Tag Archives: Crooked Timber

Pixel Scroll 11/29/21 Will You Still Need Me, Will You Still Read Me, When I Pixel Scroll?

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(1) GET AN EARFUL. Today File 770 partnered with AudioFile Magazine to unveil “AudioFile’s 2021 Best Science Fiction & Fantasy Audiobooks”. Here is the link to the complete AudioFile Magazine – Best Of 2021 list.

We love hearing a good story well told, and we know that you do, too: the comfort and intimacy of a voice in your ear, the pleasure of being completely swept up in a narrative. That’s why, every December, we are so glad to celebrate audio excellence by selecting AudioFile’s Best Audiobooks. Thank you to all of the narrators, directors, producers, and publishers who filled our year with good listening.

(2) A PAY SERVICE NIXES DISCON III. “WeChat Restrictions, We Tried, We Really Tried” says DisCon III:  

“We have had to remove WeChat as a payment option. Due to their restrictions on charitable giving, we are unable to use WeChat services at this time. Our tech team is working to find a workaround to help overseas fans who want to pay using WeChat. That said, all of our other avenues are still available, and there’s still time to join us at DisCon III. Please visit our member services page to purchase your membership.” said Mary Robinette Kowal, Chair of DisCon III. 

(3) ON BROADWAY. [Item by Daniel Dern.] The opening of (Marvel) Hawkeye (new TV series) includes Clint “Hawkeye” Barton (and his 3 kids) going to a performance of Rogers The Musical (note that the signage looks very Hamiltonian), and we get to, delightfully, see about half of “I Can Do This All Day” about the NYC invasion, in the first Avengers movie.

Here’s one of many articles on this, including an audio with the full lyrics:  “Hear Hawkeye’s Rogers: The Musical song, and how Marvel pulled it off” at Polygon.

… Written by Marc Shaiman and Scott Wittman, who have collaborated on other Broadway musical adaptations like Hairspray and Catch Me If You Can, Rogers is the MCU’s latest attempt to reminisce over past battles with a wink and nod. A little like the scene in Loki where the God of Mischief finds Infinity stones being used as paperweights, the silliness of Rogers asks the audience if they can remember what all the fuss was about….

(4) HE GAVE IT A SPIN. Camestros Felapton says “The Wheel of Time adaptation is looking good”.

…A strong cast gives the characters more weight and also pushes them closer to how Jordan intended them to be (from context) rather than how they come over in the books. Nynaeve in particular is clearly meant to be a strong-willed character in the books but comes over as just whiny and annoying (your impression may differ) in Jordan’s dialogue. However, the show’s Nynaeve is a really compelling character played by New Zealander Zoë Robins, full of intensity and suspicion of what she (correctly) perceives as a hostile world….

(5) FUTURE TENSE. The November 2021 entry in the Future Tense Fiction series is “Ride,” by Linda Nagata, a story about climate, public transportation, and AI in Hawaii.

 …The boy waved at them, then turned again to Jasmine. “Give it a try,” he exhorted her in a conspiratorial whisper. “Promise you will?”

Those eyes.

Her smile brightened. She didn’t want to disappoint those eyes. So she played along, teasing, “I might.” And maybe she really would. It was just a little game, after all….

It was published along with a response essay by cities and transit journalist Henry Grabar: “What if an All-Knowing Algorithm Ran Traffic and Transit?”

I like to think of myself as deeply skeptical of the many internet algorithms telling me what I want and need. I turn off targeted advertising wherever I can. I use AdBlock to hide what’s left. Most of my YouTube recommendations are for concerts or sports highlights, but I know I’m just a few clicks away from a wild-eyed influencer telling me to gargle turpentine for a sore throat. Twitter trending topics? I regret clicking immediately.

But I make an exception for the sweet, all-knowing embrace of the Spotify algorithm, to whom I surrender my ears several times a day. This software doesn’t just know my taste in music better than my friends; it acts on it, with chains of songs that build off things that I know I like, or forgot I did….

(6) HARLAN IN THE WILDERNESS. Stephen Bowie interviewed Harlan Ellison in 1996 about his early days writing for television: “Harlan Hits Hollywood” at The Classic TV History Blog.

…I was going to ask you if you remembered watching “Memos From Purgatory” when it was first broadcast, but perhaps you don’t, since it wasn’t actually the first one.

It’s a moderately funny story about what happened the night it aired.  I was living in Beverly Glen, in this little treehouse. The television set that I had was a real small TV, with rabbit ears, and the antenna was up the side of the mountain behind the house.  I mean this house, literally and actually, sat half on a rock ledge and the other half sat in the crotch of a gigantic banyan tree. It was raining that night, it was raining terribly. And the antenna, which was up the hill – rabbit ears down in the house and an actual antenna up on the hill; I mean, there was no cable – well, the antenna fell over.  

I had invited all these people to come and see the show, and we couldn’t get any reception.  So a friend of mine volunteered to go up, and he put on my raincoat, and he stood up there in the pounding rain, a really torrential downpour.  He stood up there holding the fuckin’ antenna up. And I was kind of, you know, upset that he was up there, not to mention that there were cougars or mountain cats – really, there were catamounts or cougars or whatever the fuck they are – up there running loose, because it’s all watershed land.  And I was terrified that he was going to get eaten, or washed away, or drowned, or fall off the mountain, or something. So about midway through I went up and I took his place. And I came back drenched, soaking wet, I looked like a drowned rat, and everybody was raving about this thing, and I had only seen about half of it….

(7) DRAGON IT OUT. A new book says “George R.R. Martin flew to New York to ‘beg’ an HBO executive to make ‘Game of Thrones’ 10 seasons long, according to his agent” reports Yahoo!

HBO’s hit series “Game of Thrones” came to an end in 2019 with two shortened seasons, which brought the total to eight seasons and 73 episodes. But the story’s original creator, the author George R.R. Martin, pushed for up to 10 seasons and 100 total episodes, according to a new book.

New accounts of Martin’s wishes can be found in a book titled “Tinderbox: HBO’s Ruthless Pursuit of New Frontiers” by the journalist James Andrew Miller.

Miller, who conducted 757 interviews for the book, spoke with Martin, Martin’s agent, Paul Haas, and Richard Plepler, HBO’s former CEO.

“George would fly to New York to have lunch with Plepler, to beg him to do ten seasons of ten episodes because there was enough material for it and to tell him it would be a more satisfying and more entertaining experience,” Haas told Miller.

(8) IN XANADU. Henry Farrell points to the availability of the video of a panel he was on with Paul Krugman, Ada Palmer, Noah Smith, and Jo Walton. And he has a few more things he’d like to say in his post “The Future Finds Its Own Uses for Things” at Crooked Timber.

So this event on the relationship between social science and science fiction went live late last week. It has Paul Krugman, Ada Palmer, Jo Walton, Noah Smith and … me. I’ve been wanting to say something a little bit more about this relationship for a while. Here is one take, which surely misses out on a lot, but maybe captures some stuff too.

…The Hume quote captures a particular – and very common – way of thinking about the world. It suggests that beneath the vast procession of history, the extraordinary profusion of ways in which human beings organize their society, their politics and their economies, lies a hidden and coherent unity. He emphasizes “the constant principles of human nature” – other social scientists have other notions about what the underlying unity involves and entails. But from this perspective all the ways in which things are different across time and space are really illustrations of how they are really deeply the same. This is a powerful lens for understanding the world and perhaps changing it.

When Marco Polo counters Kublai Khan, he points towards quite the opposite phenomenon; how an apparent unity -an abstract of plane forces – can be opened up to disclose the quiddity of things. A chessboard is a plane divided into sixty-four squares – yet it is also something physical, made out of joined-together pieces of wood, each with its own history. The apparently all encompassing abstract unity conceals a world of variation. Unless you understand how the squares were formed – a year of drought; a frosty night; a caterpillar’s appetite; you cannot understand how the chessboard came to be as it is.

It is a little too simple to say that social science is on Hume’s side of the dialectic, while science fiction is on Marco Polo’s. What makes more sense, I think is that very good social scientists and very good science fiction writers each work the tensions between the two understandings of the world, more from the one side than the other….

(9) NAME YOUR PRICE. Filer Jane Sand’s novelette “Not Poppy Nor Mandragora” is in the newly released Fusion Fragment issue #9. The publishers invite readers to “download Fusion Fragment #9 for free or pay what you want!”

(10) CIRCUMNAVIGATING THE SPOILERS. I say, this Ars Technica article gives away the entire story, never mind spoilers! “David Tennant makes a dashing Phileas Fogg in Around the World in 80 Days preview”. It wasn’t easy to find an excerpt that didn’t blab some important part!

…Verne’s story, in turn, inspired the late 19th-century journalist Nellie Bly to make her own world tour, completing the trip in 72 days. She even met Verne in Amiens and wrote her own bestselling book about her adventures. Monty Python alum Michael Palin made the charming TV travelogue, Around the World in 80 Days with Michael Palin, in 1988, detailing his recreation of Fogg’s journey, without resorting to airplanes….

(11) MEDIA BIRTHDAY.

2002 — [Item by Cat Eldridge.] Nineteen years ago on NBC, It’s a Very Merry Muppet Christmas Movie first aired. It was the first film to be made for television by The Muppets franchise. It was directed by Kirk R. Thatcher (in his feature directorial debut though he earlier been hired by Nimoy to associate produce the Conspiracy ’87 Hugo-nominated Star Trek IV: The Voyage Home) and written by Tom Martin and Jim Lewis.

