THE UNEXPECTED. Not counting the times she was nominated for literary awards, Benjanun Sriduangkaew hasn’t been in the news here since 2017. It’s not clear she’s done anything newsworthy even now, but the fact that she’s been mentioned so often on Twitter in the past week has made people wonder why.
In 2014, Laura Mixon published a report identifying Sriduangkaew as the abusive blogger Requires Hate (among other handles), a piece which earned Mixon the 2015 Best Fan Writer Hugo.
D Franklin tweeted in this thread that the increased discussion of Sriduangkaew in the past week was specifically in response to another thread, however, yesterday there was a kind of “crossing the streams” when Elizabeth Bear tweeted, “Just so you all know, an unknown actor who is possibly Requires Hate is just about to launch a really fucking big disinformation campaign about @scottlynch78 and me. If a whole bunch of accounts you’ve never heard of start launching really wild accusations, don’t be surprised.”
Alexandra Erin tweeted a skeptical response: “Last night I blocked Elizabeth Bear and Scott Lynch, who both had followed me for some time after she did the equivalent of detonating a tactical nuke as a flash bomb to distract the audience, blaming all emerging accusations against her on someone her community will accept.”
While paging through the allegations, defenses, and comments from the parties’ friends and critics, something else emerged that did warrant a story.
COURTNEY MILAN. A Google search shows people have known for several years Sriduangkaew and Courtney Milan are acquainted, but this past winter Milan’s profile grew more visible after her unjust treatment by Romance Writers of America triggered member protests that led to a complete turnover in RWA leadership and a great deal of media coverage. And last week when Milan started to speak out on behalf of Sriduangkaew, and criticized the Mixon report, the connection became more interesting to people active in sff.
Milan made a general comment:
Then, responding to the last of several non-public tweets from Benjanun Sriduangkaew’s protected Twitter account, Courtney Milan threw shade on the Mixon report:
D Franklin responded:
Milan added more commentary about the Mixon report. Thread starts here.
Courtney Milan signed off the exchange with this apology:
The RWA Board of Directors is thrilled to announce the introduction of a brand-new award, The Vivian, named after RWA founder Vivian Stephens, whose trailblazing efforts created a more inclusive publishing landscape and helped bring romance novels to the masses.
…In support of The Vivian, and guided by the principles of diversity, equity, inclusion, and access, the contest task force has been hard at work developing a contest that aligns with the Board’s vision for RWA 2.0 and that is designed to fulfill the following mission:
The Vivian recognizes excellence in romance writing and showcases author talent and creativity. We celebrate the power of the romance genre with its central message of hope–because happily ever afters are for everyone.
They also acknowledged the former award’s namesake: “We would like to express our heartfelt gratitude to Rita Clay Estrada, RWA’s first president, for honoring us the past 30 years as the award’s namesake, and for her service to RWA and romance authors everywhere.”
Precisely how winners of The Vivian will be chosen under the new award’s judging scheme has yet to be revealed. RWA director Avery Flynn responded to concerns: “I don’t think I can go into any detail yet because it will be officially presented to the board and members at the May meeting. I’m sorry. I don’t want to break task force/board confidentiality at this point. I know that’s frustrating. Believe me, I’d love to spill everything now.”
The RWA’s says highlights of the proposed format include:
A clear rubric to enhance and streamline scoring guidelines in addition to judge training that will allow for more standardized judging,
A sophisticated matching process so that entrants can be sure their books go to judges versed in their subgenre, and
A category devoted to recognizing unpublished authors.
Their proposals will be shared with members at the May 30-31 Board meeting. The Board’s goal is for the rules and format to be finalized and voted on in time for a fall launch, with the first year of the contest to recognize books published in both 2019 and 2020. (The 2019 eligibility year is included to cover the gap left by the cancellation of this year’s RITAs).
RWA Executive Director Leslie Scantlebury and RWA President Alyssa Day spoke with Vivian Stephens to request the honor of naming this award after her.
In their conversations, she was gracious, kind, and hopeful for the future of RWA. They asked if she would share her thoughts with our members, and we’re pleased to relay them to you here:
“I once heard an astrophysicist explain how heavy elements of the Periodic Table forged into the center of stars, later explode, showering the universe and everything in it with its spoils, Stardust. Since we all live in the universe it is well worth remembering that underneath the outer dressing of ethnicity, color, and gender, we are all the same. Showered with the gift of stars.
“Today, as we move forward into a new world order, Romance Writers of America must be one group, united by the purity of craft that identifies the organization. Guided by their star shine, moving quietly with confidence in the direction of their purpose, writing wonderful stories. Members must step up and deliver their best. Romance novels are read by people of Every Background throughout the World! They read these novels for entertainment, general information, life-style ideas, encouragement, rules of behavior, fun, a good laugh, hope, and a reminder of how life could be…if only.
“It is the duty of every Romance writer to give every Romance reader that experience. The writer must elevate themselves to be worthy of the craft and bring to it all of the nuances and magic of good storytelling. The reader deserves and expects nothing less.”
BGSU’s Browne Popular Culture Library profiled Stephens on Twitter today. Thread starts here.
(1) NEXT TREK. CBS All Access dropped a trailer for Star Trek: Strange New Worlds, a spinoff from Star Trek; Discovery that stars Anson Mount and Rebecca Romijn.
Fans spoke, Star Trek listened, and a new series aboard the U.S.S. Enterprise is on the horizon! Watch stars Anson Mount, Ethan Peck, and Rebecca Romijn excitedly break the big news. Stay tuned for more information on Star Trek: Strange New Worlds, coming soon to CBS All Access. In the meantime, stream full episodes of Star Trek: Discovery, exclusively in the U.S. on CBS All Access.
(3) DEALING WITH A FAMILIAR MEDIA WEAPON. On Saturday, May 16, professionals in the field of influence operations (“Fake News”) will join Gadi Evron, Sounil Yu, Malka Older, and special guest David Weber to discuss how disinformation can be countered from an operational standpoint, as well as its effects on society and policy. “Countering ‘Fake News’: Professionals Speak” at Essence of Wonder. Registration required
Panel one will cover the effects of “Fake News” on society, and the shaping of policy around the topic. Panel two will dive deeply into methodologies, operational tools, and techniques, for countering “Fake News” attacks.
WFC2020: The Sookie Stackhouse books were made into the series True Blood, which ran seven years. In the books Lafayette (the fry cook) doesn’t last long, but the actor, Nelsan Harris, was so popular his role was expanded in the series. What other changes were made to the books’ characters?
CH: I thought the character of Jessica (Deborah Wohl) was a fabulous addition to the storyline. Wished I had thought of her. The fae on screen turned out to be not at all what was in my head, but it worked for the purposes of the show. I loved the sets, which I saw several times: Sookie’s house, Jason’s house, Merlotte’s. And all the actors were amazing. Alan Ball is a genius at casting. Nelsan was wonderful!
Dana Cameron, Toni L.P. Kelner (a.k.a. Leigh Perry), Patricia Briggs, and Charlaine Harris will join us on Essence of Wonder with Gadi Evron for geeky shenanigans in a panel discussion about Worldbuilding (and maybe pets). Before the panel, Charlaine will interview Patricia on her new Mercy Thompson book, “Smoke Bitten“. Join us for this special show with The Leading Ladies of Urban Fantasy on Saturday (23 May).
(6) DON’T MISS OUT. Another WFC 2020 guest of honor, Steve Rasnic Tem, telling about “My First WFC”, includes this wisdom:
…My late friend Ed Bryant and I would sometimes read the glowing tributes to authors who had passed and Ed would say, “Well, I hope they told them these nice things while they were still alive.” Attending a World Fantasy Convention gives you a great opportunity to practice Ed’s advice. The sad fact is you may not have another chance.
Charlie Jane Anders is writing a nonfiction book—and Tor.com is publishing it as she does so. Never Say You Can’t Survive is a how-to book about the storytelling craft, but it’s also full of memoir, personal anecdote, and insight about how to flourish in the present emergency.
Below is the Introduction, followed by the first chapter, “How To Make Your Own Imaginary Friends”
New installments will appear every Tuesday at noon EST.
Here’s an excerpt –
….So I’m writing a series of essays called Never Say You Can’t Survive, all about how writing and making up stories can help you to survive a terrifying moment in history. (These essays came out of a talk that I gave at the Willamette Writers Conference and elsewhere. And their title is borrowed from the 1977 album of the same name by Curtis Mayfield, which is a piece of music that has given me so much strength and inspiration over the years.)
Stories of Darkness and Escapism
When I wrote “Don’t Press Charges And I Won’t Sue,” I was going to the darkest possible place I could go in a story, and putting my protagonist through the most dehumanizing treatment I could imagine. I needed to face up to the absolute worst that could happen, so I felt like I understood it a little better. I also needed to write about someone facing up to the most nightmarish scenario and still emerging in one piece, surviving, even though it’s a dark ending.
Writing a horrifying story on your own terms means that you can show how someone can survive, or even triumph. And meanwhile, you can cast a light on the injustice of oppressive systems. You can also choose the frame and eliminate some of the ambiguity in some situations, to make things more stark and more clear, or to make juxtapositions that illuminate how the problem started, and how it’ll be in the future.
When you’re telling the story, you get to draw all the lines….
…Thus he was receptive on the day in early 1990 when one of his most productive if headstrong programmers, a strapping young metalhead named John Romero, suggested that Softdisk start a new MS-DOS disk magazine, dedicated solely to games — the one place where, what with Apogee’s success being still in its early stages, shareware had not yet clearly cut into Softdisk’s business model. After some back-and-forth, the two agreed to a bi-monthly publication known as Gamer’s Edge, featuring at least one — preferably two — original games in each issue. To make it happen, Romero would be allowed to gather together a few others who were willing to work a staggering number of hours cranking out games at an insane pace with no resources beyond themselves for very little money at all. Who could possibly refuse an offer like that?
(9) TODAY IN HISTORY.
