Tommy Lasorda famously said, “There are three kinds of people in this world: people who make it happen, people who watch what happens, and people who wonder what happened.” And this year, some of the Dragon Awards’ most vocal supporters find themselves in the third category.
You know, I am fairly hooked into the book community. If I don’t read every book, I at least hear about a lot of them. Even if I take one look and decide I don’t want to read it, I at least check it out.
Sure, I’ve heard of a few. Margaret Atwood at least has a TV show. She’s an opportunistic parasite, but people have at least heard of her (though I haven’t heard of that book. I guess she came out with another). I’ve heard of Scalzi–don’t like him, but I can at least pick his name out of a phone book. Chuck Wendigo? The same.
But so many of these names are just … Who? What? Huh?
I’ve been assured by some people (randoms online, mostly) that these are Hugo authors. I guess I’ll take their word on it… but usually, I’ve at least HEARD about those authors. These folks? Nah.
… If only someone could have warned about this.
If only someone could have tried to lead discussions, hold conversations on what books came out. That way, we could have narrowed it down to a few.
WAIT! I know! I DID. I FUCKING WANTED PEOPLE TO DISCUSS BOOKS FOR THE DRAGONS. WHAT DID EVERYONE THINK I WAS DOING IN 2018 AND 2019? COMPILING EVERY ELIGIBLE BOOK BECAUSE IT WAS FUN? I DID IT FOR MY HEALTH? THAT WAS EXTRA WORK I DIDN’T NEED TO DO.
…It was especially fun this year when I had an author see that “I was talking about the Dragon again,” therefore, she asked if “I could put her book on the list.” IE: She didn’t even read the blog post to see what I was talking about. It was assumed I enjoyed killing myself so I could market their book for free.
No one wanted to play. That’s fine. I’m used to it.
But everyone can all stop bitching about it. They either didn’t vote, or didn’t want to talk about it. They didn’t want to invest even thirty minutes into presenting a selection of choices, or having a conversation.
Now this years ballot sucks….
Brian Niemeier in “The Dragon Sleeps” doesn’t think the reason is that they neglected Declan’s advice. After ranting about John Scalzi’s nomination, Niemeier says the pandemic is the reason that the award he’s spent years boosting, where EVERYONE can vote for FREE, has in 2020 generated a ballot bereft of work by him and his friends:
From the author of The Handmaid’s Tale to lesbian vampire stories to a writer so deranged even Disney fired him, this year’s Dragon ballot reads like the canon of Death Cult humiliation scripture….
Of course, the Death Cult witches lie constantly in the manner of their father below. Thus their previous attempt to take over the Dragons in 2017.
That attempt failed, and the Dragons continued to be a direct democratic process as intended. Each subsequent years’ winners were pretty much what you’d expect from a readers’ choice award with a broad voter base. Baen and the bigger indies came to dominate, with cameos from the more mainstream Pop Cult fare like Corey Doctorow and The Expanse.
I and the other cultural commentators who predicted this course of events based our forecasts on the key difference between the Dragons and the other literary awards. Anyone can vote in the former, while the latter lock voting rights behind a paywall or professional organization membership.
Put simply, the Death Cult can monopolize the Hugos because World Con’s voter base is quite small, relatively speaking. The number of CHORFs isn’t growing. In fact, they’re rapidly graying. It stands to reason that an award with an open, large, and growing voter base would be immune to manipulation by an insular Cult.
And for three years, that reasoning held true. But as is its wont, 2020 threw the con scene a curve ball: Corona-chan.
Niemeier tries to spin that the pandemic has caused these aberrant results because people won’t be able to attend an in-person Dragon Con this year. (Never mind that Brian is always telling readers one of the Dragon’s virtues is that you don’t have to buy a con membership to vote.)
…There’s your explanation for what happened with the Dragons. The virus shut down the con, normal people tuned out, and the small but relentless Cult faction took advantage of the drastically reduced voter base to pack the ballot.
Then, the following Twitter conversation was devoted to asking “What happened?”
In contrast, Larry Correia, inventor of Sad Puppies, hailed the 2020 ballot: “Fantastic! There are a bunch of really good authors nominated this year.”
And Brad R. Torgersen, who ran the last Sad Puppies slate, found the pandemic didn’t stop his friends from getting nominated: “Nice to see some friends getting some well-deserved recognition on the Dragons final ballot. Even though there is no DragonCon being held in Atlanta due to Covid-19 panic, the Dragons roar onward. Good luck to Nick and Jason, Marko, Dave, and Chris!”
It’s a field where I would be happy with any one of these writers/titles winning, so that’s really the best of all possible worlds. And it’s nice to see The Last Emperox getting some early recognition, award-wise. That would be lovely to have continue.
Fonda Lee is especially happy:
(She’s been up for a Nebula and won a World Fantasy Award (2018), neither of which, it’s true, would you call “fan awards,” however, she’s won three Aurora Awards, which I thought are run by fans; I’ll have to defer to her knowledge on that score.)
Meanwhile, even experienced sff news reporters like Ansible’s David Langford are still coming to grips with the Dragon Awards’ turnaround. He told Camestros Felapton:
I am of course utterly stupended. But this is a condition that comes easily to me.
You and me both, Dave. And count on you to know the best word for it.
The visionary sci-fi author envisaged an alternate future that foresaw many aspects of life today, from big pharma to Trumpism. Now she has a cult following, writes Hephzibah Anderson.
It’s campaign season in the US, and a charismatic dark horse is running with the slogan ‘make America great again’. According to his opponent, he’s a demagogue; a rabble-rouser; a hypocrite. When his supporters form mobs and burn people to death, he condemns their violence “in such mild language that his people are free to hear what they want to hear”. He accuses, without grounds, whole groups of people of being rapists and drug dealers. How much of this rhetoric he actually believes and how much he spouts “just because he knows the value of dividing in order to conquer and to rule” is at once debatable, and increasingly beside the point, as he strives to return the country to a “simpler” bygone era that never actually existed.
You might think he sounds familiar – but the character in question is Texas Senator Andrew Steele Jarret, the fictional presidential candidate who storms to victory in a dystopian science-fiction novel titled Parable of the Talents. Written by Octavia E Butler, it was published in 1998, two decades before the inauguration of the 45th President of the United States.
…Fourteen years after her early death, Butler’s reputation is soaring. Her predictions about the direction that US politics would take, and the slogan that would help speed it there, are certainly uncanny. But that wasn’t all she foresaw. She challenged traditional gender identity, telling a story about a pregnant man in Bloodchild and envisaging shape-shifting, sex-changing characters in Wild Seed. Her interest in hybridity and the adaptation of the human race, which she explored in her Xenogenesis trilogy, anticipated non-fiction works by the likes of Yuval Noah Harari. Concerns about topics including climate change and the pharmaceutical industry resonate even more powerfully now than when she wove them into her work.
And of course, by virtue of her gender and ethnicity, she was striving to smash genre assumptions about writers – and readers – so ingrained that in 1987, her publisher still insisted on putting two white women on the jacket of her novel Dawn, whose main character is black. She also helped reshape fantasy and sci-fi, bringing to them naturalism as well as characters like herself. And when she won the prestigious MacArthur ‘genius’ grant in 1995, it was a first for any science-fiction writer.
… Science fiction has been described as a literature of ideas, a literary arena in which the idea is hero. This may well be true. Too often, however, it is a flawed literature of ideas, marked by shoddy treatments received with uncritical enthusiasm. The Cold Equations has been cited an instance of the “literature of ideas” at its best.
In the original article I argued that the story is no such thing but rather that it is an example of systemic blindness to morally obtuse assumptions. This argument is considered in detail below. Given that, one asks: Why is the story so ardently defended – and attacked? Why has the story made such an impression?…
Amazon quietly banned Adolf Hitler’s manifesto “Mein Kampf” late last week, part of its accelerating efforts to remove Nazi and other hate-filled material from its bookstore, before quickly reversing itself.
The retailer, which controls the majority of the book market in the United States, is caught between two demands that cannot be reconciled. Amazon is under pressure to keep hate literature off its vast platform at a moment when extremist impulses seem on the rise. But the company does not want to be seen as the arbiter of what people are allowed to read, which is traditionally the hallmark of repressive regimes.
Over the last 18 months, it has dropped books by Nazis, the Nation of Islam and the American neo-Nazis David Duke and George Lincoln Rockwell. But it has also allowed many equally offensive books to continue to be sold.
The short version therefore of how right wing blogs are reacting plays out in a personal level in Declan’s story. Initial scepticism and eagerness to carry on as if it is all a fuss over nothing which then collides with an escalating reality and blaming the government.
Not that you really ought to deny yourselves – Finn fits quite an
epic in between requests for money and Dragon Award nominations.
…We went to the Al Italia counter and the moderately long line. It was processed quickly. We came to the counter.
I showed her the passports.
“No,” she said.
No? What do you mean no? Are you going to cancel our flight again? Am I going to have to leap across your sad, pathetic Corona rope line and throttle you into giving us a boarding pass out of this Hell hole? How much more ransom do we have to pay to get us out of here!
She took an abnormally long breath, thought about what she had to say next, and continued, “Other check in, around the corner.”
Whew. No manslaughter charges for me today….
While trying to get to their flight they stepped through the wrong door at the airport, ended up on the tarmac, and were corralled by security. Talk about the cold equations — for that violation Italian authorities slapped them with a 4000 euro fine, which is 4497.00 in US dollars. A friend has started a GoFundMe to try and help them recoup some of the money.
(5) WORKING AT HOME, LIKE USUAL. George R.R. Martin began his post “Strange Days” telling about how his theater and other ventures in Santa Fe are closed by the coronavirus outbreak, then gave his personal status:
For those of you who may be concerned for me personally… yes, I am aware that I am very much in the most vulnerable population, given my age and physical condition. But I feel fine at the moment, and we are taking all sensible precautions. I am off by myself in a remote isolated location, attended by one of my staff, and I’m not going in to town or seeing anyone. Truth be told, I am spending more time in Westeros than in the real world, writing every day. Things are pretty grim in the Seven Kingdoms… but maybe not as grim as they may become here.
For now, we’re just excited to hear that George is back at work on The Winds of Winter (of course, it’s possible he’s referencing the script for the upcoming HBO prequel House of the Dragon, but that seems unlikely given the phrasing here).
Winds of Winter was originally scheduled for release in November 2018, but the book got delayed so Martin could focus on Fire & Blood, a “historical” account of House Targaryen that serves as the basis for House of the Dragon. Back in May 2019, he joked in a blog post that if he hadn’t finished the book by 2020 Worldcon New Zealand, he should be locked up on New Zealand’s White Island until he finished it.
In other words, Martin really wants to be done with Winds of Winter by the end of July when the annual conference takes place.
(6) HYPERFEASANCE. The Balticon committee was surprised
when the Renaissance Baltimore
Harborplace Hotel started sending out room cancellation notices before
they could make an announcement. On
March 12, the Governor of Maryland established a ban, of indeterminate
duration, on all gatherings of more than 250 people in response to the
coronavirus outbreak. The con had been scheduled for May 22-24. The committee told Facebook
After we shut down online registration over the weekend pending a conversation with the hotel, continuing developments with COVID-19 and discussions with the convention committee had convinced the Baltimore Science Fiction Society Board of Directors we likely needed to cancel the convention. However, we had not yet identified a process for doing that with minimal confusion, nor had we had a conversation with the hotel discussing the process. Today we learned that the hotel had started canceling registrations. We were as surprised as everyone else to hear about the canceled reservations and see that our reservations were getting canceled.
