Pixel Scroll 11/20/19 Scroll The Size Of A Planet And They Ask Me To File Up A Piece Of Pixel

(1) LOTS OF PLOTS. Vanity Fair’s Anthony Breznican gets Christopher Markus and Stephen McFeely to share secrets about how the biggest film in history was assembled—including alternate and abandoned story lines that might have been: “How the Avengers: Endgame Writers Made Life-and-Death Decisions”.

Was Marvel ever like, “There are too many dollar signs in this scene?”

Markus: No, it was, “You better damn well have a good story for us!”

McFeely: You actually try not to leave the five-dollar-signs on the sidelines.

So you’re popping those cards on there, drawing a timeline for the story. How does it look?

McFeely: In the beginning stages it’s a, Oh, wouldn’t it be interesting if Groot and Rocket and Thor went on a journey together? What kind of chemistry could you get from that? But also, we took this job because it scared the hell out of us, because that first movie has 23 [main] characters in it.

First movie meaning Infinity War?

McFeely: If you know that movie, and you know how we ended it, it was in large part just so the second movie would have fewer characters. And we could work with that! [Laughs] We started with 65 characters. I mean, it’s just everyone who was vaguely alive. And when we narrowed it down, you don’t want 23 people in a scene—ever. So that’s what the cards were for, to sort of—

(2) BESTSELLER STATS. [Item by Dann Todd.] I found this analysis/graphic of the 300 top NY Times bestselling novels from 2011 to 2018 and you might find it to be of interest. The chart shows the novels by genre, whether they were stand-alone works or part of a series, and the respective Goodreads ratings.

Of those 300 books, 11 were science fiction, 12 were fantasy and 10 were horror.

  • The science fiction works spent a cumulative 72 weeks on the NYTimes bestsellers list. Four of the eleven works were from a series.  The Goodreads ratings ranged from roughly 3.2 to 4.3.
  • The fantasy works spent a cumulative 93 weeks on the list.  Eleven of the twelve works were from a series.  The Goodreads ratings ranged from 3.3 to 4.4.
  • The horror works spent 69 weeks on the list.  Only two of the ten books were from a series.  The Goodreads ratings ranged from 3.8 to 4.8.

(3) FOURTHCOMING TREK FILM. Inverse seems pleased: “Noah Hawley’s ‘Star Trek 4’ promises to boldly go to trippy new worlds”.

Fans of the 2009 Star Trek cinematic reboot universe were let down last year, when news broke that the planned fourth film in the franchise would not be moving forward. Initially rumored to feature the return of Thor actor Chris Hemsworth as Captain Kirk’s father, negotiations reportedly broke down between the studio and Hemsworth (as well as series star Chris Pine). After box office for the reboot’s third installment, Star Trek: Beyond, fell short of expectations, it seemed the new Trek universe was dead, despite being a box office juggernaut just a few years prior.

That all changed today when news broke that not only will there be a fourth Trek film, but that it will be helmed by visionary TV director Noah Hawley, who’s responsible for both Legion and Fargo on FX.

(4) FIRST STEPS. The Writer offers “Pro tips for writing and publishing speculative fiction” of a rather general nature.

Science fiction versus fantasy

…“There is a little bit of a gray area there,” says [Daniel José] Older, “but I think of science fiction as generally and mostly focused on the technological aspect and fantasy focused on the magical aspect.” Yet he notes that this separation is a “little too easy.”

Perhaps a science fiction expert could give us a definitive answer.

“One answer, per science fiction scholar James Gunn, is that science fiction is about things that could happen or could have happened, and that fantasy could not happen, at least in our consensual understanding of what is possible,” Johnson says. But this definition is somewhat problematic, she states, since “this disregards a lot of things,” one being that “our understanding of what is possible changes regularly.”

(5) NEXT STEPS. Fortunately, more pro tips are on the way.

(6) ZINES AND MUSIC. Boo-Hooray profiles the “The Lenny Kaye Science Fiction Fanzine Library at the University of Miami”.

Lenny Kaye (b. 1946) is the guitarist for the Patti Smith Group and also a music historian and journalist. He compiled the 1960s garage rock compilation Nuggets in 1972, which had a profound impact on the development of Punk rock. Lenny’s early influences as a writer and enthusiast in music developed during his time in science fiction fandom. This collection of approximately 2100 fanzines is Lenny’s personal library.

Science fiction was one of the early subjects that spawned a substantial network of self- published magazines and newsletters, done primarily via mimeograph. Ranging from 1941 to 1971, the fanzines in this collection represent ground zero for the zine explosion that was to come years later in rock, punk, skate, fashion, and art. They are the origination of modern DIY publishing.

…Lenny’s own fanzines (Obelisk, Sadistic Sphinx, Hieroglyph, and Pharaoh) are a perfect example of how many SF editors transformed into music journalists and performers. The connection between SF and music fandom may seem an odd gap to bridge, but a number of big names in music journalism, such as Lester Bangs, Paul Williams, and Greg Shaw wrote for science fiction fanzines.

(7) TODAY IN HISTORY.

  • November 20, 1964 — A U.K. adaptation of H.G. Wells’ First Men in the Moon was released into theatres, this one complete with special effects by Ray Harryhausen. Starring Edward Judd, Martha Hyer and Lionel Jeffries, the British press loved it, the American press not so much.  It’s got a 75% rating at Rotten Tomatoes. 
  • November 20, 2007 The Wizard of Oz Munchkins received a star on Hollywood’s Walk of Fame.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born November 20, 1929 Jerry Hardin, 90. He’s best known for playing Deep Throat on The X-Files. He’s also been on Quantum Leap, Starman, Brimstone and Strange World, plus he was in the Doomsday Virus miniseries. And he made a rather good Samuel Clemens in the two part “Time’s Arrow” story on Next Gen.
  • Born November 20, 1932 Richard Dawson. Usually one appearance in a genre film or show isn’t enough to make the Birthday list but he was Damon Killian on The Running Man, a juicy enough role to ensure his making this list, and twenty years earlier he was Joey on Munster, Go Home! He’d voiceLong John Silver on an animated Treasure Island film in the Seventies as well. And he had a one-off on the classic Fantasy Island. (Died 2012.)
  • Born November 20, 1933 John Gardner. Grendel, the retelling of Beowulf from the monster’s viewpoint, is likely the only work he’s remembered for. Gudgekin The Thistle Girl (and Other Tales) are genre fairy tales as are The King of the Hummingbirds (and Other Tales)A Child’s Bestiary is, well, guess what it says it is. Mickelsson’s Ghosts, his final novel written before his untimely death, is a ghost story. (Died 1982.)
  • Born November 20, 1954 Richard Brooker. Actor and stuntman, likely best known for being in Friday the 13th Part III as Jason Voorhees. He certainly did some other genre films too, such as the Argentinian Deathstalker (Cazador de muerte) and being the lead in Deathstalker. (Died 2013.)
  • Born November 20, 1956 Bo Derek, 63. She makes the birthday list for being Jane Parker in Tarzan, the Ape Man. Ok, it’s a really bad film redeemed only by her showing lots of skin. There’s also Ghosts Can’t Do It and Horror 101 as wellas the two Sharknado films she just did. 
  • Born November 20, 1959 Sean Young, 60. Rachael and her clone in the original Blade Runner and the sequel. More intriguingly she played Chani in Dune. A bit old for the role, wasn’t she? She was the lead, Helen Hyde, in Dr. Jekyll and Ms. Hyde. And she’s a Trekkie as she was in the Star Trek: Renegades video fanfic pilot as Dr. Lucien. 
  • Born November 20, 1963 Ming-Na Wen, 55. She‘s best known as Melinda May on Agents of S.H.I.E.L.D. but she was also Camile Wary on Stargate Universe, and had an intriguing role as Senator Michaela Wen on Eureka. I see she’s going to be Fennec Shand on the new Mandalorian series.

(9) COMICS SECTION.

  • Foxtrot illustrates the ways a shape-shifting demon can help you study.
  • Cul de Sac shows how you know when a book series is coming to an end.

(10) COMIC RECOMMENDATION. [Item by N.] Der-shing Holmer’s webcomic Mare Internvm is about to end (5 pages left). Pre-orders are open for physical copies. I really do recommend it, it’s a fine read.

(11) SOMETHING TO SINK YOUR TEETH INTO. “The archaeology of plaque (yes, plaque)” at The Harvard Gazette.

Not many people can get excited about plaque, but Christina Warinner loves the stuff.

The recently appointed assistant professor of anthropology in [Harvard Faculty of Arts and Sciences] and Sally Starling Seaver Assistant Professor at the Radcliffe Institute, Warinner was among the first researchers to realize that calcified plaque, otherwise known as dental calculus, could shed new light on everything from ancient diet and disease to the spread of dairying and the roles of women in society.

“It’s like a time capsule,” she said. “It’s the single richest source of ancient DNA in the archaeological record. There are so many things we can learn from it — everything from pollution in the environment to people’s occupations to aspects of health. It’s all in there.”

And it was a discovery, Warinner said, that happened almost entirely by accident.

After receiving her Ph.D. from the Graduate School of Arts and Sciences in the Anthropology Department’s archaeology program, the Kansas native took a postdoc at the University of Zurich in what was then the new Center for Evolutionary Medicine. There she set out to investigate whether it would be possible to identify pathogens in the archaeological record to study the evolution of diseases. She chose dental caries, or cavities, as a case study, because they are visible amid skeletal remains and abundant in the archaeological record. She set out to examine whether the bacteria that caused caries in ancient teeth could be identified genetically.

“I started to notice all this dental calculus, which is very common on teeth, and was always getting in the way,” she said. “Most people would just take it off and throw it away, but I thought it could be interesting, so I turned that thought around and looked at it from a different angle.

“As a side project, I started applying genomic and proteomic techniques to it, which hadn’t been done before,” she continued. “It’s not perfect, and not everything preserves … but it turns out we can say an awful lot about the past through calculus.”

Applying genomic tools has allowed Warinner to get the clearest picture yet of not only ancient genomes, but ancient microbiomes as well.

(12) HAVE YOU SEEN THE LIGHT. The Harvard Gazette also explains how “New laser paves way for better imaging, communications”.

The terahertz frequency range — which sits in the middle of the electromagnetic spectrum between microwaves and infrared light — offers the potential for high-bandwidth communications, ultrahigh-resolution imaging, precise long-range sensing for radio astronomy, and much more.

But this section of the electromagnetic spectrum has remained out of reach for most applications. That is because current sources of terahertz frequencies are bulky, inefficient, have limited tuning, or must operate at low temperature.

Now, researchers from the Harvard John A. Paulson School of Engineering and Applied Sciences (SEAS), in collaboration with the Massachusetts Institute of Technology and the U.S. Army, have developed a compact, room-temperature, widely tunable terahertz laser.

…To understand what they did, let’s go over some basic physics of how a laser works.

In quantum physics, excited atoms or molecules sit at different energy levels — think of these as floors of a building. In a typical gas laser, a large number of molecules are trapped between two mirrors and brought to an excited energy level, aka a higher floor in the building. When they reach that floor, they decay, fall down one energy level, and emit a photon. These photons stimulate the decay of more molecules as they bounce back and forth, leading to amplification of light. To change the frequency of the emitted photons, you need to change the energy level of the excited molecules.

So, how do you change the energy level? One way is to use light. In a process called optical pumping, light raises molecules from a lower energy level to a higher one — like a quantum elevator. Previous terahertz molecular lasers used optical pumps, but they were limited in their tunability to just a few frequencies, meaning the elevator only went to a small number of floors….

Also see the Science report: “Widely tunable compact terahertz gas lasers”.

(13) BIG ROOMBA. BBC wants to know, “Would you rent a vacuum cleaner for $499 a month?”

