Photos by Daniel Dern:
Costumes: Three with Shield
Costumes: At Ease
Costumes: Sad Flower Hatters
Costumes: Hats with Horns
Daniel Dern — Your Photographer
Photos by Daniel Dern:
Costumes: Three with Shield
Costumes: At Ease
Costumes: Sad Flower Hatters
Costumes: Hats with Horns
Daniel Dern — Your Photographer
Photos by Daniel Dern: Taken at Arisia 2020 in Boston, MA on January 17.
Clear Aether Newzine Logos and Drop-boxes
C.A.P.E. – Cosplay and Photography Expo
Dragon and Rider
Klingon Assault Group fan table
(1) DROP INN. [Item by Errolwi.] Upside when your house gets covered in fire retardant, house probably doesn’t burn. Downside, it is now pink! Upside, you have a fun medium to present a message to the ‘fireys’.
(2) #AUTHORSFORFIREYS. Check out the #AuthorsForFireys hashtag for fund-raising by authors on Twitter.
Genre authors responding include —
There’s also a website supporting the auctions:
Authors For Fireys is an auction of signed books, illustrations, unique experiences, one-off opportunities and writers’ services. Over 500 writers and illustrators are auctioning on Twitter from 6th Jan 2020 under the hashtags #AuthorsForFireys and #AuthorsForFiries. The auction ends on 11th Jan 2020 at 11pm (Syd/Mel time).
(3) PIXELS AUF DEUTSCH. [Item by Cora Buhlert.] kulturzeit is a German language daily cultural TV program I’ve been watching for a long time now. They’re normally not what you’d consider SFF friendly, but today they had a report about Hopepunk. Alexandra Rowland is namechecked and quoted and they also interview a few German science fiction authors, who wrote Wasteland, the first German language hopepunk novel. The video is here. Only in German, alas.
kulturzeit‘s books for younger readers recommendation column also included the graphic novel West, West Texas by Hugo finalist Tillie Walden today: “’West, West, Texas’ von Tillie Walden” The other recommended book, a picture book, is genre as well — the video is here. The book is Emilia and the Boy from the Sea by Dutch writer and illustratator Annet Schaap. Maybe an SFF fan joined their staff.
(4) RETRO REVIEWS. Cora Buhlert also has posted a second review of fiction eligible for CoNZealand’s edition of the Retro Hugos. “Retro Review: ‘The Wedge’ a.k.a. “The Traders” by Isaac Asimov” discusses one of two eligible Foundation stories from 1944. She says the review for “The Big and the Little”, the other 1944 Foundation story, will go up next week.
(5) EATING THE FANTASTIC. L. Penelope had a little lamb in Episode 113 of the Eating the Fantastic podcast. Host Scott Edelman tells what all is on the auditory bill of fare:
My guest for the first Eating the Fantastic episode of 2020 is Leslye Penelope — who publishes as L. Penelope. She started out as a self-published author, and her debut fantasy novel Song of Blood & Stone was so successful it was later picked up by St. Martin’s Press. That book earned (among other things) the 2016 Self-Publishing EBook Award from the Black Caucus of the American Library Association, and after being republished and brought to a wider audience, named as one of TIME magazine’s top fantasy books of 2018. She has since published two sequels, Breath of Dust & Dawn and Whispers of Shadow & Flame. Additional installments in the series are forthcoming.
We got together for lunch in Columbia, Maryland at The Turn House — because I’d heard about chef Thomas Zippelli, who has put in time at both the French Laundry and Eleven Madison Park, and wanted to check the place out. It turned out to be worth the visit for the porchetta alone.
We discussed why The Neverending Story was her favorite childhood movie, which Octavia Butler quote inspired one of her tattoos, why she decided to go the self-publishing route — and how her indie success resulted in her first novel getting picked up by a traditional publisher, the catalytic scene which sparked her Earthsinger Chronicles series, how she manages to meet the expectations of both fantasy readers and paranormal romance readers, her advice for breaking out of writers block, and much more.
(6) WHERE THE ‘F’ IS PERHAPS ‘FANTASY’. [Item by Daniel Dern.] On Zoe’s Extraordinary Playlist on NBC, an earthquake (the show is set in San Francisco) while she’s getting an MRI results in Zoe, a programmer who’s already established as listening to bunches of music along with listening to audiobooks, episodically experiencing people around her burst into song (and dance), apparently expressing their innermost thoughts.
So, lots of good singing and dancing, including great larger production numbers. E.g., on “Help!”
The NPR reviewer said the show didn’t really get into gear until mid-Episode-2, I disagree, and, ahem, felt it founds its groove from the start. Recommended.
(Note, the pilot episode just ran — it’s on YouTube already — but no more episodes until mid-February.)
(7) IT’S A MAGILLA. “Feds launch probe into problem-plagued $41M Hunters Point library” – the New York Post has the story.
Books aren’t the only thing being checked out at this Queens library.
The feds are now probing the problem-plagued new library branch in Hunters Point, The Post has learned.
The US Attorney’s Office in Brooklyn hired an architectural expert to conduct a December survey of the $41.5 million book hub to look for violations of the Americans with Disabilities Act, new Brooklyn federal court filings in a lawsuit against the library reveal.
An attorney for the city’s Law Department blew the lid off the probe in documents filed for the pending suit, saying they needed more time because they’re still awaiting the investigation’s results.
The decade-in-the-making outpost of the Queens Public Library system was hailed by officials as a “stunning architectural marvel” when it opened in September.
But it has since come under fire for its stacks of design and construction problems — including a three-tiered fiction section, a rooftop garden and a reading space on the children’s floor that are all inaccessible for people who use wheelchairs.
(8) NONE TO BEAM UP. The voyages may be continuing, but that doesn’t mean the actors are — “Noah Hawley Suggests His ‘Star Trek’ Movie Will Include New Cast” according to The Hollywood Reporter.
In November, news broke that Fargo and Legion creator Noah Hawley would write and direct Star Trek 4, a movie said to continue the voyages of Chris Pine’s Captain Kirk and his crew. But a few weeks later, star Simon Pegg turned heads when he suggested that the news had been incorrect, and that his Enterprise crew would not be returning for Hawley’s movie. Now Hawley himself is suggesting that is indeed the case.
“To call it Star Trek IV is kind of a misnomer. I have my own take on the franchise as a life-long fan,” Hawley told The Hollywood Reporter podcast TV’s Top 5, in an interview set to bow in April.
(9) PEART OBIT. Neil Peart, drummer and primary lyricist for Rush, dead at 67 hreports the CBC.
The band was much honoured at home, including with an induction into the Canadian Music Hall of Fame in 1994, Canada’s Walk of Fame in 1999; a lifetime achievement honour at the 2012 Governor General’s Performing Arts Awards; and an Order of Canada — the first time that a group was chosen to receive the honour.
The trio was inducted into the U.S. Rock & Roll Hall of Fame in 2013, after years of lobbying by devoted fans.
Peart also co-authored two books in the Clockwork Angels series with Kevin J. Anderson. They also co-authored the short story “Drumbeats” in the Shock Rock II anthology.
(10) HENRY OBIT. Buck Henry died January 8. The Hollywood Reporter paid tribute —
Buck Henry, the impish screenwriter whose wry, satirical sensibility brought comic electricity to The Graduate, What’s Up, Doc?, To Die For and TV’s Get Smart, has died. He was 89.
Henry, a two-time Oscar nominee who often appeared onscreen — perhaps most memorably as a 10-time host (all in the show’s first four years) on Saturday Night Live — died of a heart attack Wednesday at a Los Angeles hospital, his wife, Irene, told The Washington Post. He had suffered a stroke in November 2014….
Henry wrote for Get Smart and was the show’sstory editor for the first couple of seasons.
Henry, who won an Emmy (shared with Leonard Stern) in 1967 for writing the two-part episode “Ship of Spies,” came up with the cone of silence shtick for the sitcom.
…For TV, Henry also created the 1967 NBC comedy Captain Nice, centered on a mild-mannered guy (William Daniels) who becomes a superhero, and the late ’70s NBC sci-fi spoof Quark, which starred Richard Benjamin. Both series were short-lived.
(11) TODAY IN HISTORY.
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
(13) COMICS SECTION.
(14) IT WAS 20 YEARS AGO TODAY. Ian McKellen still has his receipts —
I am aware of the high expectations of Tolkien’s fans – like myself. But, never having imagined that I would ever play any sort of wizard, I am ill-prepared. I just worked with a witch, however, a white one, whose spells are formidable. Her energy is impressive. I shall have to come to understand the nature of Gandalf’s energy – what keeps him going. What keeps any of us going?
(15) FURTHER DUBLIN 2019 COVERAGE. An advance post alert has gone out for SF2 Concatenation’s second conreport on the Dublin Worldcon, this one by Marcin “Alqua” Klak, one of the staff volunteers.
Marcin “Alqua” Klak is a fan form Poland who loves conventions and exploring fandom in different countries. He regularly blogs about conventions he visits and about other fannish matters on his blog: www.FandomRover.com. In 2018 he was a GUFF (Get Up-and-under Fan Fund) delegate to attend Continuum XIV in Melbourne, Australia. Currently, he chairs the SFF club in his home city of Kraków.
(16) NO TRUE SCOTSMAN. [Item by David Goldfarb.] I was watching the second game of the current “Greatest of All Time” tournament on Jeopardy!, and in the Double Jeopardy round this was the $1600 answer in the category “Pop Culture People”:
Feeling regenerated in “Doctor Who”, this actress confessed, “Sorry, half an hour ago I was a white-haired Scotsman”
File 770 readers should have no problem finding the right question to that one!
(17) ICONIC STYLE. At Print, Steven Heller extols “The Church Lettering Art Style”.
Show card lettering artists were usually anonymous to the public. Art was a commercial service and few people signed their names or were credited for their craft. Edgar Church (1888 – 1978) was among the few who received a certain amount of acclaim – and some of that recognition today is thanks to Chuck Rozanski, an avid comics collector (drag queen) and founder of Mile High Comics. Church was one of the leading comics collectors in the 20s, 30s and 40s. The two disciplines, comics and graphic design/lettering, were intertwined — and comics splash panels certainly influenced his work.
Church maintained his art service studio in the Denver area from about 1910-1965, with the majority of his work – clichés, spot art and custom lettering, produced from 1918-1950. He also created numerous color paintings and landscapes during this time. He was hired on a freelance basis for variegated lettering styles, borders and pen and ink illustrations for ads running in the Colorado Yellow Pages. Rozanski states that Church worked “in the evenings and on weekends for literally thousands of small businesses, creating everything from letterheads, to Christmas cards, to full-page ads in local newspapers.”
