Pixel Scroll 7/21/18 Number Five: Where Am I? Other Number Five: In The File.

(1) THE MAN WHO LOST THE MOON. Where do you hide something this big? “Giant moon artwork goes missing in post on way to Austria”.

A giant replica of the moon which is displayed all over the world has gone missing in the post.

The 7m (23ft) orb, covered in detailed imagery of the lunar surface, has been created by Bristol-based Luke Jerram and was en route to a festival in Austria.

Mr Jerram said the disappearance of the structure, titled Museum of the Moon, was “really annoying and upsetting.”

Courier firm TNT said it was looking into the issue.

Mr Jerram said the artwork has been booked for a series of public events across Europe over the summer.

 

(2) FUTURICON. Rijeka, Croatia is going to host Eurocon 2020, which will be called Futuricon. Their bid was accepted this week at Eurocon in Amiens. Their site has been home to Rikon for almost two decades.

Faculty of Humanities and Social Sciences in Rijeka
October 2-4, 2020

Rijeka, the coastal city in Croatia in which the annual convention Rikon has already been held nineteen times, has won the prestigious title of European Capital of Culture 2020. As part of the ECoC nomination, the SF society 3. zmaj, is announcing Futuricon, our bid for Eurocon 2020, for which we will combine the most important things the city of Rijeka has to offer – centuries of culture, diversity and tolerance, and a fresh glimpse into a positive future created by the people who live and breathe culture. With the support of the City and University of Rijeka, as well as other Croatian SF societies, we are confident that we can create a unique European experience for everyone.

(3) ALWAYS IN STYLE. Debra Doyle, novelist and editor, makes a statement “With Regard to the Recent Email to Nominees for the Hugo Awards”.

Science Fiction’s Hugos would not be what they are without accompanying periodic outbursts of controversy. This year’s topic is the email sent out to nominees for the award, “encouraging” them to dress professionally for the awards ceremony. The backlash from the sf/fantasy community was, shall we say, vociferous and overwhelmingly negative.†

As well it should be. To quote my elder daughter, on an occasion some time ago when I was fretting about the advisability of going out in public with my hair pulled back using a kid’s Snoopy-the-Flying-Ace hair tie:

“Don’t worry, Mamma. You’re a science fiction writer. You can wear anything.”

(4) THE MORE THINGS STAY THE SAME. You may not have thought the question of what Worldcons want people to wear to events was a new controversy. But would you have expected E.E. “Doc” Smith to be the person complaining about it? In 1962? Here’s a letter the author of the Lensman Series wrote to Chicon III chair Earl Kemp before the con.

(5) ONE BIG CHECK. That’s what you’ll be writing if you want any of his stuff — “One giant sale: Neil Armstrong’s collection goes to auction”. ABC News has the story.

Admirers of Neil Armstrong and space exploration have a chance to own artifacts and mementos that belonged to the modest man who became a global hero by becoming the first human to walk on the moon.

The personal collection of Armstrong, who died in his native Ohio in 2012, will be offered for sale in a series of auctions handled by Dallas-based Heritage Auctions, beginning Nov. 1-2 and continuing in May and November 2019.
The collection includes a variety of artifacts from Armstrong’s 1969 lunar landing and private mementos that include pieces of a wing and propeller from the 1903 Wright Brothers Flyer that the astronaut took with him to the moon.

The article names several other flown artifacts that will be in the auctions.

(6) ACCLAIMED SHORT FANTASY. Rocket Stack Rank lists 46 outstanding stories of high fantasy from 2016-2017 that were either finalists for major SF/F awards, included in “year’s best” SF/F anthologies, or recommended by prolific reviewers in short fiction (see Q&A). That’s 46 out of 166 high fantasy stories from those two years, and out of 470 outstanding SF/F stories from 2016 and 2017.

For our purposes, we define “high fantasy” as a fantasy story that takes place in a secondary world. That is, something like Lord of the Rings, where Middle Earth is clearly not in the past or future of our world.

