Editor Neil Clarke has announced the finalists for the 2020 Clarkesworld Magazine Reader’s Poll for best story and cover art.
Clarke commented, “This year, it seemed clear from the start that a small group of works were destined to become finalists, but as the deadline approached the border blurred. At the buzzer, six stories tied for fifth place. Voters clearly felt passionately about these works, so it seems only fair to include them all as finalists, as a tie-breaker just didn’t seem fair. They are worthy contenders, after all.”
Starting on June 6, several of our former employees posted reports on social media about a toxic work environment in our Chicago office. Many of them centered on one of our eight co-founders, Max Temkin, who led that office. We immediately began an internal investigation, and on June 9, we made the following commitments to our staff:
Max Temkin stepped down and no longer has any active role at Cards Against Humanity, effective that day.
We’re hiring a specialist firm to review and improve all HR, hiring, and management practices at the company. Our goal is to make these practices more inclusive, transparent, and equitable.
An outside organization will lead workplace training for all partners and employees of Cards Against Humanity, focusing on communication and unconscious bias at work.
Romano’s Vox article continues with an explanation of the problematic aspects of the game, and why they were not called out earlier –
…CAH’s namesake card game,a self-proclaimed “party game for terrible people,” is an off-color derivative of the family-friendly Apples to Apples, the Mad Libs-style party game. Players use a small handful of words to fill in blanks within loaded phrases for maximum comedic effect, and the appeal lies in the goal of creating a more shocking, provocative one-liner from your hand of cards than your fellow players in order to be dubbed the funniest player in the group. It’s the kind of wordplay silliness that goes over well among a lot of drunk party-goers.
But detractors have argued for years that CAH’s real appeal is, in a word, racism. A 2016 study published in the academic journal Humanity & Society found that a quarter of the cards in the original deck dealt with race, and nearly all of those cards involving minorities seemed to invite the worst readings possible. Consider, for example, the card about indigenous Rwandans, “Stifling a giggle at the mention of Hutus and Tutsis,” later reportedly changed to “Helplessly giggling at the mention …” The phrase implies that something about the names of indigenous tribes is inherently funny, and that even though we all know it’s wrong, we just can’t help but indulge in our racism just a little bit, for a laugh. (CAH removed this card from circulation in 2015.)…
(3) ANOTHER CUCKOO IN THE SLUSHPILE. [Item by Andrew Porter.] Okay, which word in the title would you have changed?
To help people learn about Grenadine, Zoom & Discord & to get practice using these apps leading up to, we will have training sessions & practice sessions over the next few weeks. The schedule, using New Zealand Time, is here: https://conzealand.grenadine.co/en/cnzpreconz/ If you plan to attend any items, don’t forget to log into Grenadine – there’s information about that on the first page of the schedule.
(5) SUMMER SCHOOL. The Clarion West Write-A-Thon has started. The schedule and other nformation is at the links:
(6) DYSON SPHERE OF INFLUENCE. From the March 2018 New York Review of Books: “The Big Bang”. Tagline: The following letters to relatives and the accompanying headnotes are adapted from Freeman Dyson’s Maker of Patterns: An Autobiography Through Letters, published by Liveright. This would be of interest in any case, all the more so to readers of Robert J. Sawyer’s new The Oppenheimer Alternative.
… Yesterday I had a talk with [Hans] Bethe about my future. Bethe told me that unless I raise objections, he will press for me to be given a second year; he said this was “in the interests of science as well as in your own interests.” He said I should spend the second year at Princeton with [J. Robert] Oppenheimer, and that Oppenheimer would be glad to look after me…
(7) MEDIA BIRTHDAY.
June 1982 — Ursula K, Le Guin’s The Compass Rose was published by Pendragon Press, the Welsh publisher. This edition was of only 550 copies, and featured cover art by Tom Canty with interior illustrations by Anne Yvonne Gilbert. It would garner a Best Single Author Collection From the annual Locus Readers Poll. And a Ditmar was also awarded. It’s been in print even since, and has quite a few translations. Most of the stories here are reprinted from elsewhere but some such as the horrific “The Wife’s Story” which is highly reminiscent of work done by Angela Carter is written for here. (CE)
(8) TODAY’S BIRTHDAYS.
Born June 28, 1948 — Kathy Bates, 72. Her performance in Misery based on the King novel was her big Hollywood film. She was soon in Dolores Claiborne, another King derived film. Another genre roles included Mrs. Green in Dick Tracy, Mrs. Miriam Belmont in Dragonfly, voice of the Sea Hag in Popeye’s Voyage: The Quest for Pappy, voice of Bitsy the Cow in Charlotte’s Web and Secretary of Defense Regina Jackson in The Day the Earth Stood Still , a very loose adaption of the Fifties film of the same name. (CE)
Born June 28, 1954 — Deborah Grabien, 66. She makes the Birthday list for her most excellent Haunted Ballads series in which a folk musician and his lover tackle the matter of actual haunted spaces. It leads off with The Weaver and the Factory Maid. You can read the first chapter here. Oh, and she makes truly great dark chocolate fudge. (CE)
Born June 28, 1954 — Alice Krige, 66. I think her first genre role was in the full role of Eva Galli and Alma Mobley in Ghost Story. From there, she plays Mary Shelley (née Godwin) in Haunted Summer before going onto being Mary Brady in Stephen King’s Sleepwalkers. Now Star Trek: First Contact in which she first plays the Borg Queen, a role she’ll repeat in the 2001 finale of Star Trek: Voyager, “Endgame”. She’s had a number of other genre roles but I only note that she was Eir in Thor: The Dark World. (CE)
Born June 28, 1979 — Felicia Day, 41. She was Vi in Buffy the Vampire Slayer, Dr. Holly Marten in Eureka, and had a recurring role as Charles Bradbury on Supernatural. She also appears as Kinga Forrester in Mystery Science Theater 3000. (CE)
Born June 28, 1957 — Mark Helprin, 73. Author of three works of significance to the genre, Winter’s Tale, A City in Winter which won the World Fantasy Award for Best Novella and The Veil of Snows. The latter two are tastefully illustrated by Chris Van Allsburg. I know Winter’s Tale was turned into a film but color me very disinterested in seeing it. (CE)