Vacuum cleaning is a chore many people are happy to outsource, but one company is trying to persuade firms to swap an automated service for human cleaners.

Softbank, the Japanese firm behind WeWork and Uber, has launched a self-powered machine, dubbed The Whiz, at a hefty price tag of $499 (£381) a month.

Softbank says its robot is meant to replace “over-worked janitorial teams.”

The Whiz is not initially automatic, as a human has to lead it around until it can learn the cleaning route.

It has been developed by Softbank’s US robotics arm and Hong Kong-based firm Intelligent Cleaning Equipment.

The three-feet-tall (0.9 metres) vacuum was initially only offered for rent in Japan and Hong Kong.

The machine sends an alert if there is an issue, such as bumping into a wall. After three hours, it can cover 15,000 square feet (1,394 square metres) but then will need a battery change.

(14) BAUM’S AWAY. Andrew Porter tuned in last night to Jeopardy! and witnessed this:

Category: Authors’ Fictional Places

Answer: “Loompaland.”

Wrong Question: “Who is Baum?”

(15) LOSE RESPONSIBLY. BBC reports “UK gambling machines loaded with AI ‘cool off’ system”.

Every gambling machine in the UK’s betting shops is being updated with software designed to detect and prevent problematic behaviour in players.

The system locks gamblers out of machines for 30 seconds if erratic or excessive play is detected.

While the brief lockdown is in effect, warnings about safe gambling are displayed on the machines’ screens.

One expert said the enforced break was “probably not long enough to have a positive effect”.

…Among the behaviour patterns it tries to detect are chasing losses, spending too long on a single machine and playing a succession of games rapidly.

(16) NUMBER TWO. “50 Years Ago, Americans Made The 2nd Moon Landing… Why Doesn’t Anyone Remember?” asks NPR. Maybe it’s the crappy dialogue?

Fifty years ago, astronaut Pete Conrad stepped out of the lunar module onto the surface of the moon.

His first words were: “Whoopie! Man, that may have been a small one for Neil, but that’s a long one for me.”

…Conrad[‘s] first words as he stepped onto the surface were actually part of a bet with a journalist, Muir-Harmony says. She had asked Conrad whether the U.S. government had dictated Neil Armstrong’s first words. “And he made a bet (I think it’s about a $500 bet) saying, ‘No, we can say whatever we want. We’re not being told what to say by the government.'”

(17) VASTER THAN LIBRARIES. Atlas Obscura explores “The Uncertain Future of the World’s Largest Secondhand Book Market”.

At the College Street market in Kolkata, India, independent booksellers fear the arrival of a massive mall.

…College Street, known by locals as Boi Para (which roughly translates to “Book Town”), spans more than a mile and covers a million square feet. Bigwigs of Bengali publishing coexist with makeshift stalls hammered together from wood, bamboo, tin, and canvas, in a chaotic matrix that runs from Mahatma Gandhi Road to Ganesh Chandra Avenue.

College Street has every imaginable type of text, available in Bengali, English, Mandarin, Sanskrit, Dutch, and every dialect in between. Precious first editions and literary classics sit cheek by jowl with medical encyclopedias, religious texts, and pulp fiction, often precariously stacked in uneven piles that resemble jagged cliff faces. Wily booksellers peer from raised wooden stalls; bearded collectors rifle through stock; mothers drag first-year university students through the aisles to collect their required reading.

[Thanks to Chip Hitchcock, JJ, Mike Kennedy, Cat Eldridge, Dann, Darrah Chavey, Martin Morse Wooster, N, Michael Toman, John King Tarpinian, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Soon Lee.]

SPFBO 2018 Winner

By Dann: The 2018 Self Published Fantasy Blog-Off has concluded. After the dust settled, Orconomics: A Satire, by J. Zachary Pike, was proclaimed the SPFBO champion with an average score of 8.65. Four of the ten reviewers also gave it their highest rating.

Orconomics was first published in 2014. It is the first book in The Dark Profit Saga trilogy. The final entry in the series, Dragonfired, should be issued in 2019.

Retweeting this announcement from Mark Lawrence gets you in the running for a signed copy of the book.

SPFBO began with a 300-book longlist, and every finalist was the top pick out of 30 reviewed by the participating bloggers.

Past winners include:

This year’s SPFBO was particularly competitive as four of the finalists ended up with average ratings of 8.00 or better. In past years, only the winner achieved that mark.

Pixel Scroll 5/20/19 My name Is Elmer J. Fudd, Millionaire. I Own A Pixel And A Scroll

(1) I SEE BY YOUR OUTFIT. You know what they say about the love of money. Patch O’Furr’s “How furries resist a commercialized fandom (Part 1)” begins a three-part series at Dogpatch Press.

Fandom roots were growing independently. Influential fans of these times included Fred Patten, who helped import anime to America, founding a fandom for it, mingling it with science fiction fans and their conventions. Anime was a breath of fresh air with robots, monsters, science fiction and serious adult stories. Patten was also a bridge for funny animal artists with self-published APA’s and zines. In the early 80’s, Steve Gallaci put furries in military science fiction illustration that energized these artists.

At conventions, there was a certain social split among artists and fans. Serious-minded artists wanted to launch respectable careers, while orbiting ones hoped to ride along. But others looked to themselves as sources for fandom for its own sake — and respectability to outsiders wasn’t the main point. While other fandoms took different paths, this one branched off towards a subculture.

At 1980’s sci-fi conventions like Baycon in the San Francisco Bay area, the split was felt with separate room parties (separated by elitism or even cliquish mocking at “skunkfvckers”). It eventually spun off into the first furry con, ConFurence 0 in 1989, a test put together by fans in Southern California. (Mark Merlino, cofounder of Confurence, told me about the fan split in a long email exchange in 2017.) Others spun off from Chicago (Duckon), Philadelphia (Philcon) and elsewhere when furry fans wanted cons of their own….

Tomorrow, Part 2 will look more at how fandom grows with free expression, its own cottage industry and independent media, while making a certain fandom identity. Then Part 3 will look at how fandom can work like counterculture (or even punk) and how commercialism creeps in and complicates it.

(2) X-MEN: THE SEMINAL MOMENTS. The late Len Wein gets a lot of love in the video that launches this series – “The History of the X-Men Part 1.”

Starting today through the end of May, Marvel will release the four-episode series online to celebrate the X-Men series that changed the Marvel Universe forever: Giant-Size X-Men, 1991’s X-Men #1, Age of Apocalypse, and New X-Men. Sponsored by this summer’s blockbuster HOUSE OF X and POWERS OF X series, these new retrospectives will take both longtime and new X-Men fans back to some of the greatest moments in the Marvel Universe, setting the scene for the most important story in the history of mutantkind.

Each of these shorts will feature voices from Marvel’s past and present – including legendary creators like Adam Kubert, Chris Claremont, Larry Hama, Jonathan Hickman, Al Ewing and more – as they look back and share their thoughts (and inside looks) into the most influential moments that redefined and reignited the X-Men, leading to bold new directions that drew in generations of fans around the world.

X-MEN: THE SEMINAL MOMENTS Series Release Schedule:  5/20 – X-MEN: THE SEMINAL MOMENTS Episode 1: Giant-Size X-Men (1975);   5/22 – X-MEN: THE SEMINAL MOMENTS Episode 2: X-Men #1 (1991);  5/24 – X-MEN: THE SEMINAL MOMENTS Episode 2: Age of Apocalypse (1995);  5/28 – X-MEN: THE SEMINAL MOMENTS Episode 2: New X-Men (2001)

(3) A MARTIAN ODYSSEY. Ingvar (of Trigger Snowflake fame) livetweeted his tour of the Sweden Solar System, starting near the Sun and ending right by Mars, “Using just feet and public transport, it takes about three hours to go from the Sun to Mars.” The thread starts here.

(4) PINNACLE OF SFF. The winners of the 2019 Colorado Book Awards were announced on May 18. (Via Locus Online.)

  • Juvenile Literature
    Del Toro Moon by Darby Karchut (Owl Hollow Press)
  • Science Fiction/Fantasy
    While Gods Sleep by L. D. Colter (Tam Lin Publishing)

(5) HIGHER AND HIGHER. Did you know that Godzilla suffers from inflation? Bloody Disgusting has a lovely diagram: “Artist’s Epic Godzilla Size Chart Highlights How Much the King of the Monsters Has Grown Over the Years”.

…Artist Noger Chen put together this epic size chart in advance of King of the Monsters, putting every single live-action Godzilla (from 1954-2019) side by side, in order of height.

Godzilla measured just 50m tall when he first debuted on the scene, and here in 2019, he’s grown to a staggering 119.8m – the largest Godzilla, in front of Shin Godzilla, ever on screen!

(6) DOWN THE RIVER. Casting choices are named for a new sff movie in “Cannes: Anne Heche, Thomas Jane Join Sci-Fi Film ‘Salvage'” at The Hollywood Reporter.

Salvage will tell the story of two couples fighting to survive on a houseboat as it moves down river in a post-apocalyptic America: Everyone is out for their own survival, nothing is as it was and brutality is the new normal. Each of the characters discover sides of themselves they never knew existed, some valiant and some violent.

The film also boasts an original score composed by Jerry Cantrell of Alice in Chains.

(7) CROWDSOURCED STAFFING. [Item by Dann]. Grimdark Magazine is losing their cover artist. They are asking fans who are subscribed to their Patreon to help them select their next cover artist.

Help us shortlist a new GdM cover artist

Right-o grimdark horde! I need your input to decide upon a shortlist for a new cover artist to replace our outgoing legend Jason Deem.

When I put out the word for a new artist we got a very tall pile of entries–fifty or sixty or so. I had to cut most of them either for their art not being aligned with what I want on our covers, or their rates being a bit too far out of budget, and got the list down to four. I’d love to get your opinion on them.

The artists are:

(8) DC SAYS STOP WONDERING. After the comic debuted a lawyer letter arrived —“DC Sends Cease And Desist Demand Over Wonder Woman AOC Cover”Bleeding Cool has the story.

This week, Devil’s Due published the Alexandria Ocasio-Cortez & The Freedom Force: New Party, Who Dis? comic book. A number of comic book retailers ran exclusive retailer covers, including this one for NY Collector Cave by Carla Cohen which Bleeding Cool posted a couple of weeks ago. In which AOC bears a stunning resemblance to Wonder Woman. Too stunning it seems for DC Comics whose legal team, after reading the article on Bleeding Cool (Warner Bros IP traffic spiked in the days after we posted that article), sent a cease-and-desist notice to DEvil’s Due and the NY Collector Cave demanded that the comic in question not be distributed, but recalled and returned or destroyed.

(9) PUSHING THE NARRATIVE. Is Grumpy Cat dead, or already reincarnated as Craig Martelle? Camestros Felapton has a few quotes from the 20BooksTo50K leader that raise the possibility: “Wrapping up the LMBPN Kerfuffle and the Nebulas”. Martelle told his FB group —

…Six indies nominated for Nebula awards last night and zero indie winners. What matters most is which stories resonate best with the readers and which ones will lead to new stories bringing more readers on board. Who is going to be the most professional of the authors? Out of our six finalists? Only one is not a full-time author and that is by choice.

I am not talking down about any winners or any other authors – being a full-time writer comes with great risk….

