Amid the continuing social media backlash galvanized by RWA’s decision to impose penalties on Courtney Milan, Damon Suede is out as President of Romance Writers of America and staff member Carolyn Ritter has tendered her resignation, the RITA Awards have been set aside for this year, and a host of publishers have pulled their sponsorship of RWA’s annual conference.
TURNOVER. Damon Suede, then RWA President Elect, succeeded Carolyn Jewel in December when she resigned as President.
Citing its “disagreement with the
malicious actions, which lacked due process that were taken against RWA member
Ms. Courtney Milan,” the Cultural, Interracial, and Multicultural
Chapter of Romance Writers of America (CIMRWA) on December 26 called for
the resignation of Suede and RWA staff member Executive Director Carol Ritter.
And by December 31 they had gathered over 1000 signatures and submitted a petition
to recall Suede from office.
Damon has offered his resignation, effective immediately, and the Board has accepted it. Damon, who has served on the RWA Board of Directors since 2015, as President-Elect from September 2019 through late December 2019, and then as President for the past two weeks, has been a passionate advocate for diversity, equity and inclusion issues for his entire life. We thank Damon for his service and wish him all the best in the future.
The Board of Directors has made a decision to not immediately fill the office of President while the Board – working transparently with its membership – determines an appropriate recruitment and selection process.
The Board also has accepted the resignation of RWA Executive Director Carol Ritter, who has decided to step down from the role she assumed in November. Carol, who has been a steady senior member of RWA management for well over a decade, has offered to stay on over the coming months to support a smooth transition to new staff leadership; the Board has accepted this offer. Carol has been instrumental in keeping the operations of RWA running and we are deeply grateful to her for the commitment and leadership she has brought to our association. The Board will appoint an interim Executive Director upon Carol’s departure and will form a search committee to identify Carol’s permanent replacement.
STUD PLANET PROBE. One of the most unexpected issues to surface before Suede resigned was the challenge to his basic eligibility for office. Did he really have the five published books he needed to be eligible to become President-Elect? One researcher said it looked like he only had four books —
Did Stud Planet
exist? Was it a qualifying book? Courtney Milan asked:
The research has suggested Suede’s qualifications were unconvincing. Courtney Milan tweeted some information here and here, and wrote another thread here. Adrienne also dug into Dreamspinner’s publication announcements on the Wayback Machine and did not find evidence for the book at the time it supposedly came out (see here).
Chuck Tingle was happy to get in the last word.
Speaking of Chuck Tingle, he noticed that the RWA apparently didn’t buy up the obvious alternate URLs. So he bought https://www.romancewritersofamerica.com and has created a parody site there. The test for applicants to the Board is brutally funny.
As of this morning, publishers including Avon, Berkley Romance, Entangled, HarperCollins Canada and Harlequin, Kensington, St. Martin’s, Gallery Books, and Tule Publishing have all pulled support from the RWA and the national conference, and a tweet citing an email allegedly sent by Sourcebooks says that that house will also not support the conference. The statements all cite increasing diversity and/or inclusion in publishing as a priority, as well as condemning recent events at the RWA.
…As a leading global publisher of romance fiction that is committed to diversity and inclusion, we at Harlequin believe it is important that all authors feel included, respected and heard. Recently reported actions by RWA leadership have therefore led us to decide not to sponsor or attend the RWA2020 national conference. We will reevaluate our participation in 2021 as the organization works with its members to address concerns that have been raised.
The event, held annually in the summer since the 1980s, typically attracts about 2,000 attendees. It is a major source of revenue for the R.W.A. as well as a key networking opportunity for romance writers, agents and editors looking for new talent.
…According to HelenKay Dimon, a former R.W.A. president, the departure of so many major romance publishers is a major blow to the organization. “RWA plans conferences years in advance,” she said in an email, adding that both Avon and Harlequin are major sponsors — “tens of thousands of dollars worth” — and that losing them will likely have a “cascading effect” in terms of the authors and editors who attend.
RWA CANCELS RITA AWARDS. The “Status of the 2020 RITA Contest” announces the RITA awards have also become casualties of the organization’s internecine strife. Reminiscent of how the Nobel Prize for Literature was handled, the RWA says two years’ awards will be given in 2021.
Due to recent events in RWA, many in the romance community have lost faith in RWA’s ability to administer the 2020 RITA contest fairly, causing numerous judges and entrants to cancel their participation. The contest will not reflect the breadth and diversity of 2019 romance novels/novellas and thus will not be able to fulfill its purpose of recognizing excellence in the genre. For this reason, the Board has voted to cancel the contest for the current year. The plan is for next year’s contest to celebrate 2019 and 2020 romances.
Members who entered the 2020 contest will be refunded their full entry fee by January 22, 2020. We extend our deep appreciation to the judges who volunteered their time this year.
JOURNALISTIC STANDARDS. The controversy has gained a lot of
attention from mainstream news, prompting Linda Holmes to offer advice to anyone
covering it. Thread starts here.
RWA FORUMS. People are recommending standards for the RWA
forums, too – aimed at a different set of problems.
Alyssa Day and Carrie Lomax
DISSENTING VOICE. Meanwhile, in an alternate universe that
nevertheless has the same zip code as our own, Sarah A. Hoyt warns about “Letting
the Wokescolds Win” at Mad Genius Club.
If you take away the right of people who write to amuse other people — and as far as I can tell, Romance still has the largest audience of people wanting to be amused — without bothering to police their every word lest literature majors and mean girls throw a fit, you might as well shutter the whole enterprise.
All you’ll have at the end of the day is mean — but exceedingly privileged and well educated — young women trying to force the “natives” of the fun regions of writing and reading into their version of propriety and utility. All the colonialist Victorian women who forced natives of tropical regions to wear pants stand arrayed behind those missionaries of woke scolding and power to truth nodding in approval. Which is fine since many of the current wokescolds are descended from these women. I just wish the current missionaries would return to their great great grandmother’s fervor. I can always wear pants — possibly on my head — but I refuse to give them an inch on what I can write, what I can read, or what I can think.
As a result of the turmoil, a number of RWA members have joined the Romance Alliance, a group formed in an effort to create an alternative to the RWA. In a newsletter sent to members and subscribers, the group wrote: “We WANT the people who write what RWA’s practices ignored. We WANT diverse personalities and perspectives. We WELCOME the chance to succeed where RWA has systematically failed so many. And we WELCOME any input or suggestions as to how we can achieve our mission better and more meaningfully to YOU.”
The Romance Alliance is careful, however, not to imply that it hopes to replace the RWA. “From the beginning we focused on ‘can there be an alternative organization for those who feel excluded from RWA?,” author Sue London said. “Because there are a lot of us who joined and left RWA for various reasons.”
OBLIGATION OWED. Courtney Milan today described the work of black women in founding RWA and through the current controversy as creating a debt, and what she plans to do to help repay it. Thread starts here.
“They encouraged us. They wanted us very badly to file these complaints,” Davis said.
…Davis now says that she never wanted Milan to be punished by the RWA. She declined to say who precisely within RWA had encouraged her to file a complaint against Milan, but said it was “the administration at RWA” and that it was “not the membership” and “not the members of the board”.
“I do feel that the Romance Writers of America perhaps used Suzan Tisdale and I to accomplish something they wanted to accomplish and I was stunned when I saw the penalties. I didn’t ever expect that, and I did not want that,” Davis said.
“We were used in order to make the eventual penalties happen,” she said.
Although Davis is paraphrased by Guardian reporter Lois Beckett as having claimed that “she never wanted
Milan to be punished by the RWA,” Davis’ formal ethics complaint urged in its conclusion
that “She [Milan] cannot be allowed to hold a position of authority, or to use
her voice to urge others to follow her lead.”
Davis’ statements to The
Guardian also conflict with – and undercut – a claim in the formal
complaint that “Because Ms. Milan attacked me in what can only be
described as cyber-bullying, I lost a three-book contract that has been promised
On Thursday, Davis, 64, clarified her discussions with the publisher, which she has declined to name. She told the Guardian that after the allegations in her original complaint to RWA were quoted in news reports, “the publisher in question is very upset”.
Davis clarified that she did not have and lose a written book contract, but that a publisher had delayed further discussion of a potential contract in the wake of the controversy.
In the complaint, Davis also seemed to imply that the publisher told her they were afraid of being publicly linked with Milan, but in fact the publisher “never said anything” to that effect, Davis said.
Two or three days after Milan tweeted about her book, Davis said, an editor at the publishing house in question advised her that the situation would probably get worse. “I was told to apologize to Courtney [Milan] and to remove myself from the controversy, and in that way to save both my reputation and that of anyone connected to me.
“I didn’t understand what I would be apologizing for unless it were for my 24-year-old book,” she said. “I did not agree with what [Milan] was saying and to apologize for something I did not agree with didn’t make sense to me.”
The editor was “not happy” with this response, Davis said, but the end of the call was not angry. In a subsequent conversation with the same editor about a week later, “it was offhandedly mentioned that discussion of the [new book] contract would have to wait until spring”, Davis said. The editor did not explicitly state there was any link between Milan’s tweets and the delay in the discussion of the contract, Davis said.
Davis said she still believed it was fair to say that she lost a three-book contract because of Milan’s tweets. “I am certain the discussions would have progressed into a contract had this Twitter explosion not occurred,” she said.
And although Davis devoted several pages of her complaint
to defending the novel Milan had derided as a “fucking racist mess,” she told The
Guardian the ebook has been republished with changes —
Meanwhile, Davis said she had decided to make some changes to the novel Milan had criticized, Somewhere Lies the Moon, and that she has republished edited ebook versions.
“Some people have contacted me and have told me calmly what it was that offended them, and it was very few things, and I have corrected those things,” she said.
Alyssa Cole responded to Davis’ statements in The
Guardian. Thread starts here.
In accordance with our Bylaws and policies, the President of RWA nominated, and the Board of Directors (Board) approved, the appointment of four new members to fill the vacant Board seats.
Former Board Advisors Maria Powers (PRO), Mellanie Szereto (Chapter), and Barbara Wallace (PAN) will now move into vacant Director-at-Large positions. We thank them for their previous service to their constituencies and welcome them in their new roles as voting Board members. We also welcome new Board member Eliana West, filling a vacant Director-at-Large seat. All four will serve the remainder of the 2019-2020 term, which ends on August 31. Please find their bios below.
We are in the process of recruiting and nominating strong, diverse candidates for the remaining five Director-at-Large positions and the three open Advisor positions.
SUEDE DISINVITED BY CONFERENCE. RWA President Damon Suede has been ousted as a conference speaker at the Emerald City Writers’ Conference. The Greater Seattle RWA chapter tweeted a long explanation of the process followed in making that decision. Thread starts here.
Courtney Milan’s decision tree, in response to
allegations there is more evidence that hasn’t been made public.
…I resigned my membership in protest at RWA’s actions against Courtney Milan but then withdrew my resignation when the time came that my voice would be important as part of a recall petition to force current leadership to step down. I am a signatory, with several past presidents and past board members, to a letter calling for a full forensic accounting and answers to the questions that must be addressed before RWA can move forward.
We can do better. We MUST do better. Love is love is love. The romance genre is about hope, and I must continue to believe and be hopeful, especially now, at the beginning of a new year and a new decade, that we can build a professional organization for romance writers that is inclusive and welcoming to all who agree with and live this belief.
Avery Flynn reports a RWA board conference call is scheduled for January 12, but there’s an issue in that the program has not been sent out even though it has to be posted ten days beforehand. Thread starts here.
RWA AUDIT. On January 1, Courtney Milan called for forensic audit. Thread starts here.
Damon Suede, President of Romance Writers of America, recently asked the RWA Board of Directors to authorize a review of the Member Code of Ethics and related enforcement procedures to ensure that these RWA policies support the organization’s mission to advance and protect the interests of all romance authors.
Today, RWA announced the hiring of the Pillsbury Winthrop Shaw Pittman LLP law firm to conduct an independent audit of the recent matter involving its code of ethics and to make recommendations on appropriate adjustments moving forward on ethics policy and procedures.
Courtney Milan responded skeptically in a thread
that starts here.
BATES: Well, the membership didn’t know about it for a long time because, as I said, this happened at the end of August. RWA initiated, which people are still kind of freaking out about, a subcommittee of its ethics committee. I guess they appointed some people kind of like a grand jury – impaneled them. So this committee met in secret and decided that most of what they said about Milan wasn’t accurate but that they did think that because of the tweets, she should be sanctioned. And so they suspended her for a year. And they said she’d never again be allowed in any leadership positions. And this was a woman who had just received a service award the year before for her leadership in the organization.
Someone leaked it, and a lot of writers of color were like, oh, no, no, no, no, no, no, no, no, no, no, no. A lot of allies who were white women said this is ridiculous. A lot of people – and publishing is like, girls, you need to get yourselves together. And within a week, because this was blowback that RWA leadership had not expected, they changed their minds and said on the 30 of December, we’ve rescinded our decision about Courtney for right now because we need to have a fuller investigation, so she can keep doing what she’s doing for the moment, to which Milan said, as you can imagine, yeah, no. Bye….
The impact of romance books on the culture is outsize because everyone is interested in romance, whether they admit it publicly or not.
…But there’s inevitably a small contingent of writers who simply can’t handle being criticized, whether directly or indirectly. Vitriolic responses to critics are hardly limited to well-known writers; those who aspire to become household names are equally prone to them. Having your work dissected, discussed and sometimes even demeaned, however, is part of putting it out into the world. All writers know this — or at least they should — and writing romance novels is no exception.
COMIC RELIEF. There is now a bingo card for this
Scott Lynch provided the Reader’s Digest version
of the RWA’s explanations.
And Chuck Tingle has written a book.
Gorblin Crimble is an aspiring romance author with a brand new novel that could be his first breakthrough hit. Of course, Gorblin is going to need some help getting his work out there, and starts by seeking likeminded creatives.
After attending a local writer’s group, Gorblin makes a new friend, Amber, who points him towards Romance Wranglers Of America. It sounds like this community is exactly the helpful, loving, supportive group that Gorblin is looking for, but when him and Amber arrive at the Romance Wranglers Of America headquarters, they quickly realize something is wrong. This once loving group has been taken over by a dark and mysterious force; lead by a man named Demon and his chanting coven of board members in jet-black robes.
Something horrible from the depths of the cosmic Void has taken hold, but is it too late to prove that romance is about love, not hate?
This important no-sex tale is 4,300 words of reasonable writers looking for a kind and supportive romance community that respects its members and treats them fairly.
[Thanks to Hampus Eckerman, Rick Moen, John King
Tarpinian, Kendall, johnstick, and Cliff Ramshaw for some of these items.]
(1) A CENTURY OF THE GOOD DOCTOR. This week Asimov would have been 100. James Gunn marked the
occasion in an article for Science “Asimov at 100”.
A case can be made that, like H. G. Wells, Asimov came along at the right time. (Wells once commented that he made his writing debut in the 1890s, when the public was looking for new writers.) But Asimov also had a restless and productive mind. His early experience of reading, and then writing, science fiction gave his popular science writing a rare narrative model, while his fiction similarly benefited from his scientific training.
(2) NOW A JOURNALISTIC TECHNIQUE. [Item by Olav Rokne.] The Columbia Journalism Review, in “Journalism and the foreseeable future”, takes note of the trend in mainstream publishing to look at contemporaneous and emerging issues through the lens of science fiction. It’s a welcome trend that is producing excellent work we’ve seen featured on the Pixel Scroll several times, and I’m very glad to see this getting attention within journalistic circles.