May 15, 1955 — X Minus One’s “Universe” first aired. It’s based off Heinlein’s Universe which was first published in Astounding Science Fiction’s May 1941 issue, and George Lefferts wrote the script. The cast includes Donald P. Buka, Peter Kapell, Bill Griffis, Abby Lewis, Edgar Stehli, Jason Seymour and Ian Martin. Untold generations of people traveling in a giant’s spaceship have lost track of who they are and what they set out to do. They think that their ship is the Universe. You can listen to it here.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born May 15, 1856 – L. Frank Baum. His Wizard of Oz has been translated into 50 languages, selling 3 million copies by the time it entered the public domain in 1956, applauded by the Library of Congress in 2000; 13 more Ozbooks, 28 others, 83 shorter stories, 200 poems, at least 42 scripts, under his own and half a dozen pen names. While living in the Dakota Territory, he was Secretary of the Aberdeen Woman’s Suffrage Club, and hosted Susan B. Anthony (Aberdeen is now a city in the State of South Dakota). He knew French, German, Italian. He said at the start that Wizardaspired to fantasy “in which the wonderment and joy are retained and the heart-aches and nightmares are left out,” at which he succeeded. Last words, to his wife, “Now we can cross the Shifting Sands.” (Died 1919) [JH]
Born May 15, 1848 – Viktor Vasnetsov. Co-founder of Russian folklorist and romantic-nationalist panting, key figure in Russian Revivalist movement. Designed churches, mosaics, a revenue stamp, the façade of the Tretyakov Gallery. Worked on stage designs and costumes for Rimsky-Korsakov’s opera The Snow Maiden. V’s fantasy and epics irritated radicals, who said he undermined realist principles. Here is a flying carpet. (Died 1926) [JH]
Born May 15, 1891 – Mikhail Bulgakov. Had he only written The Master and Margarita, that would have sufficed us; an elaborate strange masterpiece; Margarita, not the Master, allies herself with the Devil – maybe; I talk a little about it here; in fact not published until decades after his death, too dangerous. Mick Jagger said it inspired “Sympathy for the Devil”. Try this Website. See also Diaboliad, The Fatal Eggs, Heart of a Dog. Two rival museums in Moscow – in the same building; one in Kiev. (Died 1940) [JH]
Born May 15. 1906 – Ellen MacGregor. Librarian, cataloguer, researcher, editrix of the Illinois Women’s Press Ass’n monthly bulletin Pen Points; also worked in Florida and Hawaii. For children’s fantasy with accurate science she wrote Miss Pickerell Goes to Mars and Goes Undersea; Goes to the Arctic published after her death; then 13 more, 16 shorter stories, by Dora Pantell. Lavinia Pickerell, prim, angular, and devoted to her pet cow, is an inadvertent stowaway on a rocket to Mars in her first adventure, but she is unflappable. (Died 1954) [JH]
Born May 15, 1932 – Jack Cady. He won the Nebula Award, the World Fantasy Award, and the Bram Stoker Award, an impressive feat indeed. McDowell’s Ghost gives a fresh spin on the trope of seeing seeing a War Between The States ghost, and The Night We Buried Road Dog is another ghost story set in early Sixties Montana and is quite horrid. Underland Press printed all of his superb short fiction into two volumes, Phantoms: Collected Writings, Volume 1 and Fathoms: Collected Writings, Volume 2. (Died 2004.) (CE)
Born May 15, 1948 — Brian Eno, 72. Worth noting if only for A Multimedia Album Based on the Complete Text of Robert Sheckley’s In a Land of Clear Colors, though all of his albums have a vague SF feeling to them such as Music for Civic Recovery Centre, January 07003: Bell Studies for the Clock of The Long Now and Everything That Happens Will Happen Today which could the name of Culture mind ships. Huh. I wonder if his music will show up in the forthcoming Culture series? (CE)
Born May 15, 1955 — Nina Kiriki Hoffman, 55. Her book The Thread That Binds the Bones, won the Bram Stoker Award for first novel. In addition, her short story “Trophy Wives” won a Nebula Award for Best Short Story. Other novels include The Silent Strength of Stones (a sequel to Thread), A Fistful of Sky, and A Stir of Bones. All are excellent. Most of her work has a strong sense of regionalism being set In California or the Pacific Northwest. (CE)
Born May 15, 1955 – Takayuki Tatsumi. Professor at Keiô University, chair of K.U. SF Study Group; editor, essayist, interviewer, theoretician; 21st Nihon SF Taishô (Grand Prize) from Science Fiction & Fantasy Writers of Japan. President, American Literature Society of Japan 2014-2017, Poe Society of Japan 2009- ; editorial boards of Paradoxa, Mark Twain Studies, Journal of Transnat’l American Studies. In English, for SF Chronicle, SF Eye, N.Y. Review of SF, SF Studies, the 65th and 72nd Worldcons’ Souvenir Books; The Liverpool Companion to World SF Film (2014); The Cambridge History of Postmodern Literature (2016). [JH]
Born May 15, 1974 – Ahmet Zappa. Brother of Dweezil, Moon Unit, and Diva; wrote song “Frogs with Dirty Little Lips” with his father Frank. Debut novel (and interiors), The Monstrous Memoirs of a Mighty McFearless; debut film, The Odd Life of Timothy Green; television, three-season host of Robotica; co-author with wife Shana Muldoon Zappa, Sage and the Journey to Wishworld and 14 more Star Darlings books. [JH]
In the beginning, nearly every superhero had a secret identity. It protected them from villainous revenge, and created a delicious dramatic tension while interacting with loved ones who had no inkling of their other life. But the strict secret identity is fast becoming an anachronism.
And all of this is for the better, delivering not only greater dramatic possibilities, but also a healthier idea of heroism….
(13) FANTASTIC FOUR COMICS. Marvel’s tells fans that Fantastic Four: Antithesis is coming in August, the first full-length Fantastic Four story ever illustrated by industry legend Neal Adams.
Adams is joined by Eisner Award-winning writer Mark Waid (Daredevil, Captain America, Fantastic Four), who jam-packs this tale with a fan-favorite roster of Fantastic Four heroes and villains! Together, this celebrated creative team create a new nemesis for the Fantastic Four guaranteed to send shockwaves throughout all of fandom.
…Adams shares [Waid’s] enthusiasm about the project. “I have always had the sense of missing the chance to draw the Fantastic Four. It was a quiet sense, since I’ve had every opportunity to do my favorites. More, I felt Kirby and Buscema had done it all, hadn’t they…?” he begins. “When Marvel’s Tom Brevoort asked if I’d like to do the Fantastic Four, I knew I had to ask for Galactus and the Silver Surfer as well. I am humbled and thankful to Tom for the opportunity.”
Who or what is the Antithesis, and will the combined might of the Fantastic Four, the Silver Surfer, and Galactus himself be enough to defeat it?
With comic book stores closed as a result of the COVID-19 pandemic, it was an open question just what fans would do to get their fix. New figures released from digital service DC Universe suggest that the answer was, simply, “go online.”
(15) ON THE WILDSIDE. John Betancourt has launched a Kickstarter appeal to produce “Staying In Place”, an “anthology of stories to pass the time.” Various support levels also bring additional rewards in the form of reading material.
With so many people staying at home right now, we at Wildside Press and the Black Cat Mystery & Science Fiction Ebook Club are putting together a mammoth anthology of amazing stories for you to read and enjoy. The anthology will feature 20 novels and short stories by iconic authors such as John Gregory Betancourt, Paul di Filippo, John W. Campbell Jr., Robert E. Howard, G.D. Falksen, and many more to be announced. But we need your help to make this happen. We are coming to Kickstarter to fund the anthology. In return for your support, you get the anthology itself, some of our fantastic ebooks, and even a subscription to the Black Cat which gives subscribers 7+ free ebooks every week, including new releases of all of the great Wildside Press magazines (Weirdbook, Black Cat Mystery Magazine, Sherlock Holmes Mystery Magazine, and even the upcoming revival of Startling Stories, the famous pulp magazine).
Every now and then, a Twitter act of creation reminds us that good things can still emerge from our hellish Internet stomping grounds. Such is the case with a viral thread from writer Alex Arrelia, in which Arrelia painstakingly—and hilariously—takes on J.R.R. Tolkien’s characters under the heading of “Men of Middle Earth as bad ex boyfriends who ruined your life.”
Most obviously, Sauron could have prevented the destruction of the One Ring–and thus the unraveling of his power–if he’d only done a little more to make sure that Mount Doom was protected from approach and infiltration. Indeed, it is precisely the fact that it is so unguarded–because Sauron couldn’t imagine that anyone would want to destroy the Ring rather than use it – that allows Frodo and Sam to sneak up on it. Sauron is defeated by his own inability to think outside of himself.
Showrunner Noelle Stevenson has always been a fan of science fiction and fantasy. As a kid, she loved it all: the epic space battles, the magic, the quests that seemed larger than life.
But there was a problem with her favorite childhood stories, like Star Wars and The Lord of The Rings series. “I never quite saw myself reflected in them” Stevenson says, “certainly not at the heart of the story.”
There weren’t a lot of women.
Of course, there’s interstellar rebel Princess Leia and Nazgûl-slaying Éowyn. But Stevenson wanted a female version of Luke Skywalker and a terror-inducing femme Lord Sauron.
So when she started writing stories of her own, she made sure kids like her felt seen, in more ways than one.
…When Netflix and DreamWorks wanted to reboot She-Ra: Princess of Power — an epic showdown between magical princesses and an evil alien invader — Stevenson was all in.
She kept much of the original show’s action and adventure — like the original, the rebooted show takes place on the planet Etheria, and one of the princesses who is trying to stop the evil Horde army from taking over is named Adora.
…Stevenson did make one small but important change to the show: Its name. The Netflix and DreamWorks version is She-Ra and the PRINCESSES of Power. All the princesses are important.
She also gathered an all-female writing staff to update this team of powerful women. In the original show, the princesses are white, skinny and presumably straight. The new rebellion includes women of color. They’re women in all different shapes and sizes. And there are women who love other women.
Princess Weekes is an assistant editor at The Mary Sue, a website that covers the intersection of women and fandom. She’s been writing about the She-Ra reboot since the beginning.
Weekes says that because the team behind She-Ra is made up of LGBTQ people, the stories on the show give genuine representation of queer life for kids.
“You allow queerness for young kids to be just normalized in general,” Weekes says. “What I think Noelle Stevenson and the entire She-Ra team has done is create a society and place where characters can exist, but their biggest problem isn’t that they’re gay.”
Even Queen Elsa’s magic is no match for the coronavirus pandemic.
Disney Theatrical Productions said Thursday that its stage adaptation of “Frozen” will not reopen on Broadway once the pandemic eases, making the musical the first to be felled by the current crisis.
“Frozen” had been the weakest of the three Disney musicals that had been running on Broadway — the others were “The Lion King” and “Aladdin” — and the company made it clear that it does not believe audiences will return in substantial enough numbers to sustain all of those shows.
“This difficult decision was made for several reasons but primarily because we believe that three Disney productions will be one too many titles to run successfully in Broadway’s new landscape,” Thomas Schumacher, the president of Disney Theatrical Productions, said in a letter to his staff….
On Saturday, the US Air Force is expected to launch its secret space plane, X-37B, for a long-duration mission in low Earth orbit. The robotic orbiter looks like a smaller version of the space shuttle and has spent nearly eight of the past 10 years in space conducting classified experiments for the military. Almost nothing is known about what X-37B does up there, but ahead of its sixth launch the Air Force gave some rare details about its cargo.
…[The] real star of the show is a small solar panel developed by the physicists at the Naval Research Lab that will be used to conduct the first orbital experiment with space-based solar power.
“This is a major step forward,” says Paul Jaffe, an electronics engineer at the Naval Research Lab and lead researcher on the project. “This is the first time that any component geared towards a solar-powered satellite system has ever been tested in orbit.”
Space-based solar power is all about getting solar power to Earth no matter the weather or the time of day. The basic idea is to convert the sun’s energy into microwaves and beam it down. Unlike terrestrial solar panels, satellites in a sufficiently high orbit might only experience darkness for a few minutes per day. If this energy could be captured, it could provide an inexhaustible source of power no matter where you are on the planet.
It’s an idea that was cooked up by the science fiction writer Isaac Asimov in the 1940s; since then, beamed power experiments have been successfully tested several times on Earth. But the experiment on X-37B will be the first time the core technologies behind microwave solar power will be tested in orbit.
Most of you probably know the world-famous Keukenhof, the most beautiful tulip garden in the world. Every year millions of tourists visit this garden. That’s a huge lot considering the garden is only open in spring! Every year, a hard-working crew makes sure the garden looks as good as ever, including this year!
This year is ‘special’. Keukenhof is closed, for the first time in 71 years. But that doesn’t mean there are no flowers. On the contrary; the flowers look incredible and get as much attention and care as always. All the passionate gardeners do their work as they’re used to. Because even without people, nature and the show of the garden goes on….
…Once the world opens up and travel gets easier Amanda and Ash and I are looking forward to being together again in Woodstock. (Yes, I’ve seen the newsfeed headlines saying I’ve moved to the UK, and even that we’re divorcing. No, I haven’t moved the UK, and yes, Amanda and I are still very much together, even with half a world between us.)
Thank you to everyone who’s been kind and nice and helpful, while Amanda and my problems got rather more public than either of us is comfortable with. We love each other, and we love Ash, and we will sort ourselves out, in private, which is much the best place for things like this….
And the couple’s joint letter follows.
(23) NOT THAT SUBTLE. [Item by Martin Morse Wooster.] Kyle Mizokami, in “The Space Force Receives Its ‘Kobayashi Maru’ Space-Tracking System” in Popular Mechanics says it’s no coincidence that Space Force’s warning system is a Star Trek reference; the Space Force also has a Kessel Run, and Mizokami thinks it’s no coincidence that the acronym for the force’s Space Operations Center is SPOC.
The U.S. Space Force announced the development of a brand new software package designed to track and monitor objects in space. Dubbed “Kobayashi Maru,” the cloud-based program was designed to modernize the way the U.S. Air Force—and now the U.S. Space Force—interoperates in space but with its allies in the “Five Eyes” intelligence sharing alliance.
[Thanks to Martin Morse Wooster, John King Tarpinian, Cliff Ramshaw, Chip Hitchcock, Cat Eldridge, John Hertz, Mike Kennedy, JJ, David Goldfarb, Paul Di Filippo, Michael Toman, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Anna Nimmhaus.]
…As some of you may be aware, over the course of several weeks, trolls created dozens of false accounts as part of a harassment campaign against some writers. We reached out to Goodreads to ask for assistance in stopping those attacks and they were, thankfully, responsive. Goodreads was as committed to solving this as SFWA was. If readers lose their faith with the site because of false reviews, that’s a problem for all of us.
During the course of the conversation, we shared with them some ideas that they might use to block this form of targetting. They are working on implementing some of those, although I hope you’ll understand that we won’t be able to share the details of those particular efforts….
There are also some existing tools on Goodreads that were not immediately apparent. We offered to highlight those to our members while Goodreads puts the other measures into place.