…We could have waited, made the decision closer the convention, but honestly, having spent some weeks following the evolving situation, listening to epidemiologists and public officials in both Finland and Sweden, our conclusion is that the chances of the situation having stabilised in May seem very slim indeed. It’s not just a question of whether we would be legally permitted to hold the con in May, but whether we could do it in a responsible manner.
We need to spare everyone involved the unnecessary work and costs. Adlon, our hotel, will take a financial hit. We need to let them know and plan. We want to avoid our members paying for non-refundable travel at a time when the committee don’t believe it will be possible to arrange a convention.
Fortunately, we have few costs we can’t recoup. …
The con was to have been held May 21-24 in Mariehamn.
Supergirl is not known for its subtlety. Aliens in the show are a thinly veiled metaphor for immigrants, LGBTQ people, and “others.” The current story arc is coming to a head with the Agent Liberty storyline, in which a TV personality rises through the ranks of government thanks to his anti-alien rhetoric — which sounds familiar, even his real-world equivalent doesn’t have Lex Luthor providing him with fancy gear.
That said, the show is remarkably subtle about a milestone it reached last year: Supergirl features TV’s first openly transgender superhero, Dreamer. Rather than make Nia/Dreamer’s trans-ness a huge deal, after she came out as transgender, the other characters matter-of-factly accepted her, and it never became an issue….
(9) WORDEN OBIT. Astronaut Al
Worden died March 17 at the age of 88 reports Florida Today.
“We remember this pioneer whose work expanded our horizons,” NASA Administrator Jim Bridenstine said in a statement.
Worden was one of only 24 people to have flown to the moon. He was also the first astronaut to conduct a deep-space extravehicular activity, or EVA, during Apollo 15’s return to Earth in 1971.
During the mission, he orbited the moon dozens of times while astronauts David Scott and James Irwin explored the surface.
(10) TODAY IN HISTORY.
March 18, 1981 — The Greatest American Hero premiered on ABC. Created by producer Stephen J. Cannell, the series features William Katt, Robert Culp and Connie Sellecca. It had to fight off lawsuits from the owners of the Superman copyright who thought the concept and look of the suit was too close to their product. After that, a real Mr. Hinckley tried on March 30th of that year to assassinate President Reagan, so scripts involving protagonist Ralph Hinkley had to be rewritten to be named Ralph Hanley (or sometimes just “Mr.H”). You can see the pilot here. And yes, it’s up legally courtesy of the copyright holders.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born March 18, 1888 — Alexander Leydenfrost. As an illustrator, he briefly worked for Planet Stories before being signed by Life magazine where the money was better. But his quite brief tenure at Planet Stories is credited with the creation of the enduring cliché Bug Eyed Monster as that’s what his illustrations showed. (Died 1961.)
Born March 18, 1926 — Peter Graves. Star of Mission Impossible and the short lived Australian-based Mission Impossible which if you not seen it, you should as it’s damn good. I’m reasonably certain his first genre role was on Red Planet Mars playing Chris Cronyn. Later roles included Gavin Lewis on The Invaders, Major Noah Cooper on Buck Rogers in the 25th Century, Doug Paul Martin in Killers from Space and Paul Nelson on It Conquered the World. It’s worth noting that a number of his films are featured on Mystery Science Theater 3000 series. (Died 2010.)
Born March 18, 1932 — John Updike. It might surprise you to learn that there are two Eastwick novels, The Witches of Eastwick and The Widows of Eastwick, the latter set some three decades after the first novel ended. He wrote a number of other genre friendly novels including The Centaur, Brazil and Toward the End of Time. (Died 2009.)
Born March 18, 1950 — J. G. Hertzler, 70. He’s best known for his role on Deep Space Nine as the Klingon General (and later Chancellor) Martok. He co-authored with Jeff Lang, Left Hand of Destiny, Book 1, and Left Hand of Destiny, Book 2, which chronicle the life of his character. His very TV first role was a genre one, to wit on Quantum Leap as Weathers Farrington in the “Sea Bride – June 3, 1954” episode. Setting aside DS9, he’s been in Zorro, Highlander, The Adventures of Brisco County, Jr., Lois & Clark: The New Adventures of Superman, Lois & Clark: The New Adventures of Superman, Charmed, Roswell and Enterprise series; for film genre work, I see The Redeemer: Son of Satan, Treasure Island: The Adventure Begins and Prelude to Axanar (yet another piece of fanfic). In addition, he’s done a lot of video game voice acting, the obvious Trek work but such franchises as BioShock 2, The Golden Compass and Injustice: Gods Among Us.
Born March 18, 1959 — Luc Besson, 61. Oh, The Fifth Element, one of my favorite genre films. There’s nothing about it that I don’t like. I’ve not seen Valerian and the City of a Thousand Planets and reviews leave me disinclined to do so. The Transporter is not genre but I recommend it as a great film none the less.
Born March 18, 1960 — Richard Biggs. He appeared as Dr. Stephen Franklin on Babylon 5, reprising the role in the final aired episode of Crusade, “Each Night I Dream of Home”. Other genre roles included playing Roger Garrett on Tremors, Hawkes In The Alien Within, An Unnamed Reporter on Beauty and the Beast, Dr. Thomson on an episode of The Twilight Zone and a Process Server in an episode of The Magical World of Disney. (Died 2004.)
Born March 18, 1961 — James Davis Nicoll, 59. A freelance game and genre reviewer. A first reader for SFBC as well. Currently he’s a blogger on Dreamwidth and Facebook, and an occasional columnist on Tor.com. In 2014, he started his website, jamesdavisnicoll.com, which is dedicated to his book reviews of works old and new; and which later added the highly entertaining Young People Read Old SFF, where that group read prior to Eighties SF and fantasy, and Nicoll and his collaborators comment on the their reactions.
Born March 18, 1973 — Max Barry, 37. He’s written a number of novels of which I’ve read his superb dystopian Jennifer Government and Machine Man when it was online serial. His newest is Providence which sounds fascinating though his book tour in the US got canceled he notes on his blog.
… Given the impregnable humourlessness of most sci-fi – from the rigorously logical ‘hard sf’ of the novelist Isaac Asimov’s Foundation trilogy (1951–53) to the dreamy vision of Andrei Tarkovsky’s film Solaris (1972) – the genre’s tropes should be an open goal for the comic imagination. Why, then, do so many sci-fi themed comedies fail to raise a smile? Partly, it’s that parody, as a form, is hard to sustain – witness Seth Macfarlane’s television series The Orville (2017–20), a directionless send-up of Star Trek (1966–69), or Mel Brooks’s movie Spaceballs (1987), a staggering unfunny Star Wars (1977) take-off. Comparatively better were the first two seasons of British sitcom Red Dwarf (1988–2017). Drawing on the aesthetic of John Carpenter’s slackers-in-space movie, Dark Star (1974), the show centred initially on a classic odd-couple relationship between the last human in existence, a warm-hearted scouse wastrel, and his foil, an uptight, socially ambitious hologram. However, when Red Dwarf’s popularity and budget increased, it fell into two traps familiar to makers of ‘straight’ on-screen sci-fi: an overreliance on special effects and (fatally) a fan-servicing emphasis on the lore of its own fictional universe, which destroyed any tension that once existed between the show’s ‘situation’ and its ‘comedy’.
“The area that I’m spending a lot of time on has been growing out of a bunch of research that occurred a while ago on brain-computer interfaces,” Newell said. “I think that that’s kind of long lead stuff, so that’s kind of the background thread that I get pulled back into when other things aren’t demanding my attention.”
Human brains can already communicate with computers directly, though in very limited ways compared to the sci-fi systems of The Matrix or William Gibson’s Neuromancer, where physical reality can be totally replaced with a simulated, virtual one. But Newell doesn’t think that kind of sci-fi tech is as far off as it might seem.
“We’re way closer to The Matrix than people realize,” Newell said. “It’s not going to be The Matrix—The Matrix is a movie and it misses all the interesting technical subtleties and just how weird the post-brain-computer interface world is going to be. But it’s going to have a huge impact on the kinds of experiences we can create for people.”
A newly discovered fossil bird could be the earliest known ancestor of every chicken on the planet.
Living just before the asteroid strike that wiped out giant dinosaurs, the unique fossil, from about 67 million years ago, gives a glimpse into the dawn of modern birds.
Birds are descended from dinosaurs, but precisely when they evolved into birds like the ones alive today has been difficult to answer.
This is due to a lack of fossil data.
The newly discovered – and well-preserved – fossil skull should help fill in some of the gaps.
“This is a unique specimen: we’ve been calling it the ‘wonderchicken’,” said Dr Daniel Field of the University of Cambridge.
“It’s the only nearly complete skull of a modern bird that we have, so far, from the age of dinosaurs and it’s able to tell us quite a lot about the early evolutionary history of birds.”
(19) TUB THUMPING. Don’t
miss the Special “Social Distancing” Edition of The Late
If you’re watching this from home right now, you’re doing the right thing. If you’re watching it from your bathtub bunker like our host, please remember to save some hot water for the rest of us. Either way, we’re glad you’re with us. So stay hunkered down and please enjoy this episode of The Lather Show with Scrubbin’ Colbath!
[Thanks to Michael Toman, John King Tarpinian, JJ, Chip Hitchcock,
Iphinome, Cat Eldridge, Andrew Porter, Mike Kennedy, Martin Morse Wooster, Contrarius,
and Michael J. Walsh for some of these stories. Title credit goes to File 770
contributing editor of the day Jayn.]
A tornado with winds of 165 m.p.h. cut a swath through Dallas just a mile south of our house yesterday evening after dark. A powerful gust snapped the trunk of our 70 ft mesquite halfway up and sent it crashing down into our front yard. The only property damage we sustained was to our yard light. Seeing all the destruction in the news this morning, we are thankful we came through relatively unscathed.
(2) AVENGERS ASSEMBLE. Just in case the Marvel Cinematic
Universe needs any defense against the negative opinions of Martin Scorsese and
Francis Ford Coppola, a couple of well-known figures connected with the MCU have
Many of our grandfathers thought all gangster movies were the same, often calling them “despicable”. Some of our great grandfathers thought the same of westerns, and believed the films of John Ford, Sam Peckinpah, and Sergio Leone were all exactly the same. I remember a great uncle to whom I was raving about Star Wars. He responded by saying, “I saw that when it was called 2001, and, boy, was it boring!” Superheroes are simply today’s gangsters/cowboys/outer space adventurers. Some superhero films are awful, some are beautiful….
I think there’s room for all types of cinema,” she told The Hollywood Reporter at the 6th annual Los Angeles Dance Project Gala on Saturday at downtown Los Angeles’ Hauser & Wirth. “There’s not one way to make art.”
“I think that Marvel films are so popular because they’re really entertaining and people desire entertainment when they have their special time after work, after dealing with their hardships in real life.”
