When Lou Antonelli looked over the field of candidates running for SFWA office this spring he deduced there might be an unclaimed seat among the Directors-at-Large – and the temptation was too great to resist.
Evidently SFWA members have until April 14 to vote.
Once Lou announced, some people thought his name sounded familiar. They soon remembered why. K. Tempest Bradford has assembled a list of episodes in Antonelli’s “resume” and tweeted it here.
At the top of the list is “Lou Antonelli’s BOLO Story”. During the peak Puppy hysteria of 2015, Lou Antonelli said he’d written a letter to the Police Department of Spokane, Washington, telling them to be on the lookout for someone who may incite violence — Worldcon guest of honor David Gerrold.
Should it really be the case that SFWA has a leadership vacuum, Lou is probably not the fellow to cast in a heroic reenactment of “Gentlemen, Be Seated.” A fact which members have already realized, and has caused support to coalesce around another write-in candidate, Monica Valentinelli.
Both The Long Way to a Small, Angry Planet and A Closed and Common Orbit are quite Traveller-esque, the first with its small commercial vessel crewed by a diverse assortment of characters struggling to stay afloat in a demanding universe, and the second features the sort of horrifying backstory implied by Traveller’s notorious character generation system.
(2) THE WHY. BBC’s The Why Factor analyzes the
appeal of “Dystopias”.
23 minute audio
Released On: 13 Jan 2020
Available for over a year
Dystopic fiction is going through a bit of a boom at the moment, but why is it that we can’t seem to get enough of stories where ordinary people struggle to survive against an all-powerful state or in a post- apocalyptic world? Is it because they reflect the anxieties we already feel about the world we live in, or because they allow us to escape it.
Shabnam Grewal asks Why is Dystopic fiction so appealing?
BBC Radio 4’s “Good Omens” webpage includes a section about “Terry
Pratchett on Neil Gaiman” which is an extract from the hardback
edition of Good Omens, published by Gollancz. This is probably not
recent, but it’s news to me…
…He also had a very bad hat. It was a grey homburg. He was not a hat person. There was no natural unity between hat and man. That was the first and last time I saw the hat. As if subconsciously aware of the bad hatitude, he used to forget it and leave it behind in restaurants. One day, he never went back for it. I put this in for the serious fans out there: If you search really, really hard, you may find a small restaurant somewhere in London with a dusty grey homburg at the back of a shelf. Who knows what will happen if you try it on?
Details about “Blood Celestial Karaoke Jam” aren’t being released just yet, but what we do know is that this episode will be different from the 1940s-set episode. That episode, which will be the fourth of the final season, reportedly will contain only two song performances and not a full plot built around singing and dancing. Even with that being the case, the noir episode should be highly entertaining for fans as it will offer an alternate version of Lucifer (Tom Ellis) and Mazikeen (Lesley-Ann Brandt) singing together. The rest of the cast will also be part of that episode but won’t be playing the characters fans are most familiar with in the series given its past setting.
“I can’t tease too much!” Ellis said previously about the episode. “I would say on this episode, we take a trip down memory lane with Lucifer. We tell a story that answers the question a lot of fans have been asking actually.”
When Harlan Ellison died, there were people who were quick to point out what a terrible human being he was. And yes, that was their experience of him. Okay.
Over here, Harlan was my big brother. He saved my life. I knew he had human failings. We all do. Harlan’s were considerable. (So are mine.) So what? His impact on me — and on many — was enormous. And those of us who had benefited from his various kindnesses were saddened by his loss. He was important to us.
But to those who needed to vent their unfulfilled angers — “Have you no decency? At long last, have you no sense of shame?”
In such a circumstance, I would ask, “Why do you want to add to the pain of the close friends and family? What do you gain?”
Or is your own self-righteous need to dredge up your own angers one more time so important that the feelings of others are irrelevant to you?
What I’m talking about is the lack of empathy — and the inability to recognize the consequences of one’s own actions.
What I have learned (the hard way) is that maturity and wisdom are best demonstrated by keeping one’s mouth shut and listening harder. There might still be something to learn that is more important than my own unresolved issues.
Does this have anything to do with any recent events in the SF community?
(6) MORBIUS. Sony Pictures has dropped a teaser
trailer for Morbius. “Teaser”? It’s almost three minutes long!
One of Marvel’s most compelling and conflicted characters comes to the big screen as Oscar® winner Jared Leto transforms into the enigmatic antihero, Michael Morbius. Dangerously ill with a rare blood disorder, and determined to save others suffering his same fate, Dr. Morbius attempts a desperate gamble. What at first appears to be a radical success soon reveals itself to be a remedy potentially worse than the disease.
UPDATE on 01/13/2020: Carol and Laura would like to very much thank all of Mike’s friends, peers, and donators for their condolences and amazingly generous donations. Carol is just now starting to discover how expensive everything is following Mike’s passing, and it has been quite overwhelming. Your support has helped comfort her through a very hard time.
As you may be aware, Carol does not earn an income herself, and Mike was unable to work for a good slice of this year, due to multiple surgeries and illnesses. Yet she still has funeral arrangements to cover, a mortgage to pay, food to put on the table, and way too many bills to pay off. Every dollar donated helps her set up a new existence without her life partner.
We have changed the fundraiser goal to help meet her current needs, and while we understand you may have donated already (for which we are profoundly grateful), we ask if you could please share the fundraiser on your social media accounts again to help raise awareness. Your well wishes alone, and supportive words, have been so valued. Thank you, from the bottom of our hearts.
(8) TODAY IN HISTORY.
January 13, 1939 — Son Of Frankenstein premiered. It starred Boris Karloff and Bela Lugosi, and was the third entry in Universal Studios’ Frankenstein series and the last to feature Boris Karloff as the Monster. Directed and produced by Rowland V. Lee, Wyllie Cooper wrote the script in which he created the Igor character. The box office was remarkable and Universal Studios ordered The Ghost Of Frankenstein several years later with Lon Chaney Jr. in the title role. It has an amazing 91% rating among critics and 71% among reviewers at Rotten Tomatoes.
January 13, 1964 — The Outer Limits aired the sixteenth episode of its first season, a comedy called “Controlled Experiment”. Yes comedy and the only one that they did. Written and directed by Leslie Stevens, it starred Grace Lee Whitney of Trek fame as Carla Duveen and The Martians in a story well worth seeing. You can see it here.
January 13, 1980 — Dr. Franken first aired. Directed by Marvin J. Chomsky and Jeff Lieberman from a script by Jeff Lieberman, it starred Robert Vaughn as Dr. Arno Franken in a modern retelling of this that tale. Robert Perault played the John Doe in Room 841 whom I assume was The Monster. The All Movie Site says no network or sponsor cared enough to purchase this pilot film for a weekly series emerge from it.
January 13, 1989 — Deepstar Six premiered. It was directed by Sean S. Cunningham and produced by him and Patrick Markey from a screenplay by Lewis Abernathy and Geof Miller from the story that Abernathywrote. (I know that’s a lot of credits.) The sprawling cast included included Greg Evigan, Nancy Everhard, Miguel Ferrer, Nia Peeples and Matt McCoy. It was extremely poorly received by critics and audience members alike. Currently it’s got a a 0% rating at Rotten Tomatoes among critics but only seven have been found that expressed an opinion, and it gets just 23% among the many reviewers there gave their opinion.
January 13, 2008 — Fox Television
premiered Terminator: The Sarah Connor Chronicles. It starred Lena Headey, Thomas Dekker and Summer
Glau, it lasted two seasons and thirty one episodes. (It actually had a wrap-up
to it.) It was narrated by Lena Headey who you’ll remember as Ma-Ma in Dredd. At Rotten Tomatoes, critics (77%) and reviewers
(85%) really liked it but it never got better than mediocre ratings.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born January 13, 1893 — Clark Ashton Smith. One SFF critic deemed him one of “the big three of Weird Tales, with Robert E. Howard and H. P. Lovecraft“. This is while some readers found him excessively morbid — as L. Sprague de Camp said of him, “nobody since Poe has so loved a well-rotted corpse.” If you’ve not read his work, Nightshade has collected it in The Collected Fantasies of Clark Ashton Smith, five volumes in total. They’re all available in Kindle editions. (Died 1961.)
Born January 13, 1933 — Ron Goulart, 87. First I must acknowledge that he is very prolific and uses many pseudonyms, to wit Kenneth Robeson, Con Steffanson, Chad Calhoun, R.T. Edwards, Ian R. Jamieson, Josephine Kains, Jillian Kearny, Howard Lee, Zeke Masters, Frank S. Shawn, and Joseph Silva. (Wow!) You did the see Doc Savage one in there, didn’t you? I’m reasonably sure that the I’ve read a lot of his fiction including the Flash Gordon series, his Avenger series, maybe a bit of the Vampirella novels, the Incredible Hulk definitely, not the Groucho Marx series though it sounds fun, and, well, damn he’s prolific. So what have you have read by him that you like?
Born January 13, 1938 — William B. Davis, 82. Best remembered I say as the Smoking Man. (need I say which series? I think not.) He’s had a long career in SFF video with roles in The Dead Zone, Mindstorm, Beyond the Stars, Snakehead Terror, Rise of the Damned, Singularity Principle, and my fav title for one of his his works, Medium Raw: Night of the Wolf.
Born January 13, 1938 — Billy Gray, 82. Here’s here for being Bobby Benson in The Day the Earth Stood Still. He’s certainly not here for CPO Fred Twining in The Navy vs. the Night Monsters, the other SFF film he did which rates a 26% by reviewers at Rotten Tomatoes. His Wiki page has him retiring from acting in 1977 but he appeared in 1996 as the Majordomo in The Vampyre Wars which was his last acting role.
Born January 13, 1938 — Charlie Brill, 82. His best remembered role, well at least among us, is as the Klingon spy Arne Darvin in “The Trouble with Tribbles”. And yes he’ll show in the DS9 episode that repurposed this episode to great effect. He was the voice of Grimmy in the animated Mother Goose and Grimm series, as well having one-offs in They Came from Outer Space, The MunstersToday, Sliders, The Incredible Hulk, Wonder Woman and Super Train. Not even genre adjacent but he was a recurring performer on Rowan & Martin’s Laugh-In.
Born January 13, 1943 — Richard Moll, 77. Most will best remember him best from Night Court — that’s not genre unless the Magic Judge Harry did was real — but I’ve found that he voiced Harvey Dent aka Two-Face on Batman: The Animated Series which I recognized him from. He had SFF other appearances on Buck Rogers in the 25th Century, Mork & Mindy, Fantasy Island, Jurassic: Stone Age, Headless Horseman, Scary Movie 2, The Flintstones and Metalstorm: The Destruction of Jared-Syn.
Born January 13, 1945 — Joy Chant, 75. Chant is an odd case as she only wrote for a short period between 1970 and 1983 but she produced the brilliant House of Kendreth trilogy, consisting of Red Moon and Black Mountain, The Grey Mane of Morning and When Voiha Wakes. Her other main work, and it is without doubt absolutely brilliant, is The High Kings, illustrated lavishly by George Sharp and designed by David Larkin with editing by Ian and Betty Ballantine. It is intended as a reference work on the Arthurian legends and the Matter of Britain with her amazing retellings of the legends. I’ve got one reference to her writing Fantasy and Allegory in Literature for Young Readers but no cites for it elsewhere. Has anyone actually read it?
Born January 13, 1960 — Mark Chadbourn, 60. ‘ve read his Age of Misrule series in which the Celtic Old Gods are returning in modern times and they’re not very nice but they make for very entertaining reading. It’s followed by the Dark Age series which is just as well-crafted. His two Hellboy novels are actually worth reading as well.
Born January 13, 1968 — Ken Scholes, 52. His major series, and it’s quite worth reading, The Psalms of Isaak. His short stories, collected so far in three volumes, are also worth your precious reading time. He wrote the superb “ Rock of Ages” for METAtropolis: Green Space.
Born January 13, 1982 — Ruth Wilson, 38. She’s Marisa Coulter in BBC’s His Dark Materials series. She’s in Depp’s The Lone Ranger as Rebecca Reid. (Yes, it’s genre. There’s a wendigo as a story device,) in the horror film I Am the Pretty Thing That Lives in the House, she was Lili Saylor. Finally I note she was Sara (Number 313) in the remake of The Prisoner. Having seen and enjoyed the original series, I skipped this happily when it came out.
(10) MORE STEVE STILES. The artwork Steve Stiles did for
the Baltimore Sun in the Eighties and Nineties can be viewed here.
(11) IN THE QUEUE. Is it funny? Well, its at least well-told. Thread starts here.
…Migdal also wanted to create an inclusive erotic novel, one that would be a fun and exciting read for audiences of any orientation. But it took a little while to work out the kinks in his art style, said the author.
“I had to develop my artistic skills to draw naked people that didn’t look like a pile of legos,” Migdal said. “But also drawing images that were representing body positivity and figuring out how to get that on to the page.”
The story follows Ana?s Phalese, a Brooklynite who meets a visitor from another world — Fauna Lokjum, the Liquorice Princess of Candy World — who is on the run from an arranged marriage to a supervillain. The two hop across dimensions and explore their sexualities while trying to save the world from Fauna’s would-be fiance.
(13) BURN A LITTLE. Parts of the western US are
still arguing over how to back down from the old Forest Service policy of
preventing all fires, realizing that small fires helped reduce the fuel for
huge fires. Australia is now looking at the same issue: “Aboriginal
planners say the bush ‘needs to burn'”.
For thousands of years, the Indigenous people of Australia set fire to the land.