It starred the usual Muppet puppeteers (Steve Whitmire, Dave Goelz, Bill Barretta and Eric Jacobson) plus a number of human guests: David Arquette, Joan Cusack, Matthew Lillard, William H. Macy and Whoopi Goldberg. Executive producers Juliet Blake and Brian Henson, though the actual producers were Martin G. Baker and Warren Carr. 

This is also the final Muppets production from the Jim Henson Company, as The Muppets were in their final years of ownership by the Henson family before being sold to Disney in 2004.

Critics were generally very impressed by this film with such comments as the Canadian Movie News saying it “is a medley of familiar Christmas classics such as It’s a Wonderful Life, A Christmas Story and The Grinch, amongst others, with a distinct Muppet spin.” Interestingly audience reviewers at Rotten Tomatoes were less impressed giving a mediocre fifty-one percent rating. 

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born November 29, 1898 — C S Lewis. I first encountered him when reading The Screwtape Letters in University. I later read of course The Chronicles of Narnia which I found most excellent though I’ll admit that I’ve not read his Space Trilogy. (Died 1963.)
  • Born November 29, 1910 — Kendell Foster Crossen. He was the creator and writer of the Green Lama stories.  The character was a Buddhist crime fighter whose powers were activated upon the recitation of the Tibetan chant om mani padme hum. He also wrote Manning Draco series, an intergalactic insurance investigator, four of which are can be found in Once Upon a Star: A Novel of the Future. The usual suspects has a really deep catalog of his genre work, and the Green Lama stories have been made into audio works as well. (Died 1981.)
  • Born November 29, 1918 — Madeleine L’Engle. Writer whose genre work included the splendid YA sequence starting off with A Wrinkle in Time and its sequels: A Wind in the Door, A Swiftly Tilting Planet, Many Waters, and An Acceptable Time. One of her non-genre works that I recommend strongly is the Katherine Forrester Vigneras series. She has a World Fantasy Award for Life Achievement. (Died 2007.)
  • Born November 29, 1950 — Peter Hooten, 71. He played the title character in the late Seveties Dr. Strange film, well before the present MCU film reality existed. His other genre appearances are all in definitely low-grade horror films such as Orca, House of Blood and Souleater. And one Italian film that had so many name changes that I’d accused it of name laundering, including 2020 Texas Gladiators. 
  • Born November 29, 1955 — Howie Mandel, 66. He was the voice of Gizmo in Gremlins and Gremlins 2: The New Batch. His longest voice acting gig was on the Muppet Babies where he did a lot of different voices, and he voiced Sam-I-Am in In Search of Dr. Seuss which is not nearly as serious as it sounds.
  • Born November 29, 1969 — Greg Rucka, 52. Comic book writer and novelist, known for his work on Action Comics, Batwoman and Detective Comics. If you’ve not read it, I recommend reading Gotham Central which he co-created with Ed Brubaker, and over at Marvel, the four-issue Ultimate Daredevil and Elektra which he wrote is quite excellent as well. I’ve read none of his novels, so will leave y’all to comment on those. He’s a character in the CSI comic book Dying in the Gutters miniseries as someone who accidentally killed a comics gossip columnist while attempting to kill Joe Quesada over his perceived role in the cancellation of Gotham Central.
  • Born November 29, 1976 — Chadwick Boseman. Another death that damn near broke my heart. The Black Panther alias Challa in the Marvel metaverse. The same year that he was first this being, he was Thoth in Gods of Egypt. (If you’ve not heard of this, no one else did either as it bombed quite nicely at the box office.) He was Sergeant McNair on Persons Unknown which is at least genre adjacent I would say.  And he even appeared on Fringe in the “Subject 9” episode as Mark Little / Cameron James. (Died 2020.)

(13) IT’S NOT SURPRISING. “‘The Simpsons’ Tiananmen Square Episode Missing From Disney+ Hong Kong; Discovery Leads to Censorship Concerns” reports Deadline.

An episode of The Simpsons during which the family visits Tiananmen Square is missing from Disney+’s Hong Kong platform.

Episode 12 of season 16 was found today to be absent from the streamer’s catalogue in the nation, having launched in Hong Kong earlier this month.

The episode features the family going to China to try to adopt a baby. At one point, they visit Tiananmen Square, which was the site of a deadly crackdown in 1989 against democracy protestors. A satirical sign in the cartoon square reads “On this site, in 1989, nothing happened.”

At time of publication, it is not clear whether Disney+ removed the episode or was ordered to by the authorities and Disney has not responded to requests for comment.

The discovery will lead to further concerns over censorship in Hong Kong….

(14) D&D DIVERSITY. “‘A safe haven’: how Dungeons & Dragons is slaying social anxiety” – the Guardian runs the numbers.

… Since its inception in the mid-1970s, the tabletop role-playing game Dungeons & Dragons (D&D) has brought together a far more diverse array of players than its stereotypes suggest. Earlier this year, the game’s publisher, Wizards of the Coast, released a report showing that, of its estimated 50 million players, 54% were younger than 30 and 40% identified as female. What it didn’t reveal was the rise in visibility of queer and neurodiverse players.

…For people such as Shadia Hancock, the founder of advocacy group Autism Actually and Dungeon Master to a group of young neurodiverse players, the therapeutic potential of the game has always been clear.

“It’s about creating a sense of community,” Hancock says. “I work out the players’ expectations at the beginning of a game. Some get really into creating their characters, some are more interested in finding items and exploring the world, others are really interested in how the characters met. We all have a mutual love of gaming, but we all want something different from the session.”

Some characteristics expressed by some of Hancock’s players – social anxiety, increased empathy, difficulty adapting to change, feeling overwhelmed in noisy environments – have become familiar to many Australians in the wake of lockdowns. Studies cited by the Australian Institute of Health and Welfare found reported levels of social anxiety increased over the past two years among all age groups, with young neurodiverse Australians even more likely to have experienced a decline in wellbeing.

“While other people are excited about going out, I’m filled with dread,” Hancock tells me. “With Covid, we [autistic communities] had all these sudden changes, often with short notice, and there was this need to constantly adapt to new rules. Not knowing what is coming up is really anxiety-inducing. During the pandemic, that became a shared experience.”

(15) NEXT TIME, TAKE THE TRAIN. John Holbo’s “The Ones Who Take the Train to Omelas” is adorned with a big Omelas-themed travel poster (which you can see at the link.)

*Confused? This page contains a parody of a famous story, “The Ones Who Walk Away From Omelas”, by Ursula K. Le Guin. I’d point you to it, but there are no versions legally free on the web. Buy a book! Read Wikipedia. If you are somehow here about the BTS song – sorry, I don’t know about that. (But with half a billion hits, somebody probably does.)

I’ve written notes on my take on Le Guin. An essay! That’s here. 

Also, once I made the graphics I tossed ’em on Redbubble. Forgive me. It seemed funny.

“I incline to think that people from towns up and down the coast have been coming in to Omelas during the last days before the Festival on very fast little trains and double-decked trams.”

– Ursula K. Le Guin, “The Ones Who Walk Away From Omelas”

(16) DS9 ON NFT. Voice actor Joshua Martin put together a parody video where Deep Space Nine’s “Quark and Odo discuss NFTs and Crypto Currency”. There’s also a Twitter thread that starts here.

(17) I SCREAM, YOU SCREAM. SlashFilm reveals “This Is What You’re Really Hearing When R2-D2 Screams In Star Wars”.

…One fateful moment of stress managed to help define a character through more than four decades and nine movies in the Skywalker saga — and counting.

(18) STAND BY TO ENTER HYPE-SPACE. Gizmodo’s Rob Bricken pans Disney World’s effort to sell people on its new theme hotel: “Star Wars Galactic Starcruiser Hotel Preview Looks Unimpressive”.

If you’ve been slavering for your chance to spend thousands upon thousands of dollars to head to Walt Disney World’s upcoming Star Wars Galactic Starcruiser experience, might I suggest you towel off your chin for the time being? Disney has released a video preview of some of what awaits families who come aboard the Halcyon, and it doesn’t look particularly enticing.

The first thing you should know about this video is that it stars Disney Parks Imagineer Ann Morrow Johnson and The Goldbergs’ sitcom actor Sean Giambrone. The two take a very short tour of the Starcruiser, but instead of them just talking like normal people about what people who come to the Halcyon can expect, it’s scripted and painfully unfunny. You’ve been warned. But this video also raises an important question, which is: Disney wants $6,000 for this?

[Thanks to Andrew Porter, Michael Toman, Cat Eldridge, Danny Sichel, Jayn, Bill, Joey Eschrich, Mike Kennedy, Martin Morse Wooster, JJ, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Joe H.]

Pixel Scroll 5/7/21 Anything You Can Grok, I Can Grok Better

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(1) DOING MINISTRY WORK. Crooked Timber  is having an extended forum on Kim Stanley Robinson’s The Ministry For The Future: Below are the posts that have been made so far as part of “The Ministry for the Future seminar”.

Over the next ten days, we’re running a seminar on Kim Stanley Robinson’s recent novel about climate change and how our political and economic system might have to change to stop it, The Ministry for the Future. We’re happy to be able to do this – it’s an important book. Since it came out, it’s had an enormously enthusiastic reception (see e.g. Barack Obama and Ezra Klein). What we want to do in this seminar is not to celebrate it further (although it certainly deserves celebration) but to help it do its work in the world. So we’ve asked a number of people to respond to the book, by arguing it through and, as needs be, arguing with it. Soon after the seminar finishes, we will publish a reply piece by Stan, and then make the seminar generally available under a Creative Commons license. As the pieces are published, I will update this post to provide hyperlinks, to make it easier for people to keep track.

