died 2004.) (CE)
Born May 15, 1948 — Brian Eno, 72. Worth noting if only for A Multimedia Album Based on the Complete Text of Robert Sheckley’s In a Land of Clear Colors, though all of his albums have a vague SF feeling to them such as Music for Civic Recovery Centre, January 07003: Bell Studies for the Clock of The Long Now and Everything That Happens Will Happen Today which could the name of Culture mind ships. Huh. I wonder if his music will show up in the forthcoming Culture series? (CE)
Born May 15, 1955 — Nina Kiriki Hoffman, 55. Her book The Thread That Binds the Bones, won the Bram Stoker Award for first novel. In addition, her short story “Trophy Wives” won a Nebula Award for Best Short Story. Other novels include The Silent Strength of Stones (a sequel to Thread), A Fistful of Sky, and A Stir of Bones. All are excellent. Most of her work has a strong sense of regionalism being set In California or the Pacific Northwest. (CE)
Born May 15, 1955 – Takayuki Tatsumi. Professor at Keiô University, chair of K.U. SF Study Group; editor, essayist, interviewer, theoretician; 21st Nihon SF Taishô (Grand Prize) from Science Fiction & Fantasy Writers of Japan. President, American Literature Society of Japan 2014-2017, Poe Society of Japan 2009- ; editorial boards of Paradoxa, Mark Twain Studies, Journal of Transnat’l American Studies. In English, for SF Chronicle, SF Eye, N.Y. Review of SF, SF Studies, the 65th and 72nd Worldcons’ Souvenir Books; The Liverpool Companion to World SF Film (2014); The Cambridge History of Postmodern Literature (2016). [JH]
Born May 15, 1974 – Ahmet Zappa. Brother of Dweezil, Moon Unit, and Diva; wrote song “Frogs with Dirty Little Lips” with his father Frank. Debut novel (and interiors), The Monstrous Memoirs of a Mighty McFearless; debut film, The Odd Life of Timothy Green; television, three-season host of Robotica; co-author with wife Shana Muldoon Zappa, Sage and the Journey to Wishworld and 14 more Star Darlings books. [JH]
In the beginning, nearly every superhero had a secret identity. It protected them from villainous revenge, and created a delicious dramatic tension while interacting with loved ones who had no inkling of their other life. But the strict secret identity is fast becoming an anachronism.
And all of this is for the better, delivering not only greater dramatic possibilities, but also a healthier idea of heroism….
(13) FANTASTIC FOUR COMICS. Marvel’s tells fans that Fantastic Four: Antithesis is coming in August, the first full-length Fantastic Four story ever illustrated by industry legend Neal Adams.
Adams is joined by Eisner Award-winning writer Mark Waid (Daredevil, Captain America, Fantastic Four), who jam-packs this tale with a fan-favorite roster of Fantastic Four heroes and villains! Together, this celebrated creative team create a new nemesis for the Fantastic Four guaranteed to send shockwaves throughout all of fandom.
…Adams shares [Waid’s] enthusiasm about the project. “I have always had the sense of missing the chance to draw the Fantastic Four. It was a quiet sense, since I’ve had every opportunity to do my favorites. More, I felt Kirby and Buscema had done it all, hadn’t they…?” he begins. “When Marvel’s Tom Brevoort asked if I’d like to do the Fantastic Four, I knew I had to ask for Galactus and the Silver Surfer as well. I am humbled and thankful to Tom for the opportunity.”
Who or what is the Antithesis, and will the combined might of the Fantastic Four, the Silver Surfer, and Galactus himself be enough to defeat it?
With comic book stores closed as a result of the COVID-19 pandemic, it was an open question just what fans would do to get their fix. New figures released from digital service DC Universe suggest that the answer was, simply, “go online.”
(15) ON THE WILDSIDE. John Betancourt has launched a Kickstarter appeal to produce “Staying In Place”, an “anthology of stories to pass the time.” Various support levels also bring additional rewards in the form of reading material.
With so many people staying at home right now, we at Wildside Press and the Black Cat Mystery & Science Fiction Ebook Club are putting together a mammoth anthology of amazing stories for you to read and enjoy. The anthology will feature 20 novels and short stories by iconic authors such as John Gregory Betancourt, Paul di Filippo, John W. Campbell Jr., Robert E. Howard, G.D. Falksen, and many more to be announced. But we need your help to make this happen. We are coming to Kickstarter to fund the anthology. In return for your support, you get the anthology itself, some of our fantastic ebooks, and even a subscription to the Black Cat which gives subscribers 7+ free ebooks every week, including new releases of all of the great Wildside Press magazines (Weirdbook, Black Cat Mystery Magazine, Sherlock Holmes Mystery Magazine, and even the upcoming revival of Startling Stories, the famous pulp magazine).
Every now and then, a Twitter act of creation reminds us that good things can still emerge from our hellish Internet stomping grounds. Such is the case with a viral thread from writer Alex Arrelia, in which Arrelia painstakingly—and hilariously—takes on J.R.R. Tolkien’s characters under the heading of “Men of Middle Earth as bad ex boyfriends who ruined your life.”
Most obviously, Sauron could have prevented the destruction of the One Ring–and thus the unraveling of his power–if he’d only done a little more to make sure that Mount Doom was protected from approach and infiltration. Indeed, it is precisely the fact that it is so unguarded–because Sauron couldn’t imagine that anyone would want to destroy the Ring rather than use it – that allows Frodo and Sam to sneak up on it. Sauron is defeated by his own inability to think outside of himself.
Showrunner Noelle Stevenson has always been a fan of science fiction and fantasy. As a kid, she loved it all: the epic space battles, the magic, the quests that seemed larger than life.
But there was a problem with her favorite childhood stories, like Star Wars and The Lord of The Rings series. “I never quite saw myself reflected in them” Stevenson says, “certainly not at the heart of the story.”
There weren’t a lot of women.
Of course, there’s interstellar rebel Princess Leia and Nazgûl-slaying Éowyn. But Stevenson wanted a female version of Luke Skywalker and a terror-inducing femme Lord Sauron.
So when she started writing stories of her own, she made sure kids like her felt seen, in more ways than one.
…When Netflix and DreamWorks wanted to reboot She-Ra: Princess of Power — an epic showdown between magical princesses and an evil alien invader — Stevenson was all in.
She kept much of the original show’s action and adventure — like the original, the rebooted show takes place on the planet Etheria, and one of the princesses who is trying to stop the evil Horde army from taking over is named Adora.
…Stevenson did make one small but important change to the show: Its name. The Netflix and DreamWorks version is She-Ra and the PRINCESSES of Power. All the princesses are important.
She also gathered an all-female writing staff to update this team of powerful women. In the original show, the princesses are white, skinny and presumably straight. The new rebellion includes women of color. They’re women in all different shapes and sizes. And there are women who love other women.
Princess Weekes is an assistant editor at The Mary Sue, a website that covers the intersection of women and fandom. She’s been writing about the She-Ra reboot since the beginning.
Weekes says that because the team behind She-Ra is made up of LGBTQ people, the stories on the show give genuine representation of queer life for kids.
“You allow queerness for young kids to be just normalized in general,” Weekes says. “What I think Noelle Stevenson and the entire She-Ra team has done is create a society and place where characters can exist, but their biggest problem isn’t that they’re gay.”
Even Queen Elsa’s magic is no match for the coronavirus pandemic.
Disney Theatrical Productions said Thursday that its stage adaptation of “Frozen” will not reopen on Broadway once the pandemic eases, making the musical the first to be felled by the current crisis.
“Frozen” had been the weakest of the three Disney musicals that had been running on Broadway — the others were “The Lion King” and “Aladdin” — and the company made it clear that it does not believe audiences will return in substantial enough numbers to sustain all of those shows.
“This difficult decision was made for several reasons but primarily because we believe that three Disney productions will be one too many titles to run successfully in Broadway’s new landscape,” Thomas Schumacher, the president of Disney Theatrical Productions, said in a letter to his staff….
On Saturday, the US Air Force is expected to launch its secret space plane, X-37B, for a long-duration mission in low Earth orbit. The robotic orbiter looks like a smaller version of the space shuttle and has spent nearly eight of the past 10 years in space conducting classified experiments for the military. Almost nothing is known about what X-37B does up there, but ahead of its sixth launch the Air Force gave some rare details about its cargo.
…[The] real star of the show is a small solar panel developed by the physicists at the Naval Research Lab that will be used to conduct the first orbital experiment with space-based solar power.
“This is a major step forward,” says Paul Jaffe, an electronics engineer at the Naval Research Lab and lead researcher on the project. “This is the first time that any component geared towards a solar-powered satellite system has ever been tested in orbit.”
Space-based solar power is all about getting solar power to Earth no matter the weather or the time of day. The basic idea is to convert the sun’s energy into microwaves and beam it down. Unlike terrestrial solar panels, satellites in a sufficiently high orbit might only experience darkness for a few minutes per day. If this energy could be captured, it could provide an inexhaustible source of power no matter where you are on the planet.
It’s an idea that was cooked up by the science fiction writer Isaac Asimov in the 1940s; since then, beamed power experiments have been successfully tested several times on Earth. But the experiment on X-37B will be the first time the core technologies behind microwave solar power will be tested in orbit.
Most of you probably know the world-famous Keukenhof, the most beautiful tulip garden in the world. Every year millions of tourists visit this garden. That’s a huge lot considering the garden is only open in spring! Every year, a hard-working crew makes sure the garden looks as good as ever, including this year!
This year is ‘special’. Keukenhof is closed, for the first time in 71 years. But that doesn’t mean there are no flowers. On the contrary; the flowers look incredible and get as much attention and care as always. All the passionate gardeners do their work as they’re used to. Because even without people, nature and the show of the garden goes on….
…Once the world opens up and travel gets easier Amanda and Ash and I are looking forward to being together again in Woodstock. (Yes, I’ve seen the newsfeed headlines saying I’ve moved to the UK, and even that we’re divorcing. No, I haven’t moved the UK, and yes, Amanda and I are still very much together, even with half a world between us.)
Thank you to everyone who’s been kind and nice and helpful, while Amanda and my problems got rather more public than either of us is comfortable with. We love each other, and we love Ash, and we will sort ourselves out, in private, which is much the best place for things like this….
And the couple’s joint letter follows.
(23) NOT THAT SUBTLE. [Item by Martin Morse Wooster.] Kyle Mizokami, in “The Space Force Receives Its ‘Kobayashi Maru’ Space-Tracking System” in Popular Mechanics says it’s no coincidence that Space Force’s warning system is a Star Trek reference; the Space Force also has a Kessel Run, and Mizokami thinks it’s no coincidence that the acronym for the force’s Space Operations Center is SPOC.
The U.S. Space Force announced the development of a brand new software package designed to track and monitor objects in space. Dubbed “Kobayashi Maru,” the cloud-based program was designed to modernize the way the U.S. Air Force—and now the U.S. Space Force—interoperates in space but with its allies in the “Five Eyes” intelligence sharing alliance.
[Thanks to Martin Morse Wooster, John King Tarpinian, Cliff Ramshaw, Chip Hitchcock, Cat Eldridge, John Hertz, Mike Kennedy, JJ, David Goldfarb, Paul Di Filippo, Michael Toman, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Anna Nimmhaus.]
One of the things people warned me about when it comes to writing novels is that no matter how smoothly novel N goes, there’s no guarantee that novel N+1 will also go smoothly. I learned this the hard way in writing Phoenix Extravagant.
I thought I had the plot all planned out, and I knew my protagonist was going to be a painter, and that there would be a mecha dragon. As for the worldbuilding, well, I’d make that up on the fly. That’s what I did with the hexarchate and it more or less worked then; why not now?
You’re probably thinking that making things up on the fly is where I went wrong, and that’s not quite true. If I try to linearize worldbuilding down a checklist, it kills the world flat dead for me. No: the issue was a bigger one. I picked the wrong setting….
Police in New Zealand have been required to enforce crowd control measures at a popular fast food outlet after large numbers of people rushed to buy burgers following a relaxing of the country’s lockdown measures on Tuesday.
New Zealand, which has reported 1,474 confirmed and probable coronavirus cases and 19 deaths, spent almost five weeks under a strict, level four lockdown. The country eased into level three restrictions on Tuesday, meaning some children could go back to school and 400,000 people were able to go back to work.
But for many, it was a chance to finally eat the fast food they had been craving. Under level three restrictions, a limited number of restaurants and cafes have been permitted to reopen. According to TVNZ, that resulted in long queues of cars at KFC and McDonald’s drive-thrus outlets throughout Auckland, the country’s biggest city.
(3) ROBOT CENTENARY NEARS. Jaroslav Olsa Jr. has a plan for celebrating Capek’s famous robot story when its hundredth birthday rolls around. If you can help, email him at olsa-jr (at) post (dot) cz
One hundred years ago, in November 1920, drama “R. U. R. Rossum´s Universal Robots” by Czech writer Karel Capek (1890-1938) saw its first edition. Story about a rebellion of artificial people ending with an extinction of humanity saw the first use of the word “robot”.
Though Isaac Asimov didn´t like the play, he rightly commented that R. U. R. is “immortal for that one word. It contributed the word ‘robot’ not only to English but, through English, to all the languages in which science fiction is now written.”
This year we will have an anthology of original science fiction stories set and connected to Capek´s world of R.U.R. But we are also thinking about an international anthology of the best robotic stories from all over the world… as another homage to maybe the most famous Czech – ROBOT. If you know such excellent piece from the East or West, South or North, send me a copy of the story…
Narrativia, the production company launched by Pratchett in 2012, has struck an exclusive development deal with Motive Pictures and Endeavor Content for a series of TV adaptations. It is not yet known which of the “Discworld” books will be adapted initially….
