Tag Archives: Daniel Keyes

Pixel Scroll 6/28/21 Elevenses At Tiffany’s

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(1) ON THE JOB. Slate has posted the June short story from Future Tense and Arizona State University’s Center for Science and the Imagination: “The Skeleton Crew,” by Janelle Shane, about a haunted house (supposedly) powered by AI.

Aroha had been a closet skeleton for two weeks now, the longest anyone had managed to hold the position. At first the job had been utterly undoable, but she and her co-workers had hacked in some we’d-totally-be-fired-for-this improvements…

 It was published along with a response essay by Melissa Valentine, an expert on how data and algorithms are changing work: “Ghost work, artificial intelligence, and Janelle Shane’s ‘The Skeleton Crew’”.

“The Skeleton Crew” asks us to consider two questions. The first is an interesting twist on an age-old thought experiment. But the second is more complicated, because the story invites us to become aware of a very real phenomenon and to consider what, if anything, should be done about the way the world is working for some people….

(2) FOUNDATION AND TEASER. What would I do if my civilization was about to end? Uh, log into Facebook? Of course, I’m not head of a galactic empire.

(3) HWA PRIDE. Horror Writers Association’s “A Point of Pride” series continues with an “Interview with Larissa Glasser”.

What inspired you to start writing?

I was more of a TV baby than a reader when I was little. The year after my dad died, I saw the original cartoon version of The Hobbit (1977) and it was the first time I’d seen the portrayal of an invented world—well, like mine it had darkness and evil but also hope and magic, and that was a great place to start from. I was so hooked in to the idea the something could be different in my own world of grief and losing my dad, so I sought out Tolkien and there was no turning back after that. The idea of having an experienced wizard and guardian helping you through trauma and hardship, and yet taught you to self-rely on your own cunning and imagination really appealed to me. In its own way, Tolkien’s novel surpassed the film adaptation. It expanded a world that I needed to see. So, I sought out other fantasy literature. Not long after, I discovered Clive Barker’s Books of Blood and I was astonished not only by its visceral brutality but also by its variety and diversity of setting and plotlines. As a trans kid, I needed different worlds, and to have even the most vague impression that I could create one or many from dreams and imagination drew me in to the creative process. All uphill from there.

(4) VERDICT OF FANHISTORY. Camestros Felapton has assembled the first 33 chapters of The Debarkle into downloadable free ebook: “Catch up on the Debarkle with ebook of Volume 1”.

Volume 1 in the epic saga of the culture war within science fiction. This volume covers the story up to 2014 of the people and events that would lead up to the 2015 Sad Puppy controversy at the prestigious Hugo Awards.

Links to Books2Read, Apple Books, and Rakuten Kobo in the post.

(5) NOT COMING BACK. Nicholas Whyte begins his series of blog reviews of this year’s Hugo nominees by putting some speculation to rest: “2021 Hugos: Best Graphic Story or Comic” at From the Heart of Europe.

A couple of people have asked me if I will return to the staff of DisCon III now that the Chair has resigned. Whoever the new Chair is, I will decline any such invitation. My former position as WSFS Division Head was filled within twenty-four hours of my own resignation, by someone who (unlike me) has actually done that job before, and who does not need me looking over their shoulder. I have no information about the rest of the vacancies, and frankly it’s none of my business whether others of the former team decide to return if invited to do so. Whoever does pick up the reins, I wish them well; I think that we left the Hugo Administration side of things in pretty good shape, and there is of course continuity in Site Selection and the Business Meeting. (One of my few regrets about the way things ended is that we had not yet set up systematic monitoring of the votes coming in, so I have absolutely no idea who is winning.)…

(6) READING THE FUTURE. Given all the interest a few years back about how sf writers were cooperating with the Defense Department, what the Germans are doing might be of interest: ‘At first I thought, this is crazy’: the real-life plan to use novels to predict the next war in The Guardian.

…His favourite example of literature’s ability to identify a social mood and cast it into the future is a retelling of the Cassandra myth by the East German novelist Christa Wolf. Kassandra, published in 1983, casts Troy as a state not unlike the late-stage German Democratic Republic, succumbing to the paranoia of a Stasi-like secret police as it veers towards a not-so-cold war. Kassandra, cursed with the gift of prophecy, is also a cipher for the author’s own predicament: she foresees the decline her society is heading for, but her warnings are ignored by the military patriarchy.

If states could learn to read novels as a kind of literary seismograph, Wertheimer argues, they could perhaps identify which conflicts are on the verge of exploding into violence, and intervene to save maybe millions of lives….

.. In 2018, weeks after the Bundeswehr officers had travelled to Tübingen, Wertheimer presented his initial findings at the defence ministry in Berlin. He drew attention to a literary scandal around Jovan Radulovi?’s 1983 play Dove Hole, about an Ustashe massacre against their Serbian neighbours, and the expulsion of non-Serbian writers from the Serbian Writers’ Association in 1986. In the years that followed, he showed, there was an absence of tales about Albanian-Serbian friendships or love stories, and a rise in revisionist historical novels. Literature and literary institutions, he told the military men, had “paved the way for war” a good decade before the start of the bloodshed of the Kosovo war in 1998.

Carlo Masala was at the presentation. “At the beginning, I thought: this is crazy shit,” he recalls. “It won’t fly.” But Masala, who had spent a part of his academic career studying the conflict in Bosnia, remembered how the hardening tensions in the regions had been preceded by a decline in interfaith marriages. “In Kosovo, it seemed, you could detect similar early warning signs in the literary scene.”

“It was a small project that created a surprising amount of useful results,” says one defence ministry official who attended the presentation. “Against our initial instincts, we were excited.”

