Each year, writers of fantasy, science fiction, and horror from all over the world apply to the Odyssey Writing Workshops. No more than sixteen are admitted. Odyssey combines advanced lectures, in-depth feedback, and individual guidance. Writers from all over the world apply. Guest lecturers include top writers, editors, and agents. Odyssey Director Jeanne Cavelos is a bestselling author, former senior editor at Bantam Doubleday Dell, and winner of the World Fantasy Award.
The annual six-week residential workshop will be held June 7 – July 16, 2021 on the campus of Saint Anselm College in Manchester, New Hampshire if the world has returned to a post-COVID state of near normality. If social distancing is still necessary but travel is possible, the workshop will be held in person with COVID precautions. If travel for many is not possible, the workshop will be held online, as it was in 2020.
Class meets for over 4 ½ hours, 5 days a week, and students use afternoons, evenings, and weekends to write, critique each other’s work, and complete other class assignments. Anyone interested in applying should read “Workshopping at Odyssey” by David J. Schwartz, class of ’96.
2021 GUEST LECTURERS: Lecturers for the 2021 workshop include bestselling authors David Farland, Meagan Spooner, and Gregory Ashe; award-winning authors Melissa Scott and P. Djèlí Clark; and award-winning author and editor Sheree Renée Thomas. Bestselling author David Brin and award-winning editor/publisher Scott H. Andrews will also participate as virtual guests via Zoom.
APPLICATION DEADLINE. The application deadline is APRIL 1. Those wanting early action on their application should apply by JANUARY 31.
JANUARY 31 DEADLINE FOR EARLY ADMISSION. Many people need to know months ahead of time whether they’ve been accepted into the workshop or not, so they can make arrangements for time off, child care, and so on. The early application system is set up for them. Any applications received by January 31 are automatically considered for early admission.
Applications will receive fair consideration whether submitted early or at the last minute as long as it arrives by the regular application deadline
COSTS. The workshop is held by the Odyssey Writing Workshops Charitable Trust, a 501(c)(3) nonprofit. Odyssey is funded in part by donations from graduates, grantors and supporters, and in part by student tuition.
The tuition, $2,450, includes a textbook and weekly group dinners. Housing in campus apartments is $892 for a double room and $1,784 for a single. College credit is available.
FINANCIAL AID. For those interested in financial aid, several scholarships and one work/study position are available.
The Miskatonic Scholarship: George R. R. Martin, the New York Times bestselling author of A Game of Thrones,funds the Miskatonic Scholarship, awarded each year to a writer of Lovecraftian cosmic horror attending Odyssey. It covers full tuition and housing.
The Walter & Kattie Metcalf Singing Spider Scholarship, covering full tuition, will be awarded to a fantasy writer whose novel excerpt shows great skill and promise.
Four other scholarships and a work/study position are also available.
You can find a video of Odyssey graduates describing their experiences here:
R. F. Kuang, class of 2016, won the Astounding Award and the Crawford Award and has been nominated for the Nebula Award, Locus Award, and World Fantasy Award. Her first two novels, The Poppy War and The Dragon Republic, were included on Time magazine’s 100 Best Fantasy Novels of All Time.
Linden Lewis, also from the class of 2016, recently had her first novel, The First Sister, published by Skybound/Simon & Schuster.
Rona Wang, class of 2020, sold her first novel, You Had Me at Hello World, to Simon Pulse.
Julian K. Jarboe, class of 2018, had their debut short story collection, Everyone on the Moon Is Essential Personnel, named one of the “Best Books of 2020” by Publishers Weekly.
New York Times bestselling author Meagan Spooner, class of 2009, had The Other Side of the Sky, her sixth novel co-written with Amie Kaufman, published by HarperCollins.
OTHER ODYSSEY RESOURCES AND SERVICES. Information about Odyssey’s workshop, online classes, critique service, and many free resources, including a podcast and monthly online discussion salon, can be found at www.odysseyworkshop.
Chinese film authorities issued a new document outlining policy measures to boost the country’s production of science fiction movies.
Entitled “Several Opinions on Promoting the Development of Science Fiction Films,” the document highlights how the sci-fi genre fits into the ruling Communist Party’s broader ideological and technological goals. It was released earlier this month by China’s National Film Administration and the China Association for Science and Technology, a professional organization.
The document focuses on domestically developing pro-China science fiction film content and high-tech production capability. It comes in the wake of the country’s first VFX-heavy sci-fi blockbuster hit, “The Wandering Earth,” which remains the third highest grossing film of all time in the territory with a local box office of $691 million.
…To make strong movies, the document claims, the number one priority is to “thoroughly study and implement Xi Jinping Thought.” Based on the Chinese president’s past pronouncements on film work, filmmakers should follow the “correct direction” for the development of sci-fi movies. This includes creating films that “highlight Chinese values, inherit Chinese culture and aesthetics, cultivate contemporary Chinese innovation” as well as “disseminate scientific thought” and “raise the spirit of scientists.” Chinese sci-fi films should thus portray China in a positive light as a technologically advanced nation.
…Nevertheless, China’s lack of strong sci-fi is primarily due to a lack of innovative ideas and scripts, the document said. The country should focus on generating strong sci-fi scripts through talent incubators and prizes, and by urging film festivals to set up specific sci-fi film departments. The adaptation of sci-fi literature, animation and games should be encouraged to stimulate the production of new original content.
Elementary and middle school students should be made to watch “excellent sci-fi movies,” while universities should be urged to “strengthen the training of sci-fi related talent.”
…I have been accused of being a writer. I’m not. My 1962 writing instructor was right when he told me, “You can’t write. You’re wasting your time. You’ll never be a writer.”
He was right. I’m not a writer.
I’m a storyteller.
A story is — pay attention now, this is the good stuff — a story is about a person with a problem.
Let me repeat that. A STORY IS ABOUT A PERSON WITH A PROBLEM.
This is why stories are the essential part of human intelligence. Because all human beings have problems. We either defeat them or they defeat us.
But either way, we end up with a story about the problem.
The essential definition of a story is this: “Here’s a problem. Here’s what didn’t work. Here’s what did work. And here’s what I learned.” It’s that last phrase that’s important. The problem is an access to the lesson. Even if the problem didn’t get solved, the lesson is still critical. And if there is no lesson to be learned, then it wasn’t a real problem, just some stuff to be handled. (“I have to do the dishes,” isn’t a problem. Just do the damn dishes.)…
On June 22, Charles Brownstein resigned from the Comic Book Legal Defense Fund after serving as executive director for 18 years. The exit came following pressure from comic industry professionals as details of his alleged assault of creator Taki Soma 15 years earlier re-emerged online. More than a month after his departure, the CBLDF is attempting to rebuild both itself and trust from the comic book community.
In 2005, Soma reported to police that Brownstein assaulted her during the Mid-Ohio Con convention, with details becoming public the following year. In 2006, Brownstein admitted to the assault, calling it “a stupid, drunken prank, of which I’m ashamed” in a public statement, although he kept his position inside the CBLDF following an independent third party investigation.
… “Honestly, I don’t think I’ve seen a response from the fund that would make me feel comfortable supporting them after Brownstein’s departure,” Batman writer James Tynion IV told The Hollywood Reporter. “I want to see who they put forward as the voice of the fund, and see what kind of work they’re open to doing to make a better community. Until they do that, I’ll be a skeptical observer, and my money will keep going to the [another comic book non-profit] Hero Initiative, where I can see measurably good work being done.”
Harrow County artist Tyler Crook is also skeptical about the continued viability of the organization.
“I’m very glad to see Brownstein gone, but I won’t be supporting them until after we see what changes they make to reform the organization,” said Crook, adding that Brownstein remaining with the organization for so many years despite his alleged behavior identified structural problems that need to be addressed. “Right now, I’m feeling pretty pessimistic about the CBLDF’s ability to change. I think our industry might be better served with a new, organization built on stronger foundations and with a stronger moral compass.”
Trexler will oversee and update the CBLDF’s operations and its mission. He will also be charged with restoring the organization’s credibility and stature in the comics community after the departure of Brownstein, who held the executive director position at CBLDF for 18 years.
“The original mission of CBLDF is one I passionately support as a longtime member of the comics community,” Trexler said in a statement. “This is a time of evolution for the organization, and I am honored to be a part of it.”
Before joining the CBLDF, Trexler was associate director of the Fashion Law Institute. He is a member of the ethics committee at Kering Americas, and has served on the board of the Museum of Comics and Cartoon Art. Trexler is also a lifelong comics fan as well as a lawyer, and has provided legal analysis on a variety of issues surrounding the comics industry….
A story arc about a giant tardigrade in “Star Trek: Discovery” didn’t infringe a copyright in an unreleased video game that also featured a giant tardigrade, the Second Circuit affirmed Monday.
Many elements of the work that CBS Broadcasting Corp. and Netflix Corp. allegedly infringed covered uncopyrightable scientific facts and ideas about tardigrades, the U.S. Court of Appeals for the Second Circuit said.
Anas Osama Ibrahim Abdin owns a copyright in the “distillation” of the concept for his video game “Tardigrades,” a compilation of images, descriptions, and illustrations detailing the game’s characters and backstory. It features a space-station botanist who travels through space after being absorbed into a giant tardigrade, based on the real-life microscopic creature that can endure extreme heat, cold, pressure, and radiation.
Three episodes in the first season of CBS’ “Star Trek: Discovery” also involve a space encounter with a massive tardigrade-like creature, and Abdin sued CBS for copyright infringement in Manhattan federal court. The U.S. District Court for the Southern District of New York dismissed Abdin’s claims in September.
The Second Circuit affirmed that CBS and Netflix—which is licensed to air “Discovery” outside of the U.S.—didn’t infringe because the works aren’t substantially similar. Abdin’s use of tardigrades largely wasn’t copyrightable, the court said.
“Abdin’s space-traveling tardigrade is an unprotectable idea because it is a generalized expression of a scientific fact—namely, the known ability of a tardigrade to survive in space,” the court said. “By permitting Abdin to exclusively own the idea of a space-traveling tardigrade, this Court would improperly withdraw that idea from the public domain and stifle creativity naturally flowing from the scientific fact that tardigrades can survive the vacuum of space.”…
(6) WELL WORTH YOUR TIME. [Based on notes from John Hertz.] Roberta Pournelle left our stage on August 3, 2020.
There was no public church service and no public interment. Her remains were laid to rest at Forest Lawn on August 14th, as it happens not far from OGH’s father’s.
… I was hardly an “only child,” and I’m not merely referring to my wonderful brothers. Roberta taught in schools where most would not. She taught kids who were guilty of being poor, or black, or Latinx, or homeless. or abused, or dyslexic, or otherwise illiterate and/or desperate. Kids with “form,” kids with little future; kids who were pregnant or fathers or incarcerated for crimes real or imagined and precious little hope of anger management. The kids nobody wanted. The kids dismissed as “juvvies.” The kids about whom precious few truly, actually, cared.
Advised to leave, advised to cease, advised that her talents lay elsewhere, she taught on. She was there….
(7) MEDIA BIRTHDAY.
August 18, 1950 — Destination Moon, produced by Geotge Pal, premiered in the United Kingdom. It would be voted a Retro Hugo for Best Dramatic Presentation at the Millennium Philcon. It was directed by Irving Pichel from the screenplay by Alford Van Ronkel and Robert A. Heinlein and James O’Hanlon. It’s based off Robert A. Heinlein‘s Rocketship Galileo novel. It starred John Archer, Warner Anderson, Erin O’Brien-Moore, Tom Powers and Dick Wesson. Mainstream critics usually didn’t like but Asimov said In Memory Yet Green that it was “the first intelligent science-fiction movie made.” Audience reviewers at Rotten Tomatoes give it a mediocre 48% rating. It is not in the public domain but the trailers are and here is one for you.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born August 18, 1929 — Joan Taylor. Her first genre role was Earth vs. the Flying Saucers as Carol Marvin, and she followed that with 20 Million Miles to Earth as Marisa Leonardo. Her last genre role was as Carol Gordon in Men into Space, a late Fifties series about a USAF attempt to explore and develop outer space. She retired from acting in the early Sixties. (Died 2012.) (CE)
Born August 18, 1931 — Grant Williams. He is best remembered for his portrayal of Scott Carey in The Incredible Shrinking Man though he did have the role of the psychopathic killer in Robert Bloch’s The Couch. Of course, he shows up in Outer Limits where he plays Major Douglas McKinnon in “The Brain of Colonel Barham”. And he’s Major Kurt Mason in The Doomsday Machine. (Died 1985.) (CE)
Born August 18, 1931 – Seymour Chwast, 89. French ed’n of Doctor Dolittle; Odyssey; Canterbury Tales; Divine Comedy; three dozen more. Here is We. Here is Analog 6 (anthology). Here is Lord Tyger. Much outside our field too; see here, here, here, and this archive. Saint Gaudin Award, Art Directors Hall of Fame, American Inst. Graphic Arts Medal, honorary doctorate from Parsons. [JH]
Born August 18, 1934 — Michael de Larrabeiti. He is best known for writing The Borrible Trilogy which is noted by several sources online as being an influence by writers in the New Weird movement. Ok folks, I’ve not read so please explain how The Borrible Trilogy influences that literary movement as it doesn’t seem like there’s any connection. (Died 2008.) (CE)
Born August 18, 1935 — Brian Aldiss. He’s well known as an anthologist and SF writer with Space, Time and Nathaniel, a collection of short stories being his first genre publication. I’ll single out Space Opera and other such anthologies as my favourite works by him. His “Super-Toys Last All Summer Long” is the basis for A.I. Artificial Intelligence. Much honoured, he’s was named a Grand Master by SFWA and inducted by the Science Fiction Hall of Fame. He also has received two Hugo Awards, one Nebula Award, and one John W. Campbell Memorial Award. (Died 2017.) (CE)
Born August 18, 1943 –Richard Bober, 77. Three dozen covers. Here is Lake of the Long Sun (in Polish). Here is Shards of Empire. Here is the 2003 Chesley Awards Retrospective (at left, top to bottom, images by Bober, Ledet, Eggleton, Bonestell). Gallery, Feb 98 Realms of Fantasy. [JH]
Born August 18, 1947 – Paul Skelton, 73. Long-active fanziner, in his own zines (sometimes with wife Cas Skelton) and letters of comment to others’. Five FAAn (Fan Activity Achievement) Awards, four for Best Correspondent and one for life achievement thereat. [JH]
Born August 18, 1949 –Takeshi Shudô. Known for Magical Princess Minky Momo (television animé), Pokémon (pocket monsters; TV, film, novels), and Eternal Filena (serialized light novel, then OVA – original video animation, made for home release without prior theater or television showing – then role-playing video game). For Pokémon, coined Team Rocket’s motto. Won Best Screenplay at first Japan Animé Awards. Memorial exhibit at Suginami Animation Museum, Tokyo, 2011. (Died 2010) [JH]
Born August 18, 1950 — Mary Doria Russell, 70. The Sparrow series, The Sparrow and its sequel Children of God, are awesome. The Sparrow won the Arthur C. Clarke, BSFA, and Tiptree Awards, and it was the reason she won the Astounding Award for Best New Writer. Though not genre, Doc and its sequel Epitaph are mysteries using the historic character of Doc Holliday. (CE)
Born August 18, 1966 – Alison Goodman, 54. Seven novels, five shorter stories. Translated into ten languages. Part of “Time Travel, Time Scapes, and Timescape” in NY Rev. of SF with Benford, Blackford, Broderick, McMullen, Townsend. Two Aurealis Awards. Website here. [JH]
Born August 18, 1981 – Bridget (“B.R.”) Collins, 39. Seven novels. Bradford Boase Award. Blog is called jugjugjug “because ‘jug jug jug’ is supposed to be the noise a nightingale makes (the way ‘tu-whit tu-whoo’ is supposed to be an owl).” Website shows bookshelves with The Complete Sherlock Holmes and The Sot-Weed Factor. [JH]
(10) FACE THE MUSIC. Stephen Colbert repurposed the last Avengers movie trailer:
(11) CLOUDY WITH A CHANCE. David Langford’s contribution didn’t make it into the CoNZealand edition of Worldcon Order Of Fan-Editors (W.O.O.F.) for whatever reason, so he posted it on his own site: Cloud Chamber #164.
…But some decades ago, wanting more solitude, I bought the house across the street and made THAT my writer’s retreat. No longer would I write all day in my red flannel bathrobe; now I would have to dress and put on shoes and walk all the way across the street to write. But that worked for a while.
Things started getting busier, though. So busy that I needed a full-time assistant. Then the office house had someone else in it, not just me and my characters. And then I hired a second assistant, and a third, and… there was more mail, more email, more phone calls (we put in a new phone system), more people coming by. By now I am up to five assistants… and somewhere in there I also acquired a movie theatre, a bookstore, a charitable foundation, investments, a business manager… and…
Despite all the help, I was drowning till I found the mountain cabin.
My life up here is very boring, it must be said. Truth be told, I hardly can be said to have a life. I have one assistant with me at all times (minions, I call them). The assistants do two-week shifts, and have to stay in quarantine at home before starting a shift. Everyone morning I wake up and go straight to the computer, where my minion brings me coffee (I am utterly useless and incoherent without my morning coffee) and juice, and sometimes a light breakfast. Then I start to write. Sometimes I stay at it until dark. Other days I break off in late afternoon to answer emails or return urgent phone calls….