(3) HOW EAGER
ARE YOU? ESPN will be airing the final
trailer for Star
Wars Episode IX: The Rise of Skywalker tonight
during Monday Night Football.
(4) NAVIGATING THE ROCKETS SAFELY HOME. In “What happened to the 1944 Retro Hugos?”, Nicholas Whyte asks fans to consider the burden of producing a whole run of trophies when it’s this hard to find homes for them after the ceremony. Of course, the job would have been a little easier if the nominees with accepters had won:
…I’m glad to say that we did have a few designated acceptors in the room on the night. Apart from those noted below, Betsy Wollheim was on hand in case her father Donald won (unfortunately he lost in all three categories where he was nominated); June and Naomi Rosenblum were there for their father-in-law/grandfather J. Michael Rosenblum; Stephanie Breijo was there for her great-grandfather Oscar J. Friend; and Harper Collins sent a rep for C.S. Lewis. So, for 66 finalists, we had acceptors on hand for 10. Future Worldcons might like to bear that in mind when planning whether or not to run Retro Hugo Awards.
This is what happened with the trophies, in increasing order of the difficulty we had in dealing with them….
However, that respect for the decision did not last long. On Friday, Abdin announced that he was appealing the verdict and was launching a GoFundMe to finance the campaign. As of this writing, that campaign has raised more than $17,500 from more than 470 donors and is inching closer to its $20,000 goal….
(7) CONFACTS. Kees Van Toorn announced that all issues of ConFacts, the daily newsletter of ConFiction,
the 1990 Worldcon, have been uploaded on their archival website in flipbook format.
David Mack is a New York Times bestselling author of over thirty novels of science fiction, fantasy, and adventure. His most recent works are The Midnight Front and The Iron Codex, parts one and two of his Dark Arts trilogy from Tor Books. He currently works as a creative consultant on two upcoming Star Trek television series.
Max Gladstone is the author of Empress of Forever, the Hugo finalist Craft Sequence, and, with Amal El-Mohtar, This is How You Lose the Time War, in addition to his work with short and serial fiction, games, screenwriting, and comics. He has been a finalist for the Hugo, John W Campbell /Astounding, XYZZY, and Lambda Awards, and was once thrown from a horse in Mongolia.
The event starts at 7 p.m. in the KGB Bar, 85 East 4th
Street (just off 2nd Ave, upstairs.) in New York, NY.
(9) FANFICTION. Sff writer Sara L. Uckelman,
Professor of logic and philosophy of language at Durham University, issued an
invitation: “Anyone interested in the paper behind the talk, my paper ‘Fanfiction,
Canon, and Possible Worlds’ can be downloaded here.”
…The study of fanfiction from a philosophical point of view raises a number of questions: What is fanfiction? What distinguishes it from ordinary fiction? How can we make sense of what is going on when people create and interact with fanfiction? In this paper, I consider two competing accounts of fanfiction—the derivative or dependent account and the constitutive account—and argue that these competing views parallel two competing ways in which a possible worlds account of fiction can be fleshed out, namely, Lewis’s modal realist account and Kripke’s stipulative view. I further argue that this parallel is not a mere parallel, but provides us with a test of adequacy for the possible worlds accounts: It is worthless to provide a philosophical account of the theoretical foundations of fiction if such an account doesn’t coordinate with the actual practice and production of fiction.
(10) TODAY IN HISTORY.
October 21, 1977 — Damnation Alley premiered. Based somewhat on Zelazny’s novel, it starred George Peppard as Major Eugene “Sam” Denton and Jan-Michael Vincent as 1st Lt. Jake Tanner. It bombed and was pulled quickly. Its Rotten Tomatoes score is 34%. For now at least, it’s on YouTube here.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born October 21, 1904 — Edmond Hamilton. One of the prolific writers for Weird Tales from the late 20s to the late 40s, writing nearly eighty stories. (Lovecraft and Howard were the other key writers.) Sources say that through the late 1920s and early 1930s Hamilton wrote for all of the SF pulp magazines then publishing. His story “The Island of Unreason” (Wonder Stories, May 1933) won the first Jules Verne Prize as the best SF story of the year. This was the very first SF prize awarded by a vote of fans, which one source holds to be a precursor of the Hugo Awards. From the early 40s to the late 60s, he work for DC, in stories about Superman and Batman. He created the Space Ranger character with Gardner Fox and Bob Brown. On December 31, 1946, Hamilton married fellow science fiction author and screenwriter Leigh Brackett. Now there is another story as well. (Died 1977.)
Born October 21, 1914 — Martin Gardner. He was one of leading authorities on Lewis Carroll. The Annotated Alice, which incorporated the text of Carroll’s two Alice books, is still a bestseller. He was considered the doyen (your word to learn today) of American puzzlers. And, to make him even more impressive, in 1999 Magic magazine named Gardner one of the “100 Most Influential Magicians of the Twentieth Century”. Cool! (Died 2010.)
Born October 21, 1929 — Ursula Le Guin. She called herself a “Narrative American”. And she most emphatically did not consider herself to be a genre writer instead preferring be known as an “American novelist”. Oh, she wrote genre fiction with quite some brilliance, be it the Earthsea sequence, The Left Hand of Darkness, The Dispossessed, or Always Coming Home. Her upbringing as the daughter of two academics, one who was an anthropologist and the other who had a graduate degree in psychology, showed in her writing. And the home library of the family had a lot of SF in it. If you’re interested in the awards she won in her career, she garnered the Hugo Award, Nebula Award, Locus Award, and World Fantasy Award. At last she was also awarded the National Book Foundation Medal for Distinguished Contribution to American Letters It won’t surprise you that she was made a SFWA Grandmaster, one of the few women writers so honored. (Died 2018.)
Born October 21, 1933 — Georgia Brown. She’s the actress who portrayed Helena Rozhenko, foster mother of Worf, in the Next Gen’s “Family” and “New Ground” episodes. She was Frau Freud in The Seven-Percent Solution, and was Rachel in “The Musgrave Ritual” episode of the Nigel Stock fronted Sherlock Holmes series. (Died 1992.)
Born October 21, 1945 — Everett McGill, 74. Stilgar in the first Dune film. Earlier in his career, he was a Noah in Quest for Fire. Later on, he’s Ed Killifer in License to Kill, and in Twin Peaks, he’s Big Ed Hurley. He was also Rev. Lowe in Stephen King’s Silver Bullet, a werewolf flick that actually has a decent rating of 55% at Rotten Tomatoes!
Born October 21, 1956 — Carrie Fisher. In addition to the original Star Wars trilogy, Star Wars Holiday Special, The Force Awakens, Star Wars: The Last Jedi and the forthcoming Star Wars: The Rise of Skywalker, she was in Amazon Women on the Moon, The Time Guardian, Hook, Scream 3, and A Midsummer Night’s Rave. (Died 2016.)
Born October 21, 1973 — Sasha Roiz, 45. I know him only as Captain Sean Renard on Grimm but he’s also been Sam Adama on Caprica as well. And he’s also been on Warehouse 13 in the recurring role of Marcus Diamond. He even showed up once on Lucifer as U.S. Marshal Luke Reynolds.
…Consider the name of the alien space station for which Pohl’s book gets its name: Gateway. In the same way that taking highly random and highly dangerous alien space flights is the gateway to potential wealth, the capitalist system is also the gateway to the extreme fortune of the limited few that have, through luck or pluck, benefited most from the system. But no billionaire earns their riches without exploiting populations. Behind every fortune are the underpaid, the underfed, the forgotten, and the have nothings. The capitalist system, most simply defined, is a system of using the work of others and the work of wealth itself, to gain more wealth. It doesn’t take too much mental work to see that people are a form of capital in the capitalist system. Indeed, within capitalism everything is a form of capital. The best capitalist is the individual that figures out how to make more out of what they have….
(14) MYLNE’S GENRE ART. Artist James Mylne has been in the
news lately (see, for instance ITV: “Boris Johnson turns into The Joker in
new artwork”) for a political commentary that leans heavily on a genre
reference. Filers might, therefore, be interested to know that his work has
sometimes borrowed from other genre sources also. Example below.
(15) SOLARIS ON STAGE. Those passing through London between now and November 2 can see the play Solaris (nearest tube/metro/underground is Hammersmith).
On a space station orbiting Solaris, three scientists have made contact with a new planet.
Sent from earth to investigate reports of abnormal activity on-board, Kris Kelvin arrives to find one crew member dead and two who are seeing things that cannot be explained.
When her dead lover appears to her, it seems she too has fallen victim to the mystery of this strange planet. Should she return to reality, or is this her chance to turn back time?
Have the crew been studying Solaris – or has it been studying them?
This psychological thriller asks who we are when we’re forced to confront our deepest fears.
(16) ATWOOD PROFILE. Behind a paywall in the October 12 Financial
Times, Horatia Harrod has a lengthy interview with Margaret Atwood.
In Oryx and Crake, Atwood wrote about a world decimated by environmental catastrophe; her understanding of the fragility of the Earth and the rapaciousness of its human inhabitants came early. “My father was already talking about this over the dinner table in 1955,” says Atwood, who has been committed to raising awareness of the climate crisis for decades (she promised her 2000 Booker Prize winnings to charities dedicated to endangered animals. “There is so much data and evidence. But people would rather adhere to a belief system that favours them. So, what view of the climate is going to make more money for me?”
Atwood’s mother, meanwhile, was a tomboy, whose favored pastimes were speedskating, horseback riding, canoeing, fishing, not doing housework. “I can’t think of much she was afraid of. This is a mother who chased a bear away with a broom, saying the following word: ‘Scat!’” There were other tough female role models:”Inuit women, who have done some pretty spectacular things. My aunt Ada, who I named a character in The Testaments after, was a hunting and fishing guide, and a crack shot with a .22.”
(17) PLANETARY ANTHOLOGIES MIGRATE. Superversive Press has dropped
the Planetary Anthologies line says
Declan Finn, whose contribution, Luna, is awaiting publication. (Indeed,
a search on Amazon showed Superversive Press books as a whole are now only
available from third-party vendors.) However, Finn says another publisher is stepping
The Planetary Anthology series is being discontinued.
In fact, even the five anthologies that have been published already have been discontinued. They will no longer be available for sale online from the publisher.
Which is odd for me. Especially after a year where the Area 51 anthology I was in this year was conceived of, edited, and released in 3 months from call for stories to publication.
So, yeah, the original publisher isn’t doing them anymore.
Finn says “the anthologies have all been picked up again by Tuscany Bay Books,” the imprint of Richard Paolinelli whose own unpublished Planetary Anthology, Pluto, will be next to appear. Contributors to these anthologies have included Jody Lyn Nye, Dawn Witzke, Lou Antonelli, Paolinelli, L Jagi Lamplighter, Hans G. Schantz, John C. Wright, Joshua M. Young and many others.
(18) VIDEO OF THE DAY. In “Lego In Real Life TRILOGY” on YouTube, Brick Bros.
Productions looks at what happens when common household objects turn into Legos.
[Thanks to Camestros Felapton, JJ, Cat Eldridge, Chip Hitchcock, Martin Morse Wooster, John King Tarpinian, Mike Kennedy, SF Concatenation’s Jonathan Cowie, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew (please roll him a meatball).]