In its bid for further government funding, Wertheimer’s team was up against Berlin’s Fraunhofer Institute, Europe’s largest organisation for applied research and development services, which had been asked to run the same pilot project with a data-led approach. Cassandra was simply better, says the defence ministry official, who asked to remain anonymous.

“Predicting a conflict a year, or a year and a half in advance, that’s something our systems were already capable of. Cassandra promised to register disturbances five to seven years in advance – that was something new.”…

(7) UNREAL ESTATE. James Davis Nicoll has the listings for “Five SFF Homes from Hell” at Tor.com.

… Unsurprisingly, speculative fiction authors have been swift to see the narrative potential in home renovation, whether for those who wish to own their own homes or who merely wish to find an affordable rental. Consider these five examples:

The Haunting of Hill House by Shirley Jackson (1959)

Hill House’s no doubt substantial real-estate potential has one impediment: a reputation for inducing madness in the inhabitants. Hill House was built by the cruel, eccentric Hugh Crain and is subtly, disturbingly, out of true. It has a long and bloody history, which has so far deterred occupation by the sane and the living.

A quartet of occult investigators sees opportunity here. Luke Sanderson is present to keep an eye on his aunt’s cursed property; bohemian Theodora appears to be intrigued by novelty. Doctor John Montague hopes to find scientific proof of the supernatural; Eleanor Vance wants to escape a life of being exploited and disparaged by her kin. What better place to find one’s dreams than an estate legendary for its nightmares?

(8) BLADES AND BIRKENSTOCKS. The Saturday Evening Post remembers “When Sword & Sorcery Cast a Spell on the 1980s”.

Between the time of the rise of disco and when the oceans drank the polar ice caps, there was an age undreamed of . . . and the name of this age was . . . The Eighties. And unto this age was born a seemingly sudden explosion of mystic tales about mighty warriors. For years, those stories shook the theaters with the strength of their steel before they diminished into perennial cable reruns and cult fandom. Now, forty years hence, cast your gaze back upon a time of stop-motion dragons and barbarian queens. Let me remind you of the days of HIGH ADVENTURE . . .

The Sword & Sorcery is a subgenre with an adventure-oriented style that contains elements of fantasy, like magic (hence the “sorcery” part). The name arose from correspondence between American writer Fritz Leiber and British writer Michael Moorcock in the 1960s as they debated what to call the kinds of tales that Robert E. Howard wrote (and which frequently featured his most famous creation, Conan the Barbarian). Leiber landed on “Sword and Sorcery” as a way to differentiate it from historical fantasy and “high fantasy” (which often dealt with world-shaking threats versus the more personal or sword-for-hire quests of “sword and sorcery”). It’s also a nod to the “sword and sandals” nickname that some myth and fantasy films had acquired in the 1950s and 1960s, generally movies featuring the likes of Steve Reeves or Reg Park as Hercules.

(9) LONG AND SHORT OF IT. Mental Floss catalogs “15 Facts About ‘Flowers for Algernon’” – many of which you already know, though maybe not all of them.

4. DANIEL KEYES FOUND INSPIRATION FOR CHARLIE IN HIS WORK.

Charlie Gordon isn’t based on a specific person or an existing experiment, but the character’s resolute drive to become smarter was inspired by one of Keyes’s students. In interviews over the following decades, Keyes would recount how one of his pupils in a class for children with intellectual disabilities asked to be transferred out. “Mr. Keyes, this is a dummy class,” the child said, according to the author’s recollection. “If I try hard and get smart before the end of the term, would you put me in a regular class? I want to be smart.”

(10) SHATNER HEALING UP. William Shatner, now 90,  told The Guardian he is recovering from falling off a horse, as he answered their questions about his work in Senior Moment, playing a retired Nasa test pilot and self-proclaimed ladies’ man who loses his driving license and meets a woman who changes his life, and about his next album.

…Shatner, who will release an album called Love, Death and Horses later in the summer, said he wishes he knew when he was younger that fame and success do not prevent loneliness.

He said: “The album is autobiographical and one of the songs is about loneliness, how much loneliness was a part of my life. It is a part of everybody’s life, no matter how much attention you get, and how happily married you are, and how many children you have. As the song says, we’re all essentially alone and the big mystery is will there be anybody there at the end?”

Shatner said he attributes the energy he still has to “DNA, no question about it” and added: “I have lived a good life. I don’t do drugs, I don’t drink and smoke, and I try to exercise as much as possible, with good food.”

However, he revealed he is currently suffering from a serious injury, saying: “My shoulder is shattered right now. I cracked the bone falling off a horse a couple of weeks ago. So my left arm is bad but I keep exercising it. It’s getting better and better.

“But I’ve had the good luck of not having anything really debilitating. So nothing has sapped my energy.”

(11) MEMORY LANE.

1982 – Thirty nine years ago, John Crowley’s Little, Big would win both the World Fantasy Award and the  Mythopoeic Fantasy Award. It would place fifth in the voting at Chicon IV for Best Novel Hugo. (C. J. Cherryh’s Downbelow Station won that year.) It would also be nominated for a Balrog, BSFA and Nebula as well.