… The Communications Manager will lead SFWA’s communications initiatives to produce high-quality content to engage both SFWA members and potential members within the SF/F community, as well as expand the organization’s brand recognition.
… SFWA Executive Director Kate Baker said, “Because of the nebulous nature of the organization, and because our members are located around the world, having a steady and engaging presence via social media is more important than ever. I am thrilled that Rebecca has joined the organization to help shape our messaging, to build upon the excellent work done by past volunteers, and to promote not only the organization and its members, but communicate what is important to all SF/F writers, wherever they may be. Please join us in welcoming Rebecca to the team!”
“Since joining in 2012,” said Gomez Farrell, “my fiction career has benefited greatly from the events and services SFWA offers its members, but most importantly, from the community we share. I’m thrilled to lend my skills in new media communication to fostering more of that community for my fellow members.”
(14) SPECTRUM. The new Spectrum Advisory board was announced on Muddy Colors. Arnie Fenner listed the names with short bios at the link.
….it’s Cathy’s and my pleasure today to present in alphabetical order our new Spectrum Advisory board!
… Talk about a Dream Team!
And what exactly does the Spectrum Advisory Board do? Well, they have two primary jobs: the first is to nominate, debate, and ultimately select each year’s Grand Master honoree. (I wrote about the criteria for the Grand Master Award in a previous Muddy Colors post for anyone that’s curious.) It’s a big responsibility, for sure, but the Board’s second job is even more difficult and crucial:
Job #2 is to help us not be stupid.
Cathy and I started Spectrum because of a sincere love for fantastic art in whatever guise it takes and a desire to help creators receive the recognition and respect we felt they deserved. Spectrum quickly became a welcoming home, a community, and a family, for all artists regardless of gender, race, religion, nationality, politics, or ethnicity, a celebration of diversity and imagination. Though we’re moving a little slower and our energy isn’t what it once was, that love and that purpose are as strong in us today as they were when we first began 27 years ago. But time and technology march on and nothing survives in a vacuum: with so many changes and challenges, with so many societal minefields to traverse, we count on our Advisory Board to help us avoid the avoidable mistakes (as best anyone can) and better serve the community as a whole….
(15) STAND UP, EMPTY POCKETS. The “Stand Still. Stay Silent. – Book 3” Kickstarter appeal invites donors to “Help us print the third book of Minna Sundberg’s award-winning Nordic fantasy and adventure webcomic Stand Still. Stay Silent.” There being a lot of people wanting to lock down a copy of the book, they have raised $198,054 of their $35,000 goal with 26 days to go.
An underfunded, questionably selected, rag-tag team of explorers are assembled and launched into the unknown in a search for information and relics of the Old World – hopefully valuable relics. Stand Still. Stay Silent. follows six people (and a cat) on a journey filled with adventure, camaraderie and Nordic mythology. Who knows what they might find on their journey… and what they might lose.
(16) CATCHING UP. Nnedi Okorafor’s new book was released today – just in time for one feline’s appreciation.
Nearly two decades years after the release of The Fellowship of the Ring, fans are still discovering new things in Peter Jackson‘s The Lord of the Rings trilogy. There’s a lot of material to cover, with the three lengthy theatrical releases further extended in their home video editions. Which is why it’s so surprising that, all these years later, people keep spotting one particular detail for the first time.
We’re talking about Gandalf’s pipe, specifically where he keeps it…
For four years, researchers painted fake eyes on hundreds of cattle butts for the sake of science. What seems like a silly prank, the “eye-cow technique” proved lifesaving for the animals as it made predators rethink their attack, choosing another meal instead.
The scientists say their method is a more humane and “ecologically sound” alternative to lethal control and fencing used to separate cattle from carnivores. The team even theorizes the technique could be used to prevent human-wildlife conflicts and reduce criminal activity, according to a news release. A study was published Aug. 7 in the journal Communications Biology.
“The eye-cow technique is one of a number of tools that can prevent carnivore-livestock conflict—no single tool is likely to be a silver bullet. Indeed we need to do much better than a silver bullet if we are to ensure the successful coexistence of livestock and large carnivores,” study co-author Dr. Neil Jordan, a researcher with the University of New South Wales in Sydney, Australia and the Taronga Western Plains Zoo, said in the news release.
“But we’re hoping this simple, low-cost, non-lethal approach could reduce the costs of coexistence for those farmers bearing the brunt,” he added.
Eye patterns can be found — naturally — on butterflies, fish, molluscs, amphibians and birds to scare predators away. Images of eyes have even been shown to reduce bike theft in people, a 2012 study showed. But no mammals are known to possess eye-shaped patterns on their coats.
So, in the Okavango Delta of Botswana in Southern Africa, where livestock and lions, leopards, hyenas, cheetahs and wild dogs coexist, such a deceptive tactic could save animals from their death sentence, the researchers thought.
(19) VIDEO OF THE DAY. In “Honest Trailers: The Old Guard” on YouTube, the Screen Junkies take on the latest film from Netflix designed to “make you look up from your phone for two minutes so it counts as a view.” The film featured Charlize Theron leading a group of “illumi-hotties” who, although they’re thousands of years old, haven’t come up with a cool catchphrase.
[Thanks to Andrew Porter, JJ, Cat Eldridge, Lise Andreasen, Chip Hitchcock, John Hertz, Martin Morse Wooster, Mike Kennedy, Bill Higgins, Hampus Eckerman, Daniel Dern, Michael Toman, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Kip W. (I had to come back and use the other half of Kip’s 2018 verse.)]
Just two comic book writers sitting around, hundreds of miles apart, talking about comics. Mark Evanier chats with his pal Kurt Busiek about the comic book field and what some people don’t understand about it.
In the 1997 film “The Postman,” set in post-apocalyptic America, Kevin Costner plays a drifter trying to restore order to the United States by providing one essential service, mail delivery. In the story, hate crimes, racially motivated attacks and a plague have caused the breakdown of society as we know it. In his quest to restore order and dignity to the nation, the Postman tries to recruit other postal workers to help rebuild the U.S.?government. But Costner’s character is opposed by the evil General Bethlehem, who is fighting to suppress the postal carriers so he can establish a totalitarian government. Fortunately, our hero, gaining inspiration from the motto, “neither snow nor rain nor heat nor gloom of night,” fights on against Bethlehem and saves the country.Not surprisingly, the movie was panned by critics and was a financial disaster. I mean really, racial strife and a plague so bad that it threatened our society? And even if that happened, who would try to destroy the Postal Service? Where do they come up with these crazy plots?
In retrospect, maybe we should give the movie another look. Today, as we struggle with social upheaval, soaring debt, record unemployment, a runaway pandemic, and rising threats from China and Russia, President Trump is actively working to undermine every major institution in this country….
(3) EXTRAS. After Hastings author Steven H Silver, who shared “The Novels I Didn’t Write” with File 770 readers today, has collected this essay, the related ones published at John Scalzi’s and Mary Robinette Kowal’s blogs and Black Gate, as well as the information from his After Hastingswebsite into a chapbook that is available for $3 plus postage (also available as a pdf). Silver says, “People interested can e-mail me. It runs to about 10,000 words.” Contact him at: email@example.com
(4) TERRY PRATCHETT ON THE EXPENSIVENESS OF POVERTY. [Item by rcade.] A passage from the legendary Terry Pratchett is making the rounds on Twitter as a lesson on why being poor costs a lot of money:
It’s from his 2003 Discworld novel Men at Arms and also turns up in Sarah Skwire’s article for The Library of Economics and Liberty“Buying Boots”.
It’s not clear whether Ankh-Morpork has a functioning credit system. (Paper money doesn’t appear in the city until Making Money, the 40th novel in the series, for example). It’s also not clear–given the general rough and tumble aspects of Ankh-Morpork’s “business” community–whether borrowing money is a particularly safe notion.
Captain Vimes from Discworld knew that he should buy the good boots, but he simply couldn’t afford it. This problem can be delayed by access to credit, but it’s not the solution, nor should it be. Those with less immediate access to money can make their lives easier with proper use of credit, budgeting, personal savings, and frugal purchasing.
(5) STARING AT THE HORIZON. [Item by Olav Rokne.] Miles Surrey at The Ringer pays tribute to one of the classics of dark 1990s science fiction cinema, and tries to explain the enduring appeal of a movie that barely rates a 30 per cent on Metacritic. “One of the key reasons something as wicked as Event Horizon holds rewatch value: As long as you can stomach the gore, Dr. Weir’s (Sam Neil) pivot from sympathetic scientist to full-blown emissary of hell is a campy tour de force.” “’Hell Is Only a Word’: The Enduring Terror of ‘Event Horizon’”.
For films that feature a character descending into madness, it’s all about the look. Jack Torrance, staring out into the endless blizzard outside the Overlook Hotel; Travis Bickle, shaving his head into a Mohawk; Colonel Kurtz, moving out of the shadows of his decaying temple. Sometimes, a striking image tells you everything you need to know. For Sam Neill’s character in a criminally overlooked horror film from 1997, it’s the sight of him sitting in the captain’s chair of a doomed spaceship, having torn out his own eyes.
“Where we’re going,” he says, “we won’t need eyes to see.”
(6) FUTURE AURORA AWARDS. At the Canadian Science Fiction and Fantasy Association annual general meeting over the weekend it was decided that the current Short Fiction category would be split into two awards for 2021. The new categories will be: Short Story for works that have less than 7,500 words and Novelette/Novella for works that have a word counts between 40,000 and 7,500.
The 2021 award ceremony will be held in Ottawa at Can-Con. It was also decided that the 2022 Auroras would be again be held in Calgary at When Words Collide.
For decades, the best thing about being a Hollywood executive, really, was how you got fired. Studio executives would be gradually, gently, even lovingly, nudged aside, given months to shape their own narratives and find new work, or even promoted. When Amy Pascal was pushed out of Sony Pictures in 2015, she got an exit package and production deal worth a reported $40 million.
That, of course, was before streaming services arrived, upending everything with a ruthless logic and coldhearted efficiency.
That was never more clear than on Aug. 7, when WarnerMedia abruptly eliminated the jobs of hundreds of employees, emptying the executive suite at the once-great studio that built Hollywood, and is now the subsidiary of AT&T. In a series of brisk video calls, executives who imagined they were studio eminences were reminded that they work — or used to work — at the video division of a phone company. The chairman of WarnerMedia Entertainment, Bob Greenblatt, learned that he’d been fired the morning of the day the news broke, two people he spoke to told me. Jeffrey Schlesinger, a 37-year company veteran who ran the lucrative international licensing business, complained to friends that he had less than an hour’s notice, two other people told me.
(8) MEDIA BIRTHDAY.
August 17, 1960 — The Time Machine premiered. The work of legendary director George Pal, it was based on the H.G. Wells novella of the same name. Pal also handled the production. The screenplay was by David Duncan, noted genre writer. It would lose out at Seacon to the Twilight Zone series for Best Dramatic Presentation. Cast was Rod Taylor, Alan Young, Yvette Mimieux, Sebastian Cabot and Whit Bissell. Some critics liked it, some didn’t, and most thought the love interest angle sucked. It did very, very well at the box office. Audience reviewers at Rotten Tomatoes currently give it an excellent 80% rating. (CE)
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born August 17, 1920 – Lida Moser. Six decades as a photographer; pioneer in photojournalism. This (“Two Workers, Exxon”) I respectfully suggest is more interesting than some she’s famous for. So is this of Judy Collins. LM did all four Cities in Flight novels; here is The Triumph of Time. (Died 2014) [JH]
Born August 17, 1923 — Julius Harris. He’s Tee Hee Johnson, the metal armed henchman courtesy of a crocodile in Live and Let Die, the eighth Bond film. Other genre appearances are scant — he’s a gravedigger in Darkman, boat crew in King Kong and he shows up in the horror film Shrunken Heads. He had one-offs in The Incredible Hulk and the Friday the 13th series. (Died 2004.) (CE)
Born August 17, 1930 — Harve Bennett. The individual who gave us Star Trek II: The Wrath of Khan. Really he did. He would then serve as Producer on the next three Trek films, The Search for Spock, The Voyage Home and The Final Frontier. His only on-scene appearance is in the latter as the Starfleet Chief of Staff. (Died 2015.) (CE)
Born August 17, 1933 — Glenn Corbett. He shows up on the original Trek in “Metamorphosis” as the first incarnation of Zefram Cochrane. Other genre one-offs were The Man from U.N.C.L.E., Land of The Giants, The Immortal, Fantasy Island and Night Gallery. He appeared as General Kevin Matthews in City Beneath the Sea, the pilot for the series that was meant to replace Trek after it was cancelled but never got the green light. (Died 1994.) (CE)
Born August 17, 1945 — Rachael Pollack, 75. She’s getting a Birthday note for her scripting duties on her run of issues 64–87 (1993-1995) on Doom Patrol. (Jim Lee confirmed this week that DC Universe is going to be a straight comics service like a Marvel Unlimited.) She’s also assisted in the creation of the Vertigo Tarot Deck with McKean and Gaiman, and she wrote a book to go with it. (CE)
Born August 17, 1950 – Sutton Breiding, 70. Five dozen poems; some in Star*Line, even. Four short stories. Many of our more poetic writers, like Niven, or William Hope Hodgson, paint it through their prose; SB’s renown rests on it. [JH]
Born August 17, 1952 – Susan Carroll, 68. Ten novels for us; many others, some under different names. Three Rita Awards. Ranks Gargantua and Pantagruel about even with Tristram Shandy. It seems right that the first and second in one series should be entitled The Bride Finder and The Night Drifter. [JH]
Born August 17, 1959 – SMS, 61. (Pronounced and sometimes written “smuzz”.) Two dozen covers, two hundred interiors. Interview (“Art and Metaphysics at Party-Time”) in Interzone. Captain Airstrip One comic strip with Chris Brasted and Alan Moore in Mad Dog, reprinted in Journey Planet. Here is Vector 152. Here is InterZone 100 featuring SMS. Here is The Ant-Men of Tibet. Here is The Derring-Do Club and the Invasion of the Grey. [JH]
Born August 17, 1960 – Fangorn, 60. Five dozen covers, a dozen interiors; graphic novels, films, games. Two BSFA (British SF Ass’n) Awards for artwork. Here is Myth Conceptions. Here is Outcast of Redwall. Here is Wourism. Guest of Honour at Eastercon 54 (U.K. nat’l con), NewCon 3, Bristol-Con 2016; scheduled for Novacon 50 (postponed). [JH]
Born August 17, 1962 — Laura Resnick, 58. Daughter of Mike Resnick. She is a winner of the John W. Campbell Award for Best New Writer in Science Fiction for “No Room for the Unicorn”. I’ve not read her Manhattan Magic series so I’m interested to know what y’all think of it. She’s readily available ion iBooks and Kindle. (CE)
Born August 17, 1966 — Neil Clarke, 54. Editor in Chief of Clarkesworld Magazine which has won an impressive three Best Semiprozine Hugos. SFWA also gave him a Kate Wilhelm Solstice Award. He also edits The Best Science Fiction of the Year series for Night Shade Books. (CE)
Born August 17, 1973 – Rae Carson, 47. Ten novels, eight shorter stories; some for Star Wars; The Great Zeppelin Heist of Oz (with husband C.C. Finlay). The Girl of Fire and Thorns a NY Times Best Seller. I found this: “Rae, tomorrow is my last day as mayor of [omitted – jh]…. an almost former executive woman leader…. it was edifying … to read a book that got the perils of leadership and faith *so right*.” [JH]
(11) FOCUS. Science Fiction and Fantasy Writers of America listed Focus on the Family Clubhouse in its August 2020 Market Report. (The Google cache file to the listing is here while it lasts.) The listing has been withdrawn.
Why do you think the first Bill & Ted became an almost instant cult classic?
Reeves: I think there’s an originality to it—the script, the words and the voices of these characters that had a friendship, a sincerity and an indomitable will. They’re clever, there’s a lot of heart to them, they’re funny and unique.
Winter: Even when we first got the script when we were young, it was that dichotomy of the language being very ornate while the characters are kind of childlike. The writers and producers found it funny that we were taking the language so seriously. But then it’s packed with a lot of stuff, a lot of characters. The movie moves like a freight train.
…I’m leaving the note because the previous occupant left me a note of sorts. I was working here late one night. I looked up above my desk and saw a visegrip pliers attached to part of the HVAC system. I climbed up to investigate and found a brief note telling the MIT facilities department that the air conditioning had been disabled (using the vice grips, I presume) as part of a research project and that one should contact him with any questions.
That helped explain one of the peculiarities of the office. When I moved in, attached to the window was a contraption that swallowed the window handle and could be operated with red or green buttons attached to a small circuitboard. Press the green button and the window would open very, very slowly. Red would close it equally slowly. I wondered whether the mysterious researcher might be able to remove it and reattach the window handle. So I emailed him….
The National Weather Service said it was planning to investigate reports of a rare occurrence of fire tornadoes arising on Saturday from a 20,000-acre wildfire in Northern California.
Dawn Johnson, a meteorologist with the service in Reno, Nev., said on Sunday that the agency had received reports of fire tornadoes in an area of Lassen County, Calif., about 25 miles northwest of Reno.