Long before Australia was invaded and colonised by Europeans, fire management techniques – known as “cultural burns” – were being practised.
The cool-burning, knee-high blazes were designed to happen continuously and across the landscape.
The fires burn up fuel like kindling and leaf detritus, meaning a natural bushfire has less to devour.
Since Australia’s fire crisis began last year, calls for better reintegration of this technique have grown louder. But it should have happened sooner, argues one Aboriginal knowledge expert.
“The bush needs to burn,” says Shannon Foster.
She’s a knowledge keeper for the D’harawal people – relaying information passed on by her elders – and an Aboriginal Knowledge lecturer at the University of Technology Sydney (UTS).
…While modern-day authorities do carry out hazard reduction burning, focusing on protecting lives and property, Ms Foster says it’s “clearly not working”.
“The current controlled burns destroy everything. It’s a naive way to practise fire management, and it isn’t hearing the Indigenous people who know the land best.
“Whereas cultural burning protects the environment holistically. We’re interested in looking after country, over property and assets.
…”Cool burning replenishes the earth and enhances biodiversity – the ash fertilises and the potassium encourages flowering. It’s a complex cycle based on cultural, spiritual and scientific knowledge.”
They also create a mosaic of ecologies, Ms Foster says, and this can lead to beneficial micro-climates.
(14) BE ALERT. Penguin
is releasing We Have Always Lived in the Castle and The Call of Cthulhu as part of its new brand:
Orange you glad we included Penguin Orange? This vivid collection of beloved modern classics is a nod to our old-school, tri-band heritage design, featuring custom illustrations by artist Eric Nyquist that take everything to the next level.
The smells of ordinary life, from traditional pubs to old books, are part of our culture and heritage – and many of them are in danger of being lost.
Imagine an old leather-bound book just pulled out from a wooden shelf. Its yellowed pages release dust as they open. Even before you begin to read the book, the unique smell of it fills your nose.
This familiar scent is not only a simple pleasure for people who like to peruse libraries and bookshops. These smells have a cultural heritage value, and they are at risk of being lost. For every old book that falls apart, is thrown away or kept locked behind a temperature-controlled curatorial door, these scents become harder to experience. It is a problem that is far from unique to books – from perfumeries and pubs to entire cities, the background scents of our lives are changing all the time.
For Cecilia Bembibre, a researcher at the UCL Institute for Sustainable Heritage, the smell of old books is important. She is developing different techniques to recover “extinct” scents from the past and to preserve those around today for the future.
It’s a facet of heritage that is often, quite literally, overlooked. “The proposals made by cultural heritage spaces such as galleries, museums, historic houses, are mostly focused on the sight,” says Bembibre. “The engagement they propose tends to be visual. [With] some exceptions, the stimulation of senses, like the objects that can be touched or smelled, is reserved for children.”
…In 2003, Unesco adopted a convention to safeguard intangible cultural heritage, which includes social practices, oral traditions and performing arts. Where, though, were the scents? For centuries there have been cultural practices where smell plays a vital role, like the Spanish Fiesta of the patios in Cordova or the Holy Week processions in Popayán, Colombia. In 2018, the skills related to perfumery in Pays de Grasse, France, were included on the intangible heritage list. No scents themselves, however, are listed.
(16) TECHNICAL PROWESS. Sure, the excuse to
post this non-sff film is that it was shot on a phone – but the real reason is
that it’s very sweet.
A film about three generations of Chinese women coming together at Chinese New Year. Shot on iPhone 11 Pro. Directed by Theodore Melfi. Cinematography by Lawrence Sher. Starring Zhou Xun, China’s leading actress.
…Stewart says, in a post-President Trump and post-Brexit world, the United States and the United Kingdom, in particular, distanced themselves from what the United Federation of Planets — Star Trek’s fictional interstellar union of planets that share democratic goals — represented.
“The European Union always made me feel, well, we are heading towards our own Federation of Planets somewhere down the line that will come about. And I am angry, disappointed and embarrassed by our decision to leave the Union,” the English-born actor said in an interview with Weekend Edition Sunday.
Much like Picard, Stewart is uninterested in playing a part — fictional or not — if it doesn’t mesh with his beliefs.
It wasn’t until the producers described the transformed landscape they envisioned for Picard that Stewart got on board. “The Federation” has swung isolationist, and the new Picard is very different.
(18) VIDEO OF THE DAY. In “The Way Out” on Vimeo,
Jeon You-jin explains what happens when little girls chase balloons.
[Thanks to Andrew Porter, John King Tarpinian, Mike Kennedy, Martin
Morse Wooster, JJ, Chip Hitchcock, Michael Toman, and Cat Eldridge for some of
these stories. Title credit goes to File 770 contributing editor of the day Daniel
The Wall Street Journalreported Tuesday that members of Manhattan’s Community Board 5 are objecting to parts of the plan from Warner Bros. to open a Harry Potter–themed exhibit and store in a landmarked building in the Flatiron District. The studio has proposed opening a roughly 20,000-square-foot store called Wizarding World at 935 Broadway, the former home of upscale furniture brand Restoration Hardware.
Crain’s first reported in September that Warner Bros. had reached a deal with the building’s landlord, Shefa Land Corp., for the store.
Design firm Studio Superette unveiled plans for the store at the hearing Tuesday. The design calls for adding a fiberglass dragon with a clock, two backlit Harry Potter signs and six flagpoles, designed to look like wands, to the building’s facade, the Journal reported.
The changes require approval from the city’s Landmarks Preservation Commission, which refers such requests to community boards for a recommendation before making a decision.
Members of the community board’s landmarks committee said the design ideas represent “inappropriate signage,” according to the Journal, and voted unanimously to recommend against approval.
The full community board will vote on the proposal later this month before sending its recommendation to the city landmarks commission, according to the report.
(2) A SHOCK. Steve Stiles, one of fandom’s all-time most
popular artists, revealed
sad news on Facebook saying, “So the word is: I’ve got a few months, more
I was going to write a rant about how writers should be supportive of each other.
Then I realized …
I’m naive. ….
(5) KGB. The Fantastic Fiction at KGB reading series hosts Ellen
Datlow and Matthew Kressel present Richard Kadrey and Cassandra Khaw on Wednesday,
January 15, 7:00 p.m.at the KGB Bar (85 East 4th Street, 2nd Floor, New York).
Richard Kadrey is the New York Times bestselling author of the Sandman Slim dark urban fantasy series. Sandman Slim was included in Amazon’s “100 Science Fiction & Fantasy Books to Read in a Lifetime,” and is in production as a feature film. Some of Kadrey’s other books include The Grand Dark, The Everything Box, Hollywood Dead, and Butcher Bird. In comics, he’s written for Heavy Metal, Lucifer, and Hellblazer. He’s currently partnered with Winterlight Productions for his original horror screenplay, Dark West.
Cassandra Khaw is a scriptwriter at Ubisoft Montreal. Her fiction has been nominated for the Locus Award and the British Fantasy Award, and her game writing has won a German Game Award. You can find her short stories in places like F&SF, Lightspeed, and Tor.com. Her novella Nothing But Blackened Teeth is coming out from Nightfire, the new Tor horror imprint in 2021.
January 8, 1958 — Teenage Monster premiered and you can see the trailer here. It was produced and directed by Jacques R. Marquette, and starred Anne Gwynne (who was a scream queen in the Forties but past her prime now) and Stuart Wade. It played as double bill with The Brain from Planet Arous which is a story unto Itself.If you saw it on television, It was called Meteor Monster. We can find reviews of it at the time (not unusual) and It has no ratings at Rotten Tomatoes. The Fifties is littered with similar films.
January 8, 1967 — It’s About Time aired “To Catch A Thief.” It’s here today because we’ve never heard of this series before. It was created by Sherwood Schwartz, and used sets, props and the music bits from his other television series shooting at the time, Gilligan’s Island. Its cast was Frank Aletter, Jack Mullaney, Imogene Coca, Joe E. Ross, Cliff Norton and Mike Mazurki. It lasted but one season and twenty six episodes, considerably shorter than his other show did. This futuristic spaceman meet cavemen comedy bombed in the ratings after the first few episodes.
January 8, 2006 – The BBC’s Hyperdrive enjoyed its premiere. The series was written by Kevin Cecil and Andy Riley, directed by John Henderson and produced by Alex Walsh-Taylor. The cast was Nick Frost, Kevin Eldon, Miranda Hart, Stephen Evans, Dan Antopolski and Petra Massey. BBC ran it for two seasons and twelve episode. It’s a comedy with a decidedly scatological and crude sexual bent.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born January 8, 1908 — William Hartnell. The very first Doctor who first appeared when Doctor Who firstaired on November 23, 1963. He would be the Doctor for three years leaving when a new showrunner came on. He played The Doctor once more during the tenth anniversary story The Three Doctors (aired 1972–73) which was the last thing he filmed before his death. I scanned through the usual sources but didn’t find any other genre listing for him. Is that correct? (Died 1975.)
Born January 8, 1925 — Steve Holland. Did you know there was a short lived Flash Gordon series, thirty-one episodes in 1954 – 1955 to be precise? I didn’t until I discovered the Birthday for the lead in this show today. Except for four minor roles, this was his entire tv career. Biography in “Flash Gordon: Journey to Greatness” would devote an entire show to him and this series. And yes you can see him here as Flash Gordon. (Died 1997.)
Born January 8, 1941 — Boris Vallejo, 79. Illustrator whose artwork has appeared on myriad genre publications. Subjects of his paintings were gods, hideous monsters, well-muscled male swordsmen and scantily clad females. Early illustrations of Tarzan, Conan the Barbarian and Doc Savage established him as an illustrator.
Born January 8, 1942 — Stephen Hawking. Y’all know who he is, but did you know that Nimoy was responsible for his appearance as a holographic representation of himself in the “Descent” episode? He also guest starred in Futurama and had a recurring role on The Big Bang Theory. Just before his death, he was the voice of The Book on the new version of The Hitchhiker’s Guide to the Galaxy radio series. (Died 2018.)
Born January 8, 1947 — David Bowie. First SF role was as Thomas Jerome Newton in The Man Who Fell to Earth. He next shows up in The Hunger, an erotic and kinky film worth seeing. He plays The Shark in Yellowbeard, a film that Monty Python could have produced but didn’t. Next up is the superb Labyrinth where he was Jareth the Goblin King, a role perfect for him. From that role, he went on to being Pontius Pilate in The Last Temptation of Christ, an amazing role by the way. He was in Twin Peaks: Fire Walk with Me as FBI AgentPhillip Jeffries, which was his last role when he appeared later in the Twin Peaks series. He also played Nikola Tesla in The Prestige from Christopher Priest’s novel. Ok, what did I am leaving y’all to mention? (Died 2016.)
Born January 8, 1956 — Jack Womack, 64. Ok, I was trying to remember what I’d read by him. I realized it was his excellent Ambient novel when it first came out and that I hadn’t kept up with his later writings. So what do y’all think of his later novels? I know, he stopped witting essentially a generation ago except for his Flying Saucers Are Real! non-fiction release. Non-fiction?
Born January 8, 1977 — Amber Benson, 43. Best known for her role as Tara Maclay on Buffy the Vampire Slayer. Her post-BtVS genre credits are scant with a bit of work on Supernatural, a Sci-fi Channel film called Gryphon, a web series called The Morganville Vampires and, I kid you not, a film called One-Eyed Monster which is about an adult film crew encountering monsters. She is by the way a rather good writer. She’s written a number of books, some with Christopher Golden such as the Ghosts of Albion series and The Seven Whistlers novel which I read when Subterranean Press sent it to Green Man for review. Her Calliope Reaper-Jones series is quite excellent too.
Born January 8, 1979 — Sarah Polley, 41. H’h what did I first see her in? Ahhhh, she was in The Adventures of Baron Munchausen! Let’s see what else she’s done… She’s been in the animated Babar: The Movie, Existenz, No Such Thing (which is based very loosely on Beowulf), Dawn of the Dead, Beowulf & Grendel (well sort of based on the poem but, errr, artistic license was taken) and Mr. Nobody.
(9) COMICS SECTION.
Free Range jokes about studying fantastic beasts in Oz.
…Cogo Guebara rushed over to the motorized police officer and pushed its emergency alert button on seeing the brawl break out in Salt Lake Park, Los Angeles, last month. But instead of offering assistance, the egg-shaped robot, whose official name is HP RoboCop, barked at Guebara to ‘Step out of the way’. To add insult to injury, the high-tech device then rolled away while humming an ‘intergalactic tune’, pausing periodically to say ‘Please keep the park clean.’
The explanation turned out to be disgustingly simple:
Local Police Chief Cosme Lozano says the robots, which cost between $60,000 and $70,000 a year to lease, are still in a trial phase and that their alert buttons have not yet been activated.
It’s one of the more remarkable specimens taken into London’s Natural History Museum. It’s certainly one of the most “fantastic”.
The horn comes from an Erumpent, a fictional beast created in the mind of author JK Rowling.
It’s going to feature in a major new exhibition at the South Kensington institution this spring, in which the extraordinary creatures of the Harry Potter universe are used to shine a light on some of the “magical” animals that exist in the real world.
The NHM is describing the show as its most ambitious to date.
…The exhibition will put 50 specimens from the museum’s world famous collections next to props from the Potter movies. Interactive displays will compare and contrast different animals.
“You’ll recall the Erumpent’s mating dance from Fantastic Beasts. We’ll be making comparisons with the peacock spider, which has its own extraordinary movements that it uses to attract a mate,” explained the NHM executive.