Rhianna Pratchett, co-director of Narrativia and Pratchett’s daughter, said: “Discworld teems with unique characters, witty narrative and incredible literary tropes, and we feel these should be realised on screen in a form that my father would be proud of. It’s wonderful to embark on this journey with Motive and Endeavor Content, who both perfectly share our vision to make this a reality.”
Rob Wilkins, managing director of Narrativia, added: “The Discworld books are a huge source of joy to millions of readers, and rightly so; every paragraph, phrase and footnote was crafted with brilliance and flair and we are committed to bringing Terry’s world to the screen with the respect and care it deserves. With this partnership, we are delighted to say that Discworld has finally found its home.”
Harrison Ford says an airport runway incident now under investigation by the Federal Aviation Administration came about because he “misheard a radio instruction.”
The 77-year-old star, who is an avid pilot, was operating a plane at California’s Hawthorne Airport on April 24 when he crossed a runway while another aircraft was landing.
“Mr. Ford crossed the airport’s only runway in his aircraft after he misheard a radio instruction from [air traffic control],” Ford’s rep told Page Six in a statement Wednesday. “He immediately acknowledged the mistake and apologized to ATC for the error. The purpose of the flight was to maintain currency and proficiency in the aircraft.”
His rep added that no one was injured in the incident and “there was never any danger of a collision.”
The FAA confirmed that the two aircraft were approximately 3,600 feet away from each other at the time….
…According to our sources – the same ones who told us that the Guardians will cameo in Thor: Love and Thunder and Now You See Me 3 is in development, both of which have since been confirmed – Harrison Ford is reportedly wanted for a villainous part in the film. It’s unclear exactly which one it could be at the moment, but one possibility is the High Evolutionary, a role that his former Star Wars co-star Mark Hamill has been linked to in the past. In certain canon, the character has a hand in the creation and subsequent experiments on Rocket, which ties into the vague plot details that we know so far.
At Can*Con 2019 in Ottawa, Ontario, Author Guest of Honour Charlie Jane Anders sits down for a one-on-one with programming lead and author Brandon Crilly, discussing her latest novels, short fiction, and her work in fandom and the SFF community.
In these tough times, we need great TV shows more than ever. We have lots of opinions about nine new series that are making us happy because they’re smart, fun, and — best of all — colorful! Plus, we’ve got recommendations for over a dozen more not-so-new shows that are worth digging up from last year, or last century. Stay safe at home and plunge your mind into dazzling new worlds.
With movie theaters shuttered and film festivals canceled due to the coronavirus pandemic, films once slated for the big screen are now premiering in people’s homes, streaming on digital platforms or showing as video on demand. In an unprecedented move, the board governing the Academy of Motion Picture Arts and Sciences will allow movies that originally had theatrical release dates but are now being screened online to be eligible to be considered for awards.
“The historically tragic COVID-19 pandemic necessitates this temporary exception to our awards eligibility rules,” Academy president David Rubin and CEO Dawn Hudson wrote in a statement. Until now, to qualify for awards, a film had to run at least seven consecutive days in a commercial theater in Los Angeles County. Under the new rules, when theaters reopen, films may qualify for awards if they have theatrical runs in L.A., New York, California’s Bay Area, Chicago, Miami or Atlanta.
Cory Doctorow will join Gadi [Evron] on Saturday (9 May) to talk on DRM, Right to Repair, and COVID-19/Med-Tech, read from “Unauthorized Bread”, and moderate a panel discussion featuring Steve Crocker, Martin Roesch, Keren Elazari, Ron Gula, Dmitri Alperovich, and Caleb Sima, discussing the challenges of digital policy when facing security and privacy realities.
(10) TODAY IN HISTORY.
April 29, 1950 — Dimension X’s “No Contact” aired. The copy at the time described the episode such, “It was in the year 1982 that space men first discovered the great galactic barrier… 5 exploratory ships went out and none came back each disappearing mysteriously at the same vanishing point an invisible wall somewhere in the vast outer reaches that became known as the wrecker of spaceships.” Mel Brandt as usual was the announcer and with George Lefferts being the writer, and the cast being Donald Buka, Matt Crowley and Cameron Prudhomme. You can hear it here.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born April 29, 1887 — H. Bedford-Jones. Pulp writer of whom only maybe ten percent of his twelve hundred stories could be considered genre, but some such as the Jack Solomon novels, say John Solomon, Argonaut and John Solomon’s Biggest Gam,e are definitely genre. Like many of the early pulp writers, he used a number of pen names, to wit Michael Gallister, Allan Hawkwood, Gordon Keyne, H. E. Twinells and L. B. Williams. Wildside Press published in 2006 a collection of his short stories, The House of Skulls and Other Tales from the Pulps. (Died 1949.)
Born April 29, 1908 — Jack Williamson. I’ll frankly admit that he’s one of those authors that I know I’ve read a fair amount by can’t recall any specific titles as I didn’t collect him. A quick research study suggests the Legion of Space series was what I liked best. What did y’all like by him? (Died 2006.)
Born April 29, 1923 — Irvin Kershner. Director and producer of such genre works as the Amazing Stories and seaQuest DSV series, Never Say Never Again, RoboCop 2 and The Empire Strikes Back. By the way several of the sources I used in compiling this Birthday claimed that was the best Star Wars film. (Died 2010.)
Born April 29, 1943 — Russell M. Griffin. Author of but four novels as he died far too young of a heart attack. The Makeshift God, his first novel, I remember as being a rather decent dystopian affair, and Century’s End was even bleaker. He wrote but nine stories. He alas has not made it into the digital realm yet. (Died 1986.)
Born April 29, 1946 — Humphrey Carpenter. Biographer whose notable output of biographies includes J. R. R. Tolkien: A Biography; he also edited The Letters of J. R. R. Tolkien. He is responsible for The Inklings: CS Lewis, JRR Tolkien, Charles Williams and their Friends. He also wrote the engaging Mr. Majeika children’s series which was decidedly genre. (Died 2005.)
Born April 29, 1960 — Robert J. Sawyer, 60. Hominids won the Hugo for Best Novel at Torcon 3, and The Terminal Experiment won a Nebula as well. Completing a hat trick, he won a John W. Campbell Memorial Award for Mindscan too. Very impressive. And then there’s the FlashForward series which lasted for thirteen episodes that was based on his novel of that name. Interesting series that ended far too soon.
Born April 29, 1958 — Michelle Pfeiffer, 62. Selina Kyle aka Catwoman in Tim Burton’s Batman Returns. She was also in the much better The Witches of Eastwick as Sukie Ridgemont and was Brenda Landers in the “Hospital” segment of Amazon Women on the Moon. She played Laura Alden in Wolf, voiced Tsipp?r?hin The Prince of Egypt, was Titania in A Midsummer Night’s Dream, voiced Eris in Sinbad: Legend of the Seven Seas, was Lamia in Stardust and is playing The Wasp (Janet van Dyne) in Ant-Man and the Wasp.
Born April 29, 1970 — Uma Thurman, 50. Venus / Rose in The Adventures of Baron Munchausen (Kage’s favorite film), Maid Marian in the Robin Hood starring Patrick Bergin which I highly recommend, Poison Ivy in Batman & Robin (bad, bad film) which she will follow by being Emma Peel in The Avengers, an even worse stinker of a film.
(12) MORE ABOUT KERSHNER. [Item by John King Tarpinian.] Today being Irvin Kershner’s celebration of what would have been his 97th birthday, here is a little photo and story. “Kersh” is the older gentleman in the blue shirt and black jacket holding court with the line, (The hat in the lower right belongs to George Clayton Johnson.) This was the premiere of Roger Lay Jr’s graduate thesis film, Chrysalis, based on Ray Bradbury’s story. Ray was sitting to George’s left, out of picture. They held court before the screening.
Kersh kind of snuck into the theater, unbeknownst to Roger, so he was not introduced. Once the screening was over and thank yous expressed people in attendance were getting up and heading for the door or giving a final good-bye to Ray. I realized that most of the people in the audience were “future” directors. I shouted out how many liked The Empire Strikes Back? All hands were raised. I pointed out Kersh, introduced him and the fact that he directed it. A line quickly formed.
(13) COMICS SECTION.
Free Range depends on a little inside joke. Robert Bloch would have understood it.
The Argyle Sweater returns with another batch of “not-so-famous second careers” – three are genre.
(14) A PAIR TO DRAW TO. Two Chairs Talking, the podcast where past Australian Worldcon chairs Perry Middlemiss and David Grigg “talk about books, movies and other stuff,” is celebrating its one-year anniversary! Grigg says Episode-26: “Now We Are One” is “a special episode in which Perry and I each pick our five favourite books/series of all time and explain why we love them so much.”
For the record, the books discussed are: The Left Hand of Darkness by Ursula K. Le Guin, The Stars My Destination by Alfred Bester, The Hero With a Thousand Faces by Joseph Campbell, His Dark Materials by Philip Pullman, The Tango Briefing by Adam Hall, The Lymond Chronicles by Dorothy Dunnett, Guns Germs and Steel by Jared Diamond, The Path Between the Seas by David McCullough, and The French Lieutenant’s Woman by John Fowles, and Jonathan Strange & Mr. Norrell by Susanna Clarke
A Modest Proposal is brilliant, biting, hilarious satire, that is as horrifyingly relevant in 2020 as it was in 1729. This reads like one of those brilliant editorials from The Onion, or a Hannity monologue.
… By the time I was in middle school, I was struggling to deal with my abusive father, and I just did what I had to in school to keep my grades up and not fail. My teachers were fantastic, but the curriculum was very narrow, and there was little appreciation for art and literature in it. When I got into high school, I was working full time on Star Trek. I had a magnificent on-set tutor who took me all the way from grade 9 to grade 12, who encouraged me to do all the things my previous educators had not, but by that time it was just too late for me. I have regretted all of this, from the moment I became aware of it in my 30s, and I’ve been working hard to educate myself in the middle of my life, since I was not educated fully at the beginning of my life.
I am so embarrassed and disappointed that my education is a mile wide and half an inch deep. I realized this years ago, and I’ve been doing what I can to educate myself, using college lectures that are online, and by reading as much as I can, to expose myself to the great works of art and literature that my parents didn’t care about, and my educators didn’t teach me about….
The Future of Another Timeline by Annalee Newitz is a time-travelling science fiction novel. I picked it up based on the promise that there would be both time travel and lesbians, though it turned out to be more diverse than just that description implies….
…But the overarching story is about fighting for rights and the methods by which history is made/changed. An ongoing debate in the book concerns the efficacy of collective action vs the Great Man theory; whether history can be changed incrementally and/or whether killing Hitler actually does anyone any good. But this is more a book about the characters, mostly women, looking out for each other, no matter the time period. If that’s your jam, then this may well be the book for you.
(17) JEOPARDY! Andrew Porter says tonight a Jeopardy! contestant’s genre answer was mistaken.
The category: 19th Century novels.
The answer: “It’s first line ends, ‘the period was so far like the present period…for good or for evil, in the superlative degree of comparison only.'”
Wrong question: “What is ‘The Time Machine’?”
Correct question: “What is ‘A Tale of Two Cities’?”
Astronomers have been able to test key consequences of Einstein’s theories by studying the way a couple of black holes move around each other.
One of these objects is a true colossus – a hole weighing 18 billion times the mass of our Sun; the other not quite so big at “only” 150 million Sun masses.
Scientists managed to predict their interactions very precisely.
They did so by including their warping effects on space-time and by assuming the larger hole had a smooth “surface”.
The black hole pairing, known as OJ 287, exists about 3.5 billion light-years from Earth.
Scientists have long recognised a sudden brightening from this system that occurs twice every 12 years. The outburst of energy is equivalent to a trillion suns turning on at once in the holes’ host galaxy.
The best explanation for this extraordinary behaviour is that the smaller object is routinely crashing through a disc of gas and dust that’s accreting on to its larger companion, heating the inspiraling material to extremely high temperatures in the process.
But this flaring is somewhat irregular. Sometimes the brightening episodes in the 12-year period occur as little as one year apart; other times, as much as 10 years apart.
It speaks to the complexity of the path the small hole takes around its partner – a complexity the research team has now built into a highly sophisticated model.
An artificial intelligence system has been refused the right to two patents in the US, after a ruling only “natural persons” could be inventors.
The US Patent and Trademark Office rejected two patents where the AI system Dabus was listed as the inventor, in a ruling on Monday.
US patent law had previously only specified eligible inventors had to be “individuals”.
It follows a similar ruling from the UK Intellectual Property Office.
(20) CHECKING UP ON THE OTHER DOCTOR. “Dr Chuck Tingle is the glue holding this fragile and crumbling existence together,” says Jake Dowzell. The current crisis has inspired these two topical tinglers.
Meanwhile, a Tingle fan has found a way to show love through Animal Crossing.
(21) SEEDING TIME. Nothing to do with sff, but I found it a relaxing report.
[Thanks to John King Tarpinian, Andrew Porter, Cat Eldridge, Chip Hitchcock, Martin Morse Wooster, Andrew Porter JJ, Mike Kennedy, and Michael Toman for some of these stories. Title credit goes to File 770 contributing editor of the day Niall McAuley.]
