Pixel Scroll 11/13/19 Baby, It’s Fahrenheit 451 Outside

(1) CHIZINE STORY CONTINUES TO UNFOLD. Three more writers announced they have asked ChiZine Publications to revert their rights:

I have spent the past week reading and processing the ongoing revelations and allegations about my publisher ChiZine. I honour the words and experiences and the courage of those who have come forward to speak.

Through my agent, I have requested that ChiZine revert to me the rights to all of my work that they have published.

Re: The current status of my collection Celestial Inventories and Melanie’s final novel The Yellow Wood–I’ve asked for and received a reversion of the rights for these two ChiZine titles. As soon as they are removed from such online booksellers as Amazon they will be re-issued by Crossroads Press as e-books. Hopefully, at some point they will reappear in paperback form, but I can’t be sure if and when.

  • Cat Rambo

Can*Con chairs Dererk Künsken and Marie Bilodeau have offered to use the convention’s platform to support affected authors and staffers:

Statement from Can*Con regarding recent public information about ChiZine:

A large number of detailed allegations of abusive behaviour and non-payment of authors and staff have recently come to light. Friends and members of the Can*Con community have been touched and hurt financially and emotionally. As Co-Chairs of Can*Con, we stand with the victims and offer our support, both as an organization and as Derek and Marie. We do not believe that there is a place in our community for abusive behaviour.

We would also like to offer to use what platform and resources we have to help the affected authors and staffers continue to move their careers forward. We would like to immediately offer to:

***use Can*Con’s social media presence to promote the books that affected authors may have for sale that will put money in their pockets, as well as places where the public can support their art through means such as Patreon, Ko-Fi, Drip, etc;

***waive the registration fee for Can*Con 2020 to affected authors and staffers so as to reduce the burden of participating in the community; and

***we will set aside 1-2 tables for free in the dealer’s room at Can*Con 2020, where affected authors and staffers can sell their author stock, other books, etc. without an additional conference expense. The authors could work together to organize shifts for the table, so that they can enjoy the con and network.

Any staffers or authors who would like to participate in any or all of this, please email canconchairs@gmail.com.

As co-chairs of a public event, we also have additional responsibilities in the face of this new information. We’ll take other appropriate actions to make Can*Con a place free of harassment and abuse, although it is possible that we will not be able to make public statements about that work. However, we hope that people take at face value our commitment to creating a positive, encouraging, energizing, uplifting space for SFFH folk. We are committed to always listen, learn, and act to continue to make Can*Con a space the community can be proud of.

We send our best and much warmth to those directly affected and also those triggered by these events. If we can do anything to help, please feel free to personally reach out to either or both of us.

Derek and Marie (and the whole Can*Con team)

Kerrie Byrne, after reading various posts revealing ChiZine’s finances, wrote another extended thread which begins here.

Bob Boyczuk’s November 7 post “The ChiZine Shitshow” has not previously been linked here.

I’ve been at the shit end of the stick with them ever since our relationship blew up when I withdrew my last book in Jan of 2018. My reasons for doing so were both  personal and professional. Leaving the personal reasons aside, they hadn’t given me a royalty statement or payment in three years, to say nothing of the reserves against returns they withheld, some up to 5 years after they were due. Moreover, their support of my last book was, to say the least, underwhelming. To be fair, however, most of the money owing (as well as questions of rights) has been settled since, although not without a long and frustrating back and forth which included personal attacks on me. In the few years before I severed ties with them, several other authors had complained to me about their late/non-existent royalties and/or the way they’d been treated. When this first started happening, I generally defended Chizine. But, when it became clear this wasn’t just a few isolated cases, I gave up on trying to defend the indefensible, and my advice to other authors became, “They produce a good-looking product, but be aware of what you’re getting into.”

Brian Keene says listen in Thursday –

(2) LIFELINE. “We lived long and prospered! How Star Trek saved fans’ lives “ — Duncan Barrett interviewed fans who credit Star Trek for helping them survive life crises: in The Guardian.

[Letitia Lemon:] I grew up watching Voyager, but it wasn’t until university that I made my way through the whole Star Trek back-catalogue. Studying film and TV production, I could see that the shows were products of their time, but the characters and themes were timeless.

In my final year, I had an accident in the scene-dock where the sets were kept. A huge metal pole fell on to my head, missing my eye by less than an inch. For several weeks I had concussion, with nausea and light sensitivity that made it hard to look at a TV.

Then the nightmares began. In my dreams, the accident had left me with a gaping bloody eye-socket, like something from a horror movie. I would wake gasping for breath and run to check myself in the mirror. Every time I went back into the scene-dock I froze. I didn’t realise it, but I had PTSD.

It was an episode of Discovery that finally made it all click. In a crisis, Ash Tyler (Shazad Latif) was having flashbacks to being tortured by the Klingons, and Admiral Cornwell (Jayne Brook) was trying to calm him down. “You’re safe,” she told him. “What you are experiencing are the effects of past trauma.”

