Thank You So Much!

My deepest thanks go out to everybody who supported File 770 for the Best Fanzine Hugo. It’s very much an honor to win, and a pleasure to know fans like what they’re reading in the zine and here online.

And it was great to experience that moment together with my wife, Diana. I’d have loved for her book to win, too, but we have been very happy to hear from people here at Denvention who came up to tell her how much they enjoyed it.

Life Found on Denver

Worldcon coverage on the Internet – Eureka!

Fast Forward: Contemporary Science Fiction has posted a several-minutes-long video blog about Denvention Day 1. It’s rather good, too, mixing brief interviews with various fans (among them, Michael Walsh and Phil Foglio), shots of a Registration line already made notorious by Cheryl Morgan, and excerpts from Opening Ceremonies and a Rick Sternbach program item. The small-format video came through with jewel-like clarity on my computer. Highly recommended.

Not Ready for Company

I don’t really have all this time on my hands. There’s lots I need to do before I fly off to Denvention. Like pack my suitcase full of something that’s worth the $15 those pirates at United Airlines are going to charge me for checking a bag. Help Sierra pack up stuff for her overnight stay with a friend’s family. A whole list.

So naturally I chose this moment to load Google Earth. I scanned the route between my hotel and the Colorado Convention Center. Then before shutting down I checked out my home address. Turns out they have a new satellite image of our neighborhood. Unfortunately, it was taken when my car wasn’t at home. So if you’d like to see the big oil stain in my driveway, tell Google Earth to look up Latitude 34° 9’14.25″N, Longitude 117°59’25.99″W.

Just Asking

I asked Denvention 3 Hugo Administrator Mary Kay Kare if the media (hey, faneds are media!) would again receive an embargoed list of winners, as was done with the nominees?

She replied, “No. The only person who got an advance list was D3’s webmaster to do our page.”

My personal opinion is that’s exactly the right way for Denvention 3 to handle its business. It’s fine that the winners’ names will be all over the Net two seconds after each Hugo is presented (assuming people in the audience can make their technology to work.) And I feel more comfortable when there is no potential for the winners to be accidentally revealed in advance, as happened with the nominees.

Westword Ho!

Denver’s alternative newspaper Westword has started its coverage of Denvention 3.

The new issue’s wonderfully funny comic strip “Worst Case Scenario” features a side-by-side comparison of the Worldcon and Democratic National Convention, both happening in Denver this month. Chairman Kent Bloom gets equal face-time with Nancy Pelosi for the first and last time ever.

The final set of comparisons poses Michael Chabon accepting the Hugo for Yiddish Policemen’s Union, and Barack Obama accepting the Democratic Presidential nomination. Say you heard it first in Westword!

[Thanks to David Klaus for the link. Also covered by Geri Sullivan’s LiveJournal.]

Five Must-See Panels at Denvention 3

Thanks to Denvention 3 for posting the pocket program on line well in advance of the convention. I’ve been able to pick out what I want to see – and grieve over the things I will hate to miss because I can’t arrive until Friday afternoon.

Program organizers deserve credit whenever they think up a compelling new panel idea, and I can be drawn by a provocative question whether or not I’ve heard of the panelists. But experience has tempered my expectations: it’s not often a panel stays focused on the question they’ve been assigned, so the alluring topic may never be developed.

In short, don’t play the cards, play the people. An irresistible combination of panelists can turn an hour into a cherished memory.

1ST PLACE

FRI 4:00 PM

383 The ages of a writer’s life: writing to get published, writing for fans, writing for posterity

CCC – Korbel 2BC/3BC

As writers mature and gain experience, their work may change, and their motivation may evolve. The panel explores how their focus has changed over the course of their careers.

Connie Willis, Larry Niven, Lois McMaster Bujold, Robert Silverberg, (m) Suford Lewis.

This is a terrific match of thoughtful, witty panelists with meaningful subject matter. Willis and Silverberg in particular play off one another very well.

2ND PLACE

THU 1PM

144 Bleeding Heart Liberals & Military SF

CCC – Korbel 4AB

Military SF is very popular, even among the politically liberal. Why is that and will it change their views?

Adrian Bedford, (m) Elizabeth Moon, Joe Haldeman,John Hemry, John Scalzi

When I read Scalzi’s The Last Colony that very question crossed my mind: How did such a political liberal wind up writing military SF? It’s not actually inconsistent to be liberal and willing to use armed force (take the example of Bill Clinton). I’m just intensely curious about how the writers will answer the question.

3RD PLACE

THU 1 PM

134 People who Knew Heinlein

CCC – Room 506

People who knew and worked with Robert Heinlein discuss the man behind the genius.

Ben Bova, Bill Patterson, Eleanor Wood, (m) Joseph Martino, Pat Cadigan

“Eyewitness” panels are an underrated treasure. They probably work best if the subject is somewhat controversial, and there’s no doubt Heinlein is that. (You may have already spotted that the second and third place panels on my list are scheduled at the same time. If you’re annoyed at having to pick between them, well, I envy you because I have to miss both of them.)

4TH PLACE

THU 4 PM

203 Breaking into SF: The Big Guns

CCC – Korbel 4CD

Major New York publishers tell us why the big publishing houses can still be the key to success for new writers.

Ellen Datlow, James Frenkel, Patrick Nielsen Hayden, Sheila Williams (m) Stanley Schmidt, Toni Weisskopf

I can’t stay away from the “big guns” editorial panels. There’s something about being in the same room with the people who can pull the trigger and make you a published writer. Never mind that I haven’t even written a novel. For an hour I feel I’m this close to seeing my name on a cover by John Picacio.