Camestros follows up with some earthy opinions of his own.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born May 20, 1911 Gardner Francis Fox. Writer for DC comics who created The Flash, Adam Strange and The Atom, plus the Justice Society of America. His first SF novel was Escape Across the Cosmos though he wrote a tie-ie novel, Jules Verne’s Five Weeks in a Balloon, previously. (Died 1986.)
  • Born May 20, 1928 Shirley Rousseau Murphy, 91. Author of the Joe Grey series of mysteries. It’s a cat who solves mysteries. Surely that’s genre. Excellent series. She also did some genre, none of which I’ve encountered, the Children of Ynell series and the Dragonbard trilogy.
  • Born May 20, 1946 Cher, 73. In The Witches of Eastwick which is her main genre credit. She did appear as Romana on The Man from U.N.C.L.E. in “The Hot Number Affair” and she voiced herself in the “The Secret of Shark Island” of The New Scooby-Doo Movies which despite the name was actually a series, but that’s it. 
  • Born May 20, 1960 John Billingsley, 59. Phlox on Enterprise, a series I really liked despite the fact it seems to have many detractors. His first genre role was in A Man from Earth as Mr. Rothman, a film in which the scriptwriter riffed off the immortality themes from the “Requiem for Methuselah” episode he did for Trek. He’d later reprise that role in The Man from Earth: Holocene. He’s had one-off appearances on The X-Files, Stargate SG-1, Duck Dodgers, Twin Peaks, Lucifer and The Orville. He had a recurring role on Stitchers as Mitchell Blair. 
  • Born May 20, 1961 Owen Teale, 58. Best known role is Alliser Thorne on the just concluded Game of Thrones. He also was Will Scarlet in the superb Robin Hood where the lead role was performed by Patrick Bergin, he played the theologian Pelagius in 2004 King Arthur, was Vatrenus in yet another riff on Arthurian myth called The Last Legion, was Maldak in the “Vengeance on Varos” episode in the Era of the Sixth Doctor, and was Evan Sherman in the “Countrycide” episode of Torchwood. He’s currently playing Peter Knox in A Discovery of Witches based on the All Souls trilogy by Deborah Harkness, named after the first book in the trilogy.
  • Born May 20, 1992 Jack Gleeson, 27. Joffrey Baratheon on the just concluded Game of Thrones. Earlier genre roles are all nameless but are Reign of Fire, Batman Begins and Shrooms, the latter being an Irish horror film. 

(11) IN THE LID. Alasdair Stuart says The Full Lid for May 17 includes a visit to the UK’s phenomenally good National Video Game Museum, a review of Vylar Kaftan’s excellent new novella and a look at Directive, a short run podcast with endless tricks up its sleeve. The Hugo Spotlight this week is Foz Meadows. Here’s an excerpt about the museum —

…Some of them are demos or in beta testing like Lightmatter, which I spent a lot of time with. You’re visiting a science facility built into a mountain when the science becomes Science. Guided out by the grumpy Cave Johnson-alike whose project it is, you have to manipulate your surroundings to stay in the light. Because every shadow will kill you. It’s got that Portal ‘feral science’ feel to it mixed with a great, monochrome graphic palette that throws stark light and shadow everywhere. Once this is done, I’m going to pick it up.

So that’s a game I would never have known existed. That’s still being built. And you can play for free in a museum….

(12) AZAD SFF REVIEWED. NPR’s Caitlyn Paxson says “Language Has Magic In ‘The Candle And The Flame'”.

A fantastical silk road city comes to life in Nafiza Azad’s richly detailed debut novel, The Candle and the Flame.

Fatima works as a messenger in the melting pot of Noor, a bustling desert city where humans and djinn live side by side. Once Noor was only a human city, but an attack by a chaotic tribe of djinn called the Shayateen wiped out the entire population — all except for Fatima and her adoptive sister and grandmother. After the massacre, a new maharajah took charge of Noor and turned to the Ifrit, powerful djinn who strive to keep order in the world, to help drive out the Shayateen and keep the city safe, for its new human and Ifrit inhabitants alike.

(13) AVOID BLOGGER BURNOUT. Fine advice from The Little Red Reviewer: “Dear Book Bloggers, I’m worried about you”

Dear book bloggers of the world:  I’m worried about you. Please be kinder to yourselves.

Book blogging is not and was never meant to be something you are required to do every day or three times a week or on any arbitrarily defined schedule.

Book blogging is not and should not be about keeping up with other bloggers. There isn’t some prize for reading the most books, or downloading the most eARCs from Netgalley or getting the most ARCs in the mail.

Book blogging should not be something that comes before selfcare, or before your family, or before the big things in your life. Some days watching TV should come before book blogging, because we all do #selfcare differently….

(14) BEFORE LIGO. NPR looks at a “Billion-Dollar Gamble: How A ‘Singular Hero’ Helped Start A New Field In Physics”.

Imagine spending 40 years and more than a billion dollars on a gamble.

That’s what one U.S. government science agency did. It’s now paying off big time, with new discoveries about black holes and exotic neutron stars coming almost every week.

And while three physicists shared the Nobel Prize for the work that made this possible, one of them says the real hero is a former National Science Foundation staffer named Rich Isaacson, who saw a chance to cultivate some stunning research and grabbed it.

“The thing that Rich Isaacson did was such a miracle,” says Rainer Weiss, a physicist at the Massachusetts Institute of Technology and one of the 2017 Nobel laureates. “I think he’s the hero. He’s a singular hero. We just don’t have a good way of recognizing people like that. Rich was in a singular place fighting a singular war that nobody else could have fought.”

Without him, Weiss says, “we would’ve been killed dead on virtually every topic.” He and his fellow laureate Kip Thorne recently donated money to create a brand-new American Physical Society award in Isaacson’s honor.

(15) WESTEROS’ FOURTH ESTATE. Esquire’s Gabrielle Bruney suspects a bunch of writers are going to have to get real jobs now that the show’s ended: “Game of Thrones Created a Vast Media Ecosystem. We Talked to the People at Its Center.”

…”I think that when the show first started, it was the book reader base that really got it going,” said David “Razor” Harris, editor of Thrones news, recap, and discussion website Winter is Coming.

“This is a show that both debuted and ran in an era where live-tweeting, after episode breakdowns, and podcasts are the norm,” said Myles McNutt, a media studies expert and assistant professor at Old Dominion University, who reviews the show for The AV Club. Twitter was barely five years old when the program debuted; Instagram would make its appearance six months after Thrones did. Earlier generations of web-savvy fans had been consigned to wikis and message boards, corners of the internet the uninitiated found easy to overlook. But instead, Thrones content was “popping up in your YouTube related videos, on the the Apple front page of top podcasts,” said McNutt.

“It sort of feels like it’s part of your feeds and your daily existence online,” he continued. “I do think there’s ubiquity to it that has encouraged people to jump onboard that might not have otherwise.”

(16) SIREN SONG. Air New Zealand encourages George R.R. Martin to finish the books — after flying to the country on one of their planes.

(17) NOT THIS FUTURE? BBC’s Jane Wakefield analyzes “The Google city that has angered Toronto”. Key quote vs. genre: “The smart city model is all about hype. They believe that if we have enough data we can solve all our problems, and we need to be skeptical about those claims.”

It was meant to be a vision of how we will all live in future – a smart city built from the internet up – offering citizens the chance to experience the very latest technology.

That would include autonomous cars, innovative ways to collect rubbish and shared spaces for communities to come together in new ways.

Sidewalk Labs, a sister company to Google, had acquired disused land in Toronto, Canada for this bold urban experiment, which it hoped would become a model for other cities around the world.

The fact that it would be collecting a lot of data from sensors placed all around the harbourside development unsettled some.

Now many are asking whether a private firm should take charge of urban improvement at all….

(18) NOT SO FAST! Indications that another much-touted idea doesn’t work to spec — “Warning over using augmented reality in precision tasks”.

People who use augmented reality headsets to complete complex tasks fare worse than those with no high-tech help, a small study suggests.

In addition, those fitted with headsets over-estimate how well they perform.

The discovery might limit the usefulness of augmented reality, which has been finding a role in medical and engineering jobs.

The problem arose because of the way that human eyes focused, researchers said.

(19) FACING THE FUTURE. “Hershey’s Tries to Woo the Youths With Emojis”MyRecipes tells how.

…Are the emojis just an attempt to sell more chocolate to youths? Probably. But they’re also designed to do the one thing that advertisers and brand managers speaking at industry conferences love most: starting a conversation. The press release states that the selected emojis were chosen because they “feature meanings that would help to spark a conversation.” The idea that chocolate could get people talking was based on market research which concluded that 87% of kids would want to share chocolate that features emojis with others.

(20) WESTWORLD SADDLES UP AGAIN. The third season trailer has dropped — Westworld III – HBO 2020.

[Thanks to John King Tarpinian, Mike Kennedy, Carl Slaughter, Chip Hitchcock, Martin Morse Wooster, Cat Eldridge, Patch O’Furr, Andrew Porter, Dann, Alasdair Stuart, and JJ for some of these stories. Title credit goes to File 770 contributing editor of the day Acoustic Rob.]

Pixel Scroll 4/24/19 The Scroll Of The File King From Pixel Gynt

(1) AO3’S HUGO PACKET ENTRY. Archive of Our Own has publicly released its Hugo Voter Packet Submission. The two-page writeup is here [PDF file]. The following intro comes from Firenze to Therum:

AO3 was nominated for a Hugo Award this year for Best Related Work! This is an amazing achievement and we’re overjoyed that Hugo voters have recognised the incredible collaborative work that is the Archive.

Here’s some information about AO3, including its origins, some key features, and the team that makes it all possible. You can also check out the shiny PDF we submitted for the 2019 Hugo packet!

(2) AVENGING ECONOMIST. Behind the Financial Times paywall, economics columnist Tim Harford offers his thoughts on Avengers: Endgame.

Thanos fascinates me not only because he’s the best bad guy since Darth Vader–but because the muscular utilitarian is an economist on steroids.

Thanos’s claim to the economists’ hall of fame lies in his interest in scarce resources, his faith in the power of logical analysis, and a strong commitment to policy action–specifically, to eliminate half of all life in the universe, chosen at random…

…Thanos has convinced himself that he’s seen something nobody else can quite understand.  The truth is that he sorely needs peer review.  Like many powerful people, he regards himself as above his critics, not to mention every sapient being in the universe.  He views humans less as free-willed spirits capable of solving their own problems, and more like overbreeding rabbits, needing a cull for their own good.

(3) ENDGAME REVIEW. NPR’s Glen Weldon tells us “Mourning Has Broken Them: ‘Avengers: Endgame'”.

Going into Avengers: Endgame, one would be well-advised to manage both one’s expectations, and — given its three-hour-plus, intermissionless runtime — one’s fluid intake.

…The Russos’ decision to stick close to the experiences of the remaining Avengers proves a rewarding one, as they’ve expressly constructed the film as an extended victory lap for the Marvel Cinematic Universe writ large. Got a favorite character from any Marvel movie over the past decade, no matter how obscure? Prepare to get serviced, fan. Because the film’s third and final hour contains extended references to every single Marvel film that has led up to this one – yes! even Thor: The Dark World! I’m as surprised as you are! – and part of the delight Endgame provides to the patient audience member is gauging the size of the cheer that greets the entrance of any given hero, locale or – in at least once instance – item of super-hardware.

Make no mistake: There will be cheers. And boos. And gasps. The final, climactic battle (come on, you knew there’d be one) is legitimately thrilling, because every one of its manifold delights is fueled by (a cynic would say coasting on) the warm familiarity that spending a decade with these characters has engendered….

(4) GLEN WELDON HAS COMPANY. BBC does a roundup of the immediate reaction — “Avengers: Endgame ‘satisfying’ and ‘glorious’, say critics”.

Critics have been left dazzled by the latest Avengers film, describing it as “glorious”, “irresistible”, “intensely satisfying” and “masterful”….

(5) DON’T MISS THIS OPPORTUNITY. Clarke Award director Tom Hunter, seeing how few award submissions are by writers of color, says “Diversity in science fiction needs action now”.

