(1) TODAY’S TITLE EXPLAINED. Jim Henley sends everyone his best, and sent today’s Pixel Scroll title, too.
Happy New Year! I did a wee bit of filking inspired by the Bored Apes/Angry Apes/Whatever 8-Bit Apes NFT thefts and frauds, and while an excerpt might be too long for a Pixel Scroll title, it might not be. I leave that call up to you!
(2) MAYBE THIS TIME, MAYBE NEXT TIME. John Scalzi did an interesting thread about his philosophy of publicizing and blurbing other writers’ books. Thread starts here.
(3) ORLANDO NASFIC BIDCOM. The Orlando in 2023 NASFiC bid unveiled the names of its current committee members on Facebook.
After a few emails, phone calls, and one BBQ dinner, we’re happy to announce the initial group that will be propelling Orlando to host the NASFiC! In alphabetical order:
Adam Beaton, Chris Barkley, Colette Fozard (advisor), Don Eastlake, Gary Blog, Jill Eastlake, Juan Sanmiguel, Judy Bemis (advisor), Mike Willmouth (advisor), Pam Burr, Rivka Gates, Sam Lubell
(4) BID FOR IRISH CORFLU. Tommy Ferguson is bidding for Corflu 40 to be held in Belfast, Northern Ireland, March 31, 2023. The bid flyer for “Corflu Craic” is here.
… While reminiscing about their time together on “Harry Potter,” Bonham Carter surprises Radcliffe with an autographed note he penned for her back in the day — and instructs him to share with the class.
Radcliffe manages to get through about half the message before realizing he’s been set up, blushing and laughing as Bonham Carter urges him to keep reading.
“And what does it say?” she prods. “Hee-hee-hee-hee!”
“We can share this now,” Radcliffe relents. “I said, ‘I do love you, and I just wish I’d been born 10 years earlier. I might have been in with a chance.’”
“I shall always treasure that,” Bonham Carter says. “That is in my toilet, Dan.”
A moment of silence for the unhinged “Harry Potter” reunion special that could have been if they tapped Bonham Carter to host the whole thing….
… Although it’s not an official holiday of any sort (meaning that it is not recognized or declared by any government), National Science Fiction Day is given some degree of credence through its recognition by organizations such as the Hallmark Channel as well as the Scholastic Corporation. National Science Fiction Day has expanded not only across the United States, but has also made its way across different parts of the world.
Now it’s time to learn about and prepare to celebrate National Science Fiction Day!
The History of National Science Fiction Day
National Science Fiction Day is celebrated on this date very early in the year for a good reason. January 2 was the date that was chosen in order to correspond with the official birth date of famed science fiction writer Isaac Asimov, who is thought to have been born January 2nd, 1920. Mr. Asimov is responsible for some incredible works of science fiction literature during his lifetime, such as “Nightfall” and the “Foundation Trilogy”.
(7) MEMORY LANE.
1952 — [Item by Cat Eldridge.]2000 Plus, not to be confused withNPR’s science fiction series, 2000X, which was the first SF radio program predating the much better known Dimension X series by one month, ended its run on January 2, 1952 having started up on March 15, 1950. It ran on the Mutual Broadcasting System. It was a Dryer Weenolsen production who directed the cast of Lon Clark, Joseph Julian, Henry Norell, Bill Keene, Bryna Raeburn and Amzie Strickland. It ran for thirty-two half-hour episodes of which fifteen are known to survive. “Men from Mars”, the third episode, can heard here.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born January 2, 1920 — Isaac Asimov. I can hardly summarize everything he’s done here, so I’ll just pick my very short list of favorite works by him which would include the Galactic Empire series, the Foundation Trilogy which a Hugo at a Tricon, The Gods Themselves which won a Hugo at TorCon II and his I, Robot collection. (Died 1992.)
Born January 2, 1948 — Deborah Watling. Best known for her role as Victoria Waterfield, a companion of the Second Doctor. She was also in Downtime, playing the same character, a one-off sequel to a sequel to the Second Doctor stories, “The Abominable Snowmen” and “The Web of Fear”. No Doctors were to be seen or harmed. If you’ve seen the English language dubbed version of Viaje al centro de la Tierra (Where Time Began, based off Verne’s Journey to the Center of The Earth), she’s doing the lines of Ivonne Sentis as Glauben. (Died 2017.)
Born January 2, 1971 — Renée Elise Goldsberry, 51. Best known as appearing on Altered Carbon as Quellcrist Falconer. She also performed the Johnny Cash song “Ain’t No Grave” for the end credits in the final episode of that series. Genre-wise, she’s had one-offs on Enterprise, Life on Mars, Evil andvoice work on DreamWorks Dragons: Rescue Riders, an all too cute series. She was Selena Izard in The House with a Clock in Its Walls. And she appeared on Broadway in The Lion King as Nala.
Born January 2, 1979 — Tobias S. Buckell, 43. I read and enjoyed a lot his Xenowealth series which he managed to wrap up rather nicely. The collection he edited, The Stories We Tell: Bermuda Anthology of Science Fiction, Fantasy and Horror, is well worth reading, as is his own Tides from a New World collection. And his Tangled Lands collection which won the World Fantasy Award is amazing reading as well.
Born January 2, 1983 — Kate Bosworth, 39. She’s Barbara Barga in the SS-GB series done off the superb Len Deighton novel which is definitely genre. She’s both a producer and a performer on the I-Land series where she’s KC, a decidedly not nice person. For a much more positive character, she portrayed Lois Lane in Superman Returns.
(9) COMICS SECTION.
Grant Snider is back with another Incidental Comics.
R.E. Parrish reveals the secret history of Dune.
Tom Gauld’s Guardian cartoon is a challenge to writers.
Write a great book and you’re a genius. Turn a book into a great film and you’re a visionary. Turn a great film into a book…that’s another story.
Novelizations of films are regular best-sellers with cult followings — some are even more beloved than the films that spawned them — but respected they are not. Instead, they’re assumed to be the literary equivalent of merchandise: a way for the movie studios to make a few extra bucks, and a job for writers who aren’t good enough to do anything else. But the people who write them beg to differ.
Steampunk masks from Dmitry Bragin. The author uses various textures and mechanical parts, for example, tiny gears, as well as patterns that look like organic roots. While wearing such a mask, one looks like a hybrid of a car and a man….
… On the surface, it would seem 2021 continued long-established genre trends, with sci-fi thrillers such as Mark Raso’s Awake and Everardo Gout’s The Forever Purge painting portraits of a bleak and savage near-future. Some new titles this year, such as The Suicide Squad and Boss Level, go even further, reveling in the almost limitless and often absurd bounds of the science fiction film arena. Other new signposts for the genre, such as the Hugh Jackman-led Reminiscence or I’m Your Man, spin tales of obsession and enforced inertia akin to Solaris, although even these stories hail from dystopian futures where technology still reveals humanity’s darker side….
2. Free Guy
Free Guy is a breath of fresh air that sheds the bounds of typical dystopian storytelling in favor of high-concept, high-octane fun that hinges on the classic sci-fi idea of multiple realities. Stripping away Free Guy‘s layers of gaming Easter eggs, dazzling visuals, and Deadpool-Esque Ryan Reynolds jokes do little to detract from the sheer enjoyability of the coming of age story at the movie’s core. Whereas movies like The Matrix and The Truman Show offer bleak versions of a reality oft-unseen by their protagonists, Free Guy emulates its main characters by quickly becoming a self-aware send-up of other self-important science fiction entries. Disney’s Free Guy may well be an unabashed crowdpleaser of a film, but it also translates as a very polished slice of sci-fi fun that becomes more nuanced with each subsequent viewing.