Despite its dangers, [Sam] Greenspan sees the value of speculative journalism’s mix of the true and the fanciful. “I think the goal should be to use fiction or sci-fi to tell a better true story,” he says. “And I’m taking seriously the kind of emotional impact these stories have on people. By introducing even just the slightest amount of something fantastical, it gives your audience permission to have their minds wander a bit from what we know to be true, and really opens up this window into possibility and hope.”
(3) GUD LISTENING. On the latest Rite Gud podcast R.S. Benedict’s guest is Stephen Mazur, associate editor
at The Magazine of Fantasy & Science Fiction. They talk about
whether or not originality really matters in writing. Stephen also gets into a
bit of inside baseball regarding F&SF publishing: the recent history
of the magazine, how many submissions they get, what kind of submissions they get,
the process, etc.
(4) ROMANCE WRANGLERS BEWARE. Who but Chuck Tingle would
add “no sex” as a selling point? Or need to?
Gorblin Crimble is an aspiring romance author with a brand new novel that could be his first breakthrough hit. Of course, Gorblin is going to need some help getting his work out there, and starts by seeking likeminded creatives.
After attending a local writer’s group, Gorblin makes a new friend, Amber, who points him towards Romance Wranglers Of America. It sounds like this community is exactly the helpful, loving, supportive group that Gorblin is looking for, but when him and Amber arrive at the Romance Wranglers Of America headquarters, they quickly realize something is wrong. This once loving group has been taken over by a dark and mysterious force; lead by a man named Demon and his chanting coven of board members in jet-black robes.
Something horrible from the depths of the cosmic Void has taken hold, but is it too late to prove that romance is about love, not hate?
This important no-sex tale is 4,300 words of reasonable writers looking for a kind and supportive romance community that respects its members and treats them fairly.
Jason Sanford: I suspect most people in the SF/F genre don’t understand the difficulties of publishing a magazine. What’s one aspect of running a genre magazine you wish more readers and writers knew about?
Lynne M. Thomas and Michael Damian Thomas: We think it’s important that people know the financial margins for magazines to stay in the black are razor thin, and that most of the magazines are unable to generate income for their publishers. (And many aren’t able to pay the editors.) Almost all of the income generated by magazines are going to the writers and artists….
Jason Sanford: Amazing Stories was the first science fiction magazine, and helped launch the pulp fiction era of the 1920s and ’30s. What is it like publishing a magazine with such history? Has that history presented any difficulties to your relaunch of the magazine?
Steve Davidson: Well, you get unexpected support and assistance; a lot of people in the field are still very fond of both the magazine and its place in Science Fiction’s history. But that brings with it two difficulties. One, most younger fans among our potential market seem to assume that we’re publishing reprints of older works or new works in a golden-age style, despite the fact that promotion and discussion of the magazine – let alone our contributor’s own statements – clearly say otherwise. We’re an old, venerable name in the genre publishing new, ground-breaking science fiction from the current era. …
Jason: In many ways Clarkesworld helped birth the current movement in online and genre magazines. How have things changed since the founding of Clarkesworld? Would you say it’s harder or easier to run a genre magazine these days?
Neil: It was a very different world for magazines in 2006. Online fiction wasn’t particularly respected. I remember having established authors tell me point-blank they wouldn’t publish online because it was the domain of “newbie writers and pirates.” The year’s best anthologies and various genre awards rarely featured works from those markets. With two-to-three years, that started changing and today, the awards have heavily swung the other direction – something you could reasonably argue is just as problematic….
When Don Ashby caught a lift through town on Tuesday afternoon, he counted as many as 20 properties destroyed. One was his mother-in-law’s mudbrick cottage. Another was his own home of 20 years.
Ashby had evacuated his family to Melbourne and spent Monday night helping a friend to defend her house.
It had been an exhausting night and morning, punctuated by the rapid combustion of gas cylinders at a nearby storage business.
“It was like we were in the middle of the battle of the Somme,” he said.
When he returned to his own home, it looked unscathed. Then he realised it was just the facade that had been untouched by fire. The rear of the house was a blazing ruin. With no CFA tankers nearby and no water pressure left to fight the fire, he could only stand and watch it burn.
“It is all a bit grim really,” he said. “We really copped it.
“I have been in a few bushfires before but nothing like this. Nothing like this has happened before. The whole of Gippsland was on fire.”
(8) 2020 SIR JULIUS VOGEL AWARD NOMINATIONS OPEN. The Science Fiction and Fantasy Association of New
Zealand (SFFANZ) is taking nominations for the 2020 Sir Julius Vogel awards until
11.59 pm NZT on March 31.
The awards recognise excellence and achievement in science fiction, fantasy, or horror works created by New Zealanders and New Zealand residents, and first published or released in the 2019 calendar year.
…A nomination made by a SFFANZ member carries a weight of two nominations, where non-members’ nominations carry a weight of one.
Full information about the awards, including the
rules and criteria for the Sir Julius Vogel Award, can be found here.
Eligibility list is here.
(9) PRO-ROWLING. Megan McArdle’s opinion piece in the
Washington Post “Has
J.K. Rowling figured out a way to break our cancel culture?” says that Rowling’s defense of Maya Forstater and
her refusal to back down after social media protests shows that “the
opinions of officious strangers, possibly thousands of miles away, who swarm
social media like deranged starlings over and over again” can be safely
The censorious power of Mrs. Grundys always depends on the cooperation of the governed, which is why their regime collapsed the moment the baby boomers shrugged off their finger-wagging. If Rowling provides an unmissable public demonstration that it is safe to ignore the current crop, we can hope others will follow her example, and the dictatorship of the proscriptariat will fall as quickly as it arose.
(10) TODAY IN HISTORY.
January 3, 1970 — Doctor Who’s “Spearhead from Space” serial started airing. The Third Doctor as played by John Pertwee first appears in this episode. It would also be the first appearance of companion Liz Shaw who’s played by Caroline John. She only lasted a season because the next showrunner decided she was too intelligent to be a proper companion.
January 3, 1993 — Star Trek: Deep Space Nine premiered in television syndication. As you know, it would have a seven-year run with one seventy-six episodes in total. S.D. Perry wrote a sort of authorized ninth season in her Avatar novels. She’s written a number of Trek universe novels including a Section 31 one.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born January 3, 1892 — J. R. R. Tolkien. I’m not going to waste my time detailing Tolkien to this group. My go-to book for him for him after over forty years of reading him remains The Hobbit. The book that still annoys me? The Two Towers. Best Tolkien experience? Seeing The Father Christmas Letters read live. (Died 1973.)
Born January 3, 1898 — Doris Pitkin Buck. She’s got my feline curiosity aroused. Wiki says “She published numerous science fiction stories and poems, many of them in The Magazine of Fantasy & Science Fiction.” That’s fine but there’s little said about her or how she came to be a SF writer. ESF notes her “still unpublished tale “Cacophony in Pink and Ochre” has long formed part of the announced contents of Harlan Ellison’s The Last Dangerous Visions.” So what do y”all do about her? (Died 1980.)
Born January 3, 1930 — Stephen Fabian, 90. He specializes in genre illustration and cover art for books and magazines such as H. Warner’s The Werewolf of Ponkert which you can see here. I see he got a World Fantasy Award—Life Achievement, and was nominated seven times for Hugo Award for Best Professional Artist. Is that the most times for being nominated without winning? His collected works include Ladies & Legends and Women & Wonders. Of course, they’re genre.
Born January 3, 1937 — Glen A. Larson. Triple hitter as a producer, writer and director. Involved in Battlestar Galactica, Galactica 1980, The Six Million Dollar Man, Manimal, Buck Rogers in the 25th Century, and Knight Rider. He also was responsible for Magnum, P.I. which I love but I’ll be damned if I can figure any way to claim that’s even genre adjacent. He also did a lot of Battlestar Galactica novels, some with Ron Goulart. (Died 2014.)
Born January 3, 1940 — Kinuko Y. Craft, 80. She is a Japanese-born American painter, illustrator and fantasy artist. True enough. So why is she here? Because she had an amazing run of illustrating the covers of the Patricia McKillip novels until quite recently. I’m linking here to our review at Green Man of The Bards of Bone Plain for a favorite cover she did. There’s a slim volume on Imaginosis called Drawings & Paintings which collects some of her work.
Born January 3, 1956 — Mel Gibson, 64. I know the first thing I saw was genre wise involving him was The Road Warrior in a cinema which would be some forty years ago. Likewise I saw Mad Max 2 and Mad Max Beyond Thunderdome in cinemas, but I admit have mixed feelings about both of those films, though less about the latter as it’s at least fun. He’s in FairyTale: A True Story, a look at the the Cottingley Fairy photographs of the 1920s, and voices John Smith in Pocahontas. He plays Hamlet in Hamlet but I really don’t think I can call that genre, but I know some of you will.
Born January 3, 1975 — Danica McKellar, 45. From 2010–2013 and since 2018, she’s voiced Miss Martian in Young Justice. It’s just completed its third season and it’s most excellent! She’s done far, far more voice work than I can list here, so if you’ve got something you like that she’s done, do mention it.
Born January 3, 1976 — Charles Yu, 44. Taiwanese American writer. Author of How to Live Safely in a Science Fictional Universe and the short-story collections, Sorry Please Thank You and Third Class Superhero. His novel was ranked the year’s second-best science fiction novel by the Center for the Study of Science Fiction at the University of Kansas — runner up for the Campbell Memorial Award.
It was before 10 a.m. on a gray summer Sunday, but already a small crowd had gathered outside Penguin Café at the end of a block in residential Tokyo. A woman named Kyoko, dressed in a white T-shirt and apron, unlocked the doors and motioned for everyone to come inside.
Half a dozen or so people filed in, several with signature pink dog carriers slung over their shoulders. As more entered, the group clustered at the center of the café. Carefully, they unzipped the mesh panels of their carriers and removed the small white and silver dogs inside, setting them down on the wooden floor. One owner peeled back a yellow blanket over a baby carrier strapped to her chest where she held her dog, still asleep.
Some of the owners fussed with the dogs’ outfits before putting them down — straightening a necktie or pulling up the elastic band on a pair of shorts. One owner had dressed their dog in a Hawaiian shirt, while another was wearing aviator goggles and had a strong resemblance to Snoopy. Several had tiny straw hats affixed between their ears. All the dogs were plastic, powered by facial recognition and artificial intelligence….
6. And speaking of that, what’s your latest book, and why is it awesome? Thor: Metal Gods is a Serial Box serialized novel by Aaron Stewart-Ahn (the lead writer), Jay Edidin, Brian Keene, and myself. It features Thor and Loki, both coming to terms with old sins and old friends, a Korean tiger goddess, and a genderfluid space pirate and astronomer. There are black holes, eldritch abominations, heavy metal, and mayhem. We had terrific fun writing it and we hope you’ll enjoy it too.
… The European Space Agency is about to pull one of the bigger hunks of garbage from orbit. But there’s a problem: The same tech that could help make space cleaner might, in the long run, also make it more dangerous.
That’s because the ESA’s ClearSpace-1 orbital garbage truck, as well as other spacecraft like it, could double as a weapon.
Swiss startup ClearSpace designed the ClearSpace-1 vehicle to intercept a chunk of debris, latch onto it, and drag it back into Earth’s atmosphere where it can safely burn up. The ESA has scheduled the clean-up mission for 2025 and has even identified its target: a 265-pound piece of an old rocket orbiting 310 miles above Earth’s surface.
The 2025 mission will involve what ClearSpace CEO Luc Piguet called “non-cooperative capture.” That is to say, the targeted piece of debris wasn’t designed with an interface or any other system that might help a clean-up craft grab onto it.
…In a landmark discovery revealed this month, archaeologists unearthed the remains of four female warriors buried with a cache of arrowheads, spears and horseback-riding equipment in a tomb in western Russia — right where Ancient Greek stories placed the Amazons.
The team from the Institute of Archaeology at the Russian Academy of Sciences identified the women as Scythian nomads who were interred at a burial site some 2,500 years ago near the present-day community of Devitsa. The women ranged in age from early teens to late 40s, according to the archaeologists. And the eldest of the women was found wearing a golden ceremonial headdress, a calathus, engraved with floral ornaments — an indication of stature.
(16) WORDSMITH ALSO TUNESMITH. Don’t say you never got the
chance to hear Norman Spinrad sing. Today on Facebook
he reminded people about the time he performed at the Cirque Electrique in
Not that I’m planning to ever give up my day job, but I’ve had a long slow minor career with music, something around a dozen songs written or co-written, something less than that creating and recording, occasional live performances too such as this one, my best I think.
7. Middlegame: Middlegame is perhaps the most ambitious novels from Seanan McGuire and is a showcase for her skill at telling a good and complex story. Twins, math, alchemy, murder, time-bending, family, secret organizations, impossible powers, and just about everything McGuire can throw into this wonderous novel. Seanan McGuire has blended together as much as she possibly could stuff into one novel and she makes the whole thing work. It’s impressive. McGuire goes big with Middlegame. Doubt Seanan McGuire at your peril. (my review)
Pilkey’s Captain Underpants and the Terrifying Return of Tippy Tinkletrousers, the ninth book in his popular children’s novel series, published in 2012, features a comic strip made by the book’s incorrigible pranksters George and Harold, the stars of the series. This comic-within-a-novel marks the first appearance of Dog Man, Pilkey’s lovable crime-fighting superhero, who is surgically constructed from the body of a cop and the head of his police dog companion after they were both injured in a typically Pilkey-style zany accident.
(19) VIDEO OF THE DAY. From
Savag Entertainment, “Timelapse Reveals How Clever This Billboard Ad For The
BBC’s ‘Dracula’ Is.”
[Thanks to Andrew Porter, John King Tarpinian, Mike Kennedy, SF
Concatenation’s Jonathan Cowie, Cat Eldridge, JJ, Michael Toman, Olav Rokne, Contrarius,
Daniel Dern, Chip Hitchcock, R.S. Benedict, and Martin Morse Wooster for some
of these stories. Title credit belongs to File 770 contributing editor of the
day Daniel Dern.]
Jeanne Gomoll, whose art, design, and organizing energy has propelled and sustained the Award for the last 25 years, is retiring from the Otherwise Motherboard at the end of 2019. The remaining members of the Motherboard are incredibly grateful for Jeanne’s tireless, brilliant work and look forward to celebrating her contributions at WisCon in 2020.
Up until 1991 it felt to me as though the efforts of the Madison SF Group, Janus and Aurora fanzines, and WisCon, to encourage and celebrate feminist science fiction were largely restricted to a single place and to those who came to this place and attended WisCon. Indeed, by the late 1980s, it felt to me as if our efforts to foster feminist SF were increasingly being met with opposition and might possibly have been in danger of flickering out, as the backlash to feminism in general and feminist SF in specific gained strength. Pat Murphy’s 1991 announcement of the Tiptree Award thrilled me and gave me renewed strength. It was as if a small group of us, following a narrow, twisty path had merged with a much wider, well-traveled path. After the Tiptree Award began handing out annual awards and raising funds, and had sparked a massive juggernaut of community activism, I stopped worrying about the viability of the movement.
I will be forever grateful to the Tiptree Award and proud of my work on it. I chaired two Tiptree juries—one in 1993, which chose Nicola Griffith’s Ammonite as the winner; and the other in 2016, which presented the award to When the Moon Was Ours, by Anna-Marie McLemore. I served on the Motherboard for 25 years, 1994-2019, and worked behind-the-scenes on most of the auctions during those years, and as an artist creating logos, publications, and Tiptree merchandise. I will be forever grateful to the Motherboard for the work we did together and the friendships we created along the way. I am awed by and very proud of the community of writers and readers who supported and were nurtured by the award, even as they guided the award further along the path toward greater diversity and scope.