I stared at the screen in silence. I wasn’t watching as a film student now – or even as a fan – but as someone who knew exactly what that character was feeling. The admiral’s words gave me strength. From that day on, the nightmares stopped.

I tracked Jayne down on Twitter and told her my story. When I saw she was appearing at this year’s Las Vegas convention I knew I had to go, even though I was terrified of flying. I got through my first ever flight with Cornwell’s final line scrawled on a piece of paper in my lap: “Whatever your path may be, you can handle it.” When I arrived, she gave me a big hug. I knew it had all been worth it.

(3) OUTER LIMITS. Galactic Journey’s Natalie Devitt’s 4-episode recap includes a classic of SF television: “[November 13, 1964] Beat the Devil (The Outer Limits, Season Two, Episodes 5-8)”

Demon with a Glass Hand marks Robert Culp’s third appearance on The Outer Limits, after his previous roles in The Architects of Fear and Corpus Earthling. The third time is absolutely a charm. In this episode, Culp transforms into Trent, a man who recalls nothing of his past, but in the present is being pursued by human-like extraterrestrials called the Kyben.

The Kyben are after Trent to gain possession of his glass computerized hand, which “holds all knowledge.” His hand speaks, providing guidance to Trent to help him avoid capture. The Kyben already possess three of his fingers, which Trent needs in order to collect more information about his past. Along the way, he meets and is helped by a charming seamstress, Consuelo Biros, played by Arlene Martel of The Twilight Zone episodes Twenty Two and What You Need.

Harlan Ellison has done it again. Just like with The Soldier, Ellison‘s writing has helped The Outer Limits dive much deeper into science fiction. Ellison combines a lot of different things that, in the hands of a less skilled writer, might not work as well as they do here. The episode has an interesting premise, drama, action, and just a little bit of everything. Culp and Martel deliver spectacular performances. Back in the director’s chair is Byron Haskin, director of The War of The Worlds (1953) and this summer’s Robinson Crusoe on Mars.

(4) WHEN THE MAGIC INGREDIENT – $$ — IS MISSING. Mark Lawrence says this is what happened when studios came knocking on his door: “Hollywood and Hollywouldn’ts – your options as an author.”

…I spent a long time on the phone with very talkative, very enthusiastic, very convincing Hollywoodians. And I HATE phone calls. Hate them.

I was even skyped by the head of the head of a major US TV network’s Hollywood studio (CBS). He talked about how many millions would be spent on the (and here I forget the terminology) short taster that would be used to drum up funding for a full film.

I had small film companies showing me their short-form work and conference calling about scripts for different scenes – filming to start in 3 months.

Here’s the thing though. All of these people wanted the option on my work. Not one of these people was prepared to pay for it.

The option is a legal agreement that for the period of the option (typically 1 or 2 years) the author will not sell the film or TV rights to their work to anyone else. That’s all it is. You haven’t agreed to sell them to the person who holds the option (though sometimes you have – more of that later), just not to sell them to anyone else….

(5) TODAY IN HISTORY.

  • November 13, 1933 The Invisible Man premiered. Produced by Universal Pictures, the film stars Claude Rains, in his first American screen appearance, and Gloria Stuart. The movie was popular at the box office, Universal’s most successful horror film since Frankenstein. The film holds a 100% rating at Rotten Tomatoes. 
  • November 13, 1940 — Walt Disney’s Fantasia premiered at the Broadway Theater in New York; first film to attempt to use stereophonic sound.