And Adam Roberts didn’t want to be left out – in comments he linked to his review of the book at Sibilant Fricative: “Kim Stanley Robinson, ‘The Ministry for the Future’”.

(2) EATING THE FANTASTIC. Scott Edelman invites listeners to dine with award-winning writer Aliette de Bodard in episode 144 of the Eating the Fantastic podcast. Edelman adds, ”And unless my anxiety overwhelms me, next week, I’ll record the first face to face episode in 14 months … with a fully vaccinated guest over takeout at a picnic table in a public park.”

Aliette de Bodard

It’s time to head off for a Vietnamese meal with the amazing Aliette de Bodard, who’s currently both a Hugo Award and Ignyte Award finalist for her story “The Inaccessibility of Heaven,” published last year in Uncanny.

She’s the author of the Hugo-Award-nominated series The Universe of Xuya, set in a galactic empire born out of Vietnamese history and culture. She’s also written the Dominion of the Fallen series, set in an alternate Paris devastated by a magical war, which includes The House of Shattered Wings, The House of Binding Thorns, and the The House of Sundering Flames.

Her short fiction has appeared in Uncanny, Beneath Ceaseless Skies, Lightspeed, Subterranean, Tor.com, and other magazines. She’s won three Nebula Awards, a Locus Award, a European Science Fiction Association Achievement Award, and four British Science Fiction Association Awards, in addition to being a finalist for the Hugo and Sturgeon Award. She was a double Hugo finalist in 2019 for Best Series and Best Novella, and was also a finalist for the John W. Campbell Award for Best New Writer in 2009.

We discussed how best to deal with imposter syndrome, the way the pandemic contributed to her completing a long-unfinished story, the phone call which sparked her to focus on more personal stories, when she realized she was building universes rather than single stories, how anger over Revenge of the Sith gave her insight into the kinds of universes she did and didn’t want to build, why the Shadow and Bone TV adaptation wasn’t the escapist entertainment she hoped it would be, how writers can fight back against the cliches popular culture puts in our heads, whether writers can control the effects of their stories when they have no idea what individual readers might bring to them, how best to use anger appropriately, the importance of a story’s final line, what she wishes she’d known about writing rules when she began, and much more.

(3) A MODEL FAN. Part 2 of Fanac.org’s Zoom session interview with Erle and Steve Korshak is now online. Erle is nearly 98. (Part 1 is here,)

Erle Korshak, founder of the legendary Shasta Publishers, instrumental in the second Worldcon in 1940 (Chicon I), very likely the first SF bookseller, and a Guest of Honor at Chicon 8 (2022 Worldcon), sat with his son, Stephen, and fan historian Joe Siclari for a dive into his 80+ year SF fan career (April 2021). Part 2 of his interview is replete with entertaining anecdotes of well known fans and pros in the field such as Aldous Huxley, Charlie Hornig, and Bob Tucker. Erle recounts a sweet tale of Frank R. Paul drawing on stencil, and a charming story of how he himself came to be the model for the Hubert Rogers cover for Heinlein’s “Revolt in 2100”. You’ll also hear convention stories, art stories and more. Best of all, Erle paints a clear picture of what science fiction fandom was like in the early, early days.

(4) COSTUMERS’ IDEAS ABOUT BEST PRACTICES. Another of Fanac.org’s many recent additions is the Kennedy Masquerade Compendium – even in 1981, they thought it was time to stop reinventing the wheel every year.

…It occurred to me, among others, that more input by costumers would be a GOOD THING. Further, that assembling a consensus of opinion on various aspects of costuming and of Masquerade operation could be a help to future Masquerade Committees. With this in mind, I composed a few tentative rules and sent them out to those costumers whose addresses were in my book, asking for comments, criticisms, and suggestions. Some of the rules were deliberately provocative; and they did indeed provoke the production of enough material for another letter, and then another another. From the answers received, and from some personal discussions, I arrived at this present set of Guidelines. Not everything here is agreed to by every person who contributed, but I have tried to make sure that each suggestion is supported by enough experienced costumers to represent a respectable body of opinion….

(5) HAND-TO-BUTTON COMBAT. ScreenRant presents “The 10 Most Bizarre Weapons In Sci-Fi Movies, Ranked”.

…Science-fiction and technology go hand in hand, with one influencing the other over the years. This had led to both fantastical imaginings and real-world applications. Sci-fi movies usually showcase this relationship using advanced spaceships, robots, and of course, weapons….

8. L.O.O.K.E.R. GUN

Michael Crichton’s Looker was an attempt at holding a mirror up to society’s obsession with media and beauty, while also presenting a mystery about a series of murders of recent plastic surgery patients. Looker was one of the first films to use computer-generated images to create a realistic human character.

The film also featured a truly odd weapon of choice for the killer, which was a gun that emitted pulses of light to hypnotize/blind its victims/give the bearer the illusion of invisibility. The gun was named the Light Ocular-Oriented Kinetic Emotive Responses, or L.O.O.K.E.R Gun, which means its vague purpose may be secondary to making the acronym work with the title of the film.

(6) MEDIA BIRTHDAY.

  • May 7, 1933 — On this day in 1933, King Kong premiered. It was directed and produced by Merian C. Cooper and Ernest B. Schoedsack. The screenplay was written by James Ashmore Creelman and Ruth Rose from an idea by Merian C. Cooper and Edgar Wallace. It stars Fay Wray, Bruce Cabot and Robert Armstrong. Critics mostly loved it, the box office was quite amazing and the audience reviewers at Rotten Tomatoes currently give it an astonishing ninety eighty percent approval rating. It has been ranked by Rotten Tomatoes as the fourth greatest horror film of all time.  You can watch it here as it’s very much in the public domain. 

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born May 7, 1861 – Rabindranath Tagore.  Five stories, two poems for us available in English.  Composer, painter, philosopher, playwright, poet, social reformer.  First lyricist to win the Nobel Prize.  Two thousand songs; two chosen as national anthems.  Still largely unknown outside Bengal; try this.  (Died 1941) [JH]
  • Born May 7, 1915 — Henry Kuttner. While he was working for the d’Orsay agency, he found Leigh Brackett’s early manuscripts in the slush pile; it was under his guidance that she sold her first story to Campbell at Astounding Stories.  His own work was done in close collaboration with C. L. Moore, his wife, and much of they would publish was under pseudonyms.  During the Forties, he also contributed numerous scripts to the Green Lantern series. He’s won two Retro Hugos, the first at Worldcon 76 for “The Twonky” short story, the second at Dublin 2019 for “Mimsy Were the Borogoves”. (Died 1958.) (CE) 
  • Born May 7, 1918 – Walt Liebscher.  Fanziner best known for Chanticleer.  Harry Warner applauded “the incredible things Liebscher did with typewriter art.  He specialized in little faces with subtle expressions….  The contents page was frequently a dazzling display of inventive borders and separating lines.  Variety was imparted to some pages simply by running down one margin a repeated motif created from various characters”; here is C7 (PDF).  A score of short stories, half a dozen poems.  Correspondent of The Alien Critic, Astounding, Fantasy Advertiser, Voice of the Imagi-Nation, Le Zombie.  Fan Guest of Honor  at Ambercon 2, Archon 6.  Big Heart (our highest service award).  (Died 1985) [JH]
  • Born May 7, 1923 — Anne Baxter. The Batman series had a way of attracting the most interesting performers and she was no exception as she ended playing two roles there, first Zelda and then she had the extended recurring role of Olga, Queen of the Cossacks. Other genre roles were limited I think to an appearance as Irene Adler in the Peter Cushing Sherlock Holmes film The Masks of Death. (Died 1985.) (CE) 
  • Born May 7, 1931 – Gene Wolfe.  Thirty novels, two hundred thirty stories, forty poems.  Correspondent of Algol, The Alien Critic, Fantasy Newsletter, NY Rev of SF, SF Chronicle, SF Commentary, SF Review, Speculation.  Interviewed in Clarkesworld, Galaxy’s Edge, Interzone, Scheherazade, Solaris, StarShipSofa, Thrust, Univers (so spelled, it’s French), Vector.  Two Nebulas, five World Fantasy Awards including Lifetime Achievement, Campbell Memorial Award, Skylark, Rhysling, British SF Ass’n and British Fantasy Awards, SF Hall of Fame, SFWA (Science Fiction & Fantasy Writers of America) Grand Master. Guest of Honor at AutoClave 1, Baycon ’82, DucKon VIII, Balticon 40, Chambanacon 45-47, Aussiecon Two the 43rd Worldcon.  I can’t omit “The Island of Doctor Death and Other Stories”, “The Death of Doctor Island”, “The Doctor of Death Island”, “Death of the Island Doctor”.  (Died 2019) [JH]
  • Born May 7, 1939 — Francis Ford Coppola, 82. Director / Writer / Producer. THX 1138 was produced by him and directed by George Lucas in his feature film directorial debut in 1971. Saw it late at night after some serious drug ingestion with a redhead who was seriously into Morrison — strange experience that was. Other genre works of his include Bram Stoker’s Dracula, a episode of Faerie Tale Theatre entitled “Rip Van Winkle”, Twixt (a horror film that I’m betting almost no one here has heard of), Captain EO which featured Michael Jackson, Mary Shelley’s Frankenstein, Jeepers Creepers and Jeepers Creepers 2. (CE)
  • Born May 7, 1940 — Angela Carter. She’s best remembered for The Bloody Chamber and Other Stories where she took fairy tales and made them very adult in tone. Personally I’d recommend The Curious Room insteadas it contains her original screenplays for the BSFA winning The Company of Wolves which starred Angela Lansbury and The Magic Toyshop films, both of which were based on her own original stories. Though not even genre adjacent, her Wise Children is a brilliant, if unsettling look at the theatre world. (Died 1992.) (CE)
  • Born May 7, 1943 – Ned Dameron, age 78.  Fifty covers, twoscore interiors.  Here is Trumpet 12.  Here is Showboat World.  Here (and here) is Sailing to Byzantium.  Here is the Nolacon II Hugo trophy (46th Worldcon).  Here are facing interior pages from Charlie the Choo-Choo.  [JH]
  • Born May 7, 1951 — Gary Westfahl, 70. SF reviewer for the LA Times,  the unfortunately defunct Internet Review of Science Fiction, and Locus Online. Editor of The Greenwood Encyclopedia of Science Fiction and Fantasy: Themes, Works, and Wonders; author of Immortal Engines: Life Extension and Immortality in Science Fiction and Fantasy (with George Slusser) and A Sense-of-Wonderful Century: Explorations of Science Fiction and Fantasy Films. (CE)
  • Born May 7, 1966 – Rachel Ann Nunes, age 55.  A dozen novels for us (some under another name), half a dozen shorter stories, three dozen books all told.  She says she’s “married, mostly grown up, and has seven kids, so life at her house can be very interesting (and loud)….  Her only rule about writing is never to eat chocolate at the computer.”  [JH]
  • Born May 7, 1982 – Bec McMaster, age 39.  Two dozen novels.  She says, “raised on myth and legend … offered her younger siblings to the goblin king many a time.  Unfortunately, he did not accept.”  Has read Jane Eyre, five-sixths of the Lymond Chronicles, Pride and Prejudice, Romeo and Juliet, The Count of Monte Cristo.  [JH]

