The popular fanzine illustrator Atom’s lively report of his 1964 trip to the USA and Pacificon II – that year’s Worldcon, held in Oakland, California – was published in 1968… Our hero’s adventures include crossing the USA in a noisily dysfunctional car that eventually burst into flames, driving on the wrong side of Route 66, and being robbed of all his cash in a California motel – all paling into insignificance beside the terrors of the Sam Moskowitz Speech From Hell.
Cover art and selected interior illustrations by Atom himself, plus photos from the Vince Clarke collection. 35,000 words.
The Harpy Stateside byElla Parker and others
Ella Parker was a prominent, London-based British fan of the 1950s and 1960s who published the highly regarded fanzine Orion and made a long fannish tour of the USA and Canada in 1961. Mundane circumstances prevented the completion of her intended trip report, partly published as Parker‘s Peregrinations with the subtitle (nodding to Walt Willis) The Harpy Stateside.
Rob Hansen has expanded this account with writing by many other fannish hands, tracking Ella’s triumphal progress through North America as she visited various fan centres, stayed with fannish notables and attended two major conventions. 42,000 words, with cover artwork and interiors by Atom (Arthur Thomson).
Making books is better than what many idle hands are up to these days. Let David Langford start your New Year off right with his fannish additions to TAFF’s library of free downloads.
David Langford’s fans get to unwrap a gift early this year – his new collection Beachcombing and Other Oddments is officially released today. Inside they’ll find 78,000 words of his fanzine-published essays, and speeches and silliness.
The contents include the much-acclaimed convention talks “Live Thog’s Masterclass”, “The Secret History of Ansible” and “Twenty Years of Uproar” (a ramble through favourite fanzine humour); offbeat pop-science articles for Fortean Times and elsewhere, on such subjects as perpetual motion, violet-ray healing machines, St Hildegard of Bingen, and how to detect the Number of the Beast in practically any name you choose; a handful of recipes and another handful of Drabbles; several introductions to SF books; and many instalments of unreliable autobiography.
It’s Langford’s first collection of this kind since the Hugo-nominated The Silence of the Langford (1996).
We’re working hard to figure out the best path forward for our Worldcon next year and we need to hear from you! Please take this brief 2-question poll which seeks your preference between shifting DC III to December 15-19, 2021, with a high probability to be an in-person Worldcon, or keeping with our existing August 25-29, 2021, which would be mostly virtual with the potential for limited in-person activities.
(2) STOKERCON CONTINGENCY PLAN. For now, the Horror Writers Association is planning on StokerCon 2021 being an in-person event next May in Denver – but what if that changes?
…As of now, we intend to hold the convention as scheduled. At the same time, we are working on contingency plans should that not be possible. We are discussing the issue on an ongoing basis with The Curtis, who are sensitive to the situation and the needs and concerns of our attendees.
If for some reason we cannot hold the convention as planned, any change will be announced more than sixty days before May 20th so that those who wish to change their plans may still obtain a refund for their registration fee and change or cancel hotel reservations and alter travel plans. We recommend those planning long distance travel who wish to purchase airfare or other tickets in advance look into refundable options and travel insurance.
If for some reason we cannot hold StokerCon™ 2021 in person, we will look into the possibility of a virtual convention and have begun investigating options. This contingency is too far into the future to make concrete plans, though we will work to ensure a complete and enjoyable convention….
[GLITCHY PANCAKES] Why don’t we start out and talk about your most recent venture Erewhon Books. This is really interesting because what i was personally curious about is after so many years working as an editor what made you want to take the leap and like hang out your own shingle and go into like the full scale publishing?
[LIZ GORINSKY] So yeah it was a tour of basically my entire adult career before that I did one internship in the industry which is DC Comics and then a long time at Tor, and it was great but I guess it was a combination — Publishing is intensely cyclical we had a three season schedule so just imagine doing the same thing three times a year for 15 years and like even if it’s doing a thing like working on books that you love, it is, you know, kind of repetitive in some ways. And i think it was also, you know, many great things were going on but I think that like around the time that i was working there there was like I guess a drive towards becoming a little bit more professional and a little bit more corporate and, I think, ultimately to the benefit of the company, but I felt like sort of cowboy territory when I started that we were just like a bunch of science fiction weirdos, and they still are to be sure, but there was also kind of a like let’s fit a little bit more into the greater Macmillan culture. So I was basically at the point where I could consider kind of working independently for a little while. So i was attempting to leave and go freelance and try to do some freelance editing for a while to focus on some other things that I was interested in exploring, just not do the same thing over and over again for a little while. Then some folks found me and they said would you like to start a new speculative fiction company that will be funded and you can do whatever you want, basically. I spent a little while wrestling with imposter syndrome about that and then, basically, like, you know, enough people said some variations on how can you not do that that. I kind of figured that i had to do that and that’s where we started…
(4) CONDENSED CREAM OF CONZEALAND. Morgan Hazelwood has completed a series of reports on some of the panels at CoNZealand, the 2020 Worldcon.
Here’s the list of panels I managed to squeeze in:
Cultures and Their Myths
What’s In A Name? Characters in Fiction
Stranger in a Strange Head: Imposter Syndrome
Spirits Abroad and At Home
Fairy Tale Contract Law
Writing SFF From The Margins
What Fanfiction Can Teach Genre Writers
Writing For Young Adults
and last, but certainly not least!
In Space No One Can See You Hide The Evidence: Crimes in Space
(5) THICK AS A BRICK: David Langford has added his vast compilation of a decade’s worth of Ansible (2011-2020) to the TAFF ebooks library. It’s a free download, however, if you feel moved to donate to the Trans-Atlantic Fan Fund that would be a good thing.
Issues 282 to 401 of the infamous Hugo-winning SF/fan newsletter. First published from January 2021 to December 2020 and archived online here. Compiled into an Ansible Editions ebook for the TAFF site on 3 December 2020, with cover logo (compressed second-series version) by Dan Steffan and artwork by Atom. 429,000 words.
(6) LETTERS FROM VONNEGUT. In “Satirist to the Galaxy” in The American Scholar, Anne Matthews reviews Love, Kurt, a collection of 226 letters Kurt Vonnegut wrote during World War II to the woman he would marry, which give new insights into Vonnegut’s views about war.
…At SS gunpoint, Vonnegut dug Dresden’s dead from the rubble, an extreme tutorial in entropy and decay for the Cornell biochemistry major. He was only 22, raised in a prosperous German-speaking family proud of its Old World ties. The funeral pyres of Dresden became the core of his moral vision and the engine of his later literary fame, but the price of witnessing was nearly unbearable, and everyone who tried to love him paid it, too.
Two women kept him sane. His big sister Alice was his muse, a spiritual twin. His future wife, Jane Cox, a friend since kindergarten days, also a would-be writer, became his literary umpire. “One peculiar feature of our relationship is that you are the one person in this world to whom I like to write,” he told her in 1943. “If ever I do write anything of length—good or bad—it will be written with you in mind. … And let’s have seven children xxxxxxx.” Two weeks after V-J Day, they married and raised, yes, seven children, three of their own plus four young nephews, orphaned after their father’s commuter train fell into Newark Bay two days before Alice died of cancer….
Suppose one has a safety protocol. Suppose one decides that this protocol is onerous for some reason: it consumes extra time, it requires extra effort, or worst of all, it costs money. So, one shaves a step here and a precaution there. And nothing happens! Clearly, the whole shebang was not necessary in the first place. Clearly the thing to do here is to keep skipping steps until circumstances line up wrong and you’re looking at a trip to the emergency room or a burning pile of expensive rubble.
The end results of normalization of deviance are undesirable in reality. But…the process is oh-so-irresistible for authors looking for ways to drop their characters neck-deep in a pig lagoon. Take these five examples…
(8) TRAILER TIME. Wetware will be released December 11.
WETWARE is set in a near future where there are tough and tedious jobs no one wants to do – and people down on their luck who volunteer for genetic modifications to make them right for this work — in slaughterhouses, infectious disease wards, landfill and other hard jobs. With business booming, programmers at Galapagos Wetware up the stakes by producing high-end prototypes, Jack (Bret Lada) and Kay, for more sensitive jobs like space travel, deep cover espionage or boots on the ground for climate or resource conflicts.Galapagos genetic programmer Hal Briggs (Cameron Scoggins) improvises as he goes on what qualities to include or delete in his gene splicing for Jack and, especially, Kay, to whom he develops a dangerous attachment. Then word gets out that Jack and Kay have escaped, before Briggs has completed his work. As Briggs scrambles to track his fugitive prototypes, he makes a provocative discovery that changes everything.
(9) MEDIA BIRTHDAY.
December 3, 1965 — Fifty five years ago this evening, The Wild Wild West’s “The Night of the Human Trigger” was first aired on CBS. It starred Robert Conrad as Jim West and Ross Martin as Artemus Gordon with Burgess Meredith as the guest star this episode. He’s a mad scientist named Professor Orkney Cadwallader that’s using nitroglycerin to set off the earthquakes of horrendous size. The episode uses a number of genre tropes including Chekhov’s gun, mad scientist, deus ex machina and soft glass. You can legally see it here, though oddly enough it’s not up on the CBS All Access app.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born December 3, 1922 – Donald H. Tuck. From his home in Tasmania with help from fans round the world he built a great card index, published A Handbook of Science Fiction and Fantasy (Special Committee Award, Chicon III the 20th Worldcon), then The Encyclopedia of Science Fiction and Fantasy (Best Nonfiction Book, L.A.con II the 42nd Worldcon – Australia’s first Hugo). Guest of Honor at Aussiecon One the 33rd Worldcon, though he could not attend. Big Heart, our highest service award. (Died 2010) [JH]
Born December 3, 1937 – Morgan Llywelyn, age 83. A score of novels, three dozen shorter stories for us; much other work in historical fiction and nonfiction. Exceptional Celtic Woman of the Year award. Nat’l League of American Penwomen Novel of the Year award, Irish-American Heritage Committee (she then still lived in the U.S.) Woman of the Year award. Two Bisto awards, Reading Ass’n of Ireland award. A horsewoman; missed the U.S. Olympics team in dressage by .05 per cent. [JH]
Born December 3, 1949 – Malcolm Edwards, age 71. Fanzine, Quicksilver. Edited Foundation, Interzone, Vector. A hundred fifty essays, letters, reviews there and in The Alien Critic, NY Rev of SF, SF Commentary, SF Monthly, Bleiler’s SF Writers, Speculation. Guest of Honour at Loncon 3 the 72nd Worldcon. Chair of SF at Gollancz (retired 2019), edited its SF Masterworks. Not his fault that Peter Weston knowing no better wrote earlier as “Malcolm Edwards”, which we eventually sorted out. [JH]
Born December 3, 1953 – Doug Beason, Ph.D., age 67. Eight novels with Kevin Anderson, one with Ben Bova, two more, a score of shorter stories, for us; five novels, two nonfiction books, on next-door topics. Science columns in Analog and SF Age. Retired Air Force colonel. Fellow of Amer. Physical Society. Nat’l Defense Univ. President’s Strategic Vision award. [JH]
Born December 3, 1955 — Stephen Culp, 65. His first genre appearance was in Jason Goes to Hell: The Final Friday followed by being in the much different James and the Giant Peach. His next role is as Commander Martin Madden in the extended version of Star Trek: Nemesis, before showing up in Captain America: The Winter Soldier as Congressman Wenham. He also had a recurring role on Enterprise as Major Hayes. (CE)
Born December 3, 1958 — Terri Windling, 62. Author of The Wood Wife, winner of the Mythopoeic Award for Novel of the Year, she has deservedly won has won nine World Fantasy Awards, the Mythopoeic Fantasy Award, the Bram Stoker Award, and The Armless Maiden collection was on the short-list for the then named James Tiptree, Jr. Award. Along with Ellen Datlow, Windling edited sixteen volumes of the Year’s Best Fantasy and Horror from 1986–2003. (Yes, the first volume is actually called Year’s Best Fantasy. I do have a full set here so I know that.) She is one of the core creative forces behind the mythic fiction emergence that began in the early Eighties through her work as an editor for the Ace and Tor Books fantasy lines, and they also edited a number of anthologies such as the superb Snow White, Blood Red series which collected the very best in contemporary fantasy. I’m very fond of her work with Illustrator Wendy Froud, wife of Brian Froud, on the Old Oak Wood series about faeries living in the Old Oak Wood. She interviewed one of them, Sneezlewort Rootmuster Rowanberry Boggs the Seventh, for Green Manhere. (CE)
Born December 3, 1959 – Shawn Lamb, age 61. From her Allon Books, a dozen novels for us; also historical fiction; television screenwriting. Family Review Center Editors’ Choice and Gold Award for The Great Battle. [JH]
Born December 3, 1960 — Daryl Hannah, 60. She made her genre debut in Brian De Palma’s The Fury, though she’s better known as Pris in Blade Runner. And she was the mermaid Madison in Splash. In a decidedly unfashionable role, she was Ayala in The Clan of The Cave Bear before being Mary Plunkett Brogan in High Spirits where she was nominated for a Golden Raspberry Award for Worst Supporting Actress. Was she really that bad in it? Last genre role I think was in the Sense8 series as Angelica Turing. (CE)
Born December 3, 1965 — Andrew Stanton, 55. Director, screenwriter, producer and voice actor, all at Pixar. His work there includes co-writing A Bug’s Life (as co-director), Finding Nemo and its sequel Finding Dory, WALL-E (Hugo for Best Dramatic Presentation, Long Form at Anticipation) and over at Disney, he directed John Carter. He also co-wrote all four Toy Story films and Monsters, Inc. (CE)
Born December 3, 1968 — Brendan Fraser, 52. The Mummy and The Mummy Returns are enough to get him Birthday Honors. Though he’s been in Monkeybone based on Kaja Blackley’s graphic novel Dark Town, Sinbad: Beyond the Veil of Mists, Looney Tunes: Back in Action, Journey to the Center of the Earth, G.I. Joe: The Rise of Cobra and being Robotman on the Titans series that now airs on HBO. (CE)
Born December 3, 1981 – Alyson Noël, age 39. Sixteen novels, two shorter stories for us; half a dozen more novels; nine NY Times Best-Sellers, eight million copies in print. Has been a flight attendant and a T-shirt painter; has kept pet turtles and tarantulas. Learned to read with Horton Hatches the Egg; favorite maybe The Catcher in the Rye. Motto, Don’t believe everything you think. [JH
Born December 3, 1985 — Amanda Seyfried, 35. She plays Ed Zoe, the lead Megan’s best friend in Solstice, a horror film. Another horror film, Jennifer’s Body, shortly thereafter, finds her playing Anita “Needy” Lesnicki. Red Riding Hood, yes, another horror film, had her cast has as Valerie. She plays Sylvia Weis, a role within In Time in a dystopian SF film next and voices Mary Katherine, Professor Bomba’s 17-year-old daughter in Epic which is at genre adjacent. She’s Mary in an animated Pan, a prequel to Peter Pan which sounds delightful. Lastly, she has a recurring role as Becky Burnett on Twin Peaks. And did we decide Veronica Mars was at least genre adjacent? If so, she has a recurring role as Mary on it. (CE)
(11) COMICS SECTION.