(6) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born November 13, 1850 Robert Louis Stevenson. Author of for Treasure Island, Strange Case of Dr Jekyll and Mr Hyde and the New Arabian Nights collection of short stories. (Died 1894.)
  • Born November 13, 1888 Philip Francis Nowlan. He’s best known as the creator of Buck Rogers. While working in Philadelphia, he created and wrote the Buck Rogers comic strip, illustrated by Dick Calkins. Philip Nowlan working for the syndicate John F. Dille Company, later known as the National Newspaper Service syndicate, was contracted to adapt the story into a comic strip. The strip made its first newspaper appearance on January 7, 1929. (Died 1940.)
  • Born November 13, 1930 Adrienne Corri. Mena in “The Leisure Hive”, a Fourth Doctor story. She was also in A Clockwork OrangeDevil Girl from MarsCorridors of BloodThe Tell-Tale HeartLancelot and GuinevereRevenge of the Pink Panther and Moon Zero Two which is not a complete listing by any means. (Died 2016.)
  • Born November 13, 1933 James Daris, 86. He played the role of Creature in the deservedly maligned “Spock’s Brain” episode. He’d do one-offs in I Spy, I Dream of Jeannie, Land of the Giants, The Man from U.N.C.L.E. and Mission: Impossible, the latter with Shatter and Nimoy. He retired from acting with a role in Larva, a horror film.
  • Born November 13, 1953 Tracy Scoggins,66. Capt. Elizabeth Lochley on Babylon 5 and its follow-up series, the short-lived Crusade. See Neil Gaiman’s Babylon 5 episode “ Day of the Dead” for all you need to know about her. She was also Cat Grant in the first season of Lois & Clark, and she played Gilora Rejal,  a female Cardassian, in “Destiny” a DS9 episode.
  • Born November 13, 1955 Whoopi Goldberg, 64. Best known as Guinan the Barkeep in Ten Forward on Enterprise in Next Gen which she reprised in Generations and Nemesis. Other genre appearances include It’s a Very Merry Muppet Christmas Movie, Teenage Mutant Ninja Turtles and The Adventures of Rocky and Bullwinkle to name but a few of her appearances as she’s very busy performer!
  • Born November 13, 1957 Stephen Baxter, 62. Ok I’m going to confess that the only thing I’ve read that he’s written is the Long Earth serieswith Terry Pratchett.  I’ve only read the first three but they are quite great SF!  Ok I really, really need your help to figure out what else of his that I should consider reading. To say he’s been a prolific writer is somewhat of an understatement and he’s gotten a bonnie bunch of literary awards as well.  It’s worth noting that Baxter’s story “Last Contact” was nominated for a. Hugo for best short story. 
  • Born November 13, 1971 Noah Hathaway, 48. Best known as Atreyu in The NeverEnding Story and for being Boxey on the original Battlestar Galactica series. He was also Harry Potter Jr. in Troll, a 1986 comedy horror film which had nothing to do with that series.

(7) COMICS SECTION.

  • Pearls Before Swine suggests a near-future story about why we didn’t get coffee this morning.

(8) SHADE OF A DOUBT. Brian Chesky, chief executive of Airbnb, answered a question for the New York Times:

NYT: What’s your craziest Airbnb experience?

…We also have some really weird things. …. One day a customer calls us and says they want a full refund. We say, “Why do you want a full refund?” They said, “Because the house is haunted and there’s a ghost in the house.” And we’re, like, “O.K., well, we have to adjudicate this.”

So we call the host, and all the host has to do is deny it, because there’s no photo evidence of ghosts. Well, unfortunately the host confirms the ghost, says that it’s a friendly ghost named Stanley, and that the ghost Stanley is in the listing description.

We read the listing description, Stanley is mentioned. So we go back to the guest and the guest says, “Yes, we knew about Stanley, that’s why we booked it. But Stanley has been harassing us all night.” How do you adjudicate that? So I guess the point is in this new economy built on trust you can only imagine the kind of issues you deal with. There is no playbook for this stuff.

(9) PRESERVING FANHISTORY. Fanac.org’s Joe Siclari sent out an update – he and Edie will see you next at Loscon in LA over Thanksgiving Weekend.

We brought the FANAC scanning station to Philcon last weekend, Nov. 8-10, and  scanned over 1,500 pages. We also received donations of both publications and recordings. The week before, we also received a carton of recordings from NESFA. Those cover Boston fandom going back to at least Boskone 5 in 1968! We haven’t had a chance to inventory them yet but a quick glance includes recordings of Marvin Minsky, Isaac Asimov, Gordon Dickson and many, many others.

Lastly, and MOST IMPORTANT: Edie Stern, our webmaster is going to be a Guest of Honor at Loscon 46 in 2 weeks, Nov. 29-Dec. 1, 2019, at the Marriott Los Angeles Airport Hotel. Come by and say “hello” to her.

To celebrate her Honorship, we will have another FANAC Scanning Station at the con.  Bring your favorite fannish photos and fanzines to Loscon so we can scan them and add them to FANAC.org. If you have old fannish recordings or films you can bring those as well. See you at Loscon.

(10) VAMPIRE BAMBI. “Silver-Backed Chevrotain, With Fangs And Hooves, Photographed In Wild For First Time”.

The silver-backed chevrotain — a mysterious animal that’s the size of a rabbit but looks like a silver-splashed deer — has been photographed in the wild for the first time. The chevrotain is the world’s smallest hoofed mammal, or ungulate.

Scientists say they have rediscovered a type of chevrotain that had been “lost to science” for nearly 30 years.

“They are shy and solitary, appear to walk on the tips of their hooves and have two tiny fangs,” says Global Wildlife Conservation, which helped back the project that recently tracked down the elusive animals in southern Vietnam.

(11) HOMEWARD BOUND. Returning to sender:“Hayabusa-2: Japan spacecraft leaves asteroid to head home”.

Japan’s Hayabusa-2 spacecraft has departed from a faraway asteroid and begun its yearlong journey back to Earth.

The spacecraft left its orbit around Ryugu on Wednesday with samples of the asteroid in tow.