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 28, 1920 — James Doohan. Montgomery “Scotty” Scott on Trek of course. His first genre appearance was in Outer Limits as Police Lt. Branch followed by being a SDI Agent at Gas Station in The Satan Bug film before getting the Trek gig. His first genre series would’ve been Space Command where he played Phil Mitchell. He filmed a Man from U.N.C.L.E.film, One of Our Spies Is Missing, in which he played Phillip Bainbridge, during the first season of Trek. After Trek, he was on Jason of Star Command as Commander Canarvin. ISFDB notes that he did three Scotty novels co-written with S.M. Stirling. (Died 2005.)
  • Born June 28, 1926 — Mel Brooks, 95. Young Frankenstein (1974) (Hugo and Nebula winner) and Spaceballs (1987) would get him listed even without The 2000 Year Old Man, Get Smart  and others. Here is an appreciation of Mel on YouTube. (Alan Baumler)
  • Born June 28, 1946 — Robert Asprin. I first encountered him as the co-editor along with Lynn Abbey of the Thieves’ World Series for which he wrote the superb “The Price of Doing Business” for the first volume. I’m also very fond of The Cold Cash War novel. His Griffen McCandles (Dragons) series is quite excellent. I’m pleased to say that he’s well stocked on both at the usual suspects. (Died 2008.)
  • Born June 28, 1947 — Mark Helprin, 74. Author of three works of significance to the genre, Winter’s Tale, A City in Winter, which won the World Fantasy Award for Best Novella and The Veil of Snows. The latter two are tastefully illustrated by Chris Van Allsburg. I know Winter’s Tale was turned into a film but color me very disinterested in seeing it as I love the novel. 
  • Born June 28, 1951 — Lalla Ward, 70. She is known for her role as the second actress to play Romana (or Romanadvoratrelundar in full) on  Doctor Who during the time of the Fourth Doctor. She has reprised the character in Dimensions in Time, the webcast version of Shada, and in several Doctor Who Big Finish productions. In addition, she played Ophelia to Derek Jacobi’s Hamlet in the BBC television production.  And she was Helga in an early horror film called Vampire Circus. 
  • Born June 28, 1954 — Raffaella De Laurentiis, 67. Yes, she’s related to that De Laurentiis, hence she was the producer of the first Dune film. She also did Conan the Barbarian and Conan the Destroyer, both starting Arnold Schwarzenegger, and Kull the Conqueror. She also produced all films in the Dragonheart series. She was the Executive Producer of the Sky Captain and the World of Tomorrow.
  • Born June 28, 1954 — Alice Krige, 67. I think her first genre role was in the full role of Eva Galli  and Alma Mobley in Ghost Story. From there, she plays Mary Shelley (née Godwin) in Haunted Summer before going onto being Mary Brady in Stephen King’s Sleepwalkers. Now it’s in Star Trek: First Contact in which she first plays the Borg Queen, a role she’ll repeat in the finale of Star Trek: Voyager, “Endgame”. She’s had a number of other genre roles but I will only note that she was Eir in Thor: The Dark World. 
  • Born June 28, 1954 — Deborah Grabien, 67. She makes the Birthday list for her most excellent Haunted Ballads series in which a folk musician and his lover tackle the matter of actual haunted spaces. It leads off with The Weaver and the Factory Maid. You can read the first chapter here. Oh, and she makes truly great dark chocolate fudge. 

(13) COMICS SECTION.

  • Tom Gauld foresees the future of job interviews:
  • And don’t miss the Bloom County / Calvin & Hobbes crossover –

(14) GENRE DICTIONARY. Nick Mamatas revises an entry:

(15) LEGO KERFUFFLE. “Disney drops ‘Slave I’ name for Boba Fett’s ship, prompting outcry from ‘Star Wars’ fans, actor” – Yahoo! has the story.

…Nonetheless, each attempt to bring inclusivity to Star Wars has been met with backlash from a small but vocal group of Star Wars fans lamenting the saga’s “social justice warriors” and “woke” approach to its latest endeavors.

Now, some Star Wars fans are mad again. This time at a Lego set.

As originally noted by the fan site Jedi News, the new Mandalorian-themed toy line features beloved bounty hunter Boba Fett’s spaceship; however, its traditional Slave I moniker has been changed to “Boba Fett’s Starship.” Per the definitive Star Wars reference site Wookieepedia, Fett’s heavily modified “Firespray-31-class patrol and attack craft” formerly belonged to this father, Jango. While originally built as a police craft with cells to transport criminals, Fett revamped the holding area into prisoner cages, “coffin-like cabinets that were less humane but better controlled his prisoners.”

Speaking to Jedi News, Lego designer Michael Lee Stockwell said the toymaker was no longer using the Slave I name, with fellow designer Jens Kronvold Frederiksen adding, “It’s probably not something which has been announced publicly but it is just something that Disney doesn’t want to use any more.”…

(16) ON THE RECORD. NPR interviews Sally Ride’s life partner in “Loving Sally Ride, The First American Woman In Space”.

Tam O’Shaughnessy and Sally Ride, the first American woman to fly in space — in 1983, aboard the space shuttle Challenger — shared a passion for getting girls involved in STEM. It led them to co-found Sally Ride Science, a company focused on equity and inclusion in science education.

There was much more to O’Shaughnessy and Ride’s relationship, however. They met as kids in the early 1960s and developed an instant connection. Years later, they fell in love.

But their relationship remained largely private until after Ride’s death in 2012 at age 61. In an interview with Short Wave host Madeline Sofia, O’Shaughnessy remembers how Ride opened the door to that revelation shortly before she died.

O’Shaughnessy says she asked Ride, “Who am I going to be in the world?”

“And she kind of thought about it for a second,” O’Shaughnessy remembers. “And she said, you decide. Whatever you decide will be just fine. …

“Very few people in general knew that she was gay. So it was really Sally telling me to do what I thought was best and then my friends helping me realize that I needed to be true to myself. And it changed my life, and I wish Sally could experience that.”…

(17) UNDER THE LID. Spencer Kornhaber endeavors to show “How Disney Mismanaged the Star Wars Universe” at The Atlantic.