Flagging reviews – Goodreads does not allow Ad Hominem reviews or attacks on an author. They made it clear to us that when reviews become about the author, not about the book, authors are able to flag uses of harmful language or when the intent is to harm the person, not to review the book. If an author is receiving an avalanche of those, they may send a link to email@example.com or send a link via Goodreads’ contact form.
Reporting entire accounts – Sometimes, a single actor will create negative reviews of an author’s entire body of work. In those cases, any author may send a link to firstname.lastname@example.org.
(2) RIPPED BODICE. Since Courtney Milan is one of them, the Scroll will
report all the winners of the inaugural Ripped Bodice Awards for Excellence in
Romantic Fiction. The award was launched last year by Leah and Bea Koch,
co-owners of the
Ripped Bodice bookstore
in Culver City, Calif., and is sponsored by Sony Pictures Television. Chosen by
a panel of industry experts, each honoree receives $1,000 plus a $100 donation
to the charity of their choice.
The winning titles are:
Xeni by Rebekah Weatherspoon
Mrs. Martin’s Incomparable Adventure by Courtney Milan
If Doctor Who seems like a show that has been disappointing its devotees for 56 years and counting, perhaps that is to be expected. After all, no other TV series in history has shown such a wilful disregard for anything approaching a house style, happily pressing the re-set button every week and leaping between planets and time zones, comedy and tragedy, psychodrama and space opera.
More people want a new Back to the Future film than want a new instalment in any other franchise. But one of its creators says doing another movie would be like “selling your kids into prostitution” – so it’s been rebooted as a stage musical instead.
Walking though the Manchester Opera House foyer a week before the first performance of Back to the Future: The Musical means picking your way through piles of props and kit that are waiting to be slotted into place before opening night.
A skateboard and some of the Doc’s scientific equipment are lying around, and a crew member walks past carrying what look like dancers’ 1950s dresses. The components of the Doc’s nuclear-powered flux capacitor are probably spread around somewhere.
…Thursday’s first performance will mark the end of a 12-year journey to bring one of the best-loved films to the stage. Another journey will start – the show is set to go to the West End after Manchester, and then perhaps Broadway.
“It’s the same story of the movie,” says Bob Gale, who has scripted the stage show and co-wrote the movies. “But there are things that you can do and can’t do on stage that differ from cinema.”
So in the show, Marty plays more music, and new songs take us deeper into the characters’ emotions and back stories. But some of the action (like the skateboard chase and the gun-toting Libyan terrorists) has been changed. And, sadly, there’s no Einstein the dog.
“Lots of people were clamouring, ‘Why don’t you guys do Back to the Future part 4? Why don’t you do a reboot of Back to the Future?'” Gale says.
‘The wrong thing to do’
But he and Robert Zemeckis, director and co-writer of the three films, had it written into their contracts with Universal that no new film could be made without their say so. Studio bosses have tried their best to persuade them.
…”We don’t want to ruin anybody’s childhood, and doing a musical was the perfect way to give the public more Back to the Future without messing up what has gone before.”
(6) DUNCANN OBIT. Geraldine Duncann died
February 2 at the age of 82, her daughter
Leilehua reported on Facebook. Duncann announced to FB readers in
January that she had been diagnosed with stage 4 lung cancer. Astrid Bear described Duncann in these terms:
As Mistress Geraldine of Toad Hall, she was a major force in the Society for Creative Anachronism from its very early days, excelling in all she tried, whether cooking, sewing, embroidery, pottery, singing, writing, or anything else. Her generosity, wit, intelligence, and zest for life were wonderful.
Her memorial/celebration of life will be on her
birthdate, May 9, at the Golden Gate Bridge and include a Bridge Walk. Details
will be posted on her FaceBook page and her Questing Feast Patreon blog.
(7) SHRAPNEL OBIT. [Item by Steve Green.] John Shrapnel (1942-2020): British actor,
died February 14, aged 77. Genre appearances include Space: 1999 (one episode, 1975), Fatherland (1994), Invasion:
(three episodes, 1998), Spine Chillers (one episode, 2003), Alien Autopsy (2006), Apparitions (five episodes, 2008), Mirrors
(2008), The Awakening (2011), Merlin (one episode, 2012), Macbeth
(2013), Hamlet (2015).
(8) TODAY IN HISTORY.
February 15, 1955 — Captain Midnight aired “Saboteurs Of The Sky”. Captain Midnight began September 9, 1954, on CBS, continuing for thirty-nine episodes until January 21, 1956. This was the twenty-fifth episode of the program’s first season. Captain Midnight itself started as a serial film, became this show, and later was both a syndicated newspaper strip and a radio show. The series starred Richard Webb who was not the actor of the Captain Midnight role , Robert O’Brien, from the film serial. (Two actors, Sid Melton and Olan Soule, were retained from the serial.) When the TV series went into syndication in 1958 via Telescreen Advertising, several changes happened. First a change in advertisers happened as Ovaltine was no longer involved. More importantly Wander Company owned all rights to use of Captain Midnight which meant that Screen Gems had to change Captain Midnight to Jet Jackson, Flying Commando, and all references in the episodes to Captain Midnight to Jet Jackson, Flying Commando, both text and sound wise. You can watch this episode here.
February 19, 1978 — The Project U.F.O. pilot: “Sighting 4001: The Washington D.C. Incident” first aired on NBC. It was created. by that Jack Webb Harold Jack Bloom, was based rather loosely on the real-life Project Blue Book. It starred William Jordan, Caskey Swaim and Edward Winter. Most of the UFOs were by Brick Price Movie Miniatures that were cobbled together from the usual model kits. You can see the pilot here.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born February 19, 1893 — Sir Cedric Webster Hardwicke. His first SFF role was a plum one — in 1937‘s Solomon’s Mines as Allan Quatermain. He’s been in a lot of genre films: On Borrowed Time, The Hunchback of Notre Dame, The Invisible Man Returns, The Ghost of Frankenstein, Invisible Agent, A Connecticut Yankee in King Arthur’s Court and The War of the Worlds (the voice doing providing commentary). (Died 1964.)
Born February 19,1912 — Walter Gillings. UK fan. He edited Scientifiction, a short lived but historic fanzine. Shortly thereafter he edited Tales of Wonder, regarded as the first UK SF zine. Clarke made his pro debut here. He’d edited a number of other genre zines later on, and ISFDB lists him as having two genre stories to his credit whereas Wiki claims he has three. (Died 1979.)
Born February 19, 1930 — John Frankenheimer. Depending on how widely you stretch the definition of genre, you can consider his first SFF film as director to be Seven Days in May. Certainly, The Island of Dr. Moreau is genre as is Prophecy and Seconds. He also directed an episode of Tales from The Crypt, “Maniac at Large”, and directed Startime’s “Turn of The Screw” with Ingrid Bergman in the lead role off the Henry James ghost story of that name. (Died 2002.)
Born February 19, 1937 — Lee Harding, 83. He was among the founding members of the Melbourne Science Fiction Club along with Bertram Chandler. He won Ditmar Awards for Dancing Gerontius and Fallen Spaceman. In the Oughts, the Australian Science Fiction Foundation would give him the Chandler Award in gratitude for his life’s work. It does not appear that any of his work is available fir the usual digital sources.
Born February 19, 1937 — Terry Carr. Well-known and loved fan, author, editor, and writing instructor. I usually don’t list awards both won and nominated for but his are damned impressed so I will. He was nominated five times for Hugos for Best Fanzine (1959–1961, 1967–1968), winning in 1959, was nominated three times for Best Fan Writer (1971–1973), winning in 1973, and he was Fan Guest of Honor at ConFederation in 1986. Wow. He worked at Ace Books before going freelance where he edited an original story anthology series called Universe, and The Best Science Fiction of the Year anthologies that ran from 1972 until his early death in 1987. Back to awards again. He was nominated for the Hugo for Best Editor thirteen times (1973–1975, 1977–1979, 1981–1987), winning twice (1985 and 1987). His win in 1985 was the first time a freelance editor had won. Wow indeed. Novelist as well. Just three novels but all are still in print today though I don’t think his collections are and none of his anthologies seem to be currently either. A final note. An original anthology of science fiction, Terry’s Universe, was published the year after his death with all proceeds to his widow. (Died 1987.)
Born February 19, 1944 — Donald F. Glut, 76. He’s best known for writing the novelization of the second Star Wars film, The Empire Strikes Back. I’m more fascinated that from the early Fifties to the late Sixties, he made a total of forty-one amateur films including a number of unauthorized adaptations of such characters as Superman, The Spirit and Spider-Man. Epoch Cinema released a two-DVD set of all of his amateur films titled I Was A Teenage Moviemaker.
Born February 19, 1963 — Laurell K. Hamilton, 57. She is best known as the author of two series of stories. One is the Anita Blake: Vampire Hunter of which I’ll confess I’ve read but one or two novels, the other is the Merry Gentry series which held my interest longer but which I lost in somewhere around the sixth or seventh novel when the sex became really repetitive.
Born February 19, 1964 — Jonathan Lethem 56. His first novel, Gun, with Occasional Music, a weird mix of SF and detective fiction, is fantastic in more ways that I can detail briefly here. I confess that I lost track of him after that novel, so I’d be interested in hearing what y’all think of his later genre work particularly his latest, The Feral Detective.
Born February 19, 1966 — Claude Lalumière, 54. I met him once here in Portland at a used bookstore in the SFF section. Author, book reviewer and editor who has edited numerous anthologies. Amazing writer of short dark fantasy stories collected in three volumes so far, Objects of Worship, The Door to Lost Pages and Nocturnes and Other Nocturnes. Tachyon published his latest anthology, Super Stories of Heroes & Villains.
…But his reverie was broken by the phone 12 minutes later. “I picked it up and thought, ‘Please don’t let this be a credit card offer.’ Can you imagine? I would have just burst into tears.”
On the other end of the line, Newbery committee chair Krishna Grady told Craft that his graphic novel New Kid (HarperCollins) had been chosen as winner of the 2020 Newbery Medal. “Then the people in the background started screaming and then I started screaming, then I screamed more and they screamed more,” Craft said. “It was pretty amazing.” It is also historic, as New Kid is the first graphic novel to win the Newbery Medal.
New Kid introduces African-American seventh grader Jordan Banks, an aspiring artist who leaves his home in Washington Heights each morning and takes the bus to his new, private, mostly white school in the Bronx. In his sketchbook, he chronicles what it’s like for him to navigate his two different worlds, the ups and downs of middle school, and the various micro-aggressions he faces each day. The book was inspired by Craft’s own school experiences, as well as those of his two sons, and has been a hit since its release last February. Prior to ALA Midwinter, New Kid had already earned starred reviews in the major review journals, landed on numerous best-of lists for 2019, became a New York Times bestseller, and won the Kirkus Prize for Young Readers’ Literature.
Craft was still riding high from the Newbery call when his phone rang again at 7:07 a.m. “I thought, ‘OK, that’s weird,’” Craft said. “I saw area code 215, which is Philadelphia [where ALA Midwinter was being held], and I thought, if they’re calling me up to say, ‘Hi, we thought you were Jerry Pinkney when we called earlier. Sorry about that—we hope you didn’t tell anyone,’ that would have made me cry even more.” But, of course, there was no such mix-up. The second call alerted Craft to the fact that he had also won the Coretta Scott King Author Award. “I was stunned,” he recalled, noting that he hadn’t heard any buzz, or seen anything like a mock Coretta Scott King Award poll.
Hands over hearts, folks. On February 12, NASA announced that Vanguard 1 had gone silent, and the agency was finally turning off its 108 Mhz ground transceivers, set up during the International Geophysical Year. The grapefruit-sized satellite, launched March 17, 1958, was the fourth satellite to be orbited. It had been designed as a minimum space probe and, had its rocket worked in December 1957, would have been America’s first satellite rather than its second. Nevertheless, rugged little Vanguard 1 beat all of its successors for lifespan. Sputniks and Explorers came and went. Vanguards 2 and 3 shut off long ago. Yet the grapefruit that the Naval Research Laboratory made kept going beep-beep, helping scientists on the ground measure the shape of the Earth from the wiggle and decay of Vanguard’s orbit.
(12) THE TINGLE WAY. Now that you’ve explained it, I
(13) POUNDED BY YOUR CREDIT CARD. But wait! There’s all
kinds of Chuck
Tingle merchandise available. Like this hoodie, or this towel.