From the robots we know and love, to the robot in your pocket, explore the fascinating future of robots at work, at home and in the blurring boundaries between human and machine.
With new technological developments being made every day, it has never been more important to explore our relationships with robotics.
Explore the influence of robots through four galleries that draw you into a conversation with simple but thought-provoking questions.
Trace our fascination with the science and fiction of robots before delving into an evolving world of industry and work. Consider the role of robots as companions and helpers and explore what the future may hold as we find new ways to tackle social and environmental problems. Would you live in a robot? And can they make us better than nature intended?
Michael Thorn, Fox’s president of entertainment, shared his thoughts on the matter with The Wrap. “Any time we look at one of our classic titles, if there’s a way to reinvent it for today so it’s as resonant now as the original was, and is, to the fans, we’re wide open,” he said.
“I loved ‘Firefly,’ personally, and I watched every episode. I didn’t work on it, but I loved the show. It had come up before, but we had ‘The Orville’ on the air and it didn’t make sense for us to have, as a broadcast network who is very targeted, to have two space franchises on our air.”
The Orville now airs on Hulu, but [Firefly executive producer Tim Minnear] is allegedly currently tied up with a number of other projects.
Astronomers have discovered a vast structure in our galaxy, made up of many interconnected “nurseries” where stars are born.
The long, thin filament of gas is a whopping 9,000 light-years long and 400 light-years wide.
It lies around 500 light-years from our Sun, which is relatively close by in astronomical distances.
…An international team analysed data from the European Gaia space telescope, which was launched in 2013.
The monolithic structure has been dubbed the Radcliffe Wave, in honour of Harvard University’s Radcliffe Institute for Advanced Study in Cambridge, Massachusetts.
“What we’ve observed is the largest coherent gas structure we know of in the galaxy, organized not in a ring but in a massive, undulating filament,” said co-author Joao Alves, from the University of Vienna, Austria, and Harvard.
…Co-author Prof Alyssa Goodman, from Harvard, commented: “We were completely shocked when we first realised how long and straight the Radcliffe Wave is, looking down on it from above in 3D.”
‘Scenes in the Square’ is a new installation at London’s Leicester Square next month that will include eight dynamic statues – which means they will be integrated into the existing landscape of the Square, rather than actually move or anything. Regarded as the home of cinema in Britain, Leicester Square has had a statue of Charlie Chaplin for many years. From February 27th, he will be joined by statues of Laurel and Hardy, Bugs Bunny, Gene Kelly, Mary Poppins, Batman, Mr Bean, Paddington and Wonder Woman, sculpted by David Field.
[Thanks to Cat Eldridge, John King Tarpinian, JJ, Chip Hitchcock,
Mike Kennedy, Martin Morse Wooster, Olav Rokne, Hampus Eckerman, SF
Concatenation’s Jonathan Cowie, and Andrew Porter for some of these stories.
Title credit goes o File 770 contributing editor of the day rgl.]
(1) STABBY VOTING. Reddit’s r/Fantasy
voting for the Stabby Awards. They’ve suffered voting shenanigans in the
past, too, and here’s what they’ve done to stop them —
It’s now time to vote for the /r/Fantasy Best of 2019 Stabby Awards. Due to the sub’s growth over the past year (from the time that the nomination thread went live to now, we’ve grown by over 8,000 subscribers!) and to issues we experienced with vote gaming last year, voting will be taking place off Reddit.
We’re using a Google Form (same as we’ve used for our demographic census for years) and in order to vote you’ll need to include a link to your own user profile. Profiles will need to be at least 1 month old for their votes to count – we chose this cutoff to ensure that folks who created accounts solely to nominate and thus aren’t really part of our community aren’t going to affect the results.
…Voting will end January 4, 2019 at 9 p.m. PST. Results should be live by January 6, 2019 by 1 p.m. PST.
…An award-winning science-fiction thriller billed by critics as a modern Day of the Triffids takes a provocative approach to Britain’s growing dependence on mood-lifting chemicals and antidepressants.
Little Joe, released in UK cinemas in February, and starring Ben Whishaw, Emily Beecham and Kerry Fox, has divided reviewers with its odd, disturbing story of a newly bred plant designed to spread joy.
On set in a vast greenhouse laboratory, the acclaimed Austrian director Jessica Hausner first told her actors to forget about finding “the truth” of their characters.
“Little Joe looks at the question of how do you perceive whether someone has changed or not,” Hausner told the Observer. “That was the big issue when I talked to the actors. And so even when we were shooting, we were shooting different versions of each scene.”
…In the anxious winter of 1617, unfigurative wheels are turning beneath Johannes Kepler as he hastens to his mother’s witchcraft trial. For this long journey by horse and carriage, Kepler has packed a battered copy of Dialogue on Ancient and Modern Music by Vincenzo Galilei, his sometime friend Galileo’s father — one of the era’s most influential treatises on music, a subject that always enchanted Kepler as much as mathematics, perhaps because he never saw the two as separate. Three years later, he would draw on it in composing his own groundbreaking book The Harmony of the World, in which he would formulate his third and final law of planetary motion, known as the harmonic law — his exquisite discovery, twenty-two years in the making, of the proportional link between a planet’s orbital period and the length of the axis of its orbit. It would help compute, for the first time, the distance of the planets from the sun — the measure of the heavens in an era when the Solar System was thought to be all there was.
As Kepler is galloping through the German countryside to prevent his mother’s execution, the Inquisition in Rome is about to declare the claim of Earth’s motion heretical — a heresy punishable by death….
…But is this view of the Muse, who is after all a goddess, a being at whose feet the artist is supposed to lay the offering of the art created in order that she may judge it worthy, not very disrespectful? In assuming that the muse is just some empty thing to fill up with M. L’Artiste’s (and it is M., is it not) geeenyus?
François Truffaut once said of Catherine Deneuve: “I wouldn’t compare her to a flower or a bouquet, since there is a certain neutrality in her that leads me to compare her to the vase in which all the flowers are placed.” He meant that her reserve and air of mystery enabled spectators to “fill the vase” themselves; but the history of male film directors and their female muses is also a history of vase-filling: men translating their erotic fantasies into cinematic terms while failing to get to grips with the women themselves, who are invariably depicted as quixotic and inscrutable, even dangerous.
Not that I am sure which of the Nine would be the muse of movies – or would it vary by specific genre?
A renowned polymath, Alasdair Gray was beloved equally for his writing and art. His debut, Lanark, which Canongate published in 1981, is widely regarded as being one of the masterpieces of twentieth century fiction. It was followed by more than thirty further books, all of which he designed and illustrated, ranging from novels, short story collections, plays, volumes of poetry, works of non-fiction and translations – most recently, his interpretation of Dante’s Divine Trilogy.
The Guardian’s tribute
said he “blazed a trail for contemporary
Scottish fiction with his experimental novels.”
In 1954, Gray began writing the novel that would occupy him on and off throughout the 1960s and 70s. Lanark divides the story of a life into four books, alternating between Glasgow and a shadowy version of the city called Unthank. The novel opens with book three, in which a young man finds himself in a dark metropolis filled with strange diseases, and then jumps back to fill in the story of Duncan Thaw, who grows up in Glasgow just before the second world war. The Guardian called it “fluent, imaginative”, a novel “of undeniable quality, but rare, and not for all tastes, like an oyster, or a truffle”.
He made an indelible impression on
both the literary and fannish worlds. Alasdair
Gray and Russell Hoban were the guests of honor at the first Mexicon (1984) in
the UK. As David Langford recalls, he made ink
sketches of various fans there, and his “[John] Brosnan drawing is inscribed: ‘The
Author of Slimer, a seminal work which has influenced everything I have
(8) WOLLEN OBIT. Peter Wollen
(1938-2019), author of the influential film theory book Signs and Meaning in
the Cinema, who also directed films and wrote screenplays, died December 17.
York Times appreciation notes:
Mr. Wollen didn’t just talk and write about cinema; in the 1970s and ’80s he was actively involved in making it. Perhaps his best-known film, which he both wrote and directed, was “Friendship’s Death” (1987), an unusual science-fiction film about an extraterrestrial robot who is on a peace mission but takes a wrong turn and winds up in Amman, Jordan, in 1970, a time of conflict there.
Tilda Swinton, in one of her first film roles, played the robot. In a tribute to Mr. Wollen published by the film website IndieWire, she said “Signs and Meaning” was “the first seminal book I read about film that actually made sense while bopping you to bits with its braininess and taking the engine of cinema completely apart in front of you while making you even more excited to jump in and go racing about in it just as soon as you possibly could.”
(9) TODAY IN HISTORY.
December 29, 1967 — “The Trouble with Tribbles” first aired. Written by David Gerrold and directed by Joseph Pevney, with some of the guest cast being Stanley Adams as Cyrano Jones, Whit Bissell as Station Manager and Michael Pataki as Korax. Memory Alpha says ”Wah Chang designed the original tribbles. Hundreds were sewn together during production, using pieces of extra-long rolls of carpet. Some of them had mechanical toys placed in them so they could walk around.” It would come in second in the Hugo balloting to “The City on the Edge of Forever” written by Harlan Ellison. All five final Hugo nominees at Baycon (1968) were Trek episodes.
December 29, 2009 — Princess of Mars premiered. This film from Asylum had Traci Lords as Dejah Thoris and Antonio Sabàto Jr. as John Carter. Rather loosely based on A Princess of Mars by Burroughs, the film was released in Europe as The Martian Colony Wars. Currently this film has a 10% rating among reviewers at Rotten Tomatoes.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born December 29, 1901 — William H Ritt. US cartoonist and author, whose best known strip, Brick Bradford, was SF. Two of the early Thirties strips, Brick Bradford and the City Beneath the Sea and Brick Bradford with Brocco the Mountain Buccaneer, became Big Little books. in 1947, Brick Bradford, a 15-chapter serial film starring Kane Richmond, was produced by Columbia Pictures. (Died 1972.)
Born December 29, 1912 — Ward Hawkins. Alternative universes! Lizard men as sidekicks! He wrote the Borg and Guss series (Red Flaming Burning, Sword of Fire, Blaze of Wrath and Torch of Fear) which as it features these I really would like to hear as audiobooks. Not that it’s likely as I see he’s not made it even to the digital book realm yet. (Died 1990.)
Born December 29, 1928 — Bernard Cribbins, 91. He has the odd distinction of first showing up on Doctor Who in the non-canon Daleks’ Invasion Earth 2150 A.D. film (with Peter Cushing movie as The Doctor.) He would make it into canon when he appeared as Wilfred Mott in the Tenth Doctor story, “Voyage of the Damned”, and he‘s a Tenth Doctor companion himself in “The End of Time”, the two-part 2009–10 Christmas and New Year special.
Born December 29, 1949 — Ian Livingstone, 70. Co-founder of Game Workshop whose flagship products are are Warhammer Age of Sigmar and Warhammer 40,000. (Have I mentioned that Game Workshop has local shops where fans can buy their unpainted miniatures and other goodies?) He was the first Editor of White Dwarf which, yes, I read a long time ago.
Born December 29, 1963 — Dave McKean, 56. If you read nothing else involving him, do read the work done by him and Gaiman called The Tragical Comedy or Comical Tragedy of Mr Punch: A Romance. Brilliant, violent, horrifying. Well, and Signal to Noise by them is worth chasing down as well.
Born December 29, 1966 — Alexandra Kamp, 53. Did you know Sax Rohmer’s novels were made into a film? I didn’t. Well, she was the lead in Sax Rohmer’s Sumuruwhich Michael Shanks also shows up in. She’d also be in 2001: A Space Travesty with Leslie Neilsen, and Dracula 3000 with Caspar van Dien. Neither will be mistaken for quality films.
Born December 29, 1972 — Jude Law, 47. I think his first SF role was as Jerome Eugene Morrow In Gattaca followed by playing Gigolo Joe in A.I., with my fav role for him being the title role in Sky Captain and the World of Tomorrow. He was Lemony Snicket In Lemony Snicket’s A Series of Unfortunate Events, Tony in The Imaginarium of Doctor Parnassus, Dr. John Watson in Sherlock Holmes and Sherlock Holmes: A Game of Shadows, Remy In Repo Man and he voiced Pitch Black in one of my favorite animated films, Rise of the Guardians.
All of the entertainment we used to consume in more independently quantifiable ways — via TV ratings, box office, album sales — has moved to streaming, where we just have to trust Netflix or Spotify or Apple to tell us how popular it is, and they will almost certainly lie. Netflix occasionally releases random stats about how many people watched something, and they usually strain credibility. In June, it claimed 30.9 million watched a new Adam Sandler movie in its first three days, which would have made it one of the biggest openings in history if it had been released in theaters. And we never know how successful any movie is when it’s released on for-pay VOD (via iTunes, Amazon, or your cable box) because nobody shares any numbers at all, which is strange because streaming is how plenty of non-superhero movies make most of their money now. Obviously, they will know — the producers and stars who benefit. But the public will be living entirely in the dark, never knowing if something is actually a hit or just totally Astroturfed. This will be really disorienting; today, at least, the popularity of an artist accounts for like half of the way we feel about them. And hard audience figures were, for a generation of barroom debaters about pop culture, the closest thing anyone actually ever got to a “fact.” —Lane Brown
Former President Barack Obama is making a list, and checking it twice. A day after he released the list of his favorite books of 2019, he’s issued a film/TV faves ledger, including one of his own creations….
I saw the first episode of The Witcher on Festivus, and boy did that unintentionally fit the holiday theme. tldr is that the writers are just phoning this in, and hoping the strength of the fight choreography will keep people watching.