Born June 27, 1926 — Mel Brooks, 94. Blazing Saddles I’ve watched, oh, at least two dozen times. And Get Smart several times at least wholly or in part. Spaceballs, errr, once was enough. And let’s not mention Robin Hood: Men in Tights, though The Producers (not genre I grant you) was brilliant. So what do you like or dislike by him? (CE)
Born June 27, 1951 — Lalla Ward, 69. She is known for her role as Romana (or Romanadvoratrelundar in full) on Doctor Who during the time of the Fourth Doctor. She has reprised the character in Dimensions in Time, the webcast version of Shada, and in several Doctor Who Big Finish productions. In addition, she played Ophelia to Derek Jacobi’s Hamlet in the BBC television production. And she was Helga in an early horror film called Vampire Circus. (CE)
Born June 27, 1954 — Raffaella De Laurentiis, 66. Yes, she’s related to that De Laurentiis hence she was the producer of the Dune film. She also did Conan the Barbarian and Conan the Destroyer, both staring Arnold Schwarzenegger, and Kull the Conqueror. She also produced all films in the Dragonheart series. She was the Executive Producer of the Sky Captain and the World of Tomorrow. (CE)
Born June 28, 1918 – Martin Greenberg. Co-founded Gnome Press with Dave Kyle (Dave’s logograph is here), publishing ninety books in hard covers including Anderson, Asimov, Clarke, Heinlein, Moore, Norton, Simak. Edited eight anthologies. Lost his shirt to Bob Bloch at poker. First Fandom Hall of Fame. (Died 2013) [JH]
Born June 28, 1930 – Joe Schaumburger. Active in our two longest-running apas, the Fantasy Amateur Press Ass’n (FAPA) and Spectator Amateur Press Society (SAPS). President of the New Jersey SF Society and the Dickens Fellowship of New York. Founded Wossname (Pratchett fans). (Died 2011) [JH]
Born June 28, 1944 – Peggy Rae Sapienza. Daughter of Jack McKnight who made the first Hugo Award trophies. Active in FAPA. With husband Bob Pavlat was given the Big Heart, our highest service award. Chaired Smofcon 9. Vice-chair of ConFrancisco the 51st Worldcon. After BP’s death, married John Sapienza. Chaired BucConeer the 56th Worldcon, Nebula Awards Weekend 2012 and 2014, World Fantasy Convention 2014. Fan Guest of Honor at Chicon 7 the 70th Worldcon. When Japanese fans bid for and won the right, privilege, or typhoon of holding the 65th Worldcon, she was the North America agent, as probably no one else on the continent could have been. Our Gracious Host’s appreciation is here. (Died 2015) [JH]
Born June 28, 1945 – Jon Gustafson. Co-founded Moscon (Moscow, Idaho) and the Ass’n of Science Fiction & Fantasy Artists (ASFA); ASFA Western Region Director until his death. Wrote “The Gimlet Eye” for Science Fiction Review and Pulphouse. Edited the Program Books for Westercon 46 and MagiCon the 50th Worldcon; the 1995 SFWA Handbook (Science Fiction & Fantasy Writers of America); Chroma, the Art of Alex Schomburg. Founded JMG Appraisals, first professional SF art and book appraisal service in North America. Wouldn’t lead Art Show tours but walked around with me so I could lead them better. (Died 2002) [JH]
Born June 28, 1954 – Darcy Pattison, 66. Author and quilter; “Houses and Stars” on the cover of Quilting Today (September 1991); Great Arkansas Quilt Show 2002, 2007-2008. The Wayfinder among a dozen novels for us, a few shorter stories; thirty more books for children and adults. Leads the Novel-Revision Retreat. Five Nat’l Science Teaching Ass’n (NSTA) Outstanding Science Trade Books. Arkansas Governor’s Art Award. Translated into Arabic, Chinese, Danish, German, Norwegian, Portuguese, Swedish. [JH]
Born June 28, 1983 – Gina Damico, 37.Croak, Wax, and four more novels for us. Grew up under four feet of snow in Syracuse, New York; California now. Hardcore crocheter and knitter. Likes Utz cheese balls. Even she has seized the Iron Throne. Her Website is here. [JH]
(9) TRIVIAL TRIVIA.
On Mel Brooks’ birthday, let John King Tarpinian tell you about attending the premiere of Blazing Saddles. Not the one in the movie, but the real one at the Pickwick Drive-in in Burbank.
“Attending on horseback was encouraged,” says John. “It was a block from what was then called the Pickwick Stables, now the Burbank Equestrian Center. What is now the entrance back then was a grass lawn, which is where George Burns, as God, made his final phone booth call to John Denver.”
Dolphins learn special foraging techniques from their mothers—and it’s now clear that they can learn from their buddies as well. Take the clever trick that some dolphins use to catch fish by trapping them in seashells. It turns out that they learn this skill by watching their pals do the job.
The discovery, reported in the journal Current Biology, helps reveal how groups of wild animals can transmit learned behaviors and develop their own distinct cultures.
“Dolphins are indeed very clever animals. So it makes sense that they are able to learn from others,” says Sonja Wild, a researcher at the University of Konstanz in Germany. She says young dolphins spend years in close association with their mothers and naturally tend to adopt their mothers’ ways, but this study shows that “dolphins are not only capable, but also motivated to learn from their peers.”
The bottlenose dolphins that live in Shark Bay, Western Australia, have been studied for decades, and scientists have identified over a thousand individuals by looking at the unique shape and markings of their dorsal fins. Researchers know what families the dolphins belong to, and keep track of their close associates. These dolphins use a variety ways of finding food—and not every dolphin uses every method.
Some dolphins, for examples, use sponges as tools. The dolphins break a conical sponge off the seafloor, and then wear it almost like a protective cap on their long snout, or beak. This apparently helps them probe into the rough sand of the rocky seafloor and search for buried prey.
Horror isn’t many readers’ first choice during times like these. And while the prospect of wallowing in the murkier end of the emotional spectrum isn’t exactly high on the list of anyone’s self-care regimen right now, there’s a lot to be said for confronting our demons on the printed page as well as in real life. Emma J. Gibbon gets it. The Maine-by-way-of-England author’s debut collection of short stories, Dark Blood Comes from the Feet, is an assortment of seventeen scalding, acidic tales that eat away at society’s thin veneer of normalcy, convention, and even reality. At the same time, these horrific confections leave a sweet aftertaste of humanity.