…Had Lucas’s galaxy lost its power, or had its new stewards simply mismanaged it? The recent success of a remarkable Star Wars television series suggests the latter. When the streaming-TV service Disney+ launched in late 2019, it featured The Mandalorian, which picks up five years after the events of the original trilogy, and follows the adventures of a mysterious mercenary who has sworn never to take off his helmet. By the end of Season 2, a critical consensus had emerged: It was the best live-action Star Wars product to arrive since the early 1980s. Millions of viewers cooed over the short-statured enigma known to fans as Baby Yoda, who has a price on his adorable head for unknown reasons. As The Mandalorian’s laconic and lethal hero travels from one planet to the next, the sublime feeling of immersion that laced Lucas’s early movies reemerges. To watch the show and then look back at the sweep of Star Wars history is to understand where that feeling comes from—and why most of Hollywood’s hero-driven, special-effects-laden fantasies never attain it….

(18) SLEEP NUMBER. “This Implant Could One Day Control Your Sleep and Wake Cycles” – Smithsonian Magazine discusses an innovative idea.

In 1926, Fritz Kahn completed Man as Industrial Palace, the preeminent lithograph in his five-volume publication The Life of Man. The illustration shows a human body bustling with tiny factory workers. They cheerily operate a brain filled with switchboards, circuits and manometers. Below their feet, an ingenious network of pipes, chutes and conveyer belts make up the blood circulatory system. The image epitomizes a central motif in Kahn’s oeuvre: the parallel between human physiology and manufacturing, or the human body as a marvel of engineering.

An apparatus currently in the embryonic stage of development—the so-called “implantable living pharmacy”—could have easily originated in Kahn’s fervid imagination. The concept is being developed by the Defense Advanced Research Projects Agency (DARPA) in conjunction with several universities, notably Northwestern and Rice. Researchers envision a miniaturized factory, tucked inside a microchip, that will manufacture pharmaceuticals from inside the body. The drugs will then be delivered to precise targets at the command of a mobile application. DARPA’s initial, modest goal for the four-and-a-half-year program, which awarded contracts to researchers this May, is to alleviate jet lag….

(19) WHO BOOKS FOR BLIND FANS. There is a Crowdfunder for tactile Doctor Who books for blind fans: “Louis’ Campaign – Doctor Who for Blind Children – a Community crowdfunding project in Kingsclere for Living Paintings”. At present, it’s raised £5,317 of its £15,000 goal.

Learn more about the campaign at Living Paintings “Doctor Who Touch to See Books”.

Louis Moorhouse, from Bradford has been blind since he was 18 months old.

Now aged 19, and about to finish his first year at University, Louis has been a beneficiary of Living Paintings Touch to See library since childhood; enjoying and learning from the audio tactile images and books, developing skills and experiencing things his sighted peers take for granted….

… Recently Louis approached us with a brilliant idea: to create a Touch to See book based on the greatly loved character: Doctor Who.

 “I’m a big fan of the show Doctor Who, but I have yet to fully meet the weird and wonderful characters, aliens, monsters and devices from the show because I can’t see them.

If I could sum up what I think is the most important thing about my campaign I would ask a sighted person to just imagine – close your eyes and now imagine you can’t open them ever again. This is how it is and now you want to read a book or watch Doctor Who. How are you going to do that? How important is reading a book to you? As a sighted person how would you feel if that was taken away from you and you couldn’t read anymore?

Then you discover Living Paintings and the books are full of characters you’ve heard about and imagined all the time, they’ve been on TV, you’ve listened to the audio books, you may have had the books read to you and you never quite understood what they looked like and now, because of Living Paintings you do.”

[Thanks to Michael Toman, John King Tarpinian, Cat Eldridge, Rob Thornton, Cora Buhlert, Joey Eschrich, Jeff Warner, Lise Andreasen, James Davis Nicoll, Mike Kennedy, Andrew Porter, Martin Morse Wooster, and JJ for some of these stories. Title credit belongs to contributing editor of the day Daniel Dern.]

Pixel Scroll 1/28/21 And I Looked And Behold A Pale Pixel, And Their Name Who Sat On Them Was ´Scroll Title´

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(1) ALL THAT JAZZ. Elle M. has a fascinating commentary on the difference between worldbuilding and lore. Thread starts here. A few quotes follow —

They also use the author of Harry Potter as a compelling example of where lore gets injected at the expense of worldbuilding.

(2) TRENDY PLACES. Sarah Gailey’s Stone Soup blog is hosting “Building Beyond,” an “ongoing series about accessible worldbuilding. Building a world doesn’t have to be hard or scary — or even purposeful. Anyone can do it. To prove that, let’s talk to both a writer and a non-writer about a worldbuilding prompt.” For “Building Beyond: Robot Dating”, editor Brian J. White and writer Suzanne Walker imagine where they’ve gone on a date with a giant robot.

Gailey’s dry synopsis should make you very curious to read the post:  

…Brian’s date is the foundation of a story about a robot who is learning to live in the world, and who just so happens to be inhabiting a city of decadences. Suzanne’s date is the beginning of a world in which robots and humans regularly go out together, and frogs have learned to cater to the complicated ecosystem of needs that arise in such relationships. 

(3) UNDER THE HARROW. Constance Grady and Vox’s critic at large Emily VanDerWerff undertake a “Harrow the Ninth discussion: profound grief and terrible puns” at Vox.

Constance Grady: I have a hard time working out exactly how I feel about volume two of this trilogy. Harrow the Ninth is a trickier book than Gideon the Ninth, in the same way that bitchy, conniving Harrow is a trickier protagonist than sweet basic jock Gideon.