(8) COMICS SECTION.

The Far Side has a clever Star Trek joke.

(9) BLACK CARTOONISTS. Never-before-collected comics from Chicago’s Black press: It’s Life as I See It curated by Dan Nadel and published by the New York Review Comics.

Between the 1940s and 1980s, Chicago’s Black press—from The Chicago Defender to the Negro Digest to self-published pamphlets—was home to some of the best cartoonists in America. Kept out of the pages of white-owned newspapers, Black cartoonists found space to address the joys, the horrors, and the everyday realities of Black life in America. From Jay Jackson’s anti-racist time travel adventure serial Bungleton Green, to Morrie Turner’s radical mixed-race strip Dinky Fellas, to the Afrofuturist comics of Yaoundé Olu and Turtel Onli, to National Book Award–winning novelist Charles Johnson’s blistering and deeply funny gag cartoons, this is work that has for far too long been excluded and overlooked. Also featuring the work of Tom Floyd, Seitu Hayden, Jackie Ormes, and Grass Green, this anthology accompanies the Museum of Contemporary Art Chicago’s exhibition Chicago Comics: 1960 to Now, and is an essential addition to the history of American comics.

(10) WHAT HAPPENS IN VEGAS. For-profit conrunner Creation Entertainment is revving up an anniversary celebration: “Creation Entertainment’s 55-Year Mission Convention in Las Vegas”. It will take place August 11-15.

The year 2021 marks the 50th Anniversary of Creation Entertainment, the 55th Anniversary of Star Trek, the 20th Anniversary of our convention in Las Vegas, Gene Roddenberry’s 100th birthday year and William Shatner and Leonard Nimoy’s 90th birthday years. It’s the perfect time to celebrate and no city is better than Las Vegas to do just that!

With over 100 celebrity guests, we’ll have multiple tracks of non-stop programming, contests, music, cosplay and surprises, plus partying galore. We’ll immerse our attendees into the positive and loving atmosphere with thousands of other fans, as we all celebrate Gene Roddenberry’s legacy.

(11) PRIVATE ASTRONAUTS. “NASA, Axiom Space to Host Media Briefing on Private Astronaut Mission” says a NASA press release.

NASA and Axiom Space have signed a mission order for the first private astronaut mission to the International Space Station and will host a teleconference with media at 11 a.m. EDT on Monday, May 10, to discuss more details about the mission.

NASA has opened up the space station for commercial activities, including private astronaut missions, as part of its plan to develop a robust and competitive economy in low-Earth orbit. NASA’s needs in low-Earth orbit – such as human research, technology development, and in-flight crew testing – will continue after the retirement of the International Space Station. Commercial industry will help meet these needs by providing destinations and transportation capabilities to continue these services as part of a broader low-Earth orbit economy. Enabling private astronaut missions to the station is an important step to stimulate demand for commercial human spaceflight services so that NASA can be one of many customers in low-Earth orbit.

The spaceflight, named Axiom Mission 1 (Ax-1), is scheduled to launch no earlier than January 2022 for an eight-day mission aboard the orbiting complex. The Axiom Space crew will launch from NASA’s Kennedy Space Center in Florida…

(12) A FULLY-OPERATIONAL PLAYTHING. Eric Diaz, in “Kick Off Summer with a Giant Inflatable Death Star Beach Ball” at Nerdist, says that Star Wars fans will want to take this Giant Inflatable beach ball and kick it around the pool, pretending that Stormtroopers inside are flailing because of the powers of the Force!l

…Just think of all the fun you’ll have, imagining the stormtroopers inside. Each rolling around and hitting their dumb helmets on the walls. And all while kicking this Death Star across the park. Or better yet, throw it in your backyard pool. It’s just like when Death Star II crashes on the planet Kef Bir, the ocean moon of Endor. However you decide to play with it, or even just display that big sucker, it sure feels like the past year owes us all a giant inflatable battle station of our own….

(13) UP ALL NIGHT. Netflix dropped a trailer for Awake, a future where people can’t sleep. Airs June 9.

Chaos ensues after a global event wipes out all electronics and takes away humankind’s ability to sleep. But Jill (Gina Rodriguez), an ex-soldier with a troubled past, may hold the key to a cure in the form of her own daughter.

(14) RESCUED ROMERO FILM.  Another trailer dropped for The Amusement Park, a film George Romero directed in 1973 which has been suppressed until now, that has been released on Shudder.

An elderly gentleman goes for what he assumes will be an ordinary day at the amusement park, only to find himself in the middle of a hellish nightmare instead. Shot by George A. Romero between Night of the Living Dead and Dawn of the Dead, The Amusement Park is a bleak, haunting allegory where the attractions and distractions of an amusement park stand in for the many abuses that the elderly face in society. 4K digital restoration commissioned by the George A. Romero Foundation and carried out by IndieCollect.

[Thanks to John King Tarpinian, John Hertz, Mike Kennedy, JJ, Cat Eldridge, Martin Morse Wooster, Michael Toman, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 8/14/19 I Pixel Things That Never Were; And I Scroll, ‘Why not?’

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(1) DUBLIN 2019 PARAPHERNALIA. A Filers shows what she received upon checking in at the Worldcon:

(2) DUELING SFF. Crooked Timber takes Fred Hoyle’s novel “Ossian’s Ride” as the jumping-off point for a discussion of modern Ireland.  

…Hoyle was really responding to the Christian apologist C.S. Lewis, who regularly denounced Hoyle as a secular atheist on radio and had written his own science fiction novel, That Hideous Strength, a decade before. The villain of Lewis’s book was a sinister institute called NICE, which Satanic aliens wanted to impose contraception, lesbianism, secularism and surrealist art on an unsuspecting Britain. Lewis wanted to preserve old Britain against the filthy tide of modernity.

Hoyle riposted with a novel where rational and benevolently ruthless aliens used an organization called ICE to pull the priest ridden republic next door into the technological age. His satirical portrait of Ireland told British readers that the world was being transformed around them, and that even their most backwards seeming neighbor would outstrip them if they didn’t embrace modernity.

The irony of history is that Hoyle’s parody is now the truth….

(3) THEY’RE SMOKIN’. NASA’s Universe Unplugged teaches about exoplanets with the help of a couple of familiar actors: “The Habitable Zone: Scorched Earth Enigma”. If you like it, there are several previous installments in the series.

This new episode follows explorers Cas Anvar & Cara Gee (“The Expanse”) into a planetary danger zone in their quest for another Earth. Can their computer (Parry Shen of “General Hospital”) save them from a nasty fate?

(4) SCORING SHORT FICTION. Rocket Stack Rank’s monthly ratings for August 2019 have been posted with 10 RSR-recommended stories out of 45 reviewed. 

Here are some quick observations from pivoting the list on story length, new writers, and authors. (Click links to see the different views.)

  • Length: 4 novellas (2 recommended), 11 novelettes (4 recommended, 3 free online), 30 short stories (4 recommended, 1 free online).
  • New Writers: 4 stories by Campbell-eligible writers (none recommended).
  • Authors: 45 writers, none with more than one story in the list this month.

(5) SPIDER-GWEN. “Seanan McGuire talks Spider-Gwen’s name change, evil Peter Parker, and representation in the Spider-Verse” in an interview at AiPT!

AiPT!: Gwen has really blown up in the time since you have started writing her, too, with Into The Spider-Verse‘s massive success and Oscar win. Did you see the movie? Did it impact how you felt about the character or how you might approach her at all?