…Many authors and industry spokespeople have talked more eloquently about the need to address this disparity in publishing than I will ever be able to. But I also suspect more than a few publishers will quietly check their new submissions piles or log into BookScan after reading this, and suggest that in order to affect any real change they need to submit more books by writers of colour.

They may argue, of course, that there needs to be more evidence of sales potential first to get those books past gatekeepers in marketing, finance and other departments. They might (just) have a short-term point, but to me this sounds more like using data to justify a current position – and I think it also misses the bigger publishing opportunity.

Here are four cultural tipping point trends that show what I mean.

  • From the SF&F bookshelves: N.K. Jemisin wins a record-setting third consecutive Hugo Award for Best Science Fiction Novel with the final part of her Broken Earth trilogy (parts one and two having taken the prize in their own respective years).
  • From the ‘respectable’ bookshelves: Colson Whitehead’s The Underground Railroad wins the Pulitzer, the National Book Award and the Arthur C. Clarke Award for science fiction literature.
  • From the Box Office: The Marvel Universe film Black Panther makes over a billion dollars at the box office in record time and gets nominated for seven Oscars including Best Picture (it doesn’t win that one though, of course).
  • From an adjacent cultural sector: The Musée d’Orsay in Paris opens their major exhibition Black Models: From Gericault to Matisse, challenging our historic perceptions of French masterpieces by reframing and renaming them to foreground attention on their black subjects, gaining both critical acclaim and a big upswing in first time visits from new audiences (new readers to you and me) along the way.

(6) HOPEPUNK AND HUGOS. Yes! takes a look “Inside Science Fiction’s Compassionate Revolution”.

…In 2018, almost every category of the Hugos were won by women, including N.K. Jemisin, who became the first person ever to win the Hugo for Best Novel three years in a row. Before Jemisin, no Black person of either gender had ever won the top award.

Then came this year’s historic collection of nominees, which are notable not just for the elevation of a more diverse field of storytellers, but for the specific type of story that many of them represent.

Rowland coined the term “hopepunk” on a whim in a 2017 Tumblr post, having no idea that it would catch on so strongly within the community. She defined it initially as “the opposite of grimdark,” referring to a popular dystopian subgenre characterized by nihilism, amorality, and a negative view of human nature. Hopepunk, in contrast, is optimistic about humanity and sees kindness as “an act of rebellion” against a power structure that benefits from people giving up on compassion.

In an essay for the Winter 2019 issue of The Stellar Beacon zine, Rowland expanded on hopepunk, emphasizing the resistance element. Unlike another subgenre dubbed “noblebright”—characterized by the belief that righteous heroes can and will prevail over wicked villains—hopepunk does not deny the inherent injustices of the real world. However, it also recognizes the potential for justice within humanity. Compassion and empathy are weapons in the eternal fight between good and evil within the human heart. Hopepunk acknowledges that that fight will never be won, but insists on fighting anyway, because, as Rowland wrote, “the fight itself is the point.”

(7) BIZARROCON PERSPECTIVE. Brian Keene interviewed Jeff Burk on a recent episode of The Horror Show With Brian Keene (“Jeff Burk Unchained – The Horror Show with Brian Keene – Ep 215”.)  Part of the discussion centered on the events at BizzaroCon where Chandler Morrison performed a section of one of his works; complete with a dead (toy) baby covered in blood (ketchup) — events covered in File 770 posts “A Reckoning for BizarroCon” and “Changes in Store for Bizarrocon”.

Dann listened to the podcast and sent along these notes —

During the interview, Burk categorically denied having anything to do with abusive/predatory behavior that had been an issue at past cons.  He was incensed at the post-con attempts to tie abusive behavior with himself or Morrison.    Burk suggested that the tone/perspective of comments that he received at the con were decidedly different from what was seen on the Internet in the days that followed.  The people complaining most loudly online had appeared to have substantially different perspectives while at the con.  He also denied that Morrison ever exposed himself during his performance.  A prosthetic/prop was used during the performance.

Burk acknowledged that he had made the mistake of thinking that BizarroCon was an appropriate venue for Morrison’s performance.  Similar (and perhaps more gross) performances have been a long tradition at KillerCon.

Brian Keene indicated that he had acted as a consultant/mediator after the BizarroCon performance, but he had no direct input on Deadite Press’ decision to fire Burk.

Burk indicated that he disagreed with the decision by Eraserhead Press’ decision to terminate him.  But he also said that he is still on good terms with the executives in charge and has a positive opinion of them.

He also discussed his new imprint “Section 31 Productions”.  Star Trek fans will recognize the homage in the company’s name.

(8) DRAGON CHOW. Eater’s article “How Much Do the ‘Game of Thrones’ Dragons Actually Need to Eat? An Investigation” kind of reminds me of the Lilliputians trying to feed Gulliver.

In the Season 8 premiere, Winterfell leather goth Sansa Stark questions her brother Jon Snow’s decision to bring his pushy new girlfriend (and aunt!) Daenerys and her two dragons to the north, wondering out loud what precisely the dragons are going to eat. The Mother of Dragons smugly replies, “Whatever they want.” (Which, judging from past episodes, includes a lot of animal herds and the occasional shepherd boy.)

Later in the episode, two of Dany’s Dothraki footmen inform her that her dragons only ate only “18 goats and 11 sheep” for lunch, a sign that they are losing their appetite as a result of the move up north. Considering that Game of Thrones scribes D.B. Weiss and David Benioff love foreshadowing, we couldn’t help but wonder if the dragon’s dietary needs will play some key role in the upcoming Battle of Winterfell. To better understand the dragon hunger situation and how it could impact the impending war with the Night King, Eater got in touch with a bona fide expert on large reptiles and flying animals, and asked her a few questions about how these aerial beasts might act during the epic battle ahead.

(9) CONNOR TRIBUTE. Graham Connor (1957-2018) co-founded SF² Concatenation at the 1987 Eastercon and remained one of its co-editors until his death in December 2018. Jonathan Cowie and other friends have assembled an illustrated profile of his life in SF and space communications in “A life in SF and space”, an advance post ahead of SF² Concatenation’s summer edition.

Graham was born in the Cumbrian, coastal town of Workington, in the shadow of Windscale (now Sellafield).  1957 was the year of the Windscale nuclear disaster.  And so the scene was set for Graham to potentially have been bitten by a radioactive spider and become a superhero. But, alas, that did not happen….

He did make it to several Worldcons — Brighton (1979), Brighton (1987), The Hague (1990) – he subsequently worked a couple of years for ESA nearby, and Glasgow (1995).  Sadly, chronic illness prevented further attendance beyond the mid-2000s.

(10) BARNES OBIT. From BBC: “Dick Barnes, pioneer behind oldest working computer, dies”. The 98-year-old died April 8.

One of the co-designers of a machine later recognised as the world’s oldest working digital computer has died.

Richard “Dick” Barnes helped to create the Harwell Dekatron, which was first put to use in 1951 by Britain’s fledgling nuclear research establishment.

He was also involved in the 2.5-tonne machine’s restoration, which saw it switched back on in 2012.

…He and two colleagues, Ted Cooke-Yarborough and Gurney Thomas, began their work on the Harwell Dekatron in 1949.

It was initially used by the Atomic Energy Research Establishment in Oxfordshire, where its tasks involved solving equations used to design the structure supporting the world’s first commercial nuclear reactor at Calder Hall.

…In November 2012 the machine was successfully switched back on after a three-year restoration project.

The revived machine functioned as planned, which is to say, very slowly.

It could take up to 10 seconds to multiply two numbers – but Mr Barnes and his co-designers had wanted a machine that could run continuously, not necessarily quickly, in order to be useful.

Indeed, it was known to calculate continuously for periods of up to 80 hours.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born April 24, 1930 Richard Donner, 89. Oh, now he’s credited in directing Superman as making the modern superhero film. H’h. Well I’m going to celebrate him instead for ScroogedThe Goonies (really not genre but fun) and Ladyhawke. Not to mention the horror he did — Tales from the Crypt presents Demon Knight and Bordello of Blood. Oh and the first X-Men film which was superb.
  • Born April 24, 1936 Jill Ireland. For her short life, she was in an amazing number of genre shows. She was on Star Trek romancing Spock as Leila Kalomi In “This Side of Paradise”. She had five appearances on The Man from U.N.C.L.E. as well as being on Night Gallery,  My Favorite Martian, Voyage to the Bottom of the SeaThe Voodoo Factor and the SF film The Girl, the Gold Watch & Everything based on the 1962 novel of the same name by John D. MacDonald. (Died 1990.)
  • Born April 24, 1946 Donald D’Ammassa, 73. Considered to be one of the best and fairest long-form reviewers ever. His Encyclopedia of Science Fiction (2005) covers some five hundred writers and as can two newer volumes, Encyclopedia of Fantasy and Horror Fiction (2006) and Encyclopedia of Adventure Fiction (2009) are equally exhaustive. I can’t comment on his fiction as I’ve only ever encountered as a reviewer.
  • Born April 24, 1947 Michael Butterworth, 72. Author with Michael Moorcock of, naturally, two Time of the Hawklords novels, Time of the Hawklords and Queens of Deliria. He also wrote a number of Space 1999 Year 2 novels, too numerous to list here. He also edited Corridor magazine from 1971 to 1974. He also wrote a number of short fiction pieces including one whose title amuses me for reasons I’m not sure, “Circularisation of Condensed Conventional Straight-Line Word-Image Structures“. 
  • Born April 24, 1953 Gregory Luce, 66. Editor and publisher of both the Science Fiction Gems and the Horror Gems anthology series, plus such other anthologies as Citadel of the Star Lords / Voyage to Eternity and Old Spacemen Never Die! / Return to Earth. For a delightful look at him and these works, go here. Warning: cute canine involved! 

(12) WILSON FUNDRAISING UPDATE. The “Help Gahan Wilson find his way” GoFundMe is now up to 1300 contributors and just over $60,000 raised. Gahan Wilson is suffering from severe dementia, and the goal is to pay for his memory care.

Gahan and my mother had been residing in an assisted living facility in Arizona. With my mother’s passing, he must move to a memory care unit.

…Gahan will be in our care at the casita, and we will also find him a memory care unit in Santa Fe since he also needs daily medical care.

Memory care is wildly expensive. More so than assisted living. If we could cover the cost ourselves, we would. We can’t, and Gahan and my mother did not save for anything like this. We are asking his fans to help us, help Gahan.

That’s what this is all about. Making the rest of Gahan’s days as wonderful as they can be.

(13) OVERLOOKED. In its review of a new sff collection, The Hugo Award Book Club faults “A People’s Future Without Labour”.

…Any author or editor attempting to claim the mantle of [Howard] Zinn’s work has an unenviable task ahead of them. But when SF luminaries John Joseph Adams and Victor LaValle — both of whom have produced top-quality works — announced a short story collection whose title is an homage to Zinn, we were very excited. 

Given the provocative and timely premise of A People’s Future Of The United States, we approached the collection of stories with enthusiasm. Unfortunately, the collection as a whole failed to live up to the grand ideas described by the editors.

…Questions of race, class and gender are important to explore and have all-too-often been ignored in science fiction. 

We would argue that because science fiction is an inherently political genre, it is of paramount importance to create inclusive futures we can believe in. Some of the stories in this volume do indeed ably tackle topics of race, class and gender. But the topic of labour is almost entirely neglected. 

It is disappointing that an anthology that so explicitly aims to address cultural blindspots has reproduced one itself. 

In comparison, the index to Zinn’s classic history book includes a full page of references to organized labour movements. At a rough estimate, 30 per cent of the book deals with the struggles of traditional union movement organizing, and workers rights are integral to much of the rest of the text…. 