The Tiptree Award, and now the Otherwise Award will always have my heartfelt support. But it is time for me to step back and make space for a new generation of activists. I want to thank my fellow motherboard founding mothers and members, past and present—Karen Joy Fowler, Pat Murphy, Jeff Smith, Alexis Lothian, Sumana Harihareswara, Gretchen Treu, Debbie Notkin, Ellen Klages, Delia Sherman—for all they have done and for their friendship, which I will value forever.
(2) THIS IS HORROR. Public nominations are being accepted
through January 8 for the This
Is Horror Awards.
The public nominations are now open for the ninth annual This Is Horror Awards. This year we’ve retained all the categories from last year and added one more, ‘Cover Art of the year’. Here are the categories: Novel of the Year, Novella of the Year, Short Story Collection of the Year, Anthology of the Year, Fiction Magazine of the Year, Publisher of the Year, Fiction Podcast of the Year, Nonfiction Podcast of the Year, and Cover Art of the Year.
Readers can e-mail in their nominations for each category. Taking into consideration the nominations for each category This Is Horror will then draw up a shortlist.
We invite you to include one sentence as to why each nomination is award-worthy.
Jason: How much of an increase in your budget would be required to pay all editorial and publishing staff a living wage?
Scott: Estimating using a salary of $15/hour for the work our staff does, we would need a $45,000 increase in our annual budget to pay all staff a living wage. That’s double what our annual budget is to pay for the stories we publish. To cover that, our monthly donations through Patreon would have to increase by 7000%….
Jason: Neil Clarke of Clarkesworld has said some of the problems experienced by genre magazines come about because “we’ve devalued short fiction” through reader expectations that they shouldn’t have to pay for short stories. Do you agree with this? Any thoughts on how to change this situation?
LDL: …I think the issue is one of exhaustion on the part of volunteer staff and a strained supporter base. In my observation, the people who contribute to zine crowdfunds also contribute to crowdfunds for individuals in emergency situations. There are a lot of emergencies or people in general need, just within the SFF community and funds are finite. If you’re supporting your four favorite zines every year, donating to three medical funds, two Kickstarters, a moving fund, and also taking on costs associated with at least one fandom-related convention every year, it’s not sustainable for a lot of readers, especially the marginalized ones….
Jason: In addition to paying your writers, Asimov’s also pays all of your staff, something which is not common among many of today’s newer genre magazines. Is it possible to publish a magazine like Asimov’s without the support of a larger company, in this case Penny Publications?
Sheila: An anecdotal review of the American market doesn’t really bear that out. F&SF is published by a small company. Analog and Asimov’s are published by a larger (though not huge) publishing company. Being published by a larger company does have its advantages, though. While only one and a half people are dedicated to each of the genre magazines, we do benefit from a support staff of art, production, tech, contracts, web, advertising, circulation, and subsidiary rights departments. I’m probably leaving some people out of this list. While the support of this infrastructure cannot be underestimated, Asimov’s revenue covers our editorial salaries, and our production and editorial costs. We contribute to the company’s general overhead as well.
Jason: Strange Horizons also helped pioneer the idea that a genre magazine could be run as a nonprofit with assistance from a staff of volunteers. What are the pros and cons of this publishing model?
Vanessa: With volunteer staff, the con is simple: no pay. Generally, working for no pay privileges people who can afford to volunteer time, and devalues the work we do as editors. I’d like to think that at SH, we have partially balanced the former by making our staff so large and so international that no one need put in many hours, and folks can cover for you regardless of time zone. Despite having 50+ folks, we’re a close group. Our Slack is a social space, and we bring our worst and best days there for each other. Several members (including me) have volunteered right through periods of un- and underemployment because of the love of the zine and our community….
(4) NEBULA CONFERENCE EARLYBIRD RATE. The rate has been extended
another week —
HelenKay Dimon, a past RWA president, previously told The Guardian that she regularly received letters from white RWA members expressing concern that “now nobody wants books by white Christian women”.
There is “a group of people who are white and who are privileged, who have always had 90% of everything available, and now all of a sudden, they have 80%. Instead of saying: ‘Ooh, look, I have 80%,’ they say: ‘Oh, I lost 10! Who do I blame for losing 10?’” Dimon said.
The tweets that sparked the ethics complaints against Milan, which were posted this August, were part of a broader conversation on romance Twitter about how individual racist beliefs held by gatekeepers within the publishing world have shaped the opportunities available to authors of color.
The…next installment of Frank Herbert’s Dune World saga has been staring me in the face for weeks, ever since I bought the January 1965 issue of Analog. I found I really didn’t want to read more of it, having found the first installment dreary, though who am I to argue with all the Hugo voters?
And yet, as the days rolled on, I came up with every excuse not to read the magazine. I cleaned the house, stem to stern. I lost myself in this year’s Galactic Stars article. I did some deep research on 1964’s space probes.
But the bleak desert sands of Arrakis were unavoidable. So this week, I plunged headfirst into Campbell’s slick, hoping to make the trek to the end in fewer than two score years. Or at least before 1965. Join me; let’s see if we can make it.
In September 1963, Tolkien drafted yet another of a number of letters responding to questions about Frodo’s “failure” at the Cracks of Doom. It’s easy to imagine that he was rather exasperated. Few, it seemed, had really understood the impossibility of Frodo’s situation in those last, crucial moments: “the pressure of the Ring would reach its maximum,” Tolkien explained; it was “impossible, I should have said, for any one to resist, certainly after long possession, months of increasing torment, and when starved and exhausted” (Letters 326). Even had someone of unmatched power, like Gandalf, claimed the Ring, there would have been no real victory, for “the Ring and all its works would have endured. It would have been the master in the end” (332).
It would have been the master.
From humble beginnings as a mere trinket bartered in a game of riddles (see the original Hobbit), the Ring grew in power and influence until it did indeed include all of Middle-earth in its simple band of gold. “One Ring to rule them all” wasn’t just meant to sound intimidating—it was hard truth. Even Sauron couldn’t escape the confines of its powers. It was his greatest weakness.
But how did the Ring become the thing around which the entirety of the Third Age revolved (Letters 157)?…
(8) JANUARY 2. Get ready – tomorrow is “National
Science Fiction Day”. It must be legit – “National Science Fiction Day
is recognized by the Hallmark Channel and the Scholastic Corporation.”
National Science Fiction Day promotes the celebration of science fiction as a genre, its creators, history, and various media, too. Recognized on January 2nd annually, millions of science fiction fans across the United States read and watch their favorites in science fiction.
The date of the celebration commemorates the birth of famed science fiction writer Isaac Asimov. An American author and Boston University professor of biochemistry, Isaac Asimov was born Isaak Yudovich Ozimov on January 2, 1920. He was best known for his works of science fiction and his popular science books.
(9) TODAY IN HISTORY
January 1, 2007 — The Sarah Jane Adventures premiered starring Elizabeth Sladen who had been in the pilot for K-9 and Company which the Beeb didn’t take to series. The program, which as you well know was a spin-off of Doctor Who, lasted five series and fifty-four episodes. It did not make the final Hugo ballot for Best Dramatic Presentation, Short Form in either 2007 or 2008.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born January 1, 1854 — James George Frazer. Author of The Golden Bough, the pioneering if deeply flawed look at similarities among magical and religious beliefs globally. He’s genre adjacent at a minimum, and his ideas have certainly been used by SFF writers a lot both affirming and (mostly) critiquing his ideas. (Died 1952.)
Born January 1, 1889 — Seabury Quinn. Pulp writer now mostly remembered for his tales of Jules de Grandin, the occult detective, which were published in Weird Tales from the Thirties through the Fifties. (Died 1969.)
Born January 1, 1926 — Zena Marshall. She’s Miss Taro in Dr. No, the very first Bond film. The Terrornauts in which she’s Sandy Lund would be her last film. (The Terrornauts is based off Murray Leinster‘s The Wailing Asteroid screenplay apparently by John Brunner.) She had one-offs in Danger Man, The Invisible Man and Ghost Squad. She played Giselle in Helter Skelter, a 1949 film where the Third Doctor, Jon Pertwee, played Charles the Second. (Died 2009.)
Born January 1, 1933 — Joe Orton. In his very brief writing career, there is but one SFF work, Head to Toe which the current publisher says “is a dream-vision allegory of a journey on the body of a great giant or ‘afreet’ (a figure from Arabic mythology) from head to toe and back, both on the body and in the body.” Like his other novels, it’s not available digitally. (Died 1967.)
Born January 1, 1954 — Midori Snyder, 66. I was most impressed with The Flight of Michael McBride, the Old West meets Irish myth novel of hers and hannah’s garden, a creepy tale of the fey and folk music. She won the Mythopoeic Award for The Innamorati which I’ve not read. With Yolen, Snyder co-authored the novel Except the Queen which I do recommend. (Yolen is one of my dark chocolate recipients.) She’s seems to have been inactive for a decade now. Anyone know why?
Born January 1, 1957 — Christopher Moore, 63. One early novel by him, Coyote Blue, is my favorite, but anything by him is always a weirdly entertaining read. I’m hearing good things about Noir, his newest work which I’m planning on listening to soon. Has anyone read it?
Born January 1, 1971 — Navin Chowdhry, 49. He’s Indra Ganesh in a Ninth Doctor story, “Aliens of London.“ I also found him playing Mr. Watson in Skellig, a film that sounds really interesting. Oh, and I almost forgot to mention that he was Nodin Chavdri in Star Wars: The Last Jedi.
Born January 1, 1976 — Sean Wallace, 44. Anthologist, editor, and publisher known for his work on Prime Books and for co-editing three magazines, Clarkesworld Magazine which I love, The Dark which I’ve never encountered, and Fantasy Magazine which is another fav read of mine. He has won a very, very impressive three Hugo Awards and two World Fantasy Awards. His People of the Book: A Decade of Jewish Science Fiction and Fantasy co-edited with Rachel Swirsky is highly recommended by me. He’s not well represented digitally speaking which surprised me.
Born January 1, 1984 — Amara Karan, 36. Though she’s Tita in an Eleventh Doctor story, “The God Complex”, she’s really here for being involved in a Stan Lee project. She was DS Suri Chohan in Stan Lee’s Lucky Man, a British crime drama series which is definitely SFF. Oh, and she shows up as Princess Shaista in “Cat Among Pigeons” episode of Agatha Christie’s Poirot but even I would be hard put to call that even close to genre adjacent.
Before Dean Parisot signed on to direct Galaxy Quest, Harold Ramis was supposed to helm the movie, which was initially titled Captain Starshine. However, according to Tim Allen, if Ramis directed the film, it wouldn’t have just been titled differently — it would have looked quite different as well.
[…] “Katzenberg pitched me the idea of the commander character and then they started talking and it became clear that Ramis didn’t see me for the part,” Allen said. “It was pretty uncomfortable.”
[…] Interestingly, Sigourney Weaver also wouldn’t have gotten her role as Gwen DeMarco in Galaxy Quest if Ramis had directed the film, despite their relationship from Ghostbusters. “I had heard that Harold was directing a sci-fi movie but he didn’t want anyone who had done sci-fi in the film,” she said. “Frankly, it’s those of us who have done science fiction movies that know what is funny about the genre.”
…I’ll start with this reddit AMA from a few years back, and an interview with Tingle on Nothing in the Rulebook. His answers reveal a consistent approach to the writing life that mirrored the habits of authors who are, possibly, even more well-known than our favorite erotica author.
Asked about a typical writing day, Tingle replies:
yes average day is getting up and having two BIG PLATES of spaghetti then washing them down with some chocolate milk then i get out of bed and meditate to be a healthy man. so when i am meditating i think ‘what kind of tingler would prove love today?’. if nothing comes then i will maybe trot around the house or go to the park or maybe walk to the coffee shop with my son jon before he goes to work. if i have a good idea i will just write and write until it is all done and then I will have son jon edit it and then post it online.
OK, so to translate this a bit out of Tingle-speak, we have a recommendation that you fuel your writing with carbs (and also an unlikely alliance with Haruki Murakami’s spaghetti-loving ways) with a bit of a boost of sugar….
(14) GREASED LIGHTNING. [Item by Daniel Dern.] From one of the CES 2020 press
releases I got today…
Subject: [CES NEWS] Experience a Roomba-Like Device that Navigates the Home Charging ALL Devices
…I want to put an innovative device on your radar: RAGU, a Roomba-like robot that navigates the home charging ALL of your devices.
GuRu is the first company to crack the code on totally untethered, over-the-air charging.
discounting remote mal-hackers, this sounds like a recipe for either a droll TV
episode, or Things Going Horribly Wrong. (Fires, fried gear, tased/defibrilated
pets and sleeping people, etc.)
Spare a thought for the poor fat rat of Bensheim, which became stuck in a German manhole in February. She was eventually freed, but not before passers-by took embarrassing photos of her plight. “She had a lot of winter flab,” one rescuer said, compounding the humiliation.
In this case, the animals were the rescuers rather than the rescued (sort of).
Anticipating the threat of wildfires later in the year, staff at the Ronald Reagan Presidential Library in California hired a hungry herd of 500 goats to eat flammable scrub around the building in May.
And so, when fires did strike in October, the library was saved because of the fire break the goats had created by eating the flammable scrub. Nice one, goats.
As always, the existential wisdom of Werner Herzog prevails. “You are cowards,” the director castigated on set of The Mandalorian, upon realizing the producers intended to shoot some scenes without the Baby Yoda puppet in case they decided to go full CGI with the character. “Leave it.”
Herzog, who guest-starred on a few episodes of the Disney+ Star Wars spinoff series, was one of Baby Yoda’s earliest champions. And indeed, Baby Yoda — a colloquial epithet referring to the mysterious alien toddler merely known as “The Child” in the script — was designed for maximum neoteny. The gigantic saucer-like dilated eyes; the tiny button nose; a head that takes up nearly half his body mass; the hilariously oversized brown coat; the peach fuzzy hairs tufted around his head; and the pièce de résistance of his custardy little green face: that minuscule line of a mouth that could curve or stiffen in an instant and erupt a thousand ancient nurturing instincts in any viewer. (He’s the only thing my normally stoic husband has ever sincerely described as “cute.”) Heck, there may very well be a micro generation of Baby Yoda babies about eight months from now, thanks to this frog-nomming, lever-pulling, bone-broth-sipping little scamp.
And all because Jon Favreau and company finally recognized that rubber-and-fabric practical effects will almost always have a greater emotional impact than plasticky digital ones.
The recent success of The Mandalorian, thanks to the adorable face that launched a thousand memes, and Netflix’s fantasy-adventure epic The Dark Crystal: Age of Resistance, recently nominated for a WGA Award and a Critic’s Choice Award, prove that we still need puppetry and mechanical effects in the age of CGI….
(18) PERRY MASON. My fellow geezers may enjoy this quick
[Thanks to Jo Van Ekeren, Cat Eldridge, Mike Kennedy, JJ, Chip
Hitchcock, John King Tarpinian, Martin Morse Wooster, Daniel Dern, Contrarius, Darrah
Chavey, and Andrew Porter for some of these stories. Title credit goes to File
770 contributing editor of the day Kip W.]
In a matter of seconds, at the end of the first episode of The Mandalorian, pop culture and Star Wars fandom was changed forever. Baby Yoda was introduced to the universe and we’ll never be the same. The immediacy in which we fell in love with The Child has left an indelible mark. The eyes, the ears, the broth sipping… We were immediately in our feelings and could not climb out. And, thankfully, so were some very creative fans.
Lovestruck, creative fans put out some wonderfully clever and sublimely hilarious videos. They run the gamut of Christmas song remakes, Hamilton mash-ups to very original productions. Take a look, dive into your Baby Yoda emotions and enjoy!