As with all great horror, Dark Blood puts its characters first. In “Janine,” a reporter interviews a broken, middle-aged woman whose experience during her prom night in the ’80s shattered lives as well as reality. It’s the doom-laden, small-town fable of rich boy romancing a girl from the wrong side of the tracks, as if Stephen King had written Pretty in Pink instead of John Hughes.
“The Tale of Bobby Red Eyes” is more mysterious but no less sympathetic to its titular character. In it, a group of children set out to investigate a local urban legend. The ending isn’t exactly happy. “If you say ‘Bobby Red Eyes’ three times in the mirror on Halloween, he’ll be your reflection,” whispers the story’s narrator, and Gibbon builds that incantatory force until it’s incandescently frightening. And in “The Last Witch in Florida,” Gibbon etches an endearingly weird portrait of an elderly witch who’s retired to the Sunshine State, stirring up magical mischief using pink plastic flamingoes and whatever she can scare up at the corner CVS.
Kazu, the narrator of Tokyo Ueno Station, had hoped that his death would bring him some rest, some sense of closure. The man led a life marked with hard work and intense pain; he spent his final years homeless, living in a makeshift shelter in a Tokyo park. But when he dies, he finds the afterlife — such as it is — is nothing like he expected.
“I thought that once I was dead, I would be reunited with the dead,” he reflects. “I thought something would be resolved by death … But then I realized that I was back in the park. I was not going anywhere, I had not understood anything, I was still stunned by the same numberless doubts, only I was now outside life looking in, as someone who has lost the capacity to exist, now ceaselessly thinking, ceaselessly feeling –“
Kazu’s painful past and ghostly present are the subject of Tokyo Ueno Station, the latest book by Korean-Japanese author Yu Miri to be published in English. It’s a relatively slim novel that packs an enormous emotional punch, thanks to Yu’s gorgeous, haunting writing and Morgan Giles’ wonderful translation.
…The controversial episodes violate a widespread Islamic belief that depictions of Muhammad or any of the other prophets of Islam are forbidden, as they encourage the worship of idols. The prohibitions cover images, drawings, statues and cartoons.
…The episodes not available on HBO Max include season five’s Super Best Friends and season 14’s 200 and 201. Those shows had previously been removed from a streaming deal with Hulu and also were axed on the official South Park website. Also not made available to HBO Max were season 10’s Cartoon Wars Part I and Cartoon Wars Part 2, although those episodes can still be streamed on the South Park website.
South Park creators Matt Stone and Trey Parker were threatened in 2010 for the prior depictions of Muhammad. That prompted Comedy Central to remove voice and visual references in the episodes, and eventually to pull the entire episodes from streaming.
A teaspoon of soil from the Amazon contains as many as 1,800 microscopic life forms, of which 400 are fungi.
Largely invisible and hidden underground, the “dark matter” of life on Earth has “amazing properties”, which we’re just starting to explore, say scientists.
The vast majority of the estimated 3.8 million fungi in the world have yet to be formally classified.
Yet, fungi are surprisingly abundant in soil from Brazil’s Amazon rainforest.
To help protect the Amazon rainforest, which is being lost at an ever-faster rate, it is essential to understand the role of fungi, said a team of researchers led by Prof Alexandre Antonelli, director of science at the Royal Botanic Gardens, Kew.
…Fungi in soil from tropical countries are particularly poorly understood. To find out about soil from the Amazon rainforest in Brazil, researchers collected samples of soil and leaf litter from four regions.
Genetic analysis revealed hundreds of different fungi, including lichen, fungi living on the roots of plants, and fungal pathogens, most of which are unknown or extremely rare. Most species have yet to be named and investigated.
Areas of naturally open grasslands, known as campinas, were found to be the richest habitat for fungi overall, where they may help the poorer soil take up nutrients.
Understanding soil diversity is critical in conservation actions to preserve the world’s most diverse forest in a changing world, said Dr Camila Ritter of the University of Duisburg-Essen in Germany.
(16) VIDEO OF YESTERDAY. The Locus Awards virtual ceremony video is now available at YouTube.
[Thanks to Michael Toman, John King Tarpinian, Andrew Porter, Chip Hitchcock, Mike Kennedy, Martin Morse Wooster, JJ, John Hertz, and Carl Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Nina.]
Editor Neil Clarke has announced the finalists for the 2019 Clarkesworld Magazine Reader’s Poll for best story and cover art.
Clarke commented, “It was a close race from the start and once again it ended with ties. The story category was particularly close, with a six-way tie for fifth place. That’s more than we wanted, but the readers have spoken. If it doesn’t work out well, we’ll update the rules next year.”
…Going forward, we will bear these lessons in mind, and hopefully we will become better at fulfilling our responsibilities to our authors, and to our readers.
In the meantime I offer my sincere apologies to those who were hurt by the story or the ensuing storms. While our lives have likely been quite different, I do understand what it is like to be bullied and harassed for an extended period of time. I can empathize, even if I can’t fully understand life in your shoes.
I have also privately apologized to Isabel. She has chosen to sign over her payment for this story to Trans Lifeline, “a non-profit organization offering direct emotional and financial support to trans people in crisis—for the trans community, by the trans community.” They have been a vital resource for her and inspired by her actions, I have decided to match the gift.
Through the course of these events, I’ve encountered many deeply personal stories from readers and authors. I’d like to thank those people for sharing and providing many of us with further opportunities to learn from their experiences. Aside from getting to know Isabel, that has been the high point of this experience. I wish you all the best and appreciate you taking the time to share….
Isabel Fall’s short story “I Sexually Identify as an Attack Helicopter” in the January Clarkesworld, the subject of intense discussion on Twitter this week, was removed from the magazine’s website today at the author’s request.
Editor Neil Clarke tweeted:
The story remains available to read at the Wayback Machine.
This roundup illustrates the sources of the discussion
within the sff community, and points to some of the more frequently cross-referenced
IS THE STORY TRANSPHOBIC?
D Franklin challenges numerous passages as transphobic. Thread starts here.
D Franklin agrees the story should have been pulled. Thread starts here.
Another critic of the story as transphobic makes a detailed case
for that viewpoint here.
Lynn E. O’Connacht communicates that “there’s a pretty big difference between “this story makes me uncomfortable’ and ‘this story caused me harm’”. Thread starts here.
Bogi Takács sheds light on some matters that drive the reception of this story and works by and about other minorities.