…His renown, however, derives from the collection of comic books that he amassed, later known as the “Edgar Church collection.” Under the umbrella of the “Mile High collection”, Church is most famous for his valuable stash, including between 18,000 and 22,000 early comic books….
Andrew Porter sent the link with the comment, “Gorgeous examples of his work at the link. But I bet one company later changed their name…”
(18) INSIDE STORY. The Full Lid returns from the holiday break with a look at the interesting common ground the new Master on Doctor Who has with The Witcher’s own hype man, Jaskier. We also take a look at remake culture and find a very surprising musical example of how to do it right. This week’s Signal Boost covers One YA A Day’, a new blog series looking at the Cast of Wonders back catalog, new Leverage watch-along show The Pod Job, tour dates for the NoSleep Podcast live tour and details of the Last Fleet RPG Kickstarter. The link is: The Full Lid – 10th January 2020.
(19) VIDEO OF THE DAY. Robert Downey, Jr. runs the Dolittle – Auditions.
[Thanks to John King Tarpinian, Dann, David Goldfarb, Errolwi, Andrew Porter, Martin Morse Wooster, Mike Kennedy, JJ, Chip Hitchcock, Alasdair Stuart, SF Concatenation’s Jonathan Cowie, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]
(1) FOUND IN SPACE. [Item by Daniel Dern.] Lifehacker’s Brendan Hesse has figure out “How to Explore the Solar System in Google Maps via Hyperspace”. I’ve briefly tried this, and it works. I wonder if [we] can add tags etc. for sf story/video locations, etc…
Note, the article says, “You’ll only be able to use the space feature—and experience the hyperspace tunneling—on desktop versions of Chrome,” but I’m seeing something that seems to be that effect on my (Win 10 desktop) Firefox browser.
You’ll only be able to use the space feature—and experience the hyperspace tunneling—on desktop versions of Chrome, but it’s easy to find and use:
(2) CROSSING THE STREAMS. “Netflix’s Dracula Easter Egg Sets It In The Same Universe As Doctor Who” — ScreenRant noticed the hatchling immediately.
…As an oblivious Jonathan rides a rickety carriage towards Dracula’s castle, he pours over a letter from his beloved fiancée, Mina. In it, she writes of life back in England. Whovians were quick to notice that among the details mentioned by Mina was one familiar to watchers of the Matt Smith and Peter Capaldi era of Doctor Who. Doctor Who as run by Steven Moffat has a history of being self-referential itself.
Mina writes to Jonathan of “the adorable barmaid at the Rose and Crown.” The 2012 Doctor Who Christmas special (re)-introduces audiences to Clara Oswin Oswald (Jenna Louise Coleman). Although the character eventually goes on to become the sharp companion to both Matt Smith and Peter Capaldi’s Doctors, in the 1892-set episode, she is a barmaid-cum-governess once earning her income at the Rose & Crown Inn.
(3) FUTURE TENSE. The December 2019 entry in Slate’s Future Tense Fiction series is “Actually Naneen,” by Malka Older, a new short story about robot nannies from the author of Infomocracy.
There’s also a response essay by Ed Finn on the role technology should play in childhood.
…The question of automating child care is political, economic, and ideological all at the same time. Despite decades of educational research, we still put most children through systems designed a century ago to train factory workers and farmhands. Mountains of psychological studies have done little to prevent me from making parenting mistakes—some of them, inevitably, recapitulating my childhood, while others are totally new mistakes I’m adopting into our family like so many holiday traditions. Parenting is the most intensely personal, long-haul project many humans ever take on. What other task averages so many hours over so many years, with such little external oversight or reliable feedback? There is no one correct way to parent because every parental situation is different, and navigating those differences requires all the intelligence, compassion, patience, and humanity we can throw at it.
But it also requires resources, and the idea of outsourcing parenting has always tempted those who could afford it….
(4) HE CAN TALK TO REPORTERS, TOO. In Parade, “Robert Downey Jr. Opens Up About Life After Iron Man, Kung Fu Fighting and Managing a Menagerie in Dolittle“.
When Robert Downey Jr. was preparing for his new role in Dolittle, a movie in which he plays a doctor who lives with a house full of animals—and talks with them—he began to wonder, “How does anyone relate to this guy?” And then he looked out the window of his home in Malibu, Calif., and saw his alpaca Fuzzy looking back at him.
In addition to his wife of 14 years, Susan, and their two kids, son Exton, 7, and daughter Avri, 5, Downey lives with dozens of animals they’ve taken in over the past 10 years. There are pigs (kunekunes, a New Zealand breed), Oreo cows (with that distinctive white belt), pygmy goats, a larger rescue goat named Cutie Boots, a bunch of chickens and two cats, Montgomery and D’Artagnan. “I was like, ‘Oh, yeah,’” he says with a laugh. “‘You’re completely surrounded by animals!’”
(5) BLUE LIGHT SPECIAL. Aaron Bady is thumbs down on the series:“Dr. Manhattan is a Cop: “Watchmen” and Frantz Fanon” at the LA Review of Books.
… I’ve been thinking about why it’s disappointing. In the ’80s, it could seem plausible to “solve” the looming threat of nuclear war by creating the worldwide fear of an alien invader, “a force so dreadful it must be repelled, all enmities aside,” as Veidt declares. But this elegant twist — by which the savior of mankind is also a supervillain who kills millions of people, and gets away with it — was an elegant genre subversion because the antihero really was novel and subversive in the mid-’80s. By making the original Superman a Hitler-sympathizing vigilante literally clothed in KKK iconography, Moore and Gibbons were demonstrating the genre’s disavowed logic, and what Moore says so explicitly in that 2017 interview is pretty easy to find in the comic itself. There’s literally a comic within the comic, in which a shipwrecked sailor tries to save his family and town from pirates and ends up killing his family and town and then joining the pirates, all to hammer the point home: to save humanity from a nuclear holocaust, Veidt kills three million people; because he calculates the inevitability of The Event, he intervenes to bring it about; to be the hero, he becomes the villain. Since 1985, this once-novel idea has been absurdly generative and influential to the point of cliché: from the Watchmen-esque “The Killing Joke” through the Nolan Batman movie through the MCU up to Thanos, the superantihero has been at the heart of the modern post-9/11 revival of the superhero movie. What if the villain is the hero? What if the hero is the villain? “You know how you can tell the difference between a superhero and supervillain?” the comic asked, and then answers, “Me neither!”
(6) NOT EVERYONE CAN DO THIS. A New York Times interviewer found out “How Ursula K. Le Guin Fooled the Poet Robert Hass”.
What genres do you especially enjoy reading? And which do you avoid?
I tend to binge, so I have to try to avoid genre fiction, but I’m attracted to mysteries, detective novels partly because they come in a series — so I would find myself working through the 10 novels Simenon wrote in 1931 to see what that explosion was about. I had a Patrick O’Brian addiction at one point. When I read Ursula Le Guin, who grew up in Berkeley, I thought that I had discovered that I loved science fiction, and read a lot of it and discovered that I just loved Ursula Le Guin, unless Calvino and Borges count as science fiction.
(7) LESS THREAD, MORE FILLING. N.K. Jemisin will still be on Twitter, just not as much.
(8) MORE PLEASE. In The Hollywood Reporter, “‘Star Wars’ Star Dominic Monaghan Hopes for ‘Rise of Skywalker’ Director’s Cut”.
…Since the release of The Rise of Skywalker, viewers have been divided over their feelings about the film. This came to a head Thursday as an anonymous, unverified Reddit post suggested that the film was subject to a significant amount of studio meddling, prompting the hashtag #ReleaseTheJJCut to trend across social media. While Monaghan didn’t speak to these latest conspiracy theories, he does wish for the release of a director’s cut given the sheer volume of unused footage that Abrams shot.
“Like a lot of Star Wars fans, I’m hoping there will be a director’s cut so we’ll get to see more and more of the stuff that was filmed,” Monaghan tells The Hollywood Reporter. “I wasn’t there all the time, but even in the short time that I was there, there was so much stuff filmed that didn’t make it to the theatrical version…. Oh, man, there was so much stuff!”
(9) SHATNER’S CHRISTMAS SPECIAL. ComicBook.com tells how one Captain celebrated the holiday: “Star Trek’s William Shatner Surprised the LAPD on Christmas Day”.
Star Trek‘s William Shatner is famous for playing Captain James T. Kirk. In 2019, he took on the role of local Santa Claus for the Los Angeles Police Department. Sources within the organization tell TMZ that Shatner visited his local precinct’s police station. He didn’t show up empty-handed, reportedly coming with corned beef and pastrami sandwiches, bagels, lox, and cream cheese to help feed the officers on duty on Christmas Day. Shatner reportedly thanked the on-duty officers and left a holiday card behind as well as a few hundred dollars to help feed the officers throughout the remainder of the day.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
(11) PICARD RECRUITS. ComicBook.com is keeping an eye open for new Picard promos — “Star Trek: Picard Teaser Spotlights Romulan Agent Narek”.
The latest features the new character Narek, played by Harry Treadaway. Narek is a Romulan agent who joins up with Jean-Luc Picard and his crew to investigate the Romulans’ new interest in Borg drones. You can watch the teaser above. And speaking of Borg drones, last week’s teaser featured Seven of Nine, again played by Star Trek: Voyager‘s Jeri Ryan.
(12) ON TARGET. The GoFundMe to help Virgil Finlay’s daughter met it $5,000 goal. She sent her thanks in an update.
I want to thank everyone who so kindly contributed to help me save my father’s artwork, letters, and poetry. We will continue to work on restoring them piece by piece.
My daughter and I both thank you for your kindness!
Lail and Brien
(13) RETRO RESEARCH. SF Magazines’ Paul Fraser put together a page on his blog listing nearly all of the Retro-Hugo eligible stories from 1944, with hyperlinks to copies on archive.org, as well as one or two other bits and pieces.
The table below* contains the 1944 fiction eligible for the 1945 Retro Hugo Awards, and links to copies of the stories on archive.org. Please use the contact form below to inform me of any omissions.
(* The table includes the contents of Amazing Stories, Astounding Science-Fiction, Captain Future, Fantastic Adventures, Planet Stories, Startling Stories, Thrilling Wonder Stories, and Weird Tales magazine, plus miscellaneous others—e.g. Olaf Stapledon’s Sirius, Robert Graves’ The Golden Fleece. There was no original fiction in Famous Fantastic Mysteries during 1944.)