“The Scream” is fading. And tiny samples of paint from the 1910 version of Edvard Munch’s famous image of angst have been under the X-ray, the laser beam and even a high-powered electron microscope, as scientists have used cutting-edge technology to try to figure out why portions of the canvas that were a brilliant orangeish-yellow are now an ivory white.
Since 2012, scientists based in New York and experts at the Munch Museum in Oslo have been working on this canvas — which was stolen in 2004 and recovered two years later — to tell a story of color. But the research also provides insight into Munch and how he worked, laying out a map for conservators to prevent further change, and helping viewers and art historians understand how one of the world’s most widely recognized paintings might have originally looked….
If you’ve never heard of the board game Settlers of Catan, you aren’t alone.
Marcus Smart hadn’t. Neither had Kemba Walker. Nor Brad Stevens.
If you have heard of it, you’re in good company, too.
The game is a favorite of Celtics rookie Grant Williams.
Williams was introduced to Settlers of Catan — Catan, for short — when he was a sophomore on the basketball team at Tennessee. He walked in on Riley Davis, the team’s video coordinator, playing the classic strategy game with players Lucas Campbell, Brad Woodson, and Yves Pons. A self-proclaimed nerd, Williams wanted to learn.
“They’re like, ‘Oh dear, we have to teach Grant now,’ ” Williams recalled. “Next thing you know, we played and I won my first game.”
Williams was hooked. The group kept a board at the training facility, where they would play at least twice a week, as well as one in each of their dorm rooms. There also was a “road-trip board” that would travel with the team.
…The objective of the game sounds simple: Collect resources to build roads, settlements, and cities on the island of Catan. The implementation is a bit more complicated.
Krispy Kreme and Adult Swim have teamed up for a limited line of sweet R &M-inspired products, including a donut modeled after Pickle Rick. Don’t worry, though, the green pastry isn’t salty and sour like a brined cucumber. That would be nasty. Instead, it’s filled with “mouth-watering lemon crème, dipped in white choc truffle, with a white choc ‘Pickle Rick.'”
[Thanks to Michael Toman, Mike Kennedy, Olav Rokne, Nina Shepardson, Martin Morse Wooster, John King Tarpinian, Andrew Porter, Chip Hitchcock, JJ, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Peer, plus a crowdsourced aspostrophe.]
The remaining members of the Romance Writers of America Board of Directors resigned from office today, February 12. Prior to their resignations, the Board set a special election for the RWA membership to elect a newly constituted Board of Directors to serve out their current terms (through August 31, 2020). The special election will begin on Friday, March 13, and will end on Friday, March 20, at 11:59 p.m. CDT. Details about the election process are here.
“We believe that stepping down to allow for new leadership chosen by the membership is in the best interests of the association. The Board has always wanted what is best for Romance Writers of America, and we still do. This desire has been the driving force behind every decision we have made to try to navigate RWA during this difficult time. We have tried hard to keep the best interests of RWA front and center as we have confronted the challenges of the last eight weeks.
“We believe that the Board must have the trust of the membership and that this is the best way forward to achieve that. We believe RWA can and will be a place of inclusion and respect. We tender our resignations in support of the organization and its mission.
“Under RWA’s Bylaws and the Texas nonprofit corporation law, RWA must be governed by a Board of Directors. In order to ensure continuity of governance and based on legal counsel’s advice, we voted to set special elections for all board positions beginning on March 13, 2020 (30 days from today) and ending one week later (on March 20, 2020). This will provide RWA’s General members with the opportunity to elect an entirely new Board of Directors. The new Board members will be elected to fulfill the remaining Board terms that end on August 31, 2020, and no individual elected will automatically accede to any other office following their term. This special election will not replace the normal 4th quarter election cycle as required by RWA’s Bylaws, which will occur in August 2020.
“Our decision to resign will not affect the ongoing independent audit being conducted by Pillsbury Winthrop Shaw Pittman, LLP, or the Board’s commitment to share the audit report with the membership in unedited, non-redacted form.” –Nan Dixon (Treasurer), Hanna Rhys Barnes, Kate McMurray, Maria Powers, Mellanie Szereto, Eliana West (Directors-at-Large)
PAST RWA PRESIDENTS RESIGN. Before the Board’s action today, another pair of past RWA Presidents Leslie Kelly and Dee Davis had proposed a way forward, which the Board did not accept. Now Leslie Kelly has resigned.
PAST PRESIDENT HELENKAY DIMON QUITS. Dimon, who served as President of the Romance Writers of America in 2018-2019, also announced she was leaving the organization after rejection of the Kelly/Davis plan.
FOLLOWING THE BOARD OUT THE DOOR. Immediately after today’s announcement, this member tweeted a resignation:
Ellie Finch —
In the past few weeks many other members tweeted that they had resigned, are intending to let their membership lapse, or are resigning from a chapter position. Claire Ryan’s “Implosion of the RWA” lists over two dozen names in the entry for February 11.
CIMWRA HOLDING DISSOLUTION VOTE. CIMRWA, the
Cultural, Interracial, and Multicultural Chapter of Romance Writers of America,
a chapter dedicated to advocating diversity and inclusion within RWA and
publishing as a whole wrote, is voting on whether to dissolve. Thread starts here.
…Until about six weeks ago, Toronto Romance Writers – an official chapter of the RWA – had been a thriving group, serving more than 100 local members. But the fallout of the group’s association with the U.S.–based parent organization has been severe. Many authors are choosing not to renew their memberships, and now Farah Heron, author of the bestselling novel The Chai Factor, is stepping down from her position as chapter president….
How has what happened with RWA affected the Toronto membership?
Since Jan. 31, we are down 20 members, and by the end of February, we will lose another 15. These are all members whose membership was expiring, and they chose not to renew due to the issues in the national organization. And as rolling expiry dates continue, we expect to lose more members each month. Also, we have lost speakers for both our annual conference and our monthly workshops, and we have had agents and editors tell us they cannot support and attend our conference unless we disaffiliate with the national organization.
But more than anything else, our members are angry. They feel betrayed by RWA leadership, and are frustrated by the lack of communication, and poor decisions board and staff have made. Many of our members feel they can no longer support an organization that is so resistant to taking an anti-racist stance, and has long allowed ableism, anti-Semitism, and intolerance towards LGBTQ+ members to continue.
Sarah: So one of the questions that I’ve had from people in my community, people on my, my podcast Patreon, are, what can, what can readers do? What, what do we do to move this community forward?
Sarah: And I, I don’t have an easy answer for that! And I was wondering if that’s a question you’ve also received.
Courtney: I have. I, I’ve received this question often, and I don’t have an easy answer either, because it’s not an easy thing.
Sarah: Nope! Sure isn’t.
Courtney: It is a, it’s truly shitty thing, in fact, and if we had easy answers to any of this, we would know what was going on. And I think, I think that the, to the extent that there is an answer, and I’m not sure that there is one, I think the answer is, like, work to be less racist and to reduce the amount of racism in your community. That’s literally the only thing. Like, because what we’re butting up against here is this hard problem that I mentioned earlier that was in, like, the last part of the diversity report, like, bunches of people are racist! What do we do about it? Like, I don’t know! Like, one of the things that I think this has really underscored for me is that you cannot actually make someone less racist. And this is, this is one of those things like, I am such a process person in so many ways, it’s like, oh, don’t like this? Here’s a process for you!
Courtney: I’m going to fix it with a process! And, like, there is no process!
Sarah: There’s no manual.
Courtney: And – it’s not just that there’s no manual. There is a manual! But you can hand it to people and they’re like, okay, I read it; I hate it. Ugh.
Courtney: Nothing! Nothing you can do about somebody who determinedly does not want to change, right? Nothing. There is no process. And so, like, I think your choices at this point are, you know, what do you do with RWA – question mark. I think there are a lot of people in RWA who mean well? I think there are a lot of people in RWA who are committed to diversity. And I think there are a lot of people in RWA who have not examined what it means to be in an anti-racist community and what it means to be in one that is supporting white supremacy.
Courtney: And the, the group of people that exists there is vastly overlapping. So I think one of the issues with RWA is this: I think a lot of people of color are going to leave, because it’s just not a safe place to be. Right?
Courtney: And I think a lot of white people – not, not all white people – I think a lot of white people, including some very well-meaning white people, are going to see all the people of color leaving, and they’re going to say, well, we have to prove that this place is safe, so I’m going to stay here and make it better. And I’m going to tell you that what you are doing at this point is reinforcing white supremacy when that happens. And you don’t want to hear that, and it’s going to make you mad to hear that a group of all-white people staying in RWA and continuing to give money to an organization that is white by design at this point, you know – like, they specifically did a thing knowing the effect that this would have on the community of color.
ALL THINGS CONSIDERED.
N.K. Jemisin –
PRESERVING THE HISTORY. Meanwhile, my alma mater (BGSU, MA Popular Culture, 1975) made this appeal —
EXECUTIVE SUMMARY. Romance Writers of America, currently operating
without a President, says they will determine a process for appointing an interim
President to serve until the next election. Meantime, they have identified a
replacement for Executive Director Carol Ritter. RWA announced on January 21: “Leslie
Scantlebury Appointed Interim Executive Director”.
…As of February 1, Leslie Scantlebury will assume the role of Interim Executive Director of RWA. As announced earlier this month, the Board accepted the resignation of Executive Director Carol Ritter, and she will remain on staff until January 31 to ensure a smooth transition. In the meantime, she has recused herself from all duties pertaining to the audit, and Leslie is serving as RWA staff liaison to the independent law firm conducting the audit.
Leslie has nearly 20 years of association management experience. During her career, she has worked with volunteer leadership at both the national and local levels. Her background includes governance, member retention, education, and volunteer management for large nonprofit membership associations. Leslie also has served on the board of directors of several local organizations, including the Houston Society of Association Executives. Leslie holds an undergraduate degree from the University of South Carolina and a master’s degree from the University of Phoenix.
Leslie has been an integral part of the RWA team cumulatively for more than a decade, serving most recently as Chapter and Professional Relations Manager. The Board is grateful to have Leslie’s leadership at this important moment for RWA.
Leslie will be working with the Board and a DEI consultant to determine a process for appointing an interim President that will allow our members to have input in the decision. We understand the importance of this decision, and we know it’s a priority for our members.
In August, every Board seat and officer position – including the office of President – will be up for election by the membership. Once the newly elected Board is installed, it will then form a search committee to identify and select a new, permanent Executive Director, in consultation with a DEI consultant….
RWA CHAPTER DISBANDS. The Las Vegas Romance Writers will disband. The chapter president explained why in a public letter to RWA:
It is with a profound sense of regret that, as the President of Las Vegas Romance Writers, I write to inform you that the Las Vegas chapter has voted to disband. The circumstances leading up to the closure of our chapter can be directly attributed to the censure of Courtney Milan and the chaos that ensued.
In the wake of her censure, a member of the chapter board resigned immediately. Other chapter board members expressed their unwillingness to support an organization that was so clearly in violation of its stated purpose and its own bylaws. They indicated that they would be letting their membership in National lapse, leaving the board without the officers necessary, by law, to run the chapter.
As a result of the positions of the individual board members, a meeting was called of the general membership to discuss the circumstances with national and see if there was a way forward for our chapter. We had no volunteers to serve on the board, to replace the members who were letting their national membership lapse. In addition, over half of the members of our chapter have expressed that they will not be continuing their membership with RWA.
Given these circumstances, the board voted to disband the chapter. Subsequently, a majority of the general members also voted to disband.…
CHAPTER PRESIDENTS’ LETTER. Other chapters have not yet given up trying
to reform RWA. Adriana Herrera tweeted
the text of a letter from 29 RWA chapter presidents demanding that the
organization take a list of specified actions. Thread starts here.
Some of their demands are:
Give serious consideration and respond to Courtney Milan’s settlement offer dated 01/14/2020. Remove Carol Ritter immediately and with cause. Begin the process of hiring an independent firm to conduct a full forensic audit.
Expand the current independent audit to incorporate a review of all ethics cases handled (or not) by RWA since 2017. In addition, we request: A review of how Damon Suede’s eligibility to run for President-elect was determined and qualified.
A review of the Executive Director’s duties and apparent overreaching control of the running of RWA as opposed to the RWA Board of Directors. A review of the retirement of the previous Executive Director and her temporary (and possible continued) reappearance as Controller.
A review of the current Board of Director’s questionable execution of their fiduciary duty. A review of Damon Suede and Carolyn Jewel’s questionable execution of their fiduciary duty in the matter of the complaint against Courtney Milan.