As Lise Andreasen translates this Politikencartoon:
In late November, a mysterious 9-foot obelisk appeared in Utah, sparking world-wide awe as many made a pilgrimage to see it in San Juan County.
The Utah obelisk was illegally installed without cooperation with the Bureau of Land Management.
On Black Friday, it disappeared as mysteriously as it appeared, leaving a triangular divot in the ground.
On Wednesday morning, a similar monument appeared at the top of Atascadero’s Pine Mountain, and sparked similar patronage. Dozens of local hikers made the trek to the top of Pine Mountain to view the object. (The object has since been removed)
The three-sided obelisk appeared to be made of stainless steel, 10-feet tall and 18 inches wide. The object was welded together at each corner, with rivets attaching the side panels to a likely steel frame inside. The top of the monument did not show any weld marks, and it appears to be hollow at the top, and possibly bottom.
Unlike its Utah sibling, the Atascadero obelisk was not installed into the ground (however it was attached with rebar), and could be knocked over with a firm push. The Atascadero News estimates it weighs about 200 pounds.
In a move that some may have suspected was on the horizon while most will consider it quite the shock, Warner Bros. has announced plans for its entire 2021 roster to debut simultaneously on the HBO Max streaming platform and in theaters.
Per a press release shared on Thursday, WarnerMedia Studios and Networks Group CEO Ann Sarnoff is calling this approach a “unique one-year plan,” which points to the possibility of it indeed being a single-time rollout strategy inspired solely by the difficulties facing theaters across the country as the COVID-19 pandemic continues.
“We see it as a win-win for film lovers and exhibitors, and we’re extremely grateful to our filmmaking partners for working with us on this innovative response to these circumstances,” Sarnoff said.
This cute roll of washi tape is die-cut to highlight the shape of its bookshelf print.
Washi tape is a Japanese craft masking tape that comes in many colors and patterns and has tons of creative uses. Use it to add whimsical, creative accents to scrapbooks and cards, or stick it on your wall calendars and personal planners to mark important dates. The tape is removable, which means that you can easily stick it on, unpeel it, and move it to a different spot—this is especially convenient when marking ever-changing schedules. It can be cut with scissors to create a clean edge or torn by hand to create a more textured look.
(15) MORE HOLIDAY IDEAS. [Item by Martin Morse Wooster.] Projections from Hingston & Olsen Publishing is an original anthology edited by Rebecca Romney in which the 12 stories are individual pamphlets in a collectible box.
They also have an “Advent calendar” of short stories that includes Sofia Samatar but I don’t know how many of these stories are sf or fantasy.
For the past five years, the Short Story Advent Calendar has lit up libraries and living rooms around the world with shimmering smorgasbords of bite-sized literary fiction. But all good things must come to an end. So grab the emergency schnapps from the back of the liquor cabinet, and join us for one last holiday hurrah.
You know the drill by now. The 2020 Short Story Advent Calendar is a deluxe box set of individually bound short stories from some of the best writers around.
The two largest planets in our solar system are coming closer together than they have been since the Middle Ages, and it’s happening just in time for Christmas.
So, there are some things to look forward to in the final month of 2020.
On the night of December 21, the winter solstice, Jupiter and Saturn will appear so closely aligned in our sky that they will look like a double planet. This close approach is called a conjunction.
“Alignments between these two planets are rather rare, occurring once every 20 years or so, but this conjunction is exceptionally rare because of how close the planets will appear to one another,” said Rice University astronomer and professor of physics and astronomy Patrick Hartigan in a statement.
“You’d have to go all the way back to just before dawn on March 4, 1226, to see a closer alignment between these objects visible in the night sky.”
…Unless they are kept indoors, the behavior of house cats is not much different from that of wild cats. Though the cat may regard more than one house as home, the house is the base where it feeds, sleeps and gives birth. There are clear territorial boundaries, larger for male cats than for females, which will be defended against other cats when necessary. The brains of house cats have diminished in size compared with their wild counterparts, but that does not make house cats less intelligent or adaptable. Since it is the part of the brain that includes the fight-or-flight response that has shrunk, house cats have become able to tolerate situations that would be stressful in the wild, such as encountering humans and unrelated cats….
(18) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] “Mad Max: Fury Road Behind The Scenes Documentary” on YouTube is a 2017 film, directed by Cory Watson, originally titled Going Mad: The Battle Of Fury Road, which is a behind the scenes look at the 2015 Mad Max: Fury Road. The documentary reveals this film had an extremely long gestation, as George Miller originally had the idea for the film in the late 1990s, Production was shut down in 2002 in Namibia because the US dollar tanked in the wake of 9/11, wiping out a quarter of the film’s budget, and halted a second time in Australia in 2010 because of floods shortly before shooting which turned the desert set into a lush flowery landscape. The documentary includes interviews with stars Tom Hardy and Charlize Theron and many behind-the scenes looks at the mixture of feminism, car crashes, and gratuitous consumption of fossil fuels that led to six Oscars in 2016.
My favorite behind the scenes bit: dozens of bald-headed extras preparing for their day of being weirdoes by singing “The Itsy-Bitsy Spider.”
[Thanks to Lise Andeasen, Michael Toman, JJ, N., Mike Kennedy, Martin Morse Wooster, John Hertz, Cat Eldridge, John King Tarpinian, Contrarius, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]
(1) FOUR CENTURIES OF ANSIBLE. Congratulations to David Langford on publishing his four hundredth issue of Ansible. In addition to all the sff news in every issue, there’s always a grateful balance provided by departments like “Thog’s Masterclass.” One of the classic quotes from #400 is —
When Relativity Goes Bad. ‘The ship trembled, twisted, shuddered as full mass returned with the disruption of the field. Mass flooded back into the vessel, titanic mass, mass impossible to contain, it transformed into sheer energy, blasted through the nulgrav generator and poured from there into outer space.’ (Volsted Gridban, Planetoid Disposals Ltd., 1953) [BA]
…There were a few interesting items to watch during Futuricon. I managed to visit some of them and a hmissed some others… The ones I was especially happy to attend were Alison’s Virtual GUFF Trip talk treating about this year’s GUFF delegate’s (Alison Scott) virtual foray to Australia and New Zealand. I was also fascinated by the great talk by Cheryl Morgan – Worldbuilding with Sex and Gender. It was a short introduction to how sex and gender look in nature. It was so interesting that I decided to buy one of the recommended books to read more about the topic.
(3) SLF GRANT OPENING. The Speculative Literature Foundation is accepting applications for the Working Class Writers Grant through December 31.
This grant is awarded annually to assist working class, blue-collar, poor, and homeless writers who have been historically underrepresented in speculative fiction, due to financial barriers. We are currently offering one $1000 working class grant annually, to be used as the writer determines will best assist his or her work. This year, we will accept applications October 1, 2020 through December 31 2020.
(4) LONG REACH. This English-language article from the German foreign broadcast service Deutsche Welle spotlights how the Chinese government is exerting pressure on foreign publishers: “Chinese censors target German publishers”. Tagline: “As China tries to expand its influence abroad, it’s going beyond politics and business to target literature and publishing. German publishers are among those that have been targeted by censors, as DW has learned.”
…When DW contacted Phoenix Juvenile and Children’s Publishing, the publisher in Nanjing which ordered the changes to Dragonfly Eyes, the employee who spoke with Frisch said the changes had been requested by the author.
But communication between the two publishers suggests a different story. In these messages, seen by DW, the Phoenix employee told the German publisher that “relevant departments” had given negative feedback on the book and that the issue was “sensitive.” She then reminded Frisch several times that she had to state publicly that the novel was a work of fiction, that it was “made up, not real.”
In the Chinese edition however, the author clearly writes in his foreword that the story was based on the memories of somebody he had met.
Later, the Phoenix employee told Frisch to stop all promotion of the book “in the interest of the author and the state.” She added that “because the story concerns the Cultural Revolution and because it is the anniversary year, you cannot not publish the book for the time being.”
This exchange took place at the end of October 2019, when the People’s Republic of China had just celebrated its 70th anniversary. By that point, the publisher’s tone had become slightly menacing. “Listen to our advice,” the employee said. “This will also protect the interest of your own publishing house.”
The licensing contract seen by DW does not mention any vetting of the final edition. “The deal is I get a text and I translate it,” Frisch said. “I don’t want to be used in political games.”…
…Although Tarkovsky’s adaptation wasn’t the first (a 1968 television movie of Solaris by Boris Nuremburg), it is certainly the most famous and has been immortalised for its contribution towards a better understanding of the cinematic medium. More than the science fiction elements in the film, Tarkovsky was interested in the human problem. This fundamental difference between their respective approaches contributed to the dispute between Lem and Tarkovsky.
In October of 1969, Lem met Tarkovsky and literary expert Lazar Lazarev at the Peking Hotel in Moscow to discuss the script. Lem was not receptive to the changes that Tarkovsky had envisioned for his adaptation and could not understand why Lazarev was present. The writer maintained that his novel already had everything needed for a film, ignoring Tarkovsky’s efforts to convince Lem that he knew what he was doing as a filmmaker. When Lazarev asked if Lem would like to watch one of Tarkovsky’s films, the writer coldly answered: “I don’t have the time for that.”
However, the meeting was ultimately fruitful because Lem gave in and allowed them to go ahead with the project. The writer said that it was a matter of principle to not forbid anything but apart from that, he was openly against Tarkovsky’s vision. Insisting that he did not write the book about “people’s erotic problems in space”, Lem recalled the meeting between the two creative geniuses: “Tarkovsky and I had a healthy argument. I sat in Moscow for six weeks while we argued about how to make the movie, then I called him a ‘durak’ [‘idiot’ in Russian] and went home.”
DH: As someone who reads and watches are broad range of things, that resonates. Obviously, authors, film-makers, and other creatives have a similar freedom to experiment to see what works for them. However, the prevailing advice for achieving commercial success (at least as an author) is to pick a niche and stick to it. Do you have any advice for authors and filmmakers who want to succeed in multiple areas?
JC: I think the crux is how a writer – and his readers – define success. It certainly has long been the case in certain parts of the US literary world, and probably in that of other nations as well, that rapid production of new versions of successful books is the best way to high sales, and certainly most publishers are happy to facilitate that. But there’s a divide that ought to be noted: My most recent book was sent in MS to some twenty editors; some were entirely uninterested, but a small number thought the book was great. But because the publisher didn’t see profits from such an oddity it was refused, until at length one editor with a private label within a big house took it. If that’s the common route now, I would tell writers that they may as well write whatever they like, and make it entirely different every time, and trust that someone will take it even if it doesn’t match market expectations. (I’m quite sure that my last three or four novels, if read without my name attached, would not be recognized as by the same author.) About films I know less, though I’d guess the quandary – and the approach – would be similar.
(7) FLAME ON. From the inaugural virtual Ring of Fire Convention (ROFCON), a video of the panel on modern publishing featuring Alexi Vandenberg (M), Toni Weisskopf, Shahid Mahmud, Kevin Anderson, and Eric Flint.
(8) CONRAD OBIT. Roxanne Conrad (1962-2020), who published thriller, sff and YA under the name Rachel Caine, died of cancer on November 1 at the age of 57. More tribute from her husband and associates here.
Roxanne Conrad, aka Rachel Caine. Roxanne lost her fight with a rare and aggressive cancer, soft tissue sarcoma, on November 1, 2020.
Roxanne was known worldwide as thriller, science fiction, and young adult writer Rachel Caine. With over 56 books in print and millions of copies sold, she was a popular guest at conventions in the United States and around the world. Her popular book series include the young adult Morganville Vampires novels, the Great Library series, and the #1 bestselling Stillhouse Lake novels in adult thrillers.
(9) MEDIA ANNIVERSARY.