(1) WEAR FOR ART THOU. The Geek’s
Guide to Ugly Christmas Sweaters promises their Star Wars Christmas sweaters “will keep you warmer
than the inside of a tauntaun (and smell better, too!)” They also offer
designs from Marvel, DC, and Disney film franchises, as well as Game of
Thrones and Harry Potter.
(2) #FLYINGWHILEDISABLED. Mari Ness has battled Aer Lingus for
repairs to her broken wheelchair. Thread starts here.
(3) SFF AT NATIONAL BOOK FESTIVAL. [Item by Rob
Thornton.] The Library of Congress taped the
presentations made at this year’s National Book Festival and they are available
at the Library’s website. Here are four of the presentations that were related
Marketing campaigns for Captain Marvel, The Lion King and The Irishman are among the theatrical nominees for the 2019 Clio Entertainment Awards.
On the television side, Killing Eve, The Twilight Zone, Leaving Neverland, When They See Us and Fosse/Verdon made the shortlist for the awards, which will be handed out Nov. 21 at the Dolby Theatre in Hollywood.
Craig Robinson is set to host the show, where the bronze, silver, gold and grand award winners also will be revealed.
Other theatrical nominees include campaigns for the upcoming Top Gun sequel, Spider-Man: Into the Spider-Verse and John Wick: Chapter 3 — Parabellum.
Nominees also were announced in several other categories, including games and home entertainment.
“When Francis [Ford Coppola] uses the words ‘those films are despicable,’ to whom is he talking? Is he talking to Kevin Feige who runs Marvel, or Taika Waititi who directs or Ryan Coogler who directs for us or Scarlett Johansson,” Iger said. “I don’t get what they’re criticizing us for when we’re making films that people are obviously enjoying going to because they’re doing so by the millions.”
(6) SUPERHERO MOVIES AS A RORSCHACH TEST. [Item by Olav Rokne.] Perhaps you can see what you want to see in your average superhero origin story. Writing in the Guardian, Steve Rose wades into the feud between auteur directors like Martin Scorsese and fans of superhero movies. Without taking a side in the debate, Rose offers a nuanced exploration of superhero stories, superhero fatigue, and fandom. “Auteurs assemble! What caused the superhero backlash?”
“People who wear masks are driven by trauma,” says Smart’s FBI agent in the new Watchmen. “They’re obsessed with justice because of some injustice they’ve suffered.” Maybe that’s been happening on a global level. Maybe still we need more of it. There are always arguments for and against processing reality through genre escapism and there are always “healthy” and “unhealthy” examples of it.
(7) TODAY IN HISTORY.
October 23, 1959. “The Sixteen-Millimeter Shrine” featured Ida Lupino (1918 – 1995) who was the only person to have worked as both actress and though uncredited at the time as a director in the same episode of The Twilight Zone. She will be credited with directing “The Masks”. She was also the only woman to direct an episode of The Twilight Zone.
October 23, 1998 — T-Rex: Back To The Cretaceous premiered. It was shot for the IMAX 3D format. It starred Liz Stauber, Peter Horton and Kari Coleman. It did very well at the box office and it had a stellar 70% rating at Rotten Tomatoe
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born October 23, 1880 — Una O’Connor. Jenny Hall in the classic Invisible Man. She’d be Minnie in The Bride of Frankenstein, and Mrs. Umney in the Cantervillie Ghost. (Died 1959.)
Born October 23, 1918 — James Daly. He was Mr. Flint in Trek‘s “Requiem for Methuselah” episode. He also showed up on The Twilight Zone, Mission:Impossible and The Invaders. He was Honorious in The Planet of The Apes, and Dr. Redding in The Resurrection of Zachary Wheeler. (Died 1978.)
Born October 23, 1953 — Ira Steven Behr, 66. Producer and screenwriter responsible for the best of the Treks, Deep Space Nine. He went on to work on Dark Angel, The Twilight Zone, The 4400, Alphas, and Outlander. An impressive tally indeed.
Born October 23, 1955 — Graeme Revell, 64. New Zealand composer responsible for such genre soundtracks as The Crow, From Dusk Till Dawn, The Saint (1997), Titan A.E., Lara Croft: Tomb Raider, Daredevil and Sin City.
Born October 23, 1959 — Sam Raimi, 60. Responsible for, and this is not a complete listing, the Darkman franchise , M.A.N.T.I.S., the Jack of All Trades series that Kage loved, the Cleopatra 2525 series, the Hercules: The Legendary Journeys and Xena: Warrior Princess series and the Spider-Man trilogy.
Born October 23, 1976 — Ryan Reynolds, 43. Lead in that Green Lantern film. He was Hannibal King in Blade: Trinity, and Seth in Sabrina the Teenage Witch. He portrayed Wade Wilson / Weapon XI in X-Men Origins: Wolverine. And he’s Deadpool.
Born October 23, 1986 — Emilia Clarke, 33. She’ll be most remembered as Daenerys Targaryen on the Game of Thrones. Her genre film roles include Sarah Connor in Terminator Genisys and Kira in Solo: A Star Wars Story. She was also Verena in Voice from the Stone, a horror film. Not to mention Savannah Roundtree in Triassic Attack, a network film clearly ripping off Jurrasic Park.
Superman Smashes the Klan is a three-part graphic novel about a young Superman battling racists, helping an immigrant family, and wrestling with his own status as an alien outsider. It’s extremely charming.
The book comes from the award-winning cartooning team of Gene Luen Yang and Gurihiru, who were inspired by the 1946 Superman story “Clan of the Fiery Cross.” That story wasn’t a comic, but rather an arc of the immensely popular Adventures of Superman radio serial. In the audio adventure, Superman battled the racist machinations of the Ku Klux Klan. Excoriated and embarrassed by one of the country’s most popular radio shows, the white supremacist group actually saw a drop in membership.
Superman Smashes the Klan is the first time “Clan of the Fiery Cross” has been adapted to comics…
…I refuse to grovel, to attempt to put into words what will always be unsayable, which is to say that what makes certain stories reach into your chest cavity and rip out what is left of your heart needs not be discussed. It is itself all the justification a story will ever need. The best offense being no defense at all. And so: none offered. And you, my friend, recently said to me, “You’re lucky you write stories. I mean the form is an ideal forum for today’s uber-distracted society. Don’t you think?” And because I love and respect you, in spite of the pain in my soul the question inflicted, here I am answering by not answering which has been my MO for much of life. No I do not think. Ah, screw it: the short story is, with the glorious exception of poetry, absolutely the least ideal mode of expression for our distracted society because it takes a certain kind of intense concentration. Compassionate concentration? To appreciate. To grasp. To love. I’m talking about a reading a story, a good story. What’s a good story? How am I defining—
You tell me. Because you know. This is personal. To you and to me.
A Tennessee haunted house billed as the scariest in the world requires visits to sign a 40-page waiver, pass a physical and undergo a background check — and no one has ever finished the attraction.
Russ McKamey, owner of McKamey Manor in Summertown, said the price of admission is only a bag of food for his five dogs, and the prize for finishing is $20,000, but no one has ever collected the prize money.
… The visitors must then watch a 2-hour video called And Then There Were None, which features footage of every visitor from July 2017 and August 2019 quitting before the end of the experience. Visitors leave by uttering the code phrase, “You really don’t want to do this.”
(15) INSURANCE CLAIM. The house in this commercial is a
little creepy, nothing that would make you forget what they’re selling,
The gecko helps a new homeowner search through the attic of his home, and makes some creepy discoveries.
Tiny satellites are taking on a big-time role in space exploration.
CubeSats are small, only about twice the size of a Rubik’s Cube. As the name suggests, they’re cube-shaped, 4 inches on each side, and weigh in at about 3 pounds. But with the miniaturization of electronics, it’s become possible to pack a sophisticated mission into a tiny package.
…”I saw a flyer on a bus stop that said, ‘Want to build a satellite?’ ” says Hannah Goldberg. At the time, in 1999, she was an undergraduate engineering major at the University of Michigan. The flyer caught her attention, and she decided that building satellites was exactly what she wanted to do.
Today, Goldberg works at GomSpace, a Danish satellite company making CubeSats for the European Space Agency.
“In the beginning, in the early days of CubeSats, they kind of had a bad reputation,” Goldberg says. “People didn’t think you could do much science or much engineering benefit with them.”
…But with the advent of smartphones, Goldberg says, engineers started getting really good at packing a bunch of electronics into a small space. CubeSats started getting more sophisticated, and the cost of electronics that could be used in space came down. Scientists started to take notice.
Google says an advanced computer has achieved “quantum supremacy” for the first time, surpassing the performance of conventional devices.
The technology giant’s Sycamore quantum processor was able to perform a specific task in 200 seconds that would take the world’s best supercomputers 10,000 years to complete.
Scientists have been working on quantum computers for decades because they promise much faster speeds.
In their Nature paper, John Martinis of Google, in Mountain View, and colleagues set the processor a random sampling problem – where it checks a set of numbers that has a truly random distribution.
Sycamore was able to complete the task in three minutes and 20 seconds. By contrast, the researchers claim in their paper that Summit, the world’s best supercomputer, would take 10,000 years to complete the task.
Original stars Arnold Schwarzenegger and Linda Hamilton are reunited in this latest instalment of the cyborg franchise – but otherwise it’s pointless, writes Nicholas Barber.
Well, he did say he’d be back. Arnold Schwarzenegger made that promise in The Terminator in 1984, little realising that “I’ll be back” would become his most famous line of dialogue, or that the homicidal cyborg he was playing would become his defining role. True to his word, he was back for Terminator 2: Judgment Day in 1991, along with the original film’s writer-director, James Cameron, and its co-star, Linda Hamilton. After that, Schwarzenegger was back for Terminator 3: Rise of the Machines in 2003, Terminator Salvation in 2009, and Terminator Genisys in 2015, but they wandered further and further from the lean, mean high-concept thrills of the 1984 classic. And now he is back again in Terminator Dark Fate.
…[Most] viewers will be waiting for Arnie and Linda to show up – and when they eventually do, it’s worth the wait. Much like Jamie Lee Curtis’s Laurie Strode in last year’s Halloween – another exercise in course-correcting a franchise by pretending several of the sequels didn’t happen – Hamilton’s Sarah Connor is now silver-haired, surly, armed to the teeth, and with a voice so low and harsh that it sounds as if her cigarette intake will kill her before any robots manage to. She is an icon from the moment she strides out of her car carrying a gun the size of a fully grown Christmas tree. Schwarzenegger’s arrival is even more welcome. That stillness… that deadpan line-delivery… that physical resemblance to one of Stonehenge’s standing stones… even at the age of 72, he is better than anyone at playing an unstoppable cyborg (Luna just doesn’t have the requisite menace). And he is quite touching, too, as a killing machine who has reformed and settled down as a grey-bearded family man.
(19) VIDEO OF THE DAY. Robot Chicken’s “O
Great Pumpkin” parody.
[Thanks John King Tarpinian, JJ, Chip Hitchcock, Todd Mason, Mike
Kennedy, Olav Rokne, Martin Morse Wooster, Cat Eldridge, and Andrew Porter for
some of these stories. Title credit goes to File 770 contributing editor of the
day Russell Letson.]
…For someone familiar with the world of cosplayers and conventions, it’s an overwhelming affair. For those unfamiliar, it’s an alien world; a new, bizarre mashup of everything pop culture. It’s not quite as big — around 85,000 people attended this year — half that of what the San Diego con typically draws. And while its bigger cousins attract plenty of cosplayers, Dragon Con is a mecca for them. Everywhere you turn, you see your typical superheroes: Spider-man is big this year, as are variations of Marvel’s Tony Stark, depressed Thor from Avengers: Endgame, Valkyrie, Black Widow, Captain Marvel, Deadpool, Superman and Superwoman, and of course Batman.
There are plenty of other properties represented in the crowds. Zelda and Link from various Legends of Zelda mingle with Master Chief and his fellow Spartans from the Halo games. Humanized versions of Pokémon march behind characters from Witcher. There are characters from webcomics, Aziraphale and Crowley from Neil Gaiman and Terry Pratchett’s Good Omens, members of Star Trek’s Starfleet Command, of the Night Watch from Game of Thrones, a long column of Spartans from Frank Miller’s 300, spaceship crew members and soldiers from The Expanse, and members of the 501st and Rebel Legions…
(2) SEE AND HEAR SF HISTORY. Fanac.org has posted a
video of Rusty Hevelin interviewing Jack Williamson at MagiCon, the 1992
MagiCon, the 50th Worldcon, was held in Orlando, Florida in 1992. In this video, Rusty Hevelin interviews author Jack Williamson. Jack talks candidly about his life and career, from his experiences with psychoanalysis to his apprenticeship with (early SF writer) Miles J. Breuer to how he changed with the market over 50 years. WARNING: You have to listen closely as Jack speaks softly, and the interview is very slow till about midway. There’s a lot of “I don’t recall” early on. If you do, you’ll be rewarded with insights into one of the field’s most important early writers.
…Of course I immediately dropped the book on discovering it had politics in it. I will not abide politics in my science fiction. Science fiction should be apolitical and concern itself with mighty space empires and their impressive armies colonising new worlds and fighting evil aliens who want to destroy our liberties and steal my guns just like Venezuela and don’t get me started on California.
Anyway, not long after Camestros was shouting “Timothy did you put my book in the toilet!” And he was really angry but it wasn’t me and I don’t know how it got there but he still blamed me even though he didn’t see me do it and whatever happened until innocent until proven guilty? I am most unjustly persecuted….