First of all, there’s the problem of tone. Gideon mined enormous amounts of tension and humor out of the contrast between its lurid goth world and Gideon’s straightforward “it looks like a sword, I want to fight it” worldview and her dirty jokes. That’s part of what helps puncture the grandiosity of Muir’s worldbuilding and keep everything feeling accessible and human-scale, no matter how complicated the mythology might be.

But Harrowhark worships all the lurid skeletal nonsense around her with a religious intensity, and she considers boning jokes prurient. So the easy laughter of the first volume fades away: The jokes are meaner in Harrow than they were in Gideon, and darker….

(4) MRS. PEEL, WE’RE NEEDED. [Item by Martin Morse Wooster.] In the January 23 Financial Times, Peter Aspden writes about the 60th anniversary of British TV series The Avengers, which was first broadcast in January 1960.

The plots (of The Avengers), in the meantime, got crazier.  In 1967’s ‘Epic,’ from the fifth season, Peel is kidnapped by a Teutonic film director named ZZ von Schnerk, who is filming a movie called The Destruction Of Emma Peel, for which he needs to kill her in real, or reel, life.  The self-referntiality was off the scale, now.  ‘Gloat all you like, but I am the star of his picture, says captive Peel to the villiainous director, and anyone interested in meta-texts.

Like so many of the fashions of the 1960s, Rigg only lasted a couple of seasons. She left to star in her own Bond Film, On Her Majesty’s Secret Service, in which she showed that her range extended further than understated self-mockery (in fairness, she had also already played Cordelia opposite Paul Scofield’s Lear) by providing one of the franchise’s few genuinely heartbreaking endings.  Peel’s farewell to Steed was itself a rare poignant moment, a peck on the cheek with a final piece of womanly advice:  ‘Always keep your bowler on it times of stress.  And watch out for diabolical masterminds.’

(5) SPLATTERPUNK AWARDS. [Item by Dann.] Nominations are open for the 2021 Splatterpunk Awards through February 14.  Brian Keene and Wrath James White have been experiencing….ummm…difficulties in getting valid nominations.  Someone nominated HP Lovecraft who, being dead, is ineligible.  Also, he hasn’t published anything new in the last year.  Also, also, he hasn’t published anything that is close to being Splatterpunk.

Midnight Pals over on Twitter has the theoretic exchange where Brian and Wrath try to explain how this is supposed to work.  (I’m pretty sure that Dean Koontz didn’t nominate HP Lovecraft.)

The awards will be presented during a ceremony at the 2021 Killercon Convention, taking place in Austin, Texas.

In addition to the Splatterpunk Awards, author John Skipp will receive this year’s J.F. Gonzalez Lifetime Achievement Award for his contributions to the field.

(6) FLOWER POWER. Galactic Journey’s Vicki Lucas encounters a classic of the Sixties: “[January 28, 1966] The Book as Rorschach Test (Flowers for Algernon)”.

…Try as I might, I have great difficulty thinking of this novel as a science-fiction story. It could be conceived of as a psychological thriller, but no one dies except a mouse. It is deeply psychological and delves as far into the brain as anyone can get right now, accepting Freudian analysis as routine, while it is Jung’s “individuation” that the main character, Charlie Gordon, seeks without a guide except for his reading.

…I recommend this book, no matter its genre, and hope that anyone who reads it finds him- or herself touched by the plight of both those who are “exceptional” on the low end and those “exceptional” on the high end.

What will you see in it?

I see five stars.

(7) TAPPING INTO TED WHITE. Fanac.org posted a second installment of Ted White’s livestreamed interview, conducted by John D. Berry.

Ted White has been a science fiction fan for over 70 years, as well as an artist, fanzine editor and publisher, professional writer, editor and jazz critic. Interviewer John D. Berry has known Ted for more than 50 years. 

In part 2 of the January 23, 2021 interview, Ted talks about how he began writing professional science fiction, and the influence of Marion Zimmer Bradley, Terry Carr, Bob Tucker and others. There are anecdotes of the New York Fanoclasts and of how the bid for the 1967 NyCon3 came about. 

Ted discusses “The Club House” column in Amazing Stories, responsible for bringing many into fandom in the early 1970s, and speaks of his many fanzine collaborations, along with challenges along the way. This Zoom interview was very well received by all the attendees, who clamored for more. Look for the next part of the interview.

(8) WATER UNDER THE BRIDGE. Camestros Felapton risked his eyeballs – will you? “I watched Star Trek – Lower Decks”.

…Pitched as humorous, adult-orientated animated series in the Star Trek universe, the series creator is Mike McMahan, a lead writer from Rick and Morty. However, the show’s humour is both less crude and less imaginative than that show, indeed overall it pitches itself at ‘amusing’ rather than ‘funny’. The obvious comparison is with The Orville, rather than Galaxy Quest or John Scalzi’s Redshirts….

(9) IMAGINARY PAPERS. ASU’s Center for Science and the Imagination has published the fifth issue of Imaginary Papers, a quarterly newsletter on science fiction worldbuilding, futures thinking, and imagination. (Use this link to subscribe for future issues.)

Issue #5 features writing from games critic Emma Kostopolus, on the space opera game Mass Effect 3 (2012), and writer and educator Malik Toms, on John Sayles’ The Brother from Another Planet (1984), as well as a piece from me about the collection Scotland in Space (2019).

 (10) MEMORY LANE.

  • 2000 — Twenty one years ago at Chicon 2000, Galaxy Quest, a DreamWorks film, would win the Hugo for Best Dramatic Presentation. It would edge out The Matrix (which lost by just three votes), The Sixth Sense, Being John Malkovich and The Iron Giant. It was directed by Dean Parisot. Screenwriters David Howard and Robert Gordon worked off the story by David Howard. It’s considered by many Trekkies to the best Trek film ever made. 