And hey – I actually know one of the singers in The Mary Sues! (She’s my daughter’s aunt.)
And maybe it was the freedom to explore obscure characters without being tethered to the baggage of canon that gave this film an opportunity to stretch? Or perhaps it was Gunn’s propensity for infusing humor, heart, and a killer soundtrack into a movie about a dysfunctional family which could very well be the most relatable premise ever?
Whatever the reason, you’ve got to give the dude credit–after all, Gunn was so confident with his realized vision that he held on to the merchandise-friendly Baby Groot until the end credits.
…Advisers to the Democratic congresswoman Alexandria Ocasio-Cortez have sought him out to discuss the environment. But he doesn’t like to think in terms of political parties: “I’d just say I’m an American leftist. The left’s an honourable tradition and a very broad band from Bill Clinton to Xi Jinping. Anything that seems to be progressive in a way that a social scientist or an ordinary person in the street could agree with: health insurance, a pension, and the right to a job.”
His outlook is rooted less in ideology and more in the lived experiences of landscape – specifically the boldly fragile beauty of California’s terraformed farms and coast. “California’s different: it’s the fifth biggest economy in the world, it’s the gold rush, Hollywood, Silicon Valley, and it’s too lucky. I wish the whole United States was being led by California, that would get faster solutions. On the other hand, the inequality here is getting as bad as anywhere.”
(7) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born December 28, 1913 — Charles Maxwell. He makes the Birthday List for being Virgil Earp in the “Spectre of the Gun”, a not terribly good Trek story. He also appeared in My Favorite Martian’s “An Old Friend of the Family” as the character Jakobar. His longest running genre role was as the Radio Announcer on Gilligan’s Island for which he was largely uncredited. Interestingly he had six appearances playing six different characters on the Fifties series Science Fiction Theatre. (Died 1993.)
Born December 28, 1922 — Stan Lee. Summarizing his career is quite beyond my abilities. He created and popularized Marvel Comics in a way that company is thought to be the creation of Stan Lee in way that DC isn’t thought if of having of having a single creator. He co-created the Fantastic Four, Spider-Man, the X-Men, Iron Man, Thor, the Hulk, Daredevil, Doctor Strange, Black Panther, Scarlet Witch and Ant-Man, an impressive list by any measure. And it’s hardly the full list. I see he’s won Eisner and Kirby Awards but no sign of a Hugo. Is that correct? (Died 2018.)
Born December 28, 1932 — Nichelle Nichols, 87. Uhura on Trek. She reprised her character in Star Trek: The Motion Picture, Star Trek II: The Wrath of Khan, Star Trek III: The Search for Spock, Star Trek IV: The Voyage Home, Star Trek V: The Final Frontier and Star Trek VI: The Undiscovered Country. Other film SF roles included Ruana in Tarzan’s Deadly Silence with Ron Ely as Tarzan, High Priestess of Pangea in The Adventures of Captain Zoom in Outer Space, Oman in Surge of Power: The Stuff of Heroes and Mystic Woman in American Nightmares. Other series appearances have been as Lieutenant Uhura and additional voices in the animated Trek, archive footage of herself in the “Trials and Tribble-ations” DS9 episode and as Captain Nyota Uhura In Star Trek: Of Gods and Men which may or may not be canon.
Born December 28, 1934 — Maggie Smith, 85. First genre role was as Theis in Clash of the Titans. Much better known as Minerva McGonagall In the Harry Potter film franchise. She also played Linnet Oldknow in From Time to Time and voiced Miss Shepherd, I kid you not, in two animated Gnomes films.
Born December 28, 1942 — Eleanor Arnason, 77. She won the Otherwise Award and the Mythopoeic Award for A Woman of the Iron People and also won the Gaylactic Spectrum Award for Best Short Fiction for “Dapple”. She’s a Wiscon Guest of Honor. I wholeheartedly recommend her Mammoths of the Great Plains story collection, which like almost all of her fiction, is available in the digital format of your choice.
Born December 28, 1945 — George Zebrowski, 74. He won the John W. Campbell Memorial Award for Best Science Fiction Novel for Brute Forces. He’s married to Pamela Sargent with whom he has co-written a number of novels, including Trek novels.
Born December 28, 1970 — Elaine Hendrix, 49. I found a Munsters film I didn’t know about (big fan I am yes) and she’s Marilyn Munster in it: The Munsters’ Scary Little Christmas. She later is Gadget Model 2 (G2) in Inspector Gadget 2. (Anyone watch these?) And she’s Mary in the animated Kids vs Monsters.
Born December 28, 1978 — John Legend, 41. Several years back, Legend was Jesus Christ in of the Andrew Lloyd Webber and Tim Rice opera Jesus Christ Superstar which aired on NBC. He also voices Crow in the animated Crow: The Legend film.
Born December 28, 1981 — Sienna Miller, 38. The Baroness in one of the endless G.I. Joe films I’ve no intention ever of seeing, G.I. Joe: The Rise of Cobra to be precise. More interestingly, she’s Victoria in the flawed but still worth seeing Stardust. (Go listen to Gaiman reading it for the best take on it — brilliant that is!) And she’s Darcy in Kis Vuk, A Fox’s Tale, a Hungarian-British animated tale that sounds quite charming.
Born December 28, 1982 — Beau Garrett, 37. She made her genre appearances first in Turistas and Unearthed, definitely grade b horror films, before being Captain Raye in Fantastic Four: Rise of the Silver Surfer and Gem in Tron: Legacy.
Born December 28, 1987 — Thomas Dekker, 32. He’s best known John Connor in Terminator: The Sarah Connor Chronicles, Zach on Heroes andAdam Conant on The Secret Circle. He also played Jesse Braun in the remake of A Nightmare on Elm Street. He was also in ChromeSkull: Laid to Rest 2 which might be one of the worse titles I’ve seen for a horror film….
(8) COMICS SECTION.
Tom Gauld’s take on a recent newsmaking bit of punctuation.
Russia’s first regiment of Avangard hypersonic missiles has been put into service, the defence ministry says.
The location was not given, although officials had earlier indicated they would be deployed in the Urals.
President Vladimir Putin has said the nuclear-capable missiles can travel more than 20 times the speed of sound and put Russia ahead of other nations.
They have a “glide system” that affords great manoeuvrability and could make them impossible to defend against.
…Mr Putin said on Tuesday the Avangard system could penetrate current and future missile defence systems, adding: “Not a single country possesses hypersonic weapons, let alone continental-range hypersonic weapons.”
From a robot in your phone to a smart speaker in your kitchen, voice-to-text algorithms are moving into more and more aspects of our lives.
But how well do they understand English speakers of all backgrounds? We’re running an experiment to find out.
This is where you come in: Record yourself speaking (we’ll give you prompts), send us the clips and we’ll have the machines interpret them. It doesn’t matter if you know of or have used the devices or services we’re testing. If you can speak, we’d like to hear from you.
A podcast based on a 1930 American horror story has been relocated due to fresh inspiration from “rural English mythology” and an alleged UFO sighting.
The BBC Sounds podcast The Whisperer in Darkness features reports by US airmen who claimed to have seen a UFO in Rendlesham Forest, Suffolk in 1980.
Writer Julian Simpson visited drama locations in Suffolk with actress Jana Carpenter before penning the series.
His version is loosely based on the novella set in Vermont by HP Lovecraft.
(12) VIRAL TENTACLES. This animatronic has gone viral.
(13) DISNEY EXEC PROFILED. [Item by Martin Morse
Wooster.] Behind a paywall in the November 23 Financial Times, Emma Jacobs profiles
Walt Disney Animation Studios president Jennifer Lee.
“Ms Lee knows something about identifying with animated heroes. The 48-year-old has described growing up in Rhode island on “a poor street in a rich town: where she was tormented by schoolyard bullies, In Disney’s Cinderella, Ms Lee found comfort in a character who ensured cruel mistreatment before finding happiness. The bullying left her plagued with self-doubt. ‘People talk about the dangers of rose coloured glasses,’ she said. ‘But let me tell you, the lenses of self-doubt are far worse. They are nasty. Thick and filthy.”
….”Ms. Lee once wrote that the hardest part of being a female director was not the legacy of Disney or making herself heard in a room full of men. Rather it was the red carpet. ‘I didn’t know that being a size 2…might as well be a size 92 to the elite designers; I have never wanted to be an animated character so badly.'”.
(14) VIDEO OF THE DAY. “I’m a Lunatic Chef That Cooks Food Using Explosives.”
The master chef’s guide to serving up steaks to customers extra extra extra extra extra extra extra well done, whether they asked for it or not. This is also Cooking Simulator’s July 4 2019 update that adds some festive things for destroying your kitchen even faster.
[Thanks To Chip Hitchcock, James Davis Nicoll, Andrew Porter, Martin Morse Wooster, Cat Eldridge, JJ, StephenfromOttawa, John King Tarpinian, N., and Mike Kennedy for some of these stories. Title credit goes to File 770 contributing editor of the day Jeff Warner.]
(1) MEAN STREETS. I Write Like says it analyzes a sample of your writing and determines the author you most write like. I pasted in a paragraph from my “Fourth of Sierra Madre” article and was very happy to be told —
(2) POUNDING THE KEYBOARD. Chuck Tingle’s encouraging words
for those taking up the NaNoWriMo challenge.
…The interruption of the aerial firefighting underscores growing concerns about how drones can bring added dangers to pilots battling major fires.
According to the National Interagency Fire Center, aerial firefighting efforts have been shut down at least nine times this year because of drone use, and at least 20 drone incursions have hindered firefighting capabilities nationwide from January through October. A report shared with The Times showed that of those 20 incursions, five were in California.
While the unmanned aerial vehicles are small, drones can wreak incredible havoc. A collision with a wing, engine or any part of a larger aircraft can cause severe damage.
“A bird collision with a plane can cause a plane to go down,” said Jessica Gardetto, a spokesperson for the National Interagency Fire Center. “These are hard plastic items.”
“This idea of purity, and you’re never compromised, and you’re always politically woke and all that stuff. You should get over that quickly,” he said. “The world is messy. There are ambiguities. People who do really good stuff have flaws.”
Obama also called out what he perceived as a “danger” among younger people.
“There is this sense sometimes of ‘the way of me making change is to be as judgmental as possible about other people, and that’s enough,’” he said, then offered an example:
“Like if I tweet or hashtag about how you didn’t do something right or used the wrong verb. Then, I can sit back and feel pretty good about myself because, ‘Man, you see how woke I was? I called you out.’ I’m gonna get on TV. Watch my show. Watch ‘Grown-ish.’ You know, that’s not activism. That’s not bringing about change. If all you’re doing is casting stones, you’re probably not going to get that far.”
(5) NYRSF READINGS. In honor of Guy Fawkes Day, the New
York Review of Science Fiction Reading Series offers two brilliant
speculative fiction writers who will make sure you will remember, remember, the
Fifth of November — Robert V.S. Redick and Gay Partington Terry. Event takes
place Tuesday, November 5 beginning at 7:00 p.m. in The Brooklyn Commons at 388 Atlantic Avenue in Brooklyn, NY.
Robert V.S. Redick‘s fantasy novel Master Assassins, an (anti-) war epic, was a finalist for the 2018 Booknest Award for Best Novel, and was described by Daryl Gregory as “A blazingly smart thrill-ride of an adventure.” He is also the author of the critically-acclaimed nautical epic fantasy series The Chathrand Voyage Quartet. His debut novel, The Red Wolf Conspiracy, received a special commendation by the 2010 Crawford Award Committee and was translated into five languages.
Robert teaches speculative fiction writing in the Stonecoast MFA Program in Freeport, Maine, and works as a freelance editor and book coach. He has worked for international development and environmental justice organizations for many years, including Oxfam, Friends of the Earth and the Center for International Forestry Research. He has lived in Indonesia (where he wrote Master Assassins), Colombia, Argentina, London and rural France. He’s also worked as a baker, horse handler, translator and stage critic. He now lives in Western Massachusetts with his family.
…I mentioned yesterday, when I wrote about writing The Last Emperox, my upcoming novel, that I sometimes write reference pieces for myself so I can give some context to myself about what I’m writing. Those pieces usually are never seen by others, but they’re useful for me, and they make a better book for everyone else.
This is one of those pieces. In the book, humans get around space via “The Flow” — a “metacosmological multidimensional space” that’s not of this universe but lets people get around in it at multiples of the speed of light. I decided I needed to give The Flow an origin story, as well as understand how people discovered it, so I wrote this piece for myself, which I am sharing with you now….
(7) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born November 2, 1902 — John P. Fulton, A.S.C. A special effects supervisor and cinematographer. He’s the man who parted the Red Sea in The Ten Commandments. Neat trick that. Genre wise, we can first find him in 1931 on Frankenstein in a career that’ll stretch through The Mummy, The Invisible Man, The Bride of Frankenstein and I Married a Monster from Outer Space to name a few of the films he worked on. (Died 1966.)
Born November 2, 1913 — Burt Lancaster. Certainly being Dr. Paul Moreau on The Island of Doctor Moreau was his most genre-ish role but I like him as General James Mattoon Scott in Seven Days in May. And, of course, he’s really great as Moonlight Graham in Field of Dreams. (Died 1994.)
Born November 2, 1924 — Michi Kobi. She was Dr. Hideko Murata in Twelve to the Moon, half of as a double feature with either Battle in Outer Space or 13 Ghosts. Unless you consider her doing voices on Courage the Cowardly Dog, an early Oughts animated series, to be genre, this is her only SF work. (Died 2016.)
Born November 2, 1927 — Steve Ditko. Illustrator who began his career working in the studio of Joe Simon and Jack Kirby during which he began his long association with Charlton Comics and which led to his creating the Captain Atom character. Did I mention DC absorbed that company as it did so many others? Now he’s best known as the artist and co-creator, with Stan Lee, of Spider-Man and Doctor Strange. For Charlton and also DC itself, including a complete redesign of Blue Beetle, and creating or co-creating The Question, The Creeper, Shade the Changing Man, and Hawk and Dove. He been inducted into the Jack Kirby Hall of Fame and into the Will Eisner Award Hall of Fame. (Died 2018.)
Born November 2, 1941 — ?Ed Gorman. He’d be here if only for writing the script for the Batman: I, Werewolf series in which Batman meets a werewolf. Very cool. More straight SFF is his Star Precinct trilogy with Kevin Randle which is quite excellent, and I’m fond of his short fiction which fortunately is showing up in digital form at the usual spots. (Died 2016.)
Born November 2, 1942 — Carol Resnick, 77. Wife of that Resnick who credited her according to several sources with being a co-writer on many of his novels. (Does he do this in the actual novels?) He also credited her as being a co-author on two movie scripts that they’ve sold, based on his novels Santiago and The Widowmaker. And she’s responsible for the costumes in which she and Mike appeared in five Worldcon masquerades in the Seventies, winning awards four times.
Born November 2, 1942 — Stefanie Powers,77. April Dancer, the lead in The Girl from U.N.C.L.E. which lasted just one season. Did you know Fleming contributed concepts to this series and The Man from U.N.C.L.E. as well? She would play Shalon in the crossover that started on The Six-Million Man and concluded on The Six-Million Woman called “The Return of Bigfoot”.
Born November 2, 1949 — ?Lois McMaster Bujold, 70. First let’s note she’s won the Hugo Award for best novel four times, matching Robert A. Heinlein’s record, not counting his Retro Hugo. Quite impressive that. Bujold’s works largely comprises three separate book series: the Vorkosigan Saga, the Chalion series, and the Sharing Knife series. She joined the Central Ohio Science Fiction Society, and co-published with Lillian Stewart Carl StarDate, a Trek fanzine in which a story of hers appeared under the byline Lois McMaster.