Phoebe North supports the story and author in “An Open Letter” at Medium, an autobiographical essay that concludes:
Whatever you decide to do with your story, Isabel, thank you for writing your story. Thank you for making me feel seen and heard. We don’t get a lot of ourselves in fiction. We often only get scraps. This was more than that. A mirror.
Berry Grass believes the story has shortcomings, but aligns more with those who consider it to be thought-provoking. Thread starts here.
Carmen Maria Machado wrote a long, thoughtful thread about provocative stories in the context of art and literature, but while I was editing this together she locked her tweets to all but followers so those are not available to quote.
Malcolm F. Cross criticizes the story as having shortcomings as MilSF, too, but marks out more territory on the art vs. harm map. Thread starts here.
Warren Adams-Ockrassa’s thread seems to say that whatever the writer’s goal was, they should have handled it differently. Starts here.
PULLING THE STORY.
Cat Rambo is sorry the story was pulled. Thread starts here.
One of several eye-opening comments on Rambo’s thread:
ROLE OF AN EDITOR.
Setsu U finds the discussion about the story connects with many questions and concerns they are responsible for as an editor. Thread starts here.
Several people have been circulating screenshots of a statement that’s represented as giving background about the story and author. I have neither found the source of the original post, nor confirmation that it is from a Clarkesworld spokesperson, so I am not posting these but you can find a copy here.
Alexandra Erin on why she won’t read the story. Thread starts here.
Cheryl Morgan says she hasn’t read the story, however, offered advice for holding the discussion. Thread starts here. Some of her points are —
There’s extended discussion at Metafilter. As a whole, I thought I learned more just by searching “Clarkesworld” on Twitter.
(1) A CENTURY OF THE GOOD DOCTOR. This week Asimov would have been 100. James Gunn marked the
occasion in an article for Science “Asimov at 100”.
A case can be made that, like H. G. Wells, Asimov came along at the right time. (Wells once commented that he made his writing debut in the 1890s, when the public was looking for new writers.) But Asimov also had a restless and productive mind. His early experience of reading, and then writing, science fiction gave his popular science writing a rare narrative model, while his fiction similarly benefited from his scientific training.
(2) NOW A JOURNALISTIC TECHNIQUE. [Item by Olav Rokne.] The Columbia Journalism Review, in “Journalism and the foreseeable future”, takes note of the trend in mainstream publishing to look at contemporaneous and emerging issues through the lens of science fiction. It’s a welcome trend that is producing excellent work we’ve seen featured on the Pixel Scroll several times, and I’m very glad to see this getting attention within journalistic circles.
Despite its dangers, [Sam] Greenspan sees the value of speculative journalism’s mix of the true and the fanciful. “I think the goal should be to use fiction or sci-fi to tell a better true story,” he says. “And I’m taking seriously the kind of emotional impact these stories have on people. By introducing even just the slightest amount of something fantastical, it gives your audience permission to have their minds wander a bit from what we know to be true, and really opens up this window into possibility and hope.”
(3) GUD LISTENING. On the latest Rite Gud podcast R.S. Benedict’s guest is Stephen Mazur, associate editor
at The Magazine of Fantasy & Science Fiction. They talk about
whether or not originality really matters in writing. Stephen also gets into a
bit of inside baseball regarding F&SF publishing: the recent history
of the magazine, how many submissions they get, what kind of submissions they get,
the process, etc.
(4) ROMANCE WRANGLERS BEWARE. Who but Chuck Tingle would
add “no sex” as a selling point? Or need to?
Gorblin Crimble is an aspiring romance author with a brand new novel that could be his first breakthrough hit. Of course, Gorblin is going to need some help getting his work out there, and starts by seeking likeminded creatives.
After attending a local writer’s group, Gorblin makes a new friend, Amber, who points him towards Romance Wranglers Of America. It sounds like this community is exactly the helpful, loving, supportive group that Gorblin is looking for, but when him and Amber arrive at the Romance Wranglers Of America headquarters, they quickly realize something is wrong. This once loving group has been taken over by a dark and mysterious force; lead by a man named Demon and his chanting coven of board members in jet-black robes.
Something horrible from the depths of the cosmic Void has taken hold, but is it too late to prove that romance is about love, not hate?
This important no-sex tale is 4,300 words of reasonable writers looking for a kind and supportive romance community that respects its members and treats them fairly.
Jason Sanford: I suspect most people in the SF/F genre don’t understand the difficulties of publishing a magazine. What’s one aspect of running a genre magazine you wish more readers and writers knew about?
Lynne M. Thomas and Michael Damian Thomas: We think it’s important that people know the financial margins for magazines to stay in the black are razor thin, and that most of the magazines are unable to generate income for their publishers. (And many aren’t able to pay the editors.) Almost all of the income generated by magazines are going to the writers and artists….
Jason Sanford: Amazing Stories was the first science fiction magazine, and helped launch the pulp fiction era of the 1920s and ’30s. What is it like publishing a magazine with such history? Has that history presented any difficulties to your relaunch of the magazine?
Steve Davidson: Well, you get unexpected support and assistance; a lot of people in the field are still very fond of both the magazine and its place in Science Fiction’s history. But that brings with it two difficulties. One, most younger fans among our potential market seem to assume that we’re publishing reprints of older works or new works in a golden-age style, despite the fact that promotion and discussion of the magazine – let alone our contributor’s own statements – clearly say otherwise. We’re an old, venerable name in the genre publishing new, ground-breaking science fiction from the current era. …
Jason: In many ways Clarkesworld helped birth the current movement in online and genre magazines. How have things changed since the founding of Clarkesworld? Would you say it’s harder or easier to run a genre magazine these days?
Neil: It was a very different world for magazines in 2006. Online fiction wasn’t particularly respected. I remember having established authors tell me point-blank they wouldn’t publish online because it was the domain of “newbie writers and pirates.” The year’s best anthologies and various genre awards rarely featured works from those markets. With two-to-three years, that started changing and today, the awards have heavily swung the other direction – something you could reasonably argue is just as problematic….
When Don Ashby caught a lift through town on Tuesday afternoon, he counted as many as 20 properties destroyed. One was his mother-in-law’s mudbrick cottage. Another was his own home of 20 years.
Ashby had evacuated his family to Melbourne and spent Monday night helping a friend to defend her house.
It had been an exhausting night and morning, punctuated by the rapid combustion of gas cylinders at a nearby storage business.