In a 2013 episode of Parks and Recreation, Patton Oswalt delivered a speech about Boba Fett that appears to bear a striking resemblance to the new Star Wars Disney+ show The Book of Boba Fett….
After it was pointed out to Oswalt on Twitter, he reacted with enthusiasm.
“To say I’m touched is putting it lightly,” he wrote. “And yeah, Book of Boba Fett ROCKS. YOU’RE WELCOME.”
[Thanks to JJ, John King Tarpinian, Andrew Porter, Robin A. Reid, Chris Barkley, David Doering, Michael Toman, Cat Eldridge, Mike Kennedy, and Martin Morse Wooster for some of these stories. Title credit belongs to File 770 contributing editor of the day Jim Henley.]
Voting has opened for the 2022 Fanzine Activity Achievement (FAAn) awards and will continue through February 25.
To jog voters’ memories about the eligible publications, Nic Farey, FAAn Awards Administrator, has created The Incompleat Register 2021, available at efanzines.com. In it Farey reminds everyone, “A ‘fanzine’, for our purposes, is defined as an immutable artifact, once published not subject to revision or modification. The fanzine might not exist in a physical form. A PDF, for example, is an artifact.”
The award has seven categories:
GENZINE: A fanzine which typically has multiple contributors in addition to its editor(s).
PERZINE: A fanzine which typically has few, if any, contributors other than its editor(s).
SPECIAL PUBLICATION: A “one-shot” fanzine or collection.
FANWRITER: A writer who has work first appearing in a 2021 fanzine.
FANARTIST: An artist who has work first appearing in a 2021 fanzine.
LETTERHACK (HARRY WARNER, JR. MEMORIAL AWARD): Loccer whose responses have appeared in a 2021 fanzine.
COVER: Best fanzine cover of 2021.
Farey has dropped the Website category, which has only ever had two winners, Efanzines for the first eleven years of its existence, and by Fanac.org for the last three.
Anybody with an interest in fanzines is encouraged to vote, no memberships or fees are required.
The winners will be announced at Corflu Pangloss in Vancouver, BC on March 20.
… Who’ll lead the effort to address climate change? “In my book, it’s a billionaire, because it makes for a good story. I don’t know how realistic that is. It’s more likely to be governments that are less democratic, frankly. If you look at the way the United States and the U.K. both responded to coronavirus, we weren’t even able to get a large part of the population to agree that it was a real thing, even though people were dying by the hundreds of thousands. … I’m pessimistic about our ability to get people to agree that human-caused climate change is a real thing, much less to agree on taking expensive and difficult steps to deal with that problem.”
On the future of democracy: “To be clear, I’m not a big fan of non-democratic countries. I’m a democracy guy all the way. But if the question we’re talking about is, ‘Can the big democracies like the U.S. and the U.K. get behind expensive and difficult action to address climate change?’ … Right now I have to be realistic and say that doesn’t look that likely.”…
…In it, Eleven (Millie Bobby Brown) and Will are living new lives in California, where Eleven seems to be having a hard time adjusting, although she doesn’t admit that when writing to Mike (Finn Wolfhard). Her letter serves as narration for the teaser, which you can watch below.
“I even like school now. I have made lots of friends,” she says, as she’s ignored by peers in the school hallway. “Even so, I am ready for spring break, mostly because I get to see you. We will have the best spring break ever.”
The teaser ends in a montage of classic “Stranger Things” chaos: explosions, car chases, a creepy doll, a military arrest and more. The song “A Place In California” by Jeremiah Burnham plays in the background as the teaser comes to a close….
(3) CORFLU 38. At Corflu Concorde in Bristol, England this weekend, Sandra Bond was named Past President of the Fan Writers of America for 2020. Bond also was Corflu’s GoH – always determined by drawing an attendee’s name from a hat.
(4) RETURN OF MASSIVE. [Item by Martin Morse Wooster.] In the Financial Times behind a paywall, Tom Faber discusses “massively multiplayer online role-playing games” or MMORPGs.
In recent years there has been a marked absence of exciting new projects. While other games have evolved, MMORPGs have stagnated. They got bigger, but not better. One of the more popular recent releases is World of Warcraft Classic, which restores the game back to its unadorned first iteration: many players would rather go backwards than forwards. Sometimes I wonder: did the games change? Or did we?
Just because there hasn’t been another blockbuster doesn’t mean the genre is dead. If one game can claim to have assumed World of Warcraft‘s mantle, it is 2013’s Final Fantasy XIV: A Realm Reborn, a game that was rebuilt after a failed 2010 relaunch and has since cultivated a dedicated community of 24m players. Meanwhile New World, with its 17th century setting and focus on crafting, drummed up healthy viewing numbers on Twitch — though it has recently been shedding players. We are also beginning to address the first MMORPGs born through crowdfunding, including the new release Crowfall and the upcoming Pantheon and Ashes of Creation.
(5) DOWNLOAD ELLIS’ ART SALE CATALOG. Doug Ellis has issued his new art sale catalog, devoted entirely to the art of Virgil Finlay, with over 300 originals, as well as ephemera such as cover proofs.
Please note that only one of the pieces is a published illustration; the others are a mixture of science fiction/fantasy and astrology preliminaries, sketches, personal pieces, abstract art and paintings. If you saw the Finlay material I had at the Windy City Pulp and Paper Convention two months ago, you’ll still want to take a look, as over half the art in this catalog wasn’t at the show. This material all comes from Finlay’s estate, and I’m selling it on behalf of his granddaughter.
For a few years in the early 2000s, there was an edgy little speculative fiction magazine called Penumbric Speculative Fiction Magazine. It published fiction, art, poetry, graphic narratives … and online, yet! But then it got a little too hubristic, and it tried to be a print magazine, too (I mean, you couldn’t just be online, could you?) … and the magazine sank.
It’s time to rise again. Reincarnate.
When submissions open, this is what they’ll be looking for:
I would love to see submissions representing not only multiple cultures but subcultures, exploring issues of race, ethnicity, gender, orientation, and many things I haven’t thought of. Does this mean you have to represent everybody and everything in 1000 words? Of course not. But be aware that we are creating a magazine that overall reaches and represents the true diversity of the world we live in.
In terms of genre, I am looking for work that constitutes the ever-moving edge of its kind, as a place between light and dark, consciousness and un, today and tomorrow; work exhibiting the strange, the bizarre, that which is not of the world we know, but more of a twilight realm or even altogether alien place. Not necessarily science fiction, not necessarily fantasy, not necessarily horror, and not necessarily not these things. In short, ideally edgy. Maybe even idealistically edgy. I am NOT looking for porn.
Oh, we live in troubled times, don’t we? I could list all the things wrong with the world, but why bother? All you have to do is turn on the TV, or scroll through social media, or simply walk down the street and you’ll likely be inundated with the many terrible crises we’re all facing. Who needs more of that? No, instead of reminding you of what’s wrong with the world, I’d like to offer you an escape. An escape to a world that seems much like our own but with a few key differences. It’s a world where you can expect to be handled gently. Where you can snap your fingers or wiggle your nose and life becomes miraculously easier. Here you can rest safely in the knowledge that there are forces of good working behind the scenes, and, if you’re lucky, you might just catch a peek through the veil to other side. It’s not only a world where comfort is savored and valued; it’s one where justice always prevails, killers are always caught, and the murders are at least a little bit cozy….
(8) TEXAS-SIZED SFF COLLECTION. A video introduction to the Cushing Memorial Library and Archives at Texas A&M University, housing one of the largest science fiction and fantasy collections in the country. Featuring a sneak peek at Kristen Britain’s archive.
(9) MEMORY LANE.