(7) ADDRESSEE UNKNOWN. There was just one problem with choosing John Crowley as the winner: “Maine Literary Award withdrawn because of ineligibility; new winner named”….

The winner of a 2018 Maine Literary Award was found ineligible because he is not a resident of Maine, and the Maine Writers & Publishers Alliance, which gives the awards annually, has named a new winner of its speculative fiction prize.

The award, which had gone to Massachusetts resident John Crowley for his book “Ka,” since has been given to Unity College writing instructor Paul Guernsey, who had come in second place for his book “American Ghost.”

“Ka” was nominated by the editorial director of Saga Press, a division of Simon & Schuster, whose marketing manager told the Maine Writers & Publishers Alliance that Crowley owned a home in Maine and lived here part time. Crowley, who was born in Maine, was named the winner of the award in a June ceremony.

According Joshua Bodwell, executive director of the Maine Writers & Publishers Alliance, Crowley notified the group that he did not live in Maine. While the award can go to seasonal or part-time residents, it is open only to people who live in Maine. Crowley reached out to say that he was unaware that his publisher had nominated him or that his publisher and his editor had said he met the eligibility requirements.

(8) STOPPING FOR ICE. Galactic Journey’s Ashley R. Pollard tells about the latest trend in fiction 55 years ago: “[July 21, 1963] Ice Cold Spies”.

I marvel at how quickly SF concepts have gone mainstream. With so many SF ideas transitioning into mainstream fiction, one of the current trends I see is the fascination with the Cold War and spies. Who as I’ve alluded to earlier, are it seems to be found everywhere.

The result is the creation of a new genre that blend SF with contemporary thriller to create what is being called a “techno-thriller.” A techno-thriller will use many of the ideas that were once purely science fictional, but set them within a conventional world that’s recognizable as our own.

A new novel by Allister MacLean called Ice Station Zebra has caught the public’s imagination. Whether this is as a result of all the stories of spies in the news I don’t know. MacLean is well known as a writer of action-adventure stories, but this new novel sees him move into a new genre.

Maclean is not the first author to do so. Fellow Scottish writer Ian Stuart wrote a similar techno-thriller, which came out last year called, The Satan Bug….

(9) A PAIR TO DRAW TO. SYFY Wire’s SDCC story “Guillermo del Toro confirmed to guest on The Simpsons in season 30” that confirms the celeb writer/producer/director Guillermo del Toro (The Shape of Water, The Hobbit trilogy, the Hellboy movies and games, and many more) will guest star on The Simpsons this coming season. He joins Gal Gadot (the Wonder Woman movies and others in the DC Cinematic Universe) in the “confirmed” column. There was apparently no indication the two would be on the same episode. The season’s first episode of their 30th season will will air September 30.

(10) FRONT ROW TO A SHARKNADO. Syfy Wire reports from SDCC: “Sharknado will return next year… with a live stage show!” Mike Kennedy says, “The article title pretty much says it all. I expect next we’ll have <engage echo effect> Sharks [arks… arks… arks] On [on… on… on] Ice [ice… ice… ice] !!!! <disengage echo effect>.”

You can’t keep a good Sharknado down. On Friday, at San Diego Comic-Con, the cast and crew held a panel on The Last Sharknado: It’s About Time. Yes, as you might imagine, this is the sixth and final in the Sharknado film franchise. But Sharknado will live on…

… with a live stage show.

Indeed, there is going to be a live stage version of Sharknado. No details were offered at the panel, other than it is expected to premiere at a resort/casino in 2019, and will be a sensory overload, if you will. An official announcement is expected later this year.

(11) HELL WARMED OVER. You may recall that Lucifer, canceled by Fox at the end of this past season, was picked up by Netflix for a 10-episode 4th season. At SDCC, star Tom Ellis dropped a few hints about what might be coming up after the major season 3 cliffhanger. SYFY Wire wraps up stories from other sources in “Lucifer’s Tom Ellis Teases Season 4 on Netflix”.

