Pixel Scroll 6/9/18 Scroll-The-Pooh Filed In A WordPress All By Himself Under The Name Of Pixel

(1) DAMES AND KNIGHTS. The Queen’s birthday honours list is out. The Guardian has the highlights likely to be of interest to Filers (although it does not cite any of the recipients’ genre credits).

The Queen’s birthday honours list, in which actor Emma Thompson was made a dame,…

Thompson, who is one of Britain’s best loved actors, has been made a dame, adding to a long list of awards including Oscars, Baftas, Golden Globes and Emmys.

…The damehood awarded to the classicist Mary Beard is likely to prove more popular. The Cambridge professor, author and TV presenter described it as a “smashing honour” and attributed it to growing interest in her field of work.

“I feel especially pleased that someone working on the ancient classical world gets honoured in this way,” she said. “I’d like to treat it as a bit of a tribute to the Greeks and Romans themselves, as well as to all my wonderful academic colleagues who also do so much for the study of antiquity.”

The actors Keira Knightley and Tom Hardy are awarded an OBE and CBE respectively.

The author Kazuo Ishiguro, whose works include The Remains of the Day, the film adaptation of which starred Thompson, is knighted for his services to literature. He said he was “deeply touched to receive this honour from the nation that welcomed me as a small foreign boy”.

(2) EPISODE HATE. The Late Show with Stephen Colbert concocted a hilarious “’Stars Wars’ Trailer To Piss Off Hateful Fanboys.” Starts around 2:20 of this video.

There’s a special new ‘Star Wars’ movie for all the angry fans whose racist, misogyny led ‘Last Jedi’ actress Kelly Marie Tran to leave Instagram.

 

(3) DRAGON CON TURNOVER. Early this month bloggers Francis Turner and Jon Del Arroz celebrated a Dragon Con staff firing, however, those searching for an objective explanation of what transpired had nowhere to turn until this week when Richard “Fife” Blaylock published two resignation statements on his blog, one by former Dragon Con Fantasy Literature Track director Charlotte Moore, and his own.

Moore committed what she terms “an error in judgment” in telling a ConCarolinas supporter and regular Dragon Con panelist his support of that convention made him “less welcome” by the Fantasy Literature Track. Dragon Con leadership considered that beyond her authority and a misrepresentation of the convention’s commitment to political neutrality. Almost concurrently,  Moore tweeted in support of a friend she saw being harassed in social media. Dragon Con leadership ultimately told Moore the appearance of the con’s neutrality was more important than these acts of conscience, and she was fired.

Moore initially put a farewell post on the Fantasy Literature at Dragon Con Facebook page, which was taken down by Facebook. It has been reposted to Blaylock’s blog. Here is an excerpt:

Hi, everyone. It’s Charlotte.

Effective immediately, I am no longer the Fantasy Literature Fan Track Director.

I apologize for the cryptic nature of what follows. I will, at my discretion and on a person-by-person basis, give details in private, or when plied by sufficient quantities of alcohol.

First:

I would like to thank Rachel Reeves and David Gordon for working with me to find an equitable resolution to some longstanding and, ultimately, insurmountable differences between my priorities and the convention’s.

I deeply regret that, in an effort to defend this community I love so much, I have, in moments of anger, occasionally overstepped my bounds, resorting to tactics that were unbecoming of me. My behavior has not consistently reflected the convention’s values—nor, in my better moments, mine.

While I do not regret, for one second, standing up to any person who, through their stories, statements, or behavior, threatens this community—or who, out of self-preservation, chooses not to see injustice and abuse—there are ways I might have done so without grabbing for low-hanging fruit.

Dragon Con strives to be apolitical. Perhaps that’s admirable (and perhaps it isn’t? I truly don’t know), but it strikes me that the most bombastic champions of this position are the ones most incensed by social justice, a phrase they sneer as a term of derision and ridicule.

I believe that Dragon Con’s heart is in the right place. I really do. They made it clear to me that they have no compunction with the fundamental nature of my values; that they welcome strong opinions among their track directors; and that they share a desire to create a diverse and safe environment.

They want everyone to have a seat at the table. Unfortunately, they also want everyone to have a seat at the table. And a table that seats abusers beside their abused is not, in fact, a table for all: “If you are neutral in situations of injustice, you have chosen the side of the oppressor.”

So. The convention and I are at an impasse. And perhaps it is best if Dragon Con finds a less vociferous replacement for me, though I regret that this must happen so close to this year’s event….

—Charlotte, who will miss you all very much.

Richard Blaylock, likewise, has quit the convention as he explains in “My Resignation from Dragon Con” (full statement at the link.)

The below is my resignation as Director’s Second of Fantasy Literature at Dragon Con, as I sent it in. For some quick context:

  • The prior director had acted out of line and was due some form of censure, along the lines of public apology and a warning to chill.
  • Instead of a transparent process, she was fired without being allowed to defend herself, and before she was even informed that she was being fired, they were soliciting potential new directors.
  • The “greater crime” for which she was fired was that she was vocally expressing that she would not provide a platform for bigotry and hate in her programming.

So, without further adieu, and with the intent to allow this to be shared easily across social media platforms (I’d already shared it on Facebook), my letter of resignation to Dragon Con:

To: Director, Fantasy Literature
CC: Sr. Director, Fan Track Operations; Dragon Con Board of Directors
Thank you for the opportunity to stay on as Director’s Second for Fantasy Literature. After a long time mulling it over, I regret to inform you that I cannot, in good conscience, continue on in this position.

While I do not agree with all of Prior Director Charlotte Moore’s means and methods, and I do feel she stepped out of line in her interaction with [guest name redacted] in specific, I cannot countenance the actions that have been taken—actions taken both by means of punishing her and of the convention making a political statement in her firing and its choice for her replacement.

I can appreciate that the convention doesn’t want to become accused of being a political entity for both legal and social reasons. But there is a false equivalency and a tone deafness in the convention claiming that bigotry and harassment is “just politics.” It is the paradox of tolerance that those who try to uphold absolute tolerance invite the absolutely intolerant. A political difference is how to provide health care, entitlements, and the size and role of government. It is not debating the fundamental humanness of those who are not white, heteronormative men.

A “Safe Space” is also a paradox. It is a place where those accepting of differences, willing to admit that all people have a fundamental equality, are welcome. It is not, in truth, “safe” for everyone, because it should be absolutely unwelcoming of bigots. By their fundamental nature, bigots make others unsafe. Fantasy Literature has, in the five years I’ve worked for it, always been a Safe Space, and I thought this was not just because of the actions of the director and her volunteers, but because senior convention leadership saw the value in this as well.

However, in its actions, Dragon Con has made the declaration that hate and bigotry are acceptable behaviors, and that the deluge of snide micro-aggressions that people of color, the differently-abled, women, and the LGBT community will suffer is an acceptable price for convention leadership to pay so they don’t have an angry, vocal, and harassing minority emailing them…..

Dragon Con prides itself on “running like a business.” I am sure that the mentality is you don’t care that a few offended attendees won’t come because of this decision; the numbers are still going up overall. On the whole, the masses don’t care.

But the thing is, the masses don’t care. Dragon Con could do the right thing, take a stand against bigotry and refuse to give it a platform, and you will only lose a minor handful of other bigots.

The masses don’t care. So it becomes such a puzzlement when the only action taken is to turn a blind eye and allow the tyranny of one minority over another so you don’t have to make a decision.

I have made my decision. I hope that you and others will come to see that it was correct one day.

Richard “Fife” Blaylock
Formerly Director’s Second, Fantasy Literature, Dragon Con

(4) ON THE OTHER SIDE OF THE WALL. Galactic Journey imported Cora Buhlert to 1963 where she discusses “[June 8, 1963] The Future in a Divided Land (An Overview of Science Fiction in East and West Germany) Part 1”.

…I am fortunate enough to live in West Germany and therefore the main focus of this article will be on West German science fiction. However, I will also take a look at what is going on in East Germany.

In the US and UK, science fiction is very much a magazine genre, even if paperback novels are playing an increasingly bigger role. In West Germany, there are a couple of science fiction publishers, such as the Balowa and Pfriem, which specialise in hardcovers aimed at the library market, as well as the paperback science fiction lines of Heyne, Fischer and Goldmann. The three paperback publishers focus mainly on translations, whereas the library publishers offer a mix of translations and works by German authors. Though Goldmann has recently started publishing some German language authors such as the promising new Austrian voice Herbert W. Franke in its science fiction paperback line.

However, the main medium for science fiction and indeed any kind of genre fiction in West Germany is still the so-called “Heftroman:” digest-sized 64-page fiction magazines that are sold at newsstands, gas stations, grocery stories and wherever magazines are sold. Whereas American and British science fiction magazines usually include several stories as well as articles, letter pages, etc…, a “Heftroman” contains only a single novel, technically a novella. “Heftromane” are the direct descendants of the American dime novel and the British penny dreadful – indeed, they are also referred to as “Groschenroman”, which is a literal translation of “dime novel”….

(5) TODAY IN HISTORY

  • June 9, 1790 — The first copyright for a book was given to The Philadelphia Spelling Book by John Barry.
  • June 9, 1934 —  Donald Duck made his debut in the cartoon “The Wise Little Hen”.
  • June 9, 1978 The Cat From Outer Space premiered theatrically
  • June 9, 1989 Star Trek V: The Final Frontier debuted on this day

(6) TODAY’S BIRTHDAYS

  • Born June 9, 1930 – Lin Carter
  • Born June 9, 1943 – Joe Haldeman
  • Born June 9, 1963 – David Koepp

(7) HUGO BALLOT PREVIEW. Nicholas Whyte groks “The 2018 Hugo finalists for Best Dramatic Presentation, Short Form”. At the top of his ballot —

1) Doctor Who: “Twice Upon a Time”

The Moffat era had its low points, but the return of the First Doctor for the Twelfth Doctor’s final story was not one of them. I actually thought that the 2018 season was Capaldi’s best in general, and would have rated a couple of the other episodes higher than this; but this one deserves its place on the ballot and gets my vote. Bonus points for having scenes set in Belgium.

(8) PIXAR PIONEER GOING. Yahoo! Entertainment says “Lasseter, Pixar co-founder, to step down at end of year”.

John Lasseter, the co-founder of Pixar Animation Studios and the Walt Disney Co.’s animation chief, will step down at the end of the year after acknowledging “missteps” in his behavior with staff members.

Disney announced Friday that Lasseter — one of the most illustrious and powerful figures in animation — will stay on through the end of 2018 as a consultant. After that he will depart Disney permanently.

Lasseter in November took what he called a six-month “sabbatical.” He apologized “to anyone who has ever been on the receiving end of an unwanted hug” or any other gesture that made them feel “disrespected or uncomfortable.” At the time, Lasseter signaled that he hoped to then return to Disney. Many in Hollywood were skeptical that was possible.

“The last six months have provided an opportunity to reflect on my life, career and personal priorities,” Lasseter said in a statement. “While I remain dedicated to the art of animation and inspired by the creative talent at Pixar and Disney, I have decided the end of this year is the right time to begin focusing on new creative challenges.”

(9) JUNOT DIAZ. Boston Review’s decision to keep Junot Diaz as an editor has driven three other editors to quit reports the Boston Globe “Boston Review editors resigning in protest of decision to retain Junot Diaz”.

The decision by Boston Review to retain Junot Diaz as an editor despite recent sexual misconduct allegations isn’t sitting well with some members of the magazine’s staff.

Three poetry editors have announced they plan to resign effective July 1 because they disagree with the decision of Boston Review editor in chief Deborah Chasman to keep Diaz on as fiction editor, a position he’s held since 2003.

In a statement posted on the magazine’s website this week, Chasman and executive editor Joshua Cohen said they had done a “careful review of the public complaints” about Diaz, as well as their own inquiry, and determined that “the objectionable conduct described in the public reports does not have the kind of severity that animated the #MeToo movement.”

That prompted Boston Review poetry editors Timothy Donnelly, BK Fisher, and Stefania Heim to respond with a statement of their own.

“What most distresses us are the [Boston Review statement’s] apparent arbitration of what constitutes inclusion in the #MeToo movement and its lack of attentiveness to power dynamics in a star-driven media and publishing landscape,” the three editors wrote. “Though we raised these reservations to the executive editors and asked them repeatedly to rethink their position, they went forward as planned.”

The decision-makers explained why they did not remove Dias in “A Letter from Deborah Chasman and Joshua Cohen” at Boston Review.

Junot Díaz has been Boston Review’s fiction editor since 2003. Like many others, we were deeply moved by Junot’s recent essay in the New Yorker  describing his experience as a child victim of rape, and also struck by his acknowledgment in that essay that he had hurt people with his “lies and choices.” Also, like many others, we have been disturbed by recent reports from women who have come forward to describe the ways they were hurt by him. We have read their reports carefully, taken their complaints seriously, and thought hard about how we should respond.

On the basis of what we have learned, we have decided to continue our editorial relationship with Junot. We want to give a few words of explanation.

First, during his 15-year tenure as fiction editor, we have never received any complaints about Junot’s conduct, either from our staff or from writers.

If we were only an employer, that might be the end of the discussion. But issues of gender and race are at the heart of our mission. Because of Junot’s important public role, we cannot narrowly confine our attention to his role as our fiction editor.

Second, then, we do not think that any of the individual actions that have been reported are of the kind that requires us to end the editorial relationship. To be clear: we do not condone the objectionable behavior that they describe. Instead, we asked ourselves whether the conduct they report is of a kind that—given his role and our mission—requires us to end the editorial relationship. We do not think so. The objectionable conduct described in the public reports does not have the kind of severity that animated the #MeToo movement.

Third, we considered whether, as some have suggested, the complaints point to a larger pattern of abusing power—the kind of star power that has attached to Junot as a successful writer, editor, and public intellectual. On the basis of a careful review of the public complaints, we think not. The events they characterize—including several episodes of aggressiveness in public discussion—are dispersed over a long stretch of time, and do not, as we see it, show the characteristics, repetition, and severity required to establish such a pattern….

(10) THE WHO FAMILY. Don’t ask whether Doctor Who is the Doctor’s Daughter’s father or mother now. This isn’t that kind of project. Syfy Wire reports Doctor Who’s “daughter” is back In Universe, this time in a series of audio adventures: “The Doctor’s Daughter finally returns this week but it could have been much sooner”.

It’s been a decade, but the Doctor’s daughter is finally back for a series of new Big Finish audio adventures out this week. However, if it had been up to Georgia Tennant, her Doctor Who character would have returned to the Whoniverse much sooner.

Thing is… she was never asked back.

“I’ve always been aware of what Doctor Who brings to it, and what you then carry on throughout your life,” explained the actress (who happens to be the daughter of Fifth Doctor Peter Davison and the wife of Tenth Doctor David Tennant) to Radio Times. “But because it was just one episode I thought ‘Oh…that’ll just come and go.’ But it hasn’t, and everyone’s so lovely. Everyone’s wanted me to do this, and at conventions everyone’s been like ‘Why don’t you come back and do something?’ And you know, obviously they never asked me on the TV show…”

(11) PREGAME RITUAL. HBO needs to find a way to keep the cash register ringing: “Game of Thrones: HBO orders spinoff prequel pilot”.

Game of Thrones could be getting a prequel series, HBO has announced, one of five potential spin-offs from the series.

Book author George RR Martin has created the new series alongside British screenwriter Jane Goldman.

HBO has ordered a pilot episode for the show, set thousands of years before the battles over the Iron Throne.

Executives say any spin-off will not be broadcast until after Game of Thrones’ final season in 2019.

If picked up, the prequel will chronicle “the world’s descent from the golden Age of Heroes into its darkest hour”, HBO said in a statement.

“From the horrifying secrets of Westeros’ history to the true origin of the White Walkers, the mysteries of the East, to the Starks of legend… it’s not the story we think we know.”

Gosh!

(12) LIGHTLY FROSTED. David Pogue, in the Yahoo Entertainment story “How technology brings Broadway’s ‘Frozen’ musical to life”, looks at how the current theatrical adaptation of Frozen is a very high-tech production.

In “Frozen,” technology is behind most of it. Almost none of the effects in the Broadway show would have been technologically possible five years ago.

“I mean, scenery remains scenery, but the video and the lighting equipment is changing so fast. Even by the time we take the show to London, the video technology we use here will almost be obsolete. It moves that rapidly.”

According to stage manager Lisa Dawn Cave, that technology includes an enormous video screen that forms the back wall of the stage. “Our video wall weighs about 8,600 pounds and contains more than 7 million individual LEDs,” she says.

It’s complemented by 19 projectors — six over the stage, and 13 on the ceiling of the theater, on the balcony railing, and on the box seats. “They’re laser projectors — not lasers in the sense like you see laser beams in movies,” says show electrician Asher Robinson, “but they have a laser phosphor source, which means that we’re not changing the lamps in them, and they’re not making a lot of heat.”

(13) PLANTING SEASON. Elon Musk—in the guise of SpaceX—wants a major upgrade to Kennedy Space Center and has provided NASA with a plan laying out their vision. That plan includes a 133,000 sq.ft. hangar to process used SpaceX boosters and a 32,000 sq.ft., 300 ft. tall control tower with a retro-futuristic ovoid top. “NASA Publishes SpaceX Maps and Renderings from Its Proposed “Rocket Garden”Inverse has the story. Quoting the article:

The Kennedy Space Center might be getting a major upgrade and expansion soon if Elon Musk gets his way. NASA published a plan submitted by SpaceXthat dramatically reimagines the company’s presence at KSC in Cape Canaveral, Florida. The plans include everything from a control tower that resembles a flying saucer to a “rocket garden,” showcasing futuristic designs that will expand the space company’s footprint and potential influence within the US agency.

NASA published a draft environmental review for the proposed SpaceX Operations Area, as first reported by Florida Today on Friday. According to the document, SpaceX is seeking permission to build on a 67-acre patch of land about one mile north of KSC’s visitor center complex.

