By David Dyer-Bennet: I’ve committed art. Documentary art, in the form of a book and a website (plus I will be offering prints of some of the photos for sale).
I got caught by the fascinating things people were writing and painting on the panels put up to protect windows here in Minneapolis, when things kind of came apart after George Floyd was killed. And by the layering and juxtapositions, and the broad range of views being expressed.
The website and book are live, you can see what I’ve done at Words Over Windows. (The book is an Amazon print-on-demand production, but the proofs look quite good. There’s also an ebook, which would look great on a good tablet.)
(1) GETTING PAID. On Twitter today, under the #PublishingPaidMe hashtag, writers disclosed the amounts of their book advances in order to generate data that will show if there are systematic biases against writers of color and other marginalized groups.
N. K. Jemisin responded — complete thread here. Comments include:
Jemisin also took questions:
Alyssa Cole, whose comments on RWA have been quoted here before, said it this way:
Martha Wells was one of several other sff authors who participated. Her tweets, which weren’t threaded, are here, here and here.
John Scalzi gave figures and analyzed the context in which they were paid for a post at Whatever.
Irene Gallo, Associate Publisher of Tor.com and Creative Director of Tor Books, linked the discussion to artists, as well.
…As an organization that just went through a massive crisis for many of the same reasons that underscore these protests for George Floyd, Breonna Taylor, Ahmaud Arbery, Tony McDade, and so many more —injustice, racism, and unfairness—we acknowledge that we have turned aside from confronting difficult truths for far too long. That our authors from marginalized communities, especially our Black authors, have been treated as somehow less deserving of a seat at the table of publishing. We must admit and learn from this shameful past, while standing up for our goal and commitment to make the future better. We stand together in the fight against systemic racism….
RWA is taking the following steps in addition to our continuing work on diversity issues and continuing efforts to make our organization a safe place for Black writers:
We invite all Black authors in RWA to attend our first online conference, to be held August 28-30, at no charge. This admission will include the recordings of the conference
We will make 100 scholarships to our online conference available to non-member Black writers
We are making it a priority to find new resources to add to our Diversity and Inclusion Resources page on our website
We will direct our Academic Grants Committee to seek out Black academics studying romance to consider for RWA grants
This is a time when so many of us are terrified, alone, and feeling helpless. We offer the following links, for those who wish to learn more or find a way to contribute.
(4) RECOVERING. David Dyer-Bennett’s photo gallery, “Signs Over Windows”, documents the messages and art on the boarding over vandalized windows in downtown Minneapolis. Also includes images of the scorched bits of books in the rubble around Uncle Hugo’s.
In the aftermath of the Minneapolis Police killing George Floyd, Minneapolis has experienced much distress. We’re being forced to confront issues we’ve let slide for too long (or that our work has not usefully improved). There is a huge amount of anger of course, both immediate and accumulated over decades and centuries. There is despair. There are even some tendrils of hope.
I’m not a suitable person to deal with the big issues here. I’ll keep listening, and I’ll keep voting and pressuring my representatives to do what seems right, but I’m not a leader in any of this.
But the visual changes to the city around me have been striking. In some areas, most businesses have put plywood (or OSB) over all their windows and other glass. That by itself is a big change, but not visually very interesting. However, much of the plywood has been painted with slogans and war cries, straight-forwardly or artistically, or even graphic art. Both the text, and the appearance, have been catching my attention, so I started photographing these decorated sheets of plywood….
… Wang: If you were a different type of writer, I might ask you how you conceive of characters and build plot. But since you talk about engineering as a language, it would make more sense for me to ask how you conceive of technologies. How do they come about, how do you then refine them, and finally, how do you incorporate them into the story?
Liu: I love talking about this stuff. My other former careers consisted of being a litigation consultant and a corporate lawyer, so I did a lot of research into the history of patents and the history of technology. That turns out to be a great way to find inspiration for fictional machines. If you go into patent databases, you’ll see tons and tons of interesting inventions that never went anywhere. But that doesn’t mean that, in an alternate universe, they couldn’t have become successful and become the progenitor of new lineages of machines.