… On Friday, JPL gave a rare media tour to show off the interplanetary robotic vehicle to reporters inside a meticulous dust, hair and oil-free “clean room.” It’s the last time it will be viewed before it’s shipped off to Florida for its July liftoff.
That meant this reporter had to don a full body “bunny” suit and take an air bath with jets to blow away any wayward dust or hair left on the suit.
It took a lot of time and trouble, but NASA’s Dave Gruel said it’s crucial to keep the rover from getting contaminated.
“It’ll be a real bad day for us in the future if those samples come back from Mars and guess what? They’ve got my whisker in that sample,” Gruel said. “That’ll be bad.”
Today, Saturday December 28, would have been the legendary Stan Lee‘s 97th birthday. To mark the occasion fans all around the world are taking a moment to reflect on and honor the prolific and influential comics figure who was responsible for helping to create many of the most iconic characters in comics history — The X-Men, The Avengers, the Fantastic Four, Dr. Doom, Spider-Man, Iron Man, Doctor Strange, and more. It’s one of those characters that a minor league hockey team is using to help honor Lee on his birthday with special Spider-Man uniforms.
On Twitter on Saturday, the Indy Fuel hockey team shared a photo of their uniforms for the evening’s game against the Kansas City Mavericks. The special jerseys are part of the Fuel’s Marvel Super Hero Night event, which just so happens to land on Lee’s birthday. The team also posted thanking the creator for “creating a pretty awesome universe.” You can check out both posts below.
[Thanks to Cat Eldridge, JJ, Mike Kennedy,
Chip Hitchcock, John King Tarpinian, Michael Toman, Andrew Porter, Dann, Martin
Morse Wooster, David Langford, John Hertz, and Rich Lynch for some of these
stories. Title credit goes to File 770 contributing editor of the day Dennis
Howard – classic faanish reference explained here.]
(1) NOW IT’S AN APOCALYPSE. The row started by Martin Scorsese’s remarks isn’t likely to subside anytime soon now that Francis Ford Coppola has been even more extreme in his supporting comments: “Coppola backs Scorsese in row over Marvel films”.
Francis Ford Coppola jumped into a controversy over the Marvel superhero movies Saturday, not just backing fellow director Martin Scorsese’s critique of the films but denouncing them as “despicable”…
“When Martin Scorsese says that the Marvel pictures are not cinema, he’s right because we expect to learn something from cinema, we expect to gain something, some enlightenment, some knowledge, some inspiration.
“I don’t know that anyone gets anything out of seeing the same movie over and over again,” the 80-year-old filmmaker said.
“Martin was kind when he said it’s not cinema. He didn’t say it’s despicable, which I just say it is.”
I disagree with Scorsese. I disagree with Coppola. They are wrong to dismiss the Marvel Cinematic Universe as “not cinema.”
The final battle in Avengers Endgame was a masterpiece of cinema, ranking with the final battle in Seven Samurai.
Why do I say this?
Because we got to see people we had fallen in love with rise to the most courageous moments of their lives — and when that whole group of women warriors showed up, that was one of the most emotional moments I’ve ever seen in a movie. I cheered.
See, the thing about movies — yes, they’re art. There is true artistry in The Godfather and Apocalypse Now. Goodfellas is riveting, so is Casino.
But … I did not cheer any moment in any of those pictures. Was I emotionally involved? Yes. When the door closes on Kate’s realization that Michael has lied to her, that’s a powerful cinematic moment that resonates forever.
But do I come out of Scorsese and Coppola’s movies feeling cheered? No. Enlightened? Maybe a little. But never cheered.
And I think that’s part of their resistance to the Marvel films. A Marvel film is a good time. You experience a challenge, a triumph, a few laughs, and you end up feeling emotionally gratified, even exhilarated…
A nice crowd showed up to hear Barbara Krasnoff and Nicole Kornher-Stace read from their new novels, despite a lot of rain.
(4) UNWONTED PERFECTION. You don’t remember typing that
word? You thought you wrote another one? In fact, you’re sure of it? Granola
Rolla, a Facebook friend, takes that sort of thing in stride:
Autocorrect is a poet, effortlessly, without pretense, never feeling like it should explain itself. I envy the confidence with which it edits poetry into my day. Also, I have disreputable gloves on my shopping list. I doubt they’ll be as useful for the housework as the disposable gloves I’d thought I wanted, but such a fun thing to ponder.
Talking was the most popular way to communicate via cellphone in the fall of 2012, with 94% of survey respondents having done so in the prior week, according to consumer-research firm MRI-Simmons. By the spring of 2019, talking had fallen to least popular, behind texting, emailing, posting to social media and using chat apps, with just 45% reporting doing it in the prior week. In other words, less than half had used their phone for an actual phone call.
Multiple people I interviewed said when the phone rings unexpectedly, they assume someone has died….
With multiple ride systems — four to be exact — that guests will experience while traveling on this intergalactic journey, Star Wars: Rise of the Resistance will be one of the longest Disney rides in existence, as guests find themselves being chased by Kylo Ren for 15 minutes.
The latest Star Wars ride will also function like all your favorite Disney attractions combined into one, channeling The Haunted Mansion, The Twilight Zone Tower of Terror, and famed overseas attractions like Mystic Manor for a thematic experience likely to exceed expectations, even for those who have already tried out other Star Wars rides. Paired with its special effects, projections, and blaster gunfire, Rise of the Resistance is shaping up to be a cinematic attraction so over the top, you won’t even be able to imagine what will come next.
In the summer of 2008, Eisner and Harvey Award-winning comic writer Brian K. Vaughan (Lost, Y: The Last Man) sold a high-concept screenplay to DreamWorks called Roundtable. The movie never went into production, the script sat on a shelf collecting dust, and Vaughan went on to become the showrunner of the CBS TV series Under the Dome and continue his career in comics by writing things like the sci-fi/fantasy epic Saga. But now, eleven years later, Vaughan’s Roundtable script will finally see the light of day.
The Black List, the organization that publishes an annual list of the best unproduced screenplays in the industry, is sponsoring a live reading of the script for one night only in Los Angeles, and this sounds like a cool opportunity to experience a story that may otherwise languish in obscurity forever. Read on for the synopsis of Roundtable, and to find out how to get tickets to the show.
Correspondents David Pogue, Martha Teichner and Nancy Giles, along with “Sunday Morning” intern Cory Peeler, face a difficult challenge: Find their way out of a room before a bomb goes off! It’s just one of many examples of the big business in escape rooms – immersive adventures in which people must solve puzzles in order to extricate themselves. Air Date: Oct 20, 2019
(9) TODAY IN HISTORY.
October 20, 1965 — Village Of The Giants premiered. It starred Tommy Kirk and Beau Bridges, and is very loosely based on Wells’s book The Food of the Gods and How It Came to Earth. It scores 20% at Rotten Tomatoes.
October 20, 1987 — The Hidden premiered. Starring Kyle McLachlan with Claudia Christian in an interesting cameo as well, reviewers (76%) and audience.(72%) alike loved it at Rotten Tomatoes.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born October 20, 1882 — Bela Lugosi. He’s best remembered for portraying Count Dracula in the 1931 film franchise Drácula. Now tell me what’s your favorite film character that he played? (Died 1956.)
Born October 20, 1905 — Frederic Dannay. Creator and writer, along with Manfred Bennington Lee, of Ellery Queen. Now I wasn’t going to say was he was genre but ESF does say he was because such genre authors such as Sturgeon penned Queen novels such as The Player on the Other Side. (Died 1982.)
Born October 20, 1916 — Anton Diffring. A long career with many genre roles which I’ll note but a few of here. He was Fabian in Fahrenheit 451, Graf Udo Von Felseck of Purbridge Manor in The Masks of Deaths (a rather well-crafted Holmes film) and he played De Flores, a neo-Nazi in “Silver Nemesis”, a most excellent Seventh Doctor story. (Died 1989.)
Born October 20, 1934 — Michael Dunn. He’s best known for his recurring role on the Wild Wild West as Dr. Miguelito Loveless, attempting to defeat our heroes over and over, but he has had another appearances in genre television. He would be Alexander, a court jester, in the Trek “Plato’s Stepchildren” episode and a killer clown in the Voyage to the Bottom of the Sea “The Wax Men” episode. (Died 1973.)
Born October 20, 1943 — Peter Weston. He made uncountable contributions in fan writing and editing, conrunning and in local clubs. He was nominated for a number of Hugo Awards but never won, including one nomination for his autobiography, Stars in My Eyes: My Adventures in British Fandom. Beginning in 1984 and for many years after, those Awards were cast by the car-parts factory which Weston owned and managed until he retired. (Died 2017.)
Born October 20, 1935 — Leg Mailer, 85. He showed up in Trek twice first playing Bilar in “The Return of the Archons” and then being an Ekosian SS lieutenant in the “Patterns of Force” episode. And he Imperial Guard Number One in The Star Wars Holiday Special. He had one-offs on The Greatest American Hero and the original Mission:Impossible, and he did voice work for An American Tail: Fievel Goes West. Note: until 1970, he used his birth name of Ralph Medina.
Born October 20, 1937 — Emma Tennant. To the Manor born and a lifelong supporter of Labour, ISFDB lists nine of her novels as being as SFF. As the Literary Encyclopedia says “Her work is feminist, magical and wicked, and uses the fantastic and the Gothic to interpret and explore everyday women’s roles.“ I’ve not read her, so do tell me about her pleased if you’ve read her! (Died 2017.)
Born October 20, 1941 — Anneke Wills, 78. In 1966, she took the role of Polly, a companion to both the First and Second Doctors. She was herself in The Five(ish) Doctors Reboot. She was also in Doctor Who: Devious, a fan film in development since 1991. You can see the first part here.
Born October 20, 1946 — Thomas Wylde, 73. He’s here because he’s got two stories in the Alien Speedway franchise, Roger Zelazny’s Alien Speedway #2: Pitfall and Roger Zelazny’s Alien Speedway #3: The Web. I’ve never heard of these. Anyone read them? He’s also got two stories in L. Sprague de Camp’s Doctor Bones series as well.
Born October 20, 1958 — Lynn Flewelling, 61. The lead characters of her Nightrunner series are both bisexual, and she has stated this is so was because of “the near-absence of LGBT characters in the genre and marginalization of existing ones.” (Strange Horizon, September 2001) The Tamír Triad series is her companion series to this affair
(11) COMICS SECTION.
Bizarro shows Superman getting some parental advice.
…While they were writing “March,” they would spend hours on the phone combing through Lewis’s memories of sit-ins at whites-only lunch counters and the Bloody Sunday attacks during the 1965 Selma-to-Montgomery march. Occasionally they’d even fall asleep while still on the phone. “It reminded me of when sometimes Martin Luther King Jr. would call me late at night and he would fall asleep, and then I would fall asleep,” Lewis told me. “We’d talk and talk.”
Both men drew inspiration for the project from the 1957 “Montgomery Story” comic book that Lewis read as a teen. (It sold for 10 cents a copy.) They also looked to successful graphic memoirs like Alison Bechdel’s “Fun Home” and Art Spiegelman’s “Maus.”
Damon Lindelof’s entertaining comic-book rethink takes on the Big Bad of white supremacy, explosively and sometimes unsteadily.
Many a superhero origin story involves exposure to a volatile substance — something dangerous, radioactive, caustic — that can be powerful if mastered, ruinous if uncontrolled.
In HBO’s “Watchmen,” beginning Sunday, that fissile storytelling material is history: specifically, America’s legacy of white supremacy. The first episode begins with the 1921 riot in Tulsa, Okla., in which white mobs rampaged in the prosperous “Black Wall Street,” massacring African-Americans in the street and strafing them from above with airplanes. A small boy’s parents pack him onto a car that’s fleeing the mayhem, like Kal-El being sent from Krypton. But there is no Superman flying to the rescue.
With that opening, Damon Lindelof (“Lost,” “The Leftovers”) reframes the universe that the writer Alan Moore and the artist Dave Gibbons created in the 1980s comics series. Where Moore wrote an alternative history of Cold War America — a pre-apocalyptic dystopia in which masked vigilantes have been outlawed — Lindelof reaches back and forward in time to root his caped-crusaders story in a brutal American tragedy.
The choice invests this breathtaking spectacle with urgency. “Watchmen” is a first-class entertainment out of the box, immediately creating a sad and wondrous retro-futuristic world. It takes longer, though, to get a handle on the complicated and all-too-real material it uses as its nuclear fuel….
Things picked up when Claire mentioned that she’d been reading The Name of the Wind. a fantasy novel from The Kingfisher Chronicles series by Patrick Rothfuss. Piotr is, as he puts it, ‘a huge fantasy nerd.’ ‘He was very excited to talk about that,’ said Claire. He taught her how to pronounce the name of the novel’s main character, Kvothe. (It’s Ka-Voth-ee.) Piotr loosened up considerably on the topic of fantasy fiction. ‘Probably too much for a first date,’ he told me. He needn’t have been concerned; a self-proclaimed fantasy nerd herself, Claire described him as ‘just the right amount of nerd.’ ‘We had a lot in common,’ she said.
“Claire told me she didn’t feel much of an attraction, either, but ‘I would maybe have gone out with him if he had asked.’ In the end, she considers the date a success because ‘I got to talk about books I like.’
Until recently, most people likely haven’t encountered someone who’s been knocked off balance by a DNA test result, so it’s understandable they might not appreciate the magnitude of the impact. But it’s just a matter of time. Mind-blowing DNA revelations are becoming so common that some DNA testing companies have trained their customer service staff representatives to respond empathetically. While those employees may know the right thing to say, here in the real world the people around us often haven’t got a clue how it feels — like a punch to the gut.