1997 — Twenty-four years ago, Paul Verhoeven’s Starship Troopers premiered. It’s based rather loosely off Robert Heinlein’s Hugo Award winning novel. It had a cast of Casper Van Dien, Dina Meyer, Denise Richards Jake Busey, Neil Patrick Harris, Patrick Muldoon and Michael Ironside, and it received a mixed reception by critics ranging from utterly loathing it to really, really loving it and a generally negative one by most SF fans; it currently garners a rather excellent seventy percent rating at Rotten Tomatoes among the quarter million audience reviewers who’ve given an opinion, and never earned backed its hundred million budget taking in just a hundred and twenty million. It would spawn a number of sequels, universally bad, and one superb animated series that was unfortunately not completed.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born November 7, 1910 — Pearl Argyle. Catherine CabalI in the 1936 Things to Come as written by H.G. Wells based off his “The Shape of Things to Come” story. Being a dancer, she also appeared in 1926 The Fairy Queen opera by Henry Purcell, with dances by Marie Rambert and Frederick Ashton. Her roles were Dance of the Followers of Night, an attendant on Summer, and Chaconne. (Died 1947.)
Born November 7, 1914 — R. A. Lafferty. Writer known for somewhat eccentric usage of language. His first novel Past Master would set a lifelong pattern of seeing his works nominated for Hugo and Nebula Awards but not winning either though he won a Hugo short story at Torcon II for “Eurema’s Dam”. He did receive a World Fantasy Lifetime Achievement Award, and he also received the Cordwainer Smith Foundation’s Rediscovery award. (Died 2002.)
Born November 7, 1934 — Wendy Williams. You know I’ll work in a Doctor Who reference if I can. She was in a Fourth Doctor story, “The Ark in Space” as Vira. Other genre appearances include Danger Man, Leap in the Dark, Jack the Ripper and The Further Adventures of the Musketeers. (Died 2019.)
Born November 7, 1950 — Lindsay Duncan, 71. Adelaide Brooke in the Tenth Doctor‘s “The Waters of Mars” story and the recurring role Lady Smallwood on Sherlock in “His Last Vow,” “The Six Thatchers,” and “The Lying Detective”. She’s also been in Black Mirror, A Discovery of Witches, Frankenstein, The Storyteller: Greek Myths, Mission: 2110 and one of my favorite series, The New Avengers.
Born November 7, 1960 – Linda Nagata, 61. Her novella “Goddesses” was the first online publication to win the Nebula Award. She writes largely in the Nanopunk genre which is not be confused with the Biopunk genre. To date, she has three series out, to wit The Nanotech Succession, Stories of the Puzzle Lands (as Trey Shiels) and The Red. She has won a Locus Award for Best First Novel for The Bohr Maker which the first novel in The Nanotech Succession. Her 2013 story “Nahiku West” was runner-up for the Theodore Sturgeon Memorial Award, and The Red: First Light was nominated for both the Nebula Award and the John W. Campbell Memorial Award. Her site is here.
Born November 7, 1954 — Guy Gavriel Kay, 67. The story goes that when Christopher Tolkien needed an assistant to edit his father J. R. R. Tolkien’s unpublished work, he chose Kay who was being a student of philosophy at the University of Manitoba. And Kay moved to Oxford in 1974 to assist Tolkien in editing The Silmarillion. Cool, eh? The Finovar trilogy which I love is the retelling of the legends of King Arthur, Lancelot and Guinevere which is why much of his fiction is considered historical fantasy. Tigana likewise which is wonderful somewhat resembles renaissance Italy. My favorite work by him is Ysabel which strangely enough is called an urban fantasy when it isn’t. It won a World Fantasy Award. Let’s not forget that he was the Toastmaster at ConFrancisco.
Born November 7, 1974 — Carl Steven. He appeared in Star Trek III: The Search for Spock as a young Spock, thereby becoming the first actor other than Leonard Nimoy to play the role in a live action setting. Genre one-offs included Weird Science, Teen Wolf and Superman. He provided the voice of a young Fred Jones for four seasons worth of A Pup Named Scooby-Doo which can be construed as genre. His life didn’t end well. (Died 2011.)
She appears in some of Jeffrey Catherine Jones’ most famous paintings, notably The Wall (1977), Seated (1983), and the covers for fantasy books such as The Undying Wizard (1975). She was also the most prominent model for the idiosyncratic strip Idyl published by National Lampoon during the years 1972-1976.
Yet, outside the artists’ circle of friends, almost no one knows anything about Jones’ most referenced, most enigmatic model: Sandi Zinaman (1952-2015), a librarian, artist and caterer who lived most of her life in New York state’s Hudson Valley….
Any Doctor Who fan will instantly recognize the distinctive wheezing sound the TARDIS makes whenever it materializes or dematerializes. Variously dubbed the “vworp-vworp,” “vwoorp” or “vwoorpy” by fans of the franchise as well as several characters in-universe, the noise is as iconic as the time machine’s blue police box exterior.
For most of the show’s long run, fans and creators alike assumed the noise was simply part of the TARDIS, as intrinsic as its bigger-than-the-outside interior and temperamental, semi-sentient nature. It wasn’t until New Who and the Eleventh Doctor’s run that showrunner Steven Moffat invented an explanation for the sound effect — though some feel it is a rather dicey one. As with many factoids in the long-running, ever-changing universe of Doctor Who, there are plenty of canon occurrences that directly contradict this explanation, as well. So what is the truth behind the vwoorpy?…
When Facebook changed its name to Meta, after the Metaverse, many were quick to identify the term’s origin: Neal Stephenson’s 1992 cyberpunk classic Snow Crash. But the novel hardly paints an optimistic future—runway inflation, collapsed governments, and a maniacal media magnate who uses the Metaverse to, get this, destroy people’s minds. It begs the question: did Zuckerberg misread it?
This week, Brooke speaks with Jill Lepore, Harvard historian and New Yorker staff writer, Annalee Newitz, former Editor-in-Chief of Gizmodo and science fiction author, and Gene Seymour, longtime cultural critic, to unpack the literary world behind the social media giant’s new name. They discuss why the tech moguls love science fiction so much, the perils of reading these “world-building” novels too literally, and how new forms of the genre today are already making the Metaverse look obsolete.
(15) PLOT HATCHED. My Retro Computeris in the business of selling PC’s in shells that look like early days home computers.
Do you remember your first home computer?
Was it a Commodore 64, Vic 20 or an Amiga? Wouldn’t it be fantastic to have a modern day PC in a retro computer shell?
Here at My Retro Computer we aim to do just that. We believe the PC market is boring and stagnated, it needs a new fresh approach – retro is the new modern.
Starting with the famous C-64 we aim to expand the range to include the Vic20, A-500 and possibly the spectrum ranges.
[Thanks to Andrew Porter, Michael Toman, John A Arkansawyer, Chris Barkley, Daniel Dern, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, JJ, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]
By Sandra Bond: Faanfiction! (Not to be confused with fanfiction.)
Stories written by sf fans, published for sf fans, and with fans as characters and fandom as a setting. Those are pretty much the only parameters; apart from that, anything else goes. And over the seventy years from 1939 to 2009, in the heyday of science fiction fanzines, anything else did.
Charles Burbee shows that fandom could — after a fashion – survive even a nuclear holocaust; Jim Barker and Kevin Smith depict a fan forever trapped in the prison of an unending convention; Chris Hughes and Terry Carr (writing as Carl Brandon) give us fandom’s take on Lewis Carroll and on J. G. Ballard.