Born November 2, 1980 — ?Brittany Ishibashi, 39. Ishibashi played Karai in Teenage Mutant Ninja Turtles: Out of the Shadows, the sequel to Teenage Mutant Ninja Turtles. She’s currently portrays Tina Minoru on Runaways, streaming on Hulu. And she was Maggie Zeddmore in the Ghostfacers webseries.
(8) JOIN THE JOURNEY. Galactic Journey’s Gideon Marcus will steer their time machine to a series of Southern California destinations to present these live events in November and December. Marcus says, “They are free (at least, we don’t charge, and only LosCon has a door fee) so if you’re in the neighborhood, please stop on by!” Here’s the list:
Once more, talking about the Women Pioneers of Space Science at another great dark sky site.
(9) MARTIAN HOPS. Behind a paywall in the October 26 Financial Times, Edwin
Heathcote reviews an exhibit on living on Mars that is at Britain’s Design
through February 23.
Another room is devoted to off-world agriculture, with terraria and complex hydroponic closed-loop systems, though it all depends on either transporting water from Earth or finding and extracting some of the ice at the Martian poles. Architect Xavier de Kesteller from Hasell suggests a circular economy is a matter of life and death on Mars–the extreme self-reliance necessary for a Martian mission, the need to recycle everything, might promote better use of our resources on Earth.
It all ends with an intriguing installation by Alexandra Daisy Ginsberg about a Mars ‘wilding,’ populating the planet not with people but with plants, presented through a series of screens and a gaming engine which maps the development of the fauna over millennia.
An American Werewolf in London. The zombies from Michael Jackson’s “Thriller.” Bela Lugosi’s Dracula from Ed Wood. The dark fairy Maleficent.
They’re all the work of Rick Baker, who created some of the most memorable movie monsters and creatures of the last four decades. Baker is retired now, having won seven Oscars for makeup. But he’s chronicled his long career in a new two-volume illustrated book titled Metamorphosis.
In the LA enclave Toluca Lake, Baker answers the door to his house-turned-studio wearing a t-shirt that says “I’d Rather Be Making Monsters.” Inside, the building is packed with gorilla skull casts, monster sculptures, masks of gruesome victims. There’s a mysterious room that looks from a distance like Dr. Frankenstein’s laboratory. (“Uh, that’s a room you probably shouldn’t go in,” Baker says, with a wink.)
His massive book documents his long career, starting when he was a 10-year-old kid making monster masks in his bedroom. His parents encouraged his passion, which included his fascination with the 1931 Frankenstein movie starring Boris Karloff.
Put away the chainsaw. Stow your machete. The best zombie-fighting tool in your arsenal may be … math?
Just in time for Halloween, mathematicians at the University of Sheffield in the U.K. have modeled different scenarios that may occur in the event of a zombie apocalypse. The math the team used to model these scary scenarios is a type of modeling scientists rely on to predict and prevent the spread of infectious diseases like measles.
“These models allow us to explain real-world data, make predictions about future disease outbreaks or control measures, and to gain a deeper understanding of the natural environment,” mathematician Alex Best of the University of Sheffield said in a statement.
…In 1931, he enrolled in Manhattan’s Grand Central School of Art. He set his sights on The New Yorker magazine. The next year he sold them his first spot sketch for $7.50. In 1933, the magazine bought the first of many drawings.
After his father died that year, he went to work for True Detective magazine. He relished retouching and removing the blood from the pictures of corpses.
In 1935, he joined the New Yorker staff. America was transfixed by the dark, shadowy Frankenstein and Dracula films, which likely inspired Addams to create his signature subjects: a slinky, pale, black-gowned vixen and her weird-looking clan in front of a dilapidated, haunted-looking Victorian mansion. Unlike movie monsters, Addams’ characters had an eerie yet healthy sense of humor.
The New Yorker started running his immediately recognizable Addams Family artwork that year. In 1942, his first anthology of drawings was published.
A Russian law has taken effect that, in theory, would allow the Russian government to cut off the country’s Internet from the rest of the world.
The “sovereign Internet law,” as the government calls it, greatly enhances the Kremlin’s control over the Web. It was passed earlier this year and allows Russia’s government to cut off the Internet completely or from traffic outside Russia “in an emergency,” as the BBC reported. But some of the applications could be more subtle, like the ability to block a single post.
It requires Internet service providers to install software that can “track, filter, and reroute internet traffic,” as Human Rights Watch stated. Such technology allows the state telecommunications watchdog “to independently and extrajudicially block access to content that the government deems a threat.”
The equipment would conduct what’s known as “deep packet inspection,” an advanced way to filter network traffic.
Such widespread control is alarming to human rights groups, which fear it could be used to silence dissent.
“Now the government can directly censor content or even turn Russia’s Internet into a closed system without telling the public what they are doing or why,” Rachel Denber, Human Rights Watch’s deputy Europe and Central Asia director, said in a statement. “This jeopardizes the right of people in Russia to free speech and freedom of information online.”
(14) IN THE STARS. The Cut collected proof from Instagram showing that “Celebrities Really Went All Out on Halloween”. A bit heavy on Kardhasians, sure, but without this post I would never have seen LeBron James perfectly attired as Edward Scissorhands,
[Thanks to JJ, Cat Eldridge, Martin Morse Wooster, John King
Tarpinian, Mike Kennedy, Chip Hitchcock, Olav Rokne, and Andrew Porter for some
of these stories. Title credit goes to File 770’s collaborating contributing
editors of the day Jon Meltzer, Soon Lee, and Xtifr.]
…Now, that’s almost certainly the Ghost. Not a Force Ghost, THE Ghost. What’s the Ghost?
It’s the customized VCX-100 light freighter flown by Captain Hera Syndulla, which was kind of the Millennium Falcon of Star Wars Rebels. Later, it appeared in Rogue One: A Star Wars Story and, thanks to the epilogue of Rebels, we knew it survived until the timeline of the sequel trilogy. Now, it seems the Ghost, and probably even Hera herself, are standing with the Falcon in what we can only assume is the Resistance’s final stand against the First Order.
And they saw even more ships in
that brief scene that you’ll probably need to look up in the Wookieepedia.
I have some good news for those of you who haven’t been paying close attention to comic books: Batman comics are finally readable!
That’s a major change from the puerile adventures which editor Jack Schiff has been presenting in the pages of Batman and Detective Comics. For all too many years, Schiff and his team of seemingly subpar creators have delivered a never-ending stream of absurdly juvenile tales of the Caped Crusader and his steadfast sidekick. He gave us ridiculous and dumb tales in which Batman gallivanted in outer space, Robin was romantically pursued by the pre-teen Bat-Girl, and the absurdly awful Bat-Mite showed up at random times to add chaos to Batman’s life. Even adventures which featured classic Batman villains (such as last fall’s Batman #159, “the Great Clayface-Joker Feud,”) fell far short of even the most basic standards of quality. Great they were not.
Have there been any particular books or writers who influenced you, whether in or outside the genre? [I’m a Jane Austen fan and live in Bath, which has featured in many dramatizations of her work]
As I mentioned previously, one of the inspirations for Daughter of Mystery was wanting to write a Georgette Heyer novel with lesbians. But the other major inspiration–if maddening frustration can be a form of inspiration–was Ellen Kushner’s novel The Privilege of the Sword. That book came so close to being the perfect novel of my heart…and then turned out to be a different novel. A perfectly wonderful novel, but not the book I desperately wanted. So that was another influence, not so much in writing style, but in the “feel” of the story–a story about brave and clever girls who love and rescue each other.
Jane Austen is something of an underlayer, if only in providing examples of the world of women in early 19th century Europe. One of the historical realities that modern readers aren’t always aware of is how strictly gender-segregated 19th century life was. Women–especially unmarried women–spent most of their lives socializing with other women and living with them in intimate proximity. It makes setting up same-sex relationships much easier! It’s been very important to me to center the series on women and their connections and community with each other. Too many historical stories allow women only as isolated characters, always interacting with men. In reality, if a woman had a problem or a puzzle or a project, the first people she’d turn to would be other women. I wanted the series to reflect that.
(5) MORE ON DALLAS TORNADO. Fanartist Brad Foster and his
wife Cindy also escaped injury, however, they were
almost right in the tornado’s path and their home suffered roof damage,
while in the yard trees and fences took a hit.
Narrating her memoir was more difficult than revisiting her words in the editing process. “There’s something to the art of reading it out loud, and it being an oral telling as opposed to written, that brings [those experiences] even more to the forefront. Reading it out loud in the booth, it was just even more intense. I was reliving it that much more.” The memoir details how she became a writer, showing “the idea that those things we think will break us can actually be the things that make us. All of these experiences that we have are useful, even the terrible ones. It’s just a matter of how you choose to use them. Because they are going to be there regardless. Do you want to just let them fester there, or do you want to make something out of them?”
Science Fiction is famous for the bewildering variety of worlds it imagines. This is particularly true for its political systems. A newcomer to SF might well be astounded by the diverse range of governmental arrangements on display. Let me provide some examples…
And even better, we know who they’ll be playing, per Deadline: “Pace plays Brother Day, the current Emperor of the Galaxy. Harris plays Hari Seldon, a mathematical genius who predicts the demise of the Empire.”
…Avengers and Age of Ultron director Joss Whedon singled out [James] Gunn’s work when responding to Scorsese earlier this month. He tweeted, “I first think of @JamesGunn, how his heart & guts are packed into GOTG. I revere Marty, & I do see his point, but… Well there’s a reason why ‘I’m always angry’” (the latter quote being a Hulk reference).
Speaking to Sky News, the two-time Palme d’Or-winning Brit described Marvel’s output as “boring” and cynically produced.
“They’re made as commodities like hamburgers, and it’s not about communicating, and it’s not about sharing our imagination,” he said. “It’s about making a commodity which will make a profit for a big corporation – they’re a cynical exercise. They’re a market exercise, and it has nothing to do with the art of cinema. William Blake said, ‘When money is discussed, art is impossible.'”
(10) TODAY IN HISTORY.
October 22, 1936 — According to the Encyclopedia of Science Fiction, today is the day, “Fandom gathering at Milton A. Rothman’s home in Philadelphia, 1936, declares itself to be the first sf Convention. Some fans accept this; others consider the following year’s Leeds UK event a more significant landmark since it was organized in advance as a convention and used public meeting facilities.”
October 22, 2006 — Torchwood, a companion to Doctor Who, premiered on BBC Three. Starring John Barrowman and Eve Myles, it ran for forty one episodes over five years. And Big Finish Productions has produced some thirty audio-stories so far.
October 22, 2016 — On this day in the U.K. and Canada, Class, a spin-off series of Doctor Who, premiered. Starring Greg Austin, Fady Elsayed and Sophie Hopkins, the series would last just a single season of eight episodes due to really poor ratings though Big Finish Audio continued the series as an audiowork.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born October 22, 1919 — Doris Lessing. The five novels collectively known as Canopus in Argos: Archives certainly established her genre creds. I personally would add her Cat Tales, three volumes of stories and nonfiction (Particularly Cats, Rufus the Survivor and The Old Age of El Magnifico) to your reading list. (Died 2013.)
Born October 22, 1922 — Lee Jacobs. LA fan in the last years of his life. I’m mentioning him here because he’s credited with the word filk which was his entirely unintentional creation. He typoed folk in a contribution to the Spectator Amateur Press Society in the 1950s: “The Influence of Science Fiction on Modern American Filk Music.” Yes I know that its first documented intentional use was by Karen Anderson in Die Zeitschrift für vollständigen Unsinn (The Journal for Utter Nonsense) #774 (June 1953), for a song written by her husband Poul. (Died 1968.)
Born October 22, 1938 — Christopher Lloyd, 81. He has starred as Commander Kruge in The Search for Spock, Emmett “Doc” Brown in the Back to the Future trilogy, Judge Doom in Who Framed Roger Rabbit, and Uncle Fester in The Addams Family and the Addams Family Values. (Huh. I didn’t spot him in those.) Let’s not forget that he was in The Adventures of Buckaroo Banzai Across the 8th Dimension as John Bigbooté, and he played Dr. Cletus Poffenberger in a recurring role on Tremors.
Born October 22, 1938 — Derek Jacobi, 81. He played a rather nicely nasty Master in “Utopia”, a Tenth Doctor story. He’s currently Metatron on Good Omens. And he was Magisterial Emissary in The Golden Compass.
Born October 22, 1939 — Suzy McKee Charnas, 80. I’d say The Holdfast Chronicles are her best work to date. Certainly they’re the most honored, winning Gaylactic Spectrum, James Tiptree Jr. and Lambda Literary Awards. Any of you read her Sorcery Hall series?
Born October 22, 1943 — Jim Baen. Editor of Galaxy and If. Considered to be the first profitable Ebooks publisher. Founder of Baen Books. (Died 2006.)
Born October 22, 1952 — Jeff Goldblum, 67. The Wiki page gushes over him for being in Jurassic Park and Independence Day (as well as their sequels, The Lost World: Jurassic Park and Jurassic World: Fallen Kingdom) and Independence Day: Resurgence, but neglects my favorite film with him in it, The Adventures of Buckaroo Banzai Across the 8th Dimension, not to mention the Invasion of the Body Snatchers remake he was in.
Born October 22, 1954 — Graham Joyce. Selecting his best novel is a futile exercise as everything is fantastically good but I’ll single out Some Kind of Fairy Tale and The Tooth Fairy as the ones I found the most interesting reads. (Died 2014.)
Born October 22, 1956 — Gretchen Roper, 63. Long-time member of fandom, filker and con-runner. She co-founded Dodeka Records with her husband, Bill Roper. She received with her husband the Pegasus Award for Best Original Humorous Song, “My Husband The Filker”, and was inducted into the Filk Hall of Fame in 2008. She runs The Secret Empire, a business selling filk and other things at cons.
(12) COMICS SECTION.
XKCD has a Narnia joke. (And remember, these cartoons have a second joke in a rollover– rest your cursor on the pictures and you see more text.)
Tom Gauld tries to help out New Scientist’s AI readers.
6. Engage. It can be a scary thing to approach folks at conventions. There isn’t really any way around it, but practice does make it easier. Start, if you like, by asking questions at panels that permit it. You can then use that to speak to any of the panelists afterwards, asking for clarification or even pointers. Also, try the dealer’s room if the convention has one. It’s a great place to practice conversational skills, and most of the vendors are quite happy to chat. I know I am.
Edgar Pangborn has been writing science fiction under his own name for thirteen years at this point and was apparently writing under other names before that. However, none of his stories have been translated into German and the availability of English language science fiction magazines is spotty at best. Therefore, I had never encountered Pangborn’s work before, when I came across his latest novel Davy in my local import bookstore.
…We’ve known for a while now that Jefferson Pierce (Cress Williams) is getting a new suit this season, but now we finally know how he receives it. In this exclusive clip from tonight’s episode, Agent Odell (Bill Duke) gives the imprisoned superhero a gift: a watch. Jefferson is initially skeptical because it looks like a normal timepiece and he’s probably suspicious of anything the shady ASA spook gives him. But Odell continues to gently push Jefferson until he actually tests it out and discovers the watch’s real purpose: It’s basically a morpher that contains Black Lightning’s sleek new super-suit.
“This is the reason we have you have here, why we’re testing you, why we’re putting you through so much pain and struggle,” says Odell as the suit begins to cover a Jefferson’s body. “It’s so we can create tech that will help all metas to live better. The Markovians are planning on killing or capturing all of the metas in Freeland. I cannot stop them without your help.”
Traces of ancient “glue” on a stone tool from 50,000 years ago points to complex thinking by Neanderthals, experts say.
The glue was made from birch tar in a process that required forward planning and involved several different steps.