“It was like we were in the middle of the battle of the Somme,” he said.
When he returned to his own home, it looked unscathed. Then he realised it was just the facade that had been untouched by fire. The rear of the house was a blazing ruin. With no CFA tankers nearby and no water pressure left to fight the fire, he could only stand and watch it burn.
“It is all a bit grim really,” he said. “We really copped it.
“I have been in a few bushfires before but nothing like this. Nothing like this has happened before. The whole of Gippsland was on fire.”
(8) 2020 SIR JULIUS VOGEL AWARD NOMINATIONS OPEN. The Science Fiction and Fantasy Association of New
Zealand (SFFANZ) is taking nominations for the 2020 Sir Julius Vogel awards until
11.59 pm NZT on March 31.
The awards recognise excellence and achievement in science fiction, fantasy, or horror works created by New Zealanders and New Zealand residents, and first published or released in the 2019 calendar year.
…A nomination made by a SFFANZ member carries a weight of two nominations, where non-members’ nominations carry a weight of one.
Full information about the awards, including the
rules and criteria for the Sir Julius Vogel Award, can be found here.
Eligibility list is here.
(9) PRO-ROWLING. Megan McArdle’s opinion piece in the
Washington Post “Has
J.K. Rowling figured out a way to break our cancel culture?” says that Rowling’s defense of Maya Forstater and
her refusal to back down after social media protests shows that “the
opinions of officious strangers, possibly thousands of miles away, who swarm
social media like deranged starlings over and over again” can be safely
The censorious power of Mrs. Grundys always depends on the cooperation of the governed, which is why their regime collapsed the moment the baby boomers shrugged off their finger-wagging. If Rowling provides an unmissable public demonstration that it is safe to ignore the current crop, we can hope others will follow her example, and the dictatorship of the proscriptariat will fall as quickly as it arose.
(10) TODAY IN HISTORY.
January 3, 1970 — Doctor Who’s “Spearhead from Space” serial started airing. The Third Doctor as played by John Pertwee first appears in this episode. It would also be the first appearance of companion Liz Shaw who’s played by Caroline John. She only lasted a season because the next showrunner decided she was too intelligent to be a proper companion.
January 3, 1993 — Star Trek: Deep Space Nine premiered in television syndication. As you know, it would have a seven-year run with one seventy-six episodes in total. S.D. Perry wrote a sort of authorized ninth season in her Avatar novels. She’s written a number of Trek universe novels including a Section 31 one.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born January 3, 1892 — J. R. R. Tolkien. I’m not going to waste my time detailing Tolkien to this group. My go-to book for him for him after over forty years of reading him remains The Hobbit. The book that still annoys me? The Two Towers. Best Tolkien experience? Seeing The Father Christmas Letters read live. (Died 1973.)
Born January 3, 1898 — Doris Pitkin Buck. She’s got my feline curiosity aroused. Wiki says “She published numerous science fiction stories and poems, many of them in The Magazine of Fantasy & Science Fiction.” That’s fine but there’s little said about her or how she came to be a SF writer. ESF notes her “still unpublished tale “Cacophony in Pink and Ochre” has long formed part of the announced contents of Harlan Ellison’s The Last Dangerous Visions.” So what do y”all do about her? (Died 1980.)
Born January 3, 1930 — Stephen Fabian, 90. He specializes in genre illustration and cover art for books and magazines such as H. Warner’s The Werewolf of Ponkert which you can see here. I see he got a World Fantasy Award—Life Achievement, and was nominated seven times for Hugo Award for Best Professional Artist. Is that the most times for being nominated without winning? His collected works include Ladies & Legends and Women & Wonders. Of course, they’re genre.
Born January 3, 1937 — Glen A. Larson. Triple hitter as a producer, writer and director. Involved in Battlestar Galactica, Galactica 1980, The Six Million Dollar Man, Manimal, Buck Rogers in the 25th Century, and Knight Rider. He also was responsible for Magnum, P.I. which I love but I’ll be damned if I can figure any way to claim that’s even genre adjacent. He also did a lot of Battlestar Galactica novels, some with Ron Goulart. (Died 2014.)
Born January 3, 1940 — Kinuko Y. Craft, 80. She is a Japanese-born American painter, illustrator and fantasy artist. True enough. So why is she here? Because she had an amazing run of illustrating the covers of the Patricia McKillip novels until quite recently. I’m linking here to our review at Green Man of The Bards of Bone Plain for a favorite cover she did. There’s a slim volume on Imaginosis called Drawings & Paintings which collects some of her work.
Born January 3, 1956 — Mel Gibson, 64. I know the first thing I saw was genre wise involving him was The Road Warrior in a cinema which would be some forty years ago. Likewise I saw Mad Max 2 and Mad Max Beyond Thunderdome in cinemas, but I admit have mixed feelings about both of those films, though less about the latter as it’s at least fun. He’s in FairyTale: A True Story, a look at the the Cottingley Fairy photographs of the 1920s, and voices John Smith in Pocahontas. He plays Hamlet in Hamlet but I really don’t think I can call that genre, but I know some of you will.
Born January 3, 1975 — Danica McKellar, 45. From 2010–2013 and since 2018, she’s voiced Miss Martian in Young Justice. It’s just completed its third season and it’s most excellent! She’s done far, far more voice work than I can list here, so if you’ve got something you like that she’s done, do mention it.
Born January 3, 1976 — Charles Yu, 44. Taiwanese American writer. Author of How to Live Safely in a Science Fictional Universe and the short-story collections, Sorry Please Thank You and Third Class Superhero. His novel was ranked the year’s second-best science fiction novel by the Center for the Study of Science Fiction at the University of Kansas — runner up for the Campbell Memorial Award.
It was before 10 a.m. on a gray summer Sunday, but already a small crowd had gathered outside Penguin Café at the end of a block in residential Tokyo. A woman named Kyoko, dressed in a white T-shirt and apron, unlocked the doors and motioned for everyone to come inside.
Half a dozen or so people filed in, several with signature pink dog carriers slung over their shoulders. As more entered, the group clustered at the center of the café. Carefully, they unzipped the mesh panels of their carriers and removed the small white and silver dogs inside, setting them down on the wooden floor. One owner peeled back a yellow blanket over a baby carrier strapped to her chest where she held her dog, still asleep.