5TH PLACE

FRI 11:30 AM

303 Quantum Mechanics, Future Technologies, & Parallel Worlds

CCC – Korbel 4CD

How quantum mechanics intersects and interacts withfuture technologies and parallel worlds. What if the current theory of quantum mechanics is wrong? What catastrophes might we awaken in experimenting with parallel worlds?

Kay Kenyon, (m) Todd Brun, Wil McCarthy

I’d want to sit in on this panel because it’s an important subject I’m frankly not especially well-equipped to understand. I figure they would have to discuss the subject using words, instead of math, and at a level nonscientists have a fighting chance of understanding. (The late Dr. Robert Forward was a favorite of mine, for his ability to gear explanations to a fan audience.)

How Tall Is The Hugo?

Nippon 2007 Ultraman Hugo base

How tall is the Hugo rocket? As a matter of fact, a chrome Hugo rocket is thirteen inches tall. But what I am really asking you to do is put your imagination to work, then tell me: What sized rocket do you think the Hugo is modeled on?

John Hertz and I came up with this question while we were discussing the spate of silly controversies that plagued Nippon 2007’s Hugo Awards. The last one was about the Hugo Award base. From all the griping you’d think the Japanese superhero Ultraman practically dwarfed the Hugo rocket.

A lot of fans thought it was perfectly fine for a Japanese Worldcon to honor an icon from its country’s sf tradition. But for or against, all fans seemed to take for granted that the figure of Ultraman was exaggerated. No one ever asked whether Ultraman and the rocket might, in fact, be in proper proportion to one another, or how to find that answer.

Ultraman is supposed to be 130 feet tall. Just how big do we conceive the Hugo rocket to be?

In the popular imagination the hypothetical, life-sized Hugo rocket has taken on mythic proportions with the passing years.

Trylon and PerisphereTo honor the 50th anniversary of the first Worldcon, the 1989 Hugo Award base took inspiration from the signature buildings of the 1939 New York World’s Fair, the Trylon and Perisphere. Connected to the Trylon, which stood 700 feet tall, by what was at the time the world’s longest escalator, was the Perisphere, 180 feet in diameter. So in the 1989 base design the Hugo rocket stood in for a 700-foot-tall tower.

Three years later, Phil Tortoricci designed the 1992 Hugos, with special gold-plated rockets on his beautifully-made bases. He hand-painted an astronomical scene on each black stone backdrop. The rockets rested on little squares of orange grating from the original Pad 29 where America’s first satellite was launched. That was the Explorer-1 satellite launched on a multi-stage Jupiter-C rocket in 1958. I’m sure that by 1992 fans were used to seeing historic footage of missions launched with the huge Saturn V rocket, 363 feet tall (shorter than the Trylon, but still mighty big.) In fact, the rocket that launched our first satellite was just 71 feet tall – something Ultraman actually could tower over!

The fairest measure of the relative size of Ultraman and the Hugo rocket can be found by identifying the rocket ship that inspired the Hugo design.

The official Hugo Awards site says, “The earliest Hugo Award trophies used a rocket hood ornament from a 1950s American automobile…” Hopefully that will soon be corrected –accurate information is already posted elsehwere on the same site about Jack McKnight’s role in manufacturing the first Hugos.

Jack McKnight's Hugo rocketMilton Rothman, chair of the 1953 Philadelphia Worldcon that invented the Hugo Awards, said in his article for the Noreascon Program Book that they had a lot of trouble finding someone to make the Hugo rockets. “It was Jack McKnight who came to the rescue. An expert machinist, he turned the little rockets out of stainless steel in his own shop, learning to his dismay that soldering stainless steel fins was a new art. While doing this, poor Jack missed the whole convention, but turned up just in time for the banquet and the presentation.”

The use of hood ornaments wasn’t proposed until the Hugos (which missed a year) were revived in 1955 by the Cleveland Worldcon committee. They hoped Jack McKnight would make their Hugo rockets, too, but their letters brought no replies. Nick Falasca asked, couldn’t they simply use Oldsmobile “Rocket 88” model hood ornaments? They ordered one of the ornaments from the local dealer. Unfortunately, the rocket had a hollow underside; hood ornaments did not prove to be a cheap and easy solution after all. Instead, Ben Jason had the Hoffman Bronze Co. prepare a pattern rocket from his design, and that rocket does bear a resemblance to the 88 logo from the trunk lid of a 1955 Oldsmobile “Rocket 88.” That’s the Hugo rocket shape in use to this day.

Milton Rothman said Jack McKnight’s original stubby-winged 1953 Hugo rocket was inspired by Willy Ley. Presumably he meant the cover of Ley’s 1949 book, The Conquest of Space. The original Hugo rocket looked more or less like the Moon rocket Chesley Bonestell painted for the cover of Ley’s book. The general impression is of a rocket about the same size as used in the 1950 movie Destination Moon, for which Bonestell also did the matte and scene paintings. We know that the Luna, flown in Destination Moon, was 45 meters or 150 feet tall. (Bonestell’s image has never ceased to fascinate Hugo designers: the cinematic Moonscape of the 1996 Hugo base, with Hugo rocket in the foreground, pays homage to Destination Moon.)

In the end, the fairest and most logical answer is that our hypothetical Hugo is the same size as Destination Moon’s Luna, 150 feet tall. That makes the Hugo similar in size to the legendary Ultraman, and allows us to conclude the Nippon 2007 base shows the two images in proper proportion. Case closed.

That gives us about a week to get ready for this year’s Hugo controversies…

Denvention 3 Party Guide

Denvneiton 3’s Melissa Morman announces:

With assistance from many great people, I’ve put together a Party Planner’s Supply Guide that lists grocery stores, specialty stores, etc. near (walking or driving distance) from Denvention.  If you’d like a copy (it’s a Word document), please send me an e-mail (melissa.morman (at) denvention.org) and I’ll get a copy out to you.  I’ll also have hard copy at the Information Desk.