…The proposal justifies the expansion by arguing that the KSC’s current offerings won’t support the 54 launches that SpaceX plans of Falcon 9 or the 10 annual launches planned for Falcon Heavy. By obtaining the space and the green light to build, the proposal says, SpaceX will have the facilities it needs to build, repair, and launch more rockets each year.

SpaceX plans to reach 30 orbital launches in 2018, which is already a record number of missions for the United States. Considering the grandiose proportions presented in the current proposal, it’s clear that the company intends to reach even further with orbital launches in 2019.

[Thanks to Todd, Chip Hitchcock, Martin Morse Wooster, Andrew Porter, Carl Slaughter, JJ, John King Tarpinian, Cat Eldridge, and Mike Kennedy for some of these stories. Title credit goes to File 770 contributing editor of the day Rick Moen.]

Pixel Scroll 5/16/18 Ringworlds For Sale or Rent, Moons To Let Fifty Cents

(1) PLANE SPEAKING. CollegeHumor shows what happens when a ticket agent has to deal with the argument that “My Dinosaur Is a Service Animal” (features Chris Pratt and Bryce Dallas Howard).

(2) EARLY RETURNS ON 451. Phil Nichols of BradburyMedia saw a preview screener of “HBO’s new Fahrenheit 451” and weighed in on his blog:

…The new Fahrenheit does take many liberties with Bradbury’s story (what, no Millie? Clarisse as a police informant?), but it knows what it’s doing. Specifically, it knows what Guy Montag has to learn, and what he has to become; and it knows what Beatty is in relation to Montag. Most importantly, it knows how to show the relevance of Fahrenheit to today’s world of sound bites, clickbait headlines and fake news. Bradbury said that you don’t have to burn books to destroy a culture; you just have to get people to stop reading. And that’s exactly the world Bahrani has created here….

(3) MORE WORK FOR HOLLYWOOD LAWYERS. “Stan Lee Files $1B Lawsuit Against POW! Entertainment for “Stealing” His Name and Likeness” says The Hollywood Reporter.

The epic battles in Stan Lee’s comics may be nothing compared to the array of legal fights he’s waging — which now includes a billion-dollar lawsuit against the company he co-founded.

Lee is suing POW! Entertainment for fraud and conversion, claiming the company and two of its officers conspired to steal his identity, name and likeness in a “nefarious scheme” involving a “sham” sale to a Chinese company.

POW! was acquired in 2017 by Hong Kong-based Camsing International, and Lee says POW! CEO Shane Duffy and co-founder Gill Champion didn’t disclose the terms of the deal to him before it closed. At the time, Lee claims, he was devastated because his wife was on her deathbed and they took advantage of his despair — and his macular degeneration, which rendered him legally blind in 2015.

Lee says last year Duffy and Champion, along with his ex-business manager Jerardo Olivarez, whom he’s currently suing for fraud, asked him to sign a non-exclusive license with POW! for the use of his name and likeness in connection with creative works owned by the company. Instead, what he purportedly signed was a “fraudulent” intellectual property assignment agreement that granted POW! “the exclusive right to use Lee’s name, identity, image and likeness on a worldwide basis in perpetuity.”

According to the complaint filed Tuesday in Los Angeles County Superior Court, Lee has been selective about licensing his name and likeness and will only authorize the use on a non-exclusive basis.

(4) AWARD NOMINEE. Congratulations to Cora Buhlert! Her story “’Baptism of Fire’ is a nominee for the 2018 eFestival of Words Best of the Independent eBook Award”.

The nominations for the 2018 eFestival of Words Best of the Independent eBook Awards, which are run by the small press Bards & Sages, were announced today.

I was going to put the link to the announcement into the weekly link round-ups at the Speculative Fiction Showcase and the Indie Crime Scene respectively, but first I took a gander at the list of nominees and all but fell from my chair, because there, a bit down the page, was my name. For it turns out that “Baptism of Fire”, my contribution to the science fiction anthology The Guardian, edited by Alasdair Shaw, has been nominated in the “Best short story” category. I had absolutely no idea about this, until I saw the nominee list.

(5) BLABBAGE. Derek Stauffer, in “Star Wars Comic May Hint At Leia’s Episode 9 Fate” in ScreenRant, says that Marvel’s Poe Dameron comic may have clues about what will happen to Leia Organa in Episode 9.

Given Leia’s weakened state in the comic, it seems even more obvious that she will end up passing the torch to Poe as leader of The Resistance at some point in the near future. The only real question is if that passing will come with Leia’s retirement, or her death.

(6) ARTISTS TO BE INDUCTED. The Society of Illustrators will honor the following artists at its Hall of Fame Awards Ceremony on June 21.

2018 Hall of Fame Laureates
Robert Crumb
Hilary Knight
Jim McMullan
CF Payne
Kate Greenaway
Rene Gruau
Jack Kirby
Heinrich Kley
Kay Nielsen

(7) NEW TO SHORT FICTION? Lady Business offers a “Short & Sweet Roundtable Discussion: Short Fiction Reading Habits” with A.C. Wise, Bogi Takács, Brandon O’Brien, Vanessa Fogg, and Bridget McKinney.

One thing I’ve learned from talking to people about short fiction is that there are many different styles of reading short fiction. There are people like me who read one story (generally online) and then stop and do something else. There are people who sit down with a print or ebook magazine and read the whole thing cover to cover. There are people who only listen to short fiction in podcast form. So I was thinking about the different ways people read short SFF, and I wanted to find out more about these differences. I also thought that since lots of people have different short fiction reading habits, people who want to try short fiction might find that different pieces of advice are helpful to different people. So I’ve invited several guests to the column to talk about their short fiction reading habits and to share advice for people new to short fiction.

This roundtable features prolific short fiction readers, so they have a lot of great ideas for where to find short fiction, but I know it can be a little intimidating when there’s so much to choose from and people who read so much! I hope this roundtable gives readers a taste of how many ways there are to read short fiction and how many entry points there are, and that there’s no wrong way to read, including how much you read or at what point in life you start reading short fiction.

(8) LEND ME YOUR EARS. From Tested in 2013, “ILM Modelmakers Share Star Wars Stories and Secrets”. News to me — the crowds of the pod races in Star Wars Episode I were half a million painted q-tips.

Don Bies: One of the cool things, whenever we’re working together, is people thinking outside the box, and trying to come up with practical solutions. And in the early days, certainly it was ‘let’s see if we can beat the CG guys at their own game.’ Michael Lynch, one of the modelmakers–he was always really good at looking at things this way–he was looking at the crowds. And when you see a crowd in a stadium you’re really just seeing shapes and colors, you’re not really seeing people or individual faces.

So he came up with the idea…of using q-tips, cotton swabs, colored, in the stands of the Mos Espa arena. So there were something like 450,000 q-tips painted multiple colors, and he even researched it to find out how many reds versus yellows and blues and greens that should be in there.

And it was a process of just days of painting. Think about 450,000 cotton swabs, how you paint them, and then how you put them in. Everyone took turns at one point sticking them into the stands. And by blowing a fan underneath they kind of twinkled, like people moving around. Ultimately they did put some CG people on top of it, but I always thoght it would be funny if they caught to a close-up of the stands and you saw a cotton swab sitting in the stands next to the aliens…

(9) ALFRED THE GREAT. Hollywood Reporter headline: “’Gotham’ Boss Sets New Batman Prequel Series at Epix (Exclusive)”. Premium cable network Epix will air Pennyworth. The series has some behind-the-camera personnel ties to Gotham, but is not a prequel of that Fox series. No cast has been announced.

Epix is getting into the DC Comics business.

The MGM-owned premium cable network has handed out a 10-episode, straight-to-series order for Pennyworth, a drama set in the Batman universe from Gotham showrunner Bruno Heller.

The series will revolve around Alfred Pennyworth, the best friend and butler to Bruce Wayne (aka Batman). The series is not a Gotham spinoff but rather an entirely new story exploring Alfred’s origins as a former British SAS soldier who forms a secret company and goes to work with Thomas Wayne — Bruce’s billionaire father — in 1960s London. Sean Pertwee, who plays Alfred Pennyworth on Fox’s recently renewed Gotham, is not involved. Casting has not yet begun and the series is set in a completely different universe despite hailing from Heller and producers Warner Horizon. (Others who have played the Alfred role include Jeremy Irons, Michael Gough, Michael Caine, Alan Napier and William Austin, among others.)

(10) TRIVIAL TRIVIA

Hershey Kisses were named after the “kissing” sound made by the nozzle that drops the chocolate onto a cooled conveyor belt during their production. Hershey started making its version in 1907 but “kiss” was commonly used as a generic term for candies wrapped with a twist as early as the 1820s. Hershey managed to trademark the term in 2000 after arguing that consumers almost exclusively associated the word “kiss” with their brand versus other candies.

Source: Time

(11) COMICS SECTION.

(12) SCALZI FREE READ. The Electronic Frontier Foundation enlisted John Scalzi to help make their point: “EFF Presents John Scalzi’s Science Fiction Story About Our Right to Repair Petition to the Copyright Office”.

A small bit of good news: Congress designed a largely ornamental escape valve into this system: every three years, the Librarian of Congress can grant exemptions to the law for certain activities. These exemptions make those uses temporarily legal, but (here’s the hilarious part), it’s still not legal to make a tool to enable that use. It’s as though Congress expected you to gnaw open your devices and manually change the software with the sensitive tips of your nimble fingers or something. That said, in many cases it’s easy to download the tools you need anyway. We’re suing the U.S. government to invalidate DMCA 1201, which would eliminate the whole farce. It’s 2018, and that means it’s exemptions time again! EFF and many of our allies have filed for a raft of exemptions to DMCA 1201 this year, and in this series, we’re teaming up with some amazing science fiction writers to explain what’s at stake in these requests.

This week, we’re discussing our right to repair exemption. Did you know the innards of your car are copyrighted?

… The use of DRM to threaten the independent repair sector is a bad deal all-around. Repair is an onshore industry that creates middle-class jobs in local communities, where service technicians help Americans get more value out of the devices they buy. It’s not just cars: everything from tractors to printers, from toys to thermostats have been designed with DRM that stands in the way of your ability to decide who fixes your stuff, or whether it can be fixed at all. That’s why we’ve asked the Copyright Office to create a broad exemption to permit repair technicians to bypass any DRM that gets in the way of their ability to fix your stuff for you.

Our friend John Scalzi was kind enough to write us a science fiction story that illustrates the stakes involved.

(13) HOUSE OF REPUTE. Real estate news site 6sqft profiles a celebrity abode which once housed sf author Robert Silverberg: “Former home of Mayor Fiorello LaGuardia lists for $3.5M in Fieldston section of Riverdale”. Numerous photos of the inside and outside.

A stately English Tudor mansion in the historic Fieldston neighborhood of Riverdale, considered one of the city’s best preserved early 20th century suburbs, has just hit the market for $3.5 million, and it’s oozing history filled ghosts, science fiction, New York master politicians, and urban planners. Former Mayor Fiorello LaGuardia moved to 5020 Goodridge Avenue after serving three consecutive terms as mayor and living in Gracie Mansion….

In 1961, Robert Silverberg, a well-known science fiction author – and not as well-known as the prolific writer of erotica novels for quick cash – bought the house. In his 1972 novel, The Book of Skulls, Silverberg mentioned the neighborhood, writing, “How unreal the whole immortality thing seemed to me now, with the jeweled cables of the George Washington Bridge gleaming far to the southwest, and the soaring bourgeois towers of Riverdale hemming us on to the right, and the garlicky realities of Manhattan straight ahead.”

(14) PROBLEM FIXER. Michael Z. Williamson’s advice is to ban the people who complain about a convention GoH.

…Your only rational, immediate response to avoid “controversy” is just to ban the person making the public scene. They’ve already told you by this action that they intend to cause trouble for at least one of your guests and that guest’s followers.

“I wouldn’t feel safe with this person at the con!”
“We’re sorry you feel that way.  Here’s a full refund.* We hope to see you at a future event.”

Then stop responding. You’ll only give attention to an attention whore.

Having seen this happen to guests at least three times, any future guest invitations I accept will involve a signed cancellation clause and a cash penalty for doing so, because once a guest has made arrangements for your event, they can’t schedule something else, and you’re eating up their writing/art/production time. They are there for YOUR benefit, not you for theirs. In my case, I currently have three novels, a collection, an anthology, all contracted, another novel offer, three on spec, an article request, three short stories and a lengthy stack of products to test and review, and an entire summer of professional bookings. I have a not-quite four year old and a teenager. Don’t waste my time then roll over for some worthless whiner….

(15) MAKING PLANS. John Ringo, in a public Facebook post, advises writers —

…With every other convention, assume you’re being set-up at this point and don’t be played for a sucker.

Oh, yeah, and as fans and lovers of liberty, never, ever attend Origins again if you ever have. Or ConCarolinas. (Sorry, Jada.) Or ArchCon. Or WorldCon.

We need a list. They never will be missed. No they never will be missed.

(16) ALTERNATE SPORTS HISTORY. Counterfactual: “Blimps Full Of Money And 30 Other Sports Fantasias In ‘Upon Further Review'”. What if football had stayed boring, or the US had boycotted the Berlin Olympics, or …?

Mike Pesca assembled the new book titled Upon Further Review: The Greatest What-Ifs In Sports History and a companion podcast. In an interview, he explained some of the book’s 31 different scenarios written by 31 sportswriters.

(17) SYMBOLISM. “Henrietta Lacks’ Lasting Impact Detailed In New Portrait” — shoutouts to unwitting donor of a cell line that has been used all over biomedicine.

When Henrietta Lacks was dying of cancer in 1951, her cells were harvested without her knowledge. They became crucial to scientific research and her story became a best-seller. Since then, Lacks has become one of the most powerful symbols for informed consent in the history of science.

On Monday, when the Smithsonian National Portrait Gallery in Washington, D.C., honored Lacks by installing a painting of her just inside one of its main entrances, three of Lacks’ grandchildren were there.

(18) BIRD IS THE WORD. “Dinosaur parenting: How the ‘chickens from hell’ nested”. “How do you sit on your nest of eggs when you weigh over 1,500kg?”

Dinosaur parenting has been difficult to study, due to the relatively small number of fossils, but the incubating behaviour of oviraptorosaurs has now been outlined for the first time.

Scientists believe the largest of these dinosaurs arranged their eggs around a central gap in the nest.

This bore the parent’s weight, while allowing them to potentially provide body heat or protection to their developing young, without crushing the delicate eggs.

The feathered ancient relatives of modern birds, oviraptorosaurs lived in the Late Cretaceous period, at least 67 million years ago.

(19) SF TV ARCHEOLOGY. Echo Ishii’s tour of old sf TV leads this time to “SF Obscure: Cosmic Slop.

Cosmic Slop was a 1994 TV anthology series on HBO featuring three short black science fiction movies. (I have also seen the broadcast date listed as 1995.) It features three short “Space Traders” based on the Derrick Bell short story; “The First Commandment” and “Tang”. It’s kind of a Twilight Zone vibe with George Clinton of Parliament Funkadelic during the intros. (It’s as bizarre in the way only George Clinton can be.)

(20) TREK MEDICINE TODAY. The Arthur C. Clarke Center for Human Imagination hosts “Star Trek, the Qualcomm Tricorder XPRIZE & the Future of Medicine” on June 2, with Qualcomm XPRIZE Tricorder Prize winner Basil Harris, Robert Picardo (actor, Emergency Medical Hologram, Star Trek: Voyager), and Dr. Rusty Kallenberg, Chairman of Family Medicine and Director of the UCSD XPRIZE Test Program.

June 2, 2018
5:00-7:00pm
Liebow Auditorium
UC San Diego

Artificial intelligence is already impacting healthcare is numerous ways. Are we far from the future portrayed in Star Trek: Voyager, of an AI holographic doctor with encyclopedic medical knowledge? What are the pathways that will yield the most profound results for AI in medicine? And what are the ethical and regulatory issues we need to consider as we develop these technologies?

Hosted by Erik Viirre, associate director of the Arthur C. Clarke Center for Human Imagination and Medical Director of the Qualcomm Tricorder XPRIZE, The Future of Medicine is an exploration of these questions and more, as they impact the UC San Diego innovation ecosystem and beyond. Our master of ceremonies is Robert Picardo, actor and star of Star Trek: Voyager, where he left a cultural impact as the face of AI medicine as the Emergency Medical Hologram, known as “The Doctor.” Basil Harris, founder of Basil Leaf Technologies and winner of the Qualcomm Tricorder XPRIZE to develop a real-world Tricorder-like medical device, will share his experience developing DextER, an autonomous medical diagnostic device, and the future of this pathway for innovation. And leaders from UC San Diego will join a panel on artificial agents in medical technology development.

[Thanks to Mike Kennedy, Standback, John King Tarpinian, JJ, Martin Morse Wooster, Cat Eldridge, Carl Slaughter, Andrew Porter, Lise Andreasen, Chip Hitchcock, and rcade for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 5/5/18 By The Time You See This Pixel, You Will Have Been Scrolling In The Present Tense For As Long As You Can Recall

(1) CAMERON Q&A VIDEO. Wired headline: “James Cameron Answers Sci-Fi Questions From Twitter”.

A 7:46 video of director James Cameron using “the power of Twitter to answer some common questions about the science fiction genre.”

(2) JUNOT DIAZ. The Guardian reports “Junot Díaz withdraws from Sydney Writers’ festival following sexual harassment allegations”.

The Pulitzer prize-winning author was accused of sexual misconduct by author Zinzi Clemmons after revealing last month he had been raped as a child.

…The acclaimed Dominican American novelist Junot Díaz has been feted for his powerful literary expression of the pain of sexual violence. In 2008 he was awarded the Pulitzer prize for his book The Brief Wondrous Life of Oscar Wao, the story of a young boy growing up amid abuse in New Jersey, and last month he was widely applauded for writing a confessional essay about being raped when he was eight years old.

But this weekend Díaz has cancelled his scheduled appearances at the Sydney Writers’ festival following a public accusation of sexually inappropriate behaviour….