Fans of Charlie Jane Anders’ work have something to look forward to as she has struck a deal with Sony Pictures Television to bring ‘The City In The Middle Of The Night’ to the small screen! Sharon Hall (‘The Expanse‘,’Utopia’) is serving as an executive producer and is helping bring the series to life through her Mom de Guerre Productions. Hall’s company has a first-look deal with Sony, and it appears the studios agree that this one is going to be a hit! Nate Miller and Dan Halsted are also slated to be executive producers through Manage-ment who reps Anders.
Born September 9, 1900 — James Hilton. Author of the novel Lost Horizon which was turned into a film, also called Lost Horizon by director Frank Capra. It is best remembered as the origin of Shangri-La. (Died 1954.)
Born September 9, 1915 — Richard Webb. Captain Midnight on the Captain Midnight series in the Fifties on CBS. Called Jet Jackson, Flying Commando when it was syndicated. He play Lieutenant Commander Ben Finney in “Court Martial” of Star Trek. And in the Fifties, he was Lane Carson, the lead investigator in The Invisible Monster. (Died 1993.)
Born September 9, 1922 — Pauline Baynes. She was the first illustrator of some of J. R. R. Tolkien’s lesser known works such as Farmer Giles of Ham and Smith of Wootton Major and of C. S. Lewis’s Chronicles of Narnia. With the help of cartographers from the Bordon military camp in Hampshire, Baynes created a map that Allen & Unwin published as a poster in 1970. Tolkien was generally pleased with it, though he didn’t particularly like her creatures especially her spider. (Died 2008.)
Born September 9, 1929 — Joseph Wrzos, 90. He edited Amazing Stories and Fantastic under the name Joseph Ross from August 1965 through early 1967. He was responsible for their move to mostly reprints and a bimonthly schedule while the publisher refused to pay authors for the reprints saying he held the rights to them without needing pay additional renumeration and leading to severe conflict with SFWA. With Hannes Bok, he edited in 2012, Hannes Bok: A Life in Illustration.
Born September 9, 1943 — Tom Shippey, 76. Largely known as a Tolkien expert, though I see he wrote a scholarly 21-page introduction to Flights of Eagles, a collection of James Blish work, and under the pseudonym of John Holm, he is also the co-author, with Harry Harrison, of The Hammer and the Cross trilogy of alternate history novels. And early on, he did a lot of SF related non-fiction tomes such as Fiction 2000: Cyberpunk and the Future of Narrative (edited with George Slusser).
Born September 9, 1949 — Jason Van Hollander, 69. A book designer, illustrator, and occasional author. His stories and collaborations with Darrell Schweitzer earned a World Fantasy Award nomination. It was in the Collection category, for Necromancies and Netherworlds: Uncanny Stories. I’m fairly sure he’s done a lot of work for Cemetery Dance which make sense as he’d fit their house style.
Born September 9, 1952 — Angela Cartwright, 67. Fondly remembered as Penny Robinson on the original Lost in Space. She, like several of her fellow cast members, made an appearance in the Lost in Space film. She appeared in the Logan’s Run series in “The Collectors” episode as Karen, and in Airwolf as Mrs. Cranovich in the “Eruption” episode.
Born September 9, 1952 — Tony Magistrale, 67. There’s a particular type of academic mania you sometimes encounter when a professor dives deep into a genre writer. Here we have such when one encounters Stephen King. Between 1988 and 2011, he wrote ten tomes on King and his work ranging from Landscape of Fear: Stephen King’s American Gothic to The Films of Stephen King: From Carrie to The Mist with I think my favorite being The Dark Descent: Essays Defining Stephen King’s Horrorscape. He’s a poet too with such scintillating titles as “Ode for a Dead Werewolf” and “To Edgar Poe on Father’s Day”.
Born September 9, 1954 — Jeffrey Combs, 65. Though no doubt his best known genre role was as Weyoun, a Vorta, on Deep Space Nine. However, his genre portfolio is really, really long. it starts with Frightmare, a horror film in the early Eighties and encompasses some forty films, twenty-six series and ten genre games. He’s appeared on Babylon 5, plus three Trek series, Voyager and Enterprise being the other two, the Enterprise appearance being the only time an actor played two distinct roles in the same episode. He’s played H.P. Lovecraft and Herbert West, a character by that author. Each multiple times.
Born September 9, 1955 — Janet Fielding, 64. Tegan Jovanka, companion to the Fifth Doctor. The actress had a rather short performing career starting with the Hammer House of Horror series in 1980 where she was Secretary Mandy on the “Charlie Boy” episode” before landing the the Doctor Who gig through 1984 before her career ending in the early Nineties. She was part of the 2013 50th Anniversary The Five(ish) Doctors Reboot.
Born September 9, 1960 — Hugh Grant, 59. He appeared in The Lair of the White Worm as Lord James D’Ampton and in the remake of The Man from U.N.C.L.E as Mr. Waverly. And he was the Handsome Doctor in Doctor Who: The Curse of Fatal Death, the 1999 Doctor Who special made for the Red Nose Day charity telethon.
Born September 9, 1971 — Henry Thomas, 48. Elliot in E.T. the Extra-Terrestrial. Let’s just say that he’s had a busy if mostly undistinguished post-E.T. acting career, though I will single him out for his rather good work in Nightmares & Dreamscapes: From the Stories of Stephen King and The Haunting of Hill House series. He’s playing Doctor Mid-Nite in the forthcoming Stargirl series on the DCU streaming service.
After experimenting with different time frames for BookExpo, Reed Exhibitions has decided to return to an event that features two days of exhibits preceded by a full day of educational programming.
In a letter sent to industry members, event manager Jenny Martin said that, after analyzing customer feedback, the consensus was that the three-day 2019 show proved “challenging and costly” for many. As a result, BookExpo 2020 will open Wednesday, May 27, with a day dedicated exclusively to educational programming. That day will be followed by two days of exhibits. BookCon will be held immediately after BookExpo, running May 30-31. Exhibitors will once again have the option of exhibiting at both shows, or at just one.
(11) IT’S THE THOUGHT THAT COUNTS. [Item by
Cora Buhlert.] At Worldcon in Dublin at the Memphis
2023 bid party of all things, I not only ran into the assembled German SMOFdom,
but also into Alex Weidemann, a reporter of the Frankfurter Allgemeine
Zeitung, one of Germany’s most prestigious newspapers. Though the FAZ is a
quality newspaper they are surprisingly genre friendly. Alex Weidemann’s
article about WorldCon is now online, though most of it is sadly behind a
paywall: “Sie kommen in Frieden”.
…Strange, new places do take some getting used to and it might take you a few minutes to get the hang of subreddit r/HaveWeMet’s premise, where users roleplay as longtime neighbors in a non-existent town called “Lower Duck Pond.” The joke’s attracted over 87,000 users since the community started two years ago, making it the fastest-growing open-source fictional town on Earth. While the residents, streets, and buildings are fake, the absurdity, purity, and sense of community for its daily users has become very real.
Reddit user u/Devuluh, who’s really a sophomore computer science major named David (he declined to share his last name), started r/HaveWeMet in early 2017 when he was still in high school. The idea was to create an online space where everyone pretends to know each other….
(13) HIGH & TIGHT
OR LOW & AWAY? Tagline: “Get yourself a heat shield, and throw
the parcel really hard—backward.” An excerpt
from Randall Munroe’s latest book, How
online at WIRED. Before you click, note that there’s a partial
paywall, limiting you to just a few free Wired articles each month.
Based on the 2001–2018 average, 1 out of every 1.5 billion humans is in space at any given time, most of them on board the International Space Station.
ISS crew members ferry packages down from the station by putting them in the spacecraft carrying crew back to Earth. But if there’s no planned departure for Earth any time soon—or if NASA gets sick of delivering your internet shopping returns—you might have to take matters into your own hands.
[Thanks to Daniel Dern, JJ, Chip Hitchcock, John King Tarpinian,
Martin Morse Wooster, Mike Kennedy, Cat Eldridge, and Andrew Porter for some of
these stories. Title credit goes to File 770 contributing editors of the day Anna
Nimmhaus and Kyra.]
Future Tense is a partnership of Slate, New America and Arizona State University that explores emerging technologies, public policy, and society. Beginning in 2016, Future Tense commissioned a series of stories from leading writers that imagined what life might be like in a variety of possible futures. Future Tense is a selection of those pieces.
Carl Slaughter had sent Charlie Jane Anders these interview questions a couple of weeks before he died in an automobile accident on August 11 (see Carl’s obituary here). We are very grateful to the author for helping Carl complete his final project.
SLAUGHTER: Let’s start with a recap of io9. What was the
vision? Did it achieve its goals? What was the attraction?
What was your contribution?
JANE ANDERS: io9 feels like a very long time ago
for me now. I can’t really speak to the vision behind it, because that was all
Annalee Newitz, and they were the real founder. I was incredibly grateful to be
brought on board to help bring their vision to life. I think the most exciting
thing about io9 was that we were combining science and science fiction,
and we were trying really hard to have credible science coverage alongside
geeking out about movies, books, television, comics, etc. We talked a lot about
finding ways to explore the idea that science fiction had become mainstream
culture, because we were living in a science-fictional time. For me, the most
fun part was getting paid to obsess about storytelling by interviewing
creators, writing reviews and critical essays, and doing stuff like my writing
“how to” articles. This felt like I was getting paid to go to grad
school, and I’m still intensely grateful for the opportunity.
your work these days primarily fiction or nonfiction?
CJA: I’m mostly doing fiction lately, which
is the luckiest thing ever. I can’t believe I get to make up stuff for a
living. I still do the occasional feature or piece of criticism here and there,
and of course Annalee and I are doing our podcast, Our Opinions Are Correct. But I’ve been fortunate enough
to get into a position where I’m getting to soak my brain in made-up worlds and
CS: I’m quoting Wikipedia:
“…but it was not until her science fiction novelette “Six Months, Three
Days” won her a Hugo, that she realized what readers were
after…” What are readers after?
CJA: Wow… I wish I knew. I think
what that’s referring to is maybe that “Six Months, Three Days” was a
legit creative turning point for me. It was the first time I felt like I got
really close to capturing actual emotion and the complexities of relationships
in my fiction. I had written a lot of stuff along those lines before, but
always felt like I was just kind of poking at the surface of the emotional
stuff, instead of really inhabiting it. “Six Months” was something
that very easily could have been a cerebral puzzle box, about two different
kinds of clairvoyance. I felt like I had a “whoa” moment where I
somehow coaxed myself to burrow into the emotional substrate a bit more, and I
was overjoyed when the story got such a positive response. It did feel as
though I had unlocked another level, or something. But then of course, the next
time you try to repeat that or access that level of emotion in the next story,
it’s always harder than you expect — writing is often a matter of starting
from scratch and trying to rediscover something that you previously got at.
your strategy for character development?
CJA: I think that for me, as a writer,
I need to be curious about a character. It’s not that different from being a
reader, honestly. I need to find something about a character that makes me
interested in them and want to know more about them, and I have to be invested
in what happens next for them. It’s all about connecting emotionally with the
character. I also think that a lot of writing is actually acting. You have to
“get into character” when you’re writing about someone, and you have
to try to imagine how it feels to be them, and what’s going through their head
as they go through a particular situation. I also think a lot of what I wrote
your story for Future Tense.
CJA: In “The Minnesota
Diet,” New Lincoln is a brand new smart city that is entirely green and
high-tech, with a lot of shiny virtual spaces and vertical farms and stuff. And
New Lincoln’s residents aren’t even aware of how dependent they are on external
food sources, to the point where the city begins to starve pretty quickly when
the self-driving trucks stop showing up. I came up with this idea because I was
obsessing a lot about famine, as both a present and future problem. There are
huge food crises happening in East Africa, Yemen and Sudan right now, and
unlike in the 1980s with Ethiopia, it’s really difficult to get people in the
United States to pay attention. So I thought it might be helpful to depict
famine and food-insecurity happening to middle-class professionals in an
advanced metropolis. Once I started researching the story, and especially after
from ASU’s Christopher Wharton, I started to realize this story’s scenario was even closer to
reality than I had imagined.
your approach at Our Opinions are Correct?
CJA: I’m so incredibly lucky to be
working on this podcast with Annalee, and so grateful to everyone who’s
listened to the podcast and supported us. We do a ton of prep before every
episode, assembling a whole list of books and other works that are relevant to the
episode topic, and making audio clips that we can feature in each episode. We
seldom get to talk about everything on our list, but it’s good to know what the
important works are, so we don’t inadvertently skip over something really huge.
We try to keep the episodes very conversational and unscripted, but between the
reading lists and the clips we know we’re going to include, there’s always some
built-in structure. The fun part is that we often think of stuff as we’re
talking, and the episodes are usually more spontaneous than what we’ve prepared
for, because it’s such a fun conversation.
projects are you actively involved in?
CJA: I have a bunch of stuff going on
right now, but the most important thing by far is the
untitled young-adult space opera trilogy that I sold to Tor a while back. This is one of the most complex
projects I’ve ever done, in part because there’s a whole bunch of alien races
and a whole layered backstory to keep track of, and in part because I have to
make sure all three volumes form a satisfying adventure story that goes
somewhere. The good news is, the first book of the trilogy is finished and has
already gone through a lot of editing, and I’m about halfway through writing
the second volume. It’s a lot of fun, and unlike anything I’ve ever written
projects are in the works?