“The latte that appeared in the episode was a mistake. Daenerys had ordered an herbal tea,” HBO said in a statement.
As of Tuesday morning, the streaming version of the “GOT” episode available on HBO Now and HBO Go had removed the offending cup from the scene. A rep for HBO confirmed the coffee cup was deleted and that future airings of the episode, “The Last of the Starks,” would be of the updated version
…Indeed, irony is sparse in Ted Chiang’s cosmology. It is both a surprise and a relief to encounter fiction that explores counterfactual worlds like these with something of the ardor and earnestness of much young-adult fiction, asking anew philosophical questions that have been posed repeatedly through millennia to no avail. Chiang’s materialist universe is a secular place, in which God, if there is one, belongs to the phenomenal realm of scientific investigation and usually has no particular interest in humankind. But it is also a place in which the natural inquisitiveness of our species leads us to ever more astonishing truths, and an alliance with technological advances is likely to enhance us, not diminish us. Human curiosity, for Chiang, is a nearly divine engine of progress….
(3) MILES TO GO. Rudy
Rucker’s entry for Whatever’sThe
Big Idea is really big!
Real-life road trips end before you want them to. You run into a coastline. The road stops. I wanted a road trip that goes on and on, with ever new adventures, and with opportunities to reach terrain never tread upon before. But how to do that in a car?
I peeled Earth like a grape, snipped out the oceans, shaped the flattened skin into a disk, and put a mountain range around it. Then I laid down a bunch more of these planetary rinds, arranging them like hexagonal tiles on a very wide-ranging floor. All set for a Million Mile Road Trip.
(4) CURRENCY EVENTS. The
New York Times tells about an
unexpected comics publisher in “Splat!
Bam! It’s the Federal Reserve to the Rescue”. The basic info is that the New York Federal
Reserve bank produces comics as teaching tools, and all three have a scifi
…In one scene, a group of itinerant monetary experts lands on Alpha-Numerica (“voted 3,675,927th best place to live”), where a severe recession is underway. Residents of the planet look like pencil erasers, gumdrops and other forms of geometrically sculpted goop. Unemployment is soaring, businesses are failing, and retirees are struggling to survive.
“This is not where I wanted to be at this point in my life,” says one resident, an old purple jelly bean who is sweeping a public square. “Tell me about it,” a younger resident says to itself. This individual, a green egg, wears a cap and gown. In one hand, it holds a diploma; in the other, a sign saying, “HIRE ME?”
The situation is dire but can be solved. What is needed is “expansionary monetary policy,” declares Glix, a green, lizardlike creature who likes to sing and wear capes.
The New York Fed’s Educational Comic Book Series teaches students about basic economic principles and the Federal Reserve’s role in the financial system.
Created for students at the middle school, high school, and introductory college levels, the series can help stimulate their curiosity and raise their awareness of careers in economics and finance. In addition, lesson plans created for each comic book meet national and state standards for New York, New Jersey, and Connecticut.
The New York Fed has published comic books since the 1950s and is reintroducing this popular series with a modern spin. While the comic books are intended for a student audience, they are also available to the public.
Filming of a new comic book adaptation, ‘The Owners’ has begun outside of London, in an isolated Victorian mansion in Kent. Based on a Belgian comic book by award-winning artist Hermann (last name Huppen), and written by his son Yves H. ‘The Owners’ is being directed by Julius Berg (‘La forêt’), with a screenplay by Berg and Mathieu Gompel (‘The Dream Kids’). The film’s producers, XYZ Films, are currently shopping the picture around at the Cannes Film Festival.
Heading up the cast is ‘Game of Thrones’ alum Maisie Williams. Joining her are Sylvester McCoy, Rita Tushingham, Ian Kenny, Jake Curran, Andrew Ellis, and Stacha Hicks….
(6) HELP IS ON THE WAY. I
bet readers of the Scroll can’t wait til I get this — “Microsoft
Word AI ‘to improve writing'”. On the other hand, Chip Hitchcock sent
the link with a skeptical comment, “I’ll believe it when the spellchecker
starts handling context well enough to not make dumb corrections.”
A new feature in Microsoft’s Word aims to help improve writing beyond the usual grammar fixes.
Using artificial intelligence, Ideas will suggest rewrites for clunky sentences as well as changes to make sure language is gender inclusive.
It will help users lay out different parts of a document, including tables, and suggest synonyms and alternative phrases to make writing more concise.
It will be cloud-based and initially available to users of Word Online only.
A test version of Ideas will go live in June, becoming more widely available in the autumn.
(7) TODAY’S BIRTHDAYS.
by Cat Eldridge.]
Born May 7, 1922 — Darren McGavin. Carl Kolchak on Kolchak: The Night Stalker — How many times have seen it? I’ve lost count. Yes it was corny, yes, the monsters were low rent, but it was damn fun. And no, I did not watch a minute of the reboot. (Died 2006.)
Born May 7, 1923 — Anne Baxter. The Batman series had a way of attracting the most interesting performers and she was no exception as she ended playing two roles there, first Zelda and then Olga, Queen of the Cossacks. Other genre roles were limited I think to an appearance as Irene Adler in the Peter Cushing Sherlock Holmes film The Masks of Death. (Died 1985)
Born May 7, 1931 — Gene Wolfe. He’s best known for his Book of the New Sun series. My list of recommended novels would include Pirate Freedom, The Sorcerer’s House and the Book of the New Sun series. (Died 2019.)
Born May 7, 1940 — Angela Carter. She’s often said to be best known for The Bloody Chamber and Other Stories where she took took fairy tales and made them very adult in tone. Personally I’d recommend The Curious Room as contains her original screenplays for the films The Company of Wolves and The Magic Toyshop, both of which were based on her own original stories. (Died 1992.)
Born May 7, 1951 — Gary Westfahl, 68. SF reviewer for the LA Times, Internet Review of Science Fiction and Locus Online. Editor of The Greenwood Encyclopedia of Science Fiction and Fantasy: Themes, Works, and Wonders; author of Immortal Engines: Life Extension and Immortality in Science Fiction and Fantasy (with George Slusser) and A Sense-of-Wonderful Century: Explorations of Science Fiction and Fantasy Films.
Born May 7, 1968 — Traci Lords, 51. Yes, she did a number of reasonably legit genre appearances after her, errr, long adult acting career. She was for example in The Tommyknockers series along with the first Blade film. She’s also in the SF comedy Plughead Rewired: Circuitry Man II (I know, weird title that.) And finally, I should note she was Dejah Thoris in Princess of Mars which later re-released as John Carter of Mars. But the way her first post-adult film was a genre undertaking and that was Not of This Earth. Yes, it is a remake of Roger Corman’s 1957 film of the same name.
Born May 7, 1972 — Jennifer Yuh Nelson, 46. She is the director of Kung Fu Panda 2, Kung Fu Panda 3, and The Darkest Minds. Yuh is the first woman to solely direct an animated feature from a major Hollywood studio. The Darkest Minds is a dystopian SF film which RT gives a rating of 17% to. Ouch.
(8) DRAGON AWARDS SEASON. Vox
Day kicks off a “Dragon
Awards discussion” [Internet Archive link] with his ideas about what comics
published by his Arkhaven imprint ought to win Best Comic and Best Graphic
Novel. Declan Finn jumps in to tell people which of his and his friends’ books
should win the other categories, but meets resistance from a commenter who says
he’d rather vote for Brian Neimeier (another Sad Puppy). There might not be enough
kibble to go around!
Viggo Mortensen has denounced far right Spanish political party Vox after it tweeted a meme featuring the actor playing Aragorn in Lord of the Rings.
The meme, shared by the nationalist party’s official Twitter account in April, showed Aragorn lining up to face off against the assembled hordes of Vox’s apparent enemies, including the media, Catalan separatists and a small ghost wearing the colours of the rainbow flag typically used to represent LGBT pride.
“Let the battle begin,” the party tweeted.
In a letter to the editor of Spanish newspaper El Pais, published on Tuesday, Mortensen said Vox’s use of his image was “absurd”.
“Not only is it absurd that I, the actor who embodied this character for [Lord of the Rings director] Peter Jackson, and a person interested in the rich variety of cultures and languages that exist in Spain and the world, is linked to an ultra-nationalist and neo-fascist political party,” the actor wrote, “it is even more ridiculous to use the character of Aragorn, a polyglot statesman who advocates knowledge and inclusion of the diverse races, customs and languages of Middle Earth, to legitimise an anti-immigrant, anti-feminist and Islamophobic political group.”
Last month, Vice President Pence announced that we are headed back to the moon. I am with him, in spirit and aspiration. Having been there, I can say it is high time we returned. When Neil Armstrong, Michael Collins and I went to the moon 50 years ago this July, we did so with a mission. Apollo 11 aimed to prove America’s can-do commitment to space exploration, as well as its national security and technological superiority. We did all that. We also “Came in Peace for all Mankind.” More of that is needed now.
Today, many nations have eyes for the moon, from China and Russia to friends in Europe and Middle East. That is all good. The United States should cooperate — and offer itself as a willing team leader — in exploring every aspect of the moon, from its geology and topography to its hydrology and cosmic history. In doing so, we can take “low-Earth orbit” cooperation to the moon, openly, eagerly and collegially.
[…] As matter of orbital mechanics, missions from Earth to Mars for migration are complex. That said, human nature — and potentially the ultimate survival of our species — demands humanity’s continued outward reach into the universe. Call it curiosity or calculation, strategic planning or destiny. Put simply: We explore, or we expire. That is why we must get on with it.
In a world of division and distraction, this mission is unifying — for all Americans and for all humankind. So, I am personally glad we are headed back to the moon — and I thank President Trump and the vice p
(11) DECOROUS THEATERS. According
to The Week:
The Roxy 8 multiplex in Dickson, Tennessee, is defending its decision to call the new HELLBOY movie HECKBOY in signs outside the theater. Manager Belinda Daniel explained that the theater does not use ‘profanity’ on signs. ‘We are located next to an elementary school and across from a church,’ she said.
For centuries, humanity lived with the concept of sweet, salty, bitter and sour – but another flavour was hiding on the sidelines
Kikunae Ikeda had been thinking a lot about soup.
The Japanese chemist had been studying a broth made from seaweed and dried fish flakes, called dashi. Dashi has a very specific flavour – warm, tasty, savoury – and through laborious, lengthy separations in a chemistry lab, Ikeda had been trying to isolate the molecules behind its distinctive taste. He felt sure that there was some connection between a molecule’s shape and the flavor perception it produced in humans.
But as it was just a few years past the turn of the 19th Century, there was not yet a great deal of evidence to support the idea.
Eventually, Ikeda did manage to isolate an important taste molecule from the seaweed in dashi: the amino acid glutamate, a key building block of proteins. In a 1909 paper, the Tokyo Imperial University professor suggested that the savoury sensation triggered by glutamate should be one of the basic tastes that give something flavour, on a par with sweet, sour, bitter, and salt. He called it “umami”, riffing on a Japanese word meaning “delicious”.