It adds to mounting evidence that we have underestimated the capabilities of our evolutionary cousins.
Only a handful of Neanderthal tools bear signs of adhesive, but experts say the process could have been widespread.
The tool, found in the Netherlands, has spent the last 50,000 years under the North Sea. This may have helped preserve the tar adhesive.
Co-author Marcel Niekus, from the Stichting STONE/Foundation for Stone Age Research in Groningen, said the simple stone flake was probably used either for cutting plant fibres or for scraping animal skins.
While birch tar may have been used by Neanderthals to attach stone tools to wooden handles in some cases, this particular tool probably had a grip made only of tar. Dr Niekus said there was no imprint from a wood or bone shaft in the tar.
It would have enabled the user to apply more pressure to the stone flake without cutting their hands – turning the edge into a precision cutting tool.
…Produced by JPL Fellow and national Emmy Award-winner Blaine Baggett, the hour-long film tells the story of how the mission stayed alive despite a multitude of technical challenges, including a years-long launch delay and the devastating failure of its main antenna to open properly in space. It is also the story of a team of scientists and engineers transformed through adversity into what many came to regard as a tight-knit family.
“Saving Galileo” picks up from Baggett’s previous documentary “To the Rescue,” which focuses on the mission’s tortuous path to the launch pad. Together the films capture how, despite its many challenges and limitations, Galileo proved a resounding success, leading to profound scientific insights that continue to draw NASA and JPL back to Jupiter for new adventures.
If there’s one thing you do want to catch from a trip to your doctor, it’s her optimism.
A new study, published Monday in the journal Nature Human Behavior, finds that patients can pick up on subtle facial cues from doctors that reveal the doctor’s belief in how effective a treatment will be. And that can have a real impact on the patient’s treatment outcome.
Scientists have known since at least the 1930s that a doctor’s expectations and personal characteristics can significantly influence a patient’s symptom relief. Within research contexts, avoiding these placebo effects is one reason for double blind studies — to keep experimenters from accidentally biasing their results by telegraphing to test subjects what they expect the results of a study to be.
The new study both demonstrates that the placebo effect is transmitted from doctor to patient, and shows how it might work.
(20) OWN LE GUIN DOCUMENTARY. The latest Kickstarter
backer update for the documentary Worlds of Ursula Le Guin contains
information on how to view a digital copy and buy a DVD:
We know many of you haven’t yet had a chance to watch the film – we’re trying to bring it to you as quickly as we can. Online streaming, DVD, and broadcast opportunities vary by country, and continue to evolve, but here’s our latest update:
In the United States and English-speaking Canada, the film is now available to rent and buy via iTunes. For residents whose reward package didn’t include a DVD, you can also pre-order the DVD through our US distributor Grasshopper Films.
In the United Kingdom and Ireland, the film will be available to stream on BBC iPlayer after our broadcast date, expected to be announced soon. DVDs will be available in September 2021.
If you live in Israel, streaming and DVDs will be available in March 2020.
For everyone else, you can pre-order the DVD internationally through Grasshopper Films. We’re also planning a worldwide Video-on-Demand (VOD) release in December for participating countries (excluding those listed above, and some others).
Note that our DVD release date has shifted – we now expect to have DVDs ready to send out by mid-November. All DVDs will include closed captions in English for the hearing impaired, subtitles in several languages, and special extras we rescued from the cutting room floor. DVDs won’t be region-specific, so viewers around the world should be able to watch them.
(21) VIDEO OF THE DAY. in “Bicycle” on Vimeo, Cool 3D World shows what happens when
five green men decide to ride a bicycle.
[Thanks to JJ, John King Tarpinian, Chip Hitchcock, Cat Eldridge, Rob
Thornton, Mike Kennedy, Martin Morse Wooster, and Andrew Porter for some of
these stories. Title credit goes to File 770 contributing editor of the day
A tornado with winds of 165 m.p.h. cut a swath through Dallas just a mile south of our house yesterday evening after dark. A powerful gust snapped the trunk of our 70 ft mesquite halfway up and sent it crashing down into our front yard. The only property damage we sustained was to our yard light. Seeing all the destruction in the news this morning, we are thankful we came through relatively unscathed.
(2) AVENGERS ASSEMBLE. Just in case the Marvel Cinematic
Universe needs any defense against the negative opinions of Martin Scorsese and
Francis Ford Coppola, a couple of well-known figures connected with the MCU have
Many of our grandfathers thought all gangster movies were the same, often calling them “despicable”. Some of our great grandfathers thought the same of westerns, and believed the films of John Ford, Sam Peckinpah, and Sergio Leone were all exactly the same. I remember a great uncle to whom I was raving about Star Wars. He responded by saying, “I saw that when it was called 2001, and, boy, was it boring!” Superheroes are simply today’s gangsters/cowboys/outer space adventurers. Some superhero films are awful, some are beautiful….
I think there’s room for all types of cinema,” she told The Hollywood Reporter at the 6th annual Los Angeles Dance Project Gala on Saturday at downtown Los Angeles’ Hauser & Wirth. “There’s not one way to make art.”
“I think that Marvel films are so popular because they’re really entertaining and people desire entertainment when they have their special time after work, after dealing with their hardships in real life.”
(3) HOW EAGER
ARE YOU? ESPN will be airing the final
trailer for Star
Wars Episode IX: The Rise of Skywalker tonight
during Monday Night Football.
(4) NAVIGATING THE ROCKETS SAFELY HOME. In “What happened to the 1944 Retro Hugos?”, Nicholas Whyte asks fans to consider the burden of producing a whole run of trophies when it’s this hard to find homes for them after the ceremony. Of course, the job would have been a little easier if the nominees with accepters had won:
…I’m glad to say that we did have a few designated acceptors in the room on the night. Apart from those noted below, Betsy Wollheim was on hand in case her father Donald won (unfortunately he lost in all three categories where he was nominated); June and Naomi Rosenblum were there for their father-in-law/grandfather J. Michael Rosenblum; Stephanie Breijo was there for her great-grandfather Oscar J. Friend; and Harper Collins sent a rep for C.S. Lewis. So, for 66 finalists, we had acceptors on hand for 10. Future Worldcons might like to bear that in mind when planning whether or not to run Retro Hugo Awards.
This is what happened with the trophies, in increasing order of the difficulty we had in dealing with them….
However, that respect for the decision did not last long. On Friday, Abdin announced that he was appealing the verdict and was launching a GoFundMe to finance the campaign. As of this writing, that campaign has raised more than $17,500 from more than 470 donors and is inching closer to its $20,000 goal….
(7) CONFACTS. Kees Van Toorn announced that all issues of ConFacts, the daily newsletter of ConFiction,
the 1990 Worldcon, have been uploaded on their archival website in flipbook format.
David Mack is a New York Times bestselling author of over thirty novels of science fiction, fantasy, and adventure. His most recent works are The Midnight Front and The Iron Codex, parts one and two of his Dark Arts trilogy from Tor Books. He currently works as a creative consultant on two upcoming Star Trek television series.
Max Gladstone is the author of Empress of Forever, the Hugo finalist Craft Sequence, and, with Amal El-Mohtar, This is How You Lose the Time War, in addition to his work with short and serial fiction, games, screenwriting, and comics. He has been a finalist for the Hugo, John W Campbell /Astounding, XYZZY, and Lambda Awards, and was once thrown from a horse in Mongolia.
The event starts at 7 p.m. in the KGB Bar, 85 East 4th
Street (just off 2nd Ave, upstairs.) in New York, NY.
(9) FANFICTION. Sff writer Sara L. Uckelman,
Professor of logic and philosophy of language at Durham University, issued an
invitation: “Anyone interested in the paper behind the talk, my paper ‘Fanfiction,
Canon, and Possible Worlds’ can be downloaded here.”
…The study of fanfiction from a philosophical point of view raises a number of questions: What is fanfiction? What distinguishes it from ordinary fiction? How can we make sense of what is going on when people create and interact with fanfiction? In this paper, I consider two competing accounts of fanfiction—the derivative or dependent account and the constitutive account—and argue that these competing views parallel two competing ways in which a possible worlds account of fiction can be fleshed out, namely, Lewis’s modal realist account and Kripke’s stipulative view. I further argue that this parallel is not a mere parallel, but provides us with a test of adequacy for the possible worlds accounts: It is worthless to provide a philosophical account of the theoretical foundations of fiction if such an account doesn’t coordinate with the actual practice and production of fiction.
(10) TODAY IN HISTORY.
October 21, 1977 — Damnation Alley premiered. Based somewhat on Zelazny’s novel, it starred George Peppard as Major Eugene “Sam” Denton and Jan-Michael Vincent as 1st Lt. Jake Tanner. It bombed and was pulled quickly. Its Rotten Tomatoes score is 34%. For now at least, it’s on YouTube here.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born October 21, 1904 — Edmond Hamilton. One of the prolific writers for Weird Tales from the late 20s to the late 40s, writing nearly eighty stories. (Lovecraft and Howard were the other key writers.) Sources say that through the late 1920s and early 1930s Hamilton wrote for all of the SF pulp magazines then publishing. His story “The Island of Unreason” (Wonder Stories, May 1933) won the first Jules Verne Prize as the best SF story of the year. This was the very first SF prize awarded by a vote of fans, which one source holds to be a precursor of the Hugo Awards. From the early 40s to the late 60s, he work for DC, in stories about Superman and Batman. He created the Space Ranger character with Gardner Fox and Bob Brown. On December 31, 1946, Hamilton married fellow science fiction author and screenwriter Leigh Brackett. Now there is another story as well. (Died 1977.)
Born October 21, 1914 — Martin Gardner. He was one of leading authorities on Lewis Carroll. The Annotated Alice, which incorporated the text of Carroll’s two Alice books, is still a bestseller. He was considered the doyen (your word to learn today) of American puzzlers. And, to make him even more impressive, in 1999 Magic magazine named Gardner one of the “100 Most Influential Magicians of the Twentieth Century”. Cool! (Died 2010.)
Born October 21, 1929 — Ursula Le Guin. She called herself a “Narrative American”. And she most emphatically did not consider herself to be a genre writer instead preferring be known as an “American novelist”. Oh, she wrote genre fiction with quite some brilliance, be it the Earthsea sequence, The Left Hand of Darkness, The Dispossessed, or Always Coming Home. Her upbringing as the daughter of two academics, one who was an anthropologist and the other who had a graduate degree in psychology, showed in her writing. And the home library of the family had a lot of SF in it. If you’re interested in the awards she won in her career, she garnered the Hugo Award, Nebula Award, Locus Award, and World Fantasy Award. At last she was also awarded the National Book Foundation Medal for Distinguished Contribution to American Letters It won’t surprise you that she was made a SFWA Grandmaster, one of the few women writers so honored. (Died 2018.)
Born October 21, 1933 — Georgia Brown. She’s the actress who portrayed Helena Rozhenko, foster mother of Worf, in the Next Gen’s “Family” and “New Ground” episodes. She was Frau Freud in The Seven-Percent Solution, and was Rachel in “The Musgrave Ritual” episode of the Nigel Stock fronted Sherlock Holmes series. (Died 1992.)
Born October 21, 1945 — Everett McGill, 74. Stilgar in the first Dune film. Earlier in his career, he was a Noah in Quest for Fire. Later on, he’s Ed Killifer in License to Kill, and in Twin Peaks, he’s Big Ed Hurley. He was also Rev. Lowe in Stephen King’s Silver Bullet, a werewolf flick that actually has a decent rating of 55% at Rotten Tomatoes!
Born October 21, 1956 — Carrie Fisher. In addition to the original Star Wars trilogy, Star Wars Holiday Special, The Force Awakens, Star Wars: The Last Jedi and the forthcoming Star Wars: The Rise of Skywalker, she was in Amazon Women on the Moon, The Time Guardian, Hook, Scream 3, and A Midsummer Night’s Rave. (Died 2016.)
Born October 21, 1973 — Sasha Roiz, 45. I know him only as Captain Sean Renard on Grimm but he’s also been Sam Adama on Caprica as well. And he’s also been on Warehouse 13 in the recurring role of Marcus Diamond. He even showed up once on Lucifer as U.S. Marshal Luke Reynolds.
…Consider the name of the alien space station for which Pohl’s book gets its name: Gateway. In the same way that taking highly random and highly dangerous alien space flights is the gateway to potential wealth, the capitalist system is also the gateway to the extreme fortune of the limited few that have, through luck or pluck, benefited most from the system. But no billionaire earns their riches without exploiting populations. Behind every fortune are the underpaid, the underfed, the forgotten, and the have nothings. The capitalist system, most simply defined, is a system of using the work of others and the work of wealth itself, to gain more wealth. It doesn’t take too much mental work to see that people are a form of capital in the capitalist system. Indeed, within capitalism everything is a form of capital. The best capitalist is the individual that figures out how to make more out of what they have….
(14) MYLNE’S GENRE ART. Artist James Mylne has been in the
news lately (see, for instance ITV: “Boris Johnson turns into The Joker in
new artwork”) for a political commentary that leans heavily on a genre
reference. Filers might, therefore, be interested to know that his work has
sometimes borrowed from other genre sources also. Example below.
(15) SOLARIS ON STAGE. Those passing through London between now and November 2 can see the play Solaris (nearest tube/metro/underground is Hammersmith).
On a space station orbiting Solaris, three scientists have made contact with a new planet.
Sent from earth to investigate reports of abnormal activity on-board, Kris Kelvin arrives to find one crew member dead and two who are seeing things that cannot be explained.
When her dead lover appears to her, it seems she too has fallen victim to the mystery of this strange planet. Should she return to reality, or is this her chance to turn back time?
Have the crew been studying Solaris – or has it been studying them?
This psychological thriller asks who we are when we’re forced to confront our deepest fears.
(16) ATWOOD PROFILE. Behind a paywall in the October 12 Financial
Times, Horatia Harrod has a lengthy interview with Margaret Atwood.
In Oryx and Crake, Atwood wrote about a world decimated by environmental catastrophe; her understanding of the fragility of the Earth and the rapaciousness of its human inhabitants came early. “My father was already talking about this over the dinner table in 1955,” says Atwood, who has been committed to raising awareness of the climate crisis for decades (she promised her 2000 Booker Prize winnings to charities dedicated to endangered animals. “There is so much data and evidence. But people would rather adhere to a belief system that favours them. So, what view of the climate is going to make more money for me?”
Atwood’s mother, meanwhile, was a tomboy, whose favored pastimes were speedskating, horseback riding, canoeing, fishing, not doing housework. “I can’t think of much she was afraid of. This is a mother who chased a bear away with a broom, saying the following word: ‘Scat!’” There were other tough female role models:”Inuit women, who have done some pretty spectacular things. My aunt Ada, who I named a character in The Testaments after, was a hunting and fishing guide, and a crack shot with a .22.”
(17) PLANETARY ANTHOLOGIES MIGRATE. Superversive Press has dropped
the Planetary Anthologies line says
Declan Finn, whose contribution, Luna, is awaiting publication. (Indeed,
a search on Amazon showed Superversive Press books as a whole are now only
available from third-party vendors.) However, Finn says another publisher is stepping
The Planetary Anthology series is being discontinued.
In fact, even the five anthologies that have been published already have been discontinued. They will no longer be available for sale online from the publisher.
Which is odd for me. Especially after a year where the Area 51 anthology I was in this year was conceived of, edited, and released in 3 months from call for stories to publication.
So, yeah, the original publisher isn’t doing them anymore.
Finn says “the anthologies have all been picked up again by Tuscany Bay Books,” the imprint of Richard Paolinelli whose own unpublished Planetary Anthology, Pluto, will be next to appear. Contributors to these anthologies have included Jody Lyn Nye, Dawn Witzke, Lou Antonelli, Paolinelli, L Jagi Lamplighter, Hans G. Schantz, John C. Wright, Joshua M. Young and many others.