(3) DINO TAKEOFF. Robot Dinosuar Fiction! has launched —

ROBOT DINOSAURS! Over the summer, we will be publishing a flash fiction about robot dinosaurs each Friday (May 4th through August 31st 2018)….

First up – “Five Functions of Your Bionosaur” by Rachel K. Jones.

Your parents first activate your bionosaur when they bring you home from the hospital. The bionosaur was a baby shower gift from your mom’s favorite aunt. They were nervous about its size, the stainless steel maw, the retractable razorclaws inside its stubby little arms, but the aunt had insisted. She’d programmed it herself, covered its titanium-alloy skeleton in top-grade synthskin featherscales, and pre-loaded it with educational apps.

When your bionosaur’s eyes first flare to life, it scans tiny, squalling you and reaches out a stubby claw to rock you. When it starts humming a jazzy rendition of the Batman theme, you quiet down and sleep….

(4) DELINQUENT DAYS OF YORE. While Jane Sullivan in the Sydney Morning-Herald was sifting trash from the past in “Turning Pages: The literary joys of juvenile delinquents”, out popped a familiar name.

I’ve been having huge fun reading about JD fiction and looking at the outrageously titillating covers in Girl Gangs, Biker Boys, and Real Cool Cats, an anthology edited by two Australians, Iain McIntyre and Andrew Nette. What was once reviled as rubbishy reading is now collected, curated and revered as retro chic.

…Many of these books would make even Quentin Tarantino cringe, I suspect: they sound truly awful. But here and there I came across someone churning out quick books for cash who went on to make a more respectable name for himself. One was the science-fiction writer Harlan Ellison, who went undercover and joined a street gang as research for more than 100 stories and his 1958 debut novel.

He describes how he was later working as a reviewer and picked up a book from a box a publisher sent him. “It’s got this horrible, garish juvenile delinquent coming at you with a switchblade knife and it says Rumble. I thought ‘What is this piece of shit?’ and then I looked at the author and it was me.”

(5) TODAY’S TOY AD. Syfy Wire wants to tell you about “Stuff We Love: ThinkGeek’s plush Facehugger and Chestburster won’t ever want to let you go”.

If you’re experiencing symptoms like tightness and pain in your chest and possible heartburn, that may be because you absolutely need the Chestburster plush to explode into your life. 48 inches of alien protoplasm is going to love you so much that it will literally not be able to contain itself once it’s fully developed from feeding off your innards.

I guess they’re pretty used to this sort of thing around the ThinkGeek’s headquarters

(6) CASE OF THE COUNTERFEIT SJW CREDENTIALS. Beware! “This AI Will Turn Your Dog Into a Cat”Motherboard tells how.

If there’s one thing the internet needs it’s more cat pictures, so researchers from Nvidia and Cornell University developed an algorithm that will turn pictures of dogs into pictures of cats.

This neural network—a type of computing architecture loosely modeled on the human brain—was developed by a few of the same researchers behind the algorithm that can turn winter into summer in any video and employs similar principles.

(7) VOLZ OBIT. German actor Wolfgang Völz died yesterday. He was in a lot of genre films and TV shows over the years. Cora Buhlert pays tribute to him in “Remembering Wolfgang Völz (1930 – 2018)”. This is just part of his resume —

Wolfgang Völz was a German TV legend. If you watched TV in Germany at some point in the past sixty years, you have seen Wolfgang Völz and you have definitely heard his voice, because Völz was also a prolific voice actor, lending his distinctive voice to Walter Matthau, Peter Ustinov, Peter Falk, Mel Brooks, Majestix, the Gallic chieftain from the Asterix and Obelix films, as well as dozens of puppet and cartoon characters. It’s certainly fitting that Wolfgang Völz’s last credited role was the voice of God in the 2012 movie Der Gründer (The Founder).

(8) TODAY’S BIRTHDAY

  • Born May 5 – Catherynne M. Valente

(9) COMICS SECTION.

  • JJ finds an explanation of “The Nine Rs” at Incidental Comics.
  • Chip Hitchcock laughed at the doctor’s diagnosis in Bizarro.

(10) GENDER GAP IN BOOK PRICING. The Guardian ran an article about a sociological study which showed this result: “Books by women priced 45% lower, study finds”,

A study of more than 2m books has revealed that titles by female authors are on average sold at just over half the price of those written by men.

The research, by sociologist Dana Beth Weinberg and mathematician Adam Kapelner of Queens College-CUNY, looked titles published in North America between 2002 and 2012. The authors analysed the gender of each author by matching names to lists of male and female names, and cross-referenced with information about price, genre and publication.

Books by women released by mainstream publishers, they found, were priced on average 45% lower than books by men….

Reddit followed up with a discussion about the gender pay disparity in publishing. Michael J. Sullivan popped in with some interesting facts; such as the smallest pay disparity is among self-published works.

(11) DON’T BE COCKY WITHOUT A LAWYER. Chuck Tingle sorted this crisis in no time and moved on to bigger challenges –

(12) MAY THE FOURTH LEFTOVERS. More from Dr. Janelle Shane: “Darth Net: Star Wars characters invented by neural network”.

…There were enough Darths in the list that at the very lowest-creativity settings, everyone was a Sith lord. Here are some of my favorites:

Darth Teen
Darth Tannin
Darth Ben
Darth Toes
Darth Teena
Darth Darth
Dorth Darth Darth
Mon Darth
Man Darth
Darth Sans
Darth Band
Darth Mall
Darth Tall
Grand Moff Darth Salt

I would like to see the costumes for some of these….

RedWombat got in on the act:

(13) REDWOMBAT SALES REPORT. And Ursula Vernon says her book sales are keeping the house warm —

(14) STAR WARS FANS GET THEIR BASEBALL FIX. From the MLBshop.com, available for every team.

(15) THE SCARIEST. Victoria Nelson’s picks for the “10 Scariest Horror Stories” were listed in Publishers Weekly. Number one is —

1. “The Trains” by Robert Aickman

Virtually unknown in the U.S. outside a small coterie of dedicated fans, the British writer Robert Aickman (he died in 1981) is a virtuoso of the sophisticated “strange story,” as he dubbed his tales. The scares in an Aickman story come not from gore or violence but from the way he perversely bends reality right before your startled eyes. Not just once but again and again—and still again, all in the same story. In this little masterpiece of Gothic indirection, two young women stranded on a walking trip in the north of England seek shelter in a remote Victorian mansion adjacent to a train track. There is a handsome host, a menacing servant, a mad aunt who died mysteriously, even a murder, but all this is beside the point. The real scares come from the trains that scream loudly past every few minutes on this “main, important line” in the middle of nowhere and their unseen engineers, who always wave at girls. Curiously, the trains pass by less often on the third floor than on the ground level. As a child, it should be noted, Aickman liked to invent imaginary kingdoms complete with meticulously constructed railroad schedules.

Number 10 is C. L. Moore’s “Shambleau.”

(16) SURVEY SAYS. Martin Armstrong at Statistia tells you all about “Yesterday’s World: the old tech that kids don’t know”.

For most people born before the 90’s, a “3 1/2 inch floppy” was once a crucial part of their technological lives; securing and transporting important files and data. Of course nowadays, the 1.44 MB storage space is far from adequate and no new computers come equipped with an appropriate drive for the disks. Little surprise then that the majority of children today have no idea what one is (despite the fact that ubiquitous software such as Word and Excel still use a floppy disk symbol for their ‘save’ buttons).

As a recent survey by YouGov has shown, 67 percent of the 6 to 18 year olds in the UK don’t know what a floppy disk is. Other essentially obsolete tech such as overhead projectors (once present in almost every classroom), and pagers were recognised even less….

(17) DID WE MENTION? Patton Oswalt’s Parks and Recreation appearance in 2015 is a Star Wars-fueled filibuster.

(18) VIDEO OF THE DAY. Martin Morse Wooster recommends “Seder-Masochism Trailer April 2018,” where animator Nina Paley previews her latest project, a look at the Book of Exodus.

[Thanks to JJ, Chip Hitchcock, Martin Morse Wooster, Mike Kennedy, Andrew Porter, Carl Slaughter, Dann, Cat Eldridge, Brian Z., and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Kyra.]

Pixel Scroll 4/3/18 You Got The Jong Number For That Pixel Scroll

(1) WHEN TROLLS ATTACK. The London Film and Comic Con told readers how they responded to a trolling attack.

Now to an important activity that really did affect us last week and it did catch us out for a few hours until we worked out what was going down.

Two days before the most recent big announcement, 15 new accounts were created on our forum and equally, multiple new Facebook members with brand new accounts started following our Facebook page. Then, on the announcement night, the users of these accounts started to aggressively and negatively comment and undermine the guest announcement. This was the ONLY thing they were set up to achieve.

This was not noticed by us at first and it took some time to look into these Facebook accounts. As we started to look a little closer, it was clear that we’d attracted a small vocal minority with a real and cynical agenda to purely undermine the guest announcement and belittle any fans or attendees showing any type of excitement.

I’ve since learnt this is known as ‘TrollJacking’, where internet trolls post or comment on a piece of content or an announcement to drum up negativity or just to damage the purpose of the thread. What a lovely thing to do.

This is something very new to us and it really did catch us out, in fact so much so we left the comments up online – as we believe in freedom of speech and opinion and there’s always the odd bit of negativity with every update or announcement.

To all the true fans out there, regardless of whether you are happy about the announcement or not – I am sorry that we did not pick up on it sooner and allowed this minority to cause friction at a time that should have been a time for great excitement and discussion for everyone….

This announcement on Facebook about the appearance of Christopher Eccleston seems to have been the target.

(2) CORALINE MEANING. The Guardian interviews Gaiman about the opera based on his book: “Neil Gaiman on Coraline the terrifying opera: ‘Being brave means being scared'”.

The button eyes are a macabre touch that places Gaiman’s story firmly in the Grimms’ Fairy Tales tradition. And there’s more than a touch of Hansel and Gretel in Coraline’s themes of parental abandonment, an initially appealing but evil mother figure, and a brave child who conquers her fears to win the day. “I’d wanted to write a story for my daughters,” says Gaiman in the introduction to the 10th-anniversary edition, “that told them something I wished I’d known when I was a boy: that being brave doesn’t mean you aren’t scared. Being brave means you are scared, really scared, badly scared, and you do the right thing anyway.”

(3) A NIGHT AT THE OPERA. And The Guardian comments on the performance: “Coraline review – creepy adaptation of Neil Gaiman’s tale will turn kids on to opera”.

The Royal Opera have certainly done it proud. The supernatural rubs shoulders with the mundane in Aletta Collins’s production, in which the two worlds are placed back to back as mirror images on a revolving stage. Magic consultants Richard Wiseman and David Britland have been drafted in to provide the special effects, which drew gasps from the audience on occasion on opening night, though Collins also has a knack of suggesting unease by the simplest of means. The scene in which Kitty Whately’s Other Mother produces syringes and surgical needles in an attempt to sew buttons over the eyes of Mary Bevan’s Coraline (“just a little incision under your eyelids”) had me squirming in my seat.

(4) DUFF. SF Site News covered the Down Under Fan Fund result:

Marlee Jane Ward won DUFF (the Down Under Fan Fund) in an unopposed race. She will travel to the US to attend Worldcon 76, to be held in San Jose from August 16-20….

(5) ALPHABET SOUP. James Davis Nicoll returns with: “Fighting Erasure: Women SF Writers of the 1970s, Part IV”. This time letter letters I and J, which include –

Diana Wynne Jones

Diana Wynne Jones was prolific and talented, which makes singling out a particular work as a starting point especially problematic. The fact she’s the subject of one of my review projects doesn’t help, as it only expands the number of worthy candidates. Although it is a bit of a cheat, what I would recommend is not a single novel but an omnibus: 2003’s The Dalemark Quartet. It is composed of four early secondary-world fantasy novels that recount the history of troubled Dalemark, from its age of legends to a quasi-medieval period thousands of years later.

(6) MLK. On the 50th anniversary of Martin Luther King’s death, here is N. K. Jemisin’s contribution to CNN’s post “Who is Martin Luther King Jr. to us, 50 years later?”

N.K. Jemisin: I pray it won’t take another 50 years

In 1963, as Martin Luther King Jr. sat in solitary confinement in Birmingham, he lamented the failures of white moderates, who at the time seemed to prefer “a negative peace which is the absence of tension to a positive peace which is the presence of justice.”

It must have seemed clear to King that even white people who claim to support equality are unreliable allies — willing to talk the talk and walk a few steps, but only if their own anxieties are put first.

Which is why the civil rights movement made what progress it did by effectively shaming white moderates into doing the right thing. This makes me wonder what America is to do in 2018, when our society daily endures a shameless embarrassment of a President, abetted by his shameless party and the shameless media — and when, too often, some white liberals and moderates openly wonder if there’s some way to ease tension between themselves and … fascists.

I have no solutions to offer, other than to survive and to try and help as many others survive as possible. It saddens me that we’ve progressed so little in the 50 years since King’s death. I pray it won’t take another 50 years for all of us to know the presence of justice at last.

N.K. Jemisin is an author of speculative fiction. In 2016, she became the first black to win the Hugo Award for best novel for “The Fifth Season.” In 2017, she won Hugo for best novel again, for “The Obelisk Gate.”

(7) EXPANSE. The next Expanse novel will be out in December – Tiamat’s Wrath.

(8) THEY’LL BE BACK. The Hollywood Reporter brings word: “‘Riverdale,’ ‘Flash,’ ‘Supernatural’ Among 10 CW Renewals”.

The CW, fresh off news that it is expanding to a sixth night of originals for the 2018-19 broadcast season, has renewed nearly its entire lineup.

Returning for additional seasons are: Arrow, Black Lightning, Crazy Ex-Girlfriend, Legends of Tomorrow, Dynasty, The Flash, Jane the Virgin, Riverdale, Supergirl and Supernatural.

Still to be determined are the fates of midseason fare The 100, iZombie and Life Sentence and fall debut Valor. Official decisions on those four — as well as The CW’s new series orders — will be determined in May.

(9) FIGURING IT OUT. NPR’s Glen Weldon finds both style and substance in “‘Legion,’ Season 2: Welcome Back To The Weirdest Corner Of The Marvel Universe”.

Legion is the story of David Haller (a perpetually rumpled and vaguely confused Dan Stevens), the world’s most powerful mutant, who’s now free of the evil psychic parasite known only as the Shadow King, who last season assumed the form of his friend Lenny, played by Aubrey Plaza. David’s grown up believing himself to be schizophrenic, but came to realize his true nature when he was taken in by an organization seeking to train him — and to fight the Shadow King, who is in fact an ancient being known as Amahl Farouk (played, this season, by Navid Negahban).

(10) BEWARE SPOILERS. Martin Morse Wooster tells me, “Since you are having more troubles with computers I offer a show recap” —

Last night’s episode of DC’s Legends of Tomorrow began with a scene captioned ‘OCCIDENTAL COLLEGE–1979,”  The camera zooms in on the back of an African-American student’s head.  The student, suing an Olympia manual typewriter, dutifully types, “Obama.Political Science 100.”  We know that this scence is about Barack Obama when he was a freshman in college.  Obama looks out the window and sees a campus in springtime.

As the future president is typing, the window is smashed and a giant paw GRABS the president and holds him high in the air!  It is Grodd the gorilla, and he’s on a mission.

‘IT’S TIME TO MAKE AMERICA GRODD AGAIN!,” the beast thunders,

Fortuntately the Legends of Tomorrow show up and Grodd drops Obama, who runs off.  The Legends then blast the beast with flamethrowers, then shrink him and throw him in a Mason jar.  The future president then decides to party with the Legends on their time ship.  He holds out a hand to one of the women, saying, “Hi, my name is Barry.”  “You should call yourself ‘Barack,’ ” she responds.  Another woman swoons, “I miss you, Barry!”

I wish I could tell you how Obama gets back to California and somehow doesn’t remember how he was nearly killed by a giant talking ape and then partied with some time lords.  But this is the first of a two-part episode, so we will learn these answers next week

(11) SKYE STOMPERS. Why are the : “Dinosaur tracks on Skye ‘globally important'”? They date to the Middle Jurassic, for which there’s relatively little data.

Most of the prints were made by long-necked sauropods – which stood up to 2m (6.5ft) tall – and by theropods, which were the older cousins of Tyrannosaurus Rex.

Researchers measured, photographed and analysed about 50 footprints in a tidal area at Brothers’ Point – Rubha nam Brathairean – a headland on Skye’s Trotternish peninsula.

The footprints were difficult to study owing to tidal conditions, the impact of weathering and changes to the landscape but the scientists identified two trackways in addition to many isolated footprints.

(12) SMUGGLE BY WIRE. TeleCrunch reports “Chinese police foil drone-flying phone smugglers at Hong Kong border”:

Dozens of high-tech phone smugglers have been apprehended by Chinese police, who twigged to the scheme to send refurbished iPhones into the country from Hong Kong via drone — but not the way you might think.

China’s Legal Daily reported the news (and Reuters noted shortly after) following a police press conference; it’s apparently the first cross-border drone-based smuggling case, so likely of considerable interest.

Although the methods used by the smugglers aren’t described, a picture emerges from the details. Critically, in addition to the drones themselves, which look like DJI models with dark coverings, police collected some long wires — more than 600 feet long.

…So here’s what you do:

Send the drone over once with all cable attached. Confederates on the other side attach the cable to a fixed point, say 10 or 15 feet off the ground. Drone flies back unraveling the cable, and lands some distance onto the Hong Kong side. Smugglers attach a package of 10 phones to the cable with a carabiner, and the drone flies straight up. When the cable reaches a certain tension, the package slides down the cable, clearing the fence. The drone descends, and you repeat.

I’ve created a highly professional diagram to illustrate this technique (feel free to reuse):

(13) READ BUHLERT. Cora Buhlert has some new work available — “A Triple New Release and Some Thoughts on Cozy Space Opera”.