(13) LOOK FORWARD
TO YOUR KIWI TOUR. Good
news! Natural heated swimming hole available to visit on your CoNZealand2020
Bad News! May contain a staple of SciFi — The Brain-Eating Amoebas of Kerosene Creek
Kerosene Creek is a natural hot spring near Rotorua, on the North Island of New Zealand. And there have been official warnings for years: don’t put your head under water. It turns out that “brain-eating amoebas”, naegleria fowleri, are a real, if rare, thing.
Chris M. Barkley, JJ, Errolwi, John King Tarpinian, Martin Morse Wooster, Tom
Boswell, Chip Hitchcock, Cat Eldridge, Carl Slaughter, Mike Kennedy, and Andrew
Porter for some of these stories. Title credit goes to File 770 contributing
editor of the day Steve Davidson.]
Floods, fires, earthquakes, volcanoes, bombings, droughts, and even alien invasions: disaster can take many forms. And, although disasters are always felt dramatically, a disaster’s form and location impacts who records its effects and what forms those records take. “Where Disaster Strikes” investigates the intertwined categories of modern space and disaster through the Harvard Map Collection’s maps of large destructive events from the London Fire to the present.
The map collection includes a Godzilla feature. Stacy Lambe figured out how many times stomped all the cities. Then Danielle Brown mapped them. (I can’t get the link to function here, but go to the Harvard Map Collection link and click “30” on the left sidebar, that worked for me.)
The laws are so old that they were written with fully human children in mind. Before first contact, two humans might make a fully Terran baby and still abandon it, because they didn’t have enough money or because one of their ancient tribal honor codes forbid them from breeding. It still happens, but nobody talks about it. Humans like to forget what they used to be. Now, safe surrender sites are known as places where hemis get dumped. Hemis like me.
It was published along with a response essay “Oppression of the Future in ‘Safe Surrender’ by tech policy lawyer Laura Moy.
As technology advances, will we use it to promote equity, or to serve and preserve systems of oppression? This question is central to Meg Elison’s “Safe Surrender,” which explores a future in which humans are in regular contact with extraterrestrials called Pinners, who exchange diplomats, trade goods, and even interbreed with Earthlings. In “Safe Surrender,” a grown-up human-Pinner hybrid (a “hemi”) struggles to find their identity and make sense of their origin—surrendered at birth by a mother who did not want or perhaps felt she could not care for or protect a hybrid infant.
In Elison’s not–totally foreign, not-so-distant future, the racial prejudices, inequities, and oppression that plague humankind today map easily onto extraterrestrials….
But all the adventures of a boy and his bear started here, alongside illustrations by the English artist E. H. Shepard. In its opening pages, a map shows the way around the Hundred Acre Wood, sometimes stylized as “100 Aker Wood.” There’s “Where the Woozle Wasnt” and the route to the North Pole. Now, for the first time in nearly 50 years, the original map is on sale at the British auctioneer Sotheby’s, along with four other illustrations. They are expected to fetch as much as $580,000 together when they go on sale at the auction house in July, the BBC reported.
It’s a lot of money for a map—but then, this isn’t any old map.
(4) MEXICANX. John Picacio introduces the next set of MexicanX Initiative guests who’ll be coming to Worldcon 76.
Here are 15 stories (out of 72) recommended by at least 2 out of 4 prolific reviewers who post at the end of each month (GTognetti, JMcGregor, RSR, SFRevu). That’s 21% of 72 stories, while 56% (40 stories) got no recs from any of the 4 prolific reviewers.
The Thought That Counts by K.J. Parker 28m BCS 250
Crash Site by Brian Trent 29m F&SF 05?06|18
Inquisitive by Pip Coen2 25m F&SF 05?06|18
Fleeing Oslyge by Sally Gwylan 30m Clarkesworld 140
Angry Kings by Bonnie Jo Stufflebeam 25m BCS 250
Argent and Sable by Matthew Hughes 47m F&SF 05?06|18
Hubpoint Of No Return by Christopher L. Bennett 41m Analog 05?06|18
A Green Moon Problem by Jane Lindskold 20m Lightspeed 96
Unstoppable by Gardner Dozois 19m F&SF 05?06|18
Blessings by Naomi Novik 07m Uncanny 22
Cold Blue Sky by JE Bates2 13m Apex 108
Godmeat by Martin Cahill 23m Lightspeed 96
While You Sleep, Computer Mice™ Earn Their Keep by Buzz Dixon 07m Analog 05?06|18
(Sometimes RHorton’s recs are included if Locus Magazine releases his latest column online by the end of the month. The recommendations from the 5 major awards and 4 major SF/F anthologies are typically available within 5 months after the calendar year and are shown in the 2018 YTD.)
Every BCS and Lightspeed story got a recommendation from at least 1 out of 4 prolific reviewers. Every magazine got at least 1 story rec except Strange Horizons.
(All 11 magazines included in RSR Monthly & YTD ratings are covered by at least 3 of the 4 prolific monthly reviewers, except for Tor Novellas.)
Stories by New Writers
Stories by 2019 Campbell Award-eligible writers, grouped by year of eligibility.
Coen, Pip Inquisitive 25m F&SF 05?06|18
Bates, JE Cold Blue Sky 13m Apex 108
Falowo, Dare Segun Ku’gbo 19m F&SF 05?06|18
The remaining 61 stories were written by authors whose first pro SF/F story was before 2017.
(6) BEING INVENTIVE. Doctor Strangemind’s Kim Huett says “Let’s consider how to add a little local colour to steampunk fiction with some interesting but failed nineteenth century inventions. Necessity might be the mother of invention but that doesn’t mean all her children are born equal.” — “With A Strange Device”.
Putting some steampunk junk in the trunk.
I’ve long been a fan of Jack Vance’s fiction for a number of reasons. One of these is the way he liked to throw quirky details into his stories. There were often no reason for these details as they weren’t designed to advance the plot (well okay, very occasionally yes they did but usually no they didn’t). Mostly Vance just liked to add a little local colour to the fictional landscapes his narrative was passing through. A little local colour, as actually exists in the real world, is something far too rare in science fiction of any era.
(7) SAURON’S DIGS. Olga Polomoshnova pieces together a description of “The tower of adamant” at Middle-Earth Reflections.
Barad-dûr was built in the Second Age when Sauron chose Mordor as his abode. He began the construction of the Dark Tower in c. 1000 SA and finished it in c. 1600 SA — the same year when the One Ring was forged in the fires of Orodruin. The foundations of Barad-dûr were thus strengthened with the power of the One Ring, so the tower was virtually indestructible by any force and could stand as long as the Ring lasted. After the War of the Last Alliance and the seven-year siege of Barad-dûr its foundations remained, though the tower itself was destroyed, and thus the Dark Tower rose again in the Third Age.
The appearance of Barad-dûr is left rather vague by Tolkien. Readers can catch only glimpses of the Dark Tower by means of visions or looks from afar, without many details provided. Those glimpses offer a very uncertain picture, as if just allowing a peek at the mighty tower: we look at it quickly and then withdraw our glance so that the never-sleeping watch of Sauron does not catch us at looking at his citadel longer than it is necessary.
The main impression that can be gathered from those fragmentary glimpses is that of hopelessness and terror: the Dark Tower is huge and impregnable. In this case less is more, and the lack of detailed descriptions does the trick, but one thing is certain: we are dealing with a very serious stronghold here.
(8) THE QUIET MAN. Jon Del Arroz hasn’t been tweeting for the last few days. Part of it is because he was officiating a wedding for a friend, but the main reason is that his Twitter account was frozen. JDA says I have to get the details from the response piece he has written for The Federalist….
…He starred as a young poet, one of the five people on Earth to survive a nuclear explosion, in Five (1951), then fought martians in The War of the Worlds (1953) and Invaders From Mars (1953), a giant spider in Cat-Women of the Moon (1953) and the Abominable Snowman in The Snow Creature (1954).
Walt Disney himself heard Phipps’ audition tape and hired him to play Prince Charming opposite Ilene Woods in Cinderella (1950). The actor said he was paid about $100 for two hours’ work on an afternoon in January 1949….
(11) TODAY IN HISTORY
June 4, 1982 – Poltergeist premiered.
June 4, 1982 – Star Trek II: The Wrath of Khan debuted in theaters.
(12) TODAY’S BIRTHDAYS
Born June 4 — Angelina Jolie, actress in the Tombraider films and Sky Captain and the World of Tomorrow.
(13) COMICS SECTION.
Chip Hitchcock says Rhymes With Orange believes they could never remake Wizard of Oz quite the same way today.
Immerse yourself in the imaginative world of Jim Henson (1936–1990) and discover his groundbreaking approach to puppetry and transformative impact on contemporary culture.
Featuring more than 100 objects and twenty-five historic puppets—including Kermit the Frog, Rowlf, Ernie and Bert, Grover, and other popular favorites—The Jim Henson Exhibition: Imagination Unlimited illuminates Henson’s unique contributions to the moving image. Along with a talented team of designers, performers, and writers, Henson created an unparalleled body of work that continues to delight and inspire people of all ages to create a kinder and gentler world.
Explore Henson’s enduringly popular productions—from The Muppet Show, the Muppet movies, and Sesame Street to Fraggle Rock, The Dark Crystal, and Labyrinth—through character sketches, storyboards, scripts, photographs, costumes, film and television clips, and behind-the-scenes footage. Then design your own puppet and try your hand at puppeteering in this highly interactive exhibition.
Kermit the Frog puppet from 1978
Handwritten scripts from Henson’s first television series, Sam and Friends (1955–1961)
A clip from Henson’s Academy Award–nominated experimental short film Time Piece (1965)
Puppets from Sesame Street (1969– ), including Grover, Ernie and Bert, and Count von Count
Section on The Muppet Show (1976–1981), including puppets of Dr. Bunsen Honeydew, Beaker, and Scooter, as well as material from the Muppets’ transition to the big screen, such as set models and storyboards
Jen and Kira puppets from The Dark Crystal (1982)
Red Fraggle from Fraggle Rock (1983–1987), which celebrates its thirty-fifth anniversary this year
Jareth’s and Sarah’s ballroom costumes from Labyrinth (1986)
Actor Benedict Cumberbatch, who plays detective Sherlock Holmes in the television series Sherlock, foiled an attempted robbery by fighting off a gang of muggers in London. The attack occurred near his fictional character’s home on Baker Street.
So, apparently, ConCarolinas committee gave a closing statement where they doubled-down on being open to having special guests who are bigots, racists, sexists, etc claiming the onus is on the people these hate-mongers target to be willing to sit in a room with them as a sign of tolerance and mutual respect.
Listen, it’s not on me to be willing to tolerate someone who thinks I shouldn’t even be in the room or any group who supports bigotry, racism, misogyny, or hate speech.
Now, for those of you who gave ConCarolinas a pass this year and went anyway they’ve made where they stand abundantly clear. You either support that or you don’t – there’s no middle ground. Don’t think you can continue to support it and be my “friend”. Pick a side. You’re either with the people who support giving a platform to hate or you’re an ally of the marginalized people those bigots/racists/misogynists would like to see excluded from SFF and fandom. Don’t expect me to be ok with it.
My thanks to those allies who made a principled stand and withdrew from ConCarolinas, both guests and attendees. I appreciate your willingness to take a stand for what’s right and not try to parse your participation down to some justification for continuing to support people who CLEARLY want to be in a position to give a platform to people who would like nothing better than to target women and people of color.