This anthology, fully illustrated throughout, collects fifteen tales and a comic strip with fans and fandom as their theme, all originally published in fanzines — many of them among the most notable of their day, such as Quandry, Orion, Quip and This Never Happens. They go to show the countless entertaining changes that can be rung on the old adage: “The proper study of fankind is fan”.
This year’s Corflu fanthology (as usual with Corflu) is free to all members, including supporting members. Supporting membership just £15 UK or $20 US. See corflu.org for details.
… Original series creator J. Michael Straczynski is onboard to write the project. He will also executive producer under his Studio JMS banner. Warner Bros. Television, which produced the original series, will produce the reboot.
The new iteration of the sci-fi series is described as a “from-the-ground-up reboot.” In the series, John Sheridan, an Earthforce officer with a mysterious background, is assigned to Babylon 5, a five-mile-long space station in neutral space, a port of call for travelers, smugglers, corporate explorers and alien diplomats at a time of uneasy peace and the constant threat of war. His arrival triggers a destiny beyond anything he could have imagined, as an exploratory Earth company accidentally triggers a conflict with a civilization a million years ahead of us, putting Sheridan and the rest of the B5 crew in the line of fire as the last, best hope for the survival of the human race.
Which all makes sense of Straczynski’s cryptic tweet of two weeks ago.
(2) LDV NEWS. Today Straczynski also tweeted a brief update about the status of Last Dangerous Visions.
The writing of prose is often depicted as a solitary activity, an occupation suited to hermits sealed into poorly lit garrets, sliding their manuscripts out under their front door, receiving flat food under the same door. Now this can be a perfectly functional approach to writing…but it is not the only one…..
There will be no Readercon in 2022. But don’t panic! We’re not going anywhere! We just need some time to recharge and get our house in order.
The last two years have been a doozy for everyone. We all need some rest. And Readercon as an organization needs an opportunity to revamp back-end processes, update and streamline old systems, and recruit new volunteers to fill key positions. Just as you can’t fix your car’s brakes while you’re driving, we can’t make all those changes at the same time as putting on a convention. So after much behind-the-scenes discussion, we’re officially taking 2022 as a Renovation Year!…
(5) CORFLU. The convention for fanzine fans, Corflu 39 Pangloss, still aspires to run on its March 18-20, 2022 date – and toward that end has published Progress Report #1 with all the info about venue, membership, and who’s on the committee.
We live in parlous times. There is great confusion under heaven, and the conditions are excellent. Which is to say, thanks to border closures, travel restrictions, economic wobbles, and ongoing pandemic uncertainty, much of what we can tell you about Corflu 39 is aspirational, provisional, or pending better data with the unfolding of future events. But we step out in hope, and choose to be optimistic that all our Corflu wishes will come true. Thus, Corflu Pangloss….
One City One Story is the South Pasadena Public Library’s Citywide Reading Program. Community voting took place for a title from September 1-10. The winning book, Parable of the Sower by Octavia E. Butler, was announced on September 27. We encourage South Pasadenans to read it to engage with this year’s theme, “Navigating Nature”. Dive even deeper with community discussions and themed programs.
…The Business follows Kate Telman, a working-class Glaswegian who has risen through the ranks to become a senior executive in a secretive super-corporation, known only as The Business. Telman discovers that The Business is planning to buy a small country in order to secure a seat on the UN and that, despite the benevolent image and democratic structure it presents to the world, the company will stop at nothing to increase its influence. So begins a dangerous personal reckoning as Telman travels the globe from Scotland to the Swiss Alps, the American Midwest, Pakistan and the Himalayas, determined to uncover the conspiracy at the heart of the shady company she works for.
…Mullens and Wilkinson said: “We are thrilled to have the opportunity to adapt Iain Banks’ wickedly satirical The Business for television. As relevant today as when it was first published, we look forward to honouring Iain’s work with a powerful, entertaining thriller.”
Join Visual Effects Supervisor, Richard Bluff, as he shares a peek behind the curtain of the effects of The Mandalorian: Season 2, winner of 7 Emmy® Awards including Special Visual Effects, Sound Mixing, Cinematography, Prosthetic Makeup, Stunt Coordination, Stunt Performance, and Music Composition. For its sophomore outing, Lucasfilm’s hit Disney+ series built upon the groundbreaking technical and artistic achievements accomplished during season one, combining traditional methodologies, with ever-advancing new technologies. The team also increased the physical size of the ILM StageCraft LED Volume which would again be used for over half of all scenes. This season also marked the debut of ILM’s state-of-the-art real-time cinema render engine called, Helios. The high-resolution, high-fidelity engine was used for all final pixel rendering displayed on the LED screens and offers unmatched performance for the types of complex scenes prevalent in today’s episodic and feature film production. Practical creature effects have been a vital part of the aesthetic and charm of the Star Wars universe since 1977, and for season two, the effects team realized over 100 puppeteered creatures, droids, and animatronic masks, which included the beloved Tatooine Bantha, realized as a ten foot-high puppeteered rideable creature. Practical miniatures and motion control photography were used once again for scale model ships, as well as miniature set extensions built for use in ILM’s StageCraft LED volume. Stop motion animation was also utilized for the Scrap Walker at the Karthon Chop Fields. The greater krayt dragon on Tatooine was realized as a six-hundred-foot computer-generated creature that would swim shark-like through the sand environment by way of a liquefaction effect, wherein the sand would behave like water.
(9) MEDIA BIRTHDAY.
1964 – Fifty-seven years ago this evening on CBS, My Living Doll, a SF comedy, first aired. Another production of the Desilu Studios, My Living Doll was rather unusual in that it was purchased by the network without any pilot at the request of CBS’s president, due to the success of Chertok’s previous series, My Favorite Martian. The series starred Bob Cummings as Dr. Bob McDonald, a psychiatrist who is given care of Rhoda Miller, an android who was played by Julie Newmar who would later be Catwoman on Batman. Unlike My Favorite Martian which ran three seasons and over a hundred episodes, it would last a single season of twenty six episodes. It is available on DVD but not on streaming services.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born September 27, 1927 — Martin Caidin. His best-known novel is Cyborg which was the basis for The Six Million Dollar Man franchise. He wrote two novels in the Indiana Jones franchise and one for the Buck Rogers franchise as well. He wrote myriad other sf novels. The Six Million Dollar Man film was nominated for a Hugo at Discon II which Woody Allen’s Sleeper won, and Marooned was nominated at Heicon ’70 when TV Coverage of Apollo XI was chosen for the Best Dramatic Presentation Hugo. (Died 1997.)
Born September 27, 1932 — Roger Charles Carmel. The original Harcourt Fenton “Harry” Mudd as he appeared in two episodes of the original Star Trek, “Mudd’s Women” and “I, Mudd” and one episode of the animated series as well, “Mudd’s Passion.” I say original because Discovery has decided that they have a Harry Mudd too. He also had one-offs on I-Spy, Munsters, The Man from U.N.C.L.E., Voyage to the Bottom of the Sea and Batman. It is rumored but cannot be confirmed that he was going to reprise his role as Harry Mudd in a first-season episode of Next Gen but died before filming could start. (Died 1986.)
Born September 27, 1934 — Wilford Brimley. His first genre role was as Dr. Blair in John Carpenter’s The Thing. He’s Benjamin ‘Ben’ Luckett in the Cocoon films, and Agency Director Harold Smith in Remo Williams: The Adventure Begins. He made a rather splendid President Grover Cleveland in The Wild Wild West Revisted. And finally I note that he was Noa in Ewoks: The Battle for Endor. (Died 2020.)