If you’ve become untethered from your genetic family, you might get a second surprise: some of your friends and loved ones may be remarkably unsympathetic, often infuriatingly judgmental, and sometimes even hostile. It’s clear that although DNA surprises have become ubiquitous, social attitudes haven’t kept pace, and a stigma remains….
3. Blood doesn’t make family.
This tries to mollify us and discount our feelings at the same time. Blood is exactly what makes family, consanguinity being the first definition of kinship. Certainly there are also families of affinity, but the familial love we feel for them doesn’t alter the fact that our blood relatives exist and they matter to us.
A brainless, bright-yellow organism that can solve mazes and heal itself is making its debut at a Paris zoo this weekend.
At least so far, “the blob” is more benevolent than the ravenous star of its 1950s sci-fi film classic namesake.
Time-lapsed videos of the blob show a slimy organism rapidly multiplying in size. How fast exactly? The blob can sprint about four centimeters per hour, according to the Paris Zoological Park
The blob is neither animal, nor plant. And although Physarum polycephalum — Latin for “many-headed slime” — is classified as a type of slime mold, scientists now consider the creature unrelated to fungi.
…The slime mold, which lacks a nervous system, is capable of advanced decision-making, learning and long-term memory storage, according to Audrey Dussutour, who studies unicellular organisms with the French National Center for Scientific Research.
“It can find its way through a maze, it can construct efficient transport networks, sometimes better than us, actually,” Dussutour said in an interview with NPR’s Weekend Edition.
Australian carrier Qantas has completed a test of the longest non-stop commercial passenger flight as part of research on how the journey could affect pilots, crew and passengers.
The Boeing 787-9 with 49 people on board took 19 hours and 16 minutes to fly from New York to Sydney, a 16,200-km (10,066-mile) route.
Next month, the company plans to test a non-stop flight from London to Sydney.
Qantas expects to decide on whether to start the routes by the end of 2019.
If it goes ahead with them, the services would start operating in 2022 or 2023.
…Passengers set their watches to Sydney time after boarding and were kept awake until night fell in eastern Australia to reduce their jetlag.
Six hours later, they were served a high-carbohydrate meal and the lights were dimmed to encourage them to sleep.
On-board tests included monitoring pilot brain waves, melatonin levels and alertness as well as exercise classes for passengers and analysis of the impact of crossing so many time zones on people’s bodies.
Buckle up, Harry Potter fans, because J.K. Rowling’s latest bombshell about the series definitely isn’t doing anything for inclusivity: The bestselling author has revealed that Dementors are the wizarding world’s version of Italians.
A Disney Channel original movie from the era before they were all about tweens becoming pop stars. (Stream it on Hulu and Amazon.)
Sabrina the Teenage Witch
If you’ve been into the sexy new Sabrina show, revisit the quirky original. You won’t be disappointed. (Stream it on Amazon.)
You’ll want to become a witch after watching this ’90s cinematic staple. Sandra Bullock and Nicole Kidman star as witchy sisters navigating love, death, and magic. (Stream it on Amazon.)
[Thanks to Andrew Porter, John King Tarpinian, Mike Kennedy,
Martin Morse Wooster, JJ, Cat Eldridge, Olav Rokne, and Chip Hitchcock for some
of these stories. Title credit goes to File 770 contributing editor of the day Patrick
Morris Miller with an assist from Anna NImmhaus.]
(1) CHANGES TO NY TIMES BESTSELLER LISTS. Publishers
Weekly reports “‘NYT’
Shifts Its Lists Again”. Mass market paperbacks and graphic books will
be tracked again, and middle grade paperback and YA paperback lists will debut.
After cutting the mass market paperback and graphic novel/manga lists in 2017, the Times‘ Best Sellers team will again track mass market paperback sales, as well as debut a combined list for graphic books, which will include fiction, nonfiction, children’s, adults, and manga. Two new monthly children’s lists, middle grade paperback and young adult paperback, will debut as well. (The Times retired its middle grade e-book and young adult e-book lists in 2017.) In addition, the Times will cut its science and sports lists, explaining that “the titles on those lists are frequently represented on current nonfiction lists.” The changes are effective October 2 online and October 20 in print.
The Times has already cut back its print lists on the combined print/e-book and print hardcover lists to 10 titles, from 15, although the online lists will continue to show 15 titles. A representative of the paper said that the change “was made for design reasons, specifically to improve the readability of the lists in print.”
Barbara Krasnoff is the author of over 35 short stories, including “Sabbath Wine,” which was a finalist for the Nebula Award, and recently published a mosaic novel titled The History of Soul 2065. She’s also responsible for a series of captioned photos that can be found under the hashtag #TheirBackstories.
Nicole Kornher-Stace is the author of the Norton Award finalist Archivist Wasp and its sequel, Latchkey. Her next novel, Firebreak, is due out from Saga in 2020. She can be found online at nicolekornherstace.com or on Twitter @wirewalking.
The event begins 7 p.m. at the KGB Bar, 85 East 4th Street (just
off 2nd Ave, upstairs.)
New York, NY.
(3) SUNDAY IN THE PARK. Last Sunday at the Brooklyn Book Festival, Andrew Porter took this photo of the Dell Magazines booth which was hosted by Asimov’s editor Sheila Williams and her daughter.
(4) NEW AWARD PROMOTES DIVERSE SFF. Gollancz
and author Ben Aaronovitch are launching a writing prize championing under-represented voices in science fiction,
fantasy and horror after stats showed less than 1% of the genres’ books
come from British BAME authors. (BAME is used in the UK to refer to black, Asian and minority ethnic
Submissions for the
Gollancz and Rivers of London BAME SFF Award will
be taken from October 1, 2019 until January 31, 2020 — 5,000
to 10,000 words consisting of either a self-contained short story or the
opening of a novel that fits into the scifi, fantasy or horror genres
The prizes include:
£4,000 for the overall winner alongside a critique and year-long mentoring programme with Gollancz commissioning editor Rachel Winterbottom.
Second place: £2,000 and a critique of their work
Five runners-up will receive £800 and a Gollancz goodie bag.
Gollancz publisher Anne Clarke said:
The current lack of representation in science fiction and fantasy is no secret and it has to change. As modern speculative fiction publishers, we at Gollancz have a responsibility not just to say our doors are open, but to actively seek out and support writers whose backgrounds and experience have historically been – and still are – under-represented in our genre. I hope this award will encourage writers who have perhaps not always felt welcome in the world of science fiction and fantasy publishing and I’m looking forward to discovering exciting new writing talent within the submissions.
It’s Hollywood logic to try bleed more money from a stone. Whenever there’s a successful franchise, it’s natural for studios to stay safe and invest in more of the same product and produce as many sequels, prequels, TV shows, and reboots of the property. However, every so often, Tinseltown fails to catch lighting in a bottle a second time. Not every movie deserves 815 more iterations of the same story.
the middle of the list is —
Long before DCEU fans bemoaned the current DC movies, they were (rightfully) bailing on another one. Somehow, DC was able to zap all of the fun and sultriness out of Selina Kyle for the long-gestating Catwoman movie, which starred Oscar winner Halle Berry, Sharon Stone, and Benjamin Bratt. All in all, not a bad trio. So what went wrong?
First, the entire origins of a cat burglar/vixen are heaved out the window and replaced with an Egyptian Cat Mythology. That mythology would have worked if it was a little more thought out and the movie itself wasn’t just an excuse to feature the gorgeous Berry in as little clothing as possible.
…Steampunk is not exactly something you would associate with Papenburg, even though the steamship MV Liemba a.k.a. Graf Goetzen, which starred in The African Queen as the German gunboat Königin Luise, was built here in 1913. Therefore, I was very surprised to learn that Papenburg not only has an active Steampunk community, but also hosts Steamfest, a Steampunk festival which took place for the second time in 2019. And since Papenburg is only about 114 kilometres away, I of course decided to pay Steamfest a visit.
Magic as revenge, retaliation, or retribution is the theme of many of September’s best short speculative fiction stories. There are some new authors on this list alongside some very well-known names, yet no matter where they are career-wise, the stories they’ve written have left a mark on this world. Here are some of the ten best science fiction, fantasy, and horror short stories I read in September.
The contributing authors include Kameron Hurley, Mur
Lafferty Patrice Sarath, Wendy Wagner, Julie C Day, Paul Jessup, Jamie Mason,
Bonnie Jo Stufflebeam, Ross Lockhart, Karen Bovenmyer, with open submissions to
It used to be if someone wanted to mug you, they had to look you in the face and make a threat. Not anymore. Hackers can wipe a bank account without ever having to risk drawing blood. Bad people use technology for personal gain. Nothing’s new about that. What is new is the ways technology opens up opportunities for exploitation.
New technology is coming on-line all the time, creating new opportunities for creative criminals and dissidents. Stolen elections, companies held hostage by hackers, and acts of terror have all been committed with technology that didn’t exist a few short years ago.
Join leading edge speculative fiction authors on an exciting walk into darkness where people and machines plunder, cheat, kill, and steal in ways we can’t even imagine with tools that may not even exist, yet. But, they’re coming.
(9) SATIRE ON TWO WHEELS. Remember Knight
Rider? Well, here’s David Hasselhoff in Moped Rider…
(10) TODAY IN HISTORY.
September 27, 1958 — In Italy, The Day the Sky Exploded (Italian: La morte viene dallo spazio, “Death Comes From Space”. It is known as the first Italian SF film, predating even the SF films of Antonio Margheriti.
September 27, 1979 — Buck Rogers in the 25th Century began its regular first season (after the airing of the film) with an episode called “Planet of the Slave Girls”.
September 27, 2002 — Joss Whedon’s Fireflypremiered on Fox TV. It was cancelled after eleven of the fourteen produced episodes were aired. Eventually it concluded in a film called Serenity which Will Shetterly reviewed here.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born September 27, 1902 — Henry Farrell. Novelist and screenwriter, best known as the author of the “What Ever Happened to Baby Jane?” story which was made into a film of the same name starring Bette Davis and Joan Crawford. (Died 2006.)
Born September 27, 1932 — Roger Charles Carmel. The original Harcourt Fenton “Harry” Mudd as he appeared in two episodes of the original Star Trek, “Mudd’s Women” and “I, Mudd”” and one episode of the animated series as well, “Mudd’s Passion”. I say original because Discovery has decided that they have a Harry Mudd. He also had one-offs on I-Spy, Munsters, The Man from U.N.C.L.E., Voyage to the Bottom of the Sea and Batman. It is rumored but not confirmed he was going to reprise his role as Harry Mudd in a first-season episode of Next Gen but died before filming could start. (Died 1986.)
Born September 27, 1934 — Wilford Brimley, 85. His first genre role is as Dr. Blair in John Carpenter’s The Thing. He’s Benjamin ‘Ben’ Luckett in the Cacoon films, and Agency Director Harold Smith in Remo Williams: The Adventure Begins. He made a rather splendid President Grover Cleveland in The Wild Wild West Revisted. And finally I note that he was Noa in Ewoks: The Battle for Endor.
Born September 27, 1947 — Meat Loaf, 72. He has a tasty role as Eddie in The Rocky Horror Picture Show. And I’d argue some of his music videos are genre stories in their own right. He also has film roles in Wishcraft (horror), Stage Fright (horror) and Urban Decay (yes, more horror). He’s also in BloodRayne which is yes, horror. He’s had one-offs on Tales from the Crypt, The Outer Limits, Monsters, Masters of Horror and was Doug Rennie, a main cast member of Ghost Wars.
Born September 27, 1950 — Cary-Hiroyuki Tagawa, 69. He’d be on the Birthday Honors list if he’d only been Zylyn in Space Rangers which lasted only six episodes. Damn. But he’s also shown up on Babylon 5, the premier of Star Trek: The Next Generation, Superboy, Alien Nation, the Australian version of Mission: Impossible, Sabrina the Teenage Witch, Stargate SG-1, Poltergeist: The Legacy, The Librarians, voicing characters on Teenage Mutant Ninja Turtles and Star Wars Rebels. He’s currently got two main roles going, the first being Nobusuke Tagomi in The Man in The High Castle, the other being Hiroki Watanabe in Lost in Space.
Born September 27, 1956 — Sheila Williams, 63. Editor, Asimov’s Science Fiction last fifteen years. She won the Hugo Award for Best Short Form Editor in 2011 and 2012. With the late Gardner Dozois, she co-edited a bonnie bunch of anthologies such as Isaac Asimov’s Robots, Isaac Asimov’s Christmas and Isaac Asimov’s Cyberdreams. She was also responsible for the Isaac Asimov Award for Undergraduate Excellence in Science Fiction and Fantasy writing being renamed the Dell Magazines Award for Undergraduate Excellence in Science Fiction and Fantasy Writing.
Born September 27, 1972 — Gwyneth Paltrow, 47. Yes, she is Pepper Potts in the Marvel Universe film franchise but her first genre role was as a young Wendy Darling in Hook. And she shows up in Sky Captain and the World of Tomorrow asPolly Perkins, a reporter for The Chronicle.
(12) ROCKET ROYALTY. In Olav Rokne’s post “Many
Princes; One Crown” at the Hugo Book Club Blog, readers are
reminded of the challenges in voting on works translated to English, beginning
with a recent Retro-Hugo winner.
…But the case of The Little Prince is more comparable to that of the first translated work to appear on a Hugo Ballot: the 1963 novel Sylva, which was written by French war hero Vercors (A.K.A. Jean Bruller). No translator is mentioned on the dust jacket of the book. And until this summer, when the record was updated at our request, the official Hugo Awards site did not list the name of the translator, Rita Barisse. The Wikipedia entry for the Hugo Awards, and several other publications continue to neglect Barisse’s contribution to the work….