Bryan Thomas Schmidt
So pleased to see a strong statement against bullying and slander from ConCarolinas.
If you run an SFF con, I urge you to follow Dragon Con and ConCarolinas in embracing the only diversity that really matters. It's time we restore the fandom's once-inherent culture of toleration for divergent viewpoints and stop listening to those braying for political purges.
But now ConCarolinas is going to give us a lecture about being Expected To Be Mature Enough To Be Civil and talk about how Poor Ringo Was Bullied when they were told to not have a Guest of Honor with a habit of gleefully sexually harassing other panelists – BY HIS OWN OMISSION.
— Razorblade Snowflake (Sephiroth But Also A Wolf) (@Keffy) June 4, 2018
So, the director of Con Carolinas has made a choice of who is welcome, and who is not. This is now a convention openly antagonistic to the health, comfort, and safety of anyone who is not straight, cis, male, white, and conservative.
ConCarolinas is beginning to see the first groundswell of criticism for the position Jada took at final ceremonies yesterday. I expect it to get pretty ugly, because she and the concom are now officially recidivists. I would request that anyone who supports the con’s efforts — and fandom in general’s effort — to . . . diminish the scope for the ex post facto dis-invitation of guests to speak up in support of the con’s position, but lets not take this any farther into Mutually Assured Destruction territory than we have to. I know the temptation will be to lob H bombs back in response to the fission warheads coming in in condemnation of the con’s position. I understand that, because I’ve got a temper, too. But if we want to minimize the bigots and the fanatics on both sides of the divide, then we can’t be fanatics ourselves. Determined, unyielding, and unwilling to put up with or yield to cyber bullying — all of those things, damned straight. But if we’re going to be the grown-ups in the room, then let’s BE grown-ups. I’ve said it before and I’ll say it again, I don’t approve of banning anyone for anything short of criminal acts or DEMONSTRATED personal harassment of an innocent bystander who didn’t lob the first grenade in any exchange between them. Don’t care whether they are on the right, and they’ve been screaming about John’s withdrawal from ConCarolinas and Larry’s banning from Origins, or if they are on the left, and they are now screaming about ConCarolinas’ response to the arguments voiced by people on the right. Everyone has a right to his or her own opinion and to attend or not to attend any convention because of guest lists or for any other reason(s) that seem(s) good to them. They also have a right to voice and explain those opinions. I’d just really prefer for us to do it as civilly as possible. It is at least remotely possible we could shame the hate merchants (of whatever political persuasion), but I’m not looking for any miracles here. What I would like to accomplish, however, is to APPEAR as the reasonable parties by BEING the reasonable parties so that those who have not already drawn their own lines in the sand can form their own opinions and reach their own conclusions about who is truly in favor of diversity and inclusiveness and who isn’t.
Watts falls within the lineage of classic hard SF writers who can make far-future science magic seem tangible, but his true gift lies in how personable he makes it feel. Heavy themes like alienation, the value of existence, and the nature of consciousness are woven into the brisk narrative with humor and pathos. Watts may be too smart to let a big idea pass by without picking it to pieces, but above all, “The Freeze-Frame Revolution” is fun to read.
14-year old Mia Havero is part of a society of human space-dwellers, resident of one of the eight galaxy-trotting Ships that represent the remains of Earth’s high technology. She and 29 other young teens are dropped on a primitive colony as part of a rite of passage. There is always an element of danger to this month-long ordeal, but this episode has a new wrinkle: the planet’s people are fully aware (and resentful) of the Ships, and they plan to fight back. Can Mia survive her coming of age and stop an insurrection?
Panshin hits it right out of the park with his first story, capturing the voice of a young almost-woman and laying out a rich world and an exciting adventure. Finally, I’ve got something I can recommend to the Young Traveler. Four stars, verging on five.
When we worked on Next Generation, Brent Spiner and I would sit at our consoles on the bridge, and make up lyrics to our show’s theme song. I vaguely recall coming up with some pretty funny and clever stuff, but nothing that held together as perfectly as this, from the weirdos over at meh.com:
[Thanks to John King Tarpinian, JJ, Joey Eschrich, Cat Eldridge, Chip Hitchcock, Martin Morse Wooster, mlex, Mike Kennedy, Carl Slaughter, Top Elf, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Lanodantheon.]
Deadpool is a natural performer, the superhero that’s as good at wisecracking as he is at battling villains. So it shouldn’t come as a big surprise that Deadpool actor Ryan Reynolds can not only act, he can sing like a rock star.
…You get the picture: Should you harbor burning questions about infinitesimal details of Han Solo’s backstory that are entirely and hilariously immaterial to the Star Wars saga’s broader tale, or if you’re prepping for a Han Solo-themed pub quiz, know that fan service doesn’t get more serviceable than Solo: A Star Wars Story.
For everyone else: Donald Glover’s Lando is really, really smooth and funny!
Inasmuch as Solo is, expressly and unambiguously, an origin story, it contains numerous winks to the more well-versed members of the audience (as when a character demands of Han, “Do you know what it’s like to have a price on your head?” har har har). Actually, wink implies subtlety — which is not, for director Ron Howard and screenwriters Jonathan and Larry Kasdan, a going concern….
…There are, it is only fair to note, actual jokes in Deadpool 2 — sincere, crafted, legitimately funny gags that are clearly the product of human thought and loving effort. There’s … not a lot of those, but they’re there if you look, and should you happen across one, it will very likely delight you.
Because what’s taking up most of the room that would otherwise be occupied by jokes in Deadpool 2‘s screenplay are those many, many, many references.
It’s Family Guy: The Movie.
Or, technically I suppose, it’s Family Guy 2: Here Are Some More Mentions Of Other, Tangentially Related Things You Recognize And Like.
Saga Press’ editorial director Joe Monti tells The Verge that the project was something he wanted to do from “day one,” when he joined Simon & Schuster’s Saga Press in 2013. Last November the imprint released several collectededitions of the late author’s work under his supervision. (Library of America likewise released an omnibus edition of some of her work with The Hainish Novels & Stories, Volume One and Volume 2 last year, as well.) While they had long wanted to tackle a comprehensive volume of Le Guin’s Earthsea stories, something in the vein of the many omnibus editions of Tolkien’s Lord of the Rings, Monti says that “Ursula was reticent” to the idea, having “been burned over the last several of decades” by creative partners that never listened or accepted her creative vision.
(9) TODAY IN HISTORY
May 15, 1968 – Witchfinder General with Vincent Price is released.
…Up next, there was much outrage about how I was a Sad Puppy. Correction, I was the original Sad Puppy, and I’m proud of that. Now, the way these people portray it, this was my evil scheme to rig the sainted Hugo awards, to get myself an award, and to also simultaneously keep women and minorities out of publishing. Which is ironic, since by “rig” they meant I got more fans to participate in the voting, I turned down my nomination, and since the other people I got nominated included a bunch of women and minorities (as well as authors of various sexual orientations and belief systems) I must really suck at this bigotry thing. But keep in mind, the people slandering me over Sad Puppies are the same folks who the year before hailed 14 white liberals and 1 Asian liberal winning as a huge victory for diversity.
In reality, it was my attempt to demonstrate that the Hugo awards were not in fact an award to represent all of fandom, but were actually extremely politically biased, and dominated by a few small insular cliques. They went out of their way to prove I was right….
(12) INDUSTRY INSIDERS. Posted on Reddit, this is reportedly the text of a message sent by John Ward, Executive Director of Origins Game Fair, to the Game Manufacturers Association:
…Though to be honest, I was sort of surprised this even worked once, on Ringo. He’s a bestselling author. He doesn’t need the PR by going to cons. He goes to have fun and hang out. Larry too is also at the level where con appearances can only help the con, not himself.
But hey, it makes the SJWs feel good. It makes them think that they’re getting something done. I suppose that pointing out to people that this will only force Larry to have more free time is a waste of time.
Now, I’m not going to suggest sending an email to GoDaddy about how the originsgamefair.com site is being used by John Ward to defame Larry Correia.
….Though you can email at firstname.lastname@example.org, and send something like, oh, I don’t know….
(14) CRITICAL CORRESPONDENCE. Jason Cordova’s post “Origins” quoted the entirety of his letter to John Ward, which says in part:
…Mr. Correia had always shown grace, been polite, and worked with the concom of every convention he has attended. Those who seek to discredit and destroy him are abusing the rules of your convention in a manner which they were not meant for and raising enough of an outcry that your convention, undoubtedly, feels compelled to respond to. Unfortunately, instead of speaking with Mr. Correia, it appears that you have reacted in a manner which can only be described as “knee-jerk”. You have allowed concern trolls to dictate your guest list while alienating you from a fan base which both pays to see their favorite author and supports other commercial endeavors at conventions as well.
Conventions such as Origins are supposed to be for all fans. However, with outward appearance of appeasement to the vocal minority who seek to undermine all of Mr. Correia’s hard work as well as alienate his fan base from any future conventions you might host, it behooves me to suggest that you are hurting nobody but yourselves with this move….
This is almost unbelievable. SJWs are running completely amok.
[Screencap of John Ward’s FB announcement]
It just goes to show that they will come for you eventually, no matter how minor your offenses against the Narrative may be.
[Text of Larry Correia’s original response (without expanded text linked above)]
One gets the impression that Larry is simply too worn out with the Culture War to feel like fighting the SJWs anymore. And, let’s face it, like John Ringo, he is too independently successful for their antics to do him any real harm. For now, anyhow.
(16) INTERNET TOXICITY. James Patrick Kelly made these posts at the end of February. I spotted them while doing some Google searches today.
It was possible at the time to read this as a tongue-in-cheek PR stunt that failed, since despite Correia’s lobbying, Monster Hunter Legion did not make the Hugo ballot. However, the next year he returned with reinforcements, birthing the insurgency known as the Sad Puppies. (The self-deprecating name refers to this ASPCA commercial www.youtube.com/watch?v=IO9d2PpP7tQ. It’s meant to compare pulp writers who provide entertainment to the masses, but get no recognition, to abused pets.) Not only did Correia have a new novel to flog, but he also posted a slatewww.monsterhunternation.com/2014/03/25/my-hugo-slate of twelve works of fiction and non-fiction that he urged his Puppy minions to nominate. As an act of provocation, he included a novelette by one Vox Day, a pseudonym for a notorious internettrollwww.time.com/4457110/internet-trolls named Theodore Beale. As Correia blogged, “. . . one of my stated goals was to demonstrate that SJWs would have a massive freak out if somebody with the wrong politics got on. So on the slate it went. I nominated Vox Day because Satan didn’t have any eligible works that period.” What’s a SJW, you ask. Wikipedia explains http://en.wikipedia.org/wiki/Social_justice_warrior: “‘Social justice warrior” is a pejorative term for an individual promoting socially progressive views, including feminism, civil rights, multiculturalism, and identity politics.”