Hayabusa-2 is expected to return to Earth in late 2020, completing its successful multi-year mission.

Japan’s space agency, Jaxa, said the collected samples could shed light on the origins of the Solar System.

(12) CAT BUNGLER. Caught by social media, “‘Fat cat smuggler’ falls foul of Russian airline”.

Russian carrier Aeroflot has stripped a passenger of his air miles for breaching its rules by sneaking his overweight cat aboard a flight.

Mikhail Galin, 34, took his cat Viktor on board flight SU1702, from Moscow to Vladivostok, Aeroflot said.

Under Aeroflot’s rules, pets weighing more than 8kg (17lb) must be placed in the luggage hold.

Because Viktor was too heavy for the passenger cabin, Mr Galin devised a cunning plan.

He swapped Viktor for a smaller cat during check-in to get around the weight restrictions.

(13) AIR FROM WHERE? Independent reports “Nasa gets inexplicable new data showing unexpected oxygen fluctuations on Mars”.

…During the study, which used an instrument to analyse the air on Mars over the course of three Martian years or just under six Earth years, scientist found that gases like nitrogen and argon behave predictably through the year. The proportion of the gas rises and falls relative to the amount of carbon dioxide, which makes up 95 per cent of Martian air.

They thought that oxygen would see the same changes. But they were shocked to find that it in fact rose through the spring and summer, with a varying amount of oxygen in the atmosphere, which suggests that it is being produced and then removed from the air.

Researchers were so shocked by the findings that their first course of action was to check the accuracy of the instrument used to find the data, but found it was working fine. Other possible explanations based on what we know about the Martian atmosphere were also considered, but rejected.

“We’re struggling to explain this,” said Melissa Trainer, a planetary scientist at NASA’s Goddard Space Flight Center in Greenbelt, Maryland who led the research. “The fact that the oxygen behavior isn’t perfectly repeatable every season makes us think that it’s not an issue that has to do with atmospheric dynamics. It has to be some chemical source and sink that we can’t yet account for.”

The similarities between the mystery of Martian methane and Martian oxygen could be more than a coincidence, scientists speculate. It might be possible that they both have the same as yet unidentified cause.

“We’re beginning to see this tantalizing correlation between methane and oxygen for a good part of the Mars year,” Atreya said. “I think there’s something to it. I just don’t have the answers yet. Nobody does.”

(14) STILL TRYING TO GET THE PERFECT SHOT. “Infamous Han-Greedo Showdown Has Been Recut (Again) for Disney+”Tor.com has kept count how many times that’s been done.

This is the fourth version of the scene to appear in an official release: the original 1977, where Han appears to shoot (ahem) solo; the 1997 Special Edition that added in Greedo’s wide shot; the 2004 DVD edition which has Han and Greedo shooting at the same time; and now the 2019 Disney+ version, with Greedo getting in the last, baffling word.

(15) SOUNDS LIKE BATMAN. Lyndsey Parker, in the Yahoo! Music story “‘Batman’ composer Danny Elfman says turning down Prince was ‘biggest, most stressful gamble’ of his career” says that Elfman recalled that at one point during the production of Batman he quit rather than work on the score of the film with Prince and Michael Jackson.  Eventually producer Jon Peters heard some of Elfman’s score and rehired him to completely produce the soundtrack.  But the film had two soundtracks, one by Elfman and one by Prince.

“The studio was happy,” says Elfman. “Jon Peters, he came up to me when we were scoring it — because there was not even going to be a soundtrack album for the score; it was only for Prince’s songs, and I knew that. And he came up to me, and he said, ‘You know what? This score is so good, we’re going to release a second soundtrack.’ And I go, ‘Yeah, right. You’re just saying that.’ That had never been done. And he did it! Like I said, it was a tough sell, but once he got sold, he was really excited, and he was a huge advocate, and he personally made it a big deal to get that second soundtrack out. So, he became a really fantastic advocate for the score that he was so resistant to in the beginning.”

(16) BEST AT BEING BAD. “Thanos snapped Pennywise to win SYFY WIRE’s Best Villain award “ – which is just one of the categories in SYFY Wire’s amusing “Two-Minute Award Show.”

Although Thanos may know what it’s like to lose, the Mad Titan finally knows what it’s like to win! For the inaugural SYFY WIRE Awards, Thanos has been named the Best Villain of 2019.

But it’s not like Thanos didn’t have stiff competition. His closest competitor was none other than Pennywise the Dancing Clown from It Chapter Two. Pennywise certainly knew how to strike fear into the hearts of children, as well as their impeccably cast adult counterparts. But in the end (or should we say in the Endgame?), Thanos proved to be too much for Stephen King’s fearsome creation.