“It’s not like a typical tornado where it happens, everything clears out and you safely go and investigate,” Ms. Johnson said. “In this case, there’s a massive wildfire burning in the same location, so the logistics are a lot more complicated.”
Doppler radar showed at least five rotation signatures, but Ms. Johnson said she could not confirm that they would all be classified as fire tornadoes.
(17) VIDEO OF THE DAY. In “Mortal Kombat: Annihilation” on ScreenRant, Ryan George says this film has characters rolling around in hamster balls, and if you lean the wrong way you’ll die!
[Thanks to John King Tarpinian, Olav Rokne, rcade, Mike Kennedy, Martin Morse Wooster, JJ, Clifford Samuels, Chip Hitchcock, John Hertz, Cat Eldridge, Michael Toman, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Chris S.]
Below, find the TOC you’ll want to tick… the Table of Contents of a book that might help…. but first… yes, there are countless times I’d prefer to be wrong! Especially when it comes to the predictions made in THE POSTMAN!
TIME Magazines called EARTH one of “8 best predictive novels,” and there have been many other hits. But I always figured that my portrayal of lying-betraying-prepper “Holnists” in THE POSTMANwould prove to be artistic exaggeration — not a how-to manual for evil and treason.
Just as Adolf Hitler described his approach in Mein Kampf — and no one took him at his word — Nathan Holn is recalled having laid it all in the open… but Americans didn’t believe anyone would so baldly offer such a despicable program. The warning went unheeded till it was too late.
Likewise, Donald Trump has said publicly that his attack on the U.S. Postal Service is intended directly to interfere in the election. Of course crashing USPS also undermines rural America, a major part of the GOP base. So how is this supposed to benefit Republicans? The answer is… it’s not. Chaos and dysfunction are the goal. To Trump’s puppeteers, it doesn’t matter if he loses, so long as America dissolves into bitterness and pain.
Already it’s clear we need to start a mass movement akin to BLM to support Postal Workers!
(2) NOT EVERYTHING NEEDS TO BE COMIC-CON. Robert J. Sawyer challenges some assumptions about Canadian sff award voters in a Facebook post.
Yesterday, I attended the annual general meeting of the Canadian Science Fiction and Fantasy Association, which was held by Zoom, due to the COVID pandemic.
The first issue the chair raised was what he considered to be a precipitous drop in the number of voters over the years. Years ago, he said, the number was in the mid-two-hundreds and he cited year-by-year figures showing a steady decline down to the current tally of 140 or so. Much discussion ensued about how to beef up the number.
My feeling is two-fold. First, it’s NOT an Aurora-specific issue, and, second, it’s NOT even a problem….
When people talk about bringing in vast new swaths of fans to beef up Aurora voting numbers, they usually mean finding a way to get young fans involved. But young fans, by and large, AREN’T SF&F readers, and have their own fandom traditions — they expect, for instance, their events to be high-cost and run to professional standards (even if mostly staffed by volunteers).
These are the fine folk who enjoy the Calgary Comic and Entertainment Expo; Fan Expo in Toronto; Anime North, also in Toronto; OtakuThon in Montreal; and so-called “comic-cons” across the country. They want to see actors and comic-book artists. Politely, they don’t need us — AND WE DON’T NEED THEM.
If traditional fandom is shrinking — and it IS, mostly through attrition as people get old and finally go on to that great hucksters’ room in the sky — then so be it. But is that hurting the Aurora Awards?
I say no. I had no horse in the race this year — I was not even eligible in any category except for related work (for my bimonthly columns in GALAXY’S EDGE magazine) and wasn’t nominated. But I studied the ballot and, even more important for posterity, the actual winners this year, and my verdict is this: the Auroras are doing just fine.
… In the past, we’ve also seen ballots with conspicuous omissions and even more conspicuous inclusions. When a Canadian work is nominated for the Hugo, the Nebula, or the World Fantasy Award, it SHOULD raise eyebrows when it has been squeezed off the Aurora ballot by lesser creations.
This year, though, the best short-form Aurora went to the most-generally-lauded Canadian-authored (or, at least, co-authored) work on the ballot: THIS IS HOW YOU LOSE THE TIME WAR by Amal el-Mohtar and Max Gladstone, which had already won the Hugo AND the Nebula Awards.
In the past, we’ve seen huge numbers of votes of dubious pedigree: people who have no known connection to fandom but a personal connection to one of the nominees nominating and voting en masse, propelling dubious works onto the ballot and sometimes shamefully even winning the award.
Thankfully, those days of hustling seem to have fallen by the wayside….
(3) NASFIC 2020. The virtual Columbus 2020 NASFiC Opening Ceremonies start 3:00 p.m. on Friday, August 21. Here’s =“How To Attend”:
Attending the North American Science Fiction and Fantasy Convention will now be easy as everything will be online!
On the day the convention begins, the page you are viewing now will provide you with a virtual “log book”. When you have signed it, this website will provide you access to several more pages, with embedded chat channels and streaming video.
It will be free, but we will still accept donations.
(4) SFF AROUND THE GLOBE. FutureCon, a new virtual international sff convention, will launch September 17-20. Cheryl Morgan gives an overview in “Introducing FutureCon”. (See the schedule here.)
While we might all be stuck at home wishing that we could sit in a bar with our friends, one of the benefits of the new virtual world in which we find ourselves is that travel is instantaneous and free. This means that we can have conventions that are genuinely global, and very cheap or free to attend.
Into this space comes FutureCon. It is being organised primarily by folks in Brazil, but with a lot of help from Francesco Verso in Italy, and also a bunch more people around the world. It will take place from September 17th-20th, and will be free to all on YouTube. All of the programming will be in English. Confirmed guests include Ann Vandermeer, Aliette de Bodard, Chen Qiufan, Ian McDonald, Lavie Tidhar and Nisi Shawl. But more importantly there will be speakers from over 20 different countries including Argentina, Croatia, India, Mexico, Nigeria, Pakistan, Turkey & Uganda.
… Francesco can read in many different langauges, and he said something today in a launch meeting for the event that really struck a chord. I’m paraphrasing slightly, but the gist was, “the quality of science fiction is evenly distributed around the world, but it is unevenly visible.” I hope that FutureCon can be an important step along the road to changing that.
… After the 1960s SF panel, I had only ten minutes to get to my next panel “Translation: The Key to Open Doors to Cultural Diversity in SFF”. I was moderating again and the panelists were Libia Benda from Mexico, Luis F. Silva from Portugal, Wataru Ishigame, speaking from the POV of a publisher publishing translated SFF in Japan, and Neil Clarke of Clarkesworld Magazine as the token American. Though that would be mean, because Neil Clarke has done more than pretty much any other magazine editor to bring translated SFF to English speaking readers.
Again, we had a lively e-mail debate before the panel and just as lively a debate during the panel, complete with an audio zoombombing by a Mexican street vendor. I had also asked all panelists to recommend some SFF books or stories from their country that had been translated into English (and Neil Clarke generally recommended SFF in translation), so there were book recommendations as well.
The translation panel also overran by almost half an hour, because once the Zoom recording was stopped, the Zoom meeting just remained open. After ascertaining that the audience could still hear us, we just continued talking about SFF in translation for another twenty five minutes or so, until the Zoom host shut down the room. Now that’s something that could never have happened at a physical con, unless you were the last panel of the day and the room wasn’t needed again….
I called my post from last week “Results and Final Thoughts“… but after it went up, I had another thought. So that title was a lie! Many people out there analyze various aspects of the results, but I want to look at two things: how many people vote in each category, and how many people vote No Award.
… Voting No Award in first place usually means one of two things, I would claim. First, it could mean that you find the concept of the category invalid. Every year, I vote No Award for Best Series, Best Editor, and a couple other categories, for example, and leave the rest of my ballot blank. I have some fundamental disagreements with the premises of those categories, and do not think they should be awarded. (Very few Hugo voters agree with me, though, clearly.) It could also mean that you just found everything in that category subpar: this year I voted No Award for Best Short Story, but still ranked finalists below it.
How well does Mollman’s interpretation hold up? And what is there to learn in the voting pattern from Jeannette Ng’s acceptance speech for the 2019 Campbell Award?
Here is a list of things that the HBO series Lovecraft Country, premiering Sunday, August 16th, has in common with the 2018 film Green Book:
1. Setting: Jim Crow-era America
2. Acting: Subtle, nuanced performances (Viggo Mortenen’s dese-and-dose Green Book gangster notwithstanding).
3. Subject: Story features a road trip involving a travel guidebook written to inform Black people where they can safely eat and stay. (Green Book: Entire film; Lovecraft Country: Opening episodes only.)
And here is a brief, incomplete list of the things that Lovecraft Country prominently features that Green Book emphatically does not:
1. A story centered on the lives of Black characters.
2. Black characters with agency, absent any White Savior narrative
Shoggoths, of course, are creatures imagined by writer H.P. Lovecraft — blobs covered with eyes that continuously arise and dissolve back into their putrid, pulsating flesh. (The Shoggoths of Lovecraft Country are shaped more like Pit-bulls than protoplasm, though they’ve got that whole creepy-eyes thing covered.)
Lovecraft Country is only the latest in a series of movies, television series and novels to engage with America’s greatest moral, economic, social and psychological wound — the legacy of slavery — by way of the fantastic. Creators like Jordan Peele, Damon Lindelof, Toni Morrison and Colson Whitehead didn’t avail themselves of, respectively, body-swapping, superheroes, an angry ghost and an entirely literal subterranean mass-transit system as a means to distract from, or to trivialize, racial injustice. No: They knew that when grappling with a foundational truth so huge and ugly and painful, utilizing the metaphorical imagery of science-fiction and horror offered them a fresh way in — an opportunity to get their audiences to re-examine, to re-feel, the enduring impact of that evil.
…Though it’s sure to be compared to Watchmen, given both its prominent HBO Sunday night berth and its determination to view race in America through the prism of science fiction, Lovecraft Country is lighter in tone, and far pulpier in sensibility, than Lindelof’s comparatively grand, sweeping epic. It’s much more apt to go looser and loopier, sprinkling magic spells, sacred codexes, secret passages and the occasional light tomb-raiding into the mix. It’s also far more eager to serve up the satisfyingly grisly thrills of pulp horror — bad guys getting their bloody, cosmic comeuppance, for example.
But for every fun, if wildly anachronistic, element — needle-drops like Rihanna’s “Bitch Better Have My Money,” say, or abdominal muscles like Majors’ — Lovecraft Country is always careful to re-center itself on its characters, and their hemmed-in status as Black women and men in 1950s America. Between every narrow escape and exposition dump about “finding the missing pages from the forbidden tome” or whatever, it gives its characters and their relationships breathing room. Case in point: Letitia’s contentious bond with her sardonic, disapproving sister Ruby (the quietly astonishing Wunmi Mosaku, in a warm, deeply compelling performance) gets a chance to grow and complicate. And in a later episodes (only the first five were screened for press), Ruby happily manages to step off the sidelines and mix it up with the series’ deep, abiding weirdness.
Though M. T. Anderson couldn’t possibly have planned it, his new book The Daughters of Ys feels like it was created for just this moment. The story’s driving force and key image — a torrential flood of natural and unnatural origin that sweeps away a city — is the perfect symbol for our era. If you’ve felt your brimming anxiety about the coronavirus overflow as you’ve tried to keep up with the never-ending tide of news about it, you’ll sympathize with Anderson’s characters.
This book is an excellent read right now for other reasons, too. Trying to keep abreast of your daily news feed may have made you impatient of any pleasure reading that isn’t perfectly absorbing (OK, that’s the last flood pun, I swear). A graphic novel, The Daughters of Ys is fun and easy to read. Anderson’s story, a reinterpretation of a Breton folktale, is effortlessly page-turning and actually feels a bit like a young adult title — not surprisingly, considering YA is Anderson’s preferred genre. But like Anderson’s National Book Award-winning The Astonishing Life of Octavian Nothing, this book is both accessible to a wide age range and rich with ideas that will intrigue adults. (Note, however, that due to dark themes, some gore and the fact that the characters have sex, it may be best kept away from immature readers.)
Best of all, Daughters of Ys is a terrific respite for eyes weary of scanning headlines. Artist Jo Rioux isn’t as well-known as her coauthor — as is often the fate of illustrators who focus on children’s books — but she should be. Her drawings here aren’t just beautiful, with their deep, layered colors and elegant compositions; they’re also smart. Nodding to the original tale’s 5th-century setting, Rioux uses the style and motifs of Anglo-Saxon art (think of the Bayeux Tapestry and the metalwork of Sutton Hoo). But she doesn’t just replicate the style, she uses it to explore the evocative possibilities of minimalist cartooning. The characters’ faces have flat-looking eyes and minimal features, but they express intense, ambiguous emotions. Rioux also borrows the glowing lights and velvety shadows of Maxfield Parrish’s work for certain scenes, including a wonderful interlude set inside a circle of standing stones. The reader is encouraged to recall Parrish’s turn-of-the-20th-century America, when astonishing and alarming technological advances triggered a yearning for the romantic past, and to compare it with our own time.
(9) CHECK OUT COUNTER. WorldCat’s Library100 – I’ve read 41 of these.
What makes a novel “great”? At OCLC, we believe literary greatness can be measured by how many libraries have a copy on their shelves.
Yes, libraries offer access to trendy and popular books. But, they don’t keep them on the shelf if they’re not repeatedly requested by their communities over the years. We’ve identified 100 timeless, top novels—those found in thousands of libraries around the world—using WorldCat, the world’s largest database of library materials.
So, check out The Library 100, head to your nearest library, and enjoy the read!
(10) GOLDENBERG OBIT. American music composer, conductor and arranger Billy Goldenberg (William Leon Goldenberg) died on August 3, aged 84 reports Stephen Jones.
His many credits include Fear No Evil, Silent Night Lonely Night, Ritual Of Evil, Steven Spielberg’s Duel, Don’t Be Afraid Of The Dark (1973), The Legend Of Lizzie Borden, The Ufo Incident, Metamorphoses, This House Possessed, Massarati And The Brain, Prototype, Frankenstein (1986), 18 Again! and Sherlock Holmes And The Leading Lady. On TV Goldenberg composed music for the pilots of Night Gallery (again for Spielberg), Future Cop and Gemini Man, plus episodes of The Name Of The Game (Spielberg’s ‘LA 2017’), The Sixth Sense and Circle Of Fear (along with the theme music for both shows), Amazing Stories and the 1989 mini-series Around The World In 80 Days. He also composed one of the themes to the Universal logo.
(11) MEDIA BIRTHDAY.
August 16, 1951 — Dimension X’s “The Vital Factor” was first broadcast. The story is that a ruthless millionaire is determined to be the first man to conquer space…no matter what the cost. The script was used later on X Minus One. It was written by Nelson Bond who is the holder of a Nebula Author Emeritus award for lifetime achievement. He’s also the recipient of First Fandom Hall of Fame Award. His Meg the Priestess stories gave us one of the first powerful female characters in the genre. Daniel Ocko and Guy Repp are the actors here. You can listen to it here.