I have an announcement of my own to make. And it’s a big announcement, because I have not one but three new In Love and War stories to announce, two short stories and one short novel.

The first of the two short stories isn’t quite that new, because it has been available as part of the anthology The Guardian for a while now. However, if you want a standalone edition, here is your chance.

Like Dreaming of the Stars and Graveyard Shift, Baptism of Fire is a prequel to the In Love and War series proper, though it is listed as Part 2 at most vendors, because they don’t support prequels very well.

(14) BLOOM. The singer of “F*** Me Ray Bradbury” continues her TV career as someone who is late.

Rachel Bloom of Crazy Ex-Girlfriend fame will be heading over to another CW show when she guest stars on an upcoming episode of iZombie.

Bloom will be portraying a “pretentious theater actor” whose death is investigated by iZombie’s Liv (Rose McIver) and Clive (Malcolm Goodwin), TV Line reported.

(15) GOING GREEN. The 2019 Worldcon committee wishes to apprise you of the availability of the “Finest Public Toilet in Dublin”. Or “Where All the Big Lads Hang Out…” as the post’s author Pádraig Ó Méalóid says:

It’s the middle of August 2019, and you’re in Dublin for Worldcon – a Stranger, if not in a Strange Land, at least in a strange city. A strange city with many secrets, which sometimes only the locals truly know about. You’ve heard all about our native literary giants – George Bernard Shaw, James Joyce, and Flann O’Brien, to name but three – but even they were only human, prey to the wants and needs that mortal flesh is heir to. It’s only natural that you’ll want to know where they would have gone, and where you could go, too. So let me introduce you to one of the hidden architectural gems of my native city: the beautiful public toilets in the National Library of Ireland….

(16) GOING PINK. You could win this outfit and fight cancer —

Enter to win Deadpool’s Pink Suit and Send a Big F-You to Cancer at https://fox.co/DeadpoolPinkSuitYT Learn more about Fuck Cancer at https://LetsFCancer.com

 

[Thanks to Cat Eldridge, John King Tarpinian, Chip Hitchcock, Martin Morse Wooster, JJ, Brian Z., Andrew Porter, and Carl Slaughter for some of these stories, Title credit goes to File 770 contributing editor of the day Josh Jasper.]

Pixel Scroll 3/28/18 A Pixel Here, A Pixel There, And Pretty Soon You’re Talking About Real Scrolls

(1) ANOTHER FANS V. HOLLYWOOD DUSTUP. This is fascinating. Business Insider, in the process of crabbing that “The last 15 best-picture Oscar winners prove how out of touch Hollywood’s biggest night is with general audiences”, shows that the top box office picture in all but one of those years was a genre film, or else an animated movie.

We looked back at the lifetime domestic gross for the last 15 best picture Oscar winners and matched those with the lifetime gross for the movies that topped those years at the box office. And only once did they match up (2003’s “The Lord of the Rings: The Return of the King”).

In fact, most of the best picture Oscar winners didn’t crack $100 million at the box office and only two crossed the $200 million mark — and that’s counting inflation!

Nevertheless, in 2012 when genre films went head-to-head and Oscar winner Argo beat box office champ The Avengers, I was pretty happy about that result.

(2) ABOUT THE HUGO ANNOUNCEMENT. Annalee Flower Horne explores important nuances in the argument over when the Hugo finalist announcement should be scheduled. Jump on the thread here —

(3) NO THANKS. Wendy S. Delmater helps authors read the entrails when it comes to “What Rejection Letters Really Mean”.

Oh no. Your literary creation—poem, article, novel, or story—has been rejected. What do you do now?

One of the first questions you should ask is, was this a Form Rejection or a Personalized Rejection? When you use The Grinder (by Diabolical Plots) to keep track of your submissions, it even gives you those options on a drop down menu. And there a shades of rejection letters, something called “tiered rejections.” Every publication has different rejection letters, too. One thing you can do is to take a look at the rejection wiki to see if the market you submitted it to has sample rejection letters.

(4) EYE-OPENER. Laura Dale tells Polygon readers “Why I helped create a game about being trans,” in the article “When simply existing is dangerous, everything is a risk”. Thid video role-playing game is designed to help cis people understand what it feels like to have gender dysphoria, to be forced to live as a gender which does not match the one with which they identify.

As a trans woman, I hear stories of transgender individuals dying by murder or suicide depressingly often. At least 81 transgender people were murdered in 2015, while 41 percent try to kill themselves at some point in their lives.

I don’t always have the emotional energy to engage with the topic, but in the wake of Leelah Alcorn’s suicide, I decided to try and do something to help raise awareness of what it’s like to go through the rough early stages of gender transition.

I got together with coder Alex Roberts, artist Joanna Blackhart and writer 8BitGoggles to develop a game called Acceptance.

(5) THE RISK OF OOPS. Scientists are the only ones…. “Why Scientists Aren’t Fans Of Creating On-Demand Meteor Showers” …because, of course, nothing could possibly go wrong.

AILSA CHANG, HOST:

In this video, the firm Astro Live Experiences explains how it hopes this will work. A satellite in low orbit around the Earth releases a cluster of small spheres. Those spheres fall through the atmosphere. And as they do, they burn up. Here on Earth, that translates into an artificial shooting star show.

SHAPIRO: Sounds like it could be pretty. But if the idea of manmade spheres hurtling through the atmosphere also sounds alarming, you’re not alone. Some scientists have objections. For one thing, they say we need to be able to observe objects beyond our atmosphere.

(6) PROBLEMATIC SURVEY. Lauren Orsini, in the Forbes.com column “Why Did The Flying Colors Anime Census Lose Fans’ Trust”, says anime fans were disturbed by a quiz sent out by previously-unknown Flying Colors Foundation, because the foundation didn’t explain who they were and then asked if anime fans had mental health problems, including social anxiety, body image issues, bullying,  and depression.”

Why does the survey ask about mental health?

Near the end of the Anime Census, survey-takers are asked if they have ever experienced social anxiety, body image issues, drug addiction, or other “health complications.”

However, the survey website does not inform fans about how the information will be used, so it’s no wonder that some survey-takers assumed the worst.

“The intention of the mental health question is threefold,” [spokesperson Daniel] Suh told me, “To let the community know that they are not suffering alone, to prove that anime can quite literally change lives by helping fans endure and grow through difficult times, and to understand and measure the benefits of anime on mental health. We want to help prove that anime is a global medium that could be used for good. We are aware of HIPAA regulations and, although we are not a health service provider, we are complying with its strictest rules. Any responses we receive about mental health will not be shared with anyone outside of FCF.”

(7) TODAY IN HISTORY

  • March 28, 1963 – Alfred Hitchcock’s The Birds premiered in theaters.

(8) TRIVIAL TRIVIA. Trivial Trivia:  Ray Bradbury was approached to write the original screen treatment of The Birds but declined.

Later, when he’d watch the movie at home, he’d yell at the TV, “You should have used the ending from the book!”

(9) CANCELLED. Starbase Indy, a convention that has been held for 30 years, will not be back in 2018 the chair announced on Facebook.

Like any fan-run not-for-profit, Starbase Indy relies on the community around the event for all the labor required to run it and also for all of the money that goes into the event. Taking a clear-eyed look at our financial and volunteer situation, there is no responsible way to hold an event this year.

…To bring the event back in the future, we would need to build a Board of Directors capable of guiding the event, and a convention staff excited about running the event. Currently I’m the only Board member remaining. That’s not a sustainable base from which to build any organization, especially not a volunteer organization with no paid staff.

(10) 2001 TRIBUTE. Cora Buhlert recommends “50 Jahre Kubricks ‘2001’”, a video about an exhibition in Frankfurt/Main honoring the 50th anniversary of Stanley Kubrick’s 2001 – A Space Odyssey. Cora explains, “The video is from a German culture program and therefore only in German, but you can see plenty of the exhibits. Not sure how long it will stay online.”

(11) PILES OF PIXELS. Furthering a trend, “The National Museum of Scotland is putting its entire collection online”.

People across the world can now view all the National Museum of Scotland has to offer without even leaving their sofas.

Using Google Arts and Culture’s museum view experience, which is similar to how Google’s Street View works, tourists can view the 20,000 objects on display at the National Museum. The virtual display also includes 1,000 pictures of objects from the Edinburgh museum’s collection.

It’s the first museum in Scotland that can be toured online, but not the first in the world. The Taj Mahal in India and the Palace of Versailles in France have also opened up their exhibit in a similar way, giving visitors from around the world a novel opportunity to explore their interior. Google Arts and Culture hopes to continue working with institutions to make cultural and historical materials across the globe more easily accessible.

(12) DOCUMENTARY WILL TRACE BRADBURY’S IMPACT. For fans who like to be heard –

Are you a fan of Ray Bradbury’s works? Have you had contact with him at some time in your life? Maybe he signed a book you still own. Or, maybe you met him in Waukegan, his hometown. You might even have a letter from him. Or, maybe his writing influenced you in a special way.

If so, we want to hear from you! We invite you to be interviewed as part of a video documentary. You will have a chance to tell about your “I Met Ray” moment in your own words.

This video documentary project is sponsored by the Ray Bradbury Museum Committee, which is working to preserve these unique Bradbury moments and memories for posterity.

For more information, please contact us at one of the following:

info@raybradburymuseum.org

RBEM office
13 N. Genesee Street
Waukegan, IL 60085

847-372-6183

(13) JEOPARDY! More sff on Jeopardy! The category was “Entertaining Inspirations.”

Steven H Silver says, “They got it right for $400.  The previous clue was about the film Alien.”

(14) THE ANSWER IS YES. Someone asked Anna Nimmhaus if things could be verse:

If you want to be happy and go without strife,
Never make the pixel-scrolling your life.
So from my personal point of view
Get a paper book to a-muse you.

(apologies to J. Soul, J. Royster, C. & F. Guida, 1963)

(15) BALLGAME OF THRONES. Sports Illustrated promises “This ‘Game of Thrones’ MLB Promo Will Get You Ready for Baseball Season”.

If you’re looking forward to the return of baseball and the return of Game of Thrones, I have good news and bad news.

The bad news is that the hit HBO series won’t be back until 2019. The good news, though, is that baseball is back this week and there’s even a Game of Thrones tie-in.

There were 19 GoT promotional nights by MLB teams last season and HBO has renewed its agreement with the league to make it happen again this year. To mark the occasion, the network produced this really cool video based on the show’s title sequence.

 

[Thanks to JJ, Cat Eldridge, ULTRAGOTHA, Cora Buhlert, John King Tarpinian, Steven H Silver, Rich Lynch, Martin Morse Wooster, Carl Slaughter, Chip Hitchcock, Daniel Dern, John Hertz, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor Kip W, who reminded me of the days when I was a fan of Everett Dirksen.]

Pixel Scroll 3/1/18 I Fell Into A Pixeled Link Of Fire

(1) MANAGEMENT CHANGES AT TOR. Today Tor.com announced “Fritz Foy Named President and Publisher of Tor and Forge Books”.

Tom Doherty, who will become Chairman, wrote:

Fritz Foy, Senior Vice President of Strategic Technology at Macmillan and Publisher of Tor.com, will join Tom Doherty Associates as President and Publisher, with all the Tom Doherty Associates publishing units reporting to him.

Fritz has had an impressive career in publishing, first at Simon & Schuster, and for the last 21 years at Macmillan. He has had roles in sales, marketing, operations, technology, workflow, production, and analytics. He brings with him a passion for books and publishing. For the last decade he has been actively engaged with me at Tor Books.

Fritz will be reporting to me as I move into the role of Chairman and as he begins to lead Tom Doherty Associates into the future.

Fritz Foy announced additional promotions and changes, including:

Effective immediately, Devi Pillai, previously Associate Publisher, is now Vice President and Publisher of Tor Books, reporting to me. In her year and a half with Tor, Devi has brought a true sense of author and editor care to the organization, while also building efficiency through the adoption of publishing-industry best practices. She is uniquely qualified to help lead Tor into the future.

Patrick Nielsen Hayden, Associate Publisher, is now also Vice President and Editor-in-Chief of Tor Books, reporting to me. Patrick’s 29 years at Tor, coupled with his encyclopedic knowledge of the industry and his award-winning editing skills, make him perfect for this key role that will help us to continue to grow the business.

Kathleen Doherty, Publisher of Tor Teen/Starscape, has been promoted to Vice President. Kathleen has been instrumental in the establishment of our young adult and teen publishing programs, and has been responsible for our success across educational markets.

While continuing in her role as Creative Director of Tom Doherty Associates, Irene Gallo will take on the additional responsibility of Publisher of Tor.com. I’ve been working with Irene for over a decade on online community building, and more recently on launching the novella imprint, and I prize her innovative spirit.

[H/t Locus Online.]

(2) READERCON AND THE AGE DISCRIMINATION CHARGE. Kathryn Cramer listed her takeaways from social media response to her request that the Readercon Board investigate age discrimination against writers told they will not be invited to be on program this year.

First of all, the Readercon board not only did not answer the questions I asked but never acknowledged receipt of that email. The conclusions I draw from that are that they feel the questions I asked in my letter should not have been asked and that I am not entitled to an answer. This may in part be because I framed my quantitative questions with a suggested remedy involving the firing of the program chair. So maybe my framing got their back up. But since I am not the only one who has expressed concerns about age discrimination, I think the main problem is that they don’t want to talk about it. This, in itself, is not all that surprising.

Here is what does surprise me. After several days of relatively unpleasant conversation of the topic, I also arrive at the following conclusions…

5) There are worthwhile values such as increasing diversity and showcasing new talent that are sometimes in conflict with non-discrimination, and these are some of the values that are cited by people who think age discrimination should not be seen as a problem.

6) Inexperienced convention-runners have fewer strategies for resolving the conflicts between these conflicting values and some seem uninterested in learning them.

7) Because of the lack of consensus against retaliation, engaging with and further exploration of this problem should be done by writers collectively rather than individually. SFWA, of which I am not a member, is the obvious organization to draft best practices guidelines on how conventions might achieve diversity goals and liven up their programs without engaging in one or more kinds of discrimination. Another possible organization that might be a venue for such best practices guidelines would be the Worldcon Runners Guide Editorial Committee, which is tasked with curating information about con-running best practices. I have no involvement with that either.

8) Given the overlap between con-running and the small press, publishing, reviewing, etc. all of the above-listed issues may occur in those areas as well.

When I engaged with the question of whether there had been age discrimination, I made two basic assumptions: that we all agree that age discrimination as such is a bad thing, and secondly that we all agree that it is something that it is OK to ask questions about. Since both of those assumptions appear to be wrong, I exit the conversation, leaving the matter to others with more organization and institutional umph behind them. Good luck.

(3) SFWA SPACE OPERA PANEL. The SFWA YouTube channel did an episode on space opera featuring Ann Leckie, Bonnie Milani, Khaalidah Muhammed-Ali, Chandra
Trulove Fry, and Diane Morrison:

(4) MAKING A STINK STINKIER. Io9 is tracking the daily changes in Terry
Goodkind’s justification for disliking Bastien Lecouffe Deharme’s cover on his new book: “FantasyWriter Terry Goodkind Now Claims He Hated His Book Cover Because It’s ‘Sexist’”:

Earlier this week, Goodkind wrote a post on Facebook calling Shroud of Eternity “a great book with a very bad cover. Laughably bad,” inviting readers to share their thoughts in a poll. He later apologized to cover artist Bastien Lecouffe Deharme in a follow-up post, though Deharme said he was never contacted by Goodkind personally nor does he plan on working with the author again. Now, after posting a video of his dog licking the book cover, Goodkind has added a new layer to his previous criticism. The author told io9 he and his agent had objected to the cover upon release because the protagonist’s portrayal was too sexist and didn’t match the character in-book.

…I followed up with Deharme, who said this was the first time he’d heard any claims of sexism regarding the book cover, from Goodkind or anyone else. On the contrary, he said Tor Books specifically asked him to avoid typical sexist fantasy tropes when designing the cover. After reading the part of the book sent to him by the art director, as well as the character description provided, Deharme said he chose to focus on Nicci’s strength. He gave her practical armor and didn’t put the focus on the traditionally exploited parts of the female body.

(5) PLAYING WITH A MISSION. Filers attending Emerald City ComicCon this weekend can support a good cause by playing games with awesome authors: “Worldbuilders Party: Emerald City Comic Convention”. Cat Rambo will be one of them.

Where: Washington State Convention Center, Room 3AB
When: Friday, March 2nd, 7 – 11 p.m.
Tickets and Infohttps://worldbuildersparty.com/

Have you ever wondered what it would be like to play tabletop games with some of the folks who create the books, podcasts, games, and other geeky stuff you love? Wonder no more! Join Worldbuilders, Pat Rothfuss and friends for an evening of games, food, drinks, and mingling with some awesome authors, game designers, and creators. Sign up to play games with the celeb of your choosing in a relaxed environment, and participate in the silent auction and raffle for a chance to win some cool geeky prizes.

This is a charity event and all proceeds will go towards Worldbuilders.

(6) THE GREENING OF A WRITER. Cat Rambo has become a contributor to Green Man Review. Her first review is of “Tim Cooper’s The Reader: War For The Oaks.

The Reader: War For The Oaks is a hardbound book presenting a photography project by Tim Cooper.  It’s a slim little 8.5?x 11? volume, clocking in at 96 pages. The pleasant interior design presents the photos nicely, along with some pretty arboreal details. The cover, whose design is unobjectionable but unremarkable, features a photo that lets the reader know exactly what the book is about: photos of people reading War For the Oaks in various Minneapolis locations.

She follows with: “Recent Reading: Cat Valente Launches in a New Direction”.

It is difficult to describe how Catherynne M. Valente’s new book Space Opera (Saga Press, available April 3, 2018, 292 pages) manages to be so wonderfully resonant of Douglas Adams’ The Hitchhiker’s Guide to the Galaxy yet so insistently, inimitably her own. And yet, that’s the challenge.