November 2, 1988 — The first part of Doctor Who’s “The Happiness Patrol” aired. Written by Graeme Curry, it was intended (by him and the other writers) to be a parody of Thatcherism, with Helen A representing Margaret Thatcher herself. Starring Sylvester McCoy as the Seventh Doctor, Sophie Aldred as Ace and Shelia Hancock as Helen A. with David John Pope as Kandy Man. Rowan Williams, the Archbishop of Canterbury, referred to this story in his 2011 Easter sermon, on the subject of happiness and joy. Really. Truly.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born November 2, 1913 — Burt Lancaster. Certainly being Dr. Paul Moreau on The Island of Doctor Moreau was his most genre-ish role but I like him as General James Mattoon Scott in Seven Days in May. And, of course, he’s really great as Moonlight Graham in Field of Dreams. (Died 1994.) (CE)
Born November 2, 1927 — Steve Ditko. Illustrator who began his career working in the studio of Joe Simon and Jack Kirby during which he began his long association with Charlton Comics and which led to his creating the Captain Atom character. Did I mention DC absorbed that company as it did so many others? Now he’s best known as the artist and co-creator, with Stan Lee, of Spider-Man and Doctor Strange. For Charlton and also DC itself, including a complete redesign of Blue Beetle, and creating or co-creating The Question, The Creeper, Shade the Changing Man, and Hawk and Dove. He been inducted into the Jack Kirby Hall of Fame and into the Will Eisner Award Hall of Fame. (Died 2018.) (CE)
Born November 2, 1928 – the Usual Don Fitch, 92. So he has long signed his name and referred to himself. But his usual is quite wonderful. Long-time helpful member of LASFS (L.A. Science Fantasy Society), earning its Evans-Freehafer service award in 1970. Fanzine From Sunday to Saturday in many apas, e.g. FAPA, SAPS, TAPS, The Cult, N’APA, ANZAPA, APA-L. Fan Guest of Honor at Minicon 28. [JH]
Born November 2, 1941 – Ed Gorman. Three dozen novels, ten dozen shorter stories for us; comics; a dozen anthologies with Martin H. Greenberg; detective fiction (Life Achievement Award from Private Eye Writers of America), Westerns; nonfiction in NY Times, Redbook. Interviewed A.J. Budrys in SF Review. Fanzine Ciln. Won a short-story contest sponsored by Scribner’s, invited by an editor to expand into a mainstream novel, quit after six months saying “I was bored out of my mind.” (Died 2016) [JH]
Born November 2, 1942 – Sue Francis, 78. Co-chaired DeepSouthCon 24 (with Ken Moore). With husband Steve Francis, mainstays of Rivercon for twenty-five years. Their reminiscence of NorthAmeriCon ’79 the 2nd NASFiC (N.Am. SF Con, since 1975 held when the Worldcon is overseas) here. Together Fan Guests of Honor at ConTact 6, Phoenixcon 5, MidSouthCon 10, DeepSouthCon 33, InConJunction XX, Con*Stellation XX; Rebel and Rubble Awards; DUFF (Down Under Fan Fund) delegates, report Sue & Steve’s Excellent Adventure in Australia; Big Heart (our highest service award). [JH]
Born November 2, 1942 – Carol Resnick, 78. A founder of Windycon. Noted costumer and judge of our Masquerade costume competition. Widow of Mike Resnick, who throughout his pro career (4 Hugos, 1 Nebula; Galaxy’s Edge magazine) remained also a fan; together Fan Guests of Honor at Rivercon VI, Pro Guests of Honor at Contraption 5. [JH]
Born November 2, 1942 — Stefanie Powers, 78. April Dancer, the lead in The Girl from U.N.C.L.E. which lasted just one season. Did you know Ian Fleming contributed concepts to this series and The Man from U.N.C.L.E. as well? She would play Shalon in the crossover that started on The Six-Million Man and concluded on The Six-Million Woman called “The Return of Bigfoot”. (CE)
Born November 2, 1949 — Lois McMaster Bujold, 71. First, let’s note she’s won the Hugo Award for best novel four times, matching Robert A. Heinlein’s record, not counting his Retro Hugo. Quite impressive that. Bujold’s works largely comprises three separate book series: the Vorkosigan Saga, the Chalion series, and the Sharing Knife series. She joined the Central Ohio Science Fiction Society, and co-published with Lillian Stewart Carl StarDate, a Trek fanzine in which a story of hers appeared under the byline Lois McMaster. (CE)
Born November 2, 1969 — Lucy Hawking, 51. Daughter of Stephen Hawking. Children’s novelist and science educator. With her father, she wrote the George’s Secret Key series which may or may not be genre. Anyone here from Britain who’s actually seen them? (CE)
Born November 2, 1972 – Masayoshi Yasugi, 48. (Personal name last, Japanese style.) Japanese SF New Face Award for The Dreaming Cat Sleeps in Space (2003); three more novels, a dozen shorter stories. [JH]
Born November 2, 1983 – Ádám Gerencsér, 37. Edits Sci Phi Journal (with Mariano Martin Rodríguez), two short stories there. “When … I wanted to read a comprehensive guide to Hungarian alternate history and realised that it didn’t exist, I wrote one (in English, Journal Hélice vol. III no. 6).” [JH]
(11) COMICS SECTION.
The Far Side visits the beach as two figures pass each other with the day’s catch.
Last year, Philadelphia-based boutique publisher Beehive Books launched a Kickstarter to bring literary lovers an interactive Dracula experience like never before: “You are not a passive observer. You are a scholar exploring this supernatural archive.” When it’s released in 2021, Dracula: The Evidence will deliver a briefcase full of letter correspondence, photographs, diaries, newspaper clippings, phonograph records and more, that make the saga of the centuries-old vampire more real than ever.
… When the finished project is delivered, readers will be able to unfold a map of London and track the characters as they move through the story. Letters and photographs will give them a chance to become “supernatural archeologists.” Blueprints and additional maps will turn them into amateur detectives.
All told, from the aged briefcase that holds all of the documents to the beautifully bound journals and framed photos, the planned design is downright dazzling.
For many moons,Star Wars fans have written off the Tusken Raiders as savage Sand People that bray like donkeys whenever they go on the offensive. Thanks to The Mandalorian, acolytes of the galaxy far, far away can now view Tatooine’s desert nomads in a new light. In Season 1, the bounty hunter known as Din Djarin (Pedro Pascal) proved that one can actually make physical contact with the Tuskens and live to tell the tale. The Season 2 premiere took that dynamic to an entirely new level as Djarin forged a shaky alliance between the Sand People and the citizens of Mos Pelgo.
But before the show could have its titular hero communicating with the indigenous folk of Tatooine, it needed a new language through which they could speak to one another. That’s where Troy Kotsur came in; the deaf actor was hired to come up with a sign-based vocabulary for the Tusken Raiders and it wasn’t just a matter of bringing American Sign Language to the Great Dune Sea.
… Computing power has become as critical to rockets as the brute force that lifts them out of Earth’s atmosphere, especially rockets like the SLS, which is really an amalgamation of parts built by a variety of manufacturers: Boeing builds the rocket’s “core stage,” the main part of the vehicle. Lockheed Martin builds the Orion spacecraft. Aerojet Rocketdyne and Northrop Grumman are responsible for the RS-25 engines and the side boosters, respectively. And the United Launch Alliance handles the upper stage.
All of those components need to work together for a mission to be successful. But NASA’s Aerospace Safety Advisory Panel (ASAP) recently said it was concerned about the disjointed way the complicated system was being developed and tested.
At an ASAP meeting last month, Paul Hill, a member of the panel and a former flight and mission operations director at the agency, said the “panel has great concern about the end-to-end integrated test capability and plans, especially for flight software.”
…One impulse for this book was a conversation with a fellow philosopher, who assured Gray that he “had taught his cat to be vegan”. (Gray had only one question: “Did the cat ever go out?” It did.) When he informed another philosopher that he was writing about what we can learn from cats, that man replied: “But cats have no history.” “And,” Gray wondered, “is that necessarily a disadvantage?”
Elsewhere, Gray has written how Ludwig Wittgenstein once observed “if lions could talk we would not understand”, to which the zookeeper John Aspinall responded: “He hasn’t spent long enough with lions.” If cats could talk, I ask Gray, do you think we would understand?
“Well, the book is in some ways an experiment in that respect,” he says. “Of course, it’s not a scientific inquiry. But if you live with a cat very closely for a long time – and it takes a long time, because they’re slow to trust, slow to really enter into communication with you – then you can probably imagine how they might philosophise.”
Gray believes that humans turned to philosophy principally out of anxiety, looking for some tranquillity in a chaotic and frightening world, telling themselves stories that might provide the illusion of calm. Cats, he suggests, wouldn’t recognise that need because they naturally revert to equilibrium whenever they’re not hungry or threatened. If cats were to give advice, it would be for their own amusement.
(17) WARP DEED. “Tenacious D” covers the “Time Warp.” Vocals by Jack Black and Kyle Gass. Cameo appearances by Eric Andre, Ezra Miller, George Takei, Ilana Glazer, Jamie Lee Curtis, John Heilemann, John Waters, Karen O, King Princess, Mayor Pete Buttigieg, Michael Peña, Peaches, Phoebe Bridgers, Reggie Watts, Sarah Silverman, Senator Elizabeth Warren, and Susan Sarandon.
It’s astounding… time is fleeting… and the 2020 election is here. Time to ROCK-Y THE VOTE! And remember: it’s just a jump to the LEFT, and not a step to the right!
(18) VIDEO OF THE DAY. In “Twilight Breaking Dawn Pitch Meeting” at Screen Rant, Ryan George summarizes both the fourth and fifth Twilight movies in one meeting because, unlike the last Harry Potter meeting, there really isn’t enough plot in the last Twilight novel for two movies.
[Thanks to Rob Thornton, Mike Kennedy, Andrew Porter, Danny Sichel, James Davis Nicoll, Michael Toman, John King Tarpinian, JJ, John A Arkansawyer, Cora Buhlert, Cat Eldridge, John Hertz, and Martin Morse Wooster for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]
Slow Pint Glass, the final volume of Bob Shaw’s collected fanwriting compiled by Rob Jackson and David Langford for Ansible Editions, is available today as a free download in multiple formats at the Trans-Atlantic Fan Fund website (where they hope you’ll make a little donation to the fund if you please.) Find it here.
The cover art is by Jim Barker, a July 2020 reworking of his memorial piece for Bob Shaw first published in Tyne Capsule (March 2015; TAFF ebook September 2019).
Slow Pint Glass contains 167,000 words of Bob Shaw’s other fan and fan-adjacent writing not already included in The Enchanted Duplicator (1954 with Walt Willis; much reprinted; TAFF ebook May 2015), The Serious Scientific Talks (TAFF ebook November 2019) and The Full Glass Bushel (TAFF ebook June 2020). Together these volumes represent Shaw’s complete fanwriting.
And Langford’s Introduction shows what fans will get with Slow Pint Glass:
Most of the humorists for which Bob shows admiration in the articles that follow – Patrick Campbell, Stephen Leacock, S.J. Perelman, James Thurber, Mark Twain – cultivated an air of bemusement at the vagaries of the weird world we live in. This was an attitude that Bob himself could always carry off brilliantly. What other writer, struggling with deadlines, would find himself fatally distracted by a noisy invasion of hot air balloons? Or be a fascinated eye-witness on the utterly memorable night when Brian Aldiss broke the bed? Or, in a perfectly ordinary visit to the loo at an SF convention, become entangled in the embarrassing toils of the Penis Fly Trap? See “The Writer’s Year”, “Once Upon a Tyne” and “Wetfoot in the Head” respectively.
Chinese film authorities issued a new document outlining policy measures to boost the country’s production of science fiction movies.
Entitled “Several Opinions on Promoting the Development of Science Fiction Films,” the document highlights how the sci-fi genre fits into the ruling Communist Party’s broader ideological and technological goals. It was released earlier this month by China’s National Film Administration and the China Association for Science and Technology, a professional organization.
The document focuses on domestically developing pro-China science fiction film content and high-tech production capability. It comes in the wake of the country’s first VFX-heavy sci-fi blockbuster hit, “The Wandering Earth,” which remains the third highest grossing film of all time in the territory with a local box office of $691 million.
…To make strong movies, the document claims, the number one priority is to “thoroughly study and implement Xi Jinping Thought.” Based on the Chinese president’s past pronouncements on film work, filmmakers should follow the “correct direction” for the development of sci-fi movies. This includes creating films that “highlight Chinese values, inherit Chinese culture and aesthetics, cultivate contemporary Chinese innovation” as well as “disseminate scientific thought” and “raise the spirit of scientists.” Chinese sci-fi films should thus portray China in a positive light as a technologically advanced nation.
…Nevertheless, China’s lack of strong sci-fi is primarily due to a lack of innovative ideas and scripts, the document said. The country should focus on generating strong sci-fi scripts through talent incubators and prizes, and by urging film festivals to set up specific sci-fi film departments. The adaptation of sci-fi literature, animation and games should be encouraged to stimulate the production of new original content.
Elementary and middle school students should be made to watch “excellent sci-fi movies,” while universities should be urged to “strengthen the training of sci-fi related talent.”
…I have been accused of being a writer. I’m not. My 1962 writing instructor was right when he told me, “You can’t write. You’re wasting your time. You’ll never be a writer.”
He was right. I’m not a writer.
I’m a storyteller.
A story is — pay attention now, this is the good stuff — a story is about a person with a problem.
Let me repeat that. A STORY IS ABOUT A PERSON WITH A PROBLEM.
This is why stories are the essential part of human intelligence. Because all human beings have problems. We either defeat them or they defeat us.
But either way, we end up with a story about the problem.