(14) GETTING THEIR GOAT. “California Cities Turn To Hired Hooves To Help Prevent Massive Wildfires”. In fact, there’s a place in the foothills a few miles from me where they brought in goats – I don’t know whether they still do.
California has gone through several difficult fire seasons in recent years. Now, some cities are investing in unconventional fire prevention methods, including goats.
Anaheim, a city southeast of Los Angeles, has recently re-upped its contract with the company Environmental Land Management to keep goats grazing on city hillsides nearly year-round.
The goats are stationed in places like Deer Canyon Park, a nature preserve with more than a hundred acres of steep hills. Beginning in July, roughly 400 goats worked through the park, eating invasive grasses and dried brush.
The company’s operations manager Johnny Gonzales says that Deer Canyon, with its peaks and valleys, is just the right kind of place to use goats for fire prevention.
“This is the topography that poses challenges during these wildfire events,” Gonzales says. “And we can go ahead and reduce the fuel loads and take out the invasive plants, and establish the native plants on these banks; you’re re-establishing the ecology.”
…What makes the goats important isn’t just their ability to climb steep hillsides. According to Hogue and Gonzales, the animals eat invasive plants and grasses while only minimally grazing on native plants.
(15) SPACE FORCE. [Item by Mike Kennedy.] Should the Vulcans choose this time to finally drop in on us here on Earth, the US Space Force has a new unit designation ready made for at least one of them. Air Force News press release: “14th Air Force redesignated as Space Operations Command”.
By order of Secretary of the Air Force Barbara M. Barrett, effective Dec. 20, Fourteenth Air Force was officially redesignated as Space Operations Command.
[…] The SPOC directly supports the U.S. Space Force’s mission to protect the interests of the United States in space; deter aggression in, from and to space; and conduct space operations.
[…] The SPOC provides space capabilities such as space domain awareness, space electronic warfare, satellite communications, missile warning, nuclear detonation detection, environmental monitoring, military intelligence surveillance and reconnaissance, navigation warfare, command and control, and positioning, navigation and timing, on behalf of the USSF for USSPACECOM and other combatant commands.
[…] Additional details about SPOC will be available in early 2020 – highlighting Space Operations Command’s critical roles and responsibilities in support of national security objectives.
(16) THESE ARE THE JOKES. If you pooh-poohed this idea – well, the writers beat you to it. “‘Avenue 5’ review: Iannucci’s sci-fi sitcom is the funniest thing on HBO” promises Inverse.
…The best part of an Iannucci show is typically the insults. (I can’t remember the plot of Veep, but when I close my eyes I can still see and hear Julia Louis Dreyfus cursing out Jonah Ryan or calling him an “unstable piece of human scaffolding.”). Avenue 5 cares more about its plot than its barbs. There are twists, turns, big reveals, and cliffhanger endings that will have you impatiently waiting for next Sunday’s episode. It’s still funny, but don’t expect the mile-per-minute foul-mouthed humor that made Veep so great.
The setting of HBO’s new sci-fi comedy is as impressive as the comedy: A massive gleaming vessel — or, as one character describes it, a “giant dildo floating through space.” The interior sets are all curved, shiny white surfaces and huge windows revealing the infinite outer space all around them; this backfires after some unfortunate space debris ends up orbiting the ship, which is somehow large enough to create its own gravity field.
(17) UNINTENTIONAL WAR GAMES. “Pika-Who? How Pokémon Go Confused the Canadian Military” – the New York Times has the story.
Pokémon Go, the augmented-reality game, had soared to the top of the download charts. Within weeks, millions of people were chasing the digital animated creatures all over the world — and going places they should not go.
More than three years later, Canadian military officials have shared internal documents with the Canadian Broadcasting Corporation News Network that show how the military, both curious and confused, reacted to the wildly popular app.
Maj. Jeff Monaghan, an official based in Kingston, Ontario, wrote in an email: “Plse advise the Commissionaires that apparently Fort Frontenac is both a Pokégym and a Pokéstop. I will be completely honest in that I have not idea what that is.”
At least three military police officers, stationed at different bases, were assigned to wander around with smartphones and notepads in hand to search for Pokémon, Pokéstops and Pokégyms, according to the documents. (Users can find Pokéballs at Pokéstops, use their Pokéballs to capture Pokémon, and train and join teams at Pokégyms.)
“We should almost hire a 12-year-old to help us out with this,” David Levenick, a security expert at a military base in Borden, Ontario, wrote in an email.
Weeks after the app became available, Canadian officials noticed an increase in suspicious activity.
One woman was found on a military base as three children with her climbed on tanks. She was playing Pokémon Go.
(18) THE BEGINNING. In the Washington Post, John Kelly discusses an exhibit at the University of Maryland about Jim Henson’s college years, including sketches and drawings Henson made at college and how Henson created a silk-screening business in school to make money and help perfect his art. “Jim Henson was born gifted. At U-Md., he became even more talented.”
…Though the single-room exhibit is composed of just a few cases, a few walls and a few TV screens, it gives a good sense of the breadth of Henson’s interests and his love of experimentation. In his short animated film “Drums West,” colored shapes dance across a black background in time with a percussive soundtrack. Yellow and orange rectangles make starburst patterns as the (unseen) drummer, Chico Hamilton, plays the high-hat; blue dots pop as he thumps the bass drum. It’s an abstract visual representation of the music.
How was it done? At the end, the camera pulls back to reveal Henson seated at a workbench. In front of him is a black surface about the size of an LP cover. It’s surrounded by bits of colored paper that Henson has been painstakingly arranging with tweezers, then filming a frame at a time.
As for those souvenir Wilkins and Wontkins Muppets, they’re there too, inside a glass case. In 1958 you could have had a pair by sending in $1 and the last inch of winding band from a can of Wilkins Coffee or a Wilkins Instant Coffee label. “Made of soft but durable vinyl,” a newspaper ad explained, “you only need to move your fingers inside to create 1,001 funny faces.”
[Thanks to Cat Eldridge, John King Tarpinian, Martin Morse Wooster, Michael Toman, Chip Hitchcock, JJ, Daniel Dern, Mike Kennedy, Joey Eschrich, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Anna Nimmhaus.]
(1) AFTER QUARTER CENTURY, GOMOLL STEPS DOWN. The Otherwise Award announced yesterday: “Jeanne Gomoll Retires from Motherboard”.
Jeanne Gomoll, whose art, design, and organizing energy has propelled and sustained the Award for the last 25 years, is retiring from the Otherwise Motherboard at the end of 2019. The remaining members of the Motherboard are incredibly grateful for Jeanne’s tireless, brilliant work and look forward to celebrating her contributions at WisCon in 2020.
Up until 1991 it felt to me as though the efforts of the Madison SF Group, Janus and Aurora fanzines, and WisCon, to encourage and celebrate feminist science fiction were largely restricted to a single place and to those who came to this place and attended WisCon. Indeed, by the late 1980s, it felt to me as if our efforts to foster feminist SF were increasingly being met with opposition and might possibly have been in danger of flickering out, as the backlash to feminism in general and feminist SF in specific gained strength. Pat Murphy’s 1991 announcement of the Tiptree Award thrilled me and gave me renewed strength. It was as if a small group of us, following a narrow, twisty path had merged with a much wider, well-traveled path. After the Tiptree Award began handing out annual awards and raising funds, and had sparked a massive juggernaut of community activism, I stopped worrying about the viability of the movement.
I will be forever grateful to the Tiptree Award and proud of my work on it. I chaired two Tiptree juries—one in 1993, which chose Nicola Griffith’s Ammonite as the winner; and the other in 2016, which presented the award to When the Moon Was Ours, by Anna-Marie McLemore. I served on the Motherboard for 25 years, 1994-2019, and worked behind-the-scenes on most of the auctions during those years, and as an artist creating logos, publications, and Tiptree merchandise. I will be forever grateful to the Motherboard for the work we did together and the friendships we created along the way. I am awed by and very proud of the community of writers and readers who supported and were nurtured by the award, even as they guided the award further along the path toward greater diversity and scope.
The Tiptree Award, and now the Otherwise Award will always have my heartfelt support. But it is time for me to step back and make space for a new generation of activists. I want to thank my fellow motherboard founding mothers and members, past and present—Karen Joy Fowler, Pat Murphy, Jeff Smith, Alexis Lothian, Sumana Harihareswara, Gretchen Treu, Debbie Notkin, Ellen Klages, Delia Sherman—for all they have done and for their friendship, which I will value forever.
(2) THIS IS HORROR. Public nominations are being accepted through January 8 for the This Is Horror Awards.
The public nominations are now open for the ninth annual This Is Horror Awards. This year we’ve retained all the categories from last year and added one more, ‘Cover Art of the year’. Here are the categories: Novel of the Year, Novella of the Year, Short Story Collection of the Year, Anthology of the Year, Fiction Magazine of the Year, Publisher of the Year, Fiction Podcast of the Year, Nonfiction Podcast of the Year, and Cover Art of the Year.
Readers can e-mail in their nominations for each category. Taking into consideration the nominations for each category This Is Horror will then draw up a shortlist.
We invite you to include one sentence as to why each nomination is award-worthy.
(3) DEEP STATE. Jason Sanford has been posting interviews he conducted with sff magazine editors in conjunction with his fantastic report #SFF2020: The State of Genre Magazines.
Jason: How much of an increase in your budget would be required to pay all editorial and publishing staff a living wage?
Scott: Estimating using a salary of $15/hour for the work our staff does, we would need a $45,000 increase in our annual budget to pay all staff a living wage. That’s double what our annual budget is to pay for the stories we publish. To cover that, our monthly donations through Patreon would have to increase by 7000%….
Jason: Neil Clarke of Clarkesworld has said some of the problems experienced by genre magazines come about because “we’ve devalued short fiction” through reader expectations that they shouldn’t have to pay for short stories. Do you agree with this? Any thoughts on how to change this situation?
LDL: …I think the issue is one of exhaustion on the part of volunteer staff and a strained supporter base. In my observation, the people who contribute to zine crowdfunds also contribute to crowdfunds for individuals in emergency situations. There are a lot of emergencies or people in general need, just within the SFF community and funds are finite. If you’re supporting your four favorite zines every year, donating to three medical funds, two Kickstarters, a moving fund, and also taking on costs associated with at least one fandom-related convention every year, it’s not sustainable for a lot of readers, especially the marginalized ones….