I also get a lot of inspiration from reading about archaeological discoveries of ancient machinery. The Chinese had invented these amazing compound looms that could be programmed to create complex textile patterns, and we didn’t know how they worked because they didn’t survive. But the latest archaeological discoveries actually found some of these looms, or models of them made out of ceramic as grave goods, so archaeologists have been able to recreate them and figure them out. They were amazing, like mechanical computers that could be programmed to weave specific patterns. Similarly, archaeologists realized that Heron of Alexandria, a great Greek inventor of antiquity, had devised all sorts of machines for temple magic as part of religious rituals. That turned out to anticipate many of our modern ideas about cybernetics and autonomous control.
These lines of technology didn’t go very far, but in the fictional world I was creating, I could take it as far as I wanted to. …
(6) HIS NEXT RODEO. Congratulations to Ziv Wities (Standback) for making the grade at Podcastle.
(7) TODAY IN HISTORY.
June 7, 1997 — Perversions of Science premiered on HBO. It was a spin-off of HBO’s Tales from the Crypt. Its episodes were based off of work from EC Comics’s Incredible Science Fiction, Weird Fantasy and Weird Science titles. It would last but for one season of ten episodes. Writers adapting those stories included David S. Goyer (the Blade trilogy screenplays), David Schow (The Crow with John Shirley) and Andrew Kevin Walker (Sleepy Hollow screenplay).
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born June 7, 1844 – Robert Milne. Rediscovered by Sam Moskowitz, who helped collect RM’s stories for Into the Sun. Eleven there; fifty more not yet reprinted, e.g. “The Great Electric Diaphragm”, “A Dip into the Doings of the Four-Dimensional World”, “What the Great Instrument in the Lick Observatory Observed”. Even I found the Into the Sun stories and four more here. (Died 1899) [JH]
Born June 7, 1915 — Graham J. Ingels. Illustrator best remembered for his work in EC Comics during the Fifties, most notably on The Haunt of Fear,Tales from the Crypt and The Vault of Horror. He illustrated one genre magazine, Planet Stories cover as you can see here. Thought didn’t do any other covers, he was a regular interior artist for both Planet Stories and Planet Comics. (Died 1991.)(CE)
Born June 7, 1924 — Jon Ewban White. Writer who was the script doctor for The Day of the Triffids. He was the writer for Witch Hunt, a dark fantasy series that ran BBC for six episodes. He even wrote an Avengers episode, “Propellent 23”. His one film screenplay was “Crack in the World” which was straight SF Sixties style story about of the end brought on by the follies of man. You can watch it here. (Died 2013.) (CE)
Born June 7, 1932 – Kit Reed. Sixteen novels in our field; a hundred forty shorter stories, three dozen in The Story Until Now; fourteen more novels. First published in The Magazine of Fantasy & Science Fiction under Boucher. Translated into Croatian, Dutch, French, German, Italian. Guggenheim Fellow. Called herself a trans-genred writer. (Died 2017) [JH]
Born June 7, 1946 – Jon White. Fanziner and bookseller. Revived Inside in 1962, brought in Leland Sapiro who renamed it Riverside Quarterly (after a famous dwelling in New York). Here is the front cover by Arthur Thomson (“Atom”) for vol. 1 no. 2. (Died 2004) [JH]
Born June 7, 1949 – Real Musgrave. Graphic artist who has maintained a fannish connection. Artist Guest of Honor at Westercon XLI (here is the cover of its Program Book); exhibited at Magicon, the 50th Worldcon. Here is a cover for Fantasy Review. Pocket Dragons, done as drawings, figurines, animated television series. Brother of astronaut Story Musgrave. [JH]
Born June 7, 1954 – Louise Erdrich. In the first class of women admitted to Dartmouth (A.B., English; later, honorary Litt. D. and Commencement speaker). Member of Turtle Mountain Band of Chippewa Indians; her grandfather was tribal chief. National Book Award for Fiction, Lib. Cong. Prize for Amer. Fiction, Amer. Acad. Poets Prize, Pushcart Prize. Love Medicine, only début novel to win the Nat’l Book Critics Circle Award for Fiction. Children’s books; Scott O’Dell Award for The Game of Silence. World Fantasy Award for The Antelope Wife; three more novels in our field. Interview in December 2017 Lightspeed. [JH]