CJA: I’m turning one of the
unpublished novels that I wrote and shopped around before All the Birds in
the Sky into a novella right now. That worked out quite well for Rock
Manning Goes For Broke, which was originally a novel I tried to publish in
around 2009ish, and then got cut down to around 23,000 words. I find some of
these older novels of mine suddenly seem a lot stronger when they’ve lost all
of their extraneous subplots and meandering middle sections. This time around,
my unpublished novel (an urban fantasy in the mold of Richard Kadrey or Jim
Butcher) is requiring a lot of revision to fix some structural problems that
became apparent once I stripped away some of the extra junk. But I think it’s
going to be super fun when it’s finished.
feelers from Hollywood?
CJA: Absolutely, but nothing I can
talk about right now. There’s definitely some interest in adapting some of my
stuff for the screen, but most of the time I try to stay chill about it. The
best part of having something optioned is that you get to go back and rethink
something you wrote ages ago, in conversations with some really smart,
experience writers and producers, and it’s fun to visualize how the story could
be told in a different way. If anything actually gets made, THEN I’ll freak out
CS: Are you on the convention circuit?
CJA: Sort of… I do Worldcon and
Wiscon every year, and then I seem to get invited to be guest of honor at the
occasional con as well. I seem to do Comic-Con every other year these days,
which is just about perfect for that exercise in sensory overload. I’m
discovering that smaller local conventions are often the most fun, because you
can actually hang out with people and have real conversations. I miss
Dragon*Con, and really want to get back there.
does the future hold for Charlie Jane Anders?
CJA: Hopefully? Uploading my brain
into a giant mecha and building a space elevator to a LaGrange point where we
can have outrageous spoken word events and parties all the time.
(1) NEBULA LIVESTREAM. You
can see it on SFWA’s YouTube channel at 8:00 p.m. Pacific.
The Science Fiction and Fantasy Writers of America are presenting the 2018 Nebula Awards for excellence in science fiction and fantasy writing, live from the Warner Center Marriott in Woodland Hills, CA.
The Starship Enterprise has travelled far and wide throughout the galaxy, encountering countless civilizations — and now it is sitting in a garage in eastern Toronto.
…Bill Doern, a 51-year-old who runs a boutique public relations and marketing firm in Toronto, watched reruns of the original Star Trek television series as a boy. His favourite character is Spock. His favourite captain is Picard. When his wife was pregnant with their first child, he hoped to name the boy Mr. Sulu (they ended up naming him Elijah).
Mr. Doern is, in other words, about as much of a Trekkie as a Trekkie can be.
The Saturday before Mother’s Day, he was driving home from doing some grocery shopping when he saw a scale replica of the Enterprise NCC-1701-A, last seen in the movie Star Trek VI: The Undiscovered Country, released in 1991, on a neighbour’s front lawn.
Mr. Doern stopped to get a picture of the ship, which is about as big as a small car. As he was snapping a pic, the homeowner came out with a “For sale” sign.
…It should come as no surprise then that a joint team comprised of members of MIT’s Media Lab (Artificial Intelligence Division) and Hanson Robotics was recently formed to address the need for Fanbots – electronic replacements for geeks and nerds.
“This project actually began in Hollywood”, said Dr. Calvin, Chief Administrator for the project. “Studio heads approached us a few years ago and asked us to blue-sky a response to the negativity that was surrounding, among other things, Disney’s evisceration of the Star Wars extended universe, not to mention Paramount’s problems with Star Trek fan films, the on-going complaints about Fox’s cancellation of Firefly, the regular eruption of re-make hysteria, the encroachment of real world politics into entertainment.”
Calvin went on to explain that the studios were expressing grave concern over the reliability of fans, and concern over the increasing sense of “ownership” fans were expressing regarding favored properties. One director stated that he was “sick and tired of being told what prior works he had stolen his ideas from; another expressed dismay over fan’s insistence that some degree of logicality accompany the plots of entirely fictional characters; marketing division heads complained about the complete and utter unreliability of fan audiences who seemed to select favorites and stinkers in an entirely arbitrary and fickle manner.”…
Three years before he died last year, the brilliant caricaturist, illustrator, animator and comic strip artist, Robert Grossman completed his as-of-then unpublished magnum opus, a decade long passion titled Life On The Moon: A Completely Illustrated Novel (Yoe Books). Grossman prided himself on illustrating “the un-illustratable” — an historical graphic novel based on the “Great Moon Hoax,” the most successful fake news story ever published.
Robert Grossman and the Moon
In 1835, The New York Sun published a series of six articles declaring the discovery of life–and advanced civilization–on the moon, which the newspaper attributed to the famous contemporary astronomer Sir John Herschel. According to the Sun, the lunar inhabitants included unicorns, bison, bipedal tail-less beavers, and intelligent humanoids with bat-like wings.
…Nor is the contagion confined to American authors. Last month John Boyne, best known for the Holocaust novel The Boy in the Striped Pyjamas, received such a barrage of abuse prior to the publication of his latest book, My Brother’s Name Is Jessica, which features a transgender central character, that he was briefly forced off Twitter. Critics labelled the book ‘transphobic’, suggesting that because Boyne is not transgender the story ‘lacked authenticity’ and its title ‘misgendered’ the fictional protagonist.
At almost the same moment that Boyne was deleting his Twitter account, Lincolnshire-based Zoe Marriott, a prolific writer of YA fiction, was also being hounded on the site over her new fantasy novel, The Hand, the Eye and the Heart, because it’s set in ‘fairy-tale China’. One prominent YA blogger warned: ‘White authors need to stay the hell away from the stories of people of color.’ Curiously, said blogger’s day job involves manning the tills at Foyles, one of London’s most revered bookshops — pity the poor sod who dares trouble her for a copy of Othello, or Tolkien for that matter. The father of fantasy fiction has come in for criticism for his portrayal of orcs in The Lord of the Rings. Some feel his work is ‘racialized’. And what’s a sensitive young bookseller to do if a young customer requests a C.S. Lewis, whose Narnia books were branded ‘blatantly racist’ and misogynistic by fellow fantasy author Philip Pullman? Pullman has since been labelled ‘transphobic’ himself after tweeting in October that he was ‘finding the trans argument impossible to follow’.
…Though the rule in question specifically targets the promotion or display of “fictitious Nazis or Nazi-like organizations,” Anime NYC has been highly inconsistent in its application of the rule. Tanya the Evil, a series specifically noted in the rules, features allusions to aspects of World War II (such as the appearance of the World War II-era MP40 submachine guns or a character based on Werner Von Braun) but is entirely set in a fictional country based heavily on World War I-era Europe.
Furthermore, in a move deemed hypocritical by some fans, the close professional partnership between LeftField Media and Crunchyroll led to Anime NYC promoting a special screening of The Saga of Tanya the Evil – the Movie:…
… The show did indeed take a turn for the worse, but the reasons for that downturn goes way deeper than the usual suspects that have been identified (new and inferior writers, shortened season, too many plot holes). It’s not that these are incorrect, but they’re just superficial shifts. In fact, the souring of Game of Thrones exposes a fundamental shortcoming of our storytelling culture in general: we don’t really know how to tell sociological stories.
At its best, GOT was a beast as rare as a friendly dragon in King’s Landing: it was sociological and institutional storytelling in a medium dominated by the psychological and the individual. This structural storytelling era of the show lasted through the seasons when it was based on the novels by George R. R. Martin, who seemed to specialize in having characters evolve in response to the broader institutional settings, incentives and norms that surround them.
After the show ran ahead of the novels, however, it was taken over by powerful Hollywood showrunners David Benioff and D. B. Weiss. Some fans and critics have been assuming that the duo changed the narrative to fit Hollywood tropes or to speed things up, but that’s unlikely. In fact, they probably stuck to the narrative points that were given to them, if only in outline form, by the original author. What they did is something different, but in many ways more fundamental: Benioff and Weiss steer the narrative lane away from the sociological and shifted to the psychological. That’s the main, and often only, way Hollywood and most television writers tell stories….
We’re pleased to see that an inter-city bus carrier has begun to sell tickets for intercity bus service Reno-Tonopah-Las Vegas-Phoenix, starting July 3, 2019. This should give people traveling to Tonopah by air to Reno or Las Vegas an additional way of getting to Tonopah without having to rent a vehicle or group with other people doing so.
Due to attempted vandalism, Social Justice Warriors may not travel on Streamliner. Social Justice Warriors include:
Persons self-proclaiming to be “Social Justice Warriors” or “SJWs”.
Persons supporting California regulations prohibiting or restricting Streamliner operations.
Persons supporting boycotts, sabotage, agitation, protests, and terrorism against Streamliner.
(9) SMITH OBIT. Artist Dennis Neal Smith, chair of the first WesterCon in San Diego in 1966, has died reports Greg Bear.
Fond farewell to Dennis Neal Smith, famous for many things, and scholar of many things, who inspired Harlan Ellison’s “I Have No Mouth and I Must Scream,” with his richly textured illustrations, and who illustrated my first story collection for Arkham House, as well as Joanna Russ’ collection.
Jackie Estrada says Smith died of
But his biggest claim to fame was his artwork. Harlan Ellison based several of his short stories on drawings by Dennis, including “Bright Eyes,” “I Have No Mouth and I Must Scream,” and “Delusions for a Dragonslayer.” He also did the art for the first progress report for the 1972 San Diego Comic-Con and served on the committee back then.
The 1966 San Diego Westercon hotel
inspired Poul Anderson to write the immortal filk “Bouncing Potatoes”.
(10) TODAY IN HISTORY
May 18, 1962 — The Twilight Zone aired “I Sing The Body Electric,” based
on a story by Ray Bradbury.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born May 18, 1930 — Fred Saberhagen. I’m reasonably sure I’ve read the entirety of his Berserker series. Some are outstanding, some less so. Of his Dracula sequence, the only one I think read is The Holmes-Dracula File which is superb. And I know I’ve read most of the Swords tales as they came out. (Died 2007.)
Born May 18, 1934 — Elizabeth Rogers. Trek geeking time. She had two roles in the series. She provided the uncredited voice for “The Companion” in the “Metamorphosis” episode. She also portrayed Lt. Palmer, a communications officer who took the place of Uhura, in “The Doomsday Machine”, “The Way to Eden”, and the very last episode of the series, “Turnabout Intruder”. She also had appearances on Time Tunnel, Land of The Giants, Bewitched, The Swarm and Something Evil. (Died 2004.)
Born May 18, 1946 — Andreas Katsulas. I knew him as Ambassador G’Kar on Babylon 5 but had forgottenhe played played the Romulan Commander Tomalak on Star Trek: The Next Generation. His first genre role on television was playing Snout in A Midsummer Night’s Dream and he had a recurring role in Max Headroom as Mr. Bartlett. He alsohad appearances on Alien Nation, The Death of the Incredible Hulk, Millennium, Star Trek: Enterprise and The Real Adventures of Jonny Quest. (Died 2006.)
Born May 18, 1948 — R-Laurraine Tutihasi, 71. She’s a member of LASFS and the N3F. She publishes Feline Mewsings for FAPA. Not surprisingly, she’s had a number of SJW credentials in her life and her website gives honour to them here.
Born May 18, 1949 — Rick Wakeman, 70. English musician who did a number of genre themed recordings including Journey to the Centre of the Earth, The Myths and Legends of King Arthur and the Knights of the Round Table and Nineteen Eighty-four.
Born May 18, 1952 — Diane Duane, 67. She’s known for the the Young Wizards YA series though I’d like to single her out for her lesser known Feline Wizards series where SJW creds maintain the gates that wizards use for travel throughout the multiverse.
Born May 18, 1958 — Jonathan Maberry, 61. The only thing I’ve read by him is a number of works in the Joe Ledger Series which has a high body count and an even higher improbability index. I see that he’s done scripts for Dark Horse, IDW and Marvel early on. And that he’s responsible for Captain America: Hail Hydra.
Born May 18, 1969 — Ty Franck, 50. Half of the writing team along with Daniel Abraham that s James Corey, author of the Expanse series. I’ll admit that I’ve fallen behind by a volume or two as there’s just too many good series out there too keep up with all of them, damn it!
(12) SCARES THAT CARE.[Item by
Dann.] Episode 219 of The Horror Show with Brian Keene
included an announcement of the 3rd Horror Show telethon to benefit the Scares That Care charity. The
first telethon in 2017 raised over $10,000, last year’s telethon raised over
$20,000. Both events took place in Pennsylvania and heavily featured
guests living on the east coast of the United States.
This year’s event will take place on September 27-28
at Dark Delicacies
located at 822 N. Hollywood Way located in Burbank, CA. This is a new
location for the bookstore that bills itself as the “Home of Horror”.
One feature of holding this year’s event in California
is the ability to draw on the talented people in the horror genre that live and
work on the west coast of the United States.
Unlike the first two telethons, this year’s event will
take place in a location with less room for live viewing. It is hoped
that attendees will circulate in and out of the viewing area that patrons of
the store will still be able to shop.
The telethon will be broadcast live via one of the
streaming services. Online fundraising will be performed via the Scares That Care website.
Fans wanting to participate in a Scares That Care event
on the east coast can attend the “Scares
That Care Weekend from August 1 to August 4 in Williamsburg, VA.
…The sword, Valofax, is a giant sentient blade that is the embodiment of all swords and knives throughout the universe. It changes the life of a small family: Grandfather Emmett Quinlan, his son, and his son’s wife and young daughter. The story takes us from Texas to Hell and finally to the far-off home of Valofax, whose creator wants the sword back even as his planet dies all around him….
Does that mean it’s supposed to be a long distance between Texas and Hell?