[Thanks to JJ, Chip Hitchcock, Martin Morse Wooster, Susan de Guardiola, John King Tarpinian, Mike Kennedy, Cat Eldridge, Darrah Chavey, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

The Scarlet Litter 6/21

aka Puppy on a Hot Tin Roof

Today’s roundup brings you Spacefaring Kitten, Gary Farber, Peter Grant, Tom Knighton, Sgt. Mom, Martin Wisse, David Nickle, Edward Trimnell, John Scalzi, N. K. Jemisin, Neil Clarke, David Gerrold, Ferrett Steinmetz, Jonathan Crowe, Andrew Hickey, Jason Cordova, Nicholas Whyte, Tim Hall, Mari Ness, Kevin Standlee, Mark Ciocco, Lis Carey, Vivienne Raper, and Jonathan Edelstein. (Title credit goes to File 770 contributing editors of the day Daniel Dern and James H. Burns.)

Martin Wisse on Wis[s]e Words

“Having a successful boycott is not the point” – June 21

As I said before, Day is following the Tea Party/Breitbart Culture Wars playbook. Gin up outrage, energise your base, focus their attention on the designated enemy, then fleece the suckers. Vox knows how the game is played because he’d been working for Worldnet Daily one of the low rent rightwing clearing houses his daddy had set up until he became too loony even for them. What are the odds on the next instructions of Day, as “leader of the Rabid Puppies”, will next issue instructions that the only proper way to boycott Tor is to instead buy books by goodthink publishers like Baen or his own vanity press?

The key is not to win, the key is to keep the fight going and make some money doing so. That’s been the career path for whole generations of roghtwing bloviators: fart out articles and blogposts and books about the evil of libruls and blag your way onto wingnut welfare. But to do so you need that red meat to keep the suckers in line. Without the month late fauxrage at Gallo’s comments the Puppies wouldn’t have anything to talk about. But this? This they can spin out until long after this year’s Hugo results are revealed.

It’s hard to deal with this. Just ignoring it is one option, not giving the oxygen of publicity to these people, but can obviously backfire. You can’t deal with this thinking these are normal fans, and that just ignoring it will starve this “controversy” of the fuel it needs. People like Day (and Larry and Brad) are perfectly capable of keeping the fire stoked indefinitely. Not responding just cedes ground and helps them keep up the pretence that they’re speaking for some imagined silent majority.

 

Spacefaring Kitten on Spacefaring Extradimensional Happy Kittens

“Kittens Will Prevail” – June 21

The culture war in science fiction and fantasy fandom is practically over before it even began — and it sure was the lamest war ever. The thing that has been clear for everybody except the Sad Kennelkeepers is that an overwhelming majority of SFF fans, authors and editors are and have always been liberal, in the broad sense of the word.

Yes, a huge part of fandom consists of unpolitical SFF enthusiasts who may from time to time sneer at pro-diversity people who suggest things they find a bit hardline, such as not reading books by straight white males for a year or something, but they’re still open-minded and tolerant. And sure, there are political conservatives in SFF too, but very few of them are interested in really taking any part in the culture war project lead by Larry Correia, Brad R. Torgersen and Vox Day/Theodore Beale, because they’re aficionados first and political activists second or third (and they, too, are mostly open-minded and tolerant). Importing the culture war dynamic somewhere where the other side is missing is not going to end well.

 

Gary Farber on Facebook – June 21

I can barely skim the Puppy summaries at FILE 770 any more because I literally start to feel physically ill. These people and their utter lack of interest in facts, their lunatic paranoia, their rationales for justifying every kind of tactic and practice on the grounds of imagining and alleging that their enemies do it, their crazy tropes (the Nazis were really left-wing!; Planned Parenthood is genocidal!; Emanuel A.M.E. Church isn’t a black church!; Tor Books is an leftist ideological publisher!”), literally make me sick. John C. Wright: “The other side consists of people at Tor who regard Tor as an instrument of social engineering, an arm of the Democrat Party’s press department, or a weapon in the war for social justice.” That would be why they publish … John C. Wright. Thirteen of his books so far.

 

Peter Grant on Bayou Renaissance Man

“Latest developments over the Tor imbroglio” – June 21

Speaking of Vox, he’s taken note of speculation from SJW’s and their ilk that the individuals at Tor who’ve been named in connection with the boycott may be at risk of violence.  Since I’ve seen not a single reference to that – even the vaguest hint – from our side of the fence, I, like him, can only put it down to paranoia, or an utterly warped, twisted sense of reality (or the lack thereof), or deliberate lying.  It’s absolutely insane . . . yet they’re hyping it up.  (Edited to add:  James Sullivan absolutely nailed the process in a comment at Vox’s place.)

