Chinese film authorities issued a new document outlining policy measures to boost the country’s production of science fiction movies.
Entitled “Several Opinions on Promoting the Development of Science Fiction Films,” the document highlights how the sci-fi genre fits into the ruling Communist Party’s broader ideological and technological goals. It was released earlier this month by China’s National Film Administration and the China Association for Science and Technology, a professional organization.
The document focuses on domestically developing pro-China science fiction film content and high-tech production capability. It comes in the wake of the country’s first VFX-heavy sci-fi blockbuster hit, “The Wandering Earth,” which remains the third highest grossing film of all time in the territory with a local box office of $691 million.
…To make strong movies, the document claims, the number one priority is to “thoroughly study and implement Xi Jinping Thought.” Based on the Chinese president’s past pronouncements on film work, filmmakers should follow the “correct direction” for the development of sci-fi movies. This includes creating films that “highlight Chinese values, inherit Chinese culture and aesthetics, cultivate contemporary Chinese innovation” as well as “disseminate scientific thought” and “raise the spirit of scientists.” Chinese sci-fi films should thus portray China in a positive light as a technologically advanced nation.
…Nevertheless, China’s lack of strong sci-fi is primarily due to a lack of innovative ideas and scripts, the document said. The country should focus on generating strong sci-fi scripts through talent incubators and prizes, and by urging film festivals to set up specific sci-fi film departments. The adaptation of sci-fi literature, animation and games should be encouraged to stimulate the production of new original content.
Elementary and middle school students should be made to watch “excellent sci-fi movies,” while universities should be urged to “strengthen the training of sci-fi related talent.”
…I have been accused of being a writer. I’m not. My 1962 writing instructor was right when he told me, “You can’t write. You’re wasting your time. You’ll never be a writer.”
He was right. I’m not a writer.
I’m a storyteller.
A story is — pay attention now, this is the good stuff — a story is about a person with a problem.
Let me repeat that. A STORY IS ABOUT A PERSON WITH A PROBLEM.
This is why stories are the essential part of human intelligence. Because all human beings have problems. We either defeat them or they defeat us.
But either way, we end up with a story about the problem.
The essential definition of a story is this: “Here’s a problem. Here’s what didn’t work. Here’s what did work. And here’s what I learned.” It’s that last phrase that’s important. The problem is an access to the lesson. Even if the problem didn’t get solved, the lesson is still critical. And if there is no lesson to be learned, then it wasn’t a real problem, just some stuff to be handled. (“I have to do the dishes,” isn’t a problem. Just do the damn dishes.)…
On June 22, Charles Brownstein resigned from the Comic Book Legal Defense Fund after serving as executive director for 18 years. The exit came following pressure from comic industry professionals as details of his alleged assault of creator Taki Soma 15 years earlier re-emerged online. More than a month after his departure, the CBLDF is attempting to rebuild both itself and trust from the comic book community.
In 2005, Soma reported to police that Brownstein assaulted her during the Mid-Ohio Con convention, with details becoming public the following year. In 2006, Brownstein admitted to the assault, calling it “a stupid, drunken prank, of which I’m ashamed” in a public statement, although he kept his position inside the CBLDF following an independent third party investigation.
… “Honestly, I don’t think I’ve seen a response from the fund that would make me feel comfortable supporting them after Brownstein’s departure,” Batman writer James Tynion IV told The Hollywood Reporter. “I want to see who they put forward as the voice of the fund, and see what kind of work they’re open to doing to make a better community. Until they do that, I’ll be a skeptical observer, and my money will keep going to the [another comic book non-profit] Hero Initiative, where I can see measurably good work being done.”
Harrow County artist Tyler Crook is also skeptical about the continued viability of the organization.
“I’m very glad to see Brownstein gone, but I won’t be supporting them until after we see what changes they make to reform the organization,” said Crook, adding that Brownstein remaining with the organization for so many years despite his alleged behavior identified structural problems that need to be addressed. “Right now, I’m feeling pretty pessimistic about the CBLDF’s ability to change. I think our industry might be better served with a new, organization built on stronger foundations and with a stronger moral compass.”
Trexler will oversee and update the CBLDF’s operations and its mission. He will also be charged with restoring the organization’s credibility and stature in the comics community after the departure of Brownstein, who held the executive director position at CBLDF for 18 years.
“The original mission of CBLDF is one I passionately support as a longtime member of the comics community,” Trexler said in a statement. “This is a time of evolution for the organization, and I am honored to be a part of it.”
Before joining the CBLDF, Trexler was associate director of the Fashion Law Institute. He is a member of the ethics committee at Kering Americas, and has served on the board of the Museum of Comics and Cartoon Art. Trexler is also a lifelong comics fan as well as a lawyer, and has provided legal analysis on a variety of issues surrounding the comics industry….
A story arc about a giant tardigrade in “Star Trek: Discovery” didn’t infringe a copyright in an unreleased video game that also featured a giant tardigrade, the Second Circuit affirmed Monday.
Many elements of the work that CBS Broadcasting Corp. and Netflix Corp. allegedly infringed covered uncopyrightable scientific facts and ideas about tardigrades, the U.S. Court of Appeals for the Second Circuit said.
Anas Osama Ibrahim Abdin owns a copyright in the “distillation” of the concept for his video game “Tardigrades,” a compilation of images, descriptions, and illustrations detailing the game’s characters and backstory. It features a space-station botanist who travels through space after being absorbed into a giant tardigrade, based on the real-life microscopic creature that can endure extreme heat, cold, pressure, and radiation.
Three episodes in the first season of CBS’ “Star Trek: Discovery” also involve a space encounter with a massive tardigrade-like creature, and Abdin sued CBS for copyright infringement in Manhattan federal court. The U.S. District Court for the Southern District of New York dismissed Abdin’s claims in September.
The Second Circuit affirmed that CBS and Netflix—which is licensed to air “Discovery” outside of the U.S.—didn’t infringe because the works aren’t substantially similar. Abdin’s use of tardigrades largely wasn’t copyrightable, the court said.
“Abdin’s space-traveling tardigrade is an unprotectable idea because it is a generalized expression of a scientific fact—namely, the known ability of a tardigrade to survive in space,” the court said. “By permitting Abdin to exclusively own the idea of a space-traveling tardigrade, this Court would improperly withdraw that idea from the public domain and stifle creativity naturally flowing from the scientific fact that tardigrades can survive the vacuum of space.”…
(6) WELL WORTH YOUR TIME. [Based on notes from John Hertz.] Roberta Pournelle left our stage on August 3, 2020.
There was no public church service and no public interment. Her remains were laid to rest at Forest Lawn on August 14th, as it happens not far from OGH’s father’s.
… I was hardly an “only child,” and I’m not merely referring to my wonderful brothers. Roberta taught in schools where most would not. She taught kids who were guilty of being poor, or black, or Latinx, or homeless. or abused, or dyslexic, or otherwise illiterate and/or desperate. Kids with “form,” kids with little future; kids who were pregnant or fathers or incarcerated for crimes real or imagined and precious little hope of anger management. The kids nobody wanted. The kids dismissed as “juvvies.” The kids about whom precious few truly, actually, cared.
Advised to leave, advised to cease, advised that her talents lay elsewhere, she taught on. She was there….
(7) MEDIA BIRTHDAY.
August 18, 1950 — Destination Moon, produced by Geotge Pal, premiered in the United Kingdom. It would be voted a Retro Hugo for Best Dramatic Presentation at the Millennium Philcon. It was directed by Irving Pichel from the screenplay by Alford Van Ronkel and Robert A. Heinlein and James O’Hanlon. It’s based off Robert A. Heinlein‘s Rocketship Galileo novel. It starred John Archer, Warner Anderson, Erin O’Brien-Moore, Tom Powers and Dick Wesson. Mainstream critics usually didn’t like but Asimov said In Memory Yet Green that it was “the first intelligent science-fiction movie made.” Audience reviewers at Rotten Tomatoes give it a mediocre 48% rating. It is not in the public domain but the trailers are and here is one for you.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born August 18, 1929 — Joan Taylor. Her first genre role was Earth vs. the Flying Saucers as Carol Marvin, and she followed that with 20 Million Miles to Earth as Marisa Leonardo. Her last genre role was as Carol Gordon in Men into Space, a late Fifties series about a USAF attempt to explore and develop outer space. She retired from acting in the early Sixties. (Died 2012.) (CE)
Born August 18, 1931 — Grant Williams. He is best remembered for his portrayal of Scott Carey in The Incredible Shrinking Man though he did have the role of the psychopathic killer in Robert Bloch’s The Couch. Of course, he shows up in Outer Limits where he plays Major Douglas McKinnon in “The Brain of Colonel Barham”. And he’s Major Kurt Mason in The Doomsday Machine. (Died 1985.) (CE)
Born August 18, 1931 – Seymour Chwast, 89. French ed’n of Doctor Dolittle; Odyssey; Canterbury Tales; Divine Comedy; three dozen more. Here is We. Here is Analog 6 (anthology). Here is Lord Tyger. Much outside our field too; see here, here, here, and this archive. Saint Gaudin Award, Art Directors Hall of Fame, American Inst. Graphic Arts Medal, honorary doctorate from Parsons. [JH]
Born August 18, 1934 — Michael de Larrabeiti. He is best known for writing The Borrible Trilogy which is noted by several sources online as being an influence by writers in the New Weird movement. Ok folks, I’ve not read so please explain how The Borrible Trilogy influences that literary movement as it doesn’t seem like there’s any connection. (Died 2008.) (CE)
Born August 18, 1935 — Brian Aldiss. He’s well known as an anthologist and SF writer with Space, Time and Nathaniel, a collection of short stories being his first genre publication. I’ll single out Space Opera and other such anthologies as my favourite works by him. His “Super-Toys Last All Summer Long” is the basis for A.I. Artificial Intelligence. Much honoured, he’s was named a Grand Master by SFWA and inducted by the Science Fiction Hall of Fame. He also has received two Hugo Awards, one Nebula Award, and one John W. Campbell Memorial Award. (Died 2017.) (CE)
Born August 18, 1943 –Richard Bober, 77. Three dozen covers. Here is Lake of the Long Sun (in Polish). Here is Shards of Empire. Here is the 2003 Chesley Awards Retrospective (at left, top to bottom, images by Bober, Ledet, Eggleton, Bonestell). Gallery, Feb 98 Realms of Fantasy. [JH]
Born August 18, 1947 – Paul Skelton, 73. Long-active fanziner, in his own zines (sometimes with wife Cas Skelton) and letters of comment to others’. Five FAAn (Fan Activity Achievement) Awards, four for Best Correspondent and one for life achievement thereat. [JH]
Born August 18, 1949 –Takeshi Shudô. Known for Magical Princess Minky Momo (television animé), Pokémon (pocket monsters; TV, film, novels), and Eternal Filena (serialized light novel, then OVA – original video animation, made for home release without prior theater or television showing – then role-playing video game). For Pokémon, coined Team Rocket’s motto. Won Best Screenplay at first Japan Animé Awards. Memorial exhibit at Suginami Animation Museum, Tokyo, 2011. (Died 2010) [JH]
Born August 18, 1950 — Mary Doria Russell, 70. The Sparrow series, The Sparrow and its sequel Children of God, are awesome. The Sparrow won the Arthur C. Clarke, BSFA, and Tiptree Awards, and it was the reason she won the Astounding Award for Best New Writer. Though not genre, Doc and its sequel Epitaph are mysteries using the historic character of Doc Holliday. (CE)
Born August 18, 1966 – Alison Goodman, 54. Seven novels, five shorter stories. Translated into ten languages. Part of “Time Travel, Time Scapes, and Timescape” in NY Rev. of SF with Benford, Blackford, Broderick, McMullen, Townsend. Two Aurealis Awards. Website here. [JH]
Born August 18, 1981 – Bridget (“B.R.”) Collins, 39. Seven novels. Bradford Boase Award. Blog is called jugjugjug “because ‘jug jug jug’ is supposed to be the noise a nightingale makes (the way ‘tu-whit tu-whoo’ is supposed to be an owl).” Website shows bookshelves with The Complete Sherlock Holmes and The Sot-Weed Factor. [JH]
(10) FACE THE MUSIC. Stephen Colbert repurposed the last Avengers movie trailer:
(11) CLOUDY WITH A CHANCE. David Langford’s contribution didn’t make it into the CoNZealand edition of Worldcon Order Of Fan-Editors (W.O.O.F.) for whatever reason, so he posted it on his own site: Cloud Chamber #164.
…But some decades ago, wanting more solitude, I bought the house across the street and made THAT my writer’s retreat. No longer would I write all day in my red flannel bathrobe; now I would have to dress and put on shoes and walk all the way across the street to write. But that worked for a while.
Things started getting busier, though. So busy that I needed a full-time assistant. Then the office house had someone else in it, not just me and my characters. And then I hired a second assistant, and a third, and… there was more mail, more email, more phone calls (we put in a new phone system), more people coming by. By now I am up to five assistants… and somewhere in there I also acquired a movie theatre, a bookstore, a charitable foundation, investments, a business manager… and…
Despite all the help, I was drowning till I found the mountain cabin.
My life up here is very boring, it must be said. Truth be told, I hardly can be said to have a life. I have one assistant with me at all times (minions, I call them). The assistants do two-week shifts, and have to stay in quarantine at home before starting a shift. Everyone morning I wake up and go straight to the computer, where my minion brings me coffee (I am utterly useless and incoherent without my morning coffee) and juice, and sometimes a light breakfast. Then I start to write. Sometimes I stay at it until dark. Other days I break off in late afternoon to answer emails or return urgent phone calls….
… The Communications Manager will lead SFWA’s communications initiatives to produce high-quality content to engage both SFWA members and potential members within the SF/F community, as well as expand the organization’s brand recognition.
… SFWA Executive Director Kate Baker said, “Because of the nebulous nature of the organization, and because our members are located around the world, having a steady and engaging presence via social media is more important than ever. I am thrilled that Rebecca has joined the organization to help shape our messaging, to build upon the excellent work done by past volunteers, and to promote not only the organization and its members, but communicate what is important to all SF/F writers, wherever they may be. Please join us in welcoming Rebecca to the team!”
“Since joining in 2012,” said Gomez Farrell, “my fiction career has benefited greatly from the events and services SFWA offers its members, but most importantly, from the community we share. I’m thrilled to lend my skills in new media communication to fostering more of that community for my fellow members.”
(14) SPECTRUM. The new Spectrum Advisory board was announced on Muddy Colors. Arnie Fenner listed the names with short bios at the link.
….it’s Cathy’s and my pleasure today to present in alphabetical order our new Spectrum Advisory board!
… Talk about a Dream Team!
And what exactly does the Spectrum Advisory Board do? Well, they have two primary jobs: the first is to nominate, debate, and ultimately select each year’s Grand Master honoree. (I wrote about the criteria for the Grand Master Award in a previous Muddy Colors post for anyone that’s curious.) It’s a big responsibility, for sure, but the Board’s second job is even more difficult and crucial:
Job #2 is to help us not be stupid.
Cathy and I started Spectrum because of a sincere love for fantastic art in whatever guise it takes and a desire to help creators receive the recognition and respect we felt they deserved. Spectrum quickly became a welcoming home, a community, and a family, for all artists regardless of gender, race, religion, nationality, politics, or ethnicity, a celebration of diversity and imagination. Though we’re moving a little slower and our energy isn’t what it once was, that love and that purpose are as strong in us today as they were when we first began 27 years ago. But time and technology march on and nothing survives in a vacuum: with so many changes and challenges, with so many societal minefields to traverse, we count on our Advisory Board to help us avoid the avoidable mistakes (as best anyone can) and better serve the community as a whole….
(15) STAND UP, EMPTY POCKETS. The “Stand Still. Stay Silent. – Book 3” Kickstarter appeal invites donors to “Help us print the third book of Minna Sundberg’s award-winning Nordic fantasy and adventure webcomic Stand Still. Stay Silent.” There being a lot of people wanting to lock down a copy of the book, they have raised $198,054 of their $35,000 goal with 26 days to go.
An underfunded, questionably selected, rag-tag team of explorers are assembled and launched into the unknown in a search for information and relics of the Old World – hopefully valuable relics. Stand Still. Stay Silent. follows six people (and a cat) on a journey filled with adventure, camaraderie and Nordic mythology. Who knows what they might find on their journey… and what they might lose.
(16) CATCHING UP. Nnedi Okorafor’s new book was released today – just in time for one feline’s appreciation.
Nearly two decades years after the release of The Fellowship of the Ring, fans are still discovering new things in Peter Jackson‘s The Lord of the Rings trilogy. There’s a lot of material to cover, with the three lengthy theatrical releases further extended in their home video editions. Which is why it’s so surprising that, all these years later, people keep spotting one particular detail for the first time.