A follow-up installment, “Troll Bridge”, takes a broad look at internet culture:
In 2018, the challenge of internet governance looms large. Last year the Pew Research Center www.pewinternet.org issued a report called The Future of Free Speech, Trolls, Anonymity and Fake News Online www.pewinternet.org/2017/03/29/the-future-of-free-speech-trolls-anonymity-and-fake-news-online. The researchers asked 1,537 technology experts, scholars, corporate practitioners, and government leaders, “In the next decade, will public discourse online become more or less shaped by bad actors, harassment, trolls, and an overall tone of griping, distrust, and disgust?” Forty-two percent of the respondents said they expected no major change for better or worse in our current troubling online culture, while 39 percent thought that the next decade would see even more negative activity. Just 19 percent were hopeful that online interactions would be “less shaped” by harassment, trolling, and distrust.
These experts were invited to expand on their replies by considering how social media might evolve. Are there technologies on the horizon that might discourage trolling and encourage inclusive behaviors? How might these solutions impact free speech?
Their extended responses are well worth a look, although they fill some eighty pages in the PDF version, and, alas, reach no consensus. They fall into four broad themes.
(17) HOW’S YOUR SPANISH? Morgan Blackhand’s Spanish-language blog post “Polémica en la Origins Game Fair” is highly critical of Correia and complimentary towards Origins Game Fair’s decision to revoke his GoH invite.
(18) HOW’S YOUR ENGLISH? Meanwhile, Mad Genius Club’s Amanda S. Green defends and praises Larry Correia at length in “It is time to fight back” [Internet Archive.]
…Now, how many problems can you see with this statement by John Ward? I see a number. First, it is all about him. He didn’t know. He wasn’t aware. He felt it necessary re “recend” Larry’s invitation. No mention that he discussed it with the rest of those folks involved with the running of the con. No mention that he did due diligence ahead of time to see who his guest of honor was or what he did. Note also there is no mention of the fact Larry is an avid gamer. Nope, Ward was told Larry was a bad man and knee-jerked his reaction. Now he is running and hiding and refusing to answer simple questions like “exactly how are Larry’s views specifically unaligned with the philosophy” of the con?
I find it amazing Ward could issue this statement within an hour or so of first announcing Larry would be GoH and then the revocation of his invite and yet he couldn’t be bothered to answer the many questions about why?
Oh, there’s more.
Even as the con removed the thread on their Facebook page about Larry, they left this thread up. [Now removed] For those not wanting to go there, here’s the image you need to be aware of.
Now, if you had seen this yesterday before Larry was uninvited, his name would have been included as one of the tagged authors. In fact, if you look at the book cover, you see him listed as the third author. So the con has no problem making money off of him. He’s just not good enough to attend their con. Needless to say, there are a number of folks asking how long before this image is changed as well, possibly with the con organizers blacking out Larry’s name or even asking for volunteers to help tear out the pages on which his story is printed. After all, we mustn’t risk letting his annoying and dangerous ideas out into the gaming public.
The usual purple-haired, hairy armpitted, androgynous, “mayonnaise is a gender,” social justice landwhales swung into action, whining about how upset they were that Larry was invited as Guest of Honor. They maligned him as a racist (he’s actually a person of color), misogynist (despite the fact that Larry spent years teaching self defense to women), they claimed he was a terrible, awful person who made them feel unsafe (even though Larry has attended numerous conventions, and by every account was charming, bright, funny, friendly, and polite), and they demanded that Origins rescind the invitation, because SAD PUPPIES!
[Thanks to John King Tarpinian, Rev. Bob, Mike Kennedy, Cat Eldridge, Chip Hitchcock, JJ, Martin Morse Wooster, Andrew Porter, and Carl Slaughter for some of these stories. Title credit goes to File 770 contributing editor of the day Camestros Felapton.]
The April 20 Pixel Scroll quoted several paragraphs from Declan Finn’s blog post “The John Ringo and ConCarolinas issue” (see item 13) ending with this one —
On THEIR OWN TERMS, I should be concerned to even walk the halls as a regular attendee carrying a John Ringo book. While I have no problem defending myself, I to go conventions to have a good time. I don’t want to spend the majority of the con in cuffs because some dickheads decide “You’re a Ringo fan, therefore you’re [insert cliche lefty insults here]” and therefore I have to beat them senseless.
What does it mean to retell a story? Does it mean dressing up a familiar tale in different clothes? Reading it against its grain? Replacing parts of a story like boards in a ship, until an old story’s shape is built of entirely new wood? This month, I’m looking at recent books that are all retellings of one sort or another.
It is difficult to overestimate the tremendous value of editors. The contributions that authors make to their respective fields, and their impact on the readers that encounter their work, can’t be overstated either, of course—but it is equally important to remember that no truly great author goes it alone; there are always strong editors behind the scenes, shaping the individual stories themselves as well as the publishing world at large. The Hugo Awards are named for an editor, after all.
Yet I can count most of the editors I recognize by name on one hand. Even with such a limited group to choose from, only two have had an extremely significant, identifiable impact on me as a reader: Terri Windling and Ellen Datlow. I could never hope to cover everything the two have contributed to the publishing world—their careers have stretched too far and are too varied and far-reaching for me to do them full justice. However, there are several projects that are worth looking at in order to appreciate their impact and get a sense of how influential their work has been, and continues to be.
Mazi Chiagozie Fred Nwonwu and Chinelo Onwualu are co-founders and editors of Omenana, a web-based literary magazine dedicated to publishing speculative/sci-fi/fantasy fiction by African writers. In this interview with Uche Okonkwo, Mazi Chiagozie and Chinelo talk African speculative fiction, life lessons, and writing and publishing as a labour of love.
UCHE OKONKWO: This idea that Africans don’t write sci-fi/fantasy/speculative fiction is, I believe, part of the reason you started Omenana. Where do you suppose this idea comes/came from and why did/does it persist?
MAZI CHIAGOZIE: I think it comes from that general misconception that Africa is a backward place that hasn’t played any notable role in man’s journey to the stars. So even Africans look at Africa as this place whose people only concern themselves with war, famine, dancing, and procreation. It’s a view that has been propagated for a long time and has now come to offer a copout for people who don’t want to do the work needed to unravel the complexity that is Africa and her varied nations and peoples. We are doing our bit to change the perception, but it continues to persist. And with Wakanda being a fictional place, will continue to persist.
CHINELO ONWUALU: I think the idea that Africans don’t write speculative fiction is born out of the rather racist definitions that limit what speculative fiction is to the sorts of things written by white men in North America and Europe. Thus, when Africans write speculatively, it’s often dismissed as folklore or fable telling.
I feel many of us have adopted this same attitude as part of the deep-seeded practicality that is common with a lot of oppressed groups. Because our systems are so broken – often by colonialist design – we don’t see a lot of value in imaginative endeavours that might divert our energies from the struggle for daily survival. Combined with the devaluation of cultural artefacts like our stories, traditions and beliefs, many of us end up dismissing creative pursuits as wastes of time.
(4) ONCE LESS IN THE BREACH DEAR FRIENDS. David Langford tells about a program Terry Pratchett asked him to write in “The Silicon Critic” at the Milford SF Writers blog
Milford participants often have distinctive personal crotchets when commenting on stories, and John Brunner’s (as I remember from the 1980s) was a particular sensitivity to repetition. Sometimes it seemed that the unintended re-use of a significant word too soon after its last appearance pained him more than a gaping plot hole. The “deliberate repetition for effect” card could be played only so often, especially if you hadn’t noticed the repetition of “repetition” and the fact that it’s now appeared four times in one paragraph.
Terry Pratchett was another author who worried about such things. In 1998 he invited me to write a little Windows application to monitor his own use of favourite words. This, he stipulated, was to be named Bicarb because the idea was to stop you repeating….
The Baltimore convention created to celebrate diversity has not been rescheduled.
A week out from its announced debut, organizers have confirmed that Universal Fan Con, the new convention created to celebrate diversity and inclusivity in fandom, will not take place and has been postponed to an as-yet unspecified date.
In a series of tweets, organizers said that they were “devastated to make this postponement decision,” and shared that there is a “contingency plan” for those whose travel to Baltimore next week was already booked and are unable to reschedule their trip.
Although no official reason has yet been given for the sudden postponement — social media accounts for the event were promoting the show as recently as yesterday — a source told Heat Vision that the event “has a financial deficit.” In January, Heat Visiontalked to Universal FanCon executive director Robert Butler, who said that the Kickstarter campaign to fund the show had been “a greater success than we could have imagined,” raising twice the amount initially asked for….
One committee member announced her resignation:
Earlier this morning I submitted my letter of resignation to Universal FanCon.
Currently we are in a financial deficit that will not allow us to operate the convention within budget. Accordingly, we have made the decision to postpone and reschedule FanCon so we can put forward the type of event our fans deserve.
Why did you wait so long to postpone the event?
The FanCon team worked really hard up to the last minute to put forward an amazing event. However, it became clear in our last team meeting that we would not be able to deliver the event the fans deserved without more time.
How long will the event be postponed?
Once we are able to fully assess our options, we will make an announcement.
(6) ANDERSON OBIT. Harry Anderson (1952-2018): US actor and writer, died April 16, aged 65. Genre roles include Tales from the Darkside (one episode, 1985), Mother Goose Rock ‘n’ Rhyme (1990), Tales from the Crypt (one episode, 1990), It (1990), Harvey (1996), Lois & Clark (one episode, 1997), Nightmare Ned (voice for video game, 1997), Noddy (one episode, 1998). He also wrote one 1992 episode of Tales from the Crypt.
(7) TODAY’S BIRTHDAY BOYS
Born April 20, 1937 – George Takei
Born April 20, 1939 – Peter S. Beagle
Born April 20, 1964 – Andy Serkis
(8) COMICS SECTION.
Lise Andreasen discovered it’s not all play time when you’re a werewolf.
It’s time to head to Providence, Rhode Island for the final episode of Eating the Fantastic recorded during this year’s StokerCon, following my Italian lunch with Paul Di Filippo and a Portuguese dinner with Victor LaValle.
This episode I wandered off with one of the con’s Guests of Honor, Elizabeth Massie, for lunch at Apsara, a restaurant which serves up Cambodian, Thai, Vietnamese, and Chinese cuisine. Massie made her first professional fiction sale 35 years ago, and since then has won two Bram Stoker Awards for the critically acclaimed novels and short stories which followed.
We discussed why Bionic Woman Lindsay Wagner is the one to thank for her Stoker Award-winning first novel Sineater, how reading Robert Bloch’s Psycho at a young age was like a knife to her heart, which episode of Twilight Zone scared the crap out of her, why you’ll probably never get to read her Millennium and Law & Order novels, her nearly impossible task of writing one spooky book for each of the 50 states in the U.S, why Kolchak: The Night Stalker was her favorite franchise to play in, the great-great grandfather who cut off his own head with a homemade guillotine, which Dark Shadows secret was only revealed in her tie-in novel, and much more.
During an extended series of tweets on Thursday evening, Babylon 5 creator J. Michael Straczynski expressed at length that the award winning science fiction series’ current television rights holder Warner Bros. has no intention of either doing anything with the license themselves, or of letting anyone else do anything with it….
They won't sell. Because if it were to do well elsewhere, it would embarrass them. And studios don't let out IP. So they're like a monkey with its fist around a nut in a jar, it can't pull it out and it won't let go. https://t.co/04wyxk5rCd
Who we’re looking for: we are looking for people who (1) write well and don’t need extensive copyediting, (b) appreciate our brand of humor, (c) understand and are ready to abide by our established format and scoring system and (d) are otherwise good fits with our voice and style. We are not, however, looking for automatons who agree with the rest of us on anything and everything.