(14) ROBOTS LIKE ME. James Wallace Harris reviews Ian McEwan’s Machines Like Me in “Why Should Robots Look Like Us?” at Auxiliary Memory.

McEwan’s story often digresses into infodumps and intellectual musings which are common pitfalls of writing science fiction. And the trouble is he goes over the same well-worn territory. The theme of androids is often used to explore: What does it mean to be human? McEwan uses his literary skills to go into psychological details that most science fiction writers don’t, but the results are the same.

I’ve been reading these stories for decades, and they’ve been explored in the movies and television for many years too, from Blade Runner to Ex Machina. Why can’t we go deeper into the theme? Partly I think it’s because we assume AI robots will look identical to us. That’s just nuts. Are we so egocentric that we can’t imagine our replacements looking different? Are we so vain as a species as to believe we’re the ideal form in nature?

…Instead of writing stories about our problems of dealing with facsimiles of ourselves, we should be thinking about a world where glittery metallic creatures build a civilization on top of ours, and we’re the chimpanzees of their world.

(15) POWER VOCABULARY. BBC’s science news “‘Exhilarating’ implant turns thoughts to speech” includes recorded sample.

Scientists have developed a brain implant that can read people’s minds and turn their thoughts to speech.

The team at the University of California, San Francisco says the technology is “exhilarating”.

They add that their findings, published in the journal Nature, could help people when disease robs them of their ability to talk.

Experts said the findings were compelling and offered hope of restoring speech.

The mind-reading technology works in two stages.

First an electrode is implanted in the brain to pick up the electrical signals that manoeuvre the lips, tongue, voice box and jaw.

Then powerful computing is used to simulate how the movements in the mouth and throat would form different sounds.

(16) KRUGMAN’S WORLDCON TALK. At Anticipation, the 2009 Worldcon in Montreal, Nobel Prize-winning economist Paul Krugman spoke and then took questions. Scott Edelman has posted an audio recording on YouTube.

(17) PROP MAKER. Kenneth Spivey is “The Swordsmith to the Stars”. Great Big Story has a video (just over 3 minutes) about this artist and prop maker who is “working on Hollywood films like the ones he’s always loved—and likely inspiring the next generation.” Chevy trucks are featured prominently since they are the corporate sponsor.

(18) GEMINI MAN. The Hollywood Reporter asks “Can ‘Gemini Man’ Revive the Golden Age of ’90s Sci-Fi?” That is, can it be “an event unto itself?” Will Smith stars opposite a CGI-ed 23-year-old version of himself in Ang Lee’s Gemini Man—a property with a long history of previous stars being attached. The movie opens October 11.

This morning Paramount had us seeing double with the first trailer for the Ang Lee-directed sci-fi/action film Gemini Man, starring not one, but two Will Smiths. The long-gestating film, which began development as a Tony Scott feature in 1997, centers on assassin on the verge of retirement Henry Brogen (Smith), who is forced to combat a younger clone of himself (Smith) in the not-too-distant future. Since the film’s inception in the late ’90s, a number of big names have been attached to star, including Harrison Ford, Nicolas Cage, Clint Eastwood and Sean Connery. When Ang Lee took over the project in 2017, he cast Smith in the lead role, giving the actor the unique opportunity to play both his current 50-year-old self and his 23-year-old self, who, thanks to the film’s revolutionary technology, looks like he just stepped right off the set of The Fresh Prince of Bel-Air. If the trailer for the film, which also stars Mary Elizabeth Winstead, Clive Owen and Benedict Wong, is any indication, Gemini Man may be just what the science fiction genre needs.

[…] Big-budget original science fiction needs a win, and hopefully Gemini Man can recapture the spirit of the ’90s where a big-name director, producer and actor were an event unto themselves, regardless of preexisting material. Gemini Man looks appealing not simply because of its concept and slick action sequences, but because it looks to simultaneously tap into our nostalgia with a sunglasses-wearing Smith, and also our desire for an original, high-concept property that doesn’t require any prior knowledge. It’s a double threat.

[Thanks to John King Tarpinian, JJ, Cat Eldridge, Chip Hitchcock, Mike Kennedy, Martin Morse Wooster, Dann, Carl Slaughter, StephenfromOttawa, Jonathan Cowie, Scott Edelman, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Jack Lint.]

Horror Show Telethon Will Benefit Charity

By Dann Todd: Brian Keene intends to double last year’s success.

In January 2017, The Horror Show with Brian Keene podcast held a 24 hour telethon to raise money for the Scares That Care. Scares That Care is a 501C(3) charity that helps children with cancer, women with breast cancer, and burn victims. The telethon coincided with their 100th podcast episode.

The Horror Show podcast started out with the objective of raising $10,000 for Scares That Care in 24 hours. They exceeded that goal…barely.

The Horror Show podcast announced that they would be repeating their telethon effort on behalf of Scares That Care in 2018. The details of this year’s telethon were announced on a recent Horror Show episode. This year’s fundraising goal is $20,000.

The telethon will take place beginning at noon (EST) on May 11, 2018, and ending at noon (EST) on May 12, 2018. As with last year’s telethon, the show will be livestreamed via YouTube. It will be free to listen to all of the telethon related mayhem.

For those wanting to attend in person, the telethon will take place at the Courtyard Marriot located at 2799 Concord Road, York PA 17402. Seating is limited to 80 people. Tickets to attend the telethon in person will cost $25 and can be purchased via Ticket Leap.

From the news release:

(All proceeds raised from ticket sales will go directly to the $20,000 goal). Your ticket guarantees you 24-hour admission to the telethon — come and go (and sleep) as you please. Please note that by purchasing a ticket and attending, you are granting The Horror Show with Brian Keene permission to broadcast your voice and/or likeness live on the air.

Art On A Lark

By Dann Todd: A link popped up recently over on Reddit for an artist in China. Jian Guo is an artist that has done work inspired by various science fiction and fantasy properties ranging from Lord of the Rings to Star Wars. He has done cover work for the Chinese versions of some of Brandon Sanderson’s books.

Fellowship of the Ring by Jian Guo

Star Wars: Phantom Menace by Jian Guo

Mistborn cover by Jian Guo

And it is simply mind-blowing. There is a larger offering on Guo’s Deviant Art page. And of course, prints of selected images are available in exchange for a bit of filthy lucre.

Expect to spend a significant amount of time exploring his unusual take on various SF/F properties as well as his interpretations of Chinese legends.

New SFF Award: Keystroke Medium Reader’s Choice Awards

By Dann Todd: Keystroke Medium is a collection of authors that lean towards the MilSF subgenre. Last year, Keystroke Medium helped to raise roughly US$5000 in their Covers for a Cause for Parkinson’s research.

The guys from KSM are back this year with another way for them to promote the science fiction and fantasy genre. They recently announced the creation of the Keystroke Medium Reader’s Choice Awards.

The categories are —

  • Best Science Fiction Novel
  • Best Military Science Fiction Novel
  • Best Post-Apocalyptic Novel
  • Best Fantasy Novel
  • Best Epic Fantasy Novel
  • Best Urban Fantasy Novel
  • Best Horror Novel
  • Best Sci-Fi/Fantasy Anthology
  • Best Cover Design
  • Best Audiobook

The awards will be presented at the 20 Books to Vegas Conference in November of 2018. Nominations are open until July 20, 2018 with final voting to take place throughout August of 2018.

The KSM Reader’s Choice Awards are not restricted to KSM listeners. Members of the larger SF/F community are invited to participate.

The current nomination process requires an email address with each submission. There is no verification process to prevent one person (or a small group of people) from stuffing the ballot box.

Josh Hayes of KSM has indicated that they are aware of the potential problem. Josh said that they have not seen any evidence of that being an issue thus far. But they have discussed some options for the future if it should become a problem. Josh and the team are willing to evaluate suggestions that anyone might have.

(FTR, I did exchange some email with Josh knowing that the ballot security issue would be discussed by various File770 denizens. He seems very nice and very approachable.)

For Your Consideration: Disney Story Origin Podcast – The Black Cauldron

By Dann Todd: After a year-long sabbatical motivated by personal health concerns, mystery/thriller author Paul J. Hale is back with episode 10a of The Disney Story Origins Podcast.

In this most recent episode, Paul focuses on Disney’s The Black Cauldron movie. As has been the case with his past podcast episodes, Paul presents a thoroughly researched comparison between the source material and Disney’s movie. His purpose is not to criticize the choices of Disney filmmakers. Instead, his focus is on illustrating the differences between the source material and the movie. His analysis ends up having the movie illuminate the source material and the source material illuminate the movie. As is his habit, Paul includes a complete bibliography at the page for this podcast that formed the basis of his research.

One interesting sidelight on the movie is that Jeffrey Katzenberg, then a new studio chairman with Disney, feared that the original version of the movie was headed for a PG-13 rating from the MPAA. That concern was after the movie’s director and editor had already removed material to avoid a suspected R rating. Mr. Katzenberg then attempted to personally undertake the process of editing the movie to remove the offending material.

The source material for The Black Cauldron was Lloyd Alexander’s series The Chronicles of Prydain. The movie uses material from books 1 and 2 of the series; The Book of Three and The Black Cauldron.

Lloyd Alexander won the Newbery Medal for the fifth and final installment of the Prydain series, The High King, in 1969. He received the World Fantasy Award – Lifetime Achievement in 2003.

Pixel Scroll 10/17/17 If I Have Scrolled Further Than Others, It Is Because I Stood On The Pixels Of Filers

(1) NOW YOU KNOW. Ron Howard says the movie will be called Solo: A Star Wars Story.

(2) ATOMIC AGE LORE. Tony Rothman kicks off his American Scientist article “The Forgotten Mystery of Inertia” with – of all things – a Worldcon anecdote.

In days of yore, at a World Science Fiction Convention in Boston, a Harvard graduate student polished his reputation as a brilliant mad scientist by roaming the convention halls, brandishing what at first glance appeared to be a rather peculiar steel bowling ball. Portholes perforated its surface, providing a glimpse of electronic hardware inside; tangled wires sprouted from the same holes, and a gear train surrounded the mysterious object’s equator.

“What’s that?” I asked him.

“It’s the gyro platform for an intercontinental ballistic missile,” he replied. “If you put it on a Titan rocket, it will fly to Kiev.”

“How do you know?”

“It’s an inertial guidance system, stupid. It knows where Kiev is.”

“I know how inertial guidance systems work, but how do you know it knows where Kiev is?”

“Oh, that. It was stamped on the box.”

This sorcerer’s apprentice had discovered that for $900 you could buy a surplus intercontinental ballistic missile, 10 years before the electronics were declassified. His Titan was delivered on two railway cars, “Kiev Titan Missile” stamped on the crates. He junked the body, donated the engines to an art museum, and saved the electronics for his research. A tall tale? Sounds like one, but the gyro platform was there for all to see.

That is the question. At what, exactly, is the gyroscope pointed? According to the law of inertia, objects tend to continue doing what they’ve been doing: If at rest, they remain at rest; if moving, they continue moving at the same speed in the same direction. The gyroscope also bends to inertia’s will, but in confounding ways. Touch it, and the gyro opposes you by veering in unexpected directions. If it is spinning extremely rapidly, the gyroscope remains rigidly locked in the direction it has been set, its sights fixed on…Kiev—hence the term inertial guidance systems. If a rocket veers off the gyro’s fixed course, a sensor detects the error, and a servomechanism realigns the missile with the gyroscope axis.