 

 

Sgt. Mom on The Daily Brief

“Making Blight at Tor” – June 21

And what ought to be the response of those who feel deeply and personally insulted by employees of Tor, such as MS Gallo, and those who clearly stand in agreement with her ill-considered remarks? And what ought Tor to do, over what they already have done? Clean house seems to be the basic consensus; leaving the precise details up to Tor. And to effect that? Some of the offended recommend and are participating in an outright boycott. Some of them – like me – have tastes that run to other and non-Tor published authors, and haven’t bought anything from Tor in years. Others favor purchasing their favorite Tor authors second-hand, and hitting the authorial tip-jar with a donation. I still have the sense that for many of us – after having weathered numerous comments along the same line as MS Gallo’s without much complaint – this was just the final straw.

 

David Nickle on The Devil’s Exercise Yard

“Art Lessons” – June 21

It seems to me that the life of my father Lawrence is a good example to bring up right now, in this very political culture war about what is at its root, an art form.  The point of doing art, to paraphrase Neil Gaiman, is to make good art. It is not to chase awards, or other sorts of validation; it is not to look enviously at those who do receive those awards, who bask in that validation, and try to supplant them through forces democratic or otherwise.

It would be naive to say that such things don’t happen in communities of proper artists. They do, again and again, and are happening now in this science fiction and fantasy community of proper artists.

But I think my father would have said that the behaviour of the Puppies whether sad or angry, is the one sure sign of not being a proper artist. He would take it as a vulgar sign of weakness. It would earn his quiet but certain contempt.

 

Edward Trimnell

“Boycott Tor Books, you ask?” – June 21

A few readers have recently emailed me to ask if I plan to join the boycott of Tor Books, or if I publicly support the boycott.

The short answer is: No. But let me give you the longer answer—because this covers some important issues.

First of all: I am on record as disagreeing with the positions of Patrick Nielsen Hayden and John Scalzi. (I’ve taken Mr. Scalzi to task on this blog many times.) I’m not as familiar with Moshe Feder and Irene Gallo. But what I have seen of them so far, I don’t evaluate favorably.

That said, I think the boycott is a bad idea. And here’s why:

I dislike the Internet mob—whether it is a rightwing mob, or a leftwing mob. I dislike the Internet’s hive mindset, which says:

“If you say something we don’t like, we’re going to whip up all of our minions into a frenzy, and then destroy your livelihood, or harass you into silence at the very least. Oh—and we’re going to do all of this anonymously, hiding behind bogus screen names, avatars, and IP addresses! And aren’t we courageous!”

That is, of course, exactly what the SJW crowd does. But I’m not one of them—and I’m not a joiner, either. Just because I disagree with John Scalzi & Co. doesn’t mean that I’m eager to flock to the banner of Vox Day and others on the far right.

 

John Scalzi on Whatever

“Note to WSFS Members: Killing the Best Novelette Hugo is a Terrible Idea” – June 21

[Excerpts two of five points.]

  1. It is unnecessary to get rid of the Best Novelette category in order to “make room” for the Best Saga category. I’m unaware of the need in the WSFS constitution to limit the number of Hugo Awards given out; it’s not a zero sum game. Speaking as someone who has both emceed the Hugos and sat in its audience, I understand the desirability of not having an infinite proliferation of Hugo categories, because the ceremony can be long enough as it is. But that’s not a good enough reason to give one fiction category the axe at the expense of another, nor can I think of another good reason why the inclusion of the “saga” category requires the doom of another fiction category. It is, literally, a false dichotomy.

This false dichotomy is bad in itself, but also offers knock-on badness down the road. For example:

  1. It privileges novel writing over short fiction writing. Bud Sparhawk, a writer and human I admire rather a bit, complained to me once (in the context of the Nebulas) that calling the Best Novel award “the big one,” as many people often do, is an implicit disrespect of the art of short fiction writing, and of the skills of those who write to those lengths.

 

John Scalzi in a comment on Whatever – June 21

Now, if the Best Saga Hugo proposal hadn’t had tried to unnecessarily murder the Best Novelette category, is it something I could see my way toward voting for?

My current thought about it is “no, not really.” Here’s why: …

[Makes a four-point argument.]

 

 

 

David Gerrold on Facebook – June 21

You can have my Best Novelette Hugo when you pry it out of my cold dead hands.

 

 

Jonathan Crowe

“Some Initial Thoughts on a Couple of Hugo Award Amendments” – June 21

The [Best Saga] amendment points out that most sf/fantasy comes out in series nowadays — around two-thirds, they claim — whereas Hugo voters tend to vote for standalone books. According to the proposal,

for the past decade, the Best Novel category has been dominated by stand-alone works, with nine out of the eleven winners being such (and one of the two series novels is a first book in its series). The distribution of Best Novel winners is badly out of step with the general shape of the market, even though the nominees run close to the market trend.