We’re talking about Gandalf’s pipe, specifically where he keeps it…
For four years, researchers painted fake eyes on hundreds of cattle butts for the sake of science. What seems like a silly prank, the “eye-cow technique” proved lifesaving for the animals as it made predators rethink their attack, choosing another meal instead.
The scientists say their method is a more humane and “ecologically sound” alternative to lethal control and fencing used to separate cattle from carnivores. The team even theorizes the technique could be used to prevent human-wildlife conflicts and reduce criminal activity, according to a news release. A study was published Aug. 7 in the journal Communications Biology.
“The eye-cow technique is one of a number of tools that can prevent carnivore-livestock conflict—no single tool is likely to be a silver bullet. Indeed we need to do much better than a silver bullet if we are to ensure the successful coexistence of livestock and large carnivores,” study co-author Dr. Neil Jordan, a researcher with the University of New South Wales in Sydney, Australia and the Taronga Western Plains Zoo, said in the news release.
“But we’re hoping this simple, low-cost, non-lethal approach could reduce the costs of coexistence for those farmers bearing the brunt,” he added.
Eye patterns can be found — naturally — on butterflies, fish, molluscs, amphibians and birds to scare predators away. Images of eyes have even been shown to reduce bike theft in people, a 2012 study showed. But no mammals are known to possess eye-shaped patterns on their coats.
So, in the Okavango Delta of Botswana in Southern Africa, where livestock and lions, leopards, hyenas, cheetahs and wild dogs coexist, such a deceptive tactic could save animals from their death sentence, the researchers thought.
(19) VIDEO OF THE DAY. In “Honest Trailers: The Old Guard” on YouTube, the Screen Junkies take on the latest film from Netflix designed to “make you look up from your phone for two minutes so it counts as a view.” The film featured Charlize Theron leading a group of “illumi-hotties” who, although they’re thousands of years old, haven’t come up with a cool catchphrase.
[Thanks to Andrew Porter, JJ, Cat Eldridge, Lise Andreasen, Chip Hitchcock, John Hertz, Martin Morse Wooster, Mike Kennedy, Bill Higgins, Hampus Eckerman, Daniel Dern, Michael Toman, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Kip W. (I had to come back and use the other half of Kip’s 2018 verse.)]
…Minneapolis property owners have complained that the policy was slowing the pace of recovery and turning piles of debris into public safety hazards. The situation is different in St. Paul, which has been issuing demolition permits without requiring the prepayment of the second half of 2020 property taxes, which are due in October.
…“This will remove one small roadblock, but I am not sure how much it will actually speed up the entire rebuilding process,” said Don Blyly, owner of Uncle Hugo’s and Uncle Edgar’s bookstores in Minneapolis, which were destroyed in the riots. “You are still going to have the problem of a whole lot of demolition permits being handled by people who are working at home because of COVID-19.”
Blyly, who hired a contractor to remove the rubble from his lot a month ago, still doesn’t have his demolition permit, even though he paid his taxes last week.
Minneapolis City Council Member Andrew Johnson said he will introduce legislation at Friday’s council meeting that would require city officials to expedite the approval process for riot-damaged properties and waive all administrative fees.
“We should be processing their applications first, in front of everyone else’s, and they shouldn’t be subject to any unnecessary steps that are slowing stuff down,” Johnson said. “We need to bend over backward and do everything possible to help them with rebuilding.”
(2) F&SF COVER. The Magazine of Fantasy and Science Fiction’s Sept/Oct 2020 cover art is by Bob Eggleton for “The Shadows of Alexandrium” by David Gerrold.
(3) QUITE A FASCINATING ARTICLE. In “My First Thriller: David Morrell” on CrimeReads, Rick Pullen interviews Morrell, who explains that sf writer and Penn State English professor Philip Klass not only inspired Morrell to find the path he needed to complete First Blood (whose protagonist was John Rambo) but also introduced Morrell to his first agent.
…He read the show’s credits, noting that Stirling Silliphant was the creator. His local library found the address for the “Route 66” production company (the beginning of Morrell’s love affair with libraries). He mailed Silliphant a hand-written letter, saying “I want to be you.” Surprisingly, Silliphant wrote back with a single-spaced, two-page letter within the week. (The framed letter now hangs in Morrell’s office.)
“I wish I had some specific advice for you or encouragement,” wrote Silliphant, “but what I have to say is certainly not new. Keep writing…eventually if you have something of promise to say, someone will help you or hire you.”
…While at Penn State, he met science fiction writer Philip Klass, better known by the pseudonym William Tenn, who taught the basics of fiction writing.
“It was astonishing that a university would hire a real writer. He did not have a degree. He was the backbone of their creative writing department…I couldn’t get into his classes. They filled up right away. So Klass agreed to meet me during office hours.”
To test Morrell, Klass instructed him to turn in a short story every week, and every week he did.
Eventually Klass summoned Morrell to his office and begged him to stop writing fiction. “You’re terrible,” he said.
“He was right,” Morrell says. “I was writing bad Joyce and Faulkner.”
From Klass, he learned “every writer has a dominant emotion.” Morrell’s was fear. Maybe if he wrote honestly about fear, Klass told him, he would stop writing all of his horrible imitation fiction.
“I took him at his word.”…
(4) HELP NEEDED. Filer Lenora Rose hopes someone can lend a hand:
I have a writer’s issue to do with language — specifically semi-Nordic language — and I think this might be the right place to ask for help?
So I’m dealing with a fantasy setting that is used for the course of at least three books. One of the countries major characters come from speaks something I have been rendering, for the purpose of getting through the rough drafts, as quasi-Nordic — sometimes actually looking up words in Swedish or Norwegian or Icelandic and picking the one that sounds the least like English, and also going a Germanic style take two or three words and squish them together. It didn’t help that I decided they were the culture where the names of humans mostly translate to other nouns (Snow, Willow, etc) and the names of the non-human sapient race are usually those Germanic-style squished-together compounds (Bright Witty Magpie is one, as is Stream in Spring Flood). The protagonist is a multi-linguist and cares about this stuff.
Well, the story is now getting into final draft stages in every other way, and the placeholder language is still something that would almost certainly give any linguist or speaker of any of the related Scandinavian languages creeping horrors.
It certainly bothers me, because in the “I don’t know what I don’t know” way, I’m terrified I am going to end up, (as one author did when inventing names she thought sounded Welsh), naming someone a slang term for women’s hygiene products or something similarly terrible.
So basically I need a consult with someone who speaks a related language and would be willing to make non-painful translations or naming suggestions, or a linguist to do the same. *I am assuming this is something where I should pay for their time in some way*, at least if it goes past an initial consultation.
If anyone is willing to help, please relay your email through OGH – mikeglyer (at) cs (dot) com
….With 2020 seeing the re-emergence of the Black Lives Matter movement, leading to many conversations about inclusivity, [George R.R.] Martin’s mispronunciations have taken on a deeper meaning.
“The backlash is absolutely justified,” said Hugo award winner and British fantasy author Jeanette Ng. “But I am sometimes frustrated that it gets reduced down to an anger about him mispronouncing names rather than this deeper tension between competing visions of the genre and the award…Whilst the mispronunciations matter, they are ultimately a symptom of that deeper disconnect of what the [awards are meant to do].”
(6) ASFA SPONSORS BIPOC MEMBERSHIPS. The Association of Science Fiction & Fantasy Artists is offering “Sponsored Memberships For BIPOC”. Donations have raised the number available to 15.
In recognition of systemic biases against BIPOC (Black, Indigenous, & other People of Color) both within the Speculative Fiction & Fantasy communities and without, the Association of Science Fiction & Fantasy Artists intends to sponsor memberships in the organization for BIPOC artists. These sponsorships will be open to up-and-coming artists as well as established artists, and each membership will convey voting rights in the annual Chesley Awards in addition to periodic opportunities to exhibit in shows with other ASFA artists. Additionally, ASFA encourages its BIPOC members to participate in our Board elections, as candidates for Board positions and as voters, to ensure that the organization’s representatives are truly representative of our membership and our aspirations for the community overall.
The site of America’s first nuclear meltdown — and subsequent cover-up — in the picturesque hills of Ventura County may soon join Hearst Castle, the cable cars of San Francisco, and the Santa Barbara Mission as an official landmark in the National Register of Historic Places.
In what some have described as a cynical attempt by a U.S. government agency to avoid a long-promised cleanup of toxic and radioactive contaminants, NASA has nominated the Santa Susana Field Laboratory for official listing asa traditional cultural property.
…Hidden within the chaparral and rocky peaks of the Simi Hills, the Santa Susana Field Lab conducted research that was critical to the nation’s Cold War ambitions, yet toxic to the Earth. The partial meltdown released radioactive gasses that the public was never warned about, and spent rocket fuel, heavy metals and other toxins contaminated the soil and groundwater.
…Now, NASA and a coalition of Native American groups have proposed the area be designated a traditional cultural district. The move has been opposed by critics, who fear that strict laws protecting Native American artifacts, combined with terms of the 2010 agreement, could make it difficult to clean up contamination.
4. Winning an award is not always as important as being a finalist. I can speak to this personally: In terms of my career, it was far more important for me to have been nominated for the Best Novel Hugo award in 2006, than it was for me to win it in 2013. Why? Because in 2006 I was new to the field, and having my first novel nominated was a thing, especially when coupled with the nomination for the Campbell Award for Best New Writer. I was the first person in more than twenty years to get nominated for the Campbell and Best Novel in the same year, and it changed my status in the field from “who is John Scalzi” to “oh, that’s John Scalzi.”
I didn’t win the Hugo that year (nor should I have: Spin by Robert Charles Wilson won, and deservedly so), but it didn’t matter because the boost put me in a different career orbit. When I did win the Best Novel award, several years later, it was great, and I loved it, and I wouldn’t trade the experience. But careerwise, it wasn’t a transforming event. It was a confirming event. My professional career didn’t change all that much after I won. Whereas being nominated earlier was transforming, and ultimately more important to my career.
…The novel, which follows the love story between vampire Edward Cullen and high schooler Bella Swan that fans originally fell for in the first Twilight book back in 2005, is currently No. 1 on USA Today’s Best-Selling Books List as well as on The New York Times’s Children’s Series List. While the original book series —which was adapted into a franchise of movies starring Kristen Stewart and Robert Pattinson in the leading roles — was told from the point of view of Bella, this version takes readers inside the mind of her bloodsucking boyfriend, Edward.
Something about that last line sounds a little off….
When I first envisioned Web-beings, it was a thought experiment on a biological basis for being semi-immortal. I arrived at the notion of organisms who manipulate their molecular structure using energy to repair aging and damage. It led me to aliens who’d hide themselves by cycling, as I called it, into the form of shorter-lived intelligent species. To be convincing, they’d need to know how to behave as one. Thus I had them (there were six at the start) collect and share everything they discovered about a species, from its biology (and thus how to be that form) to every aspect of society and culture.
When your memory consists of your flesh, you’re able to store vast amounts of information, which Web-beings exchange by biting off bits of one another. (I love my job.)…
(11) A CONZEALAND SOUVENIR. W.O.O.F. #45 put together by the Worldcon Order of Fan-Editors for CoNZealand is a free download from eFanzines [PDF file]. It boasts a cover by Tim Kirk, and contributions from John Purcell, Chris Garcia, Rich Lynch, Chuck Connor, Ahrvid Engholm, Evelyn & Mark Leeper, David Schlosser, Mark Blackman, Andrew Hooper, Murray Moore, Kees van Toorn, Wolf von Witting, R. Laurraine Tutihasi, Roger Hill, Alan Stewart, and Phil Wlodarczyk. Guy H. Lillian III served as the Offcial Editor.
(12) I DON’T KNOW — THIRD BLAST! On the Dragon Awards site: “A Blast from the Past (Winners) – Part 3” with Kevin J. Anderson, Nick Cole, Larry Correia, Richard Fox, Claudia Gray, Brian Niemeier, S.M. Stirling, and Harry Turtledove.
If you were a voting electorate of one, what book by any other author would you give a Dragon Award to? What books by other authors would you recommend to those who voted for or enjoyed your book?
Nick Cole: I’m going to decline naming any authors because I have too many talented friends. If you enjoyed Ctrl Alt Revolt!, I guess I would recommend that you read any book by any author who’s been cancelled. Instead of just arbitrarily listening to someone’s opinion on some author and why they should be banned, blacklisted, and their works burned in a bonfire either digital or physical, I think you should take the time to read that book, listen to that person, and come to the conclusion yourself.
(13) BOOK ANNVERSARY.
August 2015 —[Item by Cat Eldridge.]The House of Shattered Wings, the first of her Dominion of The Fallen series by French-Vietnamese author Aliette de Bodard was published by Roc in the U.S. It would be the first novel in what has been a prolific and award-rich writing career. In addition to the decadent, ruined Paris set of the Dominion of The Fallen series, there’s her Xuya stellar empire where she makes rich use of her French-Vietnamese heritage. Of the new writers I’ve been reading (and most are female), I think she’s one that bears watching as it’ll be interesting to see what new universes come from her. And yes I’m waiting for the first Xuya novel somewhat impatiently.
(14) MEDIA BIRTHDAY.
August 13, 1953 — George Pal’s adaptation of H.G. Wells’ The War Of The Worlds premiered in Atlantic City, New Jersey. (Not New York City as is popularly believed.) It was directed by Byron Haskin from the screenplay by Barré Lyndon. It starred Gene Barry and Anne Robinson. It was narrated by Cedric Hardwicke. The film was both a critical and box office success with it earning back its budget in its first run. And it would won an Academy Award for Special Effects. Audience reviewers at Rotten Tomatoes currently give it a 71% rating. (CE)
(15) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born August 13, 1895 — Bert Lahr. Best remembered and certainly beloved as The Cowardly Lion in The Wizard of Oz, as well as his counterpart who was a Kansas farmworker. It’s his only genre role, though In the war film Meet the People, he would say “Heavens to Murgatroyd!” which was later popularized by a cartoon character named Snagglepuss. (Died 1967.) (CE)
Born August 13, 1899 — Alfred Hitchcock. If he’d only done his two Alfred Hitchcock series which for the most part was awesome, that’d be enough to get him Birthday Honors. But he did some fifty films of which a number are genre such as The Birds and Psycho. Though I’ve not read it, I’ve heard good things about Peter Ackroyd’s Alfred Hitchcock. (Died 1980.) (CE)
Born August 13, 1909 — Tristram Coffin. He’s best remembered for being Jeff King in King of the Rocket Men, a Forties SF serial, the first of three serials featuring this character. He showed up on the Fifties Superman series in different roles, sometimes on the side of Good, sometimes not. He played The Ambassador twice on Batman in. “When the Rat’s Away the Mice Will Play” and “A Riddle a Day Keeps the Riddler Away”. (Died 1990.) (CE)
Born August 13, 1922 — Willard Sage. He showed up on Trek as Thann, one of the Empaths in “Empath”. He was Dr. Blake in Colossus: The Forbin Project, and had roles in The Land of Giants, Invaders, The Man from U.N.C.L.E., The Outer Limits and The Sixth Sense. (Died 1974.) (CE)
Born August 13, 1928 – Sir George Pollock, Bt. The 5th baronet (an oversimplification); pursued photography that had light itself as its subject; invented color photographs using controlled light, originally through glass, which he called Vitrograph; later, large-scale photographic murals. Five book and magazine covers for us; here is New Writings in SF 3. Two album covers for His Master’s Voice; here is HQM 1008 with Stravinsky’s Soldier’s Tale (translation in part by Michael Flanders!), here is HQM 1026 with Prokofievand Shostakovich. Here is Galactic Event. Website here (under re-construction but some help). Appreciation by the Photographic Alliance of Great Britain here (“NGV” is Nat’l Gallery of Victoria) (PDF). (Died 2016) [JH]
Born August 13, 1932 – John Berkey. A hundred seventy covers, two hundred twenty interiors. Mixed his own colors. Here is Starman Jones. Here is Star SF 6. Here is the Nov 94 SF Age. Here is a Star Wars book. Here is One Giant Leap. Four artbooks; lastly J. Frank ed., The Art of John Berkey. Society of Illustrators Hall of Fame. Spectrum Grand Master. Website here. (Died 2008) [JH]
Born August 13, 1945 – Rita Krupowicz. (She usually signed “R.J. Krupowicz”.) Ten covers, as many interiors. Here is The Dark Cry of the Moon.Here is the Nov 85 Fantasy & Science Fiction. This is from The Vortex Library on Twitter. (Died 1991) [JH]
Born August 13, 1952 – Donna Barr, 68. Enlisted in the U.S. Army, school-trained Teletype operator. Much of her work self-published, available electronically. Stinz was serialized in the Eclipse Comics series The Dreamery (hello, Lex Nakashima). GURPS (Generic Universal RolePlaying System) and Traveller role-playing books. “I usually do a rough on scrap paper (junk mail has lots of blank backs!), happily cutting and pasting, then I copy the whole thing (so the back is clear), rearrange the copy backwards on the back of the final paper, slap in some lettering guides, flip it over on a light table, and use it as a rough guide while I ink. No penciling, and no erasing.” Website here. [JH]
Born August 13, 1974 – Christina Henry, 46. A dozen novels, half a dozen shorter stories. Alice, Red Queen and Looking Glass are “a dark and twisted take on Alice’s Adventures in Wonderland”; The Girl in Red is “a post-apocalyptic Red Riding Hood novel”. The Ghost Tree, expected next month, is “an homage to all the coming-of-age horror novels I read when I was younger – except all those books featured boys as the protagonists when I longed for more stories about girls. Just to clarify, though – this is not a young adult novel; it’s intended for an adult audience (like all of my work).” [JH]
Born August 13, 1977 — Damian O’Hare, 43. Though you might know him from the Pirates of the Caribbean films, The Curse of the Black Pearl and On Stranger Tides where he played Gillette, I know him as the voice of John Constantine on Justice League Action. He also showed up in Agent Carter. (CE)
Born August 13, 1990 — Sara Serraiocco, 30. She plays the complex role of Baldwin on the Counterpart series which I’ve got on the iPad for watching soon. Anyone watch this? (CE)
Born August 13, 1990 – Marlon Pierre-Antoine, 30. “Helena’s Empire” is an E-book novelette. Its sequel Wandering Stars explores a teenage girl’s whblooming romance with Lucifer (i.e. after his fall), whom she meets on a beach. MP ranks The Divine Comedy above Animal Farm, both below The Hitchhiker’s Guide to the Galaxy. [JH]
Years after the completion of the second outing of his alternate history series The American Way, 12 Years a Slave screenwriter John Ridley is returning to comics to reveal The Other History of the DC Universe. The long-awaited series, exploring DC’s lengthy comic book mythology from a new angle, has been newly scheduled for a November release.