McGuire: I hadn’t seen the movie when I got the job, and I chose not to after I got the job, because that’s a different version of Gwen.  I didn’t want her seeping in where she didn’t belong.  But wow, is it nice seeing all the cosplayers.  I keep wanting to tell them “You’re dressed as my girl!” and have to hold myself back from getting creepy.

AiPT!: What do you think sets Gwen apart from Peter or Miles or any of the other Spiders?

McGuire: Death loves Gwen Stacy.  She lacks the “with great power…” motivator; hers is “only the right hands.”  She has a calling, but it’s not the same as the calling most of the others have shared.  She’s also better on the drums than they are.

(6) SF DIDN’T FORESEE THIS EITHER. A lot of stories involve faking just one but “Biostar security software ‘leaked a million fingerprints'” – BBC has the story.

More than a million fingerprints and other sensitive data have been exposed online by a biometric security firm, researchers say.

Researchers working with cyber-security firm VPNMentor say they accessed data from a security tool called Biostar 2.

It is used by thousands of companies worldwide, including the UK’s Metropolitan Police, to control access to specific parts of secure facilities.

Suprema, the firm that offers Biostar 2, said it was addressing the issue.

“If there has been any definite threat on our products and/or services, we will take immediate actions and make appropriate announcements to protect our customers’ valuable businesses and assets,” a company spokesman told the Guardian.

According to VPNMentor, the exposed data, discovered on 5 August, was made private on 13 August.

It is not clear how long it was accessible.

(7) STICK A FORK IN IT. SYFY WIRE says this series is done: “Star Wars Resistance will end with Season 2: Watch the new trailer featuring Kylo Ren”

The journey to Star Wars: The Rise of Skywalker makes a stop on the Disney Channel this October. Lucasfilm has announced that the upcoming second season of Star Wars Resistance will be its last, and we now have our first trailer.

Taking place during the events of The Last Jedi, and leading up to The Rise of Skywalker, Season 2 finds our Resistance characters still on the run from the First Order, much like their movie counterparts. But now Supreme Leader Kylo Ren is seemingly taking a hands-on approach in their capture. […]

Check out the new trailer below for a preview of what’s to come:

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 14, 1910 — Herta Herzog. At the Radio Project, she was part of the team of that conducted the groundbreaking research on Orson Welles’ 1938 broadcast of The War of the Worlds in the study The Invasion from Mars. The Radio Research Project was founded in 1937 as a social research project and funded by the Rockefeller Foundation to look into the effects of mass media on society. (Died 2010.)
  • Born August 14, 1929 — Richard Carpenter. Responsible for the simply superb Robin of Sherwood series. He also created Catweazle, the children’s series about an unfortunate wizard from the 11th century who is accidentally transported to the present day. And he was an actor who appeared in such shows as the Sixties Sherlock Holmes series, The Terrornauts film and the Out of the Unknown series as well. (Died 2012.)
  • Born August 14, 1932 — Lee Hoffman. In the early Fifties, she edited and published the Quandry fanzine. At the same time, she began publication of Science-Fiction Five-Yearly which appeared regularly until ‘til 2006. The latter won the fanzine Hugo after her death. She wrote four novels and a handful of short fiction, none of which are in-print. (Died 2007.)
  • Born August 14, 1940 — Alexei Panshin, 79. He has written multiple critical works along with several novels, including the Nebula Award-winning Rite of Passage and the Hugo Award-winning study of SF, The World Beyond the Hill which he co-wrote with his wife, Cory Panshin. He also wrote the first serious study of Heinlein, Heinlein in Dimension: A Critical Analysis.
  • Born August 14, 1953 — James Roy Horner. Composer, conductor and orchestrator of film scores whose work on Star Trek II: The Wrath of Khan is what he’s best remembered for. He also worked on Avatar, Alien, Field of Dreams and Cocoon. (Died 2015.)
  • Born August 14, 1962 — Tim Earls, 57. Set designer who stated out at Babylonian Productions on Babylon 5 and Crusade. Later worked on the Voyager seriesandBrannon Braga’s short-lived Threshold series as well. Designed sets for the Serenity film, and worked on Terminator 3: Rise of the Machines. 
  • Born August 14, 1965 — Brannon Braga, 54. Writer, producer and creator for the Next Gen, Voyager, Enterprise, as well as on the Star Trek Generations and Star Trek: First Contact films. He has written more episodes than anyone else has with one hundred and nine to date. He was responsible for the Next Gen series finale “All Good Things…” which won him a Hugo Award for excellence in SF writing, along with Ronald D. Moore. He’s one of the producers of The Orville. 
  • Born August 14, 1966 — Halle Berry, 53. Her first genre was Sharon Stone in The Flintstones followed by being Storm in the X- Men franchiseand Giacinta “Jinx” Johnson in Die Another Day, the twentieth Bond film. She then shows up as the deservedly much maligned lead in Catwoman. She has myriad roles in Cloud Atlas. 

(9) JUST WONDERING. The tour of Christ Church Cathedral left certain questions unanswered:

(10) I’M STILL MAD. Retro Report has a mini-documentary on Al Jaffee, memorable for his contributions to Mad Magazine – particularly his “fold-in” work — “Legendary Cartoonist Al Jaffee Recalls Comic Book Censorship”.

(11) TUMBLR’S NEW LANDLORD. Vox speculates that “WordPress could give Tumblr the thing it needs most: stability”.

Automattic, the company behind the longstanding blog platform WordPress, just bought Tumblr from Verizon for a pittance — leaving many of the quirky, beloved social network’s users wondering what comes next.

Axios reported that Automattic purchased Tumblr, which launched in 2007, for “well below” $20 million; Axios business editor Dan Primack added in a tweet that the sale price was in fact below $3 million, and Recode’s Peter Kafka tells Vox that sources say the actual figure is closer to $2 million. That’s a very long way down from Yahoo’s infamous $1.1 billion purchase of the website in 2013. (Verizon subsumed Tumblr when it acquired Yahoo in 2017.)

… At the time that the Yahoo purchase of Tumblr from its CEO and founder David Karp was completed, it was clear that the ancient internet company was looking for something to revitalize it. Cue a community awash in GIFs, memes, fandom, and all other manners of contemporary online culture — a seemingly perfect answer to Yahoo’s question of how to combat its near-irrelevance. But reports soon began to emerge that Tumblr was floundering financially, as Yahoo tried and failed to wrangle the freewheeling blogging platform into a profitable, advertising-friendly brand….

(12) MONSTROUS ISSUES. A Noise Within theater in Pasadena, CA is producing Nick Dear’s adaptation of Mary Shelley’s Frankenstein.

Dissect the story of Frankenstein with director Michael Michetti, as well as Michael Manuel (The Creature) and Kasey Mahaffy (Victor Frankenstein), as they talk about the characters of Mary Shelley’s most famous novel.

“The Creature represents anyone who feels like they have been disenfranchised… It’s a really compelling human story that people connect to in a way that is surprising to them.”

(13) THE FAILURE MODE OF CLEVER. Facebook gave Larry Correia a 24-hour time-out. Larry wants you to know how silly it was.  

So I just got a 24 hour ban from Facebook for Violating Community Standards, because I insulted the imaginary people of an imaginary country….  

My 24 hour Facebook ban is over. Luckily Big Brother was there to protect us from such dangerous violations of community standards as pretending to be one imaginary country while talking trash about another completely imaginary country….

(14) THE MAN WHO TRAVELED IN CAT PICTURES. BBC includes lots of pictures – just none with books: “Purrfect shots: The man who took 90,000 photos of cats”.

Long before cats ruled the internet, marketing student Walter Chandoha became a pioneer of feline photography. Not only did Chandoha’s images appear on over 300 magazine covers and thousands of adverts, he elevated feline portraiture to an art form.

In New York in 1949 young marketing student Walter Chandoha found a stray kitten in the snow. Tucking the cat into his coat, he brought it home to his wife. The cat’s wild antics earned it the name Loco, and Chandoha, who had been a combat photographer during the Second World War, began to take pictures of his new subject.

Rather than get a job in marketing Chandoha turned to freelance photography. He considered cats ideal subjects because they were “just naturally expressive”. His images of cats appeared on advertisements, greetings cards, jigsaw puzzles, T-shirts, posters, calendars and pet food packages. They even featured on the giant 18×60-foot Kodak Colorama display in New York’s Grand Central Terminal.

His images combine a genuine affection for the animals with flawless technique. They range from colour studio photography to black and white street photography, images from vintage cat shows and tender pictures of his children with cats.

He published several books, including Walter Chandoha’s Book of Kittens and Cats (1963) and the seminal text How to Shoot and Sell Animal Photos (1986). Before his death in January 2019 at the age of 98, Chandoha had been working on a retrospective book of 300 of his cat photographs.

(15) SIDE GIG. He doesn’t let his day job interfere with his show biz aspirations: “Astronaut Luca Parmitano plays DJ set from International Space Station” (short video).

Italian astronaut Luca Parmitano has become the first DJ in orbit, after playing a set from the International Space Station to a cruise ship of clubbers in the Mediterranean Sea.

(16) POWER TO BURN. NPR reports “U.S. Air Regulators Ban MacBook Pros With Recalled Batteries From Flights”.

“The FAA is aware of the recalled batteries that are used in some Apple MacBook Pro laptops. In early July, we alerted airlines about the recall, and we informed the public,” the FAA said in an emailed statement.

“We issued reminders to continue to follow instructions about recalls outlined in the 2016 FAA Safety Alert for Operators (SAFO) 16011, and provided information provided to the public on FAA’s Packsafe website: https://www.faa.gov/hazmat/packsafe/,” it added.