Valente’s skill manifests in a book that bounces right along, full of glorious, funny, wonderful, sparkly explosions of humor and wit that still, just as Adams always did, manages to say Insightful and Interesting Things about Human Nature. And it’s funny. Did I mention that this is a funny book? It’s the story of failing rock singer Decibel Jones and his dysfunctional band, the Absolute Zeroes, who have been chosen to represent their world in an interstellar challenge that determines whether or not the Earth will be destroyed.

(7) A NEW SCREEN. Another first for Cat Rambo – she made her Twitch TV debut in February.

(8) ALT-RIGHT COMICS. At Medium, Jason Yungbluth takes aim at Theodore Beale’s recent attempt to create an alt-right brand of comic books: “The Menace of Doc Vox!” The article dates to last October, but hasn’t been mentioned in the Scroll before. The article explores the business model that Beale is using, all designed to monetize controversy.

Can Teddy make a profit off of this effort? Sure, but not much. There is obviously a fascist ecosystem out there capable of bringing a project like this to life, but it is very niche. The thrill of pissing in liberals’ Cheerios (which, as Markku put it to me, was this project’s first, last and only goal) won’t make ugly, politically driven comic books any less boring….

What, then, will Teddy get out of all the time he will ultimately have to pour into this low-reward venture? An excuse to troll the Eisner awards? The thrill of ruining the costume contest at Comic-Con?

(9) TODAY’S THING TO WORRY ABOUT. Never mind global warming or the imminent extinction of honeybees – Camestros Felapton has discovered s fresh crisis: “Felapton Towers Scoop – How Numbers are Disappearing”.

Look, there’s just some breaking stories that you can only read here thanks to the deep investigative journalism that my crack team of journalists do. In this case – plugging two digit numbers into Google n-gram.

I don’t know what I expected the graph to look like but apparently peak numbers-in-books was sometime in the late 1980s after which the bubble burst plunging books into a deepening two-digit-numbers-as-words recession.

Are digits really disappearing? Maybe they have migrated to television? Sesame Street seems to use plenty of them.

(10) JUST WHAT IS IT? Cora Buhlert is catching up with The Orville — “The Other Star Trek Show: Some Thoughts on The Orville”.

For starters, The Orville is not a Star Trek parody in the vein of Bully Herbig’s Traumschiff Surprise skits, Pigs in Space or even Galaxy Quest. And The Orville is indeed very different from Seth MacFarlane’s comedy work (which is a good thing, as far as I’m concerned, considering how dreadful my previous experience with Seth MacFarlane and his work was), though it does resort to typical US sitcom humor on occasion. Now some of the jokes – mostly those arising out of science fiction and Star Trek clichés, e.g. the jokes about the “anti-banana ray”, drinks on the bridge and cannabis from the replicator, Ed accidentally walking through the Blob like crewmember, the tentacled underwater creature which turns out to be a botanist or the bit with the Krill commander standing off center on the viewscreen (come on, it is weird that people always stand exactly in the middle of the viewscreen in SF films and TV shows, to the point that I even included a “Sorry, could you please adjust your screen” line in Graveyard Shift) – work. They work precisely because these jokes arise naturally out of the science fiction setting.

In the interests of good taste, please, no one tell Seth MacFarlane the German word for space travel is “raumfahrt.”

(11) MORE MEXICANX PICKS. The next group of Mexicanx Initiative recipients of Worldcon 76 memberships has been announced by John Picacio.

(12) WALKING THE PATTERN. Michael Michel talks about “Forming Practice from Passion” at the SFWA Blog.

Success is not a thing given, nor a thing taken or forced. It is something practiced. The pathways we travel most often are the ones with the deepest grooves. Ever heard the term, “Get in the groove?” It holds more truth and functionality than folk might realize. Success depends on the proverbial grooves we create–practices forming pathways.

Here’s a quick and easy process to get in the Write Groove:

  1. Orient: Despite my B.S., how would I love to show up to my writing, right here and now?
  2. Engage: Am I willing to show up to it in the way I’d love?
  • If yes, continue to step three…
  • If no, see step one again…
  1. Practice: Show this by completing a small, clear action step.
  2. Celebrate: You’ve practiced successful writing. Savor the truth, then repeat at later date.

(13) A DISNEY WINTER IS COMING. Peter Marks has written in the Washington Post about the development of the Broadway version of Frozen, which has ten new songs, a new ending, and has been in development for seventeen months:

Disney likes to hire directors who don’t just reorchestrate, but also can cogitate freshly about what on the surface might merely seem easily digested fairy tales rendered immaculately on celluloid. This has not always translated into success on Broadway: Think of opera director Francesca Zambello’s overproduced “The Little Mermaid” or design auteur Bob Crowley’s turgid “Tarzan.” When it does work, though, as in Julie Taymor’s visually ravishing “The Lion King,” the enchanting results fulfill the artistic mission the company has striven to uphold as it continues the tradition of big-time transferences from screen to stage it commenced with “Beauty and the Beast” in 1994.

For Grandage, the challenge has not only been to accept the magnitude of expectation fans of the movie would bring into the theater — “You realized you were taking on something that has seeped so deeply into the consciousness of people globally” — but also to bring to the fore an emotionality better suited to characters in three dimensions.

“It’s a show that’s very much about a family in trauma,” says Kristen Anderson-Lopez, who with her husband, Robert Lopez, wrote the score for the film and added more than a dozen other songs for the Broadway version, which of course retains the Oscar-winning “Let It Go.” That was sung on screen by Idina Menzel as the tormented Elsa, the young queen cursed with an ice-making power that bedevils her subjects and sends her into self-imposed exile.

(14) TWO MUSIC LOVERS. Steve Vertlieb invites you to watch a video of “a delightful conversation with composer and music preservationist Roger Hall in my living room, talking candidly about the cultural significance and artistic importance of Music For The Movies … our interaction with composers Elmer Bernstein, Lee Holdridge and Mark McKenzie … as well as the oldest, most successfully enduring website devoted entirely to the study and presentation of original motion picture music, Film Music Review.”

[Thanks to Mark Hepworth, JJ, Cat Eldridge, Cat Rambo, Carl Slaughter, Cora Buhlert, Olav Rokne, Martin Morse Wooster, John King Tarpinian, Chip Hitchcock, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Cat Rambo.]

Pixel Scroll 2/25/18 I, Pixel

By JJ:

(1) ALSO #METOO. In a follow-on to Myke Cole’s mea culpa as reported in the February 15 Pixel Scroll (item #3) about a thread on industry harassment at School Library Journal, author Janci Patterson, in a post entitled “Sexual Harassment, Apologies, and Forgiveness” explains how Cole’s willingness to own, and apologize for, his past behavior has made a huge difference in her life:

That is what it was like being a woman in publishing who had been harassed. I watched people discrediting the women who spoke up on the basis of their comments being anonymous. If it was true, why would they need anonymity?

I knew why. After Zoe Quinn, women in my position all know. We are all one internet post away from being Zoe Quinn.

And then Myke apologized. If you haven’t yet, take a minute and read what he wrote. What he says describes my experience exactly. It’s a damn good apology. He admits to what he did, in specific terms. He expresses that he was unaware that he did it, but he doesn’t treat that as an excuse. He addresses his victims directly and says he’s sorry. He expresses additional sorrow. He talks about both what he’s going to do to make reparations and also how he’s going to address his behavior going forward.

Reading that changed the whole world for me. I had been watching the cultural shifts in our post-#metoo, post-Weinstein-scandal world, but for me, this was the final piece. In that moment, I went from a scared woman with a difficult secret to a woman who could speak authentically. Who could tell the truth. No one could jump on me in any kind of credible way anymore. It was true. It happened. Myke admitted it was true. He saw the hypocrisy in his feminism. He owned it.

He set me free.

Another SFF author who was mentioned in the comments on the SLJ thread, Dan Wells, also posted his thoughts on harassment and being willing to step up and do better:

I have always believed that you should believe a woman who says she’s been harassed, so I believe these women, too.

And then I was accused of being a harasser.

And then the same woman recanted her accusation.

I do not know who this woman is, as she posted anonymously both times, but I want to take this opportunity to pubicly accept her apology, and to thank her for coming forward.

But here’s the thing: I believed her. Obviously I didn’t believe that I had assaulted someone and then forgotten about it, or anything ridiculous like that. But I was – and am – willing to believe that without intending to and without noticing I had done something to make a woman feel uncomfortable or unwelcome or unsafe…

I could have raged against the injustice of this comment – and to be perfectly honest, a part of me did – but the more useful, more helpful response was to sit down and take a good hard look at myself and my actions. What have I been doing, and what can I do in the future, to make the conventions I attend and the spaces I inhabit safer for other people?

Recanted accusation or not, I found some stuff I need to work on. Not a long history of abusive behavior, but a tune-up on boundaries, and on thinking before I speak.

(2) THE LATTER IS NOT RECOMMENDED. SFF author Jeremiah Tolbert spent last Saturday at the Planet ComicCon Kansas City 2018, and he says, “ComicCons Are More Fun With Children. You Should Make Some, or Steal Somebody’s”.

So given that I’m not big on photos with famous people (but definitely not above walking past autograph alley to oogle them and say, without fail, “oh, they’re shorter than I expected”), and I am not really a collector of toys or comics, why would I ever attend these things? Two simple reasons: to meet up with professionals attending who are good friends and to watch my tiny human

lose.

his.

shit.

Little Dude Tolbert (hereafter referred to LDT) will be four in June, and he’s developing into quite the little protogeek.

 

(3) CONTRACTUALLY DEFICIENT. In a public post on Patreon, Jason Sanford reported:

Since the first of the year I’ve written a couple of times about Spectacle Magazine, a new quarterly speculative fiction publication (see here and here for previous articles). The magazine is published and edited by Kevin Hale and Danny Dumas and aims to be a high-end venue for thought-provoking fiction and non-fiction focused on SF/F themes.

Three days ago the Spectacle’s editors sent out a number of story acceptances. Normally you’d expect authors to be excited about acceptances, but news quickly spread that many of them were not happy with the contract terms being offered. I personally had multiple authors contact me about issues around the contracts they were offered…

There are several issues there, including with derivative rights. At worst this derivative rights grab could allow Spectacle to create films or video games or nearly anything else using the stories they purchased and the authors wouldn’t be able to object.

There are also other issues with the contract, such as not laying out when the work would be published or that the rights will revert to the author in the case the story is never published.

Shortly afterward, Spectacle Magazine published the following tweet:

Another author on Twitter noted, with astonishment:

(4) DEADLINE EXTENDED. Worldcon 76 has announced that the deadline for submissions to their Academic Track have been extended to March 1, 2018:

Participants in the Academic Track will have a chance at winning a “Best Academic Track Paper” cash prize from The Heinlein Society.  This $250 prize will be awarded based on the presentations as given at Worldcon 76.  Given this new opportunity, we will extend the submission deadline to March 1st.

Details on submitting can be found at the Worldcon 76 website.

(5) THIS IS THE FUTURE THAT FILERS WANT. Via Foz Meadows:

http://peppylilspitfuck.tumblr.com/post/171099260572/fozmeadows-majorgenerally-writing-prompt-s

(6) TAKING CREDIT. Kristine Kathryn Rusch, in her latest column “Business Musings: Editorial Encroachment”, comments on the recent trend she’s been seeing of editors requiring equal authorial credit on books:

Last week, as I was searching for a friend’s book on Amazon, I made a loathsome discovery. My friend’s book, which is up for preorder, lists her name and the name of someone else on the byline.

I had never heard of that someone else. So I clicked on the preorder, and what did I see? A cover, with just my friend’s name on it.

So I glanced up at the title. Beneath it was this byline:

My Friend (Author), Annoying Person (Editor)

I went through the roof. My friend wrote that book. She hired Annoying Person to edit the book.

I looked up Annoying Person and found her terms and conditions. She sounds like a fairly knowledgeable editor. She only handles copy editing and line editing (although it sounds like she would have a pretty heavy hand). She explicitly says she does not do developmental editing.

Which means she has done exactly nothing on this book. She didn’t come up with the concept. She didn’t brainstorm the characters. She didn’t improve the plot. She didn’t imagine the setting.

All she did was tweak the words.

So why the hell is she getting credit for this book?

Rusch explains in detail why she believes that going along with this is damaging to an author’s brand, and offers advice to authors who are faced with such contracts by their editors.

(7) CHESHIRE CATS. In a Twitter thread, lindsay beth explains how your SJW Credential always manages to magically appear, despite not having been in any of the places you’ve looked: (click the date/time stamp to read the whole thread)

(8) NEBULOSITY. Filer Cora Buhlert has posted “Some Thoughts on the 2017 Nebula Award Nominees”, and offers her thoughts on the shortlists of the various categories as well as some possible trends.

In general, what’s notable about the adult fiction categories is that Uncanny dominates the short fiction categories, followed by Tor.com and Clarkesworld. Tor.com absolutely dominates the novella category, while Orbit dominates best novel. The decline of the big three print magazines continues. F&SF and Asimov’s managed to garner one nomination each, while Analog didn’t get any at all. Only a single nominee in the fiction categories is self-published. Thematically, I don’t see a clear trend beyond a preferences for works with historical settings.

Buhlert’s piece contains more detailed analysis of individual entries, as well as of the levels of diversity reflected by the shortlist authors.

(9) DOCTOR WHEN. The Gallifrey Times says that during the February 21 BBC Worldwide Showcase Panel at Liverpool’s Echo Arena, it appeared to be confirmed that Doctor Who will be returning in October 2018.

In the background, we see a promotional photo of the Thirteenth Doctor with some text that reads:

Series 11 – 1×65 – 9×50 – delivers October 2018

You can view the Liverpool Echo’s photo gallery of the event here.

(10) ACHIEVEMENT GATEKEPT. Experienced gamer and blogger Mysty Vander describes how she conquered her social anxiety to attend a gaming convention in 2017, only to be confronted with outrageous sexism, in “Honey, Let the Real Gamers Play”:

We reached a point where my Gunslinger passed a search check nobody else did. I had found a letter. My character was quiet, stoic, and kept to herself – she likely would only divulge the necessary information. When the GM took the letter out, he handed it to the man playing Freya instead of myself. Okay…that’s fine, not a big deal, as long as I get to read it in the end (being partially deaf at a convention, I truly needed to read it with my own eyes to understand all of it).

That didn’t quite happen. Freya’s player read it, passed it along to the older man beside him, and then the note went no further. “Oh, so we need to find the South Gate?” Freya inquired.

The player beside him responded, “Seems like it,” and handed the note back to the GM.

“May I see the note?” I asked.

Without hesitation, the player playing Freya responded, “No need, we know what it meant, sweetie,” he said with a smile.

(11) JUMPING ON THE MAPWAGON. The February 19 Pixel Scroll (item #9), mentions an artist who has done Lord of the Rings-style maps of UK and US National Parks. Kim Huett points out that an Australian artist has done a map of Canberra in the style of Game of Thrones.

(12) BIRTHDAYS.

  • Born February 25, 1966Alexis Denisof (The Avengers, Guardians of the Galaxy)
  • Born February 25, 1966Téa Leoni (Deep Impact, Jurassic Park III)
  • Born February 25, 1971Sean Astin (The Lord of the Rings, Stranger Things)
  • Born February 25, 1986Jameela Jamil (The Good Place)

(13) BUG REPORTS. In xkcd’s 2018 CVE List, Randall Munroe details the most recently-discovered Common Vulnerabilities and Exposures of software, of which we must all be wary. Be sure to mouseover the image for a special Security Disclosure.

(14) DEBUNKING THE MYTHS. In “Hugo Myth Season Again”, Cheryl Morgan dispels the idea that nominators must have read exhaustively in order to be legitimate nominators:

Voting is open for this year’s Hugo Awards, and consequently I need to get back to dispelling the strange ideas about the Hugos that seem to proliferate at this time of the year.

This post has been inspired in particular by the latest episode of the Coode Street Podcast where Gary and Jonathan do their usual fine job, but don’t quite get everything right.

Something that they do get right is the “I haven’t read enough” myth. Every year people trot out the idea that if you haven’t read “everything” then you are not eligible to nominate. This is nonsense.

However, Morgan says that there is another persistent myth to which even the Coode Street Regulars have fallen, which must be corrected:

Finally we come to the bit where the podcast goes totally off the rails. Jonathan resurrects one of the best known zombies of Hugo lore, the idea that the Hugos were once for science fiction only and were later changed to include fantasy. This is not entirely Jonathan’s fault. He got the story from Justin Ackroyd. I have had this discussion with Justin before. He was wrong then and he is still wrong now.

 

(15) I GOT YOUR EXHIBIT RIGHT HERE. Filer von Dimpleheimer, after seeing the announcement in the February 18 Pixel Scroll (item #21) that the exhibit “A Conversation Larger Than the Universe: Science Fiction and the Literature of the Fantastic from the Collection of Henry Wessells” would be taking place at The Grolier Club, stopped by when he was in the neighborhood. You can see his photos of the exhibit here.

– photo by von Dimpleheimer

(16) INADVERTENT DOXXING. In an article entitled “Furry Website Leaks Real Identities”, Medium contributor Sky raises some issues for concern regarding the registration software system used by a number of fannish conventions.

A “feature” in the popular convention registration system ‘Convention Master’ lets anyone find out your fursona name just by typing your real name.

The software is used widely by many conventions, especially in the furry scene. Civet Solutions, the maker of the software, boast “over one hundred and fifty thousand registrations processed.” If you’ve ever attended a furry convention, there’s decent odds they have your data on file… and are now leaking it with no plans to ever stop.

During online pre-registration, you enter your first and last name to see if you have an account at that convention. Unfortunately, anyone can do this. If you’ve ever pre-registered for that convention, or registered on site in a previous year, you have an account. And everyone can see you’ve attended that con with just your first and last name.

Even worse, your fursona name is also displayed.

Yep, that’s right. Anyone can find your fursona name if they know your real name.