We would also like to note that one of our goals is to feature a diverse range of voices on the topics that matter to us. As such, we encourage writers of all backgrounds to apply.
Caveat: we know lots of you have awesome projects you want everyone to know about, but since these are regular contributor positions, we would like to emphasize that this would not be an appropriate forum to use for promoting that awesomeness (aside from your blogging awesomeness, of course).
“One of the problems with science fiction,” said Ridley Scott back in 2012 ahead of the release of Prometheus, “is the fact that everything is used up. Every type of spacesuit, every type of spacecraft is vaguely familiar. The corridors are similar, the planets are similar. So what you try to do is lean more heavily on the story and the characters.”
Great science fiction has always done just that. So why have a recent string of releases shown less interest in the story than the spaceships? Is sci-fi a genre in trouble?
To be honest, I’d never heard of them until this fashla happened. So they made a great first impression on me.
So much so that they convinced to never attend their convention, as a guest or even as just an attendee.
And no, it’s not necessarily “Oh, look what they did to Ringo.”
I am doing something radical. I will take them ENTIRELY AT THEIR WORD that they can’t guarantee the safety of one of their own guests against the angry hordes of Social Justice Zombies.
On THEIR OWN TERMS, I should be concerned to even walk the halls as a regular attendee carrying a John Ringo book. While I have no problem defending myself, I to go conventions to have a good time. I don’t want to spend the majority of the con in cuffs because some dickheads decide “You’re a Ringo fan, therefore you’re [insert cliche lefty insults here]” and therefore I have to beat them senseless.
…I went over to John Ringo’s page and read about it. As far as I could tell, a bunch of people on Twitter had been badgering both the con-committee and the other (very leftist) guest about inviting someone who was… what the heck was he? I don’t know.
In the beginning, the accusation against him was that he was “Puppy Adjacent.”
For those of you wanting to follow this at home, the score card is this: Five years ago, my friend Larry Correia started a movement called Sad Puppies, which was a half joking attempt to get books not of solid leftist bent (not even right wing, just not preachy left) nominated for the Hugo, which used to be one of the most prestigious fan awards in science fiction.
When Larry tired of the game after two years, my friend Brad Torgersen took it over…
Vox Day was a little offended to find that he and the Rabid Puppies have been erased from Hoyt’s version of history — “SJWs in SF: Sad Puppy version” [Internet Archive link.]
I find this rather fascinating for what it omits. The Baen cum Sad Puppies crowd is in an uncomfortable position not terribly different from that of Never Trump and the cuckservatives. They are accustomed to being the sole opposition to the SJWs in science fiction, and viewing themselves as the proper and respectable opposition, so they really don’t know what to do about the Rabid Puppies or the considerably less accommodating opposition that is now represented by Castalia House, Arkhaven, and Dark Legion. Nor do they understand how various trends favor the growth of our influence, in part at their expense.
So, they push a narrative to the public in which we don’t exist, even though without us, Sad Puppies would have remained what it was prior to our involvement, a minor bump in the road that didn’t even require any suppression outside of the usual routine. This is not to say that what they did was not admirable, and indeed, their construction of the Dragon Awards will likely prove to be more significant in the long run than our demolition of the Hugo Awards. I merely observe that their efforts would have been insufficient in our absence.
But unlike the SJW narrative, the Sad Puppy narrative does not harm us at all. I am content to let them push it in peace; after all, they are not the enemy. Right now, we are marshaling our forces and preparing to engage in offensives on multiple fronts, some of which are known and others which will prove to be unexpected….
Let the others trail in our wake at their own pace. As long as they refrain from either attacking us or getting in our way, they are not part of the problem. They are trying to be part of the solution, even if they go about it in different and suboptimal ways.
(15) VIDEO OF THE DAY. in Stems, Scottish animator Ainslie Henderson shows how he takes found objects and turns them into stop-motion animation.
[Thanks to John King Tarpinian, ULTRAGOTHA, Steve Green, JJ, Cat Eldridge, Martin Morse Wooster, Chip Hitchcock, Mark Hepworth, Andrew Porter, Lise Andreasen, and Carl Slaughter for some of these stories. Title credit belongs to File 770 contributing editor of the day Ky.]
I don’t remember the precise moment I was introduced to the Moomins. They were always just there; a cosy, comforting and slightly weird presence in my childhood that has stayed with me. My father called Tove Jansson “one of the greatest children’s writers there has ever been”, and credited her writing as one of the reasons he became an author.
My father’s family were the kind of postwar, no-nonsense British people who didn’t really do hugs or talk about their feelings. Instead, they showed their love by building things: toys, puzzles, go-carts, treehouses. It was a tradition that my father, still very much the awkward hugger himself, would continue during my childhood. He built me a market stall, a beehive (complete with toy bees), a stove and, most memorably, Moominvalley.
It was crafted out of wood and papier-mache – a staple of all art projects in the 70s and 80s. It had a forest and a river and even a dark cave. He also made the Moominhouse and crafted all the Moomin characters out of clay; then painted and varnished them. Many years later we would turn over an entire attic full of junk trying to find a box that I thought might contain a solitary hand-made Moomin. He’s still out there somewhere.
(2) GONE BUT NOT FORGOTTEN. Declan Finn says something’s missing from Amazon. It’s the reviews he’s written about people’s books, and some of the reviews others have written about his books. Why? He calls it “Amazon’s War on Users”.
Has Amazon declared war on authors?
It would seem so at first pass. Last week, I had 315 reviews spread out over my various and sundry projects. Honor at Stake, for example, had 63, 68 reviews.
Today, I only have 238 reviews over all of them. Honor at Stake in particular having only 45 now. When I ask Amazon via email, they know nothing. Could I be more specific? It’s literally EVERY BOOK. They need a road map?
The mystery depends when I looked at reviews that I myself have written. They’re all gone. Poof. Vanished.
What the Hell?
And I’m not the only one. In fact, one writer’s group I’m a part of has had a lot of the same problem.
The Conservative Libertarian Fiction Alliance.
Funny that. And the one person outside of CLFA who had also had problems is friends with three of us.
However, I’m not about to declare enemy action just yet. For that, I need your help, that of the average reader. Because there is a problem. We can’t ask people outside the group, that we don’t know, if they have the same problem. Why? Because if we don’t know them, it’s hard to ask. And if we know them, it can be construed as guilt by association.
Camestros Felapton joined the investigation. The conspiracy-minded won’t find his thoughts nearly as pleasing as Finn’s: “Amazon Purging Reviews Again”.
(3) FEAST FOR THE EYES. A cover reveal for Latchkey by Nicole Kornher-Stace, sequel to Archivist Wasp. Art by Jacquelin de Leon.
Marvel’s superhero film Black Panther has taken more than a billion US dollars (£794m) at cinemas worldwide.
It is the fifth movie based in Disney’s Marvel Universe to hit the milestone.
(5) WAKANDA. A group hopes to run Wakanda Con in Chicago, IL this summer. Right now they’re building a list of interested fans.
WAKANDA CON is a fan-driven, one-day celebration of Afro-Futurism, Tech, and Black superheroes in film, television, and comic books, and of course, Black Panther. Our event will be held in Chicago, IL in Summer 2018. Join fellow citizens of Wakanda for discussion, education, networking, and festivities.
Marvel’s Black Panther has ushered in a new wave of thought about issues surrounding the African Diaspora and a new future for Black people around the world. The image of an African country with advanced technology and equality has inspired some of the world’s greatest thinkers and all of Black Twitter to create, think, and respond. WAKANDA CON is chance to take the conversation about Black Panther offline and into the real world.
(And, you may ask, what do I think about the film’s multicultural and feminine viewpoint and aesthetic? I think it works very well, and it’s a reminder that things that are not designed specifically for one in mind may still speak significantly and specifically to one, if one is open to it. I would not have imagined A Wrinkle in Time the way DuVernay has — I seriously doubt I could have imagined it this way — and yet there I was crying my eyes out all the same. I do not need the world to be imagined as I would have imagined it. I want the world and the things in it to exceed my imagination, to show me things I cannot make for myself but can take into myself, hold precious, and make my imagination that much wider from that point forward. As I noted before, this movie was not, I think, made for me, and still here I am, loving it as much as I do.)
GigaNotoSaurus offers up a beautiful short story for March that might have been a bit more appropriate for February and Valentine’s Day because it is adorable and wonderful and sweet and just good! I’m a sucker for romance, and so the focus of this story for me is refreshing, especially because it refuses to tread the same tired paths of angst and powerlessness that seem to dominate so many romantic story lines. It’s not without darkness or sadness, but it’s a story to me about the triumph of love and humans over despair, loss, and death. To the review!
(8) TODAY IN HISTORY
March 12, 1971 — Andromeda Strain was first released theatrically.
(9) COMICS SECTION.
Chip Hitchcock studied the canine cosmology in Pooch Cafe.
Since the many incarnations of “Star Trek” are considered some of the most diverse shows in the history of television, not to mention that about half those attending Star Trek conventions are female, The College Fix contacted Bourg about this particular reference.
She responded by pointing out her advice “comes directly from the research,” and provided a link to the study: “Ambient Belonging: How Stereotypical Cues Impact Gender Participation in Computer Science.”
The 2009 study examined whether “stereotypical objects” like Star Trek posters “signal a masculinity that precludes women from ever developing an interest in computer science.” Or, as the authors dub it, how the “ambient belonging” of women is affected by tech-geek ware.
While conceding that the tech-geek “masculinity” in question may not refer to a “traditional definition” (think “strength, assertiveness, and sexual prowess”) the authors argue the “stereotypicality” of the group still has a “profound” effect on the ability to recruit people who do not see themselves as fitting that stereotype.
In Gamsukh’s office those possibilities seem endless. Books, papers and sketches cover a desk and table. Dressed in jeans and a t-shirt, Gamsukh, whose dark hair has a slight orange tint, comes off as artistic. But the sketches he produces are not dreamy musings. They are technical drawings supported by mathematical calculations. They are solid, like the sturdily built Gamsukh. Many are already being implemented, including a partially completed passive solar heated immobile ger that adds windows, insulation and solar collectors to the traditional model. Passive solar heating design uses windows, walls and floors to collect, store and distribute heat in the winter and reject it in the summer. Designs vary depending on the climate in which they are built, but shade can be used to block the sun in summer without taking away from warmth in winter because the sun is higher in summer.
When it is finished, Gamsukh plans to call it home. He is also testing another modified ger that uses solar power and those underground pipes he tried to dig in winter for heat.
Police in Iceland have arrested 11 people suspected of stealing more than 600 computers that were being used to mine crypto-currencies, reports AP.
The computers were stolen during four raids on data centres around Iceland.
The country is a popular location for data centres because almost 100% of the power generated there comes from renewable sources.
(19) THE OTHER JJ. ScreenRant says this JJ Abrams sketch was cut from Saturday Night Live for time.
[Thanks to JJ, Cat Eldridge, Mike Allen, John King Tarpinian, Mark Hepworth, Martin Morse Wooster, Chip Hitchcock, Rich Lynch, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor Niall McAuley.]