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born January 28, 1820 – Vilhelm Pedersen.  First illustrator of Hans Christian Andersen; a hundred twenty-five in the five-volume 1849 edition.  Indispensable like Tenniel’s for Lewis Carroll.  Here is “The Top and Ball”.  Here is “The Flying Trunk”.  Here is “Hyldemor”.  Here is “Thumbelina”.  (Died 1859) [JH]
  • Born January 28, 1834 – Sabine Baring-Gould.  Anglican priest, author of fiction, folklorist.  Grandfather of the Holmes scholar.  Wrote “Onward, Christian Soldiers” (music by Sir Arthur Sullivan).  This edition including Curious Myths of the Middle Ages and Were-wolves appeared recently.  (Died 1924) [JH]
  • Born January 28, 1929 — Parke Godwin. I’ve read a number of his novels and I fondly remember in particular Sherwood and Robin and the King. If you’ve not read his excellent Firelord series, I do recommend you do so. So who has read his Beowulf series? (Died 2013.) (CE)
  • Born January 28, 1931 – Komatsu Sakyô.  (Personal name last, Japanese style.)  Leading Japanese SF author.  Most famous for Japan Sinks.  Two shorter stories in this collection.  Author Guest of Honor at Nippon2007 the 65th Worldcon – of which, incidentally, you can see my report here (PDF).  (Died 2011) [JH]
  • Born January 28, 1957 – Joanne Findon, Ph.D., age 64.  Assistant Professor of English at Trent Univ. (Peterborough, Ontario).  Two novels for us.  “I blame my two lifelong passions – writing fiction and studying the past – on … Lloyd Alexander.”  More here.  [JH]
  • Born January 28, 1959 — Frank Darabont, 62. Early on, he was mostly a screenwriter for horror films such as A Nightmare on Elm Street 3: Dream Warriors, The Blob and The Fly II, allminor horror films. As a director, he’s much better known as he’s done, The Green Mile, The Shawshank Redemption and The Mist.  He also developed and executive-produced the first season of The Walking Dead. He also wrote Mary Shelley’s Frankenstein that I like a lot. (CE) 
  • Born January 28, 1961 – Michael Paraskevas, age 60.  Illustrator and animation producer.  With his mother Betty, books and television Maggie and the Ferocious Beast, Marvin the Tap-Dancing Horse.  MP encouraged BP, which I think is cool.  A score of books, some with her, some not.  Spaceships and many other things at MP’s Website.  [JH]
  • Born January 28, 1981 — Elijah Wood, 40. His first genre role is as Video-Game Boy #2 in Back to the Future Part II. He next shows up as Nat Cooper in Forever Young followed by playing Leo Biederman In Deep Impact. Up next was his performance as Frodo Baggins In The Lord of The Rings and The Hobbit films. Confession time: I watched the very first of these. Wasn’t impressed.  He’s done some other genre work as well including playing Todd Brotzman in the Beeb’s superb production of Dirk Gently’s Holistic Detective Agency. (CE) 
  • Born January 28, 1985 — Tom Hopper, 36. His principal genre role was on the BBC Merlin series as Sir Percival. He also shows up in Doctor Who playing Jeff during the “The Eleventh Hour” episode which would be during the time of the Eleventh Doctor. He’s also Luther Hargreeves in The Umbrella Academy which is an adaptation of the comic book series of the same name, created by Gerard Way and Gabriel Bá. (CE) 
  • Born January 28, 1986 – Dame Jessica Ennis-Hill, age 35.  This historic champion track & field athlete has recently written half a dozen children’s fantasies with Elen Caldecott, may the name be for a good omen.  Here’s the latest I know of.  [JH]
  • Born January 28, 1998 — Ariel Winter, 23. Voice actress whose shown up in such productions as Mr. Peabody & Sherman as Penny Peterson, Horton Hears a Who!, DC Showcase: Green Arrow as Princess Perdita and Batman: The Dark Knight Returns as Carrie Kelly (Robin). She’s got several one-off live performances on genre series, The Haunting Hour: The Series and Ghost Whisperer. (CE)

(12) COMICS SECTION.

At xkcd Randall Munroe has a couple more installments on his living in a scaled world series:

(13) SPACE UNICORNS SOUND OFF. You have until February 8 to make your voice heard: “Uncanny Celebrates Reader Favorites of 2020!”

We’ve set up a poll for Uncanny readers to vote for their top three favorite original short stories from 2020. (You can find links to all of the stories here.)

The poll will be open from January 11 to February 8, after which we’ll announce the results. We’re excited for you to share which Uncanny stories made you feel!

A snazzy certificate will be given to the creator whose work comes out on top of  the poll!

(14) CON CALLS ON FANS FOR HELP. “Otakon Discusses Future, Asks for Donations” reports the Anime News Network. Their 2021 event is scheduled to be held at Walter E. Washington Convention Center in Washington, D.C. from August 6 to 8. Last year’s Otakon was cancelled.

Otakorp president Brooke Zerrlaut announced in a newsletter on Thursday that the organization is requesting donations for the first time. The Otakon convention’s staff are continuing to evaluate plans for 2021 and noted that the event may “potentially close” permanently.

The newsletter explained that Otakorp, a volunteer-run non-profit organization, runs the annual Otakon convention dedicated to Asian culture. Because of the cancelation of Otakon 2020 due to the effects of the COVID-19 pandemic, the organization is in a “precarious position.”