COURTNEY MILAN’S SETTLEMENT PROPOSAL. Courtney
Milan, on January 14, tweeted a copy of her letter to the RWA proposing a basis
for both sides to dispose of some – but not all – of the potential grounds for
litigation between them. For one thing, it sheds light on just how many there
are. Thread begins here.
PROGRESS ON RWA INTERNAL AUDIT. Courtney Milan shared more of her communications
with the RWA leadership. Thread starts here.
CAN RWA SURVIVE? Courtney Milan lists a few key questions.
Thread starts here.
RESOURCES. Shari Heinrich steamed into MLK Day with a list of reading she’s doing, and a list of questions she’ll be posing to future conference organizers about diversity and antiharassment policies, Thread starts here.
…Setting aside the question of leadership for a moment (and again, the current RWA board should be removed and re-elected in its entirety) it’s important to ask over and over: whom does this organization serve?
Who is the priority?
Because it cannot be both.
If RWA serves the current membership of RWA, well, that membership contains a substantial number of people who:
openly embrace and promote racist ideologies
post on RWA Facebook pages and in internal message boards about their homophobia and racist views on people of color
write transphobic and racist articles for and letters to the Romance Writers Report
…and I could keep going but it’s depressing.
A substantial part of the current membership of RWA is a substantial part of the problem with RWA.
If the organization wants to serve any marginalized writers, it can’t also serve that portion of the current membership. It’s impossible. One side has demonstrated in PAN forums, email messages, and social media posts that it refuses to recognize the humanity of the other, and refuses to recognize their culpability in maintaining a White supremacist, classist, heteronormative, racist culture inside RWA. Nor can it commit to changing that culture.
The organization also can’t serve marginalized writers if the leadership has a documented history of not acknowledging ethics complaints from marginalized individuals, and of publishing and allowing screeds against those individuals in print and online. RWA can’t serve anyone if the organization doesn’t fully reveal what happened in the specific case of the ethics complaint and process against Courtney Milan, and what happened to the complaints from every writer who has reported a problem.
RWA can’t maintain its current membership nor its leadership and at the same time say it’s going to rebuild. Rebuilding requires people in leadership positions who are trusted by current and prospective members. And it requires trust in fellow members of the community.
IMPACT ON OTHER ORGANIZATIONS. Alyssa Day has resigned as President
of Novelists, Inc: The International Organization of Multi-Published Novelists,
which she says suffers the same failures of diversity a RWA. Thread starts here.
In “RWA the Sequel,” YouTuber KirkpattieCake spends an hour challenging the criteria used to assert racism, looks forward to the results of RWA’s independent audit, and also takes a moment to scorn the cancel culture that fell on Vince Vaughn for shaking President Trump’s hand. (January 20)
Hint, the answer is “whatever writer you read last, since I’ve still to find a single transparent writer.” Which is good, since it would be disturbing. And I hope one of the last you read is this chick Sarah A. Hoyt and her novel Deep Pink(which is profoundly weird, yes, but come on you guys, if you didn’t like weird, you wouldn’t hang out around here, would you?)
Anyvay….. I swear there are people who never read a book trying to dictate not just what the rest of us MUST write, but also what the rest of us must read.
I thought the “challenge to read writers of color” was stupid enough when I first heard of it 10 years ago, but it’s only gotten stupider. Now entire writers’ organizations (puts hat to chest and holds a minute of silence for RWA. I’d do it for SFWA but RWA was once far more useful including teaching and mentoring stuff SFWA never had. Besides SFWA is long dead and rotting, so I’m going to edge away from the coffin.) are falling into this insanity. We’re hearing that BLIND-JUDGED-CONTESTS, where you can’t even guess at the name of the writer (and these days, honestly, it won’t help. I swear my kids, now mid to late twenties are the last properly spelled names in their generation.) are “racist.”…
MAINSTREAM MEDIA COVERAGE. These are some of the articles that have
appeared since the previous roundup.
…The RWA also needs to fill several vacant seats and choose a new leader, a Herculean task made even more difficult by the erosion of trust and conflicts of interest the scandal has created. The RWA declined to comment when contacted, but directed CNN to the statement mentioning Suede’s resignation. In the statement, the RWA says the association has hired an external firm to conduct an audit of the events leading to the controversy and has brought on a diversity, equity and inclusion consultant to “assist RWA with diversifying Board and staff recruitment” as well as future programming and events….
…RWA, an organization founded almost 40 years ago by a black woman, has frequently been an unfriendly place for marginalized writers, and attempts to change that have been met with pushback that now threatens to destroy the institution itself. Romance novels, at their most fundamental level, are about protagonists being seen clearly and loved—and this is a story about who gets to be seen and valued in the romance genre, and whose pain matters.
As an author of historical romances who served four years on the RWA’s elected board of directors, Milan has been one of the most prominent voices in the struggle to make RWA a more equitable environment. (In fact, she just won a service award.) She’s also known for her vocal Twitter presence, where she doesn’t shy from calling out injustice in very blunt terms, whether it’s around racism in romance or the strange plagiarism saga of #CopyPasteKris. The efforts of Milan and many others had put the RWA on a path to helping create a more inclusive organization, genre, and publishing industry more broadly. As 2019 drew to a close, it looked like years of dedicated effort and activism by many people, particularly by women of color, to build a more inclusive genre and an RWA equipped to fight on behalf of its marginalized members, were bearing fruit.
But that hope is collapsing. After Milan’s censure, board members resigned en masse; two presidents left under a cloud of controversy. Major publishers, including Harlequin, have pulled out of RWA’s annual national conference. Members are furious, and the work it will take to restore their trust in the organization is so enormous it’s potentially insurmountable.
…But since its inception, there has always been a certain amount of tension over RWA’s priorities. Was it a social club? A professional networking group? What constituted “professional,” anyway? (See: the great swan hat controversy of 2007.) Was it for published authors, or unpublished authors? Was it a conduit between writers and publishers? Or was it potentially a body for collective action, including against publishers? Equally important but less tangible was the question of the right way for a woman to act, even in an organization composed largely of women, and just how important it was to be nice and conciliatory, not to raise a big, disruptive fuss—even, or perhaps especially, over issues of racial and queer representation.
…The internet, too, has challenged RWA’s position within the romance ecosystem. RWA conferences are full of panels on various aspects of self-publishing, but nobody needs RWA to put their book on Amazon. They’re not a collective bargaining agent; they can’t, say, negotiate better self-publishing terms with Amazon. But romance authors need a fierce advocate more than ever, because they’re increasingly at the mercy of powerful tech platforms, as major channels for mass-market paperbacks like B. Dalton, Waldenbooks, and Borders have vanished. RWA’s presence at least means there’s somebody authors can call if they need an institutional voice to advocate for them. “If you are the member who calls in, who says, ‘Facebook for some reason shut down my author site, and I had 40,000 followers,’ we have contacts at Facebook and at Amazon and at Barnes and Noble that we can get in touch with at a micro level to help our members immediately,” former president HelenKay Dimon told me.
But in recent years, perhaps the central dispute within the industry has been about inclusion and intersectionality. While there’s always been a feminist thread in romance, the genre has also been dominated by straight white women for much of its history. Despite Stephens’s central role in shaping the modern romance, she was frustrated by bosses’ foot-dragging, even as she acquired diversely. Plantations abounded in historical romance well into the 1990s, as did books featuring appalling depictions of Native Americans with the word “savage” thrown around. Black authors have frequently been relegated to “ethnic” imprints and even shelved elsewhere in bookstores. And often, that “be nice” culture has suppressed attempts to fight any of it.
The article concludes:
…In the midst of the tumult, Bowling Green State University’s Popular Culture Library, which has an impressive collection of archival material related to the history of romance, tweeted out a picture of the first board of RWA. That board included two black women (Vivian Stephens and her sister) as well as a Latina author, Celina Rios Mullan. “The issue in RWA is not, per se, that we didn’t have diversity. Because we have diversity. Our issue was inclusion and access,” C. Chilove told me. That has been the case for a very, very long time. The photo testifies to a long history of missed opportunities to do better, in RWA and in the genre more broadly. For a while, it looked like the organization was finally getting it right, after years of chances that were thrown away. Then they blew it all up.
RWA’s handling of these complaints has brought the entire organization to the brink of collapse: Citing a gap between policy and process, the board voted to rescind the penalty against Milan; eight women of color on the board collectively resigned, saying they lacked faith in RWA’s leadership; the 2020 RITA awards were cancelled after hundreds of authors and judges resigned from the contest; and publishers, including giants Harlequin and Avon, announced they would not attend the national conference. Many predict that RWA will have no choice but to cancel the national conference entirely—a staggering financial blow to an already crippled organization.
Amid the continuing social media backlash galvanized by RWA’s decision to impose penalties on Courtney Milan, Damon Suede is out as President of Romance Writers of America and staff member Carolyn Ritter has tendered her resignation, the RITA Awards have been set aside for this year, and a host of publishers have pulled their sponsorship of RWA’s annual conference.
TURNOVER. Damon Suede, then RWA President Elect, succeeded Carolyn Jewel in December when she resigned as President.
Citing its “disagreement with the
malicious actions, which lacked due process that were taken against RWA member
Ms. Courtney Milan,” the Cultural, Interracial, and Multicultural
Chapter of Romance Writers of America (CIMRWA) on December 26 called for
the resignation of Suede and RWA staff member Executive Director Carol Ritter.
And by December 31 they had gathered over 1000 signatures and submitted a petition
to recall Suede from office.
Damon has offered his resignation, effective immediately, and the Board has accepted it. Damon, who has served on the RWA Board of Directors since 2015, as President-Elect from September 2019 through late December 2019, and then as President for the past two weeks, has been a passionate advocate for diversity, equity and inclusion issues for his entire life. We thank Damon for his service and wish him all the best in the future.
The Board of Directors has made a decision to not immediately fill the office of President while the Board – working transparently with its membership – determines an appropriate recruitment and selection process.
The Board also has accepted the resignation of RWA Executive Director Carol Ritter, who has decided to step down from the role she assumed in November. Carol, who has been a steady senior member of RWA management for well over a decade, has offered to stay on over the coming months to support a smooth transition to new staff leadership; the Board has accepted this offer. Carol has been instrumental in keeping the operations of RWA running and we are deeply grateful to her for the commitment and leadership she has brought to our association. The Board will appoint an interim Executive Director upon Carol’s departure and will form a search committee to identify Carol’s permanent replacement.
STUD PLANET PROBE. One of the most unexpected issues to surface before Suede resigned was the challenge to his basic eligibility for office. Did he really have the five published books he needed to be eligible to become President-Elect? One researcher said it looked like he only had four books —
Did Stud Planet
exist? Was it a qualifying book? Courtney Milan asked:
The research has suggested Suede’s qualifications were unconvincing. Courtney Milan tweeted some information here and here, and wrote another thread here. Adrienne also dug into Dreamspinner’s publication announcements on the Wayback Machine and did not find evidence for the book at the time it supposedly came out (see here).
Chuck Tingle was happy to get in the last word.
Speaking of Chuck Tingle, he noticed that the RWA apparently didn’t buy up the obvious alternate URLs. So he bought https://www.romancewritersofamerica.com and has created a parody site there. The test for applicants to the Board is brutally funny.
As of this morning, publishers including Avon, Berkley Romance, Entangled, HarperCollins Canada and Harlequin, Kensington, St. Martin’s, Gallery Books, and Tule Publishing have all pulled support from the RWA and the national conference, and a tweet citing an email allegedly sent by Sourcebooks says that that house will also not support the conference. The statements all cite increasing diversity and/or inclusion in publishing as a priority, as well as condemning recent events at the RWA.
…As a leading global publisher of romance fiction that is committed to diversity and inclusion, we at Harlequin believe it is important that all authors feel included, respected and heard. Recently reported actions by RWA leadership have therefore led us to decide not to sponsor or attend the RWA2020 national conference. We will reevaluate our participation in 2021 as the organization works with its members to address concerns that have been raised.
The event, held annually in the summer since the 1980s, typically attracts about 2,000 attendees. It is a major source of revenue for the R.W.A. as well as a key networking opportunity for romance writers, agents and editors looking for new talent.
…According to HelenKay Dimon, a former R.W.A. president, the departure of so many major romance publishers is a major blow to the organization. “RWA plans conferences years in advance,” she said in an email, adding that both Avon and Harlequin are major sponsors — “tens of thousands of dollars worth” — and that losing them will likely have a “cascading effect” in terms of the authors and editors who attend.
RWA CANCELS RITA AWARDS. The “Status of the 2020 RITA Contest” announces the RITA awards have also become casualties of the organization’s internecine strife. Reminiscent of how the Nobel Prize for Literature was handled, the RWA says two years’ awards will be given in 2021.