(18) VIDEO OF THE DAY. In “Lego In Real Life TRILOGY” on YouTube, Brick Bros.
Productions looks at what happens when common household objects turn into Legos.
[Thanks to Camestros Felapton, JJ, Cat Eldridge, Chip Hitchcock, Martin Morse Wooster, John King Tarpinian, Mike Kennedy, SF Concatenation’s Jonathan Cowie, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew (please roll him a meatball).]
The lawsuit filed in Texas on Wednesday names Wu, as well as Cenk Uygur, of the news outlet the Young Turks, and Mark Follman, of the magazine Mother Jones. It seeks damages and a “jury trail [sic].”
(2) SPACE DRAMA. For All Mankind premieres November 1 on the Apple TV app for those with an Apple TV+ subscription. The series will dramatize an alternate history depicting “what would have happened if the global space race had never ended” after the USSR succeeds in the first manned Moon landing. It’s created by Emmy Award winner Ronald D. Moore (Outlander, Battlestar Galactica), Matt Wolpert and Ben Nedivi.
Told through the lives of NASA astronauts, engineers and their families, For All Mankind presents an aspirational world where NASA and the space program remained a priority and a focal point of our hopes and dreams.
(3) RESTORE THE LEGEND! Chris Garcia has given
himself a task – to make Jack C. Haldeman II (or as everyone else called him,
Jay) famous again! The legendary writer and SMoF, Jay was also the master of
the SpecFi Sports story! This plan all starts with a simple plan – an issue of The
We’re looking for stories about Jay, personal reminiscences, appreciation of his writings, anything! We’d love stories particularly about folks who knew him from the 1970s and 80s, and especially anything about the Discon II! If you’ve got any photos of Jay, that’d be great, too!
(4) GAHAN WILSON APPEAL. Paul Winters, organizer of the “Help
Gahan Wilson find his way” GoFundMe, is calling for more donations
after Wilson had a medical emergency.
We have a crisis.
Gahan had surgery over the weekend and he was discharged from the hospital yesterday. It turns out that the hospital and the memory care facility didn’t have the best communication going, because today we were told that the memory care unit could not care for Gahan because of the severity of the surgery. The hospital won’t take him back and he can’t go to a rehabilitation facility.
We were informed that for him to stay in the memory care facility, we would need to get him a 24 hour care person to stay with him for the next thirty days until the doctors can assess his condition.
All through this gofundme I have been careful not to take in too much money. A few months ago, I suspended donations because it looked like we would have enough. Today, that all changed. Please, if you can spare any more, we could use it to pay this unexpected expense.
The circumstances of this whole hospital event have been surreal. I will spare everyone the details of the surgery, but we did it because the doctor said he would die without it. None of the medical experts warned or prepared us for the change that would make in his care level after the surgery.
I know that even with Alzheimer’s Gahan wants to live. Whenever we are with him, he speaks of how lucky we all are to be alive and the last cartoon he drew was of a guy holding a sign that read “Glad to remain alive!” I know he was drawing himself. We will keep trying to give him the best quality of life until the end.
This rulebook contains everything a group of buckaroos will need, including four playable types (bigfoot, dinosaur, human, and unicorn), five trots (bad boy, charmer, sneak, true buckaroo, and wizard), several unique ways, as well as hundreds of cool moves that are specially crafted for each unique play style.
Within these 270+ pages you will also find various magical items and a menagerie of monsters, ranging from pesky Void crabs to this villainous Ted Cobbler himself.
The only question left is: what are you waiting for?
(6) WISDOM SEEKER. Likewise, UrsulaV knew who could help her navigate the recent fannish storm.
Tingle even promised to get into the topic on his “My Friend Chuck” podcast — but I must be in the wrong timeline, it hasn’t dropped yet.
September 26, 1937 — The Shadowradio serial premiered with the first episode being titled “The Death House Rescue”. The introduction to the program, “Who knows what evil lurks in the hearts of men? The Shadow knows!” was spoken by actor Frank Readick.
September 26, 1987 — Star Trek: The Next Generation‘s “Encounter at Farpoint” opening episode premiered in television syndication. The series would run for seven years, the longest Trek series to date.
September 26, 2001 — Star Trek: Enterprise debuted. It was called simply Enterprise for the first two seasons. “Broken Bow” was the name of the first episode. Captain Archer was played by Scott Bakula, star of Quantum Leap. It ran for four seasons before being cancelled.
September 26, 2007 — The Bionic Woman first aired. This is NBC’s retooling of the 1970’s SciFi channel series Bionic Woman which starred Lindsay Wagner, and now starring Michelle Ryan. It lasted exactly eight episodes.
September 26, 2014 — Star Wars: Rebels first aired. It was produced by Lucasfilm Animation and set in the Star Wars universe five years before A New Hope. It lasted four seasons.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born September 26, 1866 — Winsor McCay. Cartoonist and animator who’s best remembered for the Little Nemo strip which ran between The Wars and the animated Gertie the Dinosaur film which is the key frame animation cartoon which you can see here. He used the pen name Silas on his Dream of the Rarebit Fiend strip. That strip had no recurring characters or theme, just that a character has a nightmare or other bizarre dream after eating Welsh rarebit. What an odd concept. (Died 1934.)
Born September 26, 1877 — Edmund Gwenn. Dr. Harold Medford in the classic Big Insect film Them. He showed in the Fifties show Science Fiction Theatre twice, once as Dr. Pliny in “A Visit from Dr. Pliny” and another time as Dr. Lorenz in “The Strange Doctor Lorenz”. (We’re not mentioning his famous role as Santa Claus: since we all still believe, that must be classified as merely a courtroom drama.) (Died 1959.)
Born September 26, 1927 — Charles Macaulay. He appear twice in Trek, once in “The Return of the Archons” as Landru, and in the “Wolf in the Fold” as Prefect Jaris. He was Captain Townsend in “God Save The Queen” in The Tales of The Golden Monkey, and in the Wonder Woman series, he was Ambassador McCauley in “Formula 407”. (Died 1999.)
Born September 26, 1941 — Martine Beswick, 78. Though she auditioned for Dr. No, she was instead cast in From Russia with Love as Zora. She also appeared as Paula Caplan in Thunderball. She would appear in One Million Years B.C. opposite Raquel Welch. She made several Hammer Studio films including Prehistoric Women and Dr. Jekyll and Sister Hyde.
Born September 26, 1948 — Olivia Newton-John, 71. She was Kira in Xanadu which is considered responsible for the creation of the Golden Raspberry Awards. In 2017, she appeared in Sharknado 5: Global Swarming. A coincidence? I think not. It got a 30% rating at Rotten Tomatoes.
Born September 26, 1956 — Linda Hamilton, 63. Best known for being Sarah Connor in The Terminator film franchise and Catherine Chandler in the Beauty and the Beast series. She also played Vicky Baxter in Children of the Corn, and Doctor Amy Franklin in King Kong Lives. She would be Acacia, a Valkyrie in “Delinquents” of the Lost Girl series, a role she would reprise in two more episodes, “End of a Line” and “Sweet Valkyrie High”.
Born September 26, 1957 — Tanya Huff, 62. Her Confederation of Valor Universe series is highly recommended by me. And I also give a strong recommendation to her Gale Family series. I’ve not read her other series, so I’ll ask y’all what you’d recommend.
Born September 26, 1968 — Jim Caviezel, 51. John Reese on Person of Interest which CBS describes as a “crime drama”. Huh. He was also Detective John Sullivan in Frequency, and Kainan in Outlander. And yes he played Number Six in the unfortunate reboot of The Prisoner.
Born September 26, 1985 — Talulah Riley, 34. Miss Evangelista in “Silence in the Library” and “Forest of the Dead”, two Tenth Doctor stories. She also portrays Angela in Westworld, and she shows up in Thor: The Dark World as an Asgardian nurse.
(10) COMICS SECTION.
Crankshaft obviously has seen authors hawking their books in the dealer’s room.
Free Range gets a laugh from an unexpected link between the Olympics and UFOs.
As with any decent superhero origin, the Hall of Heroes Superhero Museum here began in ambition and humility, overreach and wonder: Allen Stewart loved superheroes and comic books and spent every dime from his paper routes on superhero comics and toys and refused to throw anything away. His fever never abated, not as a teenager, not after he entered the military, not after he started a family, and so, when he became an adult and made some money in local real estate, he decided to splurge: He decided he would build the Justice League’s Hall of Justice in his backyard.
This was a dozen years ago.
…Still, the Hall of Heroes and its unlikely Hall of Justice were becoming a draw in Elkhart County. Within a few years of opening, he had 10,000 annual paying visitors, and the collection — which he now calls the largest superhero memorabilia collection in the world, and believes is worth about $5 million — exploded to include: a nine-foot tall Hulk statue, a Captain America shield used in the 2011 movie, rare Superman toys, original artwork and the debut comics of nearly every major superhero. His Hall went from something like a child’s bedroom shrine to superheroes to something like a museum.
…Another visitor who received a warm welcome in Germany was American Civil Rights icon Dr. Martin Luther King Jr., when he visited Berlin earlier this month. The official reason for the visit was a memorial service for John F. Kennedy, but Dr. King also used the opportunity to visit the Berlin Wall, where only hours before a young man had been shot during an attempt to flee East Berlin and only survived due to the heroic actions of an US Army sergeant who pulled him to safety, a sad reminder that about fifty people have already been killed trying to surmount the Berlin Wall….
(13) THE HUBBLE GAZE. Abigail Nussbaum drills into new sff
Astra at Asking the Wrong Question.
…This is absolutely a film that revels in the stark visual of a single space-suited protagonist made small against a backdrop of endless stars, or in stunning vistas of planetary bodies and orbital installations. It absolutely features long wordless stretches in which the cosmic soundtrack strives to create a 2001-esque sense of grandeur. And it absolutely filters all those sensory feasts through Pitt’s character, a soulful Competent Man whose emotional turmoil is both soothed and magnified by the scale of the setting he’s been placed in, and the challenges of surviving it. But Ad Astra also feels like a film aware of its antecedents, of the movies that have come before it over the last decade and the tropes they’ve established. If it isn’t quite a dismantling of those tropes, it is at least a more measured, more humane response to them….
(14) NOT SURPRISED BY DAN SIMMONS. RedWombat was ahead of
the curve, like usual.
(15) ALT-RIGHT HATES SEEING THOSE CLICKS GO TO WASTE. Jon
Del Arroz hopes he can rev up the last couple days of his latest Kickstarter
campaign by tweeting his own crap about Greta Thunberg. Was getting banned for
a week part of the plan? No idea. “BANNED
On Twitter And Can’t Promote!” [Internet Archive link.]
…To get started, just say, “Alexa, introduce me to Samuel L. Jackson.” You can then choose whether you want him to use explicit language or not, so it’s safe to assume that those who want him to curse will get a dose of his iconic “Motherf—er!” The beauty of it is, you can always change your mind and toggle between clean and explicit content as much as your heart desires.
Bacteria have been caught “stripping off” in order to evade antibiotics and survive, scientists show.
Researchers at Newcastle University filmed bacteria “undressing” and taking off their outer layer – or cell wall.
Antibiotics can attack cell walls so scientists think this is a new form of drug resistance and could explain why some infections keep coming back.
But experts said it was still unclear if this was having an impact on patients.
What are they taking off?
Some species of bacteria have a cell wall built out of sugars and amino acids (the building blocks of protein).
It gives the bacterium shape and protection but it is also a weak spot that can be exploited by antibiotics.
The first antibiotic to be discovered, penicillin, disrupts the cell wall and causes bacteria to burst.
The study, published in Nature Communications, looked at bacteria from elderly patients with urinary tract infections that kept coming back.
Researchers spotted that some bacteria were responding to antibiotics by slipping out of their cell wall in order to escape the drug’s effects.
(18) STARKILLER! [Item by Olav Rokne.] Stars and galaxies are being torn asunder, and nobody really knows why. Could it be The Doomsday Machine from Star Trek’s original series? Has some alien civilization found a Tox Uthat? Is it just a bunch of busy Vogons? Well, probably not. But hopefully, Canadian scientists working with the Atacama Large Millimeter Array (ALMA) will be able to figure out the exact mechanism that explains why galaxies are being destroyed. The New York Post has the story: “Something in the universe is killing off entire galaxies”.
The cause of death is thought to be a shutdown of star formation, and a new project aims to use one of the world’s leading telescopes to observe the process in detail.
The Canadian-led project is called the Virgo Environment Traced in Carbon Monoxide survey (VERTICO).
It will investigate how galaxies can be killed off by their own environment.
Principal investigator Toby Brown explained in The Conversation that he is leading a team of 30 experts who will be using the Atacama Large Millimeter Array (ALMA) telescope to map stars being made in our nearest galaxy cluster, the Virgo Cluster.
A satellite delivery “taxi service” using a giant helium balloon is being developed by a start-up company.
B2space is looking primarily to launch commercial satellites, but it has even fielded an inquiry about “space funerals”, sending ashes into space.
…Described as a satellite “taxi service” by the company, balloons have already been sent to the edge of the atmosphere to test their components and systems – their first launch was from Snowdonia Aerospace Centre, and they have since taken off from Shetland Space Centre.
B2space’s technology will use a giant helium balloon to lift an unmanned rocket up over the sea to a height of around 22-25 miles (35-40km). The rocket, carrying a satellite, will then blast into space to deliver its cargo, while the balloon deflates and falls to earth to be retrieved from the sea.
This will be cheaper because the rocket does not have to power itself up through dense air up to 22 miles, using 85% less fuel, and the rocket will be smaller, the company claimed.
The man behind Marvel Studios’ string of comic book movie blockbusters is to develop a new Star Wars film, a senior executive at Disney has revealed.
Alan Horn, co-chairman of Walt Disney Studios, said it “made sense” for Kevin Feige to work with Lucasfilm president Kathleen Kennedy on the project.
The film would be part of “a new era in Star Wars storytelling,” Horn told the Hollywood Reporter.
Lucasfilm and Marvel Studios are both subsidiaries of Walt Disney Studios.
Horn described Feige – who has been president of Marvel Studios since 2007 – as “a die-hard fan” of the Star Wars universe.
Under Feige’s leadership, the films that make up the MCU (Marvel Cinematic Universe) have made more than $22 billion (£18 billion) worldwide.
(21) JEDI GAMES. EA has dropped a Star Wars Jedi: Fallen
Order game trailer — “Cal’s Mission.”
In the Galactic Empire, the Inquisitorius has only one mission: seek out and destroy all remnants of the Jedi Order. Learn more about what Cal Kestis is searching the galaxy for and why the Empire will stop at nothing to bring him down. Become a Jedi in Respawn Entertainment’s third-person action-adventure game, STAR WARS Jedi: Fallen Order™. Available on Xbox One, PlayStation 4, and PC this holiday season, November 15, 2019.
[Thanks to Chris Garcia, John King Tarpinian, Mike Kennedy, Steven
H Silver, Martin Morse Wooster, Cat Eldridge, JJ, Chip Hitchcock, and Andrew
Porter for some of these stories. Title credit goes to File 770 contributing
editor of the day Ingvar.]
(1) BE THE FIRST ON THE MOON. Apollo 11 in Real Time is a
very impressive site that collates all kinds of archival mission material to
simulate a real-time journey through the first landing on the Moon. You can
watch the launch, you can follow what I’ll describe as a media reenactment of
the entire mission.
Each year I run a cover contest for the SPFBO entrants. Each blog choses its 3 favourite covers from their pool of 30 entrants. The 30 favourites collected from the 10 blogs are then voted on in separate ballots by the bloggers and by the public.