Born September 27, 1947 — Meat Loaf, 74. He has a rather tasty role as Eddie in The Rocky Horror Picture Show. He also has film roles in Wishcraft (horror), Stage Fright (horror) and Urban Decay (yes more horror). He’s also in BloodRayne which is yes, horror. He’s had one-offs on Tales from the Crypt, The Outer Limits, Monsters, Masters of Horror and was Doug Rennie, a main cast member of Ghost Wars. I think one of his songs, particularly the video version, “I’d Do Anything for Love (But I Won’t Do That)” qualifies as genre.
Born September 27, 1956 — Sheila Williams, 65. Editor, Asimov’s Science Fiction, the past fifteen years. She won the Hugo Award for Best Short Form Editor at Renovation and Chicon 7. (She’s nominated this year again.) With the late Gardner Dozois, she co-edited a bonnie bunch of anthologies such as Isaac Asimov’s Robots, Isaac Asimov’s Christmas and Isaac Asimov’s Cyberdreams. She was also responsible for the Isaac Asimov Award for Undergraduate Excellence in Science Fiction and Fantasy writing being renamed the Dell Magazines Award for Undergraduate Excellence in Science Fiction and Fantasy Writing.
Born September 27, 1966 — David Bishop, 55. In Nineties, he edited the UK Judge Dredd Megazine (1991–2002) and 2000 AD (1995–2000). He wrote a number of Dredd, Warhammer and Who novels including the Who novel Who Killed Kennedy which is a popular Third Doctor story. He’s written Big Finish stories in the Dredd, Sarah Jane and Who lines. Dredd audio drams. Huh.
Born September 27, 1970 — Tamara Taylor, 51. Best remembered I’d say as Camille Saroyan in Bones which is at least genre adjacent being connect to Sleepy Hollow. Genre wise, she was in season seven of Marvel’s Agents of S.H.I.E.L.D. as the primary antagonist, Sibyl. She also appeared in Lost, as the former girlfriend of Michael and mother of Walt, Susan Lloyd. And she has a brief appearance in the Serenity film just listed as Teacher.
(12) DUCK! There’s four days left to bid on the original “Duck with a Pearl Earring” by Omar Rayyan, offered by Last Week Tonight with John Oliver with all proceeds going to benefit U.S. Fish and Wildlife Service. Bidding was up to $16,351 last I looked.
This is an original oil on paper painting, commissioned by Last Week Tonight with John Oliver.
The painting was entered in the 2021 Federal Duck Stamp Art Contest, in which the winning entry is turned into a duck stamp and sold to raise funds for conserving the nation’s wetlands and other wildlife habitats. It is a take on a classic painting, Girl with a Pearl Earring. But there is one significant difference between the two works of art: ours is good, because it is a duck.
Shockingly this masterpiece did not win, but you can still help conserve habitats for birds and other wildlife in our National Wildlife Refuge System by bidding on the painting here.
China’s video game industry is booming. But it sure doesn’t feel that way to Stone Shi, a game designer in China.
Mr. Shi, 27, got his first job in 2018, when Beijing temporarily suspended approval of new games. The next year, the government placed new limits on minors’ playing time. A few weeks ago, the rules got stricter still. People under 18 can now play just three hours a week, during prescribed times on weekends.
“We never hear any good news about the gaming industry,” Mr. Shi said. “We have this joke, ‘Each time this happens, people say it’s doomsday for the video game industry.’ So we say, ‘Every day is doomsday.’”
That’s a bit of an exaggeration. Mr. Shi remains employed and hundreds of millions of Chinese continue to play games each day. Minors still find ways around government blocks. Chinese tech companies, like Tencent, are cornerstones of the global gaming industry. The country has also been quick to embrace competitive gaming, building e-sports stadiums and enabling college students to major in the topic.
…Remy is, of course, an animated talking rat, and this is a movie that presumes, among other things, that a human body is an elaborate marionette operated by hair. I know the lightning cheese mushroom is not realistic. But it looked so enticing, like a crunchy balloon, or like if Eleven Madison Park made a Cheeto. I would very much like to taste an exploded mushroom. So to that end, I nearly set my house on fire.
…There aren’t many recipes for applying lightning to mushrooms, but some people have tried to approximate what this might taste like. My first attempt at distilling the flavor of a storm came from Disney itself, which published a recipe for “Lightning-y Mushrooms” adapted from Fiction-Food Café. Already I saw a problem, though: This recipe calls for fresh, spreadable chevre, which is whipped with herbs and honey and stuffed into mushroom caps. But in the film, Remy is enthralled to find not fresh chevre, but Tomme de Chevre, a semisoft cheese with a grey rind that’s been aged for at least seven weeks. I opted to follow in Remy’s footsteps, and ad-lib where I could.
…I decided I needed to employ some actual electricity. But short of sticking a mushroomed fork in a socket and hoping I didn’t die, I had no idea what to do. So I called Chris Young, co-author of Modernist Cuisine, hoping he had come across something like this in his experiments.
Young explained what I was trying to do is called ohmic cooking, which is actually quite common, especially in the dairy industry. Picture how a power cord plugged into a wall tends to heat up. That’s because it’s a conductor for the electricity, and because a wire is not a perfect conductor, the resistance begins to generate heat. The same thing can happen with food when you essentially make the food the wire….
Sub Millimeter InfraRed Fiber-feed System (or something)
Spitzer Mapping of the Outer Galaxy
Systematic Multiwavelength Unbiased catalog of Dwarf Galaxies and Evolution of Structure
(16) TRAILER TIME. Netflix dropped a trailer for its animated series Arcane.
From the creators of League of Legends comes a new animated series, Arcane. Set in the utopian region of Piltover and the oppressed underground of Zaun, the story follows the origins of two iconic League champions-and the power that will tear them apart.
And while I’m not that wowed by the trailer for Muppets Haunted Mansion people keep sending me the link, so what do I know?
[Thanks to Martin Morse Wooster, JJ, Cat Eldridge, Chris Barkley, Marc Criley, Michael J. Walsh, Daniel Dern, Jerry Kaufman, Bill Burns, Andrew Porter, John King Tarpinian, Michael Toman, and Mike Kennedy for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew (not Werdna).]
We live in parlous times. There is great confusion under heaven, and the conditions are excellent. Which is to say, thanks to border closures, travel restrictions, economic wobbles, and ongoing pandemic uncertainty, much of what we can tell you about Corflu 39 is aspirational, provisional, or pending better data with the unfolding of future events. But we step out in hope, and choose to be optimistic that all our Corflu wishes will come true. Thus, Corflu Pangloss.
They have chosen the Best Western Plus Sands in Vancouver as the site where the con will be held March 18-20, 2022.
This will be the 39th Corflu. To register, get hotel rates, and see who else is on the committee, click the link.
Fanzine Activity Achievement (FAAn) Awards Administrator Nic Farey has released the “2021 FAAn Awards Voting and Announcement Ceremony Schedule (Plague Version)” with next year’s plans for fanzine fandom’s own honors.
Typically the awards have been announced after the Sunday banquet at the Corflu convention, which for 2021 was due to be held in March in Bristol, UK. [Corflu Concorde] However, due to we-all-know-what, the convention won’t take place at that time The organizers are committed to an in-person rather than a virtual event, with the exception of the awards announcement (and consideration of future bids for the con).”
Eligible for the awards will be work first published in 2020. Voting is open to anyone with an interest in fanzines.
The timeline will be:
Saturday January 9, 2021
On, or perhaps even a little before this date, The Incompleat Register 2020 will be issued, containing the ballot form and voting instructions, as well as listings of qualifying zines, fanwriters, fanartists, loccers etc known to the administrator. (See below for further explanation.) This marks the start of the official voting period.
Friday March 12 2021 (midnight PST)
Voting ends. Ballots submitted must be received by this point, by whatever means they are sent.