The five-part series, originally announced in 2018, re-examines important and iconic moments from DC’s comic book history from the point of view of characters from traditionally disenfranchised groups, including Jefferson Pierce — better known as Black Lightning — and Renee Montoya (The Question). Giuseppe “Cammo” Camuncoli, Andrea Cucchi, and colorist José Villarrubia are the artists for the series, with covers from Camuncoli and Jamal Campbell (Far Sector, Naomi)….
In a rare public fallout for Netflix, the creators of the platform’s highly anticipated, live-action adaptation of Avatar: The Last Airbender, the acclaimed Nickelodeon cartoon, have walked away from the project.
Avatar: The Last Airbender’s full run became available on Netflix this past June, attracting a huge audience and reigniting the 2000s cartoon’s popularity. But in separate posts published to their respective blogs and Instagrams, Avatar franchise creators Michael Dante DiMartino and Bryan Konietzko said they were no longer involved with the previously announced Netflix remake, due to prolonged creative differences.
“When Netflix brought me on board to run this series alongside Mike two years ago,” Konietzko wrote in his Instagram post, “they made a very public promise to support our vision. Unfortunately, there was no follow-through on that promise. … [T]he general handling of the project created what I felt was a negative and unsupportive environment.”
“I realized I couldn’t control the creative direction of the series, but I could control how I responded,” DiMartino added on his own website. “So, I chose to leave the project.”…
”People ask me to predict the future, when all I want to do is prevent it.” Ray Bradbury has been acclaimed as the writer most responsible for bringing modern science fiction into the literary mainstream but, as the quote above shows, he regarded himself as the author of modern philosophical fables, rather than a sci-fi writer. In his dystopian works, such as Fahrenheit 451, he holds up a mirror to contemporary society and then transposes it into fantastical and futuristic scenarios. Bradbury was a prolific writer who tried his hand at everything from poems and novels to TV and radio scripts but it’s his early short stories which he produced in his twenties that are perhaps the most imaginative.
To mark the centenary of Bradbury’s birth, Rajan Datar is joined by three Bradbury experts to help him navigate through the author’s prodigious output: Professor Jonathan Eller from Indiana University who is also the Director of the Center for Ray Bradbury Studies; Dr. Miranda Corcoran who teaches American literature at University College Cork with particular interest in science fiction, horror and the gothic; and Dr. Phil Nichols who combines research into Bradbury’s TV and other media work with the teaching of Film and Television Production at Wolverhampton University.
(21) TOONING OUT. Camestros Felapton’s attention was drawn to “The Webtoon Short Story Contest” by Vox Day’s complaints that his Arkhaven Comics entry got no love from the judges:
Where there are stories gathered together there are story competitions and Webtoon is no different. They recently held their Short Story competition with the winners announced here https://www.webtoons.com/en/challenge/contest/us-contest-2020. It’s a juried award with cash prizes that splits winners and runners up into two categories: “Brain” for stories that blow your mind and “Heart” for stories that warm your heart (Rules and FAQs).
“Why are you telling us all this Camestros?” I hear you say….
Camestros proceeds to make some interesting observations.
And it wasn’t just unawarded. Midnight’s War somehow didn’t even qualify as one of the 36 runners-up despite being one of the top 10 ranked in Popularity and earning a higher rating than two out of the three Silver winners.
This tells me that Arkhaven needs to seriously rethink our plan to use Webtoons as a platform….
…JAY PRICE, BYLINE: Esports has exploded in the past few years. There are pro leagues, bricks and mortar arenas, players with six-figure salaries. Millions of people log on to streaming platforms like the Amazon owned Twitch to watch games and interact with players and each other. Many are of recruiting age. The military has taken notice. Major General Frank Muth just finished a stint leading U.S. Army Recruiting Command.
FRANK MUTH: This really has brought us into the modern era of where this generation and the next generation – they’re mainly hanging out online all the time.
PRICE: The four largest military services all now have teams or official players. Sergeant Nicole Ortiz is on the Army’s team. Her role includes playing games while socializing and explaining military life to viewers, like her own as an IT specialist.
NICOLE ORTIZ: A lot of them, they look at movies and think that the Army is just about war and shooting guns. In reality, I used to work at a help desk.
PRICE: Recruiting brass say the new esports push is already helping, especially given the difficulties of face-to-face recruiting during the pandemic. Part of the allure is being able to interact directly with viewers through the chat function. And that’s where the military’s esports initiative ran into some trouble.
KATIE FALLOW: What they did here is impermissible under the First Amendment.
PRICE: Attorney Katie Fallow is with the Knight First Amendment Institute at Columbia University. She represents an activist named Jordan Uhl. On the Army and Navy Twitch channels, he posted messages including, what’s your favorite U.S. war crime? Uhl was banned from both, along with dozens of others who posted similar messages or other comments the military gamers deemed improper.
FALLOW: Because they basically said, we don’t like that you’re raising questions about war crimes or things that the military is sensitive about. And they blocked people based on their viewpoints.
(24) SOONER OF LATER IT ALL ADDS UP. In “The Cost of Perseverance, in Context”, the Planetary Society says the cost of the latest Mars Exploration Rover mission sounds quite modest compared to some other chosen figures.
NASA expects to spend approximately $2.7 billion on the Perseverance rover project. This number can sound large, even excessive, to some—but it’s a number that demands context. Let’s give it some….
The total cost of the Perseverance rover is equivalent to…
33 hours of running the Department of Defense
Slightly less than 1 day of Social Security spending
One year of spending on the Space Launch System rocket
…Northumberland Park garage will host vehicle-to-grid technology, which feeds energy stored in parked electric buses back into the electricity network.
If the government-funded Bus2Grid project is rolled out across London it could power an estimated 150,000 homes.
The project will begin in November and run for three years.
Putting energy back into the grid when demand is high and recharging buses when demand is low helps make the network more efficient by balancing the peaks and troughs.
Ian Cameron, head of innovation at UK Power Networks, said: “A fleet of bus batteries harnesses large amounts of electricity and they are habitual, with regular and predictable routes, driving patterns and timings.
“That means we can easily predict and plan for how we can use any spare electrical capacity they can offer.”
(27) FORBIDDEN KNOWLEDGE. Forbidden Planet, the world’s largest and best-known comic book and cult entertainment retail chain, is throwing itself a 42nd birthday party — Forbidden Planet 42 – an online event featuring many genre and other celebrities.
On Saturday August 29th 2020, ForbiddenPlanet.com will play host to a huge range of celebrity interviews, as alumni from the worlds of science fiction, comics & popular culture come together to help the store celebrate 42 years of pop-culture addiction – and ponder the answer to The Ultimate Question of Life, the Universe and Everythingwith an all-star cast of our oldest friends & customers!
This star-studded online event will feature new, exclusive interviews with some of Forbidden Planet’s most celebrated customers including William Shatner, DMC, Neil Gaiman, Alice Cooper, Jonathan Ross, Gerard Way, Garth Ennis, Kevin Smith, Michael Moorcock, Simon Pegg, Mark Millar, Dan Slott, V.E. Schwab, Dave Gibbons, Brian Bolland, Dirk Maggs, Chris Claremont & Ben Aaronovich amongst others, hosted by Forbidden Planet’s Andrew Sumner.
As part of the Forbidden Planet 42 celebrations, this online extravaganza will also host a tribute to Forbidden Planet’s old friend – the late, great Douglas Adams (The Hitchhiker’s Guide to the Galaxy) in the shape of a rare, never-before-heard interview with Douglas (recently discovered in the Forbidden Planet vaults) conducted by another old pal, celebrated author Neil Gaiman.
[Thanks to Kathryn Sullivan, John King Tarpinian, JJ, John Hertz, Rose Embolism, Chip Hitchcock, Cat Eldridge, Mike Kennedy, Gordon Van Gelder, Martin Morse Wooster, Michael Toman, and Andrew Porter for some of the ridiculous number of stories in today’s Scroll. Title credit goes to File 770 contributing editor of the day Olav Rokne.]
If you are interested in being a juror for this year’s awards, please register your interest here We are especially interested in hearing from those historically under represented on juries; and you do not need to be a member of the BFS to fulfil this role.
Both forms will remain open until Wednesday 16th August. Any questions, please get in touch at email@example.com
A few days ago they were concerned about the balance of applicants:
We are seeking expressions of interest from Australian residents who would like to judge for the 2020 Aurealis Awards. Judges are volunteers and are drawn from the Australian speculative fiction community, from diverse professions and backgrounds, including academics, booksellers, librarians, published authors, publishing industry professionals, reviewers and enthusiasts. The only qualification necessary is a demonstrated knowledge of and interest in their chosen category (good time management skills and an ability to work in a team in an online environment are also essential).
(2) ULTIMA RATIO REGUM. Camestros Felapton continues to work out what canon means to sff readers, and if it’s useful in “Types of canon/key texts”.
… I think within discussions of canon there is a sense of books whose role it is to edify the reader, the books that will make you (somehow) a better reader. I’m sceptical that any books really fit that criteria and even more sceptical that we can find a common set of such books. However, there are clearly books that themselves provoke further books and as such books that get referenced in later works and later works that can be seen as response to earlier works. Robert Heinlein’s Starship Troopers being an obvious example of such a work. This is canon as a kind of feedback loop of significance — the books that are themselves critiques of Troopers lend significance to Troopers as a book. You don’t have to have read Starship Troopers to enjoy Kameron Hurley’s Light Brigade but having some familiarity with Heinlein’s book adds an element to Hurley’s book.
Mel Brooks’ Blazing Saddles is considered a film classic, even though it’s stirred up some controversy over the years. Now the film is being retold in an entirely new medium, as well as an entirely new genre.
The Los Angeles film company Align is helping develop an animated film titled Blazing Samurai. The film takes the basic premise of Blazing Saddles and transplants it to the Samurai era. The story follows a dog named Hank who dreams of becoming a Samurai. When he becomes in charge of protecting Kakamucho, he learns that the town is populated entirely by cats.
Three years ago, I reported on the state of television in the wake of former FCC-chief Newton Minow’s pronouncement that television was a ‘vast wastelend.’ Since then, I have remained a devoted fan of the small screen, if not completely addicted to ‘the boob tube.’ Indeed, the Young Traveler and I have our weekly favorites we do not miss if we can at all help it.
And so, as we sail through the sea of summer reruns, gleefully anticipating the Fall line-up, I take delight in awarding the Galactic Stars of Television for the 1964-65 season.
Burke’s Law 1963-65
Amos Burke is what would have happened if Bruce Wayne’s parents had never been shot – he’s a Beverly Hills playboy millionaire who also happens to be the dapper Captain of Homicide for the L.A. Police Department. In each episode, Amos, with the aide of grizzled Sergeant Hart and youthful Detective Tilson (and occasionally the doe-eyed Sergeant Ames), solves a murder mystery…..
If The Traveler hadn’t waxed rhapsodically about this show – and I’m not sure whether he thinks it fits the blog’s sff theme or just thinks it’s good – then it wouldn’t have seemed such a glaring oversight to end the post pointing out Harlan Ellison wrote a script for the lamentable Voyage to the Bottom of the Sea, without mentioning Ellison also wrote four scripts for 1964 episodes of his beloved Burke’s Law series.
I realised this morning that it’s 36 years to the day when I started to work in publishing, as an editorial secretary at George Allen & Unwin Publishers, in Ruskin House on Museum Street. What follows really is the trajectory of modern publishing in microcosm.
My skillset was not ideal: I loved books, especially the works of JRR Tolkien and came with a first class English degree, a Masters in Scandinavian Studies (Old Icelandic) and absolutely no secretarial abilities at all. But I had worked for a year at Foyles and another as a boardmarker/cashier at Ladbrokes, and so had proved I could work hard and not be snooty about getting my hands dirty; and that I was numerate and understood the concept of gambling, which my new boss assured me was the essence of publishing. These were the times of Telex machines and manual typewriters, which were just giving way to electronic typewriters (my nightmare) but David was remarkably patient with my Tippexed letters, blackened carbon copies and non-existent shorthand, and within a year had promoted me away from my disaster zone to become an editor. Paperbacks were a fairly new concept: hardbacks were the prestige edition.
(6) IMPROVEMENT NOT NEEDED. In a post on Facebook, David Gerrold tells how a book is being unfairly belittled.
There is currently a backlash against The Giving Tree, and some people are circulating an alternate ending.
Hey! I have an idea. I have an alternate ending for Winnie The Pooh. Pooh is a bear. He decides he likes bacon. He eats Piglet. Much more realistic, right?
No, look. Shel Silverstein knew what he was doing when he wrote The Giving Tree.
It doesn’t need an alternate ending — specifically not one that’s preachy, badly written, doesn’t really fit, and is intended to cast the original in a bad light….
Depending upon how it’s done, it can add to the tension—a race against time as our characters try to return to their own era—or it can allow readers to explore the past through modern eyes. In my own In Time mystery series, I’ve enjoyed the fish-out-of-water sensation that my main character—a modern-day woman and brilliant FBI agent—experiences after being tossed back to the Regency period in England. As women then were second-class citizens without the ability to even vote, not only does she have to deal with personal obstacles, but she also cannot tap into her usual arsenal of forensic tools to solve crimes.
Whether time travel is being used to wrap a mystery in an extra, innovative layer or is allowing readers to view humanity and history through a different lens, the theme is brilliantly done in the books that I’ve listed below….
Frances Allen, a computer scientist and researcher who helped create the fundamental ideas that allow practically anyone to build fast, efficient and useful software for computers, smartphones and websites, died on Tuesday, her 88th birthday, in Schenectady, N.Y.
Her death, in a nursing home, was confirmed by her great-nephew Ryan McKee, who said the cause was Alzheimer’s disease.
In the mid-1960s, after developing software for an early supercomputer at the National Security Agency, Ms. Allen returned to her work at IBM, then the world’s leading computer company. At an IBM lab in the Hudson River Valley town of Yorktown Heights, just north of New York City, she and her fellow researchers spent the next four decades refining a key component of modern computing: the “compiler,” the software technology that takes in programs written by humans and turns them into something computers can understand.
For Ms. Allen, the aim was to do this as efficiently as possible, so programmers could build software in simple and intuitive ways and then have it run quickly and smoothly when deployed on real-world machines.
Together with the researcher John Cocke, she published a series of landmark papers in the late 1960s and ’70s describing this delicate balance between ease of creation and speed of execution. These ideas helped drive the evolution of computer programming — all the way to the present day, when even relative novices can easily build fast and efficient software apps for a world of computers, smartphones and other devices.
In 2006, on the strength of this work, Ms. Allen became the first woman to win the A.M. Turing Award, often called the Nobel Prize of computing.
(9) MEDIA BIRTHDAY.