(15) A WRITER’S BEGINNING AND END. Book and Film Globe in“The Tragedy of Karl Edward Wagner” reviews a documentary about the acclaimed fantasy writer and editor.

The makers of the new Vimeo documentary, The Last Wolf: Karl Edward Wagner, have trained their lens on an elusive horror and fantasy writer with a cult following. Besides the stories of supernatural and psychological terror collected in In a Lonely Place (1983) and Why Not You and I? (1987), Wagner spun tales about Kane, a hero sometimes compared to Robert E. Howard’s Conan the Barbarian, who wanders and fights his way through a fantasy realm peopled with brigands, thieves, sorcerers, monks, and shapeshifters. This body of work exceeds the better-known Conan mythos in its sexuality and violence, tropes that Wagner used with uneven results.

Wagner was also a longtime editor of the Year’s Best Horror Stories series, showcasing the work of Stephen King, Ramsey Campbell, Harlan Ellison, Robert Bloch, Brian Lumley, Elizabeth Hand, David J. Schow, T.E.D. Klein, Charles L. Grant, Dennis Etchison, and dozens of others in the field. A few of these scribes appear in The Last Wolf, with especially vivid remembrances coming from Campbell and Etchison. Peter Straub, who wrote a foreword to In a Lonely Place, also has a lot to say.

…The sources interviewed in The Last Wolf render a portrait of an ambitious youth who collected paperbacks, became well known to the staff of a used bookshop in Knoxville through constant visits, and liked to freak out his nephews with spooky tales as they lay in their beds by an open window. While still in high school, Wagner meets a charming young woman, Barbara Mott, on a double date. He later marries her. His career enters high gear in the 1970s as he churns out stories, but not novels, and he stays busy writing and editing through the 1980s and 1990s, almost right up to his death.

“The Fourth Seal” is about a scientist looking to cure cancer. Wagner became the victim of something comparable its destructiveness. The Last Wolf doesn’t skirt around the plunge into alcoholism that drew growing concern on the part of Wagner’s peers in the weird field and led to the end of his marriage. Some of the recollections are hard to take. 

(16) BUY BUTLER. The London Review Bookshop’s Author of the Month is Octavia E. Butler.

Our Author of the Month for February is the American Science Fiction writer Octavia E. Butler.

In her many sometimes interlocking works Butler asks questions about race, gender and, pre-eminently, hierarchy in startling ways, and to offer equally startling versions of possible futures, often dystopian, that are uncannily like the present. This is extraordinary writing, written against the grain of gender and race prejudice and against the grain of Butler’s own persistent writer’s block.

Start with her masterpiece Kindred. We’re next to certain you won’t stop there.

(17) A GLIMPSE OF SF HISTORY. Samuel R. Delany reminisced about Judith Merril in a Facebook post.

Judith Merrill [sic] (Boston, 21 Jan 1923—Toronto, 12 Sept 1997), was—for the last years of her life, one of my best friends in the science fiction world, and thus, like all of her friends, to me she was “Judy” and I—to her—was “Chip.” We could never quite agree about where we met. During the time I was sharing a room with my friend, Bob Aarenberg, at the St. Marks Arms, on West 113th St., in NYC, and in our upstairs neighbor Randy Garrett took me to a party in Greenwich Village, where I met her and talked with her quite a while. But a few years later, she had no memory of that meeting. But as a kid I’d read her collaborations with C. M. [K]ornbluth (the Gunner Cade books), and thoroughly enjoyed them; I’d read a handful full of her stories—”Only a Mother,” which I felt was okay, but also “Dead Center” which I felt was much stronger (and still do after several rereadings of both and others)—but the writings of hers that meant most to me was her critical work….

(18) BUT THEY DID. James Davis Nicoll remembers “Five SF Empires That Seemed Too Big to Fail”, by authors Andre Norton, Phyillis Eisenstein, John Scalzi, Walter Jon Williams, and H. Beam Piper.

(19) FOR THE EAR AND THE EYE. Cora Buhlert’s spotlight series detours to visit with the creator of a semiprozine: “Not-a-Fanzine Spotlight: Simultaneous Times”.

Why did you decide to start your site or zine?

…The Simultaneous Times Newsletter started when the pandemic lockdowns started. Usually I’m at my bookstore six days a week, and since we specialize in science fiction, most of my conversations center around the genre. Immediately I began to miss the conversations and my customers, so I started the newsletter as a way to stay connected with science fiction fans. Since then it has just grown. But we still give free subscriptions. I thought people would prefer to get a letter in the mail over receiving an email.

What format do you use for your site or zine (blog, e-mail newsletter, PDF zine, paper zine) and why did you choose this format?

Several members of my team, including myself, have a background in radio. When we all started talking about starting a podcast we decided that we wanted to produce the program the way that radio shows were produced in the past. Really take the radio arts approach instead of going with modern trends in podcasting. Since then we’ve even teamed up with the radio station KZZH 96.7 in Northern California, so our program did end up on the air.

The Newsletter is print because I wanted to put something physical in people’s hands, especially during this time of not being able to see each other. That being said, I have started to put the back issues on our website, so the archive is available to everyone

(20) IT’S PEOPLE! Shiv Ramdas comments on a trending topic. Thread starts here.

(21) THE SINS OF STARSHIP TROOPERS. [Item by Dann.] The guys at Cinema Sins have  “Everything Wrong With Starship Troopers in 19 Minutes or Less”. (Parenthetically, I’m not looking for the 5,681st iteration of “The book is better than the movie” or the 12,259th iteration of “Verhoeven never read the book!”.  I like ’em both for different reasons.  And the Cinema Sins guys are great.)