I’d argue that a decade doesn’t give us nearly enough data points. Over the past quarter century, the split between standalone books and series books among Hugo winners is about fifty-fifty — and I’m including the first books of eventual trilogies, such as Ann Leckie’s Ancillary Justice (2014), Robert J. Sawyer’s Hominids (2003) and Robert Charles Wilson’s Spin (2006). Sequels to have won Hugos include Lois McMaster Bujold’s Paladin of Souls (2004), Vernor Vinge’s Deepness in the Sky (2000), and Orson Scott Card’s Speaker for the Dead (1987). Books two and three of Kim Stanley Robinson’s Mars series won Hugos, as did the fourth installments of the Harry Potter and Foundation series. And that doesn’t get into the number of Bujold’s Miles Vorkosigan books that have won Hugos as well.

So I’m not sure that the proposal’s premise holds up.

 

Andrew Hickey on Sci-Ence! Justice Leak!

“Hugo Blogging: Sagas” – June 21

Were the “best saga” award to be brought in *and all books in series to be removed from the “best novel” category*, I would be ecstatic, because that would give more exposure to the standalone novels the field should be producing. As it is, though, it seems likely that it will encourage even further the decline of the field into a niche of thirty-book series called The Chronicles Of The Saga Of Dullworld. When the playing field is already tilted in one direction, tilting it further seems a bad idea.

 

 

Nicholas Whyte on From The Heart of Europe

“E Pluribus Hugo, and other proposals (long post)” – June 21

My conclusions on the various proposals: So with a slightly heavy heart – I regret that small-minded slate-mongers have killed off a large part of the wisdom-of-crowds aspect of the Hugo nominations process – I endorse E Pluribus Hugo as the best fix to prevent slates from dominating the process in future without irreparable damage to the credibility of the awards. Edited to add: I no longer think that a “large” part of the wisdom-of-crowds aspect has been killed off.

Three other proposals for reforming the Hugo process have been submitted to Sasquan. One is to abolish the 5% threshold; as I mentioned above, I agree with this faute de mieux, but E Pluribus Hugo removes the threshold requirement anyway, so I would only support it if E Pluribus Hugo is rejected.

I don’t support the proposal to merge two of the short fiction categories and create a “Best Saga” category. The multiple short fiction awards at present reward writers who express their ideas succinctly rather than at big commercial length, and I’m in favour of that. The “Best Saga” proposal doesn’t fix any existing problem but does create new ones – not least of which, who is going to have time to read all the finalists between close of nominations and close of voting?

I do support the “4 and 6” proposal, to restrict voters to a maximum of four nominations rather than five as at present, but to extend the final ballot to include six rather than five finalists. If E Pluribus Hugo is not adopted, the “4 and 6” proposal is a lesser safeguard against slates, in that it becomes much more difficult to marshall your minions to support six slated works if they have only four votes each. And if E Pluribus Hugo is adopted, voters who nominate five candidates will get less value for their nomination than those who nominate four, and so on; the first part of the “4 and 6” proposal seems to me a decent indication to voters that a slightly different nominating strategy is now necessary (even though it’s not actually part of E Pluribus Hugo). As for the second part, I do feel that good work is left off the Hugo ballot every year, and while Mike Scott’s proposal from April (1, 2, 3) would have designed a certain responsiveness in the system specifically in reaction to the slates, I’d prefer a broader, simpler and less slate-dependent change, and I think that expanding the final ballot to six rather than five does that.

 

Tim Hall on Where Worlds Collide

“E Pluribus Hugo” – June 21

Out of Many, A Hugo, the proposal from Making Light for changing the Hugo Awards voting system in an attempt to fix the problems that came to a head this year.

It uses a Single Divisible Vote, which is a form of proportional system rather than the first-past-the-post system used up to now, and is designed to prevent any well-organised minority from dominating the nominations out of all proportion to their numbers.

I like the system a lot, although the complexity of the counting system means the count must be computerised. It has many of the same advantages as the widely-used Single Transferrable Vote system, though a notable difference is that you don’t need to rank your nominations in any kind of order.

 

Mari Ness

“Proposed changes to Hugo Awards” – June 21

Moving onto the “KILL THE NOVELETTE CATEGORY ALREADY!” question, well, I’m a short fiction writer, so I’m an interested party here.

First, I’ll note that there’s some precedence for this, with the World Fantasy Award which does not offer a separate category for novelettes. Second, I am deeply sympathetic with the complaints of voters who do not want to check the word count for the short fiction they’ve read, and that the dividing line between novelette and short story has issues because of where it lands (at 7500 words) and that really, novelettes are just long short stories and should be treated like that. Not to mention the complaints that the Hugo ballot is waaaaayyyyyyyy too long as it is. I’ve made that last complaint myself. My understanding is that the novelette category has historically gotten fewer nominations than other categories, so even as a short fiction writer, I fully get the keeeeellll it! keeellllllll it dead! feeling here.

But.

The first problem is the number of eligible short fiction works versus the number of eligible works in most of the other categories. Novels possibly come close, and, with blog posts eligible for the catch-all category of Best Related Work (which this year includes a nominee that isn’t even particularly “related”), that category does as well. Novellas are currently experiencing a resurrection, so those numbers might creep up.