Jason: In addition to paying your writers, Asimov’s also pays all of your staff, something which is not common among many of today’s newer genre magazines. Is it possible to publish a magazine like Asimov’s without the support of a larger company, in this case Penny Publications?
Sheila: An anecdotal review of the American market doesn’t really bear that out. F&SF is published by a small company. Analog and Asimov’s are published by a larger (though not huge) publishing company. Being published by a larger company does have its advantages, though. While only one and a half people are dedicated to each of the genre magazines, we do benefit from a support staff of art, production, tech, contracts, web, advertising, circulation, and subsidiary rights departments. I’m probably leaving some people out of this list. While the support of this infrastructure cannot be underestimated, Asimov’s revenue covers our editorial salaries, and our production and editorial costs. We contribute to the company’s general overhead as well.
Jason: Strange Horizons also helped pioneer the idea that a genre magazine could be run as a nonprofit with assistance from a staff of volunteers. What are the pros and cons of this publishing model?
Vanessa: With volunteer staff, the con is simple: no pay. Generally, working for no pay privileges people who can afford to volunteer time, and devalues the work we do as editors. I’d like to think that at SH, we have partially balanced the former by making our staff so large and so international that no one need put in many hours, and folks can cover for you regardless of time zone. Despite having 50+ folks, we’re a close group. Our Slack is a social space, and we bring our worst and best days there for each other. Several members (including me) have volunteered right through periods of un- and underemployment because of the love of the zine and our community….
(4) NEBULA CONFERENCE EARLYBIRD RATE. The rate has been extended another week —
(5) MORE ON MILAN. The Guardian’s coverage of the RWA/Courtney Milan controversy, “A romance novelist spoke out about racism. An uproar ensued”, starts with the now-familiar origin story, then adds dimension with background history like this:
HelenKay Dimon, a past RWA president, previously told The Guardian that she regularly received letters from white RWA members expressing concern that “now nobody wants books by white Christian women”.
There is “a group of people who are white and who are privileged, who have always had 90% of everything available, and now all of a sudden, they have 80%. Instead of saying: ‘Ooh, look, I have 80%,’ they say: ‘Oh, I lost 10! Who do I blame for losing 10?’” Dimon said.
The tweets that sparked the ethics complaints against Milan, which were posted this August, were part of a broader conversation on romance Twitter about how individual racist beliefs held by gatekeepers within the publishing world have shaped the opportunities available to authors of color.
(6) ARRAKIS AGAIN. Just before the calendar clicked over to 1965, Galactic Journey’s Gideon Marcus forced himself to read the first installment of the Dune World sequel: “[December 31, 1964] Lost in the Desert (January 1965 Analog)”.
The…next installment of Frank Herbert’s Dune World saga has been staring me in the face for weeks, ever since I bought the January 1965 issue of Analog. I found I really didn’t want to read more of it, having found the first installment dreary, though who am I to argue with all the Hugo voters?
And yet, as the days rolled on, I came up with every excuse not to read the magazine. I cleaned the house, stem to stern. I lost myself in this year’s Galactic Stars article. I did some deep research on 1964’s space probes.
But the bleak desert sands of Arrakis were unavoidable. So this week, I plunged headfirst into Campbell’s slick, hoping to make the trek to the end in fewer than two score years. Or at least before 1965. Join me; let’s see if we can make it.
(7) RINGS TWICE. Tor.com reprints “A Weapon With a Will of Its Own: How Tolkien Wrote the One Ring as a Character”, Megan N. Fontenot’s engrossing manuscript study about how Bilbo’s trinket became the key to the LOTR trilogy.
In September 1963, Tolkien drafted yet another of a number of letters responding to questions about Frodo’s “failure” at the Cracks of Doom. It’s easy to imagine that he was rather exasperated. Few, it seemed, had really understood the impossibility of Frodo’s situation in those last, crucial moments: “the pressure of the Ring would reach its maximum,” Tolkien explained; it was “impossible, I should have said, for any one to resist, certainly after long possession, months of increasing torment, and when starved and exhausted” (Letters 326). Even had someone of unmatched power, like Gandalf, claimed the Ring, there would have been no real victory, for “the Ring and all its works would have endured. It would have been the master in the end” (332).
It would have been the master.
From humble beginnings as a mere trinket bartered in a game of riddles (see the original Hobbit), the Ring grew in power and influence until it did indeed include all of Middle-earth in its simple band of gold. “One Ring to rule them all” wasn’t just meant to sound intimidating—it was hard truth. Even Sauron couldn’t escape the confines of its powers. It was his greatest weakness.
But how did the Ring become the thing around which the entirety of the Third Age revolved (Letters 157)?…
(8) JANUARY 2. Get ready – tomorrow is “National Science Fiction Day”. It must be legit – “National Science Fiction Day is recognized by the Hallmark Channel and the Scholastic Corporation.”
National Science Fiction Day promotes the celebration of science fiction as a genre, its creators, history, and various media, too. Recognized on January 2nd annually, millions of science fiction fans across the United States read and watch their favorites in science fiction.
The date of the celebration commemorates the birth of famed science fiction writer Isaac Asimov. An American author and Boston University professor of biochemistry, Isaac Asimov was born Isaak Yudovich Ozimov on January 2, 1920. He was best known for his works of science fiction and his popular science books.
(9) TODAY IN HISTORY
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
(11) COMICS SECTION.
(12) DODGED THE BULLET. [Item by Mike Kennedy.] In an alternate universe, it seems that original director Harold Ramis would’ve made a very different Galaxy Quest. From ComicBookResources.com: “Galaxy Quest: Tim Allen Equates Harold Ramis’ Version to Spaceballs”.
Before Dean Parisot signed on to direct Galaxy Quest, Harold Ramis was supposed to helm the movie, which was initially titled Captain Starshine. However, according to Tim Allen, if Ramis directed the film, it wouldn’t have just been titled differently — it would have looked quite different as well.
[…] “Katzenberg pitched me the idea of the commander character and then they started talking and it became clear that Ramis didn’t see me for the part,” Allen said. “It was pretty uncomfortable.”
[…] Interestingly, Sigourney Weaver also wouldn’t have gotten her role as Gwen DeMarco in Galaxy Quest if Ramis had directed the film, despite their relationship from Ghostbusters. “I had heard that Harold was directing a sci-fi movie but he didn’t want anyone who had done sci-fi in the film,” she said. “Frankly, it’s those of us who have done science fiction movies that know what is funny about the genre.”
(13) JUST CHUCK IT. Is this April 1 or January 1? Today Tor.com posted Leah Schnelbach’s “Excellent Writing Advice from Erotica Author Chuck Tingle”.
…I’ll start with this reddit AMA from a few years back, and an interview with Tingle on Nothing in the Rulebook. His answers reveal a consistent approach to the writing life that mirrored the habits of authors who are, possibly, even more well-known than our favorite erotica author.
Asked about a typical writing day, Tingle replies:
yes average day is getting up and having two BIG PLATES of spaghetti then washing them down with some chocolate milk then i get out of bed and meditate to be a healthy man. so when i am meditating i think ‘what kind of tingler would prove love today?’. if nothing comes then i will maybe trot around the house or go to the park or maybe walk to the coffee shop with my son jon before he goes to work. if i have a good idea i will just write and write until it is all done and then I will have son jon edit it and then post it online.
OK, so to translate this a bit out of Tingle-speak, we have a recommendation that you fuel your writing with carbs (and also an unlikely alliance with Haruki Murakami’s spaghetti-loving ways) with a bit of a boost of sugar….
(14) GREASED LIGHTNING. [Item by Daniel Dern.] From one of the CES 2020 press releases I got today…
Subject: [CES NEWS] Experience a Roomba-Like Device that Navigates the Home Charging ALL Devices
…I want to put an innovative device on your radar: RAGU, a Roomba-like robot that navigates the home charging ALL of your devices.
GuRu is the first company to crack the code on totally untethered, over-the-air charging.
Even discounting remote mal-hackers, this sounds like a recipe for either a droll TV episode, or Things Going Horribly Wrong. (Fires, fried gear, tased/defibrilated pets and sleeping people, etc.)
(15) MIXED BAG. [Item by Chip Hitchcock.] I expect everybody will find something interesting or strange in the BBC’s “Alternative end-of-the-year awards”
Animal rescue of the year
Spare a thought for the poor fat rat of Bensheim, which became stuck in a German manhole in February. She was eventually freed, but not before passers-by took embarrassing photos of her plight. “She had a lot of winter flab,” one rescuer said, compounding the humiliation.
In this case, the animals were the rescuers rather than the rescued (sort of).
Anticipating the threat of wildfires later in the year, staff at the Ronald Reagan Presidential Library in California hired a hungry herd of 500 goats to eat flammable scrub around the building in May.
And so, when fires did strike in October, the library was saved because of the fire break the goats had created by eating the flammable scrub. Nice one, goats.
(16) MAKING TRACKS. “SpaceX satellites spotted over Derbyshire” – BBC has photo and short video.
Stargazers across Derbyshire were startled when they saw what appeared to be a new “constellation” in the night sky.
The near-perfect line was in fact formed by the Starlink, satellites launched by Elon Musk’s SpaceX company earlier this year.
They were spotted across Derbyshire and the Peak District.
Tom Sparrow, an amateur photographer, said the satellites were “quite a spectacle”.
The Bradford University archaeology researcher caught the orbital pass by chance on a time-lapse video in the Peak District.
(17) BEYOND BINARY. The Hollywood Reporter’s Robyn Bahr, in “Critic’s Notebook: Baby Yoda, ‘The Dark Crystal’ and the Need for Puppetry in the Age of CGI “, cheers on non-digital effects.
As always, the existential wisdom of Werner Herzog prevails. “You are cowards,” the director castigated on set of The Mandalorian, upon realizing the producers intended to shoot some scenes without the Baby Yoda puppet in case they decided to go full CGI with the character. “Leave it.”
Herzog, who guest-starred on a few episodes of the Disney+ Star Wars spinoff series, was one of Baby Yoda’s earliest champions. And indeed, Baby Yoda — a colloquial epithet referring to the mysterious alien toddler merely known as “The Child” in the script — was designed for maximum neoteny. The gigantic saucer-like dilated eyes; the tiny button nose; a head that takes up nearly half his body mass; the hilariously oversized brown coat; the peach fuzzy hairs tufted around his head; and the pièce de résistance of his custardy little green face: that minuscule line of a mouth that could curve or stiffen in an instant and erupt a thousand ancient nurturing instincts in any viewer. (He’s the only thing my normally stoic husband has ever sincerely described as “cute.”) Heck, there may very well be a micro generation of Baby Yoda babies about eight months from now, thanks to this frog-nomming, lever-pulling, bone-broth-sipping little scamp.