Apple announced in June “a voluntary recall of a limited number of older generation 15-inch MacBook Pro units which contain a battery that may overheat and pose a safety risk.”

The laptops were sold between September 2015 and February 2017 and can be identified by their product serial number, according to the company’s notice: https://support.apple.com/15-inch-macbook-pro-battery-recall

(17) THEY’RE EVERYWHERE. Don’t inhale: “Plastic particles falling out of sky with snow in Arctic”.

Even in the Arctic, microscopic particles of plastic are falling out of the sky with snow, a study has found.

The scientists said they were shocked by the sheer number of particles they found: more than 10,000 of them per litre in the Arctic.

It means that even there, people are likely to be breathing in microplastics from the air – though the health implications remain unclear.

The region is often seen as one of the world’s last pristine environments.

A German-Swiss team of researchers has published the work in the journal Science Advances.

The scientists also found rubber particles and fibres in the snow

(18) VIDEO OF THE DAY.  “Date With Duke –1947” on Vimeo is a George Pal Puppetoon, restored by the UCLA Film and Television Archive, featuring Duke Ellington performing the “Perfume Suite.”

[Thanks to Hampus Eckerman, Mike Kennedy, Martin Morse Wooster, JJ, Eric Wong, John King Tarpinian, Cat Eldridge, Rich Lynch, Chip Hitchcock, Alan Baumler, Michael Toman, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew.]

Pixel Scroll 5/10/17 Second Cinco De Mayo

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(1) THE PRIZE. Mark Lawrence came up with something incredibly logical and hilarious at the same time —  “The SPFBO now has an award!”

The Self-Published Fantasy Blog-Off now comes with its own award. The fabulous and coveted Selfie Stick!

There are several illustrative photos with highly amusing captions at the link.

(2) SFWA HUMBLE BUNDLE. It’s a brand name, otherwise you’d probably wonder why it’s given to what might be the least humble bundle ever – Super Nebula Author Showcase – with 40 books and 31 short stories. And the works in the bundle generally are either Nebula winners or nominees, or by the authors of other Nebula-nominated work.

  • Pay $1 or more and get:

Doorways by George R.R. Martin, Venus Prime by Arthur C. Clarke, Reading the Bones by Sheila Finch, Howard Who? by Howard Waldrop (includes winner, “The Ugly Chickens”), The Healer’s War by Elizabeth Ann Scarborough, Stranger Things Happen by Kelly Link (includes winner, “Louise’s Ghost”), Phoenix Without Ashes by Harlan Ellison (winning author), and Ad Astra: The 50th Anniversary SFWA Cookbook edited by Cat Rambo.

  • Pay $8 or more and also unlock:

Word Puppets by Mary Robinette Kowal, Shadow Show: Stories In Celebration of Ray Bradbury, Her Husband’s Hands and Other Stories by Adam-Troy Castro, Robot Dreams by Isaac Asimov, Yesterday’s Kin by Nancy Kress, The Last Temptation by Neil Gaiman, Inside Job by Connie Willis, The Baum Plan for Financial Independence by John Kessel (includes winner, “Pride and Prometheus”), Sister Emily’s Lightship by Jane Yolen, The Jagged Orbit by John Brunner, The Cloud Roads by Martha Wells, and 2013 Nebula Awards Showcase.

  • Pay $15 or more and unlock

Conservation of Shadows by Yoon Ha Lee, The Doors of His Face, the Lamps of His Mouth by Roger Zelazny, The Very Best of Fantasy & Science Fiction Vol. II, Frank Herbert Unpublished Stories by Frank Herbert, Everything But the Squeal by John Scalzi, Fountain of Age by Nancy Kress, Moving Mars by Greg Bear, The Salt Roads by Nalo Hopkinson, Deathbird Stories by Harlan Ellison, and Archangel #1 – #4 (4 issues included) by William Gibson.

  • Pay $20 or more to unlock

Mechanique: A Tale of the Circus Tresaulti by Genevieve Valentine, Kabu Kabu by Nnedi Okorafor, The Computer Connection by Alfred Bester, Burn by James Patrick Kelly, First Person Peculiar by Mike Resnick, At the Mouth of the River of Bees by Kij Johnson, Report to the Men’s Club by Carol Emshwiller (includes winner, “Creature”), What I Didn’t See by Karen Joy Fowler, Babel-17 by Samuel R. Delany, and Bloodchild by Octavia E. Butler.

And wait, there’s more!

  • FREE: Read 31 short stories by the 2016 Nebula Nominees!

Love short stories? Bonus stories for Humble Bundle buyers: 31 short stories by the 2016 Nebula Nominees on the Great Jones Street app.

(3) UP A LAZY RIVER. Are we supposed to be shocked that Amazon has added a strategy for selling gently-used books? Publishers Weekly has learned some are scandalized by this one — “New Amazon Buy Button Program Draws Ire of Publishers, Authors”.

A new program from Amazon is drawing a range of reactions from those across the publishing industry, from fear to downright anger. The e-tailer has started allowing third-party book re-sellers to “win” buy buttons on book pages. The program, publishers, agents, and authors allege, is discouraging customers from buying new books, negatively affecting sales and revenue.

Up until now, the buy button on book pages automatically directed customers to new copies of titles Amazon stocked from the publishers. Now, re-sellers can win a buy button by meeting various criteria outline by Amazon which includes the price, availability, and delivery time. The program is also only open to books in new condition.

Those objecting to this policy say it is allowing Amazon to deprive publishers of sales and authors of royalties. (Because re-sellers are not buying their copies from publishers, these sales will not be counted as sales, and money derived from them will not go to publishers or authors.)

(4) DEFENDING AMAZON. New Republic also carried the ball for those with a negative viewpoint about Amazon’s policy, “Amazon Steps Up Its Battle With the Book Industry”, which inspired the wrath of Max Florschutz. He thought it was so outrageous he borrowed a page from Larry Correia’s playbook and set about “Fisking an Anti-Amazon Article From the New Republic” .

After the news that Amazon had begun allowing third-party sellers to “win” the buy button, it strongly condemned the company. “Without a fair and open publishing marketplace, publishers will soon lose the ability to invest in the books that advance our knowledge and culture,” it said in a statement.

Hogwash and claptrap. This is how a “fair and open” market works. Companies are allowed to sell a product on their shelves at as low a price as they want. If they bought a book from the publisher but sell it at a lower mark-up than the publisher does, that’s their right. To insist that the opposite, which would be establishing a fixed price that all books had to be sold at would be “fair and open” is lunacy. That’d be the opposite: It’d be price fixing, which the big publishers were already found guilty of once befo—Oh.

Many publishers believe they’re being cheated by sellers in the third-party marketplace, which don’t acquire their books from official channels—instead they sell remaindered copies (books that did not sell in stores and were returned to the publisher) or “hurts” (books with minor blemishes), often for rock-bottom prices. If these books are “remainders” or “hurts” or pirated, as some publishers have claimed they are, then publishers and authors won’t see a dime.

Okay, hang on a second here. This doesn’t make sense. So the publishers are complaining that the numbers of remained or damaged books being sold are damaging their sales margin? What?

Let’s look at this reasonably. Yes, damaged copies of books exist. But if they exist in such large numbers that your own book sales are declining because of that … then you already have a problem whether they are sold or not. Because your production process is generating that many damaged copies in the first place. Which means you’re already burning a fair margin of your money on bad prints. Which means something about your printing process probably needs to be looked at. Especially if you’re generating so many damaged books that they can outsell a portion of your normal sales.

The “remainder” excuse is even worse, and yes, an excuse. Because if there were enough books not selling that remaindering copies existed … why are you printing even more and trying to sell them? You should be leaving them on shelves. If they’re “competing” with sales already existing, that means someone went and printed up new copies of a book that didn’t sell well in the first place … which is the bigger problem. If you only sold 200 copies of a 1000-print run, don’t garbage the remaining 800 and print up another 1000. Sell the 800. I’m sorry, but if “remainder” sales are damaging “new” sales, something is wrong with your business plans, not with the market.

And in either of these cases, why isn’t the author seeing any money? That sounds like a poor contract written heavily in the publishers favor, not the fault of the booksellers.

Lastly, I love how the article just casually throws “piracy” out there as if it’s part of the problem. It shouldn’t be. Amazon clamps down on pirates pretty quickly, because pirates are bad for business, and Amazon gets this. If there is piracy going on, the publishers should be working with Amazon to cut it off … not slyly insinuating that Amazon is supporting it somehow.

(5) BEAUTIFUL STORIES. Natalie Luhrs has Murderbot sounding like a companionable character, in a review of Martha Wells’ All Systems Red.

Murderbot isn’t your usual SecUnit though: they’re independent, having hacked their governor module which is supposed to keep them operating within a narrow set of parameters. Murderbot’s also really into online dramas and would much rather watch them all day than actually do their job—Murderbot, I feel you, I really, really do. They’re alternatively apathetic, annoyed, and  awkward and I found the expression of traits to be endearing.

(6) ON THE ROAD AGAIN. Jim C. Hines has an excellent post about “Traveling with Depression”.

This is such an odd post to try to write. I had a wonderful time in Buenos Aires. I’m so happy and honored that I got to go. I was also depressed about the trip, especially that first day or two. Both of these things are true.

I’m going to France next week for Les Imaginales. I’m feeling anxious. I suspect the depression will hit me in much the same way, especially that first day when I’m exhausted and have nothing scheduled. I’m mentally berating myself about feeling stressed instead of excited. I know, intellectually, that this will be another wonderful experience.