August 8, 1956 — X Minus One aired “The Last Martian.” This is the story of a reporter seeing if a man’s claim that he is a Martian placed in a human’s body. George Lefferts was the scriptwriter who adapted the story from the Fredric Brown’s “The Last Martian” short story first published in Galaxy Science Fiction in October 1950. Mandel Kramer, Elliot Reed, Santos Ortega, Ralph Bell, John McGovern, and Patricia Weil were in the radio cast. You can listen to it here.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born August 8, 1883 – Paul Stahr, Jr. Forty covers for Argosy 1925-1934. Also Collier’s, Judge, Life, People’s Home Journal, The Saturday Evening Post; book covers, posters. Here is the 10 Jan 31 Argosy. Here is the 25 Aug 34. Here is The Ship of Ishtar. Here is a World War I poster. (Died 1953) [JH]
Born August 8, 1919 — Dino De Laurentiis. Maker of Dune obviously but less obviously also a lot of other genre including Conan the Barbarian, Flash Gordon, King Kong, Halloween II and Halloween III, Dead Zone and The Last Legion. (Died 2010.) (CE)
Born August 8, 1930 — Terry Nation. Best-known as scriptwriter for Doctor Who and creator of the Daleks. He later created Blake’s 7. He would also write scripts for The Avengers,The Champions andMacGyver. (Died 1997.) (CE)
Born August 8, 1935 — Donald P. Bellisario, 85. Genre shows include Tales of the Gold Monkey, Airwolf and of course, that truly amazing show Quantum Leap. Ok, is Tales of the Gold Monkey genre? Well if not SF or fantasy, it’s certainly pulp in the best sense of that term. (CE)
Born August 8, 1937 — Dustin Hoffman, 83. Ahhh, Captian Hook, the man who got swallowed by the vast crocodile in Hook. Yeah, I like that film a lot. By no means his only genre appearance as he was Mumbles, Caprice’s fast-talking henchman in Dick Tracy (not a film I love), Mr. Edward Magorium in Mr. Magorium’s Wonder Emporium and the voice of Master Shifu in Kung Fu Panda. (CE)
Born August 8, 1950 – John D. Berry, 70. Of New York (Fanoclasts), later Seattle. “The Club House” 1969-1972 (fanzine reviews) for Amazing. Pacific Northwest Review of Books (with Loren MacGregor). Fan Guest of Honor, Norwescon 1, VCON 13, Westercon 63. DUFF (Down Under Fan Fund) delegate. Designed the souvenir book for 15th World Fantasy Con. I daren’t say a font of knowledge but indeed he is good with them. [JH]
Born August 8, 1958 – David Egge, 62. Thirty book and magazine covers, three dozen interiors. Here is The End of Summer. Here is The Dorsai Pacifist (in German). Here is a 1986 cover for The Mote in God’s Eye (in fact Moties don’t have faces, a non-trivial point, but see this anyway). Here is the Apr 01 Analog. [JH]
Born August 8, 1961 – Tim Szczesuil, F.N., 59. Chaired Boskones 33, 53. Five terms as NESFA (New England SF Ass’n) President, four as Treasurer; various committees. Contributed to APA:NESFA. For NESFA Press, edited His Share of Glory (C.M. Kornbluth), Strange Days (Gardner Dozois; with Ann Broomhead). Fellow of NESFA (service award). [JH]
Born August 8, 1971 – Phlippa Ballantine, 49. First New Zealand author to podcast her novel (Weaver’s Web, 2006; three more; PB since moved to Virginia). Three novels about the Order, five (with husband Tee Morris) about the Ministry of Peculiar Occurrences (Phoenix Rising was a top-10 SF book of the year on Goodreads, sequel The Janus Affair a Locus best-seller and Steampunk Chronicle readers’ choice for fiction), two about the Shifted World; a score of shorter stories. Website here. [JH]
Born August 8, 1988 – Flavia Bujor, 32. Children’s novel The Prophecy of the Stones (or “Gems”), written at age 13, translated into 23 languages. A second is rumored. [JH]
(11) COMICS SECTION.
Speed Bump shows that the pandemic has reached mythic proportions.
The 1977 science-fiction epic Close Encounters of the Third Kind helped cement Steven Spielberg as a master of the genre, and the movie’s epic story of humans coming into contact with aliens was only made that more memorable thanks to soaring and sweeping score by John Williams.
Throughout the entire movie, the score pushes the plot along to the point where the humans finally begin to communicate with the alien mothership, which is another way of inserting Williams’ composition into the picture. The “Play The Five Tones” scene is a miraculous piece of filmmaking and orchestration as it starts rather small and hushed before going into a back and forth between the two species before growing into a grand composition that ultimately ends with a chorus of strings growing in intensity as the aliens reveal themselves to the amazement of the humans.
As the U.S. military and its allies attacked the last Islamic State holdouts last year, it wasn’t clear how many civilians were still in the besieged desert town of Baghouz, Syria.
So Human Rights Watch asked a private satellite company, Planet, for its regular daily photos and also made a special request for video.
“That live video actually was instrumental in convincing us that there were thousands of civilians trapped in this pocket,” said Josh Lyons of Human Rights Watch. “Therefore the coalition forces absolutely had an obligation to stop, and to avoid bombardment of that pocket at that time.”
Which they did until the civilians fled.
Lyons, who’s based in Geneva, Switzerland, has a job title you wouldn’t expect at a human rights group: director of geospatial analysis. He says satellite imagery is increasingly a crucial component of human rights investigations, bolstering traditional eyewitness accounts, especially in areas where it’s too dangerous to send researchers
…They get those images from a handful of private, commercial satellite companies, like Planet and Maxar.
For the past three years, Planet has done something unprecedented. Its 150 satellites photograph the entire land mass of the earth every day — more than one million images every 24 hours. Pick any place on earth — from your house to the peak of Mt. Everest — and Planet is taking a photograph of it today.
“If you could visualize a string of pearls going around the poles, looking down and capturing imagery of the earth underneath it every single day,” said Rich Leshner, who runs Planet’s Washington office.
Scroll through Planet’s photo gallery and you get a bird’s eye view of the state of the world: idle cruise ships clustered off Coco Cay in the Bahamas, deserted streets around normally bustling sites like the Colosseum in Rome, and the smoke from the relentless fires set by farmers clearing land in the Amazon rainforest.
U.S. government satellites are the size of a bus. Planet’s satellites are the size of a loaf of bread. Planet is in business to make money, and its clients include the U.S. military and big corporations. But it also works with lots of non-profits and other groups it never anticipated.
Supermassive black holes are among the most exciting and puzzling objects in the universe. These are the giant, massive bodies that sit at the heart of most, perhaps all, galaxies. Indeed, they may be the seeds from which all galaxies grow.
Supermassive black holes are at least a hundred thousand times the mass of our sun. They are often surrounded by thick clouds of gas that radiate vast amounts of energy. When this happens, they are called active galactic nuclei. Discovering the properties of these clouds, and their curious central residents, is an ongoing exercise for astrophysicists.
Now researchers have a new phenomenon to consider — the idea that planets can form in the massive clouds of dust and gas around supermassive black holes. Last year, Keichi Wada at Kagoshima University in Japan, and a couple of colleagues showed that under certain conditions planets ought to form in these clouds. These black hole planets, or blanets as the team call them, would be quite unlike any conventional planet and raise the possibility of an entirely new class of objects for astronomers to dream about.
…Half a world away, Nova Spivack watched a livestream of Beresheet’s mission control from a conference room in Los Angeles. As the founder of the Arch Mission Foundation, a nonprofit whose goal is to create “a backup of planet Earth,” Spivack had a lot at stake in the Beresheet mission. The spacecraft was carrying the foundation’s first lunar library, a DVD-sized archive containing 30 million pages of information, human DNA samples, and thousands of tardigrades, those microscopic “water bears” that can survive pretty much any environment—including space.
But when the Israelis confirmed Beresheet had been destroyed, Spivack was faced with a distressing question: Did he just smear the toughest animal in the known universe across the surface of the moon?
…The lunar library on the Beresheet lander consisted of 25 layers of nickel, each only a few microns thick. The first four layers contain roughly 60,000 high-resolution images of book pages, which include language primers, textbooks, and keys to decoding the other 21 layers. Those layers hold nearly all of the English Wikipedia, thousands of classic books, and even the secrets to David Copperfield’s magic tricks.
Spivack had planned to send DNA samples to the moon in future versions of the lunar library, not on this mission. But a few weeks before Spivack had to deliver the lunar library to the Israelis, however, he decided to include some DNA in the payload anyway. Ha and an engineer on Spivack’s team added a thin layer of epoxy resin between each layer of nickel, a synthetic equivalent of the fossilized tree resin that preserves ancient insects. Into the resin they tucked hair follicles and blood samples from Spivack and 24 others that he says represent a diverse genetic cross-section of human ancestry, in addition to some dehydrated tardigrades and samples from major holy sites, like the Bodhi tree in India. A few thousand extra dehydrated tardigrades were sprinkled onto tape that was attached to the lunar library.
… While many of us today think of cats primarily as pampered pets and cherished internet weirdos, for early modern Europeans cats ran the gamut, from pests and carriers of disease, to indicators of witchcraft and other feminine misbehavior, to objects of affection and partners in play. Shakespeare’s own references to cats display such a variety. Trying to shake Hermia off in A Midsummer Night’s Dream, Lysander calls her “thou cat, thou burr! vile thing,” (3.2.270), and Macbeth’s First Witch calls out to Graymalkin, a common name for a cat that could also be applied to a “jealous or imperious old woman,” according to the Oxford English Dictionary (1.1.9). In other places, he references a cat’s behavior, as when Falstaff insists he is “as vigilant as a cat to steal cream” (Henry IV, Part 1 4.2.59). The Oxford English Dictionary also credits Shakespeare with the first reference to a cat’s purr, in All’s Well That Ends Well (5.2.19)…
Everything about this movie makes me happy. The cast is superb, the editing and photography and music are gorgeous, and the story is REALLY FUCKING CREEPY.
I can’t wait for y’all to see this when it comes out in September.
The short description of the movie on YouTube says:
Set in 1990, a lonely bachelor named David (Brian Landis Folkins) searches for an escape from the day-to-day drudgery of caring for his aging mother (Kathleen Brady). While seeking a partner through a video dating service, he discovers a strange VHS tape called Rent-A-Pal. Hosted by the charming and charismatic Andy (Wil Wheaton), the tape offers him much-needed company, compassion, and friendship. But, Andy’s friendship comes at a cost, and David desperately struggles to afford the price of admission.
[Thanks to Mike Kennedy, Cat Eldridge, Martin Morse Wooster, JJ, John Hertz, Michael Toman, Chip Hitchcock, John King Tarpinian, Peer, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Jack Lint.]
(1) MAKE ROOM, MAKE ROOM! The 2020 Hugo voting report, which begins with a short list of works that got enough votes to be finalists but were disqualified or withdrawn by the author, showed that Ann Leckie declined her nomination for The Raven Tower. In a blog entry today she explained why: “The Hugos and The Raven Tower”.
…I’ve had a taste of that cookie quite a few times now. It is, let me tell you, one delicious cookie. And when the email came telling me that The Raven Tower was a finalist for the Hugo Award, I thought of the books in that longlist, how often I’d had a bite of this cookie, and how many of the amazing books from 2019 were debuts, and/or were books that, when I’d read them, my first thought was, Oh, this should be on the Hugo ballot. More books than there were spots, for sure. And I realized that I could do something about that, at least in a small way.
And so I withdrew The Raven Tower from consideration.
Let me be perfectly clear–I was overwhelmed at the thought that so many readers felt The Raven Tower deserved to be a Hugo finalist. I have been treasuring that for months. And as I’m sure we all know, these have been months during which such treasures have become extremely important.
I also want to be clear that this is not any sort of permanent decision on my part. I make no promises about withdrawing anything in the future. If I am ever so fortunate as to have a work reach the shortlist again, and I see what seems to me a good reason to withdraw, I will. If I don’t, I won’t. It is, after all, one of the sweetest, most delicious cookies around!
(2) A WEE JOKE. From the August issue of Ansible:
The Retro Hugo Statistics reveal that a single Fan Writer nomination for 1944 work (it took three to get on the final ballot and no one had more than six) went to some chap called David Langford. Ho ho, very satirical….
(3) WHO BENEFITS. Much truth in this.
(4) NOW PLAYING. “The Ballad of Ursula K. Le Guin.”
John Boyne, the award-winning author of The Boy in the Striped Pyjamas, has acknowledged that a cursory Google led to him accidentally including monsters from the popular video game The Legend of Zelda: Breath of the Wild in his new novel.
Boyne’s A Traveller at the Gates of Wisdom opens in AD1 and ends 2,000 years later, following a narrator and his family. In one section, the narrator sets out to poison Attila the Hun, using ingredients including an “Octorok eyeball” and “the tail of the red lizalfos and four Hylian shrooms”….
Dana Schwartz rounded up some graphics to support the story. Thread starts here.
…Personally, I am delighted that we are suffering from the challenges of success instead of the problems of failure. The level of mediocrity has risen and the level of excellence has truly surpassed the past. So the challenges in front of any author must look insurmountable, even to the long-time practitioners.
As difficult as all this may seem to anyone who writes, it’s still a good thing. Because it’s no longer about the awards — in fact, it never was about the awards. It has always been about the quality of the work.
That there is so much good work being created these days is a victory for the field, and especially for the readers.
I just wish I had enough time to keep up with it all.
…But let me elucidate one category of Martin’s microaggressions that cut across the entire spectrum of humanity by subtly excluding anyone not part of his old guard: his use of nicknames for writers and editors whose prominence was in days gone by, signaling that no matter who you might be, if you weren’t part of the inner circle back in the day, you’ll never really be a true fan (or pro) now.
In Martin’s very, very long commentaries during yesterday’s Hugo Awards ceremony, Robert Silverberg was “Silverbob,” George Alec Effinger was “Piglet,” and the editor Robert A.W. Lowndes was “Doc.” I think Martin also called Isaac Asimov “Ike” during his trips down memory lane, although I’m not going to sift through the hour and forty-five minutes of his rambling again (fully half of the total running time of the Hugo ceremony) to be sure.
You see? Even someone like me — 40 years a selling author in this field, and now 60 years of age — was never part of that ancient, early prodom. I’ve known Robert Silverberg since 1989 and knew Asimov and Effinger, too, but was never close enough to call them by cutesy nicknames.
And if someone like me feels left out after all these decades in the field, imagine how the newer writers, or the writers whose literary background wasn’t the American SF magazines, felt during the Hugo ceremony.
… Yes, it’s a small thing — that’s why it’s called a MICROaggression — and it’s usually done without consciously intending to exclude or put down someone else, but microaggressions ARE pervasive and exclusionary in effect. We’d all do well to guard against committing them.
(8) JOIN THE BOB & DOUG SHOW. Back in their home theater after taking their show on a bit of a road trip, NASA astronauts Robert Behnken and Douglas Hurley will discuss their flight to the International Space Station and back aboard the inaugural crewed voyage of SpaceX’s Crew Dragon craft. This press release — “NASA Astronauts to Discuss Historic SpaceX Crew Dragon Test Flight” – tells how to access their news conference.
NASA astronauts Robert Behnken and Douglas Hurley will discuss their recently completed SpaceX Demo-2 test flight mission to the International Space Station during a news conference at 4:30 p.m. EDT Tuesday, Aug. 4.
The news conference from NASA’s Johnson Space Center in Houston will be broadcast live on NASA Television and on the agency’s website.
This will be a virtual event with no media present, due to the safety restrictions related to the ongoing coronavirus (COVID-19) pandemic. Reporters who wish to participate by telephone must call Johnson’s newsroom at 281-483-5111 to RSVP no later than 2:30 p.m. Tuesday, Aug. 4. Those following the briefing on social media may ask questions using the hashtag #AskNASA.
The 1960 Worldcon, known as Pittcon (Pittsburgh, PA) promoted their masquerade as a “Costume Cabaret”. Following the show, there would be a glee club performance, a “minstrel show of science fiction flavor”, and then a dance (music provided by a “hi-fi”, rather than a live band like some past years)…
(10) ROBERTA POURNELLE OBIT. Roberta Pournelle, widow of Jerry, passed away last night at the age of 85. Her son Frank Pournelle announced services are planned in the coming week. The Chaos Manor page on Facebook saluted her:
An educator for 30 years at the Dorothy Kirby Center in Commerce, Mother of 4, Grandmother, a friend to many; she made order out of Chaos.
Born Roberta Jane Isdell, she married Jerry Pournelle in 1959. ISFDB shows she wrote a nonfiction piece for Analog in 1988, “High-Tech for the Little Red Schoolhouse.”