Born June 7, 1967 — Dayton Ward, 53. Writer best known for his Trek fiction which began with publication in the Strange New Worlds anthology series. To say he’s written a lot of that media tie-in fiction is an understatement as he’s written forty novels so far with the Mirror Universe and the Starfleet Corps of Engineers being but two of the subjects he tackles. He already written one novel for one of the latest series, Star Trek: Discovery: Drastic Measures. (CE)
Born June 7, 1968 — Sarah Parish, 52. In “The Runaway Bride“, a Tenth Doctor story, she got to play, with the assistance of extensive CGI, one of the nastiest Who villains to date, The Empress of the Racnoss, an oversized vicious spider with a human face. Great episode. It’s our introduction to Donna Noble, his Companion for quite some time to come. In a much lighter role, she played Pasiphaë on BBC’s Atlantis series. (CE)
Born June 7, 1974 — David Filoni, 46. Creator and an executive producer on Star Wars Rebels, a most awesome series, for all four seasons, and was supervising director and a writer on another excellent series, Star Wars: The Clone Wars. (I like the animated series far better than the live action films.) He makes his live acting debut in The Mandalorian playing Trapper Wolf, an X-Wing pilot, in “The Prisoner” episode. It’s also worth noting that he his first job was directing episodes during the first season of animated series Avatar: The Last Airbender (CE)
Born June 7, 1978 – Jesse Ball. Novelist and poet; spare, surrealistic, and strange. Went to Vassar, which would have saddened my grandmother who never wanted it to go co-ed. Guggenheim Fellowship; Illinois Author of the Year, 2015; Berlin Prize; Plimpton Prize. Gordon Burn Prize for Census; two more novels and a book of shorter stories in our field; five more novels, drawings, non-fiction. Faculty, School of the Art Institute of Chicago, where he got Wikipedia to believe he teaches lying, ambiguity, dreaming, walking; and maybe he does. [JH]
(9) OUT OF SORTS. Meanwhile, back at the Tingleverse:
Ronald McNair (October 21, 1950–January 28, 1986) was nine when he took his freedom into his own small hands.
Unlike Maya Angelou, who credited a library with saving her life, McNair’s triumphant and tragic life could not have been saved even by a library — he was the age I am now when he perished aboard the Space Shuttle Challenger before the eyes of a disbelieving nation. But his life was largely made by a library — a life equal parts inspiring and improbable against the cultural constrictions of his time and place; a life of determination that rendered him the second black person to launch into space, a decade and a half after a visionary children’s book first dared imagine the possibility….
When Raisha Doumbia, a 20-year-old swimming instructor in Roswell, Ga., first downloaded the video-sharing app TikTok, she made lighthearted posts, like her lip-syncing and dancing to a song by the British girl group Little Mix.
But Doumbia paused the playful routines after George Floyd was killed by police in Minneapolis. Now she is using her TikTok feed to urge followers to march for racial justice.
…All of a sudden, TikTok has become the go-to forum for burgeoning youth activism.
“Anger, dismay, disgust and unhappiness are all feelings that can be easily transmitted on a video on Tik Tok,” Aho Williamson said.
Black creators accuse TikTok of suppression
Activism arrived on TikTok just as scrutiny of its parent company, the Chinese-owned ByteDance, intensified.
As protests began to sweep the nation, black creators noticed that videos tagged #GeorgeFloyd or #BlackLivesMatter were hard to find, or looked as though no one had watched them despite a torrent of views.
To some users, it was a suspicious development, considering that ByteDance has censored videos of anti-Beijing protests in Hong Kong, in addition to having been exposed for previously suppressing posts from users deemed too unattractive or undesirable for the platform.
TikTok insists that is not what happened in posts related to Black Lives Matter. In an about-face, the company apologized and blamed the problem on a “technical glitch.”
“Nevertheless, we understand that many assumed this bug to be an intentional act to suppress the experiences and invalidate the emotions felt by the black community. And we know we have work to do to regain and repair that trust,” said Vanessa Pappas, TikTok’s general manager for the U.S.