(13) LAFFERTY AWARENESS. Shelf Awareness checks in
with the author of Lies My
Teacher Told Me in
with… James W. Loewen”. R.A. Lafferty gets a big shout-out:
Book you’re an evangelist for:
The only historical novel I recommend without reservation: Okla Hannali by R.A. Lafferty. Even though by a white author, I credit it as a Choctaw history of the 19th century, in the form of a biography of a fictional Choctaw leader who was born in Mississippi around 1801 and died in Oklahoma in 1900. I realize such a statement creates all sorts of problems for me–expropriation of Native knowledge, white arrogance, etc. My only defense is the work itself. I have no idea how Lafferty, otherwise known for science fiction, learned so much about Choctaws (and white folks), but every time I have checked out any fact in Okla Hannali, no matter how small, Lafferty got it right. And what a read! Only a little over 200 pages long, but an epic, nevertheless.
(14) ANOTHER WAY OF LOOKING AT THINGS. David Gerrold contends
art and the artist should be regarded separately in his public
So let’s say that I point out that the owners of a specific fast-food chain have donated a lot of money to anti-LGBTQ+ causes.
This is not an invitation to say:
“The food is terrible.”
Let’s say that I point out that a particular actor has said some unsavory things about politics. This is not an invitation to say,
“She can’t act anyway.”
Or maybe a well-known author has said something egregiously stupid. That’s not an invitation to say,
You are on a runaway trolley. On one track are five people who have not yet seen The Good Place and don’t intend to, and who will die if you don’t move the lever. On the other track is one person who, like you, is caught up and can discuss the show with you. What do you do?
(16) PENN AND POURNELLE. There’s a pair of names you wouldn’t
put in the same sentence – unless you’re Tedium’s Ernie Smith. In “All
Penn, No Teller” he recalls when Penn Jillette was “a sometimes-rebellious big-name computer magazine
columnist in the ’90s.”
…Now, tech writing of this era doesn’t have the pedigree of, say, good music journalism in the 1970s. Certainly, there were good tech writers during this time, particularly free-wheeling voices like fellow moonlighter Jerry Pournelle of Byte, hard-nosed insiders like journeyman scribe John C. Dvorak and the long-anonymous Robert X. Cringely, and well-considered newspaper voices of reason like syndicated columnist Kim Komando and the Wall Street Journal’s Walt Mossberg.
But Jillette was something different. He was already famous—certainly more famous than Pournelle, an established science-fiction author, thanks to being a regular fixture on television during much of his career and starring in a legendary Run-DMC music video—and he likely did not need a nationally distributed computer magazine column to make a living. Jillette simply liked computers and knew a lot about them, which meant that he could rant about the details of an Autoexec.bat file just as easily as he can about politics. He gave the tech writing form something of an edge, while maintaining the freewheeling nature established by fellow pre-blogging voices like Pournelle….
“Caltech scientists have discovered a new species of worm thriving in the extreme environment of Mono Lake. This new species, temporarily dubbed Auanema sp., has three different sexes, can survive 500 times the lethal human dose of arsenic, and carries its young inside its body like a kangaroo.”
Terry Hunt sent the link in with a note: “I was
irresistibly reminded of Vonda N. McIntyre’s story ‘Of Mist, and Grass, and Sand’ and its novel expansion Dreamsnake.”
(18) LOOKING FOR ET IN YOUR OWN BACKYARD. The Beyond Center
presented the 2019 Eugene Shoemaker Memorial Lecture with James Benford on
Abstract: A recently discovered group of nearby co-orbital objects is an attractive location for extraterrestrial intelligence (ETI) to locate for observing Earth. Near-Earth objects provide an ideal way to watching our world from a secure natural object that provides resources an ETI might need: materials, a firm anchor, concealment. These co-orbital objects have been little studied by astronomy and not at all by SETI or planetary radar observations. I describe the objects found thus far and propose both passive and active observations of them by optical and radio listening, radar imaging and launching probes. We might also broadcast to them.
The future: The fully realized version of Shapeshifter would be a “mothercraft” lander that carries a collection of 12 mini robots (“cobots”) to the surface, acts as the main power source, and uses a suite of scientific instruments that can directly analyze samples. The cobots could work together to carry and move the mothercraft to different areas. They would be able to operate individually or as one cohesive unit, in order to adapt to a variety of terrains and environments.
For example, the cobots would be able to separate and fly out in different directions or together as a flock, link up together like a barrel of monkeys in order to explore narrow caves and caverns, or even float on or swim in liquid.
(22) SURVIVE BY A WHISKER. Gato Roboto
a video game designed to let you channel your inner feline.
Pounce inside of your cozy armored mech and set off on a dangerous trek through an alien underworld full of irritable creatures and treacherous obstacles in a valiant effort to save your stranded captain and his crashed spaceship. Tiptoe outside the friendly confines of your technological marvel and follow your feline instincts through tight tunnels and mysterious waterways to scavenge for new weapons and gear. Adventure awaits the most curious of cats in Gato Roboto!
[Thanks to John King Tarpinian, JJ, Chip Hitchcock, Mike Kennedy,
Martin Morse Wooster, Cat Eldridge, Terry Hunt, Nina Shepardson,Cliff, Rob Thornton,
Michael J. Walsh, and Andrew Porter for some of these stories.
Title credit belongs to File 770 contributing editor of the day Anna NImmhaus.]
ComicMix was the winner today when a Federal judge decided the remaining copyright issues in Dr. Seuss Enterprises’ suit to stop the Oh, The Places You’ll Boldly Go! project.
Dr. Seuss Enterprises (DSE) had claimed the crowdfunded book, featuring the writing of David Gerrold and the art of Ty Templeton, infringed their copyright and trademark for Dr. Seuss’ Oh the Places You’ll Go! A court ruling in May 2018 disposed of DSE’s trademark claims, but the copyright claims remained to be litigated.
In granting ComicMix’s motion for summary judgment U.S. District Court Judge Janis Sammartino explained: “Summary judgment is appropriate where the Court is satisfied that there is ‘no genuine dispute as to any material fact and the movant is entitled to judgment as a matter of law.’”
ComicMix argued there was no copyright infringement because Boldly is fair use, and under applicable caselaw “the doctrine of ‘fair use’ shields from infringement particular uses of a copyrighted work.”
Judge Sammartino wrote that Congress set forth four non-exclusive factors for use in evaluating whether a particular use of a copyrighted work is fair:
(1) The purpose and character of the use, including whether such use is of a commercial nature or is for nonprofit educational purposes;
In an attempt to foreclose a successful fair use defense, Dr. Seuss Enterprises pointed to the Federal Circuit’s 2018 decision in Oracle America, Inc. v. Google. That case deals with copyrighted Java API code and whether Google infringes when it makes its own version intended to allow software programs to communicate with each other. It’s a high-stakes battle that has a good shot of being taken up by the Supreme Court. When it comes to the purpose and character of Boldly, Dr. Seuss analogizesthe book to what Google did with Java.
“The Court does not find Oracle persuasive,” responds the judge, addressing what she sees as the key distinction. “in Oracle, the Defendants copied the 37 SE API packages wholesale, while in Boldly ‘the copied elements are always interspersed with original writing and illustrations that transform Go!’s pages into repurposed, Star-Trek-centric ones.’ Defendants did not copy verbatim text from Go! in writing Boldly, nor did they replicate entire illustrations from Go! Although Defendants certainly borrowed from Go!—at times liberally—the elements borrowed were always adapted or transformed. The Court therefore concludes, as it did previously that Defendants’ work, while commercial, is highly transformative.”
(2) The nature of the copyrighted work;
The judge finds that the factor of the nature of the copyrighted work — Dr. Seuss’ Oh, the Places You’ll Go — slightly favors the plaintiff before addressing the amount and substantiality of the portion used.
(3) The amount and substantiality of the portion
used in relation to the copyrighted work as a whole;
Judge Sammartino said that she considered the situation in the current case to be comparable to a suit about a poster created to advertise Naked Gun 33-1/3: The Final Insult:
Although the Court ultimately concluded that Boldly was not a parody, the Court concludes that this csse is most analogous to the situation in Leibovitz v. Paramount Pictures Corp. In Leibovitz, the defendant was alleged to have infringed a famous photograph of a nude, pregnant Demi Moore that appeared on the cover of the August 1991 issue of Vanity Fair. The photo of Ms. Moore was itself “a well known pose evocative of Botticelli’s Birth of Venus.”
As part of an advertising campaign for an upcoming movie, the defendant commissioned a photographer to take a photo of another nude, pregnant woman in a similar pose, and “[g]reat effort was made to ensure that the photograph resembled in metic ulous detail the one taken [of Ms. Moore] by [the plaintiff],” from the model’s posture to her hand placement to the use of a large ring on the same finger. The defendant’s photograph was then digitally enhanced using a computer to make the skin tone and body shape more closely resemble that of Ms. Moore in the plaintiff’s original photo. Leslie Nielsen’s face was superimposed on the model’s body, “with his jaw and eyes positioned roughly at the same angle as Moore’s, but with her serious look replaced by Nielsen’s mischievous smirk.” The finished poster advertised that the movie was “DUE THIS MARCH.”
The Second Circuit stressed that, “[i]n assessing the amount and substantiality of the portion used, [the court] must focus only on the protected elements of the original.” Consequently, the court reasoned, the plaintiff “is entitled to no protection for the appearance in her photograph of the body of a nude, pregnant female,” but rather only “the particular way the body of Moore is portrayed.”
The court clarified that, “[e]ven though the basic pose of a nude, pregnant body and the position of the hands, if ever protectable, were placed into the public domain by painters and sculptors long before Botticelli, [the plaintiff] is entitled to protection for such artistic elements as the particular lighting, the resulting skin tone of the subject, and the camera angle that she selected.” The court ultimately concluded that the defendant “took more of the [plaintiff’s] photograph than was minimally necessary to conjure it up, but” that there was “little, if any, weight against fair use so long as the first and fourth factors favor the” defendant.
As in Leibovitz, the Court must take care in distinguishing precisely those elements of the Copyrighted Works to which Plaintiff is entitled copyright protection. Examining the cover of each work, for example, Plaintiff may claim copyright protection in the unique, rainbow-colored rings and tower on the cover of Go! Plaintiff, however, cannot claim copyright over any disc-shaped item tilted at a particular angle; to grant Plaintiff such broad protection would foreclose a photographer from taking a photo of the Space Needle just so, a result that is clearly untenable under —and antithetical to—copyright law. But that is essentially what Plaintiff attempts to do here. Instead of replicating Plaintiff’s rainbow-ringed disc, Defendants drew a similarly-shaped but decidedly non-Seussian spacecraft—the USS Enterprise—at the same angle and placed a red-and-pink striped planet where the larger of two background discs appears on the original cover. Boldly’s cover also features a figure whose arms and hands are posed similarly to those of Plaintiff’s narrator and who sports a similar nose and eyes, but Boldly’s narrator has clearly been replaced by Captain Kirk, with his light, combed-over hair and gold shirt with black trim, dark trousers, and boots. Captain Kirk stands on a small moon or asteroid above the Enterprise and, although the movement of the moon evokes the tower or tube pictured on Go! ’s cover, the resemblance is purely geometric.
Finally, instead of a Seussian landscape, Boldly’s cover is appropriately set in space, prominently featuring stars and planets. In short, “portions of the old work are incorporated into the new work but emerge imbued with a different character.”
(4) The effect of the use upon the potential
market for or value of the copyrighted work.
Hollywood Reporter summarized the court’s take on the last
When it comes to Oh, the Places You’ll Boldly Go!, the judge concludes that it isn’t likely usurp its predecessor’s position in the children’s book market because ComicMix has targeted those familiar with both the Seuss and Trek canon with a work that includes some sexual innuendo (hello, Captain Kirk). The derivatives market is called a “closer question,” but the judge notes that Dr. Seuss has “introduced no evidence tending to show that it would lose licensing opportunities or revenues as a result of publication of Boldly or similar works.”
Judge Sammartino, finding this factor did not favor either party, invoked
the Supreme Court’s statement in Fogerty
v. Fantasy Inc. to justify ruling for ComicMix:
The Supreme Court has admonished, “[t]he primary objective of copyright is not to reward the labor of authors, but ‘to promote the Progress of Science and useful Arts.’ To this end, copyright assures authors the right to their original expression, but encourages others to build freely upon the ideas and information conveyed by a work.”
The text of today’s decision also revealed ComicMix originally planned to follow up Boldly with two other Suess/Trek mashups, “Picard Hears A Q” and “One Kirk, Two Kirk, Red Shirt, Blue Shirt,” whose fate is now uncertain.
Láadan, the conlang in Native Tongue, is distinctive for its feminist philosophy: according to Elgin, it focuses on words that efficiently describe “concepts important to women” and “emotional information.” Importantly, Láadan isn’t meant exclusively for women: rather, it is a language constructed with feminist principles in its marrow. For example, the Láadan word “radíidin” is immediately recognizable as a form of emotional labor, the often invisible work that falls primarily to women…
Science fiction is everywhere in 2018. Not just in the form of our favorite movies, books, or TV shows — but even in the actual technology we use in our daily lives.
But the story of sci-fi goes back decades — long before films like Star Wars or 2001: A Space Odyssey. The 1930s and 40s are known as the Golden Age of science fiction. This era, and the people in it, are the subject of Chicago writer Alec Nevala Lee’s latest book.