(11) SUSAN ELLISON OBIT. HarlanEllisonBooks.com announced today that Susan Ellison (1960-2020) died over the weekend at home, the “Lost Aztec Temple of Mars.” No other details were given. Susan and Harlan married in 1986 and were together 32 years until his death in 2018.
Patricia Anne Buard. Patricia was a person of several interests, including theater and theology. In addition to having created works of both original fantasy and historical recreations, her short story “Devil’s Advocate” was published in the Marion Zimmer Bradley anthology book “Red Sun of Darkover”, released in 1987.
David was a Michigan area costumer. His best known creations were Krakatoa, the Volcano God, and St. Helen. Krakatoa appeared at several venues, including Worldcon: Chicon V, in 1991 (photo below). It was quite innovative for its time, featuring several special effects.
August 3, 1951 — The Tales of Tomorrow series premiered with “Verdict From Space”. The series was performed and broadcast live on ABC from 1951 to 1953. There were eighty-five episodes, each twenty-five minutes in length. The series came about through the efforts of Theodore Sturgeon and Mort Abrahams, together with the membership of the Science Fiction League of America. The League who included Theodore Sturgeon, Anthony Boucher, and Isaac Asimov made their work available to the producers. The screenplay was written by Sturgeon and is based on his own story “The Sky Was Full of Ships” first published in the June 1947 issue of Thrilling Wonder. You can watch it here.
(16) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born August 3, 1841 – Juliana Ewing. Thirty short stories for us; a score of books with our and other stories, plays, book-length fiction, for children. Roger G. Lancelyn Green (1918-1987), one of the Inklings, who suggested the name Chronicles of Narnia to C.S. Lewis, called JE’s the first outstanding child-novels in English literature. Kipling said he knew her novels Jan of the Windmill and Six to Sixteen almost by heart; of Six “here was a history of real people and real things.” From her novelette “The Brownies” (1865) the Baden-Powells got the idea and name for junior Girl Guides. Here is a Caldecott cover for Jackanapes (1884). (Died 1885) [JH]
Born August 3, 1904 — Clifford Simak. I was trying to remember the first novel by him I read. I’m reasonably sure it was Way Station though it could’ve been City which just won a well-deserved Retro Hugo. I’m fond of Cemetery World and A Choice of Gods as well. By the way I’m puzzled by the Horror Writers Association making him one of their three inaugural winners of the Bram Stoker Award for Lifetime Achievement. What of his is truly horror? (Died 1988.) (CE)
Born August 3, 1920 — P. D. James. Author of The Children of Men which she wrote to answer the question “If there were no future, how would we behave?” Made into a film which she said she really liked despite it being substantially different than her novel. (Died 2014.) (CE)
Born August 3, 1922 – Ron Turner. Some sources say his birthday is the 22nd. Twelve dozen covers (I’d say “one gross”, but look what trouble that made for Bilbo Baggins), more if you count posthumous uses. Tit-Bits SF Comics, Space Ace, Rick Random, Stingray, The Daleks, Thunderbirds. Here is Operation Venus. Here is a John Russell Fearn collection. Here is Rick Random and the Terror from Space; here is its opening interior. (Died 1998) [JH]
Born August 3, 1926 — John Gardner. Author of more Bond novels that one would think possible. He’d write fourteen original James Bond novels, more than Fleming wrote, and the novelized versions of two Bond films. He also dip into the Sherlock universe, writing three novels around the character of Professor Moriarty. Rights to film them were optioned but never developed. (Died 2007.) (CE)
Born August 3, 1940 — Martin Sheen, 80. So that was who that was! On Babylon 5: The River of Souls, there’s a Soul Hunter but the film originally didn’t credit an actor who turns out to be Sheen. Amazing performance. He’s been in a number of other genre roles but that’s the ones I like most. Though I will single him out for voicing Arthur Square in Flatland: The Movie. (CE)
Born August 3, 1946 – John DeChancie, 74. Best known for nine Castle Perilous and three Skyway books, he’s published ten besides, two dozen shorter stories; if you know he has written as Raul Cabeza de Vaca, and entitled a poem “The Refusal to Mourn the Rejection, by Printed Form, of a Hopeful Writer in Pittsburgh, February, 1992”, you’ll know he can read, and smile, and has been with SF a while. Some fans become pros; some pros become fans, as he did; some are both, as he has been. Plays piano, likes the American Songbook and Rachmaninoff; paints, including a portrait of Rachmaninoff. See this, which includes portraits of Marty Cantor and Chip Hitchcock. [JH]
Born August 3, 1950 — John Landis, 70. He’d make this if all he’d done was An American Werewolf in London, but he was also Director / Producer / Writer of the Twilight Zone movie. And wrote Clue which was the best Tim Curry role ever. And Executive Produced one of the best SF comedies ever, Amazon Women on the Moon. (CE)
Born August 3, 1953 – Margaret Bechard, 67. Reed College woman (as an Antioch boy, I think of these things). Children’s fiction, translated into French, Korean, Swedish. Two novels, one shorter story for us; Star Hatchling about first contact won a Golden Duck. Six other novels. [JH]
Born August 3, 1971 – Yoshitoshi ABe, 49. Graphic artist. Usually writes his name in Roman letters, with B capitalized for the sake of early works he signed “AB”. Known to sketch with just his finger and an iPad. Thirty self-published books; artbooks; covers; half a dozen each of animé and manga. Here is his cover for Sakurazaka’s All You Need Is Kill (A. Smith tr. 2009; hello, Pete Young). Here is Walking the Dragon from YA’s artbook Gaisokyu (“Palace”; 2007). [JH]
Born August 3, 1972 — Brigid Brannagh, 48. Also credited as Brigid Brannagh, Brigid Brannah, Brigid Brannaugh, Brigid Walsh, and Brigid Conley Walsh. Need an Irish redheaded colleen in a genre role? Well she apparently would do. She shows up in Kindred: The Embrace, American Gothic, Sliders, Enterprise (as a bartender), Roar, Touched by an Angel, Charmed, Early Edition, Angel (as Virginia Bryce in a recurring role), Grimm, Supernatural and currently on Runaways in the main role of Stacey Yorkes. (CE)
Born August 3, 1979 – Evangeline Lilly, 41. Actress, author. She was in Lost, Real Steel, two Peter Jackson hobbit films, three Marvel superhero films – to misquote Winston Churchill, who said a Wasp couldn’t sting thrice? So far two Squickerwonker short stories for children have appeared, one translated into Portuguese. [JH]
(17) A TOTAL SURPRISE. After Hastings author Steven H Silver tells Lawrence Shoen about eating reindeer steak in Stockholm as part of “Eating Authors: Steven H Silver”. However, the cuisine is overshadowed in this great anecdote about something that happened at dinner —
SHS: Honestly, there are a lot of things I don’t remember about my most memorable meal because it sticks out not because of the food or the company or even the location, but rather because of an incident that occurred during the meal….
He’s starred in over 30 movies but how many of those has Godzilla actually died in? The first movie is a somber monster movie with the title creature is intended to be a walking metaphor for nuclear weapons. The movie’s huge success led to a franchise that is still running nearly 70 years later, with the monster appearing in sequels, reboots and remakes, in addition to comics, novels and video games where he’s battled against all sorts of creative monsters.
(19) MAD, I SAY. Could it be that Dave Freer’s message in “F-IW” at Mad Genius Club is “When you’re in your time machine on the way back to kill baby Hitler, don’t forget to stop off in the Sixties and take over traditional publishing”?
…Both of these [old] books had a huge effect on my young mind. Yes, I can see the Woke and modern left rubbing their hands (and other parts, never mentioned) in glee, saying ‘Yes! We were RIGHT that we had to capture publishing and exclude any badthink. Just think if we’d had the dominance we have now over traditional publishing, back in 1960, even evil people like Freer would have been won (Hi: I’m Dave the Divider. If it wasn’t for me, so we are told by the self-elected authorities, sf/fantasy would be united and singing Kumbaya. See what a fate I saved you from!).
(20) CANON FIRED. Meg Elison says you’re excused from reading the SFF “canon.”
The radio show “Washington Goes to the Moon” two decades ago shed new light on the political battles around the Apollo program, and provided a wealth of material for later historians. Dwayne Day interviews the man who wrote and produced the show.
(22) FANTASY NETWORK FREEBIES. Some of us encountered The Fantasy Network for the first time watching CoNZealand events. They also have lots of free content. For example, the 2017 movie Magellan:
When NASA picks up three signals of extraterrestrial origin coming from within our own solar system, the space agency expedites a mission to investigate the sources. As Earth’s lone emissary, they send Commander Roger Nelson, the test pilot for an experimental spacecraft call the Magellan, assisted by an onboard A.I. named Ferdinand.
Many books function perfectly as standalones; many series end well. Plots are resolved, characters are given their reward or punishment. But there are also books that seem to cry out for a sequel and series that are never finished, leaving readers frustrated. We want more!
Alexis Gilliland’s Rosinante series is on this list —
… I discovered the series is funnier than one would expect from plotlines that feature banking crises, union negotiations, and the sudden collapse of the dominant government in North America. There were just three books in the series—Revolution from Rosinante (1981), Long Shot for Rosinante (1981), The Pirates of Rosinante (1982)—but the setting was expansive and interesting enough that more stories were possible, perhaps elsewhere in Gilliland’s Solar System. Thus far, none have materialized.
It’s no exaggeration to say this year feels like a horror movie. And now, a few filmmakers are making it official.
All over YouTube, you can find inventive homemade horror shorts taking the pandemic as inspiration. (They come from Brazil, from Canada and from, well, Funny or Die.) And a new movie Host, filmed over twelve weeks in quarantine and entirely on Zoom, debuted on the horror channel Shudder last week.
Call it “quar-horror.”
Among the most chilling of the YouTube offerings is Stay At Home, part horror movie and part PSA from a filmmaker in New Orleans.
“I literally just grabbed a box, and I set up the camera on a tripod and gave myself a scenario,” says Kenneth Brown, a former Uber driver turned horror auteur. “And the story started to build and build and build.”
Brown went to film school, and you can tell. Based on the myth of Pandora’s Box and the evening news, Stay At Home is elegantly lit and crafted. As of this writing, it’s racked up nearly 200,000 views on YouTube.
Part of what makes Stay At Home so effective — and heartfelt — is the insistent drone of news anchors discussing the mounting carnage. “That’s everything I need to say as far as reaching African Americans, which is the population most vulnerable to this virus,” says Brown, who is Black himself.
But escapism is also the point, say Nathan Crooker and James Gannon. Their upcoming quar-horror, called Isolation, just wrapped principal photography. The two produced the film; Crooker is also its director. Isolation is an anthology; nine interconnected shorts by different directors who filmed their movies using only resources immediately available to them.
Saving the giant panda is one of the big success stories of conservation.
Decades of efforts to create protected habitat for the iconic mammal has pulled it back from the brink of extinction.
But, according to a new study, while many other animals in the same landscape have benefited from this conservation work, some have lost out.
Leopards, snow leopards, wolves and Asian wild dogs have almost disappeared from the majority of protected areas.
Driven to near extinction by logging, poaching and disease, their loss could lead to “major shifts, even collapse, in ecosystems”, said researchers in China.
Without the likes of leopards and wolves, deer and livestock can roam unchecked, causing damage to natural habitats, with knock-on effects for other wildlife, including pandas themselves.
By protecting the panda’s forests, conservationists believed they would be protecting not only the charismatic black-and-white animal, but the many other species roaming the same habitat.
But while that has worked for some other wildlife, the efforts do not appear to have worked for large carnivores, such as the leopard and wolf.
A team of researchers now says a broader – holistic – approach is needed to manage the ecosystem in which the panda lives – one that ensures key species don’t lose out.
(26) SHORT LEAPS FORWARD. In the Washington Post, Bethonie Butler interviews Catherine Hardwicke, whose new Quibi series “Don’t Look Deeper” is set “15 minutes into the future” and has a teenage girl as a protagonist who may or may not be an android. Hardwicke discusses what it was like to direct a story delivered in 10-minute chunks and why star Helena Howard is a “strong and vulnerable” actor Hardwicke enjoyed working with. “Can Catherine Hardwicke get you to watch Quibi?”
Why Quibi? Were the shorter episodes appealing?
Actually, the script was written for short episodes. It was written in chapters. I thought that was quite interesting when I first read the script. I was like, “Wow, that’s fascinating,” because the short format does tie in — it weaves in directly with what’s going on with [Aisha’s] memory. We tell the story in a non-linear way as her memories are being erased and restored. The technology that we’re exploring, showing it on a new technological platform with the vertical and horizontal, it all seemed to kind of work together in an interesting way. So this leap of faith — that [Quibi founder Jeffrey] Katzenberg said let’s try this format — I thought that was an interesting challenge to dive into it and see what happens.
(27) VIDEO OF THE DAY. In “Dragonball Evolution Pitch Meeting” on ScreenRant, Ryan George explains that when the hero of the film has to collect seven dragonballs to make a wish that dragonballs are as powerful as “blowing out candles on a birthday cake.”
[Thanks to Cat Eldridge, Mike Kennedy, John King Tarpinian, Martin Morse Wooster, JJ, Michael Toman, John Hertz, Chip Hitchcock, Cliff, Madame Hardy, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Anna Nimmhaus.]
Spain’s Ainara Pintor snagged the top honor from over 400 submissions with her gorgeous image of an immunostained mouse-brain slice, titled Neurogarden. The image focuses on the hippocampus area of a single slice, but there are more than 70 million neurons in the mouse brain as a whole, according to Pintor.
Is [it] a big thing? Where on earth have you been for the past two months? Bardcore is booming online, swarming all over YouTube and Reddit, and appealing to what i-D Magazine calls Generation Z’s ‘existential humour’.
Here is a bardcore version of Radiohead’s “Creep” as done by the musician Hildegard von Blingin’.
…Here’s a quandary: How do you make a compelling movie — one with a good measure of fairly graphic violence, by the way — about a group of heroes who can’t be killed? Don’t they always have the upper hand? Won’t they always win? There are clever ways that the story itself gets around this problem, but it’s also absolutely critical that it’s in the hands of a director who understands, and can convey on film, that link between physical vulnerability and humanity. Because one of the things this story is about is that even if you do not die, the pain of cycling through injury after injury, recovery after recovery, reconstitution after reconstitution of your being, is a hard way to exist.
It’s a story that’s partly about the attrition of your spirit that can come from being, very literally, a “survivor.” And particularly because new recruit Nile (KiKi Layne, whom you know from If Beale Street Could Talk) is a black woman and two of her teammates are men who fell in love after being on opposite sides of The Crusades (which is a witty idea, let’s be honest), there is additional subtext here about the churn of violence and the costs of enduring it. Moreover, in a world seized with emergencies that activists are scrambling to address, it is frustrating enough when you feel like years have passed and all the attempts you have made to improve the world have come to nothing. What would it be like to feel that for centuries? For longer? Would you really want the long view? How much perspective could you stand to have about humanity?
More immediately, the plot is this: Andy (Theron) has been doing this the longest. She wants out of the hero business, really, but she can’t escape. She’s pulled into a job with teammates Booker (Matthias Schoenaerts), Joe (Marwan Kenzari) and Nicky (Luca Marinelli). The job, conveyed to them by a man named Copley (Chiwetel Ejiofor) is to rescue a group of kidnapped girls in South Sudan. How can they say no? When it turns out there’s more to the job than meets the eye, she’s confronted by the fact that there are people out there who know about her and her team and wish them no good.
Meanwhile, in Afghanistan, Nile is a young soldier consumed with the wars of the present, and shortly after she discovers that something is very unusual about her response to injury, she winds up in the company of the Old Guard. (They don’t go around calling themselves that, by the way; it would be very corny. And they don’t do it.)
This is the first film I’ve seen in quarantine that felt to me like a proper big summer movie — and yet it transcends so much of what’s sometimes been disappointing about that category. Yes, it’s a comic book movie. Yes, it’s an action movie. Yes, it’s about a team of good-doers. And it’s exciting and satisfying and tense and all those things. But everything from its queer couple to its leading women to its director to its thoughtfulness to its point of view about violence makes it such a welcome addition….
(5) A SHORTER REVIEW OF SOMETHING EVEN OLDER. Brooke Bolander has a concise take. Thread starts here.
Indeed, almost no feature films announced panels for Comic-Con@Home. Paramount, Sony, and Universal are sitting out the convention entirely, while WarnerMedia’s DC Entertainment elected to launch their own virtual fan convention — DC FanDome on Aug. 22 — to promote its suite of film, TV and comic book properties.
The biggest blow for Comic-Con@Home, however, is arguably the lack of participation from marquee Comic-Con participants Marvel Studios and Lucasfilm, which aren’t bringing any of their features or live-action scripted TV series to Comic-Con@Home. Fans had been especially anticipating first looks at Marvel Studios’ upcoming slate, including theatrical releases “Eternals” and “Shang-Chi and the Legend of the Ten Rings” and Disney Plus series “Falcon and the Winter Solider” and “WandaVision.”