…Revisiting Elizabeth Bowen’s Collected Stories, one realizes that there are certain literary works that, once read, make one burn with envy of those readers who have still to come to them for the first time.* There is not a story in this substantial volume, from the first to the last, that is not brought off beautifully. While it is no doubt foolhardy and certainly vulgar to choose favorites, one must mention instances in which Bowen outdid herself. These include the elusive but vividly immediate “Summer Night”; the haunting “Mysterious Kôr” and the haunted “The Demon Lover”; the trance-like wartime set pieces “Ivy Gripped the Steps” and “The Happy Autumn Fields”; the forlorn “Joining Charles”; and the merely—merely!—marvelous early tales “Daffodils” and “The Parrot.” In these and many other of the stories, Bowen reached, as Glendinning puts it, “a perfection and a unity that the sustained narrative and shifting emphases of a novel do not attempt.”
With direct flights to Wuhan and a population of 24 million people living in densely packed cities, Taiwan’s coronavirus outlook seemed grave.
But, to date, the disease has claimed just seven lives on the island, and it never went into full lockdown.
Its leaders credit masks as playing a key role, but not for the reasons you might suppose.
“Masks are something that, first, reminds you to wash your hands properly and, second, protects you from touching your mouth – that is the main benefit to the person who wears it,” explains Audrey Tang, Taiwan’s digital minister.
Taiwan’s citizens have worn face masks for health and other reasons since the 1950s, but the spread of coronavirus prompted a spate of panic-buying.
To even out demand, the masks had to be rationed while production was ramped up, from two million to 20 million items a day.
Long queues snaked back from pharmacies and other outlets – which posed a risk of contagion in themselves. So, the government decided data about each location’s stock levels should be made publicly available.
To do so, Ms Tang’s ministry launched a platform which each vendor could keep updated with their stock numbers.
Then, Taiwan’s hacking community, with whom the government had been building a strong relationship for years, stepped in.
It began drawing on the data, which had been made public, to build a series of real-time ‘mask maps’.
…Earlier this week, Chien-Jen Chen – the island’s former vice-president and a renowned epidemiologist – told British MPs that a well-designed contact tracing system and the application of strict quarantine rules to inbound visitors had also played a major role
But he too said the nature of the island’s “hyper-democracy” – and the efforts its health chiefs had made to gain the public’s trust – were the key factors in it success.
Those in power aren’t just responsive to the voices of citizens, but also the memes and other messages they share.
It helped the government counter false claims that the material used to make masks was the same as that found in toilet paper. In response Taiwan’s Premier posted a self-mocking cartoon, which showed his bottom wiggling, alongside an explanation of the different sources that toilet paper and mask paper come from.
“It went absolutely viral” says Ms Tang, of the government strategy referred to as “humour over rumour”.
[Thanks to John Hertz, Chip Hitchcock, BravoLimaPoppa, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, Andrew Porter, JJ, Michael Toman, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Steve Davidson.]
(1) TERRAN AWARD. George R.R. Martin, in “Aliens In Taos”, announces he has created a scholarship to bring an sf writer from a non-English speaking country to Taos Toolbox.
When astronauts look down on Earth from orbit, they don’t see borders, national boundaries, or linguistic groups; they see one world, a gorgeous blue globe spinning in space, streaked with clouds. I don’t know if humanity will ever reach the stars (though I hope we will), but if we do, it won’t be Americans who get there. It won’t be the Chinese or the Russians or the British or the French or the Brazilians or the Kiwis or the South Africans or the Indians or the folk of any other nation state either. It will be humanity; in the language of the SF of my youth, it will be Terrans or Earthlings or Earthmen. The future belongs to all the peoples of the world.
With that in mind, I want to announce that I am sponsoring a new scholarship, to bring an aspiring SF writer from a non-English-speaking country to the Taos Toolbox, the graduate level writing workshop that Walter Jon Williams and Nancy Kress run every summer in the mountains of northern New Mexico. The TERRAN AWARD, as I am calling it, will be given annually, and will cover all tuition and fees to the Toolbox (travel and meals not covered, alas). Applicants will need to speak and write in English, but must be from from a country where English is not the primary language. Walter Jon and Nancy and the Toolbox staff will select the winner. For more information on applying for the workshop, and the scholarship, contact WJW at email@example.com
You will get the possibility to try cuisine, listen to opera, and a chance to acquire useful lifesaving tips in your everyday interaction with Klingons and Klingon customs, so that you may plan your holiday to our great empire and the First City on the planet Qo’noS without risking any discomfort and/or premature death.
This live-act presentation is brought to you by Visit Qo’noS, the tourist department of the Klingon high council.”