It’s called “Astounding: John W. Campbell, Isaac Asimov, Robert A. Heinlein, L. Ron Hubbard, and the Golden Age of Science Fiction.”
And what tied all of these men together is the sci-fi magazine called Astounding, which in many ways helped create the genre.
Alec Nevala-Lee joined us from our studios at Northwestern University’s Medill School of Journalism.
There were singalongs, fan meetups and workshops, booths jamming two “marketplace” floors, as well as an avalanche of panels dedicated to such topics as portraying Evan Hansen, 25 years of Disney on Broadway, auditioning, the lives of stage managers, “Harry Potter and the Cursed Child” and “Mean Girls.”
…It wasn’t until after her husband filed for divorce that Sherrilyn Kenyon had her blood, nails and hair tested for toxins. The tests found her body contained high levels of lithium, tin, barium, platinum and thorium, the lawsuit said.
After her husband moved out, Sherrilyn Kenyon’s health began to improve.
The lawsuit said Lawrence Kenyon and Plump, who had taken on a more involved role helping coordinate Sherrilyn Kenyon’s book-related events and appearances, worked together to sabotage her career by disparaging fans and industry professionals. Their actions, she claimed, led to the loss of hundreds of thousands of dollars and several canceled contracts with her publisher.
… Kenyon is suing for several causes of action, including assault by poisoning, concerted action aiding and abetting, intentional interference with business relationships and invasion of privacy.
When it first emerged more than 30 years ago, cyberpunk was hailed as the most exciting science fiction of the ’80s. The subgenre, developed by a handful of younger writers, told stories of the near future, focusing on the collision of youth subcultures, new computer technologies, and global corporate dominance. It was only ever a small part of the total SF field, but cyberpunk received an outsize amount of attention. Since then, its characteristic tropes have become clichés. By 1992, they could be hilariously parodied by Neal Stephenson in Snow Crash (a novel often mistaken as an example of the subgenre it meant to mock). In 1999, the Wachowskis brought cyberpunk to a mass audience with The Matrix.
Meanwhile, myriad new SF subgenres and microgenres have been discovered or invented, each trying to recapture the excitement cyberpunk once generated. The list is long to the point of parody. There’s steampunk, biopunk, nanopunk, stonepunk, clockpunk, rococopunk, raypunk, nowpunk, atompunk, mannerpunk, salvagepunk, Trumppunk, solarpunk, and sharkpunk (no joke!), among others. Most recently, my Twitter feed has been choked with discussions (and mockery) of hopepunk, after Vox published an article in December announcing its arrival. The term, coined by Alexandra Rowland, was meant to describe fiction that resists dystopian pessimism in favor of “DEMANDING a better, kinder world, and truly believing that we can get there if we care about each other as hard as we possibly can, with every drop of power in our little hearts.”
December, Sarah Gailey livetweeted watching Top
Gun for the first time. The thread starts here.
Top Gun is a heartfelt, moving film about one man’s risky dalliance with heterosexuality. Lieutenant Tom “Maverick” Cruise is introduced to the audience as a glistening, patriotic risk-taker. He just wants to be the best Plane Guy he can be. His ambitious Airplane Moves get him all the way to the TOPGUN program, a school for only the coolest plane guys. Everything is going great for Maverick… until the night before classes begin. He arrives at Miramar, where the TOPGUN program is located, as ominous music plays in the background—Maverick, the score informs us, is on the highway to the danger zone.
That very evening, Maverick’s sassy straight friend, Lieutenant j.g. Goose “Goose” Goose, brings him to a straight bar for an evening of exploration. Goose exhorts the tentative Maverick to “have carnal knowledge—of a lady this time—on the premises.”
(8) CANNIZZO OBIT. Dr.
John K Cannizzo, husband of author Catherine Asaro,
died December 30, 2018 at the age of 61. The family obituary is here.
From Catherine Asaro: I was blessed to have John as my husband for thirty-two years. He truly was a gentle giant with an immense heart and inner strength, the love of my life, the finest human I’ve ever known. I thank all of you who have posted your thoughts here; it helps to ease the great loss of his passing….
From the colleagues of Dr. Cannizzo: …John was a member of the Physics Department at the University of Maryland, Baltimore and the Astroparticle Physics Laboratory in the Astrophysics Science Division at NASA Goddard Space Flight Center, having been at Goddard for 25 years. He was a longtime member of the Laser Interferometer Gravitational-Wave Observatory (LIGO) science team and of the Swift gamma-ray burst telescope….
(9) TODAY’S BIRTHDAYS.
by Cat Eldridge.]
Born January 15, 1913 – Lloyd Bridges. Though I’m reasonably sure Secret Agent X-9, a 1945 serial, isn’t genre, but I’m listing it anyways because I’m impressed it because it was based on a comic strip by Dashiell Hammett, Leslie Charteris and others. His first SF role as Lost Horizon though uncredited so I don’t trust Wiki on that. He’s the Pilot Col. Floyd Graham in Rocketship X-M, Dr. Doug Standish In Around the World Under the Sea, Aramis in The Fifth Musketeer, Clifford Sterling in Honey, I Blew Up the Kid and Grandfather in Peter and the Wolf. His television appearances are too many to list here. (Died 1998.)
Born January 15, 1924 – Dennis Lynds. He only wrote two sf novels, probably pulp ones at that, Lukan War and The Planets of Death, but I’m intrigued that he also penned eight titles of The Shadow from 1964 to 1967 under the Shadow’s author by-line of Maxwell Grant. He also, and I count this as genre, under the name of Robert Hart Davis penned a number of Man from U.N.C.L.E. Novella that all ran in The Man from U.N.C.L.E. Magazine. (Died 2005.)
Born January 15, 1935 – Robert Silverberg, 84. I know the first thing I read by him was The Stochastic Man some forty five years ago. After that I’ve read all of the Majipoor series which is quite enjoyable, and I know I’ve read a lot of his short fiction down the years. So what should I have read by him that I haven’t?
Born January 15, 1944 – Christopher Stasheff. A unique blending I’d say of fantasy and SF with a large if excessive dollop of humor. His best known novels are his Warlock in Spite of Himself series. I wrote one that by its title intrigues me — The Feline Wizard! (Died 2018.)
Born January 15, 1965 – James Nesbitt, 54. Best genre role was as Tom Jackman and Hyde in Jekyll which was written by Steven Moffat. He’s also appeared in Fairy Tales, The Young Indiana Jones Chronicles, Stan Lee’s Lucky Man and Outcast. Yes, I know he played Bofur in the Hobbit films. I still consider Jekyll his better by far genre role.
…The President is one of the major faces of the organization, and should be willing to attend events such as the Nebulas and conventions as well as representing SFWA at the other events they’re present at. (When signing up for conventions, I usually pitch a SFWA meeting and/or “What Can SFWA Do For You?” panel, for example.) As such, they do need to bear in mind that anything they say on social media or in interviews may be taken as having “of SFWA” appended to it, whether or not they want it to. The President carries this more than board members, and needs to remember that the membership may interpret something they say jokingly on Twitter as indicating the overall board’s opinion. Having a disclaimer that your opinions are personal and do not represent the organization on places like social media profiles is vital.
A good President will be familiar with the bylaws and OPPM and work to bulletproof the organization against anyone wishing to do it harm. They must work side-by-side with the board, the Executive Director, the Deputy Executive Director, the financial team, and a slew of volunteers and contractors to make sure that SFWA remains true to its mission while growing and adapting to the evolving and ever-changing publishing landscape.
In order to do that, the President needs to keep an eye on what’s going on–which can be difficult at times, given the volunteer nature of the position and the stressors of life. They need to be available to people who need them or arrange someone to cover them when on vacation. But it’s also usually easy to keep up with things and often just a matter of checking in on the discussion boards and e-mail once or twice a day. I do want to note (from experience) that many e-mails are time sensitive and not paying attention can result in holding things up in a frustrating way for other people….
DURING THE POSTWAR PERIOD, the genres of the fantastic — especially science fiction — have been deeply intertwined with the genres of popular music, especially rock ’n’ roll. Both appeal to youthful audiences, and both make the familiar strange, seeking escape in enchantment and metamorphosis. As Steppenwolf sang in 1968: “Fantasy will set you free […] to the stars away from here.” Two recent books — one a nonfiction survey of 1970s pop music, the other a horror novel about heavy metal — explore this heady intermingling of rock and the fantastic.
As Jason Heller details in his new book Strange Stars: David Bowie, Pop Music, and the Decade Sci-Fi Exploded, the magic carpet rides of the youth counterculture encompassed both the amorphous yearnings of acid rock and the hard-edged visions of science fiction. In Heller’s account, virtually all the major rock icons — from Jimi Hendrix to David Crosby, from Pete Townshend to Ian Curtis — were avid SF fans; not only was their music strongly influenced by Heinlein, Clarke, Ballard, and other authors, but it also amounted to a significant body of popular SF in its own right. As Heller shows, many rock stars were aspiring SF writers, while established authors in the field sometimes wrote lyrics for popular bands, and a few became rockers themselves. British fantasist Michael Moorcock, for example, fronted an outfit called The Deep Fix while also penning songs for — and performing with — the space-rock group Hawkwind (once memorably described, by Motörhead’s Lemmy Kilmister, as “Star Trek with long hair and drugs”).
This program looks at the careers and manifold influence of The Los Angeles Science-Fiction League’s most famous members: Forrest J. Ackerman, the mainspring of the group, who coined the term “Sci-Fi”; Ray Bradbury, renowned author of The Martian Chronicles and Fahrenheit 451; and Ray Harryhausen, master of stop-motion animation. Extended interviews with all three men and the numerous filmmakers, special effects artists, and NASA researchers they have inspired illuminate how so many of their dreams have become reality.
The deadline for Nebula nominations is only one month away. For some shameful reason, “Bubble and Squeak” by Ctein and myself is not on the SFWA recommended reading list.
To make up for that serious lack of attention, once again, I am making the story available for all readers, but especially members of SFWA who might think the story is worth reading and possibly even worthy of award consideration.
Cern has published its ideas for a £20bn successor to the Large Hadron Collider, given the working name of Future Circular Collider (FCC).
The Geneva based particle physics research centre is proposing an accelerator that is almost four times longer and ten times more powerful.
The aim is to have the FCC hunting for new sub-atomic particles by 2050.
Critics say that the money could be better spent on other research areas such as combating climate change.
But Cern’s Director-General, Prof Fabiola Gianotti described the proposal as “a remarkable accomplishment”.
“It shows the tremendous potential of the FCC to improve our knowledge of fundamental physics and to advance many technologies with a broad impact on society,” she said.
(17) VIDEO OF THE DAY. Keiichi
Matsuda’s Merger on Vimeo:
With automation disrupting centuries-old industries, the professional must reshape and expand their service to add value. Failure is a mindset. It is those who empower themselves with technology who will thrive.
Merger is a new film about the future of work, from cult director/designer Keiichi Matsuda (HYPER-REALITY). Set against the backdrop of AI-run corporations, a tele-operator finds herself caught between virtual and physical reality, human and machine. As she fights for her economic survival, she finds herself immersed in the cult of productivity, in search of the ultimate interface. This short film documents her last 4 minutes on earth.
Susan de Guardiola, Colleen McMahon, Michael
J. Walsh, Jim Meadows, Andrew Porter, Chip Hitchcock, Paul DiFilippo, Cat
Rambo, John King Tarpinian, BravoLimaPoppa3, Rich Horton, JJ, Cat Eldridge,
Steve Davidson, Carl Slaughter, Danny Sichel, Mike Kennedy, and Martin Morse
Wooster for some of these stories. Title credit goes to File 770 contributing
editor of the day StephenfromOttawa.]
…Let us, therefore, assume there will be no nuclear war — not necessarily a safe assumption — and carry on from there.
Computerization will undoubtedly continue onward inevitably. Computers have already made themselves essential to the governments of the industrial nations, and to world industry: and it is now beginning to make itself comfortable in the home.
An essential side product, the mobile computerized object, or robot, is already flooding into industry and will, in the course of the next generation, penetrate the home.
There is bound to be resistance to the march of the computers, but barring a successful Luddite revolution, which does not seem in the cards, the march will continue.
The growing complexity of society will make it impossible to do without them, except by courting chaos; and those parts of the world that fall behind in this respect will suffer so obviously as a result that their ruling bodies will clamour for computerization as they now clamour for weapons….
According to Netflix, this is the best debut week for any of its films ever. It’s worth pointing out that the 45 million number refers to accounts, not views or streams. So the figure isn’t even taking into consideration how many of us share Netflix or watched it with one or more viewing companions.
To put that number into perspective, if each of those accounts had paid $14 to see Bird Box — less than the price of a movie ticket in cities like New York — the Netflix thriller would have surpassed Aquaman‘s current global box office haul of $629 million.
The rare look at Netflix numbers reminds us how ubiquitous the streaming platform is, particularly with its international scope.
(4) WHITFIELD OBIT. Dame
June Whitfield who died
December 28, was famous for her work on Terry and June, the Carry On movies and Absolutely
Fabulous. However, in her long career she worked often, and occasionally
took genre roles, as in Doctor Who’s 2010
episode ”The End of Time Part II.”
I’m intrigued that one of her earliest credits was Yes, It’s The Cathode-Ray Tube Hour. Which
is a very campy title, but I don’t think they were doing camp yet in 1957. Or
As we celebrate other anniversaries and holidays, now is the day to celebrate a seminal moment in Star Trek history: the release of ‘The Trouble With Tribbles.’ As Captain Kirk navigates some Klingon troubles, he also must contend with the small, furry invaders who are eating everything and multiplying like bunnies all over his ship. It contains some great dialogue such as McCoy asking what happens when you feed a tribble too much and Kirk replying “a fat tribble?” and a great action scene in which Scotty fights some Klingons because they dared insult the Enterprise.