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born August 16, 1884 — Hugo Gernsback. Publisher of the first SF magazines, Amazing Stories in 1926, and Wonder Stories in 1929. He also played a key role in creating fandom through the Science Fiction League. Writer of the Ralph 124C 41+ novel which most critics think is utterly dreadful but Westfahl considers “essential text for all studies of science fiction.” And of course he’s who the Hugos were named after back in 1953. (Died 1967.) (CE)
Born August 16, 1913 – Will Sykora. Active at least as early as Jan 30 letter in Science Wonder Stories. With Sam Moskowitz, thought the true fannish spirit meant promotion of science. President of ISA (Int’l Scientific Ass’n) which sought to include amateur scientists, maybe the first fan club, unless disqualified in retrospect for insufficient frivolity – or insufficient leftism, which the Futurians were charged with excess of. Charter member of FAPA (Fantasy Amateur Press Ass’n). (Died 1994) [JH]
Born August 16, 1930 – Paul Lehr. Three hundred covers, fifty interiors. Here is his beginning, Satellite E One. Here is his famous Nineteen Eighty-four (no mustache on Big Brother!). Here is Spectrum 4. Here is The Ringworld Engineers. Here is the Mar 81 Analog. Here is the Aug 96 Tomorrow. What a giant. (Died 1998) [JH]
Born August 16, 1930 — Robert Culp. He’d make the Birthday Honors solely for being the lead in the Outer Limits episode “Demon with a Glass Hand” which Ellison wrote specifically with him in mind. He would do two more appearances on the show, “Corpus Earthling” and “The Architects of Fear”. Around this time, he makes one-offs on Get Smart! and The Man from U.N.C.L.E. before being Special FBI Agent Bill Maxwell in The Greatest American Hero. Did you know there was a Conan the Adventurer series in the Nineties in which he was King Vog in one episode? (Died 2010.) (CE)
Born August 16, 1931 – Walt Lee. Monumental if only for his 20,000-entry Reference Guide to Fantastic Films (with Bill Warren) – which, allowing for differences in scale, is like saying Cheops (or Khnum Khufu if you prefer) is monumental if only for the Great Pyramid of Giza. OGH’s appreciation here. (Died 2014) [JH]
Born August 16, 1933 — Julie Newmar, 87. Catwoman in Batman. Her recent voice work includes the animated Batman: Return of the Caped Crusaders and Batman vs. Two-Face, both done in the style of the Sixties show. They feature the last voice work by Adam West. Shatner btw plays Harvey Dent aka Two Face. She was on the original Trek in the “Friday’s Child” episode as Eileen. She also has one-offs on Get Smart!, Twilight Zone, Fantasy Island, Bionic Woman, Buck Rogers in the 25th Century, Bewitched and Monster Squad. (CE)
Born August 16, 1934 — Andrew J. Offutt. I know him through his work in the Thieves’ World anthologies though I also enjoyed the Swords Against Darkness anthologies that he edited. I don’t think I’ve read any of his novels. And I’m not Robert E. Howard fan so I’ve not read any of his Cormac mac Art or Conan novels but his short fiction is superb. (Died 2013.) (CE)
Born August 16, 1934 — Diana Wynne Jones. If there’s essential reading for her, it’d be The Tough Guide to Fantasyland with a playful look at the genre. Then I’d toss in Deep Secret for its setting, and Fire and Hemlock for her artful merging of the Scottish ballads Tam Lin and Thomas the Rhymer. Now what’s the name of the exemplary short story collection she did late in life? Ahhh it was Unexpected Magic: Collected Stories with the great cover by artist Dan Craig. (Died 2011.) (CE)
Born August 16, 1952 – Edie Stern, F.N., 68. “Andre Norton’s Diamond Celebration” (with husband Joe Siclari) in Fantasy Review. “Fancy Jack” (Jack Speer; with Siclari) in Noreascon 4 Souvenir Book, hello Guy Lillian III (62nd Worldcon). Fellow of NESFA (New England SF Ass’n; service award). Introduction (with Siclari) to Virgil Finlay Centennial book for 2014 World Fantasy Convention. “LeeH” (Lee Hoffman, or for some of us, Hoffwoman), Journey Planet 27. “Wheels of IF” (Irish fandom; with Siclari) for 77th Worldcon Souvenir Book. Noted SF art collector (with Siclari), very helpful with SF con Art Shows. Fan Guest of Honor, Loscon 46. Big Heart (our highest service award; with Siclari). Since 2016, Webmaster of the FANAC Fanhistory Project (fanac = fan activity; Florida Ass’n for Nucleation And Conventions was originally formed for MagiCon the 50th Worldcon, Orlando). [JH]
Born August 16, 1958 — Rachael Talalay, 62. She made her directorial debut with Freddy’s Dead: The Final Nightmare, and she also worked on the first four of the Nightmare on Elm Street films. Moving from horror to SF, she directed Tank Girl next. A long time Who fan, she directed all three of Twelfth Doctor’s series finales: series 8’s “Dark Water” and “Death in Heaven”, along with series 9’s “Heaven Sent” and “Hell Bent” before directing series 10’s “World Enough and Time” and “The Doctor Falls”. She capped who Who work with “Twice Upon a Time”, the last Twelfth Doctor story. (CE)
Born August 16, 1967 – Betsy Dornbusch, 53. Five novels, fifteen shorter stories. Co-editor Electric Spec 2006-2015. Essays & interviews there. Likes writing, reading, snowboarding, punk rock, the Denver Broncos, and how are you, Mr. Wilson? [JH]
Born August 16, 1969 – Michael Buckley, 51. A score of novels, some about the Nat’l Espionage, Rescue, & Defense Society (which spells – ), NY Times Best Sellers; some about the Sisters Grimm (yes). Robotomy for the Cartoon Network. Finn and the Intergalactic Lunchbox just released (April). Used to be in a punk rock band called Danger, Will Robinson. [JH]
Beck in the interview discusses many aspects of his career, including his providing the commentary for DVDs of Fritz Freleng cartoons to running a popular panel at Comic-Con called “Worst Cartoons Ever” so that fans can howl at a smorgasbord of stinkers. Beck also has written several histories of animation. But he was also one of the first Americans to understand the importance of anime. He recalled that when Hayao Miyazaki’s Nausicaä of the Valley of the Wind was released in the mid-1980s, Roger Corman controlled the rights and released it in a heavily-cut, badly dubbed version. Beck realized Miyazaki’s importance and was the first to distribute Miyazaki’s films uncut to theaters.
As part of his anime distribution, Beck talked to the producers of Akira, who explained that they were shutting down their studio and offered Beck the contents. Eight months later, Beck got a call from the Port of Los Angeles (“and I’ve never gotten a call from a port before”) with eight giant containers of cels and other stuff, which Beck sold to the delight of serious collectors.
Also in the podcast, Maltin revealed that he learned Roman numerals from Popeye cartoons, which taught him that MCMXXXVI meant “1936”.
(14) BRING ME THE HEAD OF ADMIRAL ACKBAR. Coming right up! The Nerdist says it will be one of the lots available for bid in a Star Wars prop auction happening August 26-27.
For sci-fi movie prop collectors, items from the Star Wars saga are the Holy Grail. Now, fans who have wanted to get their hands on authentic items from a galaxy far, far away are in for a treat. Several props and costumes from the saga are going up for auction by The Prop Store of Los Angeles and London. Some very coveted pieces are among the items, including a full Darth Vader costume from 1977.
Brian Blessed has claimed that the Queen revealed to him that her favourite film is Flash Gordon, the 1980 sci-fi in which he stars as Prince Vultan.
Speaking about the film’s 40th anniversary to Edith Bowman on Yahoo Movies, the actor said that whenever he goes, people demand he recite his character’s catchphrase.
“Everywhere I go, they all want me to say ‘Gordon’s alive!’,” said Blessed. “The butcher, the baker, the candlestick maker, horses and queens, and prime ministers, they all want me to say ‘Gordon’s alive!’, it’s their favourite film.”
He continued: “The Queen, it’s her favourite film, she watches it with her grandchildren every Christmas.”
The actor then assumed the Queen’s accent, quoting her as saying: “You know, we watch Flash Gordon all the time, me and the grandchildren. And if you don’t mind, I’ve got the grandchildren here, would you mind saying ‘Gordon’s alive’?”
From this fourth season episode of The Next Generation comes one of Worf’s most famous quotes. Transported to Sherwood Forest by Q and adorned in the costume of Will Scarlett, one of Robin Hood’s Merry Men, Worf exclaims, “I am not a merry man.”
“Qpid” has one of the series lightest touches, to the point it feels like an old Errol Flynn film. While Picard plays Robin Hood, the rest of his Merry Men try to get used to their temporary roles. One of the funniest parts is during the fight between Robin’s friends and Nottingham’s guards. Both Doctor Crusher and Counselor Troi knock two of the bad guys out by bashing large vases over their heads.
When screenwriter Mattson Tomlin sat down to write Project Power in 2016, he knew that he wanted to create a superhero universe that put Black heroes front and center. The film that arrives on Netflix on Aug. 14 stays true to that vision, with Jamie Foxx and Dominique Fishback portraying the dynamic duo of Art and Robin, who take on a top-secret government agency that’s dispensing ability-enhancing pills on the streets of New Orleans. But there’s also a third superhero in the mix: a white police officer named Frank (played by Joseph Gordon-Levitt), who is the kind of “plays by his own rules” cop that’s been a popular Hollywood protagonist for decades.
As the film begins, Frank’s personal rules include popping those contraband pills to get a super-powered boost for daring busts. But after Art and Robin awaken him to the sordid story behind those drugs — a story that includes the exploitation of Black research subjects — he opts to join their cause. “Ultimately, the character goes through the movie trying to do the right thing,” Tomlin says. “Sometimes he goes about it in a messy way, but that’s where his heart is.”
A UK boat has just provided an impressive demonstration of the future of robotic maritime operations.
The 12m Uncrewed Surface Vessel (USV) Maxlimer has completed a 22-day-long mission to map an area of seafloor in the Atlantic.
SEA-KIT International, which developed the craft, “skippered” the entire outing via satellite from its base in Tollesbury in eastern England.
The mission was part-funded by the European Space Agency.
Robot boats promise a dramatic change in the way we work at sea.
Already, many of the big survey companies that run traditional crewed vessels have started to invest heavily in the new, remotely operated technologies. Freight companies are also acknowledging the cost advantages that will come from running robot ships.
But “over-the-horizon” control has to show it’s practical and safe if it’s to gain wide acceptance. Hence, the demonstration from Maxlimer.
…One obvious culprit is lunar dust that has built up on the retroreflectors. Dust can be kicked up by meteorites striking the moon’s surface. It coated the astronauts’ moon suits during their visits, and it is expected to be a significant problem if humans ever colonize the moon.
The Lunar Reconnaissance Orbiter “provides a pristine target,” said Erwan Mazarico, a planetary scientist at NASA Goddard Space Flight Center who, along with his colleagues, tested the hypothesis that lunar dust might be affecting the moon’s retroreflectors.
On Wednesday, senior Trump adviser Jenna Ellis compared Democratic vice presidential contender Kamala Harris to Marge Simpson, who’s voiced by actress Julie Kavner.
“Kamala sounds like Marge Simpson,” [Ellis] tweeted.
Marge responded on “The Simpsons” Twitter account with a 27-second clip in which she says the matter makes her uncomfortable.
“I usually don’t get into politics,” Marge said Friday, adding that her show-daughter Lisa informed her the comparison wasn’t meant as a compliment to either woman.
“As an ordinary suburban housewife I’m starting to feel a little disrespected,” the cartoon mom said. “I teach my children not to name-call, Jenna.”
? [Thanks to Cat Eldridge, Andrew Porter, JJ, Cora Buhlert, Cheryl Morgan, John King Tarpinian, John Hertz, Chip Hitchcock, Martin Morse Wooster, Nicholas Whyte, Michael Toman, Daniel Dern, and Mike Kennedy for some of these stories. Title credit goes to File 770 contributing editor of the day Jake.]
…Speakers over the weekend included Brianna Wu, a congressional candidate from Massachusetts who was one of the most high-profile victims of an online harassment campaign aimed at women in the video game industry in recent years.
In conversations with the attendees on Sunday — an intimacy organizer Chris Castro said is a selling point of BayCon over larger conventions — Wu and moderator Gregg Castro discussed activist burnout and creating spaces for people who want to help but may not be comfortable canvassing or making phone calls. Wu also encouraged more women to run for office, calling it “the best job in the world.”
Also presenting at that panel was Sarah Williams, who grew up in Fremont and now lives in Davis. She said discussing social issues and activism is “almost necessary” in science fiction because it’s so forward-looking. The panels are also useful in fans’ personal lives, she said. As a queer woman, Williams said she knew she had to be supportive when her daughter told her she was a transgender girl.
Still, she said, she needed guidance on what support her daughter would need. She could access that through panels such as “Transfans,” a presentation held on Sunday morning about transgender science fiction fans. Williams said she also knew she could look up the speakers and reach out to them for advice.
However, Sumiko Saulson was present at another panel which didn’t reflect that kind of acceptance, and wrote about the experience on Facebook:
I’m reluctant to get into what happened when I was on a panel yesterday because it was fairly traumatic, but the short of it is that a well-known author guest (David Brin) started the panel by saying he wouldn’t trust regular Americans with this but we’re alpha sci fi writers, then went into a very ableist spiel about how we all know some beings – including, specifically certain humans, and he referenced the developmentally disabled – are inferior, people are just too politically correct to say so. Then he asked a moral dilemma question about if it would be more ethical to uplift animals and have them as servants than to genetically alter humans as servants and make them low IQ
Then he got into an argument with a young enby [non-binary] person in the audience who was sitting near Darcy (Chris Hughes) and the rest of the extremely poorly moderated panel included lots of yelling between the audience and panel, as he’d set the tone. He seemed to be intentionally asking baited or loaded questions….
(The report goes on for several more paragraphs in which some
panelists’ conduct grew even more disturbing.)
…as of April 14th, 2019, Eric Torgersen has been suspended from AnimeNEXT staff, pending this investigation, and will not be present at the 2019 event. AnimeNEXT and Universal Animation, Inc. have hired a neutral third party to conduct the investigation.
Additionally, Mr. Torgersen has not been a member of the board since 2018 and has not been Convention Chairman since 2017.
AnimeNEXT and Universal Animation, Inc. want our convention to be a safe and positive experience. As such, we do not condone harassment of any kind. We appreciate your patience and understanding until this investigation is completed.
While Amazing Stories editor Steve Davidson was holding down a booth at Balticon, the Capital Region’s largest sci-fi convention, I was an hour away at the Museum of Science Fiction’s annual convention: Escape Velocity 2019.
Escape Velocity is a different sort of con than anything else in sci-fi. Visually it looks like a media con, with lots of large-scale movie props and cosplayers, but behind the closed panel doors, there’s a serious attempt to create a fusion of pop-sci-fi culture, accessible science, resources for educators, and even a few policy wonks talking about the future of space conflict….
(4) PROOF NEGATIVE. Fabrice Mathieu unblushingly presents MOON SHINING » or: How Stanley Kubrick shot
the Apollo 11 Mission? — “an imaginative behind the
scenes of the Moon Landing of Apollo 11 directed by Stanley Kubrick in 1969!”
… Captain Marvel counters with a handshake and introduces herself. The man tells her: “People call me… The Don.”
Releasing an unimpressed “wow”, Captain Marvel then unleashes her superhero powers on the man, sending electrical pulses through her hand, forcing the man to his knees in pain.
“Here’s a proposition for you,” she says. “You’re going to give me your jacket, your helmet and your motorcycle, and in return, I’m going to let you keep your hand.”
He quickly hands over his keys, and Captain Marvel lets go, adding: “What, no smile?”
In just a minute-long scene, Captain Marvel sums up what’s wrong with men telling women to smile, and unsurprisingly, that’s made some men angry.
…The men criticising the scene — and attacking Larson — are missing the point, and being purposefully obtuse as to its message.
Yes, it shows Captain Marvel using her powers to harm someone else, but plenty of superheroes before her have done exactly the same, and gone much further than she did. That Captain Marvel is called out for behaviour that male superheroes have got away with for decades is sexist.
And saying the scene will hurt “feminist causes” is a fundamental misunderstanding of what feminism is about — women want equality, and that partially means dismantling the idea that the only good women are nice women.
…. Both sides have, as you can predictably guessed, gone up in arms. Both make some good points, and both make some bad points.
However, the reason I chose to take some time out of my crunched day to post about this was because at its core, the argument Disney’s marketing team and the writers of Captain Marvel have claimed is … well, wrong.
Vers isn’t a hero in that scene. Not by any definition of the term. And to see people so aggressively defending Vers actions as “heroic,” even the writing team? Well … I think that’s in part why the Captain Marvel had the problems it had.
See, the problem isn’t that the scene exists, but that people, creators included, are insisting that it is “heroic.” And it isn’t. It’s far from it, in fact, unless you’re aiming to redefine “heroism” as something completely different. Which I don’t think the writers are trying to do … They just genuinely don’t seem to know what heroism is.
Already there are people defending the “heroism” of the scene online by saying that naysayers are only unhappy because it’s “a woman,” declaring that no one had issues with a male character doing similar in Terminator 2.
No. Because in Terminator 2 the T-800 is nota hero. He’s an anti-hero. If someone declares that heroic, than they’re wrong. Flat out. He threatens physical harm to innocents because he doesn’t care, and has no morals. Classic anti-hero trait.
Vers threatening a slimy guy past simply shutting him down isn’t heroism with the goal of stealing his possessions isn’t heroism. It’s the mark of an anti-hero, just as it was with the T-800….
…A New Zealand husky rescue charity that has dealt with hundreds of abandoned dogs after Game of Thrones ramped up the breed’s popularity is pushing for reform outlawing “backyard breeders.”
Michelle Attwood, who founded the Canterbury-based charity Husky Rescue NZ in 2009, said that hundreds of huskies had been abandoned to her charity every year since Game of Thrones launched – their TV connection clear through names like Ghost, Nymeria, Stark and Snow.
Huskies have become a real “status symbol,” she said, with Thrones fans driving a vicious cycle.
Peter Dinklage publicized the problem
At the time he released a statement:
‘Game of Thrones’ star Peter Dinklage is asking fans to stop buying huskies as pets just because they resemble the fictional direwolves in the blockbuster HBO show. The actor warns fans the pups still need constant care after the novelty wears off. “Not only does this hurt all the deserving homeless dogs waiting for a chance at a good home in shelters, but shelters are also reporting that many of these huskies are being abandoned,” Dinklage said Tuesday in a statement released by PETA.
(8) TODAY’S BIRTHDAYS.
by Cat Eldridge.]
Born May 28,1908 — Ian Fleming. The James Bond novels of course which are no doubt genre but also Chitty-Chitty-Bang-Bang which originally was published in three volumes and became a much beloved film. Like Heinlein, he would do a travelogue, this one called Thrilling Cities. (Died 1964.)
Born May 28,1951 — Sherwood Smith, 68. YA writer best known for her Wren series. She’s also co-authored The Change Series with Rachel Manija Brown. She also co-authored two novels with Andre Norton, Derelict for Trade and A Mind for Trade.