Was that Russell Seitz? When I first got into fandom that was the story going around about him, of which the following is one version:

In the late 70’s, when most of our nuclear arsenal was converted from liquid to solid fuel, the U.S. Government auctioned off a number of obsolete missile silos and their contents. Mostly the silos got bought by local farmers who converted them for grain storage. I only know what happened to one of the missiles. It was offered at sealed bid auction and a friend of mine, Russell Seitz, bought it. When you bid on something like this, you have to send in a check for 10% of your bid as a deposit. He looked at his bank account, and figured he could spare about $300 that month, so that’s what he sent. When he discovered that he’d won the bid, he had to scrounge up the rest. Now the buyer must pick up the goods himself, but he can request that his purchase be delivered, at government expense, to the nearest military base. Being an undergraduate at M.I.T. at the time, he had the missile shipped to Hanscom Airforce Base, about 12 miles away. He then arranged for a truck, and donated the missile to a local modern art museum (I forget which one). Tax laws were a little different in those days, and if you donated something to an art museum, you could deduct not the just the purchase price, but the original value of the object, which was considerable. Income averaging allowed him to spread the “loss” out over a number of years so that he didn’t have to pay taxes for a long time! He was legendary at M.I.T. for quite a while, and acquired the nickname “Missile” Seitz.

(3) ED KRAMER BACK IN THE NEWS. Ed Kramer, Dragon Con founder and convicted sex offender, has sued the producers of The Disappearance of Natalee Holloway, claiming they owe him for his work in creating and developing the program. The Huffington Post has the story: “Sex Offender Claims Responsibility For Natalee Holloway TV Series”.

Just when it seemed the Natalee Holloway case couldn’t get more peculiar, HuffPost has uncovered another twist in the teenager’s 2005 disappearance: A registered sex offender is claiming responsibility for a recent television series about the mystery.

Edward Kramer is suing producers of “The Disappearance of Natalee Holloway,” a TV series that began in August on the Oxygen Network, alleging he is “co-owner, developer and writer,” according to his lawsuit, filed in U.S. District Court in California. Kramer wants unspecified “just compensation” for his work, plus punitive damages.

Kramer’s personal website claims:

Edward E. Kramer is the creator and developer of the six-part series, The Disappearance of Natalee Holloway for Brian Graden Media (BGM) and NBC Universal’s newly re-branded Oxygen Crime Network. This landmark series, featuring Dave Holloway and Private Investigators T. J. Ward, Kathy Wainscott, Trace Sargent and Eric Bryant, Detective Frank Karic and Forensic Scientist Jason Kolowski, which finally puts to rest the 2005 murder of Natalee Holloway.

The defendants in the lawsuit, Brian Graden Media and Lipstick Inc., filed an answer to the suit, denying they owe anything to Kramer.

He wasn’t “named as a writer, screenwriter, or co-creator,” they said, and was working as an “employee or agent of T.J. Ward,” a private investigator who appeared on the series with Holloway’s father, Dave Holloway.

Read a copy of the original lawsuit filing and the defendants’ answer here.

(4) MARVEL EXEC’S COMICS COLLECTION LOOTED. Marvel’s Joe Quesada is looking for help to recover or reacquire comics and other art stolen from his collection. He gives the background in a long public post on Facebook, leading up to recent discoveries of his artwork for sale, and the arrest of the culprit.

In early June I was contacted by a longtime friend, he was looking at some comic art auctions and was curious as to why I was auctioning a piece that he knew was part of my personal collection and something I would never, ever sell. He sent me a link where I discovered 24 pieces in total from my private collection up for auction including pieces I did long before I was a working professional. While at the moment I’m not at liberty to give the details, investigating this further it turns out that the artwork that was up for auction was all originally purchased from a Mr. Francesco Bove.

Further investigation uncovered that, since the time he was thrown out of my house, at least 185 more pieces of my stolen art were sold at auction and all of it originally purchased directly from Mr. Bove. That’s 185 pieces, sold and gone! How much more was sold privately is unknown at the moment but I’m not feeling optimistic.

So why is this news breaking now? As the case was being investigated the Detective in charge discovered Mr. Bove had left the country and had gone to Italy. Upon his return he was arrested which brings us to right now. From what I know so far it’s believed that Mr. Bove has sold portions of my art to comic shops, dealers and collectors in Manhattan, Brooklyn, The Bronx, as well as parts of Long Island and New Jersey. It could be wider spread than that but I’m not at liberty to say.

And here’s the thing that keeps me up at night. These were pieces that I was never intending to sell, art that had deep personal meaning to every member of my family. There was an enormous collection of Archie art from various artists like Stan Goldberg, Harry Lucey, Sam Schwartz but the majority of it by Dan DeCarlo. There were also Laugh Comics pages by Bill Woggon, The Adventures Of Pipsqueak by Walt Lardner as well as Pat The Brat and Shrimpy by Joe Harold and a huge assortment of other artists from the 50s and 60s to today. I lost pages of my own professional art as well as art I purchased from dear and talented friends. But what stings the most is that Mr. Bove took artwork that I had discovered many years ago stored in my father’s home after he had passed away. Drawings and paintings I did in elementary school, high school and college. Practice sample pages I had done before ever seriously thinking I could be in comics. This was art I was leaving behind for my daughter just as my father had left it for me. It kills me to think that I’ll never get this stuff back now that it’s been scattered to the four winds perhaps bought and sold more times than I care to imagine… or possibly even destroyed. So yes, heartbreak after heartbreak. Not only was the thief someone who I trusted, allowed into my home and helped during rough times, but the items he stole in order to keep himself afloat once he realized he irreversibly burned his bridge with me were the ones most irreplaceable and of personal importance.

Now here’s the part where I could use your help.

While I’m hopeful that now in custody Mr. Bove may lead the Detectives to the people and locations where he sold the art, perhaps some of you reading this might be able to point the Sparta New Jersey Police Department in the right direction. If you’ve purchased any art from Mr. Francesco Bove and have it in your possession or know someone who does please contact

Det. Jeffrey McCarrick at (973) 726-4072

Or the Sparta New Jersey Police Department spartanj.org or on their FB page https://www.facebook.com/sparta.police/

You can also reach out to me here on FB as well. Please know that I understand completely that this was sold under false pretenses and I fault no one for not knowing that. All I want is to retrieve as much of the art as I possibly can especially the attached Dan DeCarlo cover for Archie #322 which means the world to me and my family. Unfortunately it has been sold at least twice over that I’m aware of but if you know where I can find it I will gladly purchase it back.

(5) BOOTS ON THE GROUND. The Planetary Society reports on the first meeting of the newly reconstituted National Space Council in “We choose to go to the Moon and do the other things”.

Returning to the Moon

The biggest news to come out of today’s meeting was [Vice President] Pence’s authoritative declaration that Americans will return to the lunar surface.

“We will return American astronauts to the Moon, not only to leave behind footprints and flags, but to build the foundation we need to send Americans to Mars and beyond,” Pence said.

This wasn’t unexpected, considering prior statements by Pence, other administration officials, and the backgrounds of space council executive secretary Scott Pace, and NASA administrator nominee Jim Bridenstine.

Very few details were given on how a return to the lunar surface would work, or when it would occur. Pence did not say whether the Americans on the surface would be government or commercially-employed astronauts. And the agency’s exploration goals already include a return to lunar space via the Deep Space Gateway, a small space station in lunar orbit, which would provide a test-bed for closed-loop life support, deep space maneuvering, and other technologies necessary for travel to Mars.

In a statement, NASA acting administrator Robert Lightfoot said the agency has “highlighted a number of initiatives underway in this important area (cislunar space), including a study of an orbital gateway or outpost that could support a sustained cadence of robotic and human missions.” That implies the Deep Space Gateway is still on the table, and could theoretically fit within the broad plans outlined by Pence.

The fate of the Space Launch System rocket and Orion crew capsule have been a perennial point of discussion among space advocates, particularly during the transition to this new, business-friendly administration. Though it wasn’t stated explicitly, today’s discussions seemed to assume the continuation of SLS and Orion, at least for now. The programs have always had strong congressional support, and were intended to be destination-agnostic, both by design and congressional directive. NASA can thus shift its focus without a drastic restructuring of its major hardware programs.

(6) TAKE A SHOWER. Space.com tells you — “Orionid Meteor Shower 2017: When, Where & How to See It”.

One of the year’s best sky shows will peak between Oct. 20 and 22, when the Orionid meteor shower reaches its best viewing. The meteors that streak across the sky are some of the fastest and brightest among meteor showers, because the Earth is hitting a stream of particles almost head on.

The particles come from Comet 1P/Halley, better known as Halley’s Comet. This famous comet swings by Earth every 75 to 76 years, and as the icy comet makes its way around the sun, it leaves behind a trail of comet crumbs. At certain times of the year, Earth’s orbit around the sun crosses paths with the debris.

(7) NOTABLE SIGNATURES. Michael Burstein posted copies of some historic letters his grandfather received from Einstein, Teller and Isaac Asimov.

Among other things, my grandfather Rabbi Abraham Burstein was secretary of the Jewish Academy of Arts and Sciences. One of his tasks was reaching out to various luminaries to see if they would be interested in joining the academy. Sometimes he reached out to people whom he knew were Jewish but who might not be very public about it; joining the academy was a way to express solidarity without becoming too public. From what I understand, the academy had annual meetings with speakers.

I do not know what was in the letters my grandfather sent out to these three recipients, but we can see what they said back.

The earliest letter is from Albert Einstein, dated June 7, 1936. The next letter is from Edward Teller, dated December 21, 1962. The last letter is from Isaac Asimov, dated October 21, 1965.

(8) HONOR AN AUSTRALIAN SFF CONTRIBUTOR. The A. Bertram Chandler Award is calling for nominations.

So why is a person awarded this honour?  It’s because the recipient has demonstrated over many years untiring commitment and selfless work within Australian fandom or the Aussie SF scene in general.  Work such as convention running, local club activities, publishing, writing of merit in the genre whether that be blogs, fanzines, short stories or novels, artistic endeavours such painting, graphics or other such forms.  The criteria is not limited to any one activity; but mostly it is for activities that are visible and evident to the Aussie SF community.

So, do you know someone who has made a significant contribution to Australian science fiction and/ or Australian fandom, not just over the last year, but year in, year out? Feel that they should be honoured / recognised for this work? Then why not nominate them for the A Bertram Chandler Award. It is really easy to do: just write to the ASFF and outline why you think that the person is deserving of the award.  No forms to fill out, no entrance fee, nothing but a simple few paragraphs outlining the person’s achievements.

For more information about the A Bertram Chandler Award and the Australian Science Fiction Foundation visit our website ( www.asff.org.au )

To nominate a worthy person, send to awards@asff.org.au

(9) EBOOK TIDE RECEDING? A Wall Street Journal blogger relates what publishers had to say at the Frankfurt Book Fair in “Book Publishers Go Back to Basics”.

Book publishers are giving an advance review of the industry’s future, and it looks a lot like the past. After a decade of technological upheaval and lackluster growth, executives at the top four U.S. consumer book publishers say they are done relying on newfangled formats to boost growth.

It has been nearly 10 years since Amazon.com Inc. introduced its Kindle e-book reader amid the financial crisis, destabilizing publishers and challenging their well-honed business models.

Now, e-book sales are on the decline, making up a fraction of publishers’ revenue, and traditional book sales are rising. The consumer books industry is enjoying steady growth in the U.S., with total revenue increasing about 5% from 2013 to 2016, according to the Association of American Publishers.

Executives gathered in Frankfurt for the industry’s biggest trade fair said they are returning to fundamentals: buying and printing books that readers want to buy—and they are streamlining their businesses to get them out faster than ever before.

It is about “knowing what [readers] want,” said Markus Dohle, chief executive of Bertelsmann SE and Pearson PSO -1.91% PLC’s joint venture Penguin Random House, “to drive demand at scale.”