“We get straight back into it,” Ellis told TV Line of the start of Season 4, and teases that Lucifer was unaware that he had the devil face on at the time, so Chloe’s likely shock will come as a surprise. The pair are “apparently” still working together, but Ellis added that “The weird thing this year about coming to Comic-Con is that I can’t talk about the show and what’s going to happen so much, because I don’t know.” The scripts haven’t been written yet, and production begins August 13. Netflix has yet to announce a premiere date….

And he’s in no hurry to have Lucifer and Chloe embrace a romantic relationship. “I think it’s the heartbeat of the show, Chloe and Lucifer’s relationship,” he told [Entertainment Weekly]. “It wouldn’t be very wise to get these two characters together now… When you get the characters together, ultimately that’s kind of resolution. And you don’t want resolution till the very, very end.” But if/when that finally happens, “I am all for it.”

There were hints that Ellis could drop trou on Netflix, something that would have been Right Out on Fox.

(12) SHAZAM! Let’s catch up on our comic history before watching the trailer:  “DC’s ‘Shazam!’ Makes a ‘Big’ First Impression in Comic-Con Trailer”.

And for those of you asking, yes, he really is the first hero called Captain Marvel, debuting 20 years before Marvel Comics existed as a brand. Fawcett Comics was sued by DC in the early 1950s over claims that “Captain Marvel” ripped off “Superman,” and went temporarily out of business after it agreed never to publish the character’s comics again. However, in 1972 DC licensed “Captain Marvel” from Fawcett and brought the character into the DC universe.

But during the intervening decades, Marvel realized the trademark on the name “Captain Marvel” had lapsed, and introduced its own character of the same name. Which is why, to avoid legal problems, DC called its re-launched comic book “Shazam” and eventually changed the character’s name outright.

 

(13) SDCC TRAILERS. Here are several more trailers that got released this weekend.

(14) GRAND BOOK THEFT. These weren’t books he checked out. Now he may be checking into the pokey: “Men accused of stealing $8M in rare books, items from Pittsburgh library”.

Two men are facing charges of stealing or damaging more than $8 million in rare books and materials from the Carnegie Library of Pittsburgh over more than two decades.

Investigators on Friday charged Greg Priore and John Schulman with the crimes, alleging the two men worked together to remove the items from the Oliver Room.

According to the criminal complaint, Priore worked as the manager and sole archivist of the library’s Oliver Room, which houses rare books and items, for 25 years before being fired in June 2017. Schulman is the co-owner of Caliban Book Shop in Oakland, which specializes in rare books.

The Oliver Room closed more than a year ago once authorities discovered the thefts.

Priore first contacted Schulman about the scheme in the late 1990s, according to the criminal complaint. Priore allegedly told police he made between $500 and $3,000 for items he stole and gave to Schulman to sell.

(15) BE ON THE LOOKOUT. Lou Antonelli, who was slated onto the Hugo ballot in 2015, mourns his “Lost Rockets” [Internet Archive link].

…I decided I’d start wearing my pins this year, and I took them with me when I went to SoonerCon in Oklahoma City June 22. After I checked in and got my badge, I took them out and I was going to stick them on.

I took the first one out, and as I tried to stick it on, I fumbled it. I never saw it land. It disappeared. I never saw it again. I put the second one back in its bag. The next day, I realized I’d lost it also.

After I told this story to one colleague at Libertycon, he said, “Well, you can always ask WorldCon for a replacement.”

I laughed. “You’ve got to be kidding! They didn’t want us to have them in the first place! Do you think they would ever give me a replacement!”

(16) JANELLE MONAÉ. Rolling Stone lets you “Watch Janelle Monae Perform ‘Americans,’ Talk Science Fiction on ‘Colbert’”. Video at the link.

Twice during Monáe’s Late Show appearance, the singer danced atop Colbert’s desk: Once to close out the interview portion – where she and the host talked about first meeting at Barack Obama’s 55th birthday party at the White House – and again to kickstart “Americans.”