Some of the owners fussed with the dogs’ outfits before putting them down — straightening a necktie or pulling up the elastic band on a pair of shorts. One owner had dressed their dog in a Hawaiian shirt, while another was wearing aviator goggles and had a strong resemblance to Snoopy. Several had tiny straw hats affixed between their ears. All the dogs were plastic, powered by facial recognition and artificial intelligence….
6. And speaking of that, what’s your latest book, and why is it awesome? Thor: Metal Gods is a Serial Box serialized novel by Aaron Stewart-Ahn (the lead writer), Jay Edidin, Brian Keene, and myself. It features Thor and Loki, both coming to terms with old sins and old friends, a Korean tiger goddess, and a genderfluid space pirate and astronomer. There are black holes, eldritch abominations, heavy metal, and mayhem. We had terrific fun writing it and we hope you’ll enjoy it too.
… The European Space Agency is about to pull one of the bigger hunks of garbage from orbit. But there’s a problem: The same tech that could help make space cleaner might, in the long run, also make it more dangerous.
That’s because the ESA’s ClearSpace-1 orbital garbage truck, as well as other spacecraft like it, could double as a weapon.
Swiss startup ClearSpace designed the ClearSpace-1 vehicle to intercept a chunk of debris, latch onto it, and drag it back into Earth’s atmosphere where it can safely burn up. The ESA has scheduled the clean-up mission for 2025 and has even identified its target: a 265-pound piece of an old rocket orbiting 310 miles above Earth’s surface.
The 2025 mission will involve what ClearSpace CEO Luc Piguet called “non-cooperative capture.” That is to say, the targeted piece of debris wasn’t designed with an interface or any other system that might help a clean-up craft grab onto it.
…In a landmark discovery revealed this month, archaeologists unearthed the remains of four female warriors buried with a cache of arrowheads, spears and horseback-riding equipment in a tomb in western Russia — right where Ancient Greek stories placed the Amazons.
The team from the Institute of Archaeology at the Russian Academy of Sciences identified the women as Scythian nomads who were interred at a burial site some 2,500 years ago near the present-day community of Devitsa. The women ranged in age from early teens to late 40s, according to the archaeologists. And the eldest of the women was found wearing a golden ceremonial headdress, a calathus, engraved with floral ornaments — an indication of stature.
(16) WORDSMITH ALSO TUNESMITH. Don’t say you never got the
chance to hear Norman Spinrad sing. Today on Facebook
he reminded people about the time he performed at the Cirque Electrique in
Not that I’m planning to ever give up my day job, but I’ve had a long slow minor career with music, something around a dozen songs written or co-written, something less than that creating and recording, occasional live performances too such as this one, my best I think.
7. Middlegame: Middlegame is perhaps the most ambitious novels from Seanan McGuire and is a showcase for her skill at telling a good and complex story. Twins, math, alchemy, murder, time-bending, family, secret organizations, impossible powers, and just about everything McGuire can throw into this wonderous novel. Seanan McGuire has blended together as much as she possibly could stuff into one novel and she makes the whole thing work. It’s impressive. McGuire goes big with Middlegame. Doubt Seanan McGuire at your peril. (my review)
Pilkey’s Captain Underpants and the Terrifying Return of Tippy Tinkletrousers, the ninth book in his popular children’s novel series, published in 2012, features a comic strip made by the book’s incorrigible pranksters George and Harold, the stars of the series. This comic-within-a-novel marks the first appearance of Dog Man, Pilkey’s lovable crime-fighting superhero, who is surgically constructed from the body of a cop and the head of his police dog companion after they were both injured in a typically Pilkey-style zany accident.
(19) VIDEO OF THE DAY. From
Savag Entertainment, “Timelapse Reveals How Clever This Billboard Ad For The
BBC’s ‘Dracula’ Is.”
[Thanks to Andrew Porter, John King Tarpinian, Mike Kennedy, SF
Concatenation’s Jonathan Cowie, Cat Eldridge, JJ, Michael Toman, Olav Rokne, Contrarius,
Daniel Dern, Chip Hitchcock, R.S. Benedict, and Martin Morse Wooster for some
of these stories. Title credit belongs to File 770 contributing editor of the
day Daniel Dern.]
Popular Chinese director Ning Hao has seen his comedy fantasy film “Crazy Alien” gross more than $100 million at the mainland Chinabox office after just two days on release during the Chinese New Year holiday period. It’s the highest two-day total for any film in the Middle Kingdom so far this year.
The milestone was passed at around 8 p.m. on Wednesday. By 10 p.m., the film’s accumulated gross had advanced to $101 million (RMB680 million), according to website China Box Office.
The film is about a zookeeper who finds an unusual animal and takes it home. There he discovers that the creature is in fact an extraterrestrial, but getting rid of it may be problematic.
China’s first homegrown sci-fi epic, The Wandering Earth, is continuing its upwards trajectory. After opening at No. 4 on Tuesday, the start of the Chinese New Year, it gained traction on Wednesday to move into the No. 2 spot, and today, it led the daily Middle Kingdom box office.
With an estimated additional RMB 342M ($50.7M) on Thursday, the increase from yesterday was about 33% for a local cume of RMB 800M ($118.6M). That still lags about $20M behind Crazy Alien‘s cume, though it should quickly make up the difference after Crazy Alien had led the first two days of the Lunar New Year period. The Wandering Earth‘s performance is testament to the positive buzz being generated by the $50M pic, which stars Wolf Warrior 2’s Wu Jing in a race against time to save the planet’s population.
The easiest way to add or remove details from a story is to undermine those elements that contradict the new canon. In Stars Wars: Episode IV – A New Hope¸ Obi-Wan Kenobi tells Luke Skywalker that his father was a skilled pilot betrayed and killed by the evil Darth Vader. Later in the series, it’s revealed that Vader is Luke’s father and that Obi-Wan knew all along.
Creator George Lucas has claimed that he always knew Vader was Luke’s father, but fans point to a host of evidence that this wasn’t the case when the scene was written. If they’re right, Lucas had no problem retconning his decision later, since the information that stood in his way came from a single source. When it’s time to reveal that Vader is Luke’s father, Obi-Wan admits he lied, hiding the truth to try to influence Luke’s reaction.