Known affected furry cons:

  • Alamo City Furry Invasion
  • Califur
  • Fur-Eh!
  • Furlandia
  • Pacific Anthropomorphics Weekend
  • Scotiacon
  • Vancoufur
  • Wild Prairie Fur Con

Known affected non-furry cons:

  • Arisia
  • RustyCon

The article’s author discusses potential personal and professional implications of the public accessibility of members’ information, as well as possible avenues for remediation. They have also added a follow-up:

UPDATE NOTE: This article was updated with a section of feedback from Civet Solutions at the end of the article. Although the real name look-up feature in question will unfortunately not be removed from the software in future, I encourage you to read the update over to better understand their point of view and their future development plans.

(17) OLD PEOPLE READ YOUR SFF. In the past, James Davis Nicoll took requests on a commission basis only. However, he has now opened a Suggestion Box. There’s no guarantee that the work you suggest will be reviewed; however, submissions are welcome.

(18) YOU SHOULD SEE THIS. At Skiffy and Fanty, Stephen Geigen-Miller offers his “Best Graphic Story Hugo Recommendations”:

One of my biggest personal goals with these reviews – I mention this in the introduction to every column, and unpacked it a bit in my Month of Joy post – is to bring more, and different, deserving SFFnal comics, webcomics and graphic novels to the attention of SF&F readers.

That’s especially important when when it gets to be Hugo nomination season; I want to see a diverse, inclusive, smart Best Graphic Story category that reflects the breadth of the material that’s out there, and I want other genre readers to have the chance to find and fall in love with those comics, like I have.

(19) WHY SETI IS CONTRAINDICATED.

(20) ANNIHILATED. At The Verge, Annihilation and Ex Machina director Alex Garland talks about using sci-fi to explore self-destruction:

I think the main thematic preoccupation probably belongs primarily to the film, which is really about self-destruction. It’s about the nature of self-destruction in a literal sense: cells have life cycles and stars have life cycles and plants and the universe and us. You, me, everyone. But also psychological forms of self-destruction.

It was born out of a funny kind of preoccupation I started to have, that everybody is self-destructive, which is a strange thing to notice. I think a lot of self-destruction is very obvious. [Gestures to cigarettes on the table.] That’s an obvious self-destruction, right? And if a friend of yours is a heroin addict or an alcoholic, that’s an obvious kind of self-destruction. But there are also… You’ve also got friends, or people you encounter, who are super comfortable in their own skin, and very self-possessed, and feel like they have understood some sort of secret to existence that you’re not party to. And then you start to see, no, that’s not quite right. It’s more complicated than that. And fissures and fault lines appear, and between the fissures and the fault lines, you see bits of behavior that doesn’t really make sense – like they’re dismantling things in their lives for no good reason.

In “People Have Accused Annihilation of Whitewashing. Here’s How Its Director and Stars RespondedTIME Magazine reports:

Anticipation for the movie has been high since the release of the first trailer last fall. But recently, some, including the advocacy group Media Action Network for Asian Americans, have accused the film of whitewashing the roles played by Portman’s and Leigh’s characters, saying the characters on which they are based are of Asian descent and Native American descent, respectively, in the trilogy. In a statement, Alieesa Badreshia, an MANAA board member, said that writer-director Alex Garland “exploits the story but fails to take advantage of the true identities of each character.”

Others have pointed out that revelations of the two characters’ ethnic backgrounds are not made until subsequent books in the series.

In response to the criticism, Garland provided the following statement to TIME:

This is an awkward problem for me, because I think whitewashing is a serious and real issue, and I fully support the groups drawing attention to it.

But the characters in the novel I read and adapted were not given names or ethnicities. I cast the film reacting only to the actors I met in the casting process, or actors I had worked with before. There was no studio pressure to cast white. The casting choices were entirely mine.

As a middle-aged white man, I can believe I might at times be guilty of unconscious racism, in the way that potentially we all are. But there was nothing cynical or conspiratorial about the way I cast this movie.

While Portman, Leigh and Novotny are white, co-stars Thompson and Rodriguez are women of color. Oscar Isaac, who plays Portman’s character’s husband in the film, is of Guatemalan and Cuban descent.

 

[Thanks to Cora Buhlert, James Davis Nicoll, Jason Sanford, Kim Huett, RedWombat, ULTRAGOTHA, and von Dimpleheimer for some of these stories. Title credit goes to File 770 Contributing Editor of the Day JJ.]

Pixel Scroll 2/17/18 Scrolls of Mystery and Imagination

By JJ:

(1) THE RIGHT STUFF, WITH A NEW WRINKLE.

Most of you may remember that at just 9 years old I raised funds via GoFundMe to attend my first Space Camp in Huntsville, Alabama and that one day I will be an astronaut, scientist and an engineer. Since then outlets like GoFundMe not only help my STEM dreams come true but others as well. Just this year through GoFundMe I raised over $20,000 to send over a 1000 girls to see the movie Hidden Figures because it was important to me that girls know that with drive, determination, and hard work you be anything, a scientist, a mathematician, an engineer, an astronaut or maybe the President of the United States even when the odds are against you!

I am 14 now and using my voice to not only bring girls of color to STEM/STEAM but all kids all over the U.S. and abroad.

I’m so excited about the upcoming movie A Wrinkle in Time, which is scheduled to come out spring 2018.

My goal is to send a 1000 girls to see this movie.

Why? I have a lot of reasons but the main ones are:

  1. It shows young, black girls deserving a chance to be a part of the scifi cultural canon.
  2. It has a female protagonist in a science fiction film. A brown girl front and center who looks like me in the role of Meg, a girl traveling to different planets and encountering beings and situations that I’d never seen a girl of color in.
  3. Most impressive and importantly, it’s a fantasy film that is not about some white boys fighting evil, but about a black girl overcoming it.

Thanks to donors, including a $10,000 gift from JJ Abrams and his wife Katie McGrath, the goal has been exceeded. Richardson says that any funds raised above what is needed for the movie event will go to projects, events, and scholarships to bring diversity and gender equality to the STEM field.

(2) ELIMINATING CONFUSION. The opening weekend of Marvel’s Black Panther film has unsurprisingly been marked by attacks and trolling. No sooner had the screenings started, says Lauren Rearick at Teen Vogue, than posts began appearing on social media claiming that white people who attended showings of the movie were being attacked by black people.

The social media posts in question have used images from previous acts of violence that have absolutely nothing to do with the film. Among the photos being used include a woman who was attacked at a bar in Sweden last month, and Colbie Holderness, ex-wife of former White House staff secretary Rob Porter who recently opened up about alleged domestic abuse.

People on social media are fighting back against the false claims by sharing links to Teen Vogue and other articles documenting the fake photos.

Trolls have also been targeting theatres showing the film, determined to set them straight about the fictional nature of the film:

Variety reported that Black Panther’s box office take after Thursday and Friday reached almost $76 million, marking the eighth-highest opening day ever, and third largest for Marvel, according to comScore.

(3) GIVE THE SHOGGOTH A TIME HUG. Dr. Janelle Shane, whose work with neural networks turned loose on generating Harry Potter fiction, Dungeons & Dragons game scripts, and Christmas Carols has previously featured on File 770, last week set her twisted brainchild to composing Candy Heart messages, using messages taken from real candy as input. The neural network not only uses words it is fed, but it creates what it thinks are similar words to use in its results as well. Some of the stranger romantic messages it generated:

ALL HOVER

OOG LOVE
TIME HUG
SWOOL MAT
BEAR WIG
TWEET UP BAT
LOVE 2000 HOGSYEA
YOU ARE BOA
SWEAT PEAR

Dr. Shane adds:

There was yet another category of message, a category you might be able to predict given the prevalence of four-letter words in the original dataset. The neural network thought of some nice new four-letter words to use. Unfortunately, some of those words already had other meanings. Let’s just say that the overall effect was surprisingly suggestive. Fill out the form here and I’ll send them to you.

(4) ORIGIN STORY. Oor Wombat has revealed the possible inspiration for her Hugo Whalefall speech:

(5) DELIBERATELY SCUTTLED. Barnes and Noble appears to be scaling back operations, as a prelude to a complete shutdown. But the ship didn’t sink on its own, says blogger audreyii_fic in “The entirely unnecessary demise of Barnes & Noble”:

On Monday morning, every single Barnes & Noble location – that’s 781 stores – told their full-time employees to pack up and leave. The eliminated positions were as follows: the head cashiers (those are the people responsible for handling the money), the receiving managers (the people responsible for bringing in product and making sure it goes where it should), the digital leads (the people responsible for solving Nook problems), the newsstand leads (the people responsible for distributing the magazines), and the bargain leads (the people responsible for keeping up the massive discount sections)…

We’re not talking post-holiday culling of seasonal workers. This was the Red Wedding. Every person laid off was a full-time employee. These were people for whom Barnes & Noble was a career. Most of them had given 5, 10, 20 years to the company. In most cases it was their sole source of income.

There was no warning.

But it gets worse…

The Barnes & Noble executives do not intend to rebuild.

How do I know this? Because every decision from the upper levels is being made solely to increase cash on hand.

(6) HOPES DASHED. Benjamin C. Kinney, whose essays on neuroscience have been featured on File 770 in the past, relates a tale of woe in “The Story that Never Was”:

I hit a writer milestone yesterday, though a sad one it is. You see, about a month ago, I had another short story accepted at a professional SFF magazine! I was just waiting on the contract to make it official, and then tell you all about my delightful Fairy Gentrification story. The eldritch diner with the portal between worlds was torn down for condos years ago – but there’s one last fairy chevalier stranded in this world, seeking out the owners’ son.

But, alas, it is not to be. Because the magazine has died, with my story in its casket.

The publication in question, PerVisions, has been defending a trademark suit against their original name, Persistent Visions, by an animation production company of the same name, and according to Publisher Christophe Pettus in a story on Locus Online:

The core reason for us having to stop accepting work is that our budget for acquisitions was largely consumed by a long and unpleasant dispute over the name of the publication. Although the other party was not in the publishing industry and we had no intention of causing any confusion with their services, ultimately, it became clear that no compromise except changing the name of the journal was possible.

Sadly, working through that legal issue was very expensive, and consumed our available capital. I would not ask to publish material that I could not pay a decent rate for, and keeping authors in suspense while the future of the journal is decided is not fair to them.

The website will remain live, so that stories they previously published will be preserved.

(7) BELIEVE IT OR NOT. Deadline reports that the 80s TV series The Greatest American Hero is getting a reboot:

With New Girl coming to an end, series’ co-star Hannah Simone has been tapped for the title role in ABC’s single-camera comedy pilot The Greatest American Hero, from the Fresh Off the Boat duo of Rachna Fruchbom and Nahnatchka Khan. In the reimagining with a gender switch of Steven J. Cannell’s 1981 cult classic, the unlikely (super)hero at the center, played by William Katt in the original, is being reconceived as an Indian-American woman.

 

(8) STANDLEE STILL, STAY SILENT. Kevin Standlee has announced that he will not be adding any Hugo recommendations to the Bay Area Science Fiction Association’s list this year:

I’m not making any Hugo Award recommendations this year. As one of the members of this year’s Hugo Awards Administration Subcommittee, I don’t want my own personal preferences being seen as trying to influence anything. But BASFA continues with its practice of meeting to discuss works/people they think are Award-worthy… if you go to BASFA’s web site, you should see a link to this year’s recommendations. Or you can just download the 2018 BASFA Hugo recommendations PDF directly.

(9) NO ROOM AT THE INN. GenCon attendees with accessibility needs report that this year’s hotel room reservation system is unable to allocate ADA accessible rooms online, and that fans have to wait up to 2 weeks to hear if they have an ADA room. Meanwhile, the hotel room blocks continue to be sold online to other members, and hotels which run out of regular rooms are apparently assigning their ADA rooms to online registrants instead of holding them back for accessibility applicants.

Maria Turner: IMPORTANT PSA:

Housing will no longer be allowed to be traded to avoid cancellation fees.

AND people requesting ADA rooms may not get confirmation they actually got an ADA room for TWO WEEKS!!! This is totally unacceptable. Totally. I am awaiting a response from Gen Con on this matter.

Todd Bunt: I am sad today. My friend a disabled veteran cannot get a room this year since there were no ADA room reserved. He has a hard time walking but the only room he can get is 10 miles away. Last years he got an ADA room in one of the hotels attached to the convention center. (t made it easy for him to go to the room to rest during the day. He was looking forward to going to GenCon this year but that was taken from him. Maybe next year they can hold some ADA rooms for those that need the help.

Daniel Lagos: Has anyone who needed an ADA room at any hotel in the Gencon block, who called and got the answering machine for the call center, actually gotten a call back yet?

I had an 8:44pm time for getting a room, and I left my information in my message. So far, I haven’t gotten a call yet. (more comments follow)

Doug Triplett: Arrrgh. I tried to call the ada line and they shut it off. Said it wasn’t working this weekend. Anyone else had an issue with that today. And in the portal the closest hotel is at least 10 miles away. This sucks!

Miriam Breslauer: NOOOOOOOOO!!!!!!!!!!

Gencon set my housing request time to 10:28 pm. Because I need an ADA room I had to call them. There was no one there, because it was outside business hours! WTF! I am beyond pissed. Hopefully, they just call me back tomorrow and there are magically still some rooms left.

Not cool Gencon. Not cool at all.

Maria Turner: Does anyone know where one submits an ADA complaint re the hotel reservation process icw a major convention?…

What is wrong with the process is the way the search criteria is processed.

1) ADA requirement is not a component of the housing acquisition query screen

2) Hotels with all available rooms are returned as available

3) it is not until a person goes to a hotel returned from the initial query that one requests an ADA room with no idea if there is even one available at that hotel or not

4) No one will confirm for me if hotels are selling ADA rooms to non-ADA attendees as current law provides if there is demand that exceeds their supply of non-ADA rooms

5) ADA attendees wait up to two weeks to receive confirmation that their reservation for the room and/or hotel they requested is accepted

6) non-ADA attendees receive confirmation immediately their reservation was accepted.

7) ADA attendees may be moved to other hotels

I’ve been back and forth with Mike Boozer regarding the process, and he’s unresponsive citing supply and demand when that’s not the issue.

All the people I know who have obtained ADA rooms have had to do so out of block. I’m not paying $770/night at the JW, so we’ll likely be commuting if we don’t get a room via Authors/Artists housing block this weekend.

ADA Room checkbox needs to sit on that initial screen, the available hotels list returned should be only hotels with ADA room availability.

Thus far, there do not appear to be any posts on Gencon’s Facebook page which address the situation.

(10) ECLECTIC LADY. Janelle Monáe, who starred in the Hugo-nominated Hidden Figures as well as releasing Afrofuturist music albums The ArchAndroid, Metropolis: Suite I (The Chase), and The Electric Lady (which was nominated for a Tiptree Award in 2014) has announced a new SFFnal album Dirty Computer:

Janelle Monáe has confirmed early details of her follow up to 2013 album The Electric Lady. Titled Dirty Computer, the album currently has no release date but a trailer starring Monáe alongside actress Tessa Thompson (Thor: Ragnarok and the upcoming Annihilation) can be seen below.

(11) BIRTHDAYS.

  • Born February 17, 1912 – Andre Norton, Author (Beastmaster, Witch World)
  • Born February 17, 1925 – Hal Holbrook, Actor (Capricorn One, Creepshow)
  • Born February 17, 1954 – Rene Russo, Actor (The Adventures of Rocky & Bullwinkle, Thor)
  • Born February 17, 1981 – Joseph Gordon-Levitt, Actor (Inception, Looper)
  • Born February 17, 1991 – Bonnie Wright, Actor (Harry Potter)

(12) WALKAWAY GONE WALKABOUT. Cory Doctorow, author of 2017’s Walkaway, will be doing a Down Under book tour for the novel starting next week, with stops in Perth, Melbourne, Sydney, and Adelaide in Australia, and Wellington in New Zealand. Perhaps he’ll wave to Camestros as he passes through Aberdeen.

(13) MOUNT TSUNDOKU, IN 12 PARTS. Grant Snider’s Incidental Comics features a story which may sound familiar to many Filers: My Bookshelf

(14) A NOVEL WAY TO DEAL WITH MARKETING SPAM.

(15) RE-VISITING A… ER, CLASSIC? According to SyFy, a feature film version of the TV series “V” is in the works:

Desilu Studios has announced it’s going to bring V The Movie, based on the classic 1983 miniseries, to theaters in a big-budget film version that will be written and directed by Kenneth Johnson, creator of the original show.

The two-part miniseries aired on NBC in 1983 and chronicled an invasion of Earth by vicious reptilian aliens who disguised themselves as friendly humanoids, triggering a human resistance movement. A metaphor for revolution against a fascist government, V was hugely popular with audiences, spawning a 1984 sequel, V: The Final Battle, a short-lived 1985 show called V: The Series, and a 2009 reboot that lasted for two seasons on ABC.

Casting, production details, and a release date for V The Movie are all yet to be determined.

(16) MORE YOUNG PEOPLE READ OLD SFF. This time out, James Davis Nicoll has them reading Tanith Lee’s horror story “The Gorgon”, and the reactions cross the whole spectrum, from “intriguing and mysterious” to “annoying and racist”, with some bonus commentary on imprudent alcohol consumption.

(17) THE NO AWARD AWARD. In the February 2, 2018, issue of the Times Literary Supplement, J.C. says:

In early December, we stumbled on a blog at the Paris Review Daily site, written by Ursula K. Le Guin, on the subject of one of our most coveted awards, the Jean-Paul Sartre Prize for Prize Refusal. It is open to any writer who has refused a literary prize.

“I first learned about the Sartre Prize from NB”, Ms Le Guin wrote, “the last page of London’s Times Literary Supplement, signed by J.C. The fame of the award, named for the writer who refused the Nobel in 1964, is or anyhow should be growing fast.” Ms Le Guin flattered us further by quoting from a past NB: “So great is the status of the Jean-Paul Sartre Prize for Prize Refusal that writers all over Europe and America are turning down awards in the hope of being nominated for a Sartre”. As we noted at the time, and Ms Le Guin repeated it, “The Sartre Prize itself has never been refused”…

Ursula Le Guin died on January 22, aged eighty-eight. She left us with an idea, however: “I do hope you will recommend me to the Basement Labyrinth so that I can refuse to be even nominated, thus earning the Pre-Refusal of Awards Award, which has yet to be named”. It has a name now: The Ursula K. Le Guin Prize, for writers who refuse shortlisting, longlisting and any other form of nomination for literary prizes. The essay, “A Much Needed Literary Award”, is included in her final book, No Time To Spare: Thinking About What Matters, published in December last year.