‘Tribbles’ is not necessarily an Emmy-worthy episode, but it’s a fun episode. It showcases the lighter, funnier side of Star Trek. Star Trek is about our humanity striving to overcome present biases to find a utopian future. ‘Tribbles’ embraces the weirdness of it all, while still depicting a non-violent solution to a dispute in which the problem is solved through diplomacy (and some Tribble trickery) rather than by shooting our way out.
(6) TODAY’S BIRTHDAYS.
by Cat Eldridge.]
Born December 29, 1972 – Jude Law, 46. I think his first SF role was as Jerome Eugene Morrow In Gattaca followed by playing Gigolo Joe in A.I. with my fav role for him being the title role in Sky Captain and the World of Tomorrow. He was Lemony Snicket In Lemony Snicket’s A Series of Unfortunate Events, Tony in The Imaginarium of Doctor Parnassus, Dr. John Watson in the 2009 Sherlock Holmes and Sherlock Holmes: A Game of Shadows, Remy in Repo Man and he voiced Pitch Black in one of my favorite animated films, Rise of the Guardians.
(7) SHOULD AULD FICTION BE FORGOT? At Featured Futures, Jason’s compiled another list of the month’s memorable fiction in “Summation: December”.
December closes the year with little to fully recommend but with several good stories to note, mostly from unusual sources. These half-dozen tales were drawn from the month’s reading of 42 stories of 169K words (plus four November stories of 10K in December’s first review of the weeklies). Aside from the recommended stories, the most interesting items posted this month were probably (hopefully) this site’s “Year’s Best” and the start of the “Collated Contents” of the real “Year’s Bests” (linked in the News section at the end of this post).
Five years of comic book-inspired villains, noir gang power struggles and vigilante hero training has all led to this: the final season of Gotham.
With only 12 episodes of the series remaining […] Fox’s Batman prequel has a lot of loose ends to tie up before the young Bruce Wayne (David Mazouz) can wear the cape and cowl for which he’s destined. And with the season four cliffhanger of Jeremiah (Cameron Monaghan) blowing up all the bridges and cutting Gotham off from the rest of the world, bringing the “No Man’s Land” arc from the comics to life, the series couldn’t be any further from that end goal. […]
With so much ground to cover in a limited amount of time, executive producer John Stephens tells The Hollywood Reporter that viewers should expect “a velocity to the story that we’ve never had before.”
…In 2016 controversy erupted before the annual Angouleme Festival International de la Bande Desinée over the festival’s lack of any women on the longlist to be awarded the festival’s Grand Prix de la ville d’Angouleme. The prize, given to a cartoonist for their body of work, had given to only a single woman in the festival’s history. Many creators originally up for the prize boycotted and withdrew their names from consideration. The committee ultimately awarded that year’s prize to Ms. Severin.
Only the fifth American to receive the award – after Will Eisner, Robert Crumb, Art Spiegelman and Bill Watterson – the decision to award it to Severin was at the time controversial. Since then it has come out that a number of men were put forward, but people were unable to come to a consensus. When Severin’s name was put forward, the vote was unanimous.
Severin was chosen for her body of work. For her connection to EC Comics, to Mad, to Silver Age superhero comics. Her work represents the ways that comics managed to penetrate the counterculture and transform it and society at large. She represented the ways that the medium has its connections to illustration and design through the work she and her contemporaries had been doing in recent decades, but also through the influence of her father, who was an illustrator, and that early tradition of illustration that so influenced early comics….
(10) NIGHTFLYERS REVIEW.
Matthew Kadish gives his rundown on Nightflyers
in a thread that starts here.
(11) BELATED BIRTHDAYS.
by Cat Eldridge. He was on time – I’m the one who fell behind!]
Born December 27, 1922 – Stan Lee. Summarizing his career is quite beyond my abilities. He created and popularized Marvel Comics in a way that company is thought to be the creation of Stan Lee in way that DC is not. He co-created the Fantastic Four, Spider-Man, the X-Men, Iron Man, Thor, the Hulk, Daredevil, Doctor Strange, Black Panther, Scarlet Witch and Ant-Man, an impressive list by any measure.I see he’s won Eisner and Kirby Awards but no sign of a Hugo. Is that correct? (Died 2018.)
Born December 27, 1932 – Nichelle Nicols, 86. Uruhu on the original Trek. She reprised her character in Star Trek: The Motion Picture, Star Trek II: The Wrath of Khan, Star Trek III: The Search for Spock, Star Trek IV: The Voyage Home, Star Trek V: The Final Frontier and Star Trek VI: The Undiscovered Country. Other film SF roles included Ruana in Tarzan’s Deadly Silence with Ron Ely as Tarzan, High Priestess of Pangea in The Adventures of Captain Zoom in Outer Space, Oman in Surge of Power: The Stuff of Heroes and Mystic Woman in American Nightmares. Series appearances have been as Lieutenant Uhura and additional voices in the animated Trek, archive footage of herself in the “Trials and Tribble-ations” DS9 episode and Captain Nyota Uhura In Star Trek: Of Gods and Men which may or may not be canon.
Born December 27, 1973 – Wilson Cruz, 45. His first SF role was as Benj Sotomejor in Supernova, a film disowned by damn everyone involved with it. His second credit was a minor role as Sid Tango in the Pushing Daisies series. His third was is damn good — he’s Dr. Hugh Culber on Star Trek: Discovery, a series that for all the whining for it bring on a premium station should be one that you go and watch — it’s that’s good.
Born December 27, 1977 — Sinead Keenan, 41. Best known for playing the role of the werewolf Nina Pickering in Being Human, she would show up in Doctor Who in the “The End of Time” episode as Addams. For those of you interested in Awards, she was in the The Five(ish) Doctors Reboot as a fan, the show being a comedy spoof and homage to Doctor Who that featured a lot of the actors who’d played The Doctor and damn near anyone else involved in it down the years. It was nominated for the 2014 Hugo Award for Best Dramatic Presentation (Short Form.)
Born December 28, 1983 – Olivia Cooke, 25. For a youngster, she’s impressive genre creds starting off with The Quiet Ones, a British a supernatural horror film followed by a SF thrilled titled The Signal. From there she went on to The Limehouse Golem based on a Peter Ackroyd novel, and was in Ready Player One. Series wise, she was in The Secret of Crickley Hall before getting the main role of Emma Decody In Bates Motel. I’d be absolutely remiss not to note she voiced the Loch Ness Monster in the animated Axe Cop series.
Born December 27, 1995 – Timothy Chalamet, 23. First SF role was as Young Tom Cooper in the well received Interstellar. To date, his only other genre role has been as Zac in One & Two but I’m strongly intrigued that he’s set to play Paul Atreides In Director Denis Villeneuve forthcoming Dune. Villeneuve is doing it as a set of films instead of just one film.
Born December 28, 1934 – Maggie Smith, 84. First genre role was as Theis in Clash of the Titans with Minerva McGonagall In the Harry Potter films being her best known role. She also played Linnet Oldknow in From Time to Time and voiced Miss Shepherd, I kid you not, in two animated Gnomes films.
Born December 28, 1979 – Noomi Rapace, 39. She played Madame Simza Heron in Sherlock Holmes: A Game of Shadows, had the lead role of Dr. Elizabeth Shaw in Prometheus, Renee in Rapture, played all the seven lead roles in What Happened to Monday and was in Bright as Leilah.
The death of Carrie Fisher two years ago was a shock to a great many people, not the least of whom were Star Wars fans. She had a prominent role in the last film, The Last Jedi, as Leia Organa, and was supposed to play a major part in Star Wars Episode IX, which is currently being shot by The Force Awakens’J.J. Abrams. The big question was how she would be written out of the series.
There had been rumors — quickly debunked by Lucasfilm — that a digital version of Carrie would be created to wrap up her character arc. After all, one had previously been created for the conclusion of Rogue One: A Star Wars Story, which was designed as a prequel to 1977’s Episode IV: A New Hope and which concluded with the moments leading up to that film, including Carrie’s Princess Leia recording a message into the R2D2 droid. The next rumor was that outtakes from both The Force Awakens and The Last Jedi featuring the actress would be featured. Now comes word from her brother, Todd Fisher, that it could be considerably more than that.
(13) BEST AND WORST TREK EPISODES RANKED (CONFUSINGLY!)[Item by Mike Kennedy.] At the end of each year we are besieged by too many lists of the best of this or the worst of that for the year. The subject here isn’t one of those, but rather an attempt to rank the best & worst all timeStar Trek episodes across the various series as an entity (ScreenRant: “Star Trek: The 10 All Time Best (And 10 Worst) Episodes, Officially Ranked”). In a side note, it is hereby acknowledged that columnist Joseph Walter should be sentenced to 40 lashes with a wet noodle—if not indeed more—for using the rather officious term “Officially Ranked” in the title.
Star Trek, throughout many moments of its many seasons, has been a prime example of superior science-fiction television, and has had a tremendous effect on not only fans of the genre, but curious outsiders who found themselves drawn into the well-developed world of our space-faring future, complete with wonderfully multi-dimensional characters, harrowing plots, and impactful commentary on any number of current day issues through the gaze of fiction.
[…] Unfortunately, for every tremendous success in that particular realm, there are often some Picard-styled face-palming failures. Trek has given us some of the greatest science-fiction episodes of all time, along with some of the worst, and we’ve dug through both sides of the spectrum and compiled a list that’ll set the record straight on the many ups and downs the franchise has produced.
The list interleaves the best and worst, counting down from the 10th best (at item #20) to the very worst (at item #1). Walter provides his reasoning for each choice, but herewith the list itself:
20 Best: The Trouble With Tribbles (TOS)
19 Worst: These Are the Voyages… (ENT)
18 Best: Year of Hell (VOY)
17 Worst: The Fight (VOY)
16 Best: Trials and Tribble-Ations (DS9)
15 Worst: The Omega Glory (TOS)
14 Best: Measure of a Man (TNG)
13 Worst: A Night in Sickbay (ENT)
12 Best: In the Pale Moonlight (DS9)
11 Worst: The Way to Eden (TOS)
10 Best: The Best of Both Worlds (TNG)
9 Worst: The Savage Curtain (TOS)
8 Best: Far Beyond the Stars (DS9)
7 Worst: Threshold (VOY)
6 Best: The City On the Edge of Forever (TOS)
5 Worst: Shades of Gray (TNG)
4 Best: The Visitor (DS9)
3 Worst: Spock’s Brain (TOS)
2 Best: All Good Things… (TNG)
1 Worst: Code of Honor (TNG)
(14) VIDEO OF THE DAY. In “Xerox’s Paradox” on Vimeo, John Butler
imagines what sort of high-tech clothes we will wear to keep our competitive
[Thanks to Alan Baumler, JJ, Chip Hitchcock, Cat Eldridge, John King Tarpinian, Mike Kennedy, Martin Morse Wooster, Carl Slaughter, John A Arkansawyer, Jason, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew.]
[Editor’s note: be sure to read the comments on this post for more novellas and more Filer reviews.]
By JJ: I’m a huge reader of novels, but not that big on short fiction. But the last few years, I’ve done a personal project to read and review as many Novellas as I could (presuming that the story synopsis had some appeal for me). I ended up reading 31 of the novellas published in 2015, 35 of the novellas published in 2016, and 46 of the novellas published in 2017 (though a few of those were after Hugo nominations closed).
The result of this was the 2016 Novellapalooza and the 2017 Novellapalooza. I really felt as though I was able to do Hugo nominations for the novella category in an informed way, and a lot of Filers got involved with their own comments. So I’m doing it again this year.
The success and popularity of novellas in the last 4 years seems to have sparked a Golden Age for SFF novellas, with Tor.com, Subterranean Press, NewCon Press, PS Publishing, Book Smugglers, Clarkesworld, Beneath Ceaseless Skies, and Tachyon bringing out a multitude of works, along with the traditional magazines Asimov’s, Fantasy and Science Fiction, and Analog – so there are a lot more novellas to cover this year. By necessity, I’ve gotten to the point of being more selective about which ones I read, based on the synopsis being of interest to me.
It is not at all uncommon for me to choose to read a book despite not feeling that the jacket copy makes the book sound as though it is something I would like – and to discover that I really like or love the work anyway. On the other hand, It is not at all uncommon for me to choose to read a book which sounds as though it will be up my alley and to discover that, actually, the book doesn’t really do much for me.
Thus, my opinions on the following novellas vary wildly: stories I thought I would love but didn’t, stories I didn’t expect to love but did, and stories which aligned with my expectations – whether high or low. Bear in mind that while I enjoy both, I tend to prefer Science Fiction over Fantasy – and that while I enjoy suspense and thrillers, I have very little appreciation for Horror (and to be honest, I think Lovecraft is way overrated). My personal assessments are therefore not intended to be the final word on these stories, but merely a jumping-off point for Filer discussion.
I thought it would be helpful to have a thread where all the Filers’ thoughts on novellas are collected in one place, as a resource when Hugo nomination time rolls around. Which of these novellas have you read? And what did you think of them?
I’ve included plot summaries, and where I could find them, links to either excerpts or the full stories which can be read online for free. Short novels which fall between 40,000 and 48,000 words (within the Hugo Novella category tolerance) have been included.
Please feel free to post comments about any other 2018 novellas which you’ve read, as well.