The public vote is of course a bit of fun and subject to all the issues of brigading and cheating that online polls often are – though our anti-cheat software is more effective than the raw poll results might lead you to believe.
(3) CHASTE CHUCK. Here’s a position you won’t find in the Kama
(4) IT COULD HAPPEN. Also, there’s reason to believe that
Chuck will be at CONvergence 2019 in Minneapolis over July 4th
(5) AVOID CALENDRICAL HERESEY. Steve Davidson proclaims, “Well, we FINALLY did it, and by ‘we’, I mean Kermit
Woodall, Amazing Stories’ Art Director and Electronic Media Maestro and
by ‘it’ I mean Amazing Stories Events Calendar!”
It’s easy to navigate.
It has well over 500 events listed (and more regularly added).
It covers events World Wide.
It covers events from Bronycons to Middle Eastern Gaming Cons and, if there were such things as cons located off the Earth, we’d have them in there too!
You can export it to other calendar programs.
You can display it on your screens in a variety of different ways.
You can search it by date and by keyword, including type of event, name of event, location of event.
You can not only read about an event on our website, but you can click through to the event’s website right from the calendar.
There’s pop-outs and roll-overs and clicking for more info!
AND – you can add your own events.
In short, we’re now providing fans with an indispensible tool for planning their cons, one with comprehensive information and an easy to use interface.
No longer will you have to say “These aren’t the events I was looking for.”
Mini-editorial: We’ve been working towards this pretty much from the launch of the website. We’ve long believed that a comprehensive, one-stop-shopping events calendar is a must for the Fan community. Many more conventions than most realize are held every month, most of them small, intimate affairs with little to no marketing or advertising outside of a very small local footprint.
Yes, there are a few websites out there, and Erwin ‘Filthy Pierre’ Straus continues to do yeoman’s work for a couple of the print magazines (and continues to put his events rack out at conventions), but these efforts are limited in scope for a variety of legitimate reasons.
We wanted to go beyond that and we think that we’ve succeeded.
Want your convention to be seen by over 45,000 convention-going fans? Go click that button that says “Submit Your Event”, right there on the events calendar. There’s an easy to use interface that will let you add an image, set your dates and locations, contact information, website, select multiple ‘types’ of con (there’s 23 different categories and we’ll add more as needed!); you can add your own description of the event, enter costs, venue and more.
Check out the sample page below or visit The Events Calendar here – here.
And if you visit those pages and come away saying “But my event isn’t in there” – ADD IT!
(6) WHERE THE BODIES ARE BURIED. Andrew Liptak told readers
of The Verge that although the movie adaptation has never been released,
be a Three-Body Problem TV series in the works:
China’s biggest science fiction novel, The Three-Body Problem, is being developed for a potential television series, according to CX Live. If it happens, it’ll come after the massive success of another big sci-fi adaptation from the country, The Wandering Earth.
Chinese entertainment company YooZoo Entertainment holds the rights to the series, and it’s apparently working on an adaptation of the book. CX Live discovered a publicity form submitted to the Chinese government that lists the production details of the proposed series, which will apparently run for 24 episodes and could begin shooting this September.
Day of the Tentacle wasn’t the only splendid adventure game which LucasArts released in 1993. Some five months after that classic, just in time for Christmas, they unveiled Sam & Max Hit the Road.
At first glance, the two games may seem disarmingly, even dismayingly similar; Sam and Max is yet another cartoon comedy in an oeuvre fairly bursting with the things. Look a little harder, though, and some pronounced differences in the two games’ personalities quickly start to emerge. Day of the Tentacle is clever and funny in a mildly subversive but family-friendly way, very much of a piece with the old Warner Bros. cartoons its aesthetic presentation so consciously emulates. Sam & Max, however, is something else entirely, more in tune with an early 1990s wave of boundary-pushing prime-time cartoons for an older audience — think The Simpsons and Beavis & Butt-Head — than the Saturday morning reels of yore. Certainly there are no life lessons to be derived herein; steeped in postmodern cynicism, this game has a moral foundation that is, as its principal creator once put, “built on quicksand.” Yet it has a saving grace: it’s really, really funny. If anything, it’s even funnier than Day of the Tentacle, which is quite a high bar to clear. This is a game with some real bite to it — and I’m not just talking about the prominent incisors on Max, the violently unhinged rabbit who so often steals the show.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born June 21, 1938 — Ron Ely, 81. Doc Savage in Doc Savage: The Man of Bronze, a film I saw a long time ago and remember little about. He was also, fittingly enough, Tarzan in that NBC late Sixties series. Somewhere Philip Jose Farmer is linking the two characters… other notable genre roles included being a retired Superman from an alternate reality in a two-part episode “The Road to Hell” of the Superboy series, and playing five different characters on the original Fantasy Island which may or may not be a record.
Born June 21, 1932 — Lalo Schifrin, 87. Argentina-American pianist and composer of the music for the original Mission: Impossible series along with The Four Musketeers (1974 version), The Amityville Horror, The Mask of Sheba, The Hellstrom Chronicle, THX 1138, The Cat from Outer Space and The Man from U.N.C.L.E. to select some of his work.
Born June 21, 1947 — Michael Gross, 72. Ok, I’ll admit that I’ve a fondness for the Tremors franchise in which he plays the extremely well-armed graboid hunter Burt Gummer. Other than the Tremors franchise, he hasn’t done a lot of genre work as I see just an episode of The Outer Limits where he was Professor Stan Hurst in “Inconstant Moon” (wasn’t that a Niven story?) and voicing a few Batman Beyond and Batman: The Animated Series characters.
Born June 21, 1952 — David J. Skal, 67. Vampires! He’s an academic expert on them and horror in general, so he’s got a number of with his first being Hollywood Gothic: The Tangled Web of Dracula from Novel to Stage to Screen. He followed that up with a more general work, The Monster Show: A Cultural History of Horror. And then he produced The Monster Show: A Cultural History of Horror which links horror films to what is going on in culture at that time, ie AIDS. His latest book was a biography of Bram Stoker, Something in the Blood.
Born June 21, 1957 — Berkeley Breathed, 62. ISFDB on the basis of a chapbook called Mars Needs Moms is willing to include him as genre but I’d argue that Bloom County which includes a talking penguin is genre as they are fantastic creatures.
Born June 21, 1964 — David Morrissey, 55. His most well-known role is playing The Governor on The Walking Dead (which is a series that I’ve not seen and have no interest in seeing) but I saw his brilliant performance as Jackson Lake, the man who who believed he was The Doctor in “The Next Doctor”, a Tenth Doctor adventure which was an amazing story. He was also Theseus in The Storyteller: Greek Myths, and played Tyador Borlú in the BBC adaption of China Mieville’s The City & The City. I’ll admit that I’m very ambivalent about seeing it as I’ve heard the novel at least a half dozen times and have my own mental image of what it should be. He has also shows up in Good Omens as Captain Vincent.
Born June 21, 1965 — Steve Niles, 54. Writer best- known for works such as 30 Days of Night, Criminal Macabre, Simon Dark and Batman: Gotham County Line. I’ve read his Criminal Macabre: The Complete Cal McDonald Stories and the the graphic novel — great bit of horror! Sam Raimi adapted 30 Days of Night into a film.
Born June 21, 1969 — Christa Faust, 50. It does not appear that she’s written any original fiction save one nove with Poppy Z. Brite called Triads but she’s certainly had a lot of media tie-in work including novels set in the Final Destination, Friday the Thirteenth, Fringe, Gabriel Hunt, Nightmare on Elm Street, Supernatural and Twilight Zone universes. Did you know there’s an entire ecology of novels, fan fiction, a game, comics, even an encyclopedia guide, September’s Notebook — The Bishop Paradox made around Fringe? I hadn’t until I was researching her. One of the perks of doing this.
Born June 21, 1979 — Chris Pratt, 40. Starlord in the MCU film franchise. His first genre role was voicing Jake in the “Attack of the Terrible Trio” episode of The Batman series. After that, he’s largely confined himself to the MCU with the exception of being Owen Grady in Jurassic World: Fallen Kingdom.
Last week we began a series of movie cliche illustrations by Ian Gunn. This week we look at villains’ habits of climbing to the highest room in the tallest tower — then falling off. And here are some of New York’s finest, puffing and panting their way in pursuit of said villain… who is climbing to the highest room in the tallest tower.
Kathe’s debut novel The Cipher, for which she won a Bram Stoker Award, had a tremendous impact on the horror field — as much of an impact on horror, in fact, as William Gibson’s first novel Neuromancer did on science fiction — a tremendously rare thing for a debut. She’s also written historical fiction, such as her Under the Poppy trilogy, as well as a number of young adult novels, starting with Straydog in 2002, and most recently Headlong. Her short stories have been published in Asimov’s, Weird Tales, Realms of Fantasy, F&SF, and many other magazines, plus anthologies such as Queen Victoria’s Book of Spells and Redshift: Extreme Visions of Speculative Fiction. She is the founder of nerve, a Detroit-based immersive theatre company.
We snuck away during StokerCon to San Chez Bistro. Not only is this tapas restaurant well-reviewed and highly rated, but they’re also amazingly sensitive to the needs of their guests, so much so they have multiple full specialized menus — not just a Vegan menu, but ones for soy allergies, tree nut allergies, citrus allergies, shellfish allergies and more. It’s one of the most accommodating restaurants I’ve ever visited when it comes to food preferences. My one regret from my trip to Grand Rapids is that time didn’t permit me to experience the full dinner menu.
We discussed her love of immersive theater (and dissected her previous night’s performance at StokerCon), why her groundbreaking debut novel The Cipher will always be The Funhole in her heart, what caused her to move into the YA world after her dark adult novels and why it’s harder to write for a younger audience, how she accidentally wrote her Under the Poppy trilogy, the allure of writing historical novels, how being in the presence of Kate Wilhelm at Clarion changed her life, what she got out of her many collaborations with Barry Malzberg and others, plus much, much more.
I did have a couple of stylistic issues with the novel. The primary one is that some of the dialogue doesn’t feel realistic. Elmore Leonard once said, “If it sounds like writing, I rewrite it,” and some of the dialogue here definitely sounds like writing.
Adrian Tchaikovsky’s Children of Ruin continues the Children of Time universe in a mostly standalone braid of stories of terraforming, Uplift and first contact.
…The novel follows two strands in the web of plot. In the “past” timeline, a human exploration ship before their fall into a dark age (and subsequent revival) has come into a likely solar system looking for a planet to terraform. What they find are two candidate planets, a marginal glaciated one, Damascus, that might be melted into terraformability, and a second inner one, Nod, that, much to their disappointment is already full of indigenous life. That strange alien life is worth study, but it means the planet is not really suited for future colonization. But within that life on Nod is a surprise. On Damascus, in the meantime, a crew member’s idea to use octpodes to help in the colonization will have unexpected consequences.
In the present day, a Human/Portiids (Spider) exploration ship with a clone of the AI from Children of Time, has arrived in that same solar system thousands of years later, to find, to their shock and surprise, what has happened in the interim to the two planets. The humans are gone, but on both planets, their legacy and inheritors are most definitely in evidence, and much more than the explorers anticipated…
(15) THE REASONS. Ian Sales tells
what he thought about “The Hugos
2019, novellas” and why at It Doesn’t Have To Be Right. This is
an excerpt from his take on Binti: the Night Masquerade.
…I’m no fan of exposition, and I disagree entirely with Kim Stanley Robinson’s statement “it’s just another form of narrative”, and “streamlining exposition into the narrative” is another piece of writing advice that gets my back up… Which is not to say there’s zero info-dumping in Binti: the Night Masquerade. There’s plenty. But it’s all about Binti and her culture, or that of her male companion. The rest of the world is so sketchy it might as well have been made-up on the spot by Binti herself. I really do not rate these novellas, and I’m mystified by the love shown to them.
(16) CANCEL CULTURE. Remember that petition signed by 20,000 calling on Netflix to cancel Good Omens? Well, they did. And Amazon Prime returned the favor.
(17) BY THE YARD. The New York Times points to
another Amazon Prime offering, reruns of a Fifties show with Boris Karloff.
‘Colonel March of Scotland Yard’ When to watch: Now, on Amazon.
This is more specimen than gem, but there aren’t that many shows from the 1950s available to stream — and this one, starring Boris Karloff in an eye patch, has a fun spookiness. Karloff plays Colonel March, who works in the “department of queer complaints,” and thus solves mysteries of all sorts. How can he do it all? one character marvels. “Because I’m a student of the major obsessions of our time: food, finance, fashion and frenzied love,” he replies. Sounds fun.
(18) TALES OF SUPER SCIENCE. You can thank a black rocket scientist from Alabama for both the
Super Soaker and the Nerf Blaster. Assuming, of course, that you weren’t
traumatized as a child by being blasted by either one of those at an
embarrassing time (or place). Smithsonian Magazine: “The Accidental
Invention of the Super Soaker”. Tagline: “A leak in a heat pump gave rocket scientist
Lonnie Johnson the idea for his powerful squirt gun”
You might think it doesn’t take a rocket scientist to invent a squirt gun like the Super Soaker. But Lonnie Johnson, the inventor who devised this hugely popular toy that can drench half the neighborhood with a single pull of the trigger, actually worked on the Galileo and Cassini satellite programs and at NASA’s Jet Propulsion Laboratory, where he helped develop the B2 stealth bomber.
Johnson is a prodigious creator, holding more than 120 patents on a variety of products and processes, including designs for film lithium batteries, electrochemical conversion systems, heat pumps, therminonic generators and various items to enhance battery production, including a thin-film ceramic proton-conducting electrolyte. In addition to serious-science inventions, Johnson has also patented such versatile and amusing concepts as a hair drying curler apparatus, wet diaper detector, toy rocket launcher and Nerf Blasters. Yes, that rapid-fire system with foam darts that tempts the child in all of us to mount ambushes on unsuspecting relatives and pets.
“I’m a tinkerer,” Johnson says. “I love playing around with ideas and turning them into something useful or fun.”
In the 1820s, Augustin Fresnel invented a new kind of lens and installed it in France’s Cordouan lighthouse. Suddenly, one lamp could light the way for sailors many miles out to sea.
Since antiquity, lighted beacons have guided ships to port. The earliest lighthouses were controlled fires on hilltops that warned vessels that they were approaching land. Over time, these signals were powered by burning coal or oil lamps backed by mirrors, which could reach navigators further out to sea. But lamp power was no match for a dark and stormy night; over centuries, broken hulls and wind-whipped sails ran aground as ships’ captains and crew perished within, unable to spot the coastline before it was too late.
All that changed in the early 1820s, when a French physicist invented a new kind of lens: a ring of crystalline prisms arranged in a faceted dome that could reflect refracted light. Augustin Fresnel installed his creation in the Phare de Cordouan, a towering lighthouse situated in France’s Gironde estuary, about 100km north of Bordeaux. Suddenly, one lamp could illuminate the way for sailors many nautical miles out to sea.
Anyway. Time for me to don my World’s Worst Film Critic hat and look at the films this year. They’re all good, you see. They get shown on a screen that’s bigger than my bedroom! Nobody would do that if the films weren’t any good, right?
(22) PLAN F***. Rachel Bloom featured in a video that
illustrated the host’s topical comments on state abortion laws on Jimmy
[Thanks to JJ, John King Tarpinian, Mike Kennedy, Martin Morse
Wooster, ULTRAGOTHA, Chip Hitchcock, Cat Eldridge, Carl Slaughter, Andrew
Liptak, and Andrew Porter for some of these stories. Title credit belongs to
File 770 contributing editor of the day Daniel Dern.]