And all because Jon Favreau and company finally recognized that rubber-and-fabric practical effects will almost always have a greater emotional impact than plasticky digital ones.
The recent success of The Mandalorian, thanks to the adorable face that launched a thousand memes, and Netflix’s fantasy-adventure epic The Dark Crystal: Age of Resistance, recently nominated for a WGA Award and a Critic’s Choice Award, prove that we still need puppetry and mechanical effects in the age of CGI….
(18) PERRY MASON. My fellow geezers may enjoy this quick quiz.
[Thanks to Jo Van Ekeren, Cat Eldridge, Mike Kennedy, JJ, Chip Hitchcock, John King Tarpinian, Martin Morse Wooster, Daniel Dern, Contrarius, Darrah Chavey, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Kip W.]
(1) QUEEN’S NEW YEAR HONOURS. Over a thousand people are on the list. It is a very good New Year to be a musician with the surname “John” — both Olivia Newton-John and Elton John received honours.
As for literature and genre…
In the Queen’s New Year’s Honors list, literary agent Felicity Bryan was given an MBE for services to publishing, and novelist Rose Tremain was made a Dame.
Director Sam Mendes received a Knighthood for services to drama. He was Executive Producer of Penny Dreadful, and his two James Bond movies, the Oscar winning Skyfall and Spectre, released in 2012 and 2015 respectively, are the most successful in the history of the franchise.
(2) THE BEST OF TIMES, THE WORST OF TIMES. Jason Sanford has released “a detailed look at science fiction and fantasy magazine publishing in this day and age” — “#SFF2020: The State of Genre Magazines”. His report is loaded with information and includes observations by a dozen magazine editors.
Back in August I tweeted congrats to the fantasy magazine Beneath Ceaseless Skies for achieving their fundraising goal. Which again, excellent news! But I then foolishly used that thread to try and demonstrate why BCS’s success was proof that science fiction and fantasy magazines were doing better than ever.
Spoiler: I was wrong. As multiple editors and publishers of genre magazines quickly pointed out.
Now don’t misunderstand. In many ways we’re living through the best of times for writers and readers of science fiction and fantasy short fiction. The Science Fiction and Fantasy Writers of America lists more than 25 professional-level magazines, likely more than the genre has ever witnessed at the same time. And Locus Magazine’s most recent analysis of the genre’s magazines found “70 magazines, 14 audio sites, and nine critical magazines.”
And that’s merely English-language magazines. There are also many great magazines around the world such as XB-1, Galaxies Science-Fiction, and Fantastica. And the biggest SF/F magazine currently in existence is Science Fiction World in China, which reportedly has a circulation of over 200,000 a month.
In addition, the boon of e-publishing has lowered the traditional printing and distribution cost barriers to creating new genre magazines. This allows more people than ever, including marginalized and diverse voices, to create their own magazines without the need for a large company or trust fund to support their dreams.
But despite all this, times are still tough for many magazines. A number of high-profile and award-winning genre magazines have shut down in the last two years, including Apex Magazine, The Book Smugglers (although their review site continues), Intergalactic Medicine Show, and Shimmer.
And during this same time period Neil Clarke, the publisher and editor-in-chief of Clarkesworld, has been speaking publicly about the many issues faced by genre magazines and warning that the short fiction market was “oversaturated when compared to the number of paying readers.” He believed this might eventually result in a market correction and said a big part of the problem was that having so many SF/F short stories available to read for free had “devalued short fiction.”
(3) CLIMATE CHANGE. [Item by SF Concatenation’s Jonathan Cowie.] Not strictly SF but since climate fiction is arguably a sub-branch of SF —
The BBC Radio 4 morning Today programme is the most listened radio news programme in the British Isles.
In the dead period between Christmas and New Year, when Westminster and Capitol Hill are shut down, the Today programme gives over editorial control to guest editors. This morning (30th Dec) we had Greta Thunberg as the day’s editor who brought on folk from Antarctic researchers to the head of the Bank of England.
It is a three-hour programme interspersed with the general news of the day — such as the Australian wildfires. Rarely do we get such an intense, diverse burst of climate information on a news programme. You can listen to it here.
Of course, if you have been studying for an environmental science degree between 2007- 2018 then likely you might be aware of my own take on the biological and human aspects of climate change.
I have also talked about this at conventions.
10 years ago I wrote a short article based on the questions people often asked me.
Back then I was perhaps considered as depressing and even a few might have thought a little controversial alarmist. However over the subsequent decade I have bullet-point listed the key science developments since my original writing of the essay. These show how the overall science view has slowly migrated to my own perspective. In fact, today my own views might be considered by some as positively conservative…
But if you want a short (8 minute) summary as to how well we are doing addressing the issue then here’s Thunberg herself earlier this month:
(4) CLEVER. [Item by Daniel Dern.] The idea/company is great (and a few years old at this point), but for some of us, the name is likely the coolest part. (Via Scott Kirner’s column in the Dec 30 Boston Globe, “Technology and planning are helping to take a bite out of food waste”, and don’t worry if you can’t get see it because paywall.)
The Boston startup Spoiler Alert runs an online trading platform that enables food producers and distributors to get rid of excess inventory by selling it or donating it.
https://www.spoileralert.com/ – I wonder if they had to buy the URL, hard to believe it hadn’t previously been taken.
(5) CARTOPHILE’S LITTLE LIVER PILLS. If you’re a mapophile (or whatever the technical term is), this site is for you: “Download Over 91,000 Maps from the World’s Largest Private Collection” at My Modern Met.
Map lovers will be thrilled by the possibility to peruse some of the world’s most unique historic maps. Over 91,000 maps from the exhaustive David Rumsey Map Collection have been placed online for the world to view and download, making it a treasure trove of information related to cartography. The collection, which was started over 30 years ago, is now housed at Stanford University.
In the 1980s, David Rumsey, president of the digital publishing company Cartography Associates, began building his collection by first focusing on maps of North and South America. With materials dating from the 16th to 21st centuries, the collection is unique in its scope of maps focusing on the United States. From 19th-century ribbon maps of the Mississippi to the world’s largest early world map, the collection is filled with special gems that show the wide variety of artistic maps produced throughout history.
(6) THAT PANTING SOUND. Brenda Clough advises “Flying by the Seat of Your Pants: Listen!” at Book View Café.
If you’re a pantser you are not in sole charge of the work. The characters, the plot, the theme, all chip in and drag the book to new and exciting places. You want them to do that. This is the whole point of pantsing in the first place. The book will go to places that you, if you outlined it at the beginning, could never have imagined. You know the thing’s really alive, when it gets up and runs!
But to get this to happen, you have to listen…
(7) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
(8) COMICS SECTION.
(9) AMONG THE MISSING. LA Curbed’s article “Mapping the most incredible lost mansions of Los Angeles” has Ray Bradbury’s home at #10 – with John King Tarpinian’s photo that originated on this blog.
…The most recent teardown on our list, this 1937 Cheviot Hills house was the home of author Ray Bradbury for more than 50 years. In January 2015, starchitect Thom Mayne began deconstruction of the house, much to the chagrin of Bradbury fans and local preservationists. Mayne claimed, “I could make no connection between the extraordinary nature of the writer and the incredible un-extraordinariness of the house. It was not just un-extraordinary, but unusually banal.”
(10) A STUNNER. Joe Sherry’s confidence in the Old Guard is not misplaced: “The Hugo Initiative: Harry Potter and the Goblet of Fire (2001, Best Novel)” at Nerds of a Feather.
In Retrospect: Rowling’s Hugo Award is very likely one of the most controversial in the history of the award – while beloved, the Harry Potter novels have never quite received their due as literature. They are books for children and the series is wildly popular, a combination which is great for success and less great for earning respect (such that it truly matters).
The main thing working against Harry Potter and the Goblet of Fire for its place in Hugo Award history, though, is that it won the award over A Storm of Swords, by George R.R. Martin (as well as novels from Ken MacLeod, Robert Sawyer, and Nalo Hopkinson). A Storm of Swords is, notably, the third novel in his A Song of Ice and Fire sequence and widely considered the finest novel in not only that series but in Martin’s acclaimed career. To those who care about such things, Martin is considered “core genre”, writing epic fantasy and being a lifetime part of the Worldcon community. Rowling was an outsider who writes children’s books. I’m sure there is a segment of the old guard Worldcon crowd who still has not gotten over Rowling’s win and Martin’s loss….
(11) CUBIC. Cat Eldridge flagged this New York Times article as “really SFnal” — “WeWork Planned a Residential Utopia. It Hasn’t Turned Out That Way.”
After first pledging to upend the way people worked, WeWork vowed to change how they lived: WeLive, a sleek dormitory for working professionals with free beer, arcade games in the laundry room and catered Sunday dinners, would spread around the world.
It has not quite turned out that way.
WeLive has not expanded beyond its first two locations and efforts to open sites in India and Israel have collapsed. In addition to long-term rentals, WeLive offers rooms at its only locations, in New York City and Virginia, for nightly stays on hotel sites.
…Now WeLive’s chances of surviving as the We Company tries to recover from its failed initial public offering are slim, said Scott Galloway, a business analyst and professor of marketing at New York University’s Stern School of Business.
“I bet WeLive is wonderful for everyone except the shareholders and We,’’ Mr. Galloway said. “There was a total lack of internal controls. Where were the board’s basic questions like, ‘Why are we doing WeLive?’”
The uncertainty about WeLive comes as other co-living companies are thriving and expanding. A London-based company, The Collective, has plans to build a co-living building in Brooklyn, while another company, Common, has more than 12,000 beds under development in multiple cities, including a 600-unit building in Miami.
(12) WHEN FANDOM IS IN THE DRIVER’S SEAT. Vox critic-at-large Emily VanDerWerff and Constance Grady join Aja Romano to discuss “Fandom went mainstream in the 2010s — for better and worse”.
Constance: Ooh, this is tricky, and actually, Veronica Mars is a good case study here.
Veronica Mars went on as long as it did entirely because of its fandom. In the ’00s, fan mail-in campaigns got it renewed for a second and third season despite low ratings. In 2013, the fan Kickstarter campaign raised over $5 million to pay for the movie’s production budget. This year, the show’s history of intense fan engagement is an enormous part of what led to the Veronica Mars Hulu revival — and in that revival, Veronica’s love interest Logan dies, destroying the ship that large swaths of the fandom were hugely invested in and, with it, their fannish investment in the show.