This is the easiest way to retcon information out of a story – someone lied, omitted key details, implied something that wasn’t true, or thought they were telling the truth but were wrong. Sometimes, this means adding additional information to give characters a reason to have lied, but since all this takes place in the realm of character motivations and interactions, it can even serve to enliven a story, and it might inspire new directions, as in the Star Wars prequel films….
In May 2015, Clarkesworld published “An Evolutionary Myth” by Bo-Young Kim, translated from Korean by Gord Sellar and Jihyun Park. I am pleased to announce that Clarkesworld Magazine has now received a grant from the Literature Translation Institute of Korea (LTI Korea) to translate and publish nine more Korean science fiction stories in 2019.
The process for selection and translation of stories will be similar to the model developed for Clarkesworld‘s Chinese translation project, which has recently celebrated its fourth anniversary. In that model, a group of people serve as a recommendation team that will provide story notes and details to Neil Clarke for evaluation and selection. Stories will then be confirmed for English language availability, contracted, and assigned to one of several translators.
(4) HOLD THE CAKE! In
theory a new edition of The Best of R.A.
Lafferty was released by Gollancz today. Except it wasn’t.
(5) READ THIS, NOT THAT. But yesterday Tor.com published Mary Robinette Kowal’s Lady Astronaut story “Articulated Restraint”.
He took a slow breath. “No one is dead. A ship returning from the moon had a retrorocket misfire while docking with Lunetta yesterday evening.”
“Oh God.” Scores of people worked on the Lunetta orbiting platform. People she knew. And Eugene Lindholm, her partner for today’s run—his wife would have been on the lunar rocket. Ruby played bridge with Myrtle and Eugene. She turned, looking for the tall black man among the people working by the pool. He was at the stainless steel bench, running through his checklist with tight, controlled motions. No one was dead, but if the Meteor had taught the world anything, death wasn’t the worst thing that could happen to someone. “How bad?”
(6) FANHISTORY RESOURCE. Peter Balestrieri, Curator, Science Fiction and Popular
Culture Collections at University of Iowa Libraries has announced —
McPhail was one of the earliest sf fans (1929). He co-edited a magazine called The Original Idea with Jim Speer (Jack’s older brother). In 1936 he founded the Oklahoma Scientifiction Association. An early member of the Fantasy Amateur Press Association (FAPA), McPhail introduced the Mailing Comment –which, if you’ve ever belonged to an apa, you know that’s what everyone hopes their contribution will inspire. File 770 published McPhail’s obituary in 1984.
(7) JOSHI FELLOWSHIP. There’s
a name I don’t associate with fellowship, nevertheless — The John Hay Library at Brown University invites
applications for its 2019-2020 The S. T. Joshi Endowed Research
Fellowship for research relating to H.P.
Lovecraft, his associates, and literary heirs. The application deadline is
March 15, 2019.
The Hay Library is home to the largest collection of H. P.
Lovecraft materials in the world, and also holds the archives of Clark
Ashton Smith, Karl Edward Wagner, Manly Wade Wellman, Analog Magazine, Caitlín Kiernan, and others.
The Joshi Fellowship, established by The Aeroflex Foundation and Hippocampus Press, is intended to promote scholarly research using the world-renowned resources on H. P. Lovecraft, science fiction, and horror at the John Hay Library. The Fellowship provides a monthly stipend of $1,500 for up to two months of research at the library between July 2019 and June 2020. The fellowship is open to individuals engaged in pre- and post-doctoral, or independent research.
(8) HOW TO AFFORD AN EDITOR. Authors who want their manuscripts worked on by a professional an editor know they have to come up with the bucks to pay them. There have been a couple of threads recently filled with more-or-less serious advice about ways “broke” writers can foot the bill. C.L. Polk’s begins here.
Fred Coppersmith’s less serious thread begins here.
(9) TODAY IN HISTORY.
February 7, 1940 — Walt Disney’s movie Pinocchio debuted. Guillermo del Toro’s
version might be slightly darker.
(10) TODAY’S BIRTHDAYS.
by Cat Eldridge.]
Born February 7, 1812 – Charles Dickens. Author of more genre fiction according to ISFDB than I knew. There’s A Christmas Carol that I’ve seen performed lived myriad times but they also list The Chimes: A Goblin Story of Some Bells That Rang an Old Year Out and a New Year In, The Cricket on the Hearth: A Fairy Tale of Home, The Battle of Life, The Haunted Man and the Ghost’s Bargain and The Christmas Books. Somewhere there being overly broad in defining genre perhaps? (Died 1870.)
Born February 7, 1908 – Buster Crabbe. He also played the title role in the Tarzan the Fearless, Flash Gordon, and Buck Rogers series in the Thirties, the only person to do though other actors played some of those roles. He would show up in the Seventies series Buck Rogers in the 25th Century as a retired fighter pilot named Brigadier Gordon. (Died 1983.)
Born February 7, 1913 – Henry Hasse. Best known for being the co-author of Ray Bradbury’s first published story, “Pendulum”, which appeared in November 1941 in Super Science Stories. ISFDB lists a single novel by him, The Stars Will Wait, and some fifty short stories if I’m counting correctly. (Died 1977.)
Born February 7, 1929 – Alejandro Jodorowsky, 90. The Universe has many weird things in it such as this film, Jodorowsky’s Dune. It looks at his unsuccessful attempt to film Dune in the mid-1970s. He’s also has created a sprawling SF fictional universe, beginning with the Incal, illustrated by the cartoonist Jean Giraud which is rooted in their work for the Dune project which is released as comics.
Born February 7, 1941 – Kevin Crossley-Holland, 78. Best known for his Arthur trilogy consisting of The Seeing Stone, At the Crossing-Places, and King of the Middle March. I really liked their perspective of showing a medieval boy’s development from a page to a squire and finally to a knight. Highly recommended.
Born February 7, 1949 – Alan Grant, 70. He’s best known for writing Judge Dredd in 2000 AD as well as various Batman titles from the late 1980s to the early 2000s. If you can find it, there’s a great Batman / Judge Dredd crossover “Judgement on Gotham” that he worked on. His recent work has largely been for small independents including his own company.
Born February 7, 1950 – Karen Joy Fowler, 69. Her first work was “Recalling Cinderella” in L Ron Hubbard Presents Writers of the Future, Vol I. Her later genre works are Sarah Canary, the Black Glass collection and the novel The Jane Austen Book Club, is not SF though SF plays a intrinsic role in it, and two short works of hers, “Always” and ““The Pelican Bar” won significant Awards. Her latest genre novel, We Are All Completely Beside Ourselves, is being adored far and wide.