(22) TINGLE REVIEWED IN THE GUARDIAN. [Item by PhilRM.] Here are words I never expected to read in the Guardian: “’My Antifa Lover’: I read the weirdest Trump-era erotica so you don’t have to” by J. Oliver Cromwell.

…In recent years, Amazon’s e-books market has nurtured a flourishing cottage industry of self-published romance and erotic literature – and the Trump years have inspired many to put pen to paper. The most successful authors (most write under pseudonyms) are known for their prolific publication, thesaurus-aided descriptions of the human anatomy, and responsiveness to current events.

The surreality of the past four years was particularly generative of their creative juices. With the Trump era now drawn to a chaotic close, we decided to review four of the most memorable entries in this niche literary genre.

I’m strangely drawn to the title “My Antifa Lover”, although slightly disappointed that Conroy opted to review Chuck Tingle’s Pounded In The Butt By The Handsome Physical Manifestation Of Tromp’s [sic] Twitter Ban That Should’ve Come Years Sooner But Fine Now That It’s Here High Five rather than the frankly superior Domald Tromp [sic] Pounded In The Butt By The Handsome Russian T-Rex Who Also Peed On His Butt And Then Blackmailed Him With The Videos Of His Butt Getting Peed On. No, I have no idea how the internet got us here either, really.

I feel compelled to note that the reviewer gave Tingle’s work 5/5.

(23) VIDEO OF THE DAY. In the 1780s, a charismatic healer caused a stir in Paris. An amusing video about the history of Mesmer’s methods and how he influenced medicine in the late 18th Century. Vox recalls The phony health craze that inspired hypnotism”.

Scientific progress in the 18th century in Europe, a period known as the “Age of Enlightenment,” was demystifying the universe with breakthroughs in chemistry, physics, and philosophy. But medical practices were still relying on centuries-old treatments, like leeching and bloodletting, which were painful and often ineffective. So when Franz Anton Mesmer, a charismatic physician from Vienna, began “healing” people in Paris using an alternative therapeutic practice he called “animal magnetism,” it got a lot of attention. Mesmer claimed that an invisible magnetic fluid was the life force that connected all things and that he had the power to regulate it to restore health in his patients. He was a celebrity figure until the King of France, Louis XVI, commissioned a group of leading scientists to investigate his methods in 1784. Benjamin Franklin headed the commission, and they debunked the existence of the magnetic fluid in the first-known blind experiment. Mesmer was ruined, but “mesmerism” didn’t end there. The report also acknowledged that Mesmer’s methods were making his patients feel better, which they attributed to the power of the human imagination. This experiment ultimately laid the groundwork for our understanding of the placebo effect and inspired an evolution of Mesmer’s practice into something more recognizable today: hypnotism.

[Thanks to JJ, Martin Morse Wooster, Dann, Andrew Porter, Cora Buhlert, Cat Eldridge, Michael Toman, John Hertz, Mike Kennedy, Mlex, Joey Eschrich, Rob Thornton, Michael J. Walsh, PhilRM, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Peer, who has ridden the fourth horse once before.]

Daniel Keyes (1927-2014)

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Flowers for Algernon author Daniel Keyes died June 15 at the age of 86.

Keyes said his famous story grew from the question “What would happen if it were possible to increase human intelligence artificially?” The idea for the character “came about four years later when I met and spoke to a retarded young man and thought how wonderful it would be if such a technique were available to help the mentally disadvantaged.” Then, “After a great many false starts, I discovered the technique of the Progress Reports. With these three elements: the idea, the character, and the narrative strategy, I was well on my way.” 

The short story “Flowers for Algernon” was published in The Magazine of Fantasy and Science Fiction in 1959 and won a Hugo Award. Keyes then expanded the story into a novel and that version won a Nebula Award in 1967.

Keyes’ story was adapted for stage, TV and movies. In 1961, the U.S. Steel Hour telecast “The Two Worlds of Charlie Gordon,” with Cliff Robertson as Charlie. Robertson also played the title character in the 1968 film Charly, a performance that earned him an Oscar.

Charly was nominated for the Hugo in 1969 but lost to 2001: A Space Odyssey.

The story also was developed as both a stage play and a dramatic musical – Michael Crawford sang the lead in “Charlie and Algernon” at the Queen’s theater in London’s West End in 1979.

For one so well-known, Keyes was not a prolific writer. He produced two other genre novels, 10 short stories, and two nonfiction true crime books.

The true crime books were based on the life of Billy Milligan, who suffered from multiple personality disorder. That may account for why the German translation of his novel The Minds of Billy Milligan (Die Leben des Billy Milligan) won a Kurd Laßwitz Preis in 1986, an award given to science fiction. (It was also nominated by the Mystery Writers of America for an Edgar award.)

Daniel Keyes joined the faculty of Ohio University in 1966, and taught English and creative writing, becoming professor emeritus in 2000. His wife of over 60 years, Aurea Georgina Vaquez, passed away in 2013.

Cliff Robertson (1923-2011)

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By Steve Green: The actor Cliff Robertson died Saturday, September 10, the day after his 88th birthday. He received the 1968 Academy Award for his role in Charly, adapted from Daniel Keyes’ Hugo Award-winning short short “Flowers For Algernon” and the Nebula Award-winning novel of the same name. His other appearances included The Twilight Zone (“A Hundred Yards Over the Rim”, 1961), Brainstorm (1980), Escape From L.A. (1996) and the Spider-Man trilogy (as Uncle Ben, 2002-2007). In 1977, Robertson uncovered a scandal at Columbia Pictures involving the cashing of fraudulent checks by the studio head; although it was Robertson who reported these criminal activities, he was effectively blacklisted for three years.