My impulse when Logan died was to think, “Well, that sucks, but certainly showrunner Rob Thomas is entitled to do whatever he wants with his characters. He doesn’t owe me or his fans anything.” But a number of fans disagreed: Rob Thomas, they said, had taken advantage of their desire to see Veronica and Logan together, using their investment as shippers to leverage not just their time and attention, but the literal dollars out of their pockets. In that case, didn’t he owe them something? Wasn’t killing Logan a betrayal of the contract Thomas had made with the fandom?
To be honest, I can see the argument. When a show’s survival depends this heavily on its fans, the power dynamic between creator and fandom does change dramatically. The Veronica Mars fandom went above and beyond to keep that show coming back again and again, and the showrunner responded by destroying the piece of the show that a huge part of the fandom cared about most. Emotionally, that does feel like a betrayal.
Emily: …I think a lot about a quote from Joss Whedon that I heard when I was a teenager and decided was accurate without a ton of reflection: “Don’t give people what they want; give them what they need.” Of the many bits of storytelling wisdom Whedon has dispensed in interviews over the years, this is the one that has most taken on a life beyond his fandom, because it speaks to something that I think we’re all a little wary of in 2019: anesthetizing art against the horrors of the world so much that it becomes a sort of safe space.
(13) RENAISSANCE PLAYER. Paul Weimer appraises the next book in a series, “Microreview [book]: Priest of Lies by Peter McLean”, at Nerds of a Feather.
…That rich worldbuilding seen in the first novel is extended and expanded on here. From the nature of magic, to the political structure of the capital (including the true structure of the Queen’s Men), the novel enfolds rich details of the main character’s world. Both Ellisberg and now, Dannsburg come across as distinct, real cities that you can imagine walking down the streets of (although do mind the smell of the first, and all the guards in the second)….
(14) JEOPARDY! On tonight’s Final Jeopardy, contestants showed they can draw a blank on non-sff literary items, too. Andrew Porter took notes —
Answer: In a New Yorker profile, he said, “Where I like it is out west in Wyoming, Montana, & Idaho, & I like Cuba & Paris.”
Wrong questions: “Who is Kerouac?” and “Who is John Wayne?”
Correct question: “Who is Hemingway?”
Not skiffy, but what the hey…
(15) HOW DO YOU GET THIS THING OUT OF SECOND GEAR? Jason Kottke frames a video in “How Do You Move a Star? Stellar Engines!”
In this episode of Kurzgesagt, they’re talking about building engines powerful enough to move entire stars, dragging their solar systems along with them….
[Thanks to SF Concatenation’s Jonathan Cowie, N., Daniel Dern, Mike Kennedy, Martin Morse Wooster, John King Tarpinian, JJ, Chip Hitchcock, Cat Eldridge, Bill, Alan Baumler, John A Arkansawyer, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew.]
(1) MAKE IT SO AGAIN. Although showrunner Michael Chabon is moving on, Picard is not a one-and-done series judging by this item of state tax news. (However, CBS declined comment). “‘Star Trek: Picard’ Renewed For Season 2 Ahead Of Series Debut On CBS All Access Next Month” at Deadline.
… Like the first season that will premiere on CBS All Access on January 23, Season 2 of the Patrick Stewart-led Picard looks to be a 10-episode order for the streamer. As a part of that second season, the latest venture in the Alex Kurtzman marshaled Trekverse has been allocated over $20.4 million in California tax incentives….
Certainly, the huge reaction that Picard received when the resurrection of the philosopher-captain was first announced in Las Vegas last year and the tax credits made public today were a cold hard cash indication that the CBS Television Studios, Secret Hideout and Roddenberry Entertainment produced series was going to engage further, to paraphrase Jean-Luc himself.
(2) WELL-INFORMED. Joe Haldeman explained to his Facebook readers why he signed a petition to ban assault weapons – and how he became familiar with them.
We got this interesting petition, which Gay asked me to sign, from an outfit called Ban Assault Weapons Now.
I did sign it, but not reflexively. I do know assault weapons.
Unlike most people — unlike almost every American — I have been shot, both as a soldier and as a civilian. But I did carry a gun for most of a year “in country,” in Vietnam, sometimes two guns, and was conventionally glad to be armed.
Because of odd timing, I was never issued an M-16. They were not ubiquitous in Vietnam in 1968. I carried — and preferred, most of the time — the M-14 automatic rifle. We also had a Colt .45 automatic, sealed in a plastic bag, and traded around a Chinese AK-47, which my squad carried on convoy….
(3) ENJOYING THE WRONG FUTURE. In another article that takes off from Gary K. Wolfe’s Sixties sff novel collection for Library of America, Scott Bradfield holds forth on “Science Fiction’s Wonderful Mistakes” in The New Republic. Tagline: “The great novels of the 1960s remain enjoyable because they got everything wrong.”
…The science fiction novels of the 1960s—as this two-volume collection of eight very different sci-fi novels testifies—remain enjoyable because they got everything wrong. They didn’t accurately predict the future of space travel, or what a postnuclear landscape would look like, or how to end intergalactic fascism. They didn’t warn us against the roads we shouldn’t travel, since they probably suspected we were going to take those roads anyway. And they definitely didn’t teach us what a neutrino is. But what ’60s science fiction did do was establish one of the wildest, widest, most stylistically and conceptually various commercial spaces for writing (and reading) fiction in the history of fictional genres. Each book is unpredictable in so many ways as to almost constitute its own genre.
Take, for example, Samuel R. Delany’s influential space opera, Nova (presented here in a newly corrected, author-approved text), which takes the concept of the “cybernetic” fusion of human and machine and runs with it. Nova envisions a universe boiling over with star-hopping spaceships, spine-socketed crew members, weirdly mutated sexual and familial relationships, synesthetic video-art instruments, and at least one character raised on another planet who speaks in a verb-delaying syntax several years before Yoda was a gleam in George Lucas’s eye. (“Not too good going to be is. Out of practice am.”) Delany’s prose was stylistically bright, fizzing with ambitious energy (he began publishing novels in his late teens and won several major awards early) and relentlessly inventive, with flashy new visions of the future in one paragraph after another….
(4) WILL YOU BE MY NEIGHBOR? Alastair Reynolds tells how he admired Niven’s “Tales of Known Space” and that despite recent discoveries a writer can still do wildly creative worldbuilding. Then the question is – how do your space-faring characters navigate your stellar neighborhood?
…In some instances, our observations have begun to put limits on the numbers and properties of planets around familiar, SF-friendly stars such as Epsilon Eridani. It may well turn out that what was perfectly reasonable speculation thirty years ago is now ruled out by current data.
Still, let’s assume for now that our real stars and imagined planets remain viable locations, and we wish to use them in new stories. That’s where an additional wrinkle comes in: it’s very easy to look up how far away these stars are, and on that basis, work out (depending on the mechanics of your imagined space technology) how long it would take to get there from Earth. But sooner or later your story may depend on getting from star A to star B, without stopping off at Earth en-route. How do we work out how far these stars are from each other?
All the information we need is present: for any given star, all we need are its coordinates in the night sky, and a figure for its distance….
(5) KEYS TO THEIR PERSONALITIES. In the Washington Post, Frank Lehman, a music professor at Tufts University, analyzes John Williams’s scores to the Star Wars films and argues the music Williams composed for evil characters such as Emperor Palpatine and Darth Vader gives many clues to how we view these characters: “How John Williams’s Star Wars score pulls us to the dark side”.
…It’s said that the Devil gets the best tunes, but Williams has long proved that that maxim applies to Sith lords, too. Within Star Wars’ ever-expanding library of leitmotifs — recurring, malleable musical symbols — much of the most insinuating material belongs to the villains, from Darth Maul to Jabba the Hutt to Supreme Leader Snoke. Listening to these nefarious themes with the ear of a music scholar offers a lesson in the real power of the dark side, showing us how music can repel, deceive and, with the right compositional tricks, even charm.
(6) A DIFFERENT KIND OF COPIER. Daniel Dern’s GrabCAD article unexpectedly predicts “3D Printers Could Be Coming to a Library Near You”.
Public libraries have always been the place where you can go to borrow books, CDs, DVDs, and magazines. And in recent years, it’s now where you can go for 3D printing services.
“Libraries represent the public on-ramp to the world of 3D printing and design,” said Dan Lee, chair of the Advisory Committee for the American Library Association’s (ALA) Office for Information Technology Policy (OITP).
According to a report from ALA, there are over 428 public library branches in the United States that offer 3D printers to the public….
… Using 3D printers requires education. The Medway library, for example, offers weekly walk-in 3D printer certification sessions.
How libraries charge for use of their 3D printers varies. Some charge per hour of printing time (probably around a dollar), while others will charge based on the amount of printing materials that will be required — typically nickel to a quarter per gram of filament.
(7) KERFUFFLE IS COMING. According to Vanity Fair, “David Benioff and D.B. Weiss’s Lovecraft Movie Has a Massive Problem: H.P. Lovecraft”. Laura Bradley’s question is: “The renowned horror writer was also a known racist and anti-Semite. Are the Game of Thrones creators the right people to handle that history?”
… What is known, however, is that Lovecraft, for all his pop-culture influence, was also terribly racist. His letters and literary work overflow with these sentiments, and in some cases it’s not even subtext. In 1912 he penned a poem titled “On the Creation of N—–s,” in which, as Lithub explained in its thorough exploration of Lovecraft’s white supremacy, Gods create black people as a semi-human species somewhere between man and beasts.
Benioff and Weiss, no strangers to online controversy, are seeing some of the same pushback that happened when they first announced the now-defunct series Confederate for HBO: namely, why this story, and why them?
(8) LEFT BRAINED ALIENS. NPR invites us to “‘Imagine Pleasant Nonsense’ With ‘Strange Planet’ Creator Nathan Pyle”.
Nathan Pyle fills the pages of his new book Strange Planet with big eyed, bright blue aliens from a planet that shares a lot in common with Earth. These aliens sunbathe, sneeze and even wish each other sweet dreams like us, but they describe these practices with deadpan technical terminology like “sun damage” and “face fluid explosions.” The lifegiver aliens even implore their offspring to “imagine pleasant nonsense” as they tuck them in for the night.
“One of the points of Strange Planet is that this is all (gestures in every direction) delightfully odd. It’s wonderful how much complexity we [humans] have created,” Pyle tells me in an email conversation — and yes, those parentheticals are his.