During the 10-minute interview, Colbert and Monae also discussed their shared love of science fiction, which heavily influenced the singer’s new LP Dirty Computer.

“I loved being able to see these different worlds that were different from mine, that allowed me to kind of escape from where I was,” Monáe said of the genre. “It just stayed with me. I started to write science fiction as a teenager… It stayed with me throughout my work.”

(17) ONCE MORE WITH FEELING. I ran this link yesterday before seeing Mike Kennedy’s take, which I think Filers will enjoy seeing just the same.

[Item by Mike Kennedy.] Those who cannot remember the past are condemned to repeat it. — George Santayana

In 2016. the British Antarctic Survey asked the public to pick the name for their new survey vessel. They picked Boaty McBoatface. Well, the BAS was not particularly happy with that, and named the craft the RRS Sir David Attenborough, though they did relent and name an autonomous underwater vehicle Boaty McBoatface (the lead vehicle of its class).

Jump to the present.

The European Space Agency and the UK Space Agency are asking the public for help naming an upcoming Mars rover to be launched in 2020 (and land in 2021).

You get three guesses what the public wants so far (and the first two don’t count). Yep, Time Magazine notes that Rovy McRoverface is already trending on Twitter. Gizmodo throws in Marsy McMarsface and Spacey McSpaceface as their suggestions.

But apparently ESA and UKSA did learn at least a little from the Boaty McBoatface incident, since they say that they’ll be using a panel that they appoint to make the final choice. Or, at least they do if you dig deep enough into their 5-page PDF of Terms and Conditions. With no mention of this on the page where you make your recommendation, it would be easy enough for someone to misunderstand and think this was a straightforward popular vote.

(18) VIDEO OF THE DAY. In “Fired on Mars” on Vimeo, Nick and Nate ask, “What happens if you’re a corporate drone who gets fired–except your bosses are on earth and you’re on Mars?”

[Thanks to Cat Eldridge, Mike Kennedy, Martin Morse Wooster, Chip Hitchcock, Andrew Porter, Carl Slaughter, JJ, Eric Wong, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Jack Lint.]

Monsters of the Idway

Selected archives of Chicon III, the 1962 Worldcon chaired by Earl Kemp, were exhibited online by the Northern Illinois University’s Rare Books and Special Collections Department in conjunction with this year’s Chicago Worldcon.

There are letters from Robert Heinlein, Clifford Simak, E.E. Smith, and assorted other pros, plus Kemp’s invitation to Isaac Asimov to deliver a talk on “The Positive Power of Posterior Pinching” and Asimov’s coy but interested reply. (Apparently the talk didn’t happen – at least the item isn’t listed in the Chicon III program book.)

Stephanie Zvan at Almost Diamonds spotted this correspondence and brought it to the attention of fans who are discussing harassment in the wake of Readercon, in a post called “We Don’t Do That Anymore”.

The answering comments — people groaning and throwing up on their shoes — were interrupted by the arrival of Earl Kemp himself for a pleasant stroll down memory lane, sans clue:

What a wonderful find. Thank you very much for posting this. It’s nice to be reminded of some of the good things. I admit I’ve forgotten this, but it certainly was Ike. (There are better stories about him but not here, not now.)

I’m going to disappoint the person who copied the link to me expecting I’d join him in high dudgeon, but let’s be serious. Even Asimov himself seems to have doubted it would go over in 1962 and in 2012 the idea deserves Zwan’s critique.

How the Hugos Avoid Conflicts of Interest

The British Fantasy Awards became mired in controversy when Stephen Jones charged a conflict of interest between the administrator and several winners. That prompted a few fans to suggest fixing the BFA by borrowing rules from the Hugo Awards.

The Hugo Awards do have an excellent reputation for avoiding such conflicts, but don’t make the mistake of thinking it’s because of the superior draftsmanship of the rules. The real reason is that over the years many different people have steered clear of conflicts that the rules do not prevent.