Sunday March 28, 2021 (time TBD)
Awards ceremony, which will occur online (via Zoom or similar means), hosted by Jerry Kaufman, after which the “results issue” of TIR containing full voting numbers will be distributed.
The Incompleat Register. Apart from the official ballot, this is also a voters’ guide listing the fanzines and contributors for 2020 that Nic Farey is aware of, and hence will inevitably be “incompleat”. Voters are in no way restricted to the contents of these lists – all votes received will be taken in good faith.
Ballot categories are: Best Genzine; Best Perzine; Best Special Publication/One-shot; Best Fanwriter; Best Fanartist; Best Letterhack (the Harry Warner Jr. Award); Best Fanzine Cover; Best Fanzine-related Website.
(1) GRIND IT OUT. Cat Rambo’s latest Cat Chat is an interview with David Steffen of the Submission Grinder.
If you’re not familiar with the Submission Grinder, it’s a web utility that many genre writers spend a lot of time staring at: https://thegrinder.diabolicalplots.com/ I thought it would be interesting to talk to David about how the Grinder came about and what it does.
(2) THE NARRATIVE. Constance Grady, in “The false link between Amy Coney Barrett and The Handmaid’s Tale, explained” on Vox, says the rumor that People of Praise, the charismatic Catholic group Amy Coney Barrett belongs to, was the basis for The Handmaid’s Tale isn’t true and Margaret Atwood has not only denied it, but says she can’t currently say which groups were the basis for the “handmaids” because her papers are at the University of Toronto library and she can’t access them because the library is closed because of Covid-19.
To be absolutely clear: People of Praise is not an inspiration for The Handmaid’s Tale, and the group does not practice sexual slavery or any of the other dystopian practices Atwood wrote about in her novel. But the argument over whether or not the two are connected reflects the deeply contentious atmosphere in which Barrett’s nomination to the Supreme Court occurs — and the immense symbolic weight The Handmaid’s Tale carries in American popular culture…
…Her archive of work and research is at the University of Toronto, where she can’t currently access it due to Covid-19 restrictions. But she’s on the record as going through her Handmaid’s Tale archives for journalists plenty of times in the past, and during those interviews, she’s always cited People of Hope, a different Catholic charismatic spinoff that calls women handmaids.
(3) NEW SFWA BLOG EDITOR. The Science Fiction and Fantasy Writers of America (SFWA) have selected C.L. Clark as the new SFWA Blog Editor. The position of Blog Editor was previously held by Todd Vandermark, who stepped down earlier this past summer.
Clark graduated from Indiana University’s creative writing MFA. She’s been a personal trainer, an English teacher, and an editor, and is some combination thereof as she travels the world. When she’s not writing or working, she’s learning languages, doing P90something, or reading about war and [post-]colonial history. Her work has appeared or is forthcoming in FIYAH, PodCastle, Uncanny, and Beneath Ceaseless Skies. Now she’s one of the co-editors at PodCastle. The first novel in her upcoming trilogy is The Unbroken (Orbit, 2021).
“Todd Vandermark has done years of wonderful work and is moving on to work on his own projects. SFWA is grateful that he’s been a rock of stability for so long. Going forward, I am very excited to have C.L. Clark coming aboard to edit and curate SFWA’s website content,” SFWA President Mary Robinette Kowal said. “Her experience as an editor and writer make her the perfect choice to nurture fresh new voices in the nonfiction side of the genre. I look forward to seeing how she shapes the blog during her tenure.”
The Blog Editor provides oversight and direction regarding articles published on SFWA’s blog. This critical position is responsible for soliciting and publishing online content to support SFWA’s goals of informing, supporting, promoting, defending, and advocating for writers of SF/F.
“I’m thrilled to be joining the SFWA team and so excited to bring the SFFH community helpful articles that reflect the diversity of our community while also addressing the systemic issues within it,” said Clark. “I’m committed to making sure the blog is a great resource for writers at all stages of their career, and is especially welcoming to writers in the early stages. I’m looking forward to seeing new pitches!”
The Sunbird loses contact with Earth while circumnavigating the Sun. Initially, the three men on board assume that a solar flare knocked out their communications. Only after making contact with another space vessel do they learn the truth: whatever happened to them cast their ship across time and space.
The human society of the future arose, as so many societies of the future do, from the ashes of the past. Catastrophe swept away the old order, including all men. Human society is now exclusively female. The crew of the Sunbird are the first men seen since the rise of the current civilization. How can these curious relics be integrated into modern society?
Like many other organizations, the Sunburst Award has been affected by the Covid-19 shutdown. As a consequence, the Sunburst Award Society is announcing a hiatus in its awards program for the coming year. The Sunburst Awards Society members plan to use this time to re-imagine the most effective means available to them for continuing to highlight the stellar work done by Canadians in the field of speculative literature.
Since its inception, the Sunburst Award for Canadian Literature of the Fantastic has raised the public’s awareness of works of speculative literature, and rightfully honoured deserving works, through its prestigious awards program. Over two hundred and twenty-five works have been acknowledged for their contribution to the arts in Canada, and thirty-eight truly outstanding authors have also benefited from monetary recognition.
Members of the Sunburst Board extend their thanks to their members, their jurors, the publishing community, authors and readers for their support over the last twenty years.
The Sunburst Award also administers the Copper Cylinder Award, which went on hiatus in 2019 and has yet to resume activity.
(6) IT’S A SECRET. 20020, the sequel to Jon Bois’s 17776, is here. New chapters every Monday, Wednesday and Friday on Secret Base, September 28 through October 23. Here’s the first installment:
…Fairy tales, we are made to believe, are not for queers. Cishet culture’s magic trick of making itself seem natural, inevitable and universal depends in part on the ubiquity and repetition of fairy tales throughout our lives. We are told these stories of compulsory heterosexuality from cradle to grave—and even though everyone knows they are just fantasies, their enchantments are so seductive that it is difficult to resist their charms and not wish we could all live the fairy tale.
The fairy tale realm is the perfect place for the shifting, resisting, transformative and hard-to-pin-down cultures of LGBTQ folks. Ignore the happily-ever-after endings that imply a kind of blissful stasis that goes on and on forever. The wonder-filled, strange and surprising worlds of fairy tales have the potential for a kind of queer enchantment. Don’t let all those ever-after weddings fool you: Fairy tales are the perfect environment for LGBTQ folks and queer desires…
…Rolling Stone asked me to participate in this year’s project, a request I accepted without hesitation. I was happy to be part of a project that stretched back to the original 1987 issue that was so important to me as a teenager. As I began to assemble my ballot of 50 albums, I came to the quick realization that my decades of listening, list-making, and reading have drastically changed how I view lists and canons. I no longer think of them as some definitive word being passed down from on high or some definitive historical document but rather a reflection of how the pop music community views the past.
Looking at the new Rolling Stone list of 500 Greatest Albums, it’s striking to see how the times have changed. The most obvious seismic shock is how Sgt. Peppers Lonely Hearts Club Band is no longer the Citizen Kane of pop. It’s been dethroned from the top spot, pushed all the way to number 24, with Marvin Gaye’s What’s Going On taking its slot. What’s Going On has been floating in Rolling Stone‘s Top 10 since 1987, the same year where it made it into the Top Five on The World Critics List masterminded by Paul Gambaccini. In other words, What’s Going On has been acknowledged as a consensus classic for decades, so it’s not shocking to see it at the top of the list. The shocks arrive within the guts of the poll, where it becomes clear that the rock & roll era has come to an end….
(9) MEDIA ANNIVERSARY.