But brain weasels don’t give a shit.

  • “Now you’re depressed about going to France? You are such a disappointment.”

It’s just over five years since I got my diagnosis. Since I started taking antidepressants and talking to a therapist. It’s frustrating to be reminded that, like the diabetes, this isn’t something we’ve been able to “cure.” Instead, it’s something I try to manage. Like the diabetes, some days I do better than others, and some situations make it harder to manage.

(7) SF IN EGYPT. Black Gate’s Sean McLachlan interviews Egyptian sf author Mohammad Rabie about his novel Otared, a grim dystopian tale of Cairo in 2025.

One of the things that struck me when reading the novel was the almost total absence of religion. Since it’s such a cornerstone of so many Egyptians’ lives, this must have been deliberate on your part. Why did you make this creative decision?

I believe religion is the major reason for our current situation. We look at the president as the equivalent of God on earth, he cannot be criticized or opposed, and if one did so he must be sued and punished. So beside praying, fasting, and other religious rituals, there is a deep and strong feeling of surrender to the ruler of the country, as if we surrender to God. In Otared, and according to the logic of the novel, you will find most of the characters willing to die, and the main reason is to be transferred to a better place – in the case, heaven — it is nearly the same situation now in Egypt, people give up their own freedom just to have a better afterlife. It may be hard to understand this idea for a Westerner, to put it simply, we tend to stay under injustice, to be rewarded by God at the end. There may be no religious rituals in Otared, but the core of religion is one of motives of the characters.

(8) DOCTOROW STUDIES. Crooked Timber is running a Cory Doctorow seminar, inspired by his new book, Walkaway, “a novel, an argument and a utopia, all bound up into one.” Eleven related posts are online – click the link to see the list.

(9) TRIVIAL TRIVIA

In the 1979 movie Alien, the blue laser lights that were used to light the alien ship’s egg chamber were borrowed from The Who.

(10) TODAY’S BIRTHDAY BOY

  • Born May 10, 1969 – John Scalzi

(11) SHADOW CLARKE JURY APPEALS THE VERDICT. We’d have been disappointed if they loved the official Clarke Award shortlist, don’t you think?

Our immediate reaction to the list was decidedly mixed. Although two of our shadow shortlist were in the mix (The Underground Railroad by Colson Whitehead and Central Station by Lavie Tidhar), some of the other choices proved less palatable.  Ninefox Gambit by Yoon Ha Lee and Occupy Me by Tricia Sullivan had some advocates amongst us, but Becky Chambers’s A Closed and Common Orbit and Emma Newman’s After Atlas were not favourites with those who had already read them.  The gulf in ambition, thematic reach and literary quality between the six shortlistees seemed significant. Paul thought the list came across ‘as two completely different shortlists stuck together. How can the Tidhar and Whitehead belong in the same universe as Chambers and Newman? Chambers, Lee and Newman have been popular successes, but hardly critical successes. This is another safe and populist list.’

Jonathan agreed, adding that he suspected ‘a tension between those who want the Clarke to be like the Hugo and those who want to retain that connection to the more literary tradition. The Clarke’s slide into hyper-commerciality continues.’  Megan shared Jonathan’s perspective. ‘What we’re getting from this list is a commercially-packaged view of science fiction. And I feel the Colson Whitehead this year is last year’s Iain Pears, just a literary toss-in to shut up people like us.’

Nina also felt the list represented ‘a split in the values of criticism’, while Vajra agreed with Megan that the Whitehead was the anomaly on this list rather than vice-versa. ‘This is a “we included Whitehead because everybody would shout at us if we didn’t” kind of shortlist’.  Maureen summarised this set of opinions most succinctly: ‘This really is a cut-and-shut shortlist. Something to offend everyone. The more I look at the shortlist the more it looks like something assembled to nod at various constituencies without satisfying any.’

And there are a few more reviews to catch up:

I entered 2016 with my affection for science fiction at a low ebb. My levels of engagement with the genre have varied quite considerably with the passage of time but I was suddenly aware that I had been writing about science fiction for over a decade and that said decade had left my tastes almost completely estranged from those catered to by the larger genre imprints.

hate all that plot description that comes with a review – read the blurb I say – but if you need some clues Tricia Sullivan’s Occupy Me has an angel, dinosaurs, a suitcase – think Pulp Fiction, think Wile E Coyote, think The Rockford Files (!) – plus a vet and a doctor. It has higher dimensions and quantum foam, trees of all kinds though especially trees of knowledge that might just be libraries spanning time and space AND it has bird gods, though actually our avian overlords may just be artistic scavengers or better, refuse ‘artistes’. It’s a novel that is helter-skelter and overabundant; in some ways it’s like (a very glorious) extended episode of Doctor Who…and I’m sure that some readers may even think, a little on the twee side. Though of course, they would be wrong. Those same readers may wonder if the parts add up to an organic whole. And to be fair I wonder myself but it really doesn’t matter. There are many, many riches here – this is a marvellous novel – full of love, kindness, empathy and extraordinary ambition – the only one that can give Central Station a run for its money in 2016’s SF best of. But that is to get ahead of myself.

(12) POLLS WITHOUT POLES. Rich Horton continues with “Hugo Ballot Reviews: Novelette”, in which Stix Hiscock did not earn a place.

My ballot, then, will look like this, tentatively, though the first three stories — actually, the first four — are real close in my mind:

1) “The Art of Space Travel”, by Nina Allan

I wrote this in my Locus review: “”The Art of Space Travel”, by Nina Allan, [is] a fine meditative story about Emily, who works at the hotel where the Martian astronauts are staying before they head out to space. The story isn’t about the astronauts, though, but about Emily, and about her mother, a scientist who has a sort of Alzheimer’s-like disease, perhaps because of contamination she encountered while investigating a plane crash, and about her mother’s involvement in preparation for a failed earlier Martian mission, and about Emily’s desire to learn who her father was. A good example of the effective — not just decorative — use of an SFnal background to tell a mundane story.” Allan actually had three very strong longer stories this year: also “Ten Days” from the NewCon Press anthology Now We Are Ten, and “Maggots”, a very long novella (perhaps indeed novel length) from the horror anthology Five Stories High.

(13) HOME TOWN BOY. When Spider-Man comes back to New York, comic dealers will be throwing parties in his honor.

Spider-Man returns to his friendly neighborhood in the new ongoing series PETER PARKER: THE SPECTACULAR SPIDER-MAN! From superstar writer Chip Zdarsky (Star-Lord) and legendary artist Adam Kubert (Avengers, X-Men) comes a companion to the best-selling Amazing Spider-Man series. This can’t-miss series takes Peter Parker back-to-basics and is bursting at the seams with heart, humor, and over-the-top action!

To kickoff this incredible new series, Marvel has partnered with participating retail stores to host PETER PARKER: THE SPECTACULAR SPIDER-MAN LAUNCH PARTIES. In addition to exclusive variant covers, participating retail stores will receive exciting promotional items – including Spider-Man masks!

The issue goes on sale June 21.

(14) OLD TIME IN THE HOT TOWN. Ancient Australian rocks suggest where to search for life on Mars.

Old rocks found in the Australian Outback have some weighty implications, scientists say: They hint at the environment in which life on Earth originated and suggest a location to search for life on Mars.

Scientists in Australia say they have found biological signatures of life in rocks that also show the presence of a hot spring, lending weight to a theory that the earliest life on Earth might have originated in freshwater hot springs on land rather than in deep-sea hydrothermal vents….

The fossil finding predates the previous oldest evidence for life on land by almost 600 million years, the scientists say. They described their findings in the journal Nature Communications.

NASA is currently considering where to land the rover on its 2020 Mars Exploration Mission, and one of the sites is a “hot spring-type setting,” about the same age as the early Earth, Djokic says.

“If you’re going to look for life on Mars, we know it was preserved on hot springs here on the ancient earth,” she says. “So there’s a good chance if it ever developed on Mars, then it would probably be preserved in hot springs there, too.”

(15) CLUTCH PLAY. Huge “baby dragon” oviraptor fossil found in China: “‘Baby Dragon’ Found In China Is The Newest Species Of Dinosaur”

In the 1990s, all of the known species of oviraptorosaur were small creatures. “There’s no way they were laying a 4- to 5-kilogram egg,” Zelenitsky says.

Then, in 2007, scientists in China discovered the first species of giant oviraptorosaur. “So finally, after 12 years, there is a species of oviraptorosaur that could have laid these giant oviraptorosaurlike eggs,” Zelenitsky says.

If Beibeilong nested like its smaller oviraptorosaur cousins did, it would be the largest known dinosaur to have sat protectively on its eggs.

(16) A DINOSAUR NAMED ZUUL. Long before Ghostbusters, there was Shinbuster.

In a paper for the Royal Society Open Science, Royal Ontario Museum paleontologists Victoria Arbour and David Evans describe the 75 million-year-old creature, a new species they dubbed Zuul crurivastator. Yes, its name is a reference to the demon Zuul from the original Ghostbusters movie. “Crurivastator” means “crusher of shins,” which is exactly what this creature could do with its spiked, hammer-tipped tail….

Weighing 2.5 tonnes and spanning 20 feet from its horned face to its spiny tail, Zuul was a living tank. In previous work, Arbour demonstrated using computer models that a beast like Zuul could use its tail club to break leg bones in its foes. This would have been especially effective against predator T. rex, which walked on two legs. Take out one leg, and the animal won’t survive long in the dinosaur-infested jungles of the Cretaceous.