What Is a Conflict of Interest? A conflict of interest exists when anyone exploits his/her official capacity for personal benefit.

The Hugo Awards are run under a set of rules that is extremely wary of conflicts of interest. The WSFS Constitution excludes the entire Worldcon committee from winning a Hugo unless these conditions are met:

Section 3.12: Exclusions. No member of the current Worldcon Committee or any publications closely connected with a member of the Committee shall be eligible for an Award. However, should the Committee delegate all authority under this Article to a Subcommittee whose decisions are irrevocable by the Worldcon Committee, then this exclusion shall apply to members of the Subcommittee only.

To avoid disqualifying the whole Committee – upwards of 200 people, most having nothing to do with the Hugos – the Worldcon chair generally appoints the fans who count the votes and apply the eligibility rules to a Subcommittee. So if some minor member of the concom wins a Hugo, as I did while serving as editor of L.A.con II’s daily newzine in 1984, it’s no problem.

From the beginning the WSFS Constitution (1962-1963) has banned all committee members from eligibility for the Hugos. To my knowledge, the rule was modified in the 1970s by adding the option of an autonomous Subcommittee. People thought it should have been unnecessary for Mike Glicksohn to resign from the TorCon 2 (1973) committee rather than forego the chance for his and Susan Wood Glicksohn’s Energumen to compete for the Hugo, which they indeed won.

The modified rule has worked to everyone’s satisfaction for a number of reasons having little to do with its precision. Worldcons once were commonly led by people also involved with Hugo contending fanzines, which has rarely happened in the past 40 years. On those rare occasions the people involved have taken it upon themselves to avoid any conflicts.

For example, many fans involved with running Noreascon Three (1989) wrote for The Mad 3 Party in the years leading up to the con. Edited by Leslie Turek, TM3P was nominated for Best Fanzine in 1988, withdrawn in 1989, and won a Hugo in 1990. Noreascon Three did appoint a Hugo Subcommittee, of unassailable integrity — in my mind, if TM3P had competed in 1989 and won a Hugo there would have been no reason to doubt the result. The committee, however, felt they needed to go beyond what was required in the rules to preserve an appearance of fairness and TM3P was withdrawn.

When I chaired L.A.con III (1996) friends reminded me that I could remain eligible for a Hugo by delegating responsibility for the awards to a Subcommittee. I felt invested in and responsible for everything that was happening with the con, so for me it was never an option to act as if the Hugos weren’t a part of that. I did appoint a Subcommittee – and put myself on it, announcing that I was withdrawing from the awards for 1996.

So the anti-conflict rule works because people make it work. It is not an infallible rule. In fact, I agree with a comment made by drplokta on Nicholas Whyte’s From the Heart of Europe that it would be hypothetically possible for something similar to this year’s BFA situation to play out in the Hugos without violating the rule.   

[Hugo Subcommittee members’] partners are eligible though, and I guess if a Hugo subcommittee member ran a publishing house then the books that they publish would be eligible, since the nomination would be for the author and not for the publisher.

In short, it’s a good rule to have, but it’s not all-encompassing as some have assumed in recommending it to fix the BFAs. 

The Hugo Awards Conflict of Interest Trivia Quiz: When I made my decision to withdraw in 1996 I doubted that other Worldcon chairs had ever faced the same choice. But they did. I’ll share what I’ve discovered in the answers to this two-question trivia quiz.

Question 1: How many times has the chair of the current year’s Worldcon won a Hugo?

(a) Once
(b) Twice
(c) Never

There’s been such controversy about the chair of the British Fantasy Society’s close association with 5 of this year’s award winners — for example, he is a partner in the publisher that won Best Small Press – that you’d have to assume it would be impossible for a Worldcon chairman to win a Hugo at his own con without raising a historic stink, right? Wrong.

Answer to Question 1: Once. Loncon I (1957) was chaired by Ted Carnell. The winner of the Hugo for Best British Professional Magazine was New Worlds edited by John Edward Carnell. The same person.