(7) SFWA DEI. The members of SFWA’s newly-formed Diversity, Equity, and Inclusion (DEI) Committee are:
Alaya Dawn Johnson – traditional novelist
Alex Acks – traditional novelist
Crystal Watanabe – freelance editor
James Beamon – SFWA director-at-large, short fiction writer
Jane Pinckard – writer, game designer, researcher, teacher
Kyle Aisteach – short fiction writer
Michi Trota – SFWA Editor-in-Chief, critical and creative nonfiction writer
Tao Roung Wong – indie novelist
Whitney “Strix” Beltrán – game writer
The committee is developing procedures, and setting its action and scope, and will update the membership soon.
(8) IMAHARA OBIT. Grant Imahara, host of MythBusters’ and White Rabbit Project, has died at the age of 49. The Hollywood Reporter story is here.
…While as part of the MythBusters team he sky-dived and drove stunt cars, on film sets he came into contact with some of the most iconic characters in screen history, installing lights onto Star Wars‘ R2-D2, creating the robot Geoff Peterson for The Late Late Show With Craig Ferguson and working on the Energizer Bunny.
…In his nine years at Lucasfilm, he worked for the company’s THX and Industrial Light and Magic (ILM) divisions. In his years at ILM, he became chief model maker specializing in animatronics and worked on George Lucas’ Star Wars prequels, as well as The Matrix Reloaded, The Matrix Revolutions, Galaxy Quest, XXX: State of the Union, Van Helsing, The Lost World: Jurassic Park, A.I. Artificial Intelligence and Terminator 3: Rise of the Machines.
In 2000, Imahara also competed in Comedy Central’s BattleBots with a robot he built himself called “Deadblow” that won two Middleweight Rumbles, was the first season’s Middleweight runner-up and became the third season’s first-ranked robot.
He was also an actor on The Guild and Star Trek Continues (as Sulu in the latter.)
July 14, 1989 — Muppets From Space premiered. It is the first film since the death of Jim Henson to have an original Muppet-focused plot, and is a breakaway from other Muppet films as it is the only non-musical Muppets film to date. Directed by Tim Hill, it was produced by Brian Henson and Martin G. Baker off a script written by Jerry Juhl, Joey Mazzarino and Ken Kaufman. It starred Dave Goelz, Steve Whitmire, Bill Barretta, Frank Oz (in his last Muppet role), Jeffrey Tambor, F. Murray Abraham, David Arquette, Josh Charles, Hollywood Hogan, Ray Liotta and Andie MacDowell. Some critics really loved it, some really despised it and mourned the passing of Henson. It bombed at the box office. At Rotten Tomatoes, audience reviewers give it a not bad 58% rating.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born July 14, 1918 – Ingmar Bergman. Director, writer, producer of film, television, theater, radio; questioning, perhaps re-creating, the human condition. Five dozen films, fifteen dozen plays, half a dozen ours; one is Mozart’s Magic Flute; perhaps not The Magician, whose characters prove to be engaged in theatrical, not supernatural, magic. Three Academy Awards, Golden Bear at Berlin, Palme des Palmes at Cannes, many more. (Died 2007) [JH]
Born July 14, 1926 – Jef De Wulf. For us two dozen covers for works in French, like this and this; also this; five hundred all told. Had his own photography studio, in the end worked with the photo department of a regional newspaper. (Died 1994) [JH]
Born July 14, 1926 — Harry Dean Stanton. My favorite genre role for him? The video for Procul Harum’s “A Whiter Shade of Pale”. No, I’m not kidding. He also played Paul of Tarsus in The Last Temptation of Christ, Harold “Brain” Hellman in Escape from New York, Detective Rudolph “Rudy” Junkins in Christine, Bud in Repo Man, Carl Rod in Twin Peaks twice, Toot-Toot in The Green Mile, Harvey in Alien Autopsy and a Security Guard in The Avengers. He didn’t do a lot of genre tv, one episode of The Wild Wild West as Lucius Brand in “The Night of The Hangman” and a character named Lemon on Alfred Hitchcock Presents in the “Escape to Sonoita” episode. (Died 2017.) (CE)
Born July 14, 1939 – George Slusser, Ph.D. Eight books of SF criticism; anthologies of papers at U. Cal. Riverside’s Eaton Conference; Professor of Comparative Literature, first Curator of the Eaton Collection, Director of the Eaton Program for SF Studies. “Clarke, along with Asimov and Heinlein … human dramas determined by advances in science and technology… to blend two otherwise opposite activities.” Pilgrim Award. (Died 2014) [JH]
Born July 14, 1943 — Christopher Priest, 77. This is the Birthday of the One and True Christopher Priest. If I was putting together an introductory reading list to him, I’d start with The Prestige, add in the Islanders and its companion volume, The Dream Archipelago. Maybe Inverted World as well. How’s that sound? (CE)
Born July 14, 1949 — Nick Bantock, 71. This is a bit of a puzzler for me. He’s the creator of The Griffin and Sabine Trilogy and The Morning Star Trilogy, a series of faux letters and postcards telling a story between two individuals. ISFDB lists it as genre but I’ve never heard it described as such before, and it certainly isn’t shelved as such in bookstores that I’ve frequented. Who’s read it here? (CE)
Born July 14, 1960 – Michèle de Laframboise, 60. A dozen novels for us, as many shorter stories in Abyss & Apex, Galaxies, Tesseract (“Women Are From Mars, Men Are From Venus”); others too. For one of her books she did this cover with Jean-Pierre Normand. Translated into German, Italian, Russian. Three Auroras, Prix Cécile-Gagnon, Prix Solaris. Website (in English and French, of course) here. [JH]
Born July 14, 1960 – Larry Segriff, 60. Two novels of Tom Jenkins, a young adult who finds adventure in the stars. Ten shorter stories. Three Tom Clancy Net Force tie-ins. Ten anthologies with Martin H. Greenberg. Productive and competent. [JH]
Born July 14, 1964 — Jane Espenson, 56. She had a five-year stint as a writer and producer on Buffy the Vampire Slayer where she shared a Hugo Award at Torcon 3 for her writing on the “Conversations with Dead People” episode, and she shared another Hugo at Chicon 7 for Games of Thrones, season one. She was on the the writing staff for the fourth season of Torchwood and executive produced Caprica. And yes, she had a stint on the rebooted Galactica. (CE)
Born July 14, 1966 — Brian Selznick, 54. Illustrator and writer best known as the writer of The Invention of Hugo Cabret which may or may not be genre. You decide. His later work, Wonderstruck, definitely is. The Marvels, a story of a travelling circus family is magical in its own right though not genre. (CE)
Born July 14, 1979 – Yukiko Montoya, 41. Novelist, playwright and theatrical director, radio and television host. Akutagawa, Noma, Mishima, Ôe Prizes; Nanboku and Kishida Drama Awards. Recent collection in English, The Lonesome Bodybuilder. The New York Times says she wins over her audience by pushing the absurd to extremes. For example, in “The Straw Husband” the narrator’s husband is – [JH]
Born July 14, 1989 — Sara Canning, 31. Major roles in A Series of Unfortunate Events, Primeval: New World and The Vampire Dairies, she also appeared in Once Upon a Time, War for the Planet Of The Apes, Android Employed, Supernatural and Smallville to name some of her other genre work. (CE)
(11) COMICS SECTION.
TwistedDoodles translates parenting into genre:
(12) MR. RICO GOES TO WASHINGTON. David Gerrold told Facebook readers “Starship Troopers is the single most misunderstood book in the entire SF genre.” An excerpt:
….Now, to be fair — Heinlein stacked the deck. Not the first time, not the last time. In this book, the enemy exist as a relentless, unending horde of mindless giant insects. Bugs. There is nothing there to empathize with. They are killing machines — chitinous terminators. The only response is kill or be killed. And in that context, Heinlein’s assertin is justifiable.
Now, consider if the enemy was not some kind of alien bug — but instead, another branch of humanity. Or even just another nation with a shared border. And consider that the battle is not so much a fight to the death, but an argument over whether eggs should be broken at the big end or the little end. At that point, the whole discussion of military service breaks down with one simple question, “Are you fucking kidding me? You want me to die on that fucking hill?”
Second question? How well did Heinlein do it? Well, we’re still talking about the book 60 years later, so I would say that he did a damn good job. Except that we’re not just talking about the book, we’re arguing ferociously about it. So maybe his point wasn’t as clear as he intended it to be. The accusations of fascism have pretty much obscured the more interesting point, which is worth discussion even if we’re not at war:
What is the obligation of a citizen toward the nation in which he lives? If the citizen benefits from their participation, what is their obligation — but also if the citizen does not benefit, what are their options?…
(13) STAR WARS IN THE NEWS. From the New York Times article, “Headed to the Convention? No I, More Republicans are Saying”:
…Everyone in the media wants to act like it’s some big deal that Susan Collins and Lamar Alexander aren’t going to the convention,” said Representative Matt Gaetz of Florida. “The reality is the number of delegates craving the octogenarians and septuagenarians of the Senate are surely lower than the number who have purchased their third Star Wars costume….
…They can respond to questions, swim happily in shopping mall display tanks, and withstand close contact that would usually be harmful to real animals – without any ethical problems. And they could soon be coming to aquariums in China.
Entrepreneurs in New Zealand are working with American creators of some of Hollywood’s most famous creatures to develop animatronic dolphins that look almost identical to their living counterparts.
A robotic dolphin that can nod an answer to a child – thanks to the human controlling it by remote – might sound unappealing or disconcerting. But as marine parks around the world face increasing pressure to abandon exhibitions featuring real whales and dolphins, the creatures provide an appealing alternative, their creators say.
… Since its invention, pencils — made of lead including various levels of graphite, clay and wax — have often been used for writing and drawing. In the study, the researchers discovered that pencils containing more than 90% graphite are able to conduct a high amount of energy created from the friction between paper and pencil caused by drawing or writing. Specifically, the researchers found pencils with 93% graphite were the best for creating a variety of on-skin bioelectronic devices drawn on commercial office copy paper. Yan said a biocompatible spray-on adhesive could also be applied to the paper to help it stick better to a person’s skin.
(16) THE PERFECT IS THE ENEMY. HBO Max dropped a trailer for the animated series Close Enough, which premiered on the channel last week.
…I first came across this legend when I was researching a book, which was subsequently called The Lantern Men. I soon found out that there are many myths and legends about mysterious lights appearing on marshland at night. One version links them to a wicked blacksmith called Jack who tricks the devil and so escapes hell but can never be allowed into heaven. Jack is condemned to walk the earth forever, carrying a single coal from hell inside a pumpkin. The tradition of putting lighted candles into pumpkins at Halloween, also known as jack o’ lanterns, probably comes from this fable.
Jack is not the only creature abroad at night. Sometimes the blacksmith is called Will and, in English folklore, marsh lights are often called will o’ the wisps, wisp meaning a bundle of twigs tied together to make a torch. There are some regional variations, hobby lanterns in the north and pixie lights in Devon and Cornwall, where hapless travelers are said to be ‘pixie led’.
The United Arab Emirates will despatch a satellite to Mars to study its weather and climate this week.
Hope, as the 1.3-tonne probe is called, is launching on an H-2A rocket from Japan’s remote Tanegashima spaceport.
The 500-million-km journey should see the robotic craft arrive in February 2021 – in time for the 50th anniversary of the UAE’s formation.
Lift-off is scheduled for 05:43 local time on Friday (20:43 GMT; 21:43 BST on Thursday).
An earlier attempt on Wednesday was called off ahead of time because of expected poor weather conditions over Tanegashima.
…Why is the UAE going to Mars?
The UAE has limited experience of designing and manufacturing spacecraft – and yet here it is attempting something only the US, Russia, Europe and India have succeeded in doing. But it speaks to the Emiratis’ ambition that they should dare to take on this challenge.
Their engineers, mentored by American experts, have produced a sophisticated probe in just six years – and when this satellite gets to Mars, it’s expected to deliver novel science, revealing fresh insights on the workings of the planet’s atmosphere.
In particular, scientists think it can add to our understanding of how Mars lost much of its air and with it a great deal of its water.
The Hope probe is regarded very much as a vehicle for inspiration – something that will attract more young people in the Emirates and across the Arab region to take up the sciences in school and in higher education.
A rare version of the classic 1985 Super Mario Bros has sold at auction for $114,000 (£90,000), the most ever paid for a video game.
The cartridge, still in its original packaging, sold to an anonymous bidder.
And the US auctioneer said demand “was extremely high”, partly because this particular packaging had been used for a short while only.
The previous record for an auctioned game was $100,000 – for a different copy of Super Mario.
(20) NOT ZERO YET. In Godzilla: King of the Monsters Pitch Meeting on ScreenRant, Ryan George explains that the film has lots of characters who utter “science words” and Snarky Countdown Guy, who is snarky when he isn’t counting things down.
[Thanks to Rob Thornton, John Hertz, Chip Hitchcock, Cat Eldridge, JJ, John King Tarpinian, Michael Toman, Martin Morse Wooster, Daniel Dern, Contrarius, Mike Kennedy, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]
There’s still time to host a fan table or fan party at the first ever Virtual Worldcon, and we encourage you to apply- but don’t delay, as the registration deadline is 15th July at midnight NZT. This is to give our tech team time to make the plans they need to.
Fan tables will happen on Discord, and fan parties will be hosted via Zoom.
… The theme that has emerged from the Hugo-voter’s collective intelligence this year is fan writers as connections between worlds. The most apparent aspect of that in James’s work is his Young People Read Old SFF project (http://youngpeoplereadoldsff.com/) which puts classic science fiction stories in front of young people (or sometimes current science fiction in front of old people). As a project it is a fascinating example of how ‘fan writing’ exceed simple definition. The posts show how reading is a conversation with texts and with others reading those texts. James’s role is to facilitate the process but by doing so the whole project turns the process of review into a deeper form of literary criticism.
(3) VIRTUAL MILEHICON. Denver’s MileHiCon 52 has joined the ranks of virtual conventions.
Because we are going Virtual, we will not be able to provide all of the types of programs that we have had in the past. The art show, vendors room, and Authors Row will be available but in a totally different format. Panel discussions, presentations, readings and demonstrations will still be offered. There may also be some totally new types of programming. We will be announcing more information about the program schedule at later dates. Scroll down form more information.
(4) DIVE, DIVE! In “Subplots: What Are They Good For?” Kay Kenyon and Cat Rambo discuss subplots and how to use them. Kenyon will be teaching the “Mapping the Labyrinth: Plotting Your Novel” class on August 2 online at the Rambo Academy for Wayward Writers. Registration and scholarship info at the link.
An outline is one of your best tools for writing a novel, but how do you figure what happens, when, where, and to whom? How do you deal with plots when they go astray and how do you weave multiple plotlines together? With series, what can you leave for future books — and how do you set events up for those books?
… For most of “Starship Troopers,” humanity, in every possible facet, gets its ass kicked. A culture that reveres and communicates exclusively through violence—a culture very much like one that responds to peaceful protests with indiscriminate police brutality, or whose pandemic strategy is to “dominate” an unreasoning virus—keeps running up against its own self-imposed limitations. Once again, the present has caught up to Verhoeven’s acid vision of the future. It’s not a realization that anyone in the film can articulate, or seemingly even process, but the failure is plain: their society has left itself a single solution to every problem, and it doesn’t work….
…But the best monsters in the book aren’t human but rather the megasized fauna of Hella (an old South Park joke carried to its logical conclusion, much like Niven’s Mt. Lookitthat). This is the most joyous part of the story, really evocative of the grand old space opera traditions.
But it also explores territory that, if not exactly new to science fiction, certainly isn’t commonplace, either….
(7) DANIELS OBIT. [Item by Danny Sichel.] Country singer Charlie Daniels — who wrote “The Devil Went Down to Georgia”, which one could very easily argue is a fantasy short story — has died at the age of 83.
There’s also an argument to be made that, golden fiddle or no, Jonny lost his soul the second he agreed to participate in the contest.
…Mr. Morricone scored many popular films of the past 40 years: Édouard Molinaro’s “La Cage aux Folles” (1978), Mr. Carpenter’s “The Thing” (1982), Mr. De Palma’s “The Untouchables” (1987), Roman Polanski’s “Frantic” (1988), Giuseppe Tornatore’s “Cinema Paradiso” (1988), Wolfgang Petersen’s “In the Line of Fire” (1993), and Mr. Tarantino’s “The Hateful Eight” (2015).