If you plunked down your $2 for a Worldcon membership (Pacificon II in San Francisco this year), then you probably sent in your nominations for the Hugo Awards, honoring the best works of 1963. Last month, you got the finalists ballot. Maybe, like me, you were surprised….
What do you think accounts for the recent boom in speculative fiction?
There’s been a trend over the last 20 years of “mainstream” literary authors dipping into speculative fiction — Margaret Atwood, John Updike. (But) we’re living in a time where everything is a little more science fictional. Technology has transformed lives in a short time, things like smartphones, medical technologies. A third thing is that speculative fiction is finally opening out and including authors who had previously been kept out of the genre: people of color, women, queer people, transgendered people, disabled people. That, I think, leads to an explosion of creativity and a ton of really interesting stories.
(18) NEBULA CONFERENCE VIDEOS.
SFWA has posted several panel discussions from this weekend’s event.
Shifting To Games. With Phoebe Barton, Kate Dollarhyde, Darusha Wehm, Natalia Theodoridou, and Kate Heartfield.
Now What? Emerging writers discuss life after their debut. With Rebecca Roanhorse, Peng Shepherd, Mike Chen, R.R. Virdi and R.F. Kuang
How do the writers of 2019 incorporate modern themes while writing in past settings? With Susan Forest, Connie Willis, Mary Anne Mohanraj, Kate Heartfield
(19) STAR WARS PITCH.ScreenRant lets you step inside the pitch meeting that led to Star Wars: Episode IV – A New Hope!
Carl Slaughter, Andrew Porter, John King Tarpinian, Cat Eldridge, JJ, Chip
Hitchcock, Jim Caughran, Dann, Nancy Sauer, Martin Morse Wooster, and Mike
Kennedy for some of these stories. Title credit goes to File 770 contributing
editor of the day Niall McAuley.]
(1) THE NEW NUMBER TWO. Future Science Fiction Digest’s second issue was released today. The contents are available for immediate purchase, or you can read the stories when they become available as free reads on the site between now and May 15.
From the time of the dinosaurs to the heat death of the universe, from thinking and feeling androids to human consciousness spanning multiple bodies, from cats on the Moon to alien salad dressing that makes plastic digestible and delicious, these tales have something for everyone.
…It’s going to happen. If you put your work out there, it’s going to get reviewed, and some people aren’t going to like it. We may love the good reviews, and I’ve been very fortunate that most of mine have been positive, but sooner or later, somebody’s gonna land a glove on you.
So how do you take it?
Ideally, you need to do three things. Most people don’t. Many people can get through one or maybe two. But to be great, you need to do all three.
First of all, you need to get back up.
These things happen. And they hurt and they suck, but it’s part of the game. It’s a part that you agreed to, tacitly at least, when you put your work out there. It’s not unfair. It hurts, because when we write, we basically stand naked on a stage, and that’s a very vulnerable place to be. But you decided to be there. So the first test is: Can you get back up? Can you write another book?
(4) SEMIOTIC BAGGAGE. Christopher Maverick’s post “Call For Comments: The (super)Power of Fashion and Symbols” at Vox Populorum follows this excerpt with analysis of the reaction to Alt-Hero comics. (The coincidental resemblance of the blog’s name to that of Vox Day’s appears to involve nothing more than taking inspiration from the same Latin term.)
…One of the most interesting thing about communication through symbols is that the meaning inherent in them isn’t just built by the person using the symbol. It has as much to do with the person viewing the symbol as well. I once got into a political argument with a cop on Facebook about #BlackLivesMatter vs. #BlueLivesMatter where he was trying to argue that cops don’t disproportionately kill black men and that they needed to have the discretion to discharge their weapons whenever they felt their safety was threatened. My counterargument was that it was hard to take his sense of professional discretion even remotely seriously when he had chosen a #BlueLivesMatter Punisher logo as his Facebook avatar, because no matter what he says, it’s always going to come across as “and also, I want to set myself up as judges jury and executioner, because I like to kill people for funsies!” He tried defend the icon by saying that it just meant that he was a fan of the character and implied nothing about his personal values. I retorted that it implied EVERYTHING about his personal values, because that is the image that he has chosen to announce himself and associate his identity with and therefore he bears all the semiotic baggage associated with it by anyone who comes into contact with him and sees it. Also, I’m kind of a dick….
(5) WEARIN’ O’THE GREEN. Speaking of semiotic baggage, the Beverly Cinema in LA made a fascinating decision to pair these two films on a St. Patrick’s Day double bill.
…As bamboozling as they were, El Topo and The Holy Mountain were so profitable that a French producer, Michel Seydoux, contacted Jodorowsky in 1974 and offered to fund whichever film he fancied making next. Jodorowsky chose a science-fiction novel, Dune. When Seydoux agreed, Jodorowsky realised that he’d now have to sit down and read it.
Published in 1965, Herbert’s novel chronicles the battle for control of a desert planet called Arrakis – or Dune. Its teenage hero, Paul Atreides, leads armies and rides giant worms, and so, in the days before digital effects, putting Herbert’s sprawling interstellar saga on screen would have been a colossal feat. But Jodorowsky didn’t just want to adapt a book, he wanted to “change the public’s perceptions… change the young minds of all the world”. He wouldn’t be making a mere film, he recalls in a 2014 documentary, Jodorowsky’s Dune. He’d be making an “artistical, cinematographical god”.
This grandly mystical tone was typical of the project. Seydoux rented a castle for Jodorowsky to write in, and when his screenplay was finished, the auteur set about recruiting collaborators – or, as he put it, fellow ‘spiritual warriors’. The first of these was Jean ‘Moebius’ Giraud, one of France’s most acclaimed comic artists. Working at what Jodorowsky has called a ‘superhuman’ pace, Giraud broke down the entire film into a storyboard of 3000 drawings. He began with a long, unbroken shot inspired by the opening of Orson Welles’ Touch of Evil, the difference being that the camera doesn’t just rove around a town, it crosses the universe. And he ended with pictures of Paul being murdered and then transforming into a sentient planet, before flying off to spread good vibes throughout the galaxy. Needless to say, none of this happens in Herbert’s novel….
(7) WALKING CARPET WEAVER. Michael Heilemann seeks the real origin story of “Chewbacca” at Kitbashed. Did Ralph McQuarrie or John Schoenherr have more to do with the character’s look? You decide!
The creation of Star Wars is a comprehensive mythology onto itself, populated by rarely documented anecdotes, like how The Millenium Falcon was inspired by a hamburger, with the cockpit being an olive off to the side”  (took me years, but I finally disproved that one) or “My original inspiration for Chewbacca was my dog Indiana.” , compelling enough to be repeated until they’re so prevalent that they must be true, and are accepted even by hardcore fans and Lucasfilm itself. Unfortunately sometimes they’re embellished truths or half-truths, sometimes entirely false and in pretty much all cases oversimplifying a truly interesting, and luckily exceptionally well documented creative process….
But while the official sources are often great, compiling from many different sources to dispel myths about Boba Fett’s ship, Slave 1 or tell in staggering detail the creation of the film from beginning till end as in the case of books like The Making of Star Wars, there are still plenty of dim, and in some cases even seemingly purposefully blacked out areas in the development of Star Wars.
The story of how Chewbacca came to be is one of these. A fascinating look at what happens in the space between idea, page and screen….
(8) TODAY’S BIRTHDAYS.
by Cat Eldridge.]
Born March 15, 1935 — Judd Hirsch, 84. Best known in genre circles for playing Julius Levinson on Independence Day and Independence Day: Resurgence. Other than anappearance on Warehouse 13 in the amazing “Secret Santa” episode as Isadore Weisfelt, he’s done virtually no genre acting other than a cameo on The Muppets and The Halloween That Almost Wasn’t where he was Count Dracula.
Born March 15, 1939 — Joseph D. Olander, 80. Anthologists aiming for works that we’re to be, I’d guess, within the University market in the Eighties, as American Government Through Science Fiction co-authored with Martin H. Greenberg and Patricia S. Warrick, or Run to Starlight, Sports Through Science Fiction, with the same co-authors.
Born March 15, 1943 — David Cronenberg, 75. In him, there’s something to make anyone horrified from such as Scanners and Videodrome to the later Existenz. Me I’ll take The Fly for pure grossness.
Born March 15, 1946 — Chris Morris, 73. First genre writing was in the exemplary Thieves’ World shared universe, such as “What Women Do Best” with Janet Morris, and “Red Light, Love Light”. He’s also written in the Merovingen Nights, Heroes in Hell and Sacred Band of Stepsons saga series.
Born March 15, 1967 — Isa Dick Hackett, 52. An Amazon producer and writer for and helped produce The Man in the High Castle, Philip K. Dick’s Electric Dreams, and The Adjustment Bureau, all of which are based as you know on works by her father.
Born March 15, 1985 — Kellan Lutz, 34. He’s best known for playing Emmett Cullen in the Twilight Saga franchise. He has since played Poseidon in Immortals, Tarzan in the animated film of the same name and Hercules in The Legend of Hercules. He also was Ridley in the Chinese fantasy Guardians of the Tomb, and appeared in A Nightmare on Elm Street as Dean Russell.
Born March 15, 1986 — Jai Courtney, 33. He portrayed hero Kyle Reese in Terminator Genisys and villain Captain Boomerang in Suicide Squad. Other genre roles portraying Eric in Divergent and in the sequel, Insurgent. He was Macbeth in a 2017 production of the Scottish Play at Melbourne Theatre Company.
…The decision to rehire Gunn –he was fired last July by Disney after alt-right journalists made public a fusillade of decade old social media missives that made light of pedophilia and rape — was one that was mulled and actually made months ago, following conversations with Disney studio leadership and the team at Marvel Studios. Why the change of heart? After the firing, Walt Disney Studios chairman Alan Horn met with Gunn on multiple occasions to discuss the situation. Persuaded by Gunn’s public apology and his handling of the situation after, Horn decided to reverse course and reinstate Gunn.
… There will be an inevitable chorus of those who will gripe about Gunn’s return, but creatively, Guardians will benefit from his return. The entire cast of the film was outspoken in its desire to have Gunn back, saying that those satiric tweets did not match his personal actions.
When I first read The Left Hand of Darkness, it struck me as a guidebook to a place I desperately wanted to visit but had never known how to reach. This novel showed me a reality where storytelling could help me question the ideas about gender and sexuality that had been handed down to all of us, take-it-or-leave-it style, from childhood. But also, Ursula K. Le Guin’s classic novel felt like an invitation to a different kind of storytelling, one based on understanding the inner workings of societies as well as individual people.
Of course, The Left Hand of Darkness is literally a guidebook to the fictional world of Gethen, also known as Winter. The book takes the form of a travelogue, roaming around the nations of Karhide and Orgoreyn. And by the time you finish reading, you might actually feel like you’ve been to these places, to the point where you kind of know what their food tastes like and how the people act. But for me, and for a lot of other people, The Left Hand of Darkness also left us with a map that leads to another way of telling stories.
(11) SIGNED UP FOR THE DURATION.
Gary Tognetti kicks off a collection of “Novel
Reviews – March 2019” at The
1000 Year Plan with a look at Elizabeth Bear’s new novel. Other authors
reviewed: Zen Cho, John Scalzi, Brad Torgersen, and Brian Trent.
…An early moment in Elizabeth Bear’s expansive new space opera Ancestral Night has narrator Haimey Dz offer a meta-commentary on the ancient, 19th century novels she reads during the long hours spent drifting through space: “They’re great for space travel because they were designed for people with time on their hands. Middlemarch. Gorgeous, but it just goes on and on.” Ancestral Night is a busy and boisterous novel, complex and beautifully composed, but also with a tendency to labor its points.
The novel does play the genre conventions of romance more than it does the conventions of science fiction. The plot and character beats fall into a relatively conventional pattern, but they are well executed and they mesh well with both the characters and the space opera universe. Readers who come to the novel for the romance plotline between Ada and Loch should be well satisfied with the storyline. Since this is a first novel set in a greater universe, I suspect this would be classified as a HFN (Happy for now) rather than strictly a HEA (Happily ever after) conclusion.
A migration from Central Europe transformed the genetic make-up of people in Spain during the Bronze Age, a study reveals.
DNA evidence shows the migrants streamed over the Pyrenees, replacing existing male lineages across the region within a space of 400 years.
It remains unclear whether violence played a role or whether a male-centric social structure was more important.
The result comes from the most extensive study of its kind.
Researchers reconstructed the population history of Iberia (modern Spain, Portugal, Gibraltar and Andorra) over 8,000 years – the biggest slice of time tackled by a single ancient DNA study. The region has been a crossroads for different cultures over time.
The UK project to develop a hypersonic engine that could take a plane from London to Sydney in about four hours is set for a key demonstration.
The Sabre engine is part jet, part rocket, and relies on a novel pre-cooler heat-exchanger technology.
This pre-cooler system will begin a new phase of testing in the next month or so in Colorado, US.
Meanwhile, the core part of the engine has just gone through its preliminary design review.
Signed off by experts at the European Space Agency, the review sets the stage for this central section of Sabre to begin its own demonstration campaign at Wescott Space Cluster in Buckinghamshire next year.
The company behind the project, Reaction Engines Ltd (REL), says it is making good progress.
Not only would Sabre power units enable rapid, point-to-point transport inside the atmosphere, but they would also allow reusable vehicles to make the jump straight to orbit without the need for multiple propellant stages – as is the case now with conventional rockets.
Two astronauts who survived a failed Soyuz launch last year are now on their way to the International Space Station.