 

(17) BRINGING THE HEAT. There’s a roundup about China’s successful sf writers at the English-language site Hot in China — “Chinese Sci-Fi Once Again Venturing Overseas”

When we look at the origin of sci-fi in China, famous scholars Liang Qichao and a young Lu Xun both translated Jules Verne’s sci-fi writing. By now, sci-fi in China has developed for half a century. While sci-fi creativity was curbed from 1902 to 1979, its progress has not stopped. Today’s Chinese sci-fi is growing rapidly after a subjective change: There is the founding of the magazine Sci-fi World, and its growth to a sci-fi magazine with the world’s largest circulation by the 1990s, and the emergence of many excellent Chinese sci-fi writers.

(Apparently File 770’s John Hertz is “Hot in China”, too – he’s part of a group photo at the end of the article featuring Hugo-winner Hao Jingfang taken at MACII.)

[Thanks to Alan Baumler, Mark-kitteh, Cat Eldridge, Cat Rambo, Nick Eden, John King Tarpinian, and Chip Hitchcock for some of these stories. Title credit goes to File 770 contributing editor of the day OGH.]

Pixel Scroll 3/12/17 The Band Played Scrolling Matilda

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(1) ALL WISDOM, Last October, The New Yorker’s Sheelah Kolhatkar interviewed Talmon Marco, CEO of Juno, a ride-hailing app that is trying to take business from Uber and Lyft by offering its drivers more pay and stock options.

When I asked Marco why he was so sure that Juno would still be around, he said, half jokingly, that he had acquired all the wisdom he needed by reading The Hitchhiker’s Guide to the Galaxy by Douglas Adams. “Oh, my God,” he said. “It’s the Bible.  Everything is there.”

…I asked Marco to share what he had learned from the book, and he hesitated.  “Now you’re really putting me on the spot,” he said.  After thinking for a few seconds, he went on, “It claims the math never works in a restaurant, which explains why the bill never adds up.” He wasn’t sure if that was still true, because, he said, he stopped looking at restaurant checks a long time ago — preemptively handing your credit card to the server saves the five minutes it takes to get the bill, look at it, and send it back with the payment.

“It was a very popular book, especially when I was growing up, among geeks in the eighties and nineties,” Marco went on.  “You have to ask the founders of Snapchat.”

(2) A BOOK OF HER OWN. In the Washington Post, David Betancourt interviews Gabby Rivera, whose “Latina, queer, superpowered and superpopular character” America Chavez has made appearances in the Marvel books Young Avengers and The Ultimates and has now appeared in her own comic book from Marvel, America.

 “Superhero comics seemed so out of my league that I never even imagined it as something I could do. But the second the opportunity came my way, it felt so right,” Rivera told The Washington Post’s Comic Riffs. “I’ve always dreamt up wild, powerful and carefree superheroes that look like me and my family: thick, brown, goofy, beautiful. And now I get to see them come to life. ‘America’ is going to be all those things and it’s [going to] be wild.”

Before beginning to write “America,” the new solo series (illustrated by Joe Quinones) that debuted in print and digitally last week, Rivera dived into stacks of comic books featuring the superstrong heroine who can fly and punch star-shaped dimension-hopping holes into the air. Rivera called it her “crash course” on all things America.

(3) PODCASTING TIME LORD. Scott Edelman writes, “I was very pleased to have gotten live on the second weekend of March 2017 an episode of Eating the Fantastic recorded the second weekend of March 1995! How? You’ll see.”

Episode 31 is a 1995 World Horror Con Flashback:

So prepare to time travel back to a 1995 mall food court lunch as I talk about my first job at Marvel Comics, how I broke into writing for Tales from the Darkside, and the beginnings of Science Fiction Age magazine, while Adam-Troy Castro reveals how he created the first story in the first issue of that magazine, as well as how a cab ride he feared he wouldn’t survive turned into one of his most memorable works of fiction.

(4) AS THE TWIG IS BENT. Crooked Timber is running one of their seminars on Ada Palmer’s “Terra Ignota” books — Too Like the Lightning, and the just-released Seven Surrenders. So far they have posted –

Ada Palmer’s new book – Seven Surrenders – is out today. So too is our seminar….

Almost all science fiction, as J.G. Ballard remarked in the introduction to Vermilion Sands, is really about the present day. This is certainly less true today than it was in 1971, but it is still often the case that the relationship between our present and the future world that is depicted – or between the present of the imagined world and that future’s past, when anyone inside the story decides to look back – is oddly straightforward and uninteresting. This is certainly not something that can be said of Ada Palmer’s Terra Ignota books.

In the genres of science fiction and fantasy, when a book is written in an unusual mode, it’s usually either a gimmick or window-dressing. Window-dressing is when for instance a Victorian feeling book has a faux Victorian style as part of that feel. An example of this would be Heinlein’s The Moon is a Harsh Mistress, where Heinlein doesn’t have to tell us that the English spoken on the moon is heavily influenced by Australian and Russian, he gives us a first person narrative devoid of articles and peppered with Russian borrowings and Australian slang. It’s great, but really it’s just scenery, everything else would be the same if he’d chosen to write the book in third with just the dialogue like that. It’s quite unusual to read something where the mode is absolutely integral to what the book is doing. In Womack’s Random Acts of Senseless Violence, the decaying grammar and vocabulary of the first person narrator, Lola, mirrors the disintegration of society around her, and we the reader slowly move from a near future with a near normal text to a complete understanding of sentences that would have been incomprehensible on page one, in a world that has also changed that much.

Too Like the Lightning and Seven Surrenders tell the story of beautiful, brilliant, compassionate people who are also terribly vulnerable. They are Eloi who have convinced themselves Morlocks do not exist; they are victim-beneficiaries of two hundred years of willful ignorance of growing rot. Like the dragon Smaug, they’ve rested on their hoard for centuries, adding layer after layer to their invulnerable bejeweled armor—but they cannot see the armor’s chink, the soft space waiting for Bard the Bowman’s arrow.

The arrow is shaped like God.

(5) AMERICAN GODS. The creators of the American Gods TV series told attendees at a SXSW panel the show has new meaning in “a climate that vilifies immigrants”.

When Neil Gaiman’s American Gods comes to television next month, it’s going to look a little different than fans of the book remember — and its creators hope they’ll take away a subtle political message alongside the myths and magic.

“Our first task of adapting is to make the show that we wanted to see as an audience member,” said Bryan Fuller, one of the showrunners. But “it’s definitely a different show than we set out to make, because the political climate in America shat its pants,” he said. “We are now telling massive immigration stories in a climate that vilifies immigrants. And so we have a strange new platform to start a different kind of conversation.” Fellow showrunner Michael Green agreed. “The book is joyful, it celebrates a lot of things that we love about America, and have since become weirdly odd about America,” he said.

Neil Gaiman echoed the sentiment on Twitter after the panel. “I don’t think we preach,” he told a fan. “And we didn’t think we were making a politically relevant show, just adapting a book about immigrants and America.”

(6) POLITICAL ACTION FIGURES. You may or may not ordinarily be interested in a review and photos of Pinhead Hellraiser III 1/6th action figure by ThreeZero, but Cat Eldridge predicts many readers will be entertained by the political statement at the very end of the review…

(7) NAFF. The National Australian Fan Fund, to send one Australian fan to the Natcon, has opened voting. The winner will attend Continuum 13 in Melbourne, June 9–13.

There are four candidates from three states:

  • Jason Fischer (SA)
  • Talitha Kalago (QLD)
  • Fe Waters (WA)
  • Jay Watson (WA)

More details available here. Voting ends April 16.

(8) AT THE BACK OF THE PACK. Rolling Stone has ranked all the cast members from Saturday Night Live since the beginning of the show in the 1970s. Although he went on to have a hugely successful acting career in the Sherlock Holmes and Iron Man movie franchises, this fellow came in last place —

  1. Robert Downey Jr.

Era: 1985-1986

Robert Downey Jr. is a comic genius. Making him unfunny stands as SNL’s most towering achievement in terms of sucking. How do you fuck up a sure thing like Downey? He’s funny in anything. I mean, dude was funny in Weird Science. He was funny in Johnny Be Good. He was funny in Iron Man. But he met his Kryptonite, and it was SNL, where he spent the 1985-1986 season sucking up a storm. His greatest hit? A fart-noise debate with Anthony Michael Hall. In a perverse way, the Downey Fail sums up everything that makes SNL great. There are no sure things. No rules. No do-overs. No safety net — when you flop on SNL, you flop big. And that’s the way it should be. The cameras roll at 11:30, ready or not. Live from New York — it’s Saturday Night.

(9) COSTUMING HISTORY. A video compilation of Kat Bushman’s convention masquerade entries from 1967-2000.

(10) LONG-LASTING HORROR. On Fivebooks, Darryl Jones, who teaches at Trinity College in Dublin, is asked to recommend the best horror stories. He turns to 1897 and reminds us why The Island of Dr. Moreau and The Great God Pan are still worth reading.

Can you give some examples?

One of the best places to look for examples is late-Victorian England. Think of 1897, the year of the Diamond Jubilee of Queen Victoria, which marks the zenith of the British Empire.

1897 also saw the publication of a number of landmark works which were very anxious about the status and lasting power of the British Empire. These works often envisage colonial or intergalactic Others coming to invade London, the imperial metropolis. London gets invaded, London gets destroyed.

(11) KEEP ON TINGLING. A reworking of a popular meme —

[Thanks to Martin Morse Wooster, David K.M. Klaus, Standback, Cat Eldridge, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day ULTRAGOTHA.]