In 2016, Mr. Morricone won his first competitive Academy Award for his score for “The Hateful Eight,” an American western mystery thriller for which he also won a Golden Globe. In a career showered with honors, he had previously won an Oscar for lifetime achievement (2007) and was nominated for five other Academy Awards, and had won two Golden Globes, four Grammys and dozens of international awards.
(9) MEDIA ANNIVERSARY.
July 1976 — Gordon R. Dickson’s The Dragon and the George was published by the Science Fiction Book Club. It originally appeared in The Magazine of Fantasy and Science Fiction, the September 1957 issue, as the novella “St. Dragon and the George”. It would be the first in a series that would eventually reach nine titles. The Dragon and the George would win the BFA George August Derleth Fantasy Award, and was loosely adapted into the 1982 animated The Flight of Dragons, a Rankin/Bass production.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born July 6, 1755 – John Flaxman. Sculptor and draftsman (he wrote draughtsman); began by working for Wedgwood. We can claim his illustrations of Homer, Hesiod, Aeschylus, Dante; some of his sculpture. For our purposes we needn’t care whether angels, or the Greek gods, exist or in what sense: portrayal of them by human beings is fantastic. Here is Homer invoking the Muse. Here is Sleep escaping from the wrath of Jupiter (I wish JF had said Zeus, but he didn’t). Here is Apollo with four Muses. Here is the Archangel Michael overpowering Satan. (Died 1826) [JH]
Born July 6, 1916 — Donald R. Christensen. Animator, cartoonist, illustrator, writer. He worked briefly at Warner Bros. studio, primarily as a storyboard artist for Bob Clampett’s animation unit. After that, he worked for Dell, Gold Key and Western Publishing comic books, as well as Hanna Barbera, Walter Lantz Productions and other cartoon studios. He wrote and provided illustrations for such comic book titles as Magnus, Robot Fighter, Donald Duck, and Uncle Scrooge. (Died 2006.) (CE)
Born July 6, 1927 – Rick Sneary. We liked what we thought his idiosyncratic spelling, and preserved it; few knew, few imagined, he was largely self-taught and wished we’d correct it. One of his fanzines was Gripes & Growns – see? President of the N3F (Nat’l Fantasy Fan Fed’n), chaired its board of directors; President of FAPA (Fantasy Amateur Press Ass’n) – by mail. Locally, co-founded the Petards, who took turns as Hoist; the Outlanders, who could not always attend LASFS (L.A. Science Fantasy Soc.) meetings. Living in South Gate, he did much for the South Gate in ’58 Worldcon bid; it won; physically it had to be in Los Angeles, but by proclamation of both mayors was technically in South Gate; at the end he carried a sign “South Gate Again in 2010”; this came to pass, see File 770 153 p. 20 (PDF). He won the LASFS Evans-Freehafer service award, wretched health and all. Afterward June & Len Moffatt and I co-edited the memorial fanzine Button-Tack. His name rhymed with very. (Died 1990) [JH]
Born July 6, 1935 – Ditmar, 85. Full name Martin James Ditmar Jenssen. Outstanding and distinctive fanartist, most often seen on covers of Bruce Gillespie zines because BG has the tech to do him justice; see here (The Metaphysical Review), here (Scratch Pad), here (SF Commentary). Others too, like this (PDF). The Australian SF Awards are named Ditmars after him. Won the Rotsler Award. [JH]
Born July 6, 1945 – Rodney Matthews, 75. Illustrator and conceptual designer, famous for record album covers (130 of them), calendars, jigsaw puzzles, snowboards, T-shirts. Lavender Castle, a children’s animation series. Computer games. Lyrics and drums for a Christmas CD. A Michael Moorcock calendar and two of his own. Two RM Portfolios. Five dozen book & magazine covers, six dozen interiors: here is one for Vortex; here is Rocannon’s World (in Serbo-Croatian); here is his vision of Alice in Wonderland. [JH]
Born July 6, 1945 — Burt Ward, 75. Robin in that Batman series. He reprise the role in voicing the character in The New Adventures of Batman and Legends of the Superheroes , and two recent films, Batman: Return of the Caped Crusaders and Batman vs. Two-Face. The latter are the last work done by Adam West before his death. (CE)
Born July 6, 1951 — Rick Sternbach, 69. Best-known for his work in the Trek verse starting with ST: TMP where he designed control panel layouts and signage for the Enterprise. He’s next hired for Next Gen where communicator badge, phasers, PADDs and tricorders are all based on his designs. These designs will also be used on DS9 and Voyager. He also pretty much designed every starship during that time from the Cardassian and Klingon to the Voyager itself. He would win the Best Professional Artist Hugo at SunCon and IguanaCon II. (CE)
Born July 6, 1946 — Sylvester Stallone, 74. Although I think Stallone made a far-less-than-perfect Dredd, I think the look and feel of the first film was spot which was something the second film, which had a perfect Dredd in Karl Urban, utterly lacked. And Demolition Man and him as Sergeant John Spartan were just perfect. (CE)
Born July 6, 1966 – Beth Harbison, 54. Writes fiction and cookbooks; twoscore all told. Shoe Addicts Anonymous was a New York Times Best-Seller. If I Could Turn Back Time and Every Time You Go Away are ours. The title Met the Wrong Man, Gave Him the Wrong Finger should give us all, as the French say, furiously to think. [JH]
Born July 6, 1978 – Tamera & Tia Mowry, 42. Identical twins. Together four Twintuition novels for us; two television shows, Sister, Sister (both women won the NAACP Image Award, three Nickelodeon Kids’ Choice Awards, Nickelodeon Hall of Fame) and Tia & Tamera. Tamera, the elder (two minutes apart), won a Daytime Emmy and two NAACP Image Awards as a talk-show host on The Real; two films and two dozen other TV shows. Tia has done eight films, thirty other TV shows; is the head coach of the Entertainment Basketball League celebrity team. [JH]
Born July 6, 1980 — Eva Green, 40. First crosses our paths in Casino Royale as Vesper Lynd followed by Serafina Pekkala in The Golden Compass, and then Angelique Bouchard Collins in Dark Shadows. Ava Lord in Sin City: A Dame to Kill For (weird films those definitely are) with a decided move sideways into being Miss Alma Peregrine for Miss Peregrine’s Home for Peculiar Children. And she was Colette Marchant in Dumbo. She’s got two series roles to her credit, Morgan Pendragon in Camelot and Vanessa Ives in Penny Dreadful. (CE)
Conducted during the COVID-19 pandemic, this study (n = 310) tested whether past and current engagement with thematically relevant media fictions, including horror and pandemic films, was associated with greater preparedness for and psychological resilience toward the pandemic. Since morbid curiosity has previously been associated with horror
At a number of Worldcons and other science fiction conventions, John Hertz has organized a discussion of science fiction classics.
By his definition, “A classic is a story which survives its time which, after the currents change which might have buoyed it, is seen to be valuable in itself.” He explicitly is not interested in the idea of a classic as needing to be either influential or popular. To be fair that definition may not be his personal definition, but it was the guiding principle for the discussion at sasquan in 2015.
This list is for the books that were discussed at Worldcons and other science fiction conventions as picked by John Hertz. If a book that is from that list is missing on this one, please add it. Otherwise books that can’t be substantiated as being part of that process will be removed
…Equitable casting “is being demanded to the point where people are giving up their jobs they’ve had for 20 years,” Baker says. “In a sense, I think it’s a great thing to have opportunity for diversity to come into place and be the norm. Why? Because it reflects the world. The world isn’t just one-sided.”
Baker co-founded the Society of Voice Arts and Sciences as a means of training, mentoring and advocating for her peers. Diversity and inclusion, mentioned in the organization’s mission statement, are central to what Baker refers to as her “journey of a lifetime.” White people continue to run the industry, she says. It’s always been cost-effective to hire actors like Mel Blanc, nicknamed “The Man of a Thousand Voices,” to play multiple characters. The overarching goal isn’t to take away from these talented white actors, but to ensure that equally equipped people of color have a substantial “piece of the pie.”
…Rest assured that, no, Big Boy has not done anything wrong, or been canceled for bad behavior. Rather, the switch to a female face is a pre-planned promotional move tied to an on-trend new menu item.
“We are rolling out a brand-new chicken sandwich,” Frank Alessandrini, Big Boy’s director of training, said according to Michigan’s WOOD TV, based in the company’s home state. “Dolly has been with Big Boy since as far as we can go back with our comic books […] we decided that she’s going to be the star of this sandwich as Big Boy was the star of his double decker sandwich.”
What happens when an African grey parrot goes head-to-head with 21 Harvard students in a test measuring a type of visual memory? Put simply: The parrot moves to the head of the class.
Harvard researchers compared how 21 human adults and 21 6- to 8-year-old children stacked up against an African grey parrot named Griffin in a complex version of the classic shell game.
It worked like this: Tiny colored pom-poms were covered with cups and then shuffled, so participants had to track which object was under which cup. The experimenter then showed them a pom-pom that matched one of the same color hidden under one of the cups and asked them to point at the cup. (Griffin, of course, used his beak to point.) The participants were tested on tracking two, three, and four different-colored pom-poms. The position of the cups were swapped zero to four times for each of those combinations. Griffin and the students did 120 trials; the children did 36.
The game tests the brain’s ability to retain memory of items that are no longer in view, and then updating when faced with new information, like a change in location. This cognitive system is known as visual working memory and is the one of the foundations for intelligent behavior.
So how did the parrot fare? Griffin outperformed the 6- to 8-year-olds across all levels on average, and he performed either as well as or slightly better than the 21 Harvard undergraduates on 12 of the 14 of trial types.
That’s not bad at all for a so-called bird brain.
(18) TRIVIAL TRIVIA. Uh, yeah, that sounds logical.
(19) VIDEO OF THE DAY. On the off chance that you have 22 minutes to spare, you might also appreciate the opportunity to see excerpts from a 1977 interview with Philip K. Dick in Metz, France.
[Thanks to Mike Kennedy, JJ, John King Tarpinian, Martin Morse Wooster, Chip Hitchcock, Michael Toman, John Hertz, Danny SIchel, Todd Mason, Cat Eldridge, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Niall McAuley.]
There are the really obvious ways to torch your career — rudeness to editors, for instance. And then there are the hidden trap doors. The one I am going to reveal today is truly obscure. It could be broadly described as meddling with the publication process. More specifically, you can enrage the publisher’s sales reps. Kill your book dead in one easy step! …
(2) AND DON’T BE THAT POET. F.J. Bergmann wrote and Melanie Stormm designed “How To Piss Off A Poetry Editor” for readers of SPECPO, the blog of the Science Fiction and Fantasy Poetry Association. Here’s the header —
(3) KGB READINGS ONLINE. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present Benjamin Rosenbaum and Mike Allen Wednesday, July 15 in a YouTube livestream event. Starts at 7 p.m. Eastern.
Benjamin Rosenbaum’s short fiction has been nominated for the Nebula, Hugo, BSFA, Sturgeon, Locus, and World Fantasy Awards, and collected in The Ant King and Other Stories. His first novel, The Unraveling, a far-future comedy of manners and social unrest, comes out this October from Erewhon Books. His tabletop roleplaying game of Jewish historical fantasy in the shtetl, Dream Apart, was nominated for an Ennie Award. He lives near Basel, Switzerland with his family.
Mike Allen has twice been a finalist for the World Fantasy Award. His horror tales are gathered in the Shirley Jackson Award-nominated collection Unseaming, and in his newest book, Aftermath of an Industrial Accident. His novella The Comforter, sequel to his Nebula Award-nominated story “The Button Bin,” just appeared in the anthology A Sinister Quartet. By day, he writes the arts column for The Roanoke (Va.) Times.
Transmitted herewith are excerpts from statements provided by members of the Barsky family regarding the incident with Hayden Barsky, age 11.
The true origins of KHAOS remain unknown….
It was published along with a response essay, “How Not to Optimize Parenthood” by Brigid Schulte, director of the Better Life Lab and author of the book Overwhelmed: Work, Love, & Play When No One Has the Time.
Most parents are well-intentioned. We try to do the right thing, hoping to spare our children at least a measure of the pain or heartache we muddled through, to smooth the rough edges of life and give them every advantage to make it in an uncertain and often cruel world.
That’s at least the hope. In practice, no one really knows how to do that. So, particularly in America, where “winning” and the self-improvement dictate to “beat yesterday” are akin to sacred commandments, we have always turned to the experts for help. What does the science say? What are the neighbors doing? What book or podcast or shiny gadget will instantly make my child’s life easier? More joyful? Miraculous? And, perhaps most importantly, better than your kid’s?…
(5) LOCKDOWN MOVIE. “Quarantine Without Ever Meeting” – Vanity Fair profiles the filmmakers. Tagline: “The actors set up lights, did their own makeup, and ran the cameras. The filmmakers advised on Zoom. Somehow…it worked.”
…While Hollywood is struggling to figure out if it’s possible to make a feature-length movie in the grip of the coronavirus pandemic, this group of independent filmmakers and actors have already done it. “The whole movie has been written, produced, packaged, shot within quarantine. Now we’re in postproduction, and I had a first cut of the whole film done on Friday,” said director and cowriter Simon. As The Untitled Horror Movie nears completion, its producers are finally announcing the secret project and seeking a distributor. It appears to be the first movie created entirely within the parameters of the lockdown.
The horror comedy is about a group of needy and desperate young stars from a once-popular TV series who learn, via video conference, that their show has just been canceled. Fearing obscurity, they decide to stay in the spotlight by making a quickie horror film—but while shooting it, they perform a ritual that accidentally invokes an actual demonic spirit. Mayhem follows. “We kind of described it going into it as Scream meets For Your Consideration,” Simon said.
The card had been around since 1994, tagged “Invoke Prejudice” by the world’s most popular trading card game. It showed figures in white robes and pointed hoods — an image that evoked the Ku Klux Klan for many people.This month, the company behind “Magic: The Gathering” permanently banned that card and six others carrying labels like “Jihad” and “Pradesh Gypsies.” Wizards of the Coast, a subsidiary of toy giant Hasbro, acknowledged the images were “racist or culturally offensive.”
“There’s no place for racism in our game, nor anywhere else,” the company said in a statement announcing its action.
With the country roiled by tensions and protests over African Americans’ deaths at the hands of police, the issues entangling Magic and its creators are unlikely to subside soon. The fantasy game of goblins, elves, spells and more boasts some 20 million players, and in pre-pandemic times, thousands flocked to elite international tournaments with hefty prizes. Players of color say they have long felt excluded in the white- and male-dominated community from the game’s top echelons, as well as employment at the company….
(7) WHAT MIGHT HAVE BEEN. “A Better World ?” seems to be a kind of text-based game letting players choose among “Uchronies,” a French term that partakes of alternate history but is more fantastic in nature. I racked up a lot of karma in a hurry, sad to say.
I am monolingual, which limits me to reading works in English. One of the joys of this modern, interconnected world in which we’re living is that any speculative fiction work written in another language could (in theory) be translated into English. One of my frustrations is that, generally speaking, they haven’t been. Here are five works about which I know enough to know that I’d read them if only they were translated….
(9) I’M READY FOR MY CLOSE-UP. Olav Rokne says, “Sometimes, you just want to ask the question nobody wants.” He passed along some of the hilarious responses.
(10) CARL REINER OBIT. The creator of The Dick Van Dyke Show and straight man to Mel Brooks’ “2000 Year Old Man,” died June 29 at the age of 98. The duo won a Grammy in 1998 for their The 2000 Year Old Man in the Year 2000. (The New York Times eulogy is here.)
He shared the lead in The Russians Are Coming, the Russians Are Coming and appeared in It’s a Mad, Mad, Mad, Mad World. He directed numerous movies, including several starring Steve Martin. In recent years he voiced characters in several genre animated TV shows — and Carl Reineroceros in Toy Story 4.
John King Tarpinian remembers:
He is not genre but his passing reminds me of the good old days. Back in the 80s, I was president of the largest Atari club consortium in the US. One of the members owned the Vine Street Bar & Grill. It was between Hollywood & Sunset. The first Wednesday of the month the guest jazz singer was Estelle Reiner. Ron Berinstein, club member and club owner invited me to come on Estelle’s nights to make sure the club was always full. The first time I went her husband, Carl, was also there. I learned that he always came…and that he’d have friends join them. Over the years everybody from Sid Caesar, Buck Henry, Neil Simon, Dick Van Dyke, Mel Brooks & more.
During Estelle’s break between sets Carl & whomever was also there would get up and entertain. Carl & Mel would do their 2000 Year Old Man routine but not the Ed Sullivan version but the version they’d do a parties. My ribs would be sore the next morning from laughing so hard.
Sid Caesar would come to Ray Bradbury’s plays. Imagine somebody being able to upstage Ray…who also would be laughing so hard.
(11) MEDIA BIRTHDAY.