September 2000 — Twenty years ago at Chicon 2000, Galaxy Quest, a DreamWorks film, would win the Hugo for Best Dramatic Presentation. It would beat out The Matrix (which lost by just three votes), The Sixth Sense, Being John Malkovich and The Iron Giant. It was directed by Dean Parisot from a screenplay by David Howard and Robert Gordon who worked off the story by David Howard. It’s considered by many Trekkies to the best Trek film ever made.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born September 28, 1897 – Mary Gnaedinger. Edited Famous Fantastic Mysteries and its companions Fantastic and A. Merritt’s Fantasy Magazine. Conducted “The Readers’ Viewpoint” in FFM and “What Do You Think?” in FN. May have been a Futurian. (Died 1976) [JH]
Born September 28, 1909 – Al Capp. His wildly popular comic strip Li’l Abner was made a Broadway musical and a motion picture; it was read by 70 million in the U.S. when the population was 180 million. It had fantastic elements: Evil Eye Fleegle, the Shmoos, the Bald Iggle. Capp spoke at NYCon II the 14th Worldcon. (Died 1979) [JH]
Born September 28, 1913 – Edith Pargeter, O.B.E. Two novels for us, four shorter stories; other work under this name; perhaps her detective fiction under another name about a medieval monk, Brother Cadfael, is best known. EP was named an Officer of the Order of the British Empire for services to Literature. (Died 1995) [JH]
Born September 28, 1930 – Lívia Rusz. (Hungarian-style her name would be Rusz Lívia; Rusz is the family name.) Cartoonist, illustrator, sometimes including fantastic elements e.g. Csipike the dwarf (with Fodor Sándor, or as we’d write, “Sándor Fodor”). Illustrated The Hobbit; here is her cover (in Romanian), here is an interior. (Died 2020)
Born September 28, 1938 – Ron Ellik. You can see his fanzine Fanac (with Terry Carr; fanac = fan activity) here; it won a Hugo. Rick Sneary called him the squirrel for his chatter; he cheerfully adopted it; cartoons appeared. Lived, among other places, in Los Angeles and Berkeley. Hitch-hiked from L.A. to New York for NYCon II the 14th Worldcon. TAFF (Trans-Atlantic Fan Fund) delegate; his trip report was The Squirrel’s Tale. Served in the Marines. Under another name, wrote a Man from U.N.C.L.E. novel, The Cross of Gold Affair. (Died 1968) [JH]
Born September 28, 1950 – William Barton, 70. A dozen novels, thirty shorter stories. Reviews in SF Eye, interviewed there too (with co-author Michael Capobianco). Acts of Conscience won a special Philip K. Dick Award citation; he later served a term a a judge. [JH]
Born September 28, 1950 — John Sayles, 70. I really hadn’t considered him a major player in genre films but he is. He’s writer and director The Brother from Another Planet and The Secret of Roan Inish; andhe wrote the scripts of Piranha, Alligator, Battle Beyond the Stars, The Howling, E.T. the Extra-Terrestrial, The Clan of the Cave Bear and The Spiderwick Chronicles. (CE)
Born September 28, 1956 — Kiran Shah, 64. A dwarf (and yes that’s relevant) who’s been in Superman, Superman II, Raiders of the Lost Ark, The Dark Crystal , Return of the Jedi, Legend , Aliens, The Chronicles of Narnia: The Lion, the Witch and the Wardrobe and The Sign of Four. He stunt doubled for Elijah Wood as Frodo and Martin Freeman as Bilbo Baggins. He’s got two Who appearances, first as Emojibot 1 in “Smile” and as the mysterious unnamed figure In “Listen”, both Twelfth Doctor stories. (CE)
Born September 28, 1963 — Greg Weisman, 57. Writer who’s best remembered for Gargoyles, Spectacular Spider-Man and Young Justice. He also scripted some of Men in Black: The Series and Roughnecks: Starship Troopers Chronicles. He also wrote children’s novel World of Warcraft: Traveler, followed by a sequel, World of Warcraft: Traveler – The Spiral Path. Children’s novels in the Warcraft universe? Hmmm… (CE)
Born September 28, 1982 — Tendai Huchu, 38. Zimbabwean author who’s the editor along with Raman Mundair and Noel Chidwick of the Shores of Infinity zine. He’s also written a generous number of African centric stories of which “The Marriage Plot” won an African Speculative Fiction Society Nommo Award for African Speculative Fiction for Best Short Story. The latest issue of Shoreline of Infinity (Issue 18, Summer 2020) is available from the usual digital suspects. (CE)
Born September 28, 1986 — Laurie Penny, 34. They are the writer of one genre novella to date, “Everything Belongs to the Future“, published at Tor.com, and a generous number of genre short stories. They were a finalist for the Astounding Award for Best New Writer at Worldcon 75 won by Ada Palmer. “Vector at Nine Worlds: Laurie Penny”, an interview with them by JoWalton is in Vector 288. (CE)
(11) CORFLU CONCORDE. The 2021 fanzine fans’ convention, Corflu Concorde, has posted its first progress report on the official Corflu website. The con is planned for March 26-28 in Bristol, UK. Rob Jackson is the Chair.
The FAAn Awards Administrator will be Nic Farey. (Mothers, shield your children!)
Jackson notes provisions are being made for alternate timings for the con “if — as is very possible indeed — we have to postpone from the original date.” A decision about timing will be in PR2, which will be published before Christmas.
…Writing about mathematics presents some special challenges. All science writing generally amounts to explaining something that most people don’t understand in terms that they do. The farther the science is from daily experience, the tougher the task. When it comes to mathematics, its “objects” of study are hardly objects at all. In his famously heartfelt if somewhat dour memoir A Mathematician’s Apology, the mathematician G. H. Hardy describes mathematicians as “makers of patterns.” While all sciences depend on the ability to articulate patterns, the difference in mathematics is that often it is in the pattern in the patterns, divorced from any context at all, that are in fact the subject.
None other than Winston Churchill was able to tell us how it feels to have tower of mathematical babble transformed to a stairway to understanding: “I had a feeling once about Mathematics—that I saw it all. Depth beyond depth was revealed to me—the Byss and Abyss. I saw—as one might see the transit of Venus or even the Lord Mayor’s Show—a quantity passing through infinity and changing its sign from plus to minus. I saw exactly why it happened and why the tergiversation was inevitable, but it was after dinner and I let it go.” Let’s assume it wasn’t just the whiskey talking.
It’s hard to remember now, but there was a time when Game of Thrones couldn’t afford to stage a battle. For all its groundbreaking, world-building ambition, the HBO fantasy drama’s 2011 debut season struggled to populate even modest crowd scenes on its $6 million-per-episode budget. Yet going into the show’s sophomore year, GoT producers were faced with the challenge of depicting one of saga author George R.R. Martin’s most colossal events: the Battle of the Blackwater, the climax of his second Song of Ice and Fire novel, A Clash of Kings.
…George R.R. Martin: We had a director who kept saying, “Cut this! Cut that! I can’t make the day.” I kept removing elements and it was getting to the point where it was getting as bad as the jousting tournament.
And then, just a few weeks before filming, the director had an unexpected family medical emergency and had to drop out. “I’d done quite a lot of work prepping that episode,” the director said. “Very sadly, I had an illness in the family and I had to leave. I knew I was leaving them with a difficult time, but it was absolutely unavoidable.”
Now the production had another tough problem. After all their pleading and negotiation with HBO for the money and latitude to stage a climactic battle, they were less than a month from shooting and didn’t have a definitive plan or a director.
Bernadette Caulfield (executive producer): That was my first year on the show and probably my first fight with David and Dan. They were like, “Oh, let’s get so-and-so.” I said, “Ninety percent of this is action. We need somebody who really knows action. It’s not easy. We should really look at Neil Marshall.”