Due to recent events in RWA, many in the romance community have lost faith in RWA’s ability to administer the 2020 RITA contest fairly, causing numerous judges and entrants to cancel their participation. The contest will not reflect the breadth and diversity of 2019 romance novels/novellas and thus will not be able to fulfill its purpose of recognizing excellence in the genre. For this reason, the Board has voted to cancel the contest for the current year. The plan is for next year’s contest to celebrate 2019 and 2020 romances.
Members who entered the 2020 contest will be refunded their full entry fee by January 22, 2020. We extend our deep appreciation to the judges who volunteered their time this year.
JOURNALISTIC STANDARDS. The controversy has gained a lot of
attention from mainstream news, prompting Linda Holmes to offer advice to anyone
covering it. Thread starts here.
RWA FORUMS. People are recommending standards for the RWA
forums, too – aimed at a different set of problems.
Alyssa Day and Carrie Lomax
DISSENTING VOICE. Meanwhile, in an alternate universe that
nevertheless has the same zip code as our own, Sarah A. Hoyt warns about “Letting
the Wokescolds Win” at Mad Genius Club.
If you take away the right of people who write to amuse other people — and as far as I can tell, Romance still has the largest audience of people wanting to be amused — without bothering to police their every word lest literature majors and mean girls throw a fit, you might as well shutter the whole enterprise.
All you’ll have at the end of the day is mean — but exceedingly privileged and well educated — young women trying to force the “natives” of the fun regions of writing and reading into their version of propriety and utility. All the colonialist Victorian women who forced natives of tropical regions to wear pants stand arrayed behind those missionaries of woke scolding and power to truth nodding in approval. Which is fine since many of the current wokescolds are descended from these women. I just wish the current missionaries would return to their great great grandmother’s fervor. I can always wear pants — possibly on my head — but I refuse to give them an inch on what I can write, what I can read, or what I can think.
As a result of the turmoil, a number of RWA members have joined the Romance Alliance, a group formed in an effort to create an alternative to the RWA. In a newsletter sent to members and subscribers, the group wrote: “We WANT the people who write what RWA’s practices ignored. We WANT diverse personalities and perspectives. We WELCOME the chance to succeed where RWA has systematically failed so many. And we WELCOME any input or suggestions as to how we can achieve our mission better and more meaningfully to YOU.”
The Romance Alliance is careful, however, not to imply that it hopes to replace the RWA. “From the beginning we focused on ‘can there be an alternative organization for those who feel excluded from RWA?,” author Sue London said. “Because there are a lot of us who joined and left RWA for various reasons.”
OBLIGATION OWED. Courtney Milan today described the work of black women in founding RWA and through the current controversy as creating a debt, and what she plans to do to help repay it. Thread starts here.
“They encouraged us. They wanted us very badly to file these complaints,” Davis said.
…Davis now says that she never wanted Milan to be punished by the RWA. She declined to say who precisely within RWA had encouraged her to file a complaint against Milan, but said it was “the administration at RWA” and that it was “not the membership” and “not the members of the board”.
“I do feel that the Romance Writers of America perhaps used Suzan Tisdale and I to accomplish something they wanted to accomplish and I was stunned when I saw the penalties. I didn’t ever expect that, and I did not want that,” Davis said.
“We were used in order to make the eventual penalties happen,” she said.
Although Davis is paraphrased by Guardian reporter Lois Beckett as having claimed that “she never wanted
Milan to be punished by the RWA,” Davis’ formal ethics complaint urged in its conclusion
that “She [Milan] cannot be allowed to hold a position of authority, or to use
her voice to urge others to follow her lead.”
Davis’ statements to The
Guardian also conflict with – and undercut – a claim in the formal
complaint that “Because Ms. Milan attacked me in what can only be
described as cyber-bullying, I lost a three-book contract that has been promised
On Thursday, Davis, 64, clarified her discussions with the publisher, which she has declined to name. She told the Guardian that after the allegations in her original complaint to RWA were quoted in news reports, “the publisher in question is very upset”.
Davis clarified that she did not have and lose a written book contract, but that a publisher had delayed further discussion of a potential contract in the wake of the controversy.
In the complaint, Davis also seemed to imply that the publisher told her they were afraid of being publicly linked with Milan, but in fact the publisher “never said anything” to that effect, Davis said.
Two or three days after Milan tweeted about her book, Davis said, an editor at the publishing house in question advised her that the situation would probably get worse. “I was told to apologize to Courtney [Milan] and to remove myself from the controversy, and in that way to save both my reputation and that of anyone connected to me.
“I didn’t understand what I would be apologizing for unless it were for my 24-year-old book,” she said. “I did not agree with what [Milan] was saying and to apologize for something I did not agree with didn’t make sense to me.”
The editor was “not happy” with this response, Davis said, but the end of the call was not angry. In a subsequent conversation with the same editor about a week later, “it was offhandedly mentioned that discussion of the [new book] contract would have to wait until spring”, Davis said. The editor did not explicitly state there was any link between Milan’s tweets and the delay in the discussion of the contract, Davis said.
Davis said she still believed it was fair to say that she lost a three-book contract because of Milan’s tweets. “I am certain the discussions would have progressed into a contract had this Twitter explosion not occurred,” she said.
And although Davis devoted several pages of her complaint
to defending the novel Milan had derided as a “fucking racist mess,” she told The
Guardian the ebook has been republished with changes —
Meanwhile, Davis said she had decided to make some changes to the novel Milan had criticized, Somewhere Lies the Moon, and that she has republished edited ebook versions.
“Some people have contacted me and have told me calmly what it was that offended them, and it was very few things, and I have corrected those things,” she said.
Alyssa Cole responded to Davis’ statements in The
Guardian. Thread starts here.
In accordance with our Bylaws and policies, the President of RWA nominated, and the Board of Directors (Board) approved, the appointment of four new members to fill the vacant Board seats.
Former Board Advisors Maria Powers (PRO), Mellanie Szereto (Chapter), and Barbara Wallace (PAN) will now move into vacant Director-at-Large positions. We thank them for their previous service to their constituencies and welcome them in their new roles as voting Board members. We also welcome new Board member Eliana West, filling a vacant Director-at-Large seat. All four will serve the remainder of the 2019-2020 term, which ends on August 31. Please find their bios below.
We are in the process of recruiting and nominating strong, diverse candidates for the remaining five Director-at-Large positions and the three open Advisor positions.
SUEDE DISINVITED BY CONFERENCE. RWA President Damon Suede has been ousted as a conference speaker at the Emerald City Writers’ Conference. The Greater Seattle RWA chapter tweeted a long explanation of the process followed in making that decision. Thread starts here.
Courtney Milan’s decision tree, in response to
allegations there is more evidence that hasn’t been made public.
…I resigned my membership in protest at RWA’s actions against Courtney Milan but then withdrew my resignation when the time came that my voice would be important as part of a recall petition to force current leadership to step down. I am a signatory, with several past presidents and past board members, to a letter calling for a full forensic accounting and answers to the questions that must be addressed before RWA can move forward.
We can do better. We MUST do better. Love is love is love. The romance genre is about hope, and I must continue to believe and be hopeful, especially now, at the beginning of a new year and a new decade, that we can build a professional organization for romance writers that is inclusive and welcoming to all who agree with and live this belief.
Avery Flynn reports a RWA board conference call is scheduled for January 12, but there’s an issue in that the program has not been sent out even though it has to be posted ten days beforehand. Thread starts here.
RWA AUDIT. On January 1, Courtney Milan called for forensic audit. Thread starts here.
Damon Suede, President of Romance Writers of America, recently asked the RWA Board of Directors to authorize a review of the Member Code of Ethics and related enforcement procedures to ensure that these RWA policies support the organization’s mission to advance and protect the interests of all romance authors.
Today, RWA announced the hiring of the Pillsbury Winthrop Shaw Pittman LLP law firm to conduct an independent audit of the recent matter involving its code of ethics and to make recommendations on appropriate adjustments moving forward on ethics policy and procedures.
Courtney Milan responded skeptically in a thread
that starts here.
BATES: Well, the membership didn’t know about it for a long time because, as I said, this happened at the end of August. RWA initiated, which people are still kind of freaking out about, a subcommittee of its ethics committee. I guess they appointed some people kind of like a grand jury – impaneled them. So this committee met in secret and decided that most of what they said about Milan wasn’t accurate but that they did think that because of the tweets, she should be sanctioned. And so they suspended her for a year. And they said she’d never again be allowed in any leadership positions. And this was a woman who had just received a service award the year before for her leadership in the organization.
Someone leaked it, and a lot of writers of color were like, oh, no, no, no, no, no, no, no, no, no, no, no. A lot of allies who were white women said this is ridiculous. A lot of people – and publishing is like, girls, you need to get yourselves together. And within a week, because this was blowback that RWA leadership had not expected, they changed their minds and said on the 30 of December, we’ve rescinded our decision about Courtney for right now because we need to have a fuller investigation, so she can keep doing what she’s doing for the moment, to which Milan said, as you can imagine, yeah, no. Bye….
The impact of romance books on the culture is outsize because everyone is interested in romance, whether they admit it publicly or not.
…But there’s inevitably a small contingent of writers who simply can’t handle being criticized, whether directly or indirectly. Vitriolic responses to critics are hardly limited to well-known writers; those who aspire to become household names are equally prone to them. Having your work dissected, discussed and sometimes even demeaned, however, is part of putting it out into the world. All writers know this — or at least they should — and writing romance novels is no exception.
COMIC RELIEF. There is now a bingo card for this
Scott Lynch provided the Reader’s Digest version
of the RWA’s explanations.
And Chuck Tingle has written a book.
Gorblin Crimble is an aspiring romance author with a brand new novel that could be his first breakthrough hit. Of course, Gorblin is going to need some help getting his work out there, and starts by seeking likeminded creatives.
After attending a local writer’s group, Gorblin makes a new friend, Amber, who points him towards Romance Wranglers Of America. It sounds like this community is exactly the helpful, loving, supportive group that Gorblin is looking for, but when him and Amber arrive at the Romance Wranglers Of America headquarters, they quickly realize something is wrong. This once loving group has been taken over by a dark and mysterious force; lead by a man named Demon and his chanting coven of board members in jet-black robes.
Something horrible from the depths of the cosmic Void has taken hold, but is it too late to prove that romance is about love, not hate?
This important no-sex tale is 4,300 words of reasonable writers looking for a kind and supportive romance community that respects its members and treats them fairly.
[Thanks to Hampus Eckerman, Rick Moen, John King
Tarpinian, Kendall, johnstick, and Cliff Ramshaw for some of these items.]
Jeanne Gomoll, whose art, design, and organizing energy has propelled and sustained the Award for the last 25 years, is retiring from the Otherwise Motherboard at the end of 2019. The remaining members of the Motherboard are incredibly grateful for Jeanne’s tireless, brilliant work and look forward to celebrating her contributions at WisCon in 2020.
Up until 1991 it felt to me as though the efforts of the Madison SF Group, Janus and Aurora fanzines, and WisCon, to encourage and celebrate feminist science fiction were largely restricted to a single place and to those who came to this place and attended WisCon. Indeed, by the late 1980s, it felt to me as if our efforts to foster feminist SF were increasingly being met with opposition and might possibly have been in danger of flickering out, as the backlash to feminism in general and feminist SF in specific gained strength. Pat Murphy’s 1991 announcement of the Tiptree Award thrilled me and gave me renewed strength. It was as if a small group of us, following a narrow, twisty path had merged with a much wider, well-traveled path. After the Tiptree Award began handing out annual awards and raising funds, and had sparked a massive juggernaut of community activism, I stopped worrying about the viability of the movement.
I will be forever grateful to the Tiptree Award and proud of my work on it. I chaired two Tiptree juries—one in 1993, which chose Nicola Griffith’s Ammonite as the winner; and the other in 2016, which presented the award to When the Moon Was Ours, by Anna-Marie McLemore. I served on the Motherboard for 25 years, 1994-2019, and worked behind-the-scenes on most of the auctions during those years, and as an artist creating logos, publications, and Tiptree merchandise. I will be forever grateful to the Motherboard for the work we did together and the friendships we created along the way. I am awed by and very proud of the community of writers and readers who supported and were nurtured by the award, even as they guided the award further along the path toward greater diversity and scope.