(18) MARKET REPORT. David Steffen has compiled the “SFWA Market Report for February” for the SFWA Blog, listing those publications which are opening or closing for submissions.

(19) STROSS SHOUTS AT CLOUDS. Not every SF work needs to conform to strict worldbuilding standards, writes Cora Buhlert “In Defence of Wallpaper Science Fiction”:

A few days ago, Paul Weimer pointed me on Twitter to this post by Charles Stross in which Stross laments the current state of the science fiction genre, because a lot of SF writers these days focus more on plot, action, characters and their relationships than on worldbuilding, particularly on economics, which is the aspect of worldbuilding that is closest to Stross’ heart.

Whenever Stross posts a variation of this “other people are doing science fiction wrong” rant, it inevitably gets my hackles up…

That doesn’t mean that there isn’t a kernel of truth in Stross’ post. Because all too often, things show up in science fiction, just because “that’s the way things are”, whether in genre or life, regardless if this makes sense in this particular setting. The prevalence of Galactic Empires vaguely modeled on the Roman or British Empire in science fiction is a result of tropes being imported from other genre works unexamined, as is the fact that every future military ever is either modelled on the US Marine Corps of the 20th/21st centuries or the British Royal Navy of the 18th and 19th centuries and that every starship is modelled on a modern aircraft carrier…

So if all that Stross’ post did was implore science fiction writers to interrogate their worldbuilding choices and ask themselves “Why did I choose this?” and “Does this even make sense for the world that I built and if not, how can I make it fit?”, I would probably have heartily applauded. However, that’s not all he does.

(20) THE PUNCH LINE. So an SFF writer, a zombie, and a cat walk into a bar…

(21) THIS IS THE WAY THE WORLD ENDS.  A Kickstarter has gone live for Tiny Wastelands, a post-apocalyptic RPG, and it’s already blown way past its goal in the first few days, racking up $22,906 in pledges against its original goal of $6,000.

Tiny Wastelands is post-apocalyptic roleplaying in a minimalist package! Using the rules in this book, you’ll be able to play survivors of lost and destroyed civilizations, mutants rampaging the wastelands and so, so much more.

Stretch goals include additional micro-settings for the game written by various authors, including this one already achieved:

$14,000: Paul Weimer takes us to High Plains Drift!

“The High Plains of the Dakotas are wide, flat, and deadly. Between the mutant prairie dogs, what lurks in the minuteman silos, and the farmers turned bandits who have adapted farm tractors to war vehicles, survival on the plains is nasty, brutish and short.

What makes it unique? Farm Tractor war vehicles, mutant wildlife and endless horizons in a hardscrabble world.”

(22) WHICH CAME FIRST? Hampus Eckerman believes that Filers will enjoy this SFF film short from 2016:

[Thanks to Camestros Felapton, Cora Buhlert, Hampus Eckerman, lauowolf, PJ Evans, RedWombat, Standback for some of these stories. Title credit goes to File 770 Contributing Editor of the Day JJ.]

Pixel Scroll 1/27/18 Vaster Than Pixels And More Scroll

(1) GOOD NEWS FOR A CLARION WEST STUDENT. George R.R. Martin is funding another scholarship at a writing workshop, as he explains in “Worldbuilding in Seattle”.

Every great story requires interesting characters, an engrossing plot, evocative prose, an important theme… but epic fantasy also requires a memorable setting. A “secondary universe,” as J.R.R. Tolkien termed it, a world both like and unlike our own, with its own rich history and geography and customs, its own beauties and terrors….

These days, the world is more need of wonder than ever before. To that end, I am pleased to announce that I am sponsoring a new annual scholarship at the Clarion West Writers Workshop in Seattle. https://www.clarionwest.org/ An intensive six-week course for aspiring authors of science fiction and fantasy, Clarion West is one of the longest-running and most successful workshops in the world. Its instructors and graduates make up an honor roll of the best and the brightest in science fiction and fantasy. This summer the instructors will be Daniel Abraham, Ken MacLeod, Karen Lord, Yoon Ha Lee, Karen Joy Fowler, and Ellen Datlow. The deadline for applying is March 1.

Our new WORLDBUILDER SCHOLARSHIP will cover tuition, fees, and lodging for one student each year. The award will not be limited by age, race, sex, religion, skin color, place of origin, or field of study. The winner will be selected each year in a blind judging to an applicant who demonstrates both financial need and a talent for worldbuilding and the creation of secondary universes. For further details, query Clarion West at info@clarionwest.org

(2) DWINDLING. Larque Press has compiled the “2017 Total Paid Distribution” statistics from the publisher’s statement of ownership for Asimov’s, Analog, and F&SF, among others. Print circulation diminished slightly over the past year, except for F&SF. See the numbers at the link.

Dell and F&SF sell far more issues via subscriptions than newsstands. For the most part, combining the two gives you the total paid circulation. However, it’s important to note these numbers don’t include digital sales, which are likely on the rise. Below is the “total paid distribution” from Jan/Feb 2017 and 2018 of the print editions…

…Except for F&SF, the year-over-year numbers show declines of ~500–1000. Is this due to thicker, less frequent issues, general magazine publishing trends, distribution challenges, or something else?

(3) EVERMORE. If you want to see a fantastic sculpture being created for Evermore Park in Utah, click this Facebook link:

Here’s Cory Clawson sculpting while our shop dog, Woody, supervises. Have a little sneak peek at some of the talent behind Evermore’s Creative Studio.

(4) ADD TWO. John Picacio says Christopher Brown has contributed two Worldcon memberships for Mexicanx creators/fans.

UPDATE!!! VERY GOOD NEWS: Our sponsorship team is GROWING. John and I are now officially joined by ace photographer Ctein (hooray for you, man!!) who is sponsoring two more Worldcon memberships for Mexicanx. We are also now joined by Ty Franck — one-half of the James S.A. Corey writing juggernaut. He’s sponsoring one Worldcon membership for a deserving Mexicanx. Right on, Ty!! And this just in — Christopher Brown, author of TROPIC OF KANSAS, is sponsoring two more Mexicanx for attending Worldcon memberships. Too good. And this crazy train is going to keep rolling because I’m confirming more sponsorships right now, to be announced soon. This has become A THING. ‘Keep you posted.

(5) EUROCON UPDATE. The committee for Eurocon Nemo 2018, to be held in Amiens, France, has had to arrange another meeting place in the city after finding its planned facilities aren’t ready. The committee has updated its website to show the new location, and posted an explanation on Facebook. The con takes place July 19-22.

Hello everyone
It was a real commotion for the Nemo 2018 team for the past ten days. So, we had to play radio silence. We must apologise.
Indeed, last week, the news suddenly fell that, finally, because of various delays on the building site, we could not have the visa of the committee of security to organize as planned the convention on the site of the Citadel.
It was therefore urgent to find a plan B. It is now done, thanks to the University of Amiens, and in particular to its cultural service and library. Thanks to Anne-Sophie, Justin and Jennifer.
The Convention will take place as planned, with an unchanged program, but it will be at the Pôle Universitaire Cathedral, in the center of Amiens, at the foot of the cathedral, in the middle of a lively district, filled with restaurants, cafes , with exhibition halls, meeting rooms, amphitheatres, a cafeteria, theaters and cinemas all around!
And as a bonus, we will still have the right to visit the site Citadel, to admire the architectural creation of the cabinet Renzo Piano.
Finally, here is a setback that results in even more facilities and animations …

(6) FROM MOLTEN GLASS. “One Meredith goblet coming up,” says Hampus.

(7) PETER S. BEAGLE ON LE GUIN. SFWA’s newest Grandmaster says farewell to another: “In memoriam, Ursula K. LeGuin” at Support Peter S. Beagle.

…I didn’t know her well. She lived in Portland, and I’ve been all over northern California in the last half-century, with six years out for the Seattle area. We hadn’t yet met when I followed her by a week into the Clarion West workshop (1972, was it?), to be greeted by a note saying, “Welcome, Unicorn! Make the little kobolds work their tails off!) Mostly we ran into each other at various conventions, grabbing coffee where we could. I do like to recall a serious conversation, initiated by me in increasing alarm at having become known more and more, in the intervening years, as the Unicorn Guy. Meanwhile, Ursula’s recently-published Earthsea novels had, as far as I was concerned, put paid to dragons as literary figures: I felt – and still feel – that dragons should be off-limits to all other writers, no matter how gifted or inventive they might be. But I was younger then, and had the chutzpah to offer to trade my unicorns even-up for her dragons. “Unicorns are really easy to housebreak. They always ask to go outside.” I remember that I was even willing to throw in a utility infielder, if she insisted.

Ursula’s response: “Do you know how impossible it is to keep dragons off the curtains? And they’re absolute hell on carpets!” We never did make the deal, but not for my lack of trying. As I say, I was younger then….

(8) MORE ON LE GUIN.

A few years later, I entered an MFA program populated by folks whose idea of engaging with speculative fiction was trying to comprehend Harry Potter. I was also newly married, and my husband had six or seven of Le Guin’s books. Discouraged, again, about writing science fiction and fantasy, I started reading The Left Hand of Darkness, which shattered what I thought a science fiction novel could be, how gender could be portrayed, how an invented world could shape my worldview. More importantly, it changed how I encountered gender on a daily basis—one of the most empathy-producing moments in my life to date. As I closed the covers and promptly fell into a book hangover, I couldn’t understand why none of my professors had taught Le Guin or pushed one of her books into my hands. Yes, folks had suggested her, but one book deep into her work, and I’d found a complex thinker, writer, reader, teacher all rolled into one.

The Golden Age of Science Fiction is usually reckoned to have been the Campbell Era at ASTOUNDING, and its Big Three were Heinlein, Asimov, and Van Vogt. Yet as important as that era was, for me the true Golden Age will always be the late 60s and early 70s, when the Big Three were Roger Zelazny, Samuel R. Delany, and Ursula K. Le Guin. We shall never see their like again.

(9) PLAUDITS. Book View Café proudly reports Le Guin’s  No Time to Spare Is Finalist for Essay Prize”.

Ursula K. Le Guin’s 2017 collection of essays, No Time to Spare: Thinking About What Matters, is one of the five finalists for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay.

This prize, one of the PEN America Literary Awards, is “[f]or a book of essays published in 2017 that exemplifies the dignity and esteem that the essay form imparts to literature.”

Many of the essays in this collection began as blog posts, some of which were published here on the Book View Cafe blog.

Winners will be announced at a February 20 ceremony in New York.

(10) HONOR ROLL. Steven H Silver’s “2017 In Memoriam” list is posted at Amazing Stories.

(Editor’s Note: Every year, Steven H Silver compiles the obituaries of those we have lost.  This information is published in various locales and is incorporated into the honor roll displayed during the Hugo Awards presentations.

It’s an unenviable task, though a necessary one.  Our community and our genres are built upon a foundation of people and it is fitting that we remember them.)

(11) IHINGER OBIT. Minneapolis fan Rob Ihinger (1955-2018) died of leukemia on January 27 his wife, Peg Kerr, announced at CaringBridge (more medical details at the link).

We waited for his mother and other family members who flew in from around the country, and family and friends gathered in his ICU room, sharing laughter, telling stories, and giving Rob his last tastes of Coca Cola Classic and ice cream. Rob was able to recognize and greet with pleasure the visitors who came to say goodbye. Then around midnight, we withdrew the tubes and monitors and simply stopped the medication which was keeping his blood pressure stable. Shortly thereafter, Rob slipped into sleep.

My beloved husband Rob Ihinger passed away peacefully this morning at 9:15 a.m. in the presence of his family.

(12) WALKER OBIT. Cartoonist Mort Walker (1923-2018), creator of Beetle Bailey and other strips, died January 27.

The character that was to become Beetle Bailey made his debut as Spider in Walker’s cartoons published by the Saturday Evening Post in the late 1940s. Walker changed Spider’s name and launched “Beetle Bailey” as a college humor strip in 1950.

At first the strip failed to attract readers and King Features Syndicate considered dropping it after just six months, Walker said in a 2000 interview with The Associated Press. The syndicate suggested Beetle join the Army after the start of the Korean War, Walker said.

“I was kind of against it because after World War II, Bill Mauldin and Sad Sack were fading away,” he said. But his misgivings were overcome and Beetle “enlisted” in 1951.

Walker attributed the success of the strip to Beetle’s indolence and reluctance to follow authority.

(13) COMICS SECTION.

  • John King Tarpinian found the Star Wars translation for a contemporary faux pas in Off the Mark.
  • Will R. enjoyed the Laugh out Loud Cats sending up the title of a popular movie.

(14) A PORG TWEETS. David Gerrold knows how he feels….

(15) STOKERCON 2018 NEWS. At the StokerCon 2018 Website you can find the complete program for The Second Annual Ann Radcliffe Academic Conference

The Ann Radcliffe Academic Conference is part of the Horror Writers Association’s Outreach Program. Membership to the Horror Writers Association is not required to submit or present, however registration to StokerCon 2018 is required to present.

And the full program for Librarians’ Day

Join Stoker Con for a special day-long program of panels and presentations for librarians! Becky Spratford, author of The Readers’ Advisory Guide to Horror, 2nd edition (ALA, Editions) and horror reviewer for Booklist and IndiePicks Magazine and Kristi Chadwick, Consultant, Massachusetts Library System and Library Journal’s Science Fiction Fantasy and Horror columnist are coordinating the event.

(16) GRAMMAR POSSE. The latest Horror Writers Association newsletter includes Anthony Ambrogio’s feature, “The Grumpy Grammarian: Ms. Speaking Speaks about Misspeaking (and Gives Me a Chance to Wax Pedantic)”.

Poet and HWA Proofer Supreme Marge Simon offered a couple of additions to those frequently misspoken phrases I talked about in my January column. I hope I do justice to her comments here.

“Hope your cold is better now.”

Marge writes, “Everyone says it that way, but, in truth, if your cold is better, then it is doing well—flourishing—and you are not! … So, to be correct, one should say, ‘I hope your cold has gone away/is over/has let up, etc., and you are feeling better now.’” However, she concedes, “That one is beyond reasonable criticism.” Doesn’t hurt to point it out, though.

(17) MONTH OF JOY. Where have I been? I just found out about the Skiify and Fanty “Month of Joy.” The latest installment is “Cooking and a Recipe by Cora Buhlert”. Learn how to make “Grandma Buhlert’s Herring Salad.”

During the trashfire of a year that was 2017, I’ve found that no matter how upset I am, sitting down in the kitchen to prepare a meal inevitably makes me feel better. To me, there is something incredibly soothing about assembling ingredients and spices, chopping vegetables, meat or fish and finally stirring the pot or pan, waiting for it all to come together.

So what sort of food do I make? For starters – and I know that may surprise some – very little traditional German food. German cuisine is too greasy and too meat and salt heavy for my tastes. And here in North Germany, traditional food quite often means “throw everything into a big pot and boil it, until it turns to mush”. There are some German dishes I like and make on occasion – herring salad, North Sea shrimp salad, pea soup, venison stew with red cabbage, sailor’s curry (which is a North German take on South/South East Asian food), apple puree, several cakes and cookies. And I suspect I could make most of the traditional dishes of my region, if necessary.

(18) THE LID IS OFF. Civilization-wide mind control is here!  Bloomberg video: “Tristan Harris Says Tech Companies Have Opened Pandora’s Box”. Tristan Harris, former Google design ethicist, discusses changing Silicon Valley’s culture and the fight against online extremism with Bloomberg’s Emily Chang on “Bloomberg Technology.” Says Harris:

[These social media companies] have unleashed this civilization-scale mind-control machine, and they don’t even know what thoughts it’s pushing into 2 billion people’s minds…. Two billion people use Facebook; that’s more than the number of followers of Christianity. One-point-five billion people use YouTube; that’s more than the number of followers of Islam. These products have that much daily influence over people’s thoughts.

(19) DOWN THE TUBES. The Mother Nature Network asks “Is this housing solution just a pipe dream?”

As Hong Kong continues to grapple with an affordable housing crisis of epic proportions, no potential solution, no matter how unconventional or quixotic, is overlooked. And this includes single-occupancy dwellings fashioned out of concrete water pipes.

 

(20) SHARP GUESSES. Author of the bestselling Outlander time-travel novels Diana Gabaldon says: “Note that this is NOT a confirmation–but it’s a pretty good bit of speculation.” — “Outlander Seasons 5 and 6 Are Almost Definitely Happening”.

”There are ten books, and we are having very productive conversations about the future of the show.

“We have joined the legions of fans of Outlander around the world. Our biggest concern is making sure that we don’t kill Caitriona [Balfe] and Sam [Heughan] along the way,” [Starz CEO Chris] Albrecht [said], noting how incredibly hard both stars work on the show.'”

(21) POTTERDIVERSE. Emeraldbirdcollector authored a delightful short fanfic on what would have happened “If Harry had gotten a less conventional, but more loving adoptive family”

Dear Minerva,

Thank you so much for your kind letter of the 17th. It is always a pleasure to hear from you. I do appreciate your waiving the rules about familiars to allow Wednesday to bring little Homer – she dotes on that spider, and I don’t think she could consider Hogwarts home without his company.

We were delighted but completely unsurprised by the children’s Sorting. Of course Wednesday is a Ravenclaw – she has always had a brilliant mind, and it is rather traditional for the women in our family….