Nasa’s Nick Hague and his Russian colleague Alexey Ovchinin were on the rocket when it malfunctioned in mid-air on 11 October.
The two men are now flying with US astronaut Christina Koch after a successful lift-off from the Russian Baikonur cosmodrome in Kazakhstan.
The Soyuz MS-12 launched at 01:14 on Friday local time (19:14 GMT Thursday).
This is Mr Hague and Mr Ovchinin’s first flight since the aborted launch last October.
That time, the rocket was forced to make an emergency landing two minutes after take-off because a sensor had been damaged while it was being built.
[Thanks to Bill, JJ, Mike Kennedy, StephenfromOttawa, Cat Eldridge, John King Tarpinian, Chip Hitchcock, Martin Morse Wooster,Alex Shvartsman, Carl Slaughter, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Brian Z.]
Let’s hope pop culture starts to warn us once again. Pfeiffer says the challenge of talking about the risk of nuclear holocaust is to raise enough awareness to galvanize people to take small, constructive steps — but not so much that people become paralyzed with anxiety over the enormity of the threat.
The good news is, fictional portrayals of nuclear conflagration don’t have to rehash the same old story lines; it’s no longer just a matter of the United States and the Soviet Union staring each other down. And it’s not merely rogue states that pose a risk, either. There are many ways a possible misunderstanding, including one induced by a rogue hacker, could lead to a nuclear strike.
(2) FLASH CROWD DEPARTS. Books Beyond Binaries chronicles the sudden
meltdown of a Book Riot paid
subscription group in “Book
… The forum was a Slack (see how Slack works), hosted on the free version of the platform, and capped at 275 Epic subscribers, plus the Book Riot staff, and some contributors. Separate Slacks exist that are exclusively for Book Riot contributors, and for staff only. The Slack was active, and many Epic subscribers joined specifically for access to that exclusive community…
On February 12, 2019, a new platform-wide Book Riot policy was announced by a moderator in the General channel of the BRI Slack. At the time that the announcement was made, there were 397 members in the channel, which had the description, “mayhem and anarchy”. One section of the new policy was specifically highlighted by the mod: going forward, no generalizations made about any group of people would be tolerated in the “public” channels on the Slack – that is those spaces open to all paid Epic subscribers. The examples of “groups of people” that were given were specifically “men”, and “Republicans”. As soon as the announcement was made, the moderators began to delete custom emoji that users had created in the forum, including one that read, “WHY ARE MEN”.
…On February 20th, at 2:30 PM, an Email went out to Insiders, the subject line of which read, “An Epic Announcement.” The same message was posted to the General channel of the BRI Slack. The full message can be read here. The announcement was that the Epic Insiders Slack – the only interactive element of the “exclusive digital hangout for the Book Riot community” – was being shut down on Friday, February 22nd, 2019, at 5 PM. Ten days after the announcement of a violent and oppressive policy, the company doubled down again. Rather than learning from the feedback of their financial supporters and engaged community members, they chose to delete the space they had created for them, and any record of what they had chosen to do….
Until recently, Kosoko Jackson’s website described him as “a vocal champion of diversity in YA [young adult] literature, the author of YA novels featuring African American queer protagonists, and a sensitivity reader for Big Five Publishers.” Jackson is black and gay—this matters here, a lot—and was preparing for the release of his debut young adult novel, A Place for Wolves, an adventure-romance between two young men set against the backdrop of the Kosovo War. “Aristotle and Dante Discover the Secrets of the Universe meets Code Name Verity in this heartbreaking and poignant story of survival,” read the publicity materials. The book [was] slated for release on March 26.
… “Young-adult books are being targeted in intense social media callouts, draggings, and pile-ons—sometimes before anybody’s even read them,” Vulture‘s Kat Rosenfield wrote in the definitive must-read piece on this strange and angry internet community. The call-outs, draggings, and pile-ons almost always involve claims that books are insensitive with regard to their treatment of some marginalized group, and the specific charges, as Rosenfield showed convincingly, often don’t seem to warrant the blowups they spark—when they make any sense at all.
But surely Jackson, an enforcer of social justice norms and a gay black man writing about gay black protagonist should have been safe, right?
Instead, it all came crashing down quite quickly. As with any internet outrage, it’s hard to know exactly what sparked it, but a major turning point came in the form of a quote-retweet. “HEY HOW ABOUT WE DONT PROMOTE OR SUPPORT BOOKS ABOUT A ROMANCE BETWEEN AND THE VICTIMIZATION OF 2 AMERICANS, SET DURING A REAL LIFE HISTORICAL GENOCIDE WHERE THE VILLAIN IS PART OF THE DEMOGRAPHIC THAT WAS ETHNICALLY CLEANSED,” read the tweet, which was published on February 25 and which, as of when I screencapped it, had 164 retweets—a sizable number for YA Twitter, which generally consists of relatively low-follower accounts.
… Part of what makes this story so interesting is that Kosoko himself has been on the other side of these online attacks on authors.
He was outspoken during a particularly intense recent example, when a campaign based on misunderstanding and exaggeration led the author Amélie Zhao to take the unusual step of agreeing to cancel the publication of Blood Heir, her hotly anticipated debut novel, which was set to be the first in a trilogy….
Season after season, Brewery Ommegang has dropped their Game of Thrones-themed beer, because how else would we have survived the emotional turmoil of Khal Drogo’s death? (Personally coping with the Cersei-inspired Sour Blonde, how ’bout you?) Now the brewing co. that brought us Hand of the Queen Ale and Mother of Dragons Porter is releasing For The Throne—and it’s coming just in time for your premiere party.
“Psst. Hey, buddy — I’ll nominate your book for the Nebula if you nominate mine!”
It happens. I don’t think it happens as much as it used to, though I don’t have hard data one way or the other.
It’s also, in my opinion, pretty dickish. This approach may get you some extra nominations. It will also quickly get you a reputation as That Author, the one who doesn’t give a damn about whether or not a book is any good, and just wants to cheat their way onto the ballot.
Technically, it may not be cheating — but while this approach might not violate the letter of the rules, it’s pretty blatantly cheating the spirit of the thing. And it’s unlikely to win you an award.
(6) ANOTHER PROTIP. J.A. Sutherland tells how making book recommendations fits into his overall publicity strategy. Thread starts here.
(7) TODAY’S BIRTHDAYS.
by Cat Eldridge.]
Born February 28, 1913 – John Coleman Burroughs. An illustrator known for his illustrations of the works of his father, Edgar Rice Burroughs. At age 23, he was given the chance to illustrate his father’s book, The Oakdale Affair and the Rider which was published in 1937. He went on to illustrate all of his fathers books published during the author’s lifetime — a total of over 125 illustrations. He also illustrated the John Carter Sunday newspaper strip, a David Innes of Pellucidar comic book feature and myriad Big Little Book covers. I remember the latter books — they were always to be found about the house during my childhood. (Died 1979.)
Born February 28, 1934 – H. Bruce Franklin, 75. Academic, editor of the Future Perfect: American Science Fiction of the Nineteenth Century anthology, Robert A. Heinlein: America as Science Fiction and the sixth chapter of Nancy R. Reagin’s Star Trek and History anthology.
Born February 28, 1928 – Walter Tevis. Author of The Man Who Fell to Earth. Yes, that novel. It obviously served as the basis for the 1976 film by Nicolas Roeg, The Man Who Fell to Earth, with Bowie as star, as well as a later television adaptation which I’d never heard of. He also wrote Mockingbird which was nominated for a Nebula Award for Best Novel. James Sallis reviewed both novels in F&SF. (Died 1984.)
Born February 28, 1948 – Bernadette Peters, 71. Performer, stage, film and television, so this is selected look at her. She was A Witch in Into the Woods on Broadway and reprised the role in a tv film. It is a Stephen Sondheim musical based on the Brothers Grimm and Charles Perrault. She’s in The Martian Chronicles as Genevieve Seltzer. She does a lot of voice acting, to wit in Beauty and the Beast: The Enchanted Christmas, Wakko’s Wish, Legends of Oz: Dorothy’s Return, Rita, a recurring role on the Animaniacs and Rodgers & Hammerstein’s Cinderella. The most recent genre role I see her doing is Circe on The Odyssey series several back.
Born February 28, 1966 – Philip Reeve,53. He is primarily known for the Mortal Engines and its sequels. Look the film is proof that an author can’t be held responsible for a shitty film. I read Mortal Engines, Predator’s Gold and Infernal Devices before deciding that was enough of that series, it’s a fine series, it just wasn’t developing enough to warrant me reading any more of it.
Born February 28, 1957 – John Barnes, 62. I read and like the four novels in his Thousand Cultures series which are a sort of updated Heinleinian take on the spread of humanity across the Galaxy. What else by him do y’all like?
Born February 28, 1969 – Murray Gold, 50. English composer who is best known as the musical director and composer for Doctor Who from 2005 until he stepped down after the tenth series aired. He also composed the music for The Sarah Jane Adventures and Torchwood as well.
Born February 28, 1970 – Lemony Snicket, 49. He’s the author of several children’s books, also serving as the narrator of A Series of Unfortunate Events. Though I’ve read the books, they’re very popular I’m told at my local bookstore. It has been turned into a film, Lemony Snicket’s A Series of Unfortunate Events, and into a Netflix series as well which is named, oh you guess.
Born February 28, 1977 – Chris Wooding, 42. If you read nothing else by him, do read the four novel series that is the steampunkish Tales of the Ketty Jay. Simply wonderful. The Haunting of Alaizabel Cray plays off the Cthulhu Mythos that certain folk don’t think exist and does a damn fine job of doing so.
When SpaceX launches its first Crew Dragon capsule on an uncrewed test mission to the International Space Station (ISS) this Saturday (March 2), the vehicle will be carrying a passenger of sorts: a humanoid dummy wearing the company’s sleek black-and-white spacesuit.
The offer was made by Austin’s mayor, Steve Adler, who wrote a letter to potential queso-loving extraterrestrials inviting them to visit (or move to) Austin, writing: “Y’all are most definitely welcome here in Austin, Texas.”
However, if a visit to the Lone Star State wasn’t in the cards, Adler also sent along a recipe from Austin’s Kerbey Lane café to make their own cheese-and-chile queso, presumably from the blue cheese that the moon is made out of. “Have you heard of queso?” Adler asks in the letter. “Have you tried it? Do it. Do it now.” If the aliens happen to prefer a plant-based diet, Kerbey Lane does offer a vegan queso option.
(11) PRACTICALLY MAGIC. [Item by Mike Kennedy.] The BBC Click channel on YouTube has a
story of how many of the special effects in First
produced (“First Man (2018) | Behind the Scenes of Neil Armstrong
They used a clever mixture of in-camera “practical” effects and now-traditional
post-production digital effects. The in-camera effects were produced using a
frickin’ enormous curved video wall to provide backdrops for flying
scenes. Benefits of that included not having to digitally add reflections
post-production and giving actors something other than a blue screen to react
to doing filming. Digital effects included expanding square-formatted archival
footage on each side to provide modern wide aspect-ratio film while preserving
the real thing in the middle.
Tehlor Kay Mejia’s debut novel We Set the Dark on Fire aims to burn it all down.
Daniela is graduating at the top of her class at the Medio School for Girls, an elite institution that trains girls to be wives. Divided into two groups — Primeras and Segundas, Dani and her classmates know that they will be offered in pairs to the rich young men whose families can afford to pay their dowries. Primeras like Dani are preparing to be skilled life-partners and social managers, while Segundas, like her nemesis Carmen, are destined to be objects of beauty and desire and bear children.
When Dani is chosen as Primera for the son of Medio’s chief military strategist — who is rumored to be next in line for the presidency — she is fulfilling the destiny that she and her family have sacrificed so much to obtain. But instead of being elated, Dani is filled with dread. Two days before graduation, her deepest secret almost comes out: She was born on the wrong side of the wall that protects Medio from society’s poor and disenfranchised, and was smuggled across illegally as a child. A resistance group saves her from discovery, but in exchange, they want her to spy on her new husband….
If you want to understand how we ended up with anything from Star Wars to Star Trek, Superman to Batman, intergalactic travel to microscopic worlds, profound meditations on the nature of being human to thrilling tales about Martian princesses, you have to look at pulp fiction magazines.
Argosy, Blue Book, Adventure, Black Mask, Horror Stories, Flying Aces…there was a lot of it. The 1920s and 30s was the age of pulp fiction magazines, the time when genres truly became genres. Science fiction, detective stories, war stories, horror, westerns, fantasy. Everything. All those categories that we use to divide up fiction and film and TV came together in the pulps at this time.
But what I want to do in this episode in particular is to look at some of the commonly held ideas about pulp fiction magazines, and about science fiction more particularly. So here are a few things that we all know:
1: Science fiction was, and continues to be, mostly consumed by men 2: Science fiction is, for the most part, aimed at 12-year-old boys 3: There were very few women writers of science fiction between Mary Shelley’s Frankenstein and the new feminist sf of the 60s and 70s 4: Those few women who did write SF were forced to write under male or androgynous pseudonyms in order to make it in an utterly male-dominated industry
So you can probably guess where I’m going with. Yes, all of these are myths. They’re ideas that are completely, demonstrably false. This week Professor Lisa Yaszek joins me to discuss the history of the pulp fiction magazines and the many myths around early women’s science fiction….