The Tiptree Award, and now the Otherwise Award will always have my heartfelt support. But it is time for me to step back and make space for a new generation of activists. I want to thank my fellow motherboard founding mothers and members, past and present—Karen Joy Fowler, Pat Murphy, Jeff Smith, Alexis Lothian, Sumana Harihareswara, Gretchen Treu, Debbie Notkin, Ellen Klages, Delia Sherman—for all they have done and for their friendship, which I will value forever.
(2) THIS IS HORROR. Public nominations are being accepted
through January 8 for the This
Is Horror Awards.
The public nominations are now open for the ninth annual This Is Horror Awards. This year we’ve retained all the categories from last year and added one more, ‘Cover Art of the year’. Here are the categories: Novel of the Year, Novella of the Year, Short Story Collection of the Year, Anthology of the Year, Fiction Magazine of the Year, Publisher of the Year, Fiction Podcast of the Year, Nonfiction Podcast of the Year, and Cover Art of the Year.
Readers can e-mail in their nominations for each category. Taking into consideration the nominations for each category This Is Horror will then draw up a shortlist.
We invite you to include one sentence as to why each nomination is award-worthy.
Jason: How much of an increase in your budget would be required to pay all editorial and publishing staff a living wage?
Scott: Estimating using a salary of $15/hour for the work our staff does, we would need a $45,000 increase in our annual budget to pay all staff a living wage. That’s double what our annual budget is to pay for the stories we publish. To cover that, our monthly donations through Patreon would have to increase by 7000%….
Jason: Neil Clarke of Clarkesworld has said some of the problems experienced by genre magazines come about because “we’ve devalued short fiction” through reader expectations that they shouldn’t have to pay for short stories. Do you agree with this? Any thoughts on how to change this situation?
LDL: …I think the issue is one of exhaustion on the part of volunteer staff and a strained supporter base. In my observation, the people who contribute to zine crowdfunds also contribute to crowdfunds for individuals in emergency situations. There are a lot of emergencies or people in general need, just within the SFF community and funds are finite. If you’re supporting your four favorite zines every year, donating to three medical funds, two Kickstarters, a moving fund, and also taking on costs associated with at least one fandom-related convention every year, it’s not sustainable for a lot of readers, especially the marginalized ones….
Jason: In addition to paying your writers, Asimov’s also pays all of your staff, something which is not common among many of today’s newer genre magazines. Is it possible to publish a magazine like Asimov’s without the support of a larger company, in this case Penny Publications?
Sheila: An anecdotal review of the American market doesn’t really bear that out. F&SF is published by a small company. Analog and Asimov’s are published by a larger (though not huge) publishing company. Being published by a larger company does have its advantages, though. While only one and a half people are dedicated to each of the genre magazines, we do benefit from a support staff of art, production, tech, contracts, web, advertising, circulation, and subsidiary rights departments. I’m probably leaving some people out of this list. While the support of this infrastructure cannot be underestimated, Asimov’s revenue covers our editorial salaries, and our production and editorial costs. We contribute to the company’s general overhead as well.
Jason: Strange Horizons also helped pioneer the idea that a genre magazine could be run as a nonprofit with assistance from a staff of volunteers. What are the pros and cons of this publishing model?
Vanessa: With volunteer staff, the con is simple: no pay. Generally, working for no pay privileges people who can afford to volunteer time, and devalues the work we do as editors. I’d like to think that at SH, we have partially balanced the former by making our staff so large and so international that no one need put in many hours, and folks can cover for you regardless of time zone. Despite having 50+ folks, we’re a close group. Our Slack is a social space, and we bring our worst and best days there for each other. Several members (including me) have volunteered right through periods of un- and underemployment because of the love of the zine and our community….
(4) NEBULA CONFERENCE EARLYBIRD RATE. The rate has been extended
another week —
HelenKay Dimon, a past RWA president, previously told The Guardian that she regularly received letters from white RWA members expressing concern that “now nobody wants books by white Christian women”.
There is “a group of people who are white and who are privileged, who have always had 90% of everything available, and now all of a sudden, they have 80%. Instead of saying: ‘Ooh, look, I have 80%,’ they say: ‘Oh, I lost 10! Who do I blame for losing 10?’” Dimon said.
The tweets that sparked the ethics complaints against Milan, which were posted this August, were part of a broader conversation on romance Twitter about how individual racist beliefs held by gatekeepers within the publishing world have shaped the opportunities available to authors of color.
The…next installment of Frank Herbert’s Dune World saga has been staring me in the face for weeks, ever since I bought the January 1965 issue of Analog. I found I really didn’t want to read more of it, having found the first installment dreary, though who am I to argue with all the Hugo voters?
And yet, as the days rolled on, I came up with every excuse not to read the magazine. I cleaned the house, stem to stern. I lost myself in this year’s Galactic Stars article. I did some deep research on 1964’s space probes.
But the bleak desert sands of Arrakis were unavoidable. So this week, I plunged headfirst into Campbell’s slick, hoping to make the trek to the end in fewer than two score years. Or at least before 1965. Join me; let’s see if we can make it.
In September 1963, Tolkien drafted yet another of a number of letters responding to questions about Frodo’s “failure” at the Cracks of Doom. It’s easy to imagine that he was rather exasperated. Few, it seemed, had really understood the impossibility of Frodo’s situation in those last, crucial moments: “the pressure of the Ring would reach its maximum,” Tolkien explained; it was “impossible, I should have said, for any one to resist, certainly after long possession, months of increasing torment, and when starved and exhausted” (Letters 326). Even had someone of unmatched power, like Gandalf, claimed the Ring, there would have been no real victory, for “the Ring and all its works would have endured. It would have been the master in the end” (332).
It would have been the master.
From humble beginnings as a mere trinket bartered in a game of riddles (see the original Hobbit), the Ring grew in power and influence until it did indeed include all of Middle-earth in its simple band of gold. “One Ring to rule them all” wasn’t just meant to sound intimidating—it was hard truth. Even Sauron couldn’t escape the confines of its powers. It was his greatest weakness.
But how did the Ring become the thing around which the entirety of the Third Age revolved (Letters 157)?…
(8) JANUARY 2. Get ready – tomorrow is “National
Science Fiction Day”. It must be legit – “National Science Fiction Day
is recognized by the Hallmark Channel and the Scholastic Corporation.”
National Science Fiction Day promotes the celebration of science fiction as a genre, its creators, history, and various media, too. Recognized on January 2nd annually, millions of science fiction fans across the United States read and watch their favorites in science fiction.
The date of the celebration commemorates the birth of famed science fiction writer Isaac Asimov. An American author and Boston University professor of biochemistry, Isaac Asimov was born Isaak Yudovich Ozimov on January 2, 1920. He was best known for his works of science fiction and his popular science books.
(9) TODAY IN HISTORY
January 1, 2007 — The Sarah Jane Adventures premiered starring Elizabeth Sladen who had been in the pilot for K-9 and Company which the Beeb didn’t take to series. The program, which as you well know was a spin-off of Doctor Who, lasted five series and fifty-four episodes. It did not make the final Hugo ballot for Best Dramatic Presentation, Short Form in either 2007 or 2008.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born January 1, 1854 — James George Frazer. Author of The Golden Bough, the pioneering if deeply flawed look at similarities among magical and religious beliefs globally. He’s genre adjacent at a minimum, and his ideas have certainly been used by SFF writers a lot both affirming and (mostly) critiquing his ideas. (Died 1952.)
Born January 1, 1889 — Seabury Quinn. Pulp writer now mostly remembered for his tales of Jules de Grandin, the occult detective, which were published in Weird Tales from the Thirties through the Fifties. (Died 1969.)
Born January 1, 1926 — Zena Marshall. She’s Miss Taro in Dr. No, the very first Bond film. The Terrornauts in which she’s Sandy Lund would be her last film. (The Terrornauts is based off Murray Leinster‘s The Wailing Asteroid screenplay apparently by John Brunner.) She had one-offs in Danger Man, The Invisible Man and Ghost Squad. She played Giselle in Helter Skelter, a 1949 film where the Third Doctor, Jon Pertwee, played Charles the Second. (Died 2009.)
Born January 1, 1933 — Joe Orton. In his very brief writing career, there is but one SFF work, Head to Toe which the current publisher says “is a dream-vision allegory of a journey on the body of a great giant or ‘afreet’ (a figure from Arabic mythology) from head to toe and back, both on the body and in the body.” Like his other novels, it’s not available digitally. (Died 1967.)
Born January 1, 1954 — Midori Snyder, 66. I was most impressed with The Flight of Michael McBride, the Old West meets Irish myth novel of hers and hannah’s garden, a creepy tale of the fey and folk music. She won the Mythopoeic Award for The Innamorati which I’ve not read. With Yolen, Snyder co-authored the novel Except the Queen which I do recommend. (Yolen is one of my dark chocolate recipients.) She’s seems to have been inactive for a decade now. Anyone know why?
Born January 1, 1957 — Christopher Moore, 63. One early novel by him, Coyote Blue, is my favorite, but anything by him is always a weirdly entertaining read. I’m hearing good things about Noir, his newest work which I’m planning on listening to soon. Has anyone read it?
Born January 1, 1971 — Navin Chowdhry, 49. He’s Indra Ganesh in a Ninth Doctor story, “Aliens of London.“ I also found him playing Mr. Watson in Skellig, a film that sounds really interesting. Oh, and I almost forgot to mention that he was Nodin Chavdri in Star Wars: The Last Jedi.
Born January 1, 1976 — Sean Wallace, 44. Anthologist, editor, and publisher known for his work on Prime Books and for co-editing three magazines, Clarkesworld Magazine which I love, The Dark which I’ve never encountered, and Fantasy Magazine which is another fav read of mine. He has won a very, very impressive three Hugo Awards and two World Fantasy Awards. His People of the Book: A Decade of Jewish Science Fiction and Fantasy co-edited with Rachel Swirsky is highly recommended by me. He’s not well represented digitally speaking which surprised me.
Born January 1, 1984 — Amara Karan, 36. Though she’s Tita in an Eleventh Doctor story, “The God Complex”, she’s really here for being involved in a Stan Lee project. She was DS Suri Chohan in Stan Lee’s Lucky Man, a British crime drama series which is definitely SFF. Oh, and she shows up as Princess Shaista in “Cat Among Pigeons” episode of Agatha Christie’s Poirot but even I would be hard put to call that even close to genre adjacent.
Before Dean Parisot signed on to direct Galaxy Quest, Harold Ramis was supposed to helm the movie, which was initially titled Captain Starshine. However, according to Tim Allen, if Ramis directed the film, it wouldn’t have just been titled differently — it would have looked quite different as well.
[…] “Katzenberg pitched me the idea of the commander character and then they started talking and it became clear that Ramis didn’t see me for the part,” Allen said. “It was pretty uncomfortable.”
[…] Interestingly, Sigourney Weaver also wouldn’t have gotten her role as Gwen DeMarco in Galaxy Quest if Ramis had directed the film, despite their relationship from Ghostbusters. “I had heard that Harold was directing a sci-fi movie but he didn’t want anyone who had done sci-fi in the film,” she said. “Frankly, it’s those of us who have done science fiction movies that know what is funny about the genre.”
…I’ll start with this reddit AMA from a few years back, and an interview with Tingle on Nothing in the Rulebook. His answers reveal a consistent approach to the writing life that mirrored the habits of authors who are, possibly, even more well-known than our favorite erotica author.
Asked about a typical writing day, Tingle replies:
yes average day is getting up and having two BIG PLATES of spaghetti then washing them down with some chocolate milk then i get out of bed and meditate to be a healthy man. so when i am meditating i think ‘what kind of tingler would prove love today?’. if nothing comes then i will maybe trot around the house or go to the park or maybe walk to the coffee shop with my son jon before he goes to work. if i have a good idea i will just write and write until it is all done and then I will have son jon edit it and then post it online.
OK, so to translate this a bit out of Tingle-speak, we have a recommendation that you fuel your writing with carbs (and also an unlikely alliance with Haruki Murakami’s spaghetti-loving ways) with a bit of a boost of sugar….
(14) GREASED LIGHTNING. [Item by Daniel Dern.] From one of the CES 2020 press
releases I got today…
Subject: [CES NEWS] Experience a Roomba-Like Device that Navigates the Home Charging ALL Devices
…I want to put an innovative device on your radar: RAGU, a Roomba-like robot that navigates the home charging ALL of your devices.
GuRu is the first company to crack the code on totally untethered, over-the-air charging.
discounting remote mal-hackers, this sounds like a recipe for either a droll TV
episode, or Things Going Horribly Wrong. (Fires, fried gear, tased/defibrilated
pets and sleeping people, etc.)