The shift is a surprise reversal for an industry that experts just a decade ago predicted was facing radical change, if not a slow death, because of digitization and changing reading habits. Instead, e-book sales in the U.S. were down about 17% last year, according to the AAP industry group, while printed book revenue rose 4.5%.

…Mr. Murray blamed flagging e-book sales on “screen fatigue,” and said HarperCollins was upping investment in printed books, “the value anchor” for the entire business. Printed books are “more beautiful now,” he said. “You’ll see endpapers [and] a lot more design sensibility going into the print editions because we recognized that they can’t be throwaway.”

(10) IT’S THE PRICE. Amanda S. Green’s opinion about the above news is that trad publishers constantly talk around the real obstacle to e-book sales, which she identifies in “The delusions continue” at Mad Genius Club.

…Simon & Schuster CEO Carolyn Reidy claims that nothing “went wrong” with e-books. It seems she believes people have gotten tired of reading on their screens. Again, a complete disconnect from reality. People don’t want to pay as much — or more — for an e-book as they will for a print copy. But the laugh out loud moment comes further down in the article when Reidy says she firmly believes “a new version of the book based on digital delivery will come eventually, though she does not know what it might look like.”

Blink.

Blink. Blink.

Hmm, wouldn’t that be an e-book? The bells and whistles might be a bit different, but it if walks like a duck and quacks like a duck and looks like a duck, isn’t it a duck?

And what about her argument that e-book sales have leveled off because we are tired of reading on our screens?

It constantly amazes me the way these folks continue to tie themselves into knots trying to explain how e-books are bad, or are a passing fad or a way for writers not good enough for traditional publishing to get their works into the hands of readers. All I know is that the real numbers, the numbers that look at more than the Big 5 titles, tell a different tale. As a reader, I know I find myself picking up more and more books from indie authors because they are writing stories I want to read and they are doing it at prices that allow me to read two or three or more books for the price of a single Big 5 title. When is the point going to come where an accountant who isn’t afraid of rocking the boat says they can actually sell more — and make more money — if they lower their prices to something reasonable?

(11) SPLATTERPUNK AWARD SEEKS NOMINATIONS. As announced recently on Episode 136 of The Horror Show with Brian Keene, the SplatterPunk awards are now taking nominations for works of horror.  The categories are:

  • BEST NOVEL (for works of more than 50,000 words)
  • BEST NOVELLA (for works from 15,000 to 50,000 words)
  • BEST SHORT STORY (for works from 500 to 14,000 words)
  • BEST COLLECTION (for single-author works over 50,000 words)
  • BEST ANTHOLOGY (for multiple-author collections over 50,000 words)

Anyone registered to attend next year’s KillerCon is eligible to nominate.  Early registration is $89.99 until the end of 2017.  Registration is capped at 250 attendees.

Dann sent the link along with an observation, “The nomination form is a little unusual in that there is only one space provided for a nomination.  The attendee is supposed to indicate the appropriate category in one box and the work being nominated in a second box.  It isn’t clear how an attendee is supposed to nominate works in more than one category.”

Guests of honor at next year’s Killer Con include Brian Keene, Edward Lee, and Lucy Taylor.  Special Guests include author Matt Shaw and freelance editor Monica J. O’Rourke.

The 2018 Splatterpunk Awards jurors are David J. Schow, Gerard Houarner, Monica J. O’Rourke, Mike Lombardo, and Tod Clark.

The Founders of the SplatterPunk Awards, Wrath James White and Brian Keene, will select the Lifetime Achievement Award winner.

(12) TODAY IN HISTORY

  • October 17, 1937: Huey, Dewey, and Louie (Donald Duck’s nephews) first appeared in a comic strip.

(13) TODAY’S BIRTHDAY BOYS

  • Born October 17, 1914 – Jerry Siegel, co-creator of Superman.
  • Born October 17 – Michael J. Walsh, publisher, Old Earth Books, and former Worldcon chair (1983)

(14) THE NEIGHBORS’ HALLOWEEN DISPLAY. That would be a two-story tall Star Wars Imperial Walker —  “‘The Force’ is strong in Parma as residents unveil towering Star Wars’ robot”.

Everyone wants to see Nick Meyer’s latest Halloween decoration.

“That is an imperial armored transporter from (‘Star Wars: Episode V – The) Empire Strikes Back,’” said Meyer.

Star Wars’ fans would know the official name for the towering rover: an AT-AT (All Terrain Armored Transport).

Seven years ago, Meyer and his family started the tradition of building a Halloween display in the front yard.

“I love it, I encourage it,” said Nick’s wife Becky Meyer.

It gets bigger every year.

“I liked the clowns we did one year. Last year we did ‘Friday the 13th’ cabin, that was one of my favorites,” Becky said. “Last year was pretty awesome, and he topped it,” said next door neighbor, Amber Johnson.

One would think some neighbors might not want to stare at a two-story Star Wars robot for a few weeks, you’d be wrong.

“No, this is our fourth year living next door to them, and we love it,” Johnson said.

(15) IN MEMORY YET GRAY. Lawrence Schoen asks the inevitable question of Vivian Shaw, author of Strange Practice, in “Eating Authors: Vivian Shaw”.

LMS: Welcome, Vivian. What’s your most memorable meal?

VS: If you’d asked me this two years ago, I would have had no difficulty whatsoever in coming up with the best meal I’d ever eaten. That was in 2004, in Chicago, the same day I met Scott McNeil and George Romero: I was at a Transformers convention and decided to take myself to an actual steakhouse for an actual steak, and I can still so clearly remember the gorgeous rich mineral taste of that first-ever filet mignon, the way it almost dissolved in my mouth. The vivid greenness of the two asparagus spears on the plate, the peppery kick of the Shiraz that accompanied it — even thirteen years later it’s incredibly easy to recall.

(The most memorable, however, was the time on British Airways in the 1990s where for reasons known only to themselves somebody had decided to add bits of squid to the fruit salad. Memorable doesn’t equal pleasant.)

(16) LECKIE’S PROVENANCE Camestros Felapton reviews the new novel Provenance by Ann Leckie.

The people of Hwae (or at least the high-ranking ones) obsess over social status in a way that the Radch obsesses over rank (and tea). Central to this cult-like obsession is the veneration of ‘vestiges’ – artifacts that demonstrate the age of a family and possible connections to historical events. Vestiges can be anything from physical objects to letters and postcards or ticket stubs.

When we first meet Ingray she is off planet, embroiled in a scheme that is within her cognitive capacity to execute but for which she is not temperamentally prepared. As events unfold, a prison break, stolen spaceships, a murder of foreign dignitary and an invasion plot unfold around Ingray in a story that has elements of a mad-cap caper along side space-opera and Leckie’s trademark examination of the potential variety of human culture.

Above all Ingray is an honest person caught in a story in which most people she meets (both the good and the bad) are liars. This is such a clever trick by Leckie, as she manages to encapsulate Ingray very quickly as a character very early in the book, while giving her a backstory that gives her reasons to attempt a devious scheme (returning a notorious exiled criminal/disgraced vestige keeper to Hwae to embarrass her parent’s political rival). Ingray’s basic niceness wins her some useful allies and her naturally bravery pushes her further into the events.

(17) VIDEO OF THE DAY. Andrew Finch tells the inspiration for his short film Others Will Follow.

But Why?

Thanks for watching, Others Will Follow was inspired by this speech written for President Nixon to deliver in the event that the Apollo 11 astronauts were stranded on the moon. Fortunately they never used it, so I figured I would. NASA has parked its space ships in museums in the decades since the contingency speech was written. Most humans alive today didn’t exist the last time humanity left low earth orbit. I wanted to make something that would outline the importance of human space flight by imagining a brute-force mission to Mars in the early 2000s that, despite disastrous circumstances still manages to pass the torch of inspiration. I spent 4.5 years making this short and attempted to do every aspect of its creation myself, from pyrotechnics to music composition. Many of the disciplines were completely new to me like designing and building the space ship and constructing the space suit, others like VFX and cinematography I had a background in.

The lone survivor of the first mission to Mars uses his last moments to pass the torch of inspiration.

Making of: Others Will Follow

VFX Breakdowns and funny funny stuff from the set of Others Will Follow

 

[Thanks to John King Tarpinian, JJ, Mark-kitteh, Dann, Michael J. Walsh, Steve Davidson, Cat Eldridge, Andrew, and Rose Mitchell for some of these stories. Title credit goes to File 770 contributing editor of the day Brad J.]

Pixel Scroll 8/21/17 Rishathra Ain’t Nothing But Love Mispronounced

(1) HELP COMING FOR INDIE AUTHORS. Brian Keene, in the August 17 episode of his podcast The Horror Show, mentioned a new resource for librarians. Dann explains:

Small press and indie authors face the double problems of getting bookstores to carry their books and getting local libraries to put them on their shelves.  According to horror author Brian Keene, those problems are significantly influenced by the fact that books from small presses and indie author are rarely reviewed by recognized resources such as Publishers Weekly.  Librarians, in particular, are reluctant to order books that have not been reviewed by another professional librarian.

There is a new magazine on the horizon that hopes to rectify that issue by focusing on reviews of works from small presses and indie authors. Indie Picks Magazine aims to become a librarian quality resource that focuses on works beyond those published by the Big 5 publishing houses.

The first issue is due out on November 1, 2017. Social media links —

(2) DON FORD. J.J. Jacobson, UC Riverside’s Jay Kay and Doris Klein Librarian for Science Fiction, says 1949 Worldcon chair Don Ford also left his photos to them.

It may also give you joy to know that we have a gift of several hundred similar photos from the family of Midwest fan and photographer Don Ford, some dating back to cons from the 1940s. Ultimately these will join the Klein photos on Calisphere.

(3) ROCKET EXPERIMENT. In “Can We Categorize Clipping?”, the Hugo Award Book Club tries to define a category a musical album can win that wouldn’t have to be called Best Musical Album.

Splendor and Misery from L.A.-based experimental hip hop group Clipping is an ambitious and challenging work that is an exemplar of this tradition. In the 2017 Hugo Awards, it became only the second such work to be nominated for a Best Dramatic Presentation Hugo Award (after the 1971 album Blows Against The Empire by Jefferson Starship, which finished in the voting below ‘No Award’). However, Splendor and Misery failed to generate much popular support among voters, placing last amongst other nominated works in the category and losing to Leviathan Wakes from the TV series The Expanse. While Leviathan Wakes is an awesome bit of television (and is the work that we voted for) it is kind of a shame that there isn’t a good category to recognize eclectic and unusual works in the Hugo Awards.

(4) ALIENS OF EARTH. Fantasy-Faction’s Nicola Alter considers “The Creatures We Base Aliens On”.

One of the interesting things about fictional aliens is that they’re almost never completely alien. We have no real idea what extra-terrestrials would look like, and it’s nigh impossible to imagine an entirely new species unlike anything we’ve ever seen. As such, we usually fall back on earthly species for inspiration, combining known elements to create strange new creatures. And we certainly have some bizarre real animals to choose from.

Last year I wrote about our penchant for basing aliens on cephalopods, but octopuses, cuttlefish and squids aren’t the only creatures that inspire us, so I thought I’d take a step back and look at a broader range of favourite sources…

(5) WONKS OF WESTEROS. The Libertarian think tank The Cato Institute will be hosting a Policy Forum about “The Politics of Game of Thrones” on Monday, August 28. It will be livestreamed.

Why is Westeros mired in 8,000 years of economic stagnation? Should Daenerys firebomb King’s Landing to prevent a longer war? The world of Game of Thrones is teeming with fascinating interactions between institutions, incentives, and power that creates a sweeping geopolitical mega-saga just begging to be theorized. An examination of these issues through the lens of economics, law, international relations, and power politics promises to be both instructive and entertaining. The day after the Season 7 finale airs, join the Cato Institute and the R Street Institute in an exploration of the intrigue and game theory (and inevitable analogies to our current political landscape) that pervade the world of ice and fire.