It would be tempting to “blame” all this on the prequels adding in new information after the fact, but as the video essay goes to great lengths to point out, Obi-Wan Kenobi and Yoda teach Luke the same lessons about burying his feelings in the original trilogy. The difference between Anakin and Luke?
Luke consistently bucks his Jedi training in favor of giving in to his emotions and saving people.
Luke cares about others, even if they’ve “fallen to the Dark Side,” and so whether it’s to save his sister and his friends or to try to redeem Darth Vader, he follows his emotions in spite of the warnings he gets from his mentors, and he’s heroic because of it. This is why, to me, the Luke we meet in The Last Jedi is Peak Luke. He’s at his most emotional, his most vulnerable … and ultimately, at his most heroic
(5) WHEATON. Think Tank tells about supernovas in “When Stars Go Boom.”
Why do some stars end their lives in a supernova explosion? And how does that lead to forming planets and life like us? A science expert (Jerrika Hinton) explains by hooking her hapless assistant (Wil Wheaton) up to a Thought Visualizer, a machine that allows anyone to see his thoughts. With Ed Wasser.
MidAmeriCon, the 34th World Science Fiction Convention, was held in Kansas City in 1976. This excerpt from the discussion held at the Weird and Horror Genre Luncheon features (L-R) Poul Anderson, Charles Grant, Ted White, Kirby McCauley (mod), Tom Reamy and Stuart Schiff talking about ghost stories, fairy tales, and why they are attracted to the genre. There are some spots where the film is damaged. Video and video restoration provided by David Dyer-Bennet and the Video Archeology Project.
(7) FLAME ON. HBO dropped a teaser trailer for Fahrenheit 451.
HBO Films presents Fahrenheit 451. In a terrifying care-free future, a young man, Guy Montag, whose job as a fireman is to burn all books, questions his actions after meeting a young girl…and begins to rebel against society. Starring Michael B. Jordan, and Michael Shannon.
Sheila has worked for Isaac Asimov’s Science Fiction Magazine since 1982, became its editor in 2004, and went on to win the Hugo Award for Best Short Form Editor in 2011 and 2012. She also co-edited A Woman’s Liberation: A Choice of Futures by and About Women with Connie Willis, as well as numerous other anthologies.
We chatted about her first day on the job more than a third of a century ago, meeting Isaac Asimov at an early Star Trek convention when she was only 16, which writer intimidated her the most when she first got into the business, what she learned from working with previous Asimov’s editors Shawna McCarthy and Gardner Dozois, the most common problems she sees in the more than 7,000 stories that cross her desk each year, the identities of the only writers she’s never rejected, what goes through her mind in that moment she reads a manuscript and arrives at “yes,” and much more.
(9) TODAY IN HISTORY
January 12, 1933: Dr. Moreau adaptation Island of Lost Souls opens in New York City.
January 12, 1940: Universal’s Invisible Man returns in The Invisible Man Returns! The Department of Redundancy Department approves.
(10) TODAY’S BIRTHDAY EYEBALL
Born January 12, 1992 or 1997 – HAL 9000. In the film 2001, HAL became operational on this date in 1992. The Wikipedia says the activation year was 1991 in earlier screenplays and changed to 1997 in Clarke’s novel.
The following cons have recently donated assistance or memberships to Con or Bust:
JoCo Cruise 2018, February 18-25, 2018, departing from San Diego, CA, USA. JoCo Cruise has donated at least five cabins, which accommodate two to four people, and which come with lodging, meals and drinks (except not alcohol or soft drinks), and access to all programming. Please see the blog post for important details.
The 2018 SFWA Nebula Conference, May 17-20, 2018, Pittsburgh, PA, USA. The SFWA Givers Fund has awarded $4,000 to Con or Bust to enable people of color/non-white people attend SFWA Nebula Conference; funds can be requested during February 1-10, 2018.
Beach City Con, October 12 – 14, 2018, Virginia Beach, VA, USA (@beachcitycon). Beach City Con is a Steven Universe fan convention; it donated four weekend passes, which can be requested during February 1-10, 2018.