Pyle was inspired to create the series one day as he and his wife were preparing to have guests over — and they began hiding their possessions to make their small New York City apartment appear as clean as possible. “I realized this would make an excellent comic. I drew this one based on the experience, and the series was born,” he says. He began posting the comics on social media in February, and in less than a year, the series has amassed over 4.7 million followers on Instagram.
(9) KARINA OBIT. Actress Anna Karina died December 15 at the age of 79. Her work has been saluted by many culture blogs, including Lawyers, Guns and Money. Alphaville is the only SF she did, “a science-fiction tale set in a loveless dystopian future…”
(10) TODAY IN HISTORY.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
(12) COMICS SECTION.
(13) SOUND AND THE FURY. ScienceFiction.com is excited because “Your Alexa Device Can Now Curse You Out With The Samuel L. Jackson Voice Package!”.
To get started, just say, “Alexa, introduce me to Samuel L. Jackson.” Then, choose whether you’d like Sam to use explicit language or not. If you change your mind later, simply go to the settings menu of the Alexa app to toggle between clean and explicit content.
The Bloomberg video is a bit calmer: “Amazon Alexa Now Lets You Make Samuel L. Jackson’s Your Personal Assistant.”
Amazon company kicked off its celebrity voice program for Alexa, giving customers the option to hear some familiar voices—and it’s starting with Samuel L. Jackson. Users can pay $0.99 and have Jackson respond to your Alexa requests for music, the weather forecast, and more. You can also ask questions that are specific to Jackson, including queries about his career, specific roles, or his interests outside Hollywood.
(14) STEPHENSON BOOK TO SMALL SCREEN. The A.V. Club reports that “HBO is taking a crack at adapting Neal Stephenson’s Snow Crash for TV”.
Hollywood’s ongoing efforts to adapt every single book that some guy spent way too much time and energy recommending at you at a party in college continues apace today, with Deadline reporting that HBO has put a TV version of Neal Stephenson’s Snow Crash into development. The series comes courtesy of The Kid Who Would Be King and Attack The Block director Joe Cornish, with 21 Jump Street’s Michael Bacall set to write the script…[Snow Crash] is satirical, fast-paced, and with one of the most kinetic opening sequences ever committed to print, it’s also one of Stephenson’s most readily accessible books. (Which is to say, he keeps the parables about computer programming, cryptography, and 17th century economics to a minimum.)
(15) FREE DOWNLOAD. Free anthology of Tor.com fiction from 3rd quarter — “Download the Fall 2019 Tor.com Short Fiction Newsletter”.
(16) TAKEN TO THEIR LEADER. Lou Antonelli has posted the latest free story at his Sirius Science Fiction site: “’Trump Asks a Feminist Extraterrestrial Leader for a Favor’ by Marleen S. Barr”.
It’s satirical. Whether it’s satirical enough for you remains the question.
(17) RAMBO UNLIMITED. And to complete our free fiction trifecta, Cat Rambo has released a bunch of titles on KU: “Free Fiction: Stories Newly Enrolled in Kindle Unlimited”. Here are a few of them —
Tabat stories include:
(18) PLUS ONE. ComicBook.com reports “Guardians of the Galaxy Star Karen Gillan Has Completed Her Role on Marvel’s What If…?”
Marvel’s What If…? may be one of the most anticipated offerings coming to Disney+. The animated series, based on the comics of the same name, will explore many significant moments from the Marvel Cinematic Universe but from the angle of what would have happened had just one thing gone a little differently. It’s a premise that is set to offer Peggy Carter as Captain Carter instead of Steve Rogers as Captain America among other interesting twists, but while it’s an exciting premise it’s one that fans have to wait for as the series isn’t set to debut until summer 2021. But while we don’t yet have a release date, fans can at least take some comfort in knowing that work is underway and that when it comes to Guardians of the Galaxy star Karen Gillan, she’s already completed her voice work on the series….
(19) THE FUTURE OF A GALAXY FAR, FAR AWAY. Los Angeles Times: “After ‘Rise of Skywalker’ and Baby Yoda, Kathleen Kennedy’s plan for ‘Star Wars’ and beyond”.
[Rob Bredow [(head of Lucasfilm’s visual effects division Industrial Light & Magic), speaking of Lucasfilm President Kathleen Kennedy:]
“She said, ‘There have been a few times in my career where there have been these kinds of moments. Go for it,’” Bredow recalled in the cafeteria of Lucasfilm’s San Francisco headquarters. “She, and we, are looking for those opportunities to break new ground.”
By all accounts, the gamble on “The Mandalorian” has paid off for Lucasfilm since it debuted to an enthusiastic response on streaming service Disney+ in November. Viewers have obsessed online about the show’s introduction of so-called Baby Yoda, an infant from the same species as the green Jedi master…
Kennedy said she plans to make key decisions about the direction of the franchise in the coming weeks. But some things she already knows. While the “Skywalker” saga is ending, the company won’t abandon the characters created in the most recent trilogy. Additionally, she said, the plan is to move beyond trilogies, which can be restricting.
“I think it gives us a more open-ended view of storytelling and doesn’t lock us into this three-act structure,” she said. “We’re not going to have some finite number and fit it into a box. We’re really going to let the story dictate that.” […]
(20) WORKS FOR HER. NPR interviews somebody who had success with the idea — “Researchers Explore A Drug-Free Idea To Relieve Chronic Pain: Green Light”.
Ann Jones tried everything short of surgery for her chronic migraines, which have plagued her since she was a child.
“They’ve actually gotten worse in my old age,” says Jones, who is 70 years old and lives in Tucson, Ariz.
Jones would have as many as two dozen migraines a month.
Over the years, some treatments might work initially, but the effects would prove temporary. Other medications had such severe side effects she couldn’t stay on them.
“It was pretty life-changing and debilitating,” Jones says. “I could either plow through them and sometimes I simply couldn’t.”
In 2018, her doctor mentioned a study that was taking place nearby at the University of Arizona: Researchers were testing if daily exposure to green light could relieve migraines and other kinds of chronic pain.
Jones was skeptical.
“This is going to be one more thing that doesn’t work,” she thought to herself.
But she brushed aside the hesitation and enrolled in the study anyway.
It began with her spending two hours each day in a dark room with only a white light, which served as the control. In the second half of the study, she swapped out the conventional light for a string of green LED lights.
For more than a month, Jones didn’t notice any change in her symptoms. But close to the six-week mark, there was a big shift.
She began going days in a row without migraines. Even when the headaches did come, they weren’t as intense as they had been before the green light therapy.
(21) NOT DARWIN. But a sign of the times: “Driver ‘blows up’ car with ‘excessive’ use of air freshener”. Doesn’t smell so good anymore. (Includes a picture of the destruction.)
A driver caused an explosion in his car when he lit a cigarette after spraying air freshener.
He used “excessive” amounts of the aerosol scent before sparking up, according to firefighters.
Gas from the spray ignited, blew out the windscreen and windows and buckled the doors but the man escaped with only minor injuries.
Police said the incident in Halifax on Saturday “could’ve been worse” and warned people to follow safety advice.
The motorist was in stationary traffic in Fountain Street in the town at about 15:00 GMT on Saturday when the explosion happened.
It was so powerful it caused damage to windows at nearby businesses.
(22) YULE TRADITION. Marcus Errico, in the Yahoo! Entertainment story “The Joker’s still getting away… How ‘Jingle Bells, Batman Smells’ became the ultimate holiday spoof”, looks into the origins of “Jingle Bells, Batman Smells” and traces its origins to the Batman TV series of the 1960s.
[Thanks to Mike Kennedy, Martin Morse Wooster, JJ, John King Tarpinian, Rob Thornton, Cat Eldridge, Chip Hitchcock, Alan Baumler, Darrah Chavey, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]
By Daniel Dern: Amazon’s doing another round of Kindle Unlimited priced at 3 months for $0.99, versus the usual $9.99/month, at https://www.amazon.com/kindle-dbs/hz/subscribe/ku.
The offer is good (available) through “11:59 p.m. (PST), December 31st, 2019.”
(Reminder, your subscription will automatically convert to the full $9.99/month price if you don’t cancel.)
I took advantage of one of these offers sometime over the past year, cancelled when the cheap period was over, and have just ponied up a fresh $0.99 and made a “cancel K/U” note in my calendar file…
I think that if you are already a K/U subscriber at the regular price, you can use this, and get this price instead, for the 3 months. Read the site offer carefully; I am not Amazon.
There’s bunches of interesting and interesting-enough stuff here, particularly at the price.
For example, pretty much all of Nathan Lowell’s Tales of the Solar Clipper Age (somewhat hard or harder for my library to get print copies of). And those led me to “tales of a space accountant” — a pleasant enough trilogy whose author I fergets but could look up. Etc.
And there’s a fair bunch of comic books/graphic novels/collections. (best read on a display big enough that you don’t have to squint or fuss — like the admittedly not-cheap iPad Pro 12.9, or, perhaps, a large enough 2-in-one, etc.
At this price, if you only find and read one or two, you’ve gotten your money’s worth.
As long as you remember to cancel, if you don’t plan to continue at full price.
By Daniel Dern: The High Seas Trading Company’s, whose space and galaxy Hawaiian shirts have been featured/mentioned/shown on File 770 somewhere over the past year or so —
— has added other sfnal/fannal motifs
And there’s the cosmic credentials shirt: Cats in Space.
Plus this holiday-themed sfnal one: Santa-in-Space.
(1) DARK ART. Christine Feehan has applied for a trademark on the word “Dark” for a “Series of fiction works, namely, novels and books.”
Feehan is a California author of paranormal romance, paranormal military thrillers and fantasy.
The application to the US Patent and Trademark Office, filed November 20, describes her claim as follows:
International Class 016: Series of fiction works, namely, novels and books.
In International Class 016, the mark was first used by the applicant or the applicant’s related company or licensee or predecessor in interest at least as early as 11/13/1998, and first used in commerce at least as early as 03/03/1999, and is now in use in such commerce. The applicant is submitting one(or more) specimen(s) showing the mark as used in commerce on or in connection with any item in the class of listed goods/services, consisting of a(n) amazon.com website showing books in series being sold, book catalog showing series of books with mark, personal website showing series of books with mark..
The mark consists of standard characters, without claim to any particular font style, size, or color.
Will the mark be granted? What use will the author make of it?
Last year Faleena Hopkins triggered “Cockygate” when she claimed exclusive rights to “cocky” for romance titles. Hopkins sent notices to multiple authors telling them to change the titles of their books and asked Amazon to take down all other cocky-titled romance books (not just series).