Ted Carnell is the only chair to win a Hugo at his own Worldcon. And it appears everyone was content. Harry Warner’s history of Fifties fandom, A Wealth of Fable, doesn’t contain the least hint of controversy. Neither do any of the conreports from Loncon I collected on Rob Hansen’s website.

Sometimes in the award’s early days the chair of the Worldcon administered the Hugos and counted the votes. That may not have been the case in 1957. The progress reports directed members to send their Achievement Award ballots to the convention secretary Roberta Wild. The chair winning a major award might still have been questioned but I’ve found no record of any complaint. In all my time in fandom I’ve never heard anybody say a bad word about that having happened.

Ted White, the 1967 Worldcon chair who responded to some questions for this article, agrees: “I have never heard anyone say anything disparaging about it either.  It was a bit too obviously deserved. Fandom was a lot smaller then, and even smaller in the UK.  Carnell wore several hats.  I met him in 1965. A quiet, unassuming, gentle and generous man.”

Question 2: How many times has a Worldcon chair won a Hugo the year before or after their con?

(a) 2
(b) 4
(c) 8

Answer to Question 2: 4 times.

Many Worldcon chairs and their committees were connected with award-winning fanzines over the years. Before the Internet that was the best medium for building fannish communities and wooing voters.  

(1) Wally Weber was a co-editor of Cry of the Nameless, the Best Fanzine Hugo winner in 1960, the year before he chaired Seacon (1961). Cry was not a nominee in 1961 but was back as a finalist in 1962. So was the zine kept out of contention the year they hosted the Worldcon? Wally Weber isn’t certain but he thinks they might have:

As for the 1961 Hugos, I remember a discussion and decision that Cry be disqualified due to the unusually large percentage of the eligible voters being from the Seattle area and who had never read a fanzine other than Cry. Unfortunately my memory is often more creative than accurate and I have no documentation to back that up. I do not even remember who participated in making the decision. I don’t even remember how the voting was done or who counted the ballots. Did we have official ballots? I would think such a decision would have been mentioned in one of the progress reports if, indeed, there actually had been such a decision. Maybe votes for Cry were just discarded during the counting processes.

(2) The 1961 fanzine Hugo winner was Earl Kemp’s Who Killed Science Fiction. The next year Kemp chaired Chicon III (1962). However, as I’m sure you already know, Who Killed Science Fiction was the most famous one-shot in the history of sf. It obviously wasn’t a factor in the Hugos when he chaired the Worldcon.

(3) George Scithers chaired Discon I (1963) in Washington, D.C. He edited Amra from 1959 to 1982. It won the Hugo in 1964. Since it had never been nominated for the Hugo in any prior year it’s difficult to guess whether he took any special steps to keep it off the ballot when he chaired the Worldcon in 1963. None of the committee members who might know are still with us – Scithers, Bob Pavlat and Dick Eney. One thing we do know is that he wouldn’t have permitted his zine to be placed on the ballot because he’s one of the people who helped write the anti-conflict rule into the original WSFS Constitution of 1962-1963.

(4) Ted White co-chaired NyCon 3 (1967), the Worldcon which originated the Best Fan Writer and Best Fan Artist Hugos. He also worked for F&SF at the time. Ted says: “F&SF withdrew itself; this was not a NyCon3 committee decision. Ed Ferman [the editor] had a nice sense of propriety.”

Ted says he didn’t take any steps to stay off the ballot in the fan categories the year he chaired the Worldcon. “I did not withdraw myself from the Fanwriter category (nor make any announcements to that effect) because I did not regard it as necessary. I wasn’t nominated that year, obviating the question.  My win the following year surprised me.” However, he probably did not need to make any announcement: people would have been aware of the anti-conflict rule in the Constitution.

White and F&SF both won Hugos the following year, 1968.

[Special thanks to Robert Lichtman and Ted White, as well as Darrell Schweitzer, Peggy Rae Sapienza, Michael J. Walsh, Elinor Busby and Wally Weber for their assistance in researching this article.]