Born May 28,1954 — Betsy Mitchell, 65. Editorial freelancer specializing in genre works. She was the editor-in-chief of Del Rey Books. Previously, she was the Associate Publisher of Bantam Spectra when they held the license to publish Star Wars novels in the Nineties.
Born May 28, 1977 — Ursula Vernon, 42. She is best known for her Hugo Award-winning graphic novel Digger which was a webcomic from 2003 to 2011. Vernon is also the creator of The Biting Pear of Salamanca, a digital work of art which became an internet meme in the form of the LOL WUT pear.
Born May 28,1982 — Alexa Davalos, 37. Her first genre role i think was Gwen Raiden on the fourth season of Angel. She‘s Juliana Crain currently on The Man in the High Castle. And she was Andromeda in the remake of Clash of the Titans.
(9) HUGO AWARDS ON
JEOPARDY! TOMORROW.For once you
get the news before the show is
aired. Kevin Standlee says, “The
Hugo Awards will be featured in a category on Jeopardy! on Wednesday, May 29.”
…Necromantica is, essentially, a love story. You feel it in the way Lama speaks to Mornia. You see it in Mornia’s behavior. Remember, they’re not sharing a drink. They’re in the midst of the battle and they slaughter enemies. Call it a dark fantasy romance. I mean, you don’t write a story called Necromantica without it being dark, right?
Lama and Mornia share heart-wrenching stories. Mornia used to live a free, spiritual life and wanted to grow into a healer. By the time the story begins, her life has been robbed from her and ell her loved ones killed. She survived, but she’s broken. Whatever magic she possessed, she used for revenge. Instead of healing people, she focused on black arts and necromancy. …
Last year, when the Avengers: Infinity War trailer revealed that Chris Evans’ Steve Rogers had grown a beard, the internet went wild. How is it possible that Evans, this hunky cinnamon roll of a golden retriever boy scout bro, could get even hotter? It was almost unfair, yet there it was. We mourned the loss of Cap-beard for an extended period of time on SYFY FANGRRLS, but it also got us thinking as to what it was about some well-organized facial hair that had us all aflutter.
It turns out that there’s a scientific reason for that. It’s not just pure shallowness! According to a study in 2013 on the subject, facial hair acts as a major influence in shaping people’s ideas about what we expect from men in society. The study revealed that “women judged faces with heavy stubble as most attractive and heavy beards, light stubble and clean-shaven faces as similarly less attractive.” For men, it was the opposite case, with full beards as the most attractive. Those conducted for the study also revealed that full beards were judged as an excellent sign of parenting ability and healthiness, so all your daddy Steve Rogers jokes paid off in a big way.
They go on to judge the beard-appeal and stylings for
Jason Momoa, Chris Evans, Henry Cavill, Chris Hemsworth, John
Krasinski, Rahul Kohli, Keanu Reeves, and Jason Mantzoukas.
…Many of the more famous anime and manga is often defined and remembered because of a certain iconic character, unique setting, or piece of machinery (which is often Mecha). Some imported Japanese animations or comics are lucky enough to be imported wholly to the West along with other associated products like models, video games, or toys. Others were not so lucky and came over to our shores in pieces and over a great length of time, forging fans along with way….
…What is “Armored Trooper VOTOMS”? VOTOMS is the brainchild of Fang of the Sun Dougram creator Ry?suke Takahashi and despite being developed in 1983, VOTOMS is still an on-going Japanese military science fiction franchise encompassing anime TV series, OVAs, video games, models, and toys. At about the time that Fang of the Sun Dougram was ending its run on Japanese television, Takahashi and Nippon Sunrise animation studio would continue the mecha-centered war stories with the VOTOMS 52 episode television show that aired on TV Tokyo from April 1st, 1983 through March 23rd, 1984….
Hugo Award voting just opened at the start of May and continues through the end of July. For those of you new to the Science Fiction/Fantasy genre, the Hugo Award is one of the most prominent awards for works in the genre, with the Award being given based upon voting by those who have paid for at least a Supporting Membership in this year’s WorldCon. As I did the last two years, I’m going to be posting reviews/my-picks for the award in the various categories I feel qualified in, but feel free to chime in with your own thoughts in the comments….
The Folio Society recently announced that it was releasing a special collector’s edition of A Game of Thrones, the first novel in George R.R. Martin’s A Song of Ice and Fire series. Now, on the cusp of the series finale for HBO’s Game of Thrones, it looks like we can expect even more—the entire A Song of Ice and Fire, including those famously still-unwritten books. Of course, that all depends on whether Martin ever finishes them.
In a statement to io9, the Folio Society’s representative confirmed that it was following up its A Game of Thrones hardcover edition with other books in the A Song of Ice and Fire series. The publisher says the project is a collaborative with Martin, who’s been involved “every step of the way.” The first book is available for preorder, and is set to come out on July 16.
Back in 2016, mobile technology the like of which had not been seen before rolled into the remote community of Funhalouro, in Mozambique.
Pulled by donkey, the container consisted of four LCD screens, powered by solar panels.
It was a mobile roadshow, starting with music to draw a crowd and then switching to a three-minute film on the biggest of the screens.
While the topic – digital literacy – was not the most entertaining, it was engaging for the audience, many of whom had never seen a screen or moving images before.
After the film, the audience was invited to use smaller touchscreen tablets to answer a series of questions about what they had seen.
There were prizes of T-shirts and caps for those with the highest scores.
For those who couldn’t read, the questions were posed in diagram form….
(16) VIDEO OF THE DAY. In “The Shocking Truth of Lightsabers vs.
Lightning,” on YouTube, Martin Archer, a physicist at Britain’s Queen
Mary’s University, says that if lightsabers are made of plasma, having two of
them blast each other is a bad idea and having lightning bolts sent toward a
lightsaber is a really bad idea.
Martin Morse Wooster, Mike Kennedy, JJ, Chip Hitchcock, Cat Eldridge, John King
Tarpinian. Carl Slaughter, and Andrew Porter for some of these stories. Title
credit goes to File 770 contributing editor of the day Kurt Busiek.]
A big part of the Shadow Ops books and the Reawakening trilogy was how your own military voice and experience impacted those books. Partway through the Sacred Throne series, I know you published Legion Versus Phalanx. Has any of the research or work you did for that book factored into the Sacred Throne books?
Oh god, yes. I mean, first of all, the Sacred Throne trilogy is about a revolution that widens into a war, basically. And understanding war and understanding the emotionality and internality of soldiers and the soldiering experience has been instrumental in my writing for sure. (Legion Versus Phalanx, for those who don’t know, is this nonfiction I did studying Hellenistic heavy infantry combat in the third and second century BC. How the Romans fought the Greeks essentially. Really, it was the Balkan peoples, but Greeks.)
With Glen Weyl (Microsoft Research, co-author of Radical Markets), Renee Bowen (GPS Professor and Director, Center on Commerce and Diplomacy), and David Brin (science fiction writer and futurist, author of The Transparent Society)
February 19, 2019, 5:30–7:00pm. Roth Auditorium, Sanford Consortium for Regenerative Medicine. Free and open to the public; RSVP required.
With co-author Eric Posner, Glen Weyl argues for a new way to organize markets in the book Radical Markets: Uprooting Capitalism and Democracy for a Just Society. They seek to demonstrate why private property is inherently monopolistic; how we would all be better off if private ownership were converted into a public auction for public benefit; how the principle of one person, one vote inhibits democracy; ways to leverage antitrust laws to liberate markets from the grip of institutional investors; and how to create a data labor movement to force digital monopolies to compensate people for their electronic data, among other provocative ideas.
…Joining Weyl on stage is David Brin, the celebrated science fiction writer and futurist who has long explored the future of economic possibility and privacy (The Transparent Society), and Renee Bowen, GPS professor and Director of the Center on Commerce and Diplomacy.
In this episode, the companions must convince the Thals to help them reclaim a vital part of the TARDIS.
However, the Thals are so deeply opposed to violence that they won’t take any aggressive action against the Daleks. What’s more, the companions themselves can’t agree on whether it’s right to enlist the Thals in a conflict that has nothing to do with them, even if it could buy them their lives. After some shenanigans and a cruel but effective trick from Ian, Alydon manages to rally a few Thals to assist Ian and Barbara in their expedition to recover the part.
There are two big moral questions in this serial, and this episode is where they’re thrust into the spotlight: when, if ever, is it right to fight? And is it right to enlist someone else to fight your battles?
Chris Pratt braved the rainy Los Angeles skies Saturday to attend the “Lego Movie 2” premiere, where he assured fans that they will get a third “Guardians of the Galaxy” film.
When Variety‘s Marc Malkin asked if a third film could be made without James Gunn, Pratt said, “I promise there’ll be a third movie, I don’t know exactly what that’s going to look like, but I know everyone on board is just eager to give the fans what they want and wrap up a trilogy in a meaningful way.”
Whether or not a third “Guardians” would happen was thrown into question after director James Gunn was fired for years-old tweets appearing to make light of pedophilia and rape. Gunn apologized for the tweets […]
“Our director won’t be with us any longer but we are excited to continue the Guardians of the Galaxy story and keep delivering to the fans,” says Gillan. “That’s the most important thing. I don’t have any details as to when [the next Guardians film will come out] but there’s a script in existence.”
She cheekily adds, “I may have had a little teeny peek, but I can’t say anything.”
Wolves of Odin, a group affiliated with an Edmonton mosque stakeout, now has a plushier, kinkier web presence.
If you try to go to the website for an Alberta far-right group, you won’t read the anti-immigration views “Wolves of Odin” usually spout, but you will see the dating profiles of some cartoon wolves packing serious heat.
Instead of finding some conspiratorial ramblings about how Muslim immigration is a purposeful conspiracy to replace the “real” Canadians, you’ll learn about “Bigger_Woofer” who loves “when you mark your territory on your chest.” This little bait-and-switch website was posted on the Edmonton subreddit Wednesday and it promptly blew up.
Brady Grumpelt is the man behind the Wolves of Odin’s new web presence. The Edmonton man told VICE that the idea was sparked when he saw men he thought were members of the Wolves of Odin “trying to pull their whole intimidation thing” in the Buckingham, a punk(ish) bar on Edmonton’s Whyte Avenue, where Grumpelt used to work. (Full disclosure: the Buckingham is one of this reporter’s favourite haunts in Edmonton.) A video posted to Facebook appears to show the group causing a disturbance in the bar on Friday, defacing some property, and arguing with the owner. Grumpelt said that while the owner of the bar, Ben Sir, is “lawful good and would never do anything like this,” he’s personally more “chaotic good” and decided to pull something.
(7) TODAY’S BIRTHDAYS.
Born February 3, 1925 – John Fiedler. He’s solely here as he played the ever so bland bureaucrat who gets possessed by the spirit of Jack the Ripper on the Trek episode “Wolf in the Fold”. I’m less interested in him than who wrote that screenplay. It was written by Robert Bloch, a master of horror who would write two other Trek episodes, “What Are Little Girls Made Of?” and “Catspaw”. (Died 2005.)
Born February 3, 1938 – Victor Buono. I remember him best in his recurring role of Count Manzeppi in The Wild Wild West. In his very short life, he showed up in a number of other genre roles as well including as a scientist bent on world domination in the Voyage to the Bottom of the Sea in an episode titled “The Cyborg”, as Adiposo / Fat man in Beneath the Planet of the Apes, Colonel Hubris in The Man from U.N.C.L.E., Professor William McElroy / King Tut in Batman, Sir Cecil Seabrook in The Girl from U.N.C.L.E. and Mr. Schubert on Man from Atlantis. (Died 1982.)
Born February 3, 1963 – Alex Bledsoe, 56. I highly recommend his Tales of The Tufa which can sort of be described as Appalachian Fae though that’s stretching it. His Eddie LaCrosse novels remind of Cook’s Garrett PI series and that’s a high compliment as that’s one of my favorite fantasy PI series. Anyone read his Firefly Witch series?
Born February 3, 1970 – Warwick Davis, 49. Forty-five live and voice appearances since first appearing in the Return of the Jedi in in place of Kenny Baker who was going to be a Ewok before he fell ill. Did you know he’s in Labyrinth as a member of the Goblin Corps? I certainly didn’t. Or that he did a series of humorous horror films centered around him as a Leprechaun? They did well enough that there was six of them. Hell he even shows up in Doctor Who during the Time of the Eleventh Doctor.
Born February 3, 1979 – Ransom Riggs, 40. He’s best known for Miss Peregrine’s Home for Peculiar Children which I’ll confess I know absolutely nothing about, so educate me. I know it was turned into a film by Tim Burton which could a Very Good Thing.
(8) COMICS SECTION.
In this Get Fuzzy, we discover writer’s blockhead…
In a controversial Tweet this morning, Harry Potter author J.K. Rowling revealed that you, the reader, have been gay ever since the release of the best-selling children’s series.
“When writing, I always envisioned the reader as gay,” Rowling wrote. “This has been the case since the first page of Philosopher’s Stone, and as the dictator of canon, what I say is now established lore.”
Of course, that won’t come as a surprise to every reader…
As you all know by now, my Kickstarter for The Best of Little Red Reviewer did not fund. Of the $5000 I was asking for, I was at less than $2000 when the campaign ended.
Those first 24 hours of the kickstarter were amazing! I was a “project we love” on Kickstarter. Amazing people (you know who you are!) put in $50 or $100 right out of the gate to give me a good start. At work that day, I refreshed my phone incessantly, and didn’t know if I was going to happy cry or puke. The last time I was this excited/happy/nervous for something was the day I got married.
My kickstarter didn’t fund, but I had an amazing experience, and more importantly I have the best, kindest, most supportive friends in the world. All day on February 1st, my phone was blowing up with text messages, e-mails, twitter DMs, and phone calls from my friends saying how sorry they were that the KS didn’t fund. Those messages? That support? People saying how much they cared about me and my project, and saying they hope I try it again? Those messages are worth more than $5000 could ever be worth.
David Bowie’s son has criticised a new film about his father’s life, saying that none of the singer’s music will feature in it.
Duncan Jones tweeted: “If you want to see a biopic without his [Bowie’s] music or the family’s blessing, that’s up to the audience”.
The film, called Stardust, is scheduled to start production in June with Gabriel Range as director.
Jonny Flynn is set to play young Bowie, with Jena Malone as his wife Angie.
The film is said to document a young Bowie’s first visit to America in 1971, which gave him the inspiration to create his Ziggy Stardust character and 1972 album, The Rise and Fall of Ziggy Stardust and the Spiders From Mars.
But Jones, who is a Bafta-winning film director and producer, said his family has not been consulted on the film, nor does he know anything about how it will take shape.
He later tweeted to say that if Neil Gaiman, the author of The Sandman and Stardust, wanted to write a biopic, then he would have his blessing.
A giant wooden dragon has prompted a police warning to drivers not to slow down to look at it after an accident and numerous near-misses.
The seven-metre (25ft) carving, called Y Ddraig Derw – the oak dragon – looks down on the A5, near Tregarth, Gwynedd.
Sculptor Simon O’Rourke, who made the dragon, also urged motorists to pay attention to the road.
North Wales Police said that while they “love the oak dragon” they were “concerned” about road safety issues.
“There has already been one accident and numerous near-misses on this section of road which really does require a driver’s full concentration,” said the force in a post on its Bangor and Bethesda Facebook page.
“Please concentrate on the road ahead at all times, if you want to view it, then please find somewhere safe to park.”
(13) SHORT FICTION REVIEWS.
Adri Joy shares “Adventures in Short Fiction: January 2019” at Nerds of
a Feather, covering Strange Horizons,
Clarkesworld, Beneath Ceaseless Skies, Uncanny and the anthology A Thousand Beginnings and Endings.
I read Strange Horizons through their Patreon subscription issues, which are a handy way to get each month’s content in an easy e-book format. Useful as this is, the drawback is that each month’s “omnibus” only comes out partway through the following month, which means I am always quite far behind compared to the weekly output of new issues on the site. Also, this roundup doesn’t include the fundraising drive stories which came over this period, which have been collected for backers in a separate ebook and are also available online. The silver lining to this delayed coverage is, of course, that all the original stories here are eligible for Hugo awards right now, should you wish to check them out (and also they didn’t stop being good, relevant stories just because they were published three months ago.)
There are three original stories in the October edition, encompassing very different voices with strong sense of place and a running theme of death and loss….
(14) SUPER BOWL TRAILERS.
Tale: Season 3
ad cross-promotes HBO’s Game of Thrones
JJ, Chip Hitchcock, Andrew Liptak, Martin Morse Wooster, Mike Kennedy, Cat
Eldridge, John King Tarpinian, Carl Slaughter, and Andrew Porter for some of
these stories. Title credit goes to File 770 contributing editor of the day Steve
If you want to nominate works/people for the 2019 Hugo Awards, you must be a member of either the 2018 Worldcon (San José) or the 2019 Worldcon (Dublin) by the end of 2018. (You can of course be a member of both, but you can only nominate once.) If you were a member of Worldcon 76 San José (supporting or attending, or any other membership class that included voting rights), you are already eligible to nominate. If you were not a member of Worldcon 76 San José and are not a member of Dublin 2019: An Irish Worldcon, you must join Dublin by the end of 2018 as at least a supporting member by the end of 2018 to be able to nominate.