(22) TIME PASSAGES. In 1963, Galactic Journey has received the very latest issue of New Worlds: “[February. 03, 1963] The Freeze Continues (New Worlds, February 1963)”

I Like It Here, by Mr. James White

This month’s guest editorial is from a New Worlds regular, who I know you will recognise in the US for his Sector General stories. With characteristic humour he adeptly summarises the contradiction in the current argument in s-f, between writers who don’t care what they write (as long as it sells) and writers who do not produce the sort of s-f that readers want. In typically droll manner, the many trials and tribulations of the modern writer is recognised in this editorial, determined to amuse. For a slightly less amusing consequence of this we also have Mr. John Carnell’s ‘View from the Hill’ at the end of this issue, of which more later….

(23) ARISTOTLE. Always three movements ahead!

Novice jughead?

(24) A POSITED FUTURE. Via the Welcome to you’re “DOOM!”  site.

https://welcometoyouredoom.tumblr.com/post/160735741191

(25) STAND BY TO FIRE HEADCANON. Scott Lynch fills in some missing pieces of Star Wars. Jump on the thread here —

[Thanks to Dave Doering, JJ, John King Tarpinian, Carl Slaughter, Cat Eldridge, Laura Resnick, Martin Morse Wooster, Will R., Lenore Jones, James Davis Nicoll, and Andrew Porter for some of these stories, Title credit goes to File 770 contributing editor of the day Jon Meltzer.]

Pixel Scroll 1/8/18 Calculating Witticisms And Generating Sarcastic Comebacks At The Algorithm Round Table

(1) BRAM STOKER AWARDS. Horror Writers Association President Lisa Morton reminds members they have until January 15 to recommend works for the 2017 Bram Stoker Awards.

– ALL members may recommend works, including Supporting.
– ALL members may recommend works in ALL categories.
– If you’re trying to get your work considered, please review the Bram Stoker Awards etiquette page
– We’ve already seen a few examples of authors whose works appear on the Recommendations page claiming to be “nominated.” Please do NOT refer to your work as “nominated” unless you are listed on the Final Ballot.

The Bram Stoker Awards® Etiquette Rules begin with these general principles, then go into detail.

If there is a single thought to keep in mind here, it is the difference between promoting and soliciting.

Promoting (acceptable) is the business of spreading the word about your work and making sure anyone who wants to can read it.

Soliciting (unacceptable) is the practice of wheeling and dealing, whining and wheedling, in order to get yourself an award that you may not deserve.

Works that are truly worthy of the award tend to rise to the top without help if enough people read them. If you have to go out and beg for recommendations or votes, that says something rather uncomplimentary about both you and the work. So you’re doing yourself a service if you refrain.

(2) THE BDO. James Davis Nicoll provides “A Brief History of the Big Dumb Object Story in Science Fiction” at Tor.com.

I was recently reminded of the golden age of Big Dumb Object stories (hat tip to reviewer Roz Kaveny for coining the phrase). As this is not yet commonly accepted genre shorthand, perhaps a definition is in order.

Contrary to the name, BDOs are not necessarily dumb. In fact, most of them have rather sophisticated infrastructure working away off-stage preventing the story from being a Giant Agglomeration of Useless Scrap story. What they definitely are is large. To be a BDO, the Object needs to be world-sized, at least the volume of a moon and preferably much larger. BDOs are also artificial. Some…well, one that I can think of but probably there are others…skirt the issue by being living artifacts but even there, they exist because some being took steps to bring them into existence.

(3) INTERNET ARCHIVE INFRINGEMENT CHARGED. SFWA’s “Infringement Alert” warns —

The Internet Archive (Archive.org)  is carrying out a very large and growing program of scanning entire books and posting them on the public Internet. It is calling this project “Open Library,” but it is SFWA’s understanding that this is not library lending, but direct infringement of authors’ copyrights. We  suspect that this is the world’s largest ongoing project of unremunerated digital distribution of entire in-copyright books. An extensive, random assortment of books is available for e-lending—that is the “borrowing” of a digital (scanned) copy.  For those books that can be “borrowed,” Open Library allows users to download digital copies in a variety of formats to read using standard e-reader software. As with other e-lending services, the books are DRM-protected, and should become unreadable after the “loan” period. However, an unreadable copy of the book is saved on users’ devices (iPads, e-readers, computers, etc.) and can be made readable by stripping DRM protection. SFWA is still investigating the extent to which these downloadable copies can be pirated. Unlike e-lending from a regular library, Open Library is not serving up licensed, paid-for copies, but their own scans.

The post includes guidance about how writers can deal with infringement issues.

(4) FAWLTY REASONING. Doctor Strangemind’s Kim Huett sent a link to “Jack Vance & Fawlty Towers” with the warning: “I have to admit the logical progression of this installment is a little unexpected. I’m sure you’ll manage though. I have every confidence in you all.” The metaphor addresses William Atheling Jr.’s misguided review of a Jack Vance book, both written in the 1950s.

It’s with Vance’s next point however that we encounter what surely his Basil Fawlty moment. I’m willing to bet the restrained sarcasm Vance employed in order to agree with Atheling that the short stories contained in The Dying Earth collection made for a terrible novel is as nothing to how he felt when he first read Atheling’s complaint. As somebody who has read The Dying Earth collection, albeit many years ago, the thought that anybody could miss the assorted changes in plot, location, and characters is an astounding one. As the author of these assorted stories and thus more intimately involved with then than any reader could be the Atheling complaint was surely a source of intense frustration for Jack Vance. How do you deal with being told you have failed when the basis of the claim is as demonstrably wrong as this? There are things that should not need explanation, that are a chore, an undeserved burden to set right. If it had been me in Vance’s place the sheer frustration of Atheling’s comments would have had me curling up Basil Fawlty style.

(5) YOU’RE GRACE PARK. Io9’s Jill Pantozzi digs into The Magicians new season and asks “Could You Have an Entire Conversation in Pop Culture References? The Magicians Challenges Us All”.

Eliot’s entire conversation with Queen Margo is perfection but hits a high note by kicking things off referencing another Syfy series: Battlestar Galactica. Take a look (unless you want to go into the episode fresh, of course). And don’t worry if you’re not entirely versed in pop culture; there are helpful subtitles to explain some of the references.

 

(6) CALIFORNIA BOOK FAIR. The 51st California International Antiquarian Book Fair will be held on February 9-11, 2018 at the Pasadena Convention Center.

Featuring the collections and rare treasures of over 200 booksellers from over 30 different countries the California International Antiquarian Book Fair is recognized as one of the world’s largest and most prestigious exhibitions of antiquarian books. The California International Antiquarian Book Fair gives visitors the opportunity to see, learn about, and purchase the finest in rare and valuable books, manuscripts, autographs, graphics, photographs, print ephemera, and much more.

(7) FOR THOSE SCORING AT HOME. Rocket Stack Rank’s Greg Hullender reports, “We’ve created the 2018 version of our page that helps people nominate for the Hugo Awards. In addition to our reviews, this incorporates feedback from six other prolific short-fiction reviewers to produce a sorted list of the best-reviewed short SFF of 2017.” — “2018 Hugo Awards”.

New this year: they have highlighted which stories were most recommended in different categories.

Hullender continues: “As in the past, the pages offer nomination help several different ways. The list of stories is helpful for readers looking for stories to read, but it’s also helpful to people who need help remembering the stories they’ve already read. The Campbell page identifies everyone eligible for the Campbell (based only on short stories we reviewed).”

(8) HUT CUISINE. New fiction from Mad Scientist Journal: “Excerpts from the Diary of Theodore Miro, Competitor on CryptoChefs Season 2”. The artwork makes it rather irresistible —

Here’s the opening paragraph:

May 6th

I understand that TV audiences want to see a little more showmanship than I’m used to providing on the line back at Lilette, but this is ridiculous. They trucked in a six-foot tall burlap sack with “HOUSE FEED” painted on the side, and we had to spend two hours getting shots of me and some crew pouring it out onto a giant plate. They kept having to refill the bag between takes, and I had nothing to do but sit around in the freezing-ass Russian afternoon. The only wifi reception out here is a 1980-looking suitcase laptop with one of those inch-thick rubber antennas. I think all it does is let Chaz keep in touch with the producers through some kinda HAM radio satellite or whatever. No apps or anything. I’d tried making small talk with him in between takes, but I think the only thing he’s ever actually read is liner notes from Smash Mouth albums. Album, singular? I don’t even know. He sure would though.

(9) TODAY’S BIRTHDAY BOYS

  • Born January 8, 1862 — Frank Nelson Doubleday (publisher)
  • Born January 8, 1908 — The first Doctor Who. actor William Hartnell
  • Born January 8, 1942 – Stephen Hawking

(10) SEVEN CENTURIES OF CAPTAIN AMERICA. A Marvel comics milestone is approaching —

This spring, OUT OF TIME will culminate with the release of CAPTAIN AMERICA’s milestone 700th issue, concluding the arc in an oversized story from creators Mark Waid and Chris Samnee!

Frozen in time, awakened in a decimated future and once again a man out of his era, there is only one way for Steve Rogers to restore order and rebuild civilization—and that’s to rule it as King Captain America!

“No dream, no hoax, no lie, this IS Cap and this IS happening!” said SVP and Executive Editor Tom Brevoort. “Guest-starring the Thing and the Hulk (or as much as is left of them), it’s a celebration of 700 issues of star-spangled adventure! Plus, Mark Waid delivers an untold tale from Captain America’s past, featuring the classic artwork of Jack Kirby!”

(11) MILES MORALES. In “Jason Reynolds Is Revolutionizing the Art of Writing Characters”, Washington City Paper’s Kayla Randall profiles Jason Randall, an experienced African-American YA author whom Marvel picked to write Miles Morales: Spider-Man, a YA novel which appeared late in 2017.

When Marvel Comics calls, people answer. That seems to be a general rule. But local author Jason Reynolds was hesitant when he got his call. Marvel had plans to publish a young adult novel about Spider-Man, specifically Miles Morales, an immensely popular iteration of the character and the first black boy to don the spider suit in the comics. Reynolds was the author the bosses wanted.

That he would be on Marvel’s radar as it identified authors to write about a black Puerto Rican teenager coming of age in Brooklyn comes as no surprise. The Oxon Hill native, who now lives in Northeast D.C., has written nine books and become widely known over the past few years for writing complex young black characters, mostly boys. His book Ghost was a finalist for the 2016 National Book Award for Young People’s Literature and As Brave As You was a 2017 Coretta Scott King Author Honor Book.

“I’ve written a gazillion books about black boys in Brooklyn, so it was kind of like ‘Look dude, this is your wheelhouse, will you take this on?’” Reynolds says.

His initial answer was “I don’t know.” He was afraid the stranglehold of a corporation with huge intellectual properties to protect and monitor would stifle his writing. Then there was the immense pressure he’d feel to properly represent a beloved superhero in his own words.

(12) SMALL WORLD. Yahoo! shares “A portrait of Earth and the Moon from 3 million miles away”:

Sometimes you need to step back to see the big picture, and if your subjects are 249,000 miles apart, you need to step waaay back. Luckily, the spacecraft OSIRIS-REx is moving rapidly away from us and was recently just in the right position, around 3.1 million miles away, so it trained its MapCam instrument towards its former home and captured this poignant portrait of the Earth and the Moon.

(13) LESSON FROM AN EXPERT. Mad Genius Club’s Dave Freer, in “‘Hold-my-beer’ Precedent”, criticizes practices like —

‘De-platforming’ – Another precedent set and accepted and much beloved by the modern Left – those in power should be able to effectively silence any dissent, and isolate dissenters by denying them a public place – be that a convention, Twitter, or a book for sale to the public. The puppy-kickers and indeed SJW’s believe de-platforming an important and completely justified tool… in their hands. They’re in power and think it a great idea.

I know Dave can speak about de-platforming from experience, having banned me from MGC’s comments section.

And what explosive thing did I say to trigger him? My last comment there responded to their site redesign by asking them to make the bylines larger and more readable. No, no, this wasn’t concern trolling. It just seemed an obvious thing to fix as long as they were doing a makeover anyway.

(14) JON PINOCCHIO. Yesterday he was telling the world File 770 has no readers. In February he tweeted the figure below as a taunt. Which was true? Neither. Isn’t that a surprise. There has never been anything remotely like that number of outbound clicks from here to his site.

(15) JDA’S NEXT CHESSMOVE. Jon Del Arroz has posted “An Open Letter to Worldcon GoH Spider Robinson”.

In an unprecedented move, Worldcon pre-banned me, an action they haven’t taken since 1964 with Walter Breen, a convicted pedophile. Unlike Walter, I’m no criminal, just a family man and professional in the field. I’m an outspoken conservative and Christian, which sets me in the “other, not human” category for some people in science fiction writing, and I’ve been a target of a hate campaign because of my worldviews since coming on the scene. It’s about the opposite of what I imagined a loving, tolerant group would be.

I’ve been given no information to why I’m banned other than I “intend to violate the code of conduct” which I’ve stated several times I don’t. As a popular writer in the field, it seems a move solely based on hate and discrimination of people like me. I wish we could all get along despite differences like in Callahan’s, but it appears some in our world aren’t ready for that.

(16) GAME OVER. John C. Wright begins his January 8 post, “Love Crimes and Hate Crimes”, with this news –

Milo Yiannopoulos’ DANGEROUS website, for reasons, so they reassure me, that are no reflection on my writing, have suspended my column there, temporarily, or so they hope.

(17) INSPIRATION. There was a famous composer who answered the question “Where do you get your inspiration” with the remark, “When the check arrives.” Ridley Scott would like somebody to inspire him that way — “‘Blade Runner 2049’ Sequel: Ridley Scott Already Has Plans for a Third Chapter”.

Director Ridley Scott has an idea for a new “Blade Runner” film and is hoping to get it off the ground. Although he recently vocalized some strong opinions about why the second chapter, “Blade Runner 2049,” underperformed at the box office (“It’s slow. It’s slow. Long. Too long. I would have taken out half an hour,” Scott told Al Arabiya), he seems to be eager to return to the series.

When asked about continuing the saga, Scott told Digital Spy, “I hope so. I think there is another story. I’ve got another one ready to evolve and be developed, so there is certainly one to be done for sure.”

(18) A CHECK OF MONEY. Subterranean Press did inspire Harlan Ellison that way, and he allowed Jason Davise to put together the collection Blood’s A Rover. The Ellison-signed edition is already sold out ($500 a pop). Unsigned copies are available at $40.

Harlan Ellison introduced you to Vic and Blood in 1969’s Nebula Award-winning novella, “A Boy and His Dog.” You thrilled to their on-screen adventures in the 1975 Hugo Award-winning feature film adaptation billed as “a kinky tale of survival.” 1977 and 1980 brought brief reunions in “Eggsucker” and “Run, Spot, Run,” and the promise of another story—and a third solo, Spike, to make the Dystopian Duo a Tribulation Trio—but only audiobooks and comics followed, revisiting the same tales.

Now, nearly fifty years after they first set off across the blasted wasteland, Vic and Blood are back.

Harlan Ellison and his editor, Jason Davis, have painstakingly assembled the whole story of Vic and Blood and Spike from the author’s files, using revised-and-expanded versions of the novella and short stories, interstitial material developed for Richard Corben’s graphic adaptation, and—for the first time—never-before-published material from the aborted 1977 NBC television series Blood’s a Rover to tell the complete story of A Boy and His Dog, and a Girl who is tougher than the other two combined.

(19) IN HOC. Not genre, but too snarky to ignore — “New Latin State Mottoes for the 21st Century” from McSweeney’s. Examples:

Massachusetts
Tacete, scimus nos asperos esse
“Shut up, we know we are rude”

Ohio
Nostra flumina non iam ardent
“Our rivers no longer catch on fire”

(20) GOOD GOVERNMENT JOB. Seal of approval?: “SpaceX Rocket Launches Secret Government Payload Into Orbit”.

SpaceX’s Falcon 9 rocket successfully launched a top secret U.S. government payload into orbit, while returning its first-stage booster to the ground for reuse.

The Falcon lifted off at 8 p.m. ET Sunday from Cape Canaveral Air Force Station. As the first-stage of the Falcon returned to Earth for an upright landing, the upper stage lofted the mysterious Zuma, presumed to be a spy satellite or military communications satellite, into an undisclosed orbit.

(21) HEAVY METAL. Beating swords into stereos? “Headphones made from recycled firearms”.

Sweden’s Yevo Labs has unveiled a set of wireless headphones that incorporate metal made from seized illegal guns.

The charging case and a band on the headphones themselves are made of a material branded Humanium.

It is created by the Humanium Metal Initiative, also based in Sweden, and used by a number of Scandinavian manufacturers.

One analyst said the idea should help the headphones stand out in a crowded market.

(22) MIRROR, MIRROR. Cora Buhlert evaluates a popular episode of Black Mirror — “‘USS Callister’ and the Successful Mutiny Against Toxic Masculinity”.

…In the end, it turns out that “USS Callister”, the “Star Trek” episode of Black Mirror is only superficially about Star Trek. This shouldn’t really come as a huge surprise, since Black Mirror normally focusses on “five minutes into the future” tech dystopias and not far future space opera. And indeed, my initial reaction to the “USS Callister” scenes in the general season 4 trailer was, “Huh. Now that doesn’t look like Black Mirror at all.”

And indeed it quickly turns out that the scenes in the trailer of a day-glo 1960ish Star Trek type space adventure are just an immersive virtual reality game created by a programmer named Robert Daley, where he can forget his sad everyday existence and instead live in the world of his favourite TV show, a Star Trek clone called “Space Fleet”, as the heroic captain leading an adoring crew to explore the unknown. At first glance, this seems to be harmless enough, though it is notable that the crew of the USS Callister look very much like his co-workers. Things take a turn towards the seriously creepy when Daley steals the coffee cup of a new employee, swabs it for DNA and pushes a sample into a device attached to his computer…

(23) CW SUPERHEROES. The super season returns starting Monday, January 15 on The CW. Very amusing trailer.

[Thanks to JJ, Martin Morse Wooster, Chip Hitchcock, John King Tarpinian, Daniel Dern, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Nigel.]