June 30, 1971 — Willy Wonka & the Chocolate Factory premiered. Based on Roald Dahl’s Charlie and the Chocolate Factory novel, it was directed by Mel Stuart, and produced by Stan Margulies and David L. Wolper. The screenplay was by Roald Dahl and David Seltzer. It featured Gene Wilder as Willie Wonka with a supporting cast of Jack Albertson, Peter Ostrum, Roy Kinnear, Julie Dawn Cole, Leonard Stone and Denise Nickerson. Some critics truly loved it while others loathed it. It currently holds an 87% rating among audience reviewers at Rotten Tomatoes. (CE)
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born June 30, 1905 — Nestor Paiva. Sometimes it only takes one film or series for a performer to get a Birthday write-up from me. Paiva makes it for Lucas the boat captain in The Creature from the Black Lagoon and its oft forgotten sequel Revenge of the Creature. Though that was hardly his only genre role as his first role was in the early Forties as an uncredited prison guard in Tarzan’s Desert Mystery and he’d be in many a genre film and series over the decades as Prof. Etienne Lafarge in The Mole People, as the saloon owner in (I kid you not!) Jesse James Meets Frankenstein’s Daughter, Felicity’s Father in The Spirit Is Willing, Captain Grimby in “The Great Treasure Hunt” of The Adamms Family and a Doorman in the “Our Man in Leotards” episode of Get Smart. (Died 1966.) (CE)
Born June 30, 1920 — Sam Moskowitz. SF writer, critic, and historian. Chair of the very first World Science Fiction Convention held in NYC in 1939. He barred several Futurians from the con in what was later called the Great Exclusion Act. In the Fifties, he edited Science-Fiction Plus, a short-lived genre magazine owned by Hugo Gernsback, and would edit several dozen anthologies, and a few single-author collections, most published in the Sixties and early Seventies. His most enduring legacy was as a historian of the genre with such works as Under the Moons of Mars: A History and Anthology of “The Scientific Romance” in the Munsey Magazines, 1912–1920 and Hugo Gernsback: Father of Science Fiction. (Died 1997.) (CE)
Born June 30, 1929 – Anie Linard, 91. Active from France, herself and with Jean Linard, in the 1950s and 1960s; fanzines Innavigable Mouth, Meuh, Vintkat, X-trap. Voted in the 1958 TAFF (Trans-Atlantic Fan Fund) campaign. She was, like many of us, a correspondent of Ned Brooks. I have not traced her more recently than June 1962. Anie, if you see this, salut! [JH]
Born June 30, 1935 – Jon Stopa, 85. Active with Advent publishing house, half a dozen covers including In Search of Wonder, The Eighth Stage of Fandom, and The Issue at Hand. Three stories in Astounding. Program Book for Chicon III the 20th Worldcon, and cover for its Proceedings; with wife Joni, Fan Guests of Honor at Chicon V the 49th, where I think they were in some of the Madeira tastings I assembled when I found four or five D’Oliveiras in the hotel bar. The Stopas were (Joni has left the stage) also great costumers, both as entrants and judges; there’s a YouTube of their work here. [JH]
Born June 30, 1959 — Vincent D’Onofrio, 61. Kingpin in that not terribly good or bad Daredevil film, Edgar the Bug in the only truly great Men in Black film and Vic Hoskins in Jurassic World. He also was Jason Whitney / Jerry Ashton in The Thirteenth Floor, loosely based upon Simulacron-3, a early Sixties novel by Daniel F. Galouye. (CE)
Born June 30, 1961 — Diane Purkiss, 59. I’ve not read her Corydon Trilogy she wrote with Michael Dowling, her son, but I can say that At the Bottom of the Garden: A Dark History of Fairies, Hobgoblins, Nymphs, and Other Troublesome Things is as splendid as the title suggests it is. She’s also written Fairies and Fairy Stories: A History. (CE)
Born June 30, 1961 – Nigel Rowe, 59. Published Timeless Sands history of New Zealand fandom, then moved to Chicago. Here is a 1994 photo of him with Russell Chauvenet (who coined the word fanzine) at Corflu 11 in Virginia. A 2019 photo of him is on p. 47 of Random Jottings 20 (PDF), the Proceedings of Corflu 36 in Maryland; he’s also on the cover (back right; you may be able to make out his badge “Nigel”). Very helpful relaying paper fanzines across the seas. [JH]
Born June 30, 1961 – carl juarez, 59. No capital letters in his name. Co-edited the fanzine Apparatchik with Andy Hooper (from Apak 62), later Chunga with Hooper and Randy Byers. Here is his cover for Chunga 8. He’s on the right of the cover for Chunga 17 (PDF). Chunga credited cj as designer, the results being indeed fine. He, Byers, and Hooper were such a tripod that with Byers’ death, Chunga tottered; should it fall, may cj find his feet. [JH]
Born June 30, 1963 — Rupert S. Graves, 57. Here because he played Inspector G. Lestrade on that Sherlock series. He also appeared on Doctor Who as Riddell in the Eleventh Doctor story, “Dinosaurs on a Spaceship”. He had one-offs in The Nightmare Worlds of H. G. Wells: The Moth, Twelve Monkeys, Krypton and Return of the Saint. (CE)
Born June 30, 1966 – Penny Watson, 54. Degrees in plant taxonomy, horticultural science, biology, and floral design; “there is nothing better than getting up in the morning, heading out to your garden and picking fresh basil, cherry tomatoes, cukes, and arugula greens for breakfast.” Obsessed with dachshunds. Has trained dolphins, coached field hockey and lacrosse. Nat’l Excellence in Romance Fiction Award. Eight novels, five of them and a novella for us. [JH]
Born June 30, 1966 — Peter Outerbridge, 54. Dr. David Sandström in what I think is the underrated ReGenesis series as well as being Henrik “Hank” Johanssen in Orphan Black anda recurring role on Millennium as Special Agent Barry Baldwin. He’s currently in two series, The Umbrella Academy with a recurring role as The Conductor, and as Calix Niklosin in V-Wars, yet another Netflix SF series. (CE)
Born June 30, 1972 — Molly Parker, 48. Maureen Robinson on the current Lost in Space series. One-offs in Nightmare Cafe, The Outer Limits, The Sentinel, Highlander: The Series, Poltergeist: The Legacy, Human Target and she appeared in The Wicker Man asSister Rose / Sister Thorn. (CE)
Born June 30, 1974 – Juli Zeh, 46. A dozen novels so far, three for us. Deutscher Bücherpreis, Solothurner Literaturpreis; doctorate in international law, honorary judge at the Brandenburg constitutional court. About Schilf (“reed”, name of a character – likewise an English surname), translated into English as Dark Matter (London) and In Free Fall (New York), when a Boston Globe interviewer asked “Are you asking the reader to reconsider the nature of reality?” JZ answered “Yes, I want to take the reader on an intellectual journey”; to “Can a novel of ideas be written today, without irony?” JZ answered “As long as mankind doesn’t lose its curiosity to think about the miracles of being.” [JH]
(13) COMICS SECTION.
Non Sequitur shows us the first science fiction writer — and true Hard SF, even as to the medium it’s composed on.
Today’s Bizarro is not an SF comic, but one with good advice for the privileged rich kid starting a literary career.
…With that said, there’s another aspect of it, too, which I think I’ve been minimizing: it’s not just time on social media, it’s engagement when I am on it, and how social media is making me feel when I use it. The term “doomscrolling” refers to how people basically suck down fountains of bad news on their social media thanks to friends (and others) posting things they’re outraged about. It’s gotten to the point for me where, particularly on Twitter, it feels like it’s almost all doomscrolling, all the time, whether I want it to be or not.
…The BLM movement are not terrorists. They are not thugs. They are peaceful protesters, marching against industrial discrimination and system-entrenched bigotry. The demonstrators have actually caught looters and rioters and delivered them to the police.
It doesn’t matter how much the limousine-liberals preach equality if there are no serious efforts to redress the grievances of the disadvantaged.
If we truly are all in this together, then it behooves all of us to reach out to each other and create partnerships and opportunities. This isn’t preferential treatment. It’s a necessary bit of repair work to a damaged genre.
If we don’t talk about it, if we don’t take steps, if we don’t address it, then we are guilty of complicity. If the racism of the past was a product of its time, then let our attempts to redress the situation be a product of our time.
… These sets are up for preorder now from Lego at $59.99 and are set to ship on April 19.
Stormtrooper Buildable Model Helmet ($59.99; lego.com)
Boba Fett Buildable Model Helmet ($59.99; lego.com)
TIE Fighter Pilot Buildable Model Helmet ($59.99; lego.com)
With the Stormtrooper, you’re getting a 647-piece helmet-building set, complete with the blacked-out visor, two nodes on the bottom for speaking and stickers to complete the look. Similarly, the Boba Fett helmet will let you pay homage to the original Mandalorian. This set is 21 centimeters tall (a little over 8 inches) and has 625 pieces. You’ll be constructing each detail of the helmet, including the fold-down viewfinder that lets Boba easily track down his targets. (He is a bounty hunter, after all.)
This in turn reminded me of one of my favorite songs by Chris Smither, “Henry David Thoreau” riffing on (same tune) Berry’s song. Oddly, even incomprehensibly, I find NO mention of it anywhere via DuckDuckGo nor Google, even though I’ve heard Smither sing it numerous times. (I also checked his discography.
It turns out that, while I have heard Chris Smither sing this song, he wasn’t the author. That was Paul Geremia, one of Boston/Cambridge’s wonderful acoustic blues musicians.
The song is on his Self Portrait In Blues album. (And on my ~2,800-song Spotify playlist, which is how, when it came around again this morning on the guitar, as it were, I realized my mistake.)
Flying snakes like Chrysopelea paradisi, the paradise tree snake, normally live in the trees of South and Southeast Asia. There, they cruise along tree branches and, sometimes, to get to the ground or another tree, they’ll launch themselves into the air and glide down at an angle.
They undulate their serpentine bodies as they glide through the air, and it turns out that these special movements are what let these limbless creatures make such remarkable flights.
That’s according to some new research in the journal Nature Physics that involved putting motion-capture tags on seven snakes and then filming them with high-speed cameras as the snakes flew across a giant four-story-high theater.
How far they can go really depends on how high up they are when they jump, says Jake Socha at Virginia Tech, who has studied these snakes for almost a quarter-century. He recalls that one time he watched a snake start from about 30 feet up and then land nearly 70 feet away. “It was really a spectacular glide,” Socha recalls.
Part of the way the snakes do this is by flattening out their bodies, he says. But the snakes’ bodies also make wavelike movements. “The snake looks like it’s swimming in the air,” he says. “And when it’s swimming, it’s undulating.”
The nation’s largest movie theater chain is delaying its U.S. reopening until the end of July because film companies have postponed release dates of two anticipated blockbusters.
AMC Theatres announced that a first round of approximately 450 locations will resume operations two weeks later than initially planned, to coincide with the updated August release dates of Warner Brothers’ Tenet and Disney’s Mulan.
“Our theatre general managers across the U.S. started working full time again today and are back in their theatres gearing up to get their buildings fully ready just a few weeks from now for moviegoers,” CEO Adam Aron said in a June 29 statement. “That happy day, when we can welcome guests back into most of our U.S. theatres, will be Thursday, July 30.”
The company said it expects its more than 600 U.S. theaters to be “essentially to full operation” by early August.
AMC Theatres made headlines earlier this month when it announced patrons will be required to wear masks, reversing course on a controversial reopening plan that had only encouraged them to do so.
For the first time, the familiar marble faces outside the New York Public Library will be obscured by masks.
Patience and Fortitude, the iconic lion sculptures guarding the 42nd Street library, are wearing face coverings to remind New Yorkers to stay safe and stop the spread of COVID-19.
The masks arrived on June 29, and measure three feet wide by two feet tall, according to a library statement.
New York Public Library President Anthony Marx emphasized the symbolism of the aptly named lions, and said New Yorkers are similarly strong and resilient.
(22) NEVERENDING SENDUP. The Screen Junkies continue their look at oldies with an “Honest Trailer” for The Neverending Story, where they show that gloomy Germans created “a world of neverending misery.” They discovered that star Noah Hathaway subsequently played Harry Potter Jr. in Troll (1986) with Michael Moriarty playing Harry Potter Sr.
[Thanks to John King Tarpinian, John Hertz, JJ, Joey Eschrich, Rich Horton, Mike Kennedy, Martin Morse Wooster, Michael Toman, Chip Hitchcock, Cat Eldridge, Daniel Dern, Darrah Chavey, Olav Rokne, and Andrew Porter for some of these stories. Title credit goes to wandering minstrel of the day Cliff.]
On Monday a panel of Ninth Circuit Court of Appeals judges heard oral arguments in Dr. Seuss Enterprises’ suit to stop ComicMix’s Oh, The Places You’ll Boldly Go! project.
Dr. Seuss Enterprises (DSE) claims the crowdfunded book, featuring the writing of David Gerrold and the art of Ty Templeton, infringes their copyright and trademark for Dr. Seuss’ Oh the Places You’ll Go! Previous District Court rulings had disposed of DSE’s trademark violation claims and copyright infringement claims, the latter decision now under appeal to the Ninth Circuit.
Courthouse News, in “Seuss-Star Trek Copyright Battleship Makes Landing at Ninth Circuit”, reports attorney Stanley Panikowski, representing Dr. Seuss Enterprises, said the Trek mashup would damage the demand for the Seuss original by competing with it in the graduation gift market. The mashup’s effect upon the potential market for or value of the copyrighted work is one of the four factors to be considered by the courts in evaluating fair use of copyrighted maerial.
Panikowski said via videoconference Monday… “‘Boldly’ has the same purpose, the same target audience, the same intended sales channels, and even the same substantive message as ‘Go.’ ‘Boldly is just a Star Trek-flavored clone of ‘Go,’” he added.
The Seuss classic reportedly “shoots to The New York Times’ bestsellers list” every May, purchased as a gift for graduates embarking on their careers.
If there’s reason to believe the Ninth Circuit is primed to reverse the decision and revive this mashup case, it comes from a point pushed by appellate judge Milan Smith. Several times during oral arguments, he stressed that the burden of showing a fair use is on the defendant. Meaning, it is ComicMix’s burden to show there isn’t market damage from Boldly rather than DSE’s burden to show there is the potential for market damage. Booth asserted the burden should be on the plaintiff, but in response to a question from Smith, the attorney admitted there’s no precedent of burden shifting when the judge rules the work is transformative.
Courthouse News reported another judge’s questions indicated skepticism that the mashup satisfies the copyright law’s requirements for protection as a transformative work.
When U.S. Circuit Judge M. Margaret McKeown, a Bill Clinton appointee, noted there is no bright-line rule for the court to determine if a work complies with the transformative use provision allowable by the Copyright Act, Panikowski said the work was not transformative because it did not criticize or comment on the substance and style of the Dr. Seuss original.
ComicMix attorney Dan Booth disagreed.
“‘Oh, the Places You’ll Boldly Go’ is a creative expressive work that poses no cognizable harm to Dr. Seuss Enterprises,” Booth said.
“Fair use matters to artists and the public because it gives them breathing room to create,” he added.
But McKeown countered that argument, saying: “I’m having a hard time understanding your argument that this is a parody.”
Booth said because “Oh, the Places You’ll Go” is a book heavy on illustrations, rather than text, the parody of the Star Trek mash-up “is much more implicit through the illustration than the text.”
He also argued there is a “different undercurrent” of “Oh, the Places You’ll Boldly Go,” in which its parody is in “constantly pointing out the individualistic and narcissistic character of ‘Oh, the Places You’ll Go.’”
“It’s a universalist theme as opposed to aspiring for the goals of one individual. Star Trek and ‘Boldly’ take on a different approach and shoot for a different ideal, an ideal of universalism, of group support, of communion rather than individuality,” Booth added.
McKeown appeared unconvinced, calling Booth’s argument an “after-the-fact justification” as to why ComicMix chose to parody Dr. Seuss.
She also poked holes in Sammartino’s finding the Star Trek parody was transformative under the Copyright Act.
“The district court’s opinion on fair use is if you take an existing expression and intersperse it with some new expression that all of a sudden you have a transformative work,” McKeown said.
“It would seem to me to sink the whole notion of copyright protection and almost everything would be fair use,” she added.
According to The Hollywood Reporter’s Eriq Gardner, this case “marks the first time that an appeals court has grappled with the genre of mashups.”
An attempt to place mashups on par with parody in terms of copyright law didn’t sit well with Ninth Circuit Judge M. Margaret McKeown.
“The district court seemed to take the position that if you take existing expression and then you interspersed it with new expression, you have a transformative work,” she commented. “That is a definition of transformative use that I haven’t seen before. It would seem to sting the notion of copyright protection, and almost everything would be a fair use.”