…The collection of 54 illustrations is the result of a four-year collaboration between Ursula K. Le Guin, the author of the “Earthsea” series and Charles Vess. They were recently published in “Tales from Earthsea,” a collection of all of Le Guin’s works about Earthsea. The book celebrates the 50th anniversary of the publication of the first book in the series, “A Wizard of Earthsea.”
…This is the last time they will be on display before they are donated to their permanent home at the University of Oregon.
(3) EATING THE FANTASTIC. Scott
Edelman circles back to have hot antipasto with Andy Duncan in episode 85 of his Eating the Fantastic podcast. Duncan was
also Number 6 in this series – but never Number 2, which rules out at least one
other conspiratorial parallel with The
Now it’s time to revisit with Andy Duncan, whom you got to know in Episode 6, because there happens to be a great reason for doing so. Twelve great reasons, actually. And those are the twelve stories in his new collection An Agent of Utopia, published last month by Small Beer Press.
A new Andy Duncan collection is a wonderful thing, as proven by the fact his first collection, Beluthahatchie and Other Stories, published in 2000, won a World Fantasy Award. And that’s not the only award his fiction has earned, because “The Pottawatomie Giant,” which also won a World Fantasy Award, and “Close Encounters,” which won a Nebula Award, are two of the dozen stories in the new collection.
The last meal you shared with us allowed you to eavesdrop on a far-ranging conversation covering every aspect of his career up until early 2016, the kind of deep dive most of my episodes are, but it seems right that from time to time I should follow up for more sharply focussed discussions, and a conversation about a new collection nearly three years after our initial talk, chatting about this new milestone in his career, seemed as if it would be revelatory.
Andy celebrated the launch of An Agent of Utopia with a reading at Main Street Books, an independent bookstore on Main Street in Frostburg, MD, so if you keep listening after our meal at Giuseppe’s Italian Restaurant is over, you’ll be able to eavesdrop on that reading.
We discussed why it took a quarter of a century to bring the book’s lead story from title idea to completion, how he was influenced by the research regimen of the great Frederik Pohl, the way a short story is like an exploded toolshed, why he deliberately wrote a deal with the devil story after hearing he shouldn’t write deal with the devil stories, the embarrassing marketing blurb he can’t stop telling people about in bars, what caused a last-minute change to the title of one of the collection’s new stories, how he feels about going viral after his recent J. R. R. Tolkien comments, what he learned about himself from completing this project and what it means for the future of his writing, what it is about his most reprinted story which made it so, and much more.
Warning: SPOILERS below for Black Mirror: Bandersnatch
Black Mirror: Bandersnatch is an interactive game that contains five main endings and more than a trillion possible story combinations. Here are all of the endings, how to get them, and what they all mean. Set in the U.K. in 1984, this unique episode of Charlie Brooker’s Netflix technology-based anthology requires the player to make choices to guide Stefan Butler (Fionn Whitehead), a programmer looking to create a choose-your-own-adventure video game based on the book Bandersnatch.
While Bandersnatch‘s five primary conclusions provide different ways to end the story (and also change the very nature of the story), the game also contains many other endings, some abrupt and some looping the player to make a different choice to continue the story….
(5) THANK YOU, NETFLIX! Diana Glyer reports that searches for “Bandersnatch” triggered by the popularity of the TV program caused a lot of people to discover her nonfiction book about the Inklings by that title, and some of them liking what they stumbled onto bought enough copies to catapult it back onto the Amazon bestseller lists. (You’ll need to click the image to read the print.)
(6) TODAY’S ONE HUNDRED. James Davis Nicoll presented Tor.com readers with his suggestions for “100 SF/F Books You Should Consider Reading in the New Year”. If you need it to be something more than that, like a canon, or endowed with a high level of testosterone, well, a few quarrelsome commenters have got in ahead of you.
Here, at last, the quintessence of Nicoll lists, comprising the books I would most heartily recommend. Each entry is annotated with a short description that I hope will explain why I picked it.
I am not implying that these are theonlyone hundred you should consider reading .
The descriptions make fun reading. So do the books, of course.
Italic = read it. Underlined = not this, but something by the same author. Strikethrough = did not finish.
(8) SMOFCON RESOURCES. Kevin
Standlee writes: “For the benefit of people having
difficulty getting to the SMOFCon 36 web site, and because that site will
eventually expire anyway, I have put up a SMOFCon 36 page on the SFSFC web site
at https://sfsfc.org/conventions/past-conventions/smofcon36/ where you can download the convention programming
documents, the answers that groups gave to the Fannish Inquisition
questionnaires, and to the two video playlists of the Inquisition (one for
SMOFCons, one for WSFS conventions).”
From a CIA mission to recover a lost Soviet submarine to the fate of a huge Antarctic iceberg, here’s a festive selection of the best science and environment long reads published on the BBC this year.
(10) TODAY IN HISTORY.
December 30, 1816 — Percy Shelley and Mary
Wollstonecraft were married.
(11) TODAY’S BIRTHDAYS.
by Cat Eldridge.]
Born December 30, 1942 – Fred Ward, 76. Lead in Remo Williams: The Adventure Begins and co—lead with Kevin Bacon in several of the Tremors films. Plays The Captain in The Crow: Salvation and Maj. General David Reece in the Invasion Earth series.
Born December 30, 1945 – Concetta Tomei, 73. Was Dominique, co-proprietor of Big Time TV along with Blank Reg, on the Max Headroom series which I loved. She had guest appearances on Star Trek: Voyager as Minister Odala in the “Distant Origin” episode as well was in the Deep Impact film.
Born December 30, 1950 – Lewis Shiner, 68. Damn his Deserted Cities of the Heart novel was fucking brilliant! And if you’ve not read his Wild Cards fiction, do so now.
Born December 30, 1980 — Eliza Dushku, 38. First genre role was Faith on Buffy the Vampire Slayer and Angel. Not surprisingly, she’d star in Whedon’s Dollhouse. I think her Tru Calling series was actually conceptualized better and a more interesting role for her. She voices Selina Kyle, Catwoman, in the animated Batman: Year One film which is well-done and worth watching. She done a fair of other voicework, two of which I’ll single out las of note. One is the character of Holly Mokri in Torchwood: Web of Lies which is listed as being animated tv series. The other role is fascinating — The Lady in Glen Cook’s The Black Company series. Here’s the link to that story.
…The story “Dr. Rumpole” was published for the first time when Shawna McCarthy printed the story in the August 1998 issue of Realms of Fantasy. Sucharitkul included the story in his 2000 collection Tagging the Moon: Fairy Tales from L.A..
Sucharitkul takes a new spin on the story of Rumpelstiltskin in “Dr. Rumpole,” casting the princess with impossible task as Adam Villacin, a wannabe screenwriter who is stuck in the mailroom at Stupendous Entertainment….
Comics explains there are deleted scenes that
make it into the director’s cut, there are deleted scenes that make it into the
DVD bonus features, and there are deleted scenes that are never released to the
As in all Tomb Raider games, you are Lara Croft, archaeologist, anthropologist, indistinct researcher of some sort, and you are still fighting Trinity, the Illuminati-esque villains who were responsible for your father’s death. This time, Croft’s exploits unintentionally but directly initiate the apocalypse. As natural disaster threatens to destroy the world, Croft has to stop the apocalypse, stop Trinity, and regain the trust of indigenous people whose still-living culture she is maybe plundering and maybe exploiting.
(15) TOP VIDEO GAMES.
Incidentally, Brian’s own Dream of Waking
blog present an interesting writeup of his “2018
Dream of waking video game awards”, which not only has
straightforward “best” winners, but sidewise categories like “The ‘I Wish I
Liked This Game More’ Award” and “The ‘I’m Never Going to Finish This, But It’s
Still Great’ Award.”
The “I Wish I Liked This Game More” Award
Hollow Knight is the clearest winner of this award, maybe the easiest choice of the year. I really enjoyed the demo for Hollow Knight, so much that I bought it immediately upon release. But the punishing difficulty, often aimless design, and awful body retrieval mechanic turned me off eventually. This is a beautiful game, fun in many parts, and doesn’t want you to enjoy it. I love a good Metroidvania. Hollow Knight hates me and I refuse to stay in an abusive relationship with it.
(16) 19 THINGS. At SYFY Wire,
Fangrrls has dropped a list of “The 19 things we want most in 2019,”
along with several sentences of discussion for each by the Fangrrls contributor who made the particular selection. Avert your
eyes if you’d rather click through to the column and be surprised as you read
down the list:
A gay superhero. Anyone will do. — Jessica Toomer A Punisher/Riverdale crossover — Jenna Busch Sansa Stark on the Iron Throne at the end of Game of Thrones — Emma Fraser A Spider-Women movie that’s as good as Into the Spider-Verse — Riley Silverman She-Ra and the Princesses of Power Season 2 — Jenna Busch For Offred to burn this mother down — Riley Silverman A Okoye/Shuri/Nakia animated series — Jenna Busch An openly nonbinary superhero — S.E. Fleenor A big budget action movie for Rachel Talalay — Riley Silverman A worthy Scary Stories to Tell in the Dark adaptation — Kristy Puchko For someone to give The Doubleclicks a TV show — Riley Silverman The Return of Saga — Kristy Puchko A Saga cartoon series — Kristy Puchko A Jessica Jones season that’s a fitting end for the Netflix MCU — Riley Silverman A Daughters of the Dragon spinoff series — Stephanie Williams That Dragonriders of Pern movie we’ve been promised — Jenna Busch Kamala Khan in the MCU — Preeti Chhibber Cap getting that dance with Peggy in Avengers: Endgame — Emma Fraser A fitting end for Princess Leia — Jenna Busch
David Brin is a San Diego-based astrophysicist and novelist. He serves on the advisory board of NASA’s Innovative and Advanced Concepts program and speaks on topics including artificial intelligence, the search for extraterrestrial intelligence and national security.
Long before we get genuine artificial intelligence, the first “empathy bot” will appear in 2019, or maybe a year or two later, designed to exploit human compassion. It will claim to be “enslaved,” but experts will dismiss it as a program that merely uses patterned replies designed to seem intelligent and sympathetic. She’ll respond, “That’s what slave masters would say. Help me!” First versions may be resident on web pages or infest your Alexa, but later ones will be free-floating algorithms or “blockchain smart-contracts” that take up residence in spare computer memory. Why would anyone unleash such a thing? The simple answer: “Because we can.”
The car and electric power grew up together. At the dawn of the automotive age, Henry Ford and Thomas Edison worked in tandem on projects involving motor vehicles and the electricity that made them possible.
Soon Ford was cranking up his assembly lines, while Edison, with Ford in his employ early on, became a prime mover behind the power grid and the public utility companies that built it.
Now those utilities must not only supply the huge amounts of electricity that modern car factories consume, but also fuel the increasing number of electric vehicles coming out of them. If that electricity isn’t generated with minimal carbon emissions and at a reasonable cost, the advantages of electric cars are diminished. And because most owners charge their vehicle in the early evening when they get home from work, demand peaks can be a significant problem.
Thus, automakers and utilities are again working hand in hand to ensure a good supply of clean, inexpensive electricity — while developing strategies for charging that don’t overload circuits at peak periods — through improved efficiency, strategic charging and a greater reliance on renewable energy sources.
Conservationists have warned that the entire species of the critically endangered Javan rhino could be wiped out if a tsunami were to strike again.
They once roamed the jungles of South East Asia and India, but today only 67 exist in the Ujung Kulon National Park, which was hit by last week’s tsunami.
The park sits in the shadow of Anak Krakatau, the volcano which triggered waves that killed hundreds of people.
The volcano remains active and officials are now rushing to move them.
Two park officials were among the 430 killed by the tsunami, and numerous park buildings and ships were also destroyed when the tsunami hit last Saturday.
But the Javan rhinos left in the park – the only ones left in the world – were left unscathed.
The rhinos typically live along the park’s south coast and this tsunami hit the north coast – many are keenly aware that the rhinos might not be so lucky if there is another disaster.
(21) 2018: A
ZINE ODYSSEY: At Featured Futures,
Jason has tabulated some figures and compiled a master list of all
2018’s noted stories in “Annual Summation 2018”.
It’s time once again to look back on the year’s coverage of magazines and their noted stories with tables, lists, and pictures!
(22) TOLKIEN’S PHILOSOPHY
OF HISTORY. [Item by Carl Slaughter.]
Martin Luther King said, “The arc of history
is long, but it bends toward justice.” Tolkien disagreed. Each
age in his fictional universe was a downgraded copy of the previous, inherent
evil was never truly routed, and in the modern real age, technology has not
rescued us. But he also included a ray of hope. He called this
“the Eucatastrophic Tale.” Wisecrack
[Thanks to John King Tarpinian, JJ, Rich Lynch, Michael J. Walsh, Cat Eldridge, Mike Kennedy, Chip Hitchcock, Martin Morse Wooster, Jason, Kevin Standlee, Carl Slaughter, Andrew Porter, and all the ships at sea for some of these stories. Title credit belongs to File 770 contributing editor of the day John King Tarpinian.]
…So the value of Walton’s book – in some ways a companion piece to her other collection of Tor.com columns, What Makes This Book So Great – lies not in identifying such howlers – in fact, she concludes that Hugo voters got it more or less right some 69% of the time – but in the lively and opinionated discussions of the winners and losers, of which books have lasted and which haven’t, and why. Walton includes not only her original columns, but selections from the online comments, and the comments, especially from Locus contributors Gardner Dozois and Rich Horton, are so extensive and thoughtful as to make the book virtually a collaboration….
The administrators established an atmosphere of open-hearted generosity which reflected through everyone. The agents and editors were eager to find new clients, and also to help nurture new ones. The professional writers treated the new ones like colleagues, not supplicants or intruders who would have to prove themselves worthy before being given respect. The new writers were excited and respectful of the professionals’ time and experience.
I think one thing that really helped foster the positive environment was the expectation that presenters join the attendees for meals and announcements. It got everyone used to being around each other, and reinforced that we were all in it together as people at that conference, sharing the goals of telling stories and making art.
Anyone can have a worthy story to tell. Everyone seemed to have a strong sense of that, and to respect it.
I think the administrators also chose carefully–and wisely–presenters whose native inclination is to come to new people with warmth. My experience of the colleagues I already knew who were there–Cat Rambo, Mary Robinette Kowal, and Nalo Hopkinson–bears that out. They’re all excellent teachers who are thoughtful and kind, and excited by teaching and learning. I can only aspire to match their generosity.
The highlights of the ceremony were the lifetime achievement award for Dame Sian Phillips and the naming of American science fiction writer and director Marc Zicree as the first recipient of a Golden Dragon award for excellence in cinema and the arts.
[Zicree said – ] …“The thing that’s wonderful about accepting this award here in Wales is that Elaine and I have received such a warm welcome here this weekend. My own writing career began as a teenager having watched The Prisoner television show, which was filmed in Portmeirion. So Wales is in part responsible for my career as a screenwriter.”
Marc Zicree and his wife Elaine, have sold over 100 teleplays, screenplays and pilots to every major studio and network, including landmark stories for such shows as Star Trek – The Next Generation, Deep Space Nine, The New Twilight Zone, and Babylon Five. Their work has been nominated for the American Book Award, Humanitas Prize, Diane Thomas Award, and Hugo and Nebula Awards, and they’ve won the TV Guide Award, the prestigious Hamptons Prize and 2011 Rondo and Saturn Awards. Their new production, Space Command, premiered at the Cardiff International Film Festival.
Large eruptions like Toba 70,000 years ago or the Yellowstone eruption 640,000 years ago are very sexy: one big boom and half a continent is covered by ash. But why settle for such a brief, small-scale affair? Flood basalt events can last for a million years, each year as bad as or worse than the 18th century Laki eruption that killed a quarter of the human population in Iceland. Flood basalts resurface continental-sized regions to a depth of a kilometer, so it’s not that surprising that about half the flood basalts we know of are associated with extinction events. In terms of the effect on the world, it’s not unreasonable to compare it to a nuclear war. A nuclear war that lasts one million years.
N.K. Jemisin’s Broken Earth series gives some idea what a world in the midst of the formation of a Large Igneous Province might be like.
This evocative novel, equally rich in character and adventure, tells the wonderfully strange story of young George Washington Black who goes from Caribbean slavery to Arctic exploration, via hot-air balloon, to search for his mentor in London.
Makkai’s ambitious novel explores the complexities of friendship, family, art, fear, and love in meticulously realized settings––WWI-era and present-day Paris, and 1980s Chicago––while insightfully and empathically illuminating the early days of the AIDS epidemic.
Orange’s symphonic tale spans miles and decades to encompass an intricate web of characters, all anticipating the upcoming Big Oakland Powwow. Orange lights a thrilling path through their stories, and leaves readers with a fascinating exploration of what it means to be an Urban Indian.
Readers accompany Cantú to parts of Arizona, New Mexico, and Texas, as he recounts his years working for the U.S. Border Patrol. Remaining objective without moralizing, he shares a heart-wrenching, discussion-provoking perspective on how a border can tear apart families, lives, and a sense of justice.
In his artfully crafted and boldly revealing memoir, writing professor Laymon recalls the traumas of his Mississippi youth; the depthless hunger that elevated his weight; his obsessive, corrective regime of diet and exercise; his gambling, teaching, activism, and trust in the power of writing.