Spare a thought for the poor fat rat of Bensheim, which became stuck in a German manhole in February. She was eventually freed, but not before passers-by took embarrassing photos of her plight. “She had a lot of winter flab,” one rescuer said, compounding the humiliation.
In this case, the animals were the rescuers rather than the rescued (sort of).
Anticipating the threat of wildfires later in the year, staff at the Ronald Reagan Presidential Library in California hired a hungry herd of 500 goats to eat flammable scrub around the building in May.
And so, when fires did strike in October, the library was saved because of the fire break the goats had created by eating the flammable scrub. Nice one, goats.
As always, the existential wisdom of Werner Herzog prevails. “You are cowards,” the director castigated on set of The Mandalorian, upon realizing the producers intended to shoot some scenes without the Baby Yoda puppet in case they decided to go full CGI with the character. “Leave it.”
Herzog, who guest-starred on a few episodes of the Disney+ Star Wars spinoff series, was one of Baby Yoda’s earliest champions. And indeed, Baby Yoda — a colloquial epithet referring to the mysterious alien toddler merely known as “The Child” in the script — was designed for maximum neoteny. The gigantic saucer-like dilated eyes; the tiny button nose; a head that takes up nearly half his body mass; the hilariously oversized brown coat; the peach fuzzy hairs tufted around his head; and the pièce de résistance of his custardy little green face: that minuscule line of a mouth that could curve or stiffen in an instant and erupt a thousand ancient nurturing instincts in any viewer. (He’s the only thing my normally stoic husband has ever sincerely described as “cute.”) Heck, there may very well be a micro generation of Baby Yoda babies about eight months from now, thanks to this frog-nomming, lever-pulling, bone-broth-sipping little scamp.
And all because Jon Favreau and company finally recognized that rubber-and-fabric practical effects will almost always have a greater emotional impact than plasticky digital ones.
The recent success of The Mandalorian, thanks to the adorable face that launched a thousand memes, and Netflix’s fantasy-adventure epic The Dark Crystal: Age of Resistance, recently nominated for a WGA Award and a Critic’s Choice Award, prove that we still need puppetry and mechanical effects in the age of CGI….
(18) PERRY MASON. My fellow geezers may enjoy this quick
[Thanks to Jo Van Ekeren, Cat Eldridge, Mike Kennedy, JJ, Chip
Hitchcock, John King Tarpinian, Martin Morse Wooster, Daniel Dern, Contrarius, Darrah
Chavey, and Andrew Porter for some of these stories. Title credit goes to File
770 contributing editor of the day Kip W.]
… Writer, the middle word in Romance Writers of America, is a word without gender, a word without color or race, a word without sexual orientation, without creed. We’re writers, and as such must expect to be treated, must demand to be treated, fairly and equitably by our professional organization.
…Again, I regret all the years I didn’t hear, didn’t see, didn’t listen, remained unaware of all the sad and unfair things that are now coming to light.
I hope that light continues to shine, and by doing so may change RWA for the good, may remind those in leadership positions what the purpose was all those years ago. To support and advocate for romance writers. Not specific kinds of romance writers.
Let me add, as a personal note, that over the course of my life, the course of my career, the couple hundred books I’ve written, I may have–most likely have–said or done or written something that was offensive, racist, homophobic. Without intent–but intent doesn’t mean a damn to those hurt. So I’ll apologize without qualification.
I hope I’ve learned along the way. I intend to continue to learn and do better.
RESOURCES. Links to new developments are continually
added at these two sites:
DISCUSSION. Lynn Spencer’s post “Has RWA Lost Its Way?” at All About Romance is followed by a wide-open comments section with opinions from all sides of the issue. Spencer says in conclusion:
It’s obvious at this point that RWA screwed up. Frankly, as more information becomes available, it appears obvious that they made more than just one mistake. Their internal procedures are clearly flawed and while Courtney Milan is an author with a high enough profile to draw attention to the problems, one can only imagine how many people who are not so well-known may have been treated equally poorly by the organization. Story after story after storyof alleged irregularities and bias at RWA(some going back to the early days of the organization) have been pouring out ever since this particular story broke and I can only imagine that will continue.
So, where does RWA go from here? Over the short term, I honestly think that the organization has broken trust with too many people. This isn’t a situation where they can apologize and hope we will all forget about it. Perhaps if they:
(1) clean house and start over by electing a brand new board who would then hire a new executive director;
(2) audit what has been happening not just with the complaints against Courtney Milan but with the ethics committee in general and make those findings publicly available, including the names of everyone on the shadow ethics committee, and
(3) show by their actions that RWA is willing to listen and to really do the work of becoming more diverse, inclusive and anti-racist, then over the long term they may survive.
However, RWA has damaged its reputation with a significant portion of its membership and with the romance community at large, and one can understand those of us who will be slow to risk trusting it again. There are lots of questions to be answered here, and from what is already known, it is apparent that once those questions are answered, the organization will have to change if it is to survive.
Ilona Andrews charts what she thinks is the underlying
cause of the conflict. Thread starts here.
Ivy Quinn assembled a thread of screencaps of comments
left on RWA’s Facebook page. The thread starts here.
Diana Hicks described her experience with racism in the
RWA. Thread starts here.
Former RWA President HelenKay Dimon a few days ago tweeted
a series of steps that, if taken, might let the organization move forward. Thread
RWA PRESIDENT DAMON SUEDE. He got his message out to RWA Chapter Leaders, but what he’s telling them has been challenged by Courtney Milan and others. An effort to remove him from office is under way.
Alyssa Day tweeted screencaps of RWA President Damon
Suede’s message to RWA Chapter Leaders.
Courtney Milan contradicted some of what Suede wrote in a thread
that starts here.
CIMRWA (Cultural, Interracial, and Multicultural
Chapter of Romance Writers of America) is ready to submit its petition to
recall incoming RWA President Damon Suede.
RWA has been caught swapping out its December 26
and December 30 statements at the top of the organization’s webpage.
The distilled essence of Tessa Dare’s take is –
REACTION FROM THE SFF COMMUNITY.
N.K. Jemisin contrasted how SFWA and RWA handled the challenge
of racism. Thead starts here.
Mad Genius Club’s Sarah A. Hoyt and Dave Freer posted word salads disapproving the motives and purposes they imputed to Courtney Milan.
Meanwhile, Chuck Tingle is still pissed off at RWA President Suede for saying, in effect, that he is a pen name of two collaborators.
The purpose of the Romance Writers of America (RWA) is to support, advocate, and provide resources for approximately 9,000 romance writers, advocate for the genre, and provide a safe and respectful environment for writers to discuss and express their ideas.
We do not take positions for or against specific literary criticism or authors’ points of view. We do, however, have explicit policy for our members’ professional conduct. RWA’s Member Code of Ethics is designed to induce RWA members, especially RWA’s leaders, to exhibit integrity, honesty, and other good professional practices, thereby enhancing the romance writing profession.
RWA is fully committed to the confidentiality and integrity of the ethics process at all levels. Our Code of Ethics and procedures cannot be selectively or inconsistently applied on a situational basis. All ethics complaints received must be properly reviewed and addressed according to our policy manual, and the organization must apply a single standard consistently and equitably.
Beginning in August of 2019 and subsequently, the RWA Ethics Committee received complaints filed by two members, Suzan Tisdale and Kathryn Lynn Davis, against former Board member Courtney Milan. These complaints allege several violations of the RWA Member Code of Ethics by Ms. Milan while she was serving in an RWA leadership position and that this led to the loss of a three-book contract by Ms. Davis.
At the time of the complaint, Ms. Milan served as Chair of the Ethics Committee and was now subject to review by the Committee for allegations by the aforementioned RWA members. Ms. Milan was asked to voluntarily step down as the Ethics Committee Chair to eliminate any conflict of interest, which she did, and the Board appointed additional Committee members and a new Chair. Those members made up a diverse Ethics panel – the standard RWA protocol in RWA Ethics cases – that had not served under Ms. Milan because of the need for confidentiality and the potential for conflicts of interest.
In accordance with RWA policy, the Ethics panel met and delivered its report to the Board, dismissing all charges against Ms. Milan except one: a violation of the association’s express purpose of creating a “safe and respectful environment” for its community of writers.
While the Ethics panel unanimously recommended a series of sanctions against Ms. Milan, the Board chose to reduce these to a one-year suspension and a permanent ban on leadership positions in RWA. After this private information was made public on December 23, it led to an intense backlash online – including the spreading of false information, threats, and personal information. The Board then held an emergency executive session, rescinding the remaining sanctions. That is where things stand and where they will remain unless a future Board decides to revisit the issues. Several Board members have subsequently resigned for a variety of reasons.
RWA is not alone in trying to balance free speech with civil discourse and the damage – personal and financial – its absence can do. It is, however, up to us to find a pathway forward to meet the competing needs of free expression without subjecting our members to harassment, intimidation, and financial loss.
To provide a path forward, we are taking or have taken the following actions:
In an abundance of caution over confusion regarding RWA’s policies and procedures, the complaint against Courtney Milan has been closed and no action is being taken at this time. Ms. Milan remains a member of RWA.
RWA affirms our commitment to diversity, equity, and inclusion. We are in the process of recruiting and nominating strong, diverse candidates for the vacant Board seats to foster a Board culture rooted in transparency and accountability; all candidates are subject to Board approval.
RWA will authorize a full, complete, and transparent review of the Member Code of Ethics and enforcement procedures.
RWA is hiring an independent, outside law firm to conduct an audit of the process and these events to provide a clear report of the facts.
Our members have strong opinions, which we applaud. But when expressed inappropriately, and in some cases far worse, by our organizational leadership – past and present – these can result in personal and financial harm to members. Other members have inappropriately shared personal and/or private information which has legal consequences and has resulted in members feeling threatened, exposed, and unsafe. This is unacceptable behavior. As writers we know more than most, words have consequences.
The Board and staff remain committed to serving our members and fulfilling our mission. We can and will do better. RWA is not alone in these challenges, but as writers, we must lead the way.
Sincerely, RWA Board and Staff
Courtney Milan tweeted two threads reacting to the statement.
There’s not a lot of love at the Romance Writers of America this holiday season. Lots of passion, but not too much love.
The organization, which bills itself as the voice of romance writers and cites 9,000 members, has been upended over the way it has treated one of its authors, Courtney Milan, a Chinese American writer and a former chair of its Ethics Committee.
The Texas-based trade association initially accepted the vote of its Ethics Committee that Milan had violated the group’s code with negative online comments about other writers and their work. Then, just before Christmas, it reversed course, rescinding its vote ”pending a legal opinion.” Now its entire leadership has changed….
Nine board members of the Houston-based Romance Writers of America resigned this week in a startling exodus that took place during a holiday lull. The organization — which represents a billion-dollar industry and celebrates its 40th anniversary in 2020 — will enter the new year with decimated leadership and lingering questions about its focus and future after several romance authors questioned the association’s commitment to a diverse community.
“I knew this kind of thing could happen, but I certainly didn’t see it happening this way, over Christmas week,” said author Piper Huguley. “I knew there was a big push coming, a resistance against this. I believe we’re in a fight for the soul of this organization, which to a number of people who observe it is not unlike what’s going on in the country politically. Right now the big question is, ‘What’s going to happen?’”…
…Ms. Milan, who is Chinese-American, took issue with the depiction of 19th-century Chinese women in the book, including a description of “slanted almond eyes” and a quote from a character describing them as “demure and quiet, as our mothers have trained us to be.” “The notion of the submissive Chinese woman is a racist stereotype which fuels higher rates of violence against women,” Ms. Milan wrote on Twitter.
Ms. Davis, who is an honorary R.W.A. member, disagreed with Ms. Milan’s assessment, saying her book was historically accurate and based on years of research. She filed an ethics complaint with the R.W.A., saying that Ms. Milan’s comments were “cyberbullying” and cost her a publishing contract.
…Ms. Davis, who filed one of the complaints, said she was “stunned” by the R.W.A.’s judgment against Ms. Milan and said the penalty “far exceeded the substance of the complaint.” “We asked for an apology. That was what we wanted,” she said.
HelenKay Dimon, who was president of R.W.A. until her term ended in late August, said that she thought there had been a series of breakdowns in the process and is calling for a full audit.
“People care enough to get that upset,” she said. Now, the organization needs to “step up and take responsibility and have a plan.”
“I think the organization and the membership and the people who drove this decision are not the same things,” Ms. Milan said. “The response of the membership should be heartening to anyone who cares about diversity in R.W.A. and romance.”