The essential definition of a story is this: “Here’s a problem. Here’s what didn’t work. Here’s what did work. And here’s what I learned.” It’s that last phrase that’s important. The problem is an access to the lesson. Even if the problem didn’t get solved, the lesson is still critical. And if there is no lesson to be learned, then it wasn’t a real problem, just some stuff to be handled. (“I have to do the dishes,” isn’t a problem. Just do the damn dishes.)…
On June 22, Charles Brownstein resigned from the Comic Book Legal Defense Fund after serving as executive director for 18 years. The exit came following pressure from comic industry professionals as details of his alleged assault of creator Taki Soma 15 years earlier re-emerged online. More than a month after his departure, the CBLDF is attempting to rebuild both itself and trust from the comic book community.
In 2005, Soma reported to police that Brownstein assaulted her during the Mid-Ohio Con convention, with details becoming public the following year. In 2006, Brownstein admitted to the assault, calling it “a stupid, drunken prank, of which I’m ashamed” in a public statement, although he kept his position inside the CBLDF following an independent third party investigation.
… “Honestly, I don’t think I’ve seen a response from the fund that would make me feel comfortable supporting them after Brownstein’s departure,” Batman writer James Tynion IV told The Hollywood Reporter. “I want to see who they put forward as the voice of the fund, and see what kind of work they’re open to doing to make a better community. Until they do that, I’ll be a skeptical observer, and my money will keep going to the [another comic book non-profit] Hero Initiative, where I can see measurably good work being done.”
Harrow County artist Tyler Crook is also skeptical about the continued viability of the organization.
“I’m very glad to see Brownstein gone, but I won’t be supporting them until after we see what changes they make to reform the organization,” said Crook, adding that Brownstein remaining with the organization for so many years despite his alleged behavior identified structural problems that need to be addressed. “Right now, I’m feeling pretty pessimistic about the CBLDF’s ability to change. I think our industry might be better served with a new, organization built on stronger foundations and with a stronger moral compass.”
Trexler will oversee and update the CBLDF’s operations and its mission. He will also be charged with restoring the organization’s credibility and stature in the comics community after the departure of Brownstein, who held the executive director position at CBLDF for 18 years.
“The original mission of CBLDF is one I passionately support as a longtime member of the comics community,” Trexler said in a statement. “This is a time of evolution for the organization, and I am honored to be a part of it.”
Before joining the CBLDF, Trexler was associate director of the Fashion Law Institute. He is a member of the ethics committee at Kering Americas, and has served on the board of the Museum of Comics and Cartoon Art. Trexler is also a lifelong comics fan as well as a lawyer, and has provided legal analysis on a variety of issues surrounding the comics industry….
A story arc about a giant tardigrade in “Star Trek: Discovery” didn’t infringe a copyright in an unreleased video game that also featured a giant tardigrade, the Second Circuit affirmed Monday.
Many elements of the work that CBS Broadcasting Corp. and Netflix Corp. allegedly infringed covered uncopyrightable scientific facts and ideas about tardigrades, the U.S. Court of Appeals for the Second Circuit said.
Anas Osama Ibrahim Abdin owns a copyright in the “distillation” of the concept for his video game “Tardigrades,” a compilation of images, descriptions, and illustrations detailing the game’s characters and backstory. It features a space-station botanist who travels through space after being absorbed into a giant tardigrade, based on the real-life microscopic creature that can endure extreme heat, cold, pressure, and radiation.
Three episodes in the first season of CBS’ “Star Trek: Discovery” also involve a space encounter with a massive tardigrade-like creature, and Abdin sued CBS for copyright infringement in Manhattan federal court. The U.S. District Court for the Southern District of New York dismissed Abdin’s claims in September.
The Second Circuit affirmed that CBS and Netflix—which is licensed to air “Discovery” outside of the U.S.—didn’t infringe because the works aren’t substantially similar. Abdin’s use of tardigrades largely wasn’t copyrightable, the court said.
“Abdin’s space-traveling tardigrade is an unprotectable idea because it is a generalized expression of a scientific fact—namely, the known ability of a tardigrade to survive in space,” the court said. “By permitting Abdin to exclusively own the idea of a space-traveling tardigrade, this Court would improperly withdraw that idea from the public domain and stifle creativity naturally flowing from the scientific fact that tardigrades can survive the vacuum of space.”…
(6) WELL WORTH YOUR TIME. [Based on notes from John Hertz.] Roberta Pournelle left our stage on August 3, 2020.
There was no public church service and no public interment. Her remains were laid to rest at Forest Lawn on August 14th, as it happens not far from OGH’s father’s.
… I was hardly an “only child,” and I’m not merely referring to my wonderful brothers. Roberta taught in schools where most would not. She taught kids who were guilty of being poor, or black, or Latinx, or homeless. or abused, or dyslexic, or otherwise illiterate and/or desperate. Kids with “form,” kids with little future; kids who were pregnant or fathers or incarcerated for crimes real or imagined and precious little hope of anger management. The kids nobody wanted. The kids dismissed as “juvvies.” The kids about whom precious few truly, actually, cared.
Advised to leave, advised to cease, advised that her talents lay elsewhere, she taught on. She was there….
(7) MEDIA BIRTHDAY.
August 18, 1950 — Destination Moon, produced by Geotge Pal, premiered in the United Kingdom. It would be voted a Retro Hugo for Best Dramatic Presentation at the Millennium Philcon. It was directed by Irving Pichel from the screenplay by Alford Van Ronkel and Robert A. Heinlein and James O’Hanlon. It’s based off Robert A. Heinlein‘s Rocketship Galileo novel. It starred John Archer, Warner Anderson, Erin O’Brien-Moore, Tom Powers and Dick Wesson. Mainstream critics usually didn’t like but Asimov said In Memory Yet Green that it was “the first intelligent science-fiction movie made.” Audience reviewers at Rotten Tomatoes give it a mediocre 48% rating. It is not in the public domain but the trailers are and here is one for you.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born August 18, 1929 — Joan Taylor. Her first genre role was Earth vs. the Flying Saucers as Carol Marvin, and she followed that with 20 Million Miles to Earth as Marisa Leonardo. Her last genre role was as Carol Gordon in Men into Space, a late Fifties series about a USAF attempt to explore and develop outer space. She retired from acting in the early Sixties. (Died 2012.) (CE)
Born August 18, 1931 — Grant Williams. He is best remembered for his portrayal of Scott Carey in The Incredible Shrinking Man though he did have the role of the psychopathic killer in Robert Bloch’s The Couch. Of course, he shows up in Outer Limits where he plays Major Douglas McKinnon in “The Brain of Colonel Barham”. And he’s Major Kurt Mason in The Doomsday Machine. (Died 1985.) (CE)
Born August 18, 1931 – Seymour Chwast, 89. French ed’n of Doctor Dolittle; Odyssey; Canterbury Tales; Divine Comedy; three dozen more. Here is We. Here is Analog 6 (anthology). Here is Lord Tyger. Much outside our field too; see here, here, here, and this archive. Saint Gaudin Award, Art Directors Hall of Fame, American Inst. Graphic Arts Medal, honorary doctorate from Parsons. [JH]
Born August 18, 1934 — Michael de Larrabeiti. He is best known for writing The Borrible Trilogy which is noted by several sources online as being an influence by writers in the New Weird movement. Ok folks, I’ve not read so please explain how The Borrible Trilogy influences that literary movement as it doesn’t seem like there’s any connection. (Died 2008.) (CE)
Born August 18, 1935 — Brian Aldiss. He’s well known as an anthologist and SF writer with Space, Time and Nathaniel, a collection of short stories being his first genre publication. I’ll single out Space Opera and other such anthologies as my favourite works by him. His “Super-Toys Last All Summer Long” is the basis for A.I. Artificial Intelligence. Much honoured, he’s was named a Grand Master by SFWA and inducted by the Science Fiction Hall of Fame. He also has received two Hugo Awards, one Nebula Award, and one John W. Campbell Memorial Award. (Died 2017.) (CE)
Born August 18, 1943 –Richard Bober, 77. Three dozen covers. Here is Lake of the Long Sun (in Polish). Here is Shards of Empire. Here is the 2003 Chesley Awards Retrospective (at left, top to bottom, images by Bober, Ledet, Eggleton, Bonestell). Gallery, Feb 98 Realms of Fantasy. [JH]
Born August 18, 1947 – Paul Skelton, 73. Long-active fanziner, in his own zines (sometimes with wife Cas Skelton) and letters of comment to others’. Five FAAn (Fan Activity Achievement) Awards, four for Best Correspondent and one for life achievement thereat. [JH]
Born August 18, 1949 –Takeshi Shudô. Known for Magical Princess Minky Momo (television animé), Pokémon (pocket monsters; TV, film, novels), and Eternal Filena (serialized light novel, then OVA – original video animation, made for home release without prior theater or television showing – then role-playing video game). For Pokémon, coined Team Rocket’s motto. Won Best Screenplay at first Japan Animé Awards. Memorial exhibit at Suginami Animation Museum, Tokyo, 2011. (Died 2010) [JH]
Born August 18, 1950 — Mary Doria Russell, 70. The Sparrow series, The Sparrow and its sequel Children of God, are awesome. The Sparrow won the Arthur C. Clarke, BSFA, and Tiptree Awards, and it was the reason she won the Astounding Award for Best New Writer. Though not genre, Doc and its sequel Epitaph are mysteries using the historic character of Doc Holliday. (CE)
Born August 18, 1966 – Alison Goodman, 54. Seven novels, five shorter stories. Translated into ten languages. Part of “Time Travel, Time Scapes, and Timescape” in NY Rev. of SF with Benford, Blackford, Broderick, McMullen, Townsend. Two Aurealis Awards. Website here. [JH]
Born August 18, 1981 – Bridget (“B.R.”) Collins, 39. Seven novels. Bradford Boase Award. Blog is called jugjugjug “because ‘jug jug jug’ is supposed to be the noise a nightingale makes (the way ‘tu-whit tu-whoo’ is supposed to be an owl).” Website shows bookshelves with The Complete Sherlock Holmes and The Sot-Weed Factor. [JH]
(10) FACE THE MUSIC. Stephen Colbert repurposed the last Avengers movie trailer:
(11) CLOUDY WITH A CHANCE. David Langford’s contribution didn’t make it into the CoNZealand edition of Worldcon Order Of Fan-Editors (W.O.O.F.) for whatever reason, so he posted it on his own site: Cloud Chamber #164.
…But some decades ago, wanting more solitude, I bought the house across the street and made THAT my writer’s retreat. No longer would I write all day in my red flannel bathrobe; now I would have to dress and put on shoes and walk all the way across the street to write. But that worked for a while.
Things started getting busier, though. So busy that I needed a full-time assistant. Then the office house had someone else in it, not just me and my characters. And then I hired a second assistant, and a third, and… there was more mail, more email, more phone calls (we put in a new phone system), more people coming by. By now I am up to five assistants… and somewhere in there I also acquired a movie theatre, a bookstore, a charitable foundation, investments, a business manager… and…
Despite all the help, I was drowning till I found the mountain cabin.
My life up here is very boring, it must be said. Truth be told, I hardly can be said to have a life. I have one assistant with me at all times (minions, I call them). The assistants do two-week shifts, and have to stay in quarantine at home before starting a shift. Everyone morning I wake up and go straight to the computer, where my minion brings me coffee (I am utterly useless and incoherent without my morning coffee) and juice, and sometimes a light breakfast. Then I start to write. Sometimes I stay at it until dark. Other days I break off in late afternoon to answer emails or return urgent phone calls….
… The Communications Manager will lead SFWA’s communications initiatives to produce high-quality content to engage both SFWA members and potential members within the SF/F community, as well as expand the organization’s brand recognition.
… SFWA Executive Director Kate Baker said, “Because of the nebulous nature of the organization, and because our members are located around the world, having a steady and engaging presence via social media is more important than ever. I am thrilled that Rebecca has joined the organization to help shape our messaging, to build upon the excellent work done by past volunteers, and to promote not only the organization and its members, but communicate what is important to all SF/F writers, wherever they may be. Please join us in welcoming Rebecca to the team!”
“Since joining in 2012,” said Gomez Farrell, “my fiction career has benefited greatly from the events and services SFWA offers its members, but most importantly, from the community we share. I’m thrilled to lend my skills in new media communication to fostering more of that community for my fellow members.”
(14) SPECTRUM. The new Spectrum Advisory board was announced on Muddy Colors. Arnie Fenner listed the names with short bios at the link.
….it’s Cathy’s and my pleasure today to present in alphabetical order our new Spectrum Advisory board!
… Talk about a Dream Team!
And what exactly does the Spectrum Advisory Board do? Well, they have two primary jobs: the first is to nominate, debate, and ultimately select each year’s Grand Master honoree. (I wrote about the criteria for the Grand Master Award in a previous Muddy Colors post for anyone that’s curious.) It’s a big responsibility, for sure, but the Board’s second job is even more difficult and crucial:
Job #2 is to help us not be stupid.
Cathy and I started Spectrum because of a sincere love for fantastic art in whatever guise it takes and a desire to help creators receive the recognition and respect we felt they deserved. Spectrum quickly became a welcoming home, a community, and a family, for all artists regardless of gender, race, religion, nationality, politics, or ethnicity, a celebration of diversity and imagination. Though we’re moving a little slower and our energy isn’t what it once was, that love and that purpose are as strong in us today as they were when we first began 27 years ago. But time and technology march on and nothing survives in a vacuum: with so many changes and challenges, with so many societal minefields to traverse, we count on our Advisory Board to help us avoid the avoidable mistakes (as best anyone can) and better serve the community as a whole….