Born February 7, 1950 – Margaret Wander Bonanno, 69. She written seven Star Trek novels, several science fiction novels set in her own worlds, including The Others, a novel with Nichelle Nichols. In putting together this Birthday, several sources noted that she had disavowed writing her Trek novels because of excessive editorial meddling by the publisher. She self-published Music of the Spheres, her unapproved version of Probe, the official publication. According to her, Probe has less than ten per cent of the content of her version.
Born February 7, 1960 – James Spader, 59. Most recently he did the voice and motion-capture for Ultron in Avengers: Age of Ultron. No I did not enjoy that film. Before that, he played Stewart Swinton in Wolf, a Jack Nicholson endeavour. Then of course he was Daniel Jackson in Stargate, a film I still enjoy though I think the series did get it better. He then plays Nick Vanzant in Supernova andJulian Rome in Alien Hunter.
Born February 7, 1985 – Deborah Ann Woll, 34. She is known for her roles as the vampire Jessica Hamby in True Blood, and Karen Page in Daredevil, The Defenders, and The Punisher.she also played Molly in the horror film Little Murder and Amanda Harper in Escape Room, another horror film.
(12) QUARTERS, WITH MORE OR
LESS BITS. Writing for The Mary Sue—and
using floor plans that were on Angie’s
List—Kaila Hale-Stern takes a look at six different Captain’s quarters from
the various Star Trek series (“Let’s Judge These Star Trek Captains’ Quarters”). Welcome to
Kirk’s, Picard’s, Sisko’s, Janeway’s, Archer’s, and Lorca’s abodes.
We’ve had several beloved Starfleet Captains, but how are they sleeping at night? Journey with me into the final frontier of Star Trek Captains’ quarters, and let’s see who had the sweetest floor plan.
Courtesy of a post by home services site Angie’s List, we now have detailed layouts to pore over. They created floor plans of our Captains’ quarters, starting with Kirk’s in The Original Series to Archer’s on Enterprise. Discovery is a bit trickier Captain-wise, since we only have the late unlamented Lorca’s rooms for reference—but maybe Pike will show us where he lays his head in the future.
The toilet onboard the ISS was installed in 2008, during one of the last space shuttle missions. It’s based on a design that’s about as old as the ISS itself, so it was in need of some improvement. The ISS astronauts were trying to install that improvement when something went wrong.
According to a NASA blog, the ISS crew were trying to install the new Universal Waste Management System, a next-gen toilet system that’s supposed to be smaller, lighter, cleaner, and more efficient than what they have now. […]
The aforementioned 1 February 2019 NASA blog explains:
Universal Waste Management System (UWMS):
The crew successfully installed a new double stall enclosure within Node 3 today. During the activity, the crew experienced a water leak while de-mating a Quick Disconnect (QD) for the potable water bus. Approximately 9.5 liters leaked before the bus was isolated by MCC-H flight controllers. The crew worked quickly to re-mate the leaky QD and soak up the water with towels. An alternate QD was then de-mated in order to continue with the installation. The new concept, referred to as the Universal Waste Management System (UWMS), includes favorable features from previous designs while improving on other areas from Space Shuttle and the existing ISS Waste Collection System (WCS) hardware. This double stall enclosure provides privacy for both the Toilet System and the Hygiene Compartment. The starboard side will provide access to the existing toilet and the port side will be used for hygiene until new replacement Toilet System arrives in early 2020.
Mopping up 2.5 gallons of water is hard enough with
gravity to collect it all on the floor for you,
(17) GET MY BETTER SIDE. NASA has taken a candid snapshot of the neighbors (NASA: “First Look: Chang’e Lunar Landing Site”).
The Lunar Reconnaissance Orbiter has
spotted the landing site of China’s Chang’e 4 lander on the back side of the
Moon. The LRO wasn’t close enough to picture the whole Chang’e 4 “family”—the
tiny rover is just too small for the camera to pick up.
On Jan. 3, 2019, the Chinese spacecraft Chang’e 4 safely landed on the floor of the Moon’s Von Kármán crater (186 kilometer diameter, 116 miles). Four weeks later (Jan. 30, 2019), as NASA’s Lunar Reconnaissance Orbiter approached the crater from the east, it rolled 70 degrees to the west to snap this spectacular view looking across the floor toward the west wall. Because LRO was 330 kilometers (205 miles) to the east of the landing site, the Chang’e 4 lander is only about two pixels across (bright spot between the two arrows), and the small rover is not detectable. The massive mountain range in the background is the west wall of Von Kármán crater, rising more than 3,000 meters (9,850 feet) above the floor.
Even if you’re not a huge fan of electronic music or have never heard of the EDM producer Marshmello, Fortnite’s live in-game concert was still a shockingly stunning sight to behold — it was also an unprecedented moment in gaming. It truly felt like a glimpse into the future of interactive entertainment, where the worlds of gaming, music, and celebrity combined to create a virtual experience we’ve never quite seen before.
At 2PM ET [2 February], every one of the likely tens of millions of players of Epic Games’ battle royale title were transported to a virtual stage. There, Christopher Comstock — who goes by the DJ name Marshmello and is known best for his signature food-shaped helmet — began a 10-minute mini-set, all while while up to 60 players across thousands of individual matches were able to watch live. Epic, having learned from past one-time live events like its iconic rocket launch and its most recent freezing over of the entire game map, smartly launched a special game mode specifically for the show.
Based on its team rumble mode, it allowed players to respawn if they were taken out by an especially rude enemy trying to spoil the fun. Going even further, however, Epic disabled the ability to use weapons for the entirety of the 10-minute event, which ensured that everyone could have a front-row seat to the spectacle.
(19) DON’T TELL ME. Matthew
parody is a mite long for a Scroll title, so I’ll salute it here:
Counting pixels on the scroll, that don’t bother me at all Playing D&D ’til dawn, with my twenty-sideds gone Eating soylent green and watching Star Trek: Deep Space Nine Now don’t tell me I can’t go back in time
[Thanks to Paul Weimer, JJ, Cat Eldridge, Lise Andreasen, John King Tarpinian, Mike Kennedy, Martin Morse Wooster, Chip Hitchcock, StephenfromOttawa, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Paul Weimer.]