The Authors Guild got involved in the litigation and Hopkins withdrew her trademark claim. The Guild’s settlement announcement also said:
…The Trademark Office clarified that the owner of a trademark in a book series title cannot use that trademark against single book titles. Since single titles cannot serve as trademarks, they also cannot infringe series title trademarks. So, if another author or a publisher ever tries to stop you from using a single book title because of their series trademark, you can tell them to take a hike. Only series titles can infringe another series title.
(2) MAGNIFICENT SEVEN. Nicholas Whyte does an epic roundup of “Blake’s 7: the third series” at his From The Heart of Europe blog. In addition to his commentary and links to episodes on YouTube, he also keeps track of such trivia as appearances by actors who also had roles in Doctor Who, and includes clips of some of the betterlines of dialog. such as –
Avon: That one’s Cally. I’ll introduce her more formally when she wakes up. This one is Vila. I should really introduce him now; he’s at his best when he’s unconscious.
(3) FIND THE BEST SHORT FANTASY. Rocket Stack Rank posted its annual roundup “Outstanding High Fantasy of 2018” with 39 stories that were that were finalists for major SF/F awards, included in “year’s best” SF/F anthologies, or recommended by prolific reviewers in short fiction.
Included are some observations obtained from highlighting specific recommenders and pivoting the table by publication, author, awards, year’s best anthologies, and reviewers.
(4) ROCINANTE LIFTS OFF 12/13. Amazon has dropped the trailer for the next season of The Expanse:
Season 4 of The Expanse, its first as a global Amazon Original, begins a new chapter for the series with the crew of the Rocinante on a mission from the U.N. to explore new worlds beyond the Ring Gate. Humanity has been given access to thousands of Earth-like planets which has created a land rush and furthered tensions between the opposing nations of Earth, Mars and the Belt. Ilus is the first of these planets, one rich with natural resources but also marked by the ruins of a long dead alien civilization. While Earthers, Martians and Belters maneuver to colonize Ilus and its natural resources, these early explorers don’t understand this new world and are unaware of the larger dangers that await them.
(5) 55 YEARS AGO. Galactic Journey’s Mark Yon covers pop culture and the latest British sff books, prozines, film, TV – the latest as of November 25, 1964 that is: “The Times They Are a-Changin’… Science Fantasy December 1964/January 1965”.
…On the television the genre pickings have still not been many. I am still enjoying most of Doctor Who, and Jessica’s excellent reports on that series’ progress need no further comment from me, but my latest find this month has been another popular series for children. I am quite surprised how much I have enjoyed its undemanding entertainment, as Gerry Anderson’s Stingray has been shown on ITV. Be warned though – it’s a puppet series! Nevertheless, its enthusiasm and energy, combined with great music in a wonderful title sequence has made this unexpected fun. I understand that it has been entirely filmed in colour, although like the majority of the 14 million British households with a television, we’re forced to watch it in good old black-and-white.
(6) GIVING THANKS FOR THE WEIRD. [Item by Martin Morse Wooster.]The November 24 episode of The Simpsons was a Thanksgiving version of Treehouse of Horror, and all three segments were sf or fantasy. The first episode recreated the original Thanksgiving, with cast members playing the Pilgrims, the Indians, and the turkeys. The second episode had a personal assistant AI like Siri or Alexa, and the AI version of Marge did a better job of preparing Thanksgiving dinner than Marge did. But the best segment was when a space ark fled Earth because of climate change, and Bart Simpson finds a can of cranberry sauce and decides to replicate it, skipping all the warnings about how you shouldn’t replicate organic objects. Of course, Bart ignores the warnings, and the cranberry sauce comes to life and becomes very hungry.
(7) THE GREATEST? BBC says it’s a real icebreaker: “Frozen 2 rakes in $350 million worldwide on box office debut”. But I could use a hand interpreting the second paragraph – those places aren’t part of “worldwide”?
Frozen 2 raked in $350 million (nearly £272m) in its opening weekend worldwide, beating forecasts and the box office debut of the original film.
The sequel made about £15m in the UK and Ireland and $127m (£98.9m) in the US and Canada, which are not counted towards the worldwide figures.
The 2013 original took $93m (£72.28m) during its first five days in theatres, according to Reuters.
It ended up making a whopping $1.27bn in total.
Disney say the sequel has set a new record for the biggest opening weekend for an animation.
That’s owing to the fact they consider this year’s remake of the Lion King, which made $269m on its opening weekend, to be a live action film.
But some feel the digital 3D film is more of a photo-realistic animation
(8) TODAY IN HISTORY.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
(10) RE-FINDING NEMO. [Item by Daniel Dern.] I’m behind in doing a Windsor McKay/Little Nemo post, but this is a close-out item and probably going fast, so:
For you $45 plus shipping – $7.95, via USPS (you can spend more for faster), down from the original $124.99
My point: If you are a McKay/Nemo fan, and think you might be interested, now is the time, before they’re gone (or gone at this price). (Needless to say, I ordered mine before sending this item to OGH.)
The book is 16″x21″ — the same size as the original McKay strips, back when the “Sunday Funnies” were humongous… and Nemo (and many others) got an entire of these pages. There are, as an item or comment a few weeks/months back noted, two volumes of McKay’s Nemo that are themselves full-sized. They ain’t cheap. (I own the first one, felt that was enough that I didn’t follow up and get the second… I do, to be fair, have enough smaller-sized Nemo volumes.
From the listing:
By Bill Sienkiewicz, Charles Vess, P. Craig Russell, David Mack et al. Contemporary artists pay tribute to this beloved and imaginative Sunday page. They have created 118 entirely new Little Nemo pages, all full Sunday page size! Contributors also include Paul Pope, J.H. Williams III, Carla Speed McNeil, Peter Bagge, Dean Haspiel, Farel Dalrymple, Marc Hempel, Nate Powell, Jeremy Bastian, Jim Rugg, Ron Wimberly, Scott Morse, David Petersen, J.G. Jones, Mike Allred, Dean Motter, Yuko Shimizu, Roger Langridge, Craig Thompson, and Mark Buckingham, among many others.
The Kickstarter page has a video about the project. Enjoy!
(11) YOUNG CREATORS. [Item by Martin Morse Wooster.] The Washington Post’s Michael Cavna interviews Lynda Barry. Barry, who teaches interdisciplinary creativity at the University of Wisconsin (Madison), says that she’s going to use her Macarthur Fellowship to study four-year-olds who see writing and drawing as one thing to determine when kids see writing and drawing as separate activities and then give up drawing. One result, she says, may be to find ways to teach adults who don’t think they can draw to start making art again. “How MacArthur ‘genius’ Lynda Barry is exploring brain creativity with true artists: Preschoolers”.
… “Most people stop drawing when they reach the age of 8 or so, because they couldn’t draw a nose or hands,” said Barry, 63. “The beautiful thing is that their drawing style is intact from that time. Those people, if you can get them past being freaked out, have the most interesting lines — and have a faster trajectory to making really original comics than people who have been drawing for a long, long time.”
(12) POHL SHORT AND LONG. James Davis Nicoll marks the Pohl centenary with a bouquet of brief reviews: “Celebrating Frederik Pohl’s 100th Birthday with Five Overlooked Classics”.
…No discussion of authors of Pohl’s vintage would be complete without mentioning their shorter works.1972’s collection The Gold at the Starbow’s End contains five of Pohl’s finest, two of which are standouts.
The first standout is the title novella, in which a small crew of astronauts are dispatched on a slow voyage to Alpha Centauri. They have been assured that a world awaits them; this is a lie. There is no world and they have not been told of the true goals of their project. The project is a success. If only the geniuses who created the program had asked themselves what the consequences of success might be…
The other standout is 1972’s The Merchant of Venus. The discovery of alien relics on Venus has spurred colonization of that hostile world. Maintaining a human presence on Venus is fearfully expensive. It’s not subsidized by the home world; colonists must pay for their keep. This is a challenge for Audee Walthers, who is facing impending organ failure and doesn’t have the dosh to pay the doctor….
(13) STAR WARS — GONE TO POT. Eater realizes that the “‘Star Wars’ Instant Pot Gets Us Closer to an Entire ‘Star Wars’ Kitchen”.
The launch of Disney+ show The Mandalorian, and the introduction of baby Yoda, has brought upon us the latest round of Star Wars obsession, with plenty of product tie-ins to aid the fandom. Last month, Le Creuset introduced a line of Star Wars-branded cookware, including a C-3P0 Dutch oven and a porg pie bird. But if you’re torn between wanting to use a Star Wars casserole dish and needing to braise ribs quickly, a new line of Star Wars Instant Pots is here….
(14) CRASH LANDING. Even though Plagiarism Today’s headline says “You Wouldn’t Plagiarize an Airport” without a question mark, it certainly can’t be an absolute statement —
In what has to be one of the more bizarre plagiarism stories in recent memory, Qatar Airways accused Singapore’s Changi Airport Group of plagiarizing not a paper, an idea or a proposal, but an airport.
The accusation was made by Akbar Al Baker, who is the CEO of both Qatar Airways and Hamad International Airport. In a recent press conference, he claimed that Singapore’s Changi Airport was a plagiarism of a planned expansion of Hamad International Aiport in Doha, Qatar.
(15) CHARACTER STUDY. At Rapid Transmissions, Joseph Hurtgen suggests “Seven ways to write great characters”. First up —
Make your characters likable
Will Smith and Tom Hanks have made their careers by playing likable characters. Some of these characters are hyperintelligent and some profoundly dumb. Some inspire laughter and others tears. But the characters they play are always easy to like. They have a quality about them that makes you feel like, given the chance, you’d get along with them.
So, why does this matter? It matters because people like rooting for a likable person. People want the good guy to get the girl. They want the honorable person to rise to the top. Unfortunately, life doesn’t always deal out its cards fairly. Bad guys win all the time. As a result, people want to escape into a fiction governed by poetic justice, where the bad guys run up against the shit they deserve and the good guys get to sit back and have a cold one.
But no need to limit yourself, Hurtgen’s second suggestion is —
Make your characters unlikable…
(16) RED SHIFT. In “We Made Star Wars R-Rated,” YouTube’s Corridor Crew takes some scenes from the second trilogy and adds the gore and splatter that Lucasfilms forgot to include….
[Thanks to John King Tarpinian, Mike Kennedy, Olav Rokne, James Davis Nicoll, Daniel Dern, Eric Wong, Martin Morse Wooster, JJ, Cat Eldridge, Chip Hitchcock, N., and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]