Scintillation, October 5-7, 2018, Montréal, Quebec, Canada. Scintillation is a small literary focused SF convention with program by Jo Walton; details at its Kickstarter page. It donated three memberships and $100, which can be requested during February 1-10, 2018
(14) LAST JEDI ANALYZED. Under some circumstances, Foz Meadows might like to take a red pen to “Star Wars: The Last Jedi”. BEWARE SPOILERS, if you still need to.
Based on this, it seems clear that The Last Jedi is intended to parallel The Empire Strikes Back, both structurally and thematically. All the same elements are in play, albeit recontextualised by their place in a new story; but where Empire is a tight, sleek film, The Last Jedi is middle-heavy. The major difference between the two is Poe’s tension-and-mutiny arc, which doesn’t map to anything in Empire.
And this is the part where things get prickly. As stated, I really love Rose Tico, not only because she’s a brilliant, engaging character superbly acted by Kelly Marie Tran, but because she represents another crucial foray into diverse representation, both in Star Wars and on the big screen generally. There’s a lot to recommend Vice-Admiral Holdo, too, especially her touching final scene with Leia: I still want to know more about their relationship. I am not for a moment saying that either character – that either woman – doesn’t belong in the film, or in Star Wars, or that their roles were miscast or badly acted or anything like that. But there is, I suspect, a truly maddening reason why they were paired onscreen with Finn and Poe, and that this logic in turn adversely affected both the deeper plot implications and the film’s overall structure.
A giant black hole located at the center of a galaxy 800 million light-years from Earth has been caught on camera letting out not one, but two massive “burps” of highly charged particles.
It is the first time astronomers have viewed the phenomenon twice in the same black hole.
Images released Thursday and credited to the Hubble Space Telescope and the Chandra X-ray Observatory were presented at the American Astronomical Society’s winter meeting in National Harbor, Md., outside Washington, D.C.
“Black holes are voracious eaters, but it also turns out they don’t have very good table manners,” Julie Comerford, an astronomer at the University of Colorado Boulder, said during a news conference Thursday, according to Space.com. “We know a lot of examples of black holes with single burps emanating out, but we discovered a galaxy with a supermassive black hole that has not one, but two burps.”
If only all of us could see the world the way Paddington sees London. The furry little bear in a raincoat looks around his adopted home and finds, in the smiling faces of his neighbors, nothing but joyful spirits and good intentions. There are no “no-go zones”; even a prison full of roughnecks can be a chance to help people in need. Forget the fact that he’s a talking bear from Darkest Peru. It’s Paddington’s impenetrable spirit, his striving to do right by the world, to “always see the good in people,” even those who wish him harm, that is the biggest wish-fulfillment of 2018.
(17) SHE GETS MAIL. Ursula Vernon cannot comfort the youth of America —
Small child, your more-in-sorrow-than-anger letter telling me that you are gravely concerned that it has been two years and there are no new Dragonbreath books is hilariously guilt-trippy, but I can't help you.
Sources say this is still very early development, as the film has no greenlight, but naming a writer is the closest the studio has come to moving forward on a standalone pic. Marvel President Kevin Feige met with several candidates before tapping Schaeffer, and Marvel execs met with Johansson to discuss what they wanted from a “Black Widow” writer.
In case you need a reminder, watch this scene from Iron Man 2 of Scarlett Johansson’s Black Widow in action.
(20) BLUE MAN CULTIST. Here’s the official trailer for Cold Skin.
[Thanks to John King Tarpinian, JJ, Cat Eldridge, Chip Hitchcock, Hampus Eckerman, Andrew Porter, Kathodus, and Carl Slaughter for some of these stories. Title credit belongs to File 770 contributing editor of the day Steve Davidson.]
Cats Laughing, a psychedelic folk rock band with authors Emma Bull, Steven Brust, and Adam Stemple, plus Lojo Russo and new addition Scott Keever, will play a reunion concert Friday, April 3 at Minicon.
Livestream audio and video from the concert, presented free on ConcertWindow, begins at 9:00 p.m. EDT. SisterTree, featuring Kerri Joy and Dee Brust, will open with a short set. Richard Tatge will provide a light show.
David Dyer-Bennet, part of the concert’s Beyond Conventions team, is spreading the word. “We don’t get paid for number of people connected, but it would still be cool if people wanted to have Cats Laughing parties at conventions or elsewhere, or even go so far as to present the stream in a program item.”