David Benioff: Neil did Centurion and Dog Soldiers, movies where the guy is doing an incredible amount of really impressive action on a very thin budget.
Bernadette Caulfield: And other directors kept being mentioned and I kept saying, “I’m telling you, we need an action director!” Then David calls me up. At the time we didn’t know each other that well. And he goes: “Okay, Bernie, we’re going with your idea to hire Neil.”
I swear to God, my stomach dropped. I’m like, “Wait, my idea? This is a community decision!” I hung up the phone and I thought, Shit. Now it’s my idea. I’m responsible for this guy doing our first battle.
Neil Marshall (director): I was aware of Game of Thrones when season one was happening. I thought, This is really my kind of thing, and had my agent contact HBO and say, “If there’s any chance, I’d like to be able to direct an episode.” Their response was like, “We have our directors, thank you very much.”
Then a year or so later on a Saturday morning, I got an emergency call from Bernie to come and fix a situation that, from what I gathered, was a bit out of control. She asked if I would like to direct an episode. I was like, “Absolutely!” I’m thinking this will be in few months’ time. Then she said, “It’s on Monday morning and you’ve got one week to plan.”…
(14) GET STARTED ON YOUR HOLIDAY SHOPPING. Time Travel Mart offers a Robot Toupee. Know anybody who needs one?
They have lots of amusing novelties. Consider the Pastport:
Whether heading to Pangaea or the future Moon Colony, no time traveler would dare go without their Pastport. Only documentation officially recognized by the Intertemporal Travel Commission.
Travel stamps may be obtained whenever travel to era is approved. Watch social media for era approval stamps.
Several liquid bodies have been found under the south pole of Mars, according to a major new study.
The findings give extra credence to previous research that suggested there could be a large saltwater lake underneath the Martian surface, the researchers claim – and also led to them discovering a number of other wet areas.
The findings could be key in the search for alien life on the planet, the researchers note, given life as we know it requires liquid water to survive.
They will also be key to “planetary protection” work that ensures that humanity doesn’t contaminate other planets with life from Earth during missions to explore them.
…The discovery was made using MARSIS, or the Mars Advanced Radar for Subsurface and Ionosphere Sounding, which is onboard the Mars Express spacecraft sent by the European Space Agency to orbit around Mars.
Future moon explorers will be bombarded with two to three times more radiation than astronauts aboard the International Space Station, a health hazard that will require thick-walled shelters for protection, scientists reported Friday.
China’s lander on the far side of the moon is providing the first full measurements of radiation exposure from the lunar surface, vital information for NASA and others aiming to send astronauts to the moon, the study noted.
A Chinese-German team reported on the radiation data collected by the lander — named Chang’e 4 for the Chinese moon goddess — in the U.S. journal Science Advances.
(17) A DOLLAR SHORT. The Space Review’s Dwayne Day looked at the 12 reality shows that claimed to send the winner into space and explained why they all turned into vaporware. “Reality bites”.
…Of course, this is Hollywood, where production companies announce all kinds of plans, some of them much more solid than others, where often the announcement of a project does not mean that the project is about to happen. The article contained this bit of information: “The series will be taken out soon, with a global streaming platform and a broadcast partner in each country, including the U.S., explored as distribution options.”
“Taken out” is Hollywood jargon for “go looking for somebody to pay us to do this.” And when it comes to space-based reality television, lots of proposals like this have been “taken out” before, giving the term a more ominous meaning. In fact, by one count, this is now the twelfth time that somebody has attempted to create a reality TV show with a spaceflight as the prize.
Around 20 years ago, there was the first of a long string of announced reality television shows that would culminate in a flight into space for a lucky winner. The one, or at least the first one that became public, was “Destination: Mir” proposed in 2000 by Mark Burnett, the producer of numerous successful reality television shows, most notably “Survivor.” Burnett wanted to fly the winner of a reality show competition to the Russian space station aboard a Soyuz spacecraft. NBC even announced that the show would be on its 2001 schedule. After the Mir space station was deorbited, Burnett renamed the show “Destination: Space,” featuring a flight to the International Space Station instead. The reputed price tag for the show was $50 million. Burnett’s project never made it to television….
(18) INSATIABLE. Pac-Man, the iconic arcade game from the 1980s, turns 40 this year. To celebrate, the video game now enters the world of virtual reality.
(19) BRACKETT OUT OF CHANDLER. K A Laity, in “Classic Noir: The Long Goodbye (1973)”, comes up with a bunch of reasons to make you want to find the movie and watch it – even though I don’t remember it being all that good!
I read the novel so long ago (back in my L. A. days so looooong ago) I could only remember the basics of the story. There were probably more of them in the original script by the legend Leigh Brackett, but Robert Altman’s style of filmmaking always left room for improvisation and Elliott Gould—unlikely to be most director’s ideal choice to play Phillip Marlowe—works well here.
(20) VIDEO OF THE DAY. In “After Earth Pitch Meeting” on YouTube, Ryan George notes that the 2013 Will Smith film is set in a future Earth where there’s no oxygen even though there are plenty of trees and animals, and how creatures can smell human fear in a world where humans haven’t lived for a thousand years.
[Thanks to Martin Morse Wooster, N., Mike Kennedy, Michael Toman, JJ, Olav Rokne, John Hertz, Cat Eldridge, John King Tarpinian, John A Arkansawyer, Todd Mason, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Jack Lint.]
By John Hertz: The only current annual fanziners’ convention I know of is
Corflu. Another called Ditto having run two decades, not always
annually, fell asleep. An attempt at another called Toner lasted, if
memory serves, two years.
Corflu is mimeograph correction fluid, once
indispensable. The Mimeograph was a 19th Century invention for
making inexpensive copies by forcing ink through stencils held on a rotating
drum. In the United States, “Mimeograph” was a registered trademark of
A.B. Dick Co., but was allowed to become generic.
Gestetner-brand machines appeared
a few years later. With Roneo-brand machines you could change drums to
change the color of ink. Rex Rotary was another
brand. I’m not sure how widely mimeograph or mimeo was
used as a generic term outside the U.S.
Many thought this the Grade A
technology for fanzine publication until cheap photocopying
arrived. Corflu was essential so as to cure misteaks.
Spirit duplication, which always sounded to me like something out of a fantasy
story, was a 1920s tech. Writing on a master sheet pressed the
master against a second, inked sheet; the master, duly inked on its back side,
and attached to a drum, was rolled over a wick holding an alcohol-based solvent
that transferred ink onto paper.
The Ditto brand was best known;
another was Heyer. You could
correct errors with skillful use of a razor blade, or an X-Acto knife, and
rewriting (or even retyping).
Each of these had various
advantages, disadvantages, and know-how. Generally mimeo could
reproduce more copies, spirit duplication was cheaper.
Toner is the powdery ink used in
laser printers and many photocopiers.
As Paul Skelton recently quoted
from Marshall McLuhan in Raucous
Caucus 7, when technology becomes obsolete it reshapes into an art
form. Actually McLuhan also said obsolescence isn’t an ending, it’s a
beginning. Speaking for myself I’m big on Right tool for
Corflu XXXVII was March 13-15,
2020, at College Station, Texas, U.S.A. (some cons get names; this one was
“Corflu Heatwave”). Corflu XXXVIII is scheduled for March 26-28,
2021, at Bristol, England, U.K. (“Corflu Concorde”). Seldom able to
attend in person, I’ve been a faithful Supporting Member, and happily recommend
membership in either kind.
If you’re electronic you can
or you can always write to me, 236 S. Coronado St., No. 409, Los Angeles, CA