(15) STAND UP, EMPTY POCKETS. The “Stand Still. Stay Silent. – Book 3” Kickstarter appeal invites donors to “Help us print the third book of Minna Sundberg’s award-winning Nordic fantasy and adventure webcomic Stand Still. Stay Silent.” There being a lot of people wanting to lock down a copy of the book, they have raised $198,054 of their $35,000 goal with 26 days to go.
An underfunded, questionably selected, rag-tag team of explorers are assembled and launched into the unknown in a search for information and relics of the Old World – hopefully valuable relics. Stand Still. Stay Silent. follows six people (and a cat) on a journey filled with adventure, camaraderie and Nordic mythology. Who knows what they might find on their journey… and what they might lose.
(16) CATCHING UP. Nnedi Okorafor’s new book was released today – just in time for one feline’s appreciation.
Nearly two decades years after the release of The Fellowship of the Ring, fans are still discovering new things in Peter Jackson‘s The Lord of the Rings trilogy. There’s a lot of material to cover, with the three lengthy theatrical releases further extended in their home video editions. Which is why it’s so surprising that, all these years later, people keep spotting one particular detail for the first time.
We’re talking about Gandalf’s pipe, specifically where he keeps it…
For four years, researchers painted fake eyes on hundreds of cattle butts for the sake of science. What seems like a silly prank, the “eye-cow technique” proved lifesaving for the animals as it made predators rethink their attack, choosing another meal instead.
The scientists say their method is a more humane and “ecologically sound” alternative to lethal control and fencing used to separate cattle from carnivores. The team even theorizes the technique could be used to prevent human-wildlife conflicts and reduce criminal activity, according to a news release. A study was published Aug. 7 in the journal Communications Biology.
“The eye-cow technique is one of a number of tools that can prevent carnivore-livestock conflict—no single tool is likely to be a silver bullet. Indeed we need to do much better than a silver bullet if we are to ensure the successful coexistence of livestock and large carnivores,” study co-author Dr. Neil Jordan, a researcher with the University of New South Wales in Sydney, Australia and the Taronga Western Plains Zoo, said in the news release.
“But we’re hoping this simple, low-cost, non-lethal approach could reduce the costs of coexistence for those farmers bearing the brunt,” he added.
Eye patterns can be found — naturally — on butterflies, fish, molluscs, amphibians and birds to scare predators away. Images of eyes have even been shown to reduce bike theft in people, a 2012 study showed. But no mammals are known to possess eye-shaped patterns on their coats.
So, in the Okavango Delta of Botswana in Southern Africa, where livestock and lions, leopards, hyenas, cheetahs and wild dogs coexist, such a deceptive tactic could save animals from their death sentence, the researchers thought.
(19) VIDEO OF THE DAY. In “Honest Trailers: The Old Guard” on YouTube, the Screen Junkies take on the latest film from Netflix designed to “make you look up from your phone for two minutes so it counts as a view.” The film featured Charlize Theron leading a group of “illumi-hotties” who, although they’re thousands of years old, haven’t come up with a cool catchphrase.
[Thanks to Andrew Porter, JJ, Cat Eldridge, Lise Andreasen, Chip Hitchcock, John Hertz, Martin Morse Wooster, Mike Kennedy, Bill Higgins, Hampus Eckerman, Daniel Dern, Michael Toman, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Kip W. (I had to come back and use the other half of Kip’s 2018 verse.)]
Tommy Lasorda famously said, “There are three kinds of people in this world: people who make it happen, people who watch what happens, and people who wonder what happened.” And this year, some of the Dragon Awards’ most vocal supporters find themselves in the third category.
You know, I am fairly hooked into the book community. If I don’t read every book, I at least hear about a lot of them. Even if I take one look and decide I don’t want to read it, I at least check it out.
Sure, I’ve heard of a few. Margaret Atwood at least has a TV show. She’s an opportunistic parasite, but people have at least heard of her (though I haven’t heard of that book. I guess she came out with another). I’ve heard of Scalzi–don’t like him, but I can at least pick his name out of a phone book. Chuck Wendigo? The same.
But so many of these names are just … Who? What? Huh?
I’ve been assured by some people (randoms online, mostly) that these are Hugo authors. I guess I’ll take their word on it… but usually, I’ve at least HEARD about those authors. These folks? Nah.
… If only someone could have warned about this.
If only someone could have tried to lead discussions, hold conversations on what books came out. That way, we could have narrowed it down to a few.
WAIT! I know! I DID. I FUCKING WANTED PEOPLE TO DISCUSS BOOKS FOR THE DRAGONS. WHAT DID EVERYONE THINK I WAS DOING IN 2018 AND 2019? COMPILING EVERY ELIGIBLE BOOK BECAUSE IT WAS FUN? I DID IT FOR MY HEALTH? THAT WAS EXTRA WORK I DIDN’T NEED TO DO.
…It was especially fun this year when I had an author see that “I was talking about the Dragon again,” therefore, she asked if “I could put her book on the list.” IE: She didn’t even read the blog post to see what I was talking about. It was assumed I enjoyed killing myself so I could market their book for free.
No one wanted to play. That’s fine. I’m used to it.
But everyone can all stop bitching about it. They either didn’t vote, or didn’t want to talk about it. They didn’t want to invest even thirty minutes into presenting a selection of choices, or having a conversation.
Now this years ballot sucks….
Brian Niemeier in “The Dragon Sleeps” doesn’t think the reason is that they neglected Declan’s advice. After ranting about John Scalzi’s nomination, Niemeier says the pandemic is the reason that the award he’s spent years boosting, where EVERYONE can vote for FREE, has in 2020 generated a ballot bereft of work by him and his friends:
From the author of The Handmaid’s Tale to lesbian vampire stories to a writer so deranged even Disney fired him, this year’s Dragon ballot reads like the canon of Death Cult humiliation scripture….
Of course, the Death Cult witches lie constantly in the manner of their father below. Thus their previous attempt to take over the Dragons in 2017.
That attempt failed, and the Dragons continued to be a direct democratic process as intended. Each subsequent years’ winners were pretty much what you’d expect from a readers’ choice award with a broad voter base. Baen and the bigger indies came to dominate, with cameos from the more mainstream Pop Cult fare like Corey Doctorow and The Expanse.
I and the other cultural commentators who predicted this course of events based our forecasts on the key difference between the Dragons and the other literary awards. Anyone can vote in the former, while the latter lock voting rights behind a paywall or professional organization membership.
Put simply, the Death Cult can monopolize the Hugos because World Con’s voter base is quite small, relatively speaking. The number of CHORFs isn’t growing. In fact, they’re rapidly graying. It stands to reason that an award with an open, large, and growing voter base would be immune to manipulation by an insular Cult.
And for three years, that reasoning held true. But as is its wont, 2020 threw the con scene a curve ball: Corona-chan.
Niemeier tries to spin that the pandemic has caused these aberrant results because people won’t be able to attend an in-person Dragon Con this year. (Never mind that Brian is always telling readers one of the Dragon’s virtues is that you don’t have to buy a con membership to vote.)
…There’s your explanation for what happened with the Dragons. The virus shut down the con, normal people tuned out, and the small but relentless Cult faction took advantage of the drastically reduced voter base to pack the ballot.
Then, the following Twitter conversation was devoted to asking “What happened?”
In contrast, Larry Correia, inventor of Sad Puppies, hailed the 2020 ballot: “Fantastic! There are a bunch of really good authors nominated this year.”
And Brad R. Torgersen, who ran the last Sad Puppies slate, found the pandemic didn’t stop his friends from getting nominated: “Nice to see some friends getting some well-deserved recognition on the Dragons final ballot. Even though there is no DragonCon being held in Atlanta due to Covid-19 panic, the Dragons roar onward. Good luck to Nick and Jason, Marko, Dave, and Chris!”
It’s a field where I would be happy with any one of these writers/titles winning, so that’s really the best of all possible worlds. And it’s nice to see The Last Emperox getting some early recognition, award-wise. That would be lovely to have continue.
Fonda Lee is especially happy:
(She’s been up for a Nebula and won a World Fantasy Award (2018), neither of which, it’s true, would you call “fan awards,” however, she’s won three Aurora Awards, which I thought are run by fans; I’ll have to defer to her knowledge on that score.)
Meanwhile, even experienced sff news reporters like Ansible’s David Langford are still coming to grips with the Dragon Awards’ turnaround. He told Camestros Felapton:
I am of course utterly stupended. But this is a condition that comes easily to me.
You and me both, Dave. And count on you to know the best word for it.
(1) MAKE ROOM, MAKE ROOM! The 2020 Hugo voting report, which begins with a short list of works that got enough votes to be finalists but were disqualified or withdrawn by the author, showed that Ann Leckie declined her nomination for The Raven Tower. In a blog entry today she explained why: “The Hugos and The Raven Tower”.
…I’ve had a taste of that cookie quite a few times now. It is, let me tell you, one delicious cookie. And when the email came telling me that The Raven Tower was a finalist for the Hugo Award, I thought of the books in that longlist, how often I’d had a bite of this cookie, and how many of the amazing books from 2019 were debuts, and/or were books that, when I’d read them, my first thought was, Oh, this should be on the Hugo ballot. More books than there were spots, for sure. And I realized that I could do something about that, at least in a small way.
And so I withdrew The Raven Tower from consideration.
Let me be perfectly clear–I was overwhelmed at the thought that so many readers felt The Raven Tower deserved to be a Hugo finalist. I have been treasuring that for months. And as I’m sure we all know, these have been months during which such treasures have become extremely important.
I also want to be clear that this is not any sort of permanent decision on my part. I make no promises about withdrawing anything in the future. If I am ever so fortunate as to have a work reach the shortlist again, and I see what seems to me a good reason to withdraw, I will. If I don’t, I won’t. It is, after all, one of the sweetest, most delicious cookies around!
(2) A WEE JOKE. From the August issue of Ansible:
The Retro Hugo Statistics reveal that a single Fan Writer nomination for 1944 work (it took three to get on the final ballot and no one had more than six) went to some chap called David Langford. Ho ho, very satirical….
(3) WHO BENEFITS. Much truth in this.
(4) NOW PLAYING. “The Ballad of Ursula K. Le Guin.”
John Boyne, the award-winning author of The Boy in the Striped Pyjamas, has acknowledged that a cursory Google led to him accidentally including monsters from the popular video game The Legend of Zelda: Breath of the Wild in his new novel.
Boyne’s A Traveller at the Gates of Wisdom opens in AD1 and ends 2,000 years later, following a narrator and his family. In one section, the narrator sets out to poison Attila the Hun, using ingredients including an “Octorok eyeball” and “the tail of the red lizalfos and four Hylian shrooms”….
Dana Schwartz rounded up some graphics to support the story. Thread starts here.
…Personally, I am delighted that we are suffering from the challenges of success instead of the problems of failure. The level of mediocrity has risen and the level of excellence has truly surpassed the past. So the challenges in front of any author must look insurmountable, even to the long-time practitioners.
As difficult as all this may seem to anyone who writes, it’s still a good thing. Because it’s no longer about the awards — in fact, it never was about the awards. It has always been about the quality of the work.
That there is so much good work being created these days is a victory for the field, and especially for the readers.
I just wish I had enough time to keep up with it all.
…But let me elucidate one category of Martin’s microaggressions that cut across the entire spectrum of humanity by subtly excluding anyone not part of his old guard: his use of nicknames for writers and editors whose prominence was in days gone by, signaling that no matter who you might be, if you weren’t part of the inner circle back in the day, you’ll never really be a true fan (or pro) now.
In Martin’s very, very long commentaries during yesterday’s Hugo Awards ceremony, Robert Silverberg was “Silverbob,” George Alec Effinger was “Piglet,” and the editor Robert A.W. Lowndes was “Doc.” I think Martin also called Isaac Asimov “Ike” during his trips down memory lane, although I’m not going to sift through the hour and forty-five minutes of his rambling again (fully half of the total running time of the Hugo ceremony) to be sure.
You see? Even someone like me — 40 years a selling author in this field, and now 60 years of age — was never part of that ancient, early prodom. I’ve known Robert Silverberg since 1989 and knew Asimov and Effinger, too, but was never close enough to call them by cutesy nicknames.
And if someone like me feels left out after all these decades in the field, imagine how the newer writers, or the writers whose literary background wasn’t the American SF magazines, felt during the Hugo ceremony.
… Yes, it’s a small thing — that’s why it’s called a MICROaggression — and it’s usually done without consciously intending to exclude or put down someone else, but microaggressions ARE pervasive and exclusionary in effect. We’d all do well to guard against committing them.
(8) JOIN THE BOB & DOUG SHOW. Back in their home theater after taking their show on a bit of a road trip, NASA astronauts Robert Behnken and Douglas Hurley will discuss their flight to the International Space Station and back aboard the inaugural crewed voyage of SpaceX’s Crew Dragon craft. This press release — “NASA Astronauts to Discuss Historic SpaceX Crew Dragon Test Flight” – tells how to access their news conference.
NASA astronauts Robert Behnken and Douglas Hurley will discuss their recently completed SpaceX Demo-2 test flight mission to the International Space Station during a news conference at 4:30 p.m. EDT Tuesday, Aug. 4.
The news conference from NASA’s Johnson Space Center in Houston will be broadcast live on NASA Television and on the agency’s website.