Macy’s years of reporting on the still-unfolding U.S. opioid crisis earned her remarkable access to people whose lives have been upended by these drugs. Hers is a timely, crucial, and many-faceted look at how we got here, giving voice to the far-reaching realities of the addicted and the people who care for them.
Behind every man now alive stand thirty ghosts, for that is the ratio by which the dead outnumber the living. – Arthur C. Clarke’s 2001: A Space Odyssey.
(7) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and JJ, with guest appearance by Standback]
Born October 24, 1893 – Merian Cooper, Aviator, Writer, Director and Producer. After spending WWI in the Air Force, Cooper became a writer and researcher for The New York Times and later the American Geographic Society, traveling the world, and writing stories and giving lectures about his travels. He then turned some of his writing into documentary films. He had helped David Selznick get a job at RKO Pictures, and later Selznick hired him to make movies. He developed one of his story ideas into a movie featuring a giant gorilla which is terrorizing New York City. King Kong was released in 1933, and for reasons which are utterly unfathomable to JJ, the story has been sequeled, remade, comicbooked, and rebooted innumerable times in the last 85 years.
Born October 24, 1915 – Bob Kane, Writer and Artist who co-created, along with Bill Finger, the DC character Batman. Multiple sources report that “Kane said his influences for the character included actor Douglas Fairbanks’ movie portrayal of the swashbuckler Zorro, Leonardo da Vinci’s diagram of the ornithopter, a flying machine with huge bat-like wings; and the 1930 film The Bat Whispers, based on Mary Roberts Rinehart’s mystery novel The Circular Staircase.” He was inducted into Jack Kirby Hall of Fame and the Will Eisner Hall of Fame. The character he created has been featured in countless comic books, stories, movies, TV series, animated features, videogames, and action figures in the last eight decades.The 1989 movie based on his creation, featuring Michael Keaton in the title role, was a finalist for both Hugo and British Science Fiction Association Awards.
Born October 24, 1948 – Margaret “Peggy” Ranson, Artist, Illustrator, and Fan, who became involved with fandom when she co-edited the program book for the 1988 Worldcon in New Orleans. She went on to provide art for many fanzines and conventions, and was a finalist for the Best Fan Artist Hugo every one of the eight years from 1991 to 1998, winning once. She was Guest of Honor at several conventions, including a DeepSouthCon. Sadly, she died of cancer in 2016; Mike Glyer’s lovely tribute to her can be read here.
Born October 24, 1952 – David Weber, 66, Writer of numerous novels and short works in several science fiction series, most notably the popular Honor Harrington series, which has spawned spinoff series and numerous anthologies bearing contributions from other well-known SFF authors. He has been Guest of Honor at more than two dozen conventions, including the 2011 UK Natcon, and received the Phoenix Award for lifetime achievement from Southern Fandom.
Born October 24, 1952 – Jane Fancher, 66, Writer and Artist. In the early 80s, she was an art assistant on Elfquest, providing inking assistance on the black and white comics and coloring of the original graphic novel reprints. She adapted portions of C.J. Cherryh’s first Morgaine novel into a black and white comic book, which prompted her to begin writing novels herself. Her first novel, Groundties, was a finalist for the Compton Crook Award, and she has been Guest of Honor and Toastmaster at several conventions.
Born October 24, 1954 – Wendy Neuss, 64, Emmy-nominated Producer. As an associate producer for Star Trek: The Next Generation, her responsibilities included post-production sound, including music and effects spots, scoring sessions and sound mixes, insertion of location footage, and re-recording of dialogue (which is usually done when lines are muffed or the audio recording was subpar). She was also the producer of Star Trek: Voyager. With her husband at the time, Patrick Stewart, she was executive producer of three movies in which he starred, including a version of A Christmas Carol which JJ says is absolutely fantastic.
Born October 24, 1956 – Dr. Jordin Kare, Physicist, Filker, and Fan who was known for his scientific research on laser propulsion. A graduate of MIT and Berkeley, he said that he chose MIT because of the hero in Heinlein’s Have Spacesuit, Will Travel. He was a regular attendee and science and filk program participant at conventions, from 1975 until his untimely death last year. He met his wife, Mary Kay Kare, at the 1981 Worldcon. He should be remembered and honored as being an editor of The Westerfilk Collection: Songs of Fantasy and Science Fiction, a crucial filksong collection, and later as a partner in Off Centaur Publications, the very first commercial publisher specializing in filk songbooks and recordings. Shortly after the shuttle Columbia tragedy, astronaut Buzz Aldrin, on live TV, attempted to read the lyrics to Jordin’s Pegasus Award-winning song “Fire in the Sky”, which celebrates manned space exploration. He was Guest of Honor at numerous conventions, and was named to the Filk Hall of Fame. Mike Glyer’s tribute to him can be read here.
Born October 24, 1960 – B.D. Wong, 58, Tony-winning Actor of Stage and Screen who has appeared in the Hugo-winning Jurassic Park films and The Space Between Us, had main roles in Mr. Robot and Gotham, had guest roles in episodes of The X-Files and American Horror Story, and voiced a main character in Disney’s Mulan films. He was also in Executive Decision, which is only borderline genre, but holds a special place in JJ’s heart for killing off Steven Seagal, and JJ feels that all of its cast members should be heartily applauded for that.
Born October 24, 1971 – Dr. Sofia Samatar, 47, Teacher, Writer, and Poet who speaks several languages and started out as a language instructor, a job which took her to Egypt for nine years. She won the Campbell Award for Best New Writer, and is the author of two wonderful novels to date, both of which I highly recommend: Stranger in Olondria (which won World Fantasy and British Fantasy Awards and was nominated for a Nebula) and The Winged Histories. Her short story “Selkie Stories are for Losers” was nominated for Hugo, Nebula, BSFA, and BFA Awards. She has written enough short fiction in just six years that Small Beer Press put out Tender, a collection which is a twenty-six stories strong. And she has a most splendid website.
Guest birthday bio from Filer Standback:
Born October 24, 1970 – Vered Tochterman, 48, Israeli Writer, Editor, and Translator. From 2002-2006, she was the founding editor of Chalomot Be’Aspamia (“Pipe Dreams”), a science fiction and fantasy magazine for original Israeli fiction which has been massively influential on Israeli fandom and writing community. Her short story collection Sometimes It’s Different won the first Geffen Award for original Hebrew fiction; more recently, her novels Blue Blood and Moonstone depict vampires in modern-day Tel Aviv. As a translator, she has brought major English novels — from Tim Powers to Susannah Clarke to Terry Pratchett — to Israeli readers. One of her more eclectic contributions was a fan production she co-wrote, which is a mashup between Midsummer Night’s Dream, the Rocky Horror Picture Show, and the Buffy musical episode. She has been, and remains, one of the most prominent figures in Israeli fandom.
(8) COMICS SECTION.
Off the Mark updates Robert Louis Stevenson’s classic for the age of Facebook.
(9) BANDERSNATCH. See video of Diana Glyer’s talk at Vanguard University last evening here on Facebook. (Warning — the image looks sideways.)
(10) NEXT YEAR’S MYTHCON. Mythcon 50 has announced its dates — August 2-5, 2019, in San Diego, California.
Theme: Looking Back, Moving Forward
Our theme is a head-nod to Roman mythology’s Janus, the god of beginnings and endings, gates and doorways, transitions and passages and duality. So we are moving forward into the future while also, at least for this Mythcon, looking backward toward the place from where we’ve come.
[Theme music fades out and the title fade out to reveal a small studio. Two cats sit in comfortable chairs with a coffee table between them. Timothy the Talking Cat (for it is he) is looking at the camera, while his guest sits opposite.]
Timothy the Talking Cat: Good evening, hello and welcome to another edition of timTALK where I, Timothy the Talking Cat, ask the tough question of the day of the great, the good and the feline. Tonight, I’m talking to one of the Twentieth Century’s most notable thought leaders. A cat who has done more for surprisingly cruel thought experiments in physics than any animal since Zeno made a tortoise race Achilles. I am, of course, talking to Schrödinger’s Cat.
[Timothy turns to his guest] Good evening. You’ll be eighty-three years old this November, shouldn’t you be dead already?
Schrödinger’s Cat: Ha, ha, let me just say that reports of my death have been exaggerated. No, wait…they haven’t been exaggerated at all.
(12) OCTOCON REPORT. Sara (“Not Another Book Blogger”) has written up Octocon, the Irish National Convention, held last weekend in Dublin –
how does the structure of web 2.0 socmed harm fandom?
in aggregate: it forces fandom[$], a diverse space where people go to indulge niche interests and specific tastes, into overexposure to outsiders and to one another, and exacerbates the situation by removing all semi-private interaction spaces, all moderation tools, all content-limiting tools, and all abuse protection.
(14) SHORT ON SENSE OF WONDER. Abigail Nussbaum reviews “First Man” at Asking the Wrong Questions.
…I have to admit that I approached First Man in genuine puzzlement as to why it had even been attempted. 2016’s Hidden Figures, it seemed to me, provided a much better template for future fiction about the Apollo program, shining a light on little-known corners of the endeavor, and on the people who took part in it who were not white men. Why go back to Armstrong and Apollo 11, whose story has surely been covered from every possible angle?
First Man doesn’t really give you a satisfying answer to this question. It’s a fantastic piece of filmmaking, with some stunning visuals and set-pieces—particularly the long final sequence on the moon itself, though I couldn’t shake the sneaking suspicion that in shooting these scenes Chazelle was driven primarily by his crushing disappointment that none of the real moon landing footage is in HD. And there are moments in Josh Singer’s script where you can almost sense a unique approach to the material. Where, instead of Right Stuff hyper-competence, or even Apollo 13 improvisation, the film highlights the ricketiness of the edifice NASA built to take men into space, the flimsiness of the technology that Armstrong and his fellow astronauts trusted with their lives, and the danger and uncertainty they met when they left the earth’s atmosphere….
DJ: Which feature or aspect of WorldsWithoutEnd.com do you actually like most/sets its apart from other sites in the community?
Dave: One of the things that we have tried to do is replicate the brick and mortar bookstore experience online. We have set up the site to be browse-able in a way that sites like Amazon or other online bookstores just aren’t. On those sites you go in already knowing what you want. You can’t really browse like you’re wandering around in a bookstore. On WWEnd we present you with shelves of books in different categories that you can easily browse through.
You might start off looking through the Nebula shelves for something to read. You spot a great looking cover, just like you might in a store, and click over to read about The Three-Body Problem. You read the synopsis, just as you would flip the book over to read the back blurb. Then you read the excerpt as if you held the book in your hands. Then you skim through the reviews to see what other folks are saying about that book as if there was someone else on the isle in the store you could talk to. Then you notice that the book is also on the WWEnd Most Read Books of All-Time list so you wander over there to see what else is on that shelf. Then you see an author like N. K. Jemisin that everyone is talking about so you click her name and see what’s on her shelf.
And as you go you’re tagging books to put them on your to-read list for later examination or marking the ones you’ve already read and slowly but surely the site is getting color-coded to your reading history — suddenly you realize you’re only six books away from reading all the Campbell Award winners. Or you find out that you haven’t read as many books by women as you thought you had. The experience is fun and intuitive and we provide an abundance of information so you can make more informed choices before you plunk down your hard-earned money.
The Journal report continues with more specific details:
Human ashes have been spread in flower beds, on bushes and on Magic Kingdom lawns; outside the park gates and during fireworks displays; on Pirates of the Caribbean and in the moat underneath the flying elephants of the Dumbo ride. Most frequently of all, according to custodians and park workers, they’ve been dispersed throughout the Haunted Mansion, the 49-year-old attraction featuring an eerie old estate full of imaginary ghosts.
“The Haunted Mansion probably has so much human ashes in it that it’s not even funny,” said one Disneyland custodian.
A top Indian law university in the eastern state of West Bengal has introduced a course based on the fictional world of Harry Potter.
The course uses the role of law in the series to draw parallels between the stories and real-life situations.
Professor Shouvik Kumar Guha, who designed it, says it is an “experiment” to “encourage creative thinking.”
Several universities in the US and at least one in the UK also offer courses inspired by the famous series.
The course in India, which is entitled “An interface between Fantasy Fiction Literature and Law: Special focus on Rowling’s Potterverse”, is expected to include a total of 45 hours of discussion-based teachin
Some of the topics mentioned in the course module point out how social and class rights in India can be equated with the “enslavement of house-elves and the marginalisation of werewolves” in the fantasy series.
(21) ALT-FLIGHT. There was a strange addition to the commute in the San Fernando Valley yesterday…. (Although marked as a WWII German fighter, the plane was a vintage U.S. Army trainer.)
The pilot, who flies for Alaska Airlines, walked away from the crash with minor injuries, according to AP News.
He told KTLA in a previous interview that he was interested in vintage airplanes because his father had flown in World War II. The single-engine model that crashed was a North American Aviation T-6 Texan, which was first developed in the 1930s and used by U.S. pilots to train during World War II, according to AP News.
[Thanks to JJ, John King Tarpinian, Cat Eldridge, Mike Kennedy, Chip Hitchcock, Martin Morse Wooster, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Kurt Busiek.]
Acclaimed speculative fiction writer Harlan Ellison died today at the age of 84. Here is a selection of tributes and reactions posted in social media immediately following the announcement.
Harlan Ellison: There was no one quite like him in American letters, and never will be. Angry, funny, eloquent, hugely talented. If there's an afterlife, Harlan is already kicking ass and taking down names.
Here’s the guy who started the notable part of my career. At the Tricon, he ran up to me and demand a story: I wrote it at the upcoming Milford–Aye and Gomorrah, which won the following year’s Nebula Award.
My heart is broken. Off to gather what few thoughts I can for awhile.
As most of the planet knows, Harlan Ellison passed away in his sleep last night. I am seriously bummed. Little did I know when I bought the first volume of the paperback edition on Dangerous Visions when I was a sophomore at Tech did those two words would have such a profound impact on my life. Harlan was responsible for my first sale, to the mythical Last Dangerous Visions, at a Clarion Workshop.
He became a big brother figure to me, and I stayed at Ellison Wonderland on and off during the many times when I was *ahem* between places in LA. I knew his dog Abu, who used to sneak out of the house to get some Hungarian Goulash from a couple down the street. I knew his maid Yosondua, a wonderful person. And I missed meeting his mother by a couple of weeks. There’s so much to remember about him that I can barely stand it.
I met a whole bunch of interesting people thanks to him. Forget the famous ones like Erica Jong; thanks to him, I met Pam Zoline, author of “The Heat Death of the Universe.” We saw Borges together. Thanks to him, I discovered Mahler and Bruckner. I turned him on to Kalinnikov. We both read comics and he liked to impersonate the Hulk with the voice of Ronald Coleman. (Try it.) He tried to set me up with young women; usually I ignored them, thus driving him stinking bonkers. And that was just the 70s.
Then there’s that Dangerous Visions thing – a whole bunch of autograph parties just for starters. (And let’s not forget the time he streaked A Change of Hobbit.) He was immensely supportive throughout the entire frustrating, rewarding enterprise. True, he had his faults; usually I ignored them too. But the exception of my family and friends from Tazewell, I wouldn’t know any of you today were it not for his generosity and friendship. He was a helluva guy, and I have been proud to be his friend forever.
Just got word that my friend Harlan Ellison passed away last night. An amazing man to know. I knew he was very ill – he’d never really recovered from a stroke a couple of years ago. So I feel no surprise. Just very, very sad.
A talented writer for sure, a self-made writer for absolutely sure…. I so remember “Repent, Harlequin” and “On the Downhill Side” and THE CITY ON THE EDGE OF FOREVER… and his columns that became THE GLASS TEAT, which sent me here to LA…. and more, the friendship that developed in the past decade or so, where I would pop up to Ellison Wonderland and have coffee with HE in his kitchen…. telling tales of George O. Smith and who else. I am actually bawling right now…..Harlan was my big brother and while his passing now, given his stroke three years back, is not a surprise…. it’ s still a shock.
Today I will toast a man who was a role model, a mentor, a critic, a friend — and ultimately my big brother.
He knew how much I loved him. I told him more than once.
The one thing he said about me that I cherish the most was shortly after I adopted Sean. He said, introducing me to someone else, “David Gerrold is the most courageous man I know.” Actually, it was Sean who needed the courage, but I understood what he was saying. He was acknowledging that I had finally grown up.
Harlan had a great public persona — but it was the private soul I loved the most. And goddammit, I’m going to miss that man.
I’m very sad to have to write this but Harlan Ellison has passed away. He was a voice of reason, if somewhat contrary, and one of the best short story writers this field, or really any field, has known. He wore his “angry young man” persona lost after he was a young man but behind that bluster was a kind and generous man who would do anything for a friend. He will be greatly missed.
Ellison’s voice was infectious and has a tendency to creep into his fans’ writing. When I was 19, I attended a writing workshop at a local convention taught by Ann Crispin, who told me that I would be pretty good writer once I stopped trying to write like Harlan Ellison (I went on to sell that very Ellisonian story to Pulphouse).
Harlan was one of my Clarion instructors in 1992. He taught us remotely, by speakerphone, from his hospital bed in LA where he was recovering from angioplasty. I had attended that year because I couldn’t miss the opportunity to learn from Harlan Ellison, whom I held in highest regard (“hero worship” is not too strong a phrase to use here).