Mummy smugglers of the most audacious variety were caught cloth-handed via security X-rays while trying to smuggle mummified human limbs out of Egypt and into Belgium. Wrapped up in the hollowed-out speaker were “six preserved body parts belonging to two different mummies: two sets of feet and lower legs; two sets of hands and forearms; an upper arm; and part of an upper torso,” according to The New York Times, which spoke to Egyptian archaeological official Iman Abdel-Raouf about the incident. No word on where the heads are, though.
(16) MADE TO ORDER. [Item by Mike
Kennedy.] Herewith 2 Disney park/Star Wars
stories. They are from different publications, but are effectively a pair since
they discuss different aspects of the same upcoming park attraction(s).
For Star Wars: Rise of the Resistance, which will open with Star Wars: Galaxy’s Edge at Disneyland Resort in summer 2019 and Walt Disney World Resort in fall 2019, Disney has reconsidered the entire concept of a ride. The old conceit of waiting in line, boarding a vehicle, and having a few minutes of high-octane fun are long gone, as this new experience, which will be one of Disney’s longest ever, puts riders in Rey, Luke, and Leia’s shoes as they face the greatest challenge of all: the First Order.
Glendale, California isn’t exactly in a galaxy far, far away, but it’s here inside a beige building where Star Wars characters are brought to life.
Within its nondescript walls, safe from the unseasonably chilly February day swirling outside, all eyes are on Hondo Ohnaka, a scheming pirate from Star Wars: Rebels. His head bobs up and down, shaking his long green alien braids. His foot appears to step forward, rattling his bronze belt. His mouth curls into a wide smile before devolving into a deep belly laugh.
For a split second, it seems that this colorful, horns-for-a-beard alien is flesh and blood. But Hondo is actually a Disney audio-animatronic, one of the most advanced ever built, and he’s getting ready for his debut at Disneyland’s Star Wars: Galaxy’s Edge. He’s performing what’s known as “cycling,” going through its predetermined movements for 120 hours before installation at one of Disney’s theme parks.
(17) X MARKS THE SPOT. Dark Phoenix comes to theaters June 7.
In DARK PHOENIX, the X-MEN face their most formidable and powerful foe: one of their own, Jean Grey. During a rescue mission in space, Jean is nearly killed when she is hit by a mysterious cosmic force. Once she returns home, this force not only makes her infinitely more powerful, but far more unstable. Wrestling with this entity inside her, Jean unleashes her powers in ways she can neither comprehend nor contain. With Jean spiraling out of control, and hurting the ones she loves most, she begins to unravel the very fabric that holds the X-Men together. Now, with this family falling apart, they must find a way to unite — not only to save Jean’s soul, but to save our very planet from aliens who wish to weaponize this force and rule the galaxy.
John King Tarpinian, Chip Hitchcock, Mike Kennedy, Dann, JJ, SF Concatenation’s
Jonathan Cowie, Cat Eldridge, Martin Morse Wooster, Carl Slaughter, and Andrew
Porter for some of these stories. Title credit goes to File 770 contributing
editor of the day Lexica.]
(1) STAR POWER. Over the
weekend Scott Edelman recorded a reading by Charlie
Jane Anders and Sandra Newman at a Washington D.C. bookstore —
On the afternoon of Saturday, February 16, 2019, Charlie Jane Anders (The City in the Middle of the Night) and Sandra Newman (The Heavens) read at the Union Market branch of the Politics & Prose Bookstore, and then took part in a follow-up Q&A session. Unfortunately, due to the configuration of the seating, I was only able to include Michelle, the ALS interpreter (who consented to being recorded), when attached to the individual readings, and not for the follow-up Q&A. I also did not turn the camera on anyone asking a question, as I did not have their consent.
…Most people know Pratchett as the author of Discworld, the famous fantasy series about a flat planet balanced on the backs of four elephants. However, what many people don’t know is that the knighted author was also a massive fan of video games – so much so that he actually worked on mods for Oblivion, most of which were spearheaded by a Morrowind modder named Emma….
“Honestly, although I knew about Terry’s illness I never thought of him as someone who was ill,” Emma told us. “The things I added to Vilja that were originally for him, I did because I enjoyed and because it felt so natural. It would be totally unfair to say that I was helping him – he was helping and inspiring me all the time, and I think we both had a lot of fun with figuring out new things for Vilja to say and do.”
(3) ARE THESE ON YOUR SHELVES? How many of these have you read?Pulp Archivist Nathan Housley discovered a list of what was required in “A Basic Science-Fiction Library” in 1949. You’d think there being only 17 items, selected by old-time fans and pros, I’d score pretty well. No so — I’ve only read six. And I feel no temptation to remedy the shortfall! Housley begins by telling who contributed to the list —
The editors included Sam Merwin, Jr. of Thrilling Wonder Stories and Startling Stories, Paul L. Payne of Planet Stories, and Everett Bleiler of The Checklist of Fantastic Literature and The Best Science Fiction Stories: 1949. John Campbell of Astounding and Raymond Palmer of Amazing were invited but chose not to participate.
The writers included Dr. David H. Keller, P. Schuyler Miller, Theodore Sturgeon, A. E. Van Vogt, Donald Wandrei, and Lewis Padgett–better known as the husband and wife team of Henry Kuttner and Catherine L. Moore.
And now, we have Captain Marvel. For the first time in ten years, we’re getting a superhero film in the Marvel Cinematic Universe led by a woman, and that means that Twitter is a minefield of men calling Brie Larson “Loudmouth Larson” and claiming that her devotion to equality in the press for the film and the future of her character is what is going to tank the movie (even though it is currently on track to be a box office success).
(5) FROM OUR SPY BEHIND THE
the February 12 Financial Times, Leo
Lewis says that Japanese public broadcaster NHK is broadcasting Tokyo Reborn, a series about the
rebuilding of Tokyo that in many ways continues Katushiro Otomo’s great 1988
noir anime Akira, which is set in
2019, NHK is using Akira as a
touchstone (and has hired Otomo as a consultant on the series), because the
“Neo Tokyo” Otomo portrays in his film is preparing for the Tokyo
Olympics of 2020, an accurate prediction on Otomo’s part.
Akira’s many fans adore the idea that its creator correctly predicted” that Tokyo would host the Olympics in 2020. And the film was central in creating the ‘cool Japan’ brand that continues to promote Japanese pop culture and put its animation on a global stage. It has even been a catalyst for foreigners (including me) to develop long relationships with Japan.
It is a delicious vindication of Mr Otomo’s work that the film’s influence remains so powerful in a year that once represented the distant future.
What do you eat in space? How do you sleep in space?
And just what does one do all day long in space?
Children from the Georgetown Day School in Washington D.C., recently had a chance to ask their most burning questions to NASA astronaut Anne McClain.
They are roughly the same age that McClain was when on her first day of preschool she announced that she wanted to become an astronaut.
By the time McClain was about 5 years old, she said she wrote a book about flying to space on the Soyuz vehicle. Now she’s floating around on the International Space Station, showing that sometimes childhood dreams do come true.
“When you are finally in space and you’re finally looking back at Earth and you realize for the first time in your life there’s nothing standing between you and your dream, it’s just so hard to describe the profound impact of that,” McClain, now 39, told NPR’s Lulu Garcia-Navarro.
(7) TODAY IN
February 18, 1930 — Planet Pluto discovered by Clyde W. Tombaugh at Lowell Observatory in Flagstaff, Arizona.
February 18, 1977 — First unmanned test flight of space shuttle Enterprise mounted on another aircraft.
by Cat Eldridge.]
Born February 18, 1825 – Francis James Child. American scholar, educator, and folklorist, best known today for his collection of English and Scottish ballads now known as the Child Ballads. His collection has been used often in our genre, be Ellen Kushner’s Thomas The Rhymer, taken from Child #37, or Pamela Dean’s Tam Lin off Child #39A, our writers have used his ballads as source material a lot. (Died 1896.)
Born February 18, 1929 – Len Deighton, 90. Author of possibly the most brilliant alternative novels in which Germany won the Second World War, SS-GB. Itdeals with the occupation of Britain. A BBC One series was broadcast several years back.
Born February 18, 1930 – Gahan Wilson, 89. Author, cartoonist and illustrator known for his cartoons depicting horror-fantasy situations. Though the world at large might know him for his Playboy illustrations, I’m going to single him out for his brilliant and possibly insane work with Zelazny on A Night in the Lonesome October which is their delightful take on All Hallows’ Eve. Note that ISFDB doesn’t list this work which I find odd.
Born February 18, 1954 – John Travolta, 65. Ahhhh, Battlefield Earth. Travolta, a Scientologist, had sought for years to make a film of the novel by Hubbard, the founder of Scientology. I do wonder what he thinks of it now.
This FoxTrot Classics dates back to the Good Old Days when modems made noise while they synchronized. But the last panel asks if it was worth the wait?
Alex Kurtzman and CBS TV Studios have set the latest extension of the Star Trek TV franchise. Nickelodeon is in negotiations for a Star Trek animated series from Emmy-winning writers Kevin and Dan Hageman (Trollhunters, Ninjago), CBS TV Studios and Kurtzman’s studio-based Secret Hideout banner.
Penned by the Hageman brothers, the animated series is targeted at younger audiences. Because of that, it would be the first new Star Trek project outside of CBS All Access, which has an adult focus.
We all agree that Rubber Chickens are hilarious. If you looked at a normal Rubber Chicken, you’d assume that funny things only happen when a source of light is available. What about hilarious night shenanigans or power outage tomfoolery? This 20” soft vinyl Glow-in-the-Dark Rubber Chicken will make you giggle no matter how little light there is. Whether you’re sitting in the dark in your living room pretending to not be home while someone knocks on the door, building a blanket fort or UPSing yourself cross-country in a crate, you’ll be laughing the entire time.
(12) NEXT: WHO WAS THE CHEKHOV
OF SCIENCE FICTION? Andrew Porter says everybody missed this one on Jeopardy:
Final Jeopardy: British Authors.
Answer: Born in 1866, he has been called “the Shakespeare of Science Fiction.”
…So once upon a time there were three human children who lived in a cruel and cynical world. Everybody was fighting each other or fighting the space alien bugs from Starship Troopers. The bugs were really scary and are all like “we were in a really famous science-fiction story”….
Production designer Nathan Crowley was strolling through the Brooklyn Navy Yard during the shoot for “The Greatest Showman” in fall 2016 when he passed a building with a 3D printer printing a chair.
“The lady inside told me it was a machine from BigRep,” recalls Crowley. “I said, ‘When’s the last time you had a filament jam?’ She said, ‘About a month ago.’ And I was like, ‘OK, I need that machine.’”
Crowley didn’t get to use it for “The Greatest Showman,” but he rented two BigRep One models for his next film, director Damien Chazelle’s “First Man,” rounding out an arsenal of 18 3D printers used make everything from knobs and joysticks for the lunar module that puts Neil Armstrong (Ryan Gosling) on the moon to a 14-foot-tall scale model of a Saturn V rocket.
[…] Crowley has been using 3D printers since 2014’s “Interstellar,” directed by frequent collaborator Christopher Nolan. But back then he used them strictly for concept models.
On Nolan’s “The Dark Knight” trilogy, “we did models by hand for the Batmobile, and it would take weeks,” says Crowley. With 3D printers, “it was a game-changer to be able design and output something, have a look at it, change something and do it again and again without having to handmake each design.”
(15) CAT AND
MOUSE CLASSIC. “Tom and Jerry at MGM–Music Performed By The
John Wilson Orchestra” on YouTube is a suite, arranged by Scott Bradley,
of selections from Tom and Jerry cartoons performed by the John Wilson
Orchestra at the BBC Proms in 2013.
They came covered in blue paint, donning red and white hats, nearly 3,000 in all. Their goal was simple: To break the world record for the largest group of people dressed as Smurfs.
The group Dä Traditionsverein organized the event in Lauchringen, Germany on Saturday near the border with Switzerland. They had strict rules: in order to be counted, participants couldn’t show any non-blue skin. They could dress as Papa Smurf — with his trademark red cap and a white beard — or Smurfette, with blonde hair and a white skirt or dress. Normal smurfs were OK, too — but some characters, like the evil wizard Gargamel, were strictly off limits.
The group posted on Facebook that 2,762 Smurfs showed up.
(17) HOW LOFTY ARE
THOSE AMBITIONS? Christian Davenport in the Washington Post has a long piece on efforts to take control of the Moon’s
resources. “The moon, often referred to as the eighth continent, is
again the center of a reinvigorated space race that, like any good Hollywood
reboot, features a new cast of characters and new story lines.” The
goal this time is to make mining on the moon commercially viable, with emphasis
on controlling the moon’s poles, because that’s where the water is and water can
be used for fuel. “NASA
wants to get to the moon ‘as fast as possible.’ But countries like China and
India are racing there, too.”
Yet, unlike the Apollo era, this Space Age is being driven by a third factor: greed. A growing number of corporations are benefiting from new technologies and wealthy backers chasing an unproven dream that a lucrative business can be built on the moon and deep space by extracting the metals and resources on the surface on the moon.
Though the prospect of a self-sustaining lunar-mining economy may be little more than a chimera, the moon is drawing investors and explorers the way the promise of the American West once did. As a result, several lunar-prospecting companies have emerged with plans to fly spacecraft to the moon in the coming years.
(18) SOMETHING’S MISSING. WhatCuture would like to remind you
about “10 MCU Plot Points Marvel Has Completely
[Thanks to JJ, Chip Hitchcock, Hampus Eckerman, Cat Eldridge, john King Tarpinian, Martin Morse Wooster, Mike Kennedy, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Brian Z.]