This will be a virtual event with no media present, due to the safety restrictions related to the ongoing coronavirus (COVID-19) pandemic. Reporters who wish to participate by telephone must call Johnson’s newsroom at 281-483-5111 to RSVP no later than 2:30 p.m. Tuesday, Aug. 4. Those following the briefing on social media may ask questions using the hashtag #AskNASA.
The 1960 Worldcon, known as Pittcon (Pittsburgh, PA) promoted their masquerade as a “Costume Cabaret”. Following the show, there would be a glee club performance, a “minstrel show of science fiction flavor”, and then a dance (music provided by a “hi-fi”, rather than a live band like some past years)…
(10) ROBERTA POURNELLE OBIT. Roberta Pournelle, widow of Jerry, passed away last night at the age of 85. Her son Frank Pournelle announced services are planned in the coming week. The Chaos Manor page on Facebook saluted her:
An educator for 30 years at the Dorothy Kirby Center in Commerce, Mother of 4, Grandmother, a friend to many; she made order out of Chaos.
Born Roberta Jane Isdell, she married Jerry Pournelle in 1959. ISFDB shows she wrote a nonfiction piece for Analog in 1988, “High-Tech for the Little Red Schoolhouse.”
(11) SUSAN ELLISON OBIT. HarlanEllisonBooks.com announced today that Susan Ellison (1960-2020) died over the weekend at home, the “Lost Aztec Temple of Mars.” No other details were given. Susan and Harlan married in 1986 and were together 32 years until his death in 2018.
Patricia Anne Buard. Patricia was a person of several interests, including theater and theology. In addition to having created works of both original fantasy and historical recreations, her short story “Devil’s Advocate” was published in the Marion Zimmer Bradley anthology book “Red Sun of Darkover”, released in 1987.
David was a Michigan area costumer. His best known creations were Krakatoa, the Volcano God, and St. Helen. Krakatoa appeared at several venues, including Worldcon: Chicon V, in 1991 (photo below). It was quite innovative for its time, featuring several special effects.
August 3, 1951 — The Tales of Tomorrow series premiered with “Verdict From Space”. The series was performed and broadcast live on ABC from 1951 to 1953. There were eighty-five episodes, each twenty-five minutes in length. The series came about through the efforts of Theodore Sturgeon and Mort Abrahams, together with the membership of the Science Fiction League of America. The League who included Theodore Sturgeon, Anthony Boucher, and Isaac Asimov made their work available to the producers. The screenplay was written by Sturgeon and is based on his own story “The Sky Was Full of Ships” first published in the June 1947 issue of Thrilling Wonder. You can watch it here.
(16) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born August 3, 1841 – Juliana Ewing. Thirty short stories for us; a score of books with our and other stories, plays, book-length fiction, for children. Roger G. Lancelyn Green (1918-1987), one of the Inklings, who suggested the name Chronicles of Narnia to C.S. Lewis, called JE’s the first outstanding child-novels in English literature. Kipling said he knew her novels Jan of the Windmill and Six to Sixteen almost by heart; of Six “here was a history of real people and real things.” From her novelette “The Brownies” (1865) the Baden-Powells got the idea and name for junior Girl Guides. Here is a Caldecott cover for Jackanapes (1884). (Died 1885) [JH]
Born August 3, 1904 — Clifford Simak. I was trying to remember the first novel by him I read. I’m reasonably sure it was Way Station though it could’ve been City which just won a well-deserved Retro Hugo. I’m fond of Cemetery World and A Choice of Gods as well. By the way I’m puzzled by the Horror Writers Association making him one of their three inaugural winners of the Bram Stoker Award for Lifetime Achievement. What of his is truly horror? (Died 1988.) (CE)
Born August 3, 1920 — P. D. James. Author of The Children of Men which she wrote to answer the question “If there were no future, how would we behave?” Made into a film which she said she really liked despite it being substantially different than her novel. (Died 2014.) (CE)
Born August 3, 1922 – Ron Turner. Some sources say his birthday is the 22nd. Twelve dozen covers (I’d say “one gross”, but look what trouble that made for Bilbo Baggins), more if you count posthumous uses. Tit-Bits SF Comics, Space Ace, Rick Random, Stingray, The Daleks, Thunderbirds. Here is Operation Venus. Here is a John Russell Fearn collection. Here is Rick Random and the Terror from Space; here is its opening interior. (Died 1998) [JH]
Born August 3, 1926 — John Gardner. Author of more Bond novels that one would think possible. He’d write fourteen original James Bond novels, more than Fleming wrote, and the novelized versions of two Bond films. He also dip into the Sherlock universe, writing three novels around the character of Professor Moriarty. Rights to film them were optioned but never developed. (Died 2007.) (CE)
Born August 3, 1940 — Martin Sheen, 80. So that was who that was! On Babylon 5: The River of Souls, there’s a Soul Hunter but the film originally didn’t credit an actor who turns out to be Sheen. Amazing performance. He’s been in a number of other genre roles but that’s the ones I like most. Though I will single him out for voicing Arthur Square in Flatland: The Movie. (CE)
Born August 3, 1946 – John DeChancie, 74. Best known for nine Castle Perilous and three Skyway books, he’s published ten besides, two dozen shorter stories; if you know he has written as Raul Cabeza de Vaca, and entitled a poem “The Refusal to Mourn the Rejection, by Printed Form, of a Hopeful Writer in Pittsburgh, February, 1992”, you’ll know he can read, and smile, and has been with SF a while. Some fans become pros; some pros become fans, as he did; some are both, as he has been. Plays piano, likes the American Songbook and Rachmaninoff; paints, including a portrait of Rachmaninoff. See this, which includes portraits of Marty Cantor and Chip Hitchcock. [JH]
Born August 3, 1950 — John Landis, 70. He’d make this if all he’d done was An American Werewolf in London, but he was also Director / Producer / Writer of the Twilight Zone movie. And wrote Clue which was the best Tim Curry role ever. And Executive Produced one of the best SF comedies ever, Amazon Women on the Moon. (CE)
Born August 3, 1953 – Margaret Bechard, 67. Reed College woman (as an Antioch boy, I think of these things). Children’s fiction, translated into French, Korean, Swedish. Two novels, one shorter story for us; Star Hatchling about first contact won a Golden Duck. Six other novels. [JH]
Born August 3, 1971 – Yoshitoshi ABe, 49. Graphic artist. Usually writes his name in Roman letters, with B capitalized for the sake of early works he signed “AB”. Known to sketch with just his finger and an iPad. Thirty self-published books; artbooks; covers; half a dozen each of animé and manga. Here is his cover for Sakurazaka’s All You Need Is Kill (A. Smith tr. 2009; hello, Pete Young). Here is Walking the Dragon from YA’s artbook Gaisokyu (“Palace”; 2007). [JH]
Born August 3, 1972 — Brigid Brannagh, 48. Also credited as Brigid Brannagh, Brigid Brannah, Brigid Brannaugh, Brigid Walsh, and Brigid Conley Walsh. Need an Irish redheaded colleen in a genre role? Well she apparently would do. She shows up in Kindred: The Embrace, American Gothic, Sliders, Enterprise (as a bartender), Roar, Touched by an Angel, Charmed, Early Edition, Angel (as Virginia Bryce in a recurring role), Grimm, Supernatural and currently on Runaways in the main role of Stacey Yorkes. (CE)
Born August 3, 1979 – Evangeline Lilly, 41. Actress, author. She was in Lost, Real Steel, two Peter Jackson hobbit films, three Marvel superhero films – to misquote Winston Churchill, who said a Wasp couldn’t sting thrice? So far two Squickerwonker short stories for children have appeared, one translated into Portuguese. [JH]
(17) A TOTAL SURPRISE. After Hastings author Steven H Silver tells Lawrence Shoen about eating reindeer steak in Stockholm as part of “Eating Authors: Steven H Silver”. However, the cuisine is overshadowed in this great anecdote about something that happened at dinner —
SHS: Honestly, there are a lot of things I don’t remember about my most memorable meal because it sticks out not because of the food or the company or even the location, but rather because of an incident that occurred during the meal….
He’s starred in over 30 movies but how many of those has Godzilla actually died in? The first movie is a somber monster movie with the title creature is intended to be a walking metaphor for nuclear weapons. The movie’s huge success led to a franchise that is still running nearly 70 years later, with the monster appearing in sequels, reboots and remakes, in addition to comics, novels and video games where he’s battled against all sorts of creative monsters.
(19) MAD, I SAY. Could it be that Dave Freer’s message in “F-IW” at Mad Genius Club is “When you’re in your time machine on the way back to kill baby Hitler, don’t forget to stop off in the Sixties and take over traditional publishing”?
…Both of these [old] books had a huge effect on my young mind. Yes, I can see the Woke and modern left rubbing their hands (and other parts, never mentioned) in glee, saying ‘Yes! We were RIGHT that we had to capture publishing and exclude any badthink. Just think if we’d had the dominance we have now over traditional publishing, back in 1960, even evil people like Freer would have been won (Hi: I’m Dave the Divider. If it wasn’t for me, so we are told by the self-elected authorities, sf/fantasy would be united and singing Kumbaya. See what a fate I saved you from!).
(20) CANON FIRED. Meg Elison says you’re excused from reading the SFF “canon.”
The radio show “Washington Goes to the Moon” two decades ago shed new light on the political battles around the Apollo program, and provided a wealth of material for later historians. Dwayne Day interviews the man who wrote and produced the show.
(22) FANTASY NETWORK FREEBIES. Some of us encountered The Fantasy Network for the first time watching CoNZealand events. They also have lots of free content. For example, the 2017 movie Magellan:
When NASA picks up three signals of extraterrestrial origin coming from within our own solar system, the space agency expedites a mission to investigate the sources. As Earth’s lone emissary, they send Commander Roger Nelson, the test pilot for an experimental spacecraft call the Magellan, assisted by an onboard A.I. named Ferdinand.
Many books function perfectly as standalones; many series end well. Plots are resolved, characters are given their reward or punishment. But there are also books that seem to cry out for a sequel and series that are never finished, leaving readers frustrated. We want more!
Alexis Gilliland’s Rosinante series is on this list —
… I discovered the series is funnier than one would expect from plotlines that feature banking crises, union negotiations, and the sudden collapse of the dominant government in North America. There were just three books in the series—Revolution from Rosinante (1981), Long Shot for Rosinante (1981), The Pirates of Rosinante (1982)—but the setting was expansive and interesting enough that more stories were possible, perhaps elsewhere in Gilliland’s Solar System. Thus far, none have materialized.
It’s no exaggeration to say this year feels like a horror movie. And now, a few filmmakers are making it official.
All over YouTube, you can find inventive homemade horror shorts taking the pandemic as inspiration. (They come from Brazil, from Canada and from, well, Funny or Die.) And a new movie Host, filmed over twelve weeks in quarantine and entirely on Zoom, debuted on the horror channel Shudder last week.
Call it “quar-horror.”
Among the most chilling of the YouTube offerings is Stay At Home, part horror movie and part PSA from a filmmaker in New Orleans.
“I literally just grabbed a box, and I set up the camera on a tripod and gave myself a scenario,” says Kenneth Brown, a former Uber driver turned horror auteur. “And the story started to build and build and build.”
Brown went to film school, and you can tell. Based on the myth of Pandora’s Box and the evening news, Stay At Home is elegantly lit and crafted. As of this writing, it’s racked up nearly 200,000 views on YouTube.
Part of what makes Stay At Home so effective — and heartfelt — is the insistent drone of news anchors discussing the mounting carnage. “That’s everything I need to say as far as reaching African Americans, which is the population most vulnerable to this virus,” says Brown, who is Black himself.
But escapism is also the point, say Nathan Crooker and James Gannon. Their upcoming quar-horror, called Isolation, just wrapped principal photography. The two produced the film; Crooker is also its director. Isolation is an anthology; nine interconnected shorts by different directors who filmed their movies using only resources immediately available to them.
Saving the giant panda is one of the big success stories of conservation.
Decades of efforts to create protected habitat for the iconic mammal has pulled it back from the brink of extinction.
But, according to a new study, while many other animals in the same landscape have benefited from this conservation work, some have lost out.
Leopards, snow leopards, wolves and Asian wild dogs have almost disappeared from the majority of protected areas.
Driven to near extinction by logging, poaching and disease, their loss could lead to “major shifts, even collapse, in ecosystems”, said researchers in China.
Without the likes of leopards and wolves, deer and livestock can roam unchecked, causing damage to natural habitats, with knock-on effects for other wildlife, including pandas themselves.
By protecting the panda’s forests, conservationists believed they would be protecting not only the charismatic black-and-white animal, but the many other species roaming the same habitat.
But while that has worked for some other wildlife, the efforts do not appear to have worked for large carnivores, such as the leopard and wolf.
A team of researchers now says a broader – holistic – approach is needed to manage the ecosystem in which the panda lives – one that ensures key species don’t lose out.
(26) SHORT LEAPS FORWARD. In the Washington Post, Bethonie Butler interviews Catherine Hardwicke, whose new Quibi series “Don’t Look Deeper” is set “15 minutes into the future” and has a teenage girl as a protagonist who may or may not be an android. Hardwicke discusses what it was like to direct a story delivered in 10-minute chunks and why star Helena Howard is a “strong and vulnerable” actor Hardwicke enjoyed working with. “Can Catherine Hardwicke get you to watch Quibi?”
Why Quibi? Were the shorter episodes appealing?
Actually, the script was written for short episodes. It was written in chapters. I thought that was quite interesting when I first read the script. I was like, “Wow, that’s fascinating,” because the short format does tie in — it weaves in directly with what’s going on with [Aisha’s] memory. We tell the story in a non-linear way as her memories are being erased and restored. The technology that we’re exploring, showing it on a new technological platform with the vertical and horizontal, it all seemed to kind of work together in an interesting way. So this leap of faith — that [Quibi founder Jeffrey] Katzenberg said let’s try this format — I thought that was an interesting challenge to dive into it and see what happens.