Featuring Ilya Somin (@IlyaSomin) Adjunct Scholar, Cato Institute; Matt Yglesias (@mattyglesias) Co-founder and Executive Editor, Vox; Peter Suderman (@petersuderman) Senior Editor, Reason; Alyssa Rosenberg (@AlyssaRosenberg) Culture Columnist, Washington Post Opinions Section; moderated by Caleb Watney (@calebwatney), Tech Policy Analyst, R Street Institute.

If you can’t make it to the event, you can watch it live online at www.cato.org/live

(6) PASSING THE HAT. Time for the 2017 Strange Horizons fund drive.

We, Strange Horizons, are a non-profit organization run entirely by volunteers. We don’t do the whole advertising thing, and we have no corporate sponsors. It’s through your donations, and your donations alone, that we’re able to pay our contributors and publish a new issue 51 weeks of the year.

This year, we’re trying to raise US$16,000 to keep the good ship Strange Horizons chugging along at its current speed. If we manage to hit that level of funding, we’ve got a few new things planned, too. If that’s enough for you, then you can find out how to donate on our IndieGoGo page. And thank you!

But hey, maybe you’re not quite convinced yet. Maybe you’re wondering what exactly we’ve been up to and what we plan on getting up to next year. Read on—the answers you seek are below! …

(7) HUSH-A-BOOM. This is almost worthy of Galactic Journey — the BBC’s story about a Sixties Soviet superweapon: “The monster atomic bomb that was too big to use”.

Tsar Bomba was no ordinary nuclear bomb. It was the result of a feverish attempt by the USSR’s scientists to create the most powerful nuclear weapon yet, spurred on by Premier Nikita Khruschchev’s desire to make the world tremble at the might of Soviet technology. It was more than a metal monstrosity too big to fit inside even the largest aircraft – it was a city destroyer, a weapon of last resort.

The Tupolev, painted bright white in order to lessen the effects of the bomb’s flash, arrived at its target point. Novya Zemlya, a sparsely populated archipelago in the Barents Sea, above the frozen northern fringes of the USSR. The Tupolev’s pilot, Major Andrei Durnovtsev, brought the aircraft to Mityushikha Bay, a Soviet testing range, at a height of about 34,000ft (10km). A smaller, modified Tu-16 bomber flew beside, ready to film the ensuing blast and monitor air samples as it flew from the blast zone.

In order to give the two planes a chance to survive – and this was calculated as no more than a 50% chance – Tsar Bomba was deployed by a giant parachute weighing nearly a tonne. The bomb would slowly drift down to a predetermined height – 13,000ft (3,940m) – and then detonate. By then, the two bombers would be nearly 50km (30 miles) away. It should be far enough away for them to survive….

(8) GENTRIFICATION. Gordon Ramsay’s kitchen is more dangerous than this. Hell’s Kitchen is no longer as shown in The Defenders: “Marvel Comics Meet Reality On The Not-So-Mean Streets Of Hell’s Kitchen”.

That’s when the editor-in-chief of Marvel Comics moved to New York City — in the ’80s. Axel Alonso met me on West 54th St, and I asked him why this neighborhood is so important in the Marvel Universe. “In Marvel comic books, Hell’s Kitchen sort of functioned as Mean Street Central, the underbelly of society, the place where there are predators and prey.”

Today, those predators are more likely to be the people charging you $50 for a blowout, or $20 for an omelette at brunch. “We’re fudging the truth with Hell’s Kitchen right now, you know, as you and I walk the streets, we see the development and the cafes,” Alonso says.

The New York of an earlier time informed so many iconic comics. Alonso says fans would revolt if you moved characters deeply associated with New York to anyplace authentically grittier, like Detroit. Alonso adds that Luke Cage’s Harlem has been updated, much more so then Hell’s Kitchen. And the Marvel universe is making a point of weaving in stories about gentrification: In Netflix’s Daredevil, an evil real estate mogul kills tenement activists who will not move out of their rent-controlled apartments. He’s motivated only by greed.

Chip Hitchcock adds, “Actually, it hasn’t been that gritty for some time; Penn and Teller were performing there in 1985, right next to a nice French restaurant, before moving to Broadway.”

(9) CELEBRITY BRUSH. I never met the late Brian Aldiss. Lou Antonelli did, sort of. “The time I stepped on Brian Aldiss”.

That year [2004] was the last where the members of the Science Fiction Hall of Fame were inducted at the [Campbell] conference (the event has since moved to the sf museum in Seattle). The living inductees were Brian Aldiss and Harry Harrison. We arrived in Lawrence just in time for the dinner, and as I rushed into the student center – worried that we were running late – I saw a pair of old timers in tuxes heading for the door from the opposite direction. As I ran up, I realized they were Aldiss and Harrison. In a clumsy attempt to be a gentleman, I grabbed the door to hold it open for Aldiss, who was first. But as I walked around him, I stepped on the back of his shoe and gave him a “flat tire”. (My wife tried to make me feel better later by pointing out that Aldiss was wearing house shoes).

(10) TODAY’S BIRTHDAY BOY

  • Born August 21, 1920 — Christopher Robin Milne, A. A. Milne’s son who he modeled Christopher Robin after in the Winnie the Pooh stories.

(11) TODAY IN HISTORY

  • August 21, 1981 — John Landis’ An American Werewolf in London premieres in theaters.

(12) COMIC SECTION. John King Tarpinian spotted Edgar Allan Poe in today’s Bliss.

(13) IN THE SQUARE. Kalimac, in “confederate statues”, adds cultural context to the monument controversy. Historical analysis precedes this excerpt:

…And I think it’s because of that acknowledgment that, up until now, Northerners have ignored the profusion of statues of Lee and Jackson and anonymous Confederate soldiers that festoon Southern town squares. After all, they were great generals and brave soldiers. Let the descendants have their pride.

Up until now. Not any longer. Because if that’s the history that we had that’s now being forgotten, there’s another history that the books I read had ignored that’s now being rediscovered. And that is that the ex-Confederates and their descendants have not been living up to their side of the bargain. And not just in the hard facts of racial oppression in the South for over a century and still echoing in ugly ways today, but also in the symbolism which is the subject of the consensus.

Those statues. They aren’t lovingly-crafted monuments erected in the echo of the loss, like the WW1 cenotaphs in every British town and college chapel. They’re cheap mass-produced knock-offs from Northern factories, put up later, in the Jim Crow era, not in memory of a loss but in defiance of that loss. (the evidence) Look at the capital letters in the term “Lost Cause” and read what’s been said about it. Its memorializers don’t acknowledge it was bad, they only regret that it was lost.

Nor do we notice who’s being honored. There’s Jackson, who died during the war (of the aftereffects of “friendly fire,” by the way), and thus had nothing to say afterwards. There’s Lee, who retired from public life and quietly became a college president. But where is the CSA’s third best general, James Longstreet? You don’t see many statues of him. After the war, he became a Republican and actively co-operated with the Union government. For that, he’s considered a shame in the white South. Confederate apologist historians retroactively blame him for Gettysburg, at best a dubiously tenable position, even hinting that he was secretly a traitor to his cause.

(14) THE TRILOGY FINALE. His Felaptoncy assays a new release: “Review: The Stone Sky by N.K.Jemisin” at Camestros Felapton.

The future world, the one in which most of the books is set, has descended further into physical disaster. The former community of Castrima is now a band of refugees heading towards an empty city in a brutal march which many won’t survive. In a different novel, this struggle would be an account of good and evil but Jemisin avoids treating even monstrous people as monsters. There is no character that appears in any one of the trilogy who is not granted some compassion by the writer – not Schaffa the murderous guardian, nor Jija the child murdering father. Yet this compassion is not at the expense of a strong moral centre to the story and a channelled anger at the use of hate to dehumanise and to brutalise a society

(15) IN RE DANMORE. Rose Embolism promised to boost the signal for this Medium post, which may appeal to the superscientific among you. I suppose it doesn’t hurt any that the piece begins with a Terry Pratchett quote.

PhD candidate Erin Giglio, who I know from metafilter, has done a response to James Danmore’s Google memo, using actual science. And by that I mean it’s an incredibly thorough, well researched paper on the current science on gender, that looks at and devestates Danmore’s s “scientific” arguments.

Aside from being a comprehensive rebuttle to Danmore’s memo, I find it a fascinating, if long and technical read about the current state of biological science.

“The truth has got its boots on: what the evidence says about Mr. Damore’s Google memo”

(16) YOU ARE NO. 6 The Telegraph answers the question “How did The Prisoner ever get made?”

Fifty years ago, The Prisoner began serving time. McGoohan – its star, executive producer, and sometime writer-director, a hard-drinking, intransigent Irish-American actor with a sharp Olivier-like edge to his voice – became Number Six, a former secret agent who knew too much to be permitted his freedom. For 17 weeks, he struggled against the mysterious authorities of the Village, personified by Number Two – not an individual, but an office occupied by a shifting cast of guest stars. (Leo McKern, Mary Morris and Peter Wyngarde were memorable incumbents.) He resisted their mind-bending tricks and interrogation techniques, attempted to escape by land, sea and air, and strove to solve the defining mystery of the series – who is Number One?

(17) AT HELSINKI. Finished commenting on the Hugos, Cora Buhlert continues her Worldcon coverage with “WorldCon 75 Photos and a Report”.

All in all, I had a great time at WorldCon 75. I also think the convention staff did a great job, even if there were some hiccups. And indeed, when I still had some of the German candy I’d brought to Helsinki left over on the final day of the con (the chocolate was all gone by this point), I gave the final two bags to the program ops team, because they really deserved a thank you for all their hard work.

Coincidentally, my Mom enjoyed WorldCon a whole lot, too. She’s not a hardcore SFF fan – SFF is just something she enjoys watching and reading on occasion. However, she was very impressed by the sheer number and variety of people who’d been brought together at Messukeskus by their shared love for science fiction and fantasy. There were fans of all ages, shapes and sizes at WorldCon 75, from babies being carried in a sling at their mother’s chests to people in their eighties and beyond (Robert Silverberg, now 82, was the oldest person I recognised). It was a testament to what a welcoming place fandom is.

(18) PROMOTIONAL GIMMICK. NBC Sports’ Chris Calcaterra says a minor league team intentionally scheduled a game during the eclipse: “Minor league teams prepare for a ‘total eclipse of the park’”

The Salem-Keizer Volcanoes are a class-A affiliate of the San Francisco Giants. Today, the path of totality of the big solar eclipse we’re not supposed to look at will pass right through the ballpark in which they play. What’s better: the Volcanoes are playing a game against the Hillsboro Hops as it happens.

This was by design: the team’s owner requested this home game when the schedule was made up two years ago specifically to market the heck out of the eclipse. They’re starting the game at 9:30 this morning, Pacific time, in order to maximize the fun. Spectators will receive commemorative eclipse safety glasses to wear. The game will be delayed when the eclipse hits and a NASA scientist named Noah Petro, who is from the area, will talk to the crowd about what is going on.

(19) LIGHTS OUT. Chris Barkley shot this 9-minute video of his experience watching today’s total eclipse.

(20) VIDEO OF THE DAY. In Chuck Jones –The Evolution of an Artist, Tony Zhou looks at 35 Merrie Melodies to understand Chuck Jones’s genius as an animator.

[Thanks to John King Tarpinian, JJ, Martin Morse Wooster, Rich Lynch, John Hertz, Dann, Chris Barkley, Mark-kitteh, Rose Embolism, and Michael J. Walsh for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]