Otherwise – the number of eligible podcasts is in the double digits. The number of semi-prozines and fanzines is also in the double digits; the same names keep popping up in those categories for a reason. The number of eligible graphic novels probably in the triple digits. Films are in the double, maybe triple digits. Television episodes, including cartoons, might pop up to a little over 1000. The number of eligible short stories, in that category alone, is conservatively around 6000. Expanding that category to include works up to 10,000 words will just expand that number.

 

Kevin Standlee on Fandom Is My Way Of Life

“New Business Is New Business”  – June 21

The deadline for submitting proposals to the Business Meeting this year is August 6, 2015. The procedure for submitting proposals is listed on the Business Meeting page on the Sasquan web site under “New Business Submissions.” The WSFS Rules are published online and are distributed to the members in the progress reports. None of this is secret. And if you have questions about the process, you can write to me or to the entire WSFS business meeting staff through the wsfs-business address @sasquan.org.

I’ve written a Guide to the Business Meeting that tries to explain this. I’m available to answer questions. I just beg of people to not assume the worst of everything. It’s very frustrating to work this hard and to hear people assuming that it’s all rigged in some way. Well, it’s set up to allow the members who choose to participate in the process to come to a decision in a way that balances the rights of the members as a whole, of the members who attend, of majorities and minorities, of individuals, and of absentees, in a fair manner. However, “fair” and “I got what I personally wanted” are not always the same thing, and it would be wise to keep that in mind when approaching any form of deliberative assembly.

 

Mark Ciocco on Kaedrin Weblog

“Hugo Awards: Novelettes” – June 21

[Reviews all five nominees]

Novelettes! Good old novelettes! What do you call something that’s longer than a short story, but shorter than a novel? A novella, of course, but that’s too easy. Let’s invent something between a short story and a novella, and call it a novelette! On the one hand, it is a bit odd that SF/F seems to be the only genre in literature that makes this distinction (something about a legacy of SF’s pulpy magazine roots, where different sized works had different pay scales) and it seems rather pointless and confusing for no real reason. On the other hand, it just means we get to read more fiction, which is actually a pretty cool thing. Once again, none of my nominees made the final ballot, but such is the way of short fiction awards. Last year’s Novelettes were pretty darn good (with one obvious and notable exception), and it looks like this years will rival that:…

 

Lis Carey on Lis Carey’s Library

“Andromeda Spaceways In-Flight Magazine” – June 21

Andromeda Spaceways In-Flight Magazine is a 2015 Hugo nominee for Best Semiprozine.

Visually, I found this a lot more appealing than Abyss & Apex, the only other nominated semiprozine I’ve looked at so far. On the other hand, I was not as impressed by the accessible fiction. Also, there seemed to be no means to access the relevant material, i.e, what was actually published during 2014.

 

Vivienne Raper on Futures Less Traveled

“Reading the Rockets – Best Short Story” – June 21

[Reviews all five nominees.]

First up, Best Short Story. The nominees are:

  • “On A Spiritual Plain”, Lou Antonelli (Sci Phi Journal #2, 11-2014)
  • “The Parliament of Beasts and Birds”, John C. Wright (The Book of Feasts & Seasons, Castalia House)
  • “A Single Samurai”, Steven Diamond (The Baen Big Book of Monsters, Baen Books)
  • “Totaled”, Kary English (Galaxy’s Edge Magazine, 07-2014)
  • “Turncoat”, Steve Rzasa (Riding the Red Horse, Castalia House)

These range between dire and good. And only one of them, in my view, is even remotely worthy of being considered for a Hugo Award (if I’m being charitable). And that, surprisingly, is the military SF story Turncoat.

 

Jonathan Edelstein in a comment on File 770 – June 21

Officer Pupke

CORREIA:

Dear kindly Sergeant Pupke You gotta understand It’s just that we’re fed up-ke About our losing hand; The lefties run the ballot And us they underrate: Golly Moses, that’s why we’re a slate!

CORREIA AND PUPPIES:

Officer Pupke, we’re really upset Our writing never got the love that it ought to get. We’re not really rabid, we’re misunderstood – Deep down, our books are pretty good.

CORREIA:

There’s some good!

PUPPIES:

There is good, there is good There is unread good! In the worst of us, there is some good.

[Continues.]

 

Jonathan Edelstein in a comment on File 770 – June 20

[Parody of ”Guys and Dolls”]

…When you see a guy froth without knowing why You can bet that he’s angry about some CHORF. When you spot a dude sounding like he’s von Krupp Chances are he’s a Pup whose full-measured cup of outrage is up.

When you see Vox Day swear he’ll make Gallo pay And direct all his minions to cut Tor off Call it dumb, call it cloying But the thing that is most annoying Is that he’s only angry about some CHORF….

[Continues]