(27) VIDEO OF THE DAY. In “Dragonball Evolution Pitch Meeting” on ScreenRant, Ryan George explains that when the hero of the film has to collect seven dragonballs to make a wish that dragonballs are as powerful as “blowing out candles on a birthday cake.”
[Thanks to Cat Eldridge, Mike Kennedy, John King Tarpinian, Martin Morse Wooster, JJ, Michael Toman, John Hertz, Chip Hitchcock, Cliff, Madame Hardy, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Anna Nimmhaus.]
(1) NEW BOB SHAW EBOOK. Rob Jackson and David Langford’s new Ansible Press edition The Full Glass Bushel by Bob Shaw is now available as a free download in multiple formats at the Trans-Atlantic Fan Fund website (where they hope you’ll make a little donation to the fund if you please.) The official release date is June 30 but Langford gave File 770 permission to jump the gun.
Bob Shaw’s column “The Glass Bushel” in the legendary fanzine Hyphen has never until now been collected in full. Thirteen of these columns – selected by Bob himself – were brought together as the printed booklet The Best of the Bushel (1979) edited by Rob Jackson, introduced by Walt Willis and illustrated by Jim Barker – who has recreated his cover illustration for this ebook. A different though partly overlapping selection of fourteen columns appeared as 14 Bob the Bushel (1995) edited by Bruce Pelz.
The Full Glass Bushel includes the entire text of The Best of the Bushel and adds the remaining seventeen “Bushel” instalments from Hyphen, plus six non-Bushel pieces that Bob Shaw also published in Hyphen and two further columns from Science Fiction Review, where “The Glass Bushel” was briefly revived in 1984. All in all, it’s a huge feast of wit, wisdom and autobiography by one of our greatest fanwriters.
This collection complements The Serious Scientific Talks, issued as a TAFF ebook in November 2019. A third and even larger ebook of Bob Shaw’s other fanzine writings is in preparation, tentatively titled Slow Pint Glass.
…New cover art and layout by Jim Barker, plus selected interior art by Jim from The Best of the Bushel. Edited by Rob Jackson (who has contributed a new introduction) and David Langford. 81,000 words.
Langford adds, “The page mentions a third Bob Shaw ebook still under construction, which currently contains nearly 80 articles — more than 120,000 words.”
(2) SLF SEEKS JURORS. The Speculative Literature Foundation is looking for people to read applications for their grants. More information on Facebook. There’s a $25 honorarium for serving.
The Speculative Literature Foundation needs jurors to read applications for the Diverse Writers and Diverse Worlds Grants, and the AC Bose Grant for South Asian Speculative Literature. Ideally, we’re looking for people who are well read in science fiction, fantasy and horror, but we’d also like a mix of readers, writers, librarians, teachers, editors, etc. who are capable of judging literary quality in a work. Please note: we’d love to have South Asian and South Asian diaspora jurors for the AC Bose Grant, but it’s not a requirement.
Jurors will probably read 25-50 applications, which includes a writing sample of no more than 5,000 words. Jurors will have about six weeks to read applications, select finalists, and choose a winner or winners for the grants, as can be seen in more detail below… If interested, please send a brief note to Malon Edwards at firstname.lastname@example.org with the subject line: JUROR. Please include the grant you wish to be a juror for and a paragraph about what your qualifying background is to serve as a juror: for example, your interest in / connection to the field. (i.e., “I’m an ardent reader!” or “I’ve been writing SF/F for seven years…”). Please feel free to ask any questions you may have as well.
‘Afterland,’ by Lauren Beukes (Mulholland, July 28)
After the “Manfall” pandemic wipes out most of the men on the planet, Cole disguises her son — one of the last males on Earth — as a girl and tries to get him to safety before the government can snatch him. Their cross-country journey is treacherous, as they evade not only the Department of Men but also Cole’s sister, Billie, who is determined to separate mother and son. Beukes’s imagined world — complete with bootleg sperm and faux baby bumps — is a thrilling setting for an examination of maternal love.
Full list is probably paywalled. No other real genre cites, but #2 is Jeopardy! host Alex Trebek’s memoir, and deep in the list is a discussion of popular superstitions like the “devil” of the New Jersey Barrens.
Daveed Diggs: Congratulations on jumping into “Altered Carbon.” Are you a sci-fi head? Because I am, and you do an awful lot of sci-fi stuff.
Anthony Mackie: I’m not a big sci-fi person. I grew up on “Star Wars,” but I never got into anything futuristic. When I was in high school, there was this movie called “Starship Troopers.”
Mackie: In New Orleans we had huge cockroaches. “Starship Troopers” freaked me out. I can’t do it, man. My imagination is too vivid. But “Altered Carbon” was great. If you look at the “Avengers” movies, I’ve never been the lead, or had to do that much action. It became a painstaking weekly hustle to finish that show.
(5) AS YOU WISH. “Watch the Celebrity-Filled Fan-Film Version of The Princess Bride”. Tagline: “A-list actors worked secretly in quarantine to create a rough-hewn, homemade version of the classic film and raise $1 million for charity. Vanity Fair has the exclusive look at three clips from the series, which will start showing this Monday on Quibi.”
… Jeffrey Katzenberg loved the concept and was moved by the charitable effort, so Quibi made a $1 million donation to World Central Kitchen, which equates to approximately 100,000 meals, in order to distribute the handmade project.
The creators hope the footage can also provide some laughter to viewers in a time of hardship. Their scrappy version of The Princess Bride leans into its continuity lapses, utilizes absurd household props and back-of-the-closet costumes, and deploys multiple castings of the same roles to show that in a true fantasy, anyone can play anything.
Before we go any further, just watch some. It’ll be easier to explain after that.
That’s Josh Gad playing the little boy with a cold who is reluctantly told the swashbuckling story by his grandfather. If you’re wondering what the director of the original movie, Rob Reiner, thinks of this riff on his work—that’s him playing the grandfather in this sequence.
[Film Historian Bruce] Crawford: When they made the first Jurassic Park (1993), originally the full-body shots of the dinosaurs were to be realized through a form of stop-motion animation called go-motion, to be done by Phil Tippett. And even though they ended up using CGI instead, Tippett stayed on as one of the lead technicians, and many people on the crew, including Dennis Murren at Industrial Light & Magic — not to mention director Steven Spielberg — are huge admirers of Ray’s. Many of them cite movies like One Million Years B.C. (1966) and The Valley of Gwangi (1969) as the most inspirational dinosaur films ever made. That shows in the film. For example, the scene where the T. rex attacks the Gallimimus was modeled specifically after a key moment in The Valley of Gwangi.
Also, remember when the T. rex eats the lawyer? Well, the lawyer survived in the book. But in the movie, the T. rex bites him from the head down and lifts him up in his mouth — very much like that scene in The Beast from 20,000 Fathoms (1953), where the Rhedosaurus is rampaging around the city and snatches up a police officer. It’s one of the most iconic scenes in monster movie history, and Ray recognized that moment in Jurassic Park as an homage to his work. He was really touched by that.
(7) MEDIA BIRTHDAY.
June 29, 1979 — Moonraker premiered. It was directed by Lewis Gilbert, and produced by Albert R. Broccoli. Screenplay was by Christopher Wood off the Moonraker novel by Ian Fleming. It was the fourth Bond film to star Roger Moore. Supporting cast was Lois Chiles, Michael Lonsdale, Richard Kiel and Corinne Cléry. Broccoli had originally intended to make For Your Eyes Only, but chose Moonraker because of the popularity of Star Wars. Some critics really liked it, some really hated it. (Connery thought it was crap.) Audience reviewers at Rotten Tomatoes give it a mediocre 43% rating. (CE)
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born June 29, 1900 – Antoine de Saint-Exupéry. Author, aviator, illustrator, journalist. His novella The Little Prince (1943) won the Retrospective Hugo and has been translated into 300 languages. He was a viscount, a pioneer of international postal flight, a pilot in and out of war with 13,000 flying hours; his complicated heroic life and his works outside SF are worth study, as is LP which may be even more than it seems. Prix Femina; Prix des Ambassadeurs; Grand Prix du roman de l’Académie française; inscribed in the Panthéon, Paris; Officer of the Legion of Honor; Croix de Guerre with Palm; U.S. Nat’l Book Award. (Died 1944, maybe) [JH]
Born June 29, 1919 —Slim Pickens. Surely you remember his memorable scene as Major T. J. “King” Kong in Dr. Strangelove? I certainly do. And. of course, he shows up in Blazing Saddles as Taggart. He’s the uncredited voice of B.O.B in The Black Hole and he’s Sam Newfield in The Howling. He’s got some series genre work including several appearances on Alfred Hitchcock Presents, plus work on The Man from U.N.C.L.E. and Night Gallery. (Died 1983.) (CE)
Born June 29, 1935 – Richard Harter, F.N. In his words, “a collector who prizes his mint copy of Dick and Jane meet Robby Robot, a club fan who is … also a diamond fan and a spade fan, a fanzine fan whose multitudinous publications, if not always award winning, certainly ought to be, and a convention fan noted for attending conventions that no one else attended.” Fellow of NESFA (New England SF Ass’n; a service honor); six entries in the history section of the NESFA Website. Proposed the NESFA Hymnal. Upon retirement, moved back to South Dakota, from which he remained active. Always a Marine. (Died 2012) [JH]
Born June 29, 1940 – Joe Sanders, 80. Reviewer for Algol, Delap’s, Fantasy Review, Int’l Ass’n for Fantasy in the Arts Newsletter, Locus, NY Review of SF, SF Book Review, SF Chronicle, SF Commentary, Starling, Starship. Wrote Roger Zelazny, a Primary & Secondary Bibliography (1980: who’ll do a 2nd ed’n?); E.E. “Doc” Smith; Science Fiction Fandom; The “Sandman” Papers; The Heritage of Heinlein (with T. Clareson). Clareson Award after C died. Professor emeritus, Lakeland Community College, Ohio. [JH]
Born June 29, 1950 – Michael Whelan, 70. Seven artbooks, from Wonderworks (edited by Kelly & Polly Freas) through Beyond Science Fiction with this exhibit. Fifteen Hugos. Fourteen Chesleys, recently for “In a World of Her Own”, which was made the Beyond cover. Spectrum Award; SF Hall of Fame; 370 book and magazine covers, plus interiors. Many times Guest of Honor including 56th and 65th Worldcons. Among the very best. [JH]
Born June 29, 1956 – David Mattingly, 64. Hundreds of book and magazine covers for us, two thousand in all, plus interiors; Chesley for the Amazing Sep 91 cover; two Magazine & Bookseller Best Cover of the Year awards. Here is the Aug 81 Asimov’s. Here is A Rising Thunder. Guest of Honor at Boskone 25, Con*Stellation XX (some use Roman numerals, some don’t), Lunacon 49, Bubonicon 36 & 38, Canvention 38, Loscon 42. [JH]
Born June 29, 1957 – Fred Duarte, Jr. Chaired Fandom Ass’n of Central Texas; member of NESFA. Chaired ArmadilloCon 9-10, 14, 17, Fan Guest of Honor at ArmadilloCon 33. Co-chaired Westercon 49. Chaired World Fantasy Con in 2000, 2006. Chaired Smofcon 13. Copperhead Award. OGH’s appreciation is here. (Died 2015) [JH]
(9) JUST NEEDS SOME BIPLANES PILOTED BY MICE. Mlex asks, “Does this count as genre? I was thinking: King-Kong-esque.”
Astronomers say big cool patches on a “supergiant” star close to Earth were behind its surprise dimming last year.
Red giant stars like Betelgeuse frequently undergo changes in brightness, but the drop to 40% of its normal value between October 2019 and April 2020 surprised astronomers.
Researchers now say this was caused by gigantic cool areas similar to the sunspots seen on our own parent star.
There had been speculation that Betelgeuse was about to go supernova.
But the star instead began to recover and by May 2020 it was back at its original brightness.
Betelgeuse, which is about 500 light-years from Earth, is reaching the end of its life. But it’s not known precisely when it will explode; it could take as long as hundreds of thousands of years or even a million years.
When the giant star does run out of fuel, however, it will first collapse and then rebound in a spectacular explosion. There is no risk to Earth, but Betelgeuse will brighten enormously for a few weeks or months.
(11) ROWLING REITERATES. Incredibly, J.K. Rowling was back for another round on Twitter this weekend. Thread starts here:
(12) PUPPY ACTS OUT. P. Alexander, publisher of Cirsova, a 2017 Hugo nominee courtesy of the Rabid Puppies slate, today proclaimed “SFWA is a Terrorist Organization” [Internet Archive copy] due to its statement in support of Black Lives Matter.
…And it is for this reason that Cirsova Publishing has officially adopted the policy of recognizing the SFWA as a terrorist organization.
We strongly recommend any authors with good conscience leave this malign organization.
We strongly recommend any authors considering membership to avoid it.
While we will not make it a policy to ask, Cirsova Publishing will no longer consider submissions from new authors with SFWA credentials in the bio materials that they send us until the organization takes a real stand against racism and disavows and ceases supporting domestic terrorist groups.
…The cape appeared in 1978’s Superman: The Movie, 1980’s Superman II, and possibly 1983’s Superman III. According to Julien’s Auctions, the trademark red cape was used to film Reeve while he was mounted on a wire harness, for both blue screen and front projection work, to make it appear as though he was flying. Slits in the fabric accommodated the wires. There are also pockets at the bottom of the cape so rods could be inserted to make it seem as though it were flapping in the air.