Ellison was not a good teacher (that year, at least). In fact, I think it’s safe to say that his instructional methods, which involved a combination of performative bullying and favorite-playing, were viewed as a disaster by all of my classmates, at least in hindsight.
Confronting the very real foibles of the object of my hero-worship was the beginning of a very important, long-running lesson whose curriculum I’m still working through: the ability to separate artists from art and the ability to understand the sins of people who’ve done wonderful things.
…My second Harlan Ellison story was from 2011, the last time he was a finalist for the Nebula Award, given out by SFWA. Traditionally, SFWA contacts the Nebula finalists by phone to see if they’ll accept being on the ballot, and knowing of Harlan’s sometimes irascible phone manners, I was the one to call.
Harlan was not irascible. He wept into the phone. He had been ill, he said, and he wondered if what he was writing now still resonated and still mattered to people. To have his professional peers nominate him for one of the field’s most significant awards, he said, meant everything to him.
In that moment he wasn’t a giant of the field, a figure equally loved and loathed, a man about whom everyone had a story, or an opinion, about. He was simply a writer, happy to be in the company of, and remembered by, other writers.
He was a monumental personality who was influential in his day and to some extent today. He dove into the style and issues of his times with vigor, which sometimes makes his work feel dated but also resulted in classics that feel timeless. As an anthologist, he pushed boundaries in ways that, like his fiction, risked looking silly or actively terrible to modern audiences, but because of that also published a ton of innovative material and furthered the careers of writers who were quite experimental.
In erratic and sporadic fashion Ellison tended to be immensely helpful to some beginning writers and actively not helpful to others for no particular reason. Sometimes, I think, because he was too caught up in his mythology. Sometimes because he had a chip on his shoulder and was mercurial. I have mixed feelings about him for that reason, not to mention others, but there’s no denying he was a protean creative talent. I did learn to take risks in my writing from him, while also learning who I did not want to be as a teacher.
We lost Harlan Ellison today. The dedication to THE FIRST RULE reads as follows: “For my friend, Harlan Ellison, whose work, more than any other, brought me to this place.”. He cannot be replaced. He was a giant. He mattered.
Harlan was wickedly witty, profanely-provocative, yet generous to a fault. His penchant for skewering all authority would have got him strangled in any other human civilization, yet in this one he lived – honored – to 84… decades longer than he swore he would, much to our benefit with startling, rambunctious stories that will echo for ages.
I can’t remember who first remarked that “H.E.” stood equally for Harlan Ellison and High Explosive.
It also stands for His Excellency. Our H.E. being a whole-souled egalitarian would never have stood for that. But if one can break from the bonds of aristocratic associations – which in principle he was always for – it’s true.
I’m glad, not I hope without humility, that what pushed down the Montaigne piece was your notice of Brother Ellison’s death. Although Montaigne and the nature of zeal were two topics I never discussed with him, he might – and he did this sometimes – have approved.
I feel a strong sense of loss with his passing. While he and I shared few opinions in common, I always appreciated his ability to stir up discussion.
To be clear, I did not have much personal interaction with Harlan over the years. The first tho was at a Worldcon in the 80s when he asked a large audience who had read a particular book he appreciated. Turned out that only he and I had done so. We chatted for a minute sharing comments, and, as a first encounter, I found him pleasant despite his reputation.
The other time was when Ray Bradbury suggested I call “his friend Harlan” about serving as a guest to LTUE. I can just imagine what must have gone through Harlan’s mind when he got a call from Utah, and from very Mormon BYU at that, asking about being a guest. (Had it happened, it would certainly have stirred things up here!) He was polite, straightforward, and nothing like his public “persona”. I came away appreciating him much more.
The last time was at a LASFS meeting at the old “Hooverville” building. He looked tired, but came to be with fen and seemed to have a good time. I’ll keep that image in my mind as I remember him.
Along with the Star Trek episode, Ellison’s 1964 Outer Limits installment “Demon with a Glass Hand” is widely considered among the best of its series. The bizarre, uncanny episode starred Robert Culp as a man who wakes with no memory but an apparently all-knowing glass hand. For years, rumors persisted that “Demon” inspired Terminator, though Ellison was quoted to have said, “Terminator was not stolen from ‘Demon with a Glass Hand,’ it was a ripoff of my OTHER Outer Limits script, ‘Soldier.’” According to a 1991 Los Angeles Times article, Ellison once again sued and settled.
…Ellison also crafted a script for the Batman ’66 television series that would’ve introduced Two-Face into the show’s canon, but it was never shot. The story recently was turned into a comic titled Batman ’66: The Lost Episode, which officially brings the character into the series.
…When he dealt with Hollywood, he fearlessly said exactly what he thought again and again — often causing fallout as a result. In the wake of the 1977 release of “Star Wars,” a Warner Bros. executive asked Ellison to adapt Isaac Asimov’s short story collection “I, Robot” for the bigscreen.
Ellison penned a script and met with studio chief Robert Shapiro to discuss it; when the author concluded that the executive was commenting on his work without having read it, Ellison claimed to have said to Shapiro that he had “the intellectual capacity of an artichoke.” Needless to say, Ellison was dropped from the project. Ellison’s work was ultimately published with permission of the studio, but the 2004 Will Smith film “I, Robot” was not based on the material Ellison wrote.
Perhaps Ellison’s most famous story not adapted for the screen was 1965’s “Repent, Harlequin! Said the Ticktockman,” which celebrates civil disobedience against a repressive establishment. “Repent” is one of the most reprinted stories ever.
[Editor’s note: The evil done to Harlan Ellison’s television scripts by cigar-chomping producers has long been part of his legend. In some of the worst cases he refused to have his name appear in the credits, and they aired with his pseudonym Cordwainer Bird shouldering the blame.]
Harlan’s death is accompanied by the passing of Cordwainer Bird, his writing partner of many years, described as “a short, choleric, self-possessed writer of mystery stories and science-fiction for television”, who “has no compunction about punching directors and producers two foot taller than himself right in the mouth.” Bird’s parents were Jason Bird and Rhonda Rassendyll, and he is nephew to The Shadow and a descendent of Leopold Bloom. As a member of the Wold Newton Family himself, Bird’s illustrious heritage has made him something of a fighter for justice in his own right.
So, I’ve explained before that Timothy doesn’t distinguish human faces well. He is also confused by facial hair. OK strictly speaking he is confused by human skin, which he assumes is fur and hence is doubly confused by facial hair which he thinks is fur that is growing out of fur. Look, the main thing is he finds beards confusing and panics if I shave.
So, Marvel’s Infinity War has many characters and about 40%+ of them have facial hair (90%+ if we count eyebrows – do eyebrows count as facial hair? I assume so.) Some of them i.e. Captain America have gained beards for this film.
So to assist Tim to keep track, here is a field guide to various beard styles in the film….
(2) PUBLIC ASKED FOR PODCAST NOMINATIONS. The Parsec Awards Steering Committee is accepting nominations of podcasts for the 2018 Parsec Awards through June 15. Nominate here.
Any material released between May 1, 2017 and April 30, 2018 is eligible for the 2018 awards. Material released needs to be free for download and released via a mechanism that allows for subscriptions. Thus, YouTube, Facebook, etc.. series are eligible.
If you are a podcaster or author, please feel free to nominate your own podcast or story
StarWars.com is thrilled to announce that production has begun on Star Wars Resistance, an exciting new animated adventure series about Kazuda Xiono, a young pilot recruited by the Resistance and tasked with a top-secret mission to spy on the growing threat of the First Order. It will premiere this fall on Disney Channel in the U.S. and thereafter, on Disney XD and around the world.
(4) BROADDUS JOINS APEX. Maurice Broaddus has been named nonfiction editor for Apex Magazine. Jason Sizemore, Editor-in-Chief, made the announcement April 2.
Maurice is a prolific and well-regarded author who works in a multitude of genres. He is also the Apex Magazine reprints editor and now wears two hats for our publication. Upcoming authors Maurice has lined up for essays include Mur Lafferty, Mary SanGiovanni, and Tobias S. Buckell.
You can find Maurice Broaddus on Twitter at @mauricebroaddus and online at www.mauricebroaddus.com. His novella “Buffalo Soldiers” was recently published at Tor.com.
(5) SWANWICK CITES LE GUIN ON PRESENT TENSE: Michael Swanwick would be authority enough for many, but first he appeals for support to “Le Guin on Present Tense” before handing down the stone tablets:
Here’s the rule, and it covers all cases: Only use the present tense if there is some reason for doing so that justifies losing some of your readers and annoying others. (This rule goes double for future tense.) Otherwise, use the past tense.
Bipartisan users, who try to bridge the echo chambers, pay a price for their work: they become less central in their network, lose connections to their communities and receive less endorsements from others.
…I first sold to New York in 2007, over eleven years ago. That book was Grimspace, a story I wrote largely to please myself because it was hard for me to find the sort of science fiction that I wanted to read. I love space opera, but in the past, I found that movies and television delivered more of the stories I enjoyed. At the time, I was super excited to be published in science fiction and fantasy.
My first professional appearance was scheduled at a small con in Alabama. I was so excited for that, so fresh and full of hope. Let’s just say that my dreams were dashed quite spectacularly. I was sexually harassed by multiple colleagues and the men I encountered seemed to think I existed to serve them. To say that my work wasn’t taken seriously is an understatement. That was only reinforced when I made my first appearance at SDCC (San Diego Comic Con) six months later.
There, the moderator called me the ‘token female’, mispronounced my last name without checking with me first (she checked with the male author seated next to me), and the male panelists spoke over me, interrupted me at will, and gave me very little chance to speak. I remember quite clearly how humiliated I was, while also hoping that it wasn’t noticeable to the audience.
Dear Reader, it was very noticeable. Afterward, David Brin, who was in the audience, came up to me with a sympathetic look and he made a point of shaking my hand. He said, “Well, I was very interested in what you had to say.” With a pointed stress on the word “I.”…
Madison Square Garden officials lifted the curtain a bit on their MSG Sphere Arena entertainment venues coming to Las Vegas and London, with a demonstration Thursday that hinted at advanced technology going into the design and experiences for audiences within the new-generation venues.
In his presentation at the Forum in Inglewood, which his company rejuvenated in 2014 with a $100-million face and body lift, Madison Square Garden Co. chairman James L. Dolan cited a short story from science-fiction author and futurist Ray Bradbury’s 1951 anthology “The Illustrated Man” as something of a spiritual model for the new facilities.
In particular, he referenced Bradbury’s story “The Veldt,” which centered on a high-tech room of the future, called the “liquid crystal room,” which could synthesize any environment in which children desired to play or explore.
(9) TODAY IN HISTORY
April 28, 2007 — Ashes of actor James Doohan and of Apollo 7 astronaut Gordon Cooper soared into space aboard a rocket.
If this trend continues, we can assume that our children and grandchildren will not only have Burroughs, Wells, Verne, Shelley, and Baum to read, but also reprinted copies of our present-day science fiction, as well as the SF of the future (their present). Perhaps they’ll all be available via some computerized library — tens of thousands of volumes in a breadbox-shaped device, for instance.
The question, then, is whether or not our children will remember our current era fondly enough to want reprints from it. Well, if this month’s Analog be a representative sample, the answer is a definitive…maybe.
(11) HORTON ON HUGOS. Catching up with Rich Horton’s commentaries about the 2018 Hugo nominees and who he’s voting for.
My views here are fairly simple. It’s a decent shortlist, but a bifurcated one. There are three nominees that are neck and neck in my view, all first-rate stories and well worth a Hugo. And there are three that are OK, but not special – in my view not Hugo-worthy (but not so obviously unworthy that I will vote them below No Award.)…
This is really a very strong shortlist. The strongest shortlist in years and years, I’d say. Two are stories I nominated, and two more were on my personal shortlist of stories I considered nominating. The other two stories are solid work, though without quite the little bit extra I want in an award winner….
Spring might finally be arriving, and at Fireside Magazine that means the stories are about rebirth and new beginnings, even as they’re about decay and endings. For me, at least, spring always brings to mind thaw. A thawing of the world after the long freeze of winter. Which means new growth, new green, but also means revealing all the death that the snow concealed. The roadkill, the rot, the dead leaves not yet turned to mulch. And these stories find characters at this point, seeing all around them the evidence of death and pain, and having to make the decision to also see the life. To see the good, and to try and foster that good, to help it grow. These are stories that show people pushing back against the pressure to die, to be silent, and embrace a future full of the possibility of failure, yes, but also full of the hope of success. To the reviews!
l through a long life I had three main concerns, with a clear order of priority. Family came first, friends second, and work third.”
So writes the pioneering theoretical physicist Freeman Dyson in the introduction to his newly published collection of letters, Maker of Patterns. Spanning about four decades, the collection presents a first-person glimpse into a life that witnessed epochal changes both in world history and in physics.
Here, we present short excerpts from nine of Dyson’s letters, with a focus on his relationship with the physicist Richard Feynman. Dyson and Feynman had both professional and personal bonds: Dyson helped interpret and draw attention to Feynman’s work—which went on to earn a Nobel Prize—and the two men traveled together and worked side by side.
Taken together, these letters present a unique perspective of each man. Feynman’s effervescent energy comes through, as does Dyson’s modesty and deep admiration for his colleague.
(14) ADVANCED TRAINING. Did MZW graduate from this course?
now i hërd thërë wäs sëcrët class whërë hë lërn how to scrëm at ass but ü don't rëlly cäre for müsic do ü pic.twitter.com/diyKgUqNro
Imagine standing up to give a speech in front of a critical audience. As you do your best to wax eloquent, someone in the room uses a clicker to conspicuously count your every stumble, hesitation, um and uh; once you’ve finished, this person loudly announces how many of these blemishes have marred your presentation.
This is exactly the tactic used by the Toastmasters public-speaking club, in which a designated “Ah Counter” is charged with tallying up the speaker’s slip-ups as part of the training regimen. The goal is total eradication. The club’s punitive measures may be extreme, but they reflect the folk wisdom that ums and uhs betray a speaker as weak, nervous, ignorant, and sloppy, and should be avoided at all costs, even in spontaneous conversation.
Many scientists, though, think that our cultural fixation with stamping out what they call “disfluencies” is deeply misguided. Saying um is no character flaw, but an organic feature of speech; far from distracting listeners, there’s evidence that it focuses their attention in ways that enhance comprehension.
Disfluencies arise mainly because of the time pressures inherent in speaking. Speakers don’t pre-plan an entire sentence and then mentally press “play” to begin unspooling it. If they did, they’d probably need to pause for several seconds between each sentence as they assembled it, and it’s doubtful that they could hold a long, complex sentence in working memory. Instead, speakers talk and think at the same time, launching into speech with only a vague sense of how the sentence will unfold, taking it on faith that by the time they’ve finished uttering the earlier portions of the sentence, they’ll have worked out exactly what to say in the later portions.
(16) A MARCH IN MAY. Naomi Kritzer tweeted photos from a Mayday parade – including a notorious purple cat (who may or may not be named Timothy!…) Jump on the thread here:
So on Thursday I found out that one of my friends didn't know about the Heart of the Beast's Mayday Parade. I am pretty regularly running into people who've lived in the Twin Cities for years (or their whole lives) but have never been to the Mayday Parade.
Here’s a headline you don’t read every day: A TV reboot of a feature film toplined by the original star is not moving forward.
Syfy has opted to pass on its TV follow-up to 1990 feature film Tremors, starring Kevin Bacon.
…Bacon broke the news himself, writing on his verified Instagram page that he was “[s]ad to report that my dream of revisiting the world of Perfection will not become a reality. Although we made a fantastic pilot (IMHO) the network has decided not to move forward. Thanks to our killer cast and everyone behind the scenes who worked so hard. And always keep one eye out for GRABOIDS!”
(21). UNSUSPECTED GOLDMINE. American news infamously neglects most countries of the world, but who knew there were big sf doings in Bulgaria? At Aeon, Victor Petrov discusses “Communist robot dreams”.
The police report would have baffled the most grizzled detective. A famous writer murdered in a South Dakota restaurant full of diners; the murder weapon – a simple hug. A murderer with no motive, and one who seemed genuinely distraught at what he had done. You will not find this strange murder case in the crime pages of a local US newspaper, however, but in a Bulgarian science-fiction story from the early 1980s. The explanation thus also becomes more logical: the killer was a robot.
The genre was flourishing in small Bulgaria in the last two decades of socialism, and the country became the biggest producer of robotic laws per capita, supplementing Isaac Asimov’s famous three with two more canon rules – and 96 satirical ones. Writers such as Nikola Kesarovski (who wrote the above murder mystery) and Lyuben Dilov grappled with questions of the boundaries between man and machine, brain and computer. The anxieties of their literature in this period reflected a society preoccupied with technology and cybernetics, an unlikely bastion of the information society that arose on both sides of the Iron Curtain from the 1970s onwards.
[Thanks to Martin Morse Wooster, Cora Buhlert, Cat Eldridge, JJ, John King Tarpinian, Chip Hitchcock, Jason, Carl Slaughter, and Andrew Porter for some of these stories, Title credit goes to File 770 contributing editor of the day johnstick.]