(14) VIDEO OF THE DAY. In “The Last Airbender Pitch Meeting” on YouTube, Ryan George explains why boiling down hours of anime into a 90-minute movie doesn’t work.
[Thanks to John Hertz, JJ, Chip Hitchcock, Cat Eldridge, Michael Toman, Martin Morse Wooster, Andrew Porter, Mike Kennedy, Mlex, and John King Tarpinian for some of these stories. Title cedit goes to File 770 contributing editor of the day Anna Nimmhaus.]
(1) NO FOOLING. One of the most famous warships that never was – but what kind was it? “HMS Thunderchild – A bad day to be a Tripod,” at Drachinifel. (Here’s a portfolio of related designs by Baron-Engel, “HMS Thunderchild”, at DeviantArt.)
My attempt to answer the question, just what exactly was HMS Thunderchild?
(2) BUDRYS ASSEMBLED. David Langford’s Ansible Editions has released Beyond the Outposts: Essays on SF and Fantasy 1955-1996, a collection of Algis Budrys’s standalone essays, reviews, appreciations, state-of-the-art reports, personal memoirs and thoughts on the mechanics of writing.
As noted in the latest Ansible, the Lulu coupon code LULU20 gives 20% off the paperback today and tomorrow (1 and 2 April). Published: April 2020 at $22.50. Ebook edition April 2020 at £5.50 . Approximately 211,000 words with index.
Among the major pieces here are “Paradise Charted”, a tour-de-force potted history of the science fiction genre that filled some seventy pages of the special SF issue of TriQuarterly magazine; “Literatures of Milieux”, a highly individual attack on the problem of defining our genre; the long series of “On Writing” columns written for Locus magazine; “Non-Literary Influences on Science Fiction”, exploring in disquieting depth how magazine stories were routinely cut, padded or rearranged for production reasons beyond the control of author or editor; and “Obstacles and Ironies in Science-Fiction Criticism”, casting a cold eye on the very thing that Budrys did best. Lighter notes are struck by mordant book and film reviews plus touches of sheer personal fun.
Here is Budrys’s 1980 “Diagram of All SF” which accompanied his potted history of the genre for TriQuarterly magazine.
(3) STOKERCON UK. The Horror Writers Association’s annual event, planned for the UK this year, has been postponed to August 6-9. More information here:
Further to our announcement last week, we wanted to inform the membership that, following further negotiations with the two convention hotels, they have finally agreed to issue refunds on the reservations of those who cannot make the proposed new dates of August 6–9, 2020 for STOKERCON UK. Unfortunately, as the hotels are closed at the moment due to the Government’s restrictions, this cannot happen immediately.
While I listen to medical professionals and practice self-quarantine at home, I’m making an effort to create and release free audio book shorts every few days. It’s a good way for me to stay connected to my creative self, when my everything else self is so anxious and scared, all it wants to do is hide under the blankets and play video games.
…Today’s reading is a satirical Victorian ghost story from the 1890s.
Andre Norton understood the potential in doorways. A door could lead you from post-War Europe to the Witchworld, from a world where one is but an unwanted double to one where one can be a savior, from the world we know to ones where history played out very, very differently. In fact, portals and doorways are so common (see Judith Tarr’s ongoing Norton Reread series) that it’s odd none of her interstellar empires ever seemed to make use of them.
(6) DEVEREAUX OBIT. Cat Devereaux, the International Costumers’ Guild 2005 Lifetime Achievement Award Recipient, died today. Active in costume fandom since the early 1980’s, when she reached a time in life where traveling to conventions far away became tougher, she created one of the largest free informational and costume-supportive websites on the Internet, Alley Cat Scratch Costume, with resources for costume design and sewing.
An actor and dialect coach who appeared in Star Wars and worked with A-list celebrities has died after contracting Covid-19, his agent has said.
Andrew Jack, 76, died in a Surrey hospital on Tuesday.
Agent Jill McCullough said she had been inundated with tributes to one of the acting world’s “brightest and clearest voices”.
She said Jack was unable to see his wife in his final days because she was quarantined in Australia.
His acting credits included The Last Jedi and the Force Awakens.
(8) TODAY’S DAY.
April 1 — The term “All Fools,” was probably meant as a deliberate stab at All Saints (November 1) and All Souls (November 2) Day. Although the origin of playing practical jokes and pranks on this day is hazy, many folklorists believe it may go back to 16th-century France. At that time, New Year’s Day was March 25, with a full week of partying and exchanging gifts until April 1. In 1582, the Gregorian calendar moved New Year’s Day to January 1. Those who forgot or refused to honor the new calendar were teasingly called, “April Fool!” Weather folklore states, “If it thunders on All Fools Day, it brings good crops of corn and hay.”
(9) TODAY IN HISTORY.
April 1, 1957 — Kronos premiered. It was produced by Irving Block, Louis DeWitt, Kurt Neumann, and Jack Rabin, and directed by Kurt Neumann. It starred Jeff Morrow and Barbara Lawrence. It was shown as a double feature with She Devil. Critics were mixed on it with the Variety reviewer finding much to like in it. Audience reviewers at Rotten Tomatoes give it a 44% rating. Despite it being on both Youtube and the Internet Archive, it is still under copyright having been renewed by legal rights holders, so a link for viewing it will not be provided as those are pirated copies.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born April 1, 1875 — Edgar Wallace. Creator of King Kong, he also wrote SF including Planetoid 127, one of the first parallel Earth stories, and The Green Rust, a bioterrorism novel which was made into a silent film called The Green Terror. Critics as diverse as Orwell, Sayers and Penzler have expressed their rather vehement distaste for him. Kindle has an impressive number of works available. (Died 1932.)
Born April 1, 1916 — Mary, Lady Stewart (born Mary Florence Elinor Rainbow, lovely name that). Yes, you know her better as just Mary Stewart. Genre wise, she’s probably best known for her Merlin series which walks along the boundary between the historical novel and fantasy. Explicitly fantasy is her children’s novel A Walk in Wolf Wood: A Tale of Fantasy and Magic. (Died 2014.)
Born April 1, 1926 — Anne McCaffrey. I read both the original trilogy and what’s called the Harper Hall trilogy oh so many years ago. Enjoyed them immensely. No interest in the later works she set there. And I confess that I had no idea she’d written so much other genre fiction! (Died 2011.)
Born April 1, 1930 — Grace Lee Whitney. Yeoman Janice Rand on Star Trek. She would reach the rank of Lt. Commander in Star Trek VI: The Undiscovered Country. Folks, I just noticed that IMDB says she was only on eight episodes of Trek. It seemed like a lot more at the time. Oh, and she was in two video fanfics, Star Trek: New Voyages and Star Trek: Of Gods and Men. (Died 2015.)
Born April 1, 1942 — Samuel R. Delany, 78. There’s no short list of recommenced works for him as everything he’s done is brilliant. That said I think I’d start off suggesting a reading of Babel- 17 and Dhalgren followed by the Return to Nevèrÿon series. I think his only Hugo win was in the Short Story category at Heicon ’70 for “Time Considered as a Helix of Semi-Precious Stones” as published in New Worlds, December 1968.
Born April 1, 1953 — Barry Sonnenfeld, 67. Director of The Addams Family and its sequel Addams Family Values (both of which I really like), the Men in Black trilogy (well, one out of three ain’t bad) and Wild Wild West. He also executive produced Lemony Snicket’s A Series of Unfortunate Events which I’ve not seen, and did the same for Men in Black: International, the recent not terribly well-received continuation of that franchise.
Born April 1, 1960 — Michael Praed, 60. Robin of Loxley on Robin of Sherwood which no doubt is one of the finest genre series ever done of a fantasy nature. He also played Phileas Fogg on The Secret Adventures of Jules Verne, an amazing series that I think ever got released on DVD.
Born April 1, 1963 — James Robinson, 57. Writer, both comics and film. Some of his best-known comics are the series centered on the Justice Society of America, in particular the Starman character he co-created with Tony Harris. His Starman series is without doubt some of the finest work ever done in the comics field. His screenwriting not so much. Remember The League of Extraordinary Gentlemen? Well that’s him.
Born April 1, 1970 — Brad Meltzer, 50. I’m singling him for his work as a writer at DC including the still controversial Identity Crisis miniseries and his superb story in the Green Arrow series from issues 16 to 21 starting in 2002. He and artist Gene Ha received an Eisner Award for Best Single Issue (or One-Shot) for their work on issue #11 of Justice League of America series.
(11) KYLE REMEMBERED. The First Fandom Annual, 2019 — David A. Kyle: A Life Of Science Fiction Ideas And Dreams is available. A centenary tribute to David A. Kyle, the annual is edited by John L. Coker III and Jon D. Swartz. Includes:
Foreword by Forrest J Ackerman
Introduction by Frederik Pohl
Afterword by Robert A. Madle
Bibliography by Christopher M. O’Brien
(128) pages in two volumes. Limited to 26 lettered copies. Laser-printed on 28 # paper. Photos and illustrations, 8½ x 11. Gloss color covers, booklet-stapled. Each set has a label signed by Kyle. To reserve a copy: email@example.com. Order your set by sending check or M.O. for $60 (includes packing, priority postage and insurance) payable to John L. Coker III at 4813 Lighthouse Road, Orlando, FL – 32808.
Nineteen-year-old Kitra Yilmaz dreams of traveling the galaxy like her Ambassador mother. But soaring in her glider is the closest she can get to touching the stars — until she stakes her inheritance on a salvage Navy spaceship.
On its shakedown cruise, Kitra’s ship plunges into hyperspace, stranding Kitra and her crew light years away. Tensions rise between Kitra and her shipmates: the handsome programmer, Fareedh; Marta, biologist and Kitra’s ex-girlfriend; Peter, the panicking engineer; and the oddball alien navigator, Pinky.
Now, running low on air and food, it’ll take all of them working together to get back home.
Journey Press has also published the well-received collection Rediscovery: Science Fiction by Women (1958-1963).
(13) TOUGH NEIGHBORHOOD. Hey, I thought my high school was dangerous. But compared to Gotham High?
From the #1 New York Times bestselling author of Alex and Eliza and The Witches of East End comes a reimagining of Gotham for a new generation of readers. Before they became Batman, Catwoman, and The Joker, Bruce, Selina, and Jack were high schoolers who would do whatever it took–even destroy the ones they love–to satisfy their own motives. After being kicked out of his boarding school, 16-year-old Bruce Wayne returns to Gotham City to find that nothing is as he left it. What once was his family home is now an empty husk, lonely but haunted by the memory of his parents’ murder. Selina Kyle, once the innocent girl next door, now rules over Gotham High School with a dangerous flair, aided by the class clown, Jack Napier. When a kidnapping rattles the school, Bruce seeks answers as the dark and troubled knight–but is he actually the pawn? Nothing is ever as it seems, especially at Gotham High, where the parties and romances are of the highest stakes … and where everyone is a suspect.
In 2006, the light from a ridiculously violent event reached Earth. Hugely diminished by the time it reached us, it started out as an extremely powerful blast of X-rays… but unlike events such as a typical supernova or other high-energy processes which come and go rather quickly, this one faded slowly, visibly dropping in brightness over the course of more than ten years.
Not too many things can behave this way, and the most common is also one of the scariest: An entire star being ripped to shreds by the gravity of a black hole.
Scientists drilling off the coast of West Antarctica have found the fossil remains of forests that grew in the region 90 million years ago – in the time of the dinosaurs.
Their analysis of the material indicates the continent back then would have been as warm as parts of Europe are today but that global sea levels would have been over 100m higher than at present.
The research, led from the Alfred Wegener Institute (AWI) in Germany, is published in the journal Nature.
It’s emerged from an expedition in 2017 to recover marine sediments in Pine Island Bay.
AWI and its partners, including the British Antarctic Survey (BAS), used a novel cassette drill-mechanism called MeBo to extract core material some 30m under the seafloor.
When the team examined the sediments in the lab, it found traces of ancient soils and pollen and even tree roots.
…Seeing the White Continent as we do today with its kilometres-thick ice covering, it’s a challenge to the imagination to think of such productive conditions. But BAS director, Prof Jane Francis, says there have been several periods in Earth history when Antarctica’s great glaciers were absent.
This study, she says, represents the first evidence for Cretaceous forests so close to the South Pole – just 900km away, at what would have been about 81-82 degrees South latitude.
“And, yes, there probably were dinosaurs in the forests,” she explained. “If you go to the tip of the Antarctic Peninsula, you’ll find a whole range of fossils – things like hadrosaurs and sauropods, and primitive bird-like dinosaurs. The whole range of dinosaurs that lived in the rest of the world managed to get down to Antarctica during the Cretaceous.”
Jackson presented a new poem written by Adam Mansbach, the author of the Amazon bestseller Go the F**k to Sleep, titled “Stay the F**k At Home.” Jackson recorded the audiobook for Mansbach’s 2011 hit, a perfect choice given his frequent use of the cuss word throughout both his prolific film career and in his personal life. The original book served as an exasperated way to get Mansbach’s then two-year-old daughter to fall asleep, sparked in response to a Facebook post alluding to writing a book about his frustrations.
(18) TODAY’S OTHER PSA. Curb yourself already.
[Thanks to John King Tarpinian, Mike Kennedy, Chip Hitchcock, Andrew Porter, JJ, Martin Morse Wooster, Cat